Podcasts about Roy Eldridge

Listen to the first episode in our three-part series exploring the music of Reunald Jones, an important jazz trumpet player with deep connections to the Avenue neighborhood. During his legendary career, Jones performed with the biggest stars in American music, including Duke Ellington, Count Basie, Ella Fitzgerald, Sonny Rollins, Dinah Washington, Quincy Jones, Nat King Cole and many others.  Jones was born in Indianapolis in 1922. Music was part of his family legacy, his father John Wesley Jones was a musician, and his cousin Roy Eldridge, was a famous jazz trumpet star. Jones' family had strong ties to the Avenue neighborhood. During the early 1900s, his father was a choral director for the Bethe A.M.E. church and a bandleader, for the Senate Avenue YMCA. In the 1930s, his sister, Louise Fields, was an editor for the Indianapolis Recorder.  After spending the first decade of his life in Indianapolis, Jones moved with his family to Muncie, Indiana. By age 15, Jones was playing trumpet in a local Muncie band that included Doc Wheeler on trombone. Wheeler became a star on the Avenue scene during the 1930s. In the early 1940s, Jones and Wheeler reunited for a series of recordings with Bluebird Records.  By age 20, Jones left Muncie to pursue a life in music. He performed with a variety of regional territory bands, including Speed Webb's Hoosier Melody Lads, where he had the chance to play with his cousin Roy Eldridge. By the mid 1930s, Jones was in New York, where he began his recording career.  Join us this week to hear Jones' early recordings with Mezz Mezzrow, Lil Hardin, Don Redman, Jimmie Lunceford and more.

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SINTONÍA: "Walkin' and Swingin'" - Mary Lou Williams"The Lady Who Swings The Band" y "Mary's Idea" - Mary Lou Williams; "Puttin' On The Ritz" - Fred Astaire; "Bye Bye Baby" - Tal Farlow; "Il'l Wait and Pray" (Alternate Take) - John Coltrane; "Hear Me Talking to Ya" - Ella Fitzgerald; "In A Little Spanish Town" - Roy Eldridge; "Air Mail Special" - Lionel Hampton Todas las músicas seleccionadas y presentadas por Mrs. Purple (Rocío de la Rosa) desde RNE en Madrid... Muchísimas gracias a Kamal por su buen hacer y predisposiciónTe sugerimos que escuches el programa una vez hayas visitado su Instagram (@mrs.purple_sessions) donde podrás ver, mientras escuchas el programa, las portadas para obras maestras del Jazz de este increíble ilustrador @mrs.purple_sessions Escuchar audio

Sintonía: "Close Your Eyes" - Roy Eldridge & Benny Carter"I Still Love Him So" - "The Moon Is Low" - "I Missed My Hat" - "Ballad Medley: I Remember You/Chelsea Bridge/I´ve Got The World On A String" - "Where´s Art" - "I Don´t Know" - "Striding" - "Wailing"; Bonus tracks: "Les tricheurs (de la BSO de "Los tramposos", dirigida por Marcel Carné en 1958) y "Phil´s Tune"Escuchar audio

During the mid-20th Century, social clubs played a large role in the Black music scene of Indianapolis. Local social clubs, including the Defiants and Cosmo Knights, hosted major concerts and dances across the city. One of the earliest Indianapolis social clubs to make an impact on the city's music scene was The Bohemian Club. The Bohemian club was started in the early 1920s and included many prominent Indiana Avenue men, from civil servants, like the Indianapolis police officer Roy Kennedy, to William “Kid” Edwards, a boxing promoter, and owner of a radio and record shop, on the Avenue. During the 1920s and ‘30s, the Bohemian Club sponsored major concerts and dances, featuring national and local performers, including Earl Hines, Roy Eldridge, Cleo Brown, Speed Webb, Slim Green, and many others.  A 1947 article in the Indianapolis Recorder declared that “The Bohemian Club hosted the ritziest and most elegant affairs ever held along the Avenue.” The club also gave back to the community, as many of their events, were fundraisers for the Indianapolis Colored Orphans Home. This week on Echoes of Indiana Avenue, we'll celebrate the history of the Bohemian Club, by listening to music from artists who performed at their events.

On tonight's show: Louis Armstrong, What Did I Do to Be So Black and Blue Gene Krupa and His Orchestra with Anita O'Day and Roy Eldridge, Let Me Off Uptown Frank Sinatra, Stormy Weather Art Pepper with Sonny Redd, These Foolish Things Ahmad Jamal, Music! Music! Music! James Clay, Pavanne Stuff Smith, They Can't Take That Away from Me Ella Fitzgerald, The Man I Love Ella Fitzgerald, Over the Rainbow Eubie Blake, Spanish Venus Charlie Byrd, Saudade de Bahía Gerry Mulligan, Walking Shoes Cassandra Wilson, O Sole Mio Funk New Orleans' Own the Dukes of Dixieland, Petite Fleur  

