Podcasts about Syd Barrett

María Becerra, protagonista de ‘Cara C' con Cris Regatero. Aitana habla de sus próximos proyectos musicales. La sorpresa de Quevedo por el 7 de julio. Arranca 'Operación Triunfo USA' en Telemundo. En LOS40 Classic: 20 años sin Syd Barrett, el genio que imaginó Pink Floyd y terminó desapareciendo de su propia historia.

IM (6/1/1946 – 7/7/2006) – Syd Barrett is Dood maar niet vergeten. De Engelse componist, gitarist, kunstenaar en zanger overleed vandaag in 2006 op 60-jarige leeftijd. Barrett geldt als een van de oprichters van de…Continue Reading "De ex-gecommuniceerde grondlegger van Pink Floyd"

So you think you can tell Heaven from Hell? The Year Of Redemption comes to an epic conclusion this week as we review and rank Wish You Were Here, the sprawling concept album of absence by the ever-innovative Pink Floyd! After founding member and creative engine Syd Barrett had to step away from the band due to acute mental health concerns, the band processed their grief in the best way they knew how: through song. WWYH has gone down as one of the band's best, so we decided to find out why.In our early days we explored Dark Side Of The Moon. Connor gave it a surprisingly low score... with five years of music and score calibration under our belts, will this record take the band to new heights? We'll talk about our expanding Pink Floyd fandom, learn about the tension that divided Gilmour and Waters, and more. We'll Have A Cigar with the Mixtaper as we learn about the 4-story hog that got away, a floating studio, and mesmerizing magma. Then we'll be Welcomed To The Machine with this iconic record! (Oh, and by the way.. which one's Pink?)Shine On, You Crazy Diamond! Which part of the 20-minute suite is your favorite? Would you have a cigar with Pink Floyd? Have you ever seen a pig at 35,000 feet? Let us know in the comments and on socials! Be sure to follow or subscribe wherever you listen for the next era of Spin It!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro0:25 Last Time: Dark Side Of The Moon7:32 About Pink Floyd18:16 About Wish You Were Here28:42 Awards & Accolades30:29 Fact Or Spin31:35 Pink Floyd Tried To Shoot Down A Flying Pig... And Failed38:42 Syd Barrett and David Gilmour Were Arrested41:36 David Gilmour Has A Unique Recording Studio50:50 They Spent Entire Evenings Staring At Lava56:05 Album Art58:51 Shine On You Crazy Diamond (Pts. 1-5)1:02:54 Welcome To The Machine1:04:46 Have A Cigar1:07:29 Wish You Were Here1:09:53 Shine On You Crazy Diamond (Pts. 6-9)1:12:43 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Nueva entrega de Música de Contrabando, semanario de actualidad musical ( 25/06/2026) . Con Ángel H. SopenaEntrevistas:- Carlos Tarque (M Clan). Lo que empezó en 1993 en Murcia como un sueño de juventud empapado en rock sureño y soul, se ha convertido en una de las trayectorias más sólidas, respetadas y auténticas de la música en castellano. De los riff salvajes de Un buen momento a la madurez impecable de sus últimos trabajos, Carlos Tarque y Ricardo Ruipérez han sobrevivido a modas, crisis de la industria y al paso del tiempo sin perder un ápice de su identidad. Hoy nos sentamos con Tarque para celebrar este viaje de 30 años, echar la vista atrás y, sobre todo, brindar por lo que está por venir.Noticias:Muere Clive Davis, ejecutivo discográfico y productor.Davis fue presidente de Columbia Records entre 1967 y 1973.Se anuncian un concierto y un álbum de homenaje a Syd Barrett. Editors comparten “The Rush” junto a título y fecha de su próximo álbum.IDLES anticipan el single “Levitator” en sus conciertos.Elliott Smith se suma a la lista de artistas que con un asteroide en su honor. El nombre ha sido aprobado por la International Astronomical Union's Working Group que se encarga de registrar esa nomenclatura.PJ Harvey viaja al espacio por el físico Brian Cox en ‘Voyager'.James Blake ha compartido una reflexión sobre el estado actual de la industria musical que vuelve a ser bastante deprimente. El artista que tan crítico ha sido con el funcionamiento de la industria musical, que desfavorece a compositores como él, habla ahora de la desconfianza generalizada en torno a los datos, la crítica y la propia autenticidad de la música.blink 182 girarán por Europa en junio de 2027. El disco perdido que Deftones grabaron en 2007, «Eros», parece haberse filtrado online. Yard Act han anunciado la publicación de su tercer álbum, You're Gonna Need A Little Music, que saldrá a la venta el 17 de julio a través de Island Records. Nuevo lío entre Morrissey y Johnny Marr por un documental de The Smiths en la BBC. Novedades musicales:The Jayhawks, Chaka Khan y Snoop Dogg, Kiko Veneno, Temples, Los Enemigos, FKA Twigs, The Tubs, The Smiths, @, Murex, Igloo, Modelo de Respuesta Polar, Pond, Miguel Rivera, Pamela Rodríguez y Abraham Boba, Noise Box ft Alondra Bentley, Muñeca Rusa, Malva, Sôber, Danielle Ponder, Meltt, Mon Laferte, Jessie Reyez, Motoharu Okamura, Perdón, El Diablo de Shangai (Cabo de Pop), Cariño, Mastrolilli, Rata, This Is Lorelei, Repion, Aiko El Grupo, NanaSantaParda. Agenda de conciertos:MClan, Ariel Rot, La Guardia, Borja Casado, Jazz San Javier (Soulift, The Brand New Heavis, Nicole Zuraitis )Creamurcia Pop Rock, Luperock (Hittens, Suburn Boyz), Levitants, Wakame ( Tour Fest), OT25, Steam Brass Band... ​

Ultime numéro de la saison et à cette occasion on s'offre du bonus ! Prise d'antenne dès 19h00 en direct avec le Kid dans STACK dont la programmation incluait deux titres proposé par votre serviteur :  MONNAIE DE SINGE pour un dernier hommage avant de refermer cette saison, à Anne Gaëlle RUMIN, la voix du groupe depuis une dizaine d'années et qui nous a quitté en février dernier à seulement 44 ans. Vous pouvez également vous replonger dans l'émission spéciale d'Amarok du19 mars 2026 qui lui était en partie consacrée. J'ai donc proposé au Kid une version alternative "électro" d'un extrait de ce superbe album que reste "The Story Of Rose Ola Seks"... PHILIPPE KALFON et un extrait de son 3ème album studio (solo) "My Connection" qui vient de paraître. Si cet album n'est pas en soi un disque de rock progressif, rappelons que Philippe est le guitariste du Sloane Square Band déjà entendu dans cette émission et qu'il a soutenu le groupe Tai Phong. Mais il traverse les genre à travers une soixantaine d'albums, c'est peu dire qu'il est très demandé et pour cause ! Le Kid m'a semblé ravi de diffuser cette proposition guitaristique de premier choix pour Stack !    Dans AMAROK, le Kid me proposait un certain CLIVE NOLAN et là nos esprits se rencontrent !! Certes cela aura fait une troisième diffusion dans cette émission de l'album "The Mortal Light" sorti en début d'année, mais quand le claviériste de Pendragon et Arena (entre autres) passe deux ans à construire un superbe double album concept de deux heures et demi et que le résultat est aussi monumental, on ne peut qu'en redemander !    Et puis autre figure de groupe légendaire également claviériste : TONY BANKS, membre fondateur de Genesis pour un extrait de son album "The Fugitive" de 1983, l'une des rares occasions d'entendre Tony chanter lui-même !  Pour le reste de l'émission, c'est AMARTIA qui a ouvert le bal avec un mystérieux single "My Inner Circle". Mystère quant à la récente sortie de ce titre sur la plateformes alors que le dernier album du groupe lillois remonte à 2021 et toujours avec Amandine Duwooz au micro depuis maintenant presque une décennie. Je n'ai pas plus d'infos mais croisons les doigts pour la sortie un album durant la prochaine saison car ce single à un petit goût de trop peu !    Autre formation hexagonale mais cette fois originaire du Mans :  HAMASAARI. Un 2ème album "Pictures" vient d'être publié par ce groupe qui commence sérieusement à faire parler de lui !  Outre le programmation au Hellfest cette année, notamment cet été en Angleterre nos amis partageront l'affiche avec des pointures du genre à l'occasion d'un festival hommage au regretté Neil Peart (Rush).  Ils devaient se produire demain à la soirée PROG NIGHT aux côtés des nantais Unsquare et des tourangeaux  Elements (groupes diffusés ces deux dernières semaines dans cette émission) mais ATTNTION cette soirée est reportée au 17 septembre à la verrière de la salle de La Carrière (St Herblain).  Il y a un an le single "The Frame" d'ESTHESIS était diffusé ici, préalablement à la sortie de l'album "Out Of Step" à la rentrée 2025 et qui nous a depuis accompagné tout au long de la saison. Vous l'aurez compris, j'aime assez ! En réalité, chaque album est une merveille et celui-ci est plus souvent sur ma platine que dans sa pochette !! Après le remix de "The Frame" par l'ami Vincent Blanot, alias Berlin Heart, il y a quelques semaines, voici un bel et long extrait de l'album dans ce numéro pour finir de vous convaincre, s'il en était encore besoin, de la qualité de son auteur Aurélien Goude et de ses talentueux camarades ! Cerise sur la gâteau, outre les différents concerts prévus, le groupe toulousain sera à l' ALHAMBRA de Paris le 25 septembre en 1ère partie de IQ !! Cette saison aura été riche en actualités pour les légendaires YES en terme de diverses rééditions d'albums et de concerts. A ce propos le groupe qui devait se produire à l'Olympia le mois dernier a reporté sa tournée européenne de "Fragile Tour" suite à un problème de santé de Steve Howe. Cela ne semble donc pas remettre en cause le projet puisque le vénérable groupe devrait fouler la scène mythique parisienne en mai 2027. Du haut de ses 79 balais, le guitariste membre le plus ancien de la formation (plus aucun fondateur n'est présent), n'a pas encore les doigts perclus d'arthrose, pour preuve la qualité de son jeu sur le tout nouvel album du groupe "Aurora" ! On le sait, YES a eu plusieurs vies et il serait vain de comparer "Aurora" à "Fragile" par exemple (que la formation rejouera donc intégralement dans sa tournée européenne). Mais à mon humble avis, cet album est le meilleur opus du groupe depuis l'arrivée de Jon Davison au micro avec le controversé "Heaven & Earth" en 2014. Après "The Quest" en 2021 puis "Mirror To The Sky" qui semblait mieux accueilli par les fans en 2023, "Aurora" remet en avant les claviers de Geoff Downes dans la production et montre que Steve Howe n'est pas encore rouillé ! Les compositions exigeantes côtoient des titres plus directs et accessibles mais de toute façon c'est une galette à découvrir en immersion après plusieurs écoutes, autant vous dire qu'elle va contribuer à occuper mon été ! Extrait dans ce numéro. Programmation décidemment bien "frenchie" pour ce dernier numéro avec POLYCHROME et un nouvel extrait de leur second album "Someday". Les frères SENIZERGUES, biberonnés au jazz, au rock et influencé par leurs aînés de la scène progressive des 70's nous offrent une bulle d'air bienvenue dans le paysage musical français et qui mériterait bien d'être plus largement diffusés ! Modestement, j'ai toujours grand plaisir à le faire ici, bravo !  l'album "The Sensual World" de KATE BUSH fait partie des ces difficiles suites, faut dire qu'elle avait placé la barre assez haut avec son précédent "Hounds Of Love" ! Pourtant cet album mérite toute notre attention, l'artiste iconoclaste anglaise n'ayant pas eu peur de rebattre les cartes en 1989. Plein de belles collaborations sur cet album, citons notre breton Alan Stivell !  Un extrait dans ce numéro, sans le breton, mais avec le fameux Trio Bulgaka qui avait connu son heure de gloire en 1987 avec "Balkana - The Music Of Bulgaria", l'un des fers de lance de la world music produit par un certain Joe Boyd, ancien patron du club underground l'UFO dans les 60's et producteur notamment du 1er single d'un petit groupe émergeant nommé Pink Floyd ("Arnold Layne" en 1967). Ecarté par EMI pour le premier album de la bande à Syd Barrett, quelle transition 20 ans plus tard avec ces voix bulgares ! Autre invité sur le titre de cette émission, le légendaire guitariste de Pink Floyd (qui n'était alors plus émergeant depuis longtemps ! ), David Gilmour, toujours fidèle à son ancienne petite protégée depuis qu'il découvrait son talent quelques années plus tôt. Enfin, Cunégonde dont je vous parle depuis le début de la saison à travers les différents extraits de l'album de ANGE qui lui donne son nom vous était enfin présentée à l'issue de cet ultime numéro… Un chant assuré par Christian Décamps qui aura donc le dernier mot sur cet excellent nouvel opus du groupe (et dans cette émission!), malgré le passage de flambeau à son fils Tristan devenu le chanteur principale de cette honorable institution ! (le groupe, pas l'émission ! )     Comme le chantait un certain Jean-Louis, "voilà c'est fini" … Merci à SUN pour sa confiance renouvelée, merci au Kid pour le passage de relais ( presque!) chaque jeudi, aux artistes et leurs émissaires parfois à l'étranger qui font connaitre cette émission rare dans le monde hertzien pour le rock progressif, aux attaché.es de presse qui me font découvrir de belles pépites (et me remontent de fait le moral sur l'avenir du genre ! ) et notamment Anne-Claire de BAD DOG PROMOTIONS qui fait un travail formidable pour le rock progressif (durant cette saison je crois qu'il y a eu moins de numéros que de doigts sur une main sans au minimum un.e artiste de cette formidable agence !).  Enfin merci à vous qui écoutez AMAROK pour certain.es depuis pas mal d'années (ça commence à piquer!). Evidemment s'il n'y à personne de l'autre côté du poste (comme on disait quand j'étais jeune !!) il n'y a aucun intérêt. Mais à défaut de faire une émission "mainstream" cherchant à faire de l'audience à tout prix, ce qui m'anime encore dans ce média unique c'est de promouvoir cette musique auprès de vous qui en connaissez d'ailleurs souvent plus que moi comme j'ai pu le constater lors de différents évènements extérieurs cette année encore. MERCI ! !  Goodbye, je reviendrai …. Thierry Joigny

In this episode of the Fingal's Cave Podcast, we take a deeper look into the second part of the live and studio career of Roger Waters, beginning in 1999 with his return to touring “In The Flesh” after a 12 year hiatus.Guests Mike McCartney, Nils Zehnpfennig and Adam S. recount their experiences attending several Roger Waters shows between 1999 & 2008, as well as provide insights to what it was like being a fan in the Pink Floyd community at the time. It was fans taping soundchecks and holding up banners to "play the new song" which encouraged him to premiere a brand new track, Each Small Candle, at the last show on his 1999 tour; a song regarded as one of his finest works.Roger's creative output between 1999 to 2008 doesn't often correlate with his large scale tours, but many of these smaller gigs or studio tracks demonstrate Roger's continued prowess as a lyricist and musician, always employing the use of his touring or studio players in effective ways. You won't want to miss these insights into Roger's solo career during this period.

À l'occasion de la sortie de "Castle Park", album solo inédit de Graham Coxon enregistré en 2011 et enfin publié en 2026, le guitariste de Blur s'est confié à Marjorie Hache dans RTL2 Pop-Rock Station. Il revient sur la genèse longtemps différée de ce disque aux accents mod et 60's, sur le single "Billy Says" déjà connu de ses fans, mais aussi sur ses influences, de King Crimson à Talk Talk en passant par Syd Barrett, sans oublier quelques confidences plus intimes autour de l'écriture et de la mémoire. Graham Coxon - Billy Says Graham Coxon - Isn't it funny Graham Coxon - Alright Pink Floyd - Arnold Layne Blur - 1992 Graham Coxon - EasyHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Digging deep in the icebox of news to choose the following lightly chilled refreshments … … 500 Miles, Wonderwall, Yes Sir I Can Boogie(?): what does it take to be a football anthem? … Gorillaz brilliant reinvention of the “guest appearance” … Jerry Dammers' father was the Dean of Bristol Cathedral? Siouxsie's dad milked venom from snakes? … Rod Stewart's “laryngitis”- aka being on a private jet to watch Scotland play in Boston! … how they're celebrating Syd Barrett's 80th … the godawfullest album title in the entire history of popular music … England 2 Colombia 0: Kirsty MacColl's immaculate sense of melancholy … Faux Fighters, Proxy Music, By Jovi: tribute bands aren't lesser versions of the band you like but great versions of the songs you like … the worst Boz Scaggs gig followed by the best … teen fizz to chin-stroking introspection: the link between George Michael and the Beach Boys … “Londoners like to feel they're impossible to impress” … plus 500 Hartlepool fans dressed as Smurfs and birthday guest Blaine Allan.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Digging deep in the icebox of news to choose the following lightly chilled refreshments … … 500 Miles, Wonderwall, Yes Sir I Can Boogie(?): what does it take to be a football anthem? … Gorillaz brilliant reinvention of the “guest appearance” … Jerry Dammers' father was the Dean of Bristol Cathedral? Siouxsie's dad milked venom from snakes? … Rod Stewart's “laryngitis”- aka being on a private jet to watch Scotland play in Boston! … how they're celebrating Syd Barrett's 80th … the godawfullest album title in the entire history of popular music … England 2 Colombia 0: Kirsty MacColl's immaculate sense of melancholy … Faux Fighters, Proxy Music, By Jovi: tribute bands aren't lesser versions of the band you like but great versions of the songs you like … the worst Boz Scaggs gig followed by the best … teen fizz to chin-stroking introspection: the link between George Michael and the Beach Boys … “Londoners like to feel they're impossible to impress” … plus 500 Hartlepool fans dressed as Smurfs and birthday guest Blaine Allan.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

À l'occasion de la sortie de "Castle Park", album solo inédit de Graham Coxon enregistré en 2011 et enfin publié en 2026, le guitariste de Blur s'est confié à Marjorie Hache dans RTL2 Pop-Rock Station. Il revient sur la genèse longtemps différée de ce disque aux accents mod et 60's, sur le single "Billy Says" déjà connu de ses fans, mais aussi sur ses influences, de King Crimson à Talk Talk en passant par Syd Barrett, sans oublier quelques confidences plus intimes autour de l'écriture et de la mémoire. Blur - Song 2 Fat Dog - Go Fuck Urself Joni Mitchell - California Dire Straits - Romeo And Juliet Depeche Mode - Dream On The Stooges - 1969 Green Day - Oh Yeah The Clash - Lost In The Supermarket Rage Against The Machine - Renegades Of Funk The Cure - Lullaby Interpol - See Out Loud Beastie Boys - Bennie And The Jets (Live) Cage The Elephant - Ain't No Rest For The Wicked Alanis Morissette - Reasons I Drink Borderline - When It's Raining The Doors - Roadhouse Blues Pearl Jam - Better Man Lykke Li - Lucky Again Graham Coxon - Billy Says Graham Coxon - Isn't it funny Graham Coxon - Alright Pink Floyd - Arnold Layne Blur - 1992 Graham Coxon - EasyHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Digging deep in the icebox of news to choose the following lightly chilled refreshments … … 500 Miles, Wonderwall, Yes Sir I Can Boogie(?): what does it take to be a football anthem? … Gorillaz brilliant reinvention of the “guest appearance” … Jerry Dammers' father was the Dean of Bristol Cathedral? Siouxsie's dad milked venom from snakes? … Rod Stewart's “laryngitis”- aka being on a private jet to watch Scotland play in Boston! … how they're celebrating Syd Barrett's 80th … the godawfullest album title in the entire history of popular music … England 2 Colombia 0: Kirsty MacColl's immaculate sense of melancholy … Faux Fighters, Proxy Music, By Jovi: tribute bands aren't lesser versions of the band you like but great versions of the songs you like … the worst Boz Scaggs gig followed by the best … teen fizz to chin-stroking introspection: the link between George Michael and the Beach Boys … “Londoners like to feel they're impossible to impress” … plus 500 Hartlepool fans dressed as Smurfs and birthday guest Blaine Allan.Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Nick Mason is one of the founding members of Pink Floyd, the drummer behind one of the biggest bands in music history, and the owner of one of the most iconic car collections in the world.In this episode, Nick sits down to talk about the real story behind Pink Floyd, the success of The Dark Side of the Moon, the early days of the band, Syd Barrett, Roger Waters, David Gilmour, Live 8, touring the world, and what it was really like being part of one of the most influential bands ever.But Nick's story goes far beyond music. He also opens up about his lifelong love of cars, buying his Ferrari 250 GTO, lending his Ferrari Enzo to Top Gear, racing at Goodwood, owning a McLaren F1 GTR, his relationship with Ferrari, learning to fly, and why he still doesn't really see himself as a “rock star.”Don't forget to subscribe to our channel for more exciting content about your favourite shows and celebrities. Hit the bell icon to stay updated on all our latest episodes

