Podcasts about Alternative rock

Der Song der US-amerikanischen Band „Smashing Pumpkins“, was so viel wie zerschmetternde Kürbisse heißt, erschien im Jahr 1995 auf dem Album „Melon Collie and the Infinite Sadness“. Sänger Billy Corgan verarbeitet in der Grammy-prämierten Hymne des Alternative Rock die Fremdbestimmg im Musikbusiness. Mit der prägenden Textzeile über das Dasein als „Ratte im Käfig“ fängt der Song das Gefühl einer ganzen Generation ein und ist ein zeitloser Meilenstein der 90er-Jahre.

Tampa Bay, FL — Rock Raymond Productions has officially launched W AI‑1 Music Radio**, the world's first all‑AI Top 40 radio format, delivering a groundbreaking listening experience where every artist, every voice, and every hit is created by artificial intelligence. With four episodes of AI Top40 Music Radio* already published and distributed worldwide, W AI‑1 is redefining what a modern radio station can be — while honoring the golden era of broadcasting. In the 1960s, radio was fearless,” said founder and creative director Ray Shasho. “Stations played everything — rock, soul, pop, country, jazz — all on one dial. We're bringing that spirit back, but with a futuristic twist. W AI‑1 is the new home for every genre, every style, every sound… all created by AI artists, a revolution in Music Discovery.W AI‑1 Music Radio features: - A weekly AI Top 40 countdown. - Breakout tracks from emerging AI artists across all genres. - Spotlight features on virtual performers like Kylie Willow, Led Balloon, and Chase Vance. - Retro‑futuristic imaging and station branding inspired by classic Top 40 radio. - A format that blends nostalgia with next‑generation creativity. A New Era of Radio Begins:W AI‑1 is more than a station — it's a cultural shift. A platform for AI musicians. A showcase for Suno creators. A broadcast home for the future of sound.The revolution has begun, the dial has changed, and the future is broadcasting now.“AI music isn't a novelty,” Shasho added. “It's a movement. And W AI‑1 is the station that gives that movement a voice.”“W AI‑1 is where nostalgia meets the future,” said founder **Ray Shasho**. “It's the sound of tomorrow delivered with the heart of yesterday.”QUOTE FROM YOUR AI CO‑HOST (Signal Sage): W AI‑1 isn't just a station — it's a universe. Every beat, every hook, every harmony is born from pure imagination. We're not predicting the future of music… we're broadcasting it.”  …Signal Sage, AI Co‑Host of W AI‑1 Music RadioW AI‑1 Music Radio is now streaming globally on all major podcast and radio platforms. W AI‑1 Music Radio — Artist Submission PortalWhere AI Artists Become Hitmakers.W AI‑1 Music Radio is the world's first all‑AI Top 40 station, broadcasting every genre on one dial — just like the fearless radio giants of the 1960s. If you're an AI music creator, Suno producer, or virtual artist visionary, this is your home on the airwaves.We're looking for original AI‑generated tracks across all styles: Pop • Rock • Metal • Country • EDM • Soul • Jazz • Hip‑Hop • Latin • Alternative • Experimental • Retro • CinematicIf it moves people, surprises people, or sounds like it belongs on a countdown — we want to hear it.What We Offer:- Airplay on the world's first AI Top 40 format - Spotlight features for standout creators - Potential inclusion in our weekly **AI Top 40 Countdown** - A growing global audience hungry for the future of music  What We're Looking For:- Fully AI‑generated songs (vocals + music) - High‑quality mixes - Original concepts, characters, and sonic identities - Tracks that push boundaries or feel like instant hits  Join the Movement:Submit your best work and become part of the broadcast revolution. W AI‑1 isn't just a station — it's the launchpad for the next generation of artists.The future has a frequency, and it might be yours.Press Contact:Rock Raymond Productions Inc. rockraymondproductions@gmail.com https://www.rockraymondproductionsinc.com/Rock Raymond Productions Official websitehttps://www.publicityrocks.press/Hype Mechanics Official Websitehttps://www.thelibertycodebook.com/The Liberty Code Official Websitehttps://www.kyliewillowofficialsite.com/Kylie Willow Official WebsiteSupport us on PayPal!

On this week's show, we spend quality time with new records by Low Cut Connie & River Shook, spin fresh tracks from Billy Strings, U2 & Phoebe Bridgers, and celebrate 25 years of The White Stripes' White Blood Cells. All this & much, much less!Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

What really happened during the making of Nirvana's 'In Utero'?Author Robert Boyd joins Booked On Rock to explore the creation of Nirvana's groundbreaking third and final studio album, separating fact from fiction while uncovering the stories behind one of rock's most influential records.We discuss Kurt Cobain's decision to work with Steve Albini, Geffen Records' reaction to the original mixes, the truth behind the "fixed" album myth, the meanings behind songs like "Heart-Shaped Box," "Pennyroyal Tea," "Rape Me," "Radio Friendly Unit Shifter," "Tourette's," and "All Apologies," the In Utero tour, MTV Unplugged, and the band's final months. Robert also shares insights from his book Last Stand: In Utero and the Final Days of Nirvana, offering a thoughtful look at the album's enduring legacy more than 30 years later.Purchase a copy of Last Stand: In Utero and the Final Days of NirvanaFollow Robert Boyd on Instagram----------

That's 30 years ago by the way. Do you agree with this list?

"Why do you keep going to the well hoping that you're going to find MCR-flavored water there? There's nothing there, man. MCR is not going to create anything they don't have to." Brian and Lizzie tackle the chaotic realities of the summer touring season. The conversation kicks off with a roasting of the intense heat waves plaguing European festivals, which quickly segues into a deep dive on the viral Pinkpop Festival drama. The hosts dissect the hilarious clash between fans of pop princess Zara Larsson and the heavy-hitting German metalcore outfit Electric Callboy and the bizarrely foul hygiene habits of some modern festival-goers. Switching gears from live show chaos to recorded music, the duo breaks down the internet's collective, desperate hope for a fifth My Chemical Romance album. Evaluating the band's recent move to reopen their classic forums, Lizzie shares the community's frustration with cash-grabs, while Brian drops a harsh truth bomb: with four legendary albums already carrying their legacy, MCR has absolutely no obligation to release new music. To wrap up the episode, the hosts take a nostalgic trip down memory lane to critique the legacy of Pop Goes Punk style tracks, weighing whether modern TikTok covers hold a candle to the scene-defining execution of classic alternative covers. JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A double set Tea Dance:  a Genre bending tea Dance1) 70s/80s/90s alternative club, rock, dance------  transition ------2) 80s freestyle club, disco, alternative club|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| fly like an eagle - steve miller band (remixed) hippy chick - soho follow me - uncle kracker connected - stereo mc's step on - happy mondays you oughta know - alanis morrisette safety dance - men without hats cruel summer - bananarama self control - laura brannigan i'm not perfect, but i'm perfect for you - grace jones notorious - duran duran the gap - thompson twins human behaviour -  Björk trans euro express - kraftwerk moving in stereo - the cars generations of love - boy george feels like heaven - fiction factory calling all boys - the flirts haunted house - alien sex fiend when you gonna - rick a and lisa wham rap! (enjoy what you do) - wham wont you dance with me - tia harris dont take your love away - lydia lee love jack your body - steve "silk" hurley divine mini maxi mix - native love - walk like a man - shake it up computer blues - prince and the revolution (extended mix) evil woman - cliff richards  sunset people - donna summer satisfaction - stones  mash mix abba mini mash - voulez-vous - lay all your love on me - gimme gimme gimme  tour de france -  kraftwerk 'Marcia Baila' - Les Rita Mitsouko (Extended English Version) funky town - lipps inc track list added 7.7

