Podcasts about Led Zeppelin

In this episode of RNRA Digs Deeper, host Christian Swain sits down with veteran music journalist Selena Fragassi to excavate the history of one of modern rock's most significant acts: Pearl Jam. Delving into her beautifully crafted new book, Pearl Jam Live: 35 Years of Legendary Music and Revolutionary Shows, Salena provides a unique perspective on the band's incredible journey.The conversation explores Pearl Jam's origins, born from the ashes of Seattle's "tragedy-stricken" music scene and bands like Mother Love Bone. Fragassi discusses how the band fused the arena-rock grandeur of The Who and Led Zeppelin with the raw, DIY ethos of punk rock, creating a sound that was both monumental and deeply personal.Discover the stories behind Pearl Jam's revolutionary struggle against the corporate music machine, including their famous battle with Ticketmaster and their conscious decision to step away from music videos and mainstream promotion. Fragassi explains how this "era of no" was a survival mechanism that allowed the band to maintain its authenticity and ultimately ensured its remarkable longevity.This in-depth interview also highlights: How Eddie Vedder, an outsider from San Diego, fundamentally altered the band's DNA. [cite: 20:21] The unique, collaborative, and "beautifully incestuous" nature of the Seattle scene that fostered their growth. [cite: 13:12] The evolution of the Pearl Jam live experience, from the raw, chaotic energy of their first-ever show in 1990 to the celebrated institution it is today. [cite: 22:48-23:4, 42:44] The creation of the Ten Club and how Pearl Jam redefined the artist-fan dynamic, making them a true "band for the people." [cite: 33:21] Learn more about your ad choices. Visit megaphone.fm/adchoices

A few years ago, Robert Plant thought he was done making records. But the former lead singer of Led Zeppelin discovered he still had at least one more left in him. His new album, “Saving Grace,” is named after the band he's been performing with for the last six years. It's a collection of 10 musical interpretations and covers of songs by a variety of artists. Robert joins Tom Power to talk about finding new inspiration in old music, why he's not precious about the past — including his time in Led Zeppelin — and this great quote he has about Bob Dylan: “Dylan didn't tap me on the shoulder, he hit me between the eyes.”

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Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

On this special bonus episode, we talk about the amazing career of Jimmy Page and his most famous project, Led Zeppelin. First you hear the history and then we rank the albums and songs in our own special way...Music ClipsThe Charms "So Pretty" "The One You Want"The Dogmatics "I Love Rock N Roll"Greg Allen's Fringe Religion "She's Stoned"Blame It On Whitman "Bad Mood Walkin"Produced and Hosted by Steev Riccardo

Join Buzz Knight and Harry Jacobs, the Master of Music Mayhem, as they explore pivotal moments from the week of November 17th in rock history. This episode dives deep into Pink Floyd’s groundbreaking double album The Wall, released in the UK on November 17, 1979, examining Roger Waters’ creative vision, the band’s intense seven-studio recording sessions, and the controversial firing of keyboardist Richard Wright. Discover the bizarre Star Wars Holiday Special that aired once on CBS in 1978 and became an infamous stain on the franchise. Learn how guitarist Danny Whitten’s tragic 1978 heroin overdose inspired Neil Young’s haunting classic “The Needle and the Damage Done.” The hosts celebrate U2’s experimental Achtung Baby (1991), Led Zeppelin’s Houses of the Holy going 11x platinum, and The Who’s complex rock opera Quadrophenia (1973), which represented each band member’s personality across its four album sides. Plus: Michael Jackson’s game-changing Thriller video MTV premiere, The Beatles’ iconic White Album UK release (1968), Pearl Jam’s Vitalogy vinyl-first strategy, and an incredible story about young Jon Bon Jovi witnessing David Bowie and Freddie Mercury recording “Under Pressure.” Keywords: Pink Floyd The Wall, Roger Waters, David Gilmour, Quadrophenia, Beatles White Album, Thriller video, Achtung Baby, Led Zeppelin, Neil Young, music history podcast, classic rock, 1970s music, 1980s music, rock opera​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

Black Dog proudly pays tribute to the mighty Led Zeppelin with an extensive catalogue of songs comprised of classic masterpieces like "Dazed and Confused", "Heartbreaker", and "Stairway to Heaven", as well as the less heard  B-sides to satisfy the more discerning fans.  A complete acoustic set recreates an intimate setting with mandolin and custom tuned guitars played on stools, bringing to life songs like "Going to California", "Friends", and "That's the Way".  The show also includes extended versions that recapture the true live experience such as The Song Remains the Same's "Whole Lotta Love", complete with Page's magical Theramin solo!  The members established the band in early 2000, and they are all accomplished musicians with considerable experience. Black Dog is the definitive Led Zeppelin tribute band.  Keeping the music of Led Zeppelin Live!To purchase tickets to Black Dog at The Post in WESTPORT, CT log on here:https://www.ticketleap.events/tickets/black-dog/black-dog-westport-vfw?fbclid=IwY2xjawOIfK5leHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyCGNhbGxzaXRlAjMwAAEe1OEv2UZ01adwP3cMSZtdSh3iQ6UtzAIqmqStABUIin1nvAPluCJ5cIBuu-E_aem_S8OJVoAZEGGXTfSSax1fkwFor more on Black Dog log on  here and for more tour dates check out the "Shows" tab! http://www.blackdogzeppelin.com

Im Winter 71 graben sich Led Zeppelin in einem malerischen viktorianischen Haus ein, und am prasselnden Kamin entsteht ein legendärer Song. Roland erzählt die Geschichte von Stairway to Heaven und findet erstaunlich unterschiedliche, teils geniale Cover.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. 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On this episode of Vinyl Verdict, Adam and Jamie talk about Jamie's first pick of Season 4, Dire Straits' "Alchemy". Released in 1984, it was their first live album and their fifth album in total. This album has been requested by our most loyal fan, Dave (sorry Sarah). Clocking in at two LPs and just a hair under 90 minutes in length, "Alchemy" represents the final show of the tour in support of the album "Love Over Gold". Recorded via the Rolling Stones Mobile Studio at the Hammersmith Odeon, the album captures Mark Knopfler at his peak, and the crowd is absolutely eating it up like they're at a Led Zeppelin concert. But is the album more like iron pyrite than actual gold? Come along and find out!

