Podcasts about why was i born

This episode begins with Mozart—the glorious, peppy last movement of a piano concerto—and ends with Sarah Vaughan, singing a song (“Black Coffee”). In between we have Bill Monroe, Fanny Mendelssohn, Earl Scruggs—a real variety show. But all to a purpose. Mozart, Piano Concerto No. 14 in E flat, K. 449, last movement Clarke, “The Cloths of Heaven” Monroe, “Blue Moon of Kentucky” Bernstein, “Some Other Time” Mendelssohn, Fanny, arr. Masur, Ken-David, “Schöne Fremde” Dunhill, “The Cloths of Heaven” Kern, “Why Was I Born?” Scruggs, “Foggy Mountain Breakdown” Burke, “Black Coffee”

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, childhood trauma, parental murder, suppressed memories, abuse. There's been a wide variety of entries in the Freddy Knife Hands series, but finally, finally, we got the entry that makes zero sense and is a bonkers good time. No, this film is not good, and no, it does not appear to have actually employed a competent editor. Although that may be the fault of the studio more than anyone involved in the production. Nevertheless, THINGS HAPPEN in this movie, and it's beyond weird and messy and hilarious and gory and sometimes, that's all you really want from your "final” entry in a horror franchise. We discuss Freddy's Dead: The Final Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Why Was I Born? (Freddy's Dead)” written by Iggy Pop and Whitey Kirst, and performed by Iggy Pop. Copyright 1991 Metal Blade Records Inc.; New Line Cinema Corporation. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc.

Featuring:Steve Lacey/Reflections/"Four In One"/1959Mal Waldron/Moods/"Happiness"/1978Eddie "Cleanhead"Vinson/Cleanhead's Back in Town/"Is You Is or Is You Ain't My Baby"/1957Charlie Parker/Now's The Time/"The Song Is You"/1952Johnny Hodges/Ellingtonia/"Midriff"/1946Max Roach + 4/Live at Newport/"Minor Mode"/1958Earl Hines/Plays Duke Ellington/"C Jam Blues"/1971Jimmy Lunceford Orchestra/For Dancers Only/"Ragging the Scale"/1937Revolutionary Ensemble/ST/"Chicago"/1977Arthur Blythe/Elaborations/"One Mint Julep"/1982Johnny Dodds/In the Alley/"Loveless Love"/1926Lennie Tristano/Descent Into the Maelstrom/"Ju-Ju"/1952Wild Bill Davis/Live at Birdland/"Make No Mistake"/1955John Coltrane & Kenny Burrell/ST/"Why Was I Born?"/1958

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, Midnight Sun, Too Darn Hot, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Songs include: Why Was I Born? , I Know Why, and So Do You, Why Don't You Do Right?, Why Don't You Haul Off and Love Me, Why Don't You Love Me Like You Used To Do?  and Why Don't You Believe Me? Performers include: Helen Morgan, Peggy Lee, Hank Williams, Nick Lucas, Joni James, Wayne Raney and Glenn Miller.

So many questions these days… and why not? Why is a rich song subject, a few of which you will hear on this week’s edition of Fine Tune: Fine Tune 2021-01-10 #470 Why Was I Born? / Eddie Condon Why Don’t We Try Staying Home / Bobby Short Why Was I Born? / Judy Garland Why Try to

On episode 130 of The Quarantine Tapes, Paul Holdengräber is joined by acclaimed jazz musician Sonny Rollins. Sonny and Paul talk about the importance of always continuing to learn. Sonny tells stories from his early days as a musician, from first meeting his influences like Coleman Hawkins and Thelonious Monk to the hours he spent playing music on the Williamsburg Bridge.Sonny says that bravery and freedom have always been inherent elements of jazz that differentiate it from other genres of music. He tells Paul about the spiritual nature of improvisation and how music affects him today in a fascinating conversation that draws from Sonny’s decades playing music and learning. Walter Theodore Rollins was born in Harlem, New York on September 7, 1930, of parents native to the Virgin Islands. His older brother Valdemar and sister Gloria were also musically inclined but only Sonny veered away from classical music after his uncle, a professional saxophonist, introduced him to jazz and blues.He gravitated to the tenor saxophone in high school, inspired in particular by Coleman Hawkins. By the time he was out of school, Rollins was already working with cutting edge modernists such as Bud Powell, Fats Navarro, and Roy Haynes. In 1951 he debuted as a leader on Prestige; his affiliation with that label also produced classics such as Saxophone Colossus, Worktime, and Tenor Madness (with John Coltrane).Rollins won his first performance Grammy for This Is What I Do (2000), and his second for 2005’s Without a Song (The 9/11 Concert), in the Best Jazz Instrumental Solo category (for “Why Was I Born”). Sonny, Please was nominated for a best jazz album Grammy in 2006. In addition, Sonny received a Lifetime Achievement Award from the National Academy of Recording Arts and Sciences in 2004. In June 2006 Rollins was inducted into the Academy of Achievement at the International Achievement Summit in Los Angeles. In May 2007 was a recipient of the Polar Music Prize, presented in Stockholm, and in 2009 he became the third American (after Frank Sinatra and Jessye Norman) to be awarded the Austrian Cross for Science and Art, First Class. Which isn’t to say that Rollins isn’t equally honored at home. In 2011 President Barack Obama presented him with the Medal of Arts at the White House, and the following year Rollins was named a Kennedy Center Honoree.Rollins’s latest album is “Rollins in Holland: The 1967 Studio & Live Recordings” (Resonance Records).

This is the first segment of the session from November 23, 1988. The musicians are Jimmy Mazzy (banjo/vocals), John Kafalas (trombone), Don Frothingham (piano), Hans Brack (bass), and Stu Grover (drums). The selections are “Varsity Drag,” “Why Was I Born,” and “Eenie, Meenie, Mynie, Moe.” Send questions or comments to podcast @ kafalas.com

The Solitude of Sorrow | Job 3:1-26 ***For a complete sermon transcript click on the "Notes" icon above*** ---------------------------- Sermon Outline-------------------------------- Introduction: Job Chapter Three as a Lament I. WHY Was I Born? (1-10) II. WHY Did I Live? (11-19) III. WHY Am I Alive Now? (20-26)

Songs include: I Can't Get Started, Bei Mir Bist du Shoen, Nobodys Darlin But Mine, Why Was I Born, The Dipsy Doodle, The Merry Go Round Broke Down and Dinner Music For a Pack of Hungry Cannibals. Performers include: Tommy Dorsey, Jimmy Davis, Billie Holiday, Raymond Scott, The Andrews Sisters, The Boston Pops Orchestra and Sonny Boy Williamson I.

This is the fourth and concluding installment of the session from September 14, 1988.  The musicians are Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), Steve Wright (clarinet), Mark Behre (trombone), John Kafalas (tuba), Don Frothingham (piano), and Stu Grover (drums).  The selections are “Why Was I Born?” and “The River.” Send questions or … Continue reading Podcast #94: September 14, 1988 Part IV →

We continue our look at pregnancy and childbirth by looking at puerperal fever, how to perform an emergency birth, birth risks in history, the invention of forceps, "Twilight Sleep", weird birthing aids, plus news and pop culture! Music: "Why Was I Born" by Billie Holiday Images Videos http://www.youtube.com/watch?v=MsHCqrrU-Gk http://www.youtube.com/watch?v=mZ7b4spjXhw http://www.youtube.com/watch?v=PUdZbRttXMY

Are you feeling hopeless and maybe even mad at God because you blame Him for the bad things that have happened in your life? God loves you and has a wonderful plan for your life. Join us tonight as we search for ways to discover God’s plan for our lives and how the choices we make affect our eternal destiny. If you have any prayer requests, testimonies, comments, or questions feel free to email us at firetalkradio2@yahoo.com  Please Follow me on my Home Page at http://www.blogtalkradio.com/firetalkradio2   Check out and Like my Facebook page at  https://www.facebook.com/FireTalkRadio2 Thanks for joining me on Fire Talk Radio.    DISCLAIMER: THE COMMENTS AND OPINIONS EXPRESSED DURING BLOG TALK RADIO COMMERCIALS AND ADS DO NOT NECESSARILY REFLECT THAT OF MYSELF OR MY CHRISTIAN BELIEFS. ESPECIALLY THE NEW ADS PROMOTING CONSUMPTION OF ALCOHOL.          

This is the last part of the 7/27/88 session, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), John Kafalas (tuba), Don Frothingham (piano), Stu Grover (drums), and an extra vocal by Carrie Mazzy. The selections are “Why Was I Born,” “Cherry,” and “You’re the One I Care For.” Send questions or comments to … Continue reading Podcast #76: July 27, 1988 (conclusion) →