Podcasts about songbooks

Christopher & Jobst im Gespräch mit Martin. Wir reden über Südafrika, die National Union of Metalworkers, das komische Belgien, Gerüste an Häusern, ein entrücktes Zirkuspferd, enttäuschte Studierende, viele Martin Seeligers, endlich mal handlungstheoretischen Wissen anwenden können, es kann nicht jeder Aladin sein, unser aller Lieblingsfilm Notting Hill, gemeinsam Ronan Keating singen, Nina Chuba auf der Mitgliederversammlung, Weihnachtslager bei den Pfadfindern, eine gewünschte Tic Tac Toe-CD, Bildungsbürger mit strengen Erwartungen, immer aber sagen, der Nikolaus im Tennisclub, Grönemeyer vs. Lindenberg und das großartige Bochum-Album, mit großem Erwartungsdruck aufwachsen, Generation Homo Faber, die Unfähigkeit zu Trauern von Margarete Mitscherlich, Schaffensfreude, Philipp hat sich sehr gut gehalten, Matura-Traum, Hennings Kampfsport-Gym, ausschließlich mit dem Gehirn ermitteln, mal wieder das katholische Pfadfindertum, viel weinen, kopierte Songbooks aus der Stadtbibliothek, BW-Rucksack mit Chaos-Z, die alten BW-Uniformen, die Gnade der späten Geburt, die Flying Turtles im Internat, ein Jahr in Vancouver, Gitarrenunterricht von Volker Kampfgarten, das Bizarre Festival, Campari Orange am Sonntag Nachmittag, lieblingsgetränke, Idrolitina, Bass in der Emoband Phantomias, The Leftovers, Wakeup Call, BRD Terrorstaat von Störfacktor, True Rebel & Skorbut und die Shitlers, aus dem Nichts ein Imperium erschaffen, Lieblingstexte, ein Ventil für Blödsinn-Machen, Sekundärtugenden des Punk, mürrische Altpunks mit Dreadlocks, Tagtraum & Raketenhund, Musik wie n Butterbrot, gern noch n Album aufnehmen, Texte sind jetzt verkopfter, die Kaulitz-Doku, Stefan Laurin & Wolfgang Wendland, Tanzende Punks von Der Butterwegge, Master in Geschlechterforschung, eine verständliche Erklärung von Arbeitssoziologie, das Sein bestimmt das Bewusstsein, sozialökologische Transformation, man weiß es nicht genau, schlechter bummeln können, geschlossene proletarische Lebenswelten gibt es nicht mehr, der größte Teil von Punk ist Musik auf Streamingplattformen ist wichtig, Punk ist wie eine Pusteblume, versuchen Christopher Deutschrap zu erkären, wenn du n Player sein willst brauchst Du Gewaltpotential, Tag der Offenen Tür bei den Hells Angels, uvm. Drei Songs für die Playlist: - Ein Song, den Martin vor Punk geliebt hat und immer noch gut findet: UDO JÜRGENS - Ich war noch niemals in New York - Ganz unironisch: Der liebste Deutsch-Punk-Song von Martin: TERRORGRUPPE - Opa - Ein wirklich guter Rap-Song, den mehr Leute kennen sollten: MONEY BOY - Rummelplatz

Entre 1956 y 1964, Ella Fitzgerald editó una serie de ocho discos que rindieron tributo a los hombres y mujeres que habían dado forma a eso que se llamó El Gran Cancionero Americano, canciones de musicales de Broadway y de películas de Hollywood que formaron la banda sonora de la primera mitad del siglo XX. Aquel movimiento redimensionó la carrera de Fitzgerald tras sus años en Decca y fue su gran legado como artista. Esos cancioneros o Songbooks rindieron tributo a Cole Porter, Duke Ellington, Irving Berlin o los hermanos George e Ira Gerswin y asentaron su obra y legado entre los amantes del jazz convirtiendo sus composiciones en algo atemporal y eterno. Esta semana recorremos esos discos de la mano del periodista Manuel Recio y con los reportajes de Lucía Taboada. 

In this episode of "Inside the Red and White", Lauren and Eve of AWFC Home and Away fame join Natalie Busher and Suzy Lycett to discuss their journey to Arsenal Women - and how their ambitions of creating a fun and passionate atmosphere at games surpassed expectations last season, making even some of the men's games pale in comparison! Hosted on Acast. See acast.com/privacy for more information.

Hoy tenemos una conversación ligera y divertida con un artista venezolano que viene a Stanford University a presentarnos una obra sobre su historia, sobre su vida y sus relaciones familiares durente su niñez. Se trata de Migguel Anggelo, un artista multifacético con experiencia en grandes producciones internacionales, que ha estado recidido por los ultimos anos en Nueva York, y por primera vez va a hacer un tour por Estados Unidos de America. Esta obra se llama LatinXoXo. LatinXoXo es una produccion donde Migguel Anggelo abre una conversacion ideal con su padre, con quien tuvo una relacion complicada. Esta obra trae una variedad de vestuario, géneros de música, baile y actuación, que el performa solo con un grupo de músicos tambien Latinoamericanos. 20.02.2018 Moscow. Tchaikovsky Concert Hall. Migguel Anggelo, Grace McLean, and The State Academic Chamber Orchestra of Russia, conductor Alexei Utkin with the program “The Songbooks of the Americas.” Una de las muchas experiencias del artista has sido viajar con el departamento de estado de USA a Rusa representando el teatro de las Américas. También nos cuenta de sus experiencia actuando en el teatro Teresa Carreño de Caracas, y de su gira por España y latinoamérica con la produccion de [...]

Interview with Migguel Anggelo Today we are talking with Migguel Anggelo, a multidisciplinary entertainer presenting in top scenarios since age 13. He has toured worldwide, but after decades of living and performing in the USA, this is his first time touring the country. Born in Venezuela, he trained classically in music and theater in different ensembles and as a solo-artist in many countries. This year he is presenting at Stanford University with his autobiographical piece, LatinXoXo, with references from his life, on a fictional in-deep conversation with his late father. He presents this fictional conversation with many musical numbers, different genders, laughs, and satire on a cabaret production. As referred on their own words, “Venezuelan cabaret artist explores his Latinx and queer identities through costume, musical composition, and movement.” 20.02.2018 Moscow. Tchaikovsky Concert Hall. Migguel Anggelo, Grace McLean, and The State Academic Chamber Orchestra of Russia, conductor Alexei Utkin with the program “The Songbooks of the Americas.” Among the stories that we talk about today are the ones about his experience in an international production of “FAME”, his experience representing the USA with the US Secretary of State in Russia, His studies in Germany as an opera Singer, and much [...]

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, Midnight Sun, Too Darn Hot, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This is part eight of our ten part series about Julius Eastman; a composer whose work has been experiencing a renaissance lately as a new generation is discovering his individual musical style.

Zusammen mit Frank Bräutigam schwelgen wir in Erinnerungen. Es geht um das Gefühl von Retro, Vinyl, Musikkassetten und Hifi-Türmen. Entscheidend ist die Leidenschaft für die Musik, aber auch die Liebe zur Technik. Und freut euch auf das Statement und das kleine Video von Jens Hillebrand aus Erfurt. Alle Links und Videos im Blog: https://weekly52.de/weekly/288 (00:00) Plattenwaschmaschine mit Frank in der WDR Lokalzeit (09:00) Nostalgie und Retrogefühl (15:00) HiFi Hochzeit in den 70er Jahren (21:00) Emotionen und Wertigkeit (27:00) Jens Hillebrand Liebe zu Kassetten & Vinyl (35:00) Leidenschaft für Analog wiederentdecken? (39:30) Plattenbörsen und limitierte Sonderpressungen (45:30) High Fidelity, Liedtexte und Songbooks (52:30) Haptik und Fertigungsgüte der alten Anlagen

Maggie Speaks With Drummer, Producer Gregg Field About Ella At The Hollywood Bowl: The Irving Berlin Songbook - Eight-time Grammy and 2018 Emmy winner (including Latin Grammy “Producer of the Year”) Gregg Field is one of the most musically diverse and highly sought-after producers, musicians and educators in music.World class musicians and singers — a veritable who's who of music, including Michael Buble, Placido Domingo, Pharrell Williams, Josh Groban, Garth Brooks, Alejandro Sanz, Stevie Wonder, Barbara Streisand, Frank Sinatra and Quincy Jones — are among his many musical collaborators.Starting at age 19, Field toured with, among others, Count Basie, Ella Fitzgerald and Frank Sinatra, and he can be heard on Sinatra's historic, multi-platinum Duets and Duets II recordings.Ella Fitzgerald's "Songbook" records - with her peerless renditions of the best songs from iconic composers from Irving Berlin to Rogers & Hart to Cole Porter to George & Ira Gershwin - are the cornerstone of the Verve catalog and the standard for jazz vocal recordings. Ella never released a live version of these Songbooks. This record, discovered in the private collection of Norman Granz, will make the first time a live Songbook has been released from the First Lady of Song. Source: https://music.usc.edu/gregg-field/https://www.udiscovermusic.com/news/ella-fitzgerald-hollywood-bowl-album-out-now/This episode is from an archive from the KPFK program Profiles adapted for podcast.Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

In this week's podcast, Dale Pickles from B Squared is joined by Al Start. Al is a singer-songwriter who specialises in music for children and schools through her company Go Kid Music. Al has worked with children through creative art organisations and local authority play services. Al has also toured the UK and East Coast USA performing her music. There are different types of sign language, British sign language or BSL is the primary language used for deaf people, and less than 1 in 10 people in the UK know more than two words in British Sign Language. There is also Makaton tht uses symbols sign and speech to support communication. Sign language isn't always an alternative to speech, it can be used to support speech. Why use signing in your school? How can you introduce it to all students? How can your staff learn? Why is it important? Visual communication methods such as Makaton support spoken language and help everyone understand. Many schools do not use signing, some do but only in a class with a child with send, but there is evidence to show kinaesthetic learning is your secret weapon as well as being inclusive, fun, creative, supportive, respectful and beautiful! Resources: https://www.singup.org/ Songbooks published by Collins Music: “Sing! Play! Learn! with Go Kid Music” Topic songs for KS1 & KS2 Contact Al Start: Website: Go Kid Music Twitter: @gokidmusic Facebook: facebook.com/gokidmusic

Back with a new episode finally. This time, we cover vintage KISS songbooks and sheet music with John 5. Joe had to sit out this episode due to bad weather, but we got it covered. Enjoy!

Aqui, a 4a e última parte do TOP TOP em que André Marx elenca 80 pontos cruciais para entender o mestre Bob Dylan. Dia 24/05/2021, é/foi aniversário de 80 anos de Robert Allen Zimmerman, gênio da música mundial, quiçá maior artista da música no século XX. E nosso canal resolveu fazer algumas homenagens a Bob Dylan, começando por este Top Top em que André Marx lista 80 pontos cruciais para se entender a carreira desse gênio. Os 80 pontos são contados em ordem alfabética, pra dar ideia do caráter multifacetado do artista. O detalhe é que foi necessário dividir esse TOP TOP em 4 partes, para que o vídeo não ficasse muito longos. Esperamos que acompanhem nosso especial e que gostem. Vida longa ao bardo! Pontos citados no vídeo: 61. Obras-Primas tardias 62. Pintura 63. Pirataria 64. Poesia 65. Política 66. Prêmios/Reconhecimento 67. Rolling thunder Tour/Revue 68. Roubo 69. Separação 70. Songbooks 71. Stones 72. Surrealismo 73. The Band 74. Traveling Wilburys 75. Versões irreconhecíveis 76. Videoclipe 77. Voz rascante e anasalada 78. Warhol 79. Woodstock 80. Woody Guthrie O TOP TOP é um quadro do canal em que nossos membros falarão sobre suas listas, listas e mais listas. O nome, uma homenagem à clássica canção d'Os Mutantes, que foi versionada pela Cássica Eller. Sejam bem-vind@s ao Canal/Podcast QUER QUE EU RESENHE? e esperamos que vocês gostem.

RYAN SCOTT OLIVER (ryanscottoliver.com) (IG:@ryanscottoliver)(TW:@ryanscottoliver) was called “the future of Broadway… a major new voice in musical theatre” (Entertainment Weekly) and is “shaking up musical theater with his dark, twisted and genius work … [Oliver] could very well be musical theater’s answer to an auteur filmmaker or a gothic novelist” (Huffington Post).He wrote the book, music and lyrics for Jasper in Deadland (book by Tony Award-nominee Hunter Foster) which was first Off-Broadway in a spring 2014 run, and then presented at Seattle’s 5th Avenue Theatre in May 2015;as well as Darling; Havana! (with director Warren Carlyle); Otherbody, a brief musical allegory; and Mrs. Sharp (read at Playwrights Horizons July 2009 starring Jane Krakowski, dir. by Michael Greif); and more. Both Jasper in Deadland and 35mm: A Musical Exhibition are licensed worldwide by Samuel French, and have cast recordings on the Ghostlight/Sh-k-boom label. Oliver is a Jonathan Larson Grant Recipient, Richard Rodgers Award Winner, Lortel Award Nominee, numerous ASCAP awards, a Dramatists Guild Fellow, a guest lecturer at Harvard University, and the recipient of residencies at 5th Avenue Theatre, TheatreWorks Silicon Valley, Weston Playhouse, Cap 21, the York Theatre, Running Deer Ranch, Pace University, Harvard University, San Diego State University, Playwrights Horizons and more. Off-Broadway and elsewhere: Disney Theatricals commission, TheatreWorksUSA’s We the People, Rosie O’Donnell’s Theater Kids, and cabarets worldwide. Additionally, he is the Director of New Musicals at Pace University in downtown Manhattan and the Artistic Director of the Pasadena Musical Theatre Program. His songbook, Music+Lyrics by Ryan Scott Oliver: Vol. 1, was published by Hal Leonard in 2011.  M.F.A. Musical Theatre Writing NYU; B.A. Music Composition, UCLA. Songbooks and sheet music available at ryanscottoliver.com. Oliver is also currently at work on a new project for Universal Theatrical Group with Kirsten Guenther and a trilogy of new musicals about American desperation in war-time: the first, a southern Gothic thriller set in small-town Missouri, 1945 entitled We Foxes (commissioned by Broadway Across America);the second, a Civil War drama called Rope (commissioned by Grove Entertainment, 2015);and the final part, a contemporary “marriage play” called Three Points of Contact.His morbidly optimistic musings may be followed on all platforms.

RYAN SCOTT OLIVER (ryanscottoliver.com) (IG:@ryanscottoliver)(TW:@ryanscottoliver) was called “the future of Broadway… a major new voice in musical theatre” (Entertainment Weekly) and is “shaking up musical theater with his dark, twisted and genius work … [Oliver] could very well be musical theater’s answer to an auteur filmmaker or a gothic novelist” (Huffington Post).He wrote the book, music and lyrics for Jasper in Deadland (book by Tony Award-nominee Hunter Foster) which was first Off-Broadway in a spring 2014 run, and then presented at Seattle’s 5th Avenue Theatre in May 2015;as well as Darling; Havana! (with director Warren Carlyle); Otherbody, a brief musical allegory; and Mrs. Sharp (read at Playwrights Horizons July 2009 starring Jane Krakowski, dir. by Michael Greif); and more. Both Jasper in Deadland and 35mm: A Musical Exhibition are licensed worldwide by Samuel French, and have cast recordings on the Ghostlight/Sh-k-boom label. Oliver is a Jonathan Larson Grant Recipient, Richard Rodgers Award Winner, Lortel Award Nominee, numerous ASCAP awards, a Dramatists Guild Fellow, a guest lecturer at Harvard University, and the recipient of residencies at 5th Avenue Theatre, TheatreWorks Silicon Valley, Weston Playhouse, Cap 21, the York Theatre, Running Deer Ranch, Pace University, Harvard University, San Diego State University, Playwrights Horizons and more. Off-Broadway and elsewhere: Disney Theatricals commission, TheatreWorksUSA’s We the People, Rosie O’Donnell’s Theater Kids, and cabarets worldwide. Additionally, he is the Director of New Musicals at Pace University in downtown Manhattan and the Artistic Director of the Pasadena Musical Theatre Program. His songbook, Music+Lyrics by Ryan Scott Oliver: Vol. 1, was published by Hal Leonard in 2011.  M.F.A. Musical Theatre Writing NYU; B.A. Music Composition, UCLA. Songbooks and sheet music available at ryanscottoliver.com. Oliver is also currently at work on a new project for Universal Theatrical Group with Kirsten Guenther and a trilogy of new musicals about American desperation in war-time: the first, a southern Gothic thriller set in small-town Missouri, 1945 entitled We Foxes (commissioned by Broadway Across America);the second, a Civil War drama called Rope (commissioned by Grove Entertainment, 2015);and the final part, a contemporary “marriage play” called Three Points of Contact.His morbidly optimistic musings may be followed on all platforms.  

A slightly edited version of the program I ran almost two years ago for International Jazz Day. This is the second of two parts featuring what many consider the greatest vocal Jazz albums in history by an artist considered one of the immortals. #ella #Jazz #ellafitzgerald #jazzday

It's all about I Gespräch mit Florian Künstler über Texte, Songbooks, Adoption, Straßenmusik, Sony Music, verschobene Tourneen und vieles mehr..

This week the bad piano player dives into his large collection of compilation songbooks.

Every singer is individual, with their own voice, skills and background. Does your singing teacher work with "the singer in the room" or do they try to fit you into their templates?International vocal consultants Dr Gillyanne Kayes & Jeremy Fisher break down working with different voiceshow important context iswhat they listen for in each voicethe problem with "industry sounds"the difference between demonstrating and modellingdifferent training timelines for different genreswhy your voice isn't my voice and what to do about itThis podcast is sponsored by Vocal Process and our featured resource is our professional development online Webinar Finding the YOU in Every Song. This streaming resource is filled with exercises, analysis and vocal information. We break down five completely different song performances from singers in different genres, and give you five things that matter most when you sing.Get Webinar 4 - Finding the YOU in Every Song on https://store.vocalprocess.co.uk/WebinarsOur books are available from Amazon worldwide or from Vocal Process hereSinging and the Actor (signed copy)Successful Singing Auditions (signed copy)This Is A Voice (signed copy)Singing Express books 1-4 and Songbooks 1-4Professional Development Webinars 1-18 available from Vocal Process hereDownload your free Build Your Own Tilting Larynx template on https://vocalprocess.co.uk/build-your-own-tilting-larynxOnline course for singing teachers (the currently full one) https://store.vocalprocess.co.uk/singingcoursesandretreats

Go behind the scenes as Dr Gillyanne Kayes and Jeremy Fisher reveal the facts, the myths and the realities of writing their first 2 books - Singing and the Actor, and Successful Singing Auditions.What did Jeremy do to make Gillyanne finish the book?Why was Singing and the Actor groundbreaking at the time (it might not be what you think)Why did Jeremy create the FOAL process for Successful Singing Auditions?What do Jeremy and Gillyanne recommend for writing your first book?All this and more (including being on the receiving end of THOSE reviews)This podcast is sponsored by Canu Publishing, and our featured resource is Jeremy's new book Why Do I Need a Vocal Coach? Stories, tips and hacks from the studio of a voice expert. Book and ebook available from Amazon hereAudiobook from Audible hereBooks available from Vocal Process hereSinging and the Actor (signed copy)Successful Singing Auditions (signed copy)This Is A Voice (signed copy)Singing Express books 1-4 and Songbooks 1-4Professional Development Webinars 1-18 available from Vocal Process hereJoan Melton's book One Voice available from Amazon here

In this episode we talk about Elaine Mitchener's many projects, improvisation, music education, Jeanne Lee and much more. Elaine Mitchener is an experimental vocalist, movement artist and composer, whose work encompasses improvisation, contemporary music theatre and performance art. Born in East London to Jamaican parents, Elaine studied voice at Trinity College of Music, London and currently studies with Jacqueline Bremar. She has performed at numerous UK and European festivals, venues and galleries including Aldeburgh Music, London Contemporary Music Festival (LCMF), 56th Venice Biennale, Wysing Arts, Café Oto (London), Bluecoat (Liverpool), SAVVY Contemporary (Berlin), Purcell Room (Southbank Centre, London), Huddersfield Contemporary Music Festival, ULTIMA Festival (Oslo), OCCUPY (St John’s Smith Square), SPILL Festival (Ipswich), La Monnaie (Brussels), Block Universe (London), White Cube (London), Whitechapel Gallery (London), Weserburg MOMA (Bremen), Wellcome Collection (London), and the Institute of Contemporary Arts (London). She has worked and performed in a wide variety of contexts with an array of leading musicians, composers, directors and visual artists including Moor Mother (Camae Ayewa), Mark Padmore, The Otolith Group, Deborah Warner, Christian Marclay, Apartment House, Steve Beresford, Pat Thomas, Irvine Arditti, Sonia Boyce, London Sinfonietta, John Butcher,Tansy Davies, George. E. Lewis, Attila Csihar, Rolf Hind, Dam Van Huynh, Lore Lixenberg, George Lewis, Alexander Hawkins, Sam Belinfante, Phil Minton, Evan Parker, Alasdair Roberts, Lucy Bailey, David Toop, Netia Jones, Matt Wright, and Jason Yarde. Elaine is co-founder of the experimental jazz quartet the Hawkins/Mitchener Quartet and a regular vocalist with the ensemble Apartment House. She created the role of Hannah/Voice singing with tenor Mark Padmore, in the opera CAVE, by composer Tansy Davies with libretto by Nick Drake, co-commissioned by the London Sinfonietta / Royal Opera House and directed by Lucy Bailey which premiered in June 2018. Her production company Elaine Mitchener Projects has researched, developed, produced and toured or staged a number of projects including Industrialising Intimacy (with choreographer Dam Van Huynh, David Toop, George Lewis); The Nude Voice (with Dam Van Huynh) commissioned for the Wellcome Collection London’s THIS IS A VOICE exhibition; ‘I back… I neck… I face… I chest’ commissioned by Sonia Boyce for her installation We Move In Her Way at London’s ICA; Of Leonardo da Vinci (with Dam Van Huynh, David Toop, Barry Lewis) for Oslo’s ULTIMA Festival; the three hour durational performance [NAMES] premiered at Ipswich’s SPILL Festival; a presentation of John Cage’s SongBooks for London’s Poetry In The City Festival; Vocal Classics of the Black Avantgarde for LCMF; and SWEET TOOTH in partnership with Bluecoat Liverpool, Stuart Hall Foundation and the International Slavery Museum. Premiered in Nov 2017, SWEET TOOTH has been described as ‘a vital black British addition to those seminal creative statements of resistance and defiance from the African Diaspora’, and was subsequently broadcast on BBC Radio 3’s Hear and Now programme (Dec 2017). Elaine has participated in residencies and symposiums including Aldeburgh Music (to develop SWEET TOOTH) and Fondazione Claudio Buziol, Venice (where she developed Of Leonardo Da Vinci supported by Muziektheater Transparant) and New Resonances organised by Theatrum Mundi. For more information about Elaine Mitchener please visit: http://www.elainemitchener.com/ © Let's Talk Off The Podium, 2020

(recorded over zoom) 19th-century “medicine shows” marketed cure-alls in a moveable feast of showmanship that compelled rural pain sufferers to exchange hard-earned cash for “miracle” elixirs, tonics, and liniments. Most of these treatments were dubious at best, dangerous at worst. But these shows were more than just a particularly vivid chapter in America’s long history of rewarding savvy hustlers peddling questionable products. The medicine show was also a vitally important social phenomenon, providing unique social and economic mobility for people who had talent, but were otherwise shut out from the opportunities of  post-Reconstruction America. Join Dr. Karen Bellinger as she speaks with writer and historian Deb Hunter about the role of Snake Oil Salesmen in the early days of the pharmaceutical industry.

Die Häschen Ingo Märchen gibt es jetzt auch als Trickfilm auf www.youtube.com/singmitnelly zu sehen. In der momentanen schwierigen Corona Zeit biete ich Live Sing & Tanzstunden für alle Vorschulkinder ab 2-ca.Jahre an. Täglich um 10:00 (Schweizerdeutsch) und 16:30 (Hochdeutsch) auf www.youtube.com/singmitnelly In meiner Facebookgruppe wird auch gesungen und getanzt. Ich freue mich wenn Ihr mal vorbeischaut. https://www.facebook.com/groups/911373835864622/ Auf meiner Webseite findet Ihr alle weiteren Infos über mich. Ausserdem gibt es dort einen T-Shirt Shop, CD's und Songbooks zu kaufen. Ich freue mich sehr wenn Ihr Euch mal durchklickt ;-) www.sing-mit-nelly.com --- Send in a voice message: https://anchor.fm/singmitnelly/message

Episode Seventy Five Show Notes CW = Chris WolakEF = Emily FinePurchase Book Cougars Swag on Zazzle! AND at Bookclub Bookstore & More.If you’d like to help financially support the Book Cougars, please consider becoming a Patreon member. You can DONATE HERE. If you would prefer to donate directly to us, please email bookcougars@gmail.com for instructions.Join our Goodreads Group! Please subscribe to our email newsletter here.– Upcoming Readalongs –We are hosting co-reads in June 2019 with Jenny Colvin of the Reading Envy Podcast. More details are forthcoming, but the books are:Gone with the Wind – Margaret MitchellThe Goodreads discussion page can be found HERESapphira and the Slave Girl by Willa CatherThe Goodreads discussion page can be found HERE– Currently Reading –Where the Crawdads Sing – Delia Owens (CW)The Lost Family – Jenna Blum (EF)Gone with the Wind – Margaret Mitchell (EF) – Just Read –The Jewel Garden: A Story of Despair and Redemption – Monty Don, Sarah Don (CW)The World That We Knew: A Novel – Alice Hoffman (EF) (release date 9/24/19)The Museum of Modern Love – Heather Rose (CW)gods with a little g: A Novel – Tupelo Hassman (EF) (release date 8/13/19)Keep Going: 10 Ways to Stay Creative in Good Times and Bad – Austin Kleon (CW)If Beale Street Could Talk – James Baldwin (EF)A Lost Lady – Willa Cather (CW)The Marriage of Phaedra – Willa Cather (CW) which is part of the Willa Cather Short Story Project– Biblio Adventures –Emily watched the movie If Beale Street Could TalkChris attended an event co-sponsored by Bank Square Books and the Lagrua Center where Mary Norris discussed her new book Greek to Me: Adventures of the Comma Queen. Check out this article about Mary’s apartment in New York City.Emily went to RJ Julia Booksellers to hear Patricia Marx and Roz Chast discuss their book Why Don’t You Write My Eulogy Now So I Can Correct It?: A Mother’s SuggestionsEmily visited Tennessee and North Carolina and caught up with author, Shuly Cawood. She has appeared on two episodes of the podcast:Episode 22 – where she discussed her memoir, The Going and GoodbyeEpisode 64 – the book launch of 52 Things I wish I Could Have Told Myself When I Was 17They spent a day in Jonesborough, TN visiting the Jonesborough Public Library and the International Storytelling Center (check out their festival October 4-6, 2019). They also shopped at Mr. K’s Used Books, Music, and More.Chris and Emily had a joint jaunt to hear Delia Owens discuss her book, Where the Crawdads Sing, sponsored by RJ Julia Booksellers but located at The Country School, in Madison, CT.Other Books by Delia Owens:Cry of the KalahariSecrets of the SavannaThe Eye of the ElephantSurvivor’s SongBooks recommended by Delia Owens:To Kill a Mockingbird – Harper LeeA Sand County Almanac – Aldo LeopoldWest with the Night – Beryl Markham– Upcoming Jaunts –This weekend, Laura Thoma, playwright, has a play, Meet Me in the Lobby, appearing in the Norwalk Theatre Artists Workshop festival April 26-29, 2019. Laura was on Episode 19 and Episode 66.Emily will be attending the Newburyport Literary Festival on April 26-27, 2019Booktopia 2019 at Northshire Bookstore in Manchester, VT is taking place May 3-4, 2019Chris and Emily will be attending Book Expo America May 29-31, 2019– Upcoming Reads –Lost Laysen – Margaret Mitchell (CW)Gone With the Wind – Margaret Mitchell (CW)The Givers: Wealth, Power, and Philanthropy in a New Gilded Age – David Callahan (EF)The Moment of Lift: How Empowering Women Changes the World – Melinda Gates (EF)– Also Mentioned –Check out Alice Hoffman’s website for her backlistGirlchild by Tupelo HassmanMel’s Bookland AdventuresThe Stella PrizeMarina Abramovic InstituteSteal Like an Artist: 10 Things Nobody Told You About Being Creative – Austin Kleon (CW)Documentary about James Baldwin: I Am Not Your Negro Between You & Me: Confessions of a Comma Queen – Mary Norris Lonesome Dove – Larry McMurtryRussell of Ink and Paper Booktube Channel

This week I talked to Molly Martien, a Masters Candidate at the Parsons-Cooper Hewitt program for History of Design and Curatorial Studies. She wrote a paper that she will be presenting at the MAPACA conference in November on SNCC and 1960’s design. MAPACA: https://mapaca.net SNCC LIBRARY LEGACY PROJECT: https://library.duke.edu/slp SNCC DIGITAL GATEWAY: https://snccdigital.org SNCC LEGACY PROJECT: http://www.sncclegacyproject.org FREEDOM RIDERS: http://www.pbs.org/wgbh/americanexperience/films/freedomriders/

Kevin James is a chant leader from Australia who has developed from years of experience, the art of leading ecstatic chant and open heart connection with his voice, mantras and heartsongs. He travels the globe constantly with the intention and vision of joining with others who feel the call to re-connect to source and remember who we are beyond the illusions of ego. His intention is to contribute to the conscious movement using group gatherings of devotional singing of Mantras and HeartSongs to bring us to a closer connection to source. Kevin believes from this state of being we can naturally and easily be kind and harmonious in our existence… He says: “It’s like a remembering. In a world where forgetting who we are has become normal, its destructive patterns have left us in an apparent life or death situation. We can remember together and support one another.” After being turned on to his amazing music during a yoga class in India, through Divine Grace, I connected with him in Bali, and was blessed to have this time with him. As a happy surprise, Kevin mentioned the Rainbow Gathering during the interview, and we had a deep discussion about what it is and what happens there. By Divine alignment, I’m publishing this interview from the South of France and tomorrow I am on my way to a Rainbow Gathering in Italy, my first International Gathering, and I’m so looking forward to it, and of course, I’ll share about it with you when I return. It’s been a handful of years since I’ve been to a gathering and the idea of being back in that loving vibration really makes my heart smile. I hope you enjoy this interview, and find some value in the medicine that Kevin is serving up. Make sure to check out the show notes to get links to his work. And hopefully, one day, you can find your way to a heartsong circle or retreat with him. I did make it to one of his offerings in bali before I left, where he walked us through the chakra toning exercise he talks about in the interview. I found it to be really deep and balancing, and I urge you to download it and give it a try yourself. Find the show notes at visionary-lifestyle.com/podcast Loving you, my Rainbow Warriors. Namaste https://kevinjamesheartsongs.com/ Check out the Songbooks on his website! https://twitter.com/KevinKevalam https://www.facebook.com/search/top/?q=kevin%20james%20heartsongs http://www.balispiritfestival.com/

Should you use songbooks, and if so how. All is revealed on this pod