Podcasts about Verve Records

See Adam on tour https://theadamfriedland.show/pages/tour -- JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join -- Listen to Kurt Vile's new single “Zoom 97” here: https://www.youtube.com/watch?v=hibDX0wH1F4 Watch the video for “Chance to Bleed” here: https://www.youtube.com/watch?v=FDq6YTeldcY philadelphia's been good to me is OUT NOW on Verve Records: https://kurtvile.lnk.to/PhiladelphiasBeenGoodToMeID -- Patreon: https://www.patreon.com/cw/TheAdamFriedlandShow -- Buy our merch!: https://theadamfriedland.show/collections/new -- SONGS “Zoom 97” Written and Performed by: Kurt Vile “Every time I look at you” Written and Performed by: Kurt Vile “hit of the highlife” Written by: Kurt Vile & Luke Roberts Performed by: Kurt Vile Musical Performance: Directed By - Thomas Pistor Eisenman Edited By - Zach Galsky Director of Photography - Joji Baratelli Camera Operators - James P. McSweeney, Connor Keep Colorist - Joji Baratelli Gaffer - James P. McSweeney Recordist/Mixer - Jack Callahan — Start your free trial and get 50% off your first year of total money clarity using link https://monarch.com/TAFS or code TAFS For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/TAFS For a limited time, our listeners get 50% off FOR LIFE, Free Shipping, AND 3 Free Gifts at Mars Men at https://Mengotomars.com #ad — #theadamfriedlandshow #tafs #adamfriedland #Kurtvile Learn more about your ad choices. Visit podcastchoices.com/adchoices

See Adam on tour https://theadamfriedland.show/pages/tour--JOIN THE FRIEDLAND FAMILY FOUNDATION / PREMIUM SUBSCRIPTION: https://www.youtube.com/@TheAdamFriedlandShow/join--Listen to Kurt Vile's new single “Zoom 97” here: https://www.youtube.com/watch?v=hibDX0wH1F4Watch the video for “Chance to Bleed” here: https://www.youtube.com/watch?v=FDq6YTeldcYphiladelphia's been good to me is OUT NOW on Verve Records: https://kurtvile.lnk.to/PhiladelphiasBeenGoodToMeID--Patreon: https://www.patreon.com/cw/TheAdamFriedlandShow--Buy our merch!: https://theadamfriedland.show/collections/new-- SONGS“Zoom 97”Written and Performed by: Kurt Vile“Every time I look at you”Written and Performed by: Kurt Vile“hit of the highlife”Written by: Kurt Vile & Luke RobertsPerformed by: Kurt VileMusical Performance:Directed By - Thomas Pistor EisenmanEdited By - Zach GalskyDirector of Photography - Joji BaratelliCamera Operators - James P. McSweeney, Connor KeepColorist - Joji BaratelliGaffer - James P. McSweeneyRecordist/Mixer - Jack Callahan—Start your free trial and get 50% off your first year of total money clarity using link https://monarch.com/TAFS or code TAFSFor simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/TAFSFor a limited time, our listeners get 50% off FOR LIFE, Free Shipping, AND 3 Free Gifts at Mars Men at https://Mengotomars.com #ad—#theadamfriedlandshow #tafs #adamfriedland #KurtvileSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today on another encore episode of the Rarified Heir Podcast, we are speaking to childhood friend from youth baseball, JD Lobue Jr. as our guest today. Back in the 1970s, host Josh Mills and JD played on the Little League Dodgers team at Studio City National Little League and became fast friends in elementary school. And while he'd known about his father, JD Lobue Sn., was a television director, it really wasn't something they talked about on the baseball diamond. Cut to, oh several years later, while reading issue #59 of the ultimate rock 'n roll magazine, Ugly Things, which bills itself as Wild Sounds from Past Dimensions, that an in-depth article on the 60s Mississippi garage band The Gordian Knot caught his eye. Turns out, JD Lobue Sr. was a band member of saif Knot and after making their way west to Hollywood in the last 1960s, the band got their big break. Signing to Verve Records and recording their only album, the band befriended Nancy Sinatra, Aside from their lone LP, The Gordian Knot also became THE band to have play your swanky Hollywood party. Or in some cases, join Nancy on USO tours in Asia during the Vietnam War. All of this later lead to stints for Lobue Sr., in television after the band broke up. Starting with black dance party juggernaut, Soul Train with host and creator Don Cornelius, JD became an in demand television director. We get into all of this as well as beloved television shows like Soap, Newhart, It's A Living, Dharma & Greg and Two and a Half Men with Jr. which were just a few of his credits. We discuss life growing up in Hollywood with JD as well as a rather unique love of a sport that flew under the radar – not pun intended - in ultimate frisbee which the younger JD excelled at. We can thank garage rock from a superior music magazine Ugly Things for this episode. All it took was a Google search to bring us this episode of the Rarified Heir Podcast. Take a listen.    

