Podcast appearances and mentions of Abbey Road Studios

Coyote vs. Acme director Dave Green unpacks his favorite animated movies with a live-action sensibility and his favorite live-action movies with a cartoon sensibility with Josh Olson and (sometimes) Joe Dante! Show Notes: Movies Referenced In This Episode Coyote vs. Acme (2026) Modern Times (1931) Beetlejuice (1988) Pee-Wee's Big Adventure (1985) Batman (1989) Edward Scissorhands (1990) Batman Returns (1992) Ghostbusters (1984) The Conjuring (2013) The Addams Family (1991) Addams Family Values (1993) Get Shorty (1995) Ratatouille (2007) The Incredibles (2004) Looney Tunes: Back in Action (2003) The Lost Weekend  (1945) The Last Action Hero (1993) Airplane! (1980) Evil Dead 2: Dead by Dawn (1987) Raising Arizona (1987) Predator (1987) M (1931) M (1951) The Black Vampire (1953) Barney's Great Adventure (1998) Other Notable Items Our revamped Patreon!  The Hollywood Food Coalition Samy Burch Mel Blanc Charlie Chaplin  Abbey Road Studios in London, England Tim Burton Wes Anderson Michael Keaton Batman: The Animated Series TV series (1992-95) The Real Ghostbusters TV series (1986-91) Beetlejuice TV series (1989-91) The Simpsons TV series (1989- ) The Ren & Stimpy Show TV series (1991-95) Ralph Bakshi Mighty Mouse: The New Adventures TV series (1987-88) The Tick TV series (1994-96) The Maxx TV series (1995) Christopher Nolan Daniel Waters Batman TV series (1966-68) ArcLight Cinemas  Joan Cusack Barry Sonnenfeld Pixar Brad Bird Tim and Eric Awesome Show, Great Job! TV series (2007-10) Warner Bros. Peter Lorre The Animated Peter Lorre book by Matthew Hahn (2024) Arnold Schwarzenegger Mad magazine (1952- ) Sergio Aragonés Lee J. Cobb Sam Raimi Ted Raimi Joel Coen Ethan Coen Nicolas Cage Bugs Bunny Wile E. Coyote Woody Woodpecker Paul Chadwick  Mega Man TV series (1994-96) Joseph Losey  David Wayne David Wain  The State SpectreVision Radio is a bespoke podcast network at the intersection between the arts and the uncanny, featuring a tapestry of shows exploring creativity, the esoteric, and the unknown. We're a community for creators and fans vibrating around common curiosities, shared interests, and persistent passions. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠spectrevisionradio.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠linktr.ee/spectrevisionsocial Learn more about your ad choices. Visit megaphone.fm/adchoices

GHOST TRAIN – Countries around the world have built high-speed rail – why has it failed to catch on in the U.S.? An ambitious state-run project connecting L.A. and San Francisco is vastly behind schedule and has seen costs balloon. One private company is hoping it can succeed where the public sector hasn't – but that too faces challenges. Correspondent Jon Wertheim reports on the state of high-speed rail in the U.S. – which has become a stand-in for a broader question: can America still build big things? David M. Levine is the producer.ONE MOTHER'S STORY – Rachel Goldberg-Polin's son Hersh was taken hostage by Hamas on Oct. 7, 2023. On his 328th day in captivity, Hersh was executed in a tunnel in Gaza. Now, Rachel Goldberg-Polin is trying to figure out how to live after losing her child. Anderson Cooper interviews Goldberg-Polin about Hersh and her grief, and speaks with Or Levy, a released hostage who was in captivity with Hersh, and credits him with helping to save his life. Katie Brennan is the producer.WILD CONCERTO – Acclaimed drummer of The Police Stewart Copeland and celebrated British naturalist Martyn Stewart have created Wild Concerto, a pioneering album that mixes authentic animal sounds with original music. It's based on Stewart's unparalleled audio archive of the world's wild inhabitants. Correspondent Bill Whitaker joins the pair at the iconic Abbey Road Studios as Copeland and Stewart give Mother Nature's orchestra the star treatment. Heather Abbott is the producer.

Tess Remy-Schumacher is is a Grammy® nominated cellist and producer. She's won a whole bunch of awards including the World Entertainment Award for “Best Classical Album”, first Prize at the International Carlo-Zecchi Competition in Rome, and multiple medals at the Global Music Awards. As a concert soloist, she has recorded at Abbey Road Studios as part of the Six String Symphony with the London Symphony and recorded over 20 albums. She's performed in Europe, Asia, Australia, and the U.S., including at Wigmore Hall in London, Jubilee Hall in Singapore, and the Grammy Museum in Los Angeles. As an educator she is a professor at the University of Central Oklahoma. My featured song is “The Buzz”, one of my recent singles. Spotify link. —------------------------------------ The Follow Your Dream Podcast: Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Clickhere to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH TESS: CLICK HERE   "MA PETITE FLEUR STRING QUARTET CLICK HERE FOR ALL LINKS —----------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com      

Today I'm chatting with Amanda Lee Falkenberg, an internationally acclaimed Australian composer, pianist and creator of The Moons Symphony — a groundbreaking orchestral work recorded with the London Symphony Orchestra under Marin Alsop, with choral forces recorded separately at Abbey Road Studios.Amanda's work bridges science, music and storytelling, developed in close collaboration with NASA planetary scientists and astronomers. She's also the founder of Lunar (Learning under New Artistic Regimes), an immersive educational platform blending planetary science, music and art to spark curiosity in learners of all ages.In this conversation we trace the whole journey: from stumbling across an article on the "ten weirdest moons," through a cold email to a NASA scientist that led to a presentation at JPL, to the pandemic-era twist that finally brought the LSO, Marin Alsop and Abbey Road into alignment. We talk about why she built Lunar as a course rather than a one-off concert, what she's learned from planetary scientists about resilience and the long game, and how a childhood love of John Williams became the unlikely throughline for a project rooted entirely in science fact.Key TakeawaysA cold email can change everything. Amanda's project only reached NASA because she sent an unsolicited message into what she calls "the black hole email" — with no expectation of a reply.Passion projects don't need permission to start. She began researching and composing years before she had a scientist, an orchestra, or a plan for education — the vision came first.Interdisciplinary learning resonates because real life isn't siloed. Music, science and storytelling aren't separate subjects to her — they're one experience, and that's exactly why Lunar works across age groups from teenagers to retirees.Resilience is the throughline of both music and science careers. Amanda draws a direct parallel between the decades-long timelines of NASA missions and the "10,000 hours" of a musician's path — both require staying in it for the long game.Setbacks can create the conditions for a breakthrough. Covid cancelled her original recording dates — and then, months later, cleared Marin Alsop's schedule enough to make the recording finally happen.You don't need a background in either subject to benefit. Lunar is designed so that participants need no prior knowledge of music or science — just curiosity.Chapters:00:02 - Exploring the Moon Symphony with Amanda Lee Falkenberg01:54 - The Journey of the Moon Symphony12:48 - Interdisciplinary Education: Bridging Science and Art15:15 - The Journey of the Lunar Program24:21 - The Journey to Collaborate with NASA29:21 - The Impact of COVID on the Project34:31 - The Journey of Passion Projects39:55 - The Long Game: Resilience in Music and Sciencehttps://www.moons-symphony.com/https://www.moons-symphony.com/gateway-to-lunar▶️ YouTube

It's time for another episode of Fans On The Run!   Joining me today is legendary audiophile writer/journalist, proprietor of Tracking Angle, and all around fascinating fellow Michael Fremer!   We talk about hearing 'She Loves You' for the first time, an unreleased Beatles reissue, the poor sound of the original Capitol 'Magical Mystery Tour' LP, Abbey Road Studios, imports, screening 'A Hard Day's Night' at a summer camp before it's official release, being an early stereo adopter, picking up imported copies of a new Beatles album at the Boston harbor, and of course, records, records, and more records!   All that and more, you're going to want to listen!   This episode is available to stream wherever good podcasts can be heard!   Keep up with Michael: https://trackingangle.com/ https://www.youtube.com/@trackingangle929 https://www.theabsolutesound.com/ When Michael Served As An Expert Witness When Quincy Jones Sued the Estate of Michael Jackson. https://www.youtube.com/watch?v=NMfppnJs3vM   Follow us elsewhere: https://linktr.ee/fansontherun    Contact fansontherunpodcast@gmail.com

60 years ago, in August 1966, London was being called "Swinging London" -- the home of Twiggy, James Bond, Pop Art, mini-skirts, and the site of England's only World Cup championship (in July). It was also the home of John Lennon, Paul McCartney, George Harrison and Ringo Starr who went into Abbey Road Studios in April to record an album that would redefine what popular music could be. From radically new recording techniques to non-western musical influences, The Beatles raised the bar with Revolver. And Randy Renaud marks its 60th anniversary with the story behind its recording, on this week's edition of the Chronicles of Rock.

