Podcast appearances and mentions of pete garrett

Today on Too Opinionated, we sit down with Kristos Andrews!  Kristos Andrews is a British-American Actor, Producer, Director and 11-time Emmy® winner.  Kristos holds the record five Lead Actor Emmy® wins by the age of 30. He holds six additional Emmys for his work as a Producer and Director, and moreover, an Emmy® nomination as a Writer. Kristos is the only individual in history to have won Emmy®s in the three well-coveted professions of Acting, Producing and Directing. Additionally, from his former career as an athlete (extreme sports), Kristos is an X-Games Gold medalist and multiple Guinness® World Record holder. Andrews has garnered most of his acclaim through his raw and 'soulful' performances in the crime-drama "The Bay" (Peacock) , in which he plays Pete Garrett, the hometown hero, opposite love interest Karrueche Tran; a highly popular super-couple on the series, known for their chemistry-filled scenes, as well his own twin; as British bad-boy, Adam Kenway.  Kristos' breakout performance as Adam Kenway on The Bay landed him the lofty 'Big Bad' anti-hero role in the Lionsgate action film, Survive The Game (2022) in which he goes head-to-head in heavy scenes throughout the movie with film legend, Bruce Willis. In the action film arena, Kristos has risen to the occasion of working head-to-head with legends such as Bruce Willis and Jean-Claude Van Damme ("Darkness of Man," 2023). Known to perform his own stunts, Andrews' extreme sports discipline and martial arts experience has been put to great use. Kristos has wrapped as the protagonist in the upcoming action movie "Breakout" (2023) co-starring Tom Sizemore and Louis Mandylor. Other recent movies include Lifetime Movie Network's 'The Killer in My Backyard' (2021, Lifetime), Showtime's "2nd Chance for Christmas" (2020, Showtime) co-starring Vivica Fox and Tara Reid, the Netflix football drama "The Last Whistle" (2020, Netflix) co-starring Brad Leland, and the lead role in "A Place Called Hollywood" (2019, Apple TV). In addition, Kristos was also Emmy nominated for his comedic role as series regular, Tyler, in the teenage family sitcom This Just In (Pop TV). In addition to being attached as co-director and special guest star on The Bay's spin-off teen drama 'yA' (2022) Kristos will also star as a series regular in the upcoming dystopian sci-fi "Fraxtur" (2023), co-starring Brittany Curran and Denise Richards. Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Kristos plays twins American hero Pete Garrett and British villain Adam Kenway on The Bay (season 7 now available on Tubi). - Kristos has won 11 total Emmy's (5 for his acting on The Bay, 5 as one of the producers, and 1 as a co-director for his work on season 5). - Kristos movies in the last 18-24 months include the Lionsgate film “Survive The Game” opposite Bruce Willis, as one of the leads in the action movie “Breakout” starring Brian Krause (Charmed) and Louis Mandylor (My Big Fat Greek Wedding) which is currently in post-production for a summer release 2023, the 2022 limited theatrical release Sci-fi thriller “Battle for Pandora” opposite the late Tom Sizemore, and he just recently completed the film noir Adrion click “Darkness of Man” opposite Jean-Claude Van Damme. - Kristos plays opposite Tony Todd (Candyman) in the Edgar Allan Poe classic retelling of "The Raven". Written and directed by creator showrunner of The Bay, Gregori J. Martin with an anticipated 2023 fall release. - Kristos' plays the lead in a dark comedy on Apple TV called “Murder, Anyone?” One of the highest rated movies on Rotten Tomatoes this year (2023). From the same director of "Survive The Game" James Cullen Bressack. - Kristos is a x-games champion and 2x Guinness record holder for his skateboarding. - Kristos was born in California and a dual citizen thanks to his mother who was born in England, he spent his summers in the UK. -His sister Celeste Fianna also stars on The Bay as Tamara Garrett. --- Send in a voice message: https://podcasters.spotify.com/pod/show/steven-cuoco/message Support this podcast: https://podcasters.spotify.com/pod/show/steven-cuoco/support

Eric had a last-minute conflict and couldn't join us for this month's episode, so we make do with a smaller cast and somewhat abbreviated run time. Garrett and Pete discuss our project bikes (as usual), including updates on both of Garrett's RZ350s. We also consider what large adventure bike Garrett might look for to add to his stable of motorcycles, then wrap up by talking about Can-Am's newly announced foray into electric bikes.

JUST TALKING 11X Daytime Emmy Award winning Actor and X-Games Gold Medalist, Kristos Andrews joins JUST TALKING to discuss his transformation from skateboarder to actor to director and producer. From Dog-Town to the X-Games Kristos was inspired by big risk takers like Jamie Thomas “Leap Of Faith” and Jereme Rogers, giving rise to viewing the rogue “street skater” as an athlete meets Rock Star icon — it's “rebel culture by nature.” Skateboarding is an art and your skateboard is your brush — push limits, take fears as a challenge…“enjoy the process of failing forward.” Kristos is well known for the character Pete Garrett on The Bay. Kristos is still hungry and passionate about the next part of the journey — “You've got to think ahead and when you can—take that leap of faith.” Watch The Bay on Amazon Prime: https://www.amazon.com/The-Bay-Season-1/dp/B07Z9T13J4 STRIKE A CHORD Miami Indie-alternative Rock Band Cannibal Kids lead singer/songwriter Damian Gutierrez joins STRIKE A CHORD to discuss their latest hit track Jeans. So, why the band's name Cannibal Kids? Living in the city we all become “Urban Explorers.” Cannibal Kids explored an abandoned, scary as hell place while just a little high—“we were in a place we shouldn't have been.” There's been a crime! Call Miami Vice! Their latest track Jeans opens with the lyrics “Maybe it's time that I open up a pair of jeans just to say what's up!” Opening your jeans for love can be scary. But don't worry! The track Falling in Love at Wii Sports Resort has a great synth pop beat. According to the Cannibal Kids — “the future is digital, fall in love with a computer—BUT only if you have a high speed fiber internet—OR the Love Connection will be disconnected. This pandemic has got us anxious and questioning our sanity at the same time. Cannibal Kids Go Outside is the perfect track to describe how we're all feeling right now. Support. Follow. Listen to the Cannibal Kids at: https://www.cannibalkids.com.

British-American Actor, Producer, Director and 11-time Daytime Emmy® award-winner, KRISTOS ANDREWS was born and raised in Los Angeles, CA and Surrey, UK. At 30 Kristos is the youngest actor in history at either the daytime or primetime Emmy's® to win Best Actor five (5) times. Kristos is best known for his work as Pete Garrett and his evil twin Adam Kenway on the hit crime-drama THE BAY available domestically on both PopStar! TV and Amazon Prime Video. Kristos was also Emmy® nominated for his comedic performance as series regular teen heartthrob Tyler on the POP TV series THIS JUST IN. Last month Kristos also received strong reviews for his role in the Lifetime hit TV Movie Killer in my Backyard. Additional TV series credits include bad-boy Liam Buchanan in Popstar! TV drama THE AGENCY, and a post-apocalyptic sci-fi series FRAXTUR (2021) co-starring with Denise Richards. Kristos is the lead male in 2019 TV Christmas Movie 2nd CHANCE FOR CHRISTMAS, Co-Starring Vivica Fox and Jim O'Heir (PARKS & REC) and played a supporting role in the multi-awarded NETFLIX football film THE LAST WHISTLE. Kristos is previously an X Games Gold Medalist in extreme sports and two-time Guinness World Record holder; a remarkable rarity having made significant achievements in both entertainment and sports. About The Bay: A 23-time Daytime Emmy® Award-winning limited daytime drama series THE BAY follows the affluent, yet dysfunctional Bay City residents living in a town cursed by an ominous senator who was murdered by his socialite granddaughter, Sara Garrett (Emmy® winner Mary Beth Evans). Living in his shadow, Sara, her youngest son Pete, (Emmy® winner Kristos Andrews) and those around them face a series of dilemmas involving blackmail, sordid lovers, and vindictive archrivals. Their lives riddled with forbidden love, malicious lies, and never-ending scandals, the town's privileged tangle with those who confuse obsession for love, vengeance for justice, and power for success. --- Send in a voice message: https://anchor.fm/steven-cuoco0/message Support this podcast: https://anchor.fm/steven-cuoco0/support

Triple M Aussie with Becko See omnystudio.com/policies/listener for privacy information.

Rob Hirst - The Sun Becomes The Sea album release feature 2014First published ABC Radio Australia18 November, 2014 12:07PM AEDTRob Hirst - a new solo album and the Midnight Oil 'anti-plan'By Carol DuncanRob Hirst has a new solo album out - released under his own name instead of one of the innumerable musical units that he's part of. The Midnight Oil drummer and songwriter celebrates his new songs with an unexpected collaboration with his artist daughter, Gabriella Hirst.10Rob Hirst oozes 'proud dad' as he talks about the achievements of the offspring of some of his bandmates."We've all got very talented sons and daughters now, all very grown up, and my daughter Gabriella is now in Berlin after finishing her courses at COFA in Sydney and the National Art School. She did very well, got a travelling scholarship and went to Berlin."Gabriella Hirst's art is, indeed, striking and beautiful. And perhaps unsurprisingly, her work seems to share her father's social and environmental concerns."She was looking out over a wasteland where she was in north-west Berlin, went for a walk in the afternoon and asked one of the locals why it was so deserted. He told her that until recently there had been a poplar forest full of birds but that despite the protests of locals the little forest that had acted as a buffer between quite an industrial area and the local residences had been levelled to put in a department store or factory.""But he also told Ella that he'd gone for a walk on the day they cut the trees down and found 24 birds' nests. He sent them to Ella and she painted them as part of her Berlin projects in watercolours on silk flags, which the man then attached to bamboo poles and put back where the forest once was as a symbolic gesture to remind people of what was lost. Being ephemeral artworks, she expected them to be souvenired, which they quickly were, but they fly now from the balconies of neighbouring apartments overlooking this area."Rob's album, 'The Sun Becomes The Sea', features 24 of his daughter's bird artworks in the hardcover booklet version of the album, which he had made to protect Gabriella's artwork but there are a few of them online."I was just finishing a bunch of songs that I'd been doing over a couple of years down at Jim's (Moginie) studio and I thought for the first time that I'd put it out under my own name rather than under the Ghostwriters or whatever. It's just one of those lovely synchronicities where she was finishing her artwork at the same time and agreed that I could use these beautiful watercolour birds for the sleeve of the book and for the new website which finally links the Oils, the Backsliders, The Break, Angry Tradesmen, Hirst and Greene, Willies Bar and Grill, etc."Unusually, Rob made the decision to make all of the songs on the album available online for free."I just thought it would be a nice gesture and I had such fun making these songs."I point out that a similar 'nice gesture' recently backfired somewhat for U2."I would never be so presumptuous as to upload these 11 songs on people's iTunes!" Rob laughs, "It's available for those that seek it out and like it and there's the option for people to go to a few of those old-fashioned record stores that still exist, and which we really want to support, and get the hardcover booklet with all of Gabriella's birds and other information on it."The exhibition of Midnight Oil's incredible place in the Australian music industry was a huge success at the Sydney exhibition hosted by the Manly Art Gallery and Museum and will be hosted by Newcastle Museum early 2015. How does Rob Hirst feel about his life's work being treated as a museum piece?"We had so many people come through and they were pleasantly surprised. I think they thought, 'Oh Rob's dug out a few old posters and stuck them on the wall with blu-tack' or something. In fact, we spent about two years working on it; this is me, curator Ross Heathcote, Virginia Buckingham, Wendy Osmond who did the art direction on it.""We've got a special film which runs an hour and fifteen minutes made by Rob Hambling about the making of '10 to 1' with Nick Launay producing back in London all those years ago, and we've sourced all this film from 1984 of the band backstage in South Australia at Memorial Drive, and at Main Beach on the Gold Coast. There's a lot of home movie footage, the Exxon banner from New York City, a full stage set-up of the band with the exact drums, guitars, amps, backdrop, lights and even the PA to be authentic from 1987 to 1989 which we toured on the back of the Diesel and Dust album.""There lots of little early recordings that have never been heard, a song we've never released before, and the piece de resistance is a replication in a box which has sticky carpet, three screens when you walk in and a curtain you pull behind you. It has footage of the band playing at the Tanelorn Festival in 1981 and there's two sets of headphones you can choose from - one is loud, the other is really loud - and you can stick to the carpet. There's elbows that come out from the side of the box so that you can be elbowed in the ribs. What I was trying to do was replicate what it was like coming to see Midnight Oil back then at the Mawson Hotel, the 16 Footers or the Ambassador or whatever."I enquire as to whether the box also has the special scent that some of our more notorious venues had. Rob Hirst assures me it does."I've poured so much Tooheys New into that carpet, you've got no idea, and I've ground some lemon chicken and sweet and sour rat or whatever into it. Remember in NSW in those days the liquor laws stated that the pubs had to pretend to provide a meal if they were serving liquor late. No-one would ever touch those meals but they'd be knocked off the bar and into the carpet. So after three months in Manly it's getting quite fruity in there!""It's funny, one of the last surviving venues down here (Sydney), The Annandale, has just ripped up there carpet. The carpet was legendary. It was despicable. They could have scraped it for a new form of penicillin! But they shouldn't have thrown it out. I'd have taken a square metre of it and put it in what became known as 'Rob's Folly', but is now known as 'The Royal Antler Room' which is the Narrabeen pub that Midnight Oil first started playing all those years ago.""The curator, Ross Heathcote, named it 'Rob's Folly' because he was bemused by the idea. He didn't think I'd ever build it, but over six months with a couple of hard-working, underpaid friends we actually made it. It looks like a giant road case but it's big enough for two or three people to cram in and get blasted by Midnight Oil at the Tanelorn Festival."Rob describes the opening of the Midnight Oil exhibition at the Manly gallery with great affection and it's obvious that he still finds great joy in every tiny connection that his career has afforded him - from those with names to the 'unknown' members of road crews. Indeed for just a moment he sounds a bit misty when reminiscing about the night of the opening and the loyalty of the huge crowds who were not only Midnight Oil fans but turned out in droves to see the exhibition. I gently accuse him of getting mellow and soft in his dotage as he describes this 'gathering of the tribes'. This quickly turns his thoughts to Newcastle."Newcastle will be the same. After all, Newcastle meant so much to the band. We went time and time again until we finally did a huge gig on Redhead Beach. We expected to find maybe a couple of thousand people, but there must have been 25,000 or 30,000 people on the beach. That kind of paid us back for all the hard work. We'd spoken to The Angels and (Cold) Chisel who'd just preceded us a little bit, and they said, 'If you get places like Newcastle you'll get the most loyal audiences on earth', and that's what happened. And of course a few years later was the earthquake benefit and we were lucky enough to be on that bill as well, and that gig goes down as one of the great shows we've ever played."Midnight Oil, of course, achieved success with not just a lot of hard work, but what Rob Hirst describes as an 'anti-plan'."We'd heard all these terrible stories of bands that we'd loved that ended much too early, before their time, through no fault of their own. They were brilliant musicians, songwriters, performers, but through management or lousy agency deals or record company stuff-ups they hadn't fulfilled their potential. So we looked at them and because Pete and I had done law - Pete finished law, I didn't - but we knew our way around a contract a little bit. So when we signed with an independent label, even though we were being chased by the majors at the time - that made us too anxious, so we signed with an independent label which we called 'Powderworks' after the first song on the first album and gradually eased ourselves in.""I think that stood us in good stead because we were able to build this very loyal live crowd - initially in Sydney, Newcastle and Wollongong and then interstate. But because we took it softly, softly, I don't think we made the horrendous mistakes that some of the other great Australian bands had done."I point out the obvious that Midnight Oil weren't trying to seduce an audience with songs of sex and drugs and rock & roll like every other band, but were insisting we have a look at contemporary Australian issues.Again, Rob is amused, "Yeah, we were decidedly unsexy and we didn't take anywhere near enough drugs although I was on ascorbic acid (vitamin C) for about 15 years.""Probably two of the most maligned rock managers of the time were Gary Morris who looked after us, and Chris Murphy who looked after INXS, although Gary also looked after INXS initially but then just us once he realised we were more than a handful.""Those managers were much feared and not very liked in the industry, but they were fiercely loyal to their bands and Gary not only was a real strong-arm, Rottweiler kind of manager which you need to protect a young band that has big ideas but no money in the bank, but he also threw all these crazy ideas at us all the time. One in every 100 of his crazy ideas was brilliant and we'd actually do it.""The best bands seemed to have been the most unlikely bunch of people - and I include their management in that - all thrown together and all providing different talents to an end that make the sum much stronger than the individual.""With Midnight Oil and Cold Chisel, for example, the songwriters weren't the singer. In the case of Chisel it was Don Walker writing for Jimmy (Barnes), and with the Oils it was Jim (Moginie) and myself writing for Pete (Garrett). There were others in the band that were great performers - Pete was this extraordinarily charismatic singer, Jim was a whiz in the studio, Martin (Rotsey) was great with arrangements ... and everyone kind of had their place.""Back in those days you actually sold albums, they weren't all pirated or downloaded for free so we could quickly pay back that poor bank manager in Chatswood and get going and make our own career even thought we didn't play Countdown and we didn't play the industry game."They most certainly didn't. And I suggest that to a then-young and female Australian music-goer, Midnight Oil could appear a bit intimidating. A bit cranky."We were a bloody-minded bunch of bastards back then and, yeah, we were cranky all the time. If you look at photos from that time we look really cranky. A lot of bands want to look cranky but we were actually cranky because we were tired and probably hungry and pissed off about something."Yes, I detect Rob Hirst pulling my leg a bit, but only a bit. He admits that if you were anywhere near the front of the stage during a Midnight Oil gig, or The Angels, or Rose Tattoo, Cold Chisel, whatever, you were a member of a fairly tough breed. I assure him I was happy at the back of the room but I suspect the safest place may have been behind the drum kit.False rumours have just done the rounds that Robert Plant had knocked back $500-$800 million to reform Led Zeppelin. Big numbers. What would it take for Midnight Oil to perform together again?"Robert Plant. I really admire the man, he keeps reinventing himself. It's long not been about the money for people like that. But it's one thing cruising around the pubs and just playing a medley of your greatest hits and a lot of bands fall for that trap. But I think Midnight Oil is among that bunch of bands that would be much too musically curious to have ever done that.""If we were ever to get back together, it would almost certainly be with new material and we'd have to feel we were contributing something rather than just some nostalgic act in sparkly jackets doing the clubs. Whether that will happen I have no idea."Rob Hirst's new album, 'The Sun Becomes The Sea', is a beautiful personal work recorded in memory of his later mother, Robin, who ended her life a few years ago after decades of living with depression. In a recent interview Rob pointed out that it's important we talk about depression, that we acknowledge the importance of mental health in order to help people."It's not just my mum, there are other members of the family who have suffered from it and it is as strong as any other inherited disease. And possibly more lethal because we don't talk about it and don't address it."Rob and his daughters sang 'Someone Scared' at his late mother's funeral and he suggests that this song was the catalyst for the full album.It's a terrible thing to admit, but as a high school work experience kid I spent a week at Powderworks when Midnight Oil's 'Bird Noises' EP was being pressed on to gooey black vinyl. I simply wanted to know how music worked.I wish I hadn't been such a good kid and actually nicked one.And frankly, I'd have pinched one of Gabriella Hirst's beautiful silk birds from the poplar forest, too.

Rob Hirst - The Sun Becomes The Sea album release feature 2014First published ABC Radio Australia18 November, 2014 12:07PM AEDTRob Hirst - a new solo album and the Midnight Oil 'anti-plan'By Carol DuncanRob Hirst has a new solo album out - released under his own name instead of one of the innumerable musical units that he's part of. The Midnight Oil drummer and songwriter celebrates his new songs with an unexpected collaboration with his artist daughter, Gabriella Hirst.10Rob Hirst oozes 'proud dad' as he talks about the achievements of the offspring of some of his bandmates."We've all got very talented sons and daughters now, all very grown up, and my daughter Gabriella is now in Berlin after finishing her courses at COFA in Sydney and the National Art School. She did very well, got a travelling scholarship and went to Berlin."Gabriella Hirst's art is, indeed, striking and beautiful. And perhaps unsurprisingly, her work seems to share her father's social and environmental concerns."She was looking out over a wasteland where she was in north-west Berlin, went for a walk in the afternoon and asked one of the locals why it was so deserted. He told her that until recently there had been a poplar forest full of birds but that despite the protests of locals the little forest that had acted as a buffer between quite an industrial area and the local residences had been levelled to put in a department store or factory.""But he also told Ella that he'd gone for a walk on the day they cut the trees down and found 24 birds' nests. He sent them to Ella and she painted them as part of her Berlin projects in watercolours on silk flags, which the man then attached to bamboo poles and put back where the forest once was as a symbolic gesture to remind people of what was lost. Being ephemeral artworks, she expected them to be souvenired, which they quickly were, but they fly now from the balconies of neighbouring apartments overlooking this area."Rob's album, 'The Sun Becomes The Sea', features 24 of his daughter's bird artworks in the hardcover booklet version of the album, which he had made to protect Gabriella's artwork but there are a few of them online."I was just finishing a bunch of songs that I'd been doing over a couple of years down at Jim's (Moginie) studio and I thought for the first time that I'd put it out under my own name rather than under the Ghostwriters or whatever. It's just one of those lovely synchronicities where she was finishing her artwork at the same time and agreed that I could use these beautiful watercolour birds for the sleeve of the book and for the new website which finally links the Oils, the Backsliders, The Break, Angry Tradesmen, Hirst and Greene, Willies Bar and Grill, etc."Unusually, Rob made the decision to make all of the songs on the album available online for free."I just thought it would be a nice gesture and I had such fun making these songs."I point out that a similar 'nice gesture' recently backfired somewhat for U2."I would never be so presumptuous as to upload these 11 songs on people's iTunes!" Rob laughs, "It's available for those that seek it out and like it and there's the option for people to go to a few of those old-fashioned record stores that still exist, and which we really want to support, and get the hardcover booklet with all of Gabriella's birds and other information on it."The exhibition of Midnight Oil's incredible place in the Australian music industry was a huge success at the Sydney exhibition hosted by the Manly Art Gallery and Museum and will be hosted by Newcastle Museum early 2015. How does Rob Hirst feel about his life's work being treated as a museum piece?"We had so many people come through and they were pleasantly surprised. I think they thought, 'Oh Rob's dug out a few old posters and stuck them on the wall with blu-tack' or something. In fact, we spent about two years working on it; this is me, curator Ross Heathcote, Virginia Buckingham, Wendy Osmond who did the art direction on it.""We've got a special film which runs an hour and fifteen minutes made by Rob Hambling about the making of '10 to 1' with Nick Launay producing back in London all those years ago, and we've sourced all this film from 1984 of the band backstage in South Australia at Memorial Drive, and at Main Beach on the Gold Coast. There's a lot of home movie footage, the Exxon banner from New York City, a full stage set-up of the band with the exact drums, guitars, amps, backdrop, lights and even the PA to be authentic from 1987 to 1989 which we toured on the back of the Diesel and Dust album.""There lots of little early recordings that have never been heard, a song we've never released before, and the piece de resistance is a replication in a box which has sticky carpet, three screens when you walk in and a curtain you pull behind you. It has footage of the band playing at the Tanelorn Festival in 1981 and there's two sets of headphones you can choose from - one is loud, the other is really loud - and you can stick to the carpet. There's elbows that come out from the side of the box so that you can be elbowed in the ribs. What I was trying to do was replicate what it was like coming to see Midnight Oil back then at the Mawson Hotel, the 16 Footers or the Ambassador or whatever."I enquire as to whether the box also has the special scent that some of our more notorious venues had. Rob Hirst assures me it does."I've poured so much Tooheys New into that carpet, you've got no idea, and I've ground some lemon chicken and sweet and sour rat or whatever into it. Remember in NSW in those days the liquor laws stated that the pubs had to pretend to provide a meal if they were serving liquor late. No-one would ever touch those meals but they'd be knocked off the bar and into the carpet. So after three months in Manly it's getting quite fruity in there!""It's funny, one of the last surviving venues down here (Sydney), The Annandale, has just ripped up there carpet. The carpet was legendary. It was despicable. They could have scraped it for a new form of penicillin! But they shouldn't have thrown it out. I'd have taken a square metre of it and put it in what became known as 'Rob's Folly', but is now known as 'The Royal Antler Room' which is the Narrabeen pub that Midnight Oil first started playing all those years ago.""The curator, Ross Heathcote, named it 'Rob's Folly' because he was bemused by the idea. He didn't think I'd ever build it, but over six months with a couple of hard-working, underpaid friends we actually made it. It looks like a giant road case but it's big enough for two or three people to cram in and get blasted by Midnight Oil at the Tanelorn Festival."Rob describes the opening of the Midnight Oil exhibition at the Manly gallery with great affection and it's obvious that he still finds great joy in every tiny connection that his career has afforded him - from those with names to the 'unknown' members of road crews. Indeed for just a moment he sounds a bit misty when reminiscing about the night of the opening and the loyalty of the huge crowds who were not only Midnight Oil fans but turned out in droves to see the exhibition. I gently accuse him of getting mellow and soft in his dotage as he describes this 'gathering of the tribes'. This quickly turns his thoughts to Newcastle."Newcastle will be the same. After all, Newcastle meant so much to the band. We went time and time again until we finally did a huge gig on Redhead Beach. We expected to find maybe a couple of thousand people, but there must have been 25,000 or 30,000 people on the beach. That kind of paid us back for all the hard work. We'd spoken to The Angels and (Cold) Chisel who'd just preceded us a little bit, and they said, 'If you get places like Newcastle you'll get the most loyal audiences on earth', and that's what happened. And of course a few years later was the earthquake benefit and we were lucky enough to be on that bill as well, and that gig goes down as one of the great shows we've ever played."Midnight Oil, of course, achieved success with not just a lot of hard work, but what Rob Hirst describes as an 'anti-plan'."We'd heard all these terrible stories of bands that we'd loved that ended much too early, before their time, through no fault of their own. They were brilliant musicians, songwriters, performers, but through management or lousy agency deals or record company stuff-ups they hadn't fulfilled their potential. So we looked at them and because Pete and I had done law - Pete finished law, I didn't - but we knew our way around a contract a little bit. So when we signed with an independent label, even though we were being chased by the majors at the time - that made us too anxious, so we signed with an independent label which we called 'Powderworks' after the first song on the first album and gradually eased ourselves in.""I think that stood us in good stead because we were able to build this very loyal live crowd - initially in Sydney, Newcastle and Wollongong and then interstate. But because we took it softly, softly, I don't think we made the horrendous mistakes that some of the other great Australian bands had done."I point out the obvious that Midnight Oil weren't trying to seduce an audience with songs of sex and drugs and rock & roll like every other band, but were insisting we have a look at contemporary Australian issues.Again, Rob is amused, "Yeah, we were decidedly unsexy and we didn't take anywhere near enough drugs although I was on ascorbic acid (vitamin C) for about 15 years.""Probably two of the most maligned rock managers of the time were Gary Morris who looked after us, and Chris Murphy who looked after INXS, although Gary also looked after INXS initially but then just us once he realised we were more than a handful.""Those managers were much feared and not very liked in the industry, but they were fiercely loyal to their bands and Gary not only was a real strong-arm, Rottweiler kind of manager which you need to protect a young band that has big ideas but no money in the bank, but he also threw all these crazy ideas at us all the time. One in every 100 of his crazy ideas was brilliant and we'd actually do it.""The best bands seemed to have been the most unlikely bunch of people - and I include their management in that - all thrown together and all providing different talents to an end that make the sum much stronger than the individual.""With Midnight Oil and Cold Chisel, for example, the songwriters weren't the singer. In the case of Chisel it was Don Walker writing for Jimmy (Barnes), and with the Oils it was Jim (Moginie) and myself writing for Pete (Garrett). There were others in the band that were great performers - Pete was this extraordinarily charismatic singer, Jim was a whiz in the studio, Martin (Rotsey) was great with arrangements ... and everyone kind of had their place.""Back in those days you actually sold albums, they weren't all pirated or downloaded for free so we could quickly pay back that poor bank manager in Chatswood and get going and make our own career even thought we didn't play Countdown and we didn't play the industry game."They most certainly didn't. And I suggest that to a then-young and female Australian music-goer, Midnight Oil could appear a bit intimidating. A bit cranky."We were a bloody-minded bunch of bastards back then and, yeah, we were cranky all the time. If you look at photos from that time we look really cranky. A lot of bands want to look cranky but we were actually cranky because we were tired and probably hungry and pissed off about something."Yes, I detect Rob Hirst pulling my leg a bit, but only a bit. He admits that if you were anywhere near the front of the stage during a Midnight Oil gig, or The Angels, or Rose Tattoo, Cold Chisel, whatever, you were a member of a fairly tough breed. I assure him I was happy at the back of the room but I suspect the safest place may have been behind the drum kit.False rumours have just done the rounds that Robert Plant had knocked back $500-$800 million to reform Led Zeppelin. Big numbers. What would it take for Midnight Oil to perform together again?"Robert Plant. I really admire the man, he keeps reinventing himself. It's long not been about the money for people like that. But it's one thing cruising around the pubs and just playing a medley of your greatest hits and a lot of bands fall for that trap. But I think Midnight Oil is among that bunch of bands that would be much too musically curious to have ever done that.""If we were ever to get back together, it would almost certainly be with new material and we'd have to feel we were contributing something rather than just some nostalgic act in sparkly jackets doing the clubs. Whether that will happen I have no idea."Rob Hirst's new album, 'The Sun Becomes The Sea', is a beautiful personal work recorded in memory of his later mother, Robin, who ended her life a few years ago after decades of living with depression. In a recent interview Rob pointed out that it's important we talk about depression, that we acknowledge the importance of mental health in order to help people."It's not just my mum, there are other members of the family who have suffered from it and it is as strong as any other inherited disease. And possibly more lethal because we don't talk about it and don't address it."Rob and his daughters sang 'Someone Scared' at his late mother's funeral and he suggests that this song was the catalyst for the full album.It's a terrible thing to admit, but as a high school work experience kid I spent a week at Powderworks when Midnight Oil's 'Bird Noises' EP was being pressed on to gooey black vinyl. I simply wanted to know how music worked.I wish I hadn't been such a good kid and actually nicked one.And frankly, I'd have pinched one of Gabriella Hirst's beautiful silk birds from the poplar forest, too.

This show is all about the web series, THE BAY, coming up with its new season of Chapter 12.  Gregori Martin, the founder of LANYfilms Productions; and creator, writer, director and producer of THE BAY talks with OUTTAKES about the upcoming season of Chapter 12.  Along with Gregori is; Kristos Andrews who plays "Pete Garrett" on the show, is Vice President of LANY and co-executive producer/second unit Director of THE BAY; and Derrell Whitt who plays "Will Campbell" on the show and is Chief Operating Officer of LANY and co-producer of the BAY. Check out the webseries at http://www.thebaytheseries.com/  

KRISTOS ANDREWS ("Pete Garrett" from The Bay) joins OutTakes to talk about his guest star appearance on Hollywood Dream Role at ACME Comedy Hollywood as well as his status as a gold medalist street skater.  Kristos will be appearing at ACME on October 21st at 9 PM PT (ACME Comedy Hollywood, 135 N. La Brea Avenue, Los Angeles).  For studio audience tickets and live broadcast details, visit www.HollywoodDreamRole.com Photo by Matthias Schubert