durée : 00:52:40 - Les Nuits de France Culture - par : Albane Penaranda - En 2007, France Culture confie à l'écrivain et musicien Jean-Michel Espitallier un Atelier de Création Radiophonique à la figure mythique de Syd Barrett, créateur de Pink Floyd. Recomposant un paysage sonore foisonnant, il y raconte, entre autres, comment il "n'a pas" rencontré Syd Barrett. - équipe : Vincent Abouchar, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:31:40 - Les Nuits de France Culture - par : Albane Penaranda - Si l'ombre de Syd Barrett, l'ancien leader de Pink Floyd, plane toujours sur l'album "The Dark Side of the Moon", les idées de Roger Waters vont s'imposer dans les disques suivants "Animals" et surtout "The Wall", comme l'exposait Alain Dister dans le quatrième volet de sa série sur Pink Floyd. - équipe : Vincent Abouchar, Hassane M'Béchour, INA - invités : Emma Lavigne Historienne de l'art, directrice générale de la Collection Pinault, ancienne directrice du Palais de Tokyo et du Centre Pompidou-Metz Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Comedian and writer Murray Valeriano returns to discuss the 2023 documentary Have You Got It Yet? The Story of Syd Barrett and Pink Floyd. We analyze the film, sharing plenty of funny stories and anecdotes along the way. We wrap up the episode with a mixtape of our favorite Pink Floyd songs spanning every era of the iconic band.Support the show

durée : 00:32:30 - Les Nuits de France Culture - par : Albane Penaranda - À la fin des années 1960, en pleine période psychédélique, émerge Pink Floyd avec à sa tête un leader charismatique : Syd Barrett. En 2003, Alain Dister consacrait une série sur le groupe. Dans le premier volet, il retraçait les premiers pas de la formation avant l'arrivée de David Gilmour en 1968. - équipe : Vincent Abouchar, Hassane M'Béchour, INA Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Neil Jones tells Linda Ness about the celebrations which are planned to celebrate what would have been Pink Floyd’s Syd Barrett’s 80th year. 

Film Festival Tickets: https://buytickets.at/thedopeyfoundation/2216905 PAtreon: www.patreon.com/dopeypodcast SUMMARY This week on Total Replay! Dave opens with a heartfelt intro about the Total Replay series — replaying all early episodes with Chris O'Connor, Dave's co-creator who died of a fentanyl overdose in July 2018. Dave explains why these replays matter: listeners who came later are getting to know Chris for the first time, and can trace his recovery, his relapse, and his death in real time across 130 episodes. Dave promotes the Dopey Film Festival (June 26, SVA Theatre, NYC), reads Patreon and Spotify comments — including a standout from a listener now 1.5 years sober who used to listen while walking to cop — and recaps the Knicks NBA Finals run. The replayed episode is #30 — a two-hour classic with Dave, Chris, and a special guest called only "Jay," a musician from a prominent 90s band who remains anonymous. Jay gave Dave his first bag of weed in 1994. The episode covers: Jay's origin story (karate → weed → crack senior year of high school → speedballing → 20+ years of heroin); kicking dope in Jerusalem while on tour; copping in Austin at South by Southwest while sick on fake methadone; Dave's multiple arrest stories including being arrested twice in one day on the Lower East Side, getting jumped and pistol-whipped, buying drugs at Barnes & Noble, and getting arrested sober for putting up a sticker and giving his hoodie to a teenager in jail. Closes with Jay's 16 years of sobriety and how getting clean made him a better performer, plus a deep discussion of Syd Barrett, AA traditions, Under Earners Anonymous, Sex and Love Addicts, and a listener email from Scott — a truck driver 7 weeks clean. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

If you've ever listened to Robyn Hitchcock's music, you know that it can get pretty surrealistic. Some might say divinely bizarre and eclectic. Others might just say weird. All of that's fine with the London-born, Nashville-based artist, who has been putting out music on his own and with The Soft Boys and The Egyptians for half a century. Robyn says he's very happy to be in touch with a world beyond the view of the average human and enjoys communicating that world to the rest of us. Part of it has to do, he says, with being pretty solidly on the spectrum and seeing that not as a hindrance but an opportunity. He tells us about such matters as feathery Mexican serpent gods, polka dot shirts, the lives of Syd Barrett and Roger Barrett, and his partnership with his wife and record label head Emma Swift, who was on our show a few months ago. Our host John Moe is a big Robyn fan and wrote five introductions to this episode. If you want to skip them (and you'd be really missing out), the interview itself begins around [12:13]. Thank you to all our listeners who support the show as monthly members of Maximum Fun. Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com! Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org. Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group.  Help is available right away. The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALK Crisis Text Line: Text HOME to 741741. International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joindepresh

John Leckie is one of British rock’s greatest producers, who started out as a tape operator at Abbey Road in 1970, thrown immediately into sessions for George Harrison’s All Things Must Pass and John Lennon’s Plastic Ono Band. This interview, conducted live at The CAT Club in September 2025, focuses on Sunburst Finish, the Be Bop Deluxe album that gave Leckie his first official production credit, and covers both the making of the album and his creative partnership with Bill Nelson. Additionally, Leckie gives a first-hand account of Syd Barrett’s unannounced appearance during the Wish You Were Here sessions, an encounter he stumbled into while raiding Pink Floyd’s beer fridge, only for Roger Waters to stop the tape and ask who the stranger standing next to him was. The Q&A session draws out further stories about working with The La’s, the Stone Roses’ debut, and how XTC – who idolised Bill Nelson, led Leckie to leave EMI and go independent. Further information Support The Strange Brew Podcasts also available: Bill Nelson – Be Bop Deluxe, Rob Chapman on Syd Barrett, Ken Scott on The Beatles, Bowie, Alan Parsons This podcast is also available on Apple Podcasts, Spotify, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post John Leckie on Be Bop Deluxe and the Making of Sunburst Finish appeared first on The Strange Brew .

A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

A whole new age of psychedelia kicked off in the mid-‘80s, of dream-weavers and glorious underachievers, a complete rejection of the standard rock approach to stagecraft, sound and self-promotion. Simon Reynolds was at the heart of it, writing for Melody Maker and piping aboard the pioneering noise-mongers aiming to entrance and disorientate, as recalled in his new book ‘Still In A Dream: Shoegaze, Slackers and the Reinvention of Rock 1984-1994'. He looks back with us here from his home in Los Angeles at its key bands, events and spiritual godfathers, these among them … … the return to childhood via Syd Barrett and Jonathan Richman to Sarah Records … is ‘feeble little horse' the most Shoegaze band name ever? ... what it was about Morrissey that made Smiths singles sink after Top Of The Pops … the reason Bowie formed a band … charming/infuriating interviews with the Cocteau Twins: “words only have any meaning when they're sung” … how Britpop brought down the curtain of the wall of sound … Shoegaze, Dreampop, Lovelynoise, Wide-Brimmed Hat Music and the rock press attempt to impose order: “if a band was on the cover they could double their fee” ... the divine arrogance of Lawrence of Felt who “didn't want ordinary people buying my records” … the ever-extending “noise chasms” of My Bloody Valentine … “shattering quartz”: reviewing music that's about sound not words … Shoegaze DNA in the 21st Century ... and the greatest album of that decade, “each track like a session beer”. Order copies of ‘Still In a Dream' here: https://www.waterstones.com/book/still-in-a-dream/simon-reynolds/9781399618373Help us to keep The Longest Continuous Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Rudolph in Marinus deel hulle passie en interessante stories oor Pink Floyd.Nog Pop episodes: Magalies - Pop - SpotifyHoofstukke:00:00; Syd Barrett 08:40; Dark Side of the Moon, Animals, The Wall18:52; The Final Cut, Konflik in band26:02; Konsep Albums, Roger Waters, wie is die frontman?33:10; Great gig in the Sky, Animals tema, Seamus40:00; Band Split, Gilmour era, Have a Cigar49:00; Echoes57:51; Eksperimente lei tot sukses

Noctámbulos se acerca a su final y mientras tanto les ofrecemos dos temas que siempre habíamos querido traer, esperamos que los disfruten Learn more about your ad choices. Visit megaphone.fm/adchoices

