Podcasts about The Andrews Sisters

“While the men prepared to replace the first flag, I was able to position myself for a picture, the elements of which were composed by the men themselves, and the wind, weather, midday lighting, and the luck of timing.” - Joe Rosenthal, Associated Press At the end of the war in Western Europe, with the war in the Pacific still going strong, America was a tired country that needed a patriotic jolt. You can only position yourself so well: good photographer, heroic moment of reprieve amidst the horrific fighting, camera crew tailing the soldiers, hoping to capture even the slightest sense of what the sons and brothers of the nation were fighting for. But all the preparedness in the world can't bank on the beauty of luck. This is the story of the luckiest snapshot ever taken. See the images: https://www.thelonelypalette.com/episodes/2026/8/25/episode-72-joe-rosenthals-raising-the-flag-on-iwo-jima-1945 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “Sunday Lights,” “Cherry Heath,” “Curious Kepler,” “Arlan Vale,” “Dreadnaut Files,” “Silent Ocean,” “Chromium Blush,” “Mencher and Polk,” “The Silver Hatch,” “10c Coffee” Bob Dylan, “The Ballad of Ira Hayes”

In this Margin Notes episode of the #amwriting podcast, host Jennie Nash talks with book coach and author Stuart Wakefield about approaching marketing as a creative project by making joyful “artifacts” that expand a story world rather than simply asking readers to buy a book. Wakefield shares his creative background, a past period when his creative practice stopped, and how he now immerses himself in projects tied to his latest novel, All Hands on Dick, set in 1956 aboard the cruise ship SS Celestial. Stuart describes the book's comedic, queer, mid-century influences and its characters, explains creating items like a 3D-printed ocean liner and a hand-cut 10-inch vinyl record featuring AI-assisted big band songs, and discusses building an animated music video. Nash also previews upcoming episodes with Wakefield on using the Blueprint method to develop a series, as he launches his trilogy A Gay Odysea.#AmWriting is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Connect with Stuart* Visit his book coaching site* Read his books* Watch his music videoTranscriptJennie: [00:00:00] Hi, I'm Jennie Nash, and you're listening to the #amwriting podcast, the place where we help writers of all kinds play big in your writing life, love the process, and stick with it long enough to finish what matters most. Hi, everyone. This is Margin Notes, the part of the podcast where we're talking about the big decisions writers face in their work or creative lives.I'm here today to talk with Stuart Wakefield about making marketing a creative project. And you've heard from Stuart before. He has coached on the podcast, and we'll link to that episode in the show notes. He also will be in episodes to come, which we'll talk about in a moment, and Stuart is a fascinating individual who's had a long career in all kinds of things, including TV writing, playwriting, a long stint in IT.What? [00:01:00] And, and now Stuart works with me at Author Accelerator, and he runs his own book coaching business at thebookcoach.co. Welcome, Stuart.Stuart: Thank you for having me, Jennie. I'm really excited to talk to you today.Jennie: I'm excited too. This is such a, such a interesting topic. So the reason this came up is that Stuart launched a new book, which he'll tell you about in a moment, which is part of a series, which he'll tell you about in a moment, and I started seeing out on social media just all this really fun content that he was producing.And obviously then I would get to talk to him at work, and I- he just would have so much joy, and then he would say, “Oh, let me show you this other thing.” And when I talk about fun content, I'm talking about, like, music videos, cartoons, animated [00:02:00] little shorts. He wrote a song. He, he's writing a music video. He 3D printed a ship.He printed a vinyl record. I mean, it's bonkers. And so I just wanted to dig into this about what are you doing, and why is it creating so much joy, and what can we learn from it? So that's what we're here to talk about.Stuart: Oh, oh, oh. Right. Okay. So, so in, in my creative practice, I have always enjoyed... You know, I started acting when I was five, um, so I've always been in kind of around the theater, even when my kind of IT career and project management career was all kind of going on.So I've always enjoyed that. I, um, started a, a- A degree in fashion design. Um, after a year at art college, I, you know, carried on acting and then had a break in 2003. Uh, if I'm really honest with you, I had a breakdown and- Yeah ... m- [00:03:00] my creative practice just stopped. And about six years later in 2009, I started writing.And you know, I've always been a creative person, and I've always been a storyteller, and I tend, but I tend to do it in a very short, concise way. So the shortest piece of fiction I've sold was 50 words.Jennie: That's short.Stuart: Right. Okay. So I, um- Have had like a, a side art project. It's called The Queer Historian of Emotional Truths.Um, and there is a website that sits with that, and the idea is that the queer historian has found artifacts, um, and he is curating those and sharing those on the website, and they might be voicemails, they might be found photos, found objects. And when I got my... So I really love that kind of very small to- storytelling, those, those really poignant moments, [00:04:00] as opposed to great big, long stories.Um, I recently s- sold a story to Divine Femins- Feminine Publishing as well, um, which is again, it's cozy sci-fi, but it's very much the small kind of human moments.Jennie: Right.Stuart: And I found that after writing this book, I became so invested in the world that I wanted to do small art projects that kind of lived within that world.So that's where this has come from. I, I don't see it as marketing. I see it as telling those smaller stories within that wider world that really convey the joy that not only have I got from writing that, that work, but I think lives on after the reader closes and reads that last, that last page and then closes the book.Jennie: Well, this is why it's so exciting and inspiring to me, because so often when writers talk about marketing or think about marketing, they're thinking [00:05:00] about, “Buy my book. Buy my book. Buy my book,” and that's not at all where you're coming from. I suspect... Well, with this current project, it's, it's brand new, but I suspect that that's where it's gonna go, right?That it's impossible to imagine sh- that you're gonna share all these creative acts and artifacts and not get people... I was gonna say on board, but that's gonna be like- The, it's a- ItStuart: is set follow... It's set on board a, a ocean liner. Right. So on, on board is great.Jennie: Right? Like the, how could those two things not happen?That, I guess what I'm getting at is I, I often think that the results people want don't usually come from the path that they think is gonna get them there. Right. The results come from doing the work you love, writing the story you want, and in your case, making this a creative project. Do you- Yes ... do you think that's [00:06:00] true?Stuart: Yeah. You know, very much so, and I was discussing this with a marketing book coach, uh, Rebecca Grogan.Jennie: Mm-hmm.Stuart: Highly recommend her to any romance writer. So that's beckythebookcoach.com, and, you know, we got talking about creative projects and how much I don't really like marketing. I always thought it was a very British thing not to like marketing, but the more and more US writers I, I meet and fellow coaches, again, you know, marketing can feel like something unsavory.Jennie: RightStuart: And what I really want to do is show people these cool things I've made and invite them very much into the world. Because what I do in any of my creative writing projects, I have objects that represent what I'm writing on my desk. So, um, I have a book that's set in 1907, so I got [00:07:00] artifacts from, from that time.I have a book that's set, well hopefully coming out in a few months, which is, uh, set in Madrid in 1958, and one of the characters works in a print shop. So I have wooden blocks, wooden printing blocks that spell out this character's names. So-Jennie: Oh,Stuart: that'sJennie: so cool.Stuart: So as I switch from project to project, I bring those things and put those onto my desk, and I just find it helps me get into that head space-Jennie: YeahStuart: and that emotional connection.Jennie: Yeah.Stuart: So because I still have a, a very strong emotional connection to what it is that I've just published, and I know there are two more books coming, I really wanted to sit and kind of immerse myself in that world. And the first object I created was this 3D printed ocean liner, because that has what has been sitting on my desk while I've been writing this first book.Jennie: So when you say you 3D printed it, how did you go about [00:08:00] that?Stuart: Okay, so I-Jennie: Oh, and, and let's just describe, since people can't see it. It's, it's about like eight inches, 10 inches? Uh, yeah, yeah. So- And it's... Is it made of plastic?Stuart: Yeah. So it's 3D printed, uh, so it's kind of a, a resinous kind of plastic that's- Yeahjust melted as it comes through the head. And yeah, so I found, uh, a model online, and then I... My comput- my computer modeling is not great. It's one of the few things that I'd see that I don't really, you know, have a skill at. So I contacted a friend and said, you know, “Can you modify this for me? Um, can you change the name on the side of the ship?”‘Cause the model that was already there, um, had a different name. And yeah, you know, we, we worked on the look and the feel, and then when we were ready, we found someone else to, to actually print it up. So for me, it's just a lovely object, and I know I'm going to be able to take it to book fairs. There's one coming up at the end of September- So I have little [00:09:00] wooden life rings, we have ship's rope, I have a reception bell.Um, so all of these artifacts, again, when s- if somebody comes to my stand at the book fair, they will be walking into the world of the SS Celestial.Jennie: That's so fun. Okay, so let's, let's talk about the, this, the ship and what happens on the ship and the story and the whole thing, ‘cause it's just too much fun.So it's, um, set in 1956 on a cruise ship. The name of the book is called All Hands on Dick, and it is currently out. So why don't you tell us about first All Hands on Dick, and then the series that it, um, begins?Stuart: Okay. So All Hands on Dick follows cruise director Dick Dockery, and Dick is one of those people that puts the passengers' needs before his own.So, and he is very good at his job But on the voyage from New York to Bermuda, [00:10:00] a slightly seedy kind of underground guy with a reputation called Van Valentine boards the ship. And Van very quickly identifies that what Dick is doing, that he's fulfilling everybody's needs but his own. So throughout a...It's very much a comedy of manners. So throughout that and some farcical moments and lots of beautiful sub-stories, um, Dick eventually learns that being needed is not the same as being loved.Jennie: Very, very, uh, profound message in a very fun setting. So some of the other characters, tell us about some of these other characters.Stuart: Okay. So we have, uh, newlyweds, uh, Buck and Kitty Devereaux. And Buck seems very nervous in his marriage, so one of the kind of mysteries is what is Buck hiding? And then eventually we start to learn that actually Kitty might be hiding some- something as well. We have [00:11:00] Aurelia Cashmere, who is a sort of a, a grande dame, I guess.She, she's first class. Um, she has come on board with a secret that she's going to reveal something when they get to Bermuda. We have, uh, Tony's sidekick, uh, Bunny Marlowe. We have a steward who seems to know everything called Tony Two Towels. We have a light-fingered magician called Pip Larkin. Um, and- ThisJennie: is just so great.And you s-Stuart: And then lounge singer... Sorry, then we have a l- a lounge singer called Rex Devereaux. Uh, and he has a on-off affair with his piano player, Joey Lamplight.Jennie: Okay. So you shared with me that, um, you loved The Love Boat, the, the TV show, right? Oh,Stuart: it's one of my... It, it's just fantastic. And I, I tell you what happened, I love the movie An Affair to Remember-Jennie: Mm-hmmStuart: with Deborah Kerr and Cary Grant. [00:12:00] And you know, I was... My mom loved kind of ‘40s, ‘50s movies. So she kind of introduced me to those when I was growing up, ‘cause I was born in the early ‘70s. So you know, sh- I was kind of weaned on, on movies by watching those. And I loved watching The Love Boat, and more recently...I say recently, it's a few years old now, but the movie Down with Love, uh, with Renee Zellweger.Jennie: Yeah.Stuart: And I watched that and it reminded me of the Doris Day, Rock Hudson kind of sex comedies.Jennie: Yeah.Stuart: So the vision for All Hands on Dick and the series that it fits into, um, very much came from those, those influences, and the love of, of the, all of those things.Jennie: Well, and it has that, and has that feel. So we'll talk about the whole series in a minute, but some of the other things that you made artifacts that you made, uh, well, there was a song and then there was a record, [00:13:00] and then there was a music video. So how much time have you spent making all these things?Stuart: I, I, I think, I think that wh- what, what happened was, I, I, I'd finished the book and I w- I was, I, something had happened.I think, I think an old Drifters song came up on my, um, Irene's, uh, list, and I'd been listening to... We have a, a TV, um, advert that's on in the UK that, uh, has the song, um, Beyond the Sea.Jennie: Oh, sure, sure.Stuart: It's Bobby... Yeah, yeah, yeah. Yeah. And I was, “Oh, okay.” So I knew that Rex, the lounge singer, one of his storylines is that there's a song that he can't sing.Jennie: Oh.Stuart: It is too emotional for him, and he's desperately trying to get his career back on track and, but there's this one song that he just cannot sing, but it's one of the most powerful songs that could potentially bring his [00:14:00] career back. And I'd been thinking about songs and, you know, again, my mom was just a very, very funny wom- woman and, you know, we would make songs up together.And I wrote some jokey lyrics, uh, called, for a big band number sung by Bunny, called Everybody Needs Dick. And, and, you know, uh, you, the lyrics are, are, you know, a bit silly here and there, but, uh, I just had fun with it.Jennie: Yeah.Stuart: You know? So none of this was planned. Um, now I know some people are gonna be really anti-AI, and I, I totally get that, but this was for my personal consumption.So I put those lyrics into an, a, an AI and said like, “Can you write a big band, you know, backing track to go with this?” Just as an experiment, and what came out just really took me by surprise. So-Jennie: It's amazing. I mean, it sounds like a fully produced Andrews Sister song.Stuart: Yes, yes. Love The [00:15:00] Andrews Sisters.Yeah. And then I got thinking about Rex's song, and I thought, “What kind of avoidant thing would Rex sing?” So I wrote some lyrics for that and, um, again, put it into the same AI, AI, and it came out with a couple of versions, and one of them immediately made me start to cry. Oh, no. And I thought, “Okay, if I have an emotional connection to this song, then I need to do something with these tracks.”So I'd been kind of living in the world of the SS Celestial, which is the, the ship that the story is set on, and got to thinking about kind of souvenirs and, and would the ship sell souvenirs, and what kind of things might they sell? And I thought, “Okay, if I'm gonna have an object that's all my own, then as my kind of reward for finishing the book,” I thought, “wouldn't it be great to have a vinyl record?”So then I get into researching how much music can you get on, you know, a seven-inch, a 10-inch, [00:16:00] 12-inch record. Settled on a 10-inch record because, um, Rex's song is six minutes. It won't sit on the seven-inch. Then I had to do my research. You know, were 10-inch singles available in the US in the 1950s? Turns out they still were.Um, then I got to designing the record covers and the labels. I found a company in, uh, the, in London who handcraft. So rather than press a record, they hand-cut it.Jennie: Oh,Stuart: wow. Um, found a company to do that. And yeah, you know, a week later I had in my hands a, a, a 10-inch record, and that is just for my personal consumption, but, you know, I will share that on,um, you know,uh, social media. I will play parts of the record on social media. And yeah, that's where I kind of got to in there, and I just wanted to share with people like, “Oh, look, I made this cool thing.”Jennie: Yeah, yeah.Stuart: And-Jennie: I mean, it's so cool, and [00:17:00] when... We'll share, hopefully, uh, uh, cover a picture of the, um, m- the, uh, record so, in the show notes so people can see.But when, when you share it and talk about it, again, you're just filled with so much joy, like a kid. Yeah. Like, “Look at this.” Yeah. “Look at what I made.” And that has to feel really good, right?Stuart: It, it really, really does. And, and, you know, my family, immediate and wider, are going through some really difficult times at the moment.We started kind of March last year, and, um, I won a, a, a grant from the Arts Council here in the UK to, to really help me kind of zone in on my playwriting.Jennie: Right.Stuart: And a full-length play that I've written is, it's very dark, and it deals with some very dark kind of, uh, themes and issues. And a friend of mine had said to me, she said, “There's something wrong with you.There's, [00:18:00] there's, like, this little light that has gone out.”Jennie: Oh.Stuart: And she said, “I think you should get back to writing comedy.” Um, when I wrote for TV, that was comedy. Um, my last full-length novel, you know, had lots of comedic stuff going on. Um, and she's like, “Why don't you, you consider going back to comedy?”She'd read a lot of my writing when I was doing my master's degree, and she said, “I, I really think you need that, that kind of lift.” So when I was thinking about what to write, I was like, “Okay, I need to do something that, that just really sits with me.” I'm not... You know, writing a novel is a big commitment, and you need to be around people that you kind of really love.Jennie: Yeah.Stuart: And I wanted these people to- So many queer stories I think are written from a place of trauma.Jennie: Mm-hmm.Stuart: And I really wanted a group of people who had relatively low stakes threat, but [00:19:00] could really live and breathe in their environment and find joy. And that's exactly as passengers are disembarking at the end of this, this book, that's, you know, there is hope and there is joyJennie: And I imagine that's what you want your reader to feel.Stuart: Um, uh, a- absolutely. I've absolutely written it for people who, you know, to take on a take on a cruise- Right ... or read on the beach. And, you know, I think it's fair to say that, you know, politically and, um, literally the world is on fire, right?Jennie: Yeah.Stuart: Yeah. You know, we're seeing huge fires all over, you know, we're seeing political, just appalling political stuff.And I, and I just thought I, I need this story and I need these people, and I think other people out there need just some fun and some joy and some lightness.Jennie: So tell me about, um, right before we r- started [00:20:00] recording, you said you were almost finished with the music video. Tell me about that.Stuart: Right. Okay. So, uh, Everybody Needs Dick is a huge, joyous, big band number, and I was creating a little short animation to go on, um, social media, and also I wanted the challenge of learning something new from an IT point of view.Jennie: Mm-hmm.Stuart: And it kind of grew, ‘cause I was putting some music to the, the reel on Inst- on Instagram, and I just thought, “Hmm, this could... Like, I really like the results of what I've been able to animate here. Like, maybe this could be something bigger.” And I used to work for Turner Broadcasting Systems, which is now, like, part of Warner Brothers Discovery.Was there for about three years working mainly on the Cartoon network side, and I did some work with the animators of The Amazing World of Gumball, which is a very [00:21:00] popular show, um, in the US, and I kind of thought, like, maybe there's something in this. Maybe I could put all of the Everybody Needs Dick story into, like, an MGM musical number.Jennie: Right.Stuart: And like, so again, it, it captures the look and the feel and the tone of the joy of the book as well. So I'm 40 seconds away from finishing. It takes about an hour to get 14 kind of decent seconds. And I... But I'm, I'm exhausted, but what's keeping me going is watching it over and over again and feeling emotional, feeling that emotional connection to the relationships that are developing, even just through the video i- itself.Jennie: Right. AndStuart: what- So again, for me, it's just immersive.Jennie: What, um... When you approach Something like that, and you, you know, obviously we're all, uh, learning, if any of us listening use AI for [00:22:00] various things, we're all learning as we go d- because it's so new. How do you approach the technology side of it? Like, in addition to the creative part, you have to figure things out, right?Figure out how to do it.Stuart: Yeah. I mean, you know, I spend a lot of time engineering prompts for all different sorts of things. So for my own writing, um, I have a prompt that runs through my chapters and looks at all of the nasty habits that I have.Jennie: Yeah.Stuart: And I was talking to another coach the other day, and I was like, “Let me, let me just do a quick word count.”And that search, that, um, AI prompt, is 9,510 words.Jennie: Wow.Stuart: So I might have spent a long time working on that, that prompt, but it really helps me sit back, look at my chapters, really understand what's working and what's not working, and then from my past mistakes and patterns of writing, it helps me see those and that I've fallen back into to some of those [00:23:00] habits.Jennie: Yeah.Stuart: So, you know, I, I like to think I'm relatively good. Um, but again, some of the graphics that I was using on Instagram were... They were by real people.Jennie: Yeah.Stuart: And I thought, “Well, that's not really the kind of look I'm after. I'm kind of after that... For the, for the video, I'm after that mid-century American illustrated look that is somewhere between J.C.Leyendecker's illustrations of the sort of ‘20s, and the illustrations that you would expect to see in an American magazine in the mid-'50s.”Outro: Right.Stuart: So I worked and worked and worked, you know, with an AI tool on getting the look right, and then locking that look in. Then I was able to take the images from Instagram and say, “Okay, what would those character models look like if they were in dr- had been drawn in this style?”So again, we worked through those looks, um, you know, how smooth their skin was, what the kind of folds in their clothes should look like. [00:24:00] You know, we did a lot of work on that, and then it was really down to the things that I kind of learned at Warner Brothers and watching the extras on DVDs about storyboarding, um, the animations, and then really teaching myself the best way to use, um, the AI that I was using to get the best kind of effects out of it.And I- So it sound- You know... Hmm.Jennie: It, it sort of sounds like play.Stuart: It is. It really is. And I, you know, I, I love learning. I loved learning to be a book coach. I'm always doing some kind of course, whether it be creative or, you know, to do with writing. And, you know, I like a challenge, and teaching- Yeah ... me this new technology, I mean, I'm 54, and, you know, there's always that risk that the kids are gonna com- going to kind of overtake you.Jennie: Sure. Uh,Stuart: but I'm very curious about the world. You know, I l- I like my K-pop. I'm very excited today ‘cause Hatsize, you know, new EP is out. Um, I've had many a conversation with a 13-year-old who's just shocked that I know anything about K-pop- ... [00:25:00] let alone I'm kind of into different bands. So, you know, I'm interested in, in pop culture and learning new technologies and, you know, it has been a huge, huge challenge for me to do this.But again, it's playing in this world, and I've also noticed as I'm doing these other creative projects, because I'm still mentally in the world, some of the stories for the later books are, are coming to me.Jennie: Yeah. Yeah. So let's talk about the series. At what point did you decide that All Hands on Dick was going to be a series?Stuart: Pretty much from the beginning. I-Jennie: Okay ...Stuart: I, I... So the series is called A Gay Odyssey, and that's- AndJennie: it's, I have to spell it. It's- Yeah ... O-D-Y-S-E-A.Stuart: Yes. So it- it's A Gay Odyssey, and I call it, like, a naughty cal adventure. So- So, you know, I, I very much saw this as the ship as a [00:26:00] container.Jennie: Mm-hmm.Stuart: Okay? Quite literally.Right. But also like a story engine.Jennie: Right.Stuart: So I thought this is, this is a world in miniature, and I wanted to have one overarching love story that covers all three books. But like The Love Boat, I wanted that episodic nature to it as well, because I knew I wanted to bring in different characters and different crew.So A Gay Odyssey is, it's a trilogy of mid-century American queer romantic novels that also examine, uh, the life we live as performance as well as the life we live in private.Jennie: Mm-hmm. So that's where the, the lounge singer and the piano player, the literal- Yeah ... performers and the magician, as well as the just regular people who are performing different roles and things.Ab-Stuart: a- absolutely. You know, Buck is, is performing kind of the dutiful husband, and that's clearly not what's going [00:27:00] under, on under the surface. And, you know, Kitty is very much wanting to go out, you know, understand what's w- I want to say in quotes, “wrong with him.”Jennie: Right.Stuart: And yet Kitty starts to believe that actually she might not entirely be the person she thinks she is.So again, it's, some of it's around self-discovery, um, and some of it is just how you move in the world when the world is telling you you shouldn't be who you are. I mean, it's coming off the back of the Lavender Scare- Mm-hmm ... in the US, um, that Eisenhower signed in 1953 where queerJennie: people-Stuart: I'm not familiar withJennie: that.Stuart: Oh, okay. So I think it was Order 105410or s- or, or something. But Eisenhower signed it, signed it in 1953, and it basically meant that nobody, no gay man or lesbian could work in a federal job.Jennie: Oh, I, I was not aware of that.Stuart: So, you know, thousands and thousands of people were put [00:28:00] out of employment in the US. Wow. So it's coming off the back of that Lavender Scare, um, and it was very much treated like they were a security risk.Jennie: Wow. Um, I'm not gonna get really deep into the series because you and I are gonna do a deep dive on, uh, series development. Um, and for our listeners, Stuart is obviously, um, I would say one of the world's foremost experts on my blueprint method. H- how's that for a title?Stuart: That's very kind of you.Jennie: Um, he teaches it, he coaches it, he holds the high bar for certification that we have at Author Accelerator around the blueprint and other things.But one of the things that he has really done is, is to do a very deep dive on understanding how to use the blueprint [00:29:00] to develop a series, and how you think about one book, how you think about the whole series, the, the order of things, the, the way this tool can be used in this way, and his work on this is, uh, blew me away truly.So I've asked Stuart to come back onto the podcast, and we're going to do a series of two, uh, podcasts, where in one we're gonna talk about the overview of how to use the blueprint to develop a series, and it can be any genre, uh, any- Mm-hmm ... fictional genre, and then we're gonna do a second podcast on ... Now I can't remember what it was, but I think it wasOh, the story engine, and you, and you referenced that with, for your series, the, the ship and, and this container and how to develop a story engine. [00:30:00] And this will also all lead to a special offer to work directly with Stuart on a series, so, um, using the blueprint. So all of that, I'm making all these big promises.I hope they all come true.Stuart: They will. They will.Jennie: Um, all of this is just, uh, laying the groundwork for, for folks who are interested in designing, developing, building a series, and, um, doing it with somebody who has this incredible creative and playful mind, and you can get a sense of the way Stuart thinks and, and works and, um, of the things that he makes.Uh, can you tell us, Stuart, w- if people wanna read All Hands on Deck right now, where can they go? If people wanna find you, and how on earth can they see and hear all this cool stuff you've made? Tell us all the things.Stuart: Okay. [00:31:00] So, uh, in terms of, obviously you can find me at thebookcoach.co. On Instagram, I'm Mr.S Wakefield. Um, so that's where you'll be able to see where I share the cool things that I've made. Um, and then in terms of buying, I mean, all good bookstores. I've already had some, some podcast listeners of mine send me pictures of them holding their, uh, books in, you know, American bookstores, which is fantastic to see.Uh, so yeah, you know, everywhere that you can buy a book. It's not just Amazon, boo, hiss. Um, you know, you should be able to get it in all, all, you know, good, good bookstores.Jennie: Excellent. So, uh, say your, say that Instagram again, just so people can hear.Stuart: Uh, it's Mr. S Wakefield.Jennie: Okay, great. Well, um, we have much more to talk about, and we, and we will be talking about, but this was just so fun to hear your process and this, um, this sense of marketing as a [00:32:00] creative project.And it'll be really fun to follow along and check in with you in our next episodes about where all of this stands as well.Stuart: Great. Thank you.Jennie: Thanks for joining us, Stuart.Stuart: Okay. Take care, Jennie. Bye.Jennie: And for our listeners, thanks for listening. Now let's get back to work and finish what matters mostOutro: The hashtag amwriting podcast is produced by Andrew Perilla. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output because everyone deserves to be paid for their [00:33:00] work This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

To honor the 250th anniversary of America, Tyler Cowen plays Rick patriotic music from the United States and around the world in this special listening episode. In addition to his work as an economist, professor, and bestselling author, Tyler Cowen is a longtime music enthusiast with an expansive repertoire in classical and choral music, rock n' roll, and world music.  Moving from John Philip Sousa's vision of classic patriotism and Country Joe and the Fish's antiwar satire to the Andrews Sisters, Franz Liszt, Béla Bartók, Antonín Dvořák, and the Sex Pistols, Cowen explores how music can express, question, and reimagine what it means to love one's country. PLAYLIST ------ Thank you to the sponsors that fuel our podcast and our team: AGZ ⁠⁠https://DrinkAG1.com/tetra⁠⁠ ------ Squarespace ⁠⁠https://Squarespace.com/tetra⁠⁠ Use code 'TETRA' ------ Athletic Nicotine ⁠⁠https://www.AthleticNicotine.com/tetra⁠⁠ Use code 'TETRA' ------ Lectio 365 ⁠⁠https://Lectio365.com⁠⁠ ------ Sign up to receive Tetragrammaton Transmissions ⁠⁠https://www.tetragrammaton.com/join-newsletter

我小时候是没有海鲜吃的。生长在内陆，能吃到海里的东西就不错了，实在是谈不到“鲜”。最常见的是冻带鱼（也是我小时候唯一喜欢吃的鱼类）和海带，还有那些虾皮、虾米大概也是小海虾做的。 我第一次吃海鲜吃到爽可能是初二的时候去大连的姑姑家。不过我想大多数小朋友们的味觉都没有发育好，再加上吃过的东西也少，是不知道什么算好、什么算坏的。我唯一的印象就是皮皮虾（我们叫它“虾爬子”）剥起来很费事很扎手，水煮的海螺、扇贝、虾都没什么味道——之所以只用水煮，是为了品尝它最原始的鲜味。当时的我显然是受了我爸妈的影响，深以为所谓的“鲜味”不过是“臭鱼烂虾味”。 我真的对海鲜有兴趣可能是很晚近的事情了，毕竟即便到了今天，在北京这种内陆城市还是很难吃到物美价廉的海鲜，想吃好吃的海鲜，必须要稍微多花一点点钱；而在北京这种缺乏平价美食的“美食荒漠”，花的钱可能要比其他内陆城市还要再多一点点。 本期节目，我和小马将继续为各位介绍各种海鲜相关的音乐。 *** 选歌嘉宾：泠风 资深迪士尼粉丝泠风选送的是电影《小美人鱼》的经典插曲《Under the Sea》。这首由Samuel E. Wright用特立尼达和多巴哥口音演唱的歌曲夺得了第62届奥斯卡金像奖最佳原创歌曲奖，也助力《小美人鱼》获得最佳原创配乐奖。正如泠风所说，这首歌是Samuel E. Wright配音的塞巴斯丁吓唬爱丽儿不要靠近人类，它用的说词就是“我们会被人类变成海鲜”，这首歌真的要在吃海鲜的时候听吗（

Merriam-Webster's Word of the Day for July 19, 2026 is: accentuate • ak-SEN-shu-wayt • verb To accentuate something is to make it more noticeable. // He likes to wear clothes that accentuate his muscular build. See the entry > Examples: “My mother could make me anything I wanted to be. As a child she transformed me into a swan, a mermaid, a white Persian cat dressed like an elegant Victorian lady with a porkpie hat and a ruffled bustle to accentuate my tail. She'd trained as a costume designer.” — Perdita Finn, Mothers of Magic: Summoning the Wisdom of Our Ancestors, 2026 Did you know? When you accentuate something you put an “accent,” or emphasis, on it. Stress not about the word's history; its journey into the English language was very straightforward. It comes from the Latin accentus, meaning “accent” (which itself comes in part from cantus, meaning “song”), and since the early 18th century, its meanings haven't changed much. The word was initially used as a synonym of the verb accent to mean “to pronounce with greater stress or force,” which is a small leap from today's meaning of “to make something more noticeable; to emphasize.” One excellent way to remember not only how to pronounce accentuate but also its etymological connection to song is the classic (and helpfully titled) tune “Ac-Cent-Tchu-Ate the Positive,” by Harold Arlen and Johnny Mercer, which has been performed by such luminaries as Dinah Washington, Sam Cooke, and Bing Crosby and the Andrews Sisters.

What makes a performance truly believable? In this episode, Alexa is joined by fellow BAST teammate Molly Walsh to explore acting through song and the power of gesture mapping. Together they unpack practical acting techniques that help singers communicate emotion authentically, make purposeful physical choices, and create performances that are both vocally sustainable and dramatically compelling. From Meisner and SAVI techniques to storytelling and practical teaching strategies, this episode is packed with insights for singing teachers, vocal coaches, performers, and musical theatre students looking to bring any song to life.  WHAT'S IN THIS PODCAST?  2:58 Different acting techniques   7:34 Considerations for method acting  11:24 Inside-out vs Outside-in (& the SAVI technique)  14:01 Where you can find ‘acting through song' clues 20:19 Gesture mapping  38:45 The SAVI cards  47:42 Consonants  51:48 Facial expression & neurodiversity   About the presenter HERE RELEVANT MENTIONS & LINKS Practitioners Mentioned: Konstantin Stanislavski; Stella Adler; Uta Hagen; Sanford Meisner; Rudolf Laban; Lee Strasberg; Arthur Lessac; Viewpoints  Singing Teachers Talk - Ep.221 How Knowing Musical Theatre History Makes You a Better Performer Ernie Losso The Savi Singing Actor by Charles Gilbert  Singing Teachers Talk - Ep.109 Mastering ‘Acting Through Song Techniques to Elevate MT Performance  Singing Teachers Talk - Ep.266 8 Tips to Make Belt Sound More Impressive  Teach Voice by Chris Johnson  Heidi Moss Erickson  Kaya Herstad-Carney Singing Teachers Talk - Ep.155 Part One: Building Neurodiversity-Inclusive Voice Studios Singing Teachers Talk - Ep.156 Part Two: Building Neurodiversity-Inclusive Voice Studios  ABOUT THE GUEST Molly Marie Walsh (BFA (Hons) Musical Theatre - Molly has had a professional performing career across the US and the UK. As a professional Musical Theatre Performer in the US: the National Tour of DIRTY ROTTEN SCOUNDRELS, and productions of WHITE CHRISTMAS, 42nd STREET, FORBIDDEN BROADWAY, OKLAHOMA! and INTO THE WOODS. and in the UK: Alan Menken's A CHRISTMAS CAROL, JEWISH LEGENDS, and THE MIKADO. She has been a Vocalist with a classical crossover group, ANCORA, and close-harmony Andrews Sisters trios THE MANHATTAN DOLLS (US), and currently in the UK, THE HONEYBIRDS. She has also been a creative consultant with writing team KANSLEY & LIDERT on their original musicals, CONFESSIONS and AUTUMN RHYTHM. She holds both a BFA in Musical Theatre from University of the Arts (US) and a BAST Level 5 Extended Diploma in Singing Teaching Skills. She is a singing tutor at Italia Conti, and a lecturer of history of dance and musical theatre at Urdang Academy, She has a passion for focusing on equality, inclusivity, curiosity, and decolonising the voice studio and our understanding of theatre history.  Website 

Hilary Gardner is a wonderful jazz singer raised in Wasilla, Alaska, but she's says she's a New Yorker at heart. She's a 5x Downbeat Magazine Rising Star Female Vocalist. And she's released four recordings as a leader, one of which, On The Trail, captures the “singing cowboy” era of the 1930s-40s. The album was named Western Album of the Year by the International Western Music Association. She is also a founding member of Duchess, a terrific female vocal trio with Amy Cervini and Melissa Stylianou. Duchess has released 4 albums and has collaborated with the Paul Taylor Dance Company, performing the music of the Andrews Sisters live onstage at Lincoln Center. Hilary has also appeared on Broadway as the live, onstage singer in Twyla Tharp's hit, COME FLY AWAY. And she has performed with Jeff Goldblum and his band at the Café Carlyle and with Michael Feinstein. And she has appeared as a guest soloist with symphonies across the country. My featured song is my reimagined version of Joni Mitchell's reimagined version of Charles Mingus's “The Dry Cleaner From Des Moines”, from my debut album Miles Behind. Spotify link. —------------------------------------ The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for Start Here Click here for All Episodes  Click here for Guest List  Click here for Guest Testimonials Click here for Pillars Click here for Robert's Project Grand Slam Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH HILARY:www.hilarygardner.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“THE BUZZ” - Ft. Darius de Haas (vocals) and Dave Eggar (Celo). Short, Sweet and Totally Different CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- Audio production: Jimmy RavenscroftKymera FilmsConnect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comFollow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.com    

Send us a text and chime in!The City of Surprise invites residents and visitors to celebrate community, culture, and our country with a performance by America's Sweethearts at The Vista Center for the Arts on July 3. The show is part of the City's America 250 celebration, a series of events and activities leading up to the nation's 250th anniversary. America's Sweethearts bring the timeless sound of female close-harmony groups to life with a fresh, vibrant twist. Inspired by the era of The Andrews Sisters, the New York City-based trio performs vintage favorites like “Boogie Woogie Bugle Boy” with crystal-clear harmonies, colorful costumes, and a style...   For the written story, read here >> https://www.signalsaz.com/articles/americas-sweethearts-performance-in-surprise/ Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

This week, we're stepping into a big, star-packed 1946 radio special celebrating 45 years of Walgreens. Bob Hope plays host (and hotel owner) in a fast-moving comedy variety show signature of the era, filled with one-liners, sketches, and a lineup of big budget guests including (but not limited to) the Andrews Sisters, Frank Morgan, and Dennis Day. We're not sure if this was really radio's “biggest” show, but it was a live entertainment event, and a snapshot of radio at its peak, when big names, live music, and comedy all came together for a full hour of A-list Hollywood glam. Visit our website: https://goodolddaysofradio.com/ Subscribe to our Facebook Group for news, discussions, and the latest podcast: https://www.facebook.com/groups/881779245938297 Our theme music is "Why Am I So Romantic?" from Animal Crackers: https://www.amazon.com/dp/B01KHJKAKS/ref=cm_sw_em_r_mt_dp_MK8MVCY4DVBAM8ZK39WD

What's your most favorite and least-loved songs on Soul Coughing's debut album? Dan chose this crazy bit of 1994 word salad jazz hiphop fusion for us to rank. He and Adam share stories of seeing the band, their kind submission for the Songs For Summer memorial album and witnessing their first time playing together in 25 years while Jim struggles to find nice things to say. FIGHT! Black Crystal Wolf Kids' Jeff Miller chimes in via video from Mexico. Hear it at WeWillRankYouPod.com, Apple, Spotify, Reseda, Wichita but not Chicago.FILE UNDER/SPOILERS:Alternative hiphop, Tori Amos, the Andrews Sisters, Beastie Boys, Ben Folds Five, Black Crystal Wolf Kids, Tchad Blake, Blueeyed Devil, Summer Brannin, Bus to Beelzebub, cartoon music, Casiotone Nation, Ray Charles, City of Motors, Courageous Cat Minute Mouse, Mark de Gli Antoni, Digable Planets, Mike Doughty, Down to This, the five percent nation, Mitchell Froom, Ruby Froom, Fu Schnickens, Fugazi, funky, Yuval Gabay, HFStival, hiphop, Howlin' Wolf, I'll get the wrists, Is Chicago, Is Not Chicago, Janine, jazz, Knitting Factory, Jeff Miller, Mr. Bitterness, Mister Roger's Neighborhood, the Modern Lovers, Moon Sammy, New York, noir, rap, reunion, Ruby Vroom, sampling, Schoolhouse Rock, Raymond Scott, Screenwriter's Blues, Solid Steel Radio Show, Songs For Summer, Soul Coughing, spoken word, standup bass, Sebastian Steinberg, Igor Stravinzsky, Sugar Free Jazz, Supra Genius, television themes, Toots and the Maytals, A Tribe Called Quest, True Dreams of Wichita, Uh, Zoom Zip, upright bass, Suzanne Vega, velvet crush, voulez-vous the bus, yellow number five, Yor, you get the ankles, John Zorn, 1994.US: http://www.WeWillRankYouPod.comwewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://wewillrankyoupod.bsky.social/http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)

This week, Erin and Cam have a date with THE ANDREWS SISTERS and wonder why everyone was dating duds. Like, your grandfather was statistically a dud. Look it up.

Andrews Sisters - Guest - Gene AustinBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Mills BrothersBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Riders of the Purple SageBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Hoagy CarmichaelBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Morton DowneyBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Bing Crosby, Gabby HayesBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Eddie DuchinBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Abbott and CostelloBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Al PierceBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Sophie TuckerBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Xavier CugatBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Bing Crosby, Gabby HayesBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Ray NobleBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Navy DayBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - CharioteersBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Marjorie MainBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Frank SinatraBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Jane CowellBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - Ethel MermanBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

Andrews Sisters - Guest - George JesselBecome a supporter of this podcast: https://www.spreaker.com/podcast/harold-s-old-time-radio--4206392/support.

'Your life chose you'Laurie Anderson, Master Anoushiravan Rohani, David Foster Wallace, The Andrews Sisters & Bing Crosby, Zadie Smith, Tierra Whack, David Bowie, Mathilde Santing, Joy Crooks, Girls At Our Best, Freddie McGregor & Snagga Puss

Charlie Parker was punk rock before there was punk rock. His bebop was underground music: subversive, intellectual, and a major departure from popular music of the day (think: Nat King Cole, The Andrews Sisters, Perry Como). He was an intellectual heavyweight, nearly untouchable in his technical ability and pushing music to places no one else was daring to go. So where did Charlie Parker with Strings, his most accessible album, come from?It's not Bird going commercial, like some have claimed. Charlie Parker with Strings is an album he fought to make. He loved Bach and Stravinsky (even quoting the opening of Stravinsky's 'Firebird Suite' mid-solo in one legendary performance), and had longed to make a record where his jazz saxophone was accompanied by strings.The resulting record is music's greatest improviser at his best. Jazz pianists Peter Martin and Adam Maness listen to select tracks (like "Just Friends" and "Summertime"), breaking down the theory behind the music to understand what makes this album great. Jazz is the foundation of the most GENIUS music in recent history: Stevie Wonder, Michael Jackson, Joni Mitchell, D'Angelo. In this popular music series, You'll Hear It, Adam and Peter break down the greatest albums of all time. These seasoned jazz pianists bring their deep musical knowledge to every joyful episode to help you hear the hidden qualities that make music AMAZING. You'll never hear music the same way again.Like the jam at the end of the show? Head to @openstudiomusic on YouTube for more.Visit openstudiojazz.com for ALLLLL your jazz lesson needs.00:00 - Intro: Charlie Parker with Strings01:10 - "Just Friends"04:40 - Want to Be a Great Musician? Study This Track10:20 - Early Recording: "Swingmatism" (1941)12:45 - The Secret to Charlie Parker's Genius: Practice15:20 - The Savoy Sessions: "Now's the Time" & Young Miles Davis18:20 - The Contrafact Built in Real Time21:45 - "Koko": Miles Davis Couldn't Play It?!24:30 - Musicians NEED to Listen to This27:15 - Think Parker Sold Out? Think AGAIN28:55 - "April in Paris": Parker's Chosen Tune33:55 - About Mitch Miller's Oboe ... 38:25 - "Summertime"44:10 - "Out of Nowhere"46:35 - We Have An Album! 47:20 - "East of the Sun"53:00 - "I'll Remember April"55:50 - Categories: Desert Island Tracks56:35 - The BEST Moments on Strings1:11:10 - Open Studio Plays "Just Friends"

This week we talk about Disney's post-war musical anthology, Make Mine Music. Produced during a time when the studio was short-staffed and under-resourced due to WWII, this "package film" consists of ten distinct segments set to music rather than a single continuous narrative. SPOILER ALERT We do talk about this movie in its entirety, so if you plan on watching it, we suggest you watch it before listening to our takes.An RKO Radio Pictures release of a Walt Disney Production. Released on April 20, 1946. Directed by Jack Kinney, Clyde Geronimi, Hamilton Luske, Joshua Meador, and Robert Cormack. Story by James Bodrero, Homer Brightman, and others. Featuring the musical talents and voices of Nelson Eddy, Dinah Shore, Benny Goodman, The Andrews Sisters, Jerry Colonna, Sterling Holloway, and Andy Russell. Edited by Donald Halliday and Anthony Gerard. Music direction by Charles Wolcott.

February 22, 1948 - Jack Benny and the gang are in Palm Springs and they visit the site where his new house is being built. There is also a cameo by Frank Sinatra.  References include "The Lady of 29 Palms" by the Andrews Sisters, Bing Crosby, Bob Hope and Jerry Colonna, AFRA (American Federation of Radio Artists) and Winthrop Rockefeller's wedding.

durée : 00:59:20 - Banzzaï du mercredi 18 février 2026 : Bouger - rediffusion - par : Nathalie Piolé -

Send a textIntro: Cruising Down the River by Russ Morgan and His Orchestra (1949)10. I'll Never Smile Again by Tommy Dorsey and His Orchestra with Frank Sinatra (1940)9. Nature Boy by Nat "King" Cole (1948)8. Don't Fence Me In by Bing Crosby & The Andrews Sisters (1944)7. Chattanooga Choo Choo by Glenn Miller and His Orchestra (1941)6. Buttons and Bows by Dinah Shore (1948)

Send a textIntro: Besame Mucho by Jimmy Dorsey and His Orchestra (1943)20. Boogie Woogie Bugle Boy by The Andrews Sisters (1941)19. Take the "A" Train by Duke Ellington and His Famous Orchestra (1941)18. Stardust by Artie Shaw (1941)17. I've Heard That Song Before by Harry James and His Orchestra (1942)16. Rum & Coca-Cola by The Andrews Sisters (1944)

Jack Armstrong The All American Boy 1940-12-10 e1567 Country of the Head HuntersCalling All Detectives 1948-07-07 Framed For the Murder of Mrs. MaynerBig Town 1937-10-19 Pittsburgh Lil WEGRobinsonBing Crosby Show 1951-02-28 w Andrews Sisters & Nat King Cole Cut cigsCandid Microphone 1947-07-14Whispering Streets 1960 e0098 Lynn RussellWhistler 1943-12-19 Death Demands A Payment

This week, the boys head to 1945, a peaceful and chipper year in history, to discuss Billy Wilder's masterpiece about an alcoholic, “The Lost Weekend”. After Dave and John give mini-reviews about “Mercy” (2026) and “Avatar: Fire and Ash” (2025), and John gripes about his 40-minutes of trailers ahead of “Avatar”, the boys give a brief year-in-review of 1945, before John tries to convince Dave and Jeff to elevate this ‘great' movie to a ‘gold star'. Grab a drink and join us! linktr.ee/theloveofcinema - Check out our YouTube page!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:06 “Mercy” mini-review; 7:06 “Avatar: Fire and Ash” mini-review; 13:53 Gripes about long movie trailers; 18:08 1945 Year in Review; 33:10 Films of 1945: “The Lost Weekend”; 1:19:41 What You Been Watching?; 1:24:54 Next Week's Episode Teaser Additional Cast/Crew: Ray Milland, Billy Wilder, Charles Brackett, John Seitz, Miklos Rozsa, Edith Head, Jane Wyman, Phillip Terry, Doris Dowling, Lillian Fontaine, Charles R. Jackson, Chris Pratt, Rebecca Ferguson, Kylie Rogers, Annabelle Wallis, Timur Bekmambetov, James Cameron, Sam Worthington, Zoe Saldana, Sigourney Weaver, Michelle Yeoh, Stephen Lang, Oona Chaplin. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Recommendations: Life of Chuck, Jack Fisk, Fallout, Hamnet, A Knight of the Seven Kingdoms, The Pitt, The Lord of the Rings. Additional Tags: Olivia De Havilland, Joan Fontaine, The Andrews Sisters, Gordon Ramsay, Thelma Schoonmaker, Stephen King's It, The Tenant, Rosemary's Baby, The Pianist, Cul-de-Sac, AI, The New York City Marathon, Apartments, Tenants, Rent Prices, Zohran Mamdani, Andrew Cuomo, Curtis Sliwa, Amazon, Robotics, AMC, IMAX Issues, Tron, The Dallas Cowboys, Short-term memory loss, Warner Brothers, Paramount, Netflix, AMC Times Square, Tom Cruise, George Clooney, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Apple Podcasts, West Side Story, Adelaide, Australia, Queensland, New South Wales, Melbourne, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellan Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Jeff Bezos, Rupert Murdoch, Larry Ellison, David Ellison, Elon Musk, Mark Zuckerberg. 

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Songs include: Christmas Dinner by Ernie Ford, Sleighride by the Boston Pops, Give Me Your Heart For Christmas by The McGuire Sisters, Here Comes Santa Claus by Bing Crosby and The Andrews Sisters and Silent Night by The Ravens. 

Andrews_Sisters_Gene_Austin

Boogie-woogie went mainstream in America during the war, as evidenced by the music of Glenn Miller and the Andrews Sisters.

(00:00-17:06) Tim heading to Jackson's parents' place in the Hamptons. The purple Mini Cooper and Kitty Bates. Charity and stuff. Audio of Drink on with Paul Fineabum talking about playing preseason games against NFL teams. Is Drink code switching to a southern drawl? A far cry from Alexander Graham Bell. Black out in Athens. Sometimes Doug's takes are met with stone cold silence. Bent over with a sandpaper finish. Alabama's first trip to Athens under Kirby Smart.(17:15-32:54) Music for Doug. Jimmy Snipes with a rough collision into the boards yesterday at practice. Day-to-day. Mizzou/Bama in a few weeks. ILL vs. USC this weekend. Rizz coming off an 0-7 week on The Spread Zone. Doug's moved onto The Golden Bachelor. Movie Boi News & Notes.(33:04-40:00) Songs for Doug continues. The Andrews Sisters and Bing Crosby. Happy birthday Pork Steak. Pigeon all day.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I was showing the America I knew and observed to others who might not have noticed.” - Norman Rockwell Whether arguing for soft versus hard taco shells or the Neo-Nazi right to march in Skokie, freedom of speech is a fundamental right we all enjoy as Americans. But it turns out that telling people that is pretty complicated, actually. Thank goodness we have Norman Rockwell, virtuosic photorealistic painter and America's crown prince of nostalgia, to help us understand our fundamental freedoms from the intimacy of the magazines fanned across the coffee tables inside our homes. See the images: https://www.thelonelypalette.com/episodes/2025/6/4/episode-70-norman-rockwells-freedom-of-speech-1943 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, “The Zeppelin,” “Lord Weasel,” “No Smoking,” “Transeless,” “Silver Lanyard,” “Ice Tumbler,” “Sino de Cobre,” “Georgia Overdrive,” “The Consulate”

Songs include:  Songs include: Chattanooga Choo Choo  by Glenn Miller, Boogie Woogie Bugle Boy by the Andrews Sisters, God Bless The Child by Billie Holiday, Take the A Train by Duke Ellington and Stardust by Artie Shaw. 

In this episode I continue my review of Broadway's Nostalgia Craze of the 1970s and beyond. Many of the musicals that emerged in the late 60s and very early 70s were also influenced by the incipient Nostalgia Craze, even if overall their shows were decidedly modern. HAIR, Jesus Christ Superstar, Godspell, Two Gentlemen of Verona, Applause  all included musical sequences that recalled the Vaudeville era and Silver Age of Broadway. So nostalgia was in the air, and then No, No, Nanette sent it into the stratosphere! And all of this was before the nostalgia craze expanded to include the 1950s. Almost exactly one year after the premiere of Nanette the musical Grease opened on Broadway. It became wildly popular and ran for eight years on Broadway passing Fiddler to become the longest running musical of all time until A Chorus Line passed it. And Grease's enormous success set into motion a 1950s wing of the nostalgia craze by inspiring both the movie American Grafiiti (1973) and the TV show Happy Days (1974). The success of Nanette led directly to a 1973 revival Irene, the smash hit musical that opened in 1919 and became the longest running musical of its day. And Grease led directly to Over Here !, the 1974 musical in which the director, choreographer and producers of Grease attempted to do for the 1940s, what their previous show had done for the 1950s. The two still living Andrews Sisters, Patty and Maxine, where enticed to star in Over Here!, and the Sherman Brothers, of Disney fame, provided a terrific set of brand new very authentic sounding Big Band era style songs for them to swing. Broadway's Nostalgia Craze continued with a hit 1975 revival of the Jerome Kern Princess Theater musical Very Good Eddie, then in 1979 both the 1928 Edie Cantor vehicle Whoopee! and the 1930's style classic Burlesque show, Sugar Babies.  It was inevitable that the movie 42nd Street itself would be transformed into a Broadway stage musical in 1980. That same season there was the Marx Brothers inspired revusical A Day In Hollywood A Night In The Ukraine. 1983 brought a hit revival of Rodgers & Hart's On Your Toes, and over the next decade there would be two Gershwin “revisals”, both of them so heavily reworked that they were given new titles: My One And Only in 1983, and Crazy For You in 1993. In between, came the Broadway debut of a 1937 London hit Me And My Girl in 1986. I would even include the 1980 blockbuster Annie in this category. Although it was, of course, an entirely new musical it certainly played on nostalgia for the comic strip and radio show Little Orphan Annie from the Depression Era, and smartly used that to echo the recession of the 1970's. Some people would say that the Nostalgia Craze never ended, at least as far as Broadway is concerned.  Although, revivals of popular musicals have been part of the Broadway mix throughout most of its 120+ year history, the success of No, No, Nanette and its successors created a pattern and expectation that in every season – there should be at least enough revivals to fill out a Tony Award “Best Revival” category. And you could say that the immense popularity of City Center's Encore Series is an extension of the Nostalgia Craze, as well. I for one hope that we will never tire of rediscovering and reinventing the great musicals of the past. Learn more about your ad choices. Visit megaphone.fm/adchoices