Podcast appearances and mentions of Abbey Road Studios

Paris Chong sits with Hussain Manawar, a poet and public speaker, on his birthday. They discuss Hussain's life, his career, and his two Sunday Times bestseller books, "Life is Sad and Beautiful" and "I Wanted to Quit Too." The conversation delves into personal topics such as the loss of Hussain's mother, his struggles with letting love in, and his close relationship with his father. They also touch upon his creative process, his diverse audience, and some of his most memorable performances, including Glastonbury and Abbey Road Studios.Paris and Hussain reflect on their friendship and how they initially met, highlighting their appreciation for each other. They share stories about mutual friends and experiences, like their encounter at Curry Kingdom and attending an event at the English Consulate General's home. Hussain expresses his gratitude for the support he receives from his family and friends, including Paris, and discusses the emotional connection he forms with his audience through his poetry. He also shares insights into his writing process and the inspiration behind his work.The conversation explores themes of grief, healing, and the creative journey. Hussain talks about the impact his mother's passing had on his life and career, and how it influenced his writing. They discuss the challenges of balancing personal emotions with professional aspirations and the importance of staying true to oneself. Paris shares her own experiences in radio and her passion for interviewing artists, expressing her desire to grow her podcast and create a platform for genuine conversations with creative individuals. The episode concludes with Hussain sharing a heartfelt poem and discussing his plans for his upcoming book.Show Notes:www.theparischongshow.com/episodes/hussain-manawar-poetry-grief-and-healing-in-an-intimate-conversation-on-his-birthdayChapters:(00:00:00) Intro(00:00:40) Hussain Manawar(00:02:17) 2 Best Sellers(00:04:07) Hussain's Mom(00:08:55) Life Now(00:15:10) Healing Journey(00:19:23) Performing Poetry(00:22:33) A Couple of Poems(00:26:36) Writing Inspiration(00:30:26) A Question from Hussain(00:33:46) Working A Lot(00:37:28) Gratitude(00:40:57) Outro

Believe it or not, it has been 10 years since the release of Bruce Soord of The Pineapple Thief released his self-titled debut album, in honour of this Kscope are releasing a half speed remaster, of the original. It was worked on at Abbey Road Studios and will be on sale from today (30th May) Our host Billy Reeves went to visit Bruce in his studio to hear about how he feels about the record a decade later and who he sites as supporting him along the way, plus there is a podcast exclusive acoustic performance from Bruce. Tracks you will hear:  Field Day (Part 2) The Odds Final Thing On My Mind (Live Kscope Podcast Exclusive on baritone guitar) Field Day (Part 1)

Stu Watts chats with Louis Montgomery, who is a Melbourne based music producer, mix engineer, recording engineer, composer, and musician; working mostly between Canberra, Melbourne, and Sydney. Louis graduated from the ANU with a Bachelor of Music - First Class Honours. In this, Louis specialised in Creative Recording and was awarded the prestigious Bernard Neumann Memorial Prize, The Peter and Lena Karmel Anniversary Award, and The Friends of the School of Music Transition Award. During his studies, he also partook in a number of recording studio internships around Australia, including: Studios 301, Sydney; Sing Sing Studios, Melbourne; Infidel Studios, Canberra; work experience with ABC Classic FM, and assisted Magoo (Dr Lachlan Goold), Brisbane. Over his career his work has amassed 160+ million streams. His work with Callum Henshaw resulted in an Album of the Week on Classic FM; his work with SAFIA resulted in an Album of the Week on Triple J, 5 songs in the Hottest 100, and in 2016 saw the band nominated for an ARIA Award. He has been awarded multiple Gold and Platinum singles, as well as a Gold Certified album. He has worked at Abbey Road Studios, London; Studios 301, Sydney; Sing Sing Studios, Melbourne; Golden Retriever, Sydney; Rolling on the River, Tasmania; and Supersize Recording Studio, Budapest. In 2018 he was part of a team that won Best Sound for Interactive Media at the Australian Screen Sound Guild Awards. In 2022 Louis was nominated for Industry Legend of the Year at the Music ACT Music Awards, in 2024 he produced the Music ACT Music Awards Release of the Year (Flik - Stormchaser), in 2025 he was nominated for MPEG Breakthrough Producer of the Year. Chapters:00:00 Intro02:11 About Louis Montgomery02:32 Early experiences with music08:25 Discussing the education system10:36 Early experiences of sound engineering14:20 Interning and assisting22:39 The importance of extensive demoing25:52 How to navigate when things aren't going right29:22 What is a "great mix"?32:57 A discussion about mix notes37:14 There's no answer for how to create the "perfect" piece of art39:02 What Louis has learnt about business over the years42:45 Networking and relationships45:15 Recording live and to tape52:10 What's coming up for Louis55:01 Best bits of advice for producers/engineers and artists56:41 Conclusion/OutroHow you can support the podcast:Subscribe on YouTubeBuy some merchDonateFollow on Instagram:What's That Sound?Stu WattsLouis MontgomeryLouis Montgomery website⁠⁠⁠⁠⁠⁠Stu Watts website⁠⁠⁠⁠⁠⁠Listen to Louis' work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Listen to Stu's work on Spotify⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Enquiries and suggestions: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠podcast.whatsthatsound@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 

Hello friends! Austin-based soul artist Nakia returns to the show for episode 1488! Nakia is back with a new band, Nakia & the Never Not Now and a new album, the electronic, Signal. Signal comes out on vinyl on May 30th and he's celebrating with a release show that same night at The Saxon Pub along with an instore at Waterloo Records as well. Go to nakia.net for show dates, music, and more. We have a great conversation about starting the recording of Signal on his own in his room and delving into electronic jams, working with Matt Parmenter at Ice Cream Factory, Eric Harrison at Studio 601, and mixing with Dolby Atmost at Abbey Road Studios, the state of the Austin music scene and much more on ep 1488! I had a great time catching up with nakia. I'm sure you will too. Let's get down!   Follow us on Instagram, TikTok, X, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

This episode features my conversation with Migdalia Van Der Hoven. Born and raised in Mexico, Migdalia studied at the Berklee College of Music and is now based in the UK. She's an internationally acclaimed drummer renowned for her versatility. Currently active in UK musical theatre, her credits include the shows SIX the Musical, Little Shop Of Horrors, Cake the Musical and working with The Royal Shakespeare Company. As the leader of the Migdalia Van Der Hoven Quartet, she has released 2 projects including the EP Girl Facing South and their debut album Point Of Departure, which was recorded at the famed Abbey Road Studios. Migdalia is also the UK Ambassador for the organization “Women In Jazz Media” In our conversation, we talk about her experiences growing up in Mexico and how that shaped her musical identity. We discuss overcoming the obstacles she has faced throughout her career, and why it's essential to adapt your professional aspirations in order to live a fulfilling life as a creative artist, while managing a healthy work/life balance. Follow Migdalia: https://www.migdaliavanderhoven.com https://www.instagram.com/migdaliavanderhoven/ https://www.facebook.com/migdaliavanderhoven1 https://www.youtube.com/miggytamez

Managing Partner, Simon Ridpath, and Partner, Richard Davies, are joined by Giles Pocock, VP of Brand Marketing at high-end audio equipment maker Bowers & Wilkins. In this third episode of the second series of Client Conversations, Giles delves into his career journey, the importance of brand partnerships, and how he has steered B&W towards its leading position in a highly competitive global high-performance audio market. About Giles Pocock  Giles is a seasoned brand marketing executive, with more than two decades of experience in the media and technology space. He has worked with some of the world's most prestigious brands – prior to his tenure at B&W, he headed up the entertainment and lifestyle sponsorship team at Nokia and helped to establish Sony Music's brand partnerships team. After joining Bowers & Wilkins in 2022, Giles helped to secure a series of impressive brand partnerships with global icons including David Beckham, Aston Martin, and the James Bond franchise. He has also been instrumental to maintaining the brand's relationship with Abbey Road Studios, which dates back 40 years, and is responsible for all brand and marketing output.

Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El ministro Ángel Víctor Torres anuncia que tiene cáncer: "Es operable y seguiré en activo" Un día como hoy hace 2 años el titular era: Feijóo y Ayuso 'rompen' con Vox tras la moción y critican su "antipolítica": "Cada uno que siga su camino" …y hoy hace 2 años los titulares decían: El 44% de la inversión extranjera en Canarias llega a través de paraísos fiscales. Estados Unidos, el principal inversor en las Islas, canaliza nueve de cada diez euros mediante sociedades interpuestas en Luxemburgo, Irlanda o Namibia. Hoy se cumplen 1.122 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 27 días. Hoy es lunes 24 de marzo de 2025. Día Internacional del Derecho a la Verdad en relación con Violaciones Graves de los Derechos Humanos y de la Dignidad de las Víctimas. El Día Internacional del Derecho a la Verdad en relación con las Violaciones de los Derechos Humanos y de la Dignidad de las Víctimas se celebra el 24 de marzo gracias a un decreto de las Naciones Unidas en el año 2010. El objetivo de conmemorar este día, es rendir un homenaje a todas aquellas personas que han sido víctimas de la violación de sus derechos humanos, como son los casos de secuestro, tortura, desaparición y muerte. Este día también se le rinde un homenaje a Monseñor Oscar Arnulfo Romero asesinado en el año 1980 por denunciar abusos de este tipo, en su país, el Salvador. 1933: en Nueva York (Estados Unidos), manifestantes judíos exigen un boicot contra los productos alemanes en respuesta a la persecución a la que son objeto los judíos en la Alemania nazi. 1934.- El Congreso de los Estados Unidos aprueba la ley de independencia de Filipinas. 1949.- Por primera vez una película extranjera obtiene un Oscar de Hollywood. Fue la británica "Hamlet", interpretada por Laurence Olivier. - El tren español Talgo es probado con éxito en Estados Unidos. 1976.- Un golpe militar encabezado por el general Videla derroca a la presidenta argentina, María Estela Martínez de Perón, e implanta una dictadura en el país. 1999: la OTAN inicia la campaña de bombardeos sobre objetivos en Yugoslavia. 2001: en California (Estados Unidos), la empresa Apple presenta la décima versión de su sistema operativo, Mac OS X. 2006: en España, la banda terrorista ETA comienza un alto el fuego permanente. Santos Agapito, Timoteo, Dionisio, Rómulo, Segundo, Simeón y Epigmenio. Al menos 3 muertos en Kiev tras un ataque ruso con drones contra la capital ucraniana. Israel lanza decenas de ataques contra Líbano tras ser blanco de Hezbolá. El Papa Francisco aparece por primera vez para saludar al público tras 37 días de hospitalización. Ryanair cambia sus normas con el equipaje de mano. Atento si vas a viajar con la compañía, a partir del 5 de noviembre de 2025. Entre las novedades más destacadas figura la eliminación total de los billetes en formato papel y una reducción en las dimensiones del equipaje de mano permitido sin coste adicional. Amplio respaldo político a Ángel Víctor Torres tras anunciar que padece cáncer. El presidente del Gobierno, Pedro Sánchez, lo reconoce como uno de los servidores públicos más brillantes: "Mucho ánimo. Estamos todos contigo”. El 22,6% de los habitantes en Canarias nació fuera de España. Suponen ya 505.075 personas en el archipiélago, la mayoría de ellas provenientes de Venezuela, Cuba, Colombia e Italia. Por continentes, la mayoría (261.422 personas) procede de América, con una nacionalidad predominante: 82.890 venezolanos. Otros 172.717 residentes son europeos (sin contar a los españoles) de los cuales 43.390 son italianos. Otros 47.077 residentes son africanos, de los cuales 29.314 marroquíes. De Asia provienen 23.490 personas, de las cuales 9.213 son chinas. Por último, 369 personas proceden de Oceanía.Hay cuatro municipios en Canarias, tres de ellos en Tenerife, donde hay más nativos de otros países que nacionales: Adeje, donde representan el 56,52%, Arona (51,8%) y Santiago del Teide (51,5%). El cuarto es La Oliva (Fuerteventura), donde la población extranjera representa un 50,74% del total. Además hay unos 185 mil españoles nacidos en la península. Los hoteles de Canarias facturan en febrero la mayor suma de la historia. Más de 924.000 viajeros se hospedaron el mes pasado en los establecimientos del Archipiélago, un 2,6% más que hace un año. Las aerolíneas alertan del riesgo de perder rutas con Canarias por el retraso en el pago de las subvenciones de residentes. La Asociación de Líneas Aéreas señala que a finales de enero la deuda se sitúa en 175 millones de euros, aunque también advierte de un déficit presupuestario de 775 millones para este año. El plátano de Canarias se pone por las nubes. La principal fruta isleña se vende a precios finales en la Península por encima de los 3,5 euros por kilo, dos más que la banana, y en el Archipiélago, en torno a los 2,5, y subiendo en ambos casos; la débil oferta origina la nueva etapa de “vacas gordas” del producto canario, iniciada en febrero pasado. El sindicato CSIF anuncia un recurso contra los premios donde el jefe de la Policía Canaria ha sido juez y parte La organización denuncia que “no ha habido un proceso transparente” y que los galardones “no se han concedido con criterios objetivos” y reclama las actas de las deliberaciones. El helicóptero Helimer 202 de Salvamento Marítimo ha evacuado ayer domingo de urgencia a un tripulante herido a bordo del crucero turistico ‘Seabourn Venture‘, que se encontraba a 100 millas de Tenerife. El 24 de marzo de 1973, Pink Floyd, banda británica de rock progresivo, lanzó el álbum «Dark Side of the Moon», que se ha convertido en el sexto álbum más vendido de todos los tiempos con ventas que superan los 40 millones de copias en todo el mundo. Lo que muchos no saben es que se produjo en los famosos Abbey Road Studios de los Beatles en Londres.

