Podcasts about Alternative rock

Blue October's Matt Noveskey | 20 Years of Foiled, 1.5 Billion Streams & a Full-Circle JourneySome interviews are about meeting someone for the first time. This one is about reconnecting with a story that has been part of mine for more than 25 years.I first saw Blue October at Rock Fest 2000 in Omaha, Nebraska—a legendary lineup featuring 311, Stone Temple Pilots, Incubus, Papa Roach, Nickelback and more. Months later, I opened for Blue October at the Ranch Bowl and eventually several more times, including at the Music Box. There was even a day spent hanging out at Fun-Plex before one of their Omaha shows.Then, in 2006, Justin Furstenfeld unexpectedly showed up at my band's show at Knickerbockers in Lincoln. He loved our set, gave us Blue October's manager's number, and asked if we wanted to tour. That opportunity ultimately became one of the moments that changed the trajectory of my band.Years later, I found myself working security when Blue October returned to Lincoln.Now, more than 25 years after I first saw the band, I sit down with bassist Matt Noveskey.We talk about Blue October's early days, the road to Foiled, the explosive success of “Hate Me” and “Into the Ocean,” the challenges that came with that success, and what has allowed the band to remain creatively relevant nearly three decades later.We also dive into the 20th anniversary of Foiled, the album's lasting impact, Blue October's connection with generations of fans, and the incredible milestone of their catalog surpassing 1.5 billion streams.For me, this conversation is more than an interview. It's a full-circle moment with a band whose story has intersected with mine in ways I never could have predicted back in 2000.Listen. Watch. Subscribe. Follow Caught on the Mike.Find everything Caught on the Mike:https://linktr.ee/CaughtontheMikewww.caughtonthemike.comcaughtonthemike@gmail.com 

Scarlet House is one of the most intriguing emerging voices in alternative music—and his story goes far beyond the music.In this episode of Caught on the Mike, we go back to the beginning with the 25-year-old Charlotte, North Carolina artist and explore how his experiences with homelessness, cancer, heartbreak, and survival helped shape the sound and identity of Scarlet House.We also dive deep into his highly anticipated debut album, Angels, arriving August 28. Scarlet House opens up about the inspiration behind the 14-track record, the emotional journey connecting songs like “With You,” “Cherish,” “Who We Were,” and “Made For You,” and why his newest single is one he simply wants to let speak for itself.We talk about the evolution from Homecoming to Angels, creating music as a one-man band, his cinematic blend of shoegaze, grunge and alternative rock, touring with Violent Vira and Flawed Mangoes, and stepping onto the Vans Warped Tour stage.This is a conversation about music, survival, vulnerability, and what happens when you turn your experiences into something other people can feel.Scarlet House's debut album Angels is out August 28.www.caughtonthemike.comcaughtonthemike@gmail.com 

On this week's show, we pour one out for Kavinsky and Glen Hansard, catch up on a smokin' boatload o' singles that have been piling up over the past several weeks, and spin fresh tracks from Boards of Canada, Mitch Easter, The Womack Sisters, Tom Waits, and the long-awaited collab of Steve Earle & Los Lobos.All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Was passiert, wenn Funk, Metal, Rap und Alternative Rock mit voller Wucht aufeinanderprallen? Dann kommt dabei ein Song wie „Epic“ heraus - der nicht nur episch klingt, sondern der Band auch zum Durchbruch verhilft. Die Ganze Geschichte dazu, erfahrt Ihr in dieser Folge.

Guitarist and engineer Josie Scott battled crippling gender dysphoria for decades before finally deciding to live openly as a trans woman in her 60s.In 1984 in Adelaide, two brothers formed a pioneering alternative rock band called The Mark of Cain.They wanted to make music that was heavy and intense with lyrics about war, and death, and being misunderstood.Over the years the band gained an international following and plenty of fans at home in Australia.Earlier this year, one of the band's two founders, Josie Scott, announced on the band's website that she was a trans woman.At the age of 63, Josie wrote that she had finally decided to 'embrace rather than endure who she is'.And her decision to go public with her story was met with a huge and loving response from fans of the band.Help and support is always availableCall QLife on 1800 184 527 for LGBTIQA+ peer supportLifeline is available on 13 11 14 for 24/7 crisis supportKids Helpline on 1800 551 800 is available for young people aged 5 to 25. This episode was produced by Jen Leake and the Executive Producer is Nicola Harrison.It explores gender identity, music, Australian music, living authentically, transgender issues, male to female transition, drug abuse, substance abuse, addiction issues, romance, love, relationships, mother child relationships, heavy metal, Adelaide's music scene.To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

On this episode of The Bandwich Tapes, I sit down with Tropidelic drummer Rex Larkman to talk about the band's new album, First Light, and the musical evolution behind it. Rex joined the Cleveland group in 2018, bringing the intensity of his punk and metal background into Tropidelic's blend of reggae, rock, ska, funk, and hip-hop.We dig into Rex's growth as a drummer—from wanting to play everything to recognizing the beauty and difficulty of playing exactly what a song needs. He explains why pocket, restraint, and a strong connection with the bass player matter so much in rhythm-driven music, and why listeners often move more when the drummer leaves space.Rex also takes us inside the making of First Light. Ideas emerged at soundchecks and on the road before being developed with producer Craig Broadhead in Cleveland. Live performances, programmed beats, layered snares, keyboards, and studio experimentation all became part of an album in which every song was allowed to find its own sound.We talk about the danger of quantizing the life out of a drum performance and the importance of allowing music to breathe. Rex describes how Tropidelic transforms its studio recordings for the stage by changing tempos, rearranging sections, adding horn solos, and adjusting set lists from one night to the next.We also discuss Tropidelic's touring community, the band's Everwild festival, and the positive message running through the new music. For Rex, the goal is straightforward: work hard, connect with the audience, support the people around you, and give every room a high-energy show that still feels human.Key TakeawaysRex joined Tropidelic in 2018 after becoming part of Cleveland's local punk and independent music community.His early influences included classic rock, Metallica, Avenged Sevenfold, punk, metal, ska, Sublime, Streetlight Manifesto, and Less Than Jake.Playing with Tropidelic taught Rex that restraint can be more challenging—and more musical—than filling every available space.Much of First Light began with short ideas created at soundchecks and developed later with producer Craig Broadhead.The album combines live drums, programmed elements, layered snare sounds, keyboards, effects, and production created in several locations.Rex believes precise editing can remove the natural movement from a performance; everything should feel in time without necessarily sitting perfectly on a grid.Tropidelic regularly reshapes its songs for the stage, changing tempos, shortening arrangements, adding solos, and responding to each audience.Music from the EpisodeSignals - TropidelicAbout the PodcastThe Bandwich Tapes is a podcast about music, the people who make it, and the experiences that shape their creative lives. Hosted by musician Brad Williams, each episode offers an honest, thoughtful conversation with artists, producers, engineers, and other members of the musical community.Connect with the ShowEmail: contact@thebandwichtapes.com