When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad. As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music. And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing! After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun. Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

"The other side of the free speech coin is listening well." Shaka Mitchell, senior fellow at the American Federation for Children and creator of the Come Together Music Project, believes we've "forgotten how to listen"—and music is his solution. A Nashville-based lawyer and education reform leader, Shaka uses songs to bridge political divides by asking simple questions: What song reminds you of being 21? What song reminds you of your dad? "Every memory has a soundtrack all its own," and when strangers share their musical stories—from Led Zeppelin's eight-minute "Cashmere" to whatever gets you through hard times—something remarkable happens: "we're sort of saying… that person, that's not an enemy, turns out, that's just another human." Shaka argues that free speech and conscience are "inextricably linked" in education, pointing to cases where school districts tried to silence parents who wanted to opt out of lessons that conflicted with their values. He warns that "squelching speech in that way is really dangerous" regardless of whose beliefs are at stake. His advice for finding your voice? "Lead with the pathos and not the logos"—start with your story, practice relentlessly, and use solitude (he's a runner) to workshop ideas. But most importantly, remember that music "forces us to actually sit in silence" for 45 seconds at a time in a world where "if things aren't happening in 12 second increments, we just lose attention." By humanizing one another through shared soundtracks, Shaka believes we can then "have the next conversation about something that's maybe a little more heavy, a little more fraught." Because education is nothing if not speech—and speech requires someone willing to truly listen.Find out more about Shaka's work with the Come Together Music Project at: https://www.cometogetherpodcast.com/

Ryan is a pop-rock artist whose music blends emotional honesty with classic rock inspiration. Raised in a musical household, he started performing as the drummer in a band with his sibling, touring the UK as a teen with the Euphoria. Influenced by legends such as Queen, the Beatles and Led Zeppelin, he later fused that vintage energy with the edge of Muse, Green Day, Panic! At the Disco and My Chemical Romance. After struggling during the pandemic and entering rehab in 2021, songwriting became his lifeline. Now sober and thriving, Ryan is one semester away from graduating USC's Thornton School of Music and has grown a following of over 500,000 on TikTok with original songs and viral covers. With performances at venues like the Viper Room, Whisky a Go Go and the Moroccan, he continues to share music borne from personal struggle. For Ryan, "The Voice" is the next step to push himself and bring his story to a larger stage.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Hoy en La Gran Travesía viajamos hasta el año 1973 recuperando un especial donde podréis escuchar a Led Zeppelin, Eric Clapton, Pink Floyd, Alice Cooper, David Bowie, Hawkwind, Aerosmith, Black Sabbath, Rolling Stones, Tom Waits, Lynyrd Skynyrd, Marvin Gaye, Mike Oldfield, Golden Earring, Roberta Flack... También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo. Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas tiendas, Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Contell Carles, Sergio Rodríguez Rojas, Javier, Jose Antonio Moral, Juanito, Octavio Oliva, Andreea Deea, Samuel Sánchez, Igor Gómez Tomás, Matías Ruiz Molina, Eduardo Villaverde Vidal, Víctor Fernández Martínez, Rami, Leo Giménez, Alberto Velasco, Poncho C, Francisco Quintana, Con, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Nacho, Javito, Alberto, Moy, Dani Pérez, Santi Oliva, Vicente DC, Leticia, JBSabe, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, Joaquín, Horns Up, Victor Bravo, Fonune, Francisco González, Marcos Paris, Daniel A, Redneckman, Elliott SF, Sementalex, Miguel Angel Torres, Suibne, Noyatan, Iván Menéndez, Niksisley y a los mecenas anónimos.

This week we look at Oasis; Prince William at COP30 in Brazil;  Germany rearming; The crisis at the BBC; The Czech Election; Will Mandani change New York; Champagne Socialists;  Country of the Week Japan;  Shogun; Colbert, Plant, and Tolkien; A man says what he is thinking; Alex O'Connor and Bear Grylls; Giant Christian monument in England; and the Final Word (Philippians 2:14-16) with music from Oasis, Frank Sinatra;  the Vapors; Masaaki Suzuki; Led Zeppelin; and St Peters Free Church . 