Dans cet épisode de la Minute Crooner Attitude, Jean-Baptiste Tuzet nous fait découvrir la trajectoire fascinante d'Aron!, un jeune artiste d'une vingtaine d'années qui insuffle une modernité "4.0" à l'élégance du crooner traditionnel. Initié aux standards de Nat King Cole et Frank Sinatra par un professeur de guitare octogénaire, ce musicien originaire de Caroline du Nord a forgé son talent en chantant dans les maisons de retraite américaines. Entre formation classique (Chopin, Bach) et sonorités pop vintage développées durant le confinement, Aron! est désormais signé sur le prestigieux label Verve Records. Découvrez son univers sophistiqué à travers ses titres "Wonderful Thing" et "Cosy Me".La Minute Crooner Attitude, le billet d'humeur de Jean-Baptiste Tuzet, tous les jours de la semaine, 9 h 15 et 19 h 15 sur Crooner Radio. Plus d'informations et podcasts www.croonerradio.frHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to Season 05 Episode 5.12- the "Winter Be Gone" edition - of Notes from the Aisle Seat, the podcast featuring news and information about the arts in northern Chautauqua County NY, sponsored by the 1891 Fredonia Opera House. Your host is Tom Loughlin, SUNY Distinguished Teaching Professor and Chair Emeritus of Theatre and Dance at SUNY Fredonia. Guests on this episode include: BA Van Sise/Children of Grass; Dan Lendzian/Ruthless! - The Musical; Vernon Huff/SUNY Fredonia Choral Festival Notes from the Aisle Seat is available from most of your favorite podcast sites, as well as on the Opera House YouTube Channel. If you enjoy this podcast, please spread the word through your social media feeds, give us a link on your website, and consider becoming a follower by clicking the "Follow" button in the upper right-hand corner of our home page. If you have an arts event you'd like to publicize, hit us up at operahouse@fredopera.org and let us know what you have! Please give us at least one month's notice to facilitate timely scheduling. Time Stamps (Approximate) BA Van Sise/Children of Grass - 1:21 Dan Lendzian/Ruthless - The Musical  20:50 Arts Calendar - 40:05 Vernon Huff/SUNY Choral Festival - 42:40 Artist Links BA Van Sise Dan Lendzian Vernon Huff Media Symphony No. 6 in F Major, Opus 68 (Pastorale), Ludwig von Beethoven, composer; performed by the Frankfort Symphony Orchestra, Ariane Matiakh, conductor, October 2021 "Born to Entertain", from the musical Ruthless! - The Musical; music by Marvin Laird and book and lyrics by Joel Paley, performed by Lindsay Ridgeway from the Los Angeles production, 1994. "Desafinado",  Antonio Carlos Jobim, composer; lyrics by Newton Mendonça; performed by the Stan Getz and Charlie Byrd Sextet from the album Jazz Samba; Verve Records, 1962 Wade in the Water, traditional African-American spiritual; arranged by Stacy V. Gibbs, performed by the Houston Chamber Choir, April 2023 When It's Springtime in the Rockies, music by Robert Sauer, lyrics by Mary Hale Woolsey, 1929; performed by The Sons of the Pioneers, from their album Sing Campfire Favorites, RCA Records 1967 Box Office at SUNY Fredonia Lake Shore Center for the Arts Main Street Studios Ticket Website SUNY Fredonia School of Music Events WCVF Fredonia WRFA Jamestown The 1891 Run for the Opera House, April 2026 BECOME AN OPERA HOUSE MEMBER!    

This week on Jazz After Dinner Joe features Bassist Charlie Haden from his 1991, Verve Records recording, titled “Haunted Heart.”

This week on Jazz After Dinner, Joe features Pianist and Composer Herbie Hancock from his 2002 Verve Records recording titled “Directions In Music.” 