Bienvenidos a La Diez Capital Radio! Están a punto de comenzar un nuevo episodio de nuestro Programa de Actualidad, donde la información, la formación y el entretenimiento se encuentran para ofrecerles lo mejor de las noticias y temas relevantes. Este programa, dirigido y presentado por Miguel Ángel González Suárez, es su ventana directa a los acontecimientos más importantes, así como a las historias que capturan la esencia de nuestro tiempo. A través de un enfoque dinámico y cercano, Miguel Ángel conecta con ustedes para proporcionar una experiencia informativa y envolvente. Desde análisis profundos hasta entrevistas exclusivas, cada emisión está diseñada para mantenerles al tanto, ofrecerles nuevos conocimientos y, por supuesto, entretenerles. Para más detalles sobre el programa, visiten nuestra web en www.ladiez.es. - Informativo de primera hora de la mañana, en el programa El Remate de La Diez Capital Radio. El ministro Ángel Víctor Torres anuncia que tiene cáncer: "Es operable y seguiré en activo" Un día como hoy hace 2 años el titular era: Feijóo y Ayuso 'rompen' con Vox tras la moción y critican su "antipolítica": "Cada uno que siga su camino" …y hoy hace 2 años los titulares decían: El 44% de la inversión extranjera en Canarias llega a través de paraísos fiscales. Estados Unidos, el principal inversor en las Islas, canaliza nueve de cada diez euros mediante sociedades interpuestas en Luxemburgo, Irlanda o Namibia. Hoy se cumplen 1.122 días del cruel ataque e invasión de Rusia a Ucrania. 3 años y 27 días. Hoy es lunes 24 de marzo de 2025. Día Internacional del Derecho a la Verdad en relación con Violaciones Graves de los Derechos Humanos y de la Dignidad de las Víctimas. El Día Internacional del Derecho a la Verdad en relación con las Violaciones de los Derechos Humanos y de la Dignidad de las Víctimas se celebra el 24 de marzo gracias a un decreto de las Naciones Unidas en el año 2010. El objetivo de conmemorar este día, es rendir un homenaje a todas aquellas personas que han sido víctimas de la violación de sus derechos humanos, como son los casos de secuestro, tortura, desaparición y muerte. Este día también se le rinde un homenaje a Monseñor Oscar Arnulfo Romero asesinado en el año 1980 por denunciar abusos de este tipo, en su país, el Salvador. 1933: en Nueva York (Estados Unidos), manifestantes judíos exigen un boicot contra los productos alemanes en respuesta a la persecución a la que son objeto los judíos en la Alemania nazi. 1934.- El Congreso de los Estados Unidos aprueba la ley de independencia de Filipinas. 1949.- Por primera vez una película extranjera obtiene un Oscar de Hollywood. Fue la británica "Hamlet", interpretada por Laurence Olivier. - El tren español Talgo es probado con éxito en Estados Unidos. 1976.- Un golpe militar encabezado por el general Videla derroca a la presidenta argentina, María Estela Martínez de Perón, e implanta una dictadura en el país. 1999: la OTAN inicia la campaña de bombardeos sobre objetivos en Yugoslavia. 2001: en California (Estados Unidos), la empresa Apple presenta la décima versión de su sistema operativo, Mac OS X. 2006: en España, la banda terrorista ETA comienza un alto el fuego permanente. Santos Agapito, Timoteo, Dionisio, Rómulo, Segundo, Simeón y Epigmenio. Al menos 3 muertos en Kiev tras un ataque ruso con drones contra la capital ucraniana. Israel lanza decenas de ataques contra Líbano tras ser blanco de Hezbolá. El Papa Francisco aparece por primera vez para saludar al público tras 37 días de hospitalización. Ryanair cambia sus normas con el equipaje de mano. Atento si vas a viajar con la compañía, a partir del 5 de noviembre de 2025. Entre las novedades más destacadas figura la eliminación total de los billetes en formato papel y una reducción en las dimensiones del equipaje de mano permitido sin coste adicional. Amplio respaldo político a Ángel Víctor Torres tras anunciar que padece cáncer. El presidente del Gobierno, Pedro Sánchez, lo reconoce como uno de los servidores públicos más brillantes: "Mucho ánimo. Estamos todos contigo”. El 22,6% de los habitantes en Canarias nació fuera de España. Suponen ya 505.075 personas en el archipiélago, la mayoría de ellas provenientes de Venezuela, Cuba, Colombia e Italia. Por continentes, la mayoría (261.422 personas) procede de América, con una nacionalidad predominante: 82.890 venezolanos. Otros 172.717 residentes son europeos (sin contar a los españoles) de los cuales 43.390 son italianos. Otros 47.077 residentes son africanos, de los cuales 29.314 marroquíes. De Asia provienen 23.490 personas, de las cuales 9.213 son chinas. Por último, 369 personas proceden de Oceanía.Hay cuatro municipios en Canarias, tres de ellos en Tenerife, donde hay más nativos de otros países que nacionales: Adeje, donde representan el 56,52%, Arona (51,8%) y Santiago del Teide (51,5%). El cuarto es La Oliva (Fuerteventura), donde la población extranjera representa un 50,74% del total. Además hay unos 185 mil españoles nacidos en la península. Los hoteles de Canarias facturan en febrero la mayor suma de la historia. Más de 924.000 viajeros se hospedaron el mes pasado en los establecimientos del Archipiélago, un 2,6% más que hace un año. Las aerolíneas alertan del riesgo de perder rutas con Canarias por el retraso en el pago de las subvenciones de residentes. La Asociación de Líneas Aéreas señala que a finales de enero la deuda se sitúa en 175 millones de euros, aunque también advierte de un déficit presupuestario de 775 millones para este año. El plátano de Canarias se pone por las nubes. La principal fruta isleña se vende a precios finales en la Península por encima de los 3,5 euros por kilo, dos más que la banana, y en el Archipiélago, en torno a los 2,5, y subiendo en ambos casos; la débil oferta origina la nueva etapa de “vacas gordas” del producto canario, iniciada en febrero pasado. El sindicato CSIF anuncia un recurso contra los premios donde el jefe de la Policía Canaria ha sido juez y parte La organización denuncia que “no ha habido un proceso transparente” y que los galardones “no se han concedido con criterios objetivos” y reclama las actas de las deliberaciones. El helicóptero Helimer 202 de Salvamento Marítimo ha evacuado ayer domingo de urgencia a un tripulante herido a bordo del crucero turistico ‘Seabourn Venture‘, que se encontraba a 100 millas de Tenerife. El 24 de marzo de 1973, Pink Floyd, banda británica de rock progresivo, lanzó el álbum «Dark Side of the Moon», que se ha convertido en el sexto álbum más vendido de todos los tiempos con ventas que superan los 40 millones de copias en todo el mundo. Lo que muchos no saben es que se produjo en los famosos Abbey Road Studios de los Beatles en Londres. - Sección de actualidad con mucho sentido de Humor inteligente en el programa El Remate de La Diez Capital radio con el periodista socarrón y palmero, José Juan Pérez Capote, El Nº 1. - Tertulia en el programa en El Remate de La Diez Capital radio con Rosi Rivero, Antonio Aldana y Matías Hernández.El 22,6% de los habitantes en Canarias nació fuera de España. Suponen ya 505.075 personas en el archipiélago, la mayoría de ellas provenientes de Venezuela, Cuba, Colombia e Italia. Por continentes, la mayoría (261.422 personas) procede de América, con una nacionalidad predominante: 82.890 venezolanos. Otros 172.717 residentes son europeos (sin contar a los españoles) de los cuales 43.390 son italianos. Otros 47.077 residentes son africanos, de los cuales 29.314 marroquíes. De Asia provienen 23.490 personas, de las cuales 9.213 son chinas. Por último, 369 personas proceden de Oceanía. Hay cuatro municipios en Canarias, tres de ellos en Tenerife, donde hay más nativos de otros países que nacionales: Adeje, donde representan el 56,52%, Arona (51,8%) y Santiago del Teide (51,5%). El cuarto es La Oliva (Fuerteventura), donde la población extranjera representa un 50,74% del total. Además hay unos 185 mil españoles nacidos en la península. Los hoteles de Canarias facturan en febrero la mayor suma de la historia. Más de 924.000 viajeros se hospedaron el mes pasado en los establecimientos del Archipiélago, un 2,6% más que hace un año. El plátano de Canarias se pone por las nubes. La principal fruta isleña se vende a precios finales en la Península por encima de los 3,5 euros por kilo, dos más que la banana, y en el Archipiélago, en torno a los 2,5, y subiendo en ambos casos; la débil oferta origina la nueva etapa de “vacas gordas” del producto canario, iniciada en febrero pasado. El sindicato CSIF anuncia un recurso contra los premios donde el jefe de la Policía Canaria ha sido juez y parte. La organización denuncia que “no ha habido un proceso transparente” y que los galardones “no se han concedido con criterios objetivos” y reclama las actas de las deliberaciones. El helicóptero Helimer 202 de Salvamento Marítimo ha evacuado ayer domingo de urgencia a un tripulante herido a bordo del crucero turistico ‘Seabourn Venture‘, que se encontraba a 100 millas de Tenerife. - Entrevista en La Diez Capital radio a Monseñor Eloy Alberto Santiago, Obispo de la Diócesis Nivariense. Eloy Alberto Santiago (Las Palmas de Gran Canaria, 8 de septiembre de 1973), entró en el seminario diocesano de Canarias en 1992 y fue ordenado sacerdote el 17 de julio de 1999. Tras los estudios de licenciatura en teología dogmática en la Universidad Pontificia Gregoriana de Roma, en enero de 2004 logró el título de doctor en Teología. Se incorporó en 2006 al servicio diplomático de la Santa Sede. Ha estado destinado en las nunciaturas apostólicas de Colombia, África Meridional y Gran Bretaña, y fue designado capellán del papa a partir de junio de 2009. Tras su regreso a la Diócesis de Canarias en 2013, ha sido párroco en Santa Brígida, San Pedro en La Puntilla y otras parroquias en Las Palmas de Gran Canaria. Desde 2020 es secretario general y canciller, además de vicario para la Economía y el Patrimonio en la Diócesis de Canarias. - Entrevista en el programa El Remate de La Diez Capital radio con el primer presidente de Canarias, Alfonso Soriano. Prospecciones y Migrantes.