 Tampa Bay, FL — Rock Raymond Productions has officially launched W AI‑1 Music Radio**, the world's first all‑AI Top 40 radio format, delivering a groundbreaking listening experience where every artist, every voice, and every hit is created by artificial intelligence. With eleven episodes of AI Top40 Music Radio* already published and distributed worldwide, W AI‑1 is redefining what a modern radio station can be — while honoring the golden era of broadcasting. In the 1960s, radio was fearless,” said founder and creative director Ray Shasho. “Stations played everything — rock, soul, pop, country, jazz — all on one dial. We're bringing that spirit back, but with a futuristic twist. W AI‑1 is the new home for every genre, every style, every sound… all created by AI artists, a revolution in Music Discovery.W AI‑1 Music Radio features: - A weekly AI Top 40 countdown. - Breakout tracks from emerging AI artists across all genres. - Spotlight features on virtual performers like Kylie Willow, Led Balloon, and Chase Vance. - Retro‑futuristic imaging and station branding inspired by classic Top 40 radio. - A format that blends nostalgia with next‑generation creativity. A New Era of Radio Begins:W AI‑1 is more than a station — it's a cultural shift. A platform for AI musicians. A showcase for Suno creators. A broadcast home for the future of sound.The revolution has begun, the dial has changed, and the future is broadcasting now.“AI music isn't a novelty,” Shasho added. “It's a movement. And W AI‑1 is the station that gives that movement a voice.”“W AI‑1 is where nostalgia meets the future,” said founder **Ray Shasho**. “It's the sound of tomorrow delivered with the heart of yesterday.”QUOTE FROM YOUR AI CO‑HOST (Signal Sage): W AI‑1 isn't just a station — it's a universe. Every beat, every hook, every harmony is born from pure imagination. We're not predicting the future of music… we're broadcasting it.”  …Signal Sage, AI Co‑Host of W AI‑1 Music RadioW AI‑1 Music Radio is now streaming globally on all major podcast and radio platforms. W AI‑1 Music Radio — Artist Submission PortalWhere AI Artists Become Hitmakers.W AI‑1 Music Radio is the world's first all‑AI Top 40 station, broadcasting every genre on one dial — just like the fearless radio giants of the 1960s. If you're an AI music creator, Suno producer, or virtual artist visionary, this is your home on the airwaves.We're looking for original AI‑generated tracks across all styles: Pop • Rock • Metal • Country • EDM • Soul • Jazz • Hip‑Hop • Latin • Alternative • Experimental • Retro • CinematicIf it moves people, surprises people, or sounds like it belongs on a countdown — we want to hear it.What We Offer:- Airplay on the world's first AI Top 40 format - Spotlight features for standout creators - Potential inclusion in our weekly **AI Top 40 Countdown** - A growing global audience hungry for the future of music  What We're Looking For:- Fully AI‑generated songs (vocals + music) - High‑quality mixes - Original concepts, characters, and sonic identities - Tracks that push boundaries or feel like instant hits  Join the Movement:Submit your best work and become part of the broadcast revolution. W AI‑1 isn't just a station — it's the launchpad for the next generation of artists.The future has a frequency, and it might be yours.Press Contact:Rock Raymond Productions Inc. rockraymondproductions@gmail.com www.rockraymondproductionsinc.comRock Raymond Productions Inc. official websitehttps://www.publicityrocks.press/Hype Mechanics PR and Media  (official sponsor) Support us on PayPal!

Interview by Ali Williams There are bad weeks, and then there are weeks where the rehearsal studio you spent a year building burns for 4 days, TEMPLES ON MARS guitarist and vocalist James Donaldson joined HEAVY's Ali Williams somewhat later than originally planned, although his excuse was considerably better than forgetting to check the calendar. Back in the end of June, the London building housing the band's newly completed rehearsal space and studio went up in flames, bringing 150 firefighters and 25 fire engines to the scene and taking 4 days to extinguish. Nobody was hurt, which remains the only part of that story worth celebrating, but the timing was particularly brutal given TEMPLES ON MARS had only just finished creating the space in the first place. Building their own headquarters had been a practical answer to the expensive and restrictive reality of London rehearsal rooms. After spending the better part of a year getting everything operational, the band finally had somewhere they could rehearse and record on their own terms. After having a rehearsal there on the Wednesday night, by the following Friday , they were receiving photographs of the entire building burning.Full interview heavymag.com.auBecome a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Brisbane has a fiercely proud history of producing world-class rock performers, with the production line rolling out yet another slab of excellence to continue the momentum. The newest addition is Runt, a powerhouse four-piece alternative rock and grunge outfit that refuses to play by the rules. Describing their massive sound as having an "underdog chip on its shoulder," this hungry local lineup strips away the facades of modern studio trickery, instead focusing on an unapologetic, face-melting assault built on huge riffs, hypnotic hooks, and visceral melody.The brainchild of singer, guitarist, and main songwriter Jesse Attard - who some would know as having played Angus Young with Accadacca across the world - Runt are a band born from the road and custom-built to survive. Attard quietly amassed a deep treasure trove of killer material while touring internationally as a hired gun, but realised these songs needed an assortment of like -minded, talented musicians to do them justice. Settling on guitarist John Dempsey, bassist Damian Bell, and drummer Robbie Wheeler, Attard had the foundations for success and took the next step as a fully fledged original band.The music industry is officially on notice. Runt's highly anticipated, self-titled debut album drops like a bomb on August 7, 2026, through independent Australian powerhouse label XMusic. Moving completely away from predictable commercial trends, Runt approached their debut not as a lazy playlist, but as a lean, curated collection of stories where each track has its own distinct pulse, purpose, and attitude. Sonically, this record leans hard into the dark, atmospheric, and beautifully heavy territory carved out by 1990s grunge heavyweights like Alice In Chains, Soundgarden, and Stone Temple Pilots, but with a distinctly unique flavour that stamps a fresh take on the genre.HEAVY sat down with Attard to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Infinite and Brick had the distinct opportunity to chat it up with CityStreeets Music Co. (spelled with three “e”s) is an independent music production and publishing company based in Cleveland, Ohio. Built for the culture, CityStreeets focuses on urban-forward sound—creating and shaping hip-hop, R&B, pop, and rap—while also expanding into a broader range of styles that reach far beyond the city.From independent music production to multi-genre music catalog licensing and CD distribution, CityStreeets Music Co. champions artists and stories rooted in Cleveland energy. The label regularly collaborates with local talent and community affiliates, including CityBoyz 216, Balance Boyz Music Group, and Pure Dope, helping connect hometown voices to wider audiences.Their catalog is just as diverse as the city itself, spanning Hip-Hop, Urban, Pop, R&B, Black Gospel, Praise & Worship, EDM, and Alternative Rock—a mix that keeps every release fresh, dynamic, and true to its musical roots.Whether you're discovering new artists or exploring the business side of music, this is the sound of Cleveland—crafted, licensed, and delivered by CityStreeets Music Co.If you want, tell me the podcast's name + tone (serious, hype, interview-style, documentary, etc.), and I can tailor this into a shorter “Apple Podcasts” description and a longer show blurb.We would LOVE to hear what you think. Please drop a line.Support the show