Stewart Alsop sits down with Matias Avalos on this episode of the Wisdom podcast to explore the intersection of technology, humanism, and creative sovereignty. The conversation moves from Matias's work with neural network-based audio plugins and effect chains to broader questions about corporate transhumanism, data ownership, and what it means to maintain human agency in an increasingly automated world. They discuss the dangers of convenience-driven technological adoption, the implications of companies like Palantir and Neuralink, and how bureaucratic incentives push toward total legibility while protecting their own opacity. Along the way, they touch on everything from IMAX audio production and the death of walkable cities to Instagram's transformation from visual diary to data extraction platform, ultimately arguing for local, open-source, and sovereign approaches to technology that keep humans in the loop rather than replacing them with "average fabrics" of algorithmic output. Find Matias Avalos on LinkedIn for more techno-poetic discussions.Timestamps00:00 Stewart welcomes Matias Avalos to discuss their friendship and upcoming conversation topics.05:00 Matias explains audio effect chains using neural networks to capture professional recording room signatures and create portable high-fidelity sound processing.10:00 Discussion of piezoelectric microphones converting sound vibrations to electrical signals and CIA experiments using lasers to capture audio from glass surfaces.15:00 Conversation shifts to digital audio recording, sampling rates, and the importance of source material quality for post-production work.20:00 Stewart shares his journey building web conferencing software to replace Riverside, encountering lip-sync problems and learning about FFMPEG processing.25:00 Matias discusses corporate transhumanism, Neuralink's implications, and how brain interfaces could enable continuous taste mining beyond medical applications.30:00 Analysis of corporate transhumanism through companies like Neuralink, discussing private decision-making, lack of transparency, and various transhumanist philosophies globally.35:00 Matias reads poetry about digital replicas and data generation, exploring how wearable devices continuously capture human activity creating targetable information streams.40:00 Discussion of Peter Thiel's shift from libertarianism to neoconservatism, Palantir's origins in Total Information Awareness program, and Buenos Aires as humanist sanctuary.45:00 Examination of American convenience culture, post-WWII suburban isolation, and Buenos Aires as walkable humanist alternative to car-dependent American cities.50:00 Matias presents Neil Harbison as positive transhumanism example, explaining color-to-vibration synesthesia implant while discussing techno-optimism from Global South perspective.55:00 Conversation explores bureaucratic incentives toward population legibility, compelled silence laws, and sovereignty through open-source local technology ownership avoiding corporate control.60:00 Matias concludes discussing digital identity ownership, social network portability, and how digital twins determine human worth across platforms and borders.Key Insights1. Modern digital audio processing technologies represent a fundamentally different approach to music and sound production compared to generative AI tools. Matias Avalos distinguishes between technologies like Neural DSP's Mantra plugin, which uses deep neural networks to capture and emulate professional recording environments, and generative platforms like Suno. The key difference is that traditional digital signal processing tools put the creator in control, allowing them to make artistic decisions using expensive effect chains that would otherwise only be available in elite studios like Abbey Road. These technologies democratize access to professional audio tools without removing human agency from the creative process, whereas generative AI tools operate as black boxes that produce outputs based on prompts rather than allowing genuine creative control.2. The capture and preservation of source material remains critically important in audio and video production, despite advances in post-production capabilities. Through his experience building a web conferencing application to replace Riverside.fm, Alsop learned that many technical problems, particularly lip-sync issues, stemmed from poor source file management and recording methodology. This principle extends across all media production, as Avalos explains using the example of missing lighting in professional photography. While modern generative AI might attempt to invent missing elements, the results cannot match properly captured source material. This highlights a fundamental tension in contemporary media production where the quality triangle of cheap, good, and fast has been disrupted by AI technologies that can deliver all three if we lower our standards for what constitutes good work.3. Corporate transhumanism represents a particular and concerning subset of transhumanist philosophy that differs significantly from earlier artistic and philosophical approaches to human enhancement. While early transhumanists like Neil Harbison, a color-blind artist who implanted a device to translate color frequencies into vibrations, pursued personal enhancement and expanded human experience, corporate transhumanism as practiced by companies like Neuralink focuses on technological integration with significant profit motives and control mechanisms. The discussion highlights how these corporate approaches position themselves as solving medical and cognitive problems while simultaneously creating dependency through terms of service, data mining, and token-based economic models. This represents a Trojan horse where the promise of enhanced capability masks the establishment of new forms of control and surveillance of human consciousness itself.4. The concept of legibility as a bureaucratic end goal rather than a means to an end explains much of the surveillance apparatus that has developed in Western societies, particularly in the United States since 9/11. Alsop describes how those in positions of power, wealth, and fame have a structural incentive to make everything around them legible and controllable while maintaining their own privacy and illegibility to external observation. This dynamic manifests in technologies like Palantir and in legal mechanisms like compelled silence through gag orders, which directly contradict constitutional principles of free speech. The drive for total legibility of populations appears to have no ultimate purpose beyond the accumulation of legibility itself, creating a recursive loop where surveillance and data collection become self-justifying activities that serve power structures rather than the populations they ostensibly protect.5. Human beings continuously generate enormous streams of metadata through their daily activities, creating what Avalos describes as evaporating against our own will into hundreds of RSS feeds for hundreds of corporations. This automatic data production occurs through basic activities like waking up, moving through space with smartphones and wearable devices, and interacting with digital platforms. The fundamental question that predates transhumanism but becomes more urgent within it is how individuals can own what they produce simply by existing and moving through the world. This data is captured through accelerometers, gyroscopes, GPS systems, and countless other sensors that create comprehensive digital profiles without explicit consent or meaningful control by the individuals being monitored. The unilateral nature of this communication, where individuals broadcast data without receiving genuine value in return, has become so deeply embedded in modern infrastructure that it forms part of the taken-for-granted landscape of contemporary life.6. Platform lock-in and the inability to migrate digital identity across services creates a new category of loss that requires genuine grieving. Avalos describes how his experience with Instagram, which began as a personal visual diary before the Facebook acquisition, evolved into a situation where he cannot extract his creative work and social connections from the platform without significant loss. This phenomenon extends beyond mere inconvenience to touch on fundamental questions of identity and citizenship, as social media profiles increasingly determine real-world opportunities like visa applications and border crossings. The implications of digital footprints have become severe enough that individuals can be denied entry to countries based on algorithmic analysis of their online interactions, likes, and expressed beliefs. This creates a situation where people are worth exactly what their digital twin indicates they are worth, with no meaningful avenue for human appeal or nuanced self-representation.7. The future relationship between humans and technology requires a return to principles of sovereignty, local control, and open source development rather than dependence on corporate platforms and proprietary systems. Both Alsop and Avalos advocate for a do-it-yourself approach to technology that emphasizes ownership and control over personal tools and data. This includes avoiding closed systems like Neuralink unless they become open source and user-controlled, and prioritizing local execution of AI models over cloud-based services that create dependencies and enable surveillance. The conversation suggests that techno-optimism remains possible, but only from what Avalos calls the trenches, acknowledging the different relationship that people in the Global South and those outside centers of power have with technology. This grounded optimism recognizes the entanglement of beneficial and harmful aspects of technological development and maintains that human agency and creative freedom require conscious resistance to the convenience-at-all-costs model that has characterized recent technological adoption.

Kyla Nicole Healey explains how a trained competitive dancer from Long Island pivoted into an independent jazz and indie-pop singer-songwriter career, why she refuses to sign away her masters, and what it took to record at Abbey Road Studios in London without label backing. The Green Room crew press Healey on the realities of fusing jazz roots with contemporary, folk, and Middle Eastern influences on her debut EP, Butterfly, releasing June 28th on vinyl.The conversation covers how Healey built her sound by listening to Ella Fitzgerald and Sarah Vaughan on vinyl records with her father since age three, performed at Alvin Ailey City Center in New York, traveled with the Zodiac Dance Company, and eventually followed her intuition to Los Angeles at 21 with almost no industry connections. A Long Island dancer turned genre-fusing vocalist, Healey represents a growing wave of independent artists choosing creative ownership over label infrastructure at every stage of their careers.

In this episode of MyMusic, Graham Coath welcomes Los Angeles singer-songwriter Stella Prince for a warm and wide-ranging conversation about music, identity, ambition, and why the industry sometimes struggles more with labels than with artists.Stella discusses her upcoming UK performances, including a residency at London's Green Note and an appearance at The Long Road Festival alongside artists such as Emmylou Harris and Steve Earle. The pair explore her self-described "Gen Z Folk" sound, growing up surrounded by the music of Joni Mitchell, Bob Dylan and Broadway classics, and why she has resisted pressure to fit neatly into a single genre.The conversation also dives into the realities of being an independent artist. From booking tours and radio interviews as a teenager to managing the business side of a music career, Stella shares an honest perspective on what it really takes to build a life in music today.They also talk about her recent cover of Buffalo Springfield's For What It's Worth, recording in Laurel Canyon, favourite Beatles songs, dream collaborations with Noah Kahan, and why Ed Sheeran may be one of the greatest modern examples of a storyteller with a guitar.Along the way, there are discussions about folk music, England, cake, Abbey Road Studios, Stevie Wonder's version of Happy Birthday, and the song Stella still hopes to write about the journey from childhood to adulthood.A thoughtful, funny and inspiring conversation with an artist who combines old-soul storytelling with a distinctly modern voice.

Send us Fan MailWhat happens when the thing you love most becomes the thing you can never completely walk away from?This week on Here's What We Know, conductor and pianist Robert Emery returns for a conversation about creativity, music, and the curious ways our minds work. From practice rooms to Abbey Road Studios, Robert shares what life is really like for a professional musician, why creative people often struggle to switch off, and what he's learned from spending a lifetime immersed in music.Gary and Robert also trade stories about family, parenting, travel, questionable hotel experiences, and the challenges that come with building a career around passion. They explore the lives of Mozart, Franz Liszt, and Berlioz, uncovering the very human struggles, quirks, and triumphs behind some of history's most celebrated composers.Robert also shares the story behind Orchestral Meditations, his latest project featuring meditation music recorded at Abbey Road Studios with a full symphony orchestra and choir.In This Episode:• Why musicians never really leave work behind• The truth about practicing and mastering a craft• What Mozart and Michael Jackson may have had in common• How creativity affects everyday life• Stories from Abbey Road Studios• The fascinating history of Franz Liszt and musical celebrity• Why travel helps reset the mind This episode is sponsored by: Reed Animal Hospital Bio:Robert Emery is a conductor, pianist, and serial entrepreneur. He is lucky enough to travel the world; ranging from performances in London's Royal Albert Hall, through to the Sydney Opera House, Robert has seen them all.Besides music, he is the Founder & Director of The Arts Group, one of the most diverse entertainment companies in the UK. Within the portfolio is a national music tuition agency, symphony orchestra, choir, artist agency, record label, and production company.Aside from that, he lives in London and Cambridge, has a wife (Mrs. E), a toddler (Master T), a baby (Master A), and 4 cats.Website: https://robertemery.com/Orchestral Meditation: http://orchestralmeditation.comYouTube: https://www.youtube.com/robertemeryofficial/Facebook: https://www.facebook.com/robertemeryofficial/Instagram: https://www.instagram.com/robertemeryofficial/Tags: Robert Emery, Creativity, Classical Music, Professional Musician, Music Career, Mozart, Franz Liszt, Music History, Conducting, Pianist, Abbey Road Studios, Orchestral Meditations, Creative Process, Creative Life, Music Industry, Composers, Arts & Culture, Creativity and Purpose, Work-Life Balance, Performing Arts, Creative Careers, Music Education, Connect with Gary:Gary's WebsiteFollow Gary on InstagramGary's TiktokGary's FacebookWatch the episodes on YouTubeAdvertise on the PodcastThank you for listening. Let us know what you think about this episode. Leave us a review!

Richard Osman and Marina Hyde are joined by the most influential pop writer of all time - Sir Paul McCartney. The Beatles legend answers your questions on the changing nature of fame, his relationship with ambition and why you must always play the hits at live shows. Filmed at Abbey Road Studios. The Rest is Entertainment is brought to you by Octopus Energy, Britain's most awarded energy supplier. Lloyds. 250 years on and still backing the nation's aspirations. Join The Rest Is Entertainment Club: Unlock the full experience of the show – with exclusive bonus content, ad-free listening, early access to Q&A episodes, access to our newsletter archive, discounted book prices with our partners at Coles Books, early ticket access to live events, and access to our chat community. Sign up directly at ⁠therestisentertainment.com ⁠ For more Goalhanger Podcasts, head to ⁠www.goalhanger.com⁠ Video Editor: Adam Thornton Assistant Producer: Imee Marriott Senior Producer: Joey McCarthy Social Producer: Bex Tyrrell Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

2016 hat Udo Lindenberg sein Album "Stärker als die Zeit" veröffentlicht. In dieser Folge feiern wir also gleich doppelt: Das Album wird 10 und Udo feiert seinen 80. Geburtstag. Udo Lindenberg ist wirklich eine Ikone und eine Konstante der deutschen Musiklandschaft. Mit "Stärker als die Zeit" hat er 2016 sein 36. und bisher letztes Studioalbum veröffentlicht. Musiker Peter Freudenthaler von der Band Fools Garden gehört zum erweiterten musikalischen Kreis von Udo Lindenbergs Panik-Orchester, und er ist (und war schon immer) großer Fan von ihm. Einer der bekanntesten Songs des Albums – und der letzte Song der Platte – ist der Titelsong "Stärker als die Zeit". Aufgenommen wurde der Song in einem der legendärsten Tonstudios der Welt: den Londoner Abbey Road Studios. In denen haben auch schon die Beatles einige Zeit verbracht. Als Erklärung, warum ein Udo Lindenberg als deutscher Künstler in die Abbey Road Studios nach London geht, vermutet Musikredakteurin Ilka Siebert, dass man dort "etwas Episches machen kann". Wenn man sich die Schwere und die Breite im Sound von "Stärker als die Zeit" anhört, dann klingt das, als wäre der Plan von Udo Lindenberg für diesen Song aufgegangen. Während viele Künstler im Alter eher bei dem bleiben, was sie kennen, und wenig Neues ausprobieren, ist Udo Lindenberg hier der positive Gegenentwurf. Er entwickelt sich immer noch weiter, macht Dinge zusammen mit jüngeren Künstlern, auch aus anderen musikalischen Sphären, und hält einfach gerne Kontakt – Udo steht nicht still. Als positiven Beleg dafür kann man zum Beispiel seine Zusammenarbeit mit dem Rapper Apache 207 sehen, mit dem er vor einiger Zeit den Song "Komet" aufgenommen hat. Pop-Ppianist und Songwriter Vince Bahrdt kennen wir als Kopf hinter der Band Orange Blue, die Anfang der 2000er mit "She's Got That Light" einen großen Hit in der deutschen Radiolandschaft hatten. Vince ist aber auch Songwriter und hat mit Udo Lindenberg selbst schon mehrfach zusammengearbeitet – und das immer gerne: "Udo nimmt sich nicht zu ernst und nicht zu wichtig. Er ist ein ganz angenehmer, netter Mann – davon hätte ich gerne mehr in der deutschen Musiklandschaft." __________ Über diese Songs vom Album "Stärker als die Zeit" sprechen wir im Podcast (20:15) – "Stärker als die Zeit"(29:29) – "Durch die schweren Zeiten"(37:56) – "Muss da durch"(49:34) – "Mein Body und ich"(53:16) – "Der einsamste Moment"(01:01:12) – "Eldorado"__________ Alle Shownotes und weiterführenden Links zur Folge "Stärker als die Zeit" findet ihr hier: https://x.swr.de/s/udolindenbergstrkeralsdiezeit __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

„Nightingale Lane“ wurde am 27. März 2026 auf Rayes zweitem Studio-Album „This Music May Contain Hope“ veröffentlicht. Im Text der Ballade geht es um eine sehr persönliche Erinnerung an eine frühere Liebe – hier im Londoner Stadtteil Tooting, wo sich die Nightingale Lane befindet, ist Raye aufgewachsen und hier hat sie offensichtlich auch ihre große Liebe verloren. Die Sängerin hat den Song gemeinsam mit Tom Richards und Chris Hill geschrieben. Teile davon wurden mit Orchester im Abbey Road Studio aufgenommen und von Tom Richards dirigiert. Raye hat bereits zahlreiche Auszeichnungen erhalten und ist für ihre herausragende Stimme und die Mischung aus Soul, R&B, Jazz und Pop bekannt. Sie begann schon früh Songs zu schreiben und zu performen. Mit 14 Jahren besuchte sie für zwei Jahre die BRIT School – eine weiterführende Schule für Darstellende Künste und Technologie in Selhurst in London, an der auch Adele und Amy Winehouse unterrichtet wurden. Parallel arbeitete sie zudem in Songwriting-Sessions mit anderen Künstlerinnen und Künstlern.

Welcome to Off The Beat and Track!In this special episode, host Stu Whiffen sits down with LA-based musician Lola Bates—an exciting emerging artist making waves with her distinctive sound and bold creative identity.Raised in the iconic Laurel Canyon music scene, Lola Bates draws influence from legendary artists such as Joni Mitchell, Kate Bush, Tori Amos, and PJ Harvey. A classically trained pianist and accomplished multi-instrumentalist, she blends pop, rock, and folk with intricate vocal harmonies and cinematic production.Despite being just 24, Bates has already built an impressive résumé. She toured alongside Jerry Cantrell—best known from Alice in Chains—and later joined his band for a global tour supporting his solo work. She has also performed with emerging act Sunday (1994), further expanding her presence on the international stage.Her musical career began early, contributing piano work to Guardians of the Galaxy Vol. 1 at just 12 years old, before recording with the London Symphony Orchestra at Abbey Road Studios for the sequel. Her vocals have since featured across film, television, and major releases—including John Wick: Chapter 4 and Primal.Blending elements of indie, alternative, and leftfield pop, Lola is carving out her own lane with music that feels both modern and deeply personal. Writing and creating from Los Angeles, she brings a fresh perspective shaped by her surroundings, influences, and fearless approach to artistry.

Hruschka, Lynn www.deutschlandfunkkultur.de, Studio 9

Axel Fischbacher präsentiert mit seinem Trio das Album “The London Session” das im ehrwürdigen Abbey Road Studio in London als “Direct-to-Disc” Vinyl-LP aufgenommen wurde.

President Trump has threatened to take - or make a deal for - whatever is left of the regime's highly enriched uranium stockpile - a key component to building nuclear weapons. HEU removal operations can be high stakes and dangerous, but the U.S. has successfully done it before in 1994 – safely removing 600 kilograms of weapons grade uranium from Kazakhstan after the fall of the Soviet Union. Correspondent Cecilia Vega reports on the covert operation, code named Project Sapphire, and if it could be the blueprint for how to get HEU out of Iran. Rachel Goldberg-Polin's son Hersh was taken hostage by Hamas on Oct. 7, 2023. On his 328th day in captivity, Hersh was executed in a tunnel in Gaza. Now, Rachel Goldberg-Polin is trying to figure out how to live after losing her child. Anderson Cooper interviews Goldberg-Polin about Hersh and her grief, and speaks with Or Levy, a released hostage who was in captivity with Hersh, and credits him with helping to save his life. Acclaimed drummer of The Police Stewart Copeland and celebrated British naturalist Martyn Stewart have created Wild Concerto, a pioneering album that mixes authentic animal sounds with original music. It's based on Stewart's unparalleled audio archive of the world's wild inhabitants. Correspondent Bill Whitaker joins the pair at the iconic Abbey Road Studios as Copeland and Stewart give Mother Nature's orchestra the star treatment.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Joining me today is Chris AllanChris is a prominent UK-based rock and metal session drummer known for his high-energy style and extensive touring experience. He is currently the drummer for Ronnie Romero, Marco Mendoza and performs in the popular theatre show The Story of Guitar Heroes. Career Highlights* Ronnie Romero Band: Currently touring and recording with the acclaimed rock vocalist, including work on the album Backbone.* Marco Mendoza: * The Story of Guitar Heroes: Performs extensively in UK theatres, showcasing drumming styles that have shaped rock history.* Malefice: Spent four years (2010–2014) as the drummer for this Metal Blade Records outfit, touring with heavyweights like Anthrax, Testament, and Arch Enemy.* Session Work: Has recorded at the legendary Abbey Road Studios and contributed drums to TV broadcasts including Radio 1 and the UEFA Champions League.* Tributes: A lifelong fan of Cozy Powell, Chris performed a tribute solo at Powell's memorial plaque unveiling in 2016 also performing at the last Cozy Powell Birthday BashEquipment and EndorsementsChris is an official artist for several major industry brands, often featuring them in his studio and live setups: * Cymbals: Paiste Artist, frequently using the 2002 and Formula 602 series.* Drums: Pearl Drums.* Drumheads & Sticks: Endorsed by Remo and Vic Firth. www.chrisallandrums.comHuge thanks to Chris for taking the time to do this interview.

RAYE's second studio album "THIS MUSIC MAY CONTAIN HOPE." is a statement - a sprawling, maximalist 73-minute concept record divided into four seasons, featuring 17 tracks that move through jazz, big band, soul, orchestral pop, and R&B. Released independently on March 27, 2026, the album debuted at #1 in the UK, the Netherlands, and Switzerland, and features collaborations with Hans Zimmer and the London Symphony Orchestra, a surprise duet with soul legend Al Green, and intimate moments with RAYE's grandfather and sisters. It follows global smash "Where Is My Husband!" - her second UK #1 - and critics are already calling it one of the boldest pop albums in years.In this episode, Chris and Chantel Nicole go track by track through This Music May Contain Hope with special guest Jasmine Stephen - producer at The Kelly Clarkson Show and a seasoned veteran of music and entertainment television - bringing her industry perspective to one of 2026's most ambitious pop releases.From the cinematic spoken-word intro to the four-minute credit roll in "Fin.," does RAYE's big swing land? Is this a sophomore masterpiece or beautifully overwhelming? Track by track, we find out.Join us on Patreon!: https://www.patreon.com/CCTVPOPSFollow us on social media: https://linktr.ee/cctvpops0:00 - Intro2:59 - "THIS MUSIC MAY CONTAIN HOPE." Album Info4:28 - Album Cover6:10 - "Intro: Girl Under the Grey Cloud."9:20 - "I Will Overcome."15:10 - "Beware.. The South London Lover Boy."19:34 - "The WhatsApp Shakespeare."23:43 - "Winter Woman."30:22 - "Click Clack Symphony." feat. Hans Zimmer38:42 - "I Know You're Hurting."45:25 - "Life Boat."50:20 - "I Hate The Way I Look Today."55:45 - "Goodbye Henry." feat. Al Green1:01:04 - "Nightingale Lane."1:05:34 - "Skin & Bones."1:11:04 - "WHERE IS MY HUSBAND!"1:17:37 - "Fields." feat. Grandad Michael1:22:31 - "Joy." feat. Amma & Absolutely1:27:27 - "Happier Times Ahead."1:31:04 - "Fin."1:34:34 - Cut or Keep1:37:50 - Overall Thoughts & Final RatingReferences: “Click Clack Symphony.” Feat. Hans Zimmer MV https://www.youtube.com/watch?v=HtVcltkn3HI&pp=ygUQcmF5ZSBjbGljayBjbGFjaw%3D%3D “I Know You're Hurting.” Live at Abbey Road Studios https://www.youtube.com/watch?v=NXkn1Ee7Q5o&pp=ygUccmF5ZSBpIGtub3cgeW91J3JlIGh1cnJ0aW5nIA%3D%3D “Nightingale Lane.” Live at Abbey Road Studios https://www.youtube.com/watch?v=9ZKywzRJa_Y&pp=ygUVcmF5ZSBuaWdodGluZ2FsZSBsYW5l “WHERE IS MY HUSBAND!” MV https://www.youtube.com/watch?v=rK5TyISxZ_M&pp=ygUYcmF5ZSB3aGVyZSBpcyBteSBodXNiYW5k

