Podcast appearances and mentions of Lindy Hop

Aujourd'hui Clémence en compagnie de l'association LH Lindy Hop, nous fait découvrir le Lindy Hop danse de rue importée de la communauté afro-américaine des années 1920. D'abord pratiquée dans les rues de Harlem à New York elle s'est depuis exportée en Europe et à servi de précurseur à plusieurs danses modernes comme le Hip-Hop.

Cagliari Lindy Circus non è solo una scuola di ballo, ma una vera e propria comunità che promuove la cultura dello swing, dove la passione per la danza diventa occasione di socializzazione e divertimento. Cagliari Lindy Circus è una scuola di ballo che promuove la cultura afroamericana dello swing degli anni '30 e ‘40, in tutte le sue forme. Fondata da appassionati del ballo e della musica swing, la scuola non è solo un luogo dove imparare a danzare, ma una vera e propria comunità. Stefano Murgia, insegnante e responsabile artistico della scuola, ci racconta com'è nata questa realtà e la filosofia che guida il suo lavoro. Un Progetto che Unisce Danza e Comunità Cagliari Lindy Circus è il frutto del desiderio di creare uno spazio dove la danza non sia solo tecnica, ma un'opportunità per condividere e stare insieme. La scuola è nata dalla voglia di far rivivere la cultura dello swing, con un gruppo di persone che, appassionate di questo genere musicale, hanno deciso di costruire una comunità a Cagliari. L'obiettivo principale non è solo insegnare a ballare, ma anche promuovere la socialità attraverso la musica dal vivo e il dialogo che nasce tra i ballerini. Cos'è lo Swing Dance? Lo swing dance è una famiglia di balli che prende il nome dalla musica jazz degli anni '30 e ‘40, un periodo storico in cui il jazz divenne la colonna sonora di tante sale da ballo. Questi balli sono pieni di energia, libertà e socialità. Cagliari Lindy Circus insegna il Lindy Hop, l'Authentic Jazz e il Balboa, tre stili che, pur avendo radiei comuni, si differenziano per modalità di esecuzione e dinamiche di coppia. Secondo Stefano, la bellezza dello swing sta nella sua capacità di adattarsi a diverse velocità e stili musicali, permettendo agli artisti di esprimersi in modo unico, sia con il partner che individualmente. Lindy Hop, Balboa e Solo Jazz: Stili a Confronto Oltre al Lindy Hop, la scuola offre corsi di Solo Jazz e Balboa, due stili che, pur derivando dallo stesso linguaggio dello swing, si esprimono in maniera diversa. Il Lindy Hop è un ballo di coppia che consente ampio spazio all'improvvisazione, mentre il Balboa è caratterizzato da un abbraccio più stretto e si adatta a spazi ristretti e a ritmi veloci. Il Solo Jazz, invece, è un'espressione individuale che permette di lavorare sul movimento personale, senza la necessità di un partner. La Comunità di Cagliari Lindy Circus Stefano sottolinea la scuola non sia solo un luogo di insegnamento, ma una vera e propria comunità. Gli insegnanti e gli allievi contribuiscono tutti alla crescita collettiva. La danza, secondo lui, è un linguaggio che unisce e permette di creare legami che vanno oltre la pista da ballo. La scuola accoglie persone di tutte le età, costituendo un ambiente amichevole dove socializzare, divertirsi e fare movimento. Lo swing, pur essendo associato a un'epoca passata, continua a parlare anche alle nuove generazioni grazie alla sua capacità di trasmettere emozioni universali. Il Ballo Fuori dalla Scuola Uno degli aspetti più apprezzabili di Cagliari Lindy Circus è che la scuola non si limiti a lezioni in aula, ma promuova anche eventi di social dance e serate con musica dal vi

Viele Menschen tanzen gerne und das regelmässig, aber nicht jeder oder jede unbedingt das Gleiche: die sogenannten Standardtänze sind nach wie vor beliebt. Auch Boogy Woogy, Swing und Lindy Hop haben noch ihre Fans. Und nicht zu vergessen: Der Tango Argentino. So wie bei der 73-jährigen Helga. Sie ist eine meiner heutigen Studiogäste. Wie und warum Helga so gerne tanzt und was für sie die Faszination Tango ausmacht, das wird sie uns in dieser Sendung erzählen.

We talk with Juan about the early days of Lindy Hop in Argentina, what drew him to the dance, and his future as an artistic director in Bangkok. He shares thoughts on the concept of home, life on the move, and how his physical education background shaped his teaching. We chat about knowing when to pivot, why competitions shouldn't be taken too seriously, dance trends, event organizing, and his love for music and the pursuit of beautiful things.Photo by: Ana Luz Crespi (@analuzcrespi)

An introduction to swing dancing with discussions of Lindy Hop and Balboa and other styles including Shag. Michael Jones has been involved in the Sydney swing scene for more than twenty years and participates in events around the world, particularly for Balboa these days.

What better way to dive into a conversation about the album No More Idols by Chase & Status than to degenerate into discussions about Darren brown, Lindy Hop & punching girls? It's the British dream!   Stop your family being shamed for all eternity by handing out a high five and rate or review the Personal Jukebox on Spotify, iTunes and all of your podcast providers. Click that bloody subscribe button too! If you've got any questions about the show, feel the need to vehemently contest the opinions or would like to suggest an album or subject for us to cover then contact us through the magic of electronic mail at jukeboxpod@gmail.com  You can also follow us on Instagram @jukeboxpod or search up Personal Jukebox Podcast on Facebook. Thanks for listening as always. Be kind, be nice & tell your mom we said “Hi”.   Produced by Ning@studio2

We sit down with Carlos Machava to talk about his 20+ years in the dance world—from first seeing dance on the streets to training at a dance academy and eventually discovering Lindy Hop. Carlos shares what drew him to dance, his experience training with a dance company in Mozambique, and his first impressions of jazz dance. We also discuss different teaching approaches, the counting vs. scatting debate, and how we can express ourselves more through dance.This Podcast series is part of the Swinging Europe project, which is co-funded by the Creative Europe Programme of the European Commission.Photo by Sara Pista

Hokum bands of the 1920s and '30s created a brand of urban folk tunes called “jug band music” that famously blended the sounds of the plantation and the church with those of the swing, swerve and sway of nascent jazz.And no one did it better than those Flood heroes The Memphis Jug Band, formed in 1927 by Beale Street guitar/harmonica player Will Shade. Shade was also known as Son Brimmer, a nickname given to him by his grandmother Annie Brimmer (“son” being short for grandson). The name stuck when other members of the band noticed how the sun bothered him and he used the brim of a hat to shade his eyes.The Ohio Valley InfluenceIncidentally, Will Shade first heard jug band music in our part of the country, on the 1925 recordings by Louisville's Dixieland Jug Blowers, and he wanted to take that sound south.“He was excited by what he heard,” Wikipedia notes, “and felt that bringing this style of music to his hometown of Memphis could be promising. He persuaded a few local musicians, though still reluctant, to join him in creating one of the first jug bands in Memphis.”While Shade was the constant, the rest of his band's personnel varied from day to day, as he booked gigs and arranging recording sessions.Some players remained a long time. For instance, Charlie Burse (nicknamed "Laughing Charlie," "Uke Kid Burse" and "The Ukulele Kid”) recorded some 60 sides with the MJB. Others — like Memphis Minnie and Hattie Hart — used the band as a training ground before going on to make careers of their own.Street MusicThe Memphis Jug Band's venues, as The Corner Jug Store web site noted, included “street corners, juke joints, city nightclubs, political rallies, private parties, hotel ballrooms, medicine shows and riverboats,” and it cut many styles and repertoires to suit its varied audiences.Most of all, the MJB's sound was the music of the street, as demonstrated in the open lines of their wonderful “4th Street Mess Around,” recorded in May 1930 for Victor by Ralph Peer: Go down Fourth until you get to Vance, Ask anybody about that brand new dance. The girls all say, “You're going my way, It's right here for you, here's your only chance.”And what was that “brand new dance?” Shoot, take your pick! The Eagle Rock, the turkey trot and fox trot, camel walk and Castle Walk, the Charleston and the Lindy Hop were all stirring the feet and wiggling the hips of listeners and players in the ‘20 and ‘30s.But Mess Around?But what's a “mess around?” Well, as we reported here earlier, New Orleans jazzman Wingy Manone in his wonderful autobiography called Trumpet on the Wing, talked about watching people dance the mess-around at the fish fries of his youth in the Crescent City at the beginning of the 20th century.“The mess-around,” said Wingy, “was a kind of dance where you just messed around with your feet in one place, letting your body do most of the work, while keeping time by snapping fingers with one hand and holding a slab of fish in the other!” Now, that's an image.Our Take on the TuneThe Flood first started messing around jug band tunes nearly 50 Springs ago, when the band was still a youngster. Before their juncture with juggery, the guys played mainly old folk songs and some Bob Dylan and John Prine and a smattering of radio tunes from folks like James Taylor and The Eagles. But then they discovered some fine old recordings by Tampa Red and Georgia Tom, by groups like The Mississippi Sheiks and Gus Cannon's Jug Stompers, and most especially the great Memphis Jug Band. Ever since then, The Flood's musical buffet table has been a lot bigger, with tunes like this one from the warmup at last week's rehearsal.More Jugginess?Of course, The Flood's jug band music mission has continued. If today's song and story have you ready to join the campaign, check out The Hokum channel on the free Radio Floodango music streaming service which has dozens of jug band tunes ready to rock you. Click here to tune it in and you'll be ready to sing along at the next Flood fest. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Dravon was the eldest of the three kids  and would sometimes hear her mom crying at night. That was really hard for Dravon because she knew how hard her mother had worked and how much she gave up in order to give her children a solid family foundation and a good education. So Dravon was afraid to disappoint her mom because of all the sacrifices her mom had made for the family. Now, Davon is a doctor, an author and a Life Coach.  She has so much to thank her mother for, including how her mom instilled in her the power of positive thinking, hard work the power of forgiveness.In Dravon's new book, “Forgiveness: The Pathway to Happiness,” she shares her expertise and personal experience with forgiveness. She teaches that "it is not denial, amnesia, or even reconciliation, but a pathway to peace and a lifetime practice."  A few inspirational influencers include Oprah Winfrey, Miya Angelou and Dr. Norman Vincent Peale.As a young child, my guest's journey began in poverty on the South Side of Chicago. Though she had always dreamt of a career on the stage, Dravon went on to earn a doctorate in pharmacy from Creighton University and has worked as a pharmacist for over 30 years. A leader in the healthcare industry , she is the recipient of the Secretary McDonough Coin of Recognition for her leadership efforts to combat the COVID pandemic.Along with her medical career and theatrical aspirations, Dr. Dravon has always had a keen interest in personal development. After reading Norman Vincent Peale's The Power of Positive Thinking in college, she went on to make a lifelong study of the power we all have to create the life we want.Ruby wasn't all hard work and business. Because of her Southside of Chicago roots, she was the queen of "Chicago Steppin.' Chicago Steppin', which I was not familiar with until Dravon shared this story of her mom's  love of dancing, is a unique and improvisational partner dance, originated in Chicago's Southside and is rooted in soul, jazz, and R&B music, with influences from styles like the Chicago Bop, Lindy Hop, and Western Swing.Dr. Jame's says her mother always instilled in her children to "be dogmatic and be committed to something." Ruby was unwavering, reflects James. "Her commitment to success was the endgame!"SOCIAL MEDIA LINKS:Instagram- @everydaypeaceFacebook-www.facebook.com/everydaypeacewithdrdravonjames/Twitter- @drdravonjamesLinkedIn - @DrDravonJameshttps://www.linkedin.com/in/dr-dravon-james-84b59a208/ "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".Check out our website for more background information: https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantilloLink to website and show notes: https://shltmm.simplecast.com/Or Find SHLTMM Website here: https://shltmm.simplecast.com/Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

Chi-Chi and Bobby join fellow instructors LAUREL RYAN, JAVIER JOHNSON, and CARLA HEINEY to discuss a myriad of topics at this LIVE BEANTOWN episode! (...from 2023.) To those who don't know, LAUREL is a Black American woman instructor known for her Lindy Hop, solo jazz, and MCing, JAVIER (pronounced with a "J" as is his preference) is a Black American man instructor best known as a Balboa badass, but also does Lindy and some award-winning soul dancing, and CARLA is a White American woman and a living legend of the modern scene, being one of the most influential Lindy Hop instructors of the modern era. ("The Woodside 5" was because we all stayed together in a "Woodside" dormitory suite and are a crime-fighting team.)HUGE thanks to Beantown Dance Camp for not only allowing us to have a platform, but for helping record the episode and elevate minority voices in the dance. And of course, huge thanks to our patrons! (You can find us on patreon!)Sasha KJustnigelAnn Sofie van EnisKatja AlexandriaJuly BelberRebecca BurWeiDee MathewsBrooks PrumoJessie BrooksAryn KellyAudrey BuiIan DawsonKaren ComposMcCormackAmy SorensonNika JinEmily BenzeAngel JenioNick CruickshankTaylor StenderLeila GassSelena KruseRyan LemarCalTara SliwinskiRebecca HarrisLori TaniguchiChristian FrommeltAllison FreyLucie Q MazzantiGary ChyiLaura WindleyLynn MaslenAriane ProteauStephanie KawalskiTove LundströmCharlotteLaurelRyanPaul GrafCassandra FiliosAnd huge thanks toLawrence Kalantari and Karen ShrieberWho donated big in order to help us pay for the work!

Barbara A. Jones serves on the board of The Harlem Swing Dance Society (THSDS), the premiere Harlem non-profit organization with the purpose of promoting, propagating, protecting and preserving the Lindy Hop dance and various forms of Swing Dance culture in its Harlem birthplace. She longs to see the Harlem area once again embrace their signature cultural dance and energize community youth to be the future innovators of this unique art form. Also to see the Living Legends of this dance be honored and preserve the memories of local seniors for future generations. Contact her at theharlemswingdancesociety@gmail.com 

Was this one a good idea? We think so?Following a long red-eye flight and a certain Olympic break dancer's excuse for their performance, Bobby gives Chisomo a theoretical schpeel on values in Lindy Hop, and the problems of choosing one Black American value higher than others. Then they discuss. Shout-out to Shelby Johnson for inspirational posts. We're still learning, keep the conversation going!And of course, huge thanks to our patrons! (You can find us on patreon!)Sasha KJustnigelAnn Sofie van EnisKatja AlexandriaJuly BelberRebecca BurWeiDee MathewsBrooks PrumoJessie BrooksAryn KellyAudrey BuiIan DawsonKaren ComposMcCormackAmy SorensonNika JinEmily BenzeAngel JenioNick CruickshankTaylor StenderLeila GassSelena KruseRyan LemarCalTara SliwinskiRebecca HarrisLori TaniguchiChristian FrommeltAllison FreyLucie Q MazzantiGary ChyiLaura WindleyLynn MaslenAriane ProteauStephanie KawalskiTove LundströmCharlotteLaurelRyanPaul GrafCassandra FiliosAnd huge thanks toLawrence Kalantari and Karen ShrieberWho donated big in order to help us pay for the work!

Norma Miller (1919-2019) was a professional dancer dubbed “The Queen of Swing” for her mastery of the popular Jazz Age dance the Lindy Hop. For Further Reading: Norma Miller, Lindy-Hopping ‘Queen of Swing,’ Is Dead at 99 - The New York Times The Queen Of Swing Takes Old Age In Stride : NPR Norma Miller is still 'Alive and Kicking' and the focus of a new documentary From Harlem to Herrang: An Original Lindy Hopper Blooms in Sweden - The New York Times This Black History Month, we’re talking about Renaissance Women. As part of the famed cultural and artistic Harlem Renaissance movement, these women found beauty in an often ugly world. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn’t help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we’ll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more. Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures. Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Carmen Borca-Carrillo, Taylor Williamson, Sara Schleede, Paloma Moreno Jimenez, Luci Jones, Abbey Delk, Adrien Behn, Alyia Yates, Vanessa Handy, Melia Agudelo, and Joia Putnoi. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

El swing dio origen a bailes específicos, como el Suzy Q y el Lindy Hop; este último fue el baile más acrobático, enérgico y elegante de la era del swing. También desafió la creatividad: las parejas solían diseñar nuevos pasos, saltos y giros en sus casas para lucirlos en el baile del sábado. El Lindy Hop no se enseñaba en escuelas de baile, como la moda anterior, el fox-trot, sino que se desarrolló espontáneamente, en casas particulares y en los salones de baile. Con José Manuel Corrales.

Guest: Jessica Gruber Guest Bio: Jessica Gruber is the Creator of 'Super Sticky Sweet' Websites, CEO of Buzzworks, Strategic B2B Website Agency, COO of Success Champion Networking, Builder of Global Networking Communities, Lindy Hop Dancer, Adventurer, and Lifelong Creator. Episode Summary: In this episode, Jessica Gruber shares her journey of creating impactful websites and building global networking communities. She discusses the importance of strategic B2B website design, the power of networking, and how to create sticky, engaging content that resonates with audiences. Jessica also talks about her passion for Lindy Hop dancing and how it has influenced her approach to creativity and adventure. Key Topics Covered: Super Sticky Sweet Websites: What makes a website truly engaging and memorable. Buzzworks: Strategies for creating successful B2B websites. Success Champion Networking: Building and nurturing global networking communities. Lindy Hop Dancing: How dance influences creativity and personal growth. Adventures and Lifelong Creativity: Embracing new experiences and staying creatively inspired. Guest Bio Highlights: Creator of 'Super Sticky Sweet' Websites: Jessica specializes in designing websites that captivate and retain visitors. CEO of Buzzworks: Leads a strategic B2B website agency focused on helping businesses achieve their online goals. COO of Success Champion Networking: Manages global networking communities that connect professionals and foster collaboration. Lindy Hop Dancer: Passionate about Lindy Hop dancing, which has shaped her approach to creativity and adventure. Adventurer and Lifelong Creator: Continuously seeks new experiences and creative outlets. Show Notes: Jessica's journey into web design and networking. The importance of creating sticky content. Tips for building successful B2B websites. How networking can transform businesses. The influence of Lindy Hop dancing on Jessica's creative process. Jessica's favorite adventures and creative projects. Call to Action: Visit Jessica's website to learn more about her work. Follow her on social media for updates and inspiration. Join Success Champion Networking to connect with like-minded profession

It's a small world after all! In this episode of Spinal Cast, Kevin Hoaglund Jr., Maya Robles, and Marisa Valenti share their personal journey of growing up in New Jersey with a parent paralyzed by spinal cord injury. These three adult children reflect on their unique experiences, navigating childhood, adolescence, and adulthood while providing insight into what it means to grow as individuals in a family dynamic that includes caregiving.With humor, heart, and honesty, they share lessons learned and personal perspective of what's always been normal for them. Tune in to hear their fascinating stories – because life is truly full and interesting.Special thanks to Kevin, Maya, and Marisa for being our guests! This production is a collaborative effort of volunteers working to create a quality audio and visual experience around the subject of spinal cord injury. A special shout out of appreciation to Clientek for providing studio space and top-notch recording equipment. Most importantly, thank YOU for being part of the Spinal Cast audience!Interested in watching these episodes?! Check out our YouTube playlist! - https://youtube.com/playlist?list=PL40rLlxGS4VzgAjW8P6Pz1mVWiN0Jou3vIf you'd like to learn more about the Morton Cure Paralysis Fund you can visit our website at - https://mcpf.org/ Donations are always appreciated - https://mcpf.org/you-can-help/ Short bios follow: Maya RoblesA New Jersey native, holds a degree in Environmental Policy from Rutgers University. After working with the environmental nonprofit Sourland Conservancy, she launched her own business, MAR Bookkeeping, where she helps small business owners prevent stress at tax time and take the worry out of finances. For the past eight years, Maya has also shared her passion for dance, teaching at the Rutgers Swing Dance Club, and recently, teaching Lindy Hop classes for people who are blind or visually impaired. In her free time, she loves cooking, spending time in nature, and learning about native plants. Marisa ValentiMarisa is a New Jersey native and Travel Physical Therapist, currently working throughout the west coast. Her interests lay in Neurologic Physical Therapy, but has experience in every setting from team sports to inpatient rehabilitation. She loves to rock climb, hike, travel, exercise, and is always up for a new adventure anywhere in the world. Kevin Hoaglund, Jr.Born and raised in New Brunswick, NJ. Received a Sports Management degree from James Madison University in and holds a Masters Business degree in Education from Montclair State University. He has been teaching high school for eight years (New Brunswick High, Becton Regional High) and coaches JV Baseball, Varsity Swimming, and JV Baseball.

In this episode, we sit down with Alex to explore his dance journey, from his first impression of Lindy Hop to his experiences training and leading the Old Soulz and the challenges he faced along the way. We discuss how jazz dance resonates today and the limitations and possibilities of teaching and learning the dance. Alex shares his approach to fostering individual expression in dancing, his values regarding competitions, and why he believes higher prize money is essential. Finally, Alex reflects on some of the songs that have shaped his understanding of jazz.

Chealsia and Katie unpack what mutual aid means and what it can look like in action. Katie shares how mutual aid goes beyond charity by centering relationships, listening, and empowering communities to create their own solutions. Join this conversation and discover how mutual aid can transform how we care for one another! Katie Nguyen Palomares is Program Manager at Kingdom Capital Network, Sound Engineer at Chasing Justice, and co-host of The Beauty In-Between Podcast. She is passionate about supporting others to make Kingdom impact through their everyday rhythms & community. Off-duty, you'll find her reading, climbing, or enjoying coffee and good conversation. Chealsia Smedley is a writer, editor, and content manager with Chasing Justice. Chealsia is passionate about storytelling that sparks curiosity and drives compassionate action. She produces and hosts the Created For podcast, supporting BIPOC Christians in walking with Jesus and living out their callings. In her free time, she enjoys dancing the Lindy Hop and other Black vernacular jazz dances. We have an active Patreon community where you can access the full video interview and more resources. Support Chasing Justice || Patreon: patreon.com/ChasingJustice  ||  PayPal: paypal.me/ChasingJustice || Donate: chasingjustice.com/donate

Chealsia sits down with Tamir Bell to explore what it means to make a difference beyond the voting booth. Tamir shares his journey, from middle school to bridging gaps in his community, confronting ageism, and staying grounded in faith while advocating for justice. Tune in to hear practical ways to get involved, overcome barriers, and identify your passions to take action for change.   Tamir Bell's passion for public service began with grassroots organizing, connecting communities with resources to drive progress. As a Gen Z Precinct Committee person and as Political Director to State Rep. Maurice West, he has championed innovative solutions across Illinois. Tamir also serves as Chairperson of the Jackson Charter School Board and is a YMCA board member, focusing on family programs and community well-being. He inspires youth to engage locally, reminding them, "We can't change the world, but we can change our small corner of the world."   Chealsia Smedley is a writer, editor, and content manager with Chasing Justice. Chelsea is passionate about storytelling that sparks curiosity and drives compassionate action. She produces and hosts the Created For podcast, supporting BIPOC Christians in walking with Jesus and living out their callings. In her free time, she enjoys dancing the Lindy Hop and other Black vernacular jazz dances.   We have an active Patreon community where you can access the full video interview and more resources. Support Chasing Justice || Patreon: patreon.com/ChasingJustice  ||  PayPal: paypal.me/ChasingJustice || Donate: chasingjustice.com/donate