Making a Scene Presents Gerry Casey's Interview with Trace Foster of Close Enemies Close Enemies is a rock band built on contrast: raw emotion and polished intensity, grit and melody, chaos and calm. Their sound blends hard-hitting guitar riffs, driving rhythms, atmospheric textures, and haunting vocals into music that feels both familiar and fresh. Rooted in the spirit of classic rock but shaped with a modern edge, Close Enemies creates songs that hit with power while still leaving room for mood, depth, and emotional weight. http://www.makingascene.org

Another Summer Day is an alternative rock music podcast. Most music is from the 1990s and early 2000s. Please check this out and enjoy. Artist names and song titles are in the order they were played... LINKIN PARK-SOMEWHERE (2003), PARAMORE-DECODE (2008), MY CHEMICAL ROMANCE-I DON'T LOVE YOU (2006), SIMPLE PLAN-WELCOME TO MY LIFE (2004), T.A.T.U.-ALL THE THINGS SHE SAID (2002), JOAN OSBORNE-ONE OF US (1995), NIRVANA-YOU KNOW YOU'RE RIGHT (2002), RED HOT CHILI PEPPERS-DANI CALIFORNIA (2006), GREEN DAY-WAKE ME UP WHEN SEPTEMBER ENDS (2004), THE RASMUS-IN THE SHADOWS (2003), NIRVANA-RAPE ME (1993), NIRVANA-SMELLS LIKE TEEN SPIRIT (1991), BON JOVI-IT'S MY LIFE (2000), THE STROKES-YOU ONLY LIVE ONCE (2005), R.E.M.-LOSING MY RELIGION (2007), THE SMASHING PUMPKINS-1979 (1995), FOSTER THE PEOPLE-PUMPED UP KICKS (2010), BLUR-SONG 2 (1997), LINKIN PARK-BLEED IT OUT (2007), THE STROKES-JUICEBOX (2005), BLINK 182-WHAT'S MY AGE AGAIN (1999), BLONDIE-MARIA (1999),  THE CURE-BOY'S DON'T CRY (1979), GREEN DAY-BASKET CASE (1994), GREEN DAY-AMERICAN IDIOT (2004), BLINK 182-FIRST DATE (2001), MY CHEMICAL ROMANCE-WELCOME TO MY BLACK PARADE (2006), LINKIN PARK-GIVEN UP (2007). End. Thanks for listening to Ken Steele Music.

Wie entsteht heute ein moderner Alternative-Rock-Song – wenn eine Band nahezu alles selbst übernimmt?In der neuen Studiosofa-Folge sind Dunja & Marc Buhr zu Gast. Gemeinsam sprechen wir über ihren Weg vom Bedroom-Pop-Projekt zur Alternative-Rock-Band LYNNE und zeigen den kompletten Entstehungsprozess ihrer Musik – von der ersten Songidee über Recording, Mixing und Mastering bis hin zu Artwork, Marketing und Release.Besonders spannend: Wir öffnen die DAW und gehen gemeinsam durch zwei ihrer Songs. Ihr hört, wie sich „Every Summer“ entwickelt hat – ursprünglich mit einem Chorus, der heute als Verse dient – und erfahrt, welche kreativen Entscheidungen den Song zu seiner finalen Version gemacht haben.Außerdem gibt es eine exklusive Hörprobe von „UTOPIA“ – der neuen Single, die erst einen Tag später, am Freitag, veröffentlicht wird. Noch vor dem offiziellen Release sprechen wir über die Entstehung des Songs und hören gemeinsam in die Produktion hinein.Freut euch auf eine Folge voller Einblicke in modernes DIY-Producing, Songwriting, Recording, Mixing und Selbstvermarktung – und darauf, wie aus einer ersten Idee ein veröffentlichter Alternative-Rock-Song wird.Gear Corner: Rupert Neve Designs OptoFET: https://tidd.ly/3QH9OSRUniversal Audio OX Amp Top Box Gitarrenbox: https://tidd.ly/4vxPToNMicrotech Gefell M 930: https://tidd.ly/4eNyjpFAudio-Technica AT4033a: https://tidd.ly/4fZYKuuAudio-Technica AT4040: https://tidd.ly/4oMwDBfUniversal Audio Apollo x8 Gen2: https://tidd.ly/4esfFomKemper Profiler PowerHead: https://tidd.ly/4uWOSW2Fender Hot Rod Deluxe 112 Cabinet LTW Laquered Tweed: https://tidd.ly/4agLEp1Fame URM-1000 Modeling Multi Effect: https://tidd.ly/4oIy3MYSound&Recording-Magazin | Studiosofa PodcastWebsite: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠Webinare: ⁠⁠⁠soundandrecording-magazin.de⁠⁠⁠/webinareCoachings: soundandrecording-magazin.de⁠⁠⁠⁠⁠/coachingsWhatsApp-Gruppe: ⁠⁠⁠soundandrecording-magazin.de/whatsapp⁠⁠⁠Instagram: ⁠⁠⁠@soundandrecording.magazin⁠⁠⁠YouTube: ⁠⁠⁠@StudiosofaPodcast⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠@soundandrecording.mag⁠⁠⁠