When The Wolf saw that Jason Bonham was bringing his Led Zeppelin Evening to town he was interested but a little skeptical. Though John Bonham's oldest child is now a grandfather himself with four decades of experience, I didn't know what kind of show it would be. Turns out not only has Jason assembled an incredible band that can truly do justice to Led Zeppelin classics but Jason gives us a glimpse into his brief time with his dad. As MC between songs, Bonham helps keep the crowd loose with his laid back persona and sly humor which keeps the fans engaged. Sharing stories about John and also fanboying with Jimmy Page and Robert Plant (they had to limit him to 2 Zeppelin questions a day during the Celebration Day rehearsals) give the audience what they want - direct connection to the men who made this incredible music. And the band are fantastic. James Dylan (Vocals, acoustic) can hit some of those classic Plant notes while Alex Howland provides part of the John Paul Jones roll on keys and acoustic. The other half is Dorian Heartsong on bass/mandolin - all of them are brilliant players. But Jimmy Sakurai has taken on the essence of Jimmy Page with his hair, clothing, movements and equipment. He not only looks the part but he's got the tracks down and it makes for a fun night of Led Zeppelin - a night where they celebrate Physical Graffiti at 50 by playing the whole thing! After Custard Pie and The Rover, they played the songs out of order with Jason dipping in and out to share his own stories of learning to love Led Zeppelin and other music of his generation (Stewart Copeland is way better than you Dad!). During the acoustic set they all sit on the drum riser and Jason tells us why they used to give Bonzo a tambourine for the acoustic Zep sets. From there they build to a crescendo using all the power the 1975 double album had to offer, ending with one John Bonham co-wrote by telling Jimmy dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun, click, dunna-dunna dun. Don't be skeptical - know that this a fun night for Zeppelin fans with great stories to go along with epic music you can't get live anywhere else these days. If you can see them, GO!! Check out our new website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ugly American Werewolf in London Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LInkTree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.pantheonpodcasts.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Rock and roll is not rock and roll without a beat. John Lingan's new book, BACKBEATS: A History of Rock and Roll in 15 Drummers (Scribner; Publication date: November 11, 2025) is an electrifying journey through the history of rock and roll, told through the lives of fifteen iconic drummers and their percussion rivals-from John Bonham and Charlie Watts to Ringo Starr and Questlove.Rock and roll thrives on rhythm, but the drummers who drive that pulse often stay in the shadows. In BACKBEATS, acclaimed music historian John Lingan brings these unsung heroes into the spotlight, delivering a fascinating journey through six decades of rock history.Lingan's deep research and vivid storytelling explores the lives of fifteen pathbreaking drummers and their fellow timekeepers-men and women who together laid down the beat of an era. From Bernard Purdie's legendary work with Aretha Franklin to Dave Grohl's funk- and punk-indebted swing for Nirvana, these drummers redefined what was possible in pop music. Iconic figures like Ringo Starr, whose inventive style transformed the Beatles, and Charlie Watts, the steady backbone of the Rolling Stones, take center stage. But Lingan doesn't stop there-he also shines a light on Hal Blaine, the backbone of the LA studio scene's "Wrecking Crew," groundbreaking, underappreciated talents like Maureen Tucker of The Velvet Underground, whose minimalist beats rewrote the rulebook, and Sam Lay, a pivotal figure in rock's evolution from the blues.Packed with insider stories and exclusive interviews-from Robert Plant's reflections on Led Zeppelin's legendary sessions to revered recording engineer Steve Albini's behind-the-scenes accounts-BACKBEATS offers an eye-opening glimpse into some of rock's most unforgettable moments, including the seismic shift of Bob Dylan going electric at Newport, James Brown's explosive creation of funk in the late sixties, and Slayer's role in the birth of LA thrash metal in the early eighties.More than just a tribute to an unrecognized group of virtuosos, this book is a love letter to the art of drumming itself. BACKBEATS shows how these remarkable artists not only kept the beat but drove rock and roll forward. It's a must-read for any music lover, offering a fresh and thrilling perspective on a story we only thought we knew.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

EZ with daytime Griffin hockey...back on Thursday 11/13/25Segments include:*Another prominent Democrat says Biden has to step down*Alt-right wackos up in arms that JD Vance is married to a woman who is Indian*Rudy G wipes out at RNC.*Republicans at the RNC are doing something stupid to support Trump*Trump's would-be assassin talks about the size of his dick in old video.*Hilarious vid of drunk loser picking a fight with himself in a mirror.*NJ teacher in trouble for porking a kid is a "face changer."*The dispute between Led Zeppelin's Jimmy Page and UK pop star Robbie Williams*The nap hit hard for EZ*Dude manages to beat the rap in synagogue murder.*The more we get away from the Trump assassination attempt, the more murky the details get.*Rich asshole who founded "Fandango" takes a header off a skyscraper.*Football legend Lawrence Taylor arrested again.*Local dude is major pedo.  EZ has so many questions.*EZ hitting "rock bottom" in the radio world.*Video of the start of last year's Ausable Canoe Race Marathon.*Disney doesn't want to offend AGAIN. Wait till you hear who they are worried they will offend.*A wild conspiracy theory is emerging in the Trump assassination attempt timeline*Weird moment at the RNC as woman grabs herself with Trump sitting right in front of her.*Zuckerberg loves Trump.*A bunch of teen dudes in Utah nearly killed a pedo at the mall. EZ calls the mall to to ask hard hitting questions.Our Sponsors:* Check out Secret Nature and use my code ZANE for a great deal: https://secretnature.com* Check out Uncommon Goods: https://uncommongoods.com/zaneSupport this podcast at — https://redcircle.com/the-eric-zane-show-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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SPOILER WARNING This podcast contains a spoiler for Agatha Christie's 1926 classic The Murder of Roger Ackroyd. If miraculously, you have just ordered this from Amazon and don't want to know who the killer is, it's best to listen to this episode after reading the book. Similarly, if you've also somehow managed to avoid spoilers for the original Star Wars trilogy and The Sixth Sense and would like to one day experience those unspoiled, it's best to come back to this podcast after watching those movies. Furthermore, if you worry that by simply being told there's a twist, it will spoil your experience of a movie, there's a potential spoiler for another movie – which I will refrain from mentioning here for obvious reasons. There's also some discussion about the plot of the videogame Broken Sword 5: The Serpent's Curse, so maybe play that first too. Finally, if this is how you found out that that the Carlton AFL team won a football game that you had recorded and were going to watch later, Nobody offers her sincere apologies. You know what, it's probably best to consume every piece of literature, film, videogames, sports and any other major entertainment event in history before listening to this show. For those who still insist on pressing onward, you have been warned! "And she's buying a stairway to Heaven" - Ben decides it's time to check whether Nobody is the Zodiac killer. - We play Led Zeppelin backwards and listen for satanic messages. - Nobody wants to establish some firm ground rules about spoiler warnings after getting spoiled on a 99-year-old book. - Ben poses a hypothetical about living like a hamster for a year. - We discuss deadbeat seahorse mothers and the most and least likely animals to commit a crime. - Ben recounts a story about an elephant rampaging through a funeral and Nobody teaches us about stingray math.

Kan vist godt tillade mig at karakterisere 'Sejrstimen' som generelt seriøs i både temaerne, numrene og oplæggene. Men denne uge tager jeg en afslappende "pause", for her handler det kun om en lille finurlighed som fællesnævner. Der er simpelthen tale om, at alle temaet's titler også er navnene på en anden gruppe end dem jeg faktisk spiller. Vil først nævne dagens aktuelle artister og derefter titler, så kan I selv teste, hvad passer sammen (og evt. kendes) ARTISTER: Alphaville, Laurie Anderson, Bel Canto, Betty, Bowie, Bryan Ferry Orchestra, Coldplay, Marianne Faithfull, Peter Gabriel, Genesis, Grace Jones, Led Zeppelin, Marillion, Moloko, Muse, The Nits, Simon & Garfunkel, David Sylvian + Yello. TITLER (+ bands): Alphaville, America, Ballet Mecanique, Blink, Darkness, Enigma, Explorers, Fashion, Gangway, Gazpacho, Kashmir, The Knife, Love & Money, Poison, Red Guitar, Rolling Stone, Rush, The Tender Trap + Yes.

On this episode of Songs of Our Lives, it's Sean McCann! It's always a blast to connect with someone I've known for years, and especially around the occasion of their first-ever opera. In this case, Sean's latest, “The Leopard.” We get into that, the difficulty in completing it, and plenty more before diving into the effervescent magic of Albert Ayler, The Blue Nile's specific kind of romance, Billie Holliday, Psychic TV, Joseph Beuys & Nam June Paik, Led Zeppelin, GBV, Meat Puppets + more!Listen to all of Sean's picks HEREThe LeopardRecital ProgramSean's WebsiteSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListRosie & The Originals “Angel Baby”Albert Ayler “Our Prayer”Led Zeppelin “The Rain Song”Grateful Dead “Box of Rain”Sublime “40 oz to Freedom”Joseph Beuys & Nam June Paik “Coyote III/Pianovariation 1984”The Blue Nile “Saturday Night”Pink Floyd “Wot's… Uh the Deal”Guided by Voices “Dusted”Billie Holiday “Let's Call A Heart A Heart”Psychic TV “The Orchids”Roxy Music “Mother of Pearl”Meat Puppets “Up On the Sun” (Demo Version)

Ce 10 novembre, Marjorie Hache ouvre une nouvelle semaine de Pop-Rock Station avec deux heures entre rock intemporel et nouveautés. Pink Floyd, Queen, Sonic Youth et Editors côtoient les riffs de Kasabian et le punk californien de NOFX. L'album de la semaine est signé des Londoniens de Sorry avec "Cosplay", un troisième opus pop psyché et décalé dont est extrait "Candle". Parmi les découvertes, on retrouve aussi les Australiens de The Southern River Band avec "All Over Town" et les Écossais de The Twilight Sad, de retour après sept ans d'absence avec "Waiting For The Phone Call", en collaboration avec Robert Smith de The Cure. La reprise du jour est "Solsbury Hill" de Peter Gabriel, revisitée par Lou Reed. Pop-Rock Station célèbre également les 50 ans du mythique "Horses" de Patti Smith avant de conclure la soirée avec Florence + The Machine, Led Zeppelin et Genesis. Kasabian - Hippie Sunshine Editors - An End Has A Start Patti Smith - Gloria U2 - Vertigo NOFX - Linoleum Queen - Crazy Little Thing Called Love Elvis Presley - Jailhouse Rock Sorry - Candle Placebo - Battle For The Sun Police - Wrapped Around Your Finger Pink Floyd - Wish You Were Here Foo Fighters - Asking For A Friend Lou Reed - Solsbury Hill Amy Winehouse - Back To Black The Southern River Band - All Over Town The Animals - House Of The Rising Sun Muse - Muscle Museum Florence + The Machine - Everybody Scream Led Zeppelin - Immigrant Song Sonic Youth - Bull In The Heather The Twilight Sad- Waiting For The Phone Call Depeche Mode - Little 15 Townes Van Zandt - Waiting Around To Die Travis - Side Genesis - The Cinema ShowHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

We invite Damn Good Movie Memories host Brain Davis to go through the soundtrack for the movie "Almost Famous" in our annual crossover episode. Go over to The Damn Good Movie Memories Podcast first, where Sonny and Steven make a guess appearance to discuss the movie "Almost Famous" before coming back to the Growin' Up Rock podcast to discuss the soundtrack. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Damn Good Movie Memories Music in this Episode Provided by the Following: Simon & Garfunkel, Yes, Stillwater, Led Zeppelin, Rolling Stones, Kiss, The Who, Thunderclap Nueman, Cat Stevens, The Allman Brothers, And Rod Stewart If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's program features tuneage from Warren Zevon, Buffalo Springfield, Crosby, Stills, Nash & Young, Jimmy Buffett,  Radiohead, Dire Straits, Led Zeppelin, Procol Harum, Jimi Hendrix Experience, Genesis, Hall & Oates, King Crimson, Jefferson Airplane, Bob Dylan, Linda Ronstadt and Bruce Springsteen.