Our London Soundtrack Festival adventure continues in Abbey Road Studios, where we spent an afternoon with composer Stephen Barton in his writing room. In this conversation, we speak to Stephen about his music for Star Wars Jedi; Survivor, Jedi: Fallen Order, Gladiator II, and teasing the new currently unreleased Marvel 1943: Rise Of Hydra game.

Kunstenaar Eric Coolen is in zijn nopjes, vanmiddag werd in het bijzijn van burgemeester Wienen zijn nieuwste gevelsteen onthuld. Een steen ter ere van het 25 jarig bestaan van het Ampzing Genootschap. Dit gezelschap, vernoemd naar taalpurist Samuel Ampzing (1590-1632), zet zich in voor het behoud van de Nederlandse taal via muziek, poëzie en kunst. Naast hun optredens en opnames – waaronder in de legendarische Abbey Road Studio's – dragen ze ook bij aan stedelijke kunstprojecten. Eric vertelt ons er alles over. Foto: David Moolenburgh

Collector Justin Krohn, returns to the pod to talk about some of the new releases from Topps, including Hyperspace, High Tek and Galactic antiquities. Justin  joined me last summer after the release of 2024 Chrome and has a great collection I always love hearing more about. . It's a full hour of card hobby goodness!Justin Krohn on Instagram @coloradocollectiblesHave been on a few pods recently:Coffee with Kenobi: Ranking all the Disney+ STAR WARS shows:Part 1:https://open.spotify.com/episode/3ilAoXYBzqGjtEkFWORPvP?si=5a4d7cd362514e06Part 2:https://open.spotify.com/episode/5GQJQt4SxhRoz9Qz2K1LTj?si=d9e9c32a081744b9Force Ghost Conversations: Talking about the Disney+ documentary ‘If these walls could sing' about the famous Abbey Road Studios: https://open.spotify.com/episode/0DE2Y42uk89VjnLGLxj1DC?si=8c54064d28a446caCARD RELEASES2024 Topps Hyperspace - via Steel City Collectibles 2/19/25 Release (200?)https://www.steelcitycollectibles.com/i/2024-topps-star-wars-hyperspace-hobby-boxGalactic Antiquities Promo Sheet - via Blowout Cards 2/5/25 (3,000)http://www.blowoutcards.net/images/ss/24tpswgalaticantiqNS.pdfHigh Tek Promo Sheet - via Blowout Cards 1/8/25 (199)http://www.blowoutcards.net/images/ss/24tpswhightekNS.pdf2024 Star Wars Galaxy detail - via Blowout Cards 11/1/24 (299)https://www.blowoutcards.com/non-sports/2024-topps-star-wars-chrome-galaxy-hobby-box.htmlIf you have a question or comment, find me on the  socials: Twitter/X, Instagram, Facebook, Threads, Bluesky Substack, Hive @rebelbasecard 2 more designs are up on the TeePublic store and that is 14 in all! Help out the show and find some cool swag. https://www.teepublic.com/user/rebel-base-cardFind me on the Topps Digital Apps like Star Wars Card Trader, Marvel, Disney Collect and BUNT @CORNFEDTECHHelp out the show by rating The Rebel Base Card Podcast wherever you get your podcasts. All comments and feedback is appreciated!

Hello friends! GRAMMY-winning soprano Sangeeta Kaur is my guest for episode 1463! Her latest project, MYTHOLOGIES II, reimagines ancient Greek myths through cinematic soundscapes and lush orchestral tone poems, featuring the world-renowned Royal Philharmonic Orchestra. The album, a collaboration with GRAMMY-winning composer Danaë Xanthe Vlasse, is nominated for Best Classical Compendium at the 67th Annual GRAMMY Awards®. Go to sangeetakaurmusic.com for more info on the music. We have a great conversation about being the first Vietnamese female to win a GRAMMY in 2021 for MYTHOLOGIES, working with The Royal Philharmonic Orchestra at legendary Abbey Road Studios in London, being a Governor at The Texas Chapter of The Recording Academy, owning Studio Hill here in Austin, the Boston Conservatory of Music, collaborating with Jon Anderson of YES, making modern classical music, and much more. I had a great time getting to know Sangeeta. I'm sure you will too. Let's get down!    Give to The American Red Cross to help with Southern California Wildfires HERE   Follow us on Instagram, Facebook, Spotify, Apple Podcasts, or anywhere you pod.   If you feel so inclined. Venmo: venmo.com/John-Goudie-1  Paypal: paypal.me/johnnygoudie

In this very special Christmas episode of VRP Rocks, Paul Stephenson sits down with Merseybeat legend Billy J. Kramer to reflect on his incredible career and enduring passion for music. As one of the key figures of the British Invasion, Billy shares unforgettable stories about his early days on the Liverpool music scene, being discovered by John Lennon—who personally championed Billy's career and even helped shape his iconic stage name - and the influence of Brian Epstein. Billy talks about his chart-topping hits like “Do You Want to Know a Secret” and “Bad to Me”, performing alongside The Beatles, Roy Orbison, James Brown and more, and the surreal experience of conquering America during the height of Beatlemania. We also discuss his latest project, a heartwarming new Christmas song, “Christmas Kind of Feeling” and the emotional return to Abbey Road Studios to record his recent album. At 80 years old, Billy's love for music remains as strong as ever and his stories from the golden age of rock 'n' roll are the perfect way to close out the year. Join us for this festive celebration of music, memories and Christmas cheer with one of the greats from rock's most transformative era. Don't forget to subscribe for more interviews with rock legends in the new year! Learn more about your ad choices. Visit megaphone.fm/adchoices

Can music help us find calm and comfort during the holidays? Tune in for an inspiring discussion with contemporary pianist and composer Ed Bazel on his new album The Christmas Sessions and his radio station River of Calm. Moments with Marianne airs in the Southern California area on KMET1490AM & 98.1 FM ABC Talk News Radio affiliate! Ed Bazel, an award-winning solo pianist, recently released The Christmas Sessions: Season's Greetings From Studio 2, an elegant collection of holiday compositions recorded at Abbey Road Studios' famed Studio 2.  Beyond his beloved music, Ed has positively impacted the world with The River of Calm – a radio station that brings healing music to a stressed-out world. He and the station are on a mission called Headphones for Chemotherapy, which donates headphones full of the channel's music to calm patients during a stressful time. https://www.edbazel.com/For more show information visit: www.MariannePestana.com

The music studio that made the Beatles famous hits the road in Volvo's new electric SUV. I visited Abbey Road Studios in London to check Volvo and Bowers & Wilkins' Abbey Road Studio Mode.

The music studio that made the Beatles famous hits the road in Volvo's new electric SUV. I visited Abbey Road Studios in London to check Volvo and Bowers & Wilkins' Abbey Road Studio Mode.