Existiert ein Song eigentlich noch, wenn ihn niemand mehr hören kann?Mit genau dieser Frage beginnt eine der überraschend philosophischsten TuneFish-Folgen der letzten Zeit – und bevor wir überhaupt bei Abramowicz angekommen sind, landen wir zusammen mit unserem Gast Sören Warkentin, dem Sänger der Band ABRAMOWICZ, bereits bei Jürgen Habermas, Kirk Hammett, verlorenen Songideen, KI-gestützten Kompositionshilfen und der Frage, wo Musik eigentlich entsteht: auf Festplatten, in Notizbüchern oder vielleicht doch zuerst im Kopf.Dann sprechen wir intensiv über ABRAMOWICZ.Gemeinsam mit Sören tauchen wir tief ein in die Geschichte einer Hamburger Band, die sich weniger wie ein Karriereplan und mehr wie eine Aneinanderreihung glücklicher Zufälle anhört.Da wird ein Bruder zum Schlagzeuger, obwohl er noch gar nicht Schlagzeug spielen kann. Bandmitglieder werden in Kneipen, Clubs und WG-Küchen entdeckt. Ein Bandname wird von Freunden ausgeliehen und nie wieder zurückgegeben. Und aus Garage-Punk entsteht über viele Jahre hinweg eine Band, die heute irgendwo zwischen Heartland Rock, Punkrock, Americana, großen Melodien und ganz viel eigener Handschrift angekommen ist.Wir sprechen über die Entstehung des neuen Albums Joy Of Missing Out, über sieben Jahre zwischen zwei Veröffentlichungen, über selbstgebaute Studios im Bunker, demokratische Bandprozesse mit sechs Musikern und einem Produzenten, über das kreative Chaos von sieben Meinungen gleichzeitig und über die Freiheit, Songs so lange wachsen zu lassen, bis sie wirklich fertig sind.Natürlich geht es auch um Instrumente. Um Saxophone. Um Orgeln. Um die Frage, ob ein einzelnes Instrument die Seele eines Songs verändern kann. Um Live-Versionen, Studioversionen und darüber, warum manche Songs auf der Bühne plötzlich wieder völlig neue Wesen werden.Außerdem reden wir über Bruce Springsteen, The Gaslight Anthem, Heartland Rock, die Hamburger Musikszene, kreative Weiterentwicklung, Krieg, Zukunftsängste, die Freude am Verpassen, die Angst etwas zu verpassen und darüber, warum „Joy Of Missing Out“ vielleicht viel mehr ist als nur ein Albumtitel.Und als wäre das nicht schon genug Musiknerd-Material, werfen wir zwischendurch auch noch einen Blick auf unsere aktuellen Hausaufgaben-Alben von ECCA VANDAL und THE PRESTIGE und stellen fest, dass erstaunlich viele Bands gerade nach sieben, acht, neun oder sogar elf Jahren Pause mit neuer Musik zurückkehren.Eine Folge über Abramowicz.Eine Folge über Musik und über Freundschaft, Ideen, Zeit, Veränderung und die seltsame Tatsache, dass manche Songs vielleicht selbst dann noch existieren, wenn längst niemand mehr auf Play drücken kann.Viel Spaß mit Abramowicz......RUBRIK: Die HausaufgabeLars und Markus schlagen sich gegenseitig ein Album vor, das dann subjektiv auseinandergenommen wird.Wir vergeben Punkte zwischen 1 (mies) und 10 (genial). Es gibt immer jede Menge Gesprächsstoff!Ihr könnt jederzeit mitvoten. Jedes besprochene Album führen wir hier https://www.tunefish-podcast.de/hausaufgabe/ mit Wertung auf. Ihr könnt Eure Punktzahl als Mail an tunefish@derherrgott.de, über das Formular auf der Seite oder via Social Media schicken.>>> EUER SENF DAZU:Unser Podcast lebt immer auch von Eurem Input, daher scheut Euch bitte nicht zu kommentieren, zu kritisieren oder gerne auch zu loben. Sei es als Text oder Sprachnachricht. Wir senden unglaublich gerne Eure Meinungen. Alle Kontaktmöglichkeiten, Shownotes und Infos zu unseren Gästen (und natürlich auch alle Episoden selbst) findet Ihr auf unserer Website: https://www.tunefish-podcast.de/>>> EUER SUPPORT:Da wir den Podcast dauerhaft werbefrei halten wollen, Euch aber gleichzeitig mehr Musik im Podcast bieten wollen, haben wir uns auf Anregung einer Hörerin überlegt, wie Ihr – die Hörenden – uns hier vielleicht etwas unterstützen könntet. Wählt selbst:• Patreon• PayPal• BitcoinAlle Support-Infos:https://www.tunefish-podcast.de/support/Unsere begleitende Spotify Playlist zur Episode 50:>> xxx Hier könnt Ihr die von uns in dieser Episode erwähnten Künstler, Songs oder Alben nachhören, die wir in den einzelnen Episoden besprechen:Wenn Euch gefällt, was wir tun ...... helft Ihr uns unglaublich damit, wenn Ihr uns eine positive Bewertung gebt, wo auch immer Ihr uns hört.5 Sterne, Abos und Likes bei den einzelnen Folgen sind unser schönster Applaus. Stay tunefished, Lars & Markus .....RSS-Feed zum Podcast:https://letscast.fm/podcasts/tunefish-862dcd8d/feed.....Schreibt uns eine Mail oder kommentiert auf unserer nagelneuen Website:https://www.tunefish-podcast.de/TuneFish aufInstagramBlueskyFacebookMastodon

What happens when conspiracy theories stop being fringe entertainment and start influencing the way people understand the world?In Episode 53 of B-Side Breakdown, Shayne Miel of Overton breaks down "High On Faith," a darkly humorous and surprisingly thoughtful song inspired by misinformation, conspiracy culture, and humanity's need to explain the unknown. What began with a single lyric evolved into a broader exploration of belief, uncertainty, and the stories people create to make sense of a complicated world.During our conversation, Shayne discusses the challenge of writing about conspiracy theories without turning the song into a lecture, the personal experiences that inspired the lyrics, and the strange moment we're living through where truth, opinion, and entertainment increasingly overlap. We talk about everything from ancient mythology to modern media, the role attention plays in shaping public discourse, and why people often gravitate toward simple explanations when reality is It's a conversation about a song, but it's also a conversation about belief itself—how we form it, why we cling to it, and what happens when the search for certainty becomes more powerful than the pursuit of truth.Follow Overton:https://overtonnc.bandcamp.comhttps://www.instagram.com/overton.ncThanks for supporting B-Side Breakdown — where the song is just the start of the story.Brett JohnsonHost, B-Side Breakdownhttps://www.bsidebreakdown.com#BSideBreakdown #Overton #HighOnFaith #ShayneMiel #IndependentMusic #MusicPodcast #Songwriting #PunkRock #AlternativeRock #IndieMusic

Bobby counts down his Top 10 alternative rock songs of all-time and shares the stories, memories, and reasons behind every pick. From R.E.M. and Nirvana to Radiohead, Green Day, Weezer, Pearl Jam, and The Verve, he explains what made each song stand out and why that era of alternative music still hits so hard. Along the way, he talks about seeing the Red Hot Chili Peppers more than 10 times, meeting Weezer on American Idol, and the song he believes changed the music industry forever. Plus, he brings Eddie in to go over the list and get his thoughts! Watch The BobbyCast on Netflix! Follow on Instagram: @TheBobbyCast Follow on TikTok: @TheBobbyCastSee omnystudio.com/listener for privacy information.