British singer-songwriter dodie has spent half her life in public. Long before algorithms and engagement metrics ruled the day, she began posting homemade songs and videos on YouTube as a teenager from Essex. Her soft voice, self-effacing humor, and unfiltered honesty drew millions of viewers who watched her grow up online—sharing heartbreaks, mental-health struggles, and moments of joy in real time. Fifteen years later, that same authenticity anchors her second album, Not For Lack of Trying (Decca / Verve), a project that finds her looking inward with more clarity and balance than ever. Produced with Joe Rubel, the record feels both intimate and expansive, blending hushed guitars, clarinets, and a subtle electronic pulse beneath lyrics about healing, boundaries, and learning to feel okay. Here she talks about what it means to grow up online, how she learned to protect her private life, and the long road to emotional equilibrium. She opens up about the strange feedback loop of being praised for her pain, the decision to step back from constant posting, and the discovery that medication, therapy, and time have finally helped her feel “a bit better.” She discusses the making of Not For Lack of Trying, her collaboration with friends like Greta Isaac and producer Joe Rubel, and the sonic choices that define her sound - the low rumble of drop-tuned guitars and the warmth of analog synths supporting a voice that seems to hover just above the mix. “When I'm writing,” she says, “I'm not aiming for how it sounds. I'm aiming for how it feels—I just want to get goosebumps.” Along the way, dodie reflects on the evolution from being a “special girl” with a ukulele and a webcam to becoming a full-fledged artist with more than a billion streams, seven million followers, and a place on Forbes' 30 Under 30 list. Through it all, she's still trying, still curious, still kind, still chasing that feeling. www.third-story.com www.substack.leosidran.com www.wbgo.org/podcast/the-third-story

Esta semana, en una nueva edición de Rebelión Sónica, los invitamos a escuchar música de los tres discos que han lanzado este año la dupla conformada por Brian Eno y Beatie Wolfe: “Luminal”, “Lateral” y “Liminal”. El pionero de la música ambient británico y la artista conceptual y compositora angloamericana, publicaron los dos primeros discos el 06 de junio, mientras que el tercero salió el 10 de octubre, todos bajo etiqueta Verve Records. La colaboración creativa entre ambos artistas surgió a raíz de sus respectivas causas medioambientales, lo que los llevó a cruzar caminos y a pronunciar un discurso inaugural en el festival que celebrar la convergencia entre tecnología, música, cine, educación y más SXSW. La dupla se reencontró cuando exhibían obras de arte visual y conceptual en galerías separadas de Londres. A lo largo de 2024, comenzaron a hacer música juntos esporádicamente, lo que dio origen a “Luminal”, que es “música de ensueño”, y “Lateral”, que es “música espacial”. Por su parte, “Liminal” se sitúa en el punto de convergencia entre los dos anteriores. “Si el primero es una especie de pintura paisajística, un lugar sonoro, el segundo es un despertar onírico, un espacio de sensaciones”, dijeron ambos artistas en una declaración. “Liminal”, agrega el comunicado, “es un híbrido entre ambos, una tierra nueva y extraña con un ser humano que vive y se abre paso a tientas a través de sus misteriosos espacios”. El texto explica también que “Liminal se sitúa en la frontera entre la canción y la no canción (o ‘nong' como lo llamamos), donde el oyente explora un nuevo mundo sonoro íntimo y desconocido, aún no reclamado y aún ambiguo”. Como es tradición, Rebelión Sónica se transmite por radio Rockaxis, los jueves a las 10 y 22 horas, con la conducción de Héctor Aravena.

This week on Jazz After Dinner, Joe features The Mambo Kings, from a 1993 Verve Records recording of recordings from 1948 to 1952, titled The Original Mambo Kings.

Aron! is only 22, but his music seems to exist outside of time. A singer, songwriter, and multi-instrumentalist from North Carolina, he studied classical guitar, jazz voice, and film scoring—playing everything from indie rock in a college band to Nat King Cole covers in retirement homes—before landing on a sound that feels both old school and strikingly fresh. (He calls his sound “vintage pop”.) His debut EP cozy you (and other nice songs) began as a self-produced student project, recorded in a college studio with friends. It was completed before he signed with Verve Records—one of the most iconic jazz labels in the world—and showcases his gift for timeless songwriting, intimate performance, and warm, sophisticated arrangements. He first gained attention online through casual videos of himself playing standards and originals, quietly amassing a loyal audience. Among his early champions was Ryan Lerman (Scary Pockets), who helped connect Aron! with a wider musical community. Here he reflects on his musical roots, his love of old songs, the strange path from Instagram to Verve, and the challenge of staying grounded in a moment of rapid change. The songs may sound old, but the feeling is immediate. The muse, it seems, doesn't care what year it is. www.third-story.com www.leosidran.substack.com www.wbgo.org/podcast/the-third-story

On this week's episode, David sits down with Tony Aiken to discuss The Velvet Underground & Nico, the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.This is part one of that conversation. 

Maggie discusses in depth, the release of Charlie Parker's "Bird in Kansas City" with Chuck Haddix, curator, Director of the Marr Sound Archives in Kansas City and Charlie Parker Biographer. Charlie Parker had a complicated relationship with his hometown of Kansas City, MO owing both to its history of racial segregation and to his strong ties to his family and friends there. This new set of rare recordings dating from between 1941-1951—most of them never having been heard before and some never even having been known to exist—chronicle Bird's evolution from a blossoming soloist with the Jay McShann Band into a brilliant improviser who dominated the jazz landscape for decades to come. In addition to two unreleased 78s with the McShann band, this set offers two sets of private recordings (at the home of Bird's friend Phil Baxter and at Vic Damon's studio) made with local musicians and a very relaxed-sounding Parker who has the room to really stretch out and show us the shape of jazz that was to come in his wake. This recording provides a fascinating look into Parker's development.Sources: https://www.udiscovermusic.com/news/charlie-parker-bird-in-kansas-city/Sources: https://www.kansascitypbs.org/local-shows/bird-not-out-of-nowhere/chuck-haddix/Sources: https://library.umkc.edu/bird/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Listen to the final episode in our three-part series celebrating the 100th anniversary of the birth of trombonist J.J. Johnson, one of the greatest jazz icons to emerge from Indianapolis. On this edition, we'll focus on Johnson's work in third stream music––a term coined by the conductor and composer Gunther Schuller in 1957 as a blend of classical and jazz music. Johnson was involved in the early development of third stream music and the genre left a lasting influence on his work. Johnson composed several important third steam works, including “Perceptions”, a composition for solo trumpet and large jazz orchestra. The piece was commissioned by the jazz legend Dizzy Gillespie and recorded for Verve Records in 1961.  Hear excerpts from “Perceptions” and other third stream compositions by Johnson.

We've reached the end of the road for this season—season 9 concludes with this episode, a conversation with Matthew Houck, the leader of the avant-country band Phosphorescent. In April, Phosphorescent released Revelator, the band's ninth album. It's their debut for Verve Records, after a string of well-received albums on Dead Oceans. Joined by collaborators like Jim White of the Dirty Three—who you heard earlier this season—Jack Lawrence of The Raconteurs, and his wife and songwriting partner Jo Schornikow, it finds Houck examining—what else?—the end of the world.  If one theme has run through the last few seasons of this show, it's that of “apocalypse," or revelation. The veil, no matter how hard we try and keep it pinned down, keeps slipping away. Revelator finds Houck facing uncertain future, but also, leveling up. In its mournful ballads and genuinely hilarious odes to bathroom graffiti, you hear the voice of a songwriter probing the void: “And we've ridden beyond where we could safely touch down And we're out in the void, past where we could've had turned around I tried my feet on the floor, tried to beat on the door But it didn't even make a sound Got my heart open wide But the city been shut down”  But Revelator is no dour screed; it is in fact filled with hope and good humor. In this episode, he joins us to extoll the glory of “unnecessary” art, his work on Paul Schrader's new film Oh, Canada; and the multiple apocalypses afoot. This year, we launched AD as a subscription service, and the support and generosity of our fans and listeners has been powerful to behold. Over at AD, you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Transmissions will return in 2025. Take care of yourself, take care of those around you, and keep on wondering. We'll be back—be well in the meantime. This season of Transmissions is concluded. 

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first Black woman to be nominated for a Grammy® Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award and later, the winner of the 2024 NAACP Image Award in the category of Outstanding Jazz Album for her latest album Brand New Life.  Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, Pharoah Sanders and Christian McBride.   Her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming and in 2019, Brandee was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens' “Soundtrack of America”.  Brandee is often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz & popular styles - particularly Detroit natives Dorothy Ashby & Alice Coltrane.  Her new album, Brand New Life, builds on her already rich oeuvre, and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual.  Younger's music is imbued with a sense of purpose and respect of legacy, creating a larger platform for the harp to reach newer and wider audiences than ever before.  In addition to teaching at Steinhardt, Younger holds leadership positions as a board member of The Coltrane Home and New Music USA.Maggie speaks with Brandee at the 67 Monterey Jazz Festival about her band and her association with Alice Coltrane and  The Year of Alice.“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” -  The New York TimesFollow: @harpistaSource: https://brandeeyounger.com/Source:https://steinhardt.nyu.edu/people/brandee-youngerSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

This week, Joe is featuring Pianist and Vocalist Jamie Cullum from his 2004 Verve Records recording “Twenty Something.”

Abrimos número de La Montaña Rusa con lo nuevo del vibrafonista Simon Moullier, Inception, publicado a finales del 2023. Nos visitó el pianista alemán Johannes Wallmann con su Elegy For An Undiscovered Species, de 2021. Nuestro Clásico de la Semana fue The Oscar Peterson Trio, con We Get Requests, publicado en 1964 por Verve Records. De vuelta a nuestro tiempo, desde Italia nos llega la música de MAG Collective, a los que escuchamos en Birth, Death And Birth, de 2022. En Jazz en Español tuvimos el honor de presentar el nuevo álbum del flautista y compositor malagueño, Fernando Brox, quien junto a su Quintet, publicaba recientemente este 2024 el estupendo From Within. Escuchamos al propio Fernando que nos explicó qué hay detrás de su nuevo álbum. Después nos zambulliremos en la fusión del legendario guitarrista Jeff Richman, con XYZ, de 2021. Y cerraremos con el nuevo álbum del percusionista Samuel Torres, A Dance of Birds, publicado este 2024.

This week, Joe is featuring Vocalist Dee Dee Bridgewater from her 2000 Verve Records recording titled “Live At Yoshi's.”

This week, Joe is featuring Saxophonist Paul Desmond from his 1975 Verve Records recording “The Paul Desmond Quartet Live.” 

 Featuring pianist Duke Ellington and saxophonist Johnny Hodges from their 1959 Verve Records studio album titled "Back to Back." 

Show #1040 The Cork An episode dedicated to the loyal friends of Bandana Blues who keep the labor of love afloat. 01. JW Jones - Thank You (3:58) (Belmont Boulevard, Blind Pig Records, 2014) 02. James Cotton - Dealin' With The Devil (3:36) (Deep In The Blues, Verve Records, 1996) 03. Slo Leak - Man Who Gave Himself The Blues (4:51) (When The Clock Strikes 12, TVT Records, 1999) 04. Goodnight Texas - Dry Heat (3:59) (Single, 2 Cent Bank Check Records, 2024) 05. Andy J. Forest - Tongue In Groove (3:16) (Letter From Hell, Appaloosa Records, 1998) 06. Dana Gillespie - Tongue In Cheek (4:54) (Blues It Up, Ace Records, 1990) 07. Chris O'Leary - No Rest (4:33) (The Hard Line, Alligator Records, 2024) 08. Beaucoup Blue - Bluer Than The Midnight Sky (3:05) (Free To Fall, self-release, 2009) 09. Andrew Alli - Hard Workin' Man (3:24) (Hard Workin' Man, EllerSoul Records, 2020) 10. John Clifton - Broke Down Fool (4:06) (Too Much To Pay, self-release, 2024) 11. Ben Hemming - The End (3:59) (Darkness Before Dawn, self-release, 2024) 12. Sean Costello - Can't Let Go (4:39) (We Can Get Together, Delta Groove Records, 2008) 13. Gary Cain - Attitude (4:22) (Outside The Lines, self-release, 2024) 14. Paul Butterfield Blues Band - Just To Be With You (3:23) (The Original Lost Elektra Sessions, Electra Records, 1995) 15. Jimmy Rogers' All Stars - Blow Wind Blow (5:00) (Blues Blues Blues, Atlantic Records, 1999) 16. The Tibbs - Last Train (3:31) (Keep It To Yourself, Record Kicks, 2024) 17. Otis Rush - Gambler's Blues (9:02) (Tops, Blind Pig Records, 1988) 18. Kenny Neal - The Real Thing (4:38) (Hoodoo Moon, Alligator Records, 1994) 19. The Nighthawks - The Cheap Stuff (3:16) (Tryin' To Get To You, EllerSoul Records, 2020) 20. Treasa Levasseur - Truth Will Set You Free (4:30) (Low Fidelity, Slim Chicken Records, 2010) 21. Big George Jackson - Fat's Jump (5:11) (Beggin' Ain't For Me, Black And Tan Records, 1998) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Bizarre was originally formed in 1967 as a production company when Frank Zappa and his manager Herb Cohen negotiated their own production deal with Verve Records. The purpose of forming his own production company was to give Zappa complete creative control over his work and the works he planned to produce for others.Bizarre Records was then established in 1969 along with a companion label, Straight Records, with the intention to release albums by avant-garde artists on Bizarre, and recordings by more mainstream artists on Straight. Both labels were distributed by Warner Bros. Records.However, the original Bizarre Records concept failed to work out as expected due to issues with distribution and management. This led to some very unusual albums on the Straight label (Captain Beefheart, Alice Cooper), and Zappa and The Mothers of Invention were the only artists who stayed with Bizarre Records.When the original distribution contracts with Warner Bros. ended in 1973, most Bizarre and Straight recordings were re-issued by Warner and/or Reprise, and Frank Zappa moved on to launch a new record label, DiscReet Records.DiscographyAlbumsSandy Hurvitz – Sandy's Album Is Here at Last (r. d. : December 9, 1968) (c. n. : V6-5064)Lenny Bruce – The Berkeley Concert (r. d. : February 17, 1969) (c. n. : 2XS 6329)(1)The Mothers of Invention – Mothermania: The Best of The Mothers (r. d. : March 24, 1969) (c. n. : V6 5068)The Mothers of Invention – Uncle Meat (April 21, 1969) (c. n. : 2MS 2024)(2)[1]Wild Man Fischer – An Evening with Wild Man Fischer (April 28, 1969) (c. n. : 2XS 6332)(1)Frank Zappa – Hot Rats (October 15, 1969) (c. n. : RS 6356)(1)Various – Zappéd (r. d. : November 10, 1969; February 3, 1970) (c. n. : PRO 368),The Mothers of Invention – Burnt Weeny Sandwich (r. d. : February 9, 1970) (c. n. : RS 6370)(1)The Mothers of Invention – Weasels Ripped My Flesh (r. d. : August 10, 1970) (c. n. : MS 2028)(2)Frank Zappa – Chunga's Revenge (r. d. : October 23, 1970) (c. n. : *MS 2030)(2)The Mothers of Invention – Fillmore East – June 1971 (r. d. : August 2, 1971) (c. n. : MS 2042)(2)

This week, Joe features vocalist and pianist Shirley Horn from her 1998 Verve Records recording “ I Remember Miles.”   

Auntie Mame: An Irreverent Escapade is a 1955 novel by American author Patrick Dennis chronicling the madcap adventures of a boy, Patrick, growing up as the ward of his Aunt Mame Dennis, the sister of his dead father.   The book is often described as having been inspired by Dennis' real-life eccentric aunt, Marion Tanner, whose life and outlook mirrored those of Mame, but Dennis denied the connection. The novel was a runaway bestseller, setting records on the New York Times bestseller list, with more than 2 million copies in print during its initial publication. It became the basis of a stage play, a film, a stage musical, and a film musical.   In 1958, Dennis wrote a sequel titled Around the World with Auntie Mame.   Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III (under the pseudonym Patrick Dennis) and its 1956 theatrical adaptation by Jerome Lawrence and Robert Edwin Lee. This film version stars Rosalind Russell and was directed by Morton DaCosta. It is not to be confused with a musical version of the same story that appeared on Broadway in 1966 and was later made into a 1974 film, Mame, starring Lucille Ball as the title character.   Opening Credits; Introduction (2.21); Background History (15.30); Auntie Mame by Patrick Dennis Plot Synopsis (17.01); Book Thoughts (21.56); Let's Rate (39.06); Introducing a Film (41.18); Auntie Mame (1958) Film Trailer (42.25); Lights, Camera, Action (45.31); How Many Stars (1:13.28); End Credits (1.18.01); Closing Credits (1:20.07)   Opening Credits– Jingle Bells by Ella Fitzgerald.  Taken from the album Ella's Swinging Christmas.  Copyright 1960 Verve Records.  All rights reserved.   Incidental Music:  Auntie Mame Original Motion Picture Soundtrack.  Music by Ray Heindorf and His Orchestra.  Copyright 1958 Master Classics Records.   Closing Credits:  We Need A Little Christmas by Angela Lansbury, Frankie Michals, Sab Saminino- Original Broadway Cast.  From the album Mame Original Broadway Recording.  Copyright 1966 Columbia Master Works Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

Most jazz fans know Dizzy Gillespie's crucial role in the creation of bebop and every good collection should have at least a few tracks from his glory days of the forties.  The man wrote "Night in Tunisia" for heaven's sake!  But what happened later on, after his partner Bird was gone and the listening public had moved on from ooh-bop-sh-bam madness?  In this episode we look at five recordings from the following decade and ponder why a genius-level player like Dizzy struggled after the bebop revolution.  Dizzy Gillespie: SONNY SIDE UP;  HAVE TRUMPET WILL EXCITE; AFRO;  DIZZY GILLESPIE WITH STUFF SMITH;  A PORTRAIT OF DUKE ELLINGTON.

Does focusing on students imply a sacrifice of your own creative expression? Not to Thomas Cabaniss. Practicing as a teaching artist, Cabaniss centers his own artistic experience. His passion for creation inspires engagement and sheds inhibition in the classroom. We are left with the opposite conviction: Creativity is contagious—cultivating it in oneself cultivates it in others. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Thomas Cabaniss Episode “Sketches of Venasque” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Double Rainbow” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The March of The Siamese Children” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “I Whistle A Happy Tune” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by Gertrude Lawrence & the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “One and One” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The Third Eye” written and performed by Max Roach Milma Publishing Company (BMI) Administered by Songs of Kobalt Music Publishing Recording courtesy of Kepach Music S.r.l. “Lovesong” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Two” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Flutter Flutter” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn

Glenn and Mindy have an intimate chat with long time friend Keith Harkin. A very accomplished singer/songwriter from Derry City, Ireland. From shows at the White House with President Obama to Necker Island With Richard Branson. David Foster signed him as one of his first artists with Verve Records and he became #1 on the Billboard Charts. Their friendship has taken them around the world, and they talk about their role models, and favorite mentors. But who he admires the most may surprise you.

Mokuhanga is a personal journey. The ups and downs of the artist are many; observing the emotions and layers of an artist simply through social media and chat rooms is complicated. Seeing a person's work is a window to who they are or want to be, their fears and desires; all these things make the mokuhanga artist so interesting to me.   On this episode of the Unfinished Print, I speak with mokuhanga printmaker and artist Ben Selby. Ben's work contains subtle emotion, powerful narratives, and unique perspectives. In my mokuhanga conversation with Ben, he speaks about his, at times, very personal experiences, how he grew up and his environment. We discuss Ben's reflection on the self in his work, his MFA thesis, the power of colour, the idea of tradition in mokuhanga, working with Richard Steiner and Terry McKenna, and alligator gar.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Benjamin Selby - website, Instagram West Texas A&M University - a public university located in Canyon, Texas, established in 1910. Georgia O'Keefe (1887-1986) was head of their art department from 1916-1918. More info can be found here.  Richard Steiner - is a mokuhanga printmaker who has been making prints for over fifty years. He has lived and worked in Kyōto, Japan since 1980. He is currently still making work. His interview with The Unfinished Print can be found, here.  Peace, peace (1990)  Terry McKenna - is a mokuhanga printmaker based in Karuizawa, Nagano, Japan. He studied under Kyōto-based mokuhanga artist Richard Steiner. Terry also runs his mokuhanga school in Karuizawa. His interview with The Unfinished Print can be found here. Richard Steiner's interview with The Unfinished Print can be found here.  Kyōto International Mokuhanga School - is a mokuhanga school owned and operated by long-term mokuhanga printmaker and artist Richard Steiner. Students will learn mokuhanga from Richard in Kyoto. For more information regarding his school and price, here. Ōsaka Station - is a transfer hub located in the Japanese city of Ōsaka, Japan. It serves over 2 million passengers daily. It contains shopping and restaurants and is a labyrinth unto itself. It opened in 1874. More information can be found here.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Arizona State University - a public research university located in Tempe, Arizona, near Phoenix. It was founded as Territorial Normal School in 1885 and has undergone several name changes over the years, coming to its current iteration in 1958. More info can be found here.  Kintarō - is a Japanese fairy tale first published in English in 1908 by Y.T. Ozeki in the book Japanese Fairy Tales, published by the A.L. Burt Company. The story is about Kintarō, a brave boy whose exploits as a brave warrior are passed down throughout Japanese history. His image was widespread in ukiyo-e, as well as in sculpture, candy, and the like. He has been in modern video games, manga, and anime.  Kintarō Fighting an Eagle - Edo Period (1603-1898) by Kitagawa Tuskimaro (1794-1836). Tsukimaro was a little-known ukiyo-e print artist but was most successful under his teacher Kitagawa Utamaro (1753-1806).  International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.   Printed books in the Edo Period (1603-1868) - were books published in woodblock on low-quality paper. Yet, these books contained many exciting and beautiful designs and techniques. Jacob Bautista - is an artist and teacher based in Amarillo, Texas, USA. His work is expressed through etching and stone lithography; more information about Jacob and his work is here.   Bitten (2018) photoshop Alligator gar - is one of North America's largest freshwater fish and is considered a living fossil in that its origins go back as far as 100 million years ago. These particular gars are primarily found in the Southern United States. Spillway - a structure which controls the amount of water going into a dam or levee.  Gyotaku - are Japanese fish prints. These prints are created in various formats, such as inking the fish after its caught using washi and paste(直接法), the indirect method where washi is pasted to the fish, which is then inked on the fish (間接法), and the transfer method, (転写法), where the image is pressed onto washi which is then transferred to wood or another type of surface and pressed onto that. For more information there's a great video here, about gyotaku printmaker Bruce Koike from Oregon, who has been making these prints since the 1980's.  shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Sea of Shizuura, Namazu (1938) 15.4"x10.2" Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915) and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others.  Kintai Bridge, ca 1930's. postcard size print Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui, is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese countryside, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Takatsudo (1931) All I Knew Growing Up by Benjamin Selby (2022) Ben's lecture at the International Mokuhanga Conference, Photochemical Mokuhanga, can be found here.  tamari (溜まり) - is the pooling of ink between the carved lines of your woodblock. Pooling is exposed when testing your carving but can be fixed by recarving the part of the block causing tamari or altering the amount of ink or water used.  cyanotype - a type of work that uses iron compounds and creates various blues when exposed to UV light. More info here.  Van Dyke Brown - is a photographic printing process named after painter Anthony van Dyck (1599-1641). The method uses various chemicals, then exposes the negative of the photograph as print to ultraviolet light. The final print is a brown colour. Very similar to cyanotype, but the chemicals create a different shade of print. More info can be found on Mark Hillier's blog, and  here. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Artist's Nude (1984) by Sekino Jun'ichirō (1914-1988) 14.7" x 10.6" Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Kitaro Japanese Paper Company -  founded in 1872, Kitaro focuses on making high quality Japanese washi in Fukui Prefecture.  More info, here.  Alone by Benjamin Selby (2021) 10.5" x 14.5" murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are reasonably priced baren.  Yuki baren -  is a heavy ball bearing baren made in Japan. It is used to print large flat colours.  baren suji zuri - is a Mokuhanga technique used with the baren and by the baren to create a circular design and can be layered with various colours. Combing Her Hair (1928) 15-1/4"x 10-1/2" by Natori Shunsen (1886-1960)  sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used. © Popular Wheat Productions opening and closing musical credit - Ahmad Jamal - Pavanne (1960) from the album Happy Moods on Verve Records  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                

It has been a long road for Peter One from his humble beginnings in Ivory Coast, where he grew up not far from the administrative capital, Abidjan, all the way to Nashville and the stage of the Grand Ole Opry and The Ryman.  Having picked up a guitar at 17, then joining up with a schoolmate and fellow musician, Jess Sah Bi, Peter released his first album in 1985, Our Garden Needs Its Flowers, and shortly thereafter became a national sensation in his home country, playing for the President of Ivory Coast and regaling massive stadium crowds with his brand of Afro-pop and Americana-influenced folk. Packing up that success in a suitcase full of dreams, Peter left for America, landing in New York City in the mid-90s where he began a new life there working as a nurse and eventually moved to Nashville, all the while quietly making plans to rebuild his music career -- and that he did!  With the re-release of "Garden" in 2018 thanks to the small indie label Awesome Tapes from Africa, and thanks to glowing reviews from both Pitchfork and Rolling Stone, Peter began to regain a level of popularity and begin his Second Act. Now, almost 40 years after his debut effort, Peter's sophomore album, Come Back to Me, has just been released on Verve Records. Triumphantly, but not unexpectedly, Peter eventually found himself playing big stages in the U.S. and even opening at The Ryman for Jason Isbell, who explained, "he's a natural performer; you feel like you're seeing someone who is a legendary singer."  This is an amazing comeback story, and one of patience, perseverance and determination; one that is loaded with Peter's lowkey and confident vibe, all the while infused with his firm belief in himself and what he knew to be true about the power of his own creative expression and what he has to offer the world. Join us on Roadcase while Peter talks about the long road from Ivory Coast to Nashville on this week's episode.  It's a great one!!For more info about Peter One:https://www.peteronemusic.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

On this week's show, we...  spend quality time with new records from Jenny Lewis, Foo Fighters & Jason Isbell and the 400 Unit  bid adieu to the iconic Astrud Gilberto & the legendary Tina Turner  celebrate 45 years of my all-time favorite record - Bruce Springsteen's Darkness on the Edge of Town  All this & much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Pianist-composer Vijay Iyer has been described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway.” He has been praised by Pitchfork as “one of the best in the world at what he does,” by the Los Angeles Weekly as “a boundless and deeply important young star,” and by Minnesota Public Radio as “an American treasure.” He received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, the Alpert Award in the Arts, and two German “Echo” awards, and was voted Downbeat Magazine's Jazz Artist of the Year four times in the last decade.  But beyond all that praise, he is at his core simply a seeker of genuine connection and community. Here he talks about growing up in Rochester, NY as one of a small handful of first generation Indian Americans (his parents immigrated), how he developed his musical identity alongside an academic career as a scientist (he did his undergraduate work in math and physics at Yale and holds a PHD from UC Berkeley in the cognitive science of music), creating work for an uncertain future, how to make music matter, and his most recent recordings.  He released Love In Exile - a collaborative album with Arooj Aftab and Shahzad Ismaily - last month on Verve Records.  www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, Midnight Sun, Too Darn Hot, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangemnts by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangemnts by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangements by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangements by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices