Podcasts about Syd Barrett

Sam has set Max one of the biggest albums of all time to review as his homework, so no pressure. Will he go the way of Syd Barrett?Follow along with the songs we discuss with this week's Spotify Playlist.Discover more new music and hear your favourite artists with 78 Amped on Instagram and TikTok.

To celebrate the 50th anniversary of the start of the North America tour in 1975, we present a new and exciting episode of the Fingal's Cave podcast.In more than 2 hours we discuss Pink Floyd's so-called transition period between 1974 and 1975, often derided as the band's creative low point.But even though there were many late decisions, sound problems, mishaps and - to be frank - a certain amount of laziness, these three tours, which started in Colmar (France) on 22nd June and ended in Knebworth (UK) on 5th July, offered plenty to talk about. From one of the finest Dark Side of the Moon shows in Bristol to a total disaster in Knebworth, Pink Floyd went through a rollercoaster ride in these 380 days, defining their own future by road-testing new material and setting the stage (no pun intended) with stunning new visuals, including the birth of Mr. Screen.After several weeks of preparation, we are proud to bring you an in-depth chat that even the dedicated Pink Floyd fan will learn something from, we promise!Our yt-channel: https://www.youtube.com/@Fingals_Cave_PodcastMost important shows:1974-06-22 Colmar (tour start)https://www.youtube.com/watch?v=8AFkERLrJQU1974-11-19 Stoke on Trent (British Winter Tour 74 bootleg)https://www.youtube.com/watch?v=7F2-bSdNHTY1974-12-14 Bristol (Best Dark Side Set)https://www.youtube.com/watch?v=nlFm7s-Gypc1975-04-26 Los Angeles (Millard recording)https://www.youtube.com/watch?v=4clpGEnZz0o1975-06-09 Landover (Best ‘75 Dark Side Set)https://www.youtube.com/watch?v=e8iLvc72N1w1975-06-17 Uniondale (Great show)https://www.youtube.com/watch?v=qPzaR1PcUDI1975-06-28 Hamilton (Superb recording)https://www.youtube.com/watch?v=jAR5x2LGHO0Videos:1975-04-27 Los Angeles (8mm)https://www.youtube.com/watch?v=0NYLy9NqlAY1975-06-09 Landover (8mm)https://www.youtube.com/watch?v=pH1mGiSmbRk1975-06-26 Montreal (8mm)https://www.youtube.com/watch?v=Nb7lxh_9eOk1975-06-28 Hamilton (8mm)https://www.youtube.com/watch?v=fSXZMFq_Msk1975-07-05 Knebworth (video)https://www.youtube.com/watch?v=0Oi5BCXeV4A

After releasing one of the most influential albums in history Pink Floyd found itself without its guiding light, Syd Barrett. With new guitarist David Gilmour, the band was tasked with recording a follow-up to The Piper at the Gates of Dawn. In 1968 they released A Saucerful of Secrets which, though it was largely made without Barrett's involvement, so continued in the spirit of what he had started. 

(S4 Ep15) Pink Floyd-Pipers at The Gates of Dawn with guest Mark BlakeReleased August 4, 1967, Recorded February 21-May 2, 1967 (EMI)  Piper at the Gates of Dawn (1967) is Pink Floyd's debut album, largely shaped by Syd Barrett's visionary, whimsical songwriting and experimental approach to psychedelia. Combining surreal lyrics with complex musical arrangements, the album became a defining work of the British psychedelic scene. Tracks like "Astronomy Domine" and "Interstellar Overdrive" showcase the band's innovative use of studio effects and improvisation. At the same time, songs such as "Lucifer Sam" and "Matilda Mother" blend folk influences with dreamy, eccentric storytelling. The album's experimental nature and Barrett's increasing mental instability, worsened by heavy drug use, marked the band's transition from a psychedelic force to something more expansive. Despite its initial mixed reception, Piper is now a cornerstone of rock history. It reveals the early creativity of a band destined for greatness but also foreshadows the tragic unraveling of Barrett's role, paving the way for Pink Floyd's future with David Gilmour. Signature Tracks: "Astronomy Domine," "Lucifer Sam,"  "Flaming"Full Album: YouTube, Spotify Playlist  YouTube, Spotify 

The conclusion of Jeff's celebration of Swan Songs, this time featuring three final cuts in the career of Pink Floyd (with and without former frontmen Roger Waters and Syd Barrett), Roxy Music, Queen, Nirvana, Chris Cornell (with a Johnny Cash angle), The Band, Tom Petty, Warren Zevon, John Lennon, and David Bowie.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Nik and Keefy of Ghost Cult Mag wrap up the Syd Barrett era of ‪@pinkfloyd‬ with a deep dive into "Saucer Full of Secrets!" Syd is slipping, Rick is singing, Nick is doing stuff, Roger is asserting himself as a songwriter, and ‪@davidgilmour‬ arrives in style. Nik deserves to be treated nicer. He has a black kitty. Check out our last series on series on Obituary    • Obituary

A cafe, bar and arts space that help to honour the legacy of Syd Barrett. Inder (ex-Inder's Kitchen) returns with a pop up of Indian food. Details of a Latin American supper club whose first night approaches. Spanish food on Cambridge Market. Plus, food and drink news, free food in Cambridge, social media updates and a jobs roundup.

Nik and Keefy of GhostCultMag continue the Syd Barrett-era of Pink Floyd exploration! What works and doesn't on the influential major label debut record, and whether or not Rollins Band records are any good. LOTR nerds it's your time! Nik disrespects Nick Mason's talent, and this insolence cannot stand! Nik is mad at MLB and "Athletes are not Rockstars." Is the podcast better when Nik and Keefy fight, or not? Check out our last series on series on Obituary https://www.youtube.com/playlist?list... For Rock and Metal news: https://www.ghostcultmag.com For vinyl porn: https://www.instagram.com/Glacially_M... To support the Pouredcast: https://linktr.ee/GlaciallyMusicalPou... Invest In Vinyl mylar inner sleeves https://amzn.to/3pPLQaA Timestamp: 0:00 Intro Nik and Keefy "Rollins Band luver" 1:19 Beer of The Week ✅ Nik - Cash Money IPA, Keefy - TJ's Seltzer 9:34 Vinyl check ✅ Nik - The Doors, Keefy - Rolo Tomassi + Lady Gaga and Tony Bennett 18:28 News ✅ Kiss brings back "Off The Soundboard" + two new Kiss boxed sets, Black Sabbath farewell show, Ozzy extravaganza, Britt Floyd WYWH tour, GCM Ghost cult Black History Month feature 41:00 Shirt ✅ Nik - Gene's Club Bar, Keefy - Misfits 41:12 Meat - Pink Floyd makes the definitive psych rock/avantgarde album right out of the gate ✅ 1:34:00 ✅ Outro - Please like and subscribe! Tell your friends! This is the "finger fudge pour: https://www.youtube.com/shorts/rTtqjP...#podcast #vinyl #vinylcollecting #craftbeer #rocknews #metalnews #beer #podcasting #vinylunboxing #vinylcommunity #vinylunboxing #pinkfloyd #sydbarrett #summeroflove#psychedelicrock #classicrock #drugs #avantgarde #ghostcultmag

Black Sabbath de retour à Birmingham : le guitariste Tony Iommi réagit avec émotion. C'est officiel, le prochain album d'Elton John s'appellera ‘'Who Believes In Angels ?'' et sortira en collaboration avec la chanteuse Brandi Carlile le 4 avril, en voici un clip et un making-of. Le batteur de Tool, Danny Carey a inventé un vélo d'exercice qu'il peut également utiliser pour s'entraîner à la batterie. On les attendait, Queens of the Stone Age vient d'annoncer son retour chez nous au festival Pukkelpop. Mike Ratledge, claviériste et membre fondateur de Soft Machine, est décédé à l'âge de 81 ans des suites d'une courte maladie. A l'occasion du concert d'adieu de Black Sabbath, les organisateurs de l'événement ont annoncé la présence du chanteur "Papa V Perpetua" de Ghost. Mots-Clés : ville, origine, Ozzy Osbourne, solo, affiche, Metallica, Slayer, Pantera, Gojira, Alice in Chains, voyage, incroyable, Aston, formidable, honoré, collègues, Geezer, Bill, fan, heureux, artiste, Youtube, visages, producteur, associé, Andrew Watt, batteur, Red Hot Chili Peppers, Chad Smith, pad, batterie, écran, rythme, scène limbourgeoise, Papa Roach, Idles, Royal Blood, opération chirurgicale, urgence, chanteur, Josh Homme, 1966, acteur, scène underground, londonienne, affiche, Pink Floyd, départ, Allen, 1968, trio, tournée américaine, Jimi Hendrix, Wyatt, Hopper, album solo, Syd Barrett, The Madcap Laughs, 1970, alias, apparence, version, personnage, Papa Emeritus IV, nom, nouvelle ère, nouveau logo, chiffre romain. --- Classic 21 vous informe des dernières actualités du rock, en Belgique et partout ailleurs. Le Journal du Rock, en direct chaque jour à 7h30 et 18h30 sur votre radio rock'n'pop. Merci pour votre écoute Plus de contenus de Classic 21 sur www.rtbf.be/classic21 Ecoutez-nous en live ici: https://www.rtbf.be/radio/liveradio/classic21 ou sur l'app Radioplayer BelgiqueRetrouvez l'ensemble des contenus de la RTBF sur notre plateforme Auvio.be Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Découvrez nos autres podcasts : Le journal du Rock : https://audmns.com/VCRYfsPComic Street (BD) https://audmns.com/oIcpwibLa chronique économique : https://audmns.com/NXWNCrAHey Teacher : https://audmns.com/CIeSInQHistoires sombres du rock : https://audmns.com/ebcGgvkCollection 21 : https://audmns.com/AUdgDqHMystères et Rock'n Roll : https://audmns.com/pCrZihuLa mauvaise oreille de Freddy Tougaux : https://audmns.com/PlXQOEJRock&Sciences : https://audmns.com/lQLdKWRCook as You Are: https://audmns.com/MrmqALPNobody Knows : https://audmns.com/pnuJUlDPlein Ecran : https://audmns.com/gEmXiKzRadio Caroline : https://audmns.com/WccemSkAinsi que nos séries :Rock Icons : https://audmns.com/pcmKXZHRock'n Roll Heroes: https://audmns.com/bXtHJucFever (Erotique) : https://audmns.com/MEWEOLpEt découvrez nos animateurs dans cette série Close to You : https://audmns.com/QfFankx

Dan welcomes back longtime friends & Nostalgia Test Podcast Allstars Billy D'Elia & Jeremy Madson to put Metallica's Thrash Era to the ultimate test—THE NOSTALGIA TEST! “Not only is it a four album progression, but it's [Metallica's] first four albums!" -Jeremy Madson Get ready Nostalgia Metalheads because this is just the beginning of the Metallica journey. On this episode Dan, Billy, & Jeremy get into Metallica's first four albums, their Thrash Era albums: Kill 'Em All, Ride the Lightning, Master of Puppets, and ...And Justice for All. They not only talk about the Thrash era itself, they go deep into each album, talk about their favorite songs & memories, are their any bad songs on these albums, the stories and rumors behind the making of these albums, the genius of Cliff Burton, Lars (of course), is Dave Mustaine the Syd Barrett of Metallica, the connections to Pink Floyd, and so much more.  In the end, they each rank the Thrash Era albums from best to "worst."  Email us (thenostalgiatest@gmail.com) ranking so we can share them on the Black Album, Load, Reload episode!    APPROXIMATE RUN OF SHOW: 00:00 Introduction and Banter 00:38 Nostalgia Test Podcast Begins 00:54 Introducing the Guests 02:29 Discussing Metallica's Thrash Era 02:46 Metallica's Early Influences and Evolution 04:03 Comparing Metallica's Albums 13:44 Cliff Burton's Influence 15:48 Kill 'Em All: A Deep Dive 23:25 Ride the Lightning: A Quantum Leap 45:19 Debating the Lulu Era 45:50 Drummer Alternatives and Nostalgia 48:26 Master of Puppets: First Impressions 49:46 Tour Stories and Metal Influences 52:00 Battery and Thrash Scene 56:21 Master of Puppets: Song Breakdown 01:00:44 Ozzy Tour and Metallica's Rise 01:06:03 Reflecting on Metallica's Impact 01:17:27 And Justice for All: Introduction 01:24:01 Middle School Memories and Metallica 01:24:49 Debating Metallica's Greatest Songs 01:26:07 Concert Experiences and Heavy Metal 01:27:57 Discussing Metallica's Weakest Tracks   Contact/Book The Nostalgia Test Podcast! If you had a great time listening to The Nostalgia Test Podcast and want to book us on your next podcast or have perform at your themed party, or have us host a special event, fill out the form below and LET'S GET NOSTALGIC! We can do so many fun Nostalgic Events! Podcast Guest Appearances Themed Parties Hosting Screenings Corporate Events Reunions Weddings Birthday Parties Trivia The Nostalgia Test Podcast will create a personalized Nostalgic experience for any occasion! Email us at thenostalgiatest@gmail.com or fill out the Google Form below to get the process started. We're open to in-person and virtual events. Pricing may vary depending on the details of your event/party.   LET'S GET NOSTALGIC!       Keep up with all things The Nostalgia Test Podcast on Instagram | Substack | Discord | TikTok | Bluesky | YouTube | Facebook   The intro and outro music ('Neon Attack 80s') is by Emanmusic. The Lithology Brewing ad music ("Red, White, Black, & Blue") is by PEG and the Rejected

durée : 00:30:08 - "Zero Syd Barrett And Two Girls Playing Saxophone" de Aurélien Dumont - par : Anne Montaron - Une bouffée de Rock progressif cette semaine dans Création Mondiale avec une suite de pièces d'Aurélien Dumont imaginée pour l'Ensemble Linea, et qui rend hommage à Syd Barrett. - réalisé par : Olivier Guérin

durée : 00:30:08 - "Zero Syd Barrett And Two Girls Playing Saxophone" de Aurélien Dumont - par : Anne Montaron - Une bouffée de Rock progressif cette semaine dans Création Mondiale avec une suite de pièces d'Aurélien Dumont imaginée pour l'Ensemble Linea, et qui rend hommage à Syd Barrett. - réalisé par : Olivier Guérin

Send us a textIn a packed podcast episode:Graham asks if Netflix is really beating the BBC at the numbers of viewers game in the UK? Graham and Charles have been listening to Mogwai's new album The Bad Fire and wonder why the band never quite hits the peaks.Is new film The Brutalist just too brutally long?Graham reports on the sold out Vinyl Sessions showdown with music author Rob Chapman talking about Syd Barrett and Nick Drake,Plus a discussion about what music is good accompany sex and is Procul Harum's debut album in early 1968 the first prog album?Keep in touch with Two Big Egos in a Small Car:X@2big_egosFacebook@twobigegos

Opie joined at Gebhards Beer Culture with Matt the owner and stand up comedian Ron the Waiter. Matt brings in the smelliest cheese I ever smelled. Talked about ai app for anyone that takes edibles, dolphins purposely getting high, Ron grosses everyone out about a procedure he's having, fighting a frenchman underwater, I don't want to be the next Syd Barrett and much more!See omnystudio.com/listener for privacy information.

Nik and Keefy a new series on Pink Floyd! We explore the origins of the band before their major label debut and the many gifts and early genius of  @sydbarrett9183 ! Why did we start with a compilation? Check out our last series on series on  @ObituaryTheBand  For Rock and Metal news: https://www.ghostcultmag.com For vinyl porn: https://www.instagram.com/Glacially_Musical To support the Pouredcast: https://linktr.ee/GlaciallyMusicalPouredcast Drop a comment with your rankings! Invest In Vinyl mylar inner sleeves https://amzn.to/3pPLQaA Timestamp: 0:00 Intro Nik and Keefy "GGGG Unit" 1:24 Beer of The Week ✅ Nik - Springfield Beer Company Green Goose IPA, Keefy -  @liquiddeath2793  2:32 Vinyl check ✅ Nik -  @tonyiommiofficial , Keefy -  @suicidaltendencies  +  @gojira  Live 9:04 News ✅ Parking is no longer free any Live Nation Amphitheatres/sheds + Coheed tour news, Bloodhound Gang, Keefy -  @VansWarpedTour  first bands, vinyl news with Gimme Metal, subscriptions from  @flenser  and  @BluesFuneralRecordings  / Post Wax club,  @GileadMedia . 20:56 Shirt ✅ Nik - UN, Keefy - The Good, The Bad, The Ugly 22:38 Meat - Pink Floyd is born from two Rogers, art school nerds, and swinging hipsters ✅ 1:16:00 ✅ Outro - Please like and subscribe! Tell your friends! This is the "finger fudge pour: https://www.youtube.com/shorts/rTtqjPgZZ7s #podcast #vinyl #vinylcollecting #craftbeer #rocknews #metalnews #beer #podcasting #vinylunboxing #vinylcommunity #vinylunboxing #pinkfloyd #sydbarrett #postWWIIangst#anxiety #psychedelicrock #classicrock #drugs #avantguard #ghostcultmag

This week we are standing still and letting ants crawl all over us while we discuss “Lord of the Flies”! We're talking yet another Kim Manners bug episode, the very-bizarre and distracting Skyrim music, the star of the episode Dr. Rocky Branzino, and welcome Aaron Paul as a proto-Jesse Pinkman onto the show. We mansplain Syd Barrett to each other, think it would be more fun if Doggett loved The Dumbass Show, wonder how furiously Vince Gilligan was taking notes behind the scenes, and get excited about Brad hanging out with Skinner. And remember these wise words from Doggett: The bugs are gone! They're gone!Send us an email at scullynationpod@gmail.com or follow us on Instagram!

Syd Barrett war ein musikalisches Genie, das leider aufgrund von Drogenproblemen nie sein volles musikalisches Potential ausschöpfen konnte. Der Gründer von Pink Floyd nahm nur zwei Alben mit der Band auf, seine Solokarriere war auch nur kurz. Musikradio360 folgt den Spuren des verlorenen Helden.

Sign Up for the Boston Listener Meet Up Joe Boyd was there when Dylan went electric, when Pink Floyd was born, and when Paul Simon brought Graceland to the world. But far from being just another music industry insider, Boyd has spent decades exploring how the world's musical traditions connect and transform each other. His new book And the Roots of Rhythm Remain, is seventeen years in the making, and is in Tyler's words “the most substantive, complete, thorough, and well-informed book on world music ever written.” From producing Albanian folk recordings to discovering the hidden links between Mississippi Delta blues and Indian classical music, Boyd's journey reveals how musical innovation often emerges when traditions collide. He joins Tyler to discuss why Zulu music became politically charged in South Africa, what makes Albanian choral music distinct from Bulgarian polyphony, what it was like producing Toots and the Maytals, his role in the famous "Dueling Banjos" scene in Deliverance, his work with Stanley Kubrick on A Clockwork Orange, his experiences with Syd Barrett and Pink Floyd, how he shaped R.E.M.'s sound on Fables of the Reconstruction, what really happened when Dylan went electric at Newport, how the Beatles integrated Indian music, what makes the Kinshasa guitar sound impossible to replicate, and how he maintains his collection of 6,000 vinyl LPs and 30,000 CDs, what he'll do next, and more. Read a full transcript enhanced with helpful links, or watch the full video. Recorded December 27th, 2024. Help keep the show ad free by donating today! Other ways to connect Follow us on X and Instagram Follow Tyler on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here.

While we obviously do Debut Buddies for the Money, what really drives us is the ceaselessness of Time and maybe a little Brain Damage. It's not just Us and Them, either, a whole host of folks are preparing for The Great Gig in the Sky. We discuss Pink Floyd's FIRST #1 RECORD, The Dark Side of the Moon with special guest writer and educator, Steve Livingston. Plus, we talk prog rock, being old, and so much more! And of course, there's a delightful MouthGarf Report and I See What You Did There! Please give us a 5 star rating on Apple Podcasts! Check out the cool Moon Composite that Steve shared here.Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor's music!Next time: First Ghost Busters 

Aujourd'hui 9 janvier, nous nous devions de célébrer DAVID BOWIE puisque nous sommes pile entre deux anniversaires, celui de sa naissance hier (en 1947) et celui de son décès demain (en 2016). Début d'émission en forme d'hommage donc, d'abord en duo avec un autre célèbre et talentueux DAVID :  GILMOUR, pour une interprétation du premier single de PINK FLOYD : "Arnold Layne" ! On sait que Bowie était fan de Barett et avait d'ailleurs enregistré sur un album de covers  "Emily Play", autre single emblématique des débuts du Floyd période Syd Barrett...Et puis, un extrait de "Station By Station", l'un de mes albums favoris de Mr David Robert Jones. L'émission poursuit son (pas assez

Guests: Don Stevenson, drummer/songwriter of Moby Grape & Cam Cobb, author of Weighted Down: The Complicated Life of Skip Spence. He was one of the Holy Trinity of critically revered and maybe unjustly labeled “acid casualties” of late ‘60s/early ‘70s music. Along with Pink Floyd's Syd Barrett and the 13th Floor Elevators' Roky Erickson, Skip Spence was a star-crossed figure idolized for his all-too-brief contributions to shaping psychedelia through his work with Moby Grape and his one incredibly stark and endlessly intriguing solo album, Oar. His briefly burning creativity and agonizingly slow decline are profiled in a wonderfully comprehensive new book, Weighted Down: The Complicated Life of Skip Spence (Omnibus Press). Author Cam Cobb spoke with a multitude of Skip's family, friends, and bandmates to create the first authoritative chronicle of his artistic development and achievements and a sympathetic one of his long battle with mental illness, addiction, and homelessness. For this special edition of “Reading Is Funktamental,” we hear direct from one of the musicians who knew Spence best, Don Stevenson, the drummer and co-writer of many of Moby Grape's most popular songs, including “Hey Grandma,” “8:05” and “Murder in My Heart for the Judge.” My written review of the book can be found here at PopMatters, https://www.popmatters.com/moby-grape-skip-pence-biography "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org. It can also be found as a podcast on Apple, Spotify and other platforms. Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

- U2, une expérience numérique et musicale au Planétarium - Il y aura bien un nouvel album de Stereophonics en 2025 - Un documentaire sur Syd Barrett est en préparation

Les classiques du jour : - Arctic Monkeys "Why'd You Only Call Me When You're High?" - AC/DC "TNT" Les nouveautés du jour : - Cocoon "Surf" - The Wombats "My Head is Not My Friend" - Bonnie Tyler "Yes I Can" Le journal de la musique : - U2, une expérience numérique et musicale au Planétarium - Il y aura bien un nouvel album de Stereophonics en 2025 - Un documentaire sur Syd Barrett est en préparation - La France triomphe aux Golden Globes Top album 2025 Le live du jour : The Offspring "Self Esteem" (Live RTL2)

Joe Biden's giving everyone an award, ChiefsAholic: A Wolf in Chiefs Clothing on Amazon Prime, Stuttering John is a tattletale, Ice T's cop cam, porn star Houston regrets her “Houston: 500”, and United Airlines turns into Urine Airlines. TV Viewing: Drew has discovered YouTube Movies. Everyone on Beast Games on Prime is crying and playing the game incorrectly. ChiefsAholic: A Wolf in Chiefs Clothing, also on Prime, is a great documentary. Tsunami: Race Against Time is available on Hulu if you want to see some destruction porn. Anne Heche's estate is a tricky thing. The evil Ellen took her down. Stuttering John Melendez is a massive tattletale. StutJo has taken his ball, left the internet, and gone home. Cam Skattebo went from stud to DUD. Jimmy Carter is in lying in repose. Some people are saying his final word was “arghhhhhhh”. Shamsud Din Jabbar pulled some tail. Either way, he is a loser. Antonio Brown has started a GoFundMe for the victims. Gypsy Rose Blanchard pooped out a kid and wants you to check out her postpartum body, which she thinks is hot. Pink Floyd's Syd Barrett really liked drugs. Houston regrets that whole 500 (*620) thing. Only Fans News: Lily Allen is taking control of her body. Sophie Rain is rich off her body. The Minnesota Vikings are trying to pack Ford Field with fans. Joe Biden handed out tons of medals this weekend. Ice T vs proper paperwork and those pesky police. Gary Busey looks rough these days, but has an entertaining Instagram. The Home Improvement kid has been arrested yet again. Britney Spears is the best mom ever. Her boys are back now that they need cash. Nicki Minaj sued for assault by her former manager in an incident at LCA in Detroit. Meghan Markle is terrible and everyone on YouTube is disliking her. With Love, Meghan is going to BOMB. Thomas Markle is leaving the continent. The Brad Pitt and Angelina Jolie divorce is FINALLY over. Slow down. Brother James Haven has married. Now boarding: Urine Airlines. Nikki Glaser had her feelings hurt by Pete Davidson… during a roast. Nobody cares about the Blake Lively and Justin Baldoni beef. The Sisterhood of the Traveling Pants is tighter than ever. LaToya Jackson looks amazing…ly bad. Go Lions! Visit our presenting sponsor Hall Financial – Michigan's highest rated mortgage company. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (The Drew Lane Show, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).

In this special holiday episode, Nils and Ian sit down with Bob and Oakley—two young superfans who weren't even born when Pink Floyd's last tour ended. Together, they unwrap stories of rare recordings, audio engineering wizardry, and the friendships that make the fan community feel like family.Bob and Oakley dive into their passion for finding rare recordings, chasing down rumours, and earning respect from experienced fans in the broader Pink Floyd community.Their love for live recordings has led them to develop impressive audio engineering and mastering skills. Bob and Oakley share their experience working on projects like matrix mixes and quadrophonic remasters, where they combine multiple audience recordings—each captured from different spots in a venue. They break down the techniques, challenges, and how these projects often deliver audio quality far beyond expectations.Our first 2023 episode declared: “Once you're hooked, there's no way back.” Bob and Oakley embody this sentiment, proving how Pink Floyd's music continues to inspire a new generation of researchers, audio specialists, and devoted fans.From all of us at Fingal's Cave, merry Christmas and happy holidays!

Holiday Gift Ideas for Record Fans, Pt. 1 As the holiday season gets into full swing, we feature two books (and one accompanying record) that would make great gifts for any record loving person in your life. The always fascinating Robyn Hitchcock returns to the RSD Pod to talk about his new memoir, 1967: How I Got There, And Why I Never Left, as well as his accompanying covers album, 1967: Vacations In The Past. NPR Music's Ann Powersalso returns, this time with Alison Fensterstock, editor of a great new anthology book How Women Made Music: A Revolutionary History from NPR Music.  The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com)   Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day.   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

If you were to make a list of the musicians who made some of the most beloved recordings in rock music, the name Jerry Shirley will come up over and over again. In addition to his role as drummer in Humble Pie, he has worked closely with luminaries like B.B. King, John Entwistle, and of course, Syd Barrett. In this episode, he sits down with Phil Salathé to discuss his long and storied career, and to share stories from his work with Syd in the studio and live. We also investigate a few mysteries in the process, including an enigmatic Syd outtake that's stymied researchers for decades. You won't want to miss it!

