Podcasts about Frank Sinatra

Leonardo DiCaprio says a Frank Sinatra biopic directed my Martin Scorsese is still in the works, why talking less makes you more likeable and we find out the Soup of the Day!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this month's music history spotlight, Ryan explores the 1937 jazz standard “My Funny Valentine,” written by Richard Rodgers and Lorenz Hart. From its Broadway origins in Babes in Arms to iconic interpretations by Frank Sinatra, Chet Baker, Ella Fitzgerald, and Miles Davis, this episode reflects on why a song about imperfect love has endured for nearly a century.

Send a textIntro: Blues in the Night by Woody Herman and His Orchestra (1941)15. You'll Never Know by Frank Sinatra (1943)14. Pistol Packin' Mama by Bing Crosby (1943)13. Moonlight Cocktail by Glenn Miller and His Orchestra (1941)12. Till the End of Time by Perry Como with Russ Case and His Orchestra (1945)11. Frenesi by Artie Shaw and His Orchestra (1940)

We Raid the Algorithm to listen to the twisted logic of forcing young kids to confess their sins, a Frank Sinatra story interacting with his fans, and if Tears for Fears was from Pittsburgh.

We Raid the Algorithm to listen to the twisted logic of forcing young kids to confess their sins, a Frank Sinatra story interacting with his fans, and if Tears for Fears was from Pittsburgh.See omnystudio.com/listener for privacy information.

In this episode of MX3 Podcast, we dive deep into the fascinating life of Frank Sinatra — from his rise to fame to his rumored connections with the mob and his ties to JFK.We explore how Sinatra built his career, the role of organized crime in Hollywood, and how politics, unions, and influence shaped American history.If you enjoy real conversations about money, motivation, and relevant events, this episode is for you.

Hank Moore became a radio DJ at just ten years old, then went on to influence the broadcasting industry. You'll hear about his experiences interviewing Elvis Presley, working as an advisor to President Lyndon B. Johnson, and earning two inductions into the Rock & Roll Hall of Fame. From payola to the negative effects of the deregulation of broadcasting, he offers valuable perspectives on the music industry. Hank has crossed paths with legends like Ed Sullivan, Frank Sinatra, and Burt Bacharach, and lived through many moments that defined popular culture. We discussed his Pulitzer Prize nominated "Pop Music Legends" and some of the many highlights from his varied and fascinating career in broadcasting and business. Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I've also linked the transcript. t's a joy to bring these inspiring episodes to you, and I do all the many jobs of research, production and publicity. Have a look at the show notes of this episode, where you'll find all the links, including different ways to support this podcast and other suggested episodes. Show Notes with All the Links! Hank Moore website(00:00) Intro(01:53) Hank Moore's books, celebrities, radio, Lady Bird Johnson, Lee Iacocca, Bing Crosby(19:16) Elvis Presley, André Previn, Rock & Roll Hall of Fame(30:31) advisor to President Lyndon Johnson, radio industry(49:18) linked episodes, ways to support this podcast(50:02) Ed Sullivan, Mitch Miller, popular music history(58:54) Payola, meeting Burt Bacharach, McCarthy black list(01:08:39) stars discovered on talent shows, music industry problems(01:20:40) non-profit work, business and political work(01:27:45) Carole King, creative process

Hollywood and Horsepower Show with Mark Otto Guest, John Barbour of Talk Movies and John Barbour's World https://johnbarboursworld.com/ Hollywood Legend John Barbour: The Bumpy Road from Canadian Dropout to Reality TV Pioneer John Barbour: Hollywood & Horsepower The Bumpy Life of the "Father of Reality TV" & Sinatra's Secret Writer Editorial Abstract Core Narrative From a Salvation Army charity ward in Toronto to the heights of Hollywood, John Barbour's career was built on "accidents" and raw wit. A high-school dropout and former Vegas gambler who became a 5-time Emmy winner. "Television is the only industry in America where competition does not improve the product." KEY MILESTONES • Created Real People (1st Reality Show) • 4.5 years as Sinatra's private writer • Directed definitive JFK documentaries • Discovered/Mentored Pat Morita LIFE PHILOSOPHY • "Better to be liked than talented" • Atheism at 12 (The "God's Will" debate) • Success through accidental timing The Inner Circle FS Frank Sinatra "The Chairman" & Employer JG Jim Garrison JFK Investigator & Mentor RF Redd Foxx Lifelong Friend & Mentor FEATURED WORK "Your Mother's Not a Virgin" The definitive autobiography of a Canadian dropout. #RealityTV #JFKConspiracy #Sinatra Interview Date: Feb 12, 2026 • 105 min read This interview explores the extraordinary life of John Barbour, the "Father of Reality TV," tracing his journey from a dysfunctional childhood in Toronto to the heights of Hollywood success. Barbour shares candid anecdotes about his "accidental" career, his time as Frank Sinatra's private writer, and his groundbreaking work on the first reality show, Real People. The conversation also delves into his deep involvement in investigating the JFK assassination alongside Jim Garrison. Detailed Summary 1. Roots of Resilience: A Troubled Beginning John Barbour's life began in a Salvation Army charity ward in Toronto in 1933, born into a severely dysfunctional environment. His father left to fight in WWII when John was six and never returned, later surfacing as a successful advertising executive in Scotland. Raised by an alcoholic mother in an abusive household, Barbour found refuge in two places: the local hockey rink and the cinema, where he developed a lifelong love for storytelling and movies. His early life was marked by poverty and minor delinquency, including stints in jail, which he balanced by spending his free time in libraries. 2. The Accidental Path to Fame Barbour attributes his greatest successes to "accidents." At 17, he became a professional gambler after memorizing books on dice and cards, eventually winning enough to buy a suit and a bus ticket to the United States. A train delay led him to Lake Tahoe, where he witnessed the arrival of Frank Sinatra and mobster Sam Giancana—a precursor to his future role as Sinatra's private writer for four and a half years. After moving to Hollywood, he transitioned from gambling to comedy, inspired by the conversational wit of Jack Paar. The "Accidental" Career Timeline 1933: Born in Toronto charity ward. 1950: Moves to US; witnesses Sinatra in Tahoe. 1960s: Mentors Pat Morita; breaks into stand-up comedy. 1979: Creates Real People, the first reality TV show. Present: Investigative documentarian (JFK/Jim Garrison). 3. Mentorship and the Comedy Scene Barbour played a pivotal role in the careers of other icons, most notably Pat Morita. He encouraged Morita to embrace his Japanese heritage in his act, providing the specific cultural jokes that helped Morita find his unique voice in comedy. Barbour also shares a deep, lifelong friendship with Redd Foxx, whom he describes as his mentor. Despite his success, Barbour remained a "controversial" figure in the industry, often clashing with network executives and fellow hosts like Johnny Carson over creative integrity and political outspokenness. 4. The JFK Investigation and Jim Garrison A significant portion of Barbour's later career has been dedicated to the JFK assassination. After reading Jim Garrison's Heritage of Stone, Barbour became a close associate of the New Orleans District Attorney. He produced definitive documentaries on the subject, arguing that Garrison had essentially solved the case in 1967. Barbour remains a vocal critic of the official Warren Commission narrative, a stance that he admits has occasionally made him persona non grata in mainstream Hollywood circles. Key Industry Connections John Barbour's influence spanned multiple generations of talent. Frank Sinatra: Private writer for 4.5 years. Pat Morita: Gave him his "Japanese comic" concept. Redd Foxx: Lifelong friend and comedy mentor. Jim Garrison: Partner in JFK investigative media. Key Data Birth Year: 1933. Sinatra Collaboration: 4.5 years as a private writer. Peak Earnings: $23,000 per week during the height of Real People. JFK Special Date: November 22nd, 4:00 PM – 6:00 PM Pacific Time. To-Do / Next Steps Read John Barbour's autobiography, Your Mother's Not a Virgin, available on Amazon. Tune in to the live two-hour JFK special on November 22nd via BBS Radio/TV. Visit John Barbour's website to view archival interviews with Redd Foxx and Frank Zappa. Research the "No Fallen Heroes" foundation to support veterans and first responders. Conclusion John Barbour's story is a testament to the power of storytelling and the unpredictability of life. From a "Canadian dropout" to a television pioneer, his career has been defined by a refusal to compromise his wit or his search for the truth, whether in comedy or in the investigation of American history.

Gina Lollobrigida was one of the biggest stars of European cinema in the 1950s and 1960s. Often described as "the most beautiful woman in the world", her films included Beat the Devil, the Hunchback of Notre Dame and Crossed Swords. She was fawned over by Howard Hughes, one of the world's richest men, and co-starred alongside the likes of Humphrey Bogart, Frank Sinatra, Rock Hudson and Errol Flynn. But later in life, she reinvented herself as an artist and photographer. In 1974, she secured an exclusive photo shoot and interview with Cuban leader Fidel Castro, during which he gave her his watch as a gift. Ben Henderson tells her story using BBC archive.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Gina Lollobrigida in 2008. Credit: Marco Di Lauro/Getty Images)

Send a textEPISODE 450! IS THAT SOMETHING? IS THAT ANYTHING? BUELLER? This week on the ole pod john: Stories from Kevin James, Frank Sinatra, Carol Burnette, and Chris Gethard. Plus: angel pin bowling! Whoa.  Support the showThanks for listening! Listen, rate, subscribe and other marketing type slogans! Here's my Insta: @dannypalmernyc @thedannypalmershow@blackcatcomedy (NYC stand-up show every Friday at 9 pm. 172 Rivington St.) And subscribe to my Patreon? Maybe? If you know how to? I don't know how it works. Let's just leave this thing be: https://www.patreon.com/thedannypalmershow

Let Us Know What You Think of the Show!Date: February 111, 2026Name of Podcast: Backstage Pass RadioS10: E3: Kendra Erika - Behind The BondSHOW SUMMARY:A standing ovation at a Boca Raton restaurant set the stage for a career that would span club anthems, jazz standards, and a daring reinvention shaped by risk and timing. We sit down with Kendra Erika—multiple Billboard Dance Club #1 artist—to map the journey from karaoke nights and Sinatra schooling to a Bond-inspired album and a string of Vegas dates that showcase a new sonic identity.Kendra opens up about the strategy that turned a supposed industry taboo into a win: dropping Self Control during the quiet week between Christmas and New Year's, when the release calendar goes silent. She breaks down how DJ relationships, club spins, and mix shows drive Billboard dance charting, why accolades are confirmation rather than identity, and how consistency is the real magic potion. We also dig into the craft: writing by conversation, capturing melodies on voice memos at midnight, and treating remakes as re-stylizations that honor the original while stamping your own signature. Her new single Golden Eye, produced with Myron McKinley, channels cabaret swing and Peggy Lee's Fever, revealing the “quiet power” at the core of her evolving sound.Beyond the studio, Kendra talks acting projects, reading charts with live bands in Vegas, and grounding herself through golf and Rotary service. She shares a candid take on songs that felt forced during polarizing times, and why letting ideas arrive on their own terms often yields the work that lasts. If you're curious about how artists pivot without losing momentum—or how to turn club credibility into a cinematic, jazz-forward lane—you'll find a smart, generous blueprint here.Stream now, pre-save License To Thrill, and join us for a behind-the-scenes look at a reinvention done right. If this conversation moved you, follow the show, share it with a friend, and leave a quick review to help others discover it.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.kendraerika.comhttps://www.facebook.com/KendraErikaMusichttps://www.instagram.com/kendraerika/Call to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer. Support Backstage Pass Radio - https://www.buzzsprout.com/1628902/support Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey Support the show

On this episode of Whiskey@Work, Rob and Marc pour a glass of Doc Holliday 7-Year Straight Bourbon and immediately realize something important… time matters. A lot. The conversation drifts through bourbon's recent sales slump, the rise of canned cocktails, Four Roses changing hands, and why some whiskeys disappear only to come roaring back. Along the way, they chase tangents about Canadian grudges, Frank Sinatra, dream whiskey jobs, and what makes a bottle worth revisiting. It's one part tasting, one part industry gossip, and one part two friends enjoying a pour that finally delivers Hosted on Acast. See acast.com/privacy for more information.

OSCAR PETERSON fue un pianista y compositor canadiense. Un virtuoso considerado como uno de los mejores pianistas de clásica y de jazz de todos los tiempos. Publicó màs de 200 grabaciones . Ganó ocho premios Grammy y numerosos otros premios y distinciones. Hay quien dice que seguir su amplísima discografía es suficiente para tener resumidas las mejores composiciones musicales del pasado siglo. El programa lo dedicaremos a escuchar con el piano de OSCAR PETERSON 6 de algunas de las canciones más famosas del pasado siglo para, luego, escucharlas en versión vocal de los cantantes que las hicieron más populares. Y ahí nos aparecerán los nombres de FRANK SINATRA, ANIRA ODAY, SARAH VAUGHAN, RAY CHARLES, ELLA FITZERALD y DOMENICO MODUGNO.

Writer, Director, Showrunner, Podcaster, and Collector Dave Mandel (Veep, Curb Your Enthusiasm) joins Matt and Tim to discuss the 1962 John Frankenheimer film, The Manchurian Candidate, starring Frank Sinatra, Lawrence Harvey, and Angela Lansbury. James Gregory plays Senator John Yerkes Iselin. No POTUS/VEEP in this one. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠Dave Mandel https://www.instagram.com/davidhmandel/ Second In Command ⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

Writer, Director, Showrunner, Podcaster, and Collector Dave Mandel (Veep, Curb Your Enthusiasm) joins Matt and Tim to discuss the 1962 John Frankenheimer film, The Manchurian Candidate, starring Frank Sinatra, Lawrence Harvey, and Angela Lansbury. James Gregory plays Senator John Yerkes Iselin. No POTUS/VEEP in this one. For the rest of this conversation, go to ⁠⁠⁠https://patreon.com/secondincommand⁠⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠Dave Mandel https://www.instagram.com/davidhmandel/ Second In Command ⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠ Email questions to: secondincommandatc@gmail.com

In this episode of Gangland Wire, host Gary Jenkins takes listeners deep into one of the most chilling and revealing moments in Chicago mob history—a secretive 1967 party for Mob stalwart, Fi Fi Buccieri. It was held at the legendary Edgewater Beach Hotel. What appeared to be a lavish celebration was, in reality, a tightly controlled gathering of roughly 300 mobsters, political figures, and underworld insiders. The occasion marked the 40th birthday of feared Chicago Outfit enforcer Fiore “Fifi” Buccieri, a man whose reputation for violence made him one of the most dangerous figures in the city. Despite not being invited, veteran journalist Bob Wiedrich managed to infiltrate the event, raising serious questions about security, secrecy, and the gathering’s true purpose. This was no ordinary party. Federal surveillance later revealed that the Federal Bureau of Investigation had the room bugged, capturing disturbing conversations—including laughter and casual recollections of torture and murder by Buccieri and his associates. Central to this episode is Buccieri's alleged role in the brutal torture and murder of William “Action” Jackson, a crime that horrified even seasoned law-enforcement agents. These wiretap recordings provide rare insight into the mindset of mob enforcers and the normalization of extreme violence within the Chicago Outfit during the 1960s. The timing of the party was critical. Chicago boss Sam Giancana had recently been released from prison, and rumors swirled that major power moves were underway. Evidence suggests this birthday celebration doubled as a covert mob summit, where leadership issues, alliances, and strategic decisions were quietly discussed away from public view. This party was a who's who of the Chicago Outfit. Men like Mike Glitta, Teets Battalgia, Ceaser DiVarco, Ross Prio, Larry The Hood Bounaguidi, Irvin Weiner, Dominic DiBello, Wee Willie Messino, Joseph Cortino ( former chief of police in Forest Park and several others. You will learn how Anthony Accardo and his driver Jackie Cerone avoided the scene when the cops started taking pictures and writing down names. I also explore the role of the Santa Fe Saddle and Gun Club, an organization tied to questionable fundraising activities that blurred the lines between organized crime, business interests, and local politics. These raffles and social events weren't just about money—they were about influence, access, and control. Throughout the episode, I break down the cast of characters who attended this gathering: loan sharks, enforcers, racketeers, and political fixers. Their interconnected stories reveal a dense web of loyalty, fear, and ambition that defined the Chicago mob scene at its peak.   This episode uses the Edgewater Beach Hotel as more than a setting—it becomes a symbol of mob glamour masking ruthless criminal reality. It's a reminder of how deeply organized crime once penetrated American society, and why these stories continue to fascinate, disturb, and resonate today. 0:04 Chicago Mob Tales 1:39 Fifi Buccieri ‘s Infamy 3:19 Giancana’s Absence 4:22 The Santa Fe Saddle and Gun Club 5:36 Edgewater Beach Hotel 8:36 Police Intelligence Operation 12:22 The Notorious Players 16:02 Entertainment at the Banquet 18:54 Reflections on the Meeting Hit me up on Venmo for a cup of coffee or a shot and a beer @ganglandwire Click here to “buy me a cup of coffee” Subscribe to the website for weekly notifications about updates and other Mob information. To go to the store or make a donation or rent Ballot Theft: Burglary, Murder, Coverup, click here To rent ‘Brothers against Brothers’ or ‘Gangland Wire,’ the documentaries click here.  To purchase one of my books, click here. Transcript [0:00] Well, hey, all you wiretappers out there in gangland, wireland, [0:03] especially you guys up in Chicago. Yeah, I’ve done several stories on Chicago. I’m on a Chicago trip right now, I guess. I’m going to do one more with our friend, Mr. Cooley, Bob Cooley. We just haven’t set up a time yet, but I’m going to do one more with him for sure. But I’m going to keep some of these Chicago stories up. I got such a great reaction. You know, you guys, you know, like and share these, as they say, on the apps and on YouTube. But anyhow, let’s go back to March of 1967. [0:36] There was a real well-known reporter named Bob Wendrick at the time. He really covered the mob in Chicago. I mean, he might as well have been a member of the mob in Chicago. He was so close to so many people up there. And he had some really good sources and some inside tracks. And he went to a party, but he wasn’t invited to that party. You know, they never really were going to invite Bob Weindrich to a party. It was $25 a plate. There was about 300 outfit mobsters and their associates attended this party. Some of their political associates even. They called a chief of police and I think a mayor of a suburban city. It was at the Edgewater Hotel. It was sponsored by the Santa Fe Saddle and Gun Club. It was to honor the birthday of outfit enforcer, killer, and loan shark Fiore Fifi Bussieri. Fifi was a vicious killer, man. I mean, he was bad. Straight out of the Capone days. [1:36] And he was kind of best known in more modern times. It happened not too long before this party, I believe, or around this time, maybe right after. [1:48] He took part in the multi-day, I believe, three-day torture and murder of a bookie, a great big fat bookie named William Action Jackson. There’s some images, some pictures, a picture of him in his trunk was showing a lot of the torture that they did to him out there. I’ve seen it on the Internet. They kind of cut back on those pictures and try to keep those from getting circulated around on Facebook and some of the social media apps. I assume it’s still out there. Um, but anyhow, the Bureau had a, had a hidden microphone in a guy’s house, Jackie, the lackey Saron, who was, uh, uh, a Cardo’s driver at the time had a, had a hidden microphone in there and Jackie Saron and a couple others. And one of them was Fifi Sierra, Bussieri. I don’t remember who else it was. We’re laughing about Lacks and Jackson’s reactions to the cattle prod and some of the other gruesome details. [2:45] They thought he was talking to the hated FBI agent Bill Romer at the time, but in fact, he was not. He wasn’t talking to anybody. I did find one blurb where he was thought to be a child molester. So, you know, I don’t know. And I’m thinking it was a child of one of his girlfriends or something like that. I’m not sure. But anyhow, they tortured the heck out of him for about three days. Fifi came out of the 42 gang. If you remember, it was Alibaba and the 40 Thieves, so that meant there was 41 in Alibaba’s gang, and they wanted to have one more [3:17] than Alibaba, so they named themselves the 42 Gang. This party happened just as Sam Giancana was getting out of jail. [3:25] He didn’t attend, and he left for Mexico about that time to avoid further grand jury appearances. He’d been in jail about a year, I think, because they give him the old give you immunity and you have to testify. If you don’t, then they find you in contempt of court and send you to penitentiary or a jail for a year or so for the length of grand jury. And so he left town right after that and went down to Mexico for several years. Some speculate this meeting was really to get everybody together in one place and have some private meetings off the side without law enforcement really knowing what was going on, where Ricardo and Paul the Waiter Rica would name Joey Doves Iupa as the new boss in place of Gen Cona and make some other personnel shifts. You know, a few years later, when Giancana comes back, there’ll be a whole string of murders around the time he’s murdered because of some of his people that were always loyal to Giancana. [4:22] This Santa Fe Saddling Gun Club, anybody ever heard of that? I had not heard of this before. It was a registered club. The president was Joseph Scaramuza, who owned a gun store at Halstead & Taylor, which is, I believe that’s right down there in the middle of Mobland. There was an informant in the jfk files as i was researching scaramusa there was an informant that claimed that scaramusa knew jack ruby well and as they checked into scaramusa over that they found found that this halstead gun store that he owned had sold three pistols that were recovered after some puerto rican terrorists shot up the house of representative a few years before now you know what all that means i don’t know but uh and i remember that when i was a little kid these puerto Puerto Ricans, uh, now, uh, they tried to, they were trying to assassinate Harry Truman, who was staying out of the white house and the Blair house, uh, which is, I think maybe that’s where the vice president stays. Sometimes I’m not sure. Anyhow, he was not in the white house and they, they had a plan to assassinate him. They also went into the house of representatives and shot it up. They wanted complete freedom from the United States at the time. Now there’s not been any Puerto Rican freedom movement since that I know of. Anyhow, um. [5:36] The Edgewater Beach was a faded but once grand dom of hotels along Lake Michigan. They had their own beach for a while. Then something moved in between them and the beach. And it was about to declare bankruptcy. It was located a few guys that live in Chicago. It was 5555 North Sheridan. [5:56] And now members of the Chicago Police Intelligence Unit had found out about that themselves. It was like Weindrich had. Maybe they hip Weindrich to it. That all works, all that little undercover stuff. You have an employee at the Edgewater who knows somebody who knows somebody, and the work starts leaking out. When you have something this big, you have 300 people there, and it was really to make some money too, charged $25 a plate, and they did another little fundraiser. They’ve been selling raffle tickets all over Chicago and all, like down in northwestern Indiana. And in Indiana, anywhere that the outfit had some kind of influence and businesses that they could hold up. It’s like policemen. We used to go out and sell circus tickets. They were like $2 a ticket, but it wasn’t really for a ticket. It was like a support the police circus, which then gave a piece of the money to some police or widows and orphans fund. I don’t remember exactly. This is when I was brand new. and you were given like a handful of circus tickets and you’re supposed to go out to your local businessmen and sell them. Of course, they always bought them. All you had to do was go in and say, you know, I got some police tickets or circus tickets and they’d buy them. And they weren’t exactly even a ticket. They were a coupon and then they helped go buy a ticket. But, you know, that’s what they were doing, and that’s where they were. [7:23] Intelligence unit was milling around the hotel. They were, you know, I think what they were trying to do was waiting to see if the operators of this banquet, as this thing got going, if somebody actually, you know, drew, made a drawing or really raffled off a new car, which is what supposedly the raffle tickets were for, which would give them an excuse then to raid this place, saying it was an illegal lottery and then start really identifying the participants you know all of them that were there make them air everybody give you id and all that and then they had they were really loaded for bear they had 65 cops waiting close by it’s something called the foster avenue beach so it was it was a hell of an operation now the outfit during this time learned that the cops were going to be there and someone called Tony Accardo and Paula Guadarica, who were, you know, supposed to be there. They were like the headliners. They were the big ducks at that show. And really, if it was about having some meetings to realign personnel and name, maybe they’re going to have a making ceremony, but I doubt that. [8:30] But maybe they were going to name Joy Iupa as the new boss because he was the next boss. Somebody warned him not to come. And, of course, Jackie Lackey’s Roan didn’t show up either because he was a Cardo’s driver. [8:47] Cops, I’m going to tell you about some of the people the cops did find there and identify. Ross Prio, his north side loan shark and enforcer who had been Gen Conn’s second command and was reportedly consulted on all outfit murders. Now, Ross Prio, he’d been around. I can’t remember. I think he was out of the 42 gang himself. He had been around since the Capone days and a well-respected guy, had a lot of guys under him. And he was a bad dude. He was a bad actor. He was dangerous as hell and could take part in torturing the whole nine yards. They saw Irving Weiner there. He was a mob-connected bail bondsman. He was a guy who ended up a few years later walking with Alan Dorfman when somebody came up behind Dorfman and shot and killed him. Dorfman was their big guy in the Teamsters. Dorfman had helped him get those loans out of the Teamsters pension fund and loaned to people that wanted to buy Las Vegas casinos. Then everybody would get a kickback from those casinos. So he was integral. He was being investigated as an official of the Twin Cities. [9:54] Food products company and he had my he had partners felix milwaukee phil aldoricio and sam teach battaglia and marshall caifano i mean this guy is erb wiener he was he was a money man for the mob well known as a money man and and he was he was involved with with lombardo joe lombardo and tony splatter and some others and they got a loan for a guy named from the teamsters fund but for a guy named danny seifert they thought danny seifert had started a company with a lot of this money, and he was going to testify about how he got this Teamsters loan is my understanding. And I believe Lombardo and probably Frank Suisse showed up and killed him one day. He never spent a night in jail. Weiner never spent a night in jail. Go figure that. He’s kind of like, almost like Tony Accardo, huh? I saw a guy named Mike Glitta. He was an outfit member who had B-Girl bars, had these kind of hustling bars, and was involved, heavily involved in the porn business now. Um. [10:54] There was a lot of porn shops in Chicago, and Gletta was really, he was the guy on the porn shops. Chicago Crime Commission published something that said he supervised all pornography operations in an area that went from the near north side clear to the Wisconsin state line. So everything from, say, Rush Street on north was his. I guess he wasn’t down in, I think, Old Town is where Redwood met and some porn shops down there. and Frank Suisse was extorting money from some of them. Mob watchers claimed that Glitter always reported directly to Vincent Solano, who was a labor union leader and a capo, and the guy that probably had Tokyo Joe, Joe Ido killed. He was a racket boss on the north side and all the way up to the north suburbs. Identified a guy called Larry the Hood, who I’d seen that name before. It’s a really hard name to pronounce. was a Bonaguiti. [11:54] He was a mob wannabe at the time. As I researched into him, he was really just a wannabe. Hung around the Rush Street bars and he was associated with Mike Glitta. And he’ll eventually get an opportunity when Ross Prio dies and Mike Glitta has a heart attack and he moves on up real quick because he’s always in there around and he knows the porn business and the B-Girl bars on that near north side. And he’s the one that goes around and collects after after Glitter has a heart attack. [12:23] Another Northside vice boss named Joe Caesar Joseph DeVarco, he was dropped off by an underling driver. He came out of the 42 gang himself and is a well-known gangster on the Rush Street area. Dominic DiBello was a Northside gambling operator. He was seen with a friend of his and a fellow gambling operator named Bill Gold, or called Bill Gold. He had a longer name than that, and I don’t know him. If you guys make comments down below, if you know who this Bill Gold was and what the story was with him, he probably just ran a sports book or something or helped with the off-track betting outlets. And they arrived just before a guy named Joseph Cortino, according to the newspaper report. He was a former Forest Park chief of police. He was suspected of protecting gambling operations and leaking law enforcement information to the mob. A guy you hear mentioned, I’ve not really seen much on in detail, Willie Massino, and they called him Wee Willie because he was little, but he was supposedly really, really a bad character. [13:26] Here’s a guy when I believe it was Mario Raginone was invited to go on some kind of a crime, and he saw Willie Massino and somebody else in the area. And he said, uh-oh, if those guys are anywhere in the area where I am and they’ve got me kind of isolated like this, you know, going to do a crime so I’m not telling anybody where I’m going and what I’m doing and who I’m with, you know, they’re going to hit me. And he went in after that. That’s how feared Wee Willie Messino was. He had been a loan shark collector and enforcer for Tony Cardo and a guy named Joseph Gagliano, who I don’t know must have faded off into the woodwork by the 70s. 1970 he went to prison for kidnapping and beating a couple of contractors who owed money to the mob, George and Jack Chiagoris. [14:19] Sounds like they’re maybe Greek, huh? After he got out of the penitentiary, he went to work as an advisor with Marco D’Amico, who was, you know, remember Marco D’Amico had a gambling operation, and that’s who Bob Cooley worked with a lot. And he also did some work for Jackie Cerrone. [14:37] So Turk Torello, James Turk Torello, he was confronted by the cops as he was unloading sound equipment out of his, wherever his car. He yelled at him as they walked up. He said, hey, he said, I got machine guns in these boxes. You want to come and see? He was kind of a wise-ass, you know. He was a capo of the 26th Street crew and directly under Fifi Busseri. One time, he had been sent by an angry mob boss named Sam Giancana, who we all know, Mobo. And he was going to partner up with Jackie Cerrone to kill an outfit member named Frankie Esposito down in Florida. But the Bureau had recorded Giancana’s conversation and warned Esposito. and he came right back around. He didn’t help the Bureau. You know, you go out and you warn a guy and then you try to bring him in and make him a snitch or make him a cooperating witness in the end because they’re trying to kill him. They don’t all come in. And he ended up coming back to Chicago and settled his dispute with Giancana and that hit was canceled. According to the tape recordings, Torello and his killers were going to murder Esposito and cut him up in small pieces and feed him to the sharks off the Florida coast. You know, they had houses down in Florida. That’s where they, that was Jackie Cerrone’s Florida house where they overheard him and Fifi talking about the murdering and torturing Action Jackson. [16:03] Now, I mentioned bringing in the sound equipment. They had entertainment. Vic Dimone was the entertainment that night. Now, Vic Dimone has long-held connections to the Chicago outfit and I believe the Genovese family. I didn’t really go way in deep into him. I’ve got a bunch of notes. I’ll probably do a story just about Vic Dimone. [16:26] Maybe he was the character in The Singer and The Godfather, that kind of a blend of Frank Sinatra and Vic Dimone. As a singer in the Godfather movie. Guys named a couple brothers, Joseph and Donald Grieco, were there. Well, they had been in business with Vic Damone in the Vic Damone Frozen Pizza Company. Paul Rica and Fifi Boussieri had brought the famous singer Vic Damone into the outfits world and got him to lend his name to this frozen pizza business. And what they did, the Grieco brothers, They use it as a cover for their loan shark activities, but, you know, they sold pizzas, too, although I’ve never heard of. I don’t ever remember seeing a Vic DeMone frozen pizza. Vic DeMone had even taken his show to Giancana’s joint, the Armory. And if you’ve ever been by the Armory, it’s just like a neighborhood bar. A neighborhood joint is not a place. But Vic DeMone was big. You know, he would be playing Madison Square Garden maybe at the time or the big clubs, the Copacabana in New York. And they got him to bring his show out to. [17:33] Gincana’s Joint the Armory kind of like at his Villa Venice he got Sinatra, Dean Martin and Sammy Davis to bring their show there and it was not exactly it was not the Copacabana they tried to make it into the Copacabana of Chicago but it never really got there another guy they saw was an outfit bookmaker and a tough guy out of Cicero who will get killed here in a little bit Sam Sambos Cesario Yeah. [17:59] He was a longtime workhorse. He’s well-liked throughout the whole Chicago underworld, but he made a mistake. He ended up marrying a girlfriend slash mistress, the Gomar of Milwaukee Field Aldericio, while he was in the penitentiary. Two guys showed up with this woman. He marries her. They’re sitting out in front of their house. It was like a brownstone. It was a hot summer night. They’re sitting out in lawn chairs out in front of their house, and two guys pull up and run up and kill him. They say Harry Ailman was the guy that did that. They call that. I’ve had some kickback on this when I said this one time before a few years ago. I didn’t really investigate into it. But, you know, the popular story is that it’s a hit from beyond the grave because Aldericio had already died in prison [18:50] between the time he gave that order and this actual murder. So that is a story of the big meeting at the Edgewater Beach Hotel in Chicago. [19:02] It wasn’t exactly like Appalachian or some of the other famous mob meetings, and it was just Chicago only. They didn’t identify that they named anybody from out of town at this thing. Seemed like it was a big moneymaker, maybe a meeting that you could hire some other little meetings in, get people in there that you didn’t really want to be seen with in public. This article, they talked about other politicians and businessmen that were there, but they didn’t really name them. I guess they didn’t want to get sued or whatever, but it was a, it was definitely, it was a fundraiser. He charged 25 bucks a plate and then have that, uh, that lottery for that car. And, and, you know, they never gave that car to anybody. And you know how much money you can raise with, with, you got, you know, a hundred guys or so going out, mob guys going out and raising money, selling lottery tickets at five bucks, 10 bucks each. You can raise a lot of money like that. So maybe it’s just one more big Chicago scam and honored Fifi Boussieri at the time. I don’t know. But anyhow, thanks a lot, guys. I thought it was an interesting story, and I thought you would find it interesting. And some of the people that they named that were there, I wish I’d have been there, but writing down license numbers and taking pictures and all that stuff. So keep coming back. Like and subscribe, as they say. And we’re just going to keep doing this and doing this. [20:24] I’ve gotten some you know I’ve got some things up that are like non-fiction books that are based on mob stuff, I don’t know if that’s okay or not, but I kind of like mixing that up. There’s only so many mob stories out there. You know, I don’t want a lot of these that have already been told. I don’t remember seeing any. I kind of looked around in the other podcast having this story. So I try to find them. You know, give me any tips, your comments that you can. I’ll try to look it up. And if I can find enough information, I’ll do the story on it. So thanks a lot. And adieu to you guys out in Chicago. I bet it’s colder up there than it is down here. Thanks, guys.

Joe Piscopo joins station owner John Catsimatidis and guest Fernando Mateo to announce a significant programming shift for the long-running show Sundays with Sinatra. The broadcast serves as a celebratory transition, revealing that the program is moving to a Saturday night "After Dark" slot to reach a global audience via YouTube and syndication, while Fernando Mateo prepares to take over the Sunday evening time period. Amidst the logistics of the move, the conversation transitions into a patriotic dialogue on immigrant success, where the hosts defend traditional American values, critique contemporary cultural trends at the Grammys, and share personal stories of their multicultural heritage.  Learn more about your ad choices. Visit megaphone.fm/adchoices

Bei der Apollo-11 Mondlandung 1969 war Frank Sinatra mit "Fly Me to the Moon" symbolisch mit dabei. Angeblich befand sich der Song auf einer Kassette von NASA-Astronaut Buzz Aldrin. Roland erzählt, wie er als 8-Jähriger mit roten Wangen vor dem TV saß.

An episode from our show's early days: Stories about what happens when strangers are kind — and when they're not. Prologue: Brett Leveridge was standing on the subway platform when a man walked by, stopping in front of each passenger to deliver a quiet verdict: "You're in. You're out. You can stay. You—gotta go." Most people ignored him. But Brett found himself hoping for the thumbs up. (5 minutes)Act One: New York City locksmith Joel Kostman tells the story of an act of kindness he committed, hoping for a small reward. (13 minutes)Act Two: In 1940, Jack Geiger, at the age of fourteen, left his middle-class Jewish home and knocked on the door of a black actor named Canada Lee. He asked Lee if he could move in with him. Lee said yes. In Lee's Harlem apartment, Geiger spent a year among many of the great figures of the Harlem Renaissance: Langston Hughes, Billy Strayhorn, Richard Wright, Adam Clayton Powell. (11 minutes)Act Three: How two next-door neighbors start treating each other badly, and how their feud becomes an all-consuming obsession. Paul Tough reports. (14 minutes)Act Four: For five weeks, a singer named Nick Drakides stood on a stoop in the East Village, singing Sinatra songs late at night to the delight of his neighbors. The cops didn't bust him; the crowds behaved. It was his gift to New York. Blake Eskin tells the story. (12 minutes)Transcripts are available at thisamericanlife.orgThis American Life privacy policy.Learn more about sponsor message choices.

It's February, the weather is trying to kill us, the garbage hasn't been picked up, and somehow this leads—inevitably—to Frank Sinatra insulting his fans, Catherine O'Hara being a comic genius for half a century, the Washington Post lighting itself on fire, and the uncomfortable possibility that puzzles and recipes are the last functioning pillar of American journalism. Also Jeffrey Epstein and a trio of off-color jokes. Obviously.

It's February, the weather is trying to kill us, the garbage hasn't been picked up, and somehow this leads—inevitably—to Frank Sinatra insulting his fans, Catherine O'Hara being a comic genius for half a century, the Washington Post lighting itself on fire, and the uncomfortable possibility that puzzles and recipes are the last functioning pillar of […]

In our February 2026 Valentine, Mel, Kel, and Kaitlyn discuss the following: Significant friendships: Ashley Tisdale and dealing with toxic friend groups Results from our Stranger Things poll Frank Sinatra ‘deleted scenes'Prioritizing your career/'dream job' over love People who unabashedly marry for money New couple: Tom Brady and Alix Earle Heated Rivalry costars dating: François Arnaud and Connor Storrie  “What do they even talk about?” Kait's spoiler-free impressions of the Hamnet movie Gwyneth Paltrow's return to film in Marty Supreme (without an intimacy coordinator) And more!  Hear the whole episode today by subscribing ⁠on Patreon⁠! About Significant LoversSignificant Lovers is a true-love podcast exploring couples throughout history and pop culture, hosted by cousins Kelly Anderson, Melissa Duffy, and Kaitlyn Anderson. Follow us on Instagram and TikTok @significantlovers, listen on YouTube, and contact us at significantlovers@gmail.com.

One of Gilbert and Frank's favorite interviews was this 2014 sitdown with a legend of local broadcasting, the one and only Joe Franklin. In this episode, the boys dropped in on Joe's infamously cluttered (an understatement!) Manhattan office to nosh on (very old) chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon, to name but a few. PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on the podcast, I sit down with comedian, actor, and radio legend Joe Piscopo for a long, honest conversation about work ethic, legacy, family, and the responsibility that comes with having a voice. Joe talks about what it really takes to do four hours of live radio every day, why preparation still matters, and how radio keeps you accountable in a way nothing else does. We get into Italian-American roots, respect for the older generation, Frank Sinatra's lasting influence, and why World War II stories should never be forgotten. We also talk about discipline, fatherhood, faith, and what young performers need to understand if they want longevity in this business. This is a thoughtful, funny, old-school conversation about showing up, doing the work, and honoring where you came from. Special thanks to my producer John (NYVideoGuy) for keeping the show running every week. If you enjoyed this episode, make sure to like, comment, and subscribe so you don't miss future conversations.

12 - Will you watch the alternate Super Bowl halftime show? Do you like the possible acts? Does anyone really care about the Grammys? 1215 - Side - associated with catholic school 1220 - The warmth of collectivism has killed homeless people in NYC. Why didn't Mamdani force homeless people into shelters? Your calls. 1230 - How does Stacy feel about the comparisons in The Inquirer? She joins us today to discuss that and the latest regarding her opponent for governor Josh Shapiro? Who is Jason Richey and why did she choose him as her running mate? Why is Josh Shapiro selling a damaged bag of goods in his portrayal of Pennsylvania to the rest of the country? How was Groundhog Day? Where do we stand on funding education? 1250 - Your calls. Does Trump remind you of a certain Spanish dictator? 1 - Editor and commentary writer for the Washington Examiner, Christopher Tremoglie joins us today. How far has Candace Owens fallen off since him and Dom met? What does Chris think of the celebrities wearing the ICE out pins at the Grammy's last night? Does the country have the stomach to do what it takes to deport illegal immigrants? 110 - Do Republicans lack empathy? Your calls. 115 - Epstein is still haunting people from the grave. 120 - Would ICE coming to Philadelphia be a good thing? Can we get rid of the snow? Your calls. 135 - Can the TPUSA halftime show eat into the Super Bowl's viewership? What about the NFL does Dom dislike? 140 - Your calls. 150 - We have the TPUSA Halftime Show lineup. Your calls. 2 - Scott Presler joins us today for his weekly hit. How was Groundhog's Day in Punxsutawney this morning? Who was all at the event? Who was the notable omission? What is it like looking back on the video that made Scott go viral the other day? Who are the lawmakers who continue in support of the SAVE Act? Will Scott make a special announcement soon? 215 - The TPUSA Halftime Show needs to be better. 220 - Dom's Money Melody! 225 - Can anyone get the Money Melody answer? Where do we stand with Real ID? 235 - We welcome attorney at law Linda Kerns back to the show. Who has more Grammys, Elvis or Sinatra? What is “Make Elections Great Again”? Why is Linda not high on this act? Why should elections not be federalized? Somebody clip that! What does she actually love about the law? 250 - The Lightning Round!

2 - Scott Presler joins us today for his weekly hit. How was Groundhog's Day in Punxsutawney this morning? Who was all at the event? Who was the notable omission? What is it like looking back on the video that made Scott go viral the other day? Who are the lawmakers who continue in support of the SAVE Act? Will Scott make a special announcement soon? 215 - The TPUSA Halftime Show needs to be better. 220 - Dom's Money Melody! 225 - Can anyone get the Money Melody answer? Where do we stand with Real ID? 235 - We welcome attorney at law Linda Kerns back to the show. Who has more Grammys, Elvis or Sinatra? What is “Make Elections Great Again”? Why is Linda not high on this act? Why should elections not be federalized? Somebody clip that! What does she actually love about the law? 250 - The Lightning Round!

Joe Piscopo guides listeners through a nostalgic retrospective of Frank Sinatra's 1971 retirement concert and his subsequent 1973 comeback. The program highlights the emotional weight of Sinatra's temporary departure at the Dorothy Chandler Pavilion, where he performed iconic standards like "My Way" and "Angel Eyes" before an audience that believed they were witnessing his final bows. Piscopo transitions from the somber tones of that supposed farewell to the lush, hopeful sounds of the "Ol' Blue Eyes Is Back" album, emphasizing how these recordings rejuvenated the singer's career with new classics such as "There Used to Be a Ballpark." Learn more about your ad choices. Visit megaphone.fm/adchoices

We sincerely hope that we get old before we die. Sorry, Pete. There's just too much to experience, like the act of getting old itself. Aging is the topic for this week's episode, and we're more than delighted to welcome back our OLD pal, the great Dustin Prince. Dustin and I both turned 50 in the past year, so we're semi-experts on the subject. Come get old with us here in Top Ten Songs About Aging Part 2, with picks 5-1 revealed.If you missed Top Ten Songs About Aging Part 1, start here:https://podcasts.apple.com/us/podcast/episode-705-top-ten-songs-about-aging-part-1-w-dustin-prince/id573735994?i=1000746687004Listen up! It's the official Top Ten Songs About Aging playlist, featuring every song heard in parts 1 & 2, bumper songs included:https://open.spotify.com/playlist/03fEa8j68LBgU85Foadx3u?si=2f0c459cd6794f62Go see Dustin playing around Los Angeles with the Kevin West Band!https://kevinwestmusic.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. On January 1st we gave you double the Wolffings with cousins Chris and Justin helping out in Emergency Pod 23. Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music!https://www.facebook.com/groups/940749894391295

Episode Notes Full descrptions from the Library of Congress “The Tramp and the Dog” (1896)                                                          "The Tramp and the Dog," a silent film from Chicago's Selig Polyscope Company, is considered director William Selig's most popular early work. Filmed in Rogers Park, it is recognized as the first commercial film made in Chicago. Previously a lost film, it was rediscovered in 2021 at the National Library of Norway. The film depicts a tramp who attempts to steal a pie from a backyard windowsill, only to be met by a broom-wielding housewife and her dog, who foils the crime. The film is one of the first known as “pants humor,” where a character loses (or almost loses) his pants during an altercation. This scene inspired future comedy gags showing drifters and tramps losing their pants to dogs chasing them. “The Oath of the Sword” (1914)                                                                        A three-reel silent drama, "The Oath of the Sword" depicts the tragic story of two young lovers separated by an ocean. Masao follows his ambitions, studying abroad at the University of California, Berkeley, while Hisa remains in Japan, caring for her ill father. This earliest known Asian American film production featured Japanese actors playing Japanese characters and was produced by the Los Angeles-based Japanese American Film Company. Made at a time when Hollywood studios were not yet the dominant storytellers of the American film industry, "The Oath of the Sword" highlights the significance of early independent film productions created by and for Asian American communities. James Card, the founding curator at the George Eastman Museum, acquired “The Oath of the Sword” in 1963. The museum made a black and white photochemical preservation in 1980. In 2023, a new preservation reproducing the original tinting was done in collaboration with the Japanese American National Museum, and the film has since become widely admired. “The Maid of McMillan” (1916)Known to be the first student film on record, this whimsical, silent romance film was shot on campus in 1916 by students in the Thyrsus Dramatic Club at Washington University in St. Louis, Missouri. Club members Donald Stewart (Class of 1917) and George D. Bartlett (Class of 1920) wrote the screenplay. The original nitrate print of “The Maid of McMillan” was rediscovered in 1982, and two 16mm prints were made; the original nitrate was likely destroyed at this time. In 2021, with funding from the National Film Preservation Foundation, one of those 16mm prints was scanned at 4k and reprinted onto 35mm helping to secure the film's survival and legacy. “The Lady” (1925)When “The Lady” debuted in theaters in 1925, the silent film era had hit its stride, and this movie represents a powerhouse of artists at their peak. Director Frank Borzage was a well-established expert in drawing out intense expressions of deep emotion and longing in his actors. He did just that with the film's lead actress, Norma Talmadge, also at the height of her career, both in front of and behind the camera. Talmadge produced “The Lady” through her production company and commissioned one of the most prolific screenwriters, Frances Marion, to deliver a heartfelt story of a woman seeking to find the son she had to give up, to protect him from his evil grandfather. “The Lady” was restored by the Library of Congress in 2022. “Sparrows” (1926)As a silent actress, producer and key founder in the creation of the American film industry, Mary Pickford's performance in “Sparrows” represents her ability to master the genre she helped nourish: sentimental melodramas full of adventure and thrills, with dashes of comedy and heartfelt endings. Pickford plays Molly, the eldest orphan held within the swampy squalor of the Deep South, who moves heaven and earth to save the other orphan children from a Dickensian world of forced labor. The film takes some departures from the visual styles found in Pickford's other films, invoking an unusual tone of despair while deploying camera angles and lighting akin to German Expressionist cinema. “Sparrows” was preserved by the Library of Congress in collaboration with the Mary Pickford Company in 2020. “Ten Nights in a Barroom” (1926)                                                                     Featuring an all-Black cast, “Ten Nights in a Barroom” was produced in 1926 by the Colored Players Film Corporation of Philadelphia and is the earliest of only two surviving films made by the company. This silent film is based on the stage melodrama adapted from the 1854 novel “Ten Nights in a Bar-Room and What I Saw There” by Timothy Shay Arthur. Released in 2015 by Kino Lorber as part of the five-disc set “Pioneers of African-American Cinema,” the compilation was produced by the Library of Congress, in association with the British Film Institute, George Eastman Museum, Museum of Modern Art, National Archives, Smithsonian's National Museum of African American History and Culture, Southern Methodist University and the UCLA Film & Television Archive. Preserved by George Eastman Museum. “White Christmas” (1954)                                                           While the chart-topping song "White Christmas" was first performed by Bing Crosby for the 1942 film "Holiday Inn," its composer, Irving Berlin, was later inspired to center the song in the 1954 musical "White Christmas." Crosby, along with Danny Kaye, Rosemary Clooney, Vera-Ellen Rohe and director Michael Curtiz, embedded "White Christmas" in American popular culture as a best-selling single and the top-grossing film of 1954, as well as regular holiday viewing throughout the decades. The story of two World War II veterans-turned-entertainers and a singing sister act preparing a show for a retired general, the film and its grand musical numbers were captured in VistaVision, a widescreen process developed by Paramount Pictures and first used for "White Christmas." “High Society” (1956)                                                                  Often referred to as the last great musical of the Golden Age of Hollywood, “High Society” features an all-star cast including Bing Crosby, Grace Kelly, Frank Sinatra and Louis Armstrong (and his band), along with a memorable score of Cole Porter classics. Set in Newport, Rhode Island, the film showcases the Newport Jazz Festival (established in 1954) and features a remarkable version of Cole Porter's “Now You Has Jazz.” It includes the first big-screen duet by Frank Sinatra and Bing Crosby, singing “Well, Did You Evah?” This was Grace Kelly's last movie before she retired from acting and married the Prince of Monaco; she wore her Cartier engagement ring while filming. “Brooklyn Bridge” (1981)                                               With “Brooklyn Bridge,” Ken Burns introduced himself to the American public, telling the story of the New York landmark's construction. As with later subjects like the Civil War, jazz and baseball, Burns connects the building of the Brooklyn Bridge to American identity, values and aspirations. Released theatrically and nominated for an Academy Award for Best Documentary Feature, “Brooklyn Bridge” marked the beginning of Burns' influential career in public media*.* More than just a filmmaker, Burns has become a trusted public historian. His storytelling presents facts, but maybe more importantly, invites reflection on what America is, where it's been, and where it's going. His influence is felt not only in classrooms and through public broadcasting, but across generations who see history as something alive and relevant. “Say Amen, Somebody” (1982)George Nierenberg's documentary is a celebration of the historical significance and spiritual power of gospel music. With inspirational music, joyful songs and brilliant singers, the movie focuses on the men and women who pioneered gospel music and strengthened its connections to African American community and religious life. Prior to production, Nierenberg, who is white, spent over a year in African American churches and communities, gaining the trust of the performers. Restored by the Smithsonian's National Museum of African American History and Culture in 2020, the film features archival footage, photographs, stirring performances and reflections from the father of gospel Thomas A. Dorsey and its matron Mother Willie Mae Ford Smith. Nierenberg shows the struggles and sacrifices it takes to make a living in gospel, including criticism endured by women who sought to pursue careers as professional gospel singers while raising their families. “The Thing” (1982)Moody, stark, often funny and always chilling, this science fiction horror classic follows Antarctic scientists who uncover a long-dormant, malevolent extraterrestrial presence. “The Thing” revolutionized horror special effects and offers a brutally honest portrait of the results of paranoia and exhaustion when the unknown becomes inescapable. “The Thing” deftly adapts John W. Campbell's 1938 novella “Who Goes There?” and influenced “Stranger Things” and “Reservoir Dogs.” It remains a tense, thrilling and profoundly unsettling work of cinema. “The Big Chill” (1983)Lawrence Kasdan's best picture-nominated “The Big Chill” offers an intimate portrait of friends reunited after the suicide of one of their own and features actors who defined cinema in the 1980s – Glenn Close, William Hurt, Jo Beth Williams, Kevin Kline, Jeff Goldblum and Meg Tilly. This powerful ensemble portrays American stereotypes of the time – the yuppie, the drug dealer, the TV star – and deftly humanizes them. Through humor, tenderness, honesty and an amazing soundtrack, it shows formerly idealistic Americans making and dealing with the constant compromises of adulthood, while buoying one another with uncompromising love and friendship. “The Karate Kid” (1984)An intimate story about family and friendship, “The Karate Kid” also succeeds as a hero's journey, a sports movie and a teen movie – a feel-good movie, but not without grit. The film offers clearly defined villains, romance and seemingly unachievable goals, but also an elegant character-driven drama that is relatable and touching. A father who has lost his son meets the displaced son of a single mother and teaches him about finding balance and avoiding the pitfalls of violence and revenge. Race and class issues are presented honestly and are dealt with reasonably. Our hero practices a lot, gets frustrated, gets hurt, but still succeeds. It's as American as they come, and it's a classic. “Glory” (1989)“Glory,” described by Leonard Maltin as “one of the finest historical dramas ever made,” portrays a historical account of the 54th Regiment, a unit of African American soldiers who fought for the North in the Civil War. Authorized by the Emancipation Proclamation of 1863, the regiment consisted of an all-Black troop commanded by white officers. Matthew Broderick plays the young colonel who trains the troop, and Denzel Washington (in an Academy Award-winning performance) is among an impressive cast that includes Morgan Freeman, Cary Elwes and Andre Braugher. American Civil War historian James M. McPherson said the film "accomplishes a remarkable feat in sensitizing a lot of today's Black students to the role that their ancestors played in the Civil War in winning their own freedom.” “Philadelphia” (1993)                                                                  “Philadelphia” stars Tom Hanks in one of the first mainstream studio movies to confront the HIV/AIDS crisis. In the film, law partner Andrew Beckett (Hanks) is fired from his firm when they discover that he is gay and has AIDS. He hires personal attorney Joe Miller (Denzel Washington) to help him with litigation against his former employer. Director Jonathan Demme is quoted as saying, “The film is not necessarily just about AIDS, but rather everyone in this country is entitled to justice.” The film won two Oscars: one for Hanks and the other for Bruce Springsteen's original song, “The Streets of Philadelphia.” Through the song's mainstream radio and MTV airplay, it brought the film and its conversation around the HIV/AIDS pandemic to a wider audience. “Before Sunrise” (1995)                                                              Richard Linklater has explored a wide range of narrative storytelling styles while consistently capturing ordinary, everyday American life. However, his innovative use of time as a defining and recurring cinematic tool has become one of his most significant accomplishments. As the first film in his “Before” trilogy – three films, each shot nine years apart – “Before Sunrise” unfolds as one of cinema's most sustained explorations of love and the passage of time, highlighting the human experience through chance encounters and conversation. With his critically acclaimed 12-year production of the film “Boyhood” (2014) and a new 20-year planned production underway, his unique use of the medium of film to demonstrate time passing demonstrates an unprecedented investment in actors and narrative storytelling. “Clueless” (1995)                                                             A satire, comedy and loose Jane Austen literary adaptation dressed in teen movie designer clothing, “Clueless,” directed by Amy Heckerling, rewards both the casual and hyper-analytical viewer. It's impossible to miss its peak-1990s colorful, high-energy, soundtrack-focused on-screen dynamism, and repeated viewings reveal its unpretentiously presented and extraordinarily layered and biting social commentary about class, privilege and power structures. Heckerling and the incredible cast never talk down to the audience, creating main characters that viewers root for, despite the obvious digs at the ultrarich. The film centers on Cher (Alicia Silverstone) as a well-intentioned, fashion-obsessed high school student who is convinced she has life figured out. In the age of MTV, the film's popularity launched Paul Rudd's career and Silverstone's iconic-1990s status. The soundtrack, curated by Karyn Rachtman, helped solidify the film as a time capsule of clothing, music, dialogue and teenage life. “The Truman Show” (1998)Before social media and reality television, there was “The Truman Show.” Jim Carrey breaks from his usual comedic roles to star in this dramatic film about a man who, unbeknownst to him, is living his life on a soundstage filmed for a popular reality show. Adopted at birth by the television studio, Truman Burbank (Carrey) grew up in the (fictitious) town of Seahaven Island with his family and friends playing roles (paid actors). Cameras are all over the soundstage and follow his activities 24/7. Almost 30 years since its release, the film continues to be a study in sociology, philosophy and psychology, and has inspired university classes on media influence, the human condition and reality television. “Frida” (2002)Salma Hayek produced and starred in this biopic of Frida Kahlo, adapted from the book “Frida: A Biography of Frida Kahlo” by Hayden Herrera. The film explores Kahlo's rise as an artist in Mexico City and the impact disability and chronic pain from an accident as a young adult had on her life and work. The film centers around her tumultuous and passionate relationships, most significantly with her husband, painter Diego Rivera (Alfred Molina). Directed by Julie Taymor, the film was nominated for six Academy Awards, including Best Actress. It won awards for Best Makeup and Best Original Score for Elliot Goldenthal, who also won a Golden Globe in the same category. “The Hours” (2002)Director Stephen Daldry's “The Hours” weaves the novel “Mrs. Dalloway” into three women's stories of loneliness, depression and suicide. Virginia Woolf, played by Nicole Kidman (who won an Oscar and a Golden Globe for her performance), is working on the novel while struggling with what is now known as bipolar disorder. Laura, played by Julianne Moore (nominated for Best Actress in a Supporting Role), is unfulfilled in her life as a 1950s housewife and mother. Clarissa (played by Meryl Streep) is – like Mrs. Dalloway – planning a party, but for her close friend who is dying of AIDS. The film is based on Michael Cunningham's Pulitzer Prize-winning novel. It earned nine Academy Award nominations, including Best Picture, and won a Golden Globe for Best Picture. “The Incredibles” (2004)                                                 With an all-star cast and memorable soundtrack, this Academy Award-winning Pixar hit uses thrilling action sequences to tell the story of a family trying to live normal lives while hiding their superpowers. For the first time, Pixar hired an outside director, Brad Bird, who drew inspiration from spy films and comic books from the 1960s. The animation team developed a new design element to capture realistic human anatomy, hair, skin and clothing, which Pixar struggled with in early films like “Toy Story.” The film spawned merchandise, video games, Lego sets and more. The sequel, “Incredibles 2,” was also a huge hit, and together, both films generated almost $2 billion at the box office. “The Wrecking Crew” (2008)                                                     “The Wrecking Crew” is a documentary that showcases a group of Los Angeles studio musicians who played on many hit songs and albums of the 1960s and early 1970s, including “California Dreamin',” “The Beat Goes On,” “You've Lost That Lovin' Feeling” and “These Boots Are Made for Walkin'.” Through interviews, music, footage and his own narration, director Denny Tedesco reveals how the Wrecking Crew members – including his father, guitarist Tommy Tedesco – were the unsung heroes of some of America's most famous songs. Production for the film began in 1996, and the film was completed in 2008. Due to the high cost of song licenses, the official release was delayed until 2015, when a successful Kickstarter campaign raised over $300,000 to pay for the music rights. “Inception” (2010)                                                                         Writer and director Christopher Nolan once again challenges audiences with multiple interconnected narrative layers while delivering thrilling action sequences and stunning visual effects. “Inception” asks the question, “Can you alter a person's thoughts by manipulating their dreams?” Taking almost 10 years to write, the film was praised for its aesthetic significance and Nolan's ability to create scenes using cameras rather than computer-generated imagery. A metaphysical heist film with an emotional core driven by grief and guilt, “Inception” offers a meditation on how dreams influence identity, and it resonates deeply in an age of digital simulation, blurred realities and uncertainty. The film earned $830 million at the box office and won four Academy Awards. “The Loving Story” (2011)Nancy Buirski's acclaimed documentary gives an in-depth and deeply personal look at the true story of Richard Loving (a white man) and Mildred Loving (a Black and Native American woman), who were forbidden by law to marry in the state of Virginia in the 1960s. Their Supreme Court case, Loving vs. Virginia, was one of the most significant in history, and paved the way for future multiracial couples to marry. The movie captures the immense challenges the Lovings faced to keep their family and marriage together, through a combination of 16mm footage, personal photographs, accounts from their lawyers and family members, and audio from the Supreme Court oral arguments. “The Grand Budapest Hotel” (2014)“The Grand Budapest Hotel” stands as one of Wes Anderson's most successful films and demonstrates his own brand of unique craftsmanship, resulting in a visually striking and emotionally resonant story. As one of the most stylistically distinctive American filmmakers of the last half-century, Anderson uses historically accurate color and architecture to paint scenes to elicit nostalgia and longing from audiences, while at the same time weaving in political and social upheaval into the film. The film is an example of Anderson as a unique artist who uses whimsy, melancholy, innovative storytelling and a great deal of historical research, which is on display in this visually rich gem of a movie. Find out more at https://registry-a-podcast.pinecast.co

On the February 2 edition of the Music History Today podcast, the White Stripes break up, Frank Sinatra debuts, & it's the end for Sid Vicious.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:32 What happened on this date in music history04:35 Music award ceremonies that were held on this date in music history04:44 Albums released on this date in music history 05:15 Singles released on this date in music history 05:32 Birthdays of music artists on this date in music history 06:34 Passings of music artists on this date in music history 08:45 What's on tomorrow's episode

What happens when a legendary musician's lost arrangements are brought back to life? Join host Buzz Knight in this captivating replay episode of "Takin' a Walk," where he sits down with the multi-talented Seth MacFarlane to discuss his latest project, "Lush Life: The Lost Sinatra Arrangements. " Known for his sharp wit and musical prowess, MacFarlane shares his deep-seated passion for Frank Sinatra's music and the artistic journey that led him to resurrect these forgotten orchestral gems. As they stroll through the rich landscape of American music, Buzz Knight and MacFarlane explore the profound influence of classic American songbook artists on their creative journeys, revealing the stories behind the music that shaped their lives. This episode is a treasure trove of insights into the world of music history, where the emotional impact of jazz and rock music intertwines with the timelessness of Sinatra's work. MacFarlane reflects on the selfless nature of past performers, contrasting it with today's musical landscape, and illustrates the magic of shared musical experiences that transcend generations. Buzz Knight's engaging conversation with Seth MacFarlane dives into the importance of live recording, reminding us of the power of music to heal and inspire. Listeners will be treated to Seth MacFarlane's infectious excitement for live performances of the album, as he hints at future projects that honor the legacy of legendary musicians and the art of orchestration. This episode is not just a discussion; it’s a heartfelt tribute to the timeless artistry of music and the cultural impact it has on our lives. Whether you're a fan of classic rock history, indie music journeys, or the stories behind albums, this episode of "Takin' a Walk" is sure to resonate with anyone who appreciates the beauty of music and the creative journeys of its artists. So lace up your walking shoes and join Buzz Knight for a stroll through music history, where every note tells a story and every conversation adds to the rich tapestry of our musical legacy. Don't miss this inspiring episode filled with laughter, nostalgia, and the kind of insights that only come from legendary musician conversations. Tune in now and discover how music continues to shape our lives in the most profound ways! Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Front Row Classics is celebrating the 70th anniversary of High Society. Brandon is joined by Emmett Stanton and Ben Burke to chat about this classic musical remake of The Philadelphia Story. The three discuss the differences between the two films as well as the memorable score by Cole Porter. They also discuss the memorable performances of Bing Crosby, Frank Sinatra, Celeste Holm and Grace Kelly (in her final film role)

Send us a textWe mark 201 episodes with a fast, loud tour through the songs and stories that stick: the 20th century's most played tracks, 1984's turning points, and a fresh fight over who gets paid when the stream never stops. Along the way we defend underloved albums, roast flimsy takes, and remind ourselves why legacy matters.• EDM nostalgia and a quick reset after tech chaos• 20th century most played list breakdown and debates• Sinatra's jab at Morrison dismissed as noise• The Police royalty case and streaming vs sales• 1984's pivot points via Springsteen, Rat, and Metallica• Why long intros vanished in the streaming economy• Follow-up albums that buckled under big predecessors• U2 October defended against lazy criticism• Live chat banter and a Patriots-flavored send-offIf you like the show, share it. If you didn't like it, well, thanks for watching and listening for an hour and two minutes and 37 secondsIf you like this podcast SHARE it. If you have any ideas or suggestions for the show you can email us at: milkcratesandturntables@gmail.com

Send us a textA packed ballroom. A tired drummer. A stranger rolls down his window and asks if he's leaving. That quick parking-lot chat sends Eric Haft—lifelong musician, jazz obsessive, student of Al Miller, Jim Chapin, and Keith Copeland—onto a stage with nothing but a mic and a pulse. What follows is a rare, unfiltered look at how rhythm shapes far more than music, and why the first laugh can feel like the cleanest downbeat of your life.We swap stories from a childhood steeped in Miles and Max Roach to the humbling shock of elite peers who force you to rebuild your hands, ears, and ego. Eric explains how singing standards, learning forms, and listening to Sinatra sharpened his pocket more than any lick ever did. Then the conversation pivots: a stand-up class turns fear into craft. We break down set structure, timing, crowd work, and how a seven-minute act stretches into a headlining hour through writing, reps, and ruthless editing. Along the way, we get real about club dates, volume wars, and why “play it like the record” can smother the art if you stop listening.If you've ever wondered what makes a drummer hireable—or a comic memorable—this talk draws the map. We dig into mentors and residencies, booking mechanics, theaters vs. clubs, and the quiet power of choosing gigs for either the art or the fee. The throughline is simple and hard: serve the song, serve the room, know your why. Groove still wins, and so does honesty.Hit play if you care about feel over flash, story over shtick, and craft that crosses disciplines. If it resonates, follow the show, share it with a friend who loves drums or stand-up, and leave a quick review to help more curious listeners find us.Support the show

I greet you in Jesus' precious name! It is Tuesday morning, the 27th of January, 2026, and this is your friend, Angus Buchan, with a thought for today. We start in the Book of Zechariah 4:6: "Not by might nor by power, but by My Spirit,' Says the Lord of hosts.” Then we go to John 15:7. Jesus says: “If you abide in Me, and My words abide in you, you will ask what you desire, and it shall be done for you.” What a beautiful promise from the Lord! But it is very clear, if we stay in Him and He stays in us, then we can ask whatever we want and He will give it to us. Why? Because we will ask correctly, not in a selfish way but in a godly way. Folks, I want to say to you today, we really need to start to live God's way, for our sakes, and for the sakes of our family, our loved ones and the people we live and work with. Do you remember that very famous American actor and singer, Frank Sinatra? They called him, “Old Blue Eyes”, I am sure he was a very fine man. I know he did have a serious drinking problem but you know, one of the saddest songs, his words, “I did it my way”. Do you know, there is no other way but God's way, and I know, I am speaking from experience myself. My way never, ever works. I looked up the lyrics of that song, and this is what they say. Listen to the words:And now, the end is nearAnd so I face the final curtainMy friend, I'll say it clearI'll state my case, of which I'm certainI've lived a life that's fullI travelled each and every highwayAnd more, much more than this, I did it my wayIt didn't help him. You know the last words he said before he died were, “I am losing it, I am losing it.” What about you today? Are you losing it? I want to pray that will stop today, and that you will start doing it God's way and doing what Jesus said. Let us pray:Heavenly Father,I want to thank You for my friend, listening to this early morning message, my friend, who has being trying to do it genuinely in their own way and it is failing badly. Today Lord, we want to ask You to please live in us, and we want to live in You so that You will take care of every one of our needs, and give us hope for the future, so that when we die we can say, “I am doing it Jesus' way!” I ask this in Your precious name, amen.God bless you and have a wonderful day.Goodbye.

A Mafia insider and authentic Hollywood tough guy reveals the explosive secrets he's learned (and kept) for decades in this shocking tell all that unveils the hidden worlds of film and organized crime-from who shot JFK and murdered Jimmy Hoffa to the truth about Marilyn Monroe's death.The Kennedys, Marilyn, the Vatican, Vegas, The Godfather, the Mob, and more .During a cursed childhood in a Manhattan neighborhood teeming with Italian immigrant Gianni Russo fended for himself at an early age. It was a quality that didn't go unnoticed by Frank Costello-father figure, mentor, and legendary crime boss. Thanks to Costello, Gianni was only twelve when his luck would change for a lifetime. All of it charmed-and thrilling. With it came Hollywood glamor, Vegas risk-takers, political conspiracies, sex, murder, shadow governments, and secrets. The stories Gianni Russo could tell . .. Now he does in this bombshell confessional. This is the inside account of the Sicilian Mafia, Cosa Nostra, what really transpired in those Mulberry Street clubs, and who whacked whom-including how mobster Tony Spilotro and his brother really died, finally revealed for the first time. This is Gianni, buddy of Frank Sinatra, and intimately more with Marilyn Monroe. What's the cover-up behind her death, JFK's, and Jimmy Hoffa's? It's all here. So is the clandestine role of the pope as the sacred boss of bosses, the glory days and downfall of Las Vegas, and the colorful behind-the-scenes tales of Gianni's role in the greatest movie ever made, The Godfather. The go-getter Frank Costello once called "The Kid" shares his shocking, exhilarating, sometimes violent, and always riveting life with the dealmakers of Hollywood and the Mob. Gianni Russo lives to tell, and spills it all.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode, Miles and Jack are joined by comedian Blair Socci to talk about a true pioneer in the field of drone warfare and the ONLY proven cure for Frank Sinatra's ED: Marilyn Monroe! They'll explore her many name changes, her Kardashian-esque ascent, and her mysterious demise!See omnystudio.com/listener for privacy information.

For the 200th episode of Working It Out, Mike sits down with one of his oldest friends and one of the podcast's first ever guests, John Mulaney. The two discuss monkeys wearing space suits, old stories from the road, and how John's career changed after having kids. They work out new jokes about the time John asked Mike to go skydiving, getting yelled at by substitute teachers, and a story about an interaction with Frank Sinatra that—until Mike tells it on stage—John cannot find peace. Plus, John brings a literal buzzer into the interview so that he can hit it if he finds Mike guilty of a certain tendency. Please Consider Donating To: The Innocence Project Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textJYPSI Whiskey is built differently—starting with heirloom grains and aging chosen for flavor, not efficiency, and driven by a fiercely independent ethos that traces back to Eric Church turning down a Jack Daniel's signature bottling, an honor previously offered only to Frank Sinatra. Walking away from a massive payday, Church chose ownership over endorsement, helping build JYPSI as a whiskey rooted in craft, control, and creative freedom—made on its own terms, not someone else's label. #ericchurchmusic #whiskeyjypsi #arisussman# thebaddishgroupCheck out the website: www.drinkingonthejob.com for great past episodes. Everyone from Iron Chefs, winemakers, journalist and more.

Joe Piscopo gives his listeners the best of the legendary Frank Sinatra on a day where a winter storm has ravaged the United States. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Bill Scherkenbach, one of W. Edwards Deming's closest protégés, and host Andrew Stotz discuss why leadership decisions shape outcomes far more than frontline effort. Bill draws on decades of firsthand experience with Deming and with businesses across industries. Through vivid stories and practical insights, the conversation challenges leaders and learners alike to rethink responsibility, decision-making, and what it truly takes to build lasting quality. Bill's powerpoint is available here. TRANSCRIPT 0:00:02.2 Andrew Stotz: My name is Andrew Stotz, and I'll be your host as we dive deeper into the teachings of Dr. W. Edwards Deming. Today, I'm continuing my discussions with Bill Scherkenbach, a dedicated protégé of Dr. Deming since 1972. Bill met with Dr. Deming more than a thousand times and later led statistical methods and process improvement at Ford and GM at Dr. Deming's recommendation. He authored the Deming Route to Quality and Productivity at Deming's behest and at 79, still champions his mentor's message: Learn, have fun, and make a difference. The discussion for today is, I think we're going to get an answer to this question. And the question is: Where is quality made? Bill, take it away.   0:00:44.9 Bill Scherkenbach: Where is quality made? I can hear the mellifluous doctor saying that. And the answer is: In the boardroom, not on the factory floor. And over and over again, he would say that it's the quality of the decisions that the management make that can far outweigh anything that happens on the shop floor. And when he would speak about that, he would first of all, because he was talking to the auto industry, he would talk about who's making carburetors anymore. "Nobody's making carburetors because it's all fuel injectors," he would say. And anyone who has been following this, another classic one is: Do you ever hear of a bank that failed? Do you think that failed because of mistakes in tellers' windows or calculations of interest? Heck no. But there are a whole bunch of other examples that are even more current, if you will. I mean, although this isn't that current, but Blockbuster had fantastic movies, a whole array of them, the highest quality resolutions, and they completely missed the transition to streaming. And Netflix and others took it completely away from them because of mistakes made in the boardroom. You got more recently Bed Bath & Beyond having a great product, a great inventory.   0:02:51.4 Bill Scherkenbach: But management took their eyes off of it and looked at, they were concerned about stock buybacks and completely lost the picture of what was happening. It was perfect. It was a great product, but it was a management decision. WeWork, another company supplying office places. It was great in COVID and in other areas, but through financial mismanagement, they also ended up going bust. And so there are, I mean, these are examples of failures, but as Dr. Deming also said, don't confuse success with success. If you think you're making good decisions, you got to ask yourself how much better could it have been if you tried something else. So, quality is made in the boardroom, not on the factory floor.   0:04:07.9 Andrew Stotz: I had an interesting encounter this week and I was teaching a class, and there was a guy that came up and talked to me about his company. His company was a Deming Prize from Japan winner. And that was maybe 20, 25 years ago. They won their first Deming Prize, and then subsidiaries within the company won it. So the actual overall company had won something like nine or 10 Deming Prizes over a couple decades. And the president became...   0:04:43.5 Bill Scherkenbach: What business are they in?   0:04:45.5 Andrew Stotz: Well, they're in...   0:04:47.0 Bill Scherkenbach: Of winning prizes?   0:04:48.7 Andrew Stotz: Yeah, I mean, they definitely, the CEO got the distinguished individual prize because he was so dedicated to the teachings of Dr. Deming. And he really, really expanded the business well, the business did well. A new CEO took over 15 years ago, 10 years ago, and took it in another direction. And right now the company is suffering losses and many other problems that they're facing. And I asked the guy without talking about Deming, I just asked him what was the difference between the prior CEO and the current one or the current regimes that have come in. And he said that the prior CEO, it was so clear what the direction was. Like, he set the direction and we all knew what we were doing. And I just thought now as you talk about, the quality is made at the boardroom, it just made me really think back to that conversation and that was what he noticed more than anything. Yeah well, we were really serious about keeping the factory clean or we used statistics or run charts, that was just what he said, I thought that was pretty interesting.   0:06:06.7 Bill Scherkenbach: Absolutely. And that reminds me of another comment that Dr. Deming was vehement about, and that was was the management turnover. Turnovers in boardrooms every 18 months or so, except maybe in family businesses. But that's based on the quality of decisions made in the boardroom. How fast do you want to turn over the CEOs and that C-suite? So it's going to go back to the quality is made in the boardroom.   0:06:50.0 Andrew Stotz: Yeah, and I think maybe it's a good chance for me to share the slide that you have. And let's maybe look at that graphic. Does that makes sense now?   0:07:00.9 Bill Scherkenbach: Sure, for sure.   0:07:02.2 Andrew Stotz: Let's do that. Let's do that. Hold on. All right.   0:07:15.8 Bill Scherkenbach: Okay, okay, okay. You can see on the top left, we'll start the story. I've got to give you a background. This was generated based on my series of inputs and prompts, but this was generated by Notebook LM and based on the information I put in, this is what they came up with.   0:07:48.6 Andrew Stotz: Interesting.   0:07:50.1 Bill Scherkenbach: Based on various information, which I think did a fairly decent job. In any event, we're going to talk about all of these areas, except maybe the one where it says principles for active leadership, because that was the subject of a couple of our vlogs a while ago, and that is the three foundational obligations. And so the thing is that quality, even though Dr. Deming said it was made in the boardroom, one of the problems is that management did not know what questions to ask, and they would go, and Dr. Deming railed against MBWA, management by walking around, primarily because management hadn't made the transition to really take on board what Dr. Deming was talking about in profound knowledge. And that is, as you've mentioned, setting that vision, continually improving around it, and pretty much absolutely essential was to reduce fear within the organization.   0:09:25.9 Bill Scherkenbach: And so management by walking around without profound knowledge, which we've covered in previous talks, only gets you dog and pony shows. And with the fear in the organization, you're going to be carefully guided throughout a wonderful story. I mentioned I was in Disney with some of my granddaughters over the holidays, and they tell a wonderful story, but you don't ever see what's behind the scenery. And management never gets the chance because they really haven't had the opportunity to attain profound knowledge. So that's one of the things. I want to back up a little bit because Dr. Deming would... When Dr. Deming said quality is made at the top, he only agreed to help companies where the top management invited him, he wasn't out there marketing. If they invited him to come in, he would first meet with them and they had to convince him they were serious about participating, if not leading their improvement. And given that, that litmus test, he then agreed to work with them. Very few companies did he agree to on that. And again as we said, the quality of the decisions and questions and passion that determine the successfulness of the company. And so.   0:11:40.0 Andrew Stotz: It made me think about that letter you shared that he was saying about that there was, I think it was within the government and government department that just wasn't ready for change and so he wasn't going to work with it. I'm just curious, like what do you think was his... How did he make that judgment?   0:12:00.0 Bill Scherkenbach: Well, it wasn't high enough. And again, I don't know how high you'd have to go in there. But quite honestly, what we spoke about privately was in politics and in the federal government, at least in the US, things change every four years. And so you have management turnover. And so what one manager, as you described, one CEO is in there and another one comes in and wants to do it their way, they're singing Frank Sinatra's My Way. But that's life….   0:12:49.3 Andrew Stotz: Another great song.   0:12:50.7 Bill Scherkenbach: Another, yes.   0:12:52.1 Andrew Stotz: And it's not like he was an amateur with the government.   0:12:57.5 Bill Scherkenbach: No.   0:13:00.3 Andrew Stotz: He had a lot of experience from a young age, really working closely with the government. Do you think that he saw there was some areas that were worth working or did he just kind of say it's just not worth the effort there or what was his conclusions as he got older?   0:13:16.9 Bill Scherkenbach: Well, as he got older, it might, it was the turnover in management. When he worked for Agriculture, although agriculture is political, and he worked for Census Bureau back when he worked there, it wasn't that political, it's very political now. But there was more a chance for constancy and more of a, their aim was to do the best survey or census that they could do. And so the focus was on setting up systems that would deliver that. But that's what his work with the government was prior to when things really broke loose when he started with Ford and GM and got all the people wanting him in.   0:14:27.0 Andrew Stotz: I've always had questions about this at the top concept and the concept of constancy of purpose. And I'm just pulling out your Deming Route to Quality and Productivity, which, it's a lot of dog ears, but let's just go to chapter one just to remind ourselves. And that you started out with point number one, which was create constancy of purpose towards improvement of product and service with the aim to become competitive, stay in business and provide jobs. One of my questions I always kind of thought about that one was that at first I just thought he was saying just have a constancy of purpose. But the constancy of purpose is improvement of product and service.   0:15:13.6 Bill Scherkenbach: Well, yes and no. I mean, that's what he said. I believe I was quoting what his point number one was. And as it developed, it was very important to add, I believe, point number five on continual improvement. But constancy of purpose is setting the stage, setting the vision if you will, of where you want to take the company. And in Western management, and this is an area where there really is and was a dichotomy between Western and Eastern management. But in Western management, our concept of time was short-term. Boom, boom, boom, boom. And he had a definite problem with that. And that's how you could come up with, well, we're going to go with this fad and that fad or this CEO and that CEO. There was no thinking through the longer term of, as some folks ask, "what is your aim? Who do you think your customer base is now?" don't get suckered into thinking that carburetors are always going to be marketable to that market base. And so that's where he was going with that constancy of purpose. And in the beginning, I think that was my first book you're quoting, but also, in some of his earlier works, he also spoke of consistency of purpose, that is reducing the variation around that aim, that long-term vision, that aim.   0:17:19.2 Bill Scherkenbach: Now, in my second book, I got at least my learning said that you've got to go beyond the logical understanding and your constancy of purpose needs to be a mission, a values and questions. And those people who have who have listened to the the previous vlogs that we've had, those are the physiological and emotional. And I had mentioned, I think, that when when I went to GM, one of the things I did was looked up all the policy letters and the ones that Alfred Sloan wrote had pretty much consistency of three main points. One, make no mistake about it, this is what we're going to do. Two, this is why we're going to do it, logical folks who need to understand that. And to give a little bit of insight on on how he was feeling about it. Sometimes it was value, but those weren't spoken about too much back then. But it gave you an insider view, if you will. And so I looked at that, maybe I was overlooking. But I saw a physiological and emotional in his policy letters.   0:19:00.7 Bill Scherkenbach: And so that's got to be key when you are establishing your vision, but that's only the beginning of it. You have to operationalize it, and this is where management has to get out of the boardroom to see what's going on. Now, that's going to be the predictable, and some of your clients, and certainly the ones over in Asia, are speaking about Lean and Toyota Production System and going to the Gemba and all of those terms. But I see a need to do a reverse Gemba and we'll talk about that.   0:19:49.6 Andrew Stotz: So, I just want to dig deeper into this a little bit just for my own selfish understanding, which I think will help the audience also. Let's go back in time and say that the, Toyota, let's take Toyota as an example because we can say maybe in the 60s or so, they started to really understand that the improvement of product quality, products and service quality and all that was a key thing that was important to them. But they also had a goal of expanding worldwide. And their first step with that maybe was, let's just say, the big step was expanding to the US. Now, in order to expand to the US successfully, it's going to take 10, maybe 20 years. In the beginning, the cars aren't going to fit the market, you're going to have to adapt and all that. So I can understand first, let's imagine that somebody says our constancy of purpose is to continuously improve or let's say, not continuously, but let's just go back to that statement just to keep it clear. Let's say, create constancy of purpose towards improvement of product and service with the aim to become competitive, stay in business and provide jobs.   0:21:07.2 Andrew Stotz: So the core constancy in that statement to me sounds like the improvement. And then if we say, okay, also our vision of where we want to be with this company is we want to capture, let's say, 5% of the US market share within the next 15 years or five or 10 years. So you've got to have constancy of that vision, repeating it, not backing down from it, knowing that you're going to have to modify it. But what's the difference between a management or a leadership team in the boardroom setting a commitment to improvement versus a commitment to a goal of let's say, expanding the market into the US. How do we think about those two.   0:21:53.6 Bill Scherkenbach: Well as you reread what I wrote there, which is Dr. Deming's words and they led into the, I forget what he called it, but he led into the progression of as you improve quality, you improve productivity, you reduce costs.   0:22:33.6 Andrew Stotz: Chain reaction.   0:22:34.5 Bill Scherkenbach: Yeah, the chain reaction. That's a mini version of the chain reaction there. And at the time, that's what people should be signing up for. Now the thing is that doesn't, or at least the interpretations haven't really gone to the improvement of the board's decision-making process. I mean, where he was going for was you want to be able to do your market research because his sampling and doing the market research was able to close the loop to make that production view a system, a closed-loop system. And so you wanted to make sure that you're looking far enough out to be able to have a viable product or service and not get caught up in short-term thinking. Now, but again, short-term is relative. In the US, you had mentioned 10 or 20 years, Toyota, I would imagine they still are looking 100 years out. They didn't get suckered into the over-committing anyway to the electric vehicles. Plug-in hybrids, yes, hybrids yes, very efficient gas motors, yes. But their constancy of purpose is a longer time frame than the Western time frame.   0:24:27.1 Andrew Stotz: Yeah, that was a real attack on the structure that they had built to say when they were being told by the market and by everybody, investors, you've got to shift now, you've got to make a commitment to 100% EVs. I remember watching one of the boardroom, sorry, one of the shareholder meetings, and it's just exhausting, the pressure that they were under.   0:24:55.2 Bill Scherkenbach: Yep, yep. But there... Yeah.   0:25:00.0 Andrew Stotz: If we take a kid, a young kid growing up and we just say, look, your main objective, and my main objective with you is to every day improve. Whatever that is, let's say we're learning science.   0:25:17.3 Bill Scherkenbach: You're improving around your aim. What is your vision? What are you trying to accomplish? And that obviously, if you're you're saying a kid that could change otherwise there'd be an oversupply of firemen.   0:25:38.5 Andrew Stotz: So let's say that the aim was related to science. Let's say that the kid shows a really great interest in science and you're kind of coaching them along and they're like, "Help me, I want to learn everything I can in science." The aim may be a bit vague for the kid, but let's say that we narrow down that aim to say, we want to get through the main topics of science from physics to chemistry and set a foundation of science, which we think's going to take us a year to do that, let's just say. Or whatever. Whatever time frame we come up with, then every day the idea is, how do we number one improve around that aim? Are we teaching the right topics? Also, is there better ways of teaching? Like, this kid maybe learns better in the afternoon and in the morning, whereas another kid I may work with works better in another... And this kid likes five-minute modules and then some practical discussion, this kid likes, an hour of going deep into something and then having an experiment is when we're talking about improvement, is the idea that we're just always trying to improve around that aim until we reach a really optimized system? Is that what we're talking about when we're talking about constancy of purpose when it comes to improving product and service?   0:27:14.4 Bill Scherkenbach: Well there's a whole process that I take my clients through in coming up with their constancy of purpose statement. And the board should be looking at what the community is doing in the next five years, 10 years, where the market is going, where politics is going, all sorts of things. And some of it. I mean, specifically in the science area, it's fairly well recognized that the time of going generation to generation to generation has gone from years to maybe weeks where you have different iterations of technology. And so that's going to complicate stuff quite honestly, because what was good today can be, as Dr. Deming said, the world could change. And that's what you've got to deal with or you're out of business. Or you're out of relevance in what you're studying. And so you have to... If you if you have certain interests, and the interests are driven... It's all going to be internal. Some interests are driven because that's where I hear you can make the most money or that's where I hear you can make the most impact to society or whatever your internal interests are saying that those are key to establishing what your aim is.   0:29:25.7 Andrew Stotz: Okay. You've got some PowerPoints and we've been talking about some of it. But I just want to pull it up and make sure we don't miss anything. I think this is the first text page, maybe just see if there's anything you want to highlight from that. Otherwise we'll move to the next.   0:29:43.0 Bill Scherkenbach: No I think we've we've covered that. Yeah, yeah. And the second page. Yeah, I wanted to talk and I only mentioned it when the Lean folks and the Agile folks talk about Gemba, they're pretty much talking about getting the board out. It's the traditional management by walking around, seeing what happens. Hugely, hugely important. But one of the things, I had one of my clients. Okay, okay. No, that's in the the next one.   0:30:29.4 Andrew Stotz: There you go.   0:30:30.7 Bill Scherkenbach: Okay, yeah. I had one of one of my clients do a reverse Gemba. And that is, that the strategy committee would be coming up with strategies and then handing it off to the operators to execute. And that's pretty much the way stuff was done in this industry and perhaps in many of them. But what we did was we had the operators, the operating committee, the operations committee, sit in as a peanut gallery or a, oh good grief. Well, you couldn't say a thing, you could only observe what they were doing. But it helped the operators better understand and see and feel what the arguments were, what the discussions were in the strategy, so that they as operators were better able to execute the strategy. And so not the board going out and down, but the folks that are below going up if it helps them better execute what's going on. But vice versa, management can't manage the 94%, and Dr. Deming was purposely giving people marbles, sometimes he'd say 93.4%. You know the marble story?   0:32:37.5 Andrew Stotz: I remember that [laughter]. Maybe you should tell that again just because that was a fun one when he was saying to, give them marbles, and they gave me marbles back.   0:32:45.7 Bill Scherkenbach: Yeah, yeah, yeah. Well, he said there was this professor in oral surgery that said there was a an Asian mouse or cricket, whatever, that would... You put in your mouth and they would eat all of the... Be able to clean the gums of all the bacteria better than anything. And described it in detail. And that question was on the test. Okay, please describe this mouse procedure. And he said all of the people, or a whole bunch of people except one, gave him back exactly step by step that he had taught. And one said, Professor, I've talked to other professors, I've looked around, I think you're loading us, that's what Deming said. And so he made the point that teaching should not be teachers handing out marbles and collecting the same marbles they they handed out. And so to some extent, he was testing, being overly precise.   0:34:12.8 Bill Scherkenbach: He wanted people to look into it, to see, go beyond as you were speaking of earlier, going beyond this shocking statement that there perhaps is some way that that really makes sense. So he wants you to study. Very Socratic in his approach to teaching in my opinion. And any event, management can't understand or make inputs on changing what the various levels of willing workers, and you don't have to be on the shop floor, you can be in the C-suite and be willing workers depending on how your company is operating. Go ahead.   0:35:12.0 Andrew Stotz: So let me... Maybe I can, just for people that don't know, Gemba is a Japanese word that means "the actual place," right? The place where the value is created.   0:35:23.8 Bill Scherkenbach: Sure.   0:35:26.2 Andrew Stotz: And the whole concept of this was that it's kind of almost nonsense to think that you could sit up in an office and run something and never see the location of where the problem's happening or what's going on. And all of a sudden many things become clear when you go to the location and try to dig down into it. However, from Dr. Deming context, I think what you're telling us is that if the leader doesn't have profound knowledge, all they're going to do is go to the location and chase symptoms and disrupt work, ultimately...   0:36:02.0 Bill Scherkenbach: Get the dog and pony shows and all of that stuff. And they still won't have a clue. The thing is...   0:36:08.6 Andrew Stotz: So the objective at the board level, if they were to actually go to the place, the objective is observation of the system, of how management decisions have affected this. What is the system able to produce? And that gives them a deeper understanding to think about what's their next decision that they've got to make in relation to this. Am I capturing it right or?   0:36:40.2 Bill Scherkenbach: Well there's a lot more to it, I think, because top management, the board level, are the ones that set the vision, the mission, the values, the guiding principle, and the questions. And I think it's incumbent on the board to be able to go through the ranks and see how their constancy of purpose, the intended, where they want to take the place is being interpreted throughout the organization because, and I know it's an oversimplification and maybe a broad generalization, but middle management... Well, there are layers of management everywhere based on their aim to get ahead, will effectively stop communication upstream and downstream in order to fill their particular aim of what they want to get out of it. And so this is a chance for the top management to see, because they're doing their work, establishing the vision of the company, which is the mission, values and questions, they really should be able to go layer by layer as they're walking around seeing how those, their constancy, their intended constancy is being interpreted and executed. And so that's where beyond understanding how someone is operating a lathe or an accountant is doing a particular calculation, return on invested capital, whatever.   0:38:47.5 Bill Scherkenbach: Beyond that, I think it's important for management to be able to absolutely see what is happening. But the Gemba that I originally spoke about is just the other way. You've got the strategy people that are higher up, and you have the operations people that are typically, well, they might be the same level, but typically lower. You want the lower people to sit in on some higher meetings so they have a better idea of the intent, management's intent in this constancy of purpose. And that will help them execute, operationalize what management has put on paper or however they've got it and are communicating it. It just helps. So when I talk about Gemba, I'm talking the place where the quality is made or the action is. As the boardroom, you need to be able to have people understand and be able to see what's going on there, and all the way up the chain and all the way down the chain.   0:40:14.4 Andrew Stotz: That's great one. I'm just visualizing people in the operations side thinking, we've got some real problems here and we don't really understand it. We've got to go to the actual place, and that's the boardroom[laughter]. It's not the factory line.   0:40:31.7 Bill Scherkenbach: Yes. Absolutely. And if the boardroom says you're not qualified, then shame on you, the boardroom, are those the people you're hiring? So no, it goes both ways, both ways.   0:40:46.8 Andrew Stotz: Now, you had a final slide here. Maybe you want to talk a little bit about some of the things you've identified here.   0:40:53.4 Bill Scherkenbach: Okay, that's getting back to, in the logical area of this TDQA is my cycle: Theory, question, data, action. And it's based on Dr. Deming and Shewhart and Lewis saying, where do questions come from? They're based on theory. What do you do with questions? Well, the answers to questions are your data. And you're just not going to do nothing with data, you're supposed to take action. What are you going to do with it? And so the theory I'm going to address, the various questions I've found helpful in order to, to some extent, make the decisions better, the ability to operationalize them better and perhaps even be more creative, if you will. And so one of the questions I ask any team is, have you asked outside experts their opinion? Have you included them? Have you included someone to consistently, not consistently, but to take a contrarian viewpoint that their job in this meeting is to play the devil's advocate? And the theory is you're looking for a different perspective as Pete Jessup at Ford came up with that brilliant view of Escher's.   0:42:47.1 Bill Scherkenbach: Different perspectives are going to help you make a better decision. And so you want to get out of the echo chamber and you want to be challenged. Every team should be able to have some of these on there. What's going to get delayed? The underlying theory or mental model is, okay, you don't have people sitting around waiting for this executive committee to come up with new things, time is a zero-sum game. What's going to get delayed and what are they willing to get delayed if this is so darn important to get done? Decision criteria. I've seen many teams where they thought that the decision would be a majority rule. They discuss and when it came down to submit it, they said, "no, no, this VP is going to make the decision." And so that completely sours the next team to do that. And so you have to be, if you're saying trust, what's your definition of trust? If the people know that someone is going to make the decision with your advice or the executive's going to get two votes and everyone else gets one, or it's just simple voting.   0:44:35.3 Bill Scherkenbach: The point is that making the decision and taking it to the next level, the theory is you've got to be specific and relied on. Team turnover, fairly simple. We spoke about executive turnover, which was a huge concern that Dr. Deming had about Western management. But at one major auto company, we would have product teams and someone might be in charge of, be a product manager for a particular model car. Well, if that person was a hard charger and it took product development at the time was three and a half years, you're going to get promoted from a director level to a VP halfway through and you're going to screw up the team, other team members will be leaving as well because they have careers. You need to change the policy just to be able to say, if you agree that you're going to lead this team, you're going to lead it from start to finish and to minimize the hassle and the problems and the cost of turnover, team turnover. And this is a short list of stuff, but it's very useful to have a specific "no-fault policy."   0:46:20.6 Bill Scherkenbach: And this is where Dr. Deming speaks about reducing fear. I've seen teams who know they can really, once management turns on the spigot and says, let's really do this, this is important, the team is still hesitant to really let it go because that management might interpret that as saying, "well, what are you doing, slacking off the past year?" As Deming said, "why couldn't you do that if you could do it with no method, why didn't you do it last year?" but the fear in the organization, well, we're going to milk it. And so all of these things, it helps to be visible to everyone.   0:47:23.0 Andrew Stotz: So, I guess we should probably wrap up and I want to go back to where we started. And first, we talked about, where is quality made? And we talked about the boardroom. Why is this such an important topic from your perspective? Why did you want to talk about it? And what would you say is the key message you want to get across from it?   0:47:47.1 Bill Scherkenbach: The key message is that management thinks quality's made in operations. And it's the quality of the... I wanted to put a little bit more meat, although there's a lot more meat, we do put on it. But the quality of the organization, I wanted to make the point depends on the quality of the decisions, that's their output that top leaders make, whether it's the board or the C-suite or any place making decisions. The quality of your decisions.   0:48:28.9 Andrew Stotz: Excellent. And I remember, this reminds me of when I went to my first Deming seminar back in 1990, roughly '89, maybe '90. And I was a young guy just starting as a supervisor at a warehouse in our Torrance plant at Pepsi, and Pepsi sent me there. And I sat in the front row, so I didn't pay attention to all the people behind me, but there was many people behind me and there was a lot of older guys. Everybody technically was pretty much older than me because when I was just starting my career. And it was almost like these javelins were being thrown from the stage to the older men in the back who were trying to deal with this, and figure out what's coming at them, and that's where I kind of really started to understand that this was a man, Dr. Deming, who wasn't afraid to direct blame at senior management to say, you've got to take responsibility for this. And as a young guy seeing all kinds of mess-ups in the factory every day that I could see, that we couldn't really solve. We didn't have the tools and we couldn't get the resources to get those tools.   0:49:47.9 Andrew Stotz: It just really made sense to me. And I think the reiteration of that today is the idea, as I'm older now and I look at what my obligation is in the organizations I'm working at, it's to set that constancy of purpose, to set the quality at the highest level that I can. And the discussion today just reinforced it, so I really enjoyed it.   0:50:11.2 Bill Scherkenbach: Well, that's great. I mean, based on that observation, Dr. Deming many times said that the master chef is the person who knows no fear, and he was a master chef putting stuff together. And we would talk about fairly common knowledge that the great artists, the great thinkers, the great producers were doing it for themselves, it just happened that they had an audience. The music caught on, the poetry caught on, the painting caught on, the management system caught on. But we're doing it for ourselves with no fear. And that's the lesson.   0:51:11.8 Andrew Stotz: Yeah. Well, I hope that there's a 24-year-old out there right now listening to this just like I was, or think about back in 1972 when you were sitting there listening to his message. And they've caught that message from you today. So I appreciate it, and I want to say on behalf of everyone at the Deming Institute, of course, thank you so much for this discussion and for people who are listening and interested, remember to go to deming.org to continue your journey. And of course, you can reach Bill on LinkedIn, very simple. He's out there posting and he's responding. So feel free if you've got a question or comment or something, reach out to him on LinkedIn and have a discussion. This is your host, Andrew Stotz, and I'm going to leave you with one of my favorite quotes from Dr. Deming, and it doesn't change. It is, "people are entitled to joy in work."

Voor veel jazzliefhebbers is jazz bijna synoniem met instrumentale muziek. Onterecht, naam mijn mening. Deze TORcast een aantal jazzklassiekers waarbij de tekst echt een centrale rol speelt — songs waarin het verhaal, de emotie of de poëzie minstens zo belangrijk is als de muzikale uitvoering. Billie Holiday – “Strange Fruit” (1939) Een van de meest aangrijpende jazznummers ooit. De tekst — gebaseerd op een gedicht van Abel Meeropol — beschrijft lynchpartijen in het Amerikaanse zuiden. De woorden maken het nummer; zonder de tekst zou de impact ondenkbaar zijn. Nina Simone – “Mississippi Goddam” (1964) Een scherpe, bijna cabareteske aanklacht tegen racisme en geweld. Simone gebruikt haar stem als politiek instrument, en de tekst draagt de volledige kracht van het nummer. Ella Fitzgerald & Louis Armstrong – “Summertime” (1935; jazzinterpretaties jaren '50) Oorspronkelijk uit Porgy and Bess. De tekst is simpel maar poëtisch; de dromerige, bijna wiegende woorden vormen de kern van elke jazzversie. Nat King Cole – “Nature Boy” (1948) Een mystiek, filosofisch verhaaltje in liedvorm. De tekst is poëtisch en tijdloos en draagt vrijwel volledig de melancholieke sfeer. Het nummer werd geschreven door eden ahbez, een excentrieke Amerikaanse songwriter die leefde volgens naturistische en spirituele principes. Hij schreef zijn naam bewust volledig in kleine letters en leefde jarenlang een ascetisch leven in Californië. Volgens biografische informatie ontstond “Nature Boy” terwijl ahbez bijna kluizenaarsachtig leefde in een grot nabij Palm Springs. [en.wikipedia.org] Sarah Vaughan – “Lullaby of Birdland” (1954) Een nummer waarin de tekst perfect de romantiek van jazz en nachtclubs vangt. Veel vocalisten laten hun improvisaties versmelten met de lyrische inhoud. Billie Holiday – “God Bless the Child” (1941) Holiday schreef het zelf. Het gaat over onafhankelijkheid, trots en de harde realiteit van financiële ongelijkheid. De woorden zijn essentieel voor de emotie. Eric Clapton – “Nobody Knows You When You’re Down And Out” (geschreven door Jimmy Cox, 1923) Het lied vertelt over iemand die ooit leefde als een miljonair, vrijgevig was naar vrienden en leefde in luxe. Maar zodra het geld op is, blijft er niets over — geen vrienden, geen middelen, geen status. De beroemde regel: “Nobody knows you when you’re down and out.” verwoordt op pijnlijke wijze de eenzaamheid die kan ontstaan door financiële tegenslag en het opportunisme van relaties die afhankelijk zijn van geld. Carmen McRae – “'Round Midnight” (met tekst van Bernie Hanighen) Oorspronkelijk een instrumentaal stuk van Monk, maar met de tekst krijgt het een totaal andere, intieme dimensie: een verhaal van nachtelijke melancholie. Frank Sinatra – “Angel Eyes” (1958) Een klassieker uit de bebop- en croonertraditie. De tekst vol liefdesverdriet staat centraal; Sinatra's interpretatie is bijna theater. Chet Baker – “My Funny Valentine” (1952) Hoewel vaak zacht en fragiel gezongen, draagt de tekst de hele emotionele lading. Een van de beroemdste jazzstandards waarbij de woorden de complexe liefde weergeven. Abbey Lincoln – “Throw It Away” (1980) Lincoln staat bekend om poëtische, spirituele teksten. In dit nummer zijn de woorden – over loslaten en innerlijke vrijheid – de kern van het stuk. Ella Fitzgerald, The Paul Smith Quartet – Mack The Knife (1960) Tijdens dit concert vergat Ella Fitzgerald de originele tekst van “Mack the Knife” — en in plaats van te stoppen, improviseerde ze ter plekke geheel nieuwe, geestige en ritmisch briljante teksten. Dit moment werd iconisch, omdat het haar ongeëvenaarde spontaniteit, muzikaliteit en humor liet zien. Volgens bronnen is dit optreden een van haar meest geprezen liveperformances ooit. Ze improviseert onder meer regels als dat ze “de tekst kwijt is”, en maakt zelfs grappen over hoe goed ze zichzelf vindt. Het publiek reageert uitzinnig; de performance werd meteen legendarisch.

RING A DING DING MR. SINATRA I DON'T FEEL SO GOOD Slap City picks: "Minnesota? Wild." by Tiny Voices, "Take Five" by Dave Brubeck .Listen to our playlist here__ Join us in 2 weeks when we'll discuss our 60th Patreon pick, Bjork's Post!

A major winter storm is expected to hit the tri-state area this weekend, with the potential for significant snowfall. The Discussion follows on media coverage of the Trump Administration, including claims about overlooked accomplishments and skepticism surrounding recent political polling. Mark also covers immigration enforcement, highlighting a case involving a 5-year-old asylum seeker detained as ICE expands operations in Minnesota. Mark interviews Roger Friedman of Showbiz 411. Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway. Mark reviews which television shows have been renewed. He also covers news of former President Trump filing a $5 billion lawsuit against JPMorgan Chase, alleging his accounts were closed for political reasons. Mark interviews Steve Cuozzo, New York Post journalist. Steve joins Mark to discuss New York City's bar and restaurant scene, the state of the real estate market, and how Trump Administration policies could impact commercial real estate. They also explore whether Mayor Mamdani's proposals could negatively affect the market and discuss the financial trouble facing Saks Fifth Avenue. See omnystudio.com/listener for privacy information.

Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway.

A major winter storm is expected to hit the tri-state area this weekend, with the potential for significant snowfall. The Discussion follows on media coverage of the Trump Administration, including claims about overlooked accomplishments and skepticism surrounding recent political polling. Mark also covers immigration enforcement, highlighting a case involving a 5-year-old asylum seeker detained as ICE expands operations in Minnesota.  Mark takes your calls!  Mark interviews Roger Friedman of Showbiz 411. Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway.

A major winter storm is expected to hit the tri-state area this weekend, with the potential for significant snowfall. The Discussion follows on media coverage of the Trump Administration, including claims about overlooked accomplishments and skepticism surrounding recent political polling. Mark also covers immigration enforcement, highlighting a case involving a 5-year-old asylum seeker detained as ICE expands operations in Minnesota. Mark interviews Roger Friedman of Showbiz 411. Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway. Mark reviews which television shows have been renewed. He also covers news of former President Trump filing a $5 billion lawsuit against JPMorgan Chase, alleging his accounts were closed for political reasons. Mark interviews Steve Cuozzo, New York Post journalist. Steve joins Mark to discuss New York City's bar and restaurant scene, the state of the real estate market, and how Trump Administration policies could impact commercial real estate. They also explore whether Mayor Mamdani's proposals could negatively affect the market and discuss the financial trouble facing Saks Fifth Avenue.

A major winter storm is expected to hit the tri-state area this weekend, with the potential for significant snowfall. The Discussion follows on media coverage of the Trump Administration, including claims about overlooked accomplishments and skepticism surrounding recent political polling. Mark also covers immigration enforcement, highlighting a case involving a 5-year-old asylum seeker detained as ICE expands operations in Minnesota.  Mark takes your calls!  Mark interviews Roger Friedman of Showbiz 411. Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway.See omnystudio.com/listener for privacy information.

Roger shares his thoughts on this year's Oscar nominations, a new Frank Sinatra documentary streaming on Fox Nation, and the latest news from Broadway.See omnystudio.com/listener for privacy information.

Jon Lamoreaux of the Hustle Podcast rejoins us to dissect “Station to Station” from Mr. David Bowie.  Patreon Revisitor Eric Wester also joins.  Happy 50th Album Release Anniversary to “Station to Station!”   Plenty of other discussion including Wilco, Counting Crows “Long December,” Home Depot, the TV will eat your girlfriend, cocaine induced recording, Frank Sinatra and Nina Simone, and…wait…Ben and Jon agree on a top song?Check out The Hustle here:https://thehustle.podbean.com/Check out other episodes at RecordsRevisitedPodcast.com, Apple Podcasts, Castbox, iHeartMedia, Google Podcasts and Spotify. Additional content is found at: Facebook.com/recordsrevisitedpodcast or twitter @podcastrecords or IG at instagram.com/recordsrevisitedpodcast/ or join our Patreon at patreon.com/RecordsRevisitedPodcast