In this episode, Monique explores how asking the right questions can unlock your potential. Whether you're a singer or on any learning path, clarity and understanding your "why" are essential. She shares stories, like a voice student struggling to articulate his goals and her experience learning Lindy Hop. The key takeaway? Basics matter. Mastery is built on a solid foundation, and without it, even talent falls short. Monique emphasizes patience and grace during the learning process. Tune in to discover how aligning your questions with your goals can accelerate your growth and make the journey more enjoyable.RESOURCES :If you are enjoying the podcast, I think you'll enjoy my Mic Masters Newsletter. Get weekly insights, mindset changes, useable information and so much more for professional and aspiring singers. Join today. For more information on how to work with me, send inquiries to : info@moniquebthomas.comMusically,Monique

The gals Lindy Hop into one of their favorites - the heartfelt, real and hilarious love letter to the mid 1990s LA retro resurgence known as “Swingers.” Go daddy-o! #podcastersofinstagram #podcastersoffacebook #putyourbooksdown #gentlecomedy #nataliesandersonjones #angelabingham #gentlecomedy #genx #chimpcrazy     Follow Put Your Books Down on social media:     Facebook: https://www.facebook.com/putyourbooksdown     Instagram: https://www.instagram.com/putyourbooksdown/     Natalie on IG:  https://www.instagram.com/nataliesanderson/     Angela on IG:  https://www.instagram.com/angelabinghamofficial/     Podcast produced by http://clantoncreative.com

Chisomo & Bobby break down breakdancing at the 2024 Olympics and what Lindy Hoppers can take away from it. The answers are often just more questions. But some of the topics they hit upon are... accessibility in sports/arts, doo rags and zoot suits, trying to take politics out of a political dance, Lindy Hop at the Harvest Moon Ball, and the introduction of Caitlin Clark into the WNBA. We don't blame you if you're tired of this conversation, we won't be upset if you skip this one. But if you haven't watched them yet, PLEASE watch some of the great breakdancing battles of the Olympics, not just the notorious one. We think we owe our fellow Black American dance forms that much. :) No video for this one, audio only. (RECORDED AT POLICORO IN SWING!) Huge thanks to our Patreon patrons! Cassandra Filios Kaydee Tower Sasha K Justnigel Ann Sofie van Enis Katja Alexandria July Belber Rebecca BurWei Dee Mathews Brooks Prumo Jessie Brooks Aryn Kelly Audrey Bui Ian Dawson Karen Compos McCormack Amy Sorenson Nika Jin Emily Benze Angel Jenio Nick Cruickshank Taylor Stender Leila Gass Selena Kruse Ryan Lemar Cal Tara Sliwinski Rebecca Harris Lori Taniguchi Christian Frommelt Allison Frey Lucie Q Mazzanti Gary Chyi Laura Windley Lynn Maslen And huge thanks to Lawrence Kalantari Karen Shrieber Who donated big in order to help us pay for the work!

Rusty Frank is a Lindy Hop (swing) dancer, tap dancer, choreographer, producer, teacher, and dance preservationist.  She is the author of the critically acclaimed book, TAP! The Greatest Tap Dance Stars and Their Stories, for which Rusty interviewed such tap luminaries as Ann Miller, Donald O'Connor, Shirley Temple, Gene Nelson, and The Nicholas Brothers.  Join Shannon and Rusty as they discuss Rusty's book, dance career, the tap legends she got to know personally, and her remarkable recovery from a near-fatal accident.

With inspiration from his stylistic ancestors Nat King Cole and Joe Williams, John Dokes brings new life to the deep-souled world of baritone jazz vocals on his elegant new album, Our Day on his Swing Theory Entertainment imprint. In delivering a distinctive post-pandemic outing of classic songs embodied with hopeful passion, Dokes—also promises that his new endeavor is “an album that will make you move.” Our Day features songs associated with Cole (such as the smooth low-toned “Almost Like Being in Love,” the delightful Rodgers and Hart gem, “This Can't Be Love,” the Latin-vibed “L.O.V.E.” that elicits dancing), two vocalese numbers (Jon Hendricks' take on one-time Jazz Messenger composer Bobby Timmons' “Moanin',” Mark Murphy's swinging run through Freddie Hubbard's “Red Clay”), the full-energy pop vibe on Billy Ocean's hit “Suddenly,” the calming Michel Legrand tune “I Will Wait for You” made famous from the Frank Sinatra songbook. “I grew up dancing hip-hop, I made a transition to something that I could do for a longer time in my life,” says Dokes. “I switched to Lindy Hop also known as swing dancing. I came to singing later in my life, but I gravitated to the music I was most passionate about—the eras of the ‘40s, ‘50s, early ‘60s. I started picking songs that really moved me. Dokes' last two albums were quintet affairs. For Our Day, he convened a nonet that includes members of the New York-based George Gee Swing Orchestra where he launched his career as a vocalist. (He documented that with his debut album, John Dokes Sings, George Gee Swings.) Key to the album's success is the arranging of Gee's musical director trombonist David Gibson. “Dave is a great arranger,” Dokes says. “He provides layers for the nonet where everyone has a chance to shine on solos as he fills up the space with his lines.” Now, with his fourth album, Dokes has fully arrived. There's not a dull moment on Our Day. He opens with “Our Day Will Come.” “It's a love song,” Dokes says. but it's also an opening from the past. Now is our time. Now is our day. It's really a song about us as a band coming back together.” Originally, Dokes was in the midst of fashioning a trilogy of quintet recordings (2017's Forever Reasons and 2019's True Love on Ian Hendrickson-Smith's Rondette Jazz label). While the third album is still in the works, a couple of events intervened. “I got derailed,” says Dokes. “First, my drummer Lawrence Leathers died after True Love came out. I moved to Chicago with my wife and two children. Then there was the pandemic that changed how I was looking at the future. I had to restart my brain. I decided to work on some of my material that had never been recorded. I contacted George Gee and he was working on his nonet's Christmas album in May 2023, so we combined that with David arranging my album. It was a back-to-back operation of small big bands.” The nonet comprises saxophonists Anthony Nelson Jr. and Michael Hashim, multi-reeds player Patience Higgins, trumpeters Freddie Hendrix and Andy Gravish, Gibson on trombone. pianist Steve Einerson, bassist Malik McLaurine and drummer Chris Latona. A native of Little Rock, Arkansas who grew up living in Oakland, California, Dokes never dreamed of becoming a professional singer even though he was fascinated by black-and-white reruns of Nat Coles' short-lived 15-minute network television show that ran on NBC in 1956. “I watched them nonstop before I ever thought about singing,“ Dokes says. “But there was his elegance, his smoothness, his ease. That resonated with me. And it informed how I approach my singing today. I don't dive into a lot of vocal acrobatics - but like some of my favorite acrobatic and non-acrobatic singers I like to lean in and tell the story to connect with my audience.” His father was steeped in music while Dokes was growing up. He played Nat King Cole albums in the house, and he was in an r&b band in the Bay Area in the ‘70s that often opened for soul/r&b stars of the day like The Whispers and The Stylistics. He moved to New York and became a regular at swing dance shows including dates by the George Gee Swing Orchestra. One of his dance partners was the legendary Lindy Hopper, cabaret star, alto sax player Dawn Hampton, the cousin of jazz hero Lionel Hampton and sister of legendary trombonist and composer Slide Hampton. She told him that she really liked his voice when he was dancing. “If Dawn likes my voice, I'm going to surprise her one night and sing a couple of songs with George's band. George only knew me as a dancer. He saw my potential and asked me to join the band. That built my confidence and gave me the path to get better.”

This episode connects family upbringing that supports the evolution of jazz dance and culture . Our guest LaTasha “Tasha” Barnes shares her experience and creative process that includes art music and family memories. LaTasha is an internationally recognized and awarded dancer, choreographer, educator, performer, cultural ambassador, and Tradition-bearer of Black American Social Dance from Richmond, VA. Barnes is globally celebrated for her musicality, athleticism, and joyful presence throughout the cultural traditions she bears: House, Hip-Hop, Waacking, Vernacular Jazz, and Lindy Hop. She is currently an Associate Professor of Dance at Arizona State University and the Artistic Director of The Jazz Continuum.

2023 Bessie Outstanding Creator/Choreographer for The Jazz Continuum, 2021 Bessie Outstanding Performer award winner, and New York Times lauded Best Dance & Breakout Star LaTasha Barnes is an internationally awarded and critically-acclaimed dance artist, choreographer, educator, and tradition-bearer of Black American Social Dance from Richmond, VA. She is globally celebrated for her musicality, athleticism, and joyful presence throughout the cultural traditions she bears: House Dance, Hip-Hop, Waacking, Authentic Jazz, and Lindy Hop, among them. Barnes' expansive artistic, competitive, and performative skills have made her a frequent collaborator to Dorrance Dance, Singapore-based Timbre Arts Group, Ephrat Asherie Dance, and many more.Barnes' leadership and business skills have placed her in positions of service as Chair of the Board of Trustees for Ladies of Hip-Hop Festival®, Vice President of Marketing & Outreach for the International Lindy Hop Championship®, Board Member of the Black Lindy Hoppers Fund, the Frankie Manning Foundation, and a contributing member to the NEFER Global Movement Collective.Expanding the scope of impact for the communities she serves, Barnes completed her self-designed Masters in Ethnochoreology, Black Studies and Performance Studies thru New York University Gallatin School of Individualized Study (2019). Her thesis and continued applied research are working to bridge the gap between communities of practice and academic cultural dance research, performance, preservation and pedagogy.  In support of this dialogue, Barnes was honored to be a contributing author to the award winning text Rooted Jazz Dance: Africanist Aesthetics and Equity in the Twenty-First Century - Univ. FL Press (2021). Ensuring future artists and dance scholars maintain authentic cultural context as they move through the world bearing forth Black dance traditions. To further support this effort Barnes joined the esteemed faculty of Arizona State University School of Music, Dance & Theater as Asst. Prof of Dance in Fall 2021.From the analysis of here research and in deeper concert with the mission to strengthen Black artists reverence for and expression with Jazz, Barnes is honored to be the visionary creator and Artistic Director of the multi-award winning intergenerational and intercommunal cultural arts project and stage experience The Jazz Continuum, commissioned and presented by Guggenheim Works & Process and Jacob's Pillow Dance Festival in 2021.Additionally she is deeply honored to be a part of the Brain Trust that developed the ground-breaking stage production Swing Out, bringing the passion and power of Lindy Hop and its community to the concert stage. The New York Times said of her collaboration with Caleb Teicher in Swing Out, “Barnes is especially extraordinary for the way the past and the present can pass through her...”Across all her efforts, Barnes' eternal purpose is to inspire fellow artists and arts enthusiasts to champion artivism through cultivating an authentic sense of self and intention in their creative expressions and daily lives.

Straight Outta Gallifrey is here to talk about the Doctor and Romana in France during the tail end of the roaring 20's.  One might think about  Black Orchid, the Lindy Hop, the Charleston and glamour, but this story leans into alien invasion, death and excellent narration by the great Mary Tamm. Let us know your thoughts about the story at prydonian.post@gmail.com www.thehuntresspodcast.com X @sogallifrey www.patreon.com/wrightonnetwork Instagram @sogallifrey_44 bluesky: huestone44.bsky.social  

In this episode we explore the early days of Lindy Hop in Lithuania, the beginning of the Harlem festival, and the journey of the Rhythm Junkies band. Mindaugas offers insights into leading a band, fostering a local community, and the valuable lessons gained throughout. We dive into the nuances of musicality, the emotional connection to dance and music, and accessing it both on stage and the social dance floor. Lastly, we reflect on discovering your voice and the significance of having role models along the way. Photo: Ugne Henriko Photography

It's our 150th episode, our seventh anniversary, and someone's birthday! Charlotte and Beth rewatch one of their favourite episodes, The Rebel Set, with the short, Johnny at the Fair. They reminisce about visiting Chicago, Toronto, Winnipeg, the Canadian National Exhibition, and Hellzapoppin'.Show Notes.The Rebel Set (Gene Fowler Jr, 1959): MST3K Wiki. IMDb. Trailer.Johnny at the Fair (Jack Olsen, 1947): IMDb.Edward Platt might look familiar. (And of course, the other actor is Don Adams.)The Winnipeg General Strike of 1919.Crow's itinerary (without Evanston). If he left off the ballpark, he could almost make it.The Art Institute of Chicago is worth spending well more than four hours in.Gurnee vs. Gurney.The Ren Faire in Kenosha.New baseball rules.The CNE is the Canadian National Exhibition, which is usually called The Ex.David Foster: Flight of the Snowbirds.Weirdly, we haven't done Earth vs. the Spider, Tormented, or Attack of the Giant Leeches, so stay tuned for our Summer of Gene Roth!You can hear Charlotte and Chris and friends talk about The Greatest Story Ever Told if you support us on Patreon.Carey Loftin, stunt driver.Charles Pachter, artist.The Journals of Susanna Moodie.The secret life of William Lyon Mackenzie King.(Beth's plot summary of Hellzapoppin' is slightly inaccurate, but not in any imporant way.)Duck Amuck.The Lindy Hop scene from Hellzapoppin'. Heck, if you search YouTube hard enough, you might find even more…Martha Raye for Polident.Our episode on I Was A Teenage Werewolf.Portland Exposé (Harold D. Schuster, 1957).Phil Stanford: Portland Confidential.Support us on Patreon and join us on our (ironically?) friendly Discord.