Music News: Pink Floyd and Joni MitchellIn this episode of the Deadhead Cannabis Show, Larry Mishkin reflects on the intersection of music and cannabis in the wake of the recent elections. He delves into the Grateful Dead's legacy, highlighting a notable performance from 1973, and explores the lyrical depth of 'To Lay Me Down.' The conversation also touches on music news, including Pink Floyd's 'Dark Side of the Moon' and Joni Mitchell's recent birthday. The episode concludes with a discussion on recent research indicating that cannabis may serve as a substitute for more dangerous substances. This conversation explores the complex relationship between cannabis use and substance consumption among young adults, the implications of Florida's failed marijuana legalization initiative, and the potential of cannabis as a harm reduction tool for opioid use. It also highlights popular cannabis strains and their effects, alongside a cultural reflection on the Grateful Dead's music. Chapters00:00 Post-Election Reflections: Music and Cannabis08:29 The Grateful Dead's Musical Legacy14:48 Exploring the Lyrics: To Lay Me Down21:59 Music News: Pink Floyd and Joni Mitchell37:06 Weather Report Suite: A Musical Journey43:10 Second Set Highlights: Mississippi Half-Step and Beyond49:36 Marijuana Research: Substitution Effects51:24 Cannabis Use Among Young Adults56:13 Florida's Marijuana Legalization Initiative01:05:01 Cannabis as a Tool for Opioid Harm Reduction01:11:10 Strains of the Week and Cannabis Culture Larry's Notes:Grateful DeadNovember 11, 1973 (51 years ago)Winterland ArenaSan Francisco, CAGrateful Dead Live at Winterland Arena on 1973-11-11 : Free Borrow & Streaming : Internet Archive Happy Veteran's Day  A very famous show from a very famous year.  Many feel 1973 was the peak of the band's post psychedelic era.  Certainly right up there with 1977 as top years for the band, even by November they were still in full stride during a three night run at Winterland, this being the third and final night of the run.  In 2008 the Dead released the box set:  “Winterland 1973: The complete recordings” featuring shows from Nov. 9, 10 and 11, 1973.  This was the Dead's second “complete recordings” release featuring all of the nights of a single run. The first was “Fillmore West, 1969, the Complete Recordings” from Feb. 27, 28 and March 1 and 2 (IMHO the best collection of live music ever released by the band).  The band later released a follow up, Winterland 1977: The Complete Recordings a three night run June 7, 8 and 9, 1977 that is also an outstanding box set. Today's show has a 16 song first set, a six song second set and a three song encore, a true rarity for a Dead show of any era (other than NYE shows). The second set consists of ½ Step, Big River, Dark Star with MLBJ, Eyes of the World, China Doll and Sugar Magnolia and is as well played as any set ever played by the band.  They were on fire for these three days.  A great collection of music and killer three night run for those lucky enough to have snagged a ticket for any or all of the nights. Patrick Carr wrote in the NY Times that: “The Dead had learned how to conceive and perform a music which often induced something closely akin to the psychedelic experience; they were and are experts in the art and science of showing people another world, or a temporary altering (raising) of world consciousness.  It sounds pseudomystical pretentious perhaps, but the fact is that it happens and it is intentional.”  INTRO:                                 Promised Land                (show opener into Bertha/Greatest Story/Sugaree/Black Throated Wind)                                                Track #1                                                0 – 2:10 "Promised Land" is a song lyric written by Chuck Berry to the melody of "Wabash Cannonball", an American folk song. The song was first recorded in this version by Berry in 1964 for his album St. Louis to Liverpool. Released in December 1964, it was Berry's fourth single issued following his prison term for a Mann Act conviction. The record peaked at #41 in the Billboard charts on January 16, 1965. Berry wrote the song while in prison, and borrowed an atlas from the prison library to plot the itinerary. In the lyrics, the singer (who refers to himself as "the poor boy") tells of his journey from Norfolk, Virginia, to the "Promised Land", Los Angeles, California, mentioning various cities in Southern states that he passes through on his journey. Describing himself as a "poor boy," the protagonist boards a Greyhound bus in Norfolk, Virginia that passes Raleigh, N.C., stops in Charlotte, North Carolina, and bypasses Rock Hill, South Carolina. The bus rolls out of Atlanta but breaks down, leaving him stranded in downtown Birmingham, Alabama. He then takes a train "across Mississippi clean" to New Orleans. From there, he goes to Houston, where "the people there who care a bit about me" buy him a silk suit, luggage and a plane ticket to Los Angeles. Upon landing in Los Angeles, he calls Norfolk, Virginia ("Tidewater four, ten-oh-nine") to tell the folks back home he made it to the "promised land." The lyric: "Swing low, sweet chariot, come down easy/Taxi to the terminal zone" refers to the gospel lyric: "Swing low, sweet Chariot, coming for to carry me Home" since both refer to a common destination, "The Promised Land," which in this case is California, reportedly a heaven on earth. Billboard called the song a "true blue Berry rocker with plenty of get up and go," adding that "rinky piano and wailing Berry electric guitar fills all in neatly."[2]Cash Box described it as "a 'pull-out-all-the-stops' rocker that Chuck pounds out solid sales authority" and "a real mover that should head out for hit territory in no time flat."[3] In 2021, it was listed at No. 342 on Rolling Stone's "Top 500 Greatest Songs of All Time". Apparently played by the Warlocks and the Grateful Dead in their earliest days, Bob Weir started playing this with the Dead in 1971, and it remained a regular right through to the band's last show ever in 1995.  Among those deeply touched by Chuck's genius were Jerry Garcia and the Grateful Dead. They often paid homage to Chuck by weaving his songs into their performances, breathing new life into his timeless melodies. "Promised Land," with its relentless drive, became an anthem of journey and aspiration. Their electrifying renditions of "Johnny B. Goode" were not mere covers but jubilant celebrations of a narrative that resonated with the dreamer in all of us. The Grateful Dead's performances of "Around and Around" echoed Chuck's mastery of capturing life's cyclical rhythms—a dance of beginnings and endings, joy and sorrow. And when they took on "Run Rudolph Run," they infused the festive classic with their own psychedelic flair, bridging the gap between tradition and innovation. A moment etched in musical history was when Chuck Berry shared the stage with the Grateful Dead during their induction into the Rock and Roll Hall of Fame in 1994. The air was thick with reverence and electricity—a meeting of titans where the past, present, and future of rock converged in harmonious resonance. Again, in May 1995, Chuck opened for the Grateful Dead in Portland, Oregon. It was a night where legends collided, and the music swirled like a tempest, leaving a lasting impression on all who were fortunate enough to witness it. This version really rocks out.  I especially love Keith's piano which is featured prominently in this clip. Played:  430 timesFirst:  May 28, 1971 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago, IL, USA  SHOW No. 1:                    To Lay Me Down  (out of Black Throated Wind/into El Paso/Ramble On Rose/Me and Bobby McGee                                                Track #6                                                2:21 – 4:20 David Dodd:  “To Lay Me Down” is one of the magical trio of lyrics composed in a single afternoon in 1970 in London, “over a half-bottle of retsina,” according to Robert Hunter. The other two were “Ripple” and “Brokedown Palace.” Well, first—wouldn't we all like to have a day like that! And, second—what unites these three lyrics, aside from the fact that they were all written on the same day? Hunter wrote, in his foreword to The Complete Annotated Grateful Dead Lyrics:”And I wrote reams of bad songs, bitching about everything under the sun, which I kept to myself: Cast not thy swines before pearls. And once in a while something would sort of pop out of nowhere. The sunny London afternoon I wrote ‘Brokedown Palace,' ‘To Lay Me Down,' and ‘Ripple,' all keepers, was in no way typical, but it remains in my mind as the personal quintessence of the union between writer and Muse, a promising past and bright future prospects melding into one great glowing apocatastasis.” “‘To Lay me Down' was written a while before the others [on the Garcia album], on the same day as the lyrics to ‘Brokedown Palace' and ‘Ripple'—the second day of my first visit to England. I found myself left alone in Alan Trists's flat on Devonshire Terrace in West Kensington, with a supply of very nice thick linen paper, sun shining brightly through the window, a bottle of Greek Retsina wine at my elbow. The songs flowed like molten gold onto the page and stand as written. The images for ‘To Lay Me Down' were inspired at Hampstead Heath (the original title to the song) the day before—lying on the grass and clover on a day of swallowtailed clouds, across from Jack Straw's Castle [a pub, now closed and converted into flats--dd], reunited with the girlfriend of my youth, after a long separation.” Garcia's setting for the words is, like his music for those other two songs, perfect. The three-quarter time (notated as having a nine-eight feel), coupled with the gospel style of the melody and chords, makes for a dreamy, beauty-soaked song. I heard it on the radio today (yes, on the radio, yes, today—and no, not on a Grateful Dead Hour, but just in the course of regular programming), and it struck me that it was a gorgeous vehicle for Garcia's voice. By which I mean: for that strongly emotive, sweet but not sappy, rough but not unschooled instrument that was Garcia's alone. I have started to think that my usual recitation of where a song was first played, where it was last played, and where it was recorded by the band borders on pointless. All that info is readily available. What's interesting about the performance history of “To Lay Me Down” is that it was dropped from the rotation for more than 200 shows three times, and that its final performance, in 1992, came 125 shows after the penultimate one. The reappearance of the song, in the 1980 acoustic shows, came nearly six years after the previous performances in 1974. “Ripple” had a similar pattern, reappearing in those 1980 acoustic sets after 550 performances, or nearly ten years. Of the magical trio from that day of molten gold in West Kensington, “Brokedown Palace” had the most solid place in the Dead's performance rotation, with only one huge gap in its appearances—165 shows between 1977 and 1979. So, in terms of story, what can be discerned? The short version, for me: even if it's just for a day, even if it's just once more, even if it's just one last time—it's worth it. It's golden. It's home. This version is really great to listen to.  Jerry's voice is still so young and strong.  And the group singing works really well.  Jerry's also kills it with his lead guitar jamming. Released on “Garcia” in 1972 Played:  64 timesFirst:  July 30, 1970 at The Matrix, San Francisco, CA, USALast: June 28, 1992 at Deer Creek Music Center, Noblesville, IN, USA MUSIC NEWS:                                                           Music Intro:                       Brain Damage                                                                                    Pink Floyd                                                                                    Pink Floyd - Brain Damage (2023 Remaster)                                                                                    0:00 – 1:47             "Brain Damage" is the ninth track[nb 1] from English rock band Pink Floyd's 1973 album The Dark Side of the Moon.[2][3] It was sung on record by Roger Waters (with harmonies by David Gilmour), who would continue to sing it on his solo tours. Gilmour sang the lead vocal when Pink Floyd performed it live on their 1994 tour (as can be heard on Pulse). The band originally called this track "Lunatic" during live performances and recording sessions. "Brain Damage" was released as a digital single on 19 January 2023 to promote The Dark Side of the Moon 50th Anniversary box set.[4]             The uncredited manic laughter is that of Pink Floyd's then-road manager, Peter Watts.             The Dark Side of the Moon is the eighth studio album by the English rock band Pink Floyd, released on 1 March 1973, by Harvest Records in the UK and Capitol Records in the US. Developed during live performances before recording began, it was conceived as a concept album that would focus on the pressures faced by the band during their arduous lifestyle, and also deal with the mental health problems of the former band member Syd Barrett, who had departed the group in 1968. New material was recorded in two sessions in 1972 and 1973 at EMI Studios (now Abbey Road Studios) in London.             The Dark Side of the Moon is among the most critically acclaimed albums and often features in professional listings of the greatest of all time. It brought Pink Floyd international fame, wealth and plaudits to all four band members. A blockbuster release of the album era, it also propelled record sales throughout the music industry during the 1970s. The Dark Side of the Moon is certified 14x platinum in the United Kingdom, and topped the US Billboard Top LPs & Tape chart, where it has charted for 990 weeks. By 2013, The Dark Side of the Moon had sold over 45 million copies worldwide, making it the band's best-selling release, the best-selling album of the 1970s, and the fourth-best-selling album in history.[3] In 2012, the album was selected for preservation in the United States National Recording Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". It was inducted into the Grammy Hall of Fame in 1999. David Gilmour Addresses Synchronicity Theory Between ‘The Dark Side of the Moon' and ‘Wizard of Oz'On Thursday, November 7, 2024, Pink Floyd's David Gilmour appeared on The Tonight Show Starring Jimmy Fallon amid his extensive run at New York's Madison Square Garden, where he is supporting his latest solo release, Luck and Strange. During the music industry legend's stop by the late-night talk show, he spoke with the program's host, who questioned the theory of synchronicity between TheDark Side of the Moon and The Wizard of Oz, commonly referred to as the Dark Side of the Rainbow.“You said that you think it's your best work since Dark Side of the Moon,” Fallon questioned at the top of the segment, comparing Gilmour's comments regarding his latest release, and the Pink Floyd classic. “When we finished Dark Side, there was a lot of crossfades and stuff between all the tracks. They had all to be done separately and then they all have to be edited in the old days before Pro Tools. When we finally finished, we sat down in the control room at Abbey Road and listened to it all the way through. And, wow. I–I guess all of us–have the feeling that it was something quite amazing–that we got it, and at the same point on this album, I had a very similar feeling, which is why I said that.” Fallon stewed on Luck and Strange during a series of follow-up questions that assisted in painting a portrait of familial involvement during the making of Gilmour's 2024 release–harnessing the conversation to the artist's preferred homebred approach before they segued into the realm of the Emerald City. Fallon landed on the topic of Oz during a bit aimed at busting rumors that have populated throughout the musician's 60-year tenure in the spotlight.“The Pink Floyd album, Dark Side of the Moon, was written to synchronize with the movie Wizard of Oz,” Fallon suggested. Prompting Gilmour's humor-tinged response, “Well, of course it was.” Fallon threw his hands up in response, acting on the comedic angle, before the musician clarified, “No, no. We listened to it, Polly and I, years ago–” Fallon stopped the artist to ask, “There's no planning that out?” Gilmour continued, “No. No, I mean, I only heard about it years later. Somebody said you put the needle on–vinyl that is– and on the third–you know you got the film running somehow–and on the third roar of the MGM lion, you put the needle on for the beginning of Dark Side, and there's these strange synchronicities that happen.” Fallon asked if Gilmour had ever tested the theory, to which he exclaimed, “Yeah!” He went on to admit, “And there are these strange coincidences–I'll call them coincidences.”  