Mit einer souveränen Band rockt sich die Grand Dame des Roots Rock durch die Schaffensphasen der Fab Four, eingespielt in den Abbey Road Studios.

What if the natural world could compose a symphony? Join us as we explore this captivating question in our latest episode featuring Martyn Stewart and singer, songwriter, multi-instrumentalist and producer ONR.Born Robert Shields and hailing from from Dumfriesshire in South Scotland, ONR's distinctive compositions, vocals and exceptional musical capability have captured the imagination of some of the world's biggest acts and most respected musicians; one of ONR's breakout moments being his collaboration with legendary guitarist and producer Nile Rodgers, who became a huge fan and supporter after having happened to see ONR recording at Abbey Road Studios. Rodgers said of Shields in a recent Forbes interview, “he reminds me of working with Daft Punk. His sense of composition is just wonderfully chaotic."Discover how an impromptu Zoom call ignited Martyn's passion for intertwining the audio of Scotland's breathtaking landscapes with music. The magic of Scotland's Western Isles, the Highlands, and the historically rich Culloden Moor and Glencoe are not just backdrops but essential players in this unique musical collaboration.Listeners will be taken on an emotional journey, particularly through the track "You and I," inspired by the Solway Firth. This piece holds profound emotional significance for Robert, offering a deeply personal narrative woven into the melody. You'll hear about the challenges and rewards of composing music driven solely by the rhythms and sounds of nature, from the daunting cries of Peregrine Falcons in Dalbeattie to the serene ambiance of Scotland's untouched wilderness.The episode culminates in a heartfelt reflection on the transformative power of this artistic endeavor. Martyn and Robert share their gratitude for the creative freedom and inspiration this project has brought into their lives. We invite our listeners to continue exploring the world of natural sounds and music through our online platforms, ensuring the journey into nature's symphony is just the beginning.www.thelisteningplanet.com

Send us a textPrepare to be swept away into the contrasting worlds of Los Angeles and London as Dalila Mya, a remarkable recording artist and physicist, takes center stage. We explore the stark differences between LA's glitzy, revenue-driven music industry and London's vibrant, indie scene. Dalila, a one-time child prodigy, shares her journey through the European music circuit and sheds light on the challenges of navigating LA's pay-to-play culture, while applauding the steadfast support for independent artists found within London's authentic radio landscape.Our conversation ventures beyond the UK and US, uncovering the rich musical tapestry of Italy and Germany. With a five-year sojourn in Naples under her belt, Dalila paints a vivid picture of Italy's deep-rooted opera traditions and its embrace of American music. We contrast this with Germany's efficient work ethic and structured lifestyle, offering a philosophical reflection on cultural priorities and highlighting the unique beauty and leisurely allure of Italy as an ideal retirement haven.In a fascinating twist, we explore the marriage of music and quantum physics. Dalila shares her academic journey from SAE to the University of Cambridge, where she embraced the scientific intricacies of sound. Her insights into frequencies and vibrations, inspired by Tesla, reveal a shift in her perception of ego and success, emphasizing soulful experiences over material gains. Her serendipitous stint at Abbey Road Studios, playing alongside Coldplay, illustrates the magic of being in the right place at the right time, propelling her into a successful career as a session musician and sound engineer. Join us as we uncover these harmonious intersections of music, science, and personal growth.LinksJay Franze: https://JayFranze.comDalila Mya: https://dalilamya.com/ Support the show

Sleaford Mods und Hot Chip verbringen einen gemeinsamen Tag in den Abbey Road Studios und nehmen dabei den Song „Nom Nom Nom“ auf. Der verbindet Moshpit und Dancefloor, Angriness und Groove. Unser Song des Tages. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-sleaford-mods-und-hot-chip-veroeffentlichen-gemeinsamen-song

Sleaford Mods und Hot Chip verbringen einen gemeinsamen Tag in den Abbey Road Studios und nehmen dabei den Song „Nom Nom Nom“ auf. Der verbindet Moshpit und Dancefloor, Angriness und Groove. Unser Song des Tages. >> Artikel zum Nachlesen: https://detektor.fm/musik/popfilter-sleaford-mods-und-hot-chip-veroeffentlichen-gemeinsamen-song

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/architecture

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

On a winter's night in 1951, shortly after Evensong, the interior of St Paul's Cathedral echoed with gunfire. This was no act of violence but a scientific demonstration of new techniques in acoustic measurement. It aimed to address a surprising question: could a building be a musical instrument? Pistols in St Paul's: Science, Music, and Architecture in the Twentieth Century (Manchester University Press, 2024) by Dr. Fiona Smyth tells the fascinating story of the scientists, architects and musicians who set out to answer this question. Beginning at the turn of the century, their innovative experiments, which took place at sites ranging from Herbert Baker's Assembly Chamber in Delhi to Abbey Road Studios and a disused munitions factory near Perivale, would come to define the field of 'architectural acoustics'. They culminated in 1951 with the opening of the Royal Festival Hall - the first building to be designed for musical tone. Deeply researched and richly illustrated, Pistols in St Paul's brings to light a scientific quest spanning half a century, one that demonstrates the power of international cooperation in the darkest of times. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Please Please Me, the debut studio album by The Beatles, burst onto the scene in 1963, marking the beginning of Beatlemania and showcasing the group's electrifying energy and raw talent. Recorded in a single day at Abbey Road Studios, the album captures the essence of their early sound—a mix of rock and roll, skiffle, and R&B influences. With Lennon and McCartney's catchy, tight harmonies on songs like "I Saw Her Standing There" and "Love Me Do," and the passionate title track "Please Please Me," the album solidified The Beatles' chemistry and potential. It also includes their renditions of popular hits, like their soulful cover of "Twist and Shout," which became iconic. This album, brimming with youthful energy and charm, laid the foundation for their revolutionary impact on music and culture in the 1960s.Listen to the album on SpotifyListen to the album on Apple MusicWhat did you think of this album? Send us a text! Support the showPatreonWebsitePolyphonic Press SubredditFollow us on InstagramContact: polyphonicpressmusic@gmail.comDISCLAIMER: Due to copyright restrictions, we are unable to play pieces of the songs we cover in these episodes. Playing clips of songs are unfortunately prohibitively expensive to obtain the proper licensing. We strongly encourage you to listen to the album along with us on your preferred format to enhance the listening experience.

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

On the November 12 edition of the Music History Today podcast, Billboard starts a new chart, Katy Perry gets a fragrance, & Madonna releases Like a Virgin. Also, happy birthday to Neil Young. For more music history, subscribe to my YouTube Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Sindromul impostorului este atunci când succesul pare nemeritat. E o luptă interioară cu îndoiala, luptă care afectează încrederea în sine, chiar și atunci când dovezile succesului sunt clare. Trupa byron ne invită să vorbim despre sindromul impostorului, iar când nu o să mai vorbim, trupa o să ne cânte fix despre asta la Sala Radio, București, pe 9 noiembrie.  byron cântă rock cu influențe diverse de prin 2006. Au lansat de atunci 8 albume de studio, trei concerte filmate si 2 viniluri. Sunt obișnuiți să cânte atât electric pe scene mari de festival în fața a mii de spectatori cât și acustic sau alături de cvartet de coarde sau orchestră simfonică. Au filmat un concert în Salina Turda, apoi au compus coloana sonoră pentru un serial original HBO. În 2014 au filmat la Teatrul Național din Cluj concertul „Electric Marching Band” cu o fanfară militară și un cor de elevi, urmat de albumul „Eternal Return”, înregistrat în High Resolution la Dublin în celebrele studiouri Windmill Lane și masterizat la Londra la Abbey Road Studios. În 2019 byron au lansat albumul ‚nouă' compus în totalitate în limba română, un album despre noi, despre România, dedicat nouă. Un album despre inconștientul colectiv, despre tăceri și mersul nostru zilnic pe ață.  Cel mai recent material 'Efemeride', lansat la finalul lui 2023, o colecție de conversații pe care nu le purtăm, o privire directă în ochii omului din oglindă. Pe parcursul celor 10 piese, byron te poartă într-o călătorie prin universul complex al gândurilor și trăirilor recurente, al anxietăților și întrebărilor existențiale, toate împletite subtil cu un fir de speranță și unul de distors.  Sindromul impostorului este acea senzație că succesul tău nu e meritat și că, în orice moment, cei din jur vor „descoperi” că nu ești atât de competent pe cât pari. E o luptă interioară cu îndoiala, care afectează încrederea în sine, chiar și atunci când dovezile succesului sunt clare.  Pe 9 noiembrie byron cântă pentru prima oară la Sala Radio, Sindromul Impostorului în 4 acte. Invitați speciali: Muse Quartet, Dora Gaitanovici, Șerban Pavlu și Vichi Răileanu. 