In this episode we delve into Andreas' journey through various Swing dance styles. We explore the nuances of risk-taking and improvisation, approaches to teaching, and the skills to become a good leader. We discuss the interplay between listening and expression in both Balboa and Lindy Hop, and how it shapes the dance experience. Andreas shares his ideas about competitions, and advocates for experimentation with different formats and judging criteria. Lastly, we explore the profound impact of coaching and supportive networks on one's growth. 

Chisomo & Bobby react to episode 42's "The Gig," and discuss the act of Lindy Hop gigging and what it means to the art form. (Don't worry, we give a synopsis at the beginning.) Huge thanks to our Patreon patrons! Huge thanks to our Patrons!   Cassandra Filios Kaydee Tower Sasha K Justnigel Ann Sofie van Enis Katja Alexandria July Belber Rebecca BurWei Dee Mathews Brooks Prumo Jessie Brooks Aryn Kelly Audrey Bui Ian Dawson Karen Compos McCormack Amy Sorenson Nika Jin Emily Benze Angel Jenio Nick Cruickshank Taylor Stender Leila Gass Selena Kruse Ryan Lemar Cal Tara Sliwinski Rebecca Harris Lori Taniguchi Christian Frommelt Allison Frey Lucie Q Mazzanti Gary Chyi Laura Windley Lynn Maslen   And huge thanks to Lawrence Kalantari Karen Shrieber   Who donated big in order to help us pay for the work!

Danny Jonokuchi is a bi-coastal musician who wears many different hats in the music world and wears them WELL!!! We have a great discussion about music, classic Lindy-Hop swing and other of his projects especially his album Voices, released this past August which features the talents of his big band and arrangements supporting the vocal artistry of eleven different singers!!!

Grace and Shawna decided to choose Swing Music for their theme song as an homage to the iconic Moonlighting episode "The Dream Sequence Always Rings Twice" from Season Two.Even though this episode is set in the 40s era, they thought it was fitting to use this type of sound in their theme, as Swing Music was a style of jazz that developed in the United States during the late 1920s and early 1930s. It became nationally popular from the mid-1930s. Swing music had a danceable rhythm to it and the Big Bands of the time as well as the Bandleaders such as Benny Goodman were a dominant force in American popular music from 1935 to 1946. Swing bands usually featured soloists who would improvise on the melody over the arrangement.This was known as the Swing Era when people were dancing to tunes such as the Lindy Hop.The word "Swing" is used as a term of praise for playing that has a strong groove or drive.Some examples of Musicians from the Swing era include Duke Ellington, Benny Goodman, Count Basie, Cab Calloway, Jimmy Dorsey, Tommy Dorsey, Artie Shaw, Woody Herman, and of course Glenn Miller.Swing has its roots in 1920s dance music. New styles of written arrangements, incorporating rhythmic innovations pioneered by the incomparable Louise Armstrong, Coleman Hawkins, and Benny Carter as well as many many others.Unfortunately, during the World War II era, Swing music began to decline in popularity, and after the war, "Bebop" and "Jump Blues" gained popularity.Please enjoy this full version of Moonlighting The Podcast's Theme Swing Music.MOONLIGHTING THE TV SHOWThe show is all about the hit TV Show Moonlighting which aired from 1985 to 1989 starring Bruce Willis and Cybill Shepherd.Grace Chivell and Shawna Saari take a look at each episode in chronological order from the Pilot to the end of the fifth and final season.They discuss the direction, the production, the outfits, the lighting, the car chases, and the tumultuous relationship between Maddie Hayes and David Addison.FOR MORE INFORMATION:https://moonlightingthepodcast.comMerchandise: https://redbubble.com/people/moonpod2016Join Our Facebook Community:https://facebook.com/groups/moonlightingthepodcasthttps://facebook.com/moonlightingthepodcastJoin Our Instagram Community:https://instagram.com/moonlightingthepodcastTo learn more about Grace:https://gracechivell.com.auMoonlighting The Podcast YouTube Channel: bit.ly/maddieanddavidTo learn more about Shawna:https://www.youtube.com/channel/UCft4ALOjBZnEt4DBUvx3HvQDonate:https://ko-fi.com/moonlightingthepodcastPersonal Instagram:https://instagram.com/grace_chivellhttps://instagram.com/saari_not.saari Hosted on Acast. See acast.com/privacy for more information.

In this episode, we talk to dance instructor and ILHC MC URSULA HICKS about Lindy Hop clothing, honky-tonking, contact improvisation, and what she would add to the world of Lindy Hop teaching. Thanks to our Patreon Patrons! Patrons--   Sasha K Justnigel Ann Sofie van Enis Katja Alexandria July Belber Rebecca BurWei Dee Mathews Brooks Prumo Jessie Brooks Aryn Kelly Audrey Bui Ian Dawson Karen Compos McCormack Amy Sorenson Nika Jin Emily Benze Angel Jenio Nick Cruickshank Taylor Stender Leila Gass Selena Kruse Ryan Lemar Cal Tara Sliwinski Rebecca Harris Lori Taniguchi Christian Frommelt Allison Frey Lucie Q Mazzanti Gary Chyi Laura Windley Lynn Maslen   And huge thanks to Lawrence Kalantari Karen Shrieber   Who donated big in order to help us pay for the work!  

Kirsten Lunde is a game designer and publisher who currently resides in New Zealand. We talk about the process of publishing and crowd funding her game Ovation as well as her upcoming version of the Ell Deck which will be mission based.   She talks about the community and support she gained in New Zealand, including lessons learned from designer Shem Phillips. We also talk about games that have influenced her as a designer. We also talk about the Shelf Care project on crowdfunding, and the people involved in making the project. You can find Ovation here: https://www.kickstarter.com/projects/lookingglassworkshop/ovationGames mentioned in this episode:Ovation, Gizmos, Kiitos, Hadrian's Wall, Regicide, Lindyhop, Concordia, Ell Deck.Support the showWe talk about board games and tabletop games!Follow us to stay in touch: Youtube.com/boardagaingamesFacebook.com/boardagaingaming

At long last, our long-teased prints podcast episode is here! David & Katherine discuss Hirschfeld's long, exciting history with prints, and answer your burning print questions. Learn more about the Harlem, Rhythm, and Kabuki series, plus many more works! Follow along with the show notes to see the works mentioned in this episode! Lithograph Example: Bob Hope (1988) Etching Example: Barbra Streisand in Funny Girl (1975) The Hook Shop (1926) Fez Drawings (1926) Art Students League - Caricature Study (1926) Railway Station, Kharkov (1928) Art and Industry (1931) The Dizzy Club (1931) La Serviette Au Cou (1931) Harlem as seen by Hirschfeld (1941) - Apollo Chorine Rhythm Series (1970) Kabuki Series (1976) Chelsea Pub (1931) Elvis (1968) - (Print with Spotlight) Charlie Chaplin Back View (1981) Reba in Annie Get Your Gun (2001) What's My Line? TV Guide Cover (1957) Lindy Hop from the Harlem Series (1941) The Movies (1954) Conductors of the Philadelphia Orchestra (2002) The Summit (2002) Ringo Starr (2001) Audrey Hepburn in Breakfast at Tiffany's (1997) The Grateful Dead (1995) Jack Lemmon in Tribute (1979) The Sopranos (2001) Frank Ferrante as Groucho Marx (1986) Swing Quartet (1956) United Nations Postal Service (1991) Beverly Hills 90210 (1995) The Gershwins (1955) The Thin Man (1998) Jerry Garcia (1995) Visit our shop for available prints! Print sales support the activities of the Al Hirschfeld Foundation! Visit our website Visit our shop Like us on Facebook Subscribe to our Youtube Channel  - Check out Episode 2 of the Hirschfeld Moments Series! Follow us on Twitter Follow us on Instagram

Dancer/choreographer Michael Manson is an internationally recognized authority in Detroit Jit, a dance genre birthed in his hometown over 50 years ago. His talent earned him a national audience when he appeared on “So You Think You Can Dance” in 2015, and as a performer and teacher he has worked all over the States and as far away as Paris and La Paz. Once a student of famed dancer/choreography Rennie Harris, he now tours with Rennie Harris Puremovement in performances of “Caravan,” starring jazz scholar Terence Blanchard.Last year, Mike, in conjunction with the non-profit Living Arts, was one of five recipients of a prestigious Joyce Foundation grant for artists working in the Great Lakes region. Thanks to the grant's support, Mike has been able to commit to his passion, namely teaching young people in Detroit about their city's rich cultural history and ensuring that Detroit Jit is recognized, respected and studied as a distinctive American dance genre. The Joyce Foundation grant also allowed him to create “Rhythm of the Feet,” a concert-length dance production that not only centers Detroit Jit but also, thanks to a cast of professional dancers from around the country, places it in the context of other seminal American footwork styles, such as tap, Chicago footwork, House, Memphis Jookin and Lindy Hop.Here he describes how he developed his passion for cultural preservation in tandem with his dance skills and explains why he takes pride in seeing his students overtake him … as long as they remain respectful of the Jit.https://www.youtube.com/watch?v=OSSGccDQNXM&t=51shttps://www.youtube.com/shorts/Ioq0MK1mhdghttps://www.youtube.com/shorts/p7ZHQqOEX_0

We say that LITM is a podcast about music, the dance floor, sound systems and counterculture, but we realise that we haven't dedicated a show to dance floor practices for some time. So in this episode, Tim is in the hot seat to give us a quick primer on the history of social dance in the USA and beyond. With reference to the prevailing gender, class and power relations of their time, we learn about the surprising sensuousness of the Waltz, James P Johnson and the Charlston, the Lindy Hop, the Swing Age, The Twist and even Deadhead freakouts.  Calling into this history the Great Migration, the Harlem Renaissance, Elvis, the Acid Tests and more, Tim charts a history of social dance spanning over 200 years, and bringing us to the doors of the Loft and the Sanctuary in the early 1970s, from where we'll pick up next episode. Become a patron my visiting Patreon.com/LoveMessagePod And check out our new website: https://www.loveisthemessagepod.co.uk/ Tracklist: Johann Strauss II - The Blue Danube Waltz James P Johnson - Charlston Frankie Manning - Hellzapoppin Count Basie - One O'Clock Jump Hank Ballard & The Midnighters - The Twist The Grateful Dead - Mama Tried (Live at Woodstock)

An honest conversation about the journey through fatherhood, balancing a career, and navigating the emotions that come up throughout the process. If you have any questions about this episode or want to get some of the resources we mentioned, head over to LesleyLogan.co/podcast. If you have any comments or questions about the Be It pod shoot us a message at beit@lesleylogan.co . And as always, if you're enjoying the show please share it with someone who you think would enjoy it as well. It is your continued support that will help us continue to help others. Thank you so much! Never miss another show by subscribing at LesleyLogan.co/subscribe.In this episode you will learn about:The history of Feel Good Fatherhood.Navigating the new career of being a parent.The process of going back to zero.Why Feel Good Fatherhood exists.The value of men recognizing what is happening on the inside and communicating it. Episode References/Links:Jay Twining WebsiteFollow Jay on LinkedInFeel Good FatherhoodGuest Bio:A game designer for 10 years but something was missing. Jay is striving to be a devoted father, chasing his career in branding, and opening the conversation about fatherhood on his podcast Feel Good Fatherhood.   If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox.Get your 15% discount for Toe Sox – use coupon code LESLEY15Be It Till You See It Podcast SurveyBe in the know with all the workshops at OPCBe a part of Lesley's Pilates MentorshipResourcesWatch the Be It Till You See It podcast on YouTube!Lesley Logan websiteBe It Till You See It PodcastOnline Pilates Classes by Lesley LoganOnline Pilates Classes by Lesley Logan on YouTubeProfitable PilatesSocial MediaInstagramFacebookLinkedInEpisode Transcript: Lesley Logan 0:00  Welcome to the Be It Till You See It podcast where we talk about taking messy action, knowing that perfect is boring. I'm Lesley Logan, Pilates instructor and fitness business coach. I've trained thousands of people around the world and the number one thing I see stopping people from achieving anything is self-doubt. My friends, action brings clarity and it's the antidote to fear. Each week, my guest will bring bold, executable, intrinsic and targeted steps that you can use to put yourself first and Be It Till You See It. It's a practice, not a perfect. Let's get started.Hey, hey, hey, all right, I have an amazing episode for you. This is definitely umm, it's, it's, I'm just so excited. First of all, we have a surprise guest and a surprise. So we have the guest, who's Jay Twining, and I'm so excited. He is one of our strategists that helps us work on our business. So we know him very well. We know how he is when it comes to like working on your business, growing, noodling, and getting deep dive in there. And what I loved is learning so much about him and how he got to where he is. I hope that what you discover as you're learning from this is that we all have a journey. And too often because of perfectionism, overachiever ism, we discount ourselves from being qualified to do certain things. And because Jay did not, as you'll hear in the story, he actually put himself in spaces that really helped get him to exactly where he is today. And then also led him to the ability to do something that he dreamed about many, many, many years ago. So dreams take time. And this interview has a really lovely storyline for you to see not only yourself and the journey, but also for those of you who have men in your lives or a male listener to this. I think you'll really enjoy what he's working on right now. Have an amazing time listening to Jay Twinning. Hello Be It babes, okay. I'm so excited. We actually have a wonderful, amazing guest here and also Brad here, who the wonderful, amazing guest is and he changed his plans, y'all. He was gonna go for an afternoon walk. I'm just, I'm pretty sure... (Brad: I'm here today), I'm pretty sure that was (...). And he was gonna take from someone else.Brad Crowell 0:25  It was Dai Manuel (Lelsley: yeah), I was gonna do my 30. Lesley Logan 0:28  Yeah. And he's doing the self development part first. Lesson's called that... (Brad: that's what we're doing). So the reason why Brad is here is because we've an amazing man, who we've come to know for more than a year now, maybe longer. His name is Jay Twining. And he is actually, we go, he's really close to us, because he works with us on our business every single month. So, Jay, will you tell everyone who you are and what you're rockin out right now?Jay Twining 0:51  Absolutely. So, I am a resident brand strategist for Brand Builders Group. And so I get to, I have the pleasure, I have the privilege of working with folks just like these two building their brand. But also, what I do is I have a well, I do Feel Good Fatherhood. And so that's a show. And I just like working with dads and having conversations about what they're about. And that really, really kind of lights me up.Lesley Logan 1:15  So I love this because I think a lot of people don't end up with a coach who's also a client of some kind, like actually doing the thing that they coach on. And so I actually really appreciate it because you, with Feel Good Fatherhood, you're coming at everything that we're doing from the same place like you know how much time and energy an episode like this takes, like, I think our listeners might be like, Oh, this is like a 30 minute episode or however long it is. And let me just tell you the amount of hours pre and after to get it is not 30 isn't even double 30 minutes. So what made you want to get started with Feel Good Fatherhood? I guess we can almost start there because that's kind of like why you'd be even interested in coaching people on this on on the journey you're going.Brad Crowell 1:55  Yeah, which came first here, chicken or the egg?Jay Twining 1:58  Got it. We'll do Feel Good Father first. So this is this is great. Brad Crowell 2:00  I mean, did you start Feel Good Fatherhood prior to becoming a BBG Coach? Jay Twining 2:06  Oh, no, this was afterwards... (Brad: Okay). However, the, I would say the genesis of the idea was long time ago. And so when I was making games, so I was a game designer for about 10 years. Living the life I was in actually is in San Diego, in, you guys, neck of the woods. And I went to, I think the first thing we got to do was like preface, what it's like any industry and so lots of hours, overtime crunch is kind of common knowledge. Not that different from being a business owner. ot that different from being a say in Hollywood, something like that. So lots of hours is the normal cadence. So I woke up one day, and it was a normal day, I left for work at a normal time, and my daughter wasn't awake. And then I went for my standard eight hours eight and a bit. And I came home a regular day came home at a regular time. And she was asleep by time I came home. And the thing I did was I walked upstairs, I woke her up to sing her lullaby. And while I was sitting there doing this, when I came back down, I had this inner turmoil. So I just had this moment where the things that I'm doing in my life, the way that I've set up my day to day, they aren't really aligned with number one who I learned later on who I am, like my new identity, but also with what I'm doing. And so while I was doing my dream work, and while I was really activated and fulfilled, and while I loved everything I was doing creating games, and providing entertainment for people all over the world. It wasn't filling my cup anymore.Brad Crowell 3:41  And presumably that was because of your daughter.Jay Twining 3:43  Yes, because of my daughter, and my wife and my family and...Lesley Logan 3:49  Listening to guys, let's make sure that the wife (...)Brad Crowell 3:50  100% percent.Jay Twining 3:53  And it took me a while like I kind of had the niggling sense. Like I had the sense somewhere in my body, like it was showing up in my body and lots of things were going on. It took me about four years to figure out, it's time for me to leave. It's time for me to pursue something new. All this kind of happened, that's sort of the preface that's the scene. What was really happening was that my daughter was born about three weeks after a major studio that I was working at closed and it was very public. Incredibly stressful. It was 38 Studios. So for the listeners if they want to go down the rabbit hole of public business and private business, it's it's pretty crazy what happened. And we went through that and so full company closure, no no health insurance, no nothing, baby born in Providence, Rhode Island, tons of stress. Within a month got had the next position moved across the country. So uprooted from all my support group, uprooted from all my mentors, uprooted from all my friends, like everything. My, my parents were living abroad in Singapore. So they were 12 hours off. So I had, I didn't have that support network anymore. And then, and then the, and then her parents were on the other side of the country. So it was like a six to eight hour, it was a full day trip just to come visit us. Yeah. So you can imagine, like, at this time and a family, you need local support. Lesley Logan 5:20  Yeah. Well, I also just want to observation I had, because first of all, you're like, it took four years. And I think some people are like, wow, it took four years, if you had this moment, like four years is actually a short amount of time when it comes to like, transforming the life that you want to, like, go from like, this career to like, how do I actually change that. And also, it makes so much sense because if you like, lost everything in a moment that like, felt like so much certainty. You're so new in this job, with a new child and everything, like the last thing you want to do is go let me just like fly by the seat of my pants. It's a moment. So I think it actually makes more sense. Why it took four years. Brad Crowell 5:57  Yeah, I think that's what that's kind of the experience I had too because for easily two years, you know, you and I would like I need to get out of my job. I need to get out of my job. How am I gonna get out my job? What would, what am I going to do? What could I do instead? Right? And then after, like, finally leaving, I had another two years of like, still trying to figure out how am I going to build my business? How am I going to make money? How am I gonna do this? Until we settled on what today might look like. So yeah, that seems far for the course. Jay Twining 6:30  Awesome. And all very true. And so when we so then we have all this stuff going on. And then finally in the last, here's the last straw. The same year my daughter was born, in May, my biological father died in December.Lesley Logan 6:46  Oh, geez. So like, so now we just layered it. Jay Twining 6:50  So everything's like happening. Oh, and by the end, and then on top of it, in November, because we were estranged. And this is the real this is kind of the real genesis of Feel Good Fatherhood we were estranged 15 years, no relationship with my biological father, my sister and I were looking for him, like public records, everything just like where are you? Do you? Are you alive? like standard questions like that. And so all this kind of stuff is happening on and then a couple years later, when things finally slow down and stuff, like it just kind of hits me I was like, I never wanted to be a father to my kids, like my biological father was to me. Oh, and that, and that story of the estranged parent, you know, like, I love data. So two out of five kids in the United States are in fatherless households, 40%, there's a reasonable odds that every person that you meet grew up grew up in a fatherless households, that's a reasonable number 40%, that's almost the majority. So when I when I kind of combined all these different pieces of data, the way that I kind of find success in my life, is that I kind of do two or three core things, right, I kind of like to talk and engage in a community to kind of figure out what's going on, that was gone. I like to find people that are ahead of me on the journey or walking with me on the journey, and hanging out there. And that didn't really exist. There were no new fathers around me. It was completely outside of that, that group. And then the other one, in the other place where I leaned a lot on is family. And that was, that was out. Right? So because I mean, they were a phone call away. But it's it's kind of different in the face to face interaction being in it is different than that kind of interaction. And so now we're, so now that we understand the history, Feel Good Fatherhood exists, because there were two things were going through my mind. Number one, I don't think my experience is that weird for new dads. I think it's very common. And I think it's very common today. And I think more fathers today go through what I went through than not... (Lesley: right). And number two, I think that sucks. I think that's the worst state. And I think that, in general, not only for fathers, but for parents, the whole scope, that we don't do a really good job of, of a society of gathering around people that are intricately valuable in the world. Like being good parents just being present, just being a present parent, like not even the qualifier to being a good parent, because that in and of itself is a journey. Just being in the room. And raising is is that's already hard. You've added another career on top of everything else you're doing.Lesley Logan 9:38  Yeah, I think we most of our listeners are, I would say are a parent in some stage of that. And it is, first of all the pressure on parents to like, it's like they're like, here's your child and all the pressure in the world, on your shoulders now. And if you didn't have and I would say you If you said 40% are fatherless homes, then I would say all those moms that they were those 40% they had moms who were like overworked, underpaid, and like, under like prioritize in their life. So so many people don't have an example role model of anything that shows that like, this can also be something that I love. It could be something that could be that could feel good to go with your title also, like it's possible. And if you but if you don't have a support system, which if you don't have a parent around, that's if you're down one, so Oh, that's a lot that's...Brad Crowell 10:34  Also... (Lesley: articulate) well, also I think there was you kind of slipped it in there. But you said, this new career of being a parent, you know, it is easily as comparable or even more so than a career move, like a job move. Yeah.Jay Twining 10:51  Yes, and I think and when I, when I think about and I explain it that way, I think about any sort of hard skill that you need, like, we're all kind of business owners here, right? So there are probably off the top of our heads, probably 25 different things that you need to basically master to have a successful business. It's the same number for raising kids, like, so you're so on top of everything else is going on, we're just we're just trying to figure out, let alone the physical care of have a new have a new baby, you're learning new interaction styles with your spouse, they have all the same fatigue and frustration you do. So like when you think about the powder keg of the house, it's like it's so easy. And this is why you know...Brad Crowell 11:41  For those that are watching YouTube, that was the mind blown emotion. Lesley Logan 11:44  Yes, but also my brain went like if these walls could talk, it's almost like there needs to be a show about house walls. It's like, oh, oh, this this and we are going going back now they have a kid. So here, watch this. Watch this. Go. Let's see how this goes.Jay Twining 12:00  I had this funny way back in the you know, Adult Swim the cartoon. I had this weird idea when I was a kid of having a cartoon of a bunch of wheels. Talking about the conversations happening in the car... (Lesley: Yes. Yeah). There they go again. Oh, Jerry's lost again. Not asking for help. Here we go. Oh, Margaret's doing that, like just this crazy stuff. And that would be really hilarious. So...Lesley Logan 12:27  Oh, my gosh. Also, like further. It could be based in LA it's like the same cars on the same freeway. The same wheels are seeing each other. Oh, gosh. You (...)Jay Twining 12:35  How you doing? How you doing? Oh, yup, I saw you yesterday. It's good. All right, let's let's move 10 feet. Okay!Lesley Logan 12:42  I digress. Um, so. So Jay, it took you four years to like, go from this inner turmoil to like making a shift. Was the shift like, did you go part time? Did you just like leap and the net will appear? Like, what was the next? What was that next step that you could take after you had this feeling?Jay Twining 12:59  Let's just let's just kind of layer on stuff. So at this time, I was still trying to make the career work. And when I actually made the decision, I was living and working in Cambridge, Massachusetts, while my family was in Albany, New York. And so Friday night, I would leave work, jump on the, jump on the freeway drive back three, three hours, pull in at 10 o'clock. My young, four year old daughter would be awake at 10 on a Friday night, which is fine. So, So we'd have....Lesley Logan 13:28  What are rules? What is a bedtime anyway?Jay Twining 13:30  Exactly. So so we were just cramming in, like two days, because roughly right around Sunday, like I'd be driving back ballin, like there were so many times I drove back along the freeway just crying because I'm like, What the hell am I doing with my life? And so all this stuff happened. And the real pivotal moment for me was when I finally decided that it was time to really make the switch, because all this had been brewing to this point was I misunderstood, I was having a discussion with my wife about coming and checking things out in Boston for moving there. And then she said, she said, I don't even remember what she said. But what I heard was, I'm not moving to come to you, like in a in like a separation style. And so I had a mental break at work. I like, I stopped moving for about 30 minutes, because I couldn't process what was happening. And then like a bunch of my co workers came to me and they were like, are you okay? Do you need to go home, like what's going on? So I came out of it. And I was like, and I, you know, because I was relatively young was younger than I am now. And I kind of worked for a bit but then I went home and just kind of processed everything and I was like this, isn't it, like this isn't working. This is ended and what was happening was not going to be different from what my life would look like. If I stayed in that career, if I stayed making games... (Lesley: Hmm). So, so this happened and then, you know, six to nine months later there was downsizing. So I was out of work anyways. But by that time happened, I was actively looking for the next position I was actively...Brad Crowell 15:11  Also, I feel like mentally, you must have been, you know, not necessarily welcoming it, but but ready to be making that change. And... (Jay: yeah) when, you know, when that happened at the job, it was like, kind of in lockstep with you. Jay Twining 15:26  So it was it was kind of weird. I remember my boss, when we had the conversation, he was like, Oh, you're handling this very well. You're just being like, like yeah...Brad Crowell 15:36  Like, (...) out the door most of the year.Lesley Logan 15:38  Yeah (...) Oh, so when I was asked to quit, I was like, oh, do you want me to do so today? would today be a good day? Like, because we don't want to fire you. And I'm like, eell, you fire me and I'd be over today. So do you want me to quit today? Like, do you want a two weeks notice? They're like, are you okay? I'm like, um, I guess I've been planning this for a while.Jay Twining 15:57  So like, the only thing I can say to those to those guys, is that it wasn't you and I wasn't at my best. And so if there's anything going on there. So and then it started a whole bunch of years of just not making a lot of money. Trying to hit it because I had you know, I was at you know, I was a solid 10 years in great salary, great career being actively recruited by like Microsoft, and places over in San Francisco, like, just constantly having these discussions about going to these different places and these bigger studios and me just having to say, nope, I'm retiring this part of my life. So all this kind of stuff happened. And I had been thinking about being a game developer. So I was like, I ended up being a game designer, game system designer is my specialty, since I was like, eight. So when all this happened, and then when we when we really take a look at it, my entire identity, like was completely wrapped up in this career. I had almost nothing to back up on or fall back on... (Lesley: Yeah). And so and when we take the moving from place to place and upgrading social support, it was like I didn't, like, I had nothing. Brad Crowell 17:09  You didn't feel like I had a community either... (Jay: I had nothing) (Lesley: I guess)... (Jay: It was crazy).Lesley Logan 17:13  Yeah. We're how old it just so I'm perspective time, like how old is their daughter when this happened?Jay Twining 17:21  So we left? I started working at the Cambridge place when she was four, it would have been around six. She was six when this was all happening. And so she's turning 11. Now, so this would been four or five years ago... (Lelsley: Wow. Yeah). So basically, she was six, I spent about a year and a half, a year, just figuring stuff out, I had to, I'd have developed a whole new set of skills. And for everybody that's out there that the number one skill you need when you're starting a business or trying something new is sales, and I had no sales experience.Brad Crowell 17:56  So did you work at a restaurant?Jay Twining 17:59  Well, I was a busboy at a restaurant, so I was kind of doing that stuff. But I didn't have any that experience. And so I had I deep dived into sales, I worked at a I was an internal salesperson for a direct sales company selling multi $1,000 products. And that was a really steep uphill climb and started to get that thing going.Lesley Logan 18:20  Way to like throw yourself in, like, let's just dive into the hardest thing.Brad Crowell 18:23  I literally would have just gone into food and been a server. Yeah. That doesn't take quite as much as being assistant salesperson.Jay Twining 18:32  Something that I really had to get over. And I still get over a lot. It's just I had a really, I still kind of do like, kind of arrogant sometimes, like in my in here in my head. I have a big ego. And at that time of my life, I was like, Well, I'm used to this kind of lifestyle. So when I come in, I gotta make this big projects... (Brad: Yeah) you know, game designers we have a chip right here on the shoulder. Lesley Logan 18:58  Yes, I've been to several game designer, Christmas parties, actually. So yes.Jay Twining 19:05  Very confident and very self assured. We've got the plan, we have the vision and our whole, like a huge part of our job is enrolling everybody in what we're doing and getting the vision going. And so it was really hard to start back at zero. Yeah, so so it kind of took time and the one good thing that I had going for me is that I guess I still have this I don't have a if I was internally saying this, it's I have a low sense of self awareness in that I don't always when I see something I'm like sure I'll just go try that. Like why not? And so there was this open sales position for, it's kind of embarrassing when I say it now, but I opened sales position for a Sotheby's real estate agent. I didn't need I didn't know what Sotheby's was.Lesley Logan 19:56  Oh yeah, there's zero imposter, you have none. You're like I can do that... (Jay: And I did)Brad Crowell 20:01   I might as well be a salesperson for them.Lesley Logan 20:04  Exactly. Listening, you know what you should try that try.Brad Crowell 20:08  If you don't know, Sotheby's is like the biggest in the world, and that's probably a very, very competitive role.Jay Twining 20:15  Luxury. So it's luxury second homes. Average listing price is 750 plus. The people that have these these kinds of homes, like, this is their second, third and fourth home... (Brad: Right). So the average clientele, their multi millionaires if not billionaires, and they, they have homes and places we like to travel to hotels to vacation.Lesley Logan 20:38  Yeah. Yeah. (...) I've been there... (Brad: Let's do it) (..) Did you get the job?Jay Twining 20:47  Well, I got I got an interview. And, and, and we talked about maybe doing the work, but where it ended up, so but my skill set at that point was actually an information businesses, so information products, courses, memberships, and online sales. And so instead of, he didn't really bring me in for the real estate agent, he was like, Would you be interested in helping me build this business was sure. (Lesley: that's so cool) And, uh, sure. And so we worked together for a while, and it was, it was a wild ride. And we we actually built everything and had some great success with it. And then, and then that led me to what I'm currently doing, which is BBG... (Lesley: So that is so crazy, right?)Brad Crowell 21:31  I love that the interview had nothing to do with the job.Lesley Logan 21:34  But also, like, I think, I think, what I, I'm loving this, and I know what our listeners would be doing, they would never have applied for that job. They would never have and I'm not saying go out and apply for jobs, you know, isn't doing but like, they I actually think a lot of like, someone listeners to this might not even apply for the job that they're qualified for. Because they'll talk themselves out of it. And so it's like a perfectionism. So yeah, like, we could just like all gleam not not too much just enough to like, actually go for the thing that we are able to do that we think, Oh, I'm not ready. If you've ever said I'm not ready for that yet. When that when I do this, then I'll be ready. And it's like, if you're waiting for someone to deem you ready to apply for a job or take the next step. No one's doing that. No one is coming around and randomly going, and now you should go for that interview. Like now you're ready, you know, and if they are, I would like you to look around, you may be in a cult. I'm kidding. I'm kidding. Maybe not that serious, but something close. So. So that allows you to take all your expertise, and like really help all these people who are putting courses together, they're going on speaking, they're doing these things. And then it sounds like it gave you the time to actually sit back and build your thing from the ground up.Jay Twining 22:51  I think the one the number one best thing about this direct sales company that I was working for, and being a salesperson is the sheer amount of personal development that was emphasized. There. There were like if you're not reading and not currently working on you, your mindset, the way you speak on some sort of skill, soft skill, hard skill. Like you don't belong here. That was a language, it's like you just don't belong here. And so I would, I would read Robert Kiyosaki, Rich Dad Poor Dad, Cashflow Quadrant, so I was reading Harv Eker secrets, The Millionaire Mind, I was reading like I was reading constantly sales, personal development, sales, personal development. Yeah, just constant like constant courses, constant webinars, always personal development grow, grow, grow, grow, grow, learn as much as you can. And it led to some, like I met some crazy people, like I met a dude. He had a business and his goal was to own real estate in every single state. He was at 20 states. By the time I spoke to him, and like by time I stopped speaking to him, he was at 25. Like he just and that was within a couple of months, like you just hungry and going after it. And it really kind of let me know that the limit of what I could accomplish was based on the amount of work I was going to put in. And so while yes, I didn't have any impostor syndrome, I didn't have any internal self awareness about qualifying for a position. I knew I could work to make it happen. And so there was never in my mind a there has never been a mind. Oh, I don't have that line item. So I'm gonna go do this other thing. Because so I was in video games for 10 years. When I got that position. I was a data analyst. I went to school for French language. So I learned I know a little bit about French culture, France, French art, like fine art in France. And I took computer science as a minor, because I had always kind of been making games in my off time, and that was one of the big pushes. But getting into the industry. Was it this is a common joke about job openings, right? So they'll list a bunch of like skills that you have and say, like 10 years required for an entry level position. Right? So an entry level position for a thing requires 10 years of experience in a bunch of doohickeys. And it's like, it's absurd. And I remember I looked at this entry level position at Vicarious Visions. And it's really funny. I'll continue this one later on. But so I went there, and I was like, oh, requires like one to three years of game development experience. And then, but when I looked at all the rest of it, I was like, I have all the rest. And I sent a resume to it on a lark, because it was a studio I hadn't really heard of. And it was in a place. I was like, Albany, New York. Where's that? So I had no no frame, you know, because I was young and didn't really have a lot of experience in it. But when I had the phone screen, so I was in between. So this is crazy. I was shooting a safety video, a bilingual safety video, English, French, for the company I was working for. So I was on set in front of the camera doing doing this work. The hiring manager called me. And I said, Look, I'm back on set in like 25 minutes. And he's like what? I said, I said, I didn't really know you were going to call, I appreciate it. But I've got about 20 minutes, what can we talk about? And so in that conversation, I said, yes, I had worked in building my own games, I had been playfully, playfully coding since I was about my daughter's age. So about eight. My first language was basic, and I made a little text adventure. And so I had been kind of doing this work. And then by the time I got there...Lesley Logan 26:44  You actually overqualified for the job really, is what we're finding out.Jay Twining 26:47  Okay, that's a little bit of that.Lesley Logan 26:50  I'm so sorry. But I just, I just have to interrupt because it's like, what you're what I'm hearing you say is like, we're people are like, going to have to have they have this, I have to have these things. And you brought up like 10 years of this for entry level job. It's like, well, how do you get the entry? How do you get the 10 years experience before, so I love that you're like, I have all the rest of this stuff. So I'm gonna go for it. Because I think people, the perfectionist be like, Oh, I don't have those gotta go take another training and come back later miss out on the opportunity to really like show well, I have these other experiences that would help with this job.Jay Twining 27:25  If, if I was thinking about life as a video game, most video games have sort of some sort of technology limit to a level or a skill. So you have a skill in jumping, and the jumping is like nine out of 100. But that's an artificial limit for the context of the game. In real life, there's no upper limit to a skill.Brad Crowell 27:47  I think... (Lesley: That is amazing) to take that and so I, I had a really hard time understanding what I could do for whom were outside of my music skills. So I totally understand what you mean, you're like, on set, but you applied to a gaming company. And, and it's like, you know, I never even saw myself, like, the benefit that I could add to any company, any company, it actually did not matter if they were doing, you know, skin, hair care or alcohol. And like, literally, that's how I was able to take my operational mind and make it benefit either of those two companies that I did end up working for, but never what I've actually been like, I should go work at an alcohol company, right? You know, I have no context to understand how my skills could be beneficial.Jay Twining 28:45  If you're in the world of the W two, you know, the reason why I brought up that sales competency when you're doing something new, is because most the time you have to articulate why these people can make use of your skills. It I always find it the funniest thing ever, because this video game background has cost me clients, you know, in this personal branding world, because they're kind of like, oh, you made games, you must not take anything seriously. And I'm like...Brad Crowell 29:11  Oh, that's so funny.Lesley Logan 29:12  Why don't we well, you know what, that's a judgmental person. Goodbye. Not my ICA.Jay Twining 29:19  And it's it's okay. Right? Like, that's it? It's no, I really believe people are they're gonna they're doing the best they can with the information that they have and who they are to this point. And yeah, I think you know, some some people. I'll just, I'll just hit this point. Let's just talk about gaming for a minute. 