In this episode of My Music, Graham Coath sits down with London-born singer-songwriter Col Gerrard for a conversation that moves well beyond the usual music interview.Col's approach to music is grounded in something increasingly rare—classic songwriting, emotional honesty, and a deep respect for real musicianship. Influenced by soul, classic pop and timeless artists, his work reflects a life shaped by movement, experience, and reflection. The discussion weaves through the making of his self-titled debut album—an introspective twelve-track record that explores the complexity of relationships, miscommunication, longing, and the quiet weight that love can leave behind. As Col shares, these songs were written in hindsight—an attempt to make sense of moments that didn't fully land at the time.Recorded across iconic London studios including Abbey Road Studios, Metropolis Studios and Kore, the album was produced by Grammy-nominated Chris Potter (known for work with The Rolling Stones, U2 and The Verve). Together, they've created a piano-led, emotionally charged sound—blending soulful vocals, organic instrumentation, driving guitars and a subtle sense of nostalgia that feels both cinematic and accessible.Alongside the album, Graham and Col explore:Why true musicianship still matters in a world of AI and samplingThe irreplaceable energy of live performance and imperfectionThe tension between technology and human expressionHow songwriting often reveals meaning long after the moment has passedThere's also a strong thread throughout the episode about creative identity—why artists shouldn't feel boxed in, and how the best music often comes from allowing space for instinct, experimentation and even the unexpected.Having recently toured with Boyzlife and building momentum following radio support and a sold-out Camden headline show, Col Gerrard is carving out a space that feels both grounded and quietly confident.At its core, this episode is about rediscovering the human side of music—where feeling, craft and lived experience still lead the way.

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Grace Humphries, and we talk about what it feels like to be at the very beginning of an artist's journey—while already carrying real life, real grief, and a clear sense of purpose into the music.Grace shares what it's been like arriving at Belmont University as a spring admit, stepping into music school life for the first time and suddenly being surrounded by people who truly understand the creative path she's on. For the first time, she's in an environment where songwriting, performing, and artistic ambition feel normal—and that shift has been energizing.We also trace her musical origin story. Grace has been singing since childhood, gradually teaching herself piano and guitar while learning how to shape songs with intention. Along the way, we talk honestly about the profound impact of losing her brother Liam, and how that experience reshaped her worldview, her faith, and ultimately the emotional center of her songwriting.There have also been some remarkable moments along the way. At just 16 years old, Grace recorded at Abbey Road Studios, an experience that helped solidify her commitment to pursuing music seriously. Since then, she's spent time searching for the right creative collaborators and has now begun recording new material at Soundstage Studios in Nashville alongside top-tier session musicians.We also talk about the craft of songwriting itself—learning to balance authenticity with the realities of the modern music industry. Grace reflects on how her faith influences her work without forcing it into a single genre category, and why she's focused on staying grounded in the music even as the industry continues to evolve. By the end of our conversation, it's clear she's an artist with both talent and a strong sense of identity about the path she wants to follow.Key TakeawaysWhat it's like entering Belmont University as a spring admit and finding a creative community.Grace Humphries's early musical beginnings—teaching herself piano and guitar while learning to write songs.How the loss of her brother Liam shaped her perspective, faith, and songwriting voice.The surreal experience of recording at Abbey Road Studios at age 16.Finding the right producer and beginning new recordings at Soundstage Studios in Nashville.How Grace balances authentic songwriting with commercial awareness.Why she remains focused on the work despite the rapidly shifting music industry.Music from the EpisodeWhy'd You Give Up — Grace HumphriesFor Years — Grace HumphriesAbout the PodcastThe Bandwich Tapes is a long-form conversation podcast where host Brad Williams sits down with some of the most thoughtful musicians, composers, and artists working today. The show explores the stories behind the music—creative process, collaboration, career paths, and the human experiences that shape the sounds we love.Connect with the ShowEmail: contact@thebandwichtapes.com

Following their Billboard-charting and award-winning album Midwinter's Gift, Kirstin Myers and Frances Drost—together known as Double Keyed—continue to delight audiences with heartfelt interpretations of both classical and contemporary music. Their contemplative sound takes listeners on a journey that resonates long after the final note.Formed in 2018, Double Keyed grew out of Kirstin and Frances's shared desire not only to perform together, but also to offer music that uplifts and leaves audiences with a deep sense of peace. Their first album, Midwinter's Gift, was recorded in Nashville in 2022 and quickly received national recognition, reaching #13 on Billboard's “Classical-Crossover” chart. A few months later, it was nominated for the Central Pennsylvania Hall of Fame's “Best Instrumental Album of the Year” and went on to win “Best Classical-Crossover Album” of 2022.Now, Kirstin and Frances are preparing their second Christmas album, a remarkable follow-up to Midwinter's Gift. Teaming up again with Nashville arranger and producer Phillip Keveren, this new music will feature the music of the world-class London Symphony Orchestra, recorded at Abbey Road Studios. Double Keyed is currently in full swing raising funds, practicing, and sharing glimpses of this exciting project with audiences.Website: doublekeyedmusic.comEmail: doublekeyed@gmail.comShop CDs and PDF Downloads: doublekeyedmusic.com/shopYouTube: https://www.youtube.com/@DoubleKeyed/featuredMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529

In this episode, I sit down with percussionist Colin Currie for a wide-ranging conversation about curiosity, originality, live performance, and the lifelong pursuit of musical meaning. Colin is one of the most influential percussionists of our time, known for his deep commitment to contemporary music, his close collaboration with composers, and his transformative interpretations of Steve Reich's work. This conversation explores how curiosity, patience, and listening have shaped his career and his approach to music-making.We begin by talking about technology, access to recordings, and the changing landscape of music education. Colin reflects on growing up in a time when discovering music required effort, intention, and physical presence in libraries and record shops. He shares concerns about students learning pieces by copying online performances rather than developing their own ideas, and he speaks passionately about the importance of solitude, curiosity, and learning music on one's own terms.Colin traces his musical beginnings back to early childhood, from piano lessons at age five to his first drum lesson at six, describing the joy, excitement, and physical energy that initially drew him to percussion. He talks about how that sense of wonder has never left him and why live performance remains a magical, irreplaceable experience. We explore why percussion continues to evolve so rapidly, how technique has advanced across the field, and why musical intent always matters more than virtuosity alone.A significant portion of the conversation focuses on Colin's connection to contemporary music and the composers who shaped his artistic identity. He describes hearing The Rite of Spring as a teenager, discovering post-war modernist composers through library scores, and developing an instinctive attraction to music that felt strange, challenging, and unfamiliar. Colin shares how his love for new music was never about understanding it intellectually, but about responding to it emotionally and instinctively.We also dive deeply into Colin's relationship with Steve Reich, including their first meeting, their long-standing collaboration, and the formation of the Colin Currie Group. Colin reflects on recording Music for 18 Musicians at Abbey Road Studios, explaining how the goal was to capture the intensity and emotional risk of live performance rather than create a polished studio artifact. He talks about groove, sonority, emotional depth, and why Reich's music demands both precision and expressive freedom.Colin discusses his growing role as a conductor and how stepping onto the podium has changed the way he listens, leads, and collaborates with ensembles. He shares stories from recent performances, lessons learned from orchestral musicians, and how listening remains the central skill, whether playing or conducting. We also talk about his record label, Colin Currie Records, crowdfunding new projects, and the upcoming release of a Steve Reich album featuring Sextet, Double Sextet, Six Marimbas, and Dance Patterns.As we look ahead, Colin reflects on 2026 as a landmark year, including Steve Reich's 90th birthday, dozens of performances of Reich's music worldwide, and the premiere of Colin's 40th percussion concerto. This is a thoughtful, inspiring conversation about curiosity, commitment, and the lifelong responsibility of serving music.Music from the Episode:Mallet Quartet (Steve Reich - Colin Currie Group)Music for 18 Musicians - Section VI (Steve Reich - Colin Currie Group)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

Welcome to this latest episode with ALYSS and her #musicjourney.ALYSS is a UK #musicproducer, #singer and #visualartist (#astrology #art) weaving together electronic, ethereal soul, esoterica, sacred geometry, astrology and alchemical symbolism throughout her work". ALYSS is known for her distinct fusion of tribal, alternative electronic, and ethereal soul, paired with powerful and expressive vocals. From ‘Hottest Record' on BBC Radio 1 to composing for the London Contemporary Orchestra at Abbey Road Studios, ALYSS continues to carve out her own niche blending together a multidimensional world of sound, art, and esoterica. Chapters:00:00 Intro Highlights 00:39 Oliver Introduces Quest02:28 Short Music Video Clip from ALYSS03:28 Introduction and Welcome04:53 Emotional Sensitivity and Creativity07:58 Managing Emotions and Boundaries10:57 Grounding Techniques and Tools helping with Boundaries18:42 Oliver Shares Energy Healing with the Infinity sign22:23 ALYSS' Playful Approach to Energetically Protect Herself when Working26:26 Attracting Strangers when Living In Joy28:57 Strong Lilith, a Witch of Astrology. Raw and Authentic Beingess30:08 Past Lives and Parallel Universe Ideas Exchange33:30 Reflective Nature and Overthinking35:58 Looking into Human Design and How it Reflects in our Lives39:49 Navigating Social Interactions and Labels42:12 Tip to Navigate Through Difficult Emotional Times43:58 Navigating Social Media, Getting Time Back for Creative Work47:54 The Importance of Grounding Techniques50:30 Embracing Playfulness and Creativity54:01 The Journey of a Musician01:03:13 ALYSS' Music Style01:05:31 Listening to Music and Feel the Emotions01:08:34 The Influence of Indigenous Music01:11:37 Balancing Elements in Music Creation01:18:36 Ideas and Process of Music Writing, Creativity 01:23:42 Final Thoughts and Teaser for the Next Episode01:27:07 Teaser Music Astroc0de VideosFollow ALYSSWebsite: www.alyssworld.xyzArt instagram: https://www.instagram.com/alyss_visual Music instagram: https://www.instagram.com/alyss_hz Facebook: https://www.facebook.com/alyssvisual33 Bandcamp: https://www.https://alyss.bandcamp.com Soundcloud: https://www.soundcloud.com/alyss_hz Spotify: https://open.spotify.com/artist/6h6jp2XsW3RvXdQs7Pfu4mReferences:David Fanshawe - ComposerSerge Kahili King - "Urban Shaman” (Book)David Cho - Artist, musician, actor, and former journalist and podcast hostALYSS Music mentioned:“Motherland" EP by ALYSST S I E R (played worldwide, encompassing all the elements, inspired by baby heart beat)Connect with Oliver: To be informed of new shows. Drop me a message and let me know what you think about this episode or any ideas for future episodes: oschirach@gmail.com. https://oliverschirach.jimdofree.com/dk.linkedin.com/in/oschirachwww.instagram.com/oschirachwww.facebook.com/Schirach#podcast #podcastinterview #interview #TOSS #TheOliverSchirachShow#expression #authenticself #selflove #selfesteem #selfhealing #selfacceptance #selfacceptancejourney #love #healingsound #tribalmusic #EPProcess #MakingAnEP #Songwriting #Musicproduction#IndependentArtist #IndieArtist #interviewclips #InterviewSeries#IndigenousMusic #musicinspiration #MusicIndustry #MusicInterview, #artist #BehindTheScenes #BTS #CreativeProcess#ArtistStory #InTheStudio #MusicCommunity #ProducerLIfe #LifeOfAProducer #ArtistTips #TipsForMusicians #MusicTips #TipsForCreatives#FindYourCenter #groundingpractice #groundingtechniques #TOSS #youtubeshorts #reel #shorts

Australian act, SELVE is the first Aboriginal-led band to record at Abbey Road Studios in London. The band recently released their second record, Breaking Into Heaven. KEXP Contributor, Celine Teo-Blockey spoke to frontman Loki Liddle about the strong Indigenous themes on the album and how returning to Country and speaking to his elders helped shape the writing process for this expansive pop-rock album. Support the show: https://www.kexp.org/sound/See omnystudio.com/listener for privacy information.

¡The Beatles, tamales divergentes y la cumbia como una comunión entre caderas! En este episodio me acompaña Ian Taylor Muñoz, inglés-mexicano, que trabaja en un lugar mítico: Abbey Road Studios. Además de platicarnos sobre su labor como ingeniero técnico en su primera (y única chamba), también nos cuenta como la cumbia cambió su vida. Durante el día se encarga de que los botones del estudio botonién y los faders faderien, y en las noches lidera la banda de cumbia visionaria, La Chinaca. Platicamos sobre lo que le falta a la escena musical de Londres, por qué extraña los tamales de costilla de la CDMX y cómo fue que en un sound systems masivo le hicieron sentir que se quedaba sin aire. Ian nos explica la ciencia detrás de las bocinas de diamante, lo que sucede cuando visita el estudio Sir Paul McCartney y por qué la cumbia es, en esencia, una comunión que sucede a través de la cadera. Encuentra a Ian Taylor y La Chinaca en: https://www.instagram.com/la_chinaca/ Este episodio en corto:

Parents of under-fives in England are to be offered official advice on how long their children should spend watching TV or looking at computer screens. It comes as government research shows about 98% of children under two were watching screens on a daily basis - with parents, teachers and nursery staff saying youngsters were finding it harder to hold conversations or concentrate on learning. To discuss this further Nuala McGovern is joined by Kate Silverton, child counsellor and parenting author, and Professor Sonia Livingstone from the London School of Economics and author of Parenting for a Digital Future. In 2025 alone she walked at Paris Fashion Week, spoke at the United Nations about face equality and won 'Fashion and beauty influencer of the year' at the the UK and Ireland TikTok awards, all while managing a chronic illness. Nikki Lilly is a Bafta and Emmy award-winner, an influencer and a campaigner and she joined Anita Rani in the studio.The latest series of The Traitors has sparked controversy after two black women, Netty and Judy, were the first to leave – one ‘murdered' by the Traitors and the other banished at the roundtable. The debate goes beyond the game - is it exposing unconscious bias and raising bigger questions? Do reality TV shows like this hold up a mirror to society, revealing uncomfortable truths around racism, misogyny, and ageism? Author and arts columnist at the Independent Micha Frazer-Carroll and freelance writer Chloe Laws, who have both written on this topic and are both fans of the show, discuss.What happens if the person you're in a relationship with doesn't quite meet all the qualities you look for in a long-term partner? Do you stay anyway? Journalist Eve Simmons has recently written about this in her new book, ‘What She Did Next', which looks at why millennial women might settle for what she calls ‘subpar' relationships. Nuala was also joined by psychotherapist and broadcaster Lucy Beresford who believes it may not just be women settling for less.Miss Marple and Poirot have been household names for decades but now one of Agatha Christie's lesser-known sleuths – Lady Eileen ‘Bundle' Brent - is finally getting her time in the spotlight. The fearless young amateur detective is the focus of new Netflix mystery series Seven Dials. Mia McKenna-Bruce is the award-winning actor bringing ‘Bundle' to the screen, alongside Helena Bonham-Carter and Martin Freeman, and Mia joined presenter Nuala live in the studio.The Ayoub Sisters are Scottish Egyptian siblings Sarah and Laura Ayoub who play cello and violin. Their debut album was recorded in Abbey Road Studios with the Royal Philharmonic Orchestra. Their second album, Arabesque, was released independently and went to number one in the iTunes chart. They are about to undertake a UK tour to celebrate their 10th anniversary, which will include the premiere of their Arabic Symphony in a homecoming concert in Glasgow.Presenter: Anita Rani Producer: Annette Wells

Parents of under-fives in England are to be offered official advice on how long their children should spend watching TV or looking at computer screens. It comes as government research shows about 98% of children under two were watching screens on a daily basis - with parents, teachers and nursery staff saying youngsters were finding it harder to hold conversations or concentrate on learning. To discuss this further Nuala McGovern is joined by Kate Silverton, child counsellor and parenting author, and Professor Sonia Livingstone from the London School of Economics and author of Parenting for a Digital Future. Heather Rose's latest novel, A Great Act of Love, is set around a real-life vineyard in Tasmania in the early 19th century. This was at a time when Tasmania, or Van Diemen's Land as it was called then, was still a British penal colony. It was while she was researching this book that Heather discovered her own family's dark history and its connection to the land, which she has interwoven into the story. This year marks the centenary of the Adoption of Children Act 1926. It was the first legislation enabling the legal adoption of children in England and Wales, with equivalent legislation passed in Northern Ireland in 1929 and in Scotland in 1930. Joining Nuala to discuss the significance of the passing of this act is Dame Carol Homden, Chief Executive of Coram, Harriet Ward, Emeritus Professor at Loughborough University and currently writing a book about the history of adoption, and Zoe Lambert, who was adopted at five months old and is the founder of In-Between Lines, that works with adoptees, adoption agencies and advocacy groups. The Ayoub Sisters are Scottish Egyptian siblings Sarah and Laura Ayoub who play cello and violin. Their debut album was recorded in Abbey Road Studios with the Royal Philharmonic Orchestra. Their second album, Arabesque, was released independently and went to number one in the iTunes chart. They are about to undertake a UK tour to celebrate their 10th anniversary, which will include the premiere of their Arabic Symphony in a homecoming concert in Glasgow. Presenter: Nuala McGovern Producer: Andrea Kidd

Robb Kelly, PhD – The Recovery Expert – was born in Manchester, England. He grew up in a family of musicians and developed a deep love for music at an early age. He was performing on stage by the age of nine. During his early twenties, he worked at the prestigious Abbey Road Studios as a session musician in London.Addiction was always close to his heart, as Dr. Kelly was born into a family with a history of alcoholism. He began drinking and using drugs at a young age, but he managed to stay on a path of success, moving to Oxford in the early 1980s to pursue a PhD in Psychology at the esteemed University of Oxford. He continued to drink heavily during his time in Oxford—yet still managed to complete his doctoral studies, earning a PhD in psychology in 1984.Even though he was a heavy drinker, no one would have predicted that he would end up living on the streets of Manchester, homeless and alone. He recalls a night when he had a staggering realization about his own alcoholism. It would later inspire two of his most popular catchphrases: “The Problem is not our Drinking, it is our Thinking” and “Step out of the Disease, and into the Solution.”Dr. Kelly was standing on a street corner one night in Manchester, body trembling from alcohol withdrawal. He stood in front of a liquor store, shaking and desperately waiting for it to open. He knew that as soon as he took that first sip of alcohol, he would feel relief.As soon as the store opened, he rushed inside. The clerk grabbed a bottle of vodka from the shelf and placed it in a brown paper bag before him. As he lifted the bag, his trembling stopped. His body ceased shaking, and his mind found peace. He hadn't even taken the first sip; it was just the promise of alcohol that stopped his shaking and eased his restlessness.Dr Robb Kelly Official Website: https://robbkelly.com/Unlocking Humanity with Ancient Knowledge | Host John Edmonds Kozma Hosted on Acast. See acast.com/privacy for more information.

The rock and roll legend, Billy J. Kramer, grew up in Bootle, a Liverpool suburb.  Upon leaving school, he became a trainee engineer by day and aspiring singer by night, performing under the stage name Billy Kramer. Billy's performances at local rock clubs around Liverpool soon brought him to the attention of the one and only John Lennon.  John urged Brian Epstein to sign Billy to an exclusive management contract.  Billy jumped at the opportunity to become a full-time entertainer.  Soon after, Billy was summoned to Brian's office to find John there waiting for him with the suggestion that he add the “J” to his name to give it a “rock and roll edge”.  From that day forward, Billy has been known as Billy J. Kramer.In March of 1963, Billy was the first person to have a hit record with a Lennon-McCartney song, “Do You Want To Know A Secret,” which was written specially for him by John and Paul and produced by George Martin at Abbey Road Studios even before The Beatles recorded it.Billy toured extensively throughout the UK as the opening act for The Beatles both before and during Beatlemania.  Billy also headlined tours with such greats as Del Shannon, Gene Pitney, and The Everly Brothers.Billy's recordings of the Lennon-McCartney compositions, “Bad To Me” along with “I'll Keep You Satisfied”, “From A Window”, and “I Call Your Name” all became international million sellers.  He also had a smash hit with the Mort Shuman/John Leslie McFarland song, Little Children.  Released as a double sided single, Bad To Me and Little Children have the unique distinction of being the highest entry into the Billboard charts at #8.  That accomplishment has never been equalled.Billy's appearances on the Ed Sullivan show, Shindig, and Hullaballoo secured his place in rock ‘n roll history.  In 1964, Billy performed as part of the legendary T.A.M.I. show along with such artists as James Brown, Chuck Berry, The Beach Boys, Marvin Gaye, The Supremes , Smokey Robinson, The Rolling Stones and many others.To commemorate his 50th anniversary in the music business, Billy recorded and released new material entitled “I Won The Fight”.  Billy recently released his autobiography, “Do You Want To Know A Secret.”Billy continues to record, perform and promote his Storytellers show to international audiences.Please stick around at the end of the show for a really fantastic treat.  Billy has lent us his brand new Christmas song, “Christmas Kinda Feeling…”

The Ripples nació en 2022. Tras pasar por diferentes lugares del mundo durante unos años, dos de los fundadores del grupo se volvieron a reunir un verano en Palma. Comenzaron a ensayar, sacaron un EP y se sumaron tres miembros más al grupo. Ofrecieron una gira de conciertos por Reino Unido y tras el éxito cosechado en esas tierras, se convirtieron en la primera banda mallorquina en grabar en Abbey Road Studios, en Londres. Su directo es arrollador y su música evoca y resignifica el rock and roll americano de los años 60 y 70.Escuchar audio

In 2013, THE OLD DEAD TREE reunited briefly for a mini-European tour to celebrate the 10th anniversary of their album The Nameless Disease. After considering reuniting permanently following the Covid-19 crisis, they decided to write a new song. Their new single, Terrified, became popular, leading to a successful comeback. In early 2024, while working on their first album in 17 years, they recorded an EP at Abbey Road Studios. The album Second Thoughts was released by the end of 2024. In spring 2025, they toured France with KLONE and completed the production of the EP London Sessions recorded at Abbey Road Studios.Official Links:Bandcamp: https://theolddeadtree.bandcamp.com/Metal Archive: https://www.metal-archives.com/bands/The_Old_Dead_Tree/8297Passionate about metal? You'll want to tune in to Flamekeeper™, the show that's electrifying the airwaves. As the host, MRJ brings an unparalleled enthusiasm and deep knowledge of the genre, captivating listeners with every episode. With a penchant for spotlighting up-and-coming artists and hosting insightful interviews, MRJ has cemented Flamekeeper™'s reputation as a must-listen for metal aficionados. And the best part? By rating, reviewing, and sharing the show, you're not just supporting great content – you're also helping Flamekeeper™'s sponsors, ensuring the continued success of this heavy-hitting program.Links to our Sponsors & Partners:Ageless Art Tattoo & Piercing - Clarksville/New Albany:http://www.agelessartclarksville.comhttp://www.agelessartna.comPizza DoNisi/MAG BAR:https://pizzadonisi.com/http://magbaroldlouisville.comShadebeast:http://shadebeast.comand use PROMO CODE: "SITH LORD" at check out for a 10% Discount!Creeping Death Designs:http://www.creepingdeathdesigns.comand use PROMO CODE: "METALFORGE10" at check out for a 10% Discount!Record Labels:Unchained Tapes:http://www.unchainedtapes.bigcartel.comand use PROMO CODE: "METALFORGE10" at check out for a 10% Discount!Mercenary Press:http://www.mercenarypress.bigcartel.comand use PROMO CODE: "METALFORGE" at check out for a 10% Discount!Other shows you can listen to:Night Demon Heavy Metal Podcast:http://www.nightdemon.nethttps://open.spotify.com/show/2ozLCAGQ4LdqJwMmeBYJ7k?si=OvvfZsNYRPqywwb86SzrVAZines:Soulgrinder Zine:http://www.facebook.com/soulgrinder.zineOFFICAL LINKS OF THE METAL FORGE®/FLAMEKEEPERhttp://www.metalforgeradio.comhttps://www.flamekeeper.vip FB/IG/TW/TikTok/YouTube - @metalforgeradioFlamekeeper Podcast Network: http://www.youtube.com@flamekeeperpnThe Metal Forge®The Alehorn™Ossont & Battery™All Rights Reserved. Any unauthorized reproduction/duplication is expressly forbidden without prior written consent and is punishable by law. Metal Forge Intro I copyright 2020 The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. Metal Forge Intro II copyright 2023 The Metal Forge® Published by UNTIL I GET IT RIGHT MUSIC/ASCAP. The Metal Forge®, please contact metalforgeradio@gmail.com for any and all other info. All other music is owned by writers/publishers respectively and is used with permission for means of promotion.©2019-2025 The Metal Forge®

Im Dezember 1965 haben die Beatles mit "Rubber Soul" ihr sechstes Studioalbum herausgebracht. In der Geschichte der Band ist das besonders wichtig, weil es einen Wendepunkt markiert. "Rubber Soul" von den Beatles gilt als die Erfindung des Rockalbums, erklärt Frank König. So etwas hatte es vorher noch nicht gegeben: Vor dem Album gab es keine einzige Single. Im Dezember 1965 ist einfach das Album erschienen und hat damit die Musikwelt und die Beatles für immer verändert. 1965 sind die Beatles von einer großen Tour durch die USA zurückgekommen, auf der sie auch Elvis Presley, Bob Dylan und The Byrds getroffen hatten. Die Beatles hatten auf dieser Reise unglaublich viele neue Eindrücke gesammelt. Nach ihrer Rückkehr nach England stand für die Gruppe nicht viel an, abgesehen von vier Wochen Zeit im Studio, um neue Musik zu machen. Ein perfekter Zeitpunkt, um alle Eindrücke richtig zu verarbeiten und zu neuer Musik werden zu lassen. Und mit "Rubber Soul" hatten die Beatles dann wieder so viel Inspirationskraft freigesetzt, dass daraufhin neue (legendäre) Musik entstanden ist. Beach-Boys-Mastermind Brian Wilson hat die Platte zu ihrem eigenen Meilenstein "Pet Sounds" inspiriert. Neue Eindrücke verarbeiten und neue Dinge ausprobieren – beides machen die Beatles auf ihrem Album "Rubber Soul". Das hören wir zum Beispiel auch sehr eindrücklich beim Song "Norwegian Wood" an einem Instrument. Es ist das erste Mal in der westlichen Musik, dass ein Pop- bzw. Folk-Song veröffentlicht wird, auf dem eine indische Sitar zu hören ist. Die hatte George Harrison mit zu den Beatles gebracht. Entdeckt hatte er sie bei den Dreharbeiten zum Film "Help!". In der Zeit bevor die Band für "Rubber Soul" in die EMI-Studios, die späteren Abbey Road Studios, gegangen ist, hatte sich bei den Bandmitgliedern vieles verändert, erzählt Katharina Heinius. Es gab Hochzeiten, Umzüge, Hauskäufe, Nachwuchs und Ähnliches. Dinge, die oft im Leben den persönlichen Blickwinkel verändern und auch bereichern können. "Ich finde, man kann an diesem Album sehr gut ablesen, dass etwas Neues beginnt. [...] Es ist ganz viel Neues zu spüren, aber eben auch noch ein bisschen Tradition, so wie sie eben in den Alben vorher Musik gemacht haben und auch gedacht haben", sagt Podcaster und Musikjournalist Ocke Bandixen über "Rubber Soul". __________ Über diese Songs vom Album "Rubber Soul" sprechen wir im Podcast (13:28) – "Drive My Car" (28:33) – "Norwegian Wood" (46:02) – "Nowhere Man" (56:08) – "In My Life" (01:06:03) – "If I Needed Someone" __________ Alle Shownotes und weiterführenden Links zur Folge "Rubber Soul" findet ihr hier: https://1.ard.de/the_beatles_rubber_soul __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

This week on the New Music Business Podcast, Ari sits down with recent GRAMMY Award winners Matt B and Angela Benson. Matt B is a GRAMMY-winning R&B singer, songwriter, and global recording artist whose career spans over a decade. His most recent project, ‘Alkebulan II', earned him and Angela a GRAMMY Award, following years of DIY artistry. Over the course of this album, Matt and Angela recorded across Africa, collaborated with artists like Eddie Kenzo and Oxlade, and worked with the Royal Philharmonic Orchestra at Abbey Road Studios. As a label owner, producer on ‘Alkebulan II', and longtime Recording Academy member, Angela has been instrumental in shaping Matt's artistic direction, visual world-building, and global strategy.In this episode, Matt B and Angela Benson walk through their incredible DIY journey and how they found themselves on the GRAMMY-winning path. They discuss the challenges of writing and recording in multiple African languages, shooting a full visual album across multiple countries, and balancing the creative workload between artist and manager. The pair break down how independent artists can navigate the GRAMMY process, the importance of joining the Recording Academy, the role of networking and bartering in major creative endeavors, and most importantly, the communication and patience required to run a music career as a married team.https://www.instagram.com/mattbworldhttps://www.instagram.com/angelavbenson01:40 – Home Studio & Recent Travels02:10 – Returning to His Alma Mater After the Grammy Win03:00 – Life & Opportunities After Winning a Grammy04:15 – Performing in Uganda & Global Breakthrough Moments05:20 – Inception of the Akebulan Concept09:00 – Connecting With Oxlade & Eddie Kenzo11:00 – Creating the “Gimme Love” Music Video13:00 – Building a Full Visual Album DIY17:40 – Finding Producers & Collaborators Worldwide20:00 – Incorporating the Royal Philharmonic Orchestra30:00 – Navigating Grammy Nominations & Recording Academy Membership47:00 – Working as a Husband-and-Wife Artist/Manager TeamEdited and mixed by Peter SchruppMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Laura Budzelek is a multilingual singer-songwriter and actress. Her music sounds like classic rock with hints of today and lands from far away.  Listeners often reflect on soul and folk elements as well, yet Laura's operatic background makes her stand apart from other singers. Her sophomore album, Timeless Turquoise, is scheduled for release this December! Fans will be pleased to discover fresh tracks that experiment with new genres, while maintaining Laura's signature style. Her latest singles, "I Became the Rock," "I'm Done" and "Cheers to Love" recently dropped! Her previous single "Relish the Romance," was recorded at Abbey Road Studios on none other than Valentine's Day. The modern rock 'n roll track has been remastered and featured on her new album.For more on Laura click on her website below! https://www.laurabudzelek.com

Nick D'Virgilio returns to discuss the reissue of his 2008 Rewiring Genesis A Tribute to The Lamb Lies Down on Broadway album. The reissue drops Friday, with some new parts recorded, including guitar by Genesis legend Steve Hackett and strings recorded at the iconic Abbey Road Studios in London. Nick discussed what's been added, what makes The Lamb special, his own personal history with the classic Genesis album and the band, touring as Hackett's drummer, what's next for D'Virgilio, Morse & Jennings and Big Big Train, and more. For more info on Nick, check out his website at www.nickdvirgilio.com. lease hit the like button and/or leave a rating/review wherever you consume this podcast. You can read my Michael's Record Collection newsletter for free by signing up at michaelsrecordcollection.substack.com. Follow MRC on Twitter (@MikesRecords), like it on Facebook, and follow on Instagram, Bluesky, and/or TikTok. Have questions or comments or want to suggest a topic? Hit me up at michaelsrecordcollection@gmail.com. I'd love to have your support for this independent podcast. You can become a patron of this show by becoming a Michael's Record Collection Patreon subscriber starting at only $2 per month at the MRC Patreon page. Supporter benefits escalate at each level, providing more value the more you support the show. For example, you will know about interviews in advance and at some levels you can submit questions for the artists, come on the show to co-host, enter prize drawings, and more. 

The now London-based Polish pianist and composer Hania Rani quickly attracted fans with her 2019 album of solo piano works in the post-classical style, a blend of classical lyricism and minimalist patterns. Her later albums expanded to include electronics, and her voice; she is equally versed in the music of composers like Philip Glass and bands like Radiohead. But her new record is something different – a four part piano concerto with orchestra, called Non Fiction, which is a reflection on the human cost of war. The work was recorded at Abbey Road Studios, with a 45-piece orchestra and experimental instrumentalists Rakhi Singh (Manchester Collective), Jack Wylie (Portico Quartet), and percussionist/composer Valentina Magaletti. Hania Rani performs the piano part of the opening movement of the piece Non Fiction, and other original works, in-studio. Set list: 1. Non-Fiction I - Sonore 2. Nostalgia 3. F Major

British singer-songwriter Jessica Sweetman shares her incredible story of resilience, creativity, and leading with authenticity. From busking in Soho and performing in jazz clubs at 16, to squatting inside a Nashville record label until they offered her a deal, Jessica's fearless pursuit of her dream redefines what it means to lead yourself through risk, rejection, and reinvention. Now working independently, collaborating with legends like Paul Oakenfold and Alfie Boe, and recording at Abbey Road Studios, Jessica opens up about mental health, self-leadership, and finding peace in the chaos of the music industry.

On the November 12 edition of the Music History Today podcast, Billboard starts a new chart, Katy Perry gets a fragrance, & Madonna releases Like a Virgin. Also, happy birthday to Neil Young.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Abbey Road Studios in London, England was the world's first purpose-built recording studio. Opened way back in 1931, this building and the people inside have been at the cutting edge of recording technology for over 90s years. Abbey Road Studios is most famous for being where The Beatles recorded almost all of their music, but it also drove innovation with stereo recording, multitracks, editing, and the shift from analog to digital recording.  In addition to all of those amazing Beatles records – which we'll get to – some other stuff recorded at Abbey Road includes Dark Side of the Moon and albums from Kanye West, Lady Gaga, Oasis, the Hollies, Radiohead, and the Zombies. Music scores for Star Wars, Indiana Jones, and Marvel movies, and video game soundtracks for Halo, Call of Duty, and World of Warcraft. They even recorded some of Winston Churchill's famous speeches during World War II to help keep morale high.  From classical roots to rock rebellion, Abbey Road's always been ahead of the game, rewriting rules along the way. So kick back, feel the beat, and join us as we explore the studio that turned sound into a revolution. Let's roll! Episode Playlist Check out our episode playlist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠h⁠ere⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Get In Touch Check us out⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Abbey Road Studios in London, England was the world's first purpose-built recording studio. Opened way back in 1931, this building and the people inside have been at the cutting edge of recording technology for over 90s years. Abbey Road Studios is most famous for being where The Beatles recorded almost all of their music, but it also drove innovation with stereo recording, multitracks, editing, and the shift from analog to digital recording.  In addition to all of those amazing Beatles records – which we'll get to – some other stuff recorded at Abbey Road includes Dark Side of the Moon and albums from Kanye West, Lady Gaga, Oasis, the Hollies, Radiohead, and the Zombies. Music scores for Star Wars, Indiana Jones, and Marvel movies, and video game soundtracks for Halo, Call of Duty, and World of Warcraft. They even recorded some of Winston Churchill's famous speeches during World War II to help keep morale high.  From classical roots to rock rebellion, Abbey Road's always been ahead of the game, rewriting rules along the way. So kick back, feel the beat, and join us as we explore the studio that turned sound into a revolution. Let's roll! Episode Playlist Check out our episode playlist ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Get In Touch Check us out⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠online⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, on⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or drops us an email at ⁠⁠⁠⁠⁠⁠⁠⁠⁠show@prisonersofrockandroll.com⁠⁠⁠⁠⁠⁠⁠⁠⁠. Or if you're in Philadelphia, come visit our home base at⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠McCusker's Tavern⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Prisoners of Rock and Roll is part of⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Media⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. We're sponsored by⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Boldfoot Socks⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Emmy Award-winning vocalist and composer and a British Academy of Film and Television Arts (BAFTA) affiliated composer and orchestrator who, seven weeks ago, released an album that was recorded live at Abbey Road Studio 2. This new project is up for GRAMMY consideration for Best Large Jazz Ensemble Album. They have written more than a thousand works together for an enviable client list including BBC, HBO, Audio Network, ITV and Samuel Goldwin, among others. They have scored and composed for documentaries for film and TV, and their music has been used on every major network and streaming company around the globe. They most recently co-authored and mixed the score for Daughter Of The Bride with Academy award winner Marcia Gaye Harden and Aiden Quinn.

The Bowers & Wilkins 801 isn't just another loudspeaker—it's the one Abbey Road Studios trusted when the music actually mattered. For 45 years, the 801 has been part of legendary recordings that shaped how we hear music, and now it's back in the spotlight with the 801 Abbey Road Limited Edition. Andy Kerr, Director of Marketing and Communications at Bowers & Wilkins, joins eCoustics CEO and Founder, Brian Mitchell to dig into how this speaker became the reference at the world's most famous studio, why Abbey Road didn't exactly choose it by accident, and what makes this anniversary edition more than just a fancy finish.Thank you to Denon, SVS and Shure for their support of our programming!www.svsound.comwww.denon.comwww.shure.comCredits:• Original intro music by The Arc of All. https://sourceoflightandpower.bandcamp.com• Voice Over Provided by Todd Harrell of SSP Unlimited. https://sspunlimited.com• Production by Mitch Anderson, Black Circle Studios. https://blackcircleradio.comDon't forget to check our website for daily updates on the latest electronics, news, recommendations, and deals on high-end audio, loudspeakers, earphones, TVs, and more.www.ecoustics.com#abbeyroadstudios #bowersandwilkins #studiomonitors #signatureseries #B&W801 #ecoustics #hifi #audiophile #hometheater #avtech #musicindustry #projectors #recordingstudios 

Adam: You may have heard me talking here a couple of weeks ago about the Quarrelmen Beatles miniseries I'm doing. It's my birthday so I'm birthing it everywhere you get your podcasts plus I'm putting the first episode here too to tempt you into subscribing. You're not gonna be able to resist after hearing this episode that we did at none other than Abbey Road Studios when my band Stones n Roses was on tour there back in 2021. I told the other We Will Rank You hosts I'd have all the Beatles albums ranked within a year. Four years later, I've only recorded about half of them but here they come!  You're not going to see any more episodes here until the one where all four OG hosts ranked- Well I'm not telling you which one. You'll have to wait and see and if you want to hear Jim and I rank an album in Liverpool, you'll just have to figure out how to spell Quarrelmen and go subscribe, won't you? WON'T you? We're on Facebook, Instagram and Threads too so do the thing. Breaking up the band to start a solo career? Nah but, for now, here's the Fab Four…. THE QUARRELMEN PODCAST #1Please Please Me ranked at Abbey RoadWhat's your most loved and least favorite song on the first Beatles album?! One, two, three, FAH! The Quarrelmen Beatles podcast miniseries kicks off with England's own Richard Merrett (Airhead/the Wilsons) and his young sons Frank and George Merrett ranking Please Please Me in the most famous studio in the world.  Recorded back in 2021 at the end of the last Stones n' Roses UK tour, the California band recorded a version of "Revolution 9" with 1960s microphones used by "the boys" and Beatles Anthology, Rock Band and Love engineer Chris Bolster with Joe Wyatt (now Giles Martin's assistant). After a quick photoshoot of the band walking across THE street, singer Adam Gimbel welcomed the Merretts into the cozy Gatehouse studio to record the very first episode of the Quarrelmen. He had no idea it would be four busy, crazy years before the world would hear it. The kids are now senior citizens. The results are, quite simply, the most endearing Beatles podcast episode ever immortalized at Abbey Road....or anywhere else. Decades of fandom and childlike wonder collide with memories and a ranking of least and most favorites on the 1963 classic debut. Listen at QuarrelmenPod.com, Apple, Spotify and...a place.Follow us and weigh in with your favorites on Facebook, Instagram & Threads @quarrelmenpod.SPOILERS/FILE UNDER:Abbey Road, Airhead, Arthur Alexander, Anna (Go to Him), Ask Me Why, Baby It's You, Burt Bacharach, the Beatles, Chris Bolster, Boys, Cavern Club, Chains, coffee, the Cookies, debut, Do You Want to Know a Secret, EMI, England, Adam Gimbel, harmonica, George Harrison, I Saw Her Standing There, Isley Brothers, Carol King, John Lennon, Liverpool, London, Love Me Do, George Martin, Paul McCartney, Frank Merrett, George Merrett, Richard Merrett, Misery, Nirvana, Roy Orbison, piano, Please Please Me, Pretty Green, P.S. I Love You, Revolution 9, Ride, sha la la la la, The Shirelles, Ringo Starr, Stones n Roses, A Taste of Honey, There's a Place, Twist and Shout, Andy White, the Wilsons, Joe Wyatt, zoos, 1963.US: http://www.QuarrelmenPod.comhttp://www.WeWillRankYouPod.com wewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/QuarrelmenPodhttp://www.instagram.com/QuarrelmenPodhttps://www.threads.net/@QuarrelmenPodhttp://www.StonesnRoses.comhttp://www.AbbeyRoad.com

今天邀請到告五人來和我們聊聊他們這次特別飛到英國倫敦錄製新專輯發生的各種文化衝擊、錄音狀況、還有如何用泡麵換到一個經歷過二戰的麥克風來錄音～ 在過往的演出中的各種狀況連連，他們都是如何靠著彼此之間的默契來應對的呢？ 【

From the streets of Manchester to global recognition, Dr. Rob Kelly—known as the Addiction Doctor—shares his extraordinary story of hitting rock bottom and rising to become one of the world's leading voices in recovery and neuroscience. In this episode of The Root of All Success, Dr. Rob reveals: ✅ The truth about addiction: “It's not the drinking, it's the thinking.” ✅ Why trauma is the real root of addiction—and how to rewire the brain to heal. ✅ His no-nonsense, Gordon Ramsay–style approach that achieves a 98% success rate with over 11,000 patients. ✅ How entrepreneurs and high-achievers can overcome limiting beliefs using neuroscience. ✅ His personal journey from session musician at Abbey Road Studios to world-renowned recovery expert featured on The Doctors, Good Morning Texas, and more. Whether you're battling addiction, overcoming personal trauma, or striving for entrepreneurial success, Dr. Rob's story and strategies will shift your perspective and give you tools to unlock your potential. Who is Dr. Robb Kelly, PhD? Dr. Robb Kelly, PhD is a sought-after recovery expert who believes in treating the causes of addiction and not the symptoms. Dr. Kelly has appeared on such shows as The Doctors, Eye Opener, Good Morning Texas, and Kens5 morning news.  A frequent contributor to radio and print interviews including The Jim Bohannon show, Miracles in Recovery, USA Today, and participated in McLean Hospital's (Harvard Medical School) study on the stigma associated with mental illness. Dr. Kelly hosted Sober Celebs show on KLIF radio in Dallas, and currently hosts the Breaking Through Addiction podcast featuring special guest discussing a variety of mental health issues.   Dr. Kelly created Let's Get Back to 98% Recovery DVDs used in prisons and recovery treatment centers throughout the US. He has lectured on addiction and trauma at high-profile universities, national conferences, treatment facilities, public schools, churches, business organizations and hospitals. Dr Kelly is currently the CEO of the Robb Kelly Recovery Group, an addiction and mental illness recovery coaching company he created based on extensive research and behaviour studies that he conducted over the past 20 years. Dr. Kelly shares his personal highs and lows as he struggled and overcame crippling alcoholism in the November 2019 release of the book “Daddy, Daddy Please Stop Drinking”.   Dr. Robb Kelly's Website Link:  www.robbkelly.com Dr. Robb Kelly's  Social Media Link:  https://www.instagram.com/addiction_doctor/ https://www.facebook.com/drrobb.kelly.1 Love the show? Subscribe, rate, review & share! https://therealjasonduncan.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

SIDE PROJECT! OFFICIAL UNOFFICIAL TRAILER! Premiering September 17th: a We Will Rank You miniseries about that one band from Liverpool that isn't Echo and the Bunnymen. 13 Beatles albums ranked by a guest list as sprawling as the cover of Pepper. First episode recorded at Abbey Road Studios in London. Hosted by Adam. Named by Charlotte. Subscribe now at all of your usual pod places. For podcast birth announcements, follow http://www.instagram.com/QuarrelmenPod http://www.facebook.com/QuarrelmenPod http://www.QuarrelmenPod.com

Because Apparently We've All Had Enough Capes and Spandex This week on the podcast, Brian and Darryl are talking Fantastic Four: First Steps, Happy Gilmore 2, Movies we want to catch at the theater for the rest of 2025, and the latest Superhero Showdown at the Box Office. Episode Index Intro: 0:07 Box Office Showdown: 10:49 Movie in the Back Half of 2025: 20:45 Happy Gilmore 2: 33:27 Fantastic Four: 45:22 Superman vs. Marvel’s First Family at the Box Office Superman grabbed a bigger domestic haul, but First Steps showed stronger international momentum and may signal better legs in overseas markets. Superman Box Office https://www.boxofficemojo.com/release/rl1543340801/?ref_=bo_hm_rd Fantastic Four: First Steps Box Office https://www.boxofficemojo.com/release/rl2429649665/?ref_=bo_hm_rd Remaining 2025 Must-Sees at the Theater Darryl: Tron: Ares Avatar: Fire and Ash Nobody 2 The Running Man MK 2 Predator: Badlands Weapons Caught Stealing The Long Walk Brian: Caught Stealing The Naked Gun Tron:Ares Mortal Kombat 2 Predator: Badlands Weapons Twinless The Running Man The Toxic Avenger TMNT 35th Anniversary Release Happy Gilmore 2 (2025) Summary Nearly three decades after winning the Tour Championship, Happy (Adam Sandler) is now a grieving widower and alcoholic. To pay for his daughter Vienna's ballet school in Paris, he returns to pro golf—and chaos ensues. The film leans hard into callbacks, celebrity cameos, and legacy sequel nostalgia.  Director: Kyle Newacheck Writers: Tim Herlihy & Adam Sandler  Cast: Adam Sandler as Happy Gilmore Julie Bowen as Virginia Venit Christopher McDonald as Shooter McGavin Ben Stiller as Hal L. (in sobriety group leadership) Bad Bunny as Happy's new caddy Benny Safdie as golf mogul Frank Manatee Additional Cast: Sunny Sandler (Vienna), Sadie Sandler, Travis Kelce, Margaret Qualley, John Daly, Rory McIlroy, Eminem (cameos), and more sport & music legends   Production Notes: Produced by Happy Madison and STX Films, filmed in North Jersey over fall 2024; directed by Newacheck with music by Rupert Gregson-Williams. The production is built around cameo-heavy nostalgia and real-world athletes.  Budget: Estimated at $30 million, modest compared to legacy sequel standards.  Distribution: Released globally via Netflix on July 25, 2025.  Reception: Critics remain divided—mixed reviews on Rotten Tomatoes (65%) and Popcornmeter (~70%). Praise comes for Sandler's commitment and cameo spectacle; criticism centers on overreliance on callbacks, tonally uneven storytelling (including a shocking death), and lazy legacy sequel tropes. Some outlets called it a “cinematic disaster,” while others saw it as funny and heartfelt escapism.  Rating out of 10 Cameo Filled Nostalgic Rounds of Maxi Golf Darryl: 2/10 Brian: 7.5/10 Fantastic Four: First Steps (2025) Summary Set in a retro‑futuristic 1960s alternate universe (Earth‑828), Reed Richards, Sue Storm, Johnny Storm, and Ben Grimm are already established heroes expecting their first child. When cosmic threats like Galactus and Silver Surfer emerge, the team must band together to save the world—and their family dynamic. Director: Matt Shakman Writers: Josh Friedman, Eric Pearson, Jeff Kaplan, Ian Springer; story contributions by Kat Wood  Cast: Pedro Pascal (Mister Fantastic) Vanessa Kirby (Invisible Woman) Joseph Quinn (Human Torch) Ebon Moss‑Bachrach (The Thing) Julia Garner (Silver Surfer) Ralph Ineson (Galactus) Paul Walter Hauser (Mole Man/Harvey Elder) John Malkovich as Red Ghost (cameo)  Production Notes: Filmed at Pinewood Studios in the UK with shoots in Derbyshire Dales and Oviedo; styled with practical miniatures, retro‑futuristic set design reminiscent of Jack Kirby comics; score by Michael Giacchino recorded at Abbey Road Studios; executive production overseen by Kevin Feige; post‑credits nod to late producer Jamie Christopher and director's mother Inez Shakman in homage scenes  Budget: Estimated over $200 million  Box Office (Opening Weekend): Domestic 3‑day: $117.6–118M across 4,125 theaters (including ~$57M previews) International: $100M from 52 territories Global debut: ~$218M   Reception & Context: Critical consensus: ~88% on Rotten Tomatoes; CinemaScore “A‑” reflects strong audience response. Reviews praise cast chemistry, emotional grounding, and visual style—though tone is more serious than comic-minded critics expected. Some reviewers note a pacing lull and lack of overt humor from a director known for lighter work. Industry analysts call this the first confirmed MCU blockbuster of 2025—ushering in Phase 6 with confidence and momentum after previous underperformers. Rating: Out of 10 If it Only Had Jim From the Office Darryl: 8.2/10 Brian: 7.31/10 Contact Us The Infamous Podcast can be found wherever podcasts are found on the Interwebs, feel free to subscribe and follow along on social media. And don't be shy about helping out the show with a 5-star review on Apple Podcasts to help us move up in the ratings. @infamouspodcast facebook/infamouspodcast instagram/infamouspodcast stitcher Apple Podcasts Spotify Google Play iHeart Radio contact@infamouspodcast.com Our theme music is ‘Skate Beat’ provided by Michael Henry, with additional music provided by Michael Henry. Find more at MeetMichaelHenry.com. The Infamous Podcast is hosted by Brian Tudor and Darryl Jasper, is recorded in Cincinnati, Ohio. The show is produced and edited by Brian Tudor. Subscribe today!

Welcome back to Your World of Creativity, the podcast where we explore the intersection of imagination and innovation across industries and disciplines.Today, we're talking music, creativity, and collaboration with the genre-defying band, The Empty Pockets. This Chicago-based quartet has backed legends like Kenny Loggins and Al Stewart, topped the Billboard Blues charts—twice—and brought their folksy Midwestern rock-blues blend to stadiums and stages around the world. Their latest release is a Live in Buffalo album just outJoining us today are Josh Solomon, Erika Brett, Nate Bellon, and Adam Balasco—the musical family behind The Empty Pockets.josh 's Website @theemptypockets on Instagram josh 's Facebook page josh on YouTube 1: Genre-Bending IdentityYou've been described as everything from Americana to Chicago-style yacht rock—with a side of blues and soul. How do you describe your sound? And how has your style evolved across the years and albums? What do you think it is about your sound that resonates across such a wide audience—from MLB stadiums to blues charts?2: Life on the Road + CollaborationYou've toured with iconic artists. How have those collaborations shaped your sound or songwriting process? What's it like writing and performing as a group with such tight chemistry? Is there a secret to staying creatively in sync? Touring this summer with Al Stewart.3: Inside Gotta Find the MoonYour latest #1 album Gotta Find the Moon was recorded with a unique, ‘one-room' process—much of it at Abbey Road Studios. What was that experience like, and how did it influence the vibe of the record? You've mentioned tributes to family, political inspiration, and even puns—how personal do these songs get, and how do you balance the intimate with the universal?4: Performance Moments + Live MagicYour latest release Live in Buffalo album captures that spontaneous, road-tested energy. What's the difference between your studio work and your live shows—and do you have a favorite on-stage memory that captures your creative spark? How does adding collaborators like jazz saxophonist Elliot Scozzaro or guitarists from Marbin and Vulfpeck elevate your performances?5: Creativity in MotionYou've made your own creative lane, and done it as an independent band. What advice would you give to other creatives—musicians or otherwise—about building a lasting, authentic career in today's world? What's next for The Empty Pockets? Any new directions, surprises, or dream collaborations coming up?Josh, Erika, Nate, Adam—thank you so much for sharing your creativity and stories with us today. Your passion and joy for music is contagious.And thanks to our sponsor, White Cloud Coffee Roasters—listeners can get 10% off their first order at WhiteCloudCoffee.com with the code CREATIVITY at checkout.Until next time, keep creating, keep sharing your light—and be sure to subscribe, rate, and review Your World of Creativity wherever you listen to podcasts. I'm Mark Stinson. See you next time!The Empty Pockets' versatile pedigree backing up renowned 70's artists like Al Stewart,...

Hello friends! Austin-based soul artist Nakia returns to the show for episode 1488! Nakia is back with a new band, Nakia & the Never Not Now and a new album, the electronic, Signal. Signal comes out on vinyl on May 30th and he's celebrating with a release show that same night at The Saxon Pub along with an instore at Waterloo Records as well. Go to nakia.net for show dates, music, and more. We have a great conversation about starting the recording of Signal on his own in his room and delving into electronic jams, working with Matt Parmenter at Ice Cream Factory, Eric Harrison at Studio 601, and mixing with Dolby Atmost at Abbey Road Studios, the state of the Austin music scene and much more on ep 1488! I had a great time catching up with nakia. I'm sure you will too. Let's get down!   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie