Podcasts about amazon prime video

EPISODE 138: Matthew Feder is a LA based film composer, originally from the San Francisco Bay Area.  He composed the score for the Netflix docuseries Arnold, and the immersive film Asteroid (which premiered at the 2025 Venice Film Festival), both alongside longtime collaborator Christophe Beck. In addition, he has contributed additional music to a variety of films and TV series such as Ant-Man and the Wasp: Quantumania, Agatha All Along, Nimona, Shazam! Fury of the Gods, Road House, The Instigators, Hawkeye, Lego Ninjago, and Wolf Hound. As part of the scoring team, he has helped shape the musical landscape of major productions featured in the Marvel Cinematic Universe, the DC Universe, and on major platforms such as Netflix, Apple TV+, Amazon Prime Video, Disney+, and Cartoon Network. Beyond feature films and television, Matthew has also composed for short films and video games, bringing his storytelling approach to a wide range of projects. https://matthewfeder.comContact us: makingsoundpodcast.comFollow on Instagram: @makingsoundpodcastFollow on Threads: @jannkloseJoin our Facebook GroupPlease support the show with a donation, thank you for listening!

C.J. Navas conversa el elenco y el equipo creativo de 'Anatomía de un Instante', la nueva serie de Movistar Plus+ que adapta el libro de Javier Cercas sobre el 23F. En primer lugar, Fran Araújo y Rafael Cobos, guionistas de la serie, nos hablan sobre la complejidad de la adaptación de la novela, el uso de la voz en off en los diferentes episodios y cómo esperan que se reciba la serie. Después, Miki Esparbé (el Rey juan Carlos I) y David Lorente (Antonio Tejero) comentan cómo ha cambiado su perspectiva de los personajes a los que dan vida, cómo interpretarlos sin caer en la parodia y cómo esperan que se reciba la serie. Por último, Manolo Solo (Manuel Gutiérrez Mellado), Eduard Fernández (Santiago Carrillo) y Álvaro Morte (Adolfo Suárez) hablan del reto interpretativo de ponerse en la piel de estos personajes históricos y muchas cosas más. Comprar 'Anatomía de un instante', la novela, en Amazon: https://amzn.to/4pn23xf Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

A slow burn turns into a blaze. We dive into Hazbin Hotel season two with clear eyes on the pacing, the swelling songbook, and the moment the story finally bares its teeth. The hotel's mission to prove redemption collides with Vox's media-fueled uprising, and what starts as a PR war spirals into weaponized fear, broken alliances, and a fight that leaves scars.We unpack Angel Dust's most human moment yet—his past, his guilt, and the devastating brainwashing twist that forces a heartbreaking choice. From there, the action kicks into gear: a sharp rematch that lets Nifty steal scenes, Husk land killer lines, and choreography remind us how good this team is when fists and feelings fly. Along the way, we spotlight the soundtrack debate—more songs than season one but fewer instant classics—while celebrating the standouts and the smart musical callbacks that stitch seasons together.The lore flexes hard. Serpentius, Vox, and Alastor each get rich backstory beats, but it's Alastor's contract gambit that detonates expectations. We follow the wordplay, the double-deal crash, and the explosive theory that Rosie's golden magic hints at a hidden identity. Add Lucifer's well‑meant blunders, a near-miss crossover that lingers in the margins, and a final phone call that yanks the floor out, and you've got a season that tests patience early and rewards attention late.Hit play for a grounded, spoiler-rich review that cuts through the noise: what works, what wobbles, and what sets up a ferocious season three. If you're into character-driven chaos, sharp worldbuilding, and villains who weaponize contracts and screens, this one's for you. Subscribe, share with a Hazbin fan, and tell us your boldest theory for who answers that call.Text us for feedback and recommendations for future episodes!Support the showWe thank everyone for listening to our podcast! We hope to grow even bigger to make great things happen, such as new equipment for higher-quality podcasts, a merch store & more! If you're interested in supporting us, giving us feedback and staying in the loop with updates, then follow our ZONE Social Media Portal to access our website, our Discord server, our Patreon page, and other social media platforms! DISCLAIMER: The thoughts and opinions shared within are those of the speaker. We encourage everyone to do their own research and to experience the content mentioned at your own volition. We try not to reveal spoilers to those who are not up to speed, but in case some slips out, please be sure to check out the source material before you continue listening!Stay nerdy and stay faithful,- J.B.Subscribe to "Content for Creators" on YouTube to listen to some of the music used for these episodes!

Dan Farah is the director and producer of "The Age of Disclosure," a documentary revealing a 80-year global cover-up of the existence of non-human intelligent life, and a secret war among major nations to reverse-engineer advanced technology of non-human origin. See it now in select theaters and streaming on Amazon Prime Video.  www.theageofdisclosure.comwww.youtube.com/@TheAgeOfDisclosure Learn more about your ad choices. Visit podcastchoices.com/adchoices

Kate discusses the season premiere of Southern Charm on Bravo. Matt Baumgarten, founder and creator of June Farms, an unscripted series now streaming on Amazon Prime Video. The series follows the operations of a large event-and-wedding venue set on a working farm in upstate New York. Matt is as a detail-obsessed boss dealing with a young team of event staff whose personal lives sometimes collide with their professional responsibilities. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Analizamos sin spoilers la segunda temporada de Landman, una de las apuestas más ambiciosas de SkyShowtime y del omnipresente Taylor Sheridan. Con Billy Bob Thornton retomando el papel de Tommy Norris y una Demi Moore que se incorpora como protagonista absoluta, la serie sigue explorando los entresijos del negocio petrolero en el corazón de Texas con una mezcla de drama familiar, tensiones empresariales y ese tono épico que ya es marca de la casa Sheridan. ¿Sigue Landman en forma? ¿Qué ha mejorado con respecto a la primera temporada y qué ha retrocedido? En este análisis sin spoilers, comentamos el peso de sus personajes principales, los aciertos de casting, los momentos más brillantes… y también los puntos flojos que no pasan desapercibidos, como el tratamiento de ciertos personajes femeninos o un estilo visual que a veces se pasa de rosca. Además, hablamos de lo que convierte a Landman en una serie distinta dentro del universo de Sheridan: su enfoque en una América olvidada, sus contradicciones ideológicas y su forma de retratar un mundo tan desconocido como fascinante.Una serie imperfecta pero con carácter, que sigue siendo una ventana a un universo narrativo lleno de matices. Estreno: 21 de Noviembre. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Step through the gate with us as we revisit Stargate Origins, the ambitious web mini-series that expanded the mythology of one of science fiction's most enduring franchises. In this episode, we sit down with director Mercedes Bryce Morgan to explore the making of the 10-part digital series, later cut into the feature-length film Stargate Origins: Catherine. Morgan shares her vision for telling the untold story of Catherine Langford, the young woman whose life was forever changed when she and her father, Paul Langford (played by Star Trek's Connor Trineer), first uncovered the Stargate in 1939. ✨ What you'll hear in this conversation: How Mercedes Bryce Morgan approached directing a new chapter in the Stargate saga The challenges and opportunities of crafting a web-first mini-series for a passionate fanbase Insights into Catherine Langford's journey and why her perspective matters in the larger Stargate mythology Behind-the-scenes stories from production and working with a cast that bridges sci-fi legacies

Analizamos sin spoilers Anatomía de un instante, la esperada serie de Movistar Plus+ dirigida por Alberto Rodríguez y basada en el célebre libro de Javier Cercas. Una ficción que no solo revive el intento de golpe de Estado del 23-F, sino que lo descompone, lo analiza y lo vuelve a mirar desde la lente de tres figuras clave de nuestra historia reciente: Adolfo Suárez, Santiago Carrillo y Gutiérrez Mellado. ¿Qué significa quedarse de pie cuando todo el mundo se agacha? ¿Qué peso tiene un gesto? Con interpretaciones potentes de Álvaro Morte, Eduard Fernández y Manolo Solo, y una dirección que apuesta por la sobriedad y el detalle, esta miniserie se convierte en un retrato complejo, emocionante y profundamente actual de la política, la memoria y la fragilidad democrática. ¿Es para ti aunque no te guste la política? ¿Hace justicia al libro original? En este programa te contamos todo lo que necesitas saber para decidir si le das una oportunidad.

You should run to see The Running Man, because after you hear my review you wont be walking. Plus the Game Award Nominees have been revealed, and no Arc Raiders wasn't nominated by GOTY. Also Nick gives his purely honest thoughts about Black Ops 7. Nintendo pulls back the curtain on it's live action The Legend of Zelda, Squid Game US is happening sooner than expected, and Disney+ is bringing generative AI to the platform. That and more on this weeks episode.

De Chief AI Scientist Yann LeCun van Meta stapt na twaalf jaar op en begint met zijn eigen AI-startup. Dat bevestigt Bloomberg, nadat het gerucht al even in de lucht hing. LeCun uitte openlijk kritiek op de visie van Meta en de grote focus op LLM's. De fundamentele meningsverschillen tussen LeCun en Meta-baas Mark Zuckerberg zorgde regelmatig voor interne conflicten. Rosanne Peters vertelt erover in deze Tech Update. Zelf gelooft LeCun meer in een toekomst waar de focus ligt op Advanced Machine Intelligence. Deze technologie zou voorspellingen kunnen doen over de fysieke wereld en op een andere manier worden getraind dan LLM's. Volgens LeCun wordt dit de nieuwe grote AI-revolutie van de toekomst. Verder in deze Tech Update: Bij veilinghuis Christie's in Parijs is een zeldzame Enigma M4-coderingsmachine geveild Amazon Prime Video komt met een uitbreiding van de functie 'X Ray Recaps' die samenvattende video's maakt van series See omnystudio.com/listener for privacy information.

It's Die Hard in a mansion!This week on DIE HARD ON A BLANK we're discussing the 2005 Bruce Willis action-thriller HOSTAGE! And to break it all down we brought in special guest Jim Penola!After a fatal miscalculation in a previous siege, hostage negotiator Jeff Talley (Bruce Willis) quits the LAPD and becomes the police chief of a small, quiet, remote California town. However, Talley is thrust back into the limelight when a trio of young criminals rob the mansion of the wealthy local figure Walter Page (Kevin Pollak) and take his children hostage. When the siege goes public, the situation becomes further complicated when it is revealed that Page is a mob accountant. The mysterious criminal syndicate then pressurize Talley to retrieve a valuable item from the house, putting Talley and his own family between a rock and a hard place. Given its presence and its leading actor, it's a film positively overflowing with DIE HARD DNA…yet unlike the 1988 Christmas classic, HOSTAGE has a particularly mean-spirited and abrasive tone. To make sense of this picture, we enlisted the help of Jim Penola, a connoisseur of the “home invasion” movie, and together the guys discuss this film in the wider context of the “action-horror” subgenre, the French extremist movement, and Bruce Willis' career. They hand out awards in the DIE HARD OSCARS and pit their wits against the quizmaster in the Double Jeopardy section! You won't feel like a hostage listening to this episode!!! (etc. etc.)TRAILER: https://www.youtube.com/watch?v=HCt4L7RPweEAt the time of release, HOSTAGE is streaming on Hoopla in the US, and is available to rent or buy on Amazon Prime Video, Apple TV/iTunes, YouTube, Fandango and all the usual platforms! It is also available on physical media! Click here to subscribe to our Patreon feed 48 HOURS OF BUDDY MOVIES!www.patreon.com/48hoursofbuddymovies Hosted on Acast. See acast.com/privacy for more information.

Join host Mekel Kasanova as he welcomes filmmaker MJ Alhabeeb Jr. to discuss his latest movie, "Plight." Dive into the creative process behind this independent film, exploring themes of family, grief, and resilience. Discover the challenges and triumphs of bringing a vision to life on a limited budget, and gain insights into the world of independent filmmaking. Don't miss this engaging conversation about art, passion, and the power of storytelling. Available now on Tubi and Amazon Prime Video.Plight on Tubi: https://link.tubi.tv/bkCYTGwalYbPlight on Amazon:https://www.amazon.com/gp/video/detail/B0CY5RD1TV/ref=atv_dp_share_cu_rFilm website:Plightfilm.comProduction Company site:Impavidentertainment.comSocial handles:www.Instagram.com/mj_alhabeeb_jrwww.Instagram.com/PlightFilm www.Facebook.com/ImpavidEntertainment www.Twitter.com/ImpavidEnt https://www.impavidentertainment.com/ Justice has no roadmap. Some journeys begin where the system ends. Watch the official trailer for #PlightFilm - in select theaters and on digital June 13.Synopsis: When a tragic hit-and-run leaves a young couple shattered, a grieving father and a resilient caregiver forge an unlikely alliance. Plight follows Valentina, a Ukrainian woman searching for peace, and Joe, a working-class man losing faith in justice, as they uncover secrets buried in a forgotten Pennsylvania steel town. Bound by loss, their pursuit of truth reveals just how far people will go when justice slips away.Director: MJ Alhabeeb JrCast: Ada Pasternak, Matthew J. Plumb, Ryan Manuel, Lorraine May Isbell, Grace Kohler and Ione ButlerProducers: MJ Alhabeeb Jr, Heather G. WebbWriter: MJ Alhabeeb Jr#plightfilm #impavidentertainment #film #grithousefilms #indie #thriller #plight #plightmovie

Analizamos sin spoilers Last Samurai Standing, el nuevo drama japonés de acción de Netflix que mezcla la brutalidad de un juego de supervivencia con la estética y la historia del Japón de la era Meiji. Protagonizada por Junichi Okada, que además es productor y coreógrafo de las escenas de acción, la serie adapta la novela Ikusagami de Shogo Imamura y nos sumerge en una competición a muerte entre casi 300 samuráis desesperados por sobrevivir. En este episodio de Razones Para Ver, exploramos lo que hace diferente a esta propuesta que muchos han definido como una mezcla entre El Juego del Calamar y Shōgun, y os contamos por qué, pese a sus imperfecciones, es una serie que merece mucho la pena. Duelo tras duelo, sangre, honor y alianzas inesperadas se dan cita en una historia que arranca fuerte y promete aún más en una futura segunda temporada. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

En un mundo donde las mentes se han fundido en una conciencia colectiva a causa del virus Hivemind, solo queda una persona intacta: Carol. Escritora de éxito, mujer rota, adicta emocional y figura trágica. ¿Por qué ella es inmune? ¿Qué la separa del resto de la humanidad? En este especial de Fuera de Series analizamos uno de los grandes misterios de Pluribus (Apple TV), la nueva serie de Vince Gilligan (Breaking Bad), a través de la mirada de un personaje que sobrevive no por fuerza, sino por todo lo que ha perdido. Exploramos el corazón del enigma: su trauma, su incapacidad para conectar, el muro emocional que ha construido a lo largo de su vida… y cómo todo esto se convierte en un escudo invisible contra la infección global. ¿Es Carol una heroína? ¿O simplemente alguien demasiado dañada para ser absorbida por el dolor ajeno? En este episodio, nos adentramos en su mente para intentar comprender qué significa realmente ser inmune en una serie donde la fusión emocional lo es todo. Un repaso con spoilers, lleno de teorías, referencias simbólicas, emociones contenidas y reflexiones sobre la soledad, la culpa y la necesidad de abrirse. Porque, a veces, resistir al fin del mundo tiene más que ver con estar roto… que con ser fuerte. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Michelle Osbourne is an Empowerment Speaker, Self-Image Activist, and founder of Michelle Osbourne & Co. Known for helping women reclaim their confidence and take up space boldly at every stage of life, Michelle brings an unapologetic, intersectional feminist lens to everything she does. A CBC Black Changemaker and shortlisted for the Canadian Women's Foundation's Feminist Creator Prize, she's partnered with top brands like Amazon Prime Video, Dove, and Interac. Her work has been featured on TV, radio, podcasts, and in publications like Today's Parent, and HELLO!. Whether she's delivering a keynote or inspiring thousands online with her no-nonsense energy, Michelle's mission is simple; help women show up loudly, proudly, and without apology.Please listen, subscribe, rate, and review this podcast and share it with others. If you appreciate this content, if you want to get in on the efforts to build a gender equal Canada, please donate at ⁠canadianwomen.org⁠ and consider becoming a monthly donor. Facebook: Canadian Women's Foundation LinkedIn: The Canadian Women's Foundation Instagram: @canadianwomensfoundation TikTok: @cdnwomenfdn

Raven is a dark, cerebral pioneer whose mind games and cult-like influence reshaped hardcore wrestling, but his legacy also includes earlier chapters as Scotty Flamingo in WCW and Johnny Polo in WWE. From colorful manager to brooding mastermind, he evolved into one of wrestling's most compelling storytellers. In the newest "Casual Conversations with The Classic'' episode, the Wrestling Classic Justin chats with Raven about his documentary that released today "Nevermore:The Raven Effect," his career, ECW, WCW, WWE, Paul Heyman, friendship with Shane McMahon, being a producer for Raw, creating the Raven character and more! Enjoy!The documentary captures the tumultuous, genre-bending rise of Raven (Scott Levy) — from flamboyant personas to hardcore icon — as he transforms personal pain and sub-culture angst into revolutionary wrestling art. "Nevermore: The Raven Effect" arrives on November 18, 2025, and will be available streaming on platforms including Amazon Prime Video (and others such as Vudu, Google Play, Apple TV) in the U.S.My Official Website + Demo Reel - https://www.justindhillon.com Instagram - https://www.instagram.com/thewrestlingclassic/ TikTok - https://www.tiktok.com/@thewrestlingclassic X - https://x.com/twcworldwide Youtube - https://www.youtube.com/@TheWrestlingClassic/ Limited Edition TWC Tee https://headquartersclothing.com/products/headquarters-x-the-wrestling-classic-logo-tee?_pos=1&_psq=wrestlinhg&_ss=e&_v=1.0 WWE Shop Affiliate wwe-shop.sjv.io/RGRxQv 500 Level https://www.500level.com/ Join the Discord Community https://linktr.ee/thewrestlingclassic All Episodes are on "The Wrestling Classic" Youtube Channel https://www.youtube.com/channel/UCOQOYraeFlX-xd8f3adQtTw#Raven #RavenEffect #WCW #ECW #WWE Become a supporter of this podcast: https://www.spreaker.com/podcast/twc-show--4417554/support.

¿Buscáis un thriller psicológico con dos protagonistas de los que te dejan pegado a la pantalla? En este Razones para Ver analizamos sin spoilers La Bestia en Mi (The Beast in Me), la nueva miniserie de Netflix protagonizada por Claire Danes y Matthew Rhys. Una historia que mezcla misterio, duelo emocional y una tensión silenciosa que no deja respirar. ¿De qué va? ¿Qué nos ha parecido? ¿Vale la pena? Aquí te contamos todo lo que necesitas saber para decidir si esta serie es para ti. Sin destripes, con opiniones personales y comparaciones con otras series que seguramente te suenen. Si te gustan los personajes complejos, las series que juegan en la zona gris entre el bien y el mal, y los diálogos con peso… esta puede ser tu próxima obsesión.

Com transmissão do Amazon Prime Video para o Brasil, Lakers e Utah Jazz se enfrentam nesta madrugada de terça (18) para quarta-feira (19), às 0h30, em Los Angeles, partida que marcará a estreia de LeBron James na temporada 2025/26, a 23ª de sua carreira. Atingindo 10 vitórias em 14 jogos sem a lenda, o Bola Laranja conversa hoje sobre a expectativa que o retorno de LeBron pode gerar a este Lakers, que vem de duas vitórias consecutivas.O segundo tema da noite é Victor Wembanyama, que sofreu distensão na panturrilha, confirmada após a ausência do prodígio em Kings 110 @ 123 Spurs no último domingo, 16, a partir de um desconforto na região depois da derrota do San Antonio Spurs para o Golden State Warriors por 109 a 108 sexta-feira passada, 14, em partida que contou para a segunda rodada da Copa NBA. O doutor Evan Jeffries, especialista em lesões esportivas da NBA, indica que o quadro pode ser mais grave, projetando o jovem francês fora de ação por entre quatro e seis semanas. O que será do Spurs sem o homem? Fábio Caetano e Anderson Pinheiro respondem.Para concluir o episódio, os desempenhos de Cleveland Cavaliers e Phoenix Suns, que venceram sete dos seus respectivos últimos nove jogos, formarão parte do roteiro.Seja bem-vindo ao canal do Bola Laranja!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Siga o Bola Laranja no Instagram!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SEJA MEMBRO DO BOLA LARANJA NO YOUTUBE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Os melhores produtos Nike estão no Bola Laranja Store!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠O melhor conteúdo da NBA você encontra aqui!

Showrunner and co-host Tasha Huo's show premieres November 19 on Amazon Prime Video, and Josh makes her talk about it! Tasha reveals how she got the job adapting the Critical Role live D&D campaign, what the writing process was like to adapt something so massive and beloved, and what it was like working with the "nerdy ass voice actors" of Critical Role.   Questions / Comments: ActTwoWriters@gmail.com Edited by the GREAT Paul Lundquist 

On this episode of The Story & Craft Podcast, we sit down with actor,Thomas Jane from the Amazon Prime Video film “Play DIrty”, as well as projects such as The Expanse and Boogie Nights. We cover Jane's impressive body of work, as well as his journey from modest beginnings in Maryland to becoming a notable actor in Hollywood. We discuss Thomas' passion for storytelling, the joys and challenges of being an actor, and the importance of authentic human experiences in film. Thomas also reveals his graphic novel projects and his deep dive into writing a book about visiting aliens. Tune in for an enlightening conversation that covers everything from chocolate to extraterrestrials!SHOW HIGHLIGHTS03:26 Thomas Jane's Early Life and Career Beginnings13:54 Playing Mickey Mantle08:48 The Expanse and Sci-Fi Genre18:34 High School and Early Acting27:47 Reflections on Education and Society36:32 Independent Films and Future Projects43:17 Sci-Fi and Authentic Stories44:26 Advice to Aspiring Actors46:00 Family and Personal Life48:38 Memories of Paul Reubens53:31 Working with Talented Directors55:38 The Seven QuestionsListen and subscribe on your favorite podcast app. Also, check out the show and sign up for the newsletter at www.storyandcraftpod.com...#podcast #PodcastInterview #Storytelling #ActorInterview #HollywoodInterview #FilmNerd #ThomasJane #PlayDirty #TheExpanse #Troppo #PrimeVideo #MarkWahlberg #Actor #Acting #StoryAndCraft #GraphicNovels #SyFy #Aliens #IndieFilm

In this week's episode, we discuss the advantages of digital content ownership for both readers and writers. This coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series, (as excellently narrated by Hollis McCarthy) at my Payhip store: CLOAK2025 The coupon code is valid through November 24, 2025. So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 277 of The Pulp Writer Show. My name is Jonathan Moeller. Today is November 14th, 2025, and today we are discussing the benefits of owning your own content for both readers and writers. Before we get to our main topic, we will start off with Coupon of the Week and then a progress update on my current writing, publishing, and audiobook projects. First up is Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Cloak of Ashes, Book #3 in the Cloak Mage series (as excellently narrated by Hollis McCarthy), at my Payhip store. That coupon code is CLOAK2025. And as always, the coupon code and the links to my Payhip store will be available in the show notes. This coupon code is valid through November 24th, 2025, so if you need a new audiobook for your Thanksgiving travels this month, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I'm pleased to report the rough draft of Blade of Shadows is done. This will be the second book in my Blades of Ruin epic fantasy series. Right now, it is just about exactly as long as Blade of Flames. It may be a little longer or a little shorter depending on how editing goes since there's some stuff I'm going to cut out, but there's also some scenes I'm going to add. I also wrote a short story called Elven Arrow. Newsletter subscribers will get a free ebook copy of Elven Arrow when Blade of Shadows comes out, which will hopefully be before American Thanksgiving at the end of the month. I'm about 23% of the way through the first editing pass, so making good progress there and hope to keep up with the good progress. I am 11,000 words into Wizard-Assassin. That will be my next main project once the Blade of Shadows is published and probably the final book I publish in 2025, because I think the first book I do in 2026 will be Blades of Ruin #3, if all goes well. In audiobook news, the recording for Blade of Flames is done and it's gradually making its way out into the world (as excellently narrated by Brad Wills). I think as of the time of this recording, the only place where it's actually live is Google Play, but hopefully more stores will come online soon, and it would be cool if the Blade of Flames audiobook was available everywhere before Blade of Shadows came out. Hollis McCarthy is still working on Cloak of Embers and we hope to have that to you before the end of the year, if all goes well. So that's where I'm at with current writing, publishing and audiobook projects. 00:02:25 Main Topic: Digital Content Ownership as a Reader and Writer Now let's move on to our own topic, the ownership of digital content as both a reader and a writer. As the digital revolution has gone on and on and put more decades behind it, people are increasingly building very large digital content libraries and it's an increasingly tangled point of law what happens to those digital libraries when for example, their account gets suspended, or for example, someone else dies and wants to leave their Steam library of games to their heirs. We're today going to be focusing on digital content ownership for readers and writers, and we'll start with readers. Although the price of an ebook and print book of many traditionally published books are roughly the same at this point (and sometimes bafflingly, the ebook versions cost more), the rights you have as the owner of the ebook copy are substantially less powerful. In fact, technically speaking, you aren't actually the owner of an ebook purchased from Amazon or other retailers. It's more accurate to say that you purchased a long-term conditional lease. As a side note, I'm talking about this from the perspective of United States Copyright law and ebook/audiobook stores there. The laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain legal advice by hiring a lawyer licensed to practice in your jurisdiction. But now back to the main argument. In America, there is something known as the First Sale Doctrine. This section of the US Copyright Act allows physical media to be lent out and resold, among other things. For example, someone who purchases a physical book is considered its owner and the publisher can't take it back from them. The physical version of books can be used in libraries or as classroom materials until they literally fall apart, unlike their electronic equivalents, which face complicated licensing agreements that generally offer far less favorable terms of use for a much larger cost (especially for libraries and academic institutions). In the US, electronic content ownership is covered by contract law instead of the First Sale Doctrine. Although each seller has their own licenses and standards, a few things tend to remain consistent across those licenses: the inability to lend or resell the content, the inability to remove DRM from the content, and the right of the seller to alter or even remove the content. Ownership is not a right guaranteed for digital content. There is an American lawsuit currently challenging Amazon Prime Video and its use of words like "purchase" and "buy" for its video content. The lawsuit accuses Amazon of misrepresenting a heavily conditional license as a purchase, giving the average customer the impression that they own the content in perpetuity. Amazon lawyers argue that the average customer understands the difference, but frequent outrages over content being removed from users' libraries suggests otherwise. Here are four reasons owning your ebook content is important. #1: Keeping access to the content if the company closes or gets bought out. One of the early leaders in the US ebook store market way back at the start of the indie revolution was Sony. When their Sony Reader store closed, they gave readers the option to migrate their libraries to Kobo. Books that were not available through Kobo were not able to be transferred, so some purchased content was lost for readers. A more egregious example comes from, as you might expect, Microsoft with the closing of the Microsoft ebook store in 2019. When the store closed, they offered refunds instead of giving readers an opportunity to self-archive or transfer their purchases. Any margin notes taken by readers were lost, and they were given a $25 credit for the inconvenience. Although refunding customers was a good gesture, it's not a guarantee that readers are able to repurchase the ebooks elsewhere or even that the price would be the same when they did. As an aside, I spent a good chunk of time in 2018 trying to figure out how to get into the Microsoft ebook store and then finally gave up because it was too complicated, which in hindsight turned out to be a good decision. Owning your ebooks outright gives them independence from the store that you bought them from. #2: Keeping content from being altered. Ebooks can be altered anytime. Most of the time these changes are harmless, such as updating a cover, fixing a typo, or adding a preview chapter. I do that myself all the time. Every time I get typo corrections, I upload a new version. Yet there is a potential for books to be edited or censored from the original copy that you purchased. Chapters could be removed, scenes altered, or in extreme cases, the entire book could be removed. Owning a hard copy means that you have a version that cannot be changed without your knowledge. #3: The ability to self-archive. Most ebook stores use a form of digital rights management (DRM) that makes it difficult to transfer or permanently store your collection outside of their collection or library. Trying to do so is a violation of the license you purchased from the store, so I won't discuss how to do that. Amazon recently made self-archiving more difficult by discontinuing the feature to download and transfer Kindle books via USB. Finding DRM-free ebook stores is important if you want to organize and store your ebook collection as you see fit. Two examples of stores with DRM-free ebooks are Smashwords and direct [sales] sites like My Payhip store. Other stores like Kobo have a dedicated section devoted to DRM-free ebooks. #4: Keeping your reading habits private. Companies like Amazon track reading data, mostly out of a desire to sell you similar books or ad space. They track what you're reading, the amount of time you spend reading, your reading speed, and the highlights that you make in a book. Now, most of the time this is generally pretty harmless. It's mostly used for…you look on Amazon, you see that the section "customers who enjoyed this book also enjoyed this". Then if you use the Kindle app on your phone a lot, it has a lot of badges and achievements and it tends to be used for that kind of thing. However, there could be sinister undertones to this, especially if you're reading things you would prefer other people not know about. So if this concerns you, if there are some settings that you can adjust, but if you want complete privacy, outright ownership of your ebooks is the way to go. So what is the easiest way to own your own ebooks as a reader? The easiest way and perhaps the safest way to own your content outright is to buy print copies of books. That said, buying direct from authors or finding ebooks that have more favorable license terms is easiest way to own your ebook purchases. One of the reasons that opening a Payhip store was important to me was I gave my readers a chance to outright own purchased copies of my work and self-archive them in the way that they saw fit, if that was important to them. The price is the same on my Payhip store as other ebook or audiobook stores (and sometimes even cheaper if you're using Coupon of the Week). The ebooks and audiobooks there are DRM-free and untethered from specific stores and companies. You have the option to download files in a variety of file formats and store them in a way that makes the most sense to you. Buying direct also gives a greater share of the sale price to the authors, especially in the case of audiobooks. In conclusion, ebooks lag behind print books in terms of ownership rights for purchasers here in the United States (at the time of this recording). That said, you can be an informed consumer by reading terms of use carefully and educating yourself to make sure that you have the most possible access to your purchased content. Now, we've covered that from the reader side, and let's look at it from the side of the content creators, specifically writers. This can also apply to other content creators such as musicians, and we're going to use a very famous example for that, Taylor Swift. The general public learned about the importance of fully owning your content as a creator during the long and very public battle between musician Taylor Swift and the record company that sold her work to a private equity firm associated with someone she personally disliked. She owned the copyrights to the works (along with her various collaborators), but not the masters, the specific recordings of each song. As long as she didn't own her masters, she didn't have control over song choices for her public performances, the label releasing older content against her wishes, or how her music would be licensed out for commercial use. Swift reasserted control by rerecording old albums (a strategy previously used by the musician Prince), which gave her ownership of these new masters and devalued the original masters to the point where she could later afford to buy them outright. Many artists, including Olivia Rodrigo, credit Swift for helping them to negotiate adding the ownership of their masters into their contracts. As predatory as the publishing industry can be, the music industry tends to make them look like rank amateurs in terms of sheer evil. So it is a testament to her popularity and business success that she was able to convince them to do this. The world's most famous pop star taught millions of fans that owning your work is the ultimate goal of a creative. Why is ownership of your work important for writers specifically and not just American pop stars? We'll discuss six reasons why it's important for content creators and specifically writers in this episode. And as a reminder yet again, I'm talking about this from the perspective of United States law. Laws and standards in your own country may be different. Also, I am not a lawyer and nothing in this episode should be taken as legal advice. You obtain proper legal advice by contacting a lawyer licensed to practice in your jurisdiction. So with that in mind, let's get into the topic. What is ownership as a writer? Writers generally keep the copyrights to works they sell to publishers. Writers are essentially selling the right or a license to produce and distribute their book in a certain format, language, and geographic area. Most of the time, geographic area rights are sold separately. For example, rights for the Harry Potter books are owned by Scholastic in the United States and Bloomsbury in the United Kingdom. Sometimes writers will keep the rights in a specific format, like when I signed with Tantor to give them the audio rights to the first five Frostborn books while keeping the rights to my print and ebook formats. What writers lose in the process of selling to publishers is the ability to control how their work is marketed, packaged, and sold. They do not have the freedom to make major decisions such as when a book is released or where it is marketed. Today I am going to share six reasons that retaining ownership is important for writers and what things you generally sacrifice when you sign with a traditional publisher instead of self-publishing or indie publishing. #1: Creative control. It is not standard to have complete control over your book's cover design. Often an artist is able to submit suggestions to the designer, but the publisher has ultimate authority over the book's cover. Sometimes covers end up being wildly inappropriate for the book, but the author has no recourse. The same is usually true with the ability to pick an audiobook narrator or change anything about the narration. At times, writers (especially new ones) are pressured into changes they do not want by editors. The surest way to completely lose all creative control is signed with a book packager like Alloy Entertainment. If you want to hear the story of how L.J. Smith was fired from her own series due to a plot dispute with that publisher, YouTuber Jenny Nicholson covers it in her epic length summary of The Vampire Diaries show. Although a certain paycheck from a book packager is tempting, you'd be wisest not to create any fictional characters or worlds for this type of publisher for that reason. #2: Dead Series Syndrome. If the first book in a series does not sell well, the publisher tends to abandon the series. The next book in the series might be ready for publication, but they're not obligated to publish it if they suspect it will not be profitable. Unfinished series are extremely common in traditional publishing, unfortunately. Writers who are locked into a contract for a series are generally out of luck putting out the books on their own. Even if they put out later books on their own, not having the rights to the first book in the series makes it difficult for a writer to sell and market subsequent books. I had a series (Demonsouled) that I wanted to continue even though the first book was released by my publisher. I was able to get the rights back for it and then was able to self-publish this rest of the series. This was much easier to do 14 years ago than it is now. Modern contracts, especially from larger publishers, are not so generous in letting authors do this. It would be much easier to start as a self-published author and have full control over the trajectory of your series and make sure readers are able to finish it instead of waiting for a contract to elapse or fighting a difficult, hard to win battle to get the rights back. #3: The ability to change. One of the perks of owning your book is the ability to make quick changes that react to data. For example, I was able to retitle the Stealth and Spells series fairly quickly when it became immediately clear upon release that some found the original title confusing. A traditional publisher would likely not have bothered to make the effort unless there was a legal reason for doing so. The ability to change covers, repackaging books in different ways (like omnibus editions), and to make quick changes to the book on the fly (such as fixing typos or continuity errors), is the unique privilege that comes with owning your own work. Publishers are slow to make these types of changes, if they do it at all. #4: Profit. Writers typically only receive an advance (an initial lump sum) when working with a traditional publisher. The complexities of publisher accounting usually ensure that only great successes receive royalties, and often even those that do can take a while to reach that benchmark. Royalties are typically doled out quarterly or semi-annually, for those who make enough to receive them. The earning statements are fairly byzantine. It's hard for the average person to understand them fully to make sure they're being paid exactly what is owed to them. Owning your own work and publishing yourself means that you keep all of the profit after the cut taken by the ebook store and whatever you pay cover designers, editors, and so on. You can see all of the sales as they come in and don't have to wait for those two to four royalty checks each year in order to get paid. It's much easier to make a living as a writer and to feel confident that you can pay others when you have more accurate data on the money coming in. Indie publishing sacrifices the certainty of an advance for a far, far greater share of the profits in the long run. Additionally, agents typically take a 15 to 20% commission on author earnings, and they are an essential part of the process in traditional publishing. It's just about impossible to get foot in the door with traditional publishing without one. Most self-published writers don't bother with an agent, which means they're able to keep that cut of the money and don't have to shape their work around the preferences and whims of an agent. They also spared the stress and hassle of working with an unethical or bad agent (of which they're unfortunately far too many). #5: Professional freedom. The publisher decides when the books are released or if they're released at all. Are you ready to publish a book two months after the first one is released? Too bad. A publisher is not going to put out the next one that quickly. The traditional wisdom of publishing schedules seems wildly out of date in the content-heavy modern world, where algorithms reward recent titles and frequent publishing. Publishing more often also helps fans stay connected to your work, and frankly, it's much easier to make a living as a writer putting out several books a year instead of just one. Additionally, traditionally published writers do not control how a book is marketed. Are you upset that your book is being marketed as a romance when you think it's complex literary fiction? Too bad. It's not your call. In fact, writers may be contractually obligated to post content to their social media pages written or approved in advance by the marketing department at the publisher. You might have to put your name publicly to marketing copy you dislike or disagree with in order to not violate your contract. In a related vein, you might find that if you post heavily on your social media pages about political or controversial topics, you may be reprimanded by the publisher or in some cases, have your contract canceled entirely. Although indie authors aren't immune from social consequences of what they post, no publisher is holding them back from posting what they want just because they're writers and the publisher is scared of what the shareholders might think. #6: The publisher being sold. One of the biggest problems for traditionally published writers is when their publisher is sold to another one. This may mean restructuring that takes away staff they worked with a long time (like a favorite editor being replaced by an inexperienced one). As smaller publishers are eaten up by the larger ones, you might find that your books become an afterthought and you don't have any power to fix that. You might even have to fight to get paid what you're owed in your own contracts, which writers of Star Wars books found out when Disney acquired Lucasfilm. Apparently when Disney bought Lucasfilm, it decided it no longer owed royalties to several writers of Star Wars tie-in novels that Lucasfilm had published and weren't going to pay them until it went public and caused a bit of controversy. Finally, a settlement was reached. This is sort of the shifty behavior that Disney is well known for in certain circles, and it is something you have to watch out for with large publishers and media conglomerates. The easiest way to keep this from happening is, once again, to publish yourself and keep ownership of your work. In conclusion, when traditional publishing was the only way to become a writer, their restrictions and control were something you had to live with because you had no other option. Now that self-publishing is extremely accessible and traditional publishing is shrinking, it's no longer worth making the trade-offs that authors once had to in order to gain readers of their work. Although I never actually listened to a Taylor Swift song all the way through, her career and business ventures are proof that owning your work as a creative is the best way forward. Ownership should be the starting point, not the end goal of anyone who values creative control and fair, transparent payment for their creative work. So that is it for this week. I hope that illuminated the importance of owning your own work, especially if you are a writer or other creative. Thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.

In this episode of The Prestige-ish Media Podcast - Craig Lake, Dan McNair and Shauna Schoenborn give their INSTANT REACTION to the new HBO Max series It: Welcome to Derry Season One Episode Four - The Great Swirling Apparatus of Our Planet's FunctionIn this episode we discuss tatas, parasights - (

Desde que se nos han separado los Javis, en Madrid, California… C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones: Don Carlos: Asesinatos en la montaña / Resident Alien. Jorge: Pluribus / Yakarta. CJ: Ena / Anatomía de un instante. ¡Esperamos tus audiocomentarios! Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a https://fueradeseries.com/mensajes Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: https://fdseri.es/33u15eb Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The Amazing Watch Podcast! Matt and Megan looking like the little engine who could Watch along with Season 38 of The Amazing Race on Amazon Prime Video, CBS. fuboTV, Spectrum On Demand, Paramount Plus, DIRECTV, or buy it as download on Google Play Movies, Vudu, Amazon Video, FandangoNOW, or Microsoft Store. Follow us on social media! Email: amazingwatchpod@gmail.com Facebook: The Amazing Watch Podcast Twitter: @amazingwatchpod Instagram @amazingwatchpod Don't forget to tag #AmazingWatchPod This podcast is hosted by ZenCast.fm

0:00 SEGMENT 1: Emmy-winning creator Mike Roth talks about the upcoming “Bat-Fam” series on Amazon Prime Video.https://www.primevideo.com/detail/BAT-FAM/0OSSOXOG2XIRP572RWGKKIX786 https://www.imdb.com/name/nm1226489/ 19:02 SEGMENT 2: Producer Joey V. and James review “Predator: Badlands” and “Nuremberg”.45:56 SEGMENT 3: James and Producer Joey V. share some of their most anticipated movies for the rest of the year, including “Avatar: Fire and Ash”, “Knives Out 3”, and “Marty Supreme”.Keep up to date with 2 Rivers Comic Con, coming back to St. Charles in April, 2026 https://2riverscomiccon.com/stay-in-touch/ Check out the ‘Justice League Revisited Podcast' with Susan Eisenberg and James Enstall at https://anchor.fm/justiceleague Thanks to our sponsors Historic St. Charles, Missouri (https://www.discoverstcharles.com/), Bug's Comics and Games (https://www.facebook.com/profile.php?id=100070575531223)Buy Me a Coffee - https://www.buymeacoffee.com/3Y0D2iaZl Patreon -   https://www.patreon.com/GeekToMeRadio Website -   http://geektomeradio.com/   Podcast -   https://anchor.fm/jamesenstall Facebook -   https://www.facebook.com/GeekToMeRadio/  Twitter -   https://twitter.com/geektomeradio  Instagram -   https://www.instagram.com/geektomeradio/ Producer - Joseph Vosevich https://twitter.com/Joey_Vee 

Brian takes over as host for this one as we explore Gen V Season 2. It was a gnarly rollercoaster with some standout characters. We break it down in this episode!Don't forget to subscribe and leave us a review on Apple Podcasts and Spotify!Instagram: @confidently_podYouTube: @confidentlywrongpodcastWebsite: confidentlywrong.simplecast.comCredits:Hosted by: Wesley Nakamura, Brian Redondo, Savon JonesEdited by: Wesley NakamuraTheme Music: Implied Authority by Bass ElfLink: https://soundcloud.com/bass_elf_music

C.J. Navas conversa con Raquel Piñeiro sobre su nuevo libro "Un país en la pantalla" ⁠ editado por geoPlaneta, sobre el proceso de documentación, la decisión de ordenar los rodajes en capítulos temáticos y las anécdotas y curiosidades que se ha ido encontrando mientras lo escribía. Enlace de compra del libro en Amazon: https://amzn.to/43uDyWq Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

The second season of the American satirical superhero television series Gen V, the third series in The Boys franchise, based on The Boys comic book story arc We Gotta Go Now by Garth Ennis and Darick Robertson, premiered on Amazon Prime Video on September 17, 2025 with its first three episodes.The season stars Jaz Sinclair, Lizze Broadway, Maddie Phillips, London Thor, Derek Luh, and Asa Germann returning from the previous season, with Hamish Linklater joining the cast. After the fourth season of The Boys (2024), Marie Moreau (Sinclair) and the rest of her friends return to Godolkin University after months of suffering, where a new dean (Linklater) trains Supes to be soldiers. On the brink of war between humans and Supes, the team discovers a program that could change everything.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59 

Maxton Hall hat 2024 den erfolgreichsten Start einer nicht-englischsprachigen Serie bei Amazon hingelegt. Seit dem 7. November läuft die 2. Staffel der Verfilmung von Mona Kastens Save-Reihe bei Prime Video. In dieser Folge erklärt Moviepilot-Redakteurin Joana Müller, was sich in Staffel 2 für Ruby (Harriet Herbig-Matten) und James (Damian Hardung) ändert, und ob die neuen Folgen mit Staffel 1 mithalten können. *** Dieser Podcast wird gesponsert von MagentaTV – dem TV- und Streaming-Angebot der Telekom. Abonniere und bewerte Streamgestöber bei der Podcast-App deines Vertrauens! Wenn du mit deiner Meinung im Podcast landen willst, schick uns eine Sprachnachricht oder einen Kommentar per Mail an podcast@moviepilot.de.

To celebrate the release of Spooktacular: Behind the Screams of America's Original Horror Theme Park, journey back to 2021 with the AHH Crew as they speak with the Team behind the documentary.Director Quinn Monahan, Producer Anthony Landry & Park Founder/Hauntrepreneur David Bertolino joined Mike, Kat & Andrew to discuss the film, all things Spooky World and the legendary haunt's impact on Halloween attractions across America.Spooktacular is now available to stream on Amazon Prime Video. - We're now an affiliate of Fangoria! Visit Fangoria's Shop & use code HOMETOWNHORRORPOD for an exclusive 20% discount!- A reminder that we're now a part of Horror Facts Magazine!- All Music, Sound Editing & Audio Production by Shaun O'Loughlin of Sky Wheel Media#spooktacular! #spooktacular #spookyworld #americashorrorthemepark #berlinma #hauntedattraction #hauntedattractions #newenglandhaunts #hauntedhouse #horrorpodcast #horrorfactsdotcom #fangoria #fango #ahhpod #americashometownhorror #plymouthmaBecome a supporter of this podcast: https://www.spreaker.com/podcast/america-s-hometown-horror--4187035/support.

In this special episode, we journey back to the beginning of Amazon Prime Video's The Wheel of Time, revisiting the emotional stakes, character awakenings, and epic world-building that launched the series. Featuring interviews with Zoë Robins, Madeleine Madden, Josha Stradowski, and Marcus Rutherford, we explore how Season One set the tone for a saga of destiny, power, and transformation.

En este episodio de #LosStreameadores te platicamos de: Frankenstein, Predator: Badlands, All's Fair, Juan Gabriel: Debo, Puedo y Quiero & Caramelo • Elenco del episodio: Freddy Gaitán, Ricardo Verástegui, Laura Aréchiga, Óscar Enrique, Luis Bueno, Juan Carlos Mendiola y Alexis Bastiere. ¡Podcast para #Streameadores de TIEMPO COMPLETO! Visita: https://www.freddygaitan.com.mx ¡Síguenos! https://www.instagram.com/losstreameadores/ https://www.instagram.com/rverastegui/ https://www.instagram.com/freddygaitan/ https://www.instagram.com/laura.arevi/ Producido en Inspiral México: http://www.inspiral.com.mx

Analizamos sin spoilers lo mejor (y lo que aún tiene que mejorar) de esta serie ambientada en la redacción de un periódico local en decadencia. Con un reparto afilado, un humor que va de menos a más y guiños al legado de Scranton, The Paper es una carta de amor al periodismo... y a las segundas oportunidades. Una comedia que no solo hereda el estilo, sino también el corazón y la ternura de sus predecesoras. Ideal para fans de The Office, Parks and Rec, y cualquiera que alguna vez haya soñado con cambiar el mundo... escribiendo un buen titular. Domhnall Gleeson lidera el caos en "The Paper", la nueva comedia en formato falso documental creada por Greg Daniels y Michael Koman, que comparte ADN con "The Office" pero se abre camino con su propia voz. Estreno: 14 de noviembre en SkyShowtime Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to The Sisterhood of S.W.E.A.T., where we help women step into strength, vitality, and purpose — body, mind, and spirit. Today, we're jet-setting across the globe with actress, filmmaker, and travel expert Marcia Kimpton, daughter of the late Bill Kimpton, founder of the iconic Kimpton Hotels. Marcia's passion for adventure and storytelling has taken her to more than 50 countries — and now she's bringing that wanderlust straight to your ears. She joins us to talk about her new dark comedy, An American in Amsterdam, streaming May 1 exclusively on her new app, Kimpton Travels and Films — a cinematic travel platform where you can watch her movies, explore her favorite destinations, and discover luxury travel hacks on a budget. In this twenty-minute conversation, Marcia shares her secrets for clean-eating abroad, how to stay fit while traveling, and the mindset that keeps her fearless and fabulous wherever she goes. Whether you're dreaming of Parisian cafés or biking through Amsterdam, this episode will inspire you to live boldly, travel beautifully, and create adventure wherever you are. ✈️

Analizamos Todas las de la ley (All's Fair), el nuevo drama legal de Ryan Murphy para Disney+que mezcla glamour, exageración y muchos secretos de alcoba. Con un reparto de lujo liderado por Naomi Watts, Niecy Nash y una sorprendente Kim Kardashian, la serie nos presenta un bufete de abogadas que no tiene miedo de ensuciarse las manos en divorcios de alto voltaje.¿Es un placer culpable? ¿Es una sátira legal pasada de rosca? ¿O simplemente la serie más entretenida y visualmente exagerada de la temporada? Aquí comentamos sin spoilers qué funciona, qué no tanto, y por qué podría ser tu próxima maratón perfecta. Porque sí, a veces lo que importa no es la ley... sino cómo se lleva el traje de chaqueta. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

Step behind the camera with Ellen Kuras, the award-winning director and cinematographer whose visual storytelling has defined a generation of modern cinema. From her groundbreaking cinematography in Eternal Sunshine of the Spotless Mind (2004) to her powerful directorial work in Lee (2024), Ellen has redefined what it means to tell stories through light, emotion, and movement. In this in-depth conversation, Ellen shares her creative process, challenges as one of the first women in major cinematography, and her approach to capturing the soul of a story on screen. Whether you're a filmmaker, cinephile, or curious creative, this episode delivers rare insights into the craft, collaboration, and courage that fuel visual storytelling.

Analizamos sin spoilers Muerte por un Rayo (Death by Lightning), la nueva y sorprendente miniserie de Netflix que pone el foco en uno de los asesinatos presidenciales más olvidados de la historia de Estados Unidos: el de James A. Garfield. Con guion de Mike Makowsky (Bad Education) y un reparto encabezado por Michael Shannon y Matthew Macfadyen, esta sátira política disfrazada de drama histórico no solo reconstruye un episodio real del siglo XIX, sino que lo convierte en un espejo irónico y mordaz del presente. En apenas cuatro episodios, la serie combina humor negro, crítica al sistema político y un retrato íntimo de la ambición humana que invita a pensar y debatir. Ya disponible en Netflix. Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

Producer Bordzy is back from the Dominican Republic! After a week away in paradise, he rejoins Tyler and Liam to recap his vacation and catch up on everything that went down in a wild week in Oil Country while he was gone.Then, the boys dive into a wild game at Rogers Place last night between the Edmonton Oilers and Columbus Blue Jackets — a game that saw Edmonton erase two separate two-goal deficits before Jack Roslovic buried the overtime winner. It was a vintage Connor McDavid performance, as the captain refused to let his team lose, scoring twice and completely taking over the game.We'll go through the scoring summary, break down the key moments, and discuss what this win could mean for the Oilers moving forward. Plus, we'll tackle our Spotify Question of the Day, centered around the Oilers' goaltending situation and what needs to happen next.Later in the show, we'll be joined by former Oilers goaltender Devan Dubnyk to get his thoughts on Calvin Pickard, Stuart Skinner, and how the team can make life easier on their netminders. Then, Thomas Hockey from Amazon Prime Video joins the show to share what it was like being in the building for last night's McDavid performance, and whether this comeback could be the spark Edmonton's been waiting for.Website: https://oilersnation.com/ https://twitter.com/OilersNation/ https://www.youtube.com/@Oilersnationdotcom/ https://www.facebook.com/OilersNation/https://www.instagram.com/oilersnationdotcomhttps://www.tiktok.com/@oilersnation SHOUTOUT TO OUR SPONSORS!!

Thomas Hockey from Amazon Prime Video joins the show to share what it was like being in the building for last night's McDavid performance, and whether this comeback could be the spark Edmonton's been waiting for.Website: https://oilersnation.com/ https://twitter.com/OilersNation/ https://www.youtube.com/@Oilersnationdotcom/ https://www.facebook.com/OilersNation/https://www.instagram.com/oilersnationdotcomhttps://www.tiktok.com/@oilersnation SHOUTOUT TO OUR SPONSORS!!

In this episode of The Prestige-ish Media Podcast - Craig Lake, Dan McNair and Shauna Schoenborn give their INSTANT REACTION to the new HBO Max series It: Welcome to Derry Season 1 Episode 3 - Now You See ItIn this episode we discuss pianos, 1908, sling shots, orixás, Hanlon, Halloran, and more. Bonus talk:Stranger Things Season 5 - 1:17:12-1:22:43Castle Rock - 1:22:47-1:25:45Please continue to join us for our ongoing Prestige-ish Media Podcast coverage of the HBO Max show - It: Welcome to Derry. Coming soon join us for our coverage of Stranger Things Season 5 on Netflix and Fallout Season 2 on Amazon Prime Video.Please check out our website at http://prestigeish.com, follow our podcasts on all your favorite podcast platforms, and leave us positive reviews if you enjoy our show. X @prestige_ish Instagram @prestigeishmedia X/Instagram @realrealbatman @danmcnair1017 @neverboredhousewife http://prestigeish.com

On this week's episode of Ringside Reporter, we break down a loaded DAZN card headlined by Vergil Ortiz vs. Erickson Lubin, along with Darius Fulghum vs. David Stevens, Amari Jones vs. Shady Gamhour, and Joshua Edwards vs. Zeno Vooris. We evaluate the key performances, technical takeaways, and what these results mean for each fighter's trajectory. We also cover a massive week in boxing news. Jake Paul vs. Gervonta "Tank" Davis is officially cancelled - was Netflix already looking for the exit door? Teofimo Lopez vs. Shakur Stevenson is reportedly a done deal, setting up one of the most significant matchups in the sport. Xander Zayas and Abass Baraou agree to a junior middleweight unification, and Brian Norman Jr. unloads on DAZN's on-air fashion decisions. In other breaking stories: Victor Conte, long-time controversial figure in performance-enhancing drug scandals, has died. Anthony Joshua may be returning sooner than expected. DAZN becomes available on Amazon Prime Video, Ghana lifts its ban on professional boxing, Claressa Shields inks an $8 million multi-fight deal, and Holly Holm earns a shot at the WBA title. All this plus upcoming fights, schedule breakdowns, and your calls. Tune in and stay informed.  

Desde que parece que ya llega el frío, en Noviembre, California…C.J. Navas, Jorge y Don Carlos repasan la actualidad seriéfila de los diferentes canales, cadenas y plataformas, los estrenos de los próximos días, las ficciones más vistas por su audiencia, contestan a las preguntas de los oyentes y dan sus recomendaciones habituales de cada semana. Recomendaciones: Don Carlos: 911 / Las reglas del juego / Hudson y Rex. Jorge: Yakarta / Shetland: un nuevo caso. CJ: Pluribus / La bestia en mi / Confidencial (Black Bag). ¡Esperamos tus audiocomentarios!: Mándanos tus mensajes por WhatsApp al +34 604 41 64 49 o a ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fueradeseries.com/mensajes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Vota en los Power Rankings: Participa en la elaboración de nuestros Power Rankings votando a tus series favoritas de la semana en: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://fdseri.es/33u15eb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Únete a nuestro chat de Telegram en el que miles de personas hablamos cada día de series: Telegram – Grupo de debate: https://telegram.me/fueradeseries Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales: X / Twitter: https://twitter.com/fueradeseries Facebook: https://facebook.com/fueradeseries Instagram: https://www.instagram.com/fueradeseries/ Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

C.J. Navas conversa con Diego Merayo, ⁨@TeLoCuentoSinSpoilers⁩, sobre su nuevo libro ¡Esto da para una serie! editado por geoPlaneta, sobre el origen de la propuesta, su proceso de escritura y qué se van a encontrar los lectores cuando lo abran. Enlace de compra del libro en Amazon: https://amzn.to/4hKixwD Únete a nuestro chat de telegram en el que miles de personas hablamos cada día de series: - Telegram – Grupo de debate: https://telegram.me/fueradeseries - Telegram – Canal de noticias: https://t.me/noticiasfds Síguenos en nuestras plataformas y podcast sobre series: - Apple Podcast - https://podcasts.apple.com/es/podcast/fuera-de-series/id288039262 - Spotify - https://open.spotify.com/show/3RTDss6AAGjSNozVOhDNzX?si=700febbf305144b7&nd=1 - iVoox - https://www.ivoox.com/podcast-fuera-series_sq_f12063_1.html Redes Sociales - Twitter: https://twitter.com/fueradeseries - Facebook: https://facebook.com/fueradeseries - Instagram: https://www.instagram.com/fueradeseries/ - Youtube: https://youtube.com/fueradeseries Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the No Film School Podcast, GG Hawkins dives into the sweeping process behind Train Dreams, a period drama adapted from the Dennis Johnson novella. GG is joined by director Clint Bentley and editor Parker Laramie, who discuss the challenges and joys of crafting a film that spans decades while staying intimate and emotionally resonant. The episode also opens with a candid conversation with filmmaker Boris Rodriguez about community and collaboration in independent filmmaking, leading up to the release of GG's own directorial debut I Really Love My Husband. In this episode, No Film School's GG Hawkins and guests discuss... The emotional and technical journey of adapting Train Dreams from a novella into a feature film How Clint and Parker's creative partnership evolved from Jockey to this ambitious period piece The process of editing a film that spans decades without losing narrative momentum How Parker's background in documentary shaped his approach to editing fiction The value of grabbing unplanned shots on set and how they can end up saving key scenes The philosophical and technical challenges of handling notes from producers and stakeholders The role of music and rhythm in both writing and editing the film Clint's directorial flexibility and willingness to discover the movie during post Parker's favorite hotkey and the logistics of editing across Premiere and Avid Reflections on releasing the film and the audience's evolving interpretation of its themes Memorable Quotes: “You have to listen to the film. The way the film speaks to you is through other people and other people giving you notes.” “Just try the fucking note.” “We had no slates on Jockey… and we tried to do that again.” “You don't always have a good understanding of how something's going.” Guests: Clint Bentley Parker Laramie Boris Rodriguez Resources: GG's Directorial feature debut, I Really Love My Husband, is now available to stream on Apple TV, Amazon Prime Video, and Google Play. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram  

In this episode of the No Film School Podcast, host GG Hawkins connects with two key voices in the film-industry ecosystem. First, she chats with screenwriter and filmmaker Nicolas Curcio to take the pulse of the movie business at the close of 2025—what's changed, what's hopeful, and what still needs to shift. Then, GG talks with programmer and curator Imani Davis of the American Cinematheque to explore the art and mechanics of programming—from year-round curatorial work to the annual Proof Film Festival, which helps shorts leap into features. In this episode, No Film School's GG Hawkins and guests discuss… The emotional and career‑landscape “temperature check” for creators post‑strikes and entering 2026 The role of social media, creator‑voice, and audience‑building in today's writer/director paths Why embracing a “patchwork” of gigs (writing, podcasts, video content) may be more realistic than the old one‑track screenwriter dream Why clean spec scripts are “back” and what that signals for writers getting in the door What a film programmer actually does—how someone like Imani rates submissions, builds curatorial strategies, leverages relationships The difference between ongoing programming (year‑round screenings at an institution) vs. annual festival programming (with a fixed offer to submit, schedule, panels) Inside the Proof Film Festival: what makes a short film “feature‑expandable,” and what kind of statement or vision catches the eye of programmers & studios How programmers balance gut feelings, industry data/timeliness, and filmmaker readiness when selecting films The specific flaws and tired tropes they're seeing in short films right now (yes: the “influencer vlogs” and basic “AI cautionary tales”) How to start in programming: from basement screenings and volunteer festival committees to full‑time curatorial work The importance of mentorship, networking, and building community around film culture Lastly: quick advice to emerging creators — find a way to stand out, build your voice, and force people to pay attention Memorable Quotes: “The studios … they are incredibly self‑aware about the moment that the industry is in … but they're also like incredibly open to trying new things, giving young filmmakers a chance.” “I used to think … in six months from now, if I don't have my next studio job, I'm a failure or my career is over. And that has been something I've accepted: there are successful screenwriters who don't just do this.” “At the Proof Film Festival … after each short we show a 90‑second statement of intent video from the filmmaker saying: ‘Here's my plan for the next phase of this project.'” “What I'm looking for in a short: niche world, unique character, something I haven't seen that way — like niche sports film about a fencer in a character‑driven way.” Guests: Nicolas Curcio Imani Davis Resources: Nicolas Curcio on Instagram: @nicolascurcio Proof Film Festival: Proof of Concept Film Festival – American Cinematheque GG's directorial debut feature, I Really Love My Husband, now streaming on Apple TV, Amazon Prime Video, and Google Play. Find No Film School everywhere: On the Web: No Film School Facebook: No Film School on Facebook Twitter: No Film School on Twitter YouTube: No Film School on YouTube Instagram: No Film School on Instagram