Joni Mitchell turns 81 - Joni Mitchell was born on Nov. 7th in 1943, making her 81 this past Thursday. Mitchell began her career in small nightclubs in Saskatoon, Saskatchewan, Canada, and grew to become one of the most influential singer-songwriters in modern music history. Rising to fame during the 1960s, Mitchell became a key narrator in the folk music movement, alongside others like Bob Dylan. Over the decades, she has released 19 studio albums, including the seminal “Blue,” which was rated the third best album ever made in Rolling Stone's 2020 list of the "500 Greatest Albums of All Time.” In 2023, Joni Mitchell at Newport was released, a live album of her 2022 performance at the Newport Folk Festival.  More recently she was the featured performer at the Joni Jam at the Gorge in George, WA in June, 2023 3.    Dan “Lebo” Lebowitz to Celebrate 50th Birthday at Sweetwater Music Hall with Members of ALO, Tea Leaf Green and More Sweetwater Music Hall (in Mill Valley, CA) has announced details pertaining to Dan “Lebo” Lebowitz's 50th Birthday Bash. The event is slated to take place on Saturday, November 23, 2024, and functions as a celebratory occasion to honor the jam stalwart and beloved member of the Bay Area music scene's five decade ride.  The six-string virtuoso, known for his work with Animal Liberation Orchestra (ALO), Phil Lesh & Friends, and his own self-titled Friends project, has tapped an all-star group of regional talent to assist during the live show. Appearing on the birthday lineup, in addition to the bandleader are Vicki Randle (percussion, vocals; The Tonight Show Band), Steve Adams (bass; ALO), Trevor Garrod (keys; Tea Leaf Green) and Scott Rager (drums; Tea Leaf Green).  “Possessing a signature tone, the vehicle for his fluid, buttery sound is a flat top acoustic guitar that he has personally sliced and diced into an electric flat top, with a vintage style humbucker pickup. Inherently committed to an improvisational approach, Lebo embodies the realm of melodic and soulful sounds,” the press release includes, drawing on the unique factors which have made Lebo a standout amongst his musical contemporaries. As an added distinction, and play into the birthday angle of event's surprise and celebration, special guest appearances are slated to occur, as referenced via press release and the artist's post on Instagram, where he noted additional inclusions as TBA.   SHOW No. 2:                    Weather Report Suite Prelude  (out of China >Rider/Me & My Uncle/Loose Lucy                                                Track #14                                                3:10 – end                                                   INTO                                                 Weather Report Suite Part I  (out of WRS Prelude/ into WRS Part II (Let It Grow)/Set break  - 16 songs                                                Track #15                                                0:00 – 1:03 David Dodd:  This week, by request, we're looking at “Weather Report Suite,” (Prelude, Part 1, and Part 2). For a short time, the three pieces that comprise the Suite were played as such, but that was relatively short-lived by Grateful Dead standards. The Prelude debuted in November 1972, originally as a separate piece from its eventual companions. The Dead played it, according to DeadBase, four more times in the spring of 1973 before it was first matched up with Weather Report Suite Parts 1 & 2, in September of that year. It was played regularly through October of 1974, and then dropped from the repertoire. The instrumental “Prelude,” composed by Weir, sets the stage for the two pieces to follow. I think it's one of the most beautiful little pieces of music I know—I have never once skipped through it over years of listening. I just let it wash over me and know that its simplicity and beauty are preparing me for the melancholy of Part 1, and the sometimes epic grandeur of Part 2. Part 1 is a song co-written with Eric Andersen, a well-known singer-songwriter who wrote the classic “Thirsty Boots.” He was on the Festival Express Tour (of “Might As Well” fame) across Canada along with the Dead, and I'm guessing that's where Weir and he met and concocted this piece. Happy to be corrected on that by anyone who knows better. Andersen and Weir share the lyric credit, and the music is credited to Weir. Once it appeared in the rotation, in September 1973, it stayed in the repertoire only as long as the Prelude did, dropping entirely in October 1974. The song addresses the seasons, and their changing mirrors the the singer's state of mind as he reflects on the coming of love, and maybe its going, too: a circle of seasons, and the blooming and fading of roses. I particularly like the line “And seasons will end in tumbled rhyme and little change, the wind and rain.” There's something very hopeful buried in the song's melancholy. Is that melancholy just a projection of mine? I think there's something about Weir's singing that gets at that emotion. Loss, and the hope that there might be new love. Weather Report Suite, Part 2 (“Let It Grow”) is a very different beast. It remained steadily in the rotation for the next 21 years after its debut, and the band played it 276 times. Its season of rarity was 1979, when it was played only three times, but otherwise, it was not far from the rotation. It could be stretched into a lengthy jamming tune (clocking at over 15 minutes several times), building to a thundering crescendo. And the “Weather Report” aspect of the song is what was really the most fun many times. Released on Wake of The Flood in 1973. WRS Prelude and Part I:Played:         46 timesFirst:  September 8, 1973 at Nassau Veterans Memorial Coliseum, Uniondale, NY, USALast:  October 18, 1974 at Winterland Arena, San Francisco, CA, USA SHOW No. 3:                     Mississippi Half Step Uptown Toodeloo  (Second Set Opener/into Big River/Dark Star)                                    Track #17                                    3:17 – 4:55 Released on Wake of the Flood in 1973. Mississippi Half-Step Uptown Toodeloo was first performed live by the Grateful Dead on July 16, 1972. It was a frequent part of the repertoire through to 1974. From 1976 onward it was played less frequently with usually between 5 and 15 performances each year. It was not played at all in 1983 and 1984. The last performance was in July 1995. In total it was performed around 236 times. The majority of performances from 1978 onward were as the opening song of a show. Huner/Garcia special.  Great story.  Great lyrics:  “what's the point of calling shots, this cue ain't straight in line.  Cue ball is made of Styrofoam and no one's got the time” Always one of my favorite songs to hear in concert.  ½ Step>Franklin's were especially fun as a one two show opener punch. Played:  236 timesFirst:  July 16, 1972 at Dillon Stadium, Hartford, CT, USALast:  July 6, 1995 at the Riverport Amphitheatre in Maryland Heights (St. Louis), MO MJ NEWS:                 INTRO MUSIC:       Willin'                                                Little Feat                                                Little Feat - Willin' sung by Lowell George Live 1977. HQ Video.                                                0:10 – 1:32                                                1977 "Willin'" is a song written by American musician Lowell George, and first recorded with his group Little Feat on their 1971 debut album. The song has since been performed by a variety of artists.          George wrote the song while he was a member of the Mothers of Invention. When George sang an early version of the song for bandleader Frank Zappa, Zappa suggested that the guitarist form his own band rather than continue under Zappa's tutelage.[1] He did just that, and the song was subsequently recorded by Lowell's band Little Feat. The song was included on Little Feat's 1971 self-titled debut album. The band re-recorded the song at a slower tempo to much greater success on their 1972 Sailin' Shoes album. A live version recorded in 1977 appears on their 1978 album Waiting for Columbus. The lyrics are from the point of view of a truck driver who has driven from Tucson to Tucumcari (NM), Tehachapi (CA) to Tonopah (AZ)" and "smuggled some smokes and folks from Mexico"; the song has become a trucker anthem.  And of course, he asks for “weed, whites (speed) and wine” to get him through his drive. 1.      Using Marijuana Is Tied To Lower Consumption Of Alcohol, Opioids And Other Drugs, New Study Reveals 2.     Why Florida's Marijuana Legalization Ballot Initiative Failed Despite Trump Endorsement, Historic Funding And Majority Voter Support 3.     Marijuana Has ‘Great Deal Of Potential' To Treat Opioid Use Disorder, Study Finds, Predicting It'll Become More Common In Treatment 4.     Colorado Springs Voters Approve Two Contradictory Marijuana Ballot Measures To Both Allow And Ban Recreational Sales Strains of the week: Sub Zero - Sub Zero is a potent Indica-dominanthybrid cannabis strain that combines the robust genetics of Afghan, Colombian, and Mexican origins. This marijuana strain offers a complex flavor profile with notes of apple, menthol, chestnut, lime, and berry, providing a unique and refreshing sensory experience. The aroma of Sub Zero is as intriguing as its flavor, characterized by a rich combination of woody, earthy, and citrus notes, thanks to a terpene profile rich in Humulene, Limonene, Linalool, and Carene. These terpenes not only enhance the flavor but also contribute to the strain's therapeutic properties. Apple Fritter - Apple Fritter, also known as “Apple Fritters,” is a rare evenly balanced hybrid strain (50% indica/50% sativa) created through crossing the classic Sour Apple X Animal Cookies strains. Best known for making the High Times' 2016 “World's Strongest Strains” List, this baby brings on a hard-hitting high and super delicious flavor that will have you begging for more after just one taste. Extract:             Dulce Limon – hyrbrid sativa dominant            Pineapple Fizz – slightly indica dominant hybrid strain SHOW No. 4:                    Dark Star  (Mind Left Body Jam)                                                Track #18                                                34:45 – end This is the name given to a 4-chord sequence played as a jam by the Grateful Dead. It is thought by some to be related to the Paul Kantner song "Your Mind Has Left Your Body." The title "Mind Left Body Jam" was originally used by DeadBase. The first Grateful Dead CD to include a version was "Dozin' At The Knick", where the title was "Mud Love Buddy Jam" in a humorous reference to the DeadBase/taper title. But subsequent releases have adopted the "Mind Left Body Jam" title.Here, it comes out of a 36 minute Dark Star that many say is one of the best ever and links it to an excellent Eyes of the World.Fun to feature one of the band's thematic jams every now and then.  The truly improvisational side of the Dead and their live performances.  Played:  9 timesFirst:  October 19, 1973 at Jim Norick Arena, Oklahoma City, OK, USALast:  March 24, 1990 at Knickerbocker Arena, Albany, NY, USA                                                 INTO                                                 Eyes of the World  (into China Doll/Sugar Mag as second set closer)                                                Track #19                                                0:00 – 2:25 David Dodd:  “Eyes of the World” is a Robert Hunter lyric set by Jerry Garcia. It appeared in concert for the first time in that same show on February 9, 1973, at the Maples Pavilion at Stanford University, along with “They Love Each Other,” “China Doll,” “Here Comes Sunshine,” “Loose Lucy,” “Row Jimmy,” and “Wave That Flag.” Its final performance by the Dead was on July 6, 1995, at Riverport Amphitheatre, in Maryland Heights, Missouri, when it opened the second set, and led into “Unbroken Chain.” It was performed 381 times, with 49 of those performances occurring in 1973. It was released on “Wake of the Flood” in November, 1973. (I have begun to notice something I never saw before in the song statistics in Deadbase—the 49 performances in 1973 made me look twice at the song-by-song table of performances broken out by year in DeadBase X, which clearly shows the pattern of new songs being played in heavy rotation when they are first broken out, and then either falling away entirely, or settling into a more steady, less frequent pattern as the years go by. Makes absolute sense!) Sometimes criticized, lyrically, as being a bit too hippy-dippy for its own good, “Eyes of the World” might be heard as conveying a message of hope, viewing human consciousness as having value for the planet as a whole. There are echoes in the song of a wide range of literary and musical influences, from Blaise Pascal to (perhaps) Ken Kesey; from talk of a redeemer to the title of the song itself. In an interview, Hunter made an interesting statement about the “songs of our own,” which appear twice in “Eyes of the World.” He said that he thinks it's possible each of us may have some tune, or song, that we hum or sing to ourselves, nothing particularly amazing or fine, necessarily, that is our own song. Our song.  The song leaves plenty of room for our own interpretation of certain lines and sections. The verse about the redeemer fading away, being followed by a clay-laden wagon. The myriad of images of birds, beeches, flowers, seeds, horses.... One of my all time favorite songs, Dead or otherwise.  A perfect jam tune.  Great lyrics, fun sing along chorus and some of the finest music you will ever hear between the verses.  First really fell for it while at a small show one night my junior year at Michigan in the Michigan Union, a Cleveland based dead cover band call Oroboros.  We were all dancing and this tune just seemed to go on forever, it might have been whatever we were on at the time, but regardless, this tune really caught my attention.  I then did the standard Dead dive to find as many versions of the song as I could on the limited live Dead releases at that time and via show tapes.  Often followed Estimated Prophet in the first part of the second set, china/rider/estimated/eyes or scarlet/fire/estimated/eyes and sometimes even Help/Slip/Frank/Estimated/Eyes.  Regardless of where it appeared, hearing the opening notes was magical because you knew that for the next 10 – 12 minutes Jerry had you in the palm of his hand. This is just a great version, coming out of the Dark Star/Mind Left Body Jam and then continuing on into China Doll (two great Jerry tunes in a row!) and a standout Sugar Mag to close out the second set.  Any '73 Eyes will leave you in awe and this one is one of the best. Played:  382 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 6, 1995 at Riverport Amphitheatre, Maryland Heights (St. Louis), MO  OUTRO:                               And We Bid You Goodnight  (encore out of Uncle John's Band/Johnny B. Goode) 3 song encore!!                                                Track #25                                                :40 – 3:03 The Grateful Dead performed the song a number of times in the 1968-1970 and 1989-1990 periods but infrequently during the rest of their performing career. On Grateful Dead recordings the title used is either And We Bid You Goodnight or We Bid You Goodnight. The Grateful Dead version of this traditional 'lowering down' funeral song originates from a recording by Joseph Spence and the Pindar Family which was released in 1965. The title used on that recording, as on many others, is I Bid You Good Night. This song appears to share a common ancestry with the song Sleep On Beloved from North East England. I got to see it the first night at Alpine Valley in 1989 (the Dead's last year at Alpine) and it really caught the crowd off guard.  Great reaction from the Deadheads.  Kind of a chills down your spine thing.  I was with One armed Lary and Alex, both had been with us at Deer Creek right before.  Lary stayed for all three nights but Alex had to take off after the first show.  Great times.  Played:  69 timesFirst:  January 26, 1968 at Eagles Auditorium, Seattle, WA, USALast:  September 26, 1991 at Boston Garden, Boston, MA, USA  Thank you for listening.  Join us again next week for more music news, marijuana news and another featured Grateful Dead show. Have a great week, have fun, be safe and as always, enjoy your cannabis responsibly.   .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

It took a while for Pink Floyd to regain their focus but, when they did, it eventually resulted in the 1973 album The Dark Side of the Moon. One of the most popular and well-known albums in the world, it shot the band to a level of stardom they previously failed to achieve. After a long tour, a long recording session and Roger Waters coming more to the forefront of the band, Wish You Were Here was released in 1975. Partially a tribute to Syd Barrett, partially a warning about the music industry, it gives their previous album quite a challenge for the best in the group's catalog. 

This week, we talk to author and music critic MARC MASTERS (High Bias: The Distorted History Of The Cassette Tape, Pitchfork, The Wire) about the film THE DEVIL AND DANIEL JOHNSTON and the cassette tape culture surrounding Daniel. We also discuss our elaborate tape trading stories and sequencing your perfect mixtape, Bananafish magazine, Sebadoh, Homestead Records, ordering Daniel Johnston cassettes directly, Daniel's religious upbringing, agruging with his Mom and how he put it directly into his music, Sun City Girls, why Daniel's music benefited from being on cassette vs vinyl/cd, how home recording allowed you to hear the physical space of the aritst's bedroom or garage, how the film initially was going to be a Grey Gardens vérité sytled film, Daniel's muse Laurie, director Jeff Feurezeig's stunning recreations in this film and Daniel's help in art directing them, Chris' real time experience on seeing Daniel on both airings of The Cutting Edge and how different those two performances were, Daniel and his childhood friend David's relationship, rock n' roll's weird fascination with people's mental struggles from Syd Barrett to Roky Erickson, how a Jeff Feurezeig documentary is unilke any other documentaries, the myth of Daniel recording his tapes over and over again each time he gave one away, Kurt Cobain changing Daniel's life forever with a t-shirt, Daniel's major label bidding war, why Metallica gave the movie a chance to use their own music within it, Sonic Youth driving around looking and finding a missing Daniel Johnston in NYC, cataloging all of Daniel's tapes, Chris going through all of Robert Pollard's cassette archives, Danny & The Nightmares and more!So reach into your McDonald's bag and pull out a Daniel Johnston cassette as we discuss one of the greatest documentaries of our lifetime on this week's episode of Revolutions Per Movie.Marc Masters: https://uncpress.org/book/9781469675985/high-bias/@marcissistREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieX, BlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Click here to get EXCLUSIVE BONUS WEEKLY Revolutions Per Movie content on our Patreon Hosted on Acast. See acast.com/privacy for more information.

Charlamos con Alan Boguslavsky (ex-guitarrista de Héroes del Silencio y Bunbury) sobre el disco ‘The Dark Side of the Moon' de Pink Floyd. En esta quinta parte comentamos: La música, los sonidos y las letras de las tres últimas canciones del disco: «Any Colour you like», «Brain Damage» y «Eclipse». La diferencia entre el estilo vocal de David Gilmour y el de Roger Waters. Algunas de las posibles razones por las cuales las letras de Roger Waters conectaron tanto con el público. Y por el camino nos encontramos con Syd Barrett, Red Hot Chili Peppers, el Psicoanálisis, y una «aparición estelar» sin invitación. Si quieres participar en la elección de los discos que tratamos en el podcast, date de alta en mi lista de correo en discoprestado.com Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana

Syd Barrett, Roger Waters, David Gilmour, Richard Wright en Nick Mason. Wat hebben ze muzikaal apart van elkaar te vertellen? En zit er toekomst in hun aanwezigheid in de Top 2000? De muziek uit deze podcastserie kun je beluisteren via een Spotify-playlist: https://open.spotify.com/playlist/3v7sKAV5X1i9yl3145APOm

Hello and welcome back!In this episode we have another exciting guest. While the name of our interviewee may not be familiar to you, his works are for sure.Alex started creating artwork for various Pink Floyd bootlegs in the late 90's and supported the Harvested label on a few releases.He then started a YouTube channel and released animated versions of the official Pink Floyd artwork. This later led to a collaboration with Nick Mason's Saucerful of Secrets and eventually a close association with the family of Roger “Syd” Barrett, where Alex is the official animator for all content on the official website.The conversation was exciting, funny and insightful, but hear for yourself!Links:https://www.sydbarrett.com/https://www.youtube.com/c/artistontheborderhttps://www.youtube.com/watch?v=TZq92A0il6Q (Animated Relics Artwork)

On the newest Jagbags, Beave and Len go deep into the music of Pink Floyd as the newest Facebook bracket kicks off. Beave correctly guesses all top seeds and then collapses from joy. They talk the tragic tale of band founder Syd Barrett, and how Floyd progressed from his departure to the triumph of "Dark Side of the Moon", one of the best selling albums in music history. They go through their five favorite Floyd albums and then their 45-minute playlists (which you can access on Spotify). Tune in and Breathe! Breathe in the Air!

This Week on America's Podcast with guests Andy Rodriguez and Joseph Staub, we're plunging headfirst into not one, not two, but three Pink Floyd reviews at once like a bunch of overachievers! We start our musical journey with "Meddle," then warp speed to "Wish You Were Here," and wrap it all up with a grand finale of "Animals." What are our thoughts on these albums? Well, no spoilers here! It's a must-listen for any die-hard Floyd fan or someone dipping their toes into their psychedelic waters! Tracks of the Week: - Mooger's pick is "Key Entity Extraction l: Domino The Destitute" by Coheed and Cambria—a mouthful to say and a feast for the ears! - Marc brings us "As I Am" by Dream Theater, a tune sure to make your air guitar weep tears of joy. - Andy rocks out to "Junkhead" by Alice In Chains—a song that hits harder than a Hulk smash! - Joesph cruises in with "Drive" by The Cars, a classic jam that'll have you feeling like you're in a retro music video. And wrapping it up with Jerry's pick, "Octopus" by Syd Barrett—a song so groovy, it's like a funky dance party in your ears. Until next time, remember to drop a tab, smoke some weed do a dab, and melt into the music like a cheese sandwich in a hot pan! Peace out, music lovers! #pinkfloyd #meddle #wishyouwerehere #animals #rock

Charlamos con Alan Boguslavsky (ex-guitarrista de Héroes del Silencio y Bunbury) sobre el disco ‘The Dark Side of the Moon' de Pink Floyd. En este episodio (publicado originalmente en mayo de 2023) hablamos de: Las sensaciones que nos produce 'The Dark Side of the Moon'. Cómo se conocieron los miembros de Pink Floyd. El momento en que se encontraban cuando grabaron el disco. El espíritu de innovación tecnológica que la banda tuvo desde sus inicios. La trágica historia de Syd Barrett, el cantante y compositor original de la banda, y la transición de Pink Floyd hacia la formación que grabaría ‘The Dark Side of the Moon'. La importancia del trabajo de Alan Parsons como ingeniero de sonido del disco. El magistral estilo guitarrístico de David Gilmour. Algunos de los mitos que a día de hoy siguen circulando sobre el disco. Y por el camino nos encontramos con David Bowie, Radiohead, The Doors, King Crimson, los Beatles, los Eagles, la Credence, el Autotune, la radio AM  y ‘El mago de Oz', entre otros. Para participar en la elección de los discos que tratamos en el podcast, date de alta en mi lista de correo en discoprestado.com Contacto: discoprestado@proton.me ¡Salud y buena música! Marc Aliana

En este episodio de "La Teoría de la Mente", exploramos la icónica canción de Pink Floyd, "Wish You Were Here", compuesta por Roger Waters en un momento profundamente emocional. ¿Qué secretos esconde esta pieza? ¿Cómo se relaciona con el enigmático Syd Barrett? Descubre la historia detrás de esta obra maestra y cómo la visita inesperada de Barrett a los estudios Abbey Road influyó en la banda. Descripción del Episodio ¡Bienvenidos a un nuevo episodio de "La Teoría de la Mente"! En esta ocasión, nos adentramos en el universo de Pink Floyd para desentrañar los misterios de la canción "Wish You Were Here". Esta pieza, escrita por Roger Waters, surgió en un contexto único: Syd Barrett, el antiguo líder de la banda, apareció inesperadamente en los estudios Abbey Road durante la grabación de un álbum. Barrett, irreconocible y cambiado por el tiempo y sus experiencias, inspiró una de las canciones más conmovedoras y emblemáticas de la banda. En este episodio, discutimos: Acompáñanos mientras analizamos la letra, la música y las emociones que dieron vida a esta obra maestra. Si eres fan de Pink Floyd, de la música o simplemente de las grandes historias, este episodio es para ti. Palabras Clave Pink Floyd,Wish You Were Here,Roger Waters,Syd Barrett,Abbey Road,grabación,álbum,inspiración,historia de la música,rock clásico,análisis de canciones,emociones,música y cultura,la teoría de la mente,psicología de la música,impacto cultural,iconos del rock,leyendas de la música,estudios Abbey Road,banda icónica,música de los 70,historia de Pink Floyd,arte y música,misterios musicales,rock psicodélico Hashtags #PinkFloyd #WishYouWereHere #SydBarrett #RogerWaters #HistoriaDeLaMusica #RockClasico Nuestra escuela de ansiedad: www.escuelaansiedad.com Nuestro nuevo libro: www.elmapadelaansiedad.com Visita nuestra página web: www.amadag.com Facebook: Asociación Agorafobia Instagram: @amadag.psico Youtube Amadag TV: Amadag TV

There's something romantic about glorious failure and Will nails it perfectly in ‘Street Level Superstar: A Year With Lawrence'. Over 40 years plagued by bad luck and self-sabotage with Felt, Denim and Mozart Estate, Lawrence has pursued fame and success while refusing to do what's required to achieve them. Will spent 12 months wandering the streets of London with him to paint a fond, touching and extremely entertaining portrait of the worst-equipped pop star attempting a comeback, a man on a holy, monastic mission in a book about “sacrifice and the price of a dream”. Among many highlights here, we talk about … … where Lawrence fits in the pantheon of great underachievers like Syd Barrett, Nick Drake and Arthur Lee. … and his similarity to Kevin Shields and Kevin Rowland. … the wisdom of a former girlfriend: “stop trying to be the pop star you don't want to be and you might get somewhere”. … is lack of success the central dream of the indie world?   … why Denim were Britpop before Britpop happened and why EMI melted down all copies of their last single. … his rules before the book began - “No anecdotes, no interviews with former members of Felt …” … what his stalker planned to get his attention. … fantasy girlfriends and “a fear of cheese”. … why he didn't go to his mother's funeral. … and why Truman Capote's portrait of Marlon Brando, the Duke and His Domain, was a touchstone for this book. Order ‘Street Level Superstar: A Year With Lawrence' here:https://www.amazon.co.uk/Street-Level-Superstar-Lawrence-Will-Hodgkinson/dp/1785120220Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

There's something romantic about glorious failure and Will nails it perfectly in ‘Street Level Superstar: A Year With Lawrence'. Over 40 years plagued by bad luck and self-sabotage with Felt, Denim and Mozart Estate, Lawrence has pursued fame and success while refusing to do what's required to achieve them. Will spent 12 months wandering the streets of London with him to paint a fond, touching and extremely entertaining portrait of the worst-equipped pop star attempting a comeback, a man on a holy, monastic mission in a book about “sacrifice and the price of a dream”. Among many highlights here, we talk about … … where Lawrence fits in the pantheon of great underachievers like Syd Barrett, Nick Drake and Arthur Lee. … and his similarity to Kevin Shields and Kevin Rowland. … the wisdom of a former girlfriend: “stop trying to be the pop star you don't want to be and you might get somewhere”. … is lack of success the central dream of the indie world?   … why Denim were Britpop before Britpop happened and why EMI melted down all copies of their last single. … his rules before the book began - “No anecdotes, no interviews with former members of Felt …” … what his stalker planned to get his attention. … fantasy girlfriends and “a fear of cheese”. … why he didn't go to his mother's funeral. … and why Truman Capote's portrait of Marlon Brando, the Duke and His Domain, was a touchstone for this book. Order ‘Street Level Superstar: A Year With Lawrence' here:https://www.amazon.co.uk/Street-Level-Superstar-Lawrence-Will-Hodgkinson/dp/1785120220Find out more about how to help us to keep the conversation going: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Award-winning filmmaker Roddy Bogawa joins Staci on today's podcast. Roddy co-directed the documentary "Have You Got It Yet? The Story of Syd Barrett and Pink Floyd" with the late, acclaimed album cover designer Storm Thorgerson. This remarkable and beautifully crafted documentary took years to complete. Staci will ask Roddy about the making of this film and his personal insights into Syd Barrett's life and decline. He will also discuss the challenges of creating a movie about Syd, a person with such a complex and multifaceted personality.

Hosted by Sal CataldiGuest: Robyn HitchcockRobyn Hitchcock is one of the true eccentrics of British music, a songwriter who has revealed the beauty in the absurdity of life for five decades. He first rose to fame with the influential art-rockers the Soft Boys in the mid-‘70s before going solo in the early ‘80s producing over two dozen acclaimed albums including Elements of Light (1981), Ole Tarantula (2006) and Storefront Hitchcock (2000), the soundtrack to a down-n-dirty concert film by Jonathan Demme. His songs have been covered by artists including R.E.M, Sparklehorse and Suzanne Vega. He has also saluted his chief songwriting inspirations, Bob Dylan and Syd Barrett, by covering their work on tribute albums and tours. Robyn will be joining us to discuss his new memoir, 1967: How I Got There and Why I Never Left. My print review of the book can be found here at PopMatters.com. "Reading is Funktamental" is a monthly one-hour show about great books written about music and music-makers. In each episode, host Sal Cataldi speaks to the authors of some of the best reads about rock, jazz, punk, world, experimental music, and much more. From time to time, the host and authors will be joined by notable musicians, writers, and artists who are die-hard fans of the subject matter covered. Expect lively conversation and a playlist of great music to go with it. "Reading Is Funktamental" can be heard the second Wednesday of every month from 10 – 11 AM on Wave Farm: WGXC 90.7 FM and online at wavefarm.org.Sal Cataldi is a musician and writer based in Saugerties. He is best known for his work with his genre-leaping solo project, Spaghetti Eastern Music, and is also a member of the ambient guitar duo, Guitars A Go Go, the poetry and music duo, Vapor Vespers, and the quartet, Spaceheater. His writing on music, books and film has been featured in The New York Times, Rolling Stone, PopMatters, Seattle Times, Huffington Post, Inside+Out Upstate NY, and NYSMusic.com, where he is the book reviewer.

On this, our 20th episode, we speak with a person who has chosen to go by the pseudonym of "Mick the Hat", and when you listen you'll certainly understand why. One of our favorite things to do on this podcast is to interview people who have knowledge that no one else in the world possesses, and who can shed light on some of the most legendary events in the history of Pink Floyd. Mick the Hat is one of those people. For anyone interested in the saga of Pink Floyd live recordings and vinyl bootlegs, you won't want to miss a minute of Mick the Hat's recollections, as elicited by podcast producer and interviewer Ian Priston. His tales of BFI busts gone wrong, of taping some of the most beloved shows in Pink Floyd history, and of dealing with some of the quirkiest characters out there, are one of a kind revelations that you won't hear anywhere else.

Cuando Pink Floyd comenzó su viaje a finales de los años 60, nadie hacía lo que hacían ellos. Nadie sonaba como ellos. La banda inglesa, comanda por un visionario Syd Barrett hacía una música totalmente nueva que remitía a la psicodelia y que era la banda sonora de un viaje de ácido al centro del universoSyd fue el primero en apuntar a una nueva dirección y en abrir un camino musical que muchos otros siguieron. Pink Floyd ha roto muchas barreras a lo largo de su carrera y ha firmado discos inmensos y eternos que son parte de la historia de la música, a varios de ellos les hemos dedicado episodios en este mismo programa, The Piper At The Gates of Dawn, el debut de la banda es quizás el más influyente de todos.The Piper at the Gate of Dawn fue el primer gran paso en la música de Syd Barrett, también el último antes de dejar el grupo y empezar un errático y triste peregrinaje alejado de los focos, después de que su grupo le diese la espalda cansado de su carácter en un momento en el que Pink Floyd apuntaba al estrellato.Esta semana recordamos el comienzo de aquella aventura musical de la mano del periodista Ricardo de Querol y con los reportajes de Lucía Taboada.Escucha los otros programas dedicados a Pink Floyd:The Dark Side of the Moon | The Wall | Animals*Toda la información del programa, discos, recomendaciones y anécdotas de música en nuestro canal de WhatsApp, apúntate y no te pierdas nada*

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Musician and former member of the Fat White Family Saul Adamczewski and another lowly Brit join the show to finally settle their score with Adam and America OSTSaul Adamscewski "Gulag"Syd Barrett "Rats" Insecure Men "All Women Love Me" Laibach "Brat Moj" Country Teasers "Country Fag"

This week's show, after a 1986 XTC ecstasy: brand new Nada Surf, Royal Headache, Jake Bugg, +/- (Plus/Minus), Blab School, Guided By Voices, and Decemberists, plus General Echo, Buddy Holly, Joe Dassen, Syd Barrett's Pink Floyd, Hank Ballard & the Midn...

Missing being on tour and exasperated by internal disputes, Nick Mason set out to tour small-scale venues with his band Saucerful Of Secrets in 2018. They're mid-way through another world tour (Gary Kemp's the main singer and one of the guitarists). He doesn't miss the stadium circuit where “you need a golf cart to get from one side of the stage to the other” and they play only the early psychedelic Floyd material, from their first singles up to (but not including) the Dark Side of the Moon, which audiences are less inclined to want to be note-perfect versions of the records. And he talks mid-set about the origins of the songs and his memories of Syd Barrett and life at the time. This podcast looks back at the first live shows he saw and played himself and how Saucerful of Secrets came about. Which includes … … Tommy Steele at the Hackney Empire – “I came straight from school in short trousers with my satchel”. … seeing the Rolling Stones on a ‘63 package tour.   … performing Beatles songs at parties in Cuban heels and Oliver Goldsmith shades. … playing the International Times launch party at the Roundhouse in ‘66 on the back of a cart. …. early gigs at the Countdown Club, Regent Street Poly and the Albert Hall (with Alan Price and Peter & Gordon). … the difference between Saucerful of Secrets and the stadium circuit – and the time Roger Waters played with them in New York. … and the ‘60s demos of unreleased Floyd songs they're hoping to add to the set. Saucerful of Secrets tour dates here …https://drive.google.com/file/d/1kjkhMKXv4wPaR2XVbZ6h3WVMJ4ivesVn/view?usp=drivesdk  Buy tickets here …https://myticket.co.uk/artists/nick-mason-saucerful-of-secrets Nick's re-released solo albums here …https://drive.google.com/file/d/1uwB_CYLuszOUNqsfeiWQH3nXd2TxGVf7/viewSubscribe to Word In Your Ear on Patreon for early - and ad-free - access to all of our content, plus a whole load more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Have you ever wondered about the strange and wonderful ways that music intertwines with our personal lives? That's exactly where we find ourselves starting, with a tale of an extreme New York Islanders fan whose antics draw an unexpected line to Pink Floyd's Syd Barrett. Our musical escapade doesn't stop there, as I whisk you away to a nostalgic recount of The Police's electrifying concert at Nassau Coliseum back in '82. You'll feel the buzz of "Message in a Bottle" and the heady sing-alongs to "Roxanne," as Jimmy reveals a personal misheard lyric that's sure to have you chuckling and reassessing your own lyrical faux pas.The Libertines released their first new album in 9 years 'All Quiet on the Eastern Esplanade' and it's a good one. While giving my review, the story goes in a direction that will surprise you.The narrative takes a reflective turn as we honor the 30th anniversary of Oasis's breakthrough "Supersonic," capturing the raw spirit that surged through my younger years. Fast forward to a recent encounter with Live's enduring anthem album "Throwing Copper" performed live in Atlanta, and you'll be enveloped in the distinctive sound that challenged the grunge norm. Finally, we bridge the seemingly disparate worlds of Judas Priest's "Invincible Shield" and the folk rock legend Bob Dylan. It's these intricate musical tapestries that prove our shared love for the art transcends genres and decades. Join us as we celebrate our 25th episode, reveling in the transformative journey of stories that keep the music eternally playing in our shoes.

This week on Rockonteurs we are joined by the American writer and producer Joe Boyd. Joe has worked with a stunning array of artists from Fairport Convention, Nick Drake, REM and, of course Pink Floyd. In this episode he talks about his introduction into the music business, founding the highly influential UFO nightclub and his memories of working with a young Pink Floyd and the wonderful Syd Barrett.Rockonteurs is produced by Ben Jones for Gimme Sugar Productions. Hosted on Acast. See acast.com/privacy for more information.