Podcasts about stick mcghee

This week: Listener mail Celebrity bad behaviour Armed and Hammered The remake of Rebecca Heist movies (and Eugene's fave actor) The Activist Cookbook The Passenger The Lost Daughter ....and much more The ending music tag of this episode is from Drinkin' Wine Spo-dee-o-dee by Stick McGhee, 1949.

Roger Ashby does a deep dive into the artists that shaped the future of music. Listen to the Roger Ashby Oldies Show anytime on the iHeartRadio app.

Sintonía: "35-30" - Paul Williams "Reet, Petite and Gone" - Louis Jordan; "Fine Brown Frame" - Nellie Lutcher; "Long Gone, Pts. 1 & 2" - Sonny Thompson; "Chicken Shack Boogie" - Amos Milburn; "Teardrops from My Eyes" - Ruth Brown; "Deacon´s Hop" - Big Jay McNeely; "I´m Just A Fool In Love" - Amos Milburn; "Gotta Find My Baby" - The Ravens; "I Wanna Be Loved" - Dinah Washington; "Let´s Jump Tonight" - Chuck Willis; "Cornbread" - Hal Singer; "Up Above My Head" - Sister Rosetta Tharpe; "Anytime, Anyplace, Anywhere" - Joe Morris (Laurie Tate, Vocal); "Mardi Gras In New Orleans" - Professor Longhair; "So Long" - Ruth Brown; "Drinkin´ Wine, Spo-Dee-O-Dee" - Stick McGhee; "Danny Boy" - Al Hibbler La 1ª Parte de esta recopilación de 2 CDs (Factory of Sounds, 2018) se emitió el pasado 20 de Mayo de este año (20-05-2021); puedes escucharla en el servicio de Podcasts de la Web de Radio 3. Escuchar audio

"Swing dance" is a group of dances that developed with the swing style of jazz music in the 1920s-1950s, the origin of the dances predating popular "swing era" music. The most well-known of these dances is Lindy Hop, a fusion of jazz, tap, breakaway, and Charleston, which originated in Harlem in the early 1920s, but includes a number of other styles such as Balboa, Shag, West Coast Swing, and Boogie Woogie. “Sunday Swing” highlights the music of the swing era and the dances that thrived in the ballrooms and dance halls. Danny Lane guides you through a one hour swing session. Do the Lindy Hop or choose your favorite dance. Just keep swingin'. ***** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 ***** or by email at: dannymemorylane@gmail.com ***** You’ll hear: 1) For Dancers Only by Jimmie Lunceford & His Orchestra 2) Flying Home by Lionel Hampton & His Orchestra 3) Yacht Club Swing by Fats Waller 4) Tuxedo Junction by Erskine Hawkins 5) Two O'Clock Jump by Harry James & His Orchestra 6) The Grey Bear by Alan Freed & His Band (with Sam "The Man" Taylor) 7) Jumpin' At The Woodside by Count Basie & His Orchestra 8) On The Sunny Side Of The Street by Ella Fitzgerald & Count Basie 9) Goody Goody by Benny Goodman & His Orchestra (with Helen Ward, vocal) 10) Opus No. 1 by Tommy Dorsey & His Orchestra 11) Jumpin' Jive by Cab Calloway 12) Old Spice by Lucky Millinder 13) Boys Are Back In Town by The BusBoys 14) Darktown Strutter's Ball by The Platters 15) Go Harlem by Chick Webb (d. 1939, age 30) 16) Jump Jive An' Wail by Louis Prima & Keely Smith (with Sam Butera & The Witnesses) 17) Little Brown Jug by Glenn Miller & His Orchestra 18) Wild Mab Of The Fish Pond by Charlie Barnet & His Orchestra 19) Drinkin' Wine Spo-Dee-O-Dee by Stick McGhee & His Buddies 20) The Grabtown Grapple by Artie Shaw & His Gramercy 5 21) Ballin' the Jack by Kid Ory's Creole Jazz Band