Tortoise's editor James Harding is joined by three journalists all vying to pitch the top story of the weekend. This week they are in the iconic Abbey Road Studios in London as part of the KITE festival. They discuss Chappell Roan's fight against toxic celebrity culture, an end to the longstanding dispute over Britain's final African colony and one year on after Hamas attacked Israel.Email: newsmeeting@tortoisemedia.comGuests:Oliver Kamm, journalist and authorKatie Riley, Tortoise's data editorChloe Hadjimatheou, Tortoise's narrative editor Host: James Harding, Tortoise's editor and founderProducer: Rebecca MooreExecutive producers: Rebecca Moore and Matt Russell To find out more about Tortoise:- Download the Tortoise app - for a listening experience curated by our journalists- Subscribe to Tortoise+ on Apple Podcasts for early access and exclusive content- Become a member and get access to all of Tortoise's premium audio offerings and moreIf you want to get in touch with us directly about a story, or tell us more about the stories you want to hear about contact hello@tortoisemedia.com Hosted on Acast. See acast.com/privacy for more information.

Meeting up in the studio with Marty Scott, guitar player with world famous Beatles tribute band 'Liverpool Legends'. With support for the band from Sir Paul McCartney and one special gig which led to Marty being hand-picked for the band by Louise Harrison (sister of the late George Harrison), let's just say great talent, luck and timing is all part of this fascinating Beatles tribute band! Marty discusses the beginnings of Liverpool Legends stellar success, including a moment that almost wasn't (the story is in the podcast!), when the band recorded and produced all The Beatles songs for a unique album called "Fab Fan Memories" - which eventually led to a Grammy Award nomination! Along with their performances at Carnegie Hall in New York, The Cavern Club in Liverpool and the famed Abbey Road Studios in London, Marty talks about those oh so special gigs with Denny Laine (WIngs, Moody Blues), Joey Molland (Badfinger), Pete Best and more. Bring your love of the 60's with you and join us!About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests know media, we're talkin'! Unscripted and entertaining, each guest gets real about their careers in the entertainment biz; from where they started to how it's going. Join us in my swanky studio where drinks are always on ice; music + media are the conversation starters. New episodes every other Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereA very special thank you to friends who helped bring my Spotlight Conversations podcast together and especially for their continued support:Booth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird StudiosRadio Free RaleighHouston Radio Platinum

After releasing his second studio album ‘God Said No' in late June, Omar Apollo is off on a world tour — stopping in Chicago on Aug. 23. Recorded at London's Abbey Road Studios, the album explores the complex emotions tied to heartbreak, with a feature from poet Mustafa and a voice note from actor Pedro Pascal. The album comes as Apollo prepares for the premiere of his debut film, Luca Guadagnino's ‘Queer,' set to premiere at the Venice Film Festival in early September. He spoke with Vocalo's Nudia Hernandez about his teenage drive to pursue music (propelled by his dad saying he sounded “terrible”), his acting debut and if he really spent 50k “out of spite” like the new album says. Omar Apollo will perform at the Huntington Bank Pavilion at Northerly Island on Aug. 23, on tour in support of ‘God Said No.' Find dates and more info at omarapollo.com. This segment originally aired on Vocalo Radio 91.1 FM during Nudia In the Afternoons on Thursday, Aug. 22. It was produced by Nudia Hernandez and edited by Morgan Ciocca, with production support from Abigail Harrison.

Eve SelisTake a walk with me down Fascination Street as I get to know Eve Selis. Known as 'The Queen of Roadhouse Rock"; I sat down with Eve to chat about her career, and her new album. In this episode, we discuss her early life as a young musician, and even how she got to have 'Eve Selis Day' in San Diego. She shares some pretty scary cancer stories, which is how she ended up in Nashville, and we discuss how art and trauma are tied to each other. I ask her about some of her previous projects, including Cactus Honey, King's Road, & 3 of Hearts. Finally, we get into her newest album called 'Dark Sky Blue'. Eve shares some of the traumatic events that influenced the songs on this album, and she even lets me play my favorite track from it. Dark Sky Blue is about unconditional love, loss, and the stages of grief. Eve explains all of that, and touches on some of those tragic events; and gives maybe the best answer ever to the age old question "Who is this record for?" Finally, she shares the story of a bald eagle landing on her head during a live performance, and her performing at Abbey Road Studios! Follow Eve everywhere on social media, and be inspired by the vulnerability of her music.

Joining Jill and Doron on our 24th episode, the sixth of our second season, to tell us his story is our first guest from Ireland, author Yanky Fachler, known as Jacky at Carmel College, where he was Head Boy. Following two years at Yeshiva in Israel, Yanky studied Psychology, Sociology and Economics at Brunel, where he also earned a Masters degree in Sociology, before returning to Israel.   For two decades he then worked with a multitude of Israeli advertising agencies as an English language freelance copywriter until he moved to Ireland to coach corporate executives in communication.  He now lives with his wife in a small town between Belfast and Dublin, and chairs the Jewish Historical Society of Ireland.   Yanky is a regular contributor to the ‘Word in Edgeways' broadcast, and a writer. In addition to his memoirs (“Yanky's Doodles”), he wrote a book on the Jewish community of Letchworth, in which he grew up, and since October 7th, emails out several times a week a morale-boosting summary of the relevant news.  His two sons live in California and Israel, respectively. Hear Yanky talk about why' Yanky' became ‘Jacky', becoming Head Boy, his act of civil disobedience in the Carmel synagogue, and beating The Beatles to record at Abbey Road Studios.   Thank you, Yanky Jack Fachler, for turning us again to Carmel days!   The chapter on Carmel College from Yanky's memoirs can be found here: https://www.carmelcollege.co.uk/the-road-from-carmel-podcast   Dedication: at Yanky's request, this episode is dedicated to the memory of Yisrael Alexander, his former teacher as well as father of his friend and Carmel contemporary, David Alexander.  Born in Berlin, the son of a rabbi, Yisrael was - at the age of 15, in 1938, following Kristallnacht - deported to the Buchenwald concentration camp for belonging to a Zionist youth movement, but managed to escape the Shoah on a Kindertransport to England, where he met not only his future wife, Chaya, but also Yanky's parents.  Around the time of the State of Israel's founding, Yisrael and Chaya joined a kibbutz.  In the mid-fifties, Yisrael and his young family came to Carmel, where he taught Jewish Studies, Hebrew and German.  He passed away in Israel in 2005 at the age of 84. Personal mentions in this episode: Rabbi Dr. Kopul Rosen (Founder & Principal) Abraham Carmel (English & Classics) Reverend Bernard Ward (Latin) Joshua Gabbay (French) Mendel Bloch (Jewish Studies & English) Mordechai Fachler Brian Bloom David Duke Stuart Cohen David Rosen Jeremy Rosen David Alexander Chaim Fachler David Dangoor Alan Gold Clive Toberman   Feel free to leave a comment letting us know what you liked about this episode, and rate us on your favorite podcast platform

We meet Mary McCartney, world renowned photographer, film-maker and sustainable food pioneer. As a leading British creative, her work covers multiple disciplines, but is always rooted in her passion for impactful storytelling. We meet at Claridges Art Space in London to explore her joint show 'Double Exposure' with photography legend David Bailey. Unfolding like a conversation between two friends, Double Exposure: David Bailey & Mary McCartney brings two era-defining British photographers into dialogue for the first time. Curated by Brandei Estes, this striking series of works spans the 1960s to the present day – exploring a shared aesthetic of reinvention, play and the art of portraiture itself.Mary McCartney's insightful gaze reveals enigmatic and evocative portraits of celebrity icons, from Kate Moss to Harry Styles. Like Bailey, there's a dash of the theatrical and performative in her photographs. But set alongside everyday moments – a ballet dancer ‘off pointe' or a woman hailing a taxi – she conjures the sense that anything, or anyone, could be a subject. As a portrait and fine art photographer, McCartney's work has been featured globally, with exhibitions taking place in London, New York, France and in 2015 was invited by Buckingham Palace to take the official photograph to mark Queen Elizabeth II becoming the longest reigning Monarch. Her work is held in major private and public permanent collections including the Victoria and Albert Museum, London; the National Portrait Gallery, London; The Royal Academy, London; and the Fondation d'entreprise Hermès, Paris, and has been commissioned by leading publications including National Geographic, British Vogue and GQ. In 2023, McCartney's first feature documentary If These Walls Could Sing, the untold story of the Abbey Road Studios 90 year history, was selected to premiere at The Telluride Film Festival. Streaming globally on Disney, and was nominated for a Critics Choice Documentary Award. McCartney has also been at the forefront of food sustainability for over 25 years, with a history and heritage rooted in her mother's pioneering work and creation of one of the first meat free brands Linda McCartney Food in 1991. In 2009, Mary co-founded the global collective Meat Free Monday with her father and sister, and is a global ambassador for Green Common Foods, a food tech brand in Asia that is focused on plant based meat substitute products. McCartney has also executive produced and presented three seasons of her EMMY nominated plant based cooking show, “Mary McCartney Serves It Up!” for Discovery+.McCartney is a multi-published author, with a range of fine art photography books available from globally renowned publishers including, HENI and Chatto & Windus. Combining her passion for food and publishing, her latest book Feeding Creativity, published by TASCHEN is a unique hybrid coffee table, portrait and recipe book, featuring favourite recipes for friends, family, and members of the creative community.Follow @MaryMcCartneyDouble Exposure: David Bailey & Mary McCartney is open to all, and will run in Claridge's ArtSpace until 19 July 2024. Visit: https://www.claridges.co.uk/claridges-artspace/Thanks to Katy Wick and The Wick. Hosted on Acast. See acast.com/privacy for more information.

Linktree: https://linktr.ee/AnalyticNotorious Mass Effect: Dissecting Morgan Wallen's "Lies Lies Lies" and Recent ActivityCountry music fans, this segment is for you! Analytic Dreamz analyzes Morgan Wallen's upcoming single "Lies Lies Lies" and dives into his recent ventures.New Song Alert!Unpack the details behind "Lies Lies Lies": its writers, producers, and recording location (iconic Abbey Road Studios!).Explore the song's theme of struggling to move on from a past love.Chart-Topping Collaborations and BeyondDiscuss Wallen's record-breaking success with Post Malone's "I Had Some Help."Analyze his recent business venture - the Nashville bar "This Bar."Highlight his upcoming headline performance at BST Hyde Park in London, including exclusive merchandise.Social Media Buzz and Upcoming ShowsDiscuss the recent deactivation of Wallen's (and collaborator ERNEST's) Instagram accounts, sparking fan theories.Explore the anticipation surrounding potential new music releases or announcements.Look ahead to Wallen's performance at Hyde Park as part of his ongoing "One Thing At A Time" tour.Staying Relevant: Controversies and SuccessBriefly acknowledge Wallen's past controversies and his continued commercial success.Mention the recent fan throwing a phone at a concert, showcasing his ability to handle situations professionally.Morgan Wallen's "Lies Lies Lies" is just the tip of the iceberg. Join Analytic Dreamz for a comprehensive analysis of his music, collaborations, business endeavors, and captivating social media strategies.Support this podcast at — https://redcircle.com/analytic-dreamz-notorious-mass-effect/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Abbey Road was more than just The Beatles and the British Invasion, it was the symphony and Star Wars, too; but thanks to their wild success, the Beatles SAVED the whole studio.Subscribe so you don't miss an episode of Ken Dashow's Beatles Revolution. 

Greg Vandy is the host of The Roadhouse, KEXP's Sunday morning roots and American music show. He talks with Isabel Khalili about how the show is more about a feeling than a genre, and how he uses music to draw connections between the past and present. Then he shares three songs he's been loving lately, from 60's girl group harmonies to a soulful expression of joy, plus one lesser known track from the inventor of the power chord. Lastly, we hear from KEXP Music Director Chris Sanley about a powerful indie collaboration recorded at Abbey Road Studios. Songs featured: The Lostines - “A Tear” Scott Ballew - “True Love Can't Surf” Allison Russell - “The Returner” Link Wray - “From Tulsa To North Carolina” IAN SWEET & Porridge Radio - "Everyone's A Superstar" Listen to the full songs on KEXP's "In Our Headphones 2024" playlist on Spotify or the “What's In Our Headphones” playlist on YouTube. Listen to Greg Vandy on The Roadhouse live every Sunday from 9am to noon Pacific Time, or anytime on the 2-week archive, at KEXP.org or the KEXP App. Hosted and produced by: Janice Headley and Isabel KhaliliMixed by: Emily FoxMastered by: William MyersEditorial Director: Larry Mizell Jr. Our theme music is “好吗 (Hao Ma)” by Chinese American Bear Support the podcast: kexp.org/headphonesContact us at headphones@kexp.org.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

This episodes special guest is Dave McCabe of The ZutonsI met with Dave and we had a wonderful chat, talking about growing up, school, clubbing, great records and so much moreHope you enjoy this chat and if you do please feel free to support the podcast here.‘The Big Decider' (out 26th April) will be their first album together for 16 years and they've produced it with Nile Rodgers at Abbey Road Studios, alongside their original producer Ian Broudie. The album's lead single ‘Creeping On The Dancefloor' is already playlisted on BBC Radio 2 and Absolute, and picking up spins across 6 Music and Radio X. They're currently out on a run of intimate UK shows before a much bigger UK headline tour kicks off in April.  It has been some journey for the ‘Valerie' hit-makers in the time since their last album, 2008's ‘You Can Do Anything'. ‘The Big Decider' rears its head with the band having been through an awful lot together, and individually. Family tragedies, lives lost and created, reality checks, fallouts, make-ups, breakdowns – as well as lead singer Dave McCabe's experiences of rehabilitation – have all played their part in making ‘The Big Decider' what it is. For them it became the sound of water passing under the bridge, and a love for making music together rediscovered. Dave is pretty open in saying that this was the first time he'd actually been excited to record an album. https://www.buymeacoffee.com/stuwhiffenorhttps://supporter.acast.com/offthebeatandtrack orwww.patreon.com/offthebeatandtrackPlease also subscribe and follow the podcast on the social media links belowOff The Beat & Trackwww.offthebeatandtrackpodcast.comhttps://twitter.com/beatandtrackpodhttps://www.facebook.com/offthebeatandtrackpodcast/Support this show http://supporter.acast.com/offthebeatandtrack. Become a member at https://plus.acast.com/s/offthebeatandtrack. Hosted on Acast. See acast.com/privacy for more information.