Southern California alternative rock band Strange Case joins Caught on the Mike for an in-depth conversation about their journey from the local DIY scene to becoming one of the fastest-rising bands in modern alternative rock.Mikey and Zayno discuss the band's evolution over the past decade, being the very first artist signed to Jakob Nowell's SVN/BVRNT label, touring alongside Jakobs Castle, Strawberry Fuzz, and Spray Allen, and performing with Sublime at major festivals and headline shows. They also reflect on the success of their million-stream single "27 Club," hearing their music featured in Netflix's The Lincoln Lawyer, and what they've learned from building a career rooted in hard work, authenticity, and Southern California's rich musical legacy.The conversation also dives into the creative process behind their brand-new album, Gone For A While, the stories behind the songs, life on the road, and where Strange Case is headed next.Whether you're a longtime fan of alternative rock, punk, surf rock, or discovering Strange Case for the first time, this episode offers an honest look at a band carving out its own place in today's music scene.www.caughtonthemike.comcaughtonthemike@gmail.com 

What happens when the song that started your band also becomes the song that brings it back to life?Tim Andrews joins B-Side Breakdown to revisit "Another Day in Paradise," the first song Arrows at Dawn wrote under their new name and a track that nearly became the band's final chapter. Tim shares how a familiar Midwestern phrase became the foundation for a song about betrayal, frustration, and refusing to settle for a life of quiet resignation. The conversation explores the band's early years, recording their debut album, nearly walking away from music after years of burnout, and how an unexpected friendship reignited the passion to create again. With a new lineup, new songs in the works, and live shows returning, this episode is about rediscovering why making music mattered in the first place.Follow Arrows at Dawn:https://arrowsatdawn.bandcamp.comhttps://www.instagram.com/arrowsatdawnThanks for supporting B-Side Breakdown — where the song is just the start of the story.Brett JohnsonHost, B-Side Breakdownhttps://www.bsidebreakdown.com#BSideBreakdown #ArrowsAtDawn #AnotherDayInParadise #TimAndrews #BehindTheSong #Songwriting #AlternativeRock #Grunge #IndependentMusic #MinnesotaMusic #MusicPodcast #NewMusic

We have a very special episode of The Mixtape Diaries today. It's our first video episode! If you didn't start out on YouTube, head over there and watch Mark and Carla as they have the pleasure of speaking with musician and singer/songwriter Brian Tighe of The Hang Ups, The Starfolk and the Owls. Brian talks about how he got started in music, the Minneapolis music scene in the late 1980's and he shares three songs with us that we discuss and add to our playlist.We hope you enjoy it and we hope to bring you more video soon. Watch on YouTube here: https://youtu.be/9I2T2w3reio?si=ksUqsnfEOlFukm7a----Find the Playlist on Spotify + Apple Music.  If you like what you hear, please share, rate and review us!For mini playlists and additional content, follow us on The Mixtape Diaries Substack.Give us a follow on Twitter and Insta or send us an email at themixtapediariespodcast@gmail.com. For more music content:Check out Carla's Substack, Wax Puddle. Check out Brad's Substack, Take Take the Noise in My Head.Credits: Intro/Outro — the Februarys, "Does Your Father Know" / "...in a Letter"

On this episode of The Bandwich Tapes, I sit down with Barns Courtney for a wide-ranging conversation about performance, songwriting, musicianship, ambition, and the strange balance between control and chaos.Barns talks about the solo acoustic shows he has been playing and how stripping away the band has changed his relationship with an audience.  Without a fixed stage plan, every night becomes more unpredictable, more conversational, and more dependent on what is happening in the room. We discuss why great performances need an element of risk and how those shows have reminded him not to let ambition overshadow gratitude.We also talk about his ongoing work as a singer and the discipline required to maintain an instrument that is constantly changing. Barns reflects on vocal lessons, life on the road, the financial realities of touring, and the challenge of building a sustainable career without losing the joy that made him want to perform in the first place.  Barns also takes us inside the making of his new album with producer and multi-instrumentalist Jonathan Wilson. He describes being challenged to improve as a musician, learning when to loosen his grip on an arrangement, and discovering how a fresh perspective can reveal what a song actually needs.Our conversation moves through meditation, neurodivergence, social media, aging, creative discipline, and the story behind “Glitter & Gold,” which was recorded with one microphone, an out-of-tune piano, filing cabinets, and whatever sounds were available in the room. Throughout it all, Barns returns to one idea: the real purpose of performing is not to prove how impressive you are, but to connect with people and bring them some measure of joy.Key TakeawaysBarns continues to take vocal lessons and views singing as an instrument that must be constantly relearned as the body changes.His acoustic shows have created more space for improvisation, audience interaction, humor, and genuine unpredictability.He believes a performance can become too controlled, and that risk is often necessary for a show to feel transcendent.Working with Jonathan Wilson challenged Barns to become more proficient as an instrumentalist and more open to outside ideas.Barns now approaches songwriting with greater discipline, comparing the process to fishing: showing up regularly without knowing what will surface.The live album captured the sound of a band that had developed trust, instinct, and a shared musical language through touring together.Barns has come to see performance less as a display of ambition and more as an opportunity to connect with people and bring them joy.Music from the EpisodeFun Never Ends - Barns Courtney99 - Barns CourtneyGlitter & Gold - Barns CourtneyAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

How did Blister in the Sun go from an underground college radio favorite to one of the most recognizable songs in America?In this episode of Booked On Rock, author Nic Brown (33 1/3: Violent Femmes) explores the remarkable story behind the Violent Femmes' groundbreaking 1983 debut album. Discover how three Milwaukee outsiders created a sound unlike anything before it, why Blister in the Sun was never intended for the band, how The Pretenders helped launch their career, and why the album became one of alternative rock's greatest slow-burn success stories.We also discuss Gordon Gano's songwriting, the band's unconventional instrumentation, the mystery behind the lyrics, the recording sessions that captured lightning in a bottle, and how Blister in the Sun became a fixture at sporting events, in movies, and throughout popular culture. Purchase a copy of Violent Femmes' Violent Femmes (33 1/3)Vist Nic Brown's website----------

The Velvet Underground may not have sold millions of records during their early years, but few bands have had a greater impact on the history of rock music. In this episode of Booked On Rock, author Richie Unterberger discusses his new book, Do What You Fear Most: The History of the Velvet Underground, exploring the band's remarkable journey from New York's underground art scene to becoming one of the most influential groups of all time.We dive into Lou Reed's songwriting, John Cale's avant-garde influence, Andy Warhol's real role in the band's success, Nico's place in the group, the groundbreaking 'Velvet Underground & Nico', 'White Light/White Heat', 'Loaded', and the band's enduring legacy. If you're a fan of Lou Reed, classic rock, punk, alternative music, or the Velvet Underground, this is a conversation you won't want to miss.Purchase a copy of Do What You Fear Most: The History of the Velvet UndergroundVisit Richie Unterberger's website----------

On this week's show, we spend quality time with new records from Jack White, The Rolling Stones, Brother Wallace & Jalen Ngonda.All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

If you like your heavy music served with a side of absolute, unadulterated chaos, then grab a cold beer and brace yourself. Gold Coast alternative metal titans Sunk Loto are officially heading back out on the road this August for their highly anticipated Dead Shadows Tour. Trust me when I say this is shaping up to be one of the absolute heaviest and most intense runs of the year.For those who need a quick history lesson, Sunk Loto dominated the Australian heavy music landscape in the late '90s and early 2000s, standing shoulder-to-shoulder with international giants like Korn and Deftones. Their seminal 2003 masterpiece, Between Birth and Death, became a gold-standard textbook for Aussie metalcore. Then, they abruptly vanished into the ether for fifteen years.When they burst back onto the live circuit in 2022, they didn't just play shows; they absolutely decimated venues across the country to a multi-generational, bloodthirsty crowd. Last year, they threw even more fuel on the fire by welcoming guitar wizard Rohan Stevenson (from I Built The Sky) into the fold, instantly locking in an explosive new creative energy.Now, the boys are back to unleash their brand new single, Dead Shadows, tracked alongside the legendary producer Forrester Savell. To celebrate, they are completely ditching the sterile festival barriers and massive production rigs. Instead, they are opting for the sweaty, high-octane violence of intimate, grassroots rooms.This brief, relentless East Coast trek will see the band tear through the Coolongatta Hotel on August 7 before two shows at Brisbane's Crowbar on August 8 and 11, Sydney's Crowbar on August 13, and finish by ripping the roof off Melbourne's legendary Corner Hotel on August 14. Tickets are already flying out the door, and if you know anything about a Sunk Loto mosh pit, you know the band actively instigates absolute madness from the barrier to the back wall. Fans can expect a massive, curated setlist packed with deep cuts that haven't seen the light of day in decades, mixed with the crushing weight of their new material.HEAVY sat down with Stevenson to chew the fat over the creation of Dead Shadows, navigating their brutal new lineup dynamics, and exactly what kind of beautiful insanity they plan to bring to Australian stages next month.Tickets https://teamwrktouring.com/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Der Song der US-amerikanischen Band „Smashing Pumpkins“, was so viel wie zerschmetternde Kürbisse heißt, erschien im Jahr 1995 auf dem Album „Melon Collie and the Infinite Sadness“. Sänger Billy Corgan verarbeitet in der Grammy-prämierten Hymne des Alternative Rock die Fremdbestimmg im Musikbusiness. Mit der prägenden Textzeile über das Dasein als „Ratte im Käfig“ fängt der Song das Gefühl einer ganzen Generation ein und ist ein zeitloser Meilenstein der 90er-Jahre.