For many decades, whenever anyone at a Flood gathering was celebrating a birthday, the guys turned to David Peyton to lead them in a rousing rendition of … no, oh, hell no, not THAT song… (Does this bunch really look like “Happy Birthday to You” people?) No, Br'er Peyton suggested a much more appropriate nativity-observing song for the Flood flock. Not only that, Dave enhanced the tune with his own special touch, the addition of a juicy reference to a sex scandal that was rocking West Virginia politics. More on that little tidbit in a moment.For now, you can hear Dave's birthday tune — a sassy 1930s hokum number — by scrolling back to the top of this article and click the Play button on the video that Flood Manager Pamela Bowen shot 14 years ago this week. The occasion for Pamela's footage was a housewarming at the clubhouse at the Wyngate retirement village where devoted Flood fans Norman and Shirley Davis had just moved. For the fun evening, about 30 of the Davises' new neighbors were in the audience. Among them were guitarist Jacob Scarr's grandparents who were also new residents. The senior Scarrs had been regulars at Flood gigs ever since their grandson's joined the band several years earlier.The SongA highlight of the evening was Peyton's performance of the birthday song; The Flood's version of “You Can't Get That Stuff No More” with Charlie Bowen and Michelle Hoge's harmonies and solos by Dave, Jacob, Joe Dobbs and Doug Chaffin.Back in 2003, when a take on the tune was included on the I'd Rather Be Flooded album, the band described it as a 1932 Tampa Red/Georgia Tom song. That was correct as far as it went, but a little deeper research would have taught the guys that the song actually was written and recorded a year or two earlier by a remarkable young singer/actor/comedian named Sam Theard.Performing well into the 1970s under assorted stage names — including Lovin' Sam and Spo-Dee-O-Dee — Theard was born in New Orleans in 1904. Before he was 20, he was performing with a circus, then working in theaters and nightclubs.Meeting up with Flood heroes Tampa Red and Cow Cow Davenport, Theard recorded one of his best known songs — "(I'll Be Glad When You're Dead) You Rascal You” — for Brunswick in 1929. Over the years that song was covered by everyone from Louis Armstrong, Cab Calloway and The Mills Brothers to Fats Domino, Dr. John and Taj Mahal.In the 1930s and '40s, using the name Spo-Dee-O-Dee, Theard was a regular as a comedian at New York's Apollo Theater.It was during this period that he co-wrote his next famous song, “Let the Good Times Roll,” with Louis Jordan, who recorded it with his Tympany Five in 1946. In 1961 at the 3rd Annual Grammy Awards ceremony, Ray Charles won a Grammy for his version of that tune.In the 1950s, Theard wrote for a number of jazz greats, including Hot Lips Page, Count Basie, Eddie “Cleanhead” Vinson and Roy Eldridge.Then in the last decade of his life, Theard was discovered by television, appearing in episodes of a variety of shows, including “Sanford and Son” and “Little House of Prairie.”The Ickie Frye InfusionBut you're still thinking about that political sex scandal, aren't you? The one that Peyton worked into The Flood's version of “You Can't Get That Stuff No More”? Okay, here's that story:The original song, as recorded in 1932 by Tampa Red and Georgia Tom, included this verse: There goes Joe with a great big knife Somebody been messin' round with his wife.However, when The Flood recorded it in a marathon studio session in Charleston in November 2003, Dave sang the verse as: There's Ickie Frye with a great long knife. Somebody been a-messin' round with his wife…Uh, Ickie who? Sure, that's not a well-known name today, but if you were a news-reading West Virginian in 2003, you certainly would have known about Phillip “Ickie” Frye, a bass-playing TV/computer repairman who had just blown up Gov. Bob Wise's political career. Newspapers across the state trumpeted the news of how Frye revealed that his wife — state employee Angela Mascia, in charge of European projects for the state development office — was having an extramarital affair with the governor.Red-faced, Wise admitted his infidelity. “I apologize deeply,” Wise said, “to the people of our state for my actions. In my private life, I have let many people down." The following year, Frye even filed to run for governor to "dog Wise," he said, over the affair, but he dropped out when Wise himself announced he would not seek re-election. Soon after The Flood's album was released, Ickie Frye emailed Peyton to thank him for the shout-out on the tune. The ex-governor had no comment. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

If your mom (or your grandma or maybe great-grandmother) was a Bobby-soxer in the 1940s, she probably danced to this tune. Sociologists call the bunch born in the 1930s “The Silent Generation” — a term first used in a 1951 Time magazine story to describe their alleged cautious and passive nature — but, well, seriously? Anyone who ever saw them dance didn't think they were all that darn docile. After all, these “Silents” are the same folks who gave us the jitterbug, not to mention setting the stage for early rock ‘n' roll.About This SongAs reported here previously, Sy Oliver's composition “Opus One” was a hit on the radio for Tommy Dorsey in late 1944, but it was an even bigger smash a year later. That's when singer Anita O'Day recorded it with a rocking band fronted by drummer Gene Krupa and featuring legendary trumpeter Roy Eldridge.The song has gone on to be covered many times over the years, from versions by Harry James to those of The Mills Brothers and The Four Freshmen. For more on the song's history — including the story of those sassy lyrics added by Sid Garris — check out this earlier Flood Watch article.Meanwhile, here in The Flood Zone, the song is a perfect warmup for an evening of fun at the weekly rehearsal, offering solo space for everyone in the room.About the VideoThe sound in this video is audio from last week's rehearsal. Meanwhile, for the film footage thanks go out to Douglas K. Morris and Shane Finster of Armstrong Cable.As reported earlier, Doug and Shane dropped into a Flood rehearsal last summer to record an episode of their award-winning Armstrong Neighborhood Channel's Press Room Recordings series. It was a treat to revisit the video from that night to enhance this week's winter evening film.More Swing Tunes?Finally, if you'd like a little more from the “Swing” column on The Flood's menu, the free Radio Floodango music streaming feature has a channel just for you.Click here for a randomized playlist of swing tunes from over the band's decades. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

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durée : 00:59:21 - Pas de problème - par : Nathalie Piolé -

THE SOUND OF JAZZ CBS 30TH STREET STUDIOS New York, December 5, 1957Open All NightEmmett Berry, Doc Cheatham, Roy Eldridge, Joe Newman (tp) Vic Dickenson, Frank Rehak, Dicky Wells (tb) Earl Warren (as) Coleman Hawkins, Lester Young (ts) Harry Carney (bar) Count Basie (p) Freddie Green (g) Eddie Jones (b) Jo Jones (d) Pierce (arr)Wild man blues, RosettaHenry “Red” Allen (tp,vcl) Rex Stewart (cnt) Vic Dickenson (tb) Pee Wee Russell (cl) Coleman Hawkins (ts) Nat Pierce (p) Danny Barker (g) Milt Hinton (b) Jo Jones (d)I left my Baby, Dickie's Dream. Continue reading Puro Jazz 30 de diciembre, 2024 at PuroJazz.