60% of the US population plays games.Lesley Logan 29:37  I play a game, least an hour a day, probably two. Jay Twining 29:40  If asking somebody if they play a game, or if they're a gamer is equivalent to asking somebody if they watch movies.Brad Crowell 29:46  Right. Yeah.Jay Twining 29:48  It's ubiquitous, like gaming is here to stay and it's a part of our life. You may or may not choose to do something with it, but everybody plays. And you know, I think that when we really thinking about what would be the core competencies, competencies of like, why I've been able to do the things that I've been doing is because something that human beings are innately good at, is discovery and learning. We are learning machines, we learn, like the models of the womb, we learn everything, everything you do everything you experience, you reflect, you think on. And you can either apply that knowledge or not that's doing this, like wisdom versus experience. Right? So, wisdom being you can learn from other people's experience experience being you have to personally do it. And hopefully, in your life, you don't have to go through the hard path every single time. Hopefully, at some point, you can learn from other people's experience. And that sales vision and all that personal development was when I really started to unlock that, because to that point, before that position, I had been trying to do so much on my own, and figuring everything out the hard way.Brad Crowell 30:58  Yeah, yeah. That's like, and also I feel like, I bet that's when, personally a chip that was on your shoulder, you are starting to let that go. Because that, gotta figure it out myself hard way. That's a lot of ego. Right? And we ended up trapping ourselves in I gotta do it the hard way. Because we're not open... (Lesley: Yeah. Yeah) to other people's wisdom. Jay Twining 31:27  It's so there was certainly that it's, we call it the in the industry, we call the not invented here syndrome... (Brad: not invented here) not invented here. Like let's reinvent the wheel, maybe. Or we can save time by learning from something else or some other system or getting the research. But so then again, like, so I was having these lessons. And then so fatherhood, right I was like, Oh, well why can I learn from other fathers? And so right around also all this time so like I'm figuring out career stuff. And what I'm just kind of noticing as well like as I'm reading and finding things is that there aren't really many places for fathers because at that time so four or five years ago we started to see the boss mama and the you know the crush it I think the big thing was like the helicopter parent, there was a supermom on the cover of Time. Yep, there was all this other kind of stuff. Lesley Logan 32:23  Now there's like all those are parents but none of these are any parent anybody actually wants to be like nobody. Can you imagine like actually being supermom, like, that sounds like a lot of work sounds like a lot of running and speeding and changing of clothes, and handling and controlling everything as opposed to like, because like a superhero is alone. It's not like the Avengers moms, you know. So anyways, I'm just this is what I'm thinking about. And then the helicopter parents, it's exhausting.Jay Twining 32:51  One of my you said something that I think is really important and critical to why Feel Good Fatherhood exists. It's that I learned from a game developer that I really, really loved. And when he was talking about and working on Star Wars, The Old Republic, it's one of the only star wars of the most it's out there. And he said, it's totally fine for you to be alone. We love Batman's. We love the lone people. It's not okay for you to feel lonely. So Feel Good Fatherhood exists, because it's totally fine for you, as a parent or a father to be alone. It is not okay for you to be lonely. So those conversations part of it is and I really believe this today about leaving leading from the front. And so I don't have I don't have that self awareness or anything like that going on. So I'm like, let's just talk about fatherhood. Like, I don't, you know, I try it. I don't have this whole like, there's sometimes I have like star power where like, oh, like, I really want to do something good. I want to have a really great interview with a person. But most the time, if we're all fathers, like that's something that bring it bridges the gap for us. That's something that pull like it pulls us together, we have a shared common experience. And what I think is missing in our modern context, not just for fathers, but for everybody is that we don't lean on each other enough. And the other way to say that is that we're not open to be leaned on by other people enough. So I want to have the feelgood fatherhood conversation to show other fathers, they can have conversations about fatherhood. I want to have this conversation so that people that are interested in fathers and fatherhood can listen to see what other fathers are talking about and what their pressures are and what they're doing. And finally, I really just want to provide I try and keep my personality the same and the questions the same because if all you've got in your life is a capability of asking five different questions, with the right five questions, you can build a relationship with anybody, why not?Lesley Logan 35:02  So you're, you're making me think of our recent guests we had, the fitness guys. He also brought in Star Wars as an example. So we'll have to connect you guys. For sure they were they're very similar. It's like, when you when, like it makes me think of like, for moms, we have done so much to support that we need to do more. So please don't throw anything at me ladies I get we got to do more. But a lot of there's a lot of like text chains groups, like a mom can literally like text 500 people and go What's this? And get but like, either it either I'm not aware of it, because it's not in my world. And none of my friends are fathers, I'm friends with the moms or it's just really not something that is actually been created where it's like, I have not, I don't we saw our friends who just had a kid. Did we ask Chris how he's doing? No, I think we were like, Laura, how are you doing? Do you have help? Like, I don't think, we were worried about Chris? I hope you're good. They think that thing is that this is a very needed.Brad Crowell 36:03  Yeah. It's like a societal assumption.Jay Twining 36:05  It's there. It's so funny, because the pressures on men today are what are some of the pressures, the stoic man is not appreciated? So the and what is the stoic man mean? And where do we see that we see the stoic man and TV shows or movies, these are our heroes. So these are the people that accept the wall. These are the men that accept what's happening, and just keep going. That's, that's the hero idea. Like, oh, that kind of happened. All right, let's missions ahead, keep going. Right? And we see this a lot in our context of like military movies, you know, like Black Hawk Down is, I don't know, I think I have some context around why I like some of these military movies mostly just reminds me of how grateful I am that I wasn't a soldier, and that I live in a very safe world. It reminds me of that context, but from the stoic man, like that idea is kind of being diminished in the role of Hollywood, and maybe that's kind of changed, especially since if we think about the Marvel context. You know, Tony Stark, right, Tony Stark, Captain America have this, like, look, we just got to pursue the thing, like, we're gonna go solve the problem and pursue the thing. And, and that's kind of being made fun of. But what's really crazy about this, in the cultural context is that ladies, if you'll allow me this, tell me, you wanted your man to freak out every time something happened. Tell me the last time you wanted your man to freak out when something happens, to have an over exuberance of emotion when things happen constantly, that emotional self control is something that is attractive in us and something that's expected of us as men, and fathers in particular. So and that doesn't mean 100%. And it's not saying turn off the emotion. In fact, part of Feel Good Fatherhood is really being in touch with what's happening on the inside, knowing that you have an emotion and knowing how to handle that. But the other side as well is kind of knowing and learning in a social context. When is it appropriate for me to face and open up and share my problem, my vulnerability? And then when is it not appropriate? Let's suppose it you're on the side of the road, right? And your tires are blown out. Like, who's going to pull over if the dude is in a, an angry fit? Right? Like, let's suppose he's in an angry fit, because he's mad because the tires blew up. Nobody's gonna pull over. Brad Crowell 38:50  And he's like kicking the side of the tires... (Jay: kicking the side of tires) like bam bam!Jay Twining 38:55  That craziness. Even then the cops the cops that show up the police officers that show up that are trying to help they're gonna be like, dude, calm down. Right, then he's gonna end up becoming a threat... (Brad: Yeah) so in the in the conversation of our lives, and why am I why am I focusing on anger? Because anger for men is a fuel source, and it is one of our default emotions. It's one of our few accepted emotions, okay? Go we are on a crazy track. But what's really important is that for men that we understand how to how to communicate what's going on inside, and that we're also in tune with what's happening inside. So none of none of please take nothing of what I said as the emotions don't happen. I have crazy emotions constantly in my life. Like it just it just kind of happens. But it's not always appropriate for me to express them super exuberantly. Like number one, I'm not an actor, so I don't get paid to do that. There's that piece but number two, it's not always meaningful. Like it's not always it's not always going to meaningfully add to the situation and it's not expected subconsciously of me. And then finally...Brad Crowell 40:01  I'm pretty sure that my computer fixes itself every time I yell at it. So, you know, I don't actually know what you're talking about.Lesley Logan 40:08  This is why we have separate offices, everyone, there's a reason.Brad Crowell 40:13  It just magically works. Jay Twining 40:14  The other side of it too comes from in a lot of so in video games, I was in kind of a male dominated world. And there's a certain context where it's allowed and not that doesn't translate everywhere. So, Simon Sinek, loves telling the story about how he was on I think he was in Afghanistan, he was on base. And he was really surprised that the soldiers were allowed and given space when they had an emotional situation. So when we're talking about stoic guy, we're on mission, we have to kind of do the thing. We have those people in real life. Right? There are police officers, firemen, fire women, police women, etc, etc, etc. All the way up to frontline hospital, hospital workers, right? In that context, what I learned from Simon Sinek was that he was walking the base from a mission and a soldier just broke down. And he was allowed the space to experience the emotion... (Lesley: That's amazing actually), let's let's suppose that you're a young boy, in elementary school, and you have any emotional outbursts? What's the first thing the teacher does?... (Brad: They'll yell at you) yell at you, discipline you, stop it, be quiet and sit down... (Brad: Yeah) Okay, so that's that piece. All right? So now we're in a professional context. Has anybody or any of the listeners you ever had a angry boss or a sad boss?Lesley Logan 41:48   Oh, I haven't, no, I've always had like, they were lovely people, or they were horrible people that you did not want have your emotions around.Jay Twining 41:56  Right? So and this is just this world, right? This is just this world where when, when kind of like when guys revalue and other guys, depending on your emotional maturity. That's the key point here. As an individual, depending on your emotional maturity, you're in tune with your own emotions and your ability to perceive and react or have empathy is the other word, empathy for other people. That's going to determine how well you are willing to accept an emotional outburst. So let's bring it back. Right? let's bring it back into fatherhood. So I had to learn this. Because what I know is that most young fathers haven't figured out anger yet. There's a lot of anecdotal stories.Brad Crowell 42:41  I couldn't even imagine being in my early 20s. Like, I don't know, it took me multiple relationships, to identify that anger was actually a big problem in my in my, you know, yeah, in me.Lesley Logan 42:57  I think and like, gosh, we'll have to just have this conversation with bringing more people on this whole thing, because what I'm also like, of course, I'm expert, like my own experience. I actually think that like, for women, you're not gonna have emotions at work, right? For men, you're not gonna have emotions outside of where you should have any emotions. So in fact, in society, we're actually not teaching anyone how to go have an emotional moment. Until it sounds like they're in the military. They just bombed a bunch of people. So it just sounds like we're waiting till it so fucking extreme that we have to have a moment so... Oh my gosh, I think, I think it's really amazing what you're doing and we'll have to talk more but obviously people can can work with you on this, especially our listeners, you will have men in your life that that made this may absolutely place we're gonna take a quick break, and we're going to find out where people can work with Feel Good Fatherhood. Alright, Jay, where can people find you follow you work with you?Jay Twining 43:50  Got it. My channels on YouTube right now. So it's youtube.com/atfeelgoodfatherhood. And there'll be a bunch of you'll know it's the channel because there's a nice blue brick background. In addition to really liking to French Fine Arts. I am a sucker for a turn of the century jazz and a Humphrey Bogart movies Casablanca. I used to do Lindy Hop and Bell bow so swing dancing. That's how I met my wife. And so I've got this whole jazz and music background. I know Brad You and I are going to talk about this at some point. So that's the channel. That's where that's the easiest way and then if you want to engage in a conversation with me this the next best place is LinkedIn. Shoot me a DM let me know how you found me and I'd love to just talk with you and see if there's any way I can support you or maybe the other way around. Who knows?Brad Crowell 44:43  You also got your pod right?Jay Twining 44:45  Yeah, that's where the pod is, Feel Good Fatherhood is right there at YouTube. Yeah, that's where you can find tha, that will be out soon. Maybe but maybe by the airing of this episode. I have some some SEO work to make the to make it on all other podcasts platforms. Lesley Logan 45:00  I love it. This is awesome. Well, before we let you go, real quick, bold, executable, intrinsic, targeted steps people can take to Be It Till They See It. What do you have for us?Jay Twining 45:09  Got it! All right. So three core steps, three core steps to b2c, it will use the conversation of the video game thing. So I had no video game experience. What did I do? Success leaves clues. I did a whole bunch of research. I did, I read books on it. I found blogs, I found ways of being. An old mentor of mine, Charles Ms. Rocky, he said, If you want to be an investor, you have to do things that investors do. Instead, what do investors do? They read financial reports every single day. That's what Warren Buffett does. So he said, If you want to do a thing, do the work every day. So the first step is the research. The next step is that research by itself and knowledge isn't very valuable. You have to apply and practice. So if you want it like for instance, if you want to do investing, there's you can do historical trades, you can go you can find a way to go to historical trades to practice what you've been learning. If you want to make games, you go and make games, like there's so many tools out there today to do it. It's it's relatively straightforward. And then finally, and this is the most critical part is it while you're practicing and while you're doing it while you're doing anything, evaluate if you still like it.Brad Crowell 46:24  That is amazing.Lesley Logan 46:28  Oh my gosh, that one, rewind everyone, listen to that one again. It's so so important... (Brad: Yeah) Jay, you are a phenomenal person. Your journey is incredible. I think so many of us can learn from it and also any of the moms who are worried about their kid playing video games. It is not like being lazy, not taking life they're learning how computers work and they're learning different skills along the way. So you know you can monitor screen time I'm okay with that. But they're not going anywhere nor computer so I think they need to engage with them in some way. How are you gonna use these tips in your life? Let us know tag J, tag the Be It pod, let it, tell us how, what was the most important point to you, what resonate with you the most and until next time, Be It Till You See It!That's all I got for this episode of the Be It Till You See It Podcast. One thing that would help both myself and future listeners is for you to rate the show and leave a review and follow or subscribe for free wherever you listen to your podcast. Also, make sure to introduce yourself over at the Be It Pod on Instagram.   I would love to know more about you. Share this episode with whoever you think needs to hear it. Help us and others Be It Till You See It. Have an awesome day. Be It Till You See It is a production of The Bloom Podcast Network.  Brad Crowell 47:07  It's written, filmed, and recorded by your host, Leslie Logan and me, Brad Crowell. Lesley Logan 47:07  It is produced, edited by the Epic team at Disenyo.  Brad Crowell 47:07  Theme music is by Ali at Apex Production Music, and our branding by designer and artist Gianfranco Cioffi.  Lesley Logan 47:07  Special thanks to Melissa Solomon for creating our visuals and Ximena Velazquez for our transcriptions.  Brad Crowell 47:07  Also to Angelina Herico for adding all the content to our website. And finally to Meridith Crowell for keeping us all on point and on time.Transcribed by https://otter.aiSupport this podcast at — https://redcircle.com/be-it-till-you-see-it/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In the latest episode of the ⁠London History Podcast⁠, we're going to dim the lights and step back in time, exploring the smoke-filled, jazz-infused London nightclubs of the roaring 1920s and tumultuous 1930s. These were places where new music was forged, societal norms were challenged, and the intoxicating glamour of the era unfolded under the warm glow of chandeliers. For this enthralling journey into the past, we are accompanied by a distinguished guest, a scholar whose pen dances as smoothly on paper as the flappers did on those long-ago dance floors. Please welcome historian, author, and expert on British popular culture, Lucy Santos. With her extensive knowledge and passion, we'll delve into the hidden histories of these clubs, uncovering stories of the people who frequented them and ran them, the culture they created, and the impact they had on London society during the interwar years. We'll discover how these clubs, both celebrated and notorious, formed a microcosm of the larger societal changes in London, reflecting the shifting dynamics of class, race, and gender. From the glitzy sophistication of the Kit-Cat Club, famed for its membership of artists and intellectuals, to the eclectic sounds and sights of the Shim Sham Club in Soho, where jazz and the emerging Lindy Hop dance scene brought diverse crowds together, our exploration today will take us to the heart of an exciting era. So, ladies and gentlemen, put on your dancing shoes, cue the jazz, and join us as we dive into the smoky allure of London's nightclubs in the 1920s and 1930s. Stay tuned, the night is young and the history is rich. Let us know if there's a particular person, event or place you want to know more about in our podcast: ⁠londonguidedwalks.co.uk/podcast⁠ ⁠⁠⁠Send a voice message --- Send in a voice message: https://podcasters.spotify.com/pod/show/londonguidedwalks/message

May I have this dance? Aurelia Santos invites us to join the festivities.

Our thanks to our Mysterious Listener and Patreon Supporter Carl for recommending this episode from the Listener Library, "Zero Hour" from Suspense! This adaptation of a story by Ray Bradbury features a strange children's game called "invasion." This game seems to have suddenly become an obsession of kids across the country, all working toward a particular deadline. Who is the mysterious Mr. Drill teaching this game to children? What will happen if children meet their deadline? Do you require a warning about the dangers of the Lindy Hop? Listen for yourself and find out! Then vote and let us know what you think!

In this episode Jeffrey tells a couple stories surrounding the myth that "GMO's are needed because they will feed the world"--a common talking point from the biotech industry that has been shown, through scientific studies, not to be true. In his first story he talks about how he sat across the table from a Monsanto molecular biologist at a Lindy Hop workshop in St. Louis (Jeffrey loves to dance). Jeffrey asks a series of pointed questions that end in no response from the biologist. In his next story, Jeffrey discusses how Monsanto convinced cotton farmers in India to buy their very expensive GMO cotton seeds.  After one season, not only did the cotton seeds not produced but they caused a series of health problems and financial collapses that ended in the suicides of 250,000 farmers. 

TARYN NEWBORNE , who started off in ballroom dance before finding swing and Lindy Hop, has combined her passions to become an amazing swing singer and band leader. She joined us to talk about her story, what a swing scene family is, and hopes for how we can emerge from the pandemic. Making a great record takes a lot of time, and, sadly, money. You can help make a Taryn Newborne album a reality! Consider a donation to... CashApp: https://cash.app/$SingTarynSwing Venmo: @Taryn-Newborne PayPal: tarynsdream@gmail.com Zelle: tarynsdream@gmail.com

Ah yes, the dark, cold Wisconsin January winter days has Georgi longing for hibernation, but alas it tis not to be. Instead Gary and Georgi decide to take up dancing and started learning the Lindy Hop. But before they can dance, they figured you better stretch...ergo Yoga Time! Thanks for listening!

Our first guest of Season 2 is our good friend Andrea Gordon! Andrea joins us to discuss her time on tour with Swing Out, emceeing and leading lectures at Lindy Hop events, and what it's like to break into the Comedy world. Grab your Whiskey Mule and join us for Rhythm & Booze!Andrea Gordon:Instagram: @immacautionarytalehttps://www.facebook.com/handup.comedy~~~~~~~~~~~~~~~~~~Links:Website: https://www.mikeyandnikki.com/​Work: https://www.atomicballroom.com​ , https://www.atomicdancewear.com , Instagram: @nikki_moxiegold & @mikey_pedroza5 & @mikeyandnikkidance

Wendy Tanner is working with some friends to build a regular swing and Lindy Hop scene in the Rogue Valley, with the Ashland Lindy Swing Society.

This episode is just Jess! On a walk in the woods, featuring bug bites, angry crows, and updates on dance classes, art block / self doubt, and a really cool thing about colour "zones"Jess recommends Lucy Foley's "The Paris Apartment", as well as "Guest List" if you like fictional murdery mysteries. She's not sure yet if she recommends "The Power of Full Engagement", but she'll let you know.Karen from Just Get It Done: the colour triangle thing: https://youtu.be/DxxKfjfNtq4?t=265Laura Glaess's video, "What's the Deal with Solo Jazz": https://youtu.be/dJFChMhfqFc?t=289"Lindy Hop was invented by Black Americans, and a lot of these moves predate jazz and can be traced all the way back to Africa. Therefore, many of the people who invented Lindy Hop had these moves, or variations of these moves, in their culture for hundreds of years, connecting them to dancers throughout their history. Thats very big. The inventors of this dance have a heritage of these moves and precursors of these moves that connect them to their ancestors. That's more than just cool, that's profound."

Do Less, Be More – Exploring Franklin Method and Alexander Technique   – The MOVEMENT Movement with Steven Sashen Episode 126 with Greg Dyke   Greg Dyke is a software engineer, a former researcher in the learning sciences, and occasional partner dance teacher. He gave up downhill ski racing after leaving university and has not been running or gone to the gym since. He somehow found his way into partner dancing (Blues, Lindy Hop, Tango, Bal folk) and settled down into a sedentary lifestyle with occasional movement to music. Encounters with great teachers, Franklin Method and Alexander Technique transformed him from an ungraceful, nerdy dancer into someone who wears barefoot shoes, geeks out about somatic modalities, and is about to start training in Alexander Technique. Ten years later, he's still nerdy, but more graceful - and people seem to really enjoy dancing with him.   Listen to this episode of The MOVEMENT Movement with Greg Dyke about the Franklin Method and the Alexander Technique.   Here are some of the beneficial topics covered on this week's show: - Why people should find the movements that their body knows how to do. - How the images you hold about your body are going to mirror what you do with your body. - How turning your head from side to side shortens your spine and creates tension. - Why people must expand their movement vocabulary by bringing awareness to their movements. - How people should find a way to use less effort and relax more. Connect with Greg: Links Mentioned: anchor.fm/gregdyke   youtube.com/watch?v=2p3bFQz7d0E youtube.com/watch?v=l94bz3BQ4Oc youtube.com/watch?v=qYIjPGmnOEw     Connect with Steven: Website xeroshoes.com jointhemovementmovement.com Twitter  @XeroShoes Instagram  @xeroshoes Facebook  facebook.com/xeroshoes

Lindy Hop is a dance that was born in Harlem in the 1920s and 1930s — created and performed by African Americans in segregated clubs and dance halls. But today, one of the world's most vibrant Lindy Hop communities is in Sweden. So what happens when a Black American wants to learn the art form that she first encountered at the hands of her great-grandmother?