Guaranteed to get you out of that “lockdown funk” - The Swingin’ With Danny Lane series highlights the music of the swing era and the dances that thrived in the ballrooms and dance halls. Danny Lane guides you through a two hour swing session. Do the Lindy Hop or choose your favorite dance. Just keep swingin'. ***** Join the conversation on Facebook at https://www.facebook.com/profile.php?id=100008232395712 ***** or by email at dannymemorylane@gmail.com ***** You’ll hear: 1) Red Bank Boogie by Count Basie Orchestra 2) For Dancers Only by Jimmie Lunceford & His Orchestra 3) Flying Home by Lionel Hampton & His Orchestra 4) Yacht Club Swing by Fats Waller 5) Tuxedo Junction by Erskine Hawkins 6) Two O'Clock Jump by Harry James & His Orchestra 7) The Grey Bear by Alan Freed & His Band (with Sam "The Man" Taylor, ) 8) Jumpin' At The Woodside by Count Basie & His Orchestra 9) On The Sunny Side of The Street by Ella Fitzgerald & Count Basie 10) Goody Goody by Benny Goodman & His Orchestra (with Helen Ward, vocal) 11) Opus No. 1 by Tommy Dorsey & His Orchestra 12) Jumpin' Jive by Cab Calloway 13) Old Spice by Lucky Millinder 14) Darktown Strutter's Ball by The Platters 15) Go Harlem by Chick Webb 16) Jump Jive An' Wail by Louis Prima & Keely Smith (with Sam Butera & The Witnesses) 17) Little Brown Jug by Glenn Miller & His Orchestra 18) Wild Mab Of The Fish Pond by Charlie Barnet & His Orchestra 19) Drinkin' Wine Spo-Dee-O-Dee by Stick McGhee & His Buddies 20) The Grabtown Grapple by Artie Shaw & His Gramercy 5 21) Ballin' the Jack by Kid Ory's Creole Jazz Band 22) Ram-Bunk-Shush by Lucky Millinder 23) Pennsylvania 6-5000 by Glenn Miller & His Orchestra (with vocals by the band) 24) Mack The Knife by Ella Fitzgerald 25) Lindyhopper's Delight by Chick Webb 26) Choo Choo Ch'Boogie by Louis Jordan & His Tympany Five 27) Bugle Call Rag by Roy Eldridge and friends 28) Wednesday Night Hop by Andy Kirk & His 12 Clouds of Joy 29) The Calloway Boogie by Cab Calloway & His Orchestra 30) Traffic Jam by Artie Shaw 31) Yacht Club Swing by Charlaine Woodard 32) Blue Lou by Metronome All Star Band 33) Tuxedo Junction by The Manhattan Transfer 34) Well, Git It! by Tommy Dorsey & His Orchestra 35) Beyond The Sea by Bobby Darin 36) Shorty George by Count Basie 37) Teardrops from My Eyes by Ruth Brown 38) Harlem Shout by Jimmie Lunceford 39) Little John Special by Lucky Millinder 40) Flying Home by Charlie Barnet & His Orchestra

En 1948, Atlantic tuvo cierto éxito con dos temas instrumentales de jazz, "Old Black Magic" de Tiny Grimes y "The Spider" de Joe Morris, quien también grabó "Lowe Groovin", que luego se convirtió en el tema principal del DJ de radio de R&B de Washington Jack Lowe Endler.

We have Theodore on today representing Crowdfunded Government. Find out more about that concept here http://bit.ly/2rJegES . We talk about preaching liberty to normies and  about Libertertarian podcasts. In fact he was kind enough to  bring us a prime selection of libertarian Podcast theme songs to review. It's one of my favorite conversations about the intersection of music and liberty. Enjoy!   Here are some of the topics we talked about: This Week in Liberpods http://bit.ly/2CeQItt Liberty Podcast Ranker http://bit.ly/2PQvD0o Free Man Beyond the Wall http://bit.ly/2qUki5I Tom Wood Show http://bit.ly/2kB6mKt Biting the Bullet Podcast http://bit.ly/36DXlU8 A Boy Named Pseu http://bit.ly/2R9k3y5 Peaceful Treason Podcast http://bit.ly/2LdUiZP The Fifth Column http://bit.ly/2Mt8CR9 Tasting Anarchy http://bit.ly/2MQpJuK Drinking Wine by Stick McGhee http://bit.ly/2RcphJx Actual Anarchy http://bit.ly/2L9rCRS Brian Nichols Show http://bit.ly/35LRivw FAGcast http://bit.ly/2LnsiCv   Featured Music Show Intro Damn Beach by Burns To The Soul https://burnstothesoul.bandcamp.com/track/damn-beach Show Outro: Closure by Tenwatch https://www.youtube.com/watch?v=NetR3FiAFag 1st Song: Saloon by Burns to the Soul http://bit.ly/34CNkVP 2nd Song: Cliffhanger by Fylo http://bit.ly/2mdETz0 3rd Song: Humid Night by Swindlin' Hearts http://bit.ly/2P55iJZ 4th Song: Jacob Barnett by Hudred Year Dash https://amzn.to/2rLjiRa Find all the episodes at http://www.ancapmusic.com Check out the show’s spotify soundtrack here:https://spoti.fi/2MFxkKG To Support Us Join The Freedom Choir here: http://www.supportsll.com Click here to sign up for email list:http://bit.ly/2MDWoSg Want the best course in music & liberty online? http://freedomsong365.com 

Join us as we count our way down through the biggest #1 R&B hits of the late 1940s. It was a period dominated by Blues shouters, wailing saxes, and piano-playing balladeers -- and Louis Jordan was king of the charts. But times were a changing, with independent record producers making inroads into previously uncharted waters. One iconic record that helped pave the way for what would become the burgeoning independent record scene of the late 1940s was "I Wonder," by Private Cecil Gant. It was just the right record, at just the right time, hitting upon the zeitgeist of World War II and homesick soldiers who would soon be stationed "a million miles away" from their gal back home. The original version was recorded in June 1944 by Leroy Hurte for his independent Bronze label, but when Hurte couldn't keep up with demand, it was quietly recorded again, for yet another independent label, Gilt-Edge. And as events played out, it was Gilt-Edge — not Bronze — that had the Billboard smash hit with it. It was such a huge seller that Gilt-Edge had trouble keeping up with orders as well, even into the early days of March 1945, months after its release. But it set the record industry on its ear, so to speak. As a massive hit with broad crossover appeal, it was a clarion call to the newly emerging independent record industry that success was possible in a market mostly dominated by the major labels up until that time. By far, though, Louis Jordan was one of the biggest stars of the era, turning in almost 50 top ten performances on the Billboard charts between 1942 and late 1949, with most of those making it into the top 5, or higher. With cleverly crafted songs and a band that cooked, it's pretty easy to see how he would go on to influence Rhythm & Blues rockers like Chuck Berry the following decade (One main difference between the '40s and the '50s? Louis Jordan's instrument of choice was the saxophone. Chuck Berry wielded an electric guitar.... need we say more?). To come up with our list of the biggest #1 R&B hits of the late 1940s, we devised a special super-secret formula, giving weight to the number of weeks a record was on the Billboard charts, with bonus points given for number of weeks held in the top position. After hearing the show and seeing the playlist, however, some might wonder why some all time classics didn't make the cut. One of the most widely heard records of the late 1940s had to be "Open The Door, Richard!" by Jack McVea. Essentially a comedy record cut for the L.A.-based Black & White label, it entered the charts on February 8th, 1947, but only enjoyed a seven week run, topping out at number two, where it stayed for two weeks. "Drinkin' Wine Spo-Dee-O-Dee," Stick McGhee's homage to good times and cheap booze that helped put a fledgling Atlantic Records on the map, befell a similar fate. After a healthy run of 23 weeks on the charts, it stalled out at number two (a position it held for four weeks), but was unable to penetrate the grasp of three of the hugest hits of the decade that were making a run on the charts at exactly the same time -- "The Hucklebuck" by Paul Williams, "Trouble Blues," by Charles Brown, and "Ain't Nobody's Business," by Jimmy Witherspoon. And speaking of classics by Charles Brown, "Drifting Blues" -- cut in 1946 with Johnny Moore's Three Blazers, and one of his most widely covered songs -- hit a similar brick wall when it ran up against Lionel Hampton's version of "Hey! Ba-Ba-Re-Bop," which was enjoying a 16 week run at the top slot that spring and summer. On the charts for 23 weeks, "Drifting Blues" finally topped out at number two, for two weeks. Although Billboard chart statistics don't always tell us "the whole story" (so to speak), in any case, here are the hits that a generation of R&B fans danced to, heard on the radio, sung along to, and put their nickels in juke boxes all across America to hear again, and again, and again. Join us then, as we count our way down through the biggest #1 R&B hit records of the late 1940s. Pictured: At 32 weeks on the charts, “The Hucklebuck,” by Paul Williams, was one of the biggest hits of the decade. This episode is available commercial free and in its original full-fidelity high quality audio exclusively to our subscribers at Bandcamp. Your annual subscription of $27 a year will go directly to support this radio show, and you’ll gain INSTANT DOWNLOAD ACCESS to this and more than 170 other episodes from our extensive archive as well. More info is at http://bluesunlimited.bandcamp.com/subscribe

Thanks to the work of A.P. Carter and the Carter family, country music can trace its origins back to the hills and hollers of Scott County, Virginia, and Sullivan County, Tennessee, back in the 1920's.  At the same time, in the same place, two brothers began to make a name for themselves in another genre of music: the blues.  Today we tell the story of the original Blues Brothers, Brownie and Stick McGhee of Kingsport, Tennessee, who wrote and recorded several well-known blues songs and appeared in the movies and on TV. You can subscribe to the Stories podcast at RadioPublic, Stitcher, Apple Podcasts or on your favorite podcatcher. Thanks for listening!

All ukulele covers of rockabilly classics and a spotlight on rockabilly legend and ukulele virtuoso singer/songwriter Ron Hargrave who co-wrote High School Confidential with Jerry Lee Lewis. An all ukulele playlist to celebrate this integral part to the history of rock and roll.

The Enduring Legacy continues....Ready for another great Sunday night in Ahmet's House? We are...and tonight we celebrate a birthday, and a great year in Atlantic history...1949...Stick McGhee had just scored Atlantic's first major hit, an R&B ditty written by Ahmet himself! Ruth Brown, Eddie Condon, Erroll Garner and Professor Longhair...now that was some year! But don't worry, we don't live in the past...we weave it all together. Keeping legacy music alive...that is Ahmet's House. Birthdays: Jerome"J."Geils

The Enduring Legacy continues....Ready for another great Sunday night in Ahmet's House? We are...and tonight we celebrate a birthday, and a great year in Atlantic history...1949...Stick McGhee had just scored Atlantic's first major hit, an R&B ditty written by Ahmet himself! Ruth Brown, Eddie Condon, Erroll Garner and Professor Longhair...now that was some year! But don't worry, we don't live in the past...we weave it all together. Keeping legacy music alive...that is Ahmet's House. Birthdays: Jerome "J." Geils