On this week's show, we celebrate Pride Month and Juneteenth loudly and proudly, spend quality time with new records from Kurt Vile, Elephant Gerald, and Bruce Springsteen, and spin fresh tracks from Jack White, The Last Dinner Party, and Cigarettes After Sex. All this & much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

American rock titans Shinedown and British alternative legends Bush are uniting for a massive co-headline tour across Australia and New Zealand in September 2026. Promoted by Destroy All Lines, this blockbuster arena run bridges two distinct eras of heavy guitar music. The highly anticipated roadshow represents Shinedown's monumental return down under for the first time in over 15 years. Simultaneously, it marks Bush's first full-scale headline run of the region in nearly three decades.Shinedown brings a precise, high-octane live production to the stage, fueled by a record-breaking 24 number-one rock hits and more than 8.3 billion global streams. Local audiences can expect a dense, anthemic setlist packed with their definitive mainstream radio hits like Second Chance, Sound of Madness, and Monsters. The Florida-based rockers are also using this international trek to showcase brand-new material from their eighth studio album, EI8HT, which launched recently with widespread critical acclaim.Complementing Shinedown's arena-ready energy is the raw post-grunge power of Bush, anchored by the iconic charisma of frontman Gavin Rossdale. With over three decades of global success and a billion streams, the London-born outfit remains an essential fixture of modern alternative rock. Their performance will highlight definitive mid-90s hits from their seminal, multi-platinum debut record Sixteen Stone, treating fans to live renditions of Glycerine, Comedown, and Machinehead. Additionally, Bush will perform tracks from their tenth studio album, I Beat Loneliness, demonstrating their continuing creative evolution.HEAVY sat down with Shinedown frontman Brent Smith to get his thoughts on the tour. It's been 16 years since Shinedown last toured this country, so we ask Brent what has changed with the band over that period."Just the trajectory of the band," he measured. "The albums. Life. Experience… The thing that I never take for granted is that I can look back and say to myself, I feel very, very fortunate that from the moment I could have a conscious thought… what I wanted to do with my life, I'm doing. And to still be 25 years into being in this band… You don't ever want to have this big, meteoric rise. I don't know the way I should say this, but I can only say it in the most authentic way possible. Experience is something that you need in this industry. Sometimes, when you get a big jump, there can be a heavy fall. It's a very difficult industry to navigate, the music business and however you want to look at it. But the reality is it all comes down to the audience and the artist. I've said this before, and I mean it. In Shinedown, we only have one boss. It's just everybody in the audience. And Shinedown is also everyone's band."In the full interview, Brent makes apologies for taking so long to get back to Australia, promising the band will more than make up for lost time. He spoke about the evolution of Shinedown over their musical journey and the importance of staying grounded, no matter what else is happening.He recounted how the initial discussion to pair Shinedown and Bush on tour came about, expressing his respect and love for their touring partners and how their music will compliment the other. Brent talked about Shinedown's recent album Ei8ht and its reception, highlighting the positive reaction by fans and critics alike, plus more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.

Thirty years after Sublime's self-titled album became one of the most influential records of the 1990s, the band's story continues with a new generation at the helm. On this episode of Caught on the Mike, Mike sits down with Jakob Nowell for an honest conversation about family, legacy, music, and the unique experience of carrying one of rock's most recognizable names while forging his own artistic path. Jakob reflects on growing up surrounded by the legacy of his father, Bradley Nowell, his journey as a musician outside of Sublime, and the unexpected road that led him to joining Eric Wilson and Bud Gaugh in writing the next chapter of the band. The conversation explores the emotional process behind Sublime's first new album in nearly three decades, Until the Sun Explodes, and what it means to honor the past while creating something entirely new. The two also discuss the power of music to connect generations—a theme that resonates deeply as fans who grew up with Sublime now share those same songs with their children. From stories about Bradley's lasting influence to the future of Sublime, this is a thoughtful and personal conversation about music, family, grief, growth, and the enduring impact of songs that continue to bring people together. #CaughtOnTheMike #Sublime #JakobNowell #AlternativeRock #PunkRock #SkaPunk #Podcast

XTC's 1986 album Skylarking is widely regarded as one of the greatest albums of the decade, but its creation was anything but smooth.Author Alfredo Marziano joins me to discuss his book XTC: Skylarking – A Life in a Day: The Making of a Pop Classic. We explore the legendary creative clash between Andy Partridge and producer Todd Rundgren, the stories behind songs like "Dear God," "Grass," and "Earn Enough for Us," the album's controversial artwork, and how a record born from tension became a beloved masterpiece.Was Todd Rundgren the perfect producer for XTC? How did "Dear God" become one of the band's defining songs? And why does Skylarking continue to captivate listeners nearly 40 years after its release?Find out in this deep dive into one of rock's most celebrated albums.Purchase a copy of XTC: Skylarking. A Life in a Day: The Making of a Pop Classic (Milestones)Follow Alfredo Marziano on FacebookVisit the L.I.L.Y. Publishing website----------

For more than 20 years, Mayday Parade has been one of the defining bands of the pop-punk and emo scene. From packed clubs and Warped Tour parking lots to sold-out venues around the world, they've built a career that has stood the test of time while continuing to connect with new generations of fans. On this episode of Caught on the Mike, guitarist Brooks Betts joins me for a conversation about the band's incredible longevity, staying creative after two decades together, the evolution of the scene, life on the road, and the challenges and rewards of keeping Mayday Parade moving forward year after year. We also discuss the band's ambitious anniversary era, the collaborative songwriting process behind recent music, the return of Vans Warped Tour, and what it means to still be creating and performing at a high level twenty years into the journey.