THE SOUND OF JAZZ CBS 30TH STREET STUDIOS New York, December 5, 1957Open All NightEmmett Berry, Doc Cheatham, Roy Eldridge, Joe Newman (tp) Vic Dickenson, Frank Rehak, Dicky Wells (tb) Earl Warren (as) Coleman Hawkins, Lester Young (ts) Harry Carney (bar) Count Basie (p) Freddie Green (g) Eddie Jones (b) Jo Jones (d) Pierce (arr)Wild man blues, RosettaHenry “Red” Allen (tp,vcl) Rex Stewart (cnt) Vic Dickenson (tb) Pee Wee Russell (cl) Coleman Hawkins (ts) Nat Pierce (p) Danny Barker (g) Milt Hinton (b) Jo Jones (d)I left my Baby, Dickie's Dream. Continue reading Puro Jazz 30 de diciembre, 2024 at PuroJazz.

rWotD Episode 2596: Muskrat Ramble Welcome to random Wiki of the Day where we read the summary of a random Wikipedia page every day.The random article for Wednesday, 12 June 2024 is Muskrat Ramble."Muskrat Ramble" is a jazz composition written by Kid Ory in 1926. It was first recorded on February 26, 1926, by Louis Armstrong and his Hot Five, and became the group's most frequently recorded piece. It was paired on the flip side with another one of Armstrong's hits, "Heebie Jeebies." It was a prominent part of the Dixieland revival repertoire in the 1930s and 1940s, and was recorded by Bob Crosby, Roy Eldridge, Lionel Hampton, Woody Herman, Muggsy Spanier, Chet Atkins, Lu Watters, the Andrews Sisters, Harry James, and Al Hirt, among others. It is considered a part of the jazz standard repertoire.Without Ory's consent, lyrics were written for the instrumental tune in 1950 by Ray Gilbert. After Gilbert protested that he was entitled to share credit with Ory, the American Society of Composers, Authors and Publishers awarded him one-third credit on all performances of "Muskrat Ramble", vocal and instrumental.This recording reflects the Wikipedia text as of 00:06 UTC on Wednesday, 12 June 2024.For the full current version of the article, see Muskrat Ramble on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Arthur Neural.

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Odd pairing - Assunto founded and led the Dukes of Dixieland which was at the height of its popularity in 1962. These recordings were done for Columbia at the same time as sessions by Herb Ellis and His All-Stars. Ellis was touring with the Dukes (with also included Fred Assunto on trombone, Jac Assunto on trombone and banjo, Gene Schroeder on piano, Bob Casey on bass, Charlie Lodice on drums and on two tunes, Edmond Hall guesting on clarinet) and recorded a mainstream session under his own name featuring Buddy Tate, Ray Bryant and Gus Johnson. Roy Eldridge was also supposed to be there, but when he was delayed and missed the first two sessions, Frank Assunto stepped in, providing some of the best work of his career. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

This week I am continuing with part two of Big Band Remotes from World War 2 with two remotes from the Victory Parade of Spotlight Bands series. At the same time, however, I am having a birthday salute to a favorite bandleader of mine, the late Artie Shaw. Artie was born on May 23, 1910 and he also appeared on the Spotlight band program for five consecutive weeks in 1945. So to honor Artie I would like to play the first two programs in that series. The sound quality is very good and there are some exciting solos from trumpeter Roy Eldridge. I hope you enjoy this look back at some on location performances from the great Artie Shaw as we remember his birthday. Please visit this podcast at http://bigbandbashfm.blogspot.com

Mini Monográfico sobre el trompetista Roy Eldridge. Sonarán: Baby What's The Matter With You Wrap Your Troubles In Dreams Love For Sale Oscar's Arrangement The Man I Love Dale's Wail When Your Lover Has Gone When It's Sleepy Time Down South Echoes Of Harlem Blue Moon Stormy Weather Sweetheart Of The Parade I Only Have Eyes For You The Song Is Ended Apoya este proyecto desde 1,49€ al mes. Tan solo tienes que pulsar el botón azul que tienes en la cabecera de este canal Gracias infinitas ya que tu aportación nos permite mejorar cada programa. Este programa, como siempre, está dedicado especialmente a nuestros patrocinadores: Iñaki Del Olmo, Rafa, Mechimariani, L Ibiricu Traba, Nachoigs, David, Alfonso Ladrón, Yago Llopis, Nacho Ruíz, Javier Carmona, Ana López, El Carabasser, Raúl Espinosa, La Última Frontera Radio, Gustavo, Ruth, Carmen Neke, Manuel García, Rebeca Tatiana, Michel y nuestros queridos anónimos.

Great jazz trumpet playing from the 20s, 30s, and 40s, featuring: Louis Armstrong, Bix Beiderbecke, Bubber Miley, Roy Eldridge, Jabbo Smith, Hot Lips Page, and others.

Time to pull out the 14th of the 24 records from the six box set from the Franklin Mint. And I've been having so much fun listening to this one. In fact, I'm going to play a few more tunes than my normal six that I like to keep these episodes to because, quite frankly, there was so much good music on this disc I didn't know where to stop. The featured trumpet player you'll be hearing was known as the bridge between Louis Armstrong and Dizzy Gillespie. But he had a style all his own that was quite influential in his own right. So, get ready to hear the musician that seemed to have the trumpet permanently glued to his lips in Volume 165: Little Jazz on Horn Part 2. More information about this album, see the Discogs webpage for it. https://www.discogs.com/release/11735925-various-Louis-Armstrong-Roy-Eldridge-Jazz-Masterpieces Credits and copyrights Louis Armstrong Roy Eldridge Jazz Masterpieces Label: The Franklin Mint Record Society – JAZZ 001: 1/2/3/4 Series: part of both! The Greatest Jazz Recordings Of All Time and the Institute Of Jazz Studies Official Archive Collection Format: Box Set, Red Box, 4 x Red vinyl LPs, Compilation,  Released: 1982 Genre: Jazz Style: Swing We will hear 8 of the 12 songs from this album Artie Shaw & His Orchestra – Little Jazz Composed by Roy Eldridge and Buster Harding Roy Eldridge & His Orchestra – Twilight Time Music by the Three Suns (Morty Nevins, Al Nevins, and Artie Dunn) King David & His Little Jazz – Easter Parade Written by Irving Berlin Roy Eldridge Sextet – School Days Written by Gus Edwards The Roy Eldridge - Benny Carter Quintet – I Still Love Him So Written by Roy Eldridge & Benny Carter Coleman Hawkins - Roy Eldridge – Hanid Written by Coleman Hawkins Roy Eldridge & Claude Bolling – Fireworks  Composed by Clarence Williams and Spencer Williams Roy Eldridge Trio – Undecided Written by Sid Robin and Charlie Shavers I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

LESTER YOUNG – JONES, SMITH INC Chicago, November 9, 1936Lady Be Good, Shoe Shine Boy, Evenin' (JR-vcl), Boogie Woogie (JR-vcl)Carl “Tatti” Smith (tp), Lester Young (ts), Count Basie (p), Walter Page (b), Jo Jones (d), Jimmy Rushing (vcl). WOODY HERMAN – 1937-1938 (CHRONOLOGICAL) The Band That Plays The Blues – New York, October 25 & November 23, 1937I double dare you, My fine feathered friend, I wanna be in Winchell's column, Loch Lomond Clarence Willard, Kermit Simmons (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) And His Orchestra – New York, June 8, 1938Laughing boy blues, Lullaby in rhythm Clarence Willard, Malcolm Crain (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Deane Kincaide (as) Maynard “Saxie” Mansfield, Bruce Wilkins (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) Woody Herman Sonny Skylar (vcl) And His Orchestra – New York, December 22, 1938Indian boogie woogieIrving Goodman, Clarence Willard, Jerry Neary (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Joe Estren, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Hy White (g) Walter Yoder (b) Frank Carlson (d) Mary Martin (vcl) ILLINOIS JACQUET – COLUMBIA SMALL GROUP SWING SESSIONS 1953-62 New York, February 5, 1962 & March 28, 1962Satin doll, Ydeen, Banned in Boston, Indiana, Reverie (ij vcl;re,cd out)Ernie Royal, Roy Eldridge (tp) Matthew Gee (tb) Illinois Jacquet (as,ts,vcl) Charles Davis o Leo Parker (bar) Sir Charles Thompson (p) Barry Galbraith o Kenny Burrell (g) Jimmy Rowser (b) Jimmy Crawford o Jo Jones (d) Jimmy Mundy, Ernie Wilkins (arr) Continue reading Puro Jazz 12 febrero 2024 at PuroJazz.

LESTER YOUNG – JONES, SMITH INC Chicago, November 9, 1936Lady Be Good, Shoe Shine Boy, Evenin' (JR-vcl), Boogie Woogie (JR-vcl)Carl “Tatti” Smith (tp), Lester Young (ts), Count Basie (p), Walter Page (b), Jo Jones (d), Jimmy Rushing (vcl). WOODY HERMAN – 1937-1938 (CHRONOLOGICAL) The Band That Plays The Blues – New York, October 25 & November 23, 1937I double dare you, My fine feathered friend, I wanna be in Winchell's column, Loch Lomond Clarence Willard, Kermit Simmons (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) And His Orchestra – New York, June 8, 1938Laughing boy blues, Lullaby in rhythm Clarence Willard, Malcolm Crain (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Jack Ferrier, Deane Kincaide (as) Maynard “Saxie” Mansfield, Bruce Wilkins (ts) Tommy Linehan (p) Oliver Mathewson (g) Walter Yoder (b) Frank Carlson (d) Woody Herman Sonny Skylar (vcl) And His Orchestra – New York, December 22, 1938Indian boogie woogieIrving Goodman, Clarence Willard, Jerry Neary (tp) Neal Reid (tb) Joe Bishop (fhr,arr) Woody Herman (cl,as,vcl) Joe Estren, Ray Hopfner (as) Maynard “Saxie” Mansfield, Pete Johns (ts) Tommy Linehan (p) Hy White (g) Walter Yoder (b) Frank Carlson (d) Mary Martin (vcl) ILLINOIS JACQUET – COLUMBIA SMALL GROUP SWING SESSIONS 1953-62 New York, February 5, 1962 & March 28, 1962Satin doll, Ydeen, Banned in Boston, Indiana, Reverie (ij vcl;re,cd out)Ernie Royal, Roy Eldridge (tp) Matthew Gee (tb) Illinois Jacquet (as,ts,vcl) Charles Davis o Leo Parker (bar) Sir Charles Thompson (p) Barry Galbraith o Kenny Burrell (g) Jimmy Rowser (b) Jimmy Crawford o Jo Jones (d) Jimmy Mundy, Ernie Wilkins (arr) Continue reading Puro Jazz 12 febrero 2024 at PuroJazz.

Early music video soundtracks, 1940-1946, featuring: Louis Jordan, Duke Ellington, Roy Eldridge, Anita O'Day, The International Sweethearts of Rhythm, et al.

Happy New Year to everyone as we welcome in the New Year. On the show today is a repeat of program I produced in 2016 called New Year's Radio Dance Party 1945-1946. The Armed Forces Radio Service gave a real treat to American troops still stationed around the world in the aftermath of World War II---live performances, by remote hookups from their respective New Year's Eve hotel and/or ballroom performances. We'll get to hear some of the titans of the time in American jazz and popular music. Including but not limited to Harry James, Count Basie, Louis Armstrong, Jimmy Dorsey, Artie Shaw (with guest Roy Eldridge), Stan Kenton, Benny Goodman, Duke Ellington, and---of course!---Guy Lombardo. It was a gift to our troops then and it's a perfect gift for our troops---and New Year's Eve shut-ins---today. Please visit this podcast at http://bigbandbashfm.blogspot.com

From the Sourced Network Productions, it's the Hot Jazz Network Podcast with host George Cole. Here's a great story to get you started on the episode with Bruce Forman, recounting his early influences and how he found his life's path at the early age of 17 years old.From Bruce FormanMy first jazz guitar player that I really remember loving was Kenny Burrell. Just the bluesy-ness and the elegance and the eloquence of his playing, it was just such a beautiful counterpoint musically, sound wise and feel wise to everything, even though I was much more interested in playing a lot more than he liked to play, a la Charlie Parker. That was my first one, and then Wes just blew my mind, and then Barney Kessel just creamed me, and then, of course, 1972 or 3 was the year Virtuoso Joe Pass came out. And that changed the world for us guitar players. That just changed the world. By then, I guess I was pretty well printed. I was probably about 17 at that time. My first Monterey Jazz Festival I went to in 1973. Joe Pass was there, Roy Eldridge was there, Dizzy Gillespie was there. It was amazing. It was just a mind blowing experience. 