Amarok c'est le jeudi et l'Ascension c'est toujours un jeudi alors il fallait bien que je fasse un jour une thématique, même pour le moins… approximative !  Rassurez-vous, pas de playlist "religieuse"; mais juste un clin d'œil avec deux morceaux portant ce titre similaire ainsi qu'une musque globalement "aérienne" (avec pas mal de synthétiseurs) et /ou aux noms quelque peu évocateurs :  En ouverture d'émission j'ai choisi un titre tiré d'un livre d'Atrhur C. Clarke qui y décrit un système permettant de faire monter à bord d'un vaisseau spatial (de terriens en exil faisant escale en orbite d'une planète), de l'eau grâce à un câble, opération très sensible ayant pour nom  Ascension et dont  le titre figure sur l'adaptation musicale de ce roman sous le même titre "Songs Of Distant Eatrh" par MIKE OLDFIELD en 1994.  Le second morceau intitulé "Ascension" en fin de programme est effectivement une musique dont le terme se rapporte à la spiritualité, publié en 2021 par le King of the Keybords RICHARD ANTHONY BEAN, tiré de l'album éponyme. Un instrumental épique et chargé d'émotions comme Richard sait si bien le faire ! J'en profite pour vous recommander sa nouvelle production : un album de reprises de de l'un des mentors de Richard, le grand Vangelis, sous le titre Pulstar", dix reprises par le disciple anglais disponible !  Entre ces deux titres, une expérience religieuse. Rassurez--vous, je veux parler de ce titre particulier de KEVIN AYERS ! "Religious Experience",  titre de travail de "Singing A Song In The Morning", 1er single de Kevin Ayers en solo sorti quelques mois après son 1er album "Joy Of A Toy" (1969) dont l'extrait "Eleanor's Cake" était placé en face B ("Singing ..." n'étant pas sur l'album original). Le contexte : Avec ses collègues de Soft Machine qu'il vient de quitter, Kevin a donné un coup de main à l'enregistrement de "Madcap Laughs", 1er album solo de SYD BARRETT, leader et co-fondateur de Pink Floyd dont on connait l'état psychique dans il se trouvait alors et qui avait sérieusement besoin de renforts pour aller au terme de cet album…  Durant ces séances,  Syd va enregistrer une piste de guitare pour Kevin, destiné à son single, piste qui ne sera finalement pas conservée dans le mixage final paru début 1970. Hors en 2003, à l'occasion de la réédition de l'album "Joy Of A Toy", ce fameux single réintitulé "Religious Experience" y est ajouté en bonus avec la piste guitare de Syd ! Un beau témoignage et c'est cette version qui vous était proposée dans ce numéro !  Nous avons quitté provisoirement  les Sujets de sa Majesté pour aller faire un tour en Russie y retrouver le duo SUN Q. Bientôt dix ans que ce duo composé d' Ivan Shalimov et Elena Tiron y fait ses gammes et j'avais eu plaisir à diffuser des extrait de leur album "Myth" en 2023. Sun Q propose habituellement une pop-rock à tendance progressive mais sur ce nouvel opus, ils ont imaginé ce qu'aurait pu être "Mythe" s'il avait été écrit dans les années 80, dans la mouvance new wave, synthpop. "Mythwave" n'est pas un réenregistrement de "Myht" mais un aperçu de ce que sa création aurait pu être dans cet univers hybride entre nostalgie analogique et univers cinématique et futuriste. Le visuel de l'album (sorti aujourd'hui même ! )  représente une pochette de vinyle écorné et je lui souhaite une belle… ascension dans les charts !  Autre nouveauté fort intéressante : "Fields And Worms" par  LUCIE SHAME. Je n'ai découvert cette artiste que cette semaine et même si je m'éloigne des musiques progressives, ce single n'est pas hors de propos dans cette émission, un morceau plutôt "art rock - folk" s'il fallait vraiment lui coller une étiquette mais surtout d'un grande sensibilité. Sa créatrice et interprète a reçue une éducation musicale classique au piano mais très vite, elle s'est découvert une appétence pour la poésie, l'écriture et la composition. Et puis le grunge à l'adolescence. Forte de ce bagage hybride, elle enregistre un album sur un simple magnéto cassette à 17 ans dans sa chambre. Ajoutez une expérience de vie personnelle assez rude et vous avez alors quelques éléments pour comprendre sa musique, un croisement entre classique, P.J. Harvey et Kate Bush et ce titre que je vous proposais donc dans ce numéro, un texte évoquant à la première personne la plongée dans l'au-delà d'une suicidée, pas le titre le plus gai de l'émission je vous l'accorde, mais d'une magnifique sensibilité !  Ce qui est incroyable avec cette émission c'est qu'en la préparant je fais encore des découvertes d'artistes pourtant reconnus mais dont j'étais passé à côté… Alors sachant que cette émission est aussi (un peu) suivie au Québec, j'entend déjà des railleries (justifiées) outre atlantique ! !  JEAN-PIERRE FERLAND y a été célèbre, et même animateur de télé ! Mais évidemment c'est sa musique qui m'a interpellé (grâce aux bons conseils judicieux d'un ami musicien). A ma décharge, son œuvre n'est pas spécifiquement "rock progressif" mais quand même : l'album "Jaune", quelle originalité ! Si la structure musicale n'est pas forcément prog, la subtilité des arrangements, le son, tout en fait un album qui a légitimement sa place ici ! D'ailleurs, on y trouve un certain Tony Levin, bassiste futur membre de King Crimson, tiens donc… mais aussi (entre autres) le guitariste David Spinoza qui sera appelé à jouer entre autres belles collaborations (la liste est trop longue) , sur des albums de McCartney, Lennon et Star. Jean-Pierre nous a quittés en 2024 mais il laisse une belle discographie à (re)découvrir peu importe les genres et notamment "Jaune" cette pépite de 1970 donc l'extrait "God Is An America", titre forcément lié au thème de ce numéro mais surtout qui n' a jamais sonné aussi juste face aux égos démesurés d'un Donald ou autres dirigeants actuels, laissez moi rire...jaune !   Il y a quelques semaines, une nouvelle pépite est arrivée  : "Autumn" , le nouvel album du multi-instrumentiste normand (entre autres compétences de producteur, auteur de musique de films) EMMANUEL QUENNEVILLE. A l'inverse de son dernier album "Dôme" qui nous avaient envoyés dans l'espace, ce nouvel opus sonne plus près de nous pauvres pécheurs mais reste aussi pas certains côtés, un album encore aérien (Si vous êtes aficionados de la musique oldfieldienne, vous noterez les influences dans le jeu de guitare d'Emmanuel qui lui confère aussi cet aspect). Plus lyrique aussi, il invite tant à l'introspection qu'au voyage intérieur  (je vous recommande une belle séance d'écoute au casque , imparable ! ).  En bonus, la superbe pochette de l'album digne de la célèbre maison Hipgnosis (à qui l'on doit notamment la plupart des pochettes de Pink Floyd),mais c'est à sa fille Clem qui a réalisé ce beau visuel, image garantie sans intelligence artificielle ! Enfin, sans citer tous les collaborateurs de ce bel album, mais au moins quand même :  Lambert Wilson et Pedro Almodovar ! Le cinéma dans vos oreilles !  Désolé si j'ai plombé l'ambiance avec le single de Lucie Shame, mais je réitère avec histoire de femme découverte dans son appartement londonien trois ans après sa mort. Le talentueux STEVEN WILSON s'est inspirée de cette tragédie symptomatique de notre société d'isolement derrière l'apparence d'être connectés… Le 4ème album solo du fondateur de Porcupine Tree basé sur ce triste fait ...d'hiver social est juste entré parmi les indispensables de ma discographie. Extrait dans ce numéro de "Hand Cannot Erase" sorti en 2015. Je vous rappelle qu'en 2026, Steven Wilson se produira en concert uniquement pour deux dates uniques  : 28 et 29 octobre au prestigieux Royal Albert Hall avec chœur et orchestre, avis aux fans !   Le multi-instrumentiste et producteur anglais BRENDAN PERKINS vient de publier un nouvel album intitulé "Trading River Songs qu'il décrit comme "rock progressif pastoral et symphonique". Je l'en remercie car cela m'évite d'avoir à trop me creuser la tête pour le décrire, oui j'aime bien aussi profiter des jours fériés ! Cela dit, je vous confirme que la description est correcte, j'ajouterai qu'à l'instar d' "Autumn" d'Emmanuel Quenneville, cet album gagne à être écouté en immersion et sous casque. Le titre éponyme proposé ce soir évoque les épreuves d'une famille qui va retrouver son statut de "clan". Vous avez les infos : montez le son !  Pour revenir au thème de notre émission, pas possible de passer à côté de la Genèse, autrement dit GENESIS ! L'occasion de revenir sur cet album (double et pas expresso s'il vous plait ! ) de 1974 : "The Lamb Lies Down On Broadway". Un album remarquable et ultime participation de Peter Gabriel qui s'est vu offrir (l'album, pas Peter ! ) à l'occasion de ses 50 ans une cure de remasterisation augmentée d'un live d'époque et de quelques goodies dans un somptueux coffret. Bon encore des sous à dépenser mais c'est vrai que  50 ans ça se fête  ! Le problème c'est que cette époque bénie du rock progressif regorge de rééditions sous formes d'onéreux coffrets depuis quelques années. On devrait être plus tranquille et faire des économies à la fin de la décennie !  Avant de refermer cet épisode et reprendre l'Ascension avec Richard Anthony Bean, un petit tour en Australie avec un groupe au nom un peu à rallonge : THE SEA NOT HAVE  THEM (du nom d'un film de guerre anglais et devise de l'unité de secours de la Royal Air Force). Mais revenons à ce qui nous intéresse ici, la musique. TSNHT (c'est plus facile ! ) propose un post-rock ambient qui se caractérise par un juste équilibre entre un son puissant, énergique et des sonorités aériennes. Finalement on peut faire une analogie avec la Royal Air Force ! Cette formation m'était inconnue mais je suis tombé dessus (pas de mon Hawker je vous rassure ! ) en suivant l'actu de leurs compatriotes ORPHANED BEE, projet qui propose un mélange de synthwave et de rock psychédélique et que j'ai déjà eu l'occasion de vous présenter ici. Le single "No Breathing In Dreams" vient donc d'être publié par TSNHT mais en collaboration pertinente et réussie avec les Orphaned Bee. Le temps de gagner en altitude pour une Ascension finale, promis je reviens sur Terre jeudi prochain à 20h !  Thierry Joigny AMAROK, chaque jeudi à 20h           