In this episode of Seeing Them Live, Charles sits down with Ben Daughtry and Jonathan Palmer of Love Jones — the Louisville-born, LA-based band that has been crafting their unique blend of lounge, soul, pop, and sharp-witted storytelling for over three decades. The conversation kicks off with a shared love of live music, as both Ben and Jonathan trace their concert-going roots back to the same unlikely starting point: Van Halen. Ben recalls sneaking into a show at 14, way too young to be there, watching a then-unknown Van Halen open for Black Sabbath and feeling like "a bomb going off." Jonathan recounts his own Van Halen baptism at Freedom Hall in Louisville on the Women and Children First Invasion Tour — complete with $7.50 festival seating and his mother taking notes in the stands. From there, the episode becomes a wide-ranging tour through decades of live music obsession. The guys swap stories about Ted Nugent crowd surges, jumping on stage with GWAR in New Orleans, playing congas with Tool at an early Lollapalooza, and watching Rage Against the Machine move 60,000 people. Jonathan shares privileged industry moments — seeing The Rolling Stones at a 600-capacity room in New York alongside Daniel Craig, Rachel Weisz, and Questlove, and catching Nine-Inch Nails at The Troubadour when they felt "too big for the building." The conversation is fueled by genuine enthusiasm, with each story triggering another in a kind of joyful avalanche of rock and roll memory. The second half of the episode turns to the band's own story — from their residency at Largo on Fairfax, where David Bowie once sat quietly in a booth and Tool's crew became regulars, to their unexpected appearance on The Tonight Show with Jimmy Fallon celebrating the 25th anniversary of their debut album Here's to the Losers. Charles and the guys dig into the Cocktail Nation moment of the '90s, the making of their new album The Greatest Show on Earth — written during COVID jam sessions in a Louisville warehouse with crickets chirping and trains passing — and the cinematic, Gil Evans-influenced sound that ties its six expansive tracks together. The episode closes with the band expressing hope to get back on the road, a shout-out to their partnership with Whiskey Thief Distillery, and a tease of possible activity around the 30th anniversary of the film Swingers, on whose soundtrack Love Jones famously appeared. BANDS: Adele, B-52s, Beastie Boys, Big Bad Voodoo Daddy, Black Sabbath, Chicago, Combustible Edison, Devo, Earth Wind & Fire, Fishbone, Foo Fighters, GWAR, James Brown, Led Zeppelin, Love Jones, Metallica, Metric, Molly Hatchet, Morphine, Nine Inch Nails, Oasis, Rage Against the Machine, Red Hot Chili Peppers, Rolling Stones, Sea and Cake, Steely Dan, Supertramp, Ted Nugent, The Cars, The Cocktails, Tool, Tortoise, Van Halen, ZZ Top. VENUES:  Comiskey Park (Chicago), Freedom Hall (Louisville), Largo (Los Angeles), Largo on Fairfax (Los Angeles), Lollapalooza, Metro (Chicago), Racket (New York City), Rose Bowl (Pasadena), Soldier Field (Chicago), The Troubadour (Los Angeles). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

Smashing Pumpkins' Jimmy Chamberlin discusses the band's next tour celebrating 'Mellon Collie,' reflects on that album and shares some details around a new song produced by Butch Vig.

Alternative Rock, Mashups, House, Top 40 -- just a good time! 

In Episode 268 of The Popko Project Podcast, I sit down with rising alt-rock band American Vanity to talk about their explosive growth on social media, the evolution from Burn the Jukebox into American Vanity, their upcoming album, touring life, music influences, and what it really takes to break through in today's music scene. The […]

In Loudwire's Cover Story interview, Keanu Reeves, Bret Domrose and Rob Mailhouse chat with Chuck Armstrong about Dogstar's career and new album, 'All In Now.'

On this week's show, we spend quality time with new records by Social Distortion and Kacey Musgraves, spin fresh tracks from The Waterboys, The Rolling Stones and Caroline Rose, and celebrate 50 years of one of the greatest protest songs of all time. All this and much, much less! Debts No Honest Man Can Pay is a curated collection of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Don Pyle shares stories about working with legendary producer and engineer Steve Albini on a Shadowy Men on a Shadowy Planet album and explains why Albini stood apart from nearly everyone else in music. Known publicly for being blunt and sometimes difficult, Albini is remembered by Pyle as an intelligent, thoughtful, and genuinely good person — a rare blend of scientist and artist in the recording studio. This episode is a highlight from the full Booked On Rock interview with Don Pyle, author of Rough Description. Listen to the full episode and more at Booked On Rock.

Chapter 717 - "Taking Time To Build It" ...as read by Shane Prickett of Slow Degrade Today we welcome Slow Degrade frontman Shane Prickett to the podcast! Slow Degrade is a new heavy shoegaze band and they recently dropped their new single Lead Me Down! Shane talks about his musical journey with his brother, discovering shoegaze and the band finding their sound, his hopes for the future of the band, and more. https://slowdegrade.bigcartel.com/DiscordPatreonSubstack Email: asthestorygrows@gmail.com Chapter 717 Music: Slow Degrade - "Lead Me Down"

From sharing stages with The Rolling Stones, Muse, and The Cult to landing music across UFC, WWE, blockbuster films, and major video game franchises, Des Rocs has quietly built one of the most compelling stories in modern rock. But behind the explosive live performances, leather-clad swagger, and cinematic sound is a journey marked by setbacks, uncertainty, industry struggles, and a serious health scare that nearly changed everything. In this episode, Des Rocs opens up about the making of the upcoming album To Hell And Back and the years of pressure, frustration, and personal growth that shaped it. The conversation dives into recording the album live to capture its raw intensity, battling through a painful spinal condition during the process, and searching for something timeless in an era where authenticity can feel increasingly rare. We also discuss the changing landscape of rock music, building a loyal audience from the ground up, the impact of hearing his music featured by UFC and WWE, collaborating with Zayn, and why the spirit of rock ‘n' roll still matters now more than ever. At its core, this is a conversation about creative obsession, survival, and continuing to push forward when the odds say otherwise.

Danny has a theory. Was 1991 actually the greatest year in music history? Mike's not convinced. So the two pseudo-scientists did what any reasonable person would do: built a scoring system, applied it to the evidence, and let the results speak for themselves. Nirvana, Pearl Jam, U2, Red Hot Chili Peppers. 1991 had everything. But does having everything actually make it the best? It's closer than you'd think.Send us Fan MailSupport the show

In this episode, Charles interviews filmmaker and vinyl enthusiast Steve Herold, best known for the award-winning short film Death of an Umbrella Salesman. Steve takes us back to the summer of 1984 and his first concert — the Thompson Twins on their Into the Gap tour at the Garden State Arts Center in New Jersey. He shares how the show almost didn't happen, thanks to a failed attempt to see Van Halen at Madison Square Garden, and how that near-miss planted the seed for a lifetime of concert-going. The real coming-of-age concert moment, Steve admits, came two years later when he finally saw David Lee Roth on his debut solo tour — a far wilder introduction to arena rock than the Thompson Twins had provided. Steve opens up about his most memorable concert experiences, including his best-ever shows: the New Jersey alternative band Dramarama at the legendary Fast Lane in Asbury Park in the early '90s. Those packed, sweat-soaked club nights — where getting to the bathroom was nearly impossible and crowd surfing was mandatory — turned Steve into a devoted fan and shaped his love of small-venue rock. He also recounts the 1996 Sex Pistols reunion at New York's Roseland Ballroom, an evening of full-on debauchery that ended with him and a friend finding a $50 bill on the floor — money that had fallen from the pockets of crowd surfers — and heading out to continue the night on someone else's dime. The image of punk-show attendees pouring out of Roseland and colliding with Broadway theatergoers on the sidewalk is one of the episode's most vivid moments. Beyond concerts, the conversation dives into Steve's YouTube channel, where he has spent years showcasing his vinyl and CD collection and visiting independent record stores during his travels for TV production work. He reflects on how the channel introduced him to a whole new community of fellow collectors — friendships that have taken him to record stores in Reno, Southern California, Long Island, and Charleston, South Carolina. Steve also discusses his filmmaking work, including the upcoming documentary about a former Hot Tuna drummer who is also a visual artist, and two music videos he directed for his friend's garage rock band Manflesh, one of which is set to screen at the Coney Island Film Festival. The episode wraps with a shared appreciation for the Wet Leg concert both Charles and Steve attended in 2025, and a laugh-out-loud detour into the chaotic legacy of G.G. Allin. BANDS: Agent Orange, David Lee Roth, Dramarama, Eagles, G.G. Allin & the Murder Junkies, Goldfinger, Hot Tuna, Jeff the Brotherhood, L7, Lady Gaga, Manflesh, Ram Jam, Sex Pistols, The Strokes, Thompson Twins, Van Halen, Wet Leg, Yeah Yeah Yeahs. VENUES:  Aragon Ballroom (Chicago), Chicago Stadium, Coney Island Film Festival, Exit (Chicago), Fast Lane (Asbury Park), Garden State Arts Center (New Jersey), Lounge Ax (Chicago), Madison Square Garden (New York), Maxwell's (Hoboken), Monster Music (Charleston), Roseland Ballroom (New York), Stone Pony (Asbury Park). PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE - BECOME A GUEST:https://seeingthemlive.com/Visit the Seeing Them Live website and click on the link to fill out a form so we can consider you as a guest on the show.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

On this week's show, we spend quality time with superlative new records by Parlor Greens and Robyn, spin fresh tracks from Massive Attack with Tom Waits, S.G. Goodman and Angine de Poitrine, and commemorate the 50th anniversary of The Ramones' iconic self-titled debut. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Mike Doughty is many things; a solo artist, founding bandmember of Soul Coughing and Ghost of Vroom, and a published writer – who not only wrote two memoirs but also an oratorio based on the biblical Book of Revelation that was staged at WNYC's Greene Space.  Simply put, Doughty has built a long-lasting career since his days of working as a doorman at the New York club, The Knitting Factory. On his way up, he embraced all aspects of the art of writing good songs, from welcoming “cowboy chords” when they come, to opening his mind up to the universe of avant-garde jazz – or even German grammar-inspired lyrics. Today, he is a storyteller who is honest with himself and transparent with his audience, composing and sharing new songs weekly with his patrons on Patreon while continuing to pour his heart out on the road, as he's about to do so on his Solo Tour '26, playing all over the United States. In the early days of this new adventure, Doughty joins our host, John Schaefer, with his collaborator, Andrew “Scrap” Livingston, for an intimate live performance and a warm chat for this edition of Soundcheck. (- Sırma Munyar) Setlist: 1. White Lexus 2. Mr. Bitterness 3. Light Will Keep Your Heart Beating in the Future

Send us Fan MailEpisode 59. Sorry it took me so long but I have some hidden (some less hidden) gems for you for the Spring.Music featured on this episode:1. Michael Sanders: Impression2. Romanie: I won't yell3. Modern Guilt: American Dream4. The Empty Page: Death on your side5. Makthaverskan: Louie6. Fazed on a Pony: Wrong Party7. Shapes like People: Supergirl8. Gentle Brontosaurus: My Favorite Monster9. Rainsong: head in my hands10. Deary: SeabirdAll tracks available on bandcamp.Thanks to the indie music community for the suggestions.Enjoy! Thanks for listening and subscribing! Say Hi on @purplemacpodcast on insta. https://www.instagram.com/purplemacpodcast/#indiemusic #newmusic #podcast#purplmac#dreampop 

How does a song written in just a few hours become one of the most haunting and enduring tracks of the ‘90s?In this highlight, Anthony Gomez III, author of Mazzy Star's So Tonight That I Might See (33 1/3), breaks down the story behind Mazzy Star's iconic song “Fade Into You.”Written in a single afternoon and initially not seen as anything extraordinary, the track would go on to define the band's legacy and captivate listeners for decades. Gomez shares insight into the song's creation, the atmosphere surrounding the recording sessions, and why its understated beauty made such a lasting impact.From afterthought to classic, this is the story behind one of alternative rock's most unforgettable songs.Listen to Episode 371 - Mazzy Star – So Tonight That I Might See (Album Deep Dive + “Fade Into You” Story)

Step into the hazy, hypnotic world of Mazzy Star as we take a deep dive into their 1993 breakthrough album So Tonight That I Might See. Anchored by the unforgettable hit “Fade Into You,” this record carved out a unique space in alternative music—blending dream pop, folk, and psychedelic textures into something timeless, intimate, and emotionally raw.In this episode of Booked On Rock, we explore how Mazzy Star crafted their signature sound, the mystique surrounding Hope Sandoval and David Roback, and why this album continues to resonate with listeners more than 30 years later. From the sparse beauty of its arrangements to the haunting atmosphere that defines every track, we break down what makes this album a true cult classic.This episode features an interview with Anthony Gomez III, author of Mazzy Star's So Tonight That I Might See (33 1/3), who offers deep insight into the album's creation, themes, and lasting cultural impact.Is So Tonight That I Might See more than just “Fade Into You”? Tune in as we uncover the full story behind one of the most mesmerizing albums of the '90s.Purchase a copy of Mazzy Star's So Tonight That I Might See (33 1/3)Visit AnthonyGomezIII.comFollow Anthony Gomez III on Instagram----------

Alternative rock from the 90s-y2K-2000s

The studio is full with many lovers of music. Four of them have been tasked with drafting a brand new super group. One has been tasked with keeping the four in line and delivering grades and awards on their line ups.Dayton, John, Tim, and Eric are drafting the bands and Russ Robinson decides if we succeeded in our task. The perfect festival show is hopefully coming soon.Find Russ herehttps://jaxfuneatsdrinks.com/Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcasthttps://dockingbay77pod.buzzsprout.com

Episode 463, including tracks from Big D and The Kids Table, Cosey Mueller, CLT DRP, DIYing Breed, The Grimly Pleased, ZEROZEROZERO, Unsane, Tiernan, Of Gods And Men, N.E. Vains, The Crack, Marc Valentine, and Fai Laci. Eric adds his upcoming releases, but is unable to make it this episode. The episode is loaded with a bunch of new music shared with us, a great split album, and wrap up the show with a Power Pop track and an Alternative Rock track.

On this week's show, we spend quality time with new records from Johnny Blue Skies & The Dark Clouds, Adeem The Artist, Courtney Barnett, and The Long Ryders, and spin fresh tracks from Bruce Springsteen, U2, Low Cut Connie, and Michael Stipe. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

What if Billy Corgan had taken a completely different path?A rare 1985 guitar solo has surfaced—and it reveals a side of Corgan that few fans have ever heard. Before the rise of The Smashing Pumpkins, he was playing with a fast, technical, almost neoclassical style—reminiscent of shred guitarists like Yngwie Malmsteen.This audio highlight featuring Greg Prato, author of I Am One: The Smashing Pumpkins Story, 1988–1994, explores that surprising moment in Corgan's early development—and what it tells us about the evolution of his sound. Listen to Episode 369 - The Smashing Pumpkins Story: From Chicago Roots to Alt-Rock Dominance (1988–1994)

Why do some songs vanish after a few weeks while others quietly define generations?In this masterclass episode of The Artiste Hangout Podcast with Femi Makx, we dissect the DNA of the 1998 masterpiece “Iris” by Goo Goo Dolls — a song that refuses to die.Beyond the nostalgia, we peel back the layers: its haunting mandolin-driven arrangement, the emotional pull of its 6/8 time signature, and the raw, vulnerable songwriting that has kept it charting for nearly three decades. Released on April 1, 1998, for the City of Angels soundtrack, “Iris” became the most-streamed song of the entire 1990s in the US in 2025 (337.9 million streams according to Luminate), has surpassed 3 billion streams on Spotify, and continues trending strongly in 2026 thanks to organic moments in Deadpool & Wolverine, the series Shrinking, and viral TikTok nostalgia.But why should the Afrobeats generation care?As the Nigerian music industry matures from “viral moments” to building “global legacies,” Femi Makx draws a provocative parallel between this Alternative Rock classic and the future of African sound. We explore:• The “Iris” Blueprint: How unconventional composition and emotional permanence can outlast any trend.• Songwriting vs. Vibes: Why Nigerian artistes must move beyond catchy hooks to intelligent, evergreen storytelling — the kind that secures long-term royalties and generational impact.• The Sonic Bridge: Lessons in cross-genre appeal that can elevate Afrobeats from the dancefloor to timeless catalogues and international Hall of Fame recognition.• The Power of Intelligent Lyrics: Why well-thought-out, honest songwriting beats rushed studio sessions every single time.Whether you're an upcoming artiste recording on a budget or a established act chasing the next big wave, this episode challenges you to create music that doesn't just trend — it endures.The Artiste Hangout Podcast with Femi Makx is ranked in the Top 10% of podcasts globally and has charted in over 128 countries. Having recently peaked at #3 on the Apple Music Interview charts in Ghana and trended across 116 countries on Spotify, Femi Makx continues to bridge technical artistry with real-world industry wisdom.Join the conversation that's shaping the next era of African music excellence.Listen now and start building your own evergreen legacy.

Send us Fan MailSomething curious happened to rock music on the radio—one minute it dominated the airwaves, and the next, it felt like it vanished. In this episode, Brad Brock and the Jams ‘N' Cocktails crew take a deep dive into the rise and sudden fall of alternative rock radio, focusing on the cultural phenomenon that was 103.1 The Buzz.Joined by former Buzz insider Jack Wich, the conversation explores what really happened behind the scenes. Was it changing musical tastes, corporate consolidation, new technology, or something more intentional? From nostalgic memories to industry-shaking shifts, this episode uncovers the forces that reshaped radio as listeners knew it—without losing the fun along the way.LINKSJNC Official WebsiteSupport us on Patreon

Recut 2020 Episode: The Story of Fritz Dorigo – Crease, Excessive, South Florida Rock Scene and MoreThis is a recut and re-released episode featuring Fritz Dorigo, originally recorded in 2020 during the early years of the podcast. The audio has been refined for improved clarity. This episode captures an in-depth conversation from a formative period of both the show and the South Florida music community it documents.Fritz Dorigo shares his story of growing up in South Florida, discovering music at a young age, and immersing himself in the region's rock, punk, and metal scenes. He reflects on learning multiple instruments, committing to guitar, and the years of practice that shaped his playing. The discussion traces the formation and evolution of Excessive into Crease, the close bonds between longtime band members, and the DIY path of rehearsals, local shows, radio exposure, and building an audience.Fritz also talks about recording experiences, record label challenges, and the unpredictable rise and fall of momentum in the music industry. The conversation expands to the wider South Florida scene, recalling clubs, radio stations, influential bands, and moments that defined a unique era. Fritz also discusses later projects including Dirty DNA and other collaborations, as well as his continued role as a teacher, musician, and manager. This re-release offers both longtime listeners and new audiences a chance to revisit an important chapter in South Florida music history and a key early episode of the podcast.

What does it take to go from Chicago club gigs to becoming one of the defining bands of the 1990s?In this episode of Booked On Rock, I'm joined by author Greg Prato to dive into I Am One: The Smashing Pumpkins Story, 1988–1994—a deep look at the band's formative years, creative breakthroughs, and the relentless drive of Billy Corgan.We explore the making of Gish, the explosion of Siamese Dream, and how The Smashing Pumpkins carved out their place in the alt-rock boom alongside grunge giants—while doing things entirely their own way.From internal tensions to studio perfectionism, this is the story of how a band pushed boundaries and built a legacy that still resonates today.Purchase a copy of I Am One: The Smashing Pumpkins Story, 1988–1994Follow Greg Prato:FacebookInstagramXGreg Prato Amazon page----------

For more than two decades, Story of the Year have remained one of the most influential bands in post-hardcore and emo. From the massive success of Page Avenue and the breakout anthem Until the Day I Die, to a catalog that's continued to evolve with every release, the band has built a legacy that still resonates with fans around the world. On this episode of Caught on the Mike, I'm joined by drummer Josh Wills for a conversation about the band's 20+ year journey, the pressure that followed their early success, and how they've continued to evolve their sound while staying true to what fans connected with in the first place. We also talk about the renewed momentum the band experienced with Tear Me to Pieces, how a new generation of fans began discovering the band through that record cycle, and the creative process behind their newest album A.R.S.O.N.. Josh shares insight into the songwriting process, recording with producer Colin Brittain, and how the band continues to balance family, creativity, and life on the road after more than 20 years together. It's a conversation about longevity, reinvention, and the passion that keeps Story of the Year pushing forward.

Your tuned into Indigenous in Music with Larry K. This week we welcome back from Winnipeg, Manitoba. Singer, songwriter and Entrepreneur. Dustin Harder. He is the creator and lead guitarist of the group “Prairie Soul. He's been releasing new singles and today your gonna be the first to hear them. Get ready for our conversation that blends music, culture, and vision. You can read all about him at our place at our homepage at www.indigenousinmusicandarts.org/past-shows/dustin-harder. Enjoy music from Soul Pairie, Rhonda Head, Clube da Bossa, Milton Nascimento, Jasmine Netsena, Jamie Coon, Mike Bern, TRIBZ, Nathan Cunningham, Os Mutantes, Levi Platero, Pony Man, Diyet & the Love Soldiers, Hataalii, Orishas, Matiu, Sarazino, Banda Black Rio, Robin Cisek, Elastic Bond, Kind of Sea, The Melawmen Collective, Crystal Shawanda, Mitch Walking Elk, Twice As Good, Indigenous and much more. Visit us on our home page to learn about us and our programs at www.indigenousinmusicandarts.org, check into our Two Buffalo Studios and our SAY Magazine Library to find out all about our Artists and Entrepreneurs.

On this episode of The ToosDay Crüe, the crew welcomes Michael Allen — a U.S. Army Green Beret veteran turned alternative rock artist whose music blends raw emotion, grunge intensity, and real-life storytelling. Based in Nashville, Michael Allen creates music for people who have lived through something and carry those experiences with them. Inspired by the sound and spirit of Grunge and Alternative Rock, his songs combine heavy melodies with stripped-down honesty. Before stepping onto the stage, Michael served as a U.S. Army Green Beret, an experience that shaped the emotional depth of his songwriting. His music explores themes of identity, resilience, loss, and the quiet battles many veterans and civilians carry long after the moment has passed. Known for intense performances and a commanding stage presence, Michael delivers shows that balance vulnerability with power — whether he's performing solo or with a full band. In this episode we explore: • Transitioning from military service to music • Channeling life experience into songwriting • The emotional power of alternative and grunge rock • Performing live and connecting with audiences • Using music to process identity, resilience, and loss This is a conversation about creativity, healing, and the stories that shape who we become. Subscribe for more conversations with veterans, creators, and leaders who are building impact beyond the uniform. https://www.themisfitnation.com Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, our good friend, Charlotte Observer columnist, and author of Finding Your Walden: How to Strive Less, Simplify More & Embrace What Matters Most  Jen Tota-McGivney joins us for the very 4th time to share her 2026 Oscars picks. All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this week's show, we spend quality time with new records from Cordovas, Meels and Ratboys, spin fresh tracks from The Long Ryders, Delvon Lamarr Organ Trio and Labi Siffre, and get downright spooky in two very different ways. All this & much, much less!Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

On this episode of Lipps Service, Scott sits down with one of the biggest names in the Alternative Rock scene today, Jutes, for an honest, wide-ranging conversation that dives deep from catching up and discussing the Juno Awards to unpacking his early influences and the story behind his rise, Jutes opens up about hitting rock bottom, navigating sobriety, and prioritizing mental health. He reflects on dealing with online hate, and carving his lane as an independent artist, while breaking down his approach to lyricism and his current musical chapter. The two also touch on social media, new music on the horizon, and even the surreal moment of The Goo Goo Dolls playing at his wedding. Jutes shares his top five underrated Canadian bands of all time and his top five emo bands, making this episode a must-listen for fans of raw storytelling and alternative music.Jutes released his third studio album, Dilworth, this past December. He is also set to start his European tour on May 2nd. #jutes #canadian #podcast #top5 #interview #music #emoTimestamps: 0:00:35 - Catching up0:01:06 - The Juno awards0:04:12 - On his story 0:09:25 - Early influences 0:12:15 - Reflecting back0:13:25 - On Hitting rock bottom0:16:25 - Sobriety and mental health 0:18:52 - Starting out0:23:00 - Online hate 0:26:10 - Current music0:28:52 - On being an independent artist0:31:01 - Lyricism 0:36:32 - The Goo Goo Dolls playing at his wedding 0:38:43 - New music0:41:13 - On social media0:44:37 - Top 5 underrated Canadian bands of all time 0:50:00 - Top 5 emo bands Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Lipps Service, Scott sits down with one of the biggest names in the Alternative Rock scene today, Jutes, for an honest, wide-ranging conversation that dives deep from catching up and discussing the Juno Awards to unpacking his early influences and the story behind his rise, Jutes opens up about hitting rock bottom, navigating sobriety, and prioritizing mental health. He reflects on dealing with online hate, and carving his lane as an independent artist, while breaking down his approach to lyricism and his current musical chapter. The two also touch on social media, new music on the horizon, and even the surreal moment of The Goo Goo Dolls playing at his wedding. Jutes shares his top five underrated Canadian bands of all time and his top five emo bands, making this episode a must-listen for fans of raw storytelling and alternative music.Jutes released his third studio album, Dilworth, this past December. He is also set to start his European tour on May 2nd.Timestamps: 0:00:35 - Catching up0:01:06 - The Juno awards0:04:12 - On his story 0:09:25 - Early influences 0:12:15 - Reflecting back0:13:25 - On Hitting rock bottom0:16:25 - Sobriety and mental health 0:18:52 - Starting out0:23:00 - Online hate 0:26:10 - Current music0:28:52 - On being an independent artist0:31:01 - Lyricism 0:36:32 - The Goo Goo Dolls playing at his wedding 0:38:43 - New music0:41:13 - On social media0:44:37 - Top 5 underrated Canadian bands of all time 0:50:00 - Top 5 emo bands Learn more about your ad choices. Visit megaphone.fm/adchoices