Talk about a Gen X special we have Members of Colorado's premier Mash up tribute band @van.zeppelin joining us in studio. We all grew up and went through our Led Zeppelin phase and our Van Halen phase , these guys combine all the greatest hits from both of them! Over the past few years, they have been making waves throughout the states headlining some big shows and playing to thousands! Van Zeppelin captures the epic live feel of both Led Zeppelin and Van Halen, two bands you'll never get to see live again now see them both( sorta) at the same time . Talk about two stoned birds or wait a minute how's that go again? …..oh yeah two birds one cup no that's not it either…..Additionally we have our friend @massive_creations_1 dropping in to join the party and fill us in on his latest massive moves including a shin dig going down in Vegas during @mjbizdaily week. Shiloh has been in the epicenter of Nor Cal cannabis since the 90's and worked with the infamous @og_eddylepp back when he was just a whippersnapper or was that a whippet snapper? …….So get that @dabx GO rig charged your @jerome_baker bong Clean with some ice

Since we started this show we've known that, someday, we would sit down to talk about Metallica: Some Kind of Monster, a movie about Metallica, and the world, going to therapy for the first time. Topics include: popular music, thrash, the 80's, drinking, how exactly you make a heavy metal record, the way computers absolutely annihilated the music business in a way that predicted the future annihilations we are currently living through, the advent of a new perspective on therapy and the emergence of therapy-speak, even among the world's biggest violence-celebrating band.  excerpted music in this episode in order: "Maple Leaf Rag" by Scott Joplin (published 1899) "Crazy Blues" by Perry Bradford, performed by Mamie Smith and Her Jazz Hounds (1920) "Stardust" by Hoagy Carmichael, performed by Louis Armstrong and His Orchestra (1931) "Tomorrow Never Knows" by The Beatles (1966) "God Only Knows" by The Beach Boys (1966) (YouTube video) "So What" by Miles Davis (1959) "Whole Lotta Love" by Led Zeppelin (1969) "Detroit Rock City" by KISS (1976) "Hear Nothing See Nothing Say Nothing" by Discharge (1982) "Black Sabbath" by Black Sabbath (1970) "Machine Gun (Live)" by Jimi Hendrix (1969) "Breaking the Law" by Judas Priest (1980) "Bonded by Blood" by Exodus (1985) "Phantom Lord" by Metallica (1983) "Master of Puppets" by Metallica (1986)   Our NEXT episode will be about Cobra Verde! Watch it here. 

In Episode 332 of History in Five Songs with Martin Popoff, Martin digs into the most surprising omissions from classic live rock albums by legends like Led Zeppelin, Queen, and Rush—spotlighting the iconic tracks that somehow never made the cut. Led Zeppelin – “Immigrant Song” Queen – “Somebody to Love” Rush – “Limelight” AC/DC – “Dirty Deeds Done Dirt Cheap” Blue Öyster Cult – “Astronomy” Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode looks back at key moments in rock history and highlights new releases making noise right now. We mark Rockstar Deathdays for greats like Eddie Van Halen, Jan Kuehnemunde, Glen Buxton, Ronnie Van Zandt, Steve and Cassie Gaines, Shannon Hoon, Paul Di'Anno, Ricky Parent, Mark (Marcie) Free, and Ace Frehley. Album Anniversaries span five decades of milestones — from W.A.S.P.'s Golgotha and Tony Iommi's star-studded solo debut to Ozzy's Ozzmosis, the Pumpkins' Mellon Collie, and Motörhead's Ace of Spades. We also revisit early thrash landmarks from Anthrax and Overkill, and classics from The Who, Angel, and Led Zeppelin. In New Music, fresh releases from Michael Schenker Group, Udo Dirkschneider, Testament, Bangalore Choir, Doro, Big Wreck, and Mammoth help keep the spirit of rock alive. We hope you enjoy Decibel Geek Times and SHARE with a friend! Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week's episode looks back at key moments in rock history and highlights new releases making noise right now. We mark Rockstar Deathdays for greats like Eddie Van Halen, Jan Kuehnemunde, Glen Buxton, Ronnie Van Zandt, Steve and Cassie Gaines, Shannon Hoon, Paul Di'Anno, Ricky Parent, Mark (Marcie) Free, and Ace Frehley. Album Anniversaries span five decades of milestones — from W.A.S.P.'s Golgotha and Tony Iommi's star-studded solo debut to Ozzy's Ozzmosis, the Pumpkins' Mellon Collie, and Motörhead's Ace of Spades. We also revisit early thrash landmarks from Anthrax and Overkill, and classics from The Who, Angel, and Led Zeppelin. In New Music, fresh releases from Michael Schenker Group, Udo Dirkschneider, Testament, Bangalore Choir, Doro, Big Wreck, and Mammoth help keep the spirit of rock alive. We hope you enjoy Decibel Geek Times and SHARE with a friend! Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Plant, Led Zeppelin's lead vocalist and songwriter, has started new bluegrass band called Saving Grace! And it inspired us to put the rockaholics to the test to see if they can guess the original rock song from its bluegrass version. Its harder than it sounds!! Tune in and play along to see if you can beat us!

Frizz and Bob raise a glass as they take on the impossible beauty and chaos of Grace — the only album Jeff Buckley ever released, and one of the most beloved cult records of the last 30 years. Frizz is sipping Talisker Distiller's Edition, Bob's pouring Mellow Corn, and together they trace Buckley's story from café corners and strange gigs to record deals, mythmaking, and tragedy. It's a journey of genius and self-destruction, mothers and muses, church organs and Led Zeppelin, and far too many moments where Frizz almost dry-heaves from various things. Why not make it a drinking game? This is Jeff Buckley at his most divine, doomed, and dazzling — proof that one album really can feel eternal.      

In Episode 332 of History in Five Songs with Martin Popoff, Martin digs into the most surprising omissions from classic live rock albums by legends like Led Zeppelin, Queen, and Rush—spotlighting the iconic tracks that somehow never made the cut. Led Zeppelin – “Immigrant Song” Queen – “Somebody to Love” Rush – “Limelight” AC/DC – “Dirty Deeds Done Dirt Cheap” Blue Öyster Cult – “Astronomy” Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Mr. Beacon Podcast, we talk with Lawrence Richenstein, Founder and CEO of WePower Technologies, about how kinetic energy harvesting is powering the next wave of battery-free IoT devices. Lawrence shares WePower's journey from startup rescue to innovation leader, unveiling self-powered sensors and switches that generate energy from motion—redefining sustainability, reliability, and the future of ambient IoT.Lawrence's Most Meaningful Songs:“In My Room” by The Beach Boys: https://www.youtube.com/watch?v=l71pbhqnvNM“Babe I'm Gonna Leave You” by Led Zeppelin: https://www.youtube.com/watch?v=dZitPJMh60A“Positive Vibration” by Bob Marley: https://www.youtube.com/watch?v=b0DU5uhoq-4Mister Beacon is hosted by Steve Statler, CEO of ambientChat.ai — Using AI to connect people with places and things with an app that puts you in control of YOUR data.Our sponsor is Identiv https://www.identiv.com, whose IoT solutions create digital identities for physical objects, enhancing global connectivity for businesses, people, and the planet. We are also sponsored by Blecon http://www.blecon.net. Blecon enables physical products to communicate with cloud applications using Bluetooth Low Energy. Hosted on Acast. See acast.com/privacy for more information.

We hear a very nice matrix of Led Zeppelin in Long Beach on March 11, 1975. The sources are the exquisite Mike Millard audience recording, coupled with the soundboard to create a truly glorious sounding concert. I play Sick Again, Trampled Underfoot, and a sweet marathon Dazed, all of which sound fantastic. A very nice show indeed.

Rage Against The Machine : Freedom La Reprise L'originale Rufus Bellefleur : Walk This Way Aerosmith : Walk This Way Blackgold : Wake Up Shaka Ponk : I'm Pinky The Slow Show : Dresden Karnivool : Aozora Marillion : That Time Of The Night (The Short Straw Remix 2018) Bioscope (Steve Rothery + Thorsten Quaeschning : Bioscope Part 1 Rival Sons : Shooting Stars Jason Scott & The High Heat : Yardwork Eagles : One Of These Nights World Party : Happiness Is A Warm Gun La Reprise L'original Am & Tina Dico : While My Guitar Gently Weeps The Beatles : While My Guitar Gently Weeps Spooky Tooth : I Am The Walrus Julie Fowlis : Blackbird Led Zeppelin : Trampled Under Foot Stoned Jesus : Shadowland Temple Of The Dog : Hunger Strike Malween : Dis Moi Malween : Le Dernier Combat Malween : Fourmi Ou Cigale Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In 1973 most 15 year olds barely scratch together enough cash to buy an album, yet Cameron Crowe was already touring with bands like Led Zeppelin, The Allman Brothers and Fleetwood Mac, and writing about it for Rolling Stone. He harnessed those talents into a successful filmmaking career and that early experience was showcased in the critically-acclaimed "Almost Famous." Music lovers Laura Lubrano and Jason Zollan return to the show and join Dennis to stand up for the uncool, because the only true currency in this bankrupt world is what you share with someone else when you're uncool. Hosted on Acast. See acast.com/privacy for more information.

From Island Studios to Super-Deluxe Box Sets: The Engineer Richard Digby SmithOn this episode, I'm delighted to welcome one of the true unsung heroes of classic rock (or rock music in general any era, really), and that is engineer and producer Richard Digby Smith. His career spans decades from the golden age of the early 70s on Island Studios with bands like Free, Traffic, Led Zeppelin, Sparks, Detective right through to his incredible recent work with Black Sabbath and even more recently Deep Purple's 50th anniversary of Made in Japan.We're going to look back at some of those classic sessions — the young bands, big ambitions, fast-paced studio life — and also dig into the modern world of archiving, remixing and preserving those recordings for new generations. Richard will share stories of the tech, the people, the accidents (yes, including the one where a guitar sleeve switch caused a famous moment), and the philosophy behind bringing timeless rock to life.So pour yourself a drink, fire up your headphones, and join us behind the console with a man who's been doing this for four decades.Phil Aston | Now Spinning Magazine

At long last Shannon gets to talk about the book she's been planning on since the last Halloween episode — The Picture of Dorian Gray by Oscar Wilde. We first discuss the Aesthetic Movement of the 19th century and a tiny bit of the life of Oscar Wilde before we jump into the book itself. Then Bryce gifts you with an abbreviated history of metal music. Get a notepad ready to take notes because he gives you a LOT of information! Happy Halloween! Show Notes: The Picture of Dorian Gray by Oscar Wilde: Oscar Wilde Official Website: http://www.cmgww.com/historic/wilde/ Oscar Wilde: https://en.wikipedia.org/wiki/Oscar_Wilde Aestheticism: https://en.wikipedia.org/wiki/Aestheticism Decadent Movement: https://en.wikipedia.org/wiki/Decadent_movement The Aesthetic Movement by Fiona McCarthy: https://www.theguardian.com/artanddesign/2011/mar/26/aestheticism-exhibition-victoria-albert-museum Aesthetic Movement in England by Walter Hamilton: https://archive.org/details/aestheticmovemen00hamiuoft Oscar WIlde's Cello Coat: https://oscarwilde.blog/2018/01/04/oscar-wildes-cello-coat/ The Picture of Dorian Gray: https://en.wikipedia.org/wiki/The_Picture_of_Dorian_Gray# Metal music: VH1 Documentary https://www.youtube.com/watch?v=AR78XBi_nAE&t=13s https://en.wikipedia.org/wiki/Rock_and_roll https://en.wikipedia.org/wiki/The_Beatles https://en.wikipedia.org/wiki/Birmingham#History https://en.wikipedia.org/wiki/Black_Sabbath#History https://en.wikipedia.org/wiki/Led_Zeppelin This is Spinal Tap amps go to 11 https://www.youtube.com/watch?v=uMSV4OteqBE https://en.wikipedia.org/wiki/Psychedelic_rock https://en.wikipedia.org/wiki/Satanic_panic https://en.wikipedia.org/wiki/Parents_Music_Resource_Center https://en.wikipedia.org/wiki/Heavy_metal_genres https://en.wikipedia.org/wiki/Dimebag_Darrell https://www.rollingstone.com/feature/behind-the-murder-of-dimebag-darrell-233541/ Songs list: Little Richard, Tutti Frutti - Here's Little Richard 1957 James Brown, Shout and Shimmy - Good, Good Twistin' With James Brown 1962 Chuck Berry, School Day - After School Session 1957 The Beatles, Love Me Do - Please Please Me 1963 Black Sabbath, Wasp/Behind the Wall of Sleep/Bassically/N.I.B. - Black Sabbath 1970 Led Zeppelin, Good TImes Bad TImes - Led Zeppelin I 1969 Led Zeppelin, Dazed and Confused - Led Zeppelin I 1969 Tenacious D, Karate - Tenacious D 2001 Worm Shepherd, The Anguished Throne - Hunger 2024 Humble Pie, As Safe As Yesterday Is - As Safe As Yesterday Is 1969 Deep Purple, Smoke on the Water - Machine Head 1972 Back Sabbath, Black Sabbath - Black Sabbath 1970 Black Sabbath, War Pigs - Paranoid 1970 Steppenwolf, Born to be Wild - self titled 1968 Alice Cooper, Poison - Trash 1989 KISS, Sure Know Something - Dynasty 1979 AC/DC, TNT - High Voltage 1976 Judas Priest, Realms of Death - Stained Class 1978 Motorhead, Ace of Spades - Ace of Spades 1980 13th Floor Elevators, You're Gonna Miss Me - 7th Heaven Music of the Spheres 1966 Chelsea Grin, Cursed - My Damnation 2011 The Damned, New Rose - Damned Damned Damned 1977 Judas Priest, Breaking the Law - British Steel 1980 Candlemass, Solitude - Epicus Doomicus Metallicus 1986 Venom, Black Metal - In League With Satan 1981 Van Halen, You Really Got Me - Van Halen 1978 Black Sabbath, Neon Knights - Heaven and Hell 1980 Black Sabbath, Sabbath Bloody Sabbath - Sabbath Bloody Sabbath 1973 Def Leppard, Photograph - Pyromania 1983 Quiet Riot, Cum on Feel the Noize - Metal Health 1983 Mercyful Fate, Evil - Melissa 1983 Frank Zappa, We're Turning Again - Frank Zappa Meets the Mothers of Prevention 1985 Cannibal Corpse, Hammer Smashed Face - Tomb of the Mutilated 1992 Kreator, People of the Lie - Coma of Souls 1990 Napalm Death, Suffer the Children - Harmony Corruption 1990 Helloween, I Want Out - Keeper of the Seven Keys, Pt. 2 1988 TOOL, Sober - Undertow 1993 Linkin Park, One Step Closer - Hybrid Theory 2000 Pantera, Walk - Vulgar Display of Power 1992 Finntroll, Jaktens Tid - Jaktens Tid 2001 Slaughter to Prevail, Demolisher - Kostolom 2019 Other appearances: Chris Shelton interviewed us in the beginning of a series on Mormonism on his Speaking of Cults series. He has had MANY different fascinating people on so go take a look! Here is the whole playlist: https://www.youtube.com/watch?v=OpGuS7GcsgA&list=PLGrPM1Pg2h72ADIuv8eYmzrJ-ppLOlw_g Email: glassboxpodcast@gmail.com Patreon: https://www.patreon.com/GlassBoxPod Patreon page for documentary: https://www.patreon.com/SeerStonedProductions BlueSky: @glassboxpodcast.bsky.social Other BlueSky: @bryceblankenagel.bsky.social and @shannongrover.bsky.social Instagram: https://www.instagram.com/glassboxpodcast/ Merch store: https://www.redbubble.com/people/exmoapparel/shop Or find the merch store by clicking on "Store" here: https://glassboxpodcast.com/index.html One time Paypal donation: bryceblankenagel@gmail.com Venmo: @Shannon-Grover-10

John sits down for an epic conversation with Oscar-winning writer-director Cameron Crowe about his new memoir, “The Uncool,” which covers his years as a teenaged rock music writer for Rolling Stone in the 1970s — years that served as the inspiration for his classic movie, “Almost Famous.” In the first installment of this special two-part episode, Crowe details his seminal experiences on the road with The Eagles, The Allman Brothers, Led Zeppelin, and other defining bands of the era, which shaped his unusual adolescence and turned him into a magazine journalism wunderkind, as well as the unique relationship he forged with Bob Dylan, which ultimately paid dividends for another of his hit films, “Jerry Maguire.” To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

BASE jumping in national parks is illegal, but with the federal government shut down, some thrillseekers are taking advantage of the situation. CBS News' Carter Evans explains. California Gov. Gavin Newsom told Robert Costa in a "CBS Sunday Morning" exclusive interview that he'll consider a 2028 White House bid. Costa joins "CBS Mornings" to discuss what Newsom said will guide his decision and who else could enter the Democratic race. Writer and filmmaker Cameron Crowe joins "CBS Mornings" to talk about his new memoir, "The Uncool," where he reveals the true stories behind his classic film, "Almost Famous," and his early days interviewing legends like Led Zeppelin, David Bowie, and the Allman Brothers. In this week's "Dear David," CBS News contributor David Begnaud shares two powerful stories of love: Jerome and Agnes Bourgeois of Houston, marking 66 years of marriage through song, and 9-year-old Nora Vaughn of Louisiana, spreading laughter to raise money for her sister with Rett syndrome. World-renowned mentalist Oz Perlman joins "CBS Mornings" for his first live TV interview about his new book, "Read Your Mind: Proven Habits for Success from the World's Greatest Mentalist." He shares how techniques used to read people can also unlock personal and professional potential. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week hear a gem from JEMS; a wonderful recording of Led Zeppelin at the LA Forum on May 31, 1973 (Bonzo's Birthday), from Barry Goldstein's excellent master tape. The atmosphere is brilliant as are the performances. I play a chill and evocative No Quarter, followed by a flawless Dazed and Confused. A great upgrade!

Paul Young was the bassist in a pub band playing Led Zeppelin and Patto covers ‘til his solo soul and blues slot launched him as a singer. He's still touring nearly 50 years later, just back from filling Mexican stadiums with Rod Stewart. And next May launching his acoustic ‘Songs & Stories Tour' in theatres, intercut with film clips and hoary old tales from the battlefield. He looks back here at … … Smash Hits cover shoots and Rewind package tours: “what a glorious time the ‘80s was” … the soul phrases he stole from Free and his impression of “the Paul Rodgers moan” … discovering James Taylor, the Doors, Gregg Allman, Vinegar Joe and Van Morrison … supporting Bob Marley when the crowd threw a dead duck at Joe Jackson – “and hit him!” … Mike & Bernie Winters in panto - “I was rolling in the aisles” … playing Led Zeppelin, Cream and Patto and the Bill Withers and Albert King covers that launched him as a singer … memories of Live Aid – “I wish I'd thought about it more” … “What am I, a performing monkey?” … when Midge Ure told him the opening line of Band Aid had actually been a secret audition – “Simon, Tony Hadley or me” … the “deafening” Slade at Luton Tech, the night the DJ played Black JuJu by Alice Cooper … the over-cranked news story that he'd lost his voice … and the night the Mafia came to Rhode Island. Tickets for ‘Paul Young – Songs & Stories' here: https://www.awaywithmedia.com/tours/paul-young-2026Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Paul Young was the bassist in a pub band playing Led Zeppelin and Patto covers ‘til his solo soul and blues slot launched him as a singer. He's still touring nearly 50 years later, just back from filling Mexican stadiums with Rod Stewart. And next May launching his acoustic ‘Songs & Stories Tour' in theatres, intercut with film clips and hoary old tales from the battlefield. He looks back here at … … Smash Hits cover shoots and Rewind package tours: “what a glorious time the ‘80s was” … the soul phrases he stole from Free and his impression of “the Paul Rodgers moan” … discovering James Taylor, the Doors, Gregg Allman, Vinegar Joe and Van Morrison … supporting Bob Marley when the crowd threw a dead duck at Joe Jackson – “and hit him!” … Mike & Bernie Winters in panto - “I was rolling in the aisles” … playing Led Zeppelin, Cream and Patto and the Bill Withers and Albert King covers that launched him as a singer … memories of Live Aid – “I wish I'd thought about it more” … “What am I, a performing monkey?” … when Midge Ure told him the opening line of Band Aid had actually been a secret audition – “Simon, Tony Hadley or me” … the “deafening” Slade at Luton Tech, the night the DJ played Black JuJu by Alice Cooper … the over-cranked news story that he'd lost his voice … and the night the Mafia came to Rhode Island. Tickets for ‘Paul Young – Songs & Stories' here: https://www.awaywithmedia.com/tours/paul-young-2026Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Today's episode starts off with Nikki & Brie trying to find their groove while looking back at the songs that shaped their lives. Also, while Brie schools her sister on the rules of today's show, Nikki schools Brie on People Magazine's 2021 Sexiest Man Alive. Nikki & Brie take us on a wild ride of emotions, memories, and discovery with the music of The Red Hot Chili Peppers, The Ataris, Rachel Platten, Led Zeppelin, Kacey Musgraves & Zach Bryan, The Lumineers, Ariana Grande, Blitzen Trapper, and Hillsong United. The Garcia Twins “Bring It Back” and ponder why they didn't spend more time together during high school as they pick a few things they'd love to bring back from the 90s. From movies, to fashion, to rituals, and toys. The sisters close out the episode with a nostalgic Inspiration & Affirmation that's from the West Side of Philadelphia, born and raised! Call Nikki & Brie at 833-GARCIA2 and leave a voicemail! Follow Nikki & Brie on Instagram, follow the show on Instagram and TikTok and send Nikki & Brie a message on Threads! Follow Bonita Bonita on Instagram Book a reservation at the Bonita Bonita Speakeasy To watch exclusive videos of this week's episode, follow The Nikki & Brie Show on YouTube, Facebook, and TikTok! You can also catch The Nikki & Brie Show on SiriusXM Stars 109! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Halloween Month™ continues with a discussion of the famous occultist, poet, mountaineer and fancy little rich boy Aleister Crowley -- a guy who practiced black magic and eventually went on to haunt the members of Led Zeppelin.For full-length weekly bonus episodes check out the TCGTE Patreon!Like the show? Rate Us on Apple Podcasts and let us know what topic we should check out next.Follow Tim on Bluesky: yourpaltim.bsky.social and Instagram: @yourpaltimFollow Tom on Bluesky: tomreynolds.bsky.social and Instagram: @tomreynolds Hosted on Acast. See acast.com/privacy for more information.

Brian and Richard are back for Episode 587 of the Chasing Tone Podcast - Indiana Tones and the Pedalboard of Doom, and Brian has amp adviceBlake has left for a short vacation so Brian and Richard bring the rumpus and it is largely unhinged and tiny rabbits are involved. Wampler are releasing a thing this week and there may or may not be some hints in this episode. Brian has been playing a new pedal-board amp, Richard is keen to look at the box, and Brian is keen to overshare.Richard has had the perfect Smoke on the Water moment and is excited to tell Brian about it. Meanwhile Brian is nostalgic for skinning audio players and the guys discuss why Led Zeppelin are more popular than Deep Purple with a huge smattering of unsubstantiated claims. Meanwhile, Richard is GASsing for a new guitar...Again.JHS dropped some exciting new colorways for their recent Notaklon pedal and the guys discuss the nostalgia effect on graphic design. Richard has been watching shows about Nashville and he tells Brian about it and his secret desire to experience line dancing.  Toob Noob's, Tone King, Twinnie, Tears for Fears, Tubescreamers ...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

"Led Zeppelin's Shadow Song: The True Story of Dazed and Confused" The Not Old Better Show, Music Today Interview Series