Amarok c'est le jeudi et l'Ascension c'est toujours un jeudi alors il fallait bien que je fasse un jour une thématique, même pour le moins… approximative !  Rassurez-vous, pas de playlist "religieuse"; mais juste un clin d'œil avec deux morceaux portant ce titre similaire ainsi qu'une musque globalement "aérienne" (avec pas mal de synthétiseurs) et /ou aux noms quelque peu évocateurs :  En ouverture d'émission j'ai choisi un titre tiré d'un livre d'Atrhur C. Clarke qui y décrit un système permettant de faire monter à bord d'un vaisseau spatial (de terriens en exil faisant escale en orbite d'une planète), de l'eau grâce à un câble, opération très sensible ayant pour nom  Ascension et dont  le titre figure sur l'adaptation musicale de ce roman sous le même titre "Songs Of Distant Eatrh" par MIKE OLDFIELD en 1994.  Le second morceau intitulé "Ascension" en fin de programme est effectivement une musique dont le terme se rapporte à la spiritualité, publié en 2021 par le King of the Keybords RICHARD ANTHONY BEAN, tiré de l'album éponyme. Un instrumental épique et chargé d'émotions comme Richard sait si bien le faire ! J'en profite pour vous recommander sa nouvelle production : un album de reprises de de l'un des mentors de Richard, le grand Vangelis, sous le titre Pulstar", dix reprises par le disciple anglais disponible !  Entre ces deux titres, une expérience religieuse. Rassurez--vous, je veux parler de ce titre particulier de KEVIN AYERS ! "Religious Experience",  titre de travail de "Singing A Song In The Morning", 1er single de Kevin Ayers en solo sorti quelques mois après son 1er album "Joy Of A Toy" (1969) dont l'extrait "Eleanor's Cake" était placé en face B ("Singing ..." n'étant pas sur l'album original). Le contexte : Avec ses collègues de Soft Machine qu'il vient de quitter, Kevin a donné un coup de main à l'enregistrement de "Madcap Laughs", 1er album solo de SYD BARRETT, leader et co-fondateur de Pink Floyd dont on connait l'état psychique dans il se trouvait alors et qui avait sérieusement besoin de renforts pour aller au terme de cet album…  Durant ces séances,  Syd va enregistrer une piste de guitare pour Kevin, destiné à son single, piste qui ne sera finalement pas conservée dans le mixage final paru début 1970. Hors en 2003, à l'occasion de la réédition de l'album "Joy Of A Toy", ce fameux single réintitulé "Religious Experience" y est ajouté en bonus avec la piste guitare de Syd ! Un beau témoignage et c'est cette version qui vous était proposée dans ce numéro !  Nous avons quitté provisoirement  les Sujets de sa Majesté pour aller faire un tour en Russie y retrouver le duo SUN Q. Bientôt dix ans que ce duo composé d' Ivan Shalimov et Elena Tiron y fait ses gammes et j'avais eu plaisir à diffuser des extrait de leur album "Myth" en 2023. Sun Q propose habituellement une pop-rock à tendance progressive mais sur ce nouvel opus, ils ont imaginé ce qu'aurait pu être "Mythe" s'il avait été écrit dans les années 80, dans la mouvance new wave, synthpop. "Mythwave" n'est pas un réenregistrement de "Myht" mais un aperçu de ce que sa création aurait pu être dans cet univers hybride entre nostalgie analogique et univers cinématique et futuriste. Le visuel de l'album (sorti aujourd'hui même ! )  représente une pochette de vinyle écorné et je lui souhaite une belle… ascension dans les charts !  Autre nouveauté fort intéressante : "Fields And Worms" par  LUCIE SHAME. Je n'ai découvert cette artiste que cette semaine et même si je m'éloigne des musiques progressives, ce single n'est pas hors de propos dans cette émission, un morceau plutôt "art rock - folk" s'il fallait vraiment lui coller une étiquette mais surtout d'un grande sensibilité. Sa créatrice et interprète a reçue une éducation musicale classique au piano mais très vite, elle s'est découvert une appétence pour la poésie, l'écriture et la composition. Et puis le grunge à l'adolescence. Forte de ce bagage hybride, elle enregistre un album sur un simple magnéto cassette à 17 ans dans sa chambre. Ajoutez une expérience de vie personnelle assez rude et vous avez alors quelques éléments pour comprendre sa musique, un croisement entre classique, P.J. Harvey et Kate Bush et ce titre que je vous proposais donc dans ce numéro, un texte évoquant à la première personne la plongée dans l'au-delà d'une suicidée, pas le titre le plus gai de l'émission je vous l'accorde, mais d'une magnifique sensibilité !  Ce qui est incroyable avec cette émission c'est qu'en la préparant je fais encore des découvertes d'artistes pourtant reconnus mais dont j'étais passé à côté… Alors sachant que cette émission est aussi (un peu) suivie au Québec, j'entend déjà des railleries (justifiées) outre atlantique ! !  JEAN-PIERRE FERLAND y a été célèbre, et même animateur de télé ! Mais évidemment c'est sa musique qui m'a interpellé (grâce aux bons conseils judicieux d'un ami musicien). A ma décharge, son œuvre n'est pas spécifiquement "rock progressif" mais quand même : l'album "Jaune", quelle originalité ! Si la structure musicale n'est pas forcément prog, la subtilité des arrangements, le son, tout en fait un album qui a légitimement sa place ici ! D'ailleurs, on y trouve un certain Tony Levin, bassiste futur membre de King Crimson, tiens donc… mais aussi (entre autres) le guitariste David Spinoza qui sera appelé à jouer entre autres belles collaborations (la liste est trop longue) , sur des albums de McCartney, Lennon et Star. Jean-Pierre nous a quittés en 2024 mais il laisse une belle discographie à (re)découvrir peu importe les genres et notamment "Jaune" cette pépite de 1970 donc l'extrait "God Is An America", titre forcément lié au thème de ce numéro mais surtout qui n' a jamais sonné aussi juste face aux égos démesurés d'un Donald ou autres dirigeants actuels, laissez moi rire...jaune !   Il y a quelques semaines, une nouvelle pépite est arrivée  : "Autumn" , le nouvel album du multi-instrumentiste normand (entre autres compétences de producteur, auteur de musique de films) EMMANUEL QUENNEVILLE. A l'inverse de son dernier album "Dôme" qui nous avaient envoyés dans l'espace, ce nouvel opus sonne plus près de nous pauvres pécheurs mais reste aussi pas certains côtés, un album encore aérien (Si vous êtes aficionados de la musique oldfieldienne, vous noterez les influences dans le jeu de guitare d'Emmanuel qui lui confère aussi cet aspect). Plus lyrique aussi, il invite tant à l'introspection qu'au voyage intérieur  (je vous recommande une belle séance d'écoute au casque , imparable ! ).  En bonus, la superbe pochette de l'album digne de la célèbre maison Hipgnosis (à qui l'on doit notamment la plupart des pochettes de Pink Floyd),mais c'est à sa fille Clem qui a réalisé ce beau visuel, image garantie sans intelligence artificielle ! Enfin, sans citer tous les collaborateurs de ce bel album, mais au moins quand même :  Lambert Wilson et Pedro Almodovar ! Le cinéma dans vos oreilles !  Désolé si j'ai plombé l'ambiance avec le single de Lucie Shame, mais je réitère avec histoire de femme découverte dans son appartement londonien trois ans après sa mort. Le talentueux STEVEN WILSON s'est inspirée de cette tragédie symptomatique de notre société d'isolement derrière l'apparence d'être connectés… Le 4ème album solo du fondateur de Porcupine Tree basé sur ce triste fait ...d'hiver social est juste entré parmi les indispensables de ma discographie. Extrait dans ce numéro de "Hand Cannot Erase" sorti en 2015. Je vous rappelle qu'en 2026, Steven Wilson se produira en concert uniquement pour deux dates uniques  : 28 et 29 octobre au prestigieux Royal Albert Hall avec chœur et orchestre, avis aux fans !   Le multi-instrumentiste et producteur anglais BRENDAN PERKINS vient de publier un nouvel album intitulé "Trading River Songs qu'il décrit comme "rock progressif pastoral et symphonique". Je l'en remercie car cela m'évite d'avoir à trop me creuser la tête pour le décrire, oui j'aime bien aussi profiter des jours fériés ! Cela dit, je vous confirme que la description est correcte, j'ajouterai qu'à l'instar d' "Autumn" d'Emmanuel Quenneville, cet album gagne à être écouté en immersion et sous casque. Le titre éponyme proposé ce soir évoque les épreuves d'une famille qui va retrouver son statut de "clan". Vous avez les infos : montez le son !  Pour revenir au thème de notre émission, pas possible de passer à côté de la Genèse, autrement dit GENESIS ! L'occasion de revenir sur cet album (double et pas expresso s'il vous plait ! ) de 1974 : "The Lamb Lies Down On Broadway". Un album remarquable et ultime participation de Peter Gabriel qui s'est vu offrir (l'album, pas Peter ! ) à l'occasion de ses 50 ans une cure de remasterisation augmentée d'un live d'époque et de quelques goodies dans un somptueux coffret. Bon encore des sous à dépenser mais c'est vrai que  50 ans ça se fête  ! Le problème c'est que cette époque bénie du rock progressif regorge de rééditions sous formes d'onéreux coffrets depuis quelques années. On devrait être plus tranquille et faire des économies à la fin de la décennie !  Avant de refermer cet épisode et reprendre l'Ascension avec Richard Anthony Bean, un petit tour en Australie avec un groupe au nom un peu à rallonge : THE SEA NOT HAVE  THEM (du nom d'un film de guerre anglais et devise de l'unité de secours de la Royal Air Force). Mais revenons à ce qui nous intéresse ici, la musique. TSNHT (c'est plus facile ! ) propose un post-rock ambient qui se caractérise par un juste équilibre entre un son puissant, énergique et des sonorités aériennes. Finalement on peut faire une analogie avec la Royal Air Force ! Cette formation m'était inconnue mais je suis tombé dessus (pas de mon Hawker je vous rassure ! ) en suivant l'actu de leurs compatriotes ORPHANED BEE, projet qui propose un mélange de synthwave et de rock psychédélique et que j'ai déjà eu l'occasion de vous présenter ici. Le single "No Breathing In Dreams" vient donc d'être publié par TSNHT mais en collaboration pertinente et réussie avec les Orphaned Bee. Le temps de gagner en altitude pour une Ascension finale, promis je reviens sur Terre jeudi prochain à 20h !  Thierry Joigny AMAROK, chaque jeudi à 20h           

