Podcast appearances and mentions of Lesley Gore

Today's program features tuneage from Zephyr, Moby Grape, Bob Dylan, Traffic, Spirit, Jefferson Starship, Grateful Dead, Small Faces, Simon & Garfunkel, Yes, The Who, Larry Coryell, John McLaughlin, Jeff Beck, Van Morrison, Laura Nyro, Johnny Rivers, Curtis Lee, The Shirelles, Dion, Del Shannon, Lesley Gore and Lee Michaels.

Forget Domani? How would that be possible when we are reminded by both Connie Francis and Francis Albert Sinatra? Lots of film songs. Elvis regurgitates his "Pot Luck", Tom Jones talks about pretty, pussy ... cat lips, Lesley Gore talks about Sunshine Lollipops AND Rainbows, and ever more! #madeonzencastr. Support this podcast at the $6/month level on patreon to get extra content! Also, Create your own podcast today! #madeonzencastr

Episodio 7.26 de Las Cosas Que Hay Que Escuchar, en el cual no podemos pronunciar la palabra “hauntología” mientras escuchamos la música de mEcOniO, Yumi Yumi Hip Hop, Miki González, Metrópoli, Missing Persons, Lou Reed, Lesley Gore, Nina Simone, Les Rita Mitsouko, Pink Floyd, Little Axe, Yellow Magic Orchestra y Wolfgang Flür. Y, obviamente, todo el delirio habitual de Saurio y las voces que lo atormentan. Si quieren convidar con un cafecito ☕, pueden hacerlo acá: https://cafecito.app/saurio

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Hosted on Acast. See acast.com/privacy for more information.

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Hosted on Acast. See acast.com/privacy for more information.

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy called Mighty Real. This is part two—catch part one in our previous episode. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episodio mensual dedicado a recordar canciones que alcanzaron su puesto más alto en las listas pop de EEUU en este mismo mes de hace 60 años.(Foto del podcast; Sonny and Cher)Playlist;(sintonía) BERT KAEMPFTER and HIS ORCHESTRA “Moon over Naples” (top 59)HERMAN’S HERMITS “I’m Henry VIII, I am” (top 1)SONNY and CHER “I got you babe” (top 1)THE BYRDS “All I really want to do” (top 40)THE BEAU BRUMMELS “You tell me why” (top 38)THE BEACH BOYS “California girls” (top 3)THE LETTERMEN “Theme from a summer place” (top 16)LEE DORSEY “Ride your pony” (top 28)THE STRANGELOVES “I want candy” (top 11)SAM THE SHAM “Ju ju hand” (top 26)LESLEY GORE “Sunshine, lollipops and rainbows” (top 13)FREDDIE and THE DREAMERS “A little you” (top 48)THE DAVE CLARK FIVE “I like it like that” (top 7)THE SEARCHERS “He’s got no love” (top 79)THE FOUR TOPS “It’s the same old song” (top 5)THE SPINNERS “I’ll will always love you” (top 35)DEE DEE WARWICK “We’re doing fine” (top 96)THE RIGHTEOUS BROTHERS “Unchained melody” (top 4)JACKIE WILSON “No pity (in the naked city)” (top 59)Escuchar audio

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy: Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy: Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy:Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Hosted on Acast. See acast.com/privacy for more information.

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy: Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy:Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Hosted on Acast. See acast.com/privacy for more information.

Outward is going on a little summer break, in the meantime we're leaving you with a delightfully queer episode of Slate's Hit Parade with Chris Molanphy: Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real.Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday. Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

As What Next celebrates Juneteenth, please enjoy this episode ⁠from our colleagues at Hit Parade⁠. What Next will be back in your feed on Monday.Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom.What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars.For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real.Want more Hit Parade? Join Slate Plus to unlock monthly early-access episodes, bonus episodes of “The Bridge,” and ad-free listening across all your favorite Slate podcasts. Visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Little Richard was rock ‘n' roll's flamboyant architect. Lesley Gore sang that no one owned her. Sylvester was a gender-fluid icon who helped define disco. Freddie Mercury made rock operatic, and George Michael demanded freedom. What all of these LGBTQ artists had in common was bold hitmaking—and fear of being fully out of the closet. For decades, queer acts topped the charts while cloaking their true identities and paving the way for today's more openly queer stars. For Pride Month, join Chris Molanphy as he traces the hidden history of queer hitmakers on the charts—including those that managed to be both out and No. 1, right up through our modern age of Lil Nas X and Chappell Roan. It's a celebration of these artists' quest to feel… mighty real. Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Eight Days a Week continues to roll on, while Marvin Gaye, the Miracles, Jay and the Americans, and Lesley Gore show off their new wares. Support this podcast at the $6/month level on patreon to get extra content! Create your podcast today! #madeonzencastr . If you are looking for Beatles summer fun, join our friends at the Magical Mystery Camp!

Ski Party (1965) AIP Production #6508 / 6548 Jeff and Cheryl risk multiple broken bones while watching Ski Party. Produced by Gene Corman Written by Robert Kaufman Directed by Alan Rafkin Starring: Frankie Avalon as Todd Armstrong Dwayne Hickman as Craig Gamble Deborah Walley as Linda Hughes Yvonne Craig as Barbara Norris Robert Q. Lewis as Mr. Pevney Bobbi Shaw as Nita Elksberg Aron Kincaid as Freddie Carter The Hondells as themselves James Brown & The Famous Flames as themselves Lesley Gore as herself An American International Pictures release You can stream Ski Party on Prime Video or rent on Apple TV+ or Fandango at Home View the Ski Party trailer here. Visit our website - https://aippod.com/ and follow the American International Podcast on Letterboxd, Instagram and Threads @aip_pod and on Facebook at facebook.com/AmericanInternationalPodcast  Get your American International Podcast merchandise at our store.Our open and close includes clips from the following films/trailers: How to Make a Monster (1958), The Brain That Wouldn't Die (1962), I Was a Teenage Werewolf (1957), High School Hellcats (1958), Beach Blanket Bingo (1965), The Wild Angels (1966), It Conquered the World (1956), The Abominable Dr. Phibes (1971), and Female Jungle (1955)

This episode of the Coast Highway Shuffle Show features our tribute to the amazing 'Q', Mr. Quincy Jones.  Mainly as a producer and arranger, Mr. Jones was truly one of the most impactful figures in popular music over the past 60 years. As clear evidence, we share songs by artists like Lesley Gore, Frank Sinatra, Michael Jackson, George Benson, and The Brothers Johnson, along with songs Mr. Jones recorded directly.Add in another 10 group of songs by various artists and you have yet another memorable edition of the CHS! Enjoy!    

In this special episode we celebrate the last four years with clips from twelve of the best 100 shows we've recorded in that time.  Following an intro from Spandau Ballet mainmain Gary Kemp speaking in January 2023, we reflect on what we have (or haven't) learned over those four years, then play and discuss clips from these episodes: Record Mirror legend Norman Jopling on first seeing the "Rollin' Stones" in 1963 (December 2021)  Writer-photographer Val Wilmer on interviewing Jimi Hendrix in 1967 (May 2024) the Village Voice's Richard Goldstein on not caring if he was "America's first rock critic" (September 2022) Creem veteran Jaan Uhelszki remembering her "almost famous" colleague Lester Bangs (May 2022) Author-filmmaker Nelson George on not reviewing the Brothers Johnson as if they were Bob Dylan (July 2021) Billboard's first rap editor Havelock Nelson on being influenced by Nelson George (March 2025) NPR's Ann Powers on being influenced by Greil Marcus (June 2024) The New Statesman's Kate Mossman on her (not-so) secret passion for jazz fusion (February 2022) "Freak-folk" icon Vashti Bunyan on her love of hymns and carols (April 2022) Vashti's 1970 producer Joe Boyd on producing Kate & Anna McGarrigle and the magic of sibling harmonies (September 2024) and... Island Records mogul Chris Blackwell recalling the al fresco recording of John Martyn's 'Small Hours' (September 2022) After our navel-gazing saunter down memory lane, Mark tells us about the week's new audio interview, in which Amy Linden asks Lauryn Hill, Wyclef Jean and Pras Michel about [the] Fugees' classic 1996 album The Score. Mark then quotes from newly-added RBP library pieces about David Bowie's Diamond Dogs (1974), Tears for Fears (1982) and Jeffrey Lee Pierce (1985) and Jasper wraps things up with thoughts on pieces about System of a Down (2003) and ex-Black Midi man Geordie Greep (2024). Finally, a big shout-out to the many great guests who've joined us over the past four years: thank you all for your time and reminiscences! Pieces discussed: Norman Jopling on Record Mirror + Rhythm & Blues + Rolling Stones, Val Wilmer on free jazz + photography + Lesley Gore audio, Richard Goldstein on '60s pop writing + the Shangri-Las + Shadow Morton, Robert Duncan & Jaan Uhelzski on Lester Bangs + Creem + Suicide, Nelson George on the Death of R&B + Jimmy Jam and Terry Lewis audio, Havelock Nelson on Hip Hop + Missy Elliott + Atlantic Records, Ann Powers on Joni Mitchell + Tori Amos + Women in Pop, Vashti Bunyan on Wayward + Nick Drake + Joe Boyd audio, Joe Boyd on global music + Kate & Anna McGarrigle, Chris Blackwell on Island from Millie to U2 + Bunny Wailer, The Fugees (1996), David Bowie: Diamond Dogs (RCA Victor), Tears For Fears: Ready Teddy Go!, Jeffrey Lee Pierce: On The Trail Of The Wild Weed, System of a Down: "We're in World War III!"

In the studio up near Dallas today talking with one of the most versatile guitar players in rock music - Andy Timmons. From his rock roots to his trademark melodic playing on songs from his new CD 'Recovery'; to touring with his 80's glam metal band 'Danger Danger' (and opening for Kiss and Alice Cooper!) Andy gives a glimpse into the world of rock and roll and what it's like working with Steve Vai, Eric Johnson, Steve Morse to 60's singing stars like The Beach Boys and Lesley Gore. Bring along your love of music and listen in to what this stand out studio session player has to say and join us.About the Spotlight Conversations podcast:Tune in as I invite friends inside my cozy linoleum free recording studio to talk about all things media - radio, television, music, film, voiceovers, audiobooks, publishing - if guests are in the spotlight, we're talkin'! Refreshingly unscripted and unusually entertaining, listen in as each guest gets real about their careers in the entertainment biz, from where they started to how it's going. Join us in my swanky studio where drinks are on ice and the conversation starters are music + media - always a deal breaker for the rock and roll homemaker! New episodes every other Tuesday. Social media links, website and more hereFollow and subscribe to my podcast hereA very special thank you to friends who helped bring my Spotlight Conversations podcast together and especially for their continued support:Booth Announcer: Joe Szymanski ('Joe The Voice Guy')Theme Song Composer: Mark Sparrow, SongBird StudiosAffiliated Stations:Radio Free RaleighHouston Radio Platinum

Welcome to another Cinema Sounds & Secrets Tribute episode! This week Janet, John, (and Pen) delve into the life and career of American record producer, composer, arranger, conductor, trumpeter, and bandleader… the incomparable Quincy Jones. Born Quincy Delight Jones Jr. on March 14, 1933, in Chicago, Illinois, this gifted musician discovered a love for the piano at age 11 and would go on to win 28 Grammy Awards, a Primetime Emmy, and a Tony. Jones explored music throughout high school, becoming passionate about the trumpet, and would eventually collaborate with incredible artists like Lesley Gore, Frank Sinatra, Michael Jackson, Ella Fitzgerald, and many more. In 1961, he composed music for The Pawnbroker (1964), the first of his nearly 40 film scores. To learn more about this episode and others, visit the official Cinema Sounds & Secrets website!

Donald Trump will inherit a tangle of conflicts in the Middle East; will he deliver on his promise to “stop the wars”? That will depend on who has his ear. Our correspondent says the way to better rehabilitate people in British prisons is to take some of them out (10:33). And our obituaries editor on the staggeringly productive career of Quincy Jones (19:15). Additional audio in this episode includes Quincy Jones, “Soul  Bossa Nova” and “In Cold Blood”; Michael Jackson, “Billie Jean”, “Bad” and “Thriller”; Lesley Gore, “It's My Party”; USA For Africa, “We Are The World”; DJ Jazzy Jeff, “The Fresh Prince Of Bel Air”; Frank Sinatra, “Fly Me To The Moon”Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account. Hosted on Acast. See acast.com/privacy for more information.

Donald Trump will inherit a tangle of conflicts in the Middle East; will he deliver on his promise to “stop the wars”? That will depend on who has his ear. Our correspondent says the way to better rehabilitate people in British prisons is to take some of them out (10:33). And our obituaries editor on the staggeringly productive career of Quincy Jones (19:15). Additional audio in this episode includes Quincy Jones, “Soul  Bossa Nova” and “In Cold Blood”; Michael Jackson, “Billie Jean”, “Bad” and “Thriller”; Lesley Gore, “It's My Party”; USA For Africa, “We Are The World”; DJ Jazzy Jeff, “The Fresh Prince Of Bel Air”; Frank Sinatra, “Fly Me To The Moon”Get a world of insights by subscribing to Economist Podcasts+. For more information about how to access Economist Podcasts+, please visit our FAQs page or watch our video explaining how to link your account.

The guys reflect on the monstrous career of Quincy Jones and what he meant (and continues to mean) to the world of popular music. SHOW NOTES: The Theme from Ironsides Ironside (Theme From “Ironside”) I’ve Got You Under My Skin – with Sinatra, Basie at the Sands Vegas 1966 I’ve Got You Under My Skin (Live At The Sands Hotel And Casino/1966) Lesley Gore – You Don’t Own Me Lesley Gore – You Don’t Own Me (Official Audio) Summer In the City – Quincy’s version 1973 Quincy Jones  – Summer In The City 1973 Soul Bossa Nova  1962 Quincy Jones – SOUL BOSSA NOVA PYT Michael Jackson – P.Y.T. (Pretty Young Thing) (Audio) The Brothers Johnson – Strawberry Letter 23-1977 Strawberry Letter 23 Baby Come to Me-Patti Austin & James Ingram Patti Austin & James Ingram – Baby, Come To Me (1981 Original LP Version) HQ Lesley Gore in the Simpsons https://www.youtube.com/watch?v=upDAeY2L-6I

Nueva entrega de la serie dedicada a recordar canciones que alcanzaron su puesto más alto en las listas pop de EEUU en noviembre de 1964. Aunque el único nuevo número 1 del mes queda en manos de unas adolescentes de Nueva York, la cantidad de bandas de la invasión británica que se sitúan en lo más alto sigue siendo abrumadora.Playlist;(sintonía) THE VENTURES “Slaughter On Tenth Avenue” (top 35)THE SHANGRI-LAS “Leader of the pack” (top 1)J. FRANK WILSON and THE CAVALIERS “Last Kiss” (top 2)MARVIN GAYE “Baby don’t you do it” (top 27)MARVIN GAYE and KIM WESTON “What good I am without you” (top 61)THE VELVELETTES “Needle In A haystack” (top 45)THE NASHVILLE TEENS “Tobacco road” (top 11)THE KINKS “You really got me” (top 7)THE ANIMALS “I’m cryin’” (top 19)GERRY and THE PACEMAKERS “I like it” (top 17)THE HONEYCOMBS “Have I the right” (top 5)THE DAVE CLARK FIVE “Everybody knows (I still love you)” (top 15)PETER AND GORDON “I don’t want to see you again” (top 16)THE SEARCHERS “When you walk in the room” (top 35)JAY and THE AMERICANS “Come a little bit closer” (top 3)GARNET MIMMS “Look away” (top 73)BRENDA LEE “Is it true” (top 17)LESLEY GORE “Hey now” (top 76)DIONNE WARWICK “Reach out for me” (top 20)Escuchar audio

What did the Founding Fathers really mean by "The Pursuit of Happiness" and how is it misunderstood? This is important to know, because not understanding puts us in danger of the Grumpledump.The songs we used in this episode are "Sunshine and Lollipops" by Lesley Gore and "Happyness" by Andrea Buerra. We don't own any rights to either We would also like to give a special thanks to James Kocian, for the use of "Some Kinda Way", "Bumper 1" and "Some Kinda Way". Check out more of his amazing stuff here www.JamesKocian.com or here www.Facebook.com/jameskocianmusic and tell him thanks from Happy Life Studios. Here is the link from Mental Floss that we talked about https://www.mentalfloss.com/posts/pursuit-of-happiness-meaning Contact usLinktree: www.Linktr.ee/HappyLifeStudiosEmail: Podcast@HappyLife.StudioYo Stevo Hotline: (425) 200-HAYS (4297)Webpage: www.HappyLife.lol YouTube: www.YouTube.com/StevoHaysTikTok: www.tiktok.com/@happylifestudiosFacebook: www.Facebook.com/HappyLifeStudios Instagram: www.Instagram.com/HappyLife_Studios Twitter: www.Twitter.com/HappyLifStudios  If you would like to help us spread the HappyPayPal: www.PayPal.me/StevoHaysCash App: $HappyLifeStudiosZelle: StevoHays@gmail.comVenmo: @StevoHaysBuy Me A Coffee: buymeacoffee.com/HappyLifeStudioCheck: Payable to Hays Ministries or Steve Hays and send to 27240 213th Place S.E. Maple Valley, WA 98038

Nueva entrega de la serie Hits del Billboard recordando canciones que alcanzaron su puesto más alto en listas de EEUU en este mismo mes de hace 60 años. Todas estas canciones, aunque fuesen de muy distintos estilos, pasaron a convertirse en la música popular del momento. Buena andanada de bandas británicas, con The Animals haciendo cima con su primer single en EEUU. Roy Orbison se reconsolida como icono del pop y Chuck Berry se despide de las listas con el que será su último éxito en años. The Shangri-Las comienzan a escribir su leyenda y el hot rod de secano de Ronny and The Daytonas encuentra también su hueco.(Foto; The Animals a comienzos de 1964 con la formación que grabó “The house of the rising sun”)Playlist;(sintonía) JIMMY SMITH “The cat” (top 67)THE ANIMALS “The house of the risin’ sun” (top 1)ROY ORBISON and THE CANDY MEN “Oh pretty woman” (top 1)THE NEWBEATS “Bread and butter” (top 2)THE DAVE CLARK FIVE “Because” (top 3)GERRY AND THE PACEMAKERS “How do you do it?” (top 9)THE SEARCHERS “Some day I’m gonna love again” (top 34)THE BEATLES “And I love her” (top 12)THE ROLLING STONES “It’s all over now” (top 26)CHUCK BERRY “You never can tell” (top 14)JOHNNY RIVERS “Maybelline” (top 12)DION DIMUCCI “Johnny B Goode” (top 71)LESLEY GORE “Maybe I know” (top 14)THE SHANGRI-LAS “Remember (walkin’ in the sun)” (top 5)THE ORLONS “Knock knock (who’s there)” (top 64)RONNY and THE DAYTONAS “GTO” (top 4)P.J. PROBY “Hold me” (top 70)JACKIE ROSS “Selfish one” (top 9)Escuchar audio

More of the American charts for July of 1964. The Beatles, George Martin, Lesley Gore, Solomon Burke, Burt Bacharach/Hal David and more. Stick around for a supercut that includes the Carpenters, Luther Vandross (duetting with Aretha) and more! #madeonzencastr.

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a Text Message.Welcome to Guess the Year! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:1 point: get the year correct within 10 years (e.g., you guess 1975 and it is between 1965-1985)4 points: get the year correct within 5 years (e.g., you guess 2004 and it is between 1999-2009)7 points: get the year correct within 2 years (e.g., you guess 1993 and it is between 1991-1995)10 points: get the year dead on!Guesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes.I will read your scores out on the following episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 19xx, Song 2 - 20xx, Song 3 - 19xx, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. .....Have you made your guesses yet? If so, you can scroll down and look at the answers......Okay, answers coming. Don't peek if you haven't made your guesses yet!.....Intro song: Tom and Jerry Theme Song by Scott Bradley (1940)Song 1: Primrose Hill by James McCartney (2024)Song 2: Drift Away by Dobie Gray (1973)Song 3: Do You Realize?? by The Flaming Lips (2002)Song 4: Words of Love by Buddy Holly (1957)Song 5: It's My Party by Lesley Gore (1963)Song 6: Paranoid by Black Sabbath (1970)Song 7: Get It On by T-Rex (1971)Song 8: La Vie en Rose by Edith Piaf (1947)Song 9: Nobody by Sylvia (1982)Song 10: Black by Pearl Jam (1991)

This week, Sadie tells us all about Lesley Gore, the pop sensation in the 1960s with hits like "It's My Party" and "You Don't Own Me." As a teenager, her heartfelt voice and relatable songs made her famous. But she was more than just a singer; she was also a strong advocate for women's rights and a gay pop icon later in her life. Stauney and Sadie explore her journey from a young pop star to a champion for equality, looking at her music, her impact on culture, and her lasting legacy as both a talented artist and a pioneer for women's empowerment! Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, Sadie tells us all about Lesley Gore, the pop sensation in the 1960s with hits like "It's My Party" and "You Don't Own Me." As a teenager, her heartfelt voice and relatable songs made her famous. But she was more than just a singer; she was also a strong advocate for women's rights and a gay pop icon later in her life. Stauney and Sadie explore her journey from a young pop star to a champion for equality, looking at her music, her impact on culture, and her lasting legacy as both a talented artist and a pioneer for women's empowerment! Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

What does a music producer do? If his name is Quincy Jones, a little bit of everything: conducting, arranging, composing. Assembling teams of ace session musicians. Sometimes, even picking a catchy title and telling an artist to go write a song about it— would “Thriller” have worked as well if it had been called “Starlight”? Quincy Jones was pop's Renaissance Man, and he could not be limited either by genre or by role. He played in jazz bands…produced teen pop hits…discovered young talent…scored Hollywood films…helped invent Yacht Rock and Yacht Soul…even released hit albums under his own name featuring cavalcades of guest vocalists. And he worked with so! many! legends! Ray Charles, Frank Sinatra, Little Richard, Lesley Gore, Aretha Franklin, Chaka Khan … and all that happened before he even met a former child star named Michael Jackson and helped him produce the best-selling album in history. No wonder only Quincy had the clout to wrangle the superstars for the recording of “We Are the World.” Join Chris Molanphy as he tells the story of the music man who truly did it all and is known affectionately by the letter Q. He made the world a better place for you and me. Podcast production by Kevin Bendis. Host Chris Molanphy Learn more about your ad choices. Visit megaphone.fm/adchoices

Has anyone tried to change you? Own you? Has someone tried to get you to do something you didn't want to do or go somewhere you really didn't want to go? The theme of this podcast is that Noone has the right to control you. Sara has been through the struggle of extricating herself from these situations and in this podcast she shares 10 tips on how to never wind up in that place. She also has a poignant relationship with the Song “You Don't Own Me” by artist Lesley Gore, a song from the 60's that she heard at a particular time after a conversation with her mom. Sara wanted to share the story of how synchronistic it was with her mom. She didn't get to call her mom for a couple of days, and then her mom passed away before Sara got to share the story. Hear the story on the podcast. Some of Sara's 10 Tips to keep your rightful autonomy: 1.Know your Values, your Core of who you are 2.Set boundaries (and stick to them when you know you should) 3.Learn to say NO 4.Be assertive- stand in confidence and kindness to yourself. Listen to this podcast for six more tips and stories on this important situation, and share with anyone that can use this. Also, please like and review the podcast! Thank you. I am so happy for you, my listeners. Website: www.saraschultingkranz.com Social Media: IG: https://www.instagram.com/saraschultingkranz/ YouTube: https://www.youtube.com/@saraschultingkranz./about Sponsor: Go to www.saraschultingkranz.com and use the code Live Boldly at checkout to get the special price of $39 for programs offered. Learn more about your ad choices. Visit megaphone.fm/adchoices