The great trumpeter and tenor saxophonist were on tour with Benny Goodman's Sextet (which never recorded) in the spring of 1950 and were engaged, singly and together, for three recording dates for Vogue. Joined by Goodman bandmates Dick Hyman and Ed Shaughnessy on one session and Gerald Wiggins and Kenny Clarke on the other two (with Pierre Michelot on all sides), Eldridge and Sims created a prototype for mainstream jazz! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support

Tonight's show: Benny Carter, Ella Fitzgerald, Zoot Sims & Bob Brookmeyer, Stanley Turrentine with Grant Green and Tommy Flanagan, Roy Eldridge, Dave Brubeck, Ramsey Lewis, Jerry Fielding, Stan Getz with Kenny Barron, Etta James, and The Rosenberg Trio.

LET ME OFF UPTOWN by GENE KRUPA WITH ANITA O'DAY AND ROY ELDRIDGE(OKEH, 1941)This interpretation of this artifact can be as simple, or as complicated as one cares to make it. You can frame it as an anthem of solidarity, or as just another example of cultural appropriation. I choose the former. Granted, here you have an all white swing band, led by the theatrically energetic trapster Gene Krupa, featuring the pert suggestiveness of jazz songbird Anita O'Day in her debut at 22 years old - already displaying uncanny timing, and the horn section all genuflecting to the sole black member of the ensemble, the incomparable Roy Eldridge, who effortlessly blows the roof off the joint with his trumpet.The song celebrates the mythical Shangri-La of Harlem - the place where any aspiring hipster needs to visit to “get groovy”. The rhythm cuts deep, but takes its time to chug and build to an explosive finish by way of Roy's ascending wails of sound. But fundamentally, there is a winking humor to this recording (and “Soundie” video, too) that undergirds a message of brotherhood, and the shared reverence for the music. It hints that we have more in common than what divides us, and advises any non-believers to spend some time “uptown”.

Born in 1967 to the late, great bassist Jamil Nasser, Muneer 's exposure to the jazz idiom was early and powerful. In 1976, "My dad took me to see Dizzy Gillespie at the Village Gate and Dizzy blew the place apart.  I had to get a trumpet and weeks later I did."  In 1979, he went to the International Art of Jazz Workshop for college students. Dave Burns, a trumpeter in Gillespie's Big Band, had reservations about his age. Muneer's talent, however, overshadowed this concern.  "Mr. Burns acceptance fortified my confidence and I began studying with him." Muneer also received private instruction from George Coleman, Jimmy Owens, Oliver Beener, and Webster Young. These workshops and lessons taught him the basics of jazz improvisation, which were tested at serious jam sessions conducted by Eddie Henderson, Ted Curson, Tommy Turrentine, Barry Harris, C Sharpe, and Gil Coggins. "If you couldn't play, they would bench you with quickness and give you a homework assignment." As a youngster, Muneer saw many masters in concert such as George Coleman, Randy Weston, Lou Donaldson, Woody Shaw, Roy Eldridge, and Phineas Newborn.Support the show

All live performances tonight: Frank Sinatra with Count Basie & The Orchestra, Ben Webster, Ella Fitzgerald, Roy Eldridge, Chet Baker & Gerry Mulligan, Billy Taylor & Gerry Mulligan, George Benson, The Dave Brubeck Quartet, and the Lincoln Center Jazz Orchestra featuring Wynton Marsalis.

Happy New Year to everyone as we welcome in the New Year. On the show today is a repeat of program I produced in 2016 called New Year's Radio Dance Party 1945-1946. The Armed Forces Radio Service gave a real treat to American troops still stationed around the world in the aftermath of World War II---live performances, by remote hookups from their respective New Year's Eve hotel and/or ballroom performances. We'll get to hear some of the titans of the time in American jazz and popular music. Including but not limited to Harry James, Count Basie, Louis Armstrong, Jimmy Dorsey, Artie Shaw (with guest Roy Eldridge), Stan Kenton, Benny Goodman, Duke Ellington, and---of course!---Guy Lombardo. It was a gift to our troops then and it's a perfect gift for our troops---and New Year's Eve shut-ins---today. Please visit this podcast at http://bigbandbashfm.blogspot.com

Great band sides with Hawkins for Keynote and Signature in 1943 and 44 featuring Bill Coleman, Andy Fitzgerald, Ellis Larkins, Jimmy Shirley, Teddy Wilson, Buck Clayton and Roy Eldridge with superb tenor sax playing from the leader at his peak! --- Support this podcast: https://anchor.fm/john-clark49/support

This week: The second of two programs featuring selections from Ella at Juan-Les-Pins (1964), the offbeat album that Ella recorded live on a humid summer day in 1964 in the south of France on the Riviera, and which featured arrangements by Tommy Flanagan and special guest Roy Eldridge on trumpet. Tracks this week include I'm Putting All My Eggs In One Basket (Live (7/28/64-Cote D'Azur)), Goody, Goody (Live (7/29/64-Cote D'Azur)), Someone To Watch Over Me (Live 7/28/64), Too Close For Comfort (Live 7/29/64), They Can't Take That Away From Me (Live 7/29/64), Cutie Pants (Live 7/28/64), The Lady Is A Tramp (Live (7/29/64-Cote D'Azur)), Summertime (Live (7/29/64-Juan-les-Pins)), Honeysuckle Rose (Live), Perdido (Live (7/28/64-Cote D'Azur)). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: The second of two programs featuring selections from Ella at Juan-Les-Pins (1964), the offbeat album that Ella recorded live on a humid summer day in 1964 in the south of France on the Riviera, and which featured arrangements by Tommy Flanagan and special guest Roy Eldridge on trumpet. Tracks this week include I'm Putting All My Eggs In One Basket (Live (7/28/64-Cote D'Azur)), Goody, Goody (Live (7/29/64-Cote D'Azur)), Someone To Watch Over Me (Live 7/28/64), Too Close For Comfort (Live 7/29/64), They Can't Take That Away From Me (Live 7/29/64), Cutie Pants (Live 7/28/64), The Lady Is A Tramp (Live (7/29/64-Cote D'Azur)), Summertime (Live (7/29/64-Juan-les-Pins)), Honeysuckle Rose (Live), Perdido (Live (7/28/64-Cote D'Azur)). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: The second of two programs featuring selections from Ella at Juan-Les-Pins (1964), the offbeat album that Ella recorded live on a humid summer day in 1964 in the south of France on the Riviera, and which featured arrangements by Tommy Flanagan and special guest Roy Eldridge on trumpet. Tracks this week include I'm Putting All My Eggs In One Basket (Live (7/28/64-Cote D'Azur)), Goody, Goody (Live (7/29/64-Cote D'Azur)), Someone To Watch Over Me (Live 7/28/64), Too Close For Comfort (Live 7/29/64), They Can't Take That Away From Me (Live 7/29/64), Cutie Pants (Live 7/28/64), The Lady Is A Tramp (Live (7/29/64-Cote D'Azur)), Summertime (Live (7/29/64-Juan-les-Pins)), Honeysuckle Rose (Live), Perdido (Live (7/28/64-Cote D'Azur)). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: The second of two programs featuring selections from Ella at Juan-Les-Pins (1964), the offbeat album that Ella recorded live on a humid summer day in 1964 in the south of France on the Riviera, and which featured arrangements by Tommy Flanagan and special guest Roy Eldridge on trumpet. Tracks this week include I'm Putting All My Eggs In One Basket (Live (7/28/64-Cote D'Azur)), Goody, Goody (Live (7/29/64-Cote D'Azur)), Someone To Watch Over Me (Live 7/28/64), Too Close For Comfort (Live 7/29/64), They Can't Take That Away From Me (Live 7/29/64), Cutie Pants (Live 7/28/64), The Lady Is A Tramp (Live (7/29/64-Cote D'Azur)), Summertime (Live (7/29/64-Juan-les-Pins)), Honeysuckle Rose (Live), Perdido (Live (7/28/64-Cote D'Azur)). This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff whisks us away to the French Riviera to play selections from Ella at Juan-Les-Pins (1964), the only live album that Ella Fitzgerald recorded, featuring arrangements by the Tommy Flanagan trio and special guest Roy Eldridge on trumpet. Tracks include Day In, Day Out (Live At Cote d'Azur, France / 1964), Just A-Sittin' and A-Rockin' (Live (7/29/64-Cote D'Azur)), People (Live 7/29/64), I Love Being Here With You (Live 7/29/64), Can't Buy Me Love (Live 7/28/64), Somewhere In The Night (Live At Antibes Jazz Festival, 7/29/64), The Cricket Song (Live 7/29/64), Them There Eyes (Live 7/28/64), Blues In The Night (Live (7/29/64-Cote D'Azur)), You'd Be So Nice To Come Home To (Live 7/29/64), Shiny Stockings (Live (7/29/64-Juan-les-Pins)). This edition of GPE was produced by Ed Robertson  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff whisks us away to the French Riviera to play selections from Ella at Juan-Les-Pins (1964), the only live album that Ella Fitzgerald recorded, featuring arrangemnts by the Tommy Flanagan trio and special guest Roy Eldridge on trumpet. Tracks include Day In, Day Out (Live At Cote d'Azur, France / 1964), Just A-Sittin' and A-Rockin' (Live (7/29/64-Cote D'Azur)), People (Live 7/29/64), I Love Being Here With You (Live 7/29/64), Can't Buy Me Love (Live 7/28/64), Somewhere In The Night (Live At Antibes Jazz Festival, 7/29/64), The Cricket Song (Live 7/29/64), Them There Eyes (Live 7/28/64), Blues In The Night (Live (7/29/64-Cote D'Azur)), You'd Be So Nice To Come Home To (Live 7/29/64), Shiny Stockings (Live (7/29/64-Juan-les-Pins)). This edition of GPE was produced by Ed Robertson  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff whisks us away to the French Riviera to play selections from Ella at Juan-Les-Pins (1964), the only live album that Ella Fitzgerald recorded, featuring arrangements by the Tommy Flanagan trio and special guest Roy Eldridge on trumpet. Tracks include Day In, Day Out (Live At Cote d'Azur, France / 1964), Just A-Sittin' and A-Rockin' (Live (7/29/64-Cote D'Azur)), People (Live 7/29/64), I Love Being Here With You (Live 7/29/64), Can't Buy Me Love (Live 7/28/64), Somewhere In The Night (Live At Antibes Jazz Festival, 7/29/64), The Cricket Song (Live 7/29/64), Them There Eyes (Live 7/28/64), Blues In The Night (Live (7/29/64-Cote D'Azur)), You'd Be So Nice To Come Home To (Live 7/29/64), Shiny Stockings (Live (7/29/64-Juan-les-Pins)). This edition of GPE was produced by Ed Robertson  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff whisks us away to the French Riviera to play selections from Ella at Juan-Les-Pins (1964), the only live album that Ella Fitzgerald recorded, featuring arrangements by the Tommy Flanagan trio and special guest Roy Eldridge on trumpet. Tracks include Day In, Day Out (Live At Cote d'Azur, France / 1964), Just A-Sittin' and A-Rockin' (Live (7/29/64-Cote D'Azur)), People (Live 7/29/64), I Love Being Here With You (Live 7/29/64), Can't Buy Me Love (Live 7/28/64), Somewhere In The Night (Live At Antibes Jazz Festival, 7/29/64), The Cricket Song (Live 7/29/64), Them There Eyes (Live 7/28/64), Blues In The Night (Live (7/29/64-Cote D'Azur)), You'd Be So Nice To Come Home To (Live 7/29/64), Shiny Stockings (Live (7/29/64-Juan-les-Pins)). This edition of GPE was produced by Ed Robertson  Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:22 - Trop parler - par : Nathalie Piolé -

Great meetings of like instruments - Trombone Choir with Benny Morton, Bill Harris, Vic Dickenson and Claude Jones; Trumpet Ensemble with Roy Eldridge, Joe Thomas and Emmett Berry; Sax Ensemble with Coleman Hawkins, Don Byas, Tab Smith and Harry Carney . . great rhythm sections all featuring Johnny Guarnieri! --- Support this podcast: https://anchor.fm/john-clark49/support

A studio version of the Gene Krupa Orchestra from the 1950's featuring re-arrangements of his hits from the 1940's - with Anita O'Day, Roy Eldridge, Dave McKenna, Barry Galbraith Eddie Shu, Aaron Sachs, Jimmy Cleveland, Ernie Royal, Kai Winding, Urbie Green, Phil Woods, Eddie Wasserman and Hank Jones! --- Support this podcast: https://anchor.fm/john-clark49/support

Bob Mover is a virtuosic saxophonist who performed with Chet Baker, Charles Mingus, Lee Konitz and countless others over a long career. Visit https://www.bobmoverjazz.com/ to sign up for Bob Mover's weekly online masterclass sessions every Saturday. List of names mentioned: Charlie Parker, Roland Kirk, Bill Evans, Roy Eldridge, Richie Kamuca, Ira Sullivan, Walter Piston, Gerry Mulligan, Chet Baker, Stan Getz, Zoot Sims, Wynton Kelly, Kenny Dorham, Sonny Rollins, Lee Konitz, Jaki Byard, Al Cohn, Phil Woods, Bud Powell, Thelonius Monk, Jimmy Lyons, Cecil Taylor, Saul Frompkin, Don Byas, Coleman Hawkins, Art Tatum, Bud Powell, Hank Jones, Al Haig, Dodo Marmarosa, Joe Albany, Albert Dailey, Kenny Barron, Warne Marsh, Lennie Tristano, Lester Young, Count Basie, Jerry Coker, Allen Rock, Duffy Jackson, Bill Pierce, Mark Colby, Melton Mustafa, Ramblerny Music camp, Roger Rosenberg, Mike Brecker, Randy Brecker, Eddie Cleanhead Vinson, Shelly Manne, Brooks Kerr, Tony Castellano, Mulgrew Miller, Walter Davis Junior, John Bennett, Bernie Senensky, Cory Weeds, Sam Noto, Isaac Raz, Antoine Drye, Steve Kenyon, Emily Mover, Danny Kaye

Tonight on Jazz After Dark: Anita O Day with Roy Eldridge and Gene Krupa, and then with Stan Kenton. We'll hear Joe Holiday, Peggy Lee , Nat "King" Cole and His Trio, Milt Jackson & Ray Charles, Art Blakey & The Jazz Messengers, Ella Fitzgerald & Paul Weston and His Orchestra, Charles Mingus, Buddy DeFranco Quartet, Earl "Fatha" Hines, Eddie Harris, and Shirley Horn.

As Jazz appreciation month draws to a close, we need to get a trumpet player in there. It's even a musician I have not introduced you to yet. His playing is so effortless especially for the speed he plays. So get ready to hear the graceful and uptempo style from the horn of Roy Eldridge in Volume 69: Little Jazz on Horn Part 1. Credits and Copyrights:  Louis Armstrong Roy Eldridge Jazz Masterpieces Label: The Franklin Mint Record Society – JAZZ 003: FROM  1/2/3/4 Yes, Armstrong and elridge were the featured artists in the first box set of this collection. Series:The Greatest Jazz Recordings Of All Time – JAZZ 001, Institute Of Jazz Studies Official Archive Collection Format: 4 x Vinyl, LP,Compilation, Red vinyl Red Box Box Set Country: US Released: 1982 Genre: Jazz Style: Swing Here Comes Cookie written by Mack Gordon Jangled Nerves Written by Bud Green, Sam H. Stept, Herman Ruby Swing Is Here Written by Gene Krupa, Chu Berry and Roy Eldridge Rockin' Chair composed by Hoagy Carmichael The Gasser Composed by Roy Eldridge Minor Jive Composed by Roy Eldridge Fiesta in Brass Composed by Roy Eldridge I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

En este tercer episodio dedicado a la trompeta exploramos grandes trompetistas de los 40-50 asociados con el swing, entre otros Roy Eldridge y su influencia en Dizzy, Buck Clayton, Harry Edison, Ruby Braff. Seguidos de varios "especialistas" en registro alto y otros trompetistas de la orquesta de Duke tales como Charlie Shavers, Clark Terry y Cat Anderson. En el próximo otros, bop y cool.

"I Remember April" Duke Jordan Trio: Two Loves (Steeplechase, 1973) ¿Sabías que? Duke Jordan nació el 1 de abril de 1922 en Brooklyn. Su nombre fue Irving Sidney Jordan. El apodo se debe a su admiración por Duke Ellington. Estudió piano durante su infancia y adolescencia: sus inicios profesionales fueron en 1933. En la década de los años 40 del siglo XX trabajó con Coleman Hawkins, Charlie Parker (entre 1946-1948, a quien acompañó en sus sesiones para el sello Dial), Roy Eldridge y Stan Getz. En la década de los 50 toca junto a Oscar Pettiford, Cecil Payne y Gene Ammons. En 1956 toca en Suecia con Rolf Ericson, en Francia con Kenny Clarke y Kenny Dorham. Compone en parte la música de la banda sonora Les Liasons Dangereuses en ese mismo año. Entre 1952 y 1962 estuvo casado con la cantante Sheila Jordan. Durante unos años abandonó su carrera musical. En los años 70 retomó su labor como pianista y se instala en Copenhague. Allí grabará en la discográfica danesa Steeplechase. Además de un buen puñado de discos, graba la primera referencia de este sello. En esa década graba más de veinte referencias en este sello. El 8 de agosto de 2006 falleció en Copenhague. © Pachi Tapiz, 2022 En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=62266 https://www.tomajazz.com/web/?p=62200 https://www.tomajazz.com/web/?p=61576 https://www.tomajazz.com/web/?p=47859 https://www.tomajazz.com/web/?p=59944 https://www.tomajazz.com/web/?p=60399 Más información sobre Duke Jordan https://www.allmusic.com/artist/duke-jordan-mn0000147245/biography Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. Las sugerencias, quejas, felicitaciones, opiniones y el contacto en general en jazzx5 @ tomajazz.com También por WhatsApp en el teléfono de contacto. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Faces [00:33] "Miss Judy's Farm" A Nod Is as Good as a Wink... to a Blind Horse Warner Bros. Records BS 2574 1971 The lads at peak form, produced by none other than Glyn Johns. Soft Cell [04:09] "Say Hello, Wave Goodbye" Non-Stop Erotic Cabaret Sire SRK 3647 1981 Excellent low-key groove from these Leeds lads. There's fun cover of this by Japanese duo Salon Music and Russell Mael of Sparks (https://youtu.be/s6M69rLUMfE). Aidan Baker & Karen Williams [09:37] "Meeting in the Dark" Nonland Gizeh Records GZH74 2017 Guitarscapes by Aidan Baker and percussion by Karen Willems. Atari Teenage Riot [15:03] "Atari Teenage Riot" Not Your Business EP 1996 Grand Royal GR039/Digital Hardcore Recordings DHR US 12.1 Yup, digital hardcore was a thing. The Partridge Family presentado a Shirly Jones y David Cassidy [20:26] "Nadie Desea Ser Amada (Doesn't Somebody Want to Be Wanted)" Al Dia (Up to Date) Bell Records 2308 004 1971 Jeez leweez, never trust a kid to refile records correctly. Why is there a copy of The Partridge Family's Up to Date in the sleeve for The Partridge Family Notebook? And why is the label in Spanish but none of the songs are in Spanish. Oh well. Herb Ellis [23:07] "Big Red's Boogie Woogie" Nothing but the Blues Verve Records MG V-8252 1957 Hot! Featuring Stan Levey on drums, Ray Brown on bass, Stan Getz on tenor sax, and Roy Eldridge on trumpet. Big Star [28:46] "When My Baby's Beside Me" No. 1 Record Big Beat Records WIK 53 1986 (original release: Ardent Records DS-2083 1972) Every day someone is born who has never heard Big Star. If you are one of those people, enjoy! The Number Ones [32:09] "Sharon Shouldn't" The Numbers Static Shock Records SSR024 2014 Hot mid-teens power pop punk from Dublin. Iron Maiden [35:56] "The Prisoner" The Number of the Beast Harvest ST-12202 1982 Bruce Dickinson's debut outing with Maiden. This album loomed large in my adolescence. Evidently Mr. Dickinson is touring with a spoken word show? (https://youtu.be/R9jfm-9L0q4) TacocaT [41:59] "Psychedlic Quinceañera" NVM Hardly Art HAR-079 2014 So many awesome songs on this album that it's hard to pick just one, but really... This Is the One! From the lyrics to the trumpets, what's not to love? Romeo Void [44:10] "Never Say Never" Never Say Never Columbia/415 Records 5C 38178 1981 Every day someone is born who has never heard "Never Say Never". If one of those people is you, enjoy! Thank goodness for the early days of MTV otherwise I would have had no idea this sound existed. Alan Price [50:16] "O Lucky Man!" O Lucky Man! Original Sountrack Warner Bros. Records BS 2710 1973 I've been obsessed with this Alan Price soundtrack since I first heard it in this over-long shaggy dog of a film by Lindsay Anderson. L.A. Witch [54:44] "Heart of Darkness" Octubre Suicide Squeeze SSQ166 2019 Mellow down spooky. Bobbie Gentry [57:12] "Mississippi Delta" Ode to Billie Joe Captiol Records ST-2830 1967 One of the hottest track one side ones you could ask for. Mulatu Astatke [01:00:22] "Munaye" Mulatu of Ethiopia Worthy Records W-1020 1972 (2003 reissue) Putting the funk in Ethiopian jazz. The Cramps [01:03:54] "I Can't Hardly Stand It" ...Off the Bone Illegal Records ILPIC 012 1985 The Cramps give this Charlie Feathers number (https://youtu.be/8h_O6U1xMlc) a fine take. There's some great local television footage of Alex Chilton helping The Cramps record at Sun Studios if you shake the internet. Music behind the DJ: "Goldfinger" by Mantovani

Fletcher Henderson and His Orchestra: "Sing, Sing, Sing" (1936) Dick Vance, Joe Thomas, Roy Eldridge, Fernando Arbello, Ed Cuffee, Buster Bailey, Don Pasquall, Elmer Williams, Chu Berri, Fletcher Henderson, Horace Henderson, Bobb Lessey, Israel Crosby, Walter Johnson, "Georgia Boy" Simpkins. Louis Prima es el autor del tema. Tomajazz: © Pachi Tapiz, 2022 ¿Sabías que? El tema se grabó en Chicago el 4 de agosto de 1936, el mismo año que Louis Prima lo dio a conocer. En la misma sesión se puede escuchar cantar a Roy Eldridge, aunque el cantante en este tema es "Georgia Boy" Simpkins. En esa misma sesión L.J. Russell y Fletcher Henbderson fueron los arreglistas de algunos de los temas, aunque en este tema el arreglista fue Horace Henderson. El tema se puede encontrar en distintas recopilaciones: Fletcher Henderson 1934-1937 de la colección The Classics Chronological Series, o en Classic Chu Berry Columbia and Victor Sessions de Mosaic. Escuchar Fletcher Henderson and His Orchestra: "Sing, Sing, Sing" En anteriores episodios de JazzX5/HDO/LODLMA/Maltidos Jazztardos/Tomajazz Remembers… https://www.tomajazz.com/web/?p=61435 https://www.tomajazz.com/web/?p=61464 Más información sobre Fletcher Henderson https://www.tomajazz.com/web/?s=fletcher+henderson&submit=Search https://syncopatedtimes.com/profiles-in-jazz-fletcher-henderson/ Más información sobre JazzX5 JazzX5 es un minipodcast de HDO de la Factoría Tomajazz presentado, editado y producido por Pachi Tapiz. JazzX5 comenzó su andadura el 24 de junio de 2019. Todas las entregas de JazzX5 están disponibles en https://www.tomajazz.com/web/?cat=23120 / https://www.ivoox.com/jazzx5_bk_list_642835_1.html. JazzX5 y los podcast de Tomajazz en Telegram En Tomajazz hemos abierto un canal de Telegram para que estés al tanto, al instante, de los nuevos podcast. Puedes suscribirte en https://t.me/TomajazzPodcast. Pachi Tapiz en Tomajazz https://www.tomajazz.com/web/?cat=17847

Starting with basic definitions for school: Equality = Same Equity = Fair Paradox = D'oh! Music samples from Roy Eldridge, Van Halen, Our School Choir, He Who Shall Not Be Named Join us!