Evolution. It's what keeps the best bands afloat — song after song, show after show, record after record. Mike Harmeier was still in his early 20s when he formed Silverada (Previously known as Mike and the Moonpies) From the start, they were the definition of a workingman's country band, cutting their teeth with five-hour sets on Austin's dancehall circuit before spreading their music to the rest of America. By the early 2020s, they'd become global ambassadors of homegrown Texas music, flying their flag everywhere from Abbey Road Studios (where they recorded 2019's Cheap Silver & Solid Country Gold with help from the London Symphony Orchestra) to the Grand Ole Opry. Today, Silverada has become a beacon and ambassadors of a new sound taking the music world by storm. In this special chat live from the Midland Cruise, we talk about the sonic evolution of the band, the unique magic from the band's chemistry, the special bond with the fans, and more. For tour dates visit: www.silverada.com

Debbie Gendler Supnik is with us to chat about her new book, I Saw Them Standing There: Adventures of an Original Fan During Beatlemania and Beyond. Debbie received an album by an unknown (in the US) British band named the Beatles and nothing was the same ever again! She said, “Yes!” to the opportunities that presented themselves, ending up in the audience of The Ed Sullivan Show, meeting Brian Epstein, attending the 1965 press conference welcoming the Beatles to America, visiting the Abbey Road Studios, staying with George's parents in Liverpool, becoming friends with Paul's brother Mike McCartney, and ending up working for the Ed Sullivan Show as an adult. Debbie is a four-time Emmy-nominated television executive and producer with CBS and ABC. She served as Women in Film's first Los Angeles-based Executive Director and was VP of Development for Weller/Grossman Productions. She currently works as a co-producer at SOFA Entertainment, owner of The Ed Sullivan Show.   DEBBIE'S LINKS: Website Buy the book   Women Beyond a Certain Age is an award-winning weekly podcast with Denise Vivaldo. She brings her own lively, humorous, and experienced viewpoint to the topics she discusses with her guests. The podcast covers wide-ranging subjects of importance to older women.   SHOW LINKS: Website Join our Facebook group Follow our Facebook page Instagram Episode archive Email us: WomenBeyond@icloud.com Denise Vivaldo is the host of WBACA. Her info lives here More of Denise's info is here Cindie Flannigan is the producer WBACA. Her info lives here Denise and Cindie's books

Sarah Eyden is a professional singer / confidence and business mentor for musicians. She has worked as a singer for over 25 years while managing depression and high levels of anxiety due to childhood sexual assault. She felt hopeless sometimes on stage and learnt how to manage it and go on to tour the world, work for Elton John, Tony Bennett and Ozzy Osborne and sing on over 450 film soundtracks at Abbey Road Studios over the past 25 years. She is now passionate about helping musicians feel confident to apply the business skills needed to help their music career, boost their income and step into their power as a musician with all the business tools they need to succeed. www.moneymaestroblog.com/ep-67

Johan Holmström is a highly accomplished Swedish composer renowned for his significant contributions to the realm of video game music, particularly in his role as the composer for Candy Crush Soda Saga. With an extensive background in both composition and orchestration, Mr. Holmström meticulously crafted and arranged the score for the game, which was recorded with the prestigious London Symphony Orchestra at the iconic Abbey Road Studios. As a resident composer and sound designer at King, the acclaimed creators of Candy Crush and numerous other top-grossing games, Johan Holmström consistently demonstrates his exceptional musical prowess. Following his studies at the Musicians Institute and Berklee College of Music in Boston, he garnered invaluable experience playing alongside some of Sweden's most prominent artists, with a notable emphasis on showcasing his exceptional Hammond skills. In addition to his impressive work in the gaming industry, Johan has made substantial contributions to the Swedish music scene. For three consecutive seasons, he served as the bandleader and composer for the popular Swedish children's show "Bacillakuten," further showcasing his versatility and talent in the field. His achievements, including the distinguished recording sessions at Abbey Road Studios, have earned him accolades such as the title "King of video game music" among other commendations. IN THIS EPISODE, YOU'LL LEARN ABOUT: Working on casual games vs. AAA-level games Preparing scores for orchestras Composing music for games such as Candy Crush Asking questions when you're feeling stuck Designing sound effects Getting your team on the same page Making sure your music translates across multiple devices How to get into the gaming industry Finding people better than you to collaborate with For tips on how to improve your mixes, visit https://masteryourmix.com/ Get your copy of The Recording Mindset: A Step-By-Step Guide To Creating Pro Recordings From Your Home Studio by visiting: https://therecordingmindset.com Looking for 1-on-1 feedback and training to help you create pro-quality mixes? Check out my new coaching program Amplitude and apply to join: https://masteryourmix.com/amplitude/ Download your FREE copy of the Ultimate Mixing Blueprint: https://masteryourmix.com/blueprint/ Get your copy of the #1 Amazon bestselling book, The Mixing Mindset – The Step-By-Step Formula For Creating Professional Rock Mixes From Your Home Studio: https://masteryourmix.com/mixingmindsetbook/ Join the FREE MasterYourMix Facebook community: https://links.masteryourmix.com/community To make sure that you don't miss an episode, make sure to subscribe to the podcast on iTunes or on Android. Have your questions answered on the show. Send them to questions@masteryourmix.com Thanks for listening! Please leave a rating and review on iTunes!

Our Media Path takes us to the influential and iconic 70s when Paul McCartney & Wings flew over Europe, The UK, and The World, lifted by the guitar mastery of Laurence Juber and when studio pages roamed the NBC hallways, collecting memorable celebrity encounters and handing gift cards to Johnny Carson.Former page, Shelley Herman is an Emmy-Nominated TV writer who has penned a delicious tell-all about her page years called, My Peacock Tale: Secrets of An NBC Page. It's stuffed with dishy stories about Robin Williams, Andy Kaufman, Ringo Starr, Johnny Cash, Jimmy Stewart, Harry Chapin, and Lucille Ball. As a page, Shelley pulled from her arsenal of wit, charm, courage and grit to navigate moody celebs, exacting execs and the occasional #MeToo, brutish assault. All in a polyester skirt and close toed shoes. Her book will enrich, amuse and inspire you!Then Laurence and Hope Juber fill our studio with their love for each other and for their talented daughters, Ilsey and Nico Juber. Their “How We Met” story is a bright light of fate, destiny, spiritual intervention and Beatles! Your jaw will plummet. Stretch first. The Jubers are a show biz dynasty. Hope's dad, Sherwood Schwartz is the celebrated mind behind Gilligan's Island and The Brady Bunch. She played Greg Brady's girlfriend, she heads up a band called The Nasty Housewives, and she produced Laurence's latest album, recorded at Abbey Road Studios, A Day In My Life.Laurence is a Grammy winning guitarist, recording artist, composer and arranger. AND, he was Fritz's bandleader on his late night comedy show, It's Fritz. So, these two are diving into some catching up.  And then, Laurence serenades us with a little Blackbird.Also, Fritz and Weezy are recommending Frontline's The Harvest: Integrating Mississippi's Schools on PBS and Feud: Capote VS. The Swans, available on several platforms, including Hulu, and YouTube.Path Points of Interest:Laurence Juber Laurence Juber on SpotifyA Day in My Life  (Recorded at Abbey Road)A Day In My Life VinylThe Evolution of Fingerstyle Guitar by Laurence JuberGuitar With Wings by Laurence JuberLaurence Juber on FacebookLaurence Juber on InstagramHope JuberIlsey JuberNico JuberShelley HermanMy Peacock Tale by Shelley HermanShelley Herman on FacebookShelley Herman on InstagramAmerican Experience - The Harvest: Integrating Mississippi's SchoolsFeud: Capote VS. The Swans