Tampa Bay, FL — Rock Raymond Productions has officially launched W AI‑1 Music Radio**, the world's first all‑AI Top 40 radio format, delivering a groundbreaking listening experience where every artist, every voice, and every hit is created by artificial intelligence. With four episodes of AI Top40 Music Radio* already published and distributed worldwide, W AI‑1 is redefining what a modern radio station can be — while honoring the golden era of broadcasting. In the 1960s, radio was fearless,” said founder and creative director Ray Shasho. “Stations played everything — rock, soul, pop, country, jazz — all on one dial. We're bringing that spirit back, but with a futuristic twist. W AI‑1 is the new home for every genre, every style, every sound… all created by AI artists, a revolution in Music Discovery.W AI‑1 Music Radio features: - A weekly AI Top 40 countdown. - Breakout tracks from emerging AI artists across all genres. - Spotlight features on virtual performers like Kylie Willow, Led Balloon, and Chase Vance. - Retro‑futuristic imaging and station branding inspired by classic Top 40 radio. - A format that blends nostalgia with next‑generation creativity. A New Era of Radio Begins:W AI‑1 is more than a station — it's a cultural shift. A platform for AI musicians. A showcase for Suno creators. A broadcast home for the future of sound.The revolution has begun, the dial has changed, and the future is broadcasting now.“AI music isn't a novelty,” Shasho added. “It's a movement. And W AI‑1 is the station that gives that movement a voice.”“W AI‑1 is where nostalgia meets the future,” said founder **Ray Shasho**. “It's the sound of tomorrow delivered with the heart of yesterday.”QUOTE FROM YOUR AI CO‑HOST (Signal Sage): W AI‑1 isn't just a station — it's a universe. Every beat, every hook, every harmony is born from pure imagination. We're not predicting the future of music… we're broadcasting it.”  …Signal Sage, AI Co‑Host of W AI‑1 Music RadioW AI‑1 Music Radio is now streaming globally on all major podcast and radio platforms. W AI‑1 Music Radio — Artist Submission PortalWhere AI Artists Become Hitmakers.W AI‑1 Music Radio is the world's first all‑AI Top 40 station, broadcasting every genre on one dial — just like the fearless radio giants of the 1960s. If you're an AI music creator, Suno producer, or virtual artist visionary, this is your home on the airwaves.We're looking for original AI‑generated tracks across all styles: Pop • Rock • Metal • Country • EDM • Soul • Jazz • Hip‑Hop • Latin • Alternative • Experimental • Retro • CinematicIf it moves people, surprises people, or sounds like it belongs on a countdown — we want to hear it.What We Offer:- Airplay on the world's first AI Top 40 format - Spotlight features for standout creators - Potential inclusion in our weekly **AI Top 40 Countdown** - A growing global audience hungry for the future of music  What We're Looking For:- Fully AI‑generated songs (vocals + music) - High‑quality mixes - Original concepts, characters, and sonic identities - Tracks that push boundaries or feel like instant hits  Join the Movement:Submit your best work and become part of the broadcast revolution. W AI‑1 isn't just a station — it's the launchpad for the next generation of artists.The future has a frequency, and it might be yours.Press Contact:Rock Raymond Productions Inc. rockraymondproductions@gmail.com https://www.rockraymondproductionsinc.com/Rock Raymond Productions Official websitehttps://www.publicityrocks.press/Hype Mechanics Official Websitehttps://www.thelibertycodebook.com/The Liberty Code Official Websitehttps://www.kyliewillowofficialsite.com/Kylie Willow Official WebsiteSupport us on PayPal!

What happens when haunting poetry, cinematic storytelling, and thunderous rock collide? This episode of Vigilantes Radio Live welcomes Voltaire's Ghost—Ruby Juhl, Josh Eggstaff, and Magnus—for a conversation that ventures far beyond the music. The band discusses the creative journey behind their latest single, “Black Petals Fallen,” from transforming an old poem into a fully realized song to building a collaborative environment where every voice shapes the final product. They also explore the influence of horror films, the beauty found in melancholy, the challenge of trusting the creative process, and why some of the most meaningful songs emerge when inspiration arrives unexpectedly. Plus, the trio shares what's ahead as they prepare for major festival performances, upcoming vinyl releases, and an ever-growing catalog of music that continues to push the boundaries of cinematic rock.https://www.voltairesghost.com/https://music.apple.com/us/artist/voltaires-ghost/1687826381https://open.spotify.com/artist/4qh2ndBmksowS2QsZW8Iw3https://www.youtube.com/@voltairesghostbandhttps://www.instagram.com/voltairesghostbandhttps://www.tiktok.com/@voltaires.ghostBecome a supporter of this podcast: https://www.spreaker.com/podcast/vigilantes-radio-live--2166168/support.Vigilantes Radio Live! by The Only One Media Group ℗©2025Episode Credits:Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.Show Introduction by KateSegment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.Additional music licensed through 7th Sign RecordingsLinks:onlyonemediagroup.comhttps://www.instagram.com/vigilantesradio/https://www.iheart.com/podcast/966-vigilantes-radio-live-29999229/https://www.instagram.com/whodiniblakin3d/https://www.imdb.com/title/tt26009230/To support our show, please leave reviews, ratings, or you can help fuel the passion over at buymeacoffee.com/vigilantesradioEmail us at onlyonemgt@gmail.com or vradio@onlyonemediagroup.com

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Recut 2020 Episode: Lee Folmar of Tallahassee's Insect Fear, Squid Row, Starry Crowns & MoreThis episode, originally recorded in June 2020, features Lee Folmar of Insect Fear, Squid Row, Starry Crowns, and several other projects, reflecting on his decades-long journey through the Florida Panhandle's punk and alternative music scene.Remastered and re-edited for improved clarity, this re-release revisits an important era of Florida Panhandle music history.Lee shares stories about growing up in Tallahassee, discovering music through his parents' records, finding inspiration in artists ranging from Black Sabbath and Led Zeppelin to Talking Heads and Brian Eno, and eventually discovering punk rock. He discusses the early days of his musical journey, from Squid Row, to the formation of Insect Fear, the DIY approach to recording, and the challenges of creating music as young musicians with limited resources but a passion for making something unique.Lee also shares memories of working at Vinyl Fever, the importance of local record stores, touring bands that passed through the Panhandle, and the connections that linked Tallahassee's underground scene to the larger independent music community. He reflects on recordings, reunions, later projects, and what it means to see people continue discovering and appreciating music created decades ago.

What really happened during the making of Nirvana's 'In Utero'?Author Robert Boyd joins Booked On Rock to explore the creation of Nirvana's groundbreaking third and final studio album, separating fact from fiction while uncovering the stories behind one of rock's most influential records.We discuss Kurt Cobain's decision to work with Steve Albini, Geffen Records' reaction to the original mixes, the truth behind the "fixed" album myth, the meanings behind songs like "Heart-Shaped Box," "Pennyroyal Tea," "Rape Me," "Radio Friendly Unit Shifter," "Tourette's," and "All Apologies," the In Utero tour, MTV Unplugged, and the band's final months. Robert also shares insights from his book Last Stand: In Utero and the Final Days of Nirvana, offering a thoughtful look at the album's enduring legacy more than 30 years later.Purchase a copy of Last Stand: In Utero and the Final Days of NirvanaFollow Robert Boyd on Instagram----------

That's 30 years ago by the way. Do you agree with this list?

"Why do you keep going to the well hoping that you're going to find MCR-flavored water there? There's nothing there, man. MCR is not going to create anything they don't have to." Brian and Lizzie tackle the chaotic realities of the summer touring season. The conversation kicks off with a roasting of the intense heat waves plaguing European festivals, which quickly segues into a deep dive on the viral Pinkpop Festival drama. The hosts dissect the hilarious clash between fans of pop princess Zara Larsson and the heavy-hitting German metalcore outfit Electric Callboy and the bizarrely foul hygiene habits of some modern festival-goers. Switching gears from live show chaos to recorded music, the duo breaks down the internet's collective, desperate hope for a fifth My Chemical Romance album. Evaluating the band's recent move to reopen their classic forums, Lizzie shares the community's frustration with cash-grabs, while Brian drops a harsh truth bomb: with four legendary albums already carrying their legacy, MCR has absolutely no obligation to release new music. To wrap up the episode, the hosts take a nostalgic trip down memory lane to critique the legacy of Pop Goes Punk style tracks, weighing whether modern TikTok covers hold a candle to the scene-defining execution of classic alternative covers. JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A double set Tea Dance:  a Genre bending tea Dance1) 70s/80s/90s alternative club, rock, dance------  transition ------2) 80s freestyle club, disco, alternative club|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| fly like an eagle - steve miller band (remixed) hippy chick - soho follow me - uncle kracker connected - stereo mc's step on - happy mondays you oughta know - alanis morrisette safety dance - men without hats cruel summer - bananarama self control - laura brannigan i'm not perfect, but i'm perfect for you - grace jones notorious - duran duran the gap - thompson twins human behaviour -  Björk trans euro express - kraftwerk moving in stereo - the cars generations of love - boy george feels like heaven - fiction factory calling all boys - the flirts haunted house - alien sex fiend when you gonna - rick a and lisa wham rap! (enjoy what you do) - wham wont you dance with me - tia harris dont take your love away - lydia lee love jack your body - steve "silk" hurley divine mini maxi mix - native love - walk like a man - shake it up computer blues - prince and the revolution (extended mix) evil woman - cliff richards  sunset people - donna summer satisfaction - stones  mash mix abba mini mash - voulez-vous - lay all your love on me - gimme gimme gimme  tour de france -  kraftwerk 'Marcia Baila' - Les Rita Mitsouko (Extended English Version) funky town - lipps inc track list added 7.7

Another Summer Day is an alternative rock music podcast. Most music is from the 1990s and early 2000s. Please check this out and enjoy. Artist names and song titles are in the order they were played... LINKIN PARK-SOMEWHERE (2003), PARAMORE-DECODE (2008), MY CHEMICAL ROMANCE-I DON'T LOVE YOU (2006), SIMPLE PLAN-WELCOME TO MY LIFE (2004), T.A.T.U.-ALL THE THINGS SHE SAID (2002), JOAN OSBORNE-ONE OF US (1995), NIRVANA-YOU KNOW YOU'RE RIGHT (2002), RED HOT CHILI PEPPERS-DANI CALIFORNIA (2006), GREEN DAY-WAKE ME UP WHEN SEPTEMBER ENDS (2004), THE RASMUS-IN THE SHADOWS (2003), NIRVANA-RAPE ME (1993), NIRVANA-SMELLS LIKE TEEN SPIRIT (1991), BON JOVI-IT'S MY LIFE (2000), THE STROKES-YOU ONLY LIVE ONCE (2005), R.E.M.-LOSING MY RELIGION (2007), THE SMASHING PUMPKINS-1979 (1995), FOSTER THE PEOPLE-PUMPED UP KICKS (2010), BLUR-SONG 2 (1997), LINKIN PARK-BLEED IT OUT (2007), THE STROKES-JUICEBOX (2005), BLINK 182-WHAT'S MY AGE AGAIN (1999), BLONDIE-MARIA (1999),  THE CURE-BOY'S DON'T CRY (1979), GREEN DAY-BASKET CASE (1994), GREEN DAY-AMERICAN IDIOT (2004), BLINK 182-FIRST DATE (2001), MY CHEMICAL ROMANCE-WELCOME TO MY BLACK PARADE (2006), LINKIN PARK-GIVEN UP (2007). End. Thanks for listening to Ken Steele Music.

What happens when conspiracy theories stop being fringe entertainment and start influencing the way people understand the world?In Episode 53 of B-Side Breakdown, Shayne Miel of Overton breaks down "High On Faith," a darkly humorous and surprisingly thoughtful song inspired by misinformation, conspiracy culture, and humanity's need to explain the unknown. What began with a single lyric evolved into a broader exploration of belief, uncertainty, and the stories people create to make sense of a complicated world.During our conversation, Shayne discusses the challenge of writing about conspiracy theories without turning the song into a lecture, the personal experiences that inspired the lyrics, and the strange moment we're living through where truth, opinion, and entertainment increasingly overlap. We talk about everything from ancient mythology to modern media, the role attention plays in shaping public discourse, and why people often gravitate toward simple explanations when reality is It's a conversation about a song, but it's also a conversation about belief itself—how we form it, why we cling to it, and what happens when the search for certainty becomes more powerful than the pursuit of truth.Follow Overton:https://overtonnc.bandcamp.comhttps://www.instagram.com/overton.ncThanks for supporting B-Side Breakdown — where the song is just the start of the story.Brett JohnsonHost, B-Side Breakdownhttps://www.bsidebreakdown.com#BSideBreakdown #Overton #HighOnFaith #ShayneMiel #IndependentMusic #MusicPodcast #Songwriting #PunkRock #AlternativeRock #IndieMusic

Bobby counts down his Top 10 alternative rock songs of all-time and shares the stories, memories, and reasons behind every pick. From R.E.M. and Nirvana to Radiohead, Green Day, Weezer, Pearl Jam, and The Verve, he explains what made each song stand out and why that era of alternative music still hits so hard. Along the way, he talks about seeing the Red Hot Chili Peppers more than 10 times, meeting Weezer on American Idol, and the song he believes changed the music industry forever. Plus, he brings Eddie in to go over the list and get his thoughts! Watch The BobbyCast on Netflix! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCastSee omnystudio.com/listener for privacy information.

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Thirty years after Sublime's self-titled album became one of the most influential records of the 1990s, the band's story continues with a new generation at the helm. On this episode of Caught on the Mike, Mike sits down with Jakob Nowell for an honest conversation about family, legacy, music, and the unique experience of carrying one of rock's most recognizable names while forging his own artistic path. Jakob reflects on growing up surrounded by the legacy of his father, Bradley Nowell, his journey as a musician outside of Sublime, and the unexpected road that led him to joining Eric Wilson and Bud Gaugh in writing the next chapter of the band. The conversation explores the emotional process behind Sublime's first new album in nearly three decades, Until the Sun Explodes, and what it means to honor the past while creating something entirely new. The two also discuss the power of music to connect generations—a theme that resonates deeply as fans who grew up with Sublime now share those same songs with their children. From stories about Bradley's lasting influence to the future of Sublime, this is a thoughtful and personal conversation about music, family, grief, growth, and the enduring impact of songs that continue to bring people together. #CaughtOnTheMike #Sublime #JakobNowell #AlternativeRock #PunkRock #SkaPunk #Podcast

XTC's 1986 album Skylarking is widely regarded as one of the greatest albums of the decade, but its creation was anything but smooth.Author Alfredo Marziano joins me to discuss his book XTC: Skylarking – A Life in a Day: The Making of a Pop Classic. We explore the legendary creative clash between Andy Partridge and producer Todd Rundgren, the stories behind songs like "Dear God," "Grass," and "Earn Enough for Us," the album's controversial artwork, and how a record born from tension became a beloved masterpiece.Was Todd Rundgren the perfect producer for XTC? How did "Dear God" become one of the band's defining songs? And why does Skylarking continue to captivate listeners nearly 40 years after its release?Find out in this deep dive into one of rock's most celebrated albums.Purchase a copy of XTC: Skylarking. A Life in a Day: The Making of a Pop Classic (Milestones)Follow Alfredo Marziano on FacebookVisit the L.I.L.Y. Publishing website----------

For more than 20 years, Mayday Parade has been one of the defining bands of the pop-punk and emo scene. From packed clubs and Warped Tour parking lots to sold-out venues around the world, they've built a career that has stood the test of time while continuing to connect with new generations of fans. On this episode of Caught on the Mike, guitarist Brooks Betts joins me for a conversation about the band's incredible longevity, staying creative after two decades together, the evolution of the scene, life on the road, and the challenges and rewards of keeping Mayday Parade moving forward year after year. We also discuss the band's ambitious anniversary era, the collaborative songwriting process behind recent music, the return of Vans Warped Tour, and what it means to still be creating and performing at a high level twenty years into the journey.

In this episode of Seeing Them Live, Charles sits down with Ben Daughtry and Jonathan Palmer of Love Jones — the Louisville-born, LA-based band that has been crafting their unique blend of lounge, soul, pop, and sharp-witted storytelling for over three decades. The conversation kicks off with a shared love of live music, as both Ben and Jonathan trace their concert-going roots back to the same unlikely starting point: Van Halen. Ben recalls sneaking into a show at 14, way too young to be there, watching a then-unknown Van Halen open for Black Sabbath and feeling like "a bomb going off." Jonathan recounts his own Van Halen baptism at Freedom Hall in Louisville on the Women and Children First Invasion Tour — complete with $7.50 festival seating and his mother taking notes in the stands. From there, the episode becomes a wide-ranging tour through decades of live music obsession. The guys swap stories about Ted Nugent crowd surges, jumping on stage with GWAR in New Orleans, playing congas with Tool at an early Lollapalooza, and watching Rage Against the Machine move 60,000 people. Jonathan shares privileged industry moments — seeing The Rolling Stones at a 600-capacity room in New York alongside Daniel Craig, Rachel Weisz, and Questlove, and catching Nine-Inch Nails at The Troubadour when they felt "too big for the building." The conversation is fueled by genuine enthusiasm, with each story triggering another in a kind of joyful avalanche of rock and roll memory. The second half of the episode turns to the band's own story — from their residency at Largo on Fairfax, where David Bowie once sat quietly in a booth and Tool's crew became regulars, to their unexpected appearance on The Tonight Show with Jimmy Fallon celebrating the 25th anniversary of their debut album Here's to the Losers. Charles and the guys dig into the Cocktail Nation moment of the '90s, the making of their new album The Greatest Show on Earth — written during COVID jam sessions in a Louisville warehouse with crickets chirping and trains passing — and the cinematic, Gil Evans-influenced sound that ties its six expansive tracks together. The episode closes with the band expressing hope to get back on the road, a shout-out to their partnership with Whiskey Thief Distillery, and a tease of possible activity around the 30th anniversary of the film Swingers, on whose soundtrack Love Jones famously appeared. BANDS: Adele, B-52s, Beastie Boys, Big Bad Voodoo Daddy, Black Sabbath, Chicago, Combustible Edison, Devo, Earth Wind & Fire, Fishbone, Foo Fighters, GWAR, James Brown, Led Zeppelin, Love Jones, Metallica, Metric, Molly Hatchet, Morphine, Nine Inch Nails, Oasis, Rage Against the Machine, Red Hot Chili Peppers, Rolling Stones, Sea and Cake, Steely Dan, Supertramp, Ted Nugent, The Cars, The Cocktails, Tool, Tortoise, Van Halen, ZZ Top. VENUES:  Comiskey Park (Chicago), Freedom Hall (Louisville), Largo (Los Angeles), Largo on Fairfax (Los Angeles), Lollapalooza, Metro (Chicago), Racket (New York City), Rose Bowl (Pasadena), Soldier Field (Chicago), The Troubadour (Los Angeles). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Smashing Pumpkins' Jimmy Chamberlin discusses the band's next tour celebrating 'Mellon Collie,' reflects on that album and shares some details around a new song produced by Butch Vig.

Alternative Rock, Mashups, House, Top 40 -- just a good time! 

In Episode 268 of The Popko Project Podcast, I sit down with rising alt-rock band American Vanity to talk about their explosive growth on social media, the evolution from Burn the Jukebox into American Vanity, their upcoming album, touring life, music influences, and what it really takes to break through in today's music scene. The […]

In Loudwire's Cover Story interview, Keanu Reeves, Bret Domrose and Rob Mailhouse chat with Chuck Armstrong about Dogstar's career and new album, 'All In Now.'

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Don Pyle shares stories about working with legendary producer and engineer Steve Albini on a Shadowy Men on a Shadowy Planet album and explains why Albini stood apart from nearly everyone else in music. Known publicly for being blunt and sometimes difficult, Albini is remembered by Pyle as an intelligent, thoughtful, and genuinely good person — a rare blend of scientist and artist in the recording studio. This episode is a highlight from the full Booked On Rock interview with Don Pyle, author of Rough Description. Listen to the full episode and more at Booked On Rock.

Chapter 717 - "Taking Time To Build It" ...as read by Shane Prickett of Slow Degrade Today we welcome Slow Degrade frontman Shane Prickett to the podcast! Slow Degrade is a new heavy shoegaze band and they recently dropped their new single Lead Me Down! Shane talks about his musical journey with his brother, discovering shoegaze and the band finding their sound, his hopes for the future of the band, and more. https://slowdegrade.bigcartel.com/DiscordPatreonSubstack Email: asthestorygrows@gmail.com Chapter 717 Music: Slow Degrade - "Lead Me Down"

From sharing stages with The Rolling Stones, Muse, and The Cult to landing music across UFC, WWE, blockbuster films, and major video game franchises, Des Rocs has quietly built one of the most compelling stories in modern rock. But behind the explosive live performances, leather-clad swagger, and cinematic sound is a journey marked by setbacks, uncertainty, industry struggles, and a serious health scare that nearly changed everything. In this episode, Des Rocs opens up about the making of the upcoming album To Hell And Back and the years of pressure, frustration, and personal growth that shaped it. The conversation dives into recording the album live to capture its raw intensity, battling through a painful spinal condition during the process, and searching for something timeless in an era where authenticity can feel increasingly rare. We also discuss the changing landscape of rock music, building a loyal audience from the ground up, the impact of hearing his music featured by UFC and WWE, collaborating with Zayn, and why the spirit of rock ‘n' roll still matters now more than ever. At its core, this is a conversation about creative obsession, survival, and continuing to push forward when the odds say otherwise.

In this episode, Charles interviews filmmaker and vinyl enthusiast Steve Herold, best known for the award-winning short film Death of an Umbrella Salesman. Steve takes us back to the summer of 1984 and his first concert — the Thompson Twins on their Into the Gap tour at the Garden State Arts Center in New Jersey. He shares how the show almost didn't happen, thanks to a failed attempt to see Van Halen at Madison Square Garden, and how that near-miss planted the seed for a lifetime of concert-going. The real coming-of-age concert moment, Steve admits, came two years later when he finally saw David Lee Roth on his debut solo tour — a far wilder introduction to arena rock than the Thompson Twins had provided. Steve opens up about his most memorable concert experiences, including his best-ever shows: the New Jersey alternative band Dramarama at the legendary Fast Lane in Asbury Park in the early '90s. Those packed, sweat-soaked club nights — where getting to the bathroom was nearly impossible and crowd surfing was mandatory — turned Steve into a devoted fan and shaped his love of small-venue rock. He also recounts the 1996 Sex Pistols reunion at New York's Roseland Ballroom, an evening of full-on debauchery that ended with him and a friend finding a $50 bill on the floor — money that had fallen from the pockets of crowd surfers — and heading out to continue the night on someone else's dime. The image of punk-show attendees pouring out of Roseland and colliding with Broadway theatergoers on the sidewalk is one of the episode's most vivid moments. Beyond concerts, the conversation dives into Steve's YouTube channel, where he has spent years showcasing his vinyl and CD collection and visiting independent record stores during his travels for TV production work. He reflects on how the channel introduced him to a whole new community of fellow collectors — friendships that have taken him to record stores in Reno, Southern California, Long Island, and Charleston, South Carolina. Steve also discusses his filmmaking work, including the upcoming documentary about a former Hot Tuna drummer who is also a visual artist, and two music videos he directed for his friend's garage rock band Manflesh, one of which is set to screen at the Coney Island Film Festival. The episode wraps with a shared appreciation for the Wet Leg concert both Charles and Steve attended in 2025, and a laugh-out-loud detour into the chaotic legacy of G.G. Allin. BANDS: Agent Orange, David Lee Roth, Dramarama, Eagles, G.G. Allin & the Murder Junkies, Goldfinger, Hot Tuna, Jeff the Brotherhood, L7, Lady Gaga, Manflesh, Ram Jam, Sex Pistols, The Strokes, Thompson Twins, Van Halen, Wet Leg, Yeah Yeah Yeahs. VENUES:  Aragon Ballroom (Chicago), Chicago Stadium, Coney Island Film Festival, Exit (Chicago), Fast Lane (Asbury Park), Garden State Arts Center (New Jersey), Lounge Ax (Chicago), Madison Square Garden (New York), Maxwell's (Hoboken), Monster Music (Charleston), Roseland Ballroom (New York), Stone Pony (Asbury Park). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Mike Doughty is many things; a solo artist, founding bandmember of Soul Coughing and Ghost of Vroom, and a published writer – who not only wrote two memoirs but also an oratorio based on the biblical Book of Revelation that was staged at WNYC's Greene Space.  Simply put, Doughty has built a long-lasting career since his days of working as a doorman at the New York club, The Knitting Factory. On his way up, he embraced all aspects of the art of writing good songs, from welcoming “cowboy chords” when they come, to opening his mind up to the universe of avant-garde jazz – or even German grammar-inspired lyrics. Today, he is a storyteller who is honest with himself and transparent with his audience, composing and sharing new songs weekly with his patrons on Patreon while continuing to pour his heart out on the road, as he's about to do so on his Solo Tour '26, playing all over the United States. In the early days of this new adventure, Doughty joins our host, John Schaefer, with his collaborator, Andrew “Scrap” Livingston, for an intimate live performance and a warm chat for this edition of Soundcheck. (- Sırma Munyar) Setlist: 1. White Lexus 2. Mr. Bitterness 3. Light Will Keep Your Heart Beating in the Future

Alternative rock from the 90s-y2K-2000s

The studio is full with many lovers of music. Four of them have been tasked with drafting a brand new super group. One has been tasked with keeping the four in line and delivering grades and awards on their line ups.Dayton, John, Tim, and Eric are drafting the bands and Russ Robinson decides if we succeeded in our task. The perfect festival show is hopefully coming soon.Find Russ herehttps://jaxfuneatsdrinks.com/Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcasthttps://dockingbay77pod.buzzsprout.com

On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

For more than two decades, Story of the Year have remained one of the most influential bands in post-hardcore and emo. From the massive success of Page Avenue and the breakout anthem Until the Day I Die, to a catalog that's continued to evolve with every release, the band has built a legacy that still resonates with fans around the world. On this episode of Caught on the Mike, I'm joined by drummer Josh Wills for a conversation about the band's 20+ year journey, the pressure that followed their early success, and how they've continued to evolve their sound while staying true to what fans connected with in the first place. We also talk about the renewed momentum the band experienced with Tear Me to Pieces, how a new generation of fans began discovering the band through that record cycle, and the creative process behind their newest album A.R.S.O.N.. Josh shares insight into the songwriting process, recording with producer Colin Brittain, and how the band continues to balance family, creativity, and life on the road after more than 20 years together. It's a conversation about longevity, reinvention, and the passion that keeps Story of the Year pushing forward.