Send us Fan Mail In this episode, we dive into Pink Floyd's Wish You Were Here, a haunting and emotional follow-up to The Dark Side of the Moon. From the sprawling brilliance of “Shine On You Crazy Diamond” to the title track's timeless sense of loss and longing, we explore how the album reflects absence, fame, the music industry, and the shadow of former bandmate Syd Barrett. It's a record that feels both massive and deeply personal — one of Pink Floyd's most powerful statements. Support the showBrowse the 33/24 Archives: Check out the backroom!Follow us:InstagramFacebookWatch us on YouTube!

Don and Dude fire up an episode about albums built for a hazy 420 state of mind, from British space rock experiments to prairie bred retro rock perfect for late night clouds and long drives. Pink Floyd's early psychedelia and The Sheepdogs' warm, guitar heavy grooves share the spotlight as the guys explore how trippy textures and laid back riffs fuel the same smoky headspace.The Albums Pink Floyd – The Piper at the Gates of Dawn (1967) English psych pioneers introduce themselves with a strange, playful, deeply trippy debut where Syd Barrett's surreal lyrics, space rock explorations, and free form jams turn fairy tales and cosmic prayers into a full body experience. Recorded at Abbey Road while The Beatles worked on Sgt Pepper, it slides between whimsical storybook pop and noisy improvisational freak outs, using tape effects and echo drenched organ to make outer space and inner confusion feel like the same room.The Sheepdogs – Learn & Burn (2010) Saskatoon bar band lifers cut a homegrown, 70s soaked guitar rock set aimed at the sweet spot between Led Zeppelin riffs and CSN harmonies, all warm tones, mid tempo grooves, and songs about drifting and digging in when life gets heavy. Cut at their DIY Sweatbox studio and later mixed in Philly, it plays like a lost FM staple, the record you throw on for a road trip, a porch hang, or a slow burning 420 afternoon.Diggin' AlbumsThe Props – Arrow EP (2026) LA upstarts slam sharp guitar rock into nervy new wave and post punk on a debut that feels like a neon lit coming of age flick, all hooks, tight grooves, and restless late night drive energy.Jimi Hendrix – Electric Ladyland (1968) A sprawling, studio stretching double album where Hendrix fuses blues, soul, and psychedelia into long jams and iconic covers, the textbook lights out, headphones on trip.Ashley Monroe – Dear Nashville (2026) A veteran songwriter turns her long, complicated history with Music City into a letter like concept album, blending gratitude and bruised affection over lush Americana.Trashcan Sinatras – Ever the Optimist (2026) Scottish cult favorites return with jangly, reflective guitar pop that feels like catching up with old friends, all gentle melodies and quietly hopeful glow.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support by subscribing, rating, reviewing, and sharing with a fellow music obsessive who still loves hearing whole albums front to back.“Behind every good man is a woman, and that woman was Martha Washington, man. And every day George would come home, she would have a big fat bowl waiting for him, man.” – Slater, Dazed and Confused (1993).

Mike Fiorito arrives at the Virtual Alexandria to discuss his new book, The Innerspace of Outerspace: Exploring Other Worlds Through Music. Let's explore the liminal realm where music acts as a vital portal to unseen dimensions and a map for the inner space of the human mind. We delve into the "tone science" of Sun Ra, whose cosmic jazz arrived like a signal from another universe, challenging conventional reality and offering a path to a more liberated alter-destiny. The journey continues through the ambient dreamscapes of Brian Eno and the progressive rock visions of Jon Anderson, exploring how these giants were inspired by non-human intelligences and realities beyond the material world. Alongside the insights of musical pioneers like Syd Barrett and Steven Halpern, we discover how sound serves as a universal language and a bridge to a sacred understanding of oneness with all of creation. Get the book: https://amzn.to/4cacOxQ More on Mike: https://mikefiorito.com/ Get The Occult Elvis: https://amzn.to/4jnTjE4 Virtual Alexandria Academy: https://thegodabovegod.com/virtual-alexandria-academy/ Gnostic Tarot Readings: https://thegodabovegod.com/gnostic-tarot-reading/ The Gnostic Tarot: https://www.makeplayingcards.com/sell/synkrasis Homepage: https://thegodabovegod.com/ Patreon: https://www.patreon.com/aeonbyte AB Prime: https://thegodabovegod.com/members/subscription-levels/ Voice Over services: https://thegodabovegod.com/voice-talent/ Support with donation: https://buy.stripe.com/00g16Q8RK8D93mw288 Merch store: https://aeonbyte.creator-spring.com/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Matt Johnson's life story has been mapped out as one long Q&A conversation from meetings with old friend, fan and BFI director Jason Wood. ‘Cognitive Dissident' traces his trajectory from the East End to Soho to the beloved albums he made with a series of super-groups and his 2021 comeback. He looks back here at … … his earliest musical memories – Donovan, the Move, the Crazy World of Arthur Brown … the old East End and the Two Puddings pub run by his parents, “full of ghosts”, Bobby Moore, Francis Bacon and the Krays … his Uncle Kenny promoting the Who, the Kinks and Jerry Lee Lewis … “Get yourself on a sunbed!” and other advice from George Michael ... what he learnt at De Wolfe Music, aged 15, in the red-light Soho of the late ‘70s … legendary manager Stevo signing the band's CBS contract at midnight in Trafalgar Square … “cigarettes, coffee, warm analogue equipment”: the Proustian scent of old studios … his NME ad recruiting The The members via the Residents, the Velvet Underground, Syd Barrett and Throbbing Gristle … being part of “the Long Mack Brigade” with Cabaret Voltaire, This Heat, Wire and the Gang of Four … Leonard Cohen's premonition of the internet … the Albert Hall: “like a tennis player playing Wimbledon” … the genius of Hank Williams … and his 2018 comeback, “like reunion of old army buddies” Order ‘Cognitive Dissident' here: https://omnibuspress.com/products/cognitive-dissident?_pos=1&_psq=cognitive+dissi&_ss=e&_v=1.0Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In Part 2 of our in-depth conversation with Greg Taylor, we turn to Pink Floyd's concerts in 1968, as Greg recalls a series of extraordinary performances he witnessed during that transitionary year.At the centre of the episode is Greg's vivid recollection of the 19 January 1968 concert at Lewes Town Hall, a rare performance featuring the short-lived five-man Pink Floyd line-up with Syd Barrett and David Gilmour both on stage. Greg remembers the evening in remarkable detail, from the character of the hall itself and the local promoter who organised the event, to the backstage atmosphere and the stories that have survived from that night.Most striking of all is Greg's memory of David Gilmour positioned slightly behind Syd Barrett on stage, ready to step forward if Syd stopped playing. It is a fascinating glimpse of Pink Floyd at a fragile moment, still carrying Syd's creative, painterly vision while beginning to adapt to the possibility of continuing without it.The conversation then moves through recollections of several other memorable performances from 1968, including the Falmer House Courtyard show at the University of Sussex in May, the Midsummer High weekend concert in June at Hyde Park, (where Greg captured remarkable photographs of the band at close range), and Middle Earth at the Roundhouse in October.Greg also talks about taping some of the Floyd's BBC sessions, photographing concerts as a teenager, and the atmosphere of the British underground music scene in the late 1960s.If you are interested in early Pink Floyd, Syd Barrett, psychedelic London, and the live music culture of the late 1960s, Greg's memories offer a rare, intimate, first-hand window into that world.Subscribe for more episodes, and we would love to hear your own recollections or questions in the comments. Part 3 on Greg's journey through 1969 - 1971 premieres next month, so don't miss it!

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Major League Soccer, and general football chat. The Whitecaps got their 2026 MLS season off to a winning start with a narrow win over Real Salt Lake at the weekend. We pick over the bones of that one and the main talking points coming out of the game, hear some postgame thoughts from RSL's Pablo Mastroeni and Ariath Piol on the match and the Whitecaps, and look ahead to the midweek clash with Cartagines in the CONCACAF Champions Cup. We also delve into some Whitecaps off the pitch news from the week around Jesper Sorensen's contract extension, talk of building a training centre and maybe even a new stadium out in Surrey, and look at some of MLS Commissioner Don Garber's latest comments about the Whitecaps stadium situation. Plus we round up the first week's action around MLS West, look at how the battle to be the Canadian number one goalkeeper is playing out down in Florida, and bring you our fun predictions for the Whitecaps and MLS for the season to come. All of this plus we move onto the letter I in our Canadian Soccer A to Z series and music-wise, Syd Barrett continues his residency as our Artist of the Month, A Witness are the latest band to feature in our 40th anniversary tribute year to the C86 movement, and we have another World Cup themed song in Wavelength, this time from the German national team with some interesting singings friends! Here's the rundown for the main segments from the episode: 01.26: Intro - CanMNT injuries, online abuse to footballers, Scottish Premier drama 15.50: Canadian Soccer A to Z - I 28.00: Whitecaps beat RSL in MLS season opener 60.05: RSL postgame audio from Pablo Mastroeni and Ariath Piol 70.10: MLS West Week 1 round-up 94.10: Dayne vs Max - The battle to be Canadian number one 110.45: Our Whitecaps and MLS season predictions 149.45: Whitecaps News of the Week - Jesper extends, Surrey stadium chatter, Sabaly arrives, WFC2 coach 171.30: Wavelength - The Village People and the German National Team - Far Away In America

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Major League Soccer, and CONCACAF Champions Cup chat and interviews, in the first of two podcasts we have for your listening pleasure this week. The Whitecaps kicked off their 2026 campaign in Costa Rica on Wednesday evening, in a goalless draw with Cartagines in Champions Cup action. We delve into the main talking points from and coming out of the match, look at how ready the 'Caps feel to begin their MLS season on Saturday, and preview that first match against Real Salt Lake with MLS Apple TV commentator Keith Costigan. We also chat with journalist Favian Renkel from Kickbase USA to look at the Whitecaps' chances this year, preview the MLS Western Conference, and look at the new MLS fantasy football app. All of this plus we move onto the letter H in our Canadian Soccer A to Z series and music-wise, Syd Barrett continues his residency as our Artist of the Month, Bogshed are the latest band to feature in our 40th anniversary tribute year to the C86 movement, and we have another World Cup themed song in Wavelength, this time around some non-qualifying heartbreak. Here's the rundown for the main segments from the episode: 01.26: Intro - the good, the bad, and the ugly of football around the world 08.21: Canadian Soccer A to Z - H 23.20: Whitecaps start season off with goalless draw in Costa Rica 45.00: MLS Western Conference preview with Favian Renkel 99.20: Keith Costigan interview 123.50: Burning questions around the Whitecaps ahead of RSL opener 146.30: Wavelength - HEyap - I Am Human

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Major League Soccer, CONCACAF Champions Cup, and Canadian football chat and interviews, in the first of two podcasts we have for your listening pleasure this week. It was a short offseason, which is always great because it means you've had a great previous year! The Whitecaps return to competitive action this week with two matches in two competitions. How ready are they? Head coach Jesper Sorensen shares some thoughts on the preseason prep, players' availability, and we preview the CONCACAF Champions Cup first round first leg match-up against Cartagines in Costa Rica. Our feature interview this week is with one of the newest Whitecaps, American attacker Aziel Jackson. We chat with AZ about his return to MLS from Poland, his loan to Vancouver, his time over in Europe, and his footballing journey, and find out if he fancies a chocolate digestive. Plus Jesper Sorensen shares his thoughts on the addition of the player. All the new MLS kits for the 2026 season were revealed this past week, including the Whitecaps' new away jersey, the Coastal Kit. We look at it flying off the shelves and what that might mean for the club's finances. Plus the fashionistas that we are, we cast our eyes of what we feel are the best and the worst of the current crop of kits for this year. All of this plus we move onto the letter G in our Canadian Soccer A to Z series, Hot Chocolate Boy is back for a final outing, and music-wise, Syd Barrett continues his residency as our Artist of the Month, Stump are the latest band to feature in our 40th anniversary tribute year to the C86 movement, and we have another World Cup themed song in Wavelength, this time a cover of an all-time classic. Here's the rundown for the main segments from the episode: 01.27: Intro - TV, VAR, this week in the world of football 16.27: Hot Chocolate Boy - Boketto and festival faves 21.40: Whitecaps' new kit sets sales records 37.50: MLS kits - the best and worst of 2026 70.30 Aziel Jackson interview and discussion 103.35: Anyone Fancy A Chocolate Digestive? - AZ Jackson 109.20: How ready are the Whitecaps for the season? - Jesper muses 125.05: CONCACAF Champions Cup preview 144.00: Canadian Soccer A to Z - G 153.00: Canada men U17's fail to qualify for World Cup 163.50: Wavelength - Running For Drugs - World In Motion

In this first installment of our conversation with Greg Taylor, Ian Priston explores what it means to remember a cultural moment from the inside, not as nostalgia, but as lived perception. Greg reconstructs his introduction to Pink Floyd through a series of encounters: a poster on King's Road, the underground press, the first shock of a single, and the genuinely unfamiliar experience of the Floyd's early vision performed amid kinetic sculpture and liquid light. Rather than treating Syd Barrett era Floyd as a set of canonical artefacts, Greg's incredible recollections move between the tangible (equipment, ticketing, sight-lines and the physical layout of venues) as well as the interpretative (Barrett's “painterly” logic in sound, the band's rejection of conventional stage charisma and the early tension between pop, mainstream visibility and avant-garde intent). Part 1 ends with the story still in motion, moving towards Greg's attendance of a five-man Floyd Concert in January 1968 and the next phase of the group's evolution. Part 2 arrives next month, so stay tuned!Subscribe for more, and share your own recollections or questions in the comments.

Pink Floyd recorded several seminal albums during the 1970's. They were on the cutting edge of recording technology and had an advance lighting system for their live performances, which they added other props to enhance their live show presentation. But before they became known as a great live attraction with impressive recordings, there was a period where the band was trying to find their own identity after original singer and songwriter, Syd Barrett left the band. It was a period of sonic experimentation and concept development. Roger Waters stepped up to be the band's lyricist while the others developed the music. It was both a creative time and also and eccentric time for the band musically. These are select tracks from this period before they recorded their great album "Dark Side of The Moon". Also...If you would, please make a donation of love and hope to St. Jude Children's HospitalMake an impact on the lives of St. Jude kids - St. Jude Children's Research Hospital (stjude.org)Listen to previous shows at the main webpage at:https://www.buzzsprut.com/1329053Other Items of Interest:Pamela Des Barres Home page for books, autographs, clothing and online writing classes.Pamela Des Barres | The Official Website of the Legendary Groupie and Author (pameladesbarresofficial.com)Kathy Bushnell Website for Emily Muff bandHome | Kathy Bushnell | Em & MooListen to more music by Laurie Larson at:Home | Shashké Music and Art (laurielarson.net)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)For your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/Please feel free to donate or Tip Jar the show at my Venmo account@jessie-DelgadoII

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, Vancouver FC, CONCACAF Champions Cup, and general football chat and interviews. So who else's head was left in a spin after all the Whitecaps, PavCo, and BC government back and forth this past week around the club's future at BC Place and beyond? We delve into all of the main talking points around stadium deals, finances, how they can fill their revenue shortfall, and the Whitecaps' future in the city in general. On the pitch, the 'Caps have wrapped up preseason in Spain. How are they looking with their season set to begin next week? We've got another great feature interview for you this week as we catch up with Whitecaps centre back Ranko Veselinovic to chat about his rehab and road to recovery after tearing his ACL in July. We look back on his 2025, the tough journey to getting back on the pitch, when we could maybe see him back in action, and more. All of this plus we talk about Vancouver FC's Champions Cup game against Cruz Azul this past Wednesday and ponder how they can turn the large numbers in attendance into more regular attendees, and we bring you an update on the Vancouver World Cup Fanfest, move onto the letter F in our Canadian Soccer A to Z series, Hot Chocolate Boy is back, and music-wise, Syd Barrett continues his residency as our Artist of the Month, Mighty Mighty are the latest band to feature in our 40th anniversary tribute year to the C86 movement, and we have another World Cup themed song in Wavelength, this time from Serbian DJ and rapper Marko Gojković & Yoda. Here's the rundown for the main segments from the episode: 01.27: Intro - Winter Olympics, Vancouver World Cup Fanfest 10.00: Hot Chocolate Boy - ONDA 17.55: Whitecaps end time in Spain with two losses 28.00: Whitecaps and PavCo finally agree on BC Place deal for 2026 51.00: Finances and the future of the Whitecaps - what exactly do they need and how do they get there? 93.55: Ranko Veselinovic interview 118.45: Anyone Fancy A Chocolate Digestive? - Ranko Veselinovic 125.45: Canadian Soccer A to Z - F 136.50: Can Vancouver FC build on their Champions Cup debut 161.15: Wavelength - Marko Gojković & Yoda - All As One (Serbia To Qatar)

SUBSCRIBE TO IMPOSSIBLE WAY OF LIFE ON PATREON TO ACCESS FULL EPISODE https://www.patreon.com/animpossiblewayoflifeFloyd February carries on with our take on a record that sees a great band at a crossroads and, quite possibly, on the verge of collapse. Listening to this album is like hearing the group navigate a future without their spiritual leader, principal songwriter and frontman, Syd Barrett. Spoiler alert: It turned out alright for them in the end.

We're back with another AFTN Soccer Show packed full of Vancouver Whitecaps, CONCACAF Champions Cup, and World Cup football chat and interviews. What a week it's been in Whitecapsland. Captain Ryan Gauld has undergone surgery, players have been added, players have departed, and the stadium issues the 'Caps have been having came very much to the fore on Friday, casting concern and doubt over the club's future in Vancouver. We delve into all of that and hear from CEO Axel Schuster. We've two feature interviews for you this episode and first up is Whitecaps gaffer Jesper Sorensen in our first chat with him of 2026. We look back at the wonderful year that was 2025, the successes, what's been learned, that difficult second album, and 2026 preparations. We also chat with Forge FC captain Kyle Bekker about his career, Forge's dominance in Canadian football, and their preparations for this week's CONCACAF Champions Cup game against Mexican powerhouse, Tigres. All of this plus we talk about the Vancouver World Cup fanfest, move onto the letter E in our Canadian Soccer A to Z series, Hot Chocolate Boy is back, and music-wise, Syd Barrett kicks off a residency as our Artist of the Month, The Bodines are the latest band to feature in our 40th anniversary tribute year to the C86 movement, and we have another World Cup themed song in Wavelength, this time from Danish singer/songwriter Cleeman. Here's the rundown for the main segments from the episode: 01.27: Intro - Vancouver Fanfest no longer free for all? 15.26: Hot Chocolate Boy - Union Market 20.37: Whitecaps News of the Week - Gauld surgery, transfer comings and goings, preseason 53.45: Whitecaps stadium issues cast concern and doubt over future 116.25: Jesper Sorensen interview 151.15: Canadian Soccer A to Z - E 160.20: Kyle Bekker interview 186.40: CONCACAF Champions Cup preview 198.35: Wavelength - Cleeman - Princes of Denmark

Lo primero, una advertencia: fans acríticos del Dark side of the moon deberían mantenerse alejados de este capítulo. Con la excusa de hablar de la locura de Syd Barrett, Kiko Amat realiza un panegírico a los primeros Pink Floyd (hasta el The Piper at the gates of dawn, ni un disco más), explica en detalle la psicodelia inglesa (citando de numerosas fuentes), vacía sus intestinos sobre el resto de miembros del grupo (Gilmour and Waters killed Barrett) y, al final sí, explica la fritura cerebral del genio inglés y su desaparición de la vida pública. Benja Villegas, cuando llega su turno, relata la progresiva ida de pinza del actor Ezra Miller, y también del boxeador Jack la Motta. El capítulo concluye con un jocoso Top 10 de transtornos psiquiátricos friquísimos (del Koro al Munchausen, pasando por el Alien Hand Syndrome) y un repaso a dos manos de varios Locos Locales de Ripollet y Sant Boi.

Robyn Hitchcock turned 14 in 1967, the year that blew his musical mind open. This English boarding school student and future singer-songwriter-musician already looked to Bob Dylan for the meaning of life when along came the psychedelic train powered by the Beatles, the Syd Barrett-led Pink Floyd, the Jimi Hendrix Experience, the Kinks, the Incredible String Band and much more. Hitchcock reflects on his awakening with a vivid memoir, 1967: How I Got There and Why I Never Left, and a mostly acoustic, mostly covers album, 1967: Vacations in the Past. Here we bat around perhaps the most creatively explosive year in the rock era, and he applies his whirligig mind to such questions as whether the music of 1967 would have had such an outsized impact on his own music if not for where, how and at what age he experienced it. He also discusses the newly remixed, remastered version of his 1988 album Globe of Frogs.

Steff, Milo, and Ram discuss the fruit of victory at Selhurst Park, ponder the concept of being managed by Syd Barrett, Lemmy, or Burnstein & Mensch, muse over whether we are miserable bastards, discuss the mighty Archie Gray, pontificate on the importance of inches, and find time to compare our current state to literature! Happy Holidays!Website: https://thegameisaboutglory.co.uk/Bluesky: @thegameisaboutglory.co.uk Hosted on Acast. See acast.com/privacy for more information.

Toronto, ON – Canadian singer and guitarist C.ROSS (Chad Ross) has announced his new solo record Future Site of C.ROSS, out October 22nd, 2025 on Atlanta's Echodelick Records. Ross has long been a fixture in Canada's psych and indie-rock underground. Known as the singer/guitarist for heavy psych rockers Quest for Fire (Tee Pee Records), space rock explorers Comet Control (Tee Pee), and as a member of the legendary garage rock band The Deadly Snakes (In The Red), Ross has also toured internationally with Vancouver's Pink Mountaintops and released acoustic-driven solo work as Nordic Nomadic (Blue Fog, Tee Pee). On Future Site of C.ROSS, Ross leans deeper into his unique blend of fuzzy psych-folk and cosmic rock, pairing raw songwriting with expansive production. The 7-song album was recorded, produced, and mixed by Joshua Wells (Destroyer, Lightning Dust, Black Mountain) at The Mango Pit in Chicago, with Wells also contributing drums and keys. Additional recording and production were handled by Ross in Muskoka, Ontario. Guest musicians include Aaron Goldstein (pedal steel) and Eiyn Sof (backing vocals). “I started working on the songs for this record right after Skull Creator was released in 2022,” says Ross. “The tail end of the pandemic was on the horizon and I was still in hermit mode with my acoustic guitar, living in the woods in Ontario with my family. This is the second record I've done with Josh Wells. I flew down to Chicago with a handful of acoustic songs and we managed to put everything together rather quickly at his studio. We worked at it over a year, sending ideas back and forth from Chicago to my studio in Ontario. What transpired was a really nice extension of the first record.” With echoes of Judee Sill, Duke Garwood, Syd Barrett, and Dead Meadow, Future Site of C.ROSS is both grounded and cosmic – balancing fuzzed-out riffs, pedal steel textures, and delicate acoustics. The lead single “Plant Your Eyes” is described by Ross as: “…about the things your eyes can't see. The constant vibration of the unknown. It's kind of this absurd idea that your eyes can be thought of as seeds, that grow colourful light. I tried to channel some deep Crazy Horse fuzzed-out riffage and some delicate acoustics – all the ingredients for a healthy garden.” D I S C O V E R Bandcamp: https://nxnx.bandcamp.com/Instagram:https://www.instagram.com/cxrossx?igsh=MWdoM2Y5bm1oaGxkYoutube:https://www.youtube.com/channel/UCmmYibPZPqsM6tp6c5gVTpgSpotify:https://open.spotify.com/artist/2NSh2rOc62ImboBTgowQMg Checkout my YouTube Channel with long form interviews from the Subversives | the History of Lowest of the Low. https://www.youtube.com/playlist?list=PL9d1VSeOHYuxFWKuRdmn9j8UTW6AHwS_fAlso my Weekly Tour Vlog is up an live on the YouTubeshttps://www.youtube.com/playlist?list=PL9d1VSeOHYuwphwhc4zd0VgY66f1OUQZp Pledge monthly with Patreon https://www.patreon.com/apologueShop Apologue products at http://apologue.ca/shopCheck out new Four Square Here: https://distrokid.com/hyperfollow/foursquare/brighton-beach-ephttps://distrokid.com/hyperfollow/foursquare/seven-oh-sevenhttps://distrokid.com/hyperfollow/foursquare/industry-at-home–21st-anniversary-remix-remasteredhttps://distrokid.com/hyperfollow/foursquare/when-weeks-were-weekends

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Episode Description: This Week in Music History - November 10-16 | Pink Floyd, Beatles, Fleetwood Mac & More Join host Buzz Knight and master of music mayhem and music historian Harry Jacobs for another captivating episode of This Week in Music History, covering November 10-16. Dive deep into legendary moments that shaped rock, pop, and cultural history. Featured Music History Highlights: Pink Floyd’s “Wish You Were Here” (Nov 10, 1975) - Discover the untold story behind this iconic album’s #1 UK chart debut and its heartbreaking connection to Syd Barrett, who unexpectedly appeared during recording sessions. Led Zeppelin IV (Nov 12, 1971) - Explore the album featuring “Stairway to Heaven,” “Black Dog,” and “Rock and Roll” that sold 37 million copies worldwide and earned 24x Platinum certification. Beatles’ “Rubber Soul” (Nov 13, 1965) - Harry reveals why this Abbey Road recording remains one of his favorite Beatles albums, featuring classics like “In My Life,” “Norwegian Wood,” and “Michelle.” Fleetwood Mac’s Self-Titled Album (Nov 15, 1975) - Learn about Stevie Nicks’ emotional dedication of “Landslide” to her father and the latest rumors about Lindsay Buckingham’s potential reunion with the band. Additional Topics Covered: • Elton John’s “Goodbye Yellow Brick Road” and the incredible story of “Candle in the Wind” selling 660,000 copies in one day after Princess Diana’s funeral • Freddie Mercury’s final public appearance (Nov 14, 1991) and his AIDS diagnosis announcement • Donna Summer’s disco classic “MacArthur Park” hitting #1 • Jimi Hendrix’s “Electric Ladyland” chart success • John Lennon’s only #1 solo single during his lifetime (you’ll be surprised which song it was!) • Sesame Street’s PBS debut and its cultural impact • Bob Dylan’s “New Morning” album evolution Perfect for: Classic rock enthusiasts, music history buffs, Beatles fans, Pink Floyd devotees, and anyone fascinated by the stories behind legendary albums. Subscribe to Taking a Walk podcast for weekly deep dives into music history with Buzz Knight and Harry Jacobs, your guides through rock and roll’s most memorable moments. #MusicHistory #ClassicRock #PinkFloyd #Beatles #LedZeppelin #FleetwoodMac #PodcastEpisode #TakingAWalk #RockHistory​​​​​​​​​​​​​​​​Support the show: https://musicsavedme.net/See omnystudio.com/listener for privacy information.

This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Pink Floyd's original frontman, Syd Barrett, did so much LSD that he experienced a mental breakdown just as the band began to achieve mainstream success. His drug use began as mind-altering inspiration for his art, but quickly became a coping mechanism for the demands of commercial success. He became paralyzed in front of television cameras. He detuned his guitar until it was literally unplayable and refused to perform alongside his band. Then he stopped showing up at all. To see the full list of contributors, see the show notes at ⁠www.disgracelandpod.com⁠. This episode was originally published on August 9, 2022. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at ⁠disgracelandpod.com/membership⁠. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - ⁠GET THE NEWSLETTER⁠ Follow Jake and DISGRACELAND: ⁠Instagram⁠ ⁠YouTube⁠ ⁠X⁠ (formerly Twitter)  ⁠Facebook Fan Group⁠ ⁠TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices