Podcasts about Verve Records

On this week's episode, David sits down with Tony Aiken to discuss The Velvet Underground & Nico, the debut studio album by the American rock band the Velvet Underground and the German singer Nico. Released by Verve Records in March 1967, the album underperformed in sales and polarized critics upon release due to its abrasive, unconventional sound and controversial lyrical content. It later became regarded as one of the most influential albums in rock and pop music and one of the greatest albums of all time.This is part one of that conversation. 

ESTANDARES SEMANAL.-Vals para Debby.-VINILOS MÍTICOS DEL JAZZ.-BILLIE HOLIDAY.-[1958] Todo o Nada.-JAZZACTUALIDABARRETJAZBIG BAND-NOSTALGIA All or Nothing at All es un álbum de estudio de Billie Holiday , lanzado en 1958 por Verve Records , catálogo MGV8329. El LP contiene 12 cancionesextraídas de cinco sesiones de grabación diferentes realizadas entre 1956 y 1957. Holiday contaba con el apoyo de un pequeño grupo "relajado y comprensivo" que incluía al trompetista Harry "Sweets" Edison y al saxofonista Ben Webster . Un artículo del New York Times de 1959 señaló que la voz de Holiday "se había convertido en un instrumento muy limitado, que utilizaba con la destreza y la astucia de un lanzador envejecido que ya no puede verter su voz rápida por el plato". La portada del álbum es de David Stone Martin . Nostalgia Barretjazz Big Band Tercer trabajo discográfico de la Barretjazz Big Band Todos ellos llegaron a Sedajazz buscando algun taller que se ajustara a sus necesidades, dentro de la amplia oferta de este colectivo de musicos. Pero el bagaje y la edad de cada uno de los candidatos hicieron que Francisco Blanco Latino, director musical de Sedajazz, decidiera crear un nuevo proyecto en el cual la diversidad de los musicos seria el motivo de union. En opinion de Latino, "es una de las actividades mas satisfactorias que desarrollamos en el taller de Sedajazz; el trabajo con este magnifico grupo nos enriquece tanto en el aspecto musical como en el humano. Es una suerte poder unir a personalidades tan diferentes, ademas de ser muy ilusionante poder compartir grandes estandares del jazz sin mas pretensiones que el goce de la musica y ofrecer buenas sensaciones al publico".

Maggie discusses in depth, the release of Charlie Parker's "Bird in Kansas City" with Chuck Haddix, curator, Director of the Marr Sound Archives in Kansas City and Charlie Parker Biographer. Charlie Parker had a complicated relationship with his hometown of Kansas City, MO owing both to its history of racial segregation and to his strong ties to his family and friends there. This new set of rare recordings dating from between 1941-1951—most of them never having been heard before and some never even having been known to exist—chronicle Bird's evolution from a blossoming soloist with the Jay McShann Band into a brilliant improviser who dominated the jazz landscape for decades to come. In addition to two unreleased 78s with the McShann band, this set offers two sets of private recordings (at the home of Bird's friend Phil Baxter and at Vic Damon's studio) made with local musicians and a very relaxed-sounding Parker who has the room to really stretch out and show us the shape of jazz that was to come in his wake. This recording provides a fascinating look into Parker's development.Sources: https://www.udiscovermusic.com/news/charlie-parker-bird-in-kansas-city/Sources: https://www.kansascitypbs.org/local-shows/bird-not-out-of-nowhere/chuck-haddix/Sources: https://library.umkc.edu/bird/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Joao Gilberto & Stan Getz -1963-1964 FULL ALBUM TracklisT: 1. The Girl From Ipanema 2. Doralice 3. P'Ra Machucar Meu Coracao 4. Desafinado 5. Corcovado 6. So Danco Samba 7. O Grande Amor 8. Vivo Sonhando Getz/Gilberto es un álbum de jazz/bossa nova del saxofonista estadounidense Stan Getz y el guitarrista brasileño João Gilberto, acompañados del pianista y compositor Antônio Carlos Jobim. Grabado en 1963 y lanzado en marzo de 1964 bajo el sello Verve Records, fue producido por Creed Taylor, quien ya había grabado con el saxofonista sus trabajos previos en el género, siendo Jazz Samba de 1962 el más destacado. En el álbum también participa como vocalista la debutante Astrud Gilberto, colaborando en "The Girl from Ipanema" (también conocida por su nombre original "Garota de Ipanema") y "Corcovado". Getz/Gilberto está conformado en su mayoría por composiciones de Jobim, e incluye dos sambas ("Doralice" y "Para machucar meu coração") demostrando el respeto de los artistas por la música tradicional brasileña de la época pre-bossa nova. Getz/Gilberto es considerado el álbum cumbre de la bossa nova a nivel mundial, responsable de la popularización del género, y uno de los discos de jazz más vendidos de todos los tiempos. Recibió la aclamación de la crítica y fue un éxito comercial, vendiendo 2 millones de copias en 1964 y alcanzando el #2 en el Billboard 200. En los Premios Grammy de 1965 fue nominado en diez categorías, alzándose con cuatro premios: Mejor grabación del año (Astrud Gilberto y Stan Getz por "The Girl from Ipanema"), Álbum del año (João Gilberto y Getz), Mejor interpretación de jazz instrumental - solista o grupo pequeño (Getz) y Mejor arreglo para álbum, no clásica (Phil Ramone). Entre sus múltiples elogios, el álbum ha sido incluido en varias listas de los mejores álbumes de todos los tiempos, como Rolling Stone y Vibe entre otras; además, se convirtió en el primer álbum en recibir el Grammy a Mejor grabación del año y Mejor álbum del año. Firmado por Stan Getz y Joao Gilberto, el disco cuenta también con Tom Jobim al piano, y autor de las canciones, y presenta al mundo a Astrud Gilberto, la joven mujer de Joao. Astrud llegó de casualidad al proyecto y el éxito de los dos temas que cantó la convirtió en una estrella. Getz/Gilberto es el resultado de la unión del saxofonista americano Stan Getz y el guitarrista brasileño João Gilberto. Ambos músicos son considerados leyendas del género y concibieron, con la colaboración del compositor y pianista Antônio Carlos Jobim, un disco que no puede faltar en la colección de cualquier amante del Jazz o Bossa nova. Stanley Gayetzki, más conocido como Stan Getz (Filadelfia, Pennsylvania, 2 de febrero de 1927 - Malibú, condado de Los Ángeles, California, 6 de junio de 1991), fue un saxofonista tenor de jazz estadounidense. Considerado como uno de los más importantes saxofonistas tenores de la historia del jazz, fue conocido por el sobrenombre de The Sound ("El Sonido") debido a su tono cálido y lírico apreciable en temas como su versión de Garota de Ipanema. Destacó en las corrientes del bebop el cool jazz y el bossa nova. A Stan Getz se le sigue llamando “el Sonido” y es que lo que sale de su saxofón es pura ambrosía musical João Gilberto Prado Pereira de Oliveira, conocido como João Gilberto (Juazeiro, 10 de junio de 1931-Río de Janeiro, 6 de julio de 2019),​ fue un cantante, compositor y guitarrista brasileño, considerado junto a Antônio Carlos Jobim y Vinícius de Moraes como uno de los creadores de la bossa nova a fines de los años 1950. En el mundo era frecuentemente llamado "padre del bossa nova" y en su país de origen, Brasil, era referido como "O Mito" (El Mito) o (La Leyenda). Gilberto debutó en 1959 con Chega de Saudade, un disco precioso y redondo que se considera la primera piedra de la bossa nova, una música que es parte de la herencia cultural de Brasil. El cantante inventó una forma de tocar que cambió el rumbo de la música de su país. Astrud Evangelina Weinert (Salvador, Bahía, Brasil, 29 de marzo de 1940-Filadelfia, Pensilvania, Estados Unidos, 5 de junio de 2023),1​ conocida como Astrud Gilberto, fue una cantante de bossa nova, samba, jazz y pintora brasileña. Su vinculación con el mundo de la música comenzó cuando se casó en 1959 con uno de los primeros guitarristas de bossa nova, João Gilberto. En 1963 estaba acompañando a su esposo en Nueva York mientras grababa con el pianista y compositor Antonio Carlos Jobim y con el saxofonista estadounidense Stan Getz un disco de fusión entre el jazz y la bossa nova. A instancias de su esposo (y no de Getz según otras versiones), cantó unas estrofas y gustó tanto su voz que, a pesar de no tener experiencia previa, grabó el disco Getz/Gilberto, aunque no figuró en los créditos del disco en la primera edición. Astrud Gilberto, la voz en el disco que perdura especialmente es la de la joven y por aquél entonces mujer de João, Astrud Gilberto. Curiosamente, la estrella del exitoso single "The Girl from Ipanema" realizó su primera grabación de estudio en este disco, poniendo voz también en el genial "Corcovado". Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

STANDARS SEMANAL.-909. Nunca Habrá Otro Tú (.-VINILOS MITICOS DEL JAZZ.-Getz Gilberto.-JAZZACTUALIDAD.-.NACHO BOTONERO-DESCALZO POR EL BARRO Getz/Gilberto es un álbum de jazz/bossa nova del saxofonista estadounidense Stan Getz y el guitarrista brasileño João Gilberto, acompañados del pianista y compositor Antônio Carlos Jobim. Grabado en 1963 y lanzado en marzo de 1964 bajo el sello Verve Records, fue producido por Creed Taylor, quien ya había grabado con el saxofonista sus trabajos previos en el género, siendo Jazz Samba de 1962 el más destacado. En el álbum también participa como vocalista la debutante Astrud Gilberto, colaborando en "The Girl from Ipanema" (también conocida por su nombre original "Garota de Ipanema") y "Corcovado". Getz/Gilberto está conformado en su mayoría por composiciones de Jobim, e incluye dos sambas ("Doralice" y "Para machucar meu coração") demostrando el respeto de los artistas por la música tradicional brasileña de la época pre-bossa nova. Getz/Gilberto es considerado el álbum cumbre de la bossa nova a nivel mundial, responsable de la popularización del género, y uno de los discos de jazz más vendidos de todos los tiempos. Recibió la aclamación de la crítica y fue un éxito comercial, vendiendo 2 millones de copias en 1964 y alcanzando el #2 en el Billboard 200. En los Premios Grammy de 1965 fue nominado en diez categorías, alzándose con cuatro premios: Mejor grabación del año (Astrud Gilberto y Stan Getz por "The Girl from Ipanema"), Álbum del año (João Gilberto y Getz), Mejor interpretación de jazz instrumental - solista o grupo pequeño (Getz) y Mejor arreglo para álbum, no clásica (Phil Ramone). Entre sus múltiples elogios, el álbum ha sido incluido en varias listas de los mejores álbumes de todos los tiempos, como Rolling Stone y Vibe entre otras; además, se convirtió en el primer álbum en recibir el Grammy a Mejor grabación del año y Mejor álbum del año.1​ NACHO BOTONERO-DESCALZO POR EL BARRO.- «Descalzos por el barro«, hay que decirlo ya, es un trabajo excelente de este quinteto liderado por Nacho Botonero. Un logrado intento para, desde la percepción de su memoria personal y colectiva de todos estos años, conseguir desarrollar de manera brillante durante algo más de cuarenta minutos, una propuesta musical coherente con su trayectoria, y llena de momentos brillantes. El quinteto suena redondo a lo largo de los ocho temas del disco, y consigue momentos de gran belleza, como ese dialogo entre saxo y piano que protagonizan Nacho y Angel Andrés en «Dragones Graciosillos«, y el extraordinario solo de Antonio Montiel en la Kanjira; destacar el excelente solo de Nacho al saxo tenor en «Sutilmente Severo», el tema que cierra el disco, el dialogo de Ángel Andrés y Antonio Montiel en «Ciudadano del mundo«, y el recuerdo a la música de los grandes Boopers con los acordes de «Peligrosamente absurdo«, con Nacho Botonero soleando con maestría al saxo tenor. Nacho Botonero, ya lo sabemos quienes seguimos su trayectoria, forma parte de esta excelente hornada de músicos de jazz contemporáneos que vienen desarrollando su trabajo en Andalucía; y lo mismo podemos decir del quinteto que le acompaña en este disco, músicos ya experimentados en decenas de proyectos con: Ángel Andrés Muñoz, uno de esos pianistas imprescindibles en cualquier contexto jazzístico; Nacho Megina, un consagrado baterista y protagonista de algunos de los mejores episodios jazzísticos en Andalucía; por su parte, el percusionista, Antonio Montiel y el contrabajista, Luis Salto, cubren con soltura e imaginación el soporte armónico del grupo, y Nacho Botonero, está brillante, su sonido es fresco, su fraseo, tanto en los saxos como en la flauta, son muy expresivos y nos brinda momentos extraordinariamente brillantes. Con “Descalzos por el barro«, Juan Ignacio Botonero y su quinteto, nos transmite su pasión por el jazz, franqueza en su discurso musical, y continúa con su firme apuesta por explorar caminos inéditos en el jazz contemporáneo huyendo de los standards como socorrida zona de confort. En este sentido, hay que señalar que las ocho composiciones son propias de Nacho Botonero, demostrando que al mismo tiempo que es un brillante instrumentista, tiene también enormes cualidades para la composición.

Sintonía: Brother Jack McDuff"The Quiet Time" y "The Crab", extraídas del álbum "In Person" (Verve Records, 1960) del saxofonista/clarinetista Jimmy Giuffre con su cuarteto"Hampton´s Pulpit", "Blues # 3", "Blues # 4" y "Groovin´ High" (Cortada), extraídas de los discos "All Night Session! Vol. 1" y "All Night Session! Vol. 2" (Contemporary Records, 1956) del pianista Hampton Hawes con su cuartetoEscuchar audio

Listen to the final episode in our three-part series celebrating the 100th anniversary of the birth of trombonist J.J. Johnson, one of the greatest jazz icons to emerge from Indianapolis. On this edition, we'll focus on Johnson's work in third stream music––a term coined by the conductor and composer Gunther Schuller in 1957 as a blend of classical and jazz music. Johnson was involved in the early development of third stream music and the genre left a lasting influence on his work. Johnson composed several important third steam works, including “Perceptions”, a composition for solo trumpet and large jazz orchestra. The piece was commissioned by the jazz legend Dizzy Gillespie and recorded for Verve Records in 1961.  Hear excerpts from “Perceptions” and other third stream compositions by Johnson.

We've reached the end of the road for this season—season 9 concludes with this episode, a conversation with Matthew Houck, the leader of the avant-country band Phosphorescent. In April, Phosphorescent released Revelator, the band's ninth album. It's their debut for Verve Records, after a string of well-received albums on Dead Oceans. Joined by collaborators like Jim White of the Dirty Three—who you heard earlier this season—Jack Lawrence of The Raconteurs, and his wife and songwriting partner Jo Schornikow, it finds Houck examining—what else?—the end of the world.  If one theme has run through the last few seasons of this show, it's that of “apocalypse," or revelation. The veil, no matter how hard we try and keep it pinned down, keeps slipping away. Revelator finds Houck facing uncertain future, but also, leveling up. In its mournful ballads and genuinely hilarious odes to bathroom graffiti, you hear the voice of a songwriter probing the void: “And we've ridden beyond where we could safely touch down And we're out in the void, past where we could've had turned around I tried my feet on the floor, tried to beat on the door But it didn't even make a sound Got my heart open wide But the city been shut down”  But Revelator is no dour screed; it is in fact filled with hope and good humor. In this episode, he joins us to extoll the glory of “unnecessary” art, his work on Paul Schrader's new film Oh, Canada; and the multiple apocalypses afoot. This year, we launched AD as a subscription service, and the support and generosity of our fans and listeners has been powerful to behold. Over at AD, you'll find nearly 20 years of playlists, recommendations, reviews, interviews, podcasts, essays, and more. With your support, here's to another decade. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts.  Transmissions will return in 2025. Take care of yourself, take care of those around you, and keep on wondering. We'll be back—be well in the meantime. This season of Transmissions is concluded. 

24 Jahre war er jung, als er zum Chefdirigenten des Oslo Philharmonic Orchestra ernannt wurde - seither ist Klaus Mäkelä nicht zu bremsen. [06:25] Aktualität: Die Provenienzforschung widmet sich der Herkunft und der Besitzverhältnisse von Kunstwerken oder Kulturgütern. In der bildenden Kunst ist die Provenienforschung fest etabliert, Musikinstrumente wurden bisher wenig unter die Lupe genommen. Das Historische Museum Basel leistet hier Pionierarbeit. (Fabienne Naegeli) [15:30] Talk: Derzeit lebt Klaus Mäkelä in Paris, wo er seit 2021 als Musikdirektor das Orchestre de Paris leitet. Und er scheint auch zukünftig keinen Gang runterschalten zu wollen, denn ab 2027 wird er auch Chefdirigent des Concertgebouw Orchestra Amsterdam, zudem wird er die musikalische Leitung des Chicago Symphony Orchestra übernehmen. (Benjamin Herzog) [30:24] Neuerscheinungen: Auf dem brandneuen Solo-Album «Beethoven Blues» adaptiert der US-amerikanischen Jazz-Pianist Jon Batiste Beethovens Werke zu groovy Blues-Stücken - erscheint bei Verve Records. Und das Schweizer Duo der Sopranistin Viviane Hasler und der Pianistin Maren Gamper widmet sich auf dem Album «Mélodies d'ailleurs» dem französischen Kunstlied - beim Label Carpe Diem Records. (Joseba Zbinden) [53:07] Swiss Corner: Das Musical «Into the Woods» von Stephen Sondheim besticht mit Tiefgang. Als ein grosses Märchen-Konglomerat stellt es unter anderem die Frage: Wie es mit Rapunzel, Aschenputtel und Rotkäppchen nach dem Happy End weitergeht? Achtsamkeit beim Verfolgen von Zielen, Verantwortung für die Gemeinschaft und die Komplexität des Lebens sind dabei zentrale Themen. Das Theater Basel feiert Premiere.

The sonically innovative harpist, Brandee Younger, is revolutionizing harp for the digital era. Over the past fifteen years, she has worked relentlessly to stretch boundaries and limitations for harpists.  In 2022, she made history by becoming the first Black woman to be nominated for a Grammy® Award for Best Instrumental Composition. That same year, she was also nominated for an NAACP Image Award and later, the winner of the 2024 NAACP Image Award in the category of Outstanding Jazz Album for her latest album Brand New Life.  Ever-expanding as an artist, she has worked with cultural icons including Common, Lauryn Hill, John Legend, Pharoah Sanders and Christian McBride.   Her original composition “Hortense” was featured in the Netflix Concert-Documentary, Beyoncé: Homecoming and in 2019, Brandee was selected to perform her original music as a featured performer for Quincy Jones and Steve McQueens' “Soundtrack of America”.  Brandee is often noted for standing on the shoulders of the very women who ushered in the harp as a clear and distinct voice in jazz & popular styles - particularly Detroit natives Dorothy Ashby & Alice Coltrane.  Her new album, Brand New Life, builds on her already rich oeuvre, and cements the harp's place in pop culture.  As the title of the album suggests, Brand New Life is about forging new paths–artistic, personal, political, and spiritual.  Younger's music is imbued with a sense of purpose and respect of legacy, creating a larger platform for the harp to reach newer and wider audiences than ever before.  In addition to teaching at Steinhardt, Younger holds leadership positions as a board member of The Coltrane Home and New Music USA.Maggie speaks with Brandee at the 67 Monterey Jazz Festival about her band and her association with Alice Coltrane and  The Year of Alice.“No harpist thus far has been more capable of combining all of the modern harp traditions — from Salzedo, through Dorothy Ashby, through Alice Coltrane — with such strength, grace and commitment.” -  The New York TimesFollow: @harpistaSource: https://brandeeyounger.com/Source:https://steinhardt.nyu.edu/people/brandee-youngerSource: https://thecoltranehome.org/2024/03/16/let-the-year-of-alice-begin/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us a textSupport the show@profileswithmaggielepique@maggielepique

This week, Joe is featuring Pianist and Vocalist Jamie Cullum from his 2004 Verve Records recording “Twenty Something.”

Abrimos número de La Montaña Rusa con lo nuevo del vibrafonista Simon Moullier, Inception, publicado a finales del 2023. Nos visitó el pianista alemán Johannes Wallmann con su Elegy For An Undiscovered Species, de 2021. Nuestro Clásico de la Semana fue The Oscar Peterson Trio, con We Get Requests, publicado en 1964 por Verve Records. De vuelta a nuestro tiempo, desde Italia nos llega la música de MAG Collective, a los que escuchamos en Birth, Death And Birth, de 2022. En Jazz en Español tuvimos el honor de presentar el nuevo álbum del flautista y compositor malagueño, Fernando Brox, quien junto a su Quintet, publicaba recientemente este 2024 el estupendo From Within. Escuchamos al propio Fernando que nos explicó qué hay detrás de su nuevo álbum. Después nos zambulliremos en la fusión del legendario guitarrista Jeff Richman, con XYZ, de 2021. Y cerraremos con el nuevo álbum del percusionista Samuel Torres, A Dance of Birds, publicado este 2024.

This week, Joe is featuring Vocalist Dee Dee Bridgewater from her 2000 Verve Records recording titled “Live At Yoshi's.”

This week, Joe is featuring Saxophonist Paul Desmond from his 1975 Verve Records recording “The Paul Desmond Quartet Live.” 

 Featuring pianist Duke Ellington and saxophonist Johnny Hodges from their 1959 Verve Records studio album titled "Back to Back." 

Show #1040 The Cork An episode dedicated to the loyal friends of Bandana Blues who keep the labor of love afloat. 01. JW Jones - Thank You (3:58) (Belmont Boulevard, Blind Pig Records, 2014) 02. James Cotton - Dealin' With The Devil (3:36) (Deep In The Blues, Verve Records, 1996) 03. Slo Leak - Man Who Gave Himself The Blues (4:51) (When The Clock Strikes 12, TVT Records, 1999) 04. Goodnight Texas - Dry Heat (3:59) (Single, 2 Cent Bank Check Records, 2024) 05. Andy J. Forest - Tongue In Groove (3:16) (Letter From Hell, Appaloosa Records, 1998) 06. Dana Gillespie - Tongue In Cheek (4:54) (Blues It Up, Ace Records, 1990) 07. Chris O'Leary - No Rest (4:33) (The Hard Line, Alligator Records, 2024) 08. Beaucoup Blue - Bluer Than The Midnight Sky (3:05) (Free To Fall, self-release, 2009) 09. Andrew Alli - Hard Workin' Man (3:24) (Hard Workin' Man, EllerSoul Records, 2020) 10. John Clifton - Broke Down Fool (4:06) (Too Much To Pay, self-release, 2024) 11. Ben Hemming - The End (3:59) (Darkness Before Dawn, self-release, 2024) 12. Sean Costello - Can't Let Go (4:39) (We Can Get Together, Delta Groove Records, 2008) 13. Gary Cain - Attitude (4:22) (Outside The Lines, self-release, 2024) 14. Paul Butterfield Blues Band - Just To Be With You (3:23) (The Original Lost Elektra Sessions, Electra Records, 1995) 15. Jimmy Rogers' All Stars - Blow Wind Blow (5:00) (Blues Blues Blues, Atlantic Records, 1999) 16. The Tibbs - Last Train (3:31) (Keep It To Yourself, Record Kicks, 2024) 17. Otis Rush - Gambler's Blues (9:02) (Tops, Blind Pig Records, 1988) 18. Kenny Neal - The Real Thing (4:38) (Hoodoo Moon, Alligator Records, 1994) 19. The Nighthawks - The Cheap Stuff (3:16) (Tryin' To Get To You, EllerSoul Records, 2020) 20. Treasa Levasseur - Truth Will Set You Free (4:30) (Low Fidelity, Slim Chicken Records, 2010) 21. Big George Jackson - Fat's Jump (5:11) (Beggin' Ain't For Me, Black And Tan Records, 1998) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

Bizarre was originally formed in 1967 as a production company when Frank Zappa and his manager Herb Cohen negotiated their own production deal with Verve Records. The purpose of forming his own production company was to give Zappa complete creative control over his work and the works he planned to produce for others.Bizarre Records was then established in 1969 along with a companion label, Straight Records, with the intention to release albums by avant-garde artists on Bizarre, and recordings by more mainstream artists on Straight. Both labels were distributed by Warner Bros. Records.However, the original Bizarre Records concept failed to work out as expected due to issues with distribution and management. This led to some very unusual albums on the Straight label (Captain Beefheart, Alice Cooper), and Zappa and The Mothers of Invention were the only artists who stayed with Bizarre Records.When the original distribution contracts with Warner Bros. ended in 1973, most Bizarre and Straight recordings were re-issued by Warner and/or Reprise, and Frank Zappa moved on to launch a new record label, DiscReet Records.DiscographyAlbumsSandy Hurvitz – Sandy's Album Is Here at Last (r. d. : December 9, 1968) (c. n. : V6-5064)Lenny Bruce – The Berkeley Concert (r. d. : February 17, 1969) (c. n. : 2XS 6329)(1)The Mothers of Invention – Mothermania: The Best of The Mothers (r. d. : March 24, 1969) (c. n. : V6 5068)The Mothers of Invention – Uncle Meat (April 21, 1969) (c. n. : 2MS 2024)(2)[1]Wild Man Fischer – An Evening with Wild Man Fischer (April 28, 1969) (c. n. : 2XS 6332)(1)Frank Zappa – Hot Rats (October 15, 1969) (c. n. : RS 6356)(1)Various – Zappéd (r. d. : November 10, 1969; February 3, 1970) (c. n. : PRO 368),The Mothers of Invention – Burnt Weeny Sandwich (r. d. : February 9, 1970) (c. n. : RS 6370)(1)The Mothers of Invention – Weasels Ripped My Flesh (r. d. : August 10, 1970) (c. n. : MS 2028)(2)Frank Zappa – Chunga's Revenge (r. d. : October 23, 1970) (c. n. : *MS 2030)(2)The Mothers of Invention – Fillmore East – June 1971 (r. d. : August 2, 1971) (c. n. : MS 2042)(2)

En este episodio conversamos sobre “White Light/White Heat”, el segundo álbum de The Velvet Underground, lanzado el año 1968.

This week, Joe features vocalist and pianist Shirley Horn from her 1998 Verve Records recording “ I Remember Miles.”   

Auntie Mame: An Irreverent Escapade is a 1955 novel by American author Patrick Dennis chronicling the madcap adventures of a boy, Patrick, growing up as the ward of his Aunt Mame Dennis, the sister of his dead father.   The book is often described as having been inspired by Dennis' real-life eccentric aunt, Marion Tanner, whose life and outlook mirrored those of Mame, but Dennis denied the connection. The novel was a runaway bestseller, setting records on the New York Times bestseller list, with more than 2 million copies in print during its initial publication. It became the basis of a stage play, a film, a stage musical, and a film musical.   In 1958, Dennis wrote a sequel titled Around the World with Auntie Mame.   Auntie Mame is a 1958 American Technirama Technicolor comedy film based on the 1955 novel of the same name by Edward Everett Tanner III (under the pseudonym Patrick Dennis) and its 1956 theatrical adaptation by Jerome Lawrence and Robert Edwin Lee. This film version stars Rosalind Russell and was directed by Morton DaCosta. It is not to be confused with a musical version of the same story that appeared on Broadway in 1966 and was later made into a 1974 film, Mame, starring Lucille Ball as the title character.   Opening Credits; Introduction (2.21); Background History (15.30); Auntie Mame by Patrick Dennis Plot Synopsis (17.01); Book Thoughts (21.56); Let's Rate (39.06); Introducing a Film (41.18); Auntie Mame (1958) Film Trailer (42.25); Lights, Camera, Action (45.31); How Many Stars (1:13.28); End Credits (1.18.01); Closing Credits (1:20.07)   Opening Credits– Jingle Bells by Ella Fitzgerald.  Taken from the album Ella's Swinging Christmas.  Copyright 1960 Verve Records.  All rights reserved.   Incidental Music:  Auntie Mame Original Motion Picture Soundtrack.  Music by Ray Heindorf and His Orchestra.  Copyright 1958 Master Classics Records.   Closing Credits:  We Need A Little Christmas by Angela Lansbury, Frankie Michals, Sab Saminino- Original Broadway Cast.  From the album Mame Original Broadway Recording.  Copyright 1966 Columbia Master Works Records.  ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used by Kind Permission.   All songs available through Amazon Music.

Most jazz fans know Dizzy Gillespie's crucial role in the creation of bebop and every good collection should have at least a few tracks from his glory days of the forties.  The man wrote "Night in Tunisia" for heaven's sake!  But what happened later on, after his partner Bird was gone and the listening public had moved on from ooh-bop-sh-bam madness?  In this episode we look at five recordings from the following decade and ponder why a genius-level player like Dizzy struggled after the bebop revolution.  Dizzy Gillespie: SONNY SIDE UP;  HAVE TRUMPET WILL EXCITE; AFRO;  DIZZY GILLESPIE WITH STUFF SMITH;  A PORTRAIT OF DUKE ELLINGTON.

Does focusing on students imply a sacrifice of your own creative expression? Not to Thomas Cabaniss. Practicing as a teaching artist, Cabaniss centers his own artistic experience. His passion for creation inspires engagement and sheds inhibition in the classroom. We are left with the opposite conviction: Creativity is contagious—cultivating it in oneself cultivates it in others. Theme Music “Mr. Gentle and Mr. Cool” written by Duke Ellington and Laura Rembert
Sony/ATV Harmony (ASCAP) / Music Sales Corporation (ASCAP) o/b/o itself and Tempo Music Performed by Sean Jones and NYO Jazz Thomas Cabaniss Episode “Sketches of Venasque” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Double Rainbow” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The March of The Siamese Children” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “I Whistle A Happy Tune” from The King and I written by Richard Rodgers and Oscar Hammerstein II Williamson Music Company By arrangement with Concord (ASCAP) Performed by Gertrude Lawrence & the Original Broadway Cast Courtesy of Verve Records under license from Universal Music Enterprises “One and One” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “The Third Eye” written and performed by Max Roach Milma Publishing Company (BMI) Administered by Songs of Kobalt Music Publishing Recording courtesy of Kepach Music S.r.l. “Lovesong” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Two” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn “Flutter Flutter” written by Thomas Cabaniss Performed by Michael Shinn and Jessica Chow Shinn

The MOJO Record Club with Natalie Merchant Natalie Merchant reveals her spectacular Nico, Marlene Dietrich and Ray Davies impressions, as she rolls up at the club to discuss Chelsea Girl, “medieval torture”, stealing eight-tracks and much more. Plus Andrew Male and Danny Eccleston pore over the new Depeche Mode album and an amazing Kinks “psychic download”!Tracklisting: 1. Come On, Aphrodite, featuring Abena Koomson-Davis of Resistance Revival Chorus2. These Days, sung by Nico, written by Jackson Browne (when he was sixteen years old) and released on Verve Records in 19673. Wrap Your Troubles, written by Lou Reed, sung by Nico and and released on Verve Records in 19674. Can't Get Used To Losing You, Written By – Doc Pomus and Mort Shuman, arranged by Robert Mersey and released on Columbia Records in 19635. Ghosts Again, written by Martin Gore and Richard Butler and released on Mute Records6. Days, taken from the Kinks compilation, entitled The Journey Pt. 1, released on Castle Communications

Glenn and Mindy have an intimate chat with long time friend Keith Harkin. A very accomplished singer/songwriter from Derry City, Ireland. From shows at the White House with President Obama to Necker Island With Richard Branson. David Foster signed him as one of his first artists with Verve Records and he became #1 on the Billboard Charts. Their friendship has taken them around the world, and they talk about their role models, and favorite mentors. But who he admires the most may surprise you.

Mokuhanga is a personal journey. The ups and downs of the artist are many; observing the emotions and layers of an artist simply through social media and chat rooms is complicated. Seeing a person's work is a window to who they are or want to be, their fears and desires; all these things make the mokuhanga artist so interesting to me.   On this episode of the Unfinished Print, I speak with mokuhanga printmaker and artist Ben Selby. Ben's work contains subtle emotion, powerful narratives, and unique perspectives. In my mokuhanga conversation with Ben, he speaks about his, at times, very personal experiences, how he grew up and his environment. We discuss Ben's reflection on the self in his work, his MFA thesis, the power of colour, the idea of tradition in mokuhanga, working with Richard Steiner and Terry McKenna, and alligator gar.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Benjamin Selby - website, Instagram West Texas A&M University - a public university located in Canyon, Texas, established in 1910. Georgia O'Keefe (1887-1986) was head of their art department from 1916-1918. More info can be found here.  Richard Steiner - is a mokuhanga printmaker who has been making prints for over fifty years. He has lived and worked in Kyōto, Japan since 1980. He is currently still making work. His interview with The Unfinished Print can be found, here.  Peace, peace (1990)  Terry McKenna - is a mokuhanga printmaker based in Karuizawa, Nagano, Japan. He studied under Kyōto-based mokuhanga artist Richard Steiner. Terry also runs his mokuhanga school in Karuizawa. His interview with The Unfinished Print can be found here. Richard Steiner's interview with The Unfinished Print can be found here.  Kyōto International Mokuhanga School - is a mokuhanga school owned and operated by long-term mokuhanga printmaker and artist Richard Steiner. Students will learn mokuhanga from Richard in Kyoto. For more information regarding his school and price, here. Ōsaka Station - is a transfer hub located in the Japanese city of Ōsaka, Japan. It serves over 2 million passengers daily. It contains shopping and restaurants and is a labyrinth unto itself. It opened in 1874. More information can be found here.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Arizona State University - a public research university located in Tempe, Arizona, near Phoenix. It was founded as Territorial Normal School in 1885 and has undergone several name changes over the years, coming to its current iteration in 1958. More info can be found here.  Kintarō - is a Japanese fairy tale first published in English in 1908 by Y.T. Ozeki in the book Japanese Fairy Tales, published by the A.L. Burt Company. The story is about Kintarō, a brave boy whose exploits as a brave warrior are passed down throughout Japanese history. His image was widespread in ukiyo-e, as well as in sculpture, candy, and the like. He has been in modern video games, manga, and anime.  Kintarō Fighting an Eagle - Edo Period (1603-1898) by Kitagawa Tuskimaro (1794-1836). Tsukimaro was a little-known ukiyo-e print artist but was most successful under his teacher Kitagawa Utamaro (1753-1806).  International Mokuhanga Conference - is a bi-yearly conference dedicated to mokuhanga which started in 2011 by the International Mokuhanga Association. Each conference is themed. The latest conference was in 2021, delayed a year because of the pandemic. More information can be found, here.   Printed books in the Edo Period (1603-1868) - were books published in woodblock on low-quality paper. Yet, these books contained many exciting and beautiful designs and techniques. Jacob Bautista - is an artist and teacher based in Amarillo, Texas, USA. His work is expressed through etching and stone lithography; more information about Jacob and his work is here.   Bitten (2018) photoshop Alligator gar - is one of North America's largest freshwater fish and is considered a living fossil in that its origins go back as far as 100 million years ago. These particular gars are primarily found in the Southern United States. Spillway - a structure which controls the amount of water going into a dam or levee.  Gyotaku - are Japanese fish prints. These prints are created in various formats, such as inking the fish after its caught using washi and paste(直接法), the indirect method where washi is pasted to the fish, which is then inked on the fish (間接法), and the transfer method, (転写法), where the image is pressed onto washi which is then transferred to wood or another type of surface and pressed onto that. For more information there's a great video here, about gyotaku printmaker Bruce Koike from Oregon, who has been making these prints since the 1980's.  shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Sea of Shizuura, Namazu (1938) 15.4"x10.2" Tsuchiya Kōitsu (1870 - 1949) - apprenticed under artist and print designer Kobayashi Kiyochika (1847-1915) and worked as a lithographer. Kōitsu then joined the Watanabe atelier in 1935. Kōitsu also collaborated with Doi Sadachi publishers, amongst others.  Kintai Bridge, ca 1930's. postcard size print Kawase Hasui (1883-1957) - a designer of more than six hundred woodblock prints, Kawase Hasui, is one of the most famous designers of the shin-hanga movement of the early twentieth century. Hasui began his career with the artist and woodblock designer Kaburaki Kiyokata (1878-1971), joining several artistic societies early in his career. It wasn't until he joined the Watanabe atelier in 1918 that he began to gain recognition. Watanabe Shōzaburō (1885-1962) had Hasui design landscapes of the Japanese countryside, small towns, and everyday life. Hasui also worked closely with the carvers and printers of his prints to reach the level Hasui wanted his prints to be.  Takatsudo (1931) All I Knew Growing Up by Benjamin Selby (2022) Ben's lecture at the International Mokuhanga Conference, Photochemical Mokuhanga, can be found here.  tamari (溜まり) - is the pooling of ink between the carved lines of your woodblock. Pooling is exposed when testing your carving but can be fixed by recarving the part of the block causing tamari or altering the amount of ink or water used.  cyanotype - a type of work that uses iron compounds and creates various blues when exposed to UV light. More info here.  Van Dyke Brown - is a photographic printing process named after painter Anthony van Dyck (1599-1641). The method uses various chemicals, then exposes the negative of the photograph as print to ultraviolet light. The final print is a brown colour. Very similar to cyanotype, but the chemicals create a different shade of print. More info can be found on Mark Hillier's blog, and  here. sōsaku-hanga - or creative prints, is a style of printmaking which is predominantly, although not exclusively, prints made by one person. It started in the early twentieth century in Japan, in the same period as the shin-hanga movement. The artist designs, carves, and prints their own works. The designs, especially in the early days, may seem rudimentary but the creation of self-made prints was a breakthrough for printmakers moving away from where only a select group of carvers, printers and publishers created woodblock prints.  Artist's Nude (1984) by Sekino Jun'ichirō (1914-1988) 14.7" x 10.6" Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Kitaro Japanese Paper Company -  founded in 1872, Kitaro focuses on making high quality Japanese washi in Fukui Prefecture.  More info, here.  Alone by Benjamin Selby (2021) 10.5" x 14.5" murasaki baren - is a mid-range mokuhanga baren. “murasaki” meaning “purple” , come in two types of weight (medium and heavy), and two types of sizes (10cm and 12cm). They are reasonably priced baren.  Yuki baren -  is a heavy ball bearing baren made in Japan. It is used to print large flat colours.  baren suji zuri - is a Mokuhanga technique used with the baren and by the baren to create a circular design and can be layered with various colours. Combing Her Hair (1928) 15-1/4"x 10-1/2" by Natori Shunsen (1886-1960)  sizing paper - at times mokuhanga printmakers will size their paper. Size is made from water, animal glue (rabbit, horse), and alum. What the size does is keep the pigments the artist uses from “bleeding” into the outer edges of the paper. There are many recipes of size, here is one that artist Walter J. Phillips used. © Popular Wheat Productions opening and closing musical credit - Ahmad Jamal - Pavanne (1960) from the album Happy Moods on Verve Records  logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***                                

It has been a long road for Peter One from his humble beginnings in Ivory Coast, where he grew up not far from the administrative capital, Abidjan, all the way to Nashville and the stage of the Grand Ole Opry and The Ryman.  Having picked up a guitar at 17, then joining up with a schoolmate and fellow musician, Jess Sah Bi, Peter released his first album in 1985, Our Garden Needs Its Flowers, and shortly thereafter became a national sensation in his home country, playing for the President of Ivory Coast and regaling massive stadium crowds with his brand of Afro-pop and Americana-influenced folk. Packing up that success in a suitcase full of dreams, Peter left for America, landing in New York City in the mid-90s where he began a new life there working as a nurse and eventually moved to Nashville, all the while quietly making plans to rebuild his music career -- and that he did!  With the re-release of "Garden" in 2018 thanks to the small indie label Awesome Tapes from Africa, and thanks to glowing reviews from both Pitchfork and Rolling Stone, Peter began to regain a level of popularity and begin his Second Act. Now, almost 40 years after his debut effort, Peter's sophomore album, Come Back to Me, has just been released on Verve Records. Triumphantly, but not unexpectedly, Peter eventually found himself playing big stages in the U.S. and even opening at The Ryman for Jason Isbell, who explained, "he's a natural performer; you feel like you're seeing someone who is a legendary singer."  This is an amazing comeback story, and one of patience, perseverance and determination; one that is loaded with Peter's lowkey and confident vibe, all the while infused with his firm belief in himself and what he knew to be true about the power of his own creative expression and what he has to offer the world. Join us on Roadcase while Peter talks about the long road from Ivory Coast to Nashville on this week's episode.  It's a great one!!For more info about Peter One:https://www.peteronemusic.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

On this week's show, we...  spend quality time with new records from Jenny Lewis, Foo Fighters & Jason Isbell and the 400 Unit  bid adieu to the iconic Astrud Gilberto & the legendary Tina Turner  celebrate 45 years of my all-time favorite record - Bruce Springsteen's Darkness on the Edge of Town  All this & much, much less!Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Geoff plays tracks from First Lady of Song, a boxed set CD collection released by Verve Records featuring rarely heard Ella Fitzgerald recordings (circa 1956-1966), none of which had ever been released before on an LP. All of these tracks were personally chosen by Geoff for that collection: Too Young For The Blues, Lullaby Of Birdland (Live At Bushnell Memorial Hall/1954), Baby Don't You Go Away Mad, Angel Eyes, Undecided (Live From The Hollywood Bowl/1956), Detour Ahead, Swingin' Shepherd Blues (Alternate Take), Heart & Soul, Perdido (Live At Carnegie Hall, New York / 1949). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Ambition and confidence are two concepts that make an artist. These ideas can take different forms and trajectories, but artists can accomplish anything with talent and a supportive community.  In this episode of The Unfinished Print, I speak with one artist who exudes ambition and confidence. Daryl Howard is a mokuhanga printmaker and artist who lives and works in Austin, Texas. What drew me to Daryl's work is her desire to maintain the mokuhanga tradition, putting both body and soul into her mokuhanga.  Daryl speaks with me about her evolution as a mokuhanga printmaker, her travels, her community, and her time with Hodaka Yoshida.  Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me at theunfinishedprint@gmail.com  Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note. Pieces are mokuhanga unless otherwise noted. Daryl Howard - website, Instagram Time Of Smoke That Thunders (2022) Sam Houston State University -  is a public research university located in Huntsville, Texas, USA. Established in 1879 to educate teachers for Texas public schools, SHSU has evolved into a school which offers subjects in criminal justice, Texas studies, and is known for its athletics. intaglio printing - is a printing method, also called etching, using metal plates such as zinc, and copper, creating “recessed” areas which are printed with ink on the surface of these "recesses.” More info, here. The MET has info, here.  lithography - is a printing process which requires a stone or aluminum plate, and was invented in the 18th Century. More info, here from the Tate.  serigraphy - is another word for the art of silk screen printing. Silk screen printing can be in on various materials, silk, canvas, paper.  Stanley Lea  (1930-2017) - was a Texas printmaker and teacher of printmaking at Sam Houston State University in Huntsville, Texas.  Texas A&M - established in 1876 as the Agricultural and Mechanical College of Texas, Texas A&M is a research University in College Station, Texas which has a variety of subjects and programs, more info here. Yokota Airbase, Tōkyō (横田飛行場,) -  established in 1940 as Tama Airbase for the Japanese Air Force, converted in 1945 as an American military base used in the Korean War and the Cold War.  Dr. Richard Lane (1926-2002) -  was a collector of Japanese prints. He was also an author and dealer in Japanese art.  Tsukioka Yoshitoshi  1839-1892 (月岡 芳年) was a mokuhanga designer who is famous for his prints depicting violence and gore. His work is powerful, colourful, and one of the last vibrant moments of the ukiyo-e genre of woodblock prints. More information about Yoshitoshi's life and his copious amount of work can be found, here.   Yūten Shami - Fudō Myōō threatening the priest Yūten Shami (1867) shin hanga - is a style of Japanese woodblock printmaking which began during the end of the ukiyo-e period of Japanese printmaking, in the early 20th Century. Focusing on the foreign demand for “traditional” Japanese imagery and motifs such as castles, bridges, famous landscapes, bamboo forests, to name just a few.  Shin hanga was born in 1915 by Watanabe Shōzaburō (1885-1962) when he found Austrian artist Frtiz Capelari (1884-1950) and commissioned Capelari to design some prints for Watanabe's feldgling printing house . From there shin-hanga evolved into its own distinct “new” style of Japanese woodblock printing. It lasted as this distinct style until its innevitable decline after the Second World War (1939-1945). Tachikawa, Tōkyō - 立川市 - is a city located in the metropolis of Tōkyō. It had an American military presence until 1977. For some tourist info, you can find it here. surimono (摺物)-  are privately commissioned woodblock prints, usually containing specialty techniques such as mica, and blind embossing. Below is Heron and Iris, (ca. 1770's) by Andō Hiroshige (1797-1858). This print is from David Bull's reproduction of that work. You can find more info about that project, here.   Kunitachi - 国立市 -  is a city located within the metropolis of Tōkyō. Originally a part of the 44 stations Kōshū Kaidō (甲州街道), a road which connected Edo to Kai Prefecture (Yamanashi). Hodaka Yoshida (1926-1995) - was the second son of woodblock printmaker and designer Hiroshi Yoshida (1876-1950). Hodaka Yoshida's work was abstract, beginning with painting and evolving into printmaking. His inspirations varied as his career continued throughout his life, but Hodaka Yoshida's work generally focused on nature, "primitive" art, Buddhism, the elements, and landscapes. Hodaka Yoshida's print work used woodcut, photo etching, collage, and lithography, collaborating with many of these mediums and making original and fantastic works. Outside of prints Hodaka Yoshida also painted and created sculptures.    White House O.J. From My Collection (1980) lithograph Fujio Yoshida (1887-1997) - the wife of Hiroshi Yoshida and the mother of Tōshi Yoshida (1911-1995) and Hodaka Yoshida. Fujio was so much more than a mother and wife. She had a long and storied career as a painter and printmaker. Fujio's work used her travels and personal experiences to make her work. Subjects such as Japan during The Pacific War, abstraction, portraits, landscapes, still life, and nature were some of her themes. Her painting mediums were watercolour and oil. Her print work was designed by her and carved by Fujio.  Red Canna (1954) Chizuko Yoshida (1924-2017) - was the wife of painter and printmaker Hodaka Yoshida. Beginning as an abstract painter, Chizuko, after a meeting with sōsaku hanga printmaker Onchi Kōshirō (1891-1955), Chizuko became interested in printmaking. Chizuko enjoyed the abstraction of art, and this was her central theme of expression. Like all Yoshida artists, travel greatly inspired Chizuko's work. She incorporated the colours and flavours of the world into her prints. Butterfly Dance (1985) zinc plate and mokuhanga Ayomi Yoshida - is the daughter of Chizuko and Hodaka Yoshida. She is a visual artist who works in mokuhanga, installations and commercial design. Ayomi's subject matter is colour, lines, water, and shape. She teaches printmaking and art. You can find more info here.  Spring Rain (2018) University of Texas at Austin - is a public research university in Austin, Texas, USA. Founded in 1883, the University of Texas at Austin has undergraduate and graduate programs. You can find more information here. Lee Roy Chesney III (1945-2021) - was a printmaker and professor at the Universitty of Texas at Austin.  William Kelly Fearing (1918-2011) - was an award winning painter,  printmaker, and artist who was professor Emiritus at the University of Texas at Austin. His work focused on landscapes, religious imagery, and the human figure. Abstract Figure in Oil (1947) oil on canvas Ban Hua: Chinese woodblock prints - There is a lot of information regarding Chinese woodblock printing. The history of Chinese woodblock goes back centuries, longer than the Japanese method. Modern Chinese printmaking began after Mao's Cultural Revolution, strongly connected by the writings and work of philosopher, academic, and artist Lu Xun (1881-1936), who established the Modern Woodcut Movement. First, check out the work of the Muban Educational Trust based in England. More info can be found here and here at Artelino; for Lu Xun's history, you can find more information here.  Victoria Falls - is a large waterfall located on the border of Zambia and Zimbabwe in South Africa. It is also known as Mosi-oa-Tunya or "The Smoke That Thunders" in the Bantu language of Sotho. The falls are 1,708 meters and 108 meters high.  Wacom -Wacom - is a Japanese company that began in 1983. It produces intuitive touch screen display tablets. It has offices in the US and Europe.  Photoshop - is a raster graphics editor created by Adobe. It allows the user to create and edit images for graphic design, typography, and graphic design.  Akua - are water-based pigments used in intaglio, mokuhanga, and monotype.  Winsor & Newton - is a British artist supply company, started in 1832, which sells artist materials such as pigments, brushes, paper, etc. You can find more info, here.  Guerra & Paint Pigment Corp. - is a brick and mortar store located in Brooklyn, New York that sells artists pigments. More info, here.  Dallas Museum of Art - is an art museum established in 1903 and contains art collections from all over the world and from many periods of history. Some of the collections on the DMA are African, American, Asian, European, Contemporary, and Pre-Columbian/Pacific Rim. More info can be found here. Impressionism - is an art movement founded by Claude Monet (1840-1926), Edgar Degas (1834-1917) and other artists in France. The movement was from 1874-1886 and focused on suburban leisure outside Paris. The Impressionist movement launched into the public consciousness in 1874 at the Anonymous Society of Sculptors and Painters and Printmakers exhibition. More information about the Impressionist movement can be found here at The Met.  Blanton Museum of Art - founded in 1963 at the University of Texas at Austin. It houses collections of European, modern, contemporary, Latin American, and Western American Art.  You can find more information here.  Albrecht Dührer (1471-1528) was a painter and author famous for making detailed devotional works with woodcuts. You can find out more from The Met here for more information about his life and work. The Great Wave off Kanagawa - is a woodblock print designed by Katsushika Hokusai in 1831. It is very famous.  Pop Wave Orange by Daryl Howard (2021) Bridge In The Rain (After Hiroshige) - was a painting painted by Vincent Van Gogh (1853-1890) in the style of woodblock print designer Utagawa Hiroshige (1797-1858).  baren - is a Japanese word used to describe a flat, round-shaped disc, predominantly used in creating Japanese woodblock prints. It is traditionally made of a cord of various types and a bamboo sheath, although the baren has many variations.  Sharpening brushes on shark skin are traditionally used on mokuhanga brushes that were “sharpened” or softening the brushes bristles rubbing up and down on the shark skin. But today, you can use very fine sandpaper made of silicon carbide (dragon skin). Mokuhanga printmaker John Amoss has a beautiful write-up about using shark skin and its uses here.  Echizen - is a region in Fukui Prefecture, Japan associated with Japanese paper making. It has a long history of paper making. There are many paper artisans in the area. One famous paper maker is Iwano Ichibei. He is a Living National Treasure in paper making, and the ninth generation of his family still making paper today. You can find more information in English, and in Japanese.  kizuki kozo - is a handmade Japanese paper with many uses. Of a moderate weight and cooked with caustic soda. It is widely available.  Shōzaburō Watanabe (1885-1962) - was one of the most important print publishers in Japan in the early 20th Century. His business acumen and desire to preserve the ukiyo-e tradition were incredibly influential for the artists and collectors in Japan and those around the world. Watanabe influenced other publishers, but his work in the genre is unparalleled. The shin-hanga (new print) movement is Watanabe's, collecting some of the best printers, carvers and designers to work for him. A great article by The Japan Times in 2022 discusses a touring exhibition of Watanabe's work called Shin Hanga: New Prints of Japan, which can be found here.  Itoya - is a stationary store in the Ginza district of Tōkyō. It has been in business for over 100 years. They have stores in Yokohama, in various malls throughout Japan and at Haneda and Narita airports. More info can be found on their web page (Japanese) and their Instagram.  Bunpodo - is a stationery store located in the Jinbōchō district of Tōkyō. It was established in 1887 and is considered the first art store in Japan. More info here. Matcha Japan has a walkthrough of the store here. McClains Woodblock Print Supply Co.  - based in Portland, Oregon, McClain's is the go-to supplier of woodblock print tools in the United States. Their website can be found here. The Unfinished Print interview with Daniel Jasa of McClain's can be found here. Wood Like Matsumura - is an online and brick and mortar store, for woodblock printmaking, located in Nerima City, Tōkyō. Cocker-Weber - is a brush manufacturing company based in Philadelphia, Pennsylvania, USA.  It was established in 1892. You can find more information here.  Philadelphia Museum of Art - originating with the Centennial Exhibition of 1876, the PMA has over 200,000 pieces of art and objects and is one of the preeminent museums in the US. James A Michener (1907-1997) - a Pulitzer Prize winning writer, scholar and academic who wrote on Japanese prints, amongst many more topics. Mokuhanga Artists Using Laser - many mokuhnaga printmakers today are exploring using laser engraving for their woodblocks rather than hand cutting. Printmakers who use this method are Cal Carlisle, Endi Poskovich, Shinjji Tsuchimochi, and Benjamin Selby. If you know of others, please let me know! Illustrator - is an Adobe product which creates two-dimensional pieces for artists and illustrators.  James A McGrath - is an educator and artist who served as Director of Arts for American Schools in Europe; he taught design, painting and poetry at the Institute of American Indian Arts and was the Arts and Humanities Coordinator for the US Department of Defence School in Southeast Asia. He also worked on the Hopi Indian Reservation and returned to the Institute of American Indian Art as dean of the college and Museum Director. He is now retired. You can find some of his work and writings here at The Smithsonian.  Hopi Mesa - is the spiritual and physical home of the Hopi tribe in Arizona. It is a group of villages (pueblos) on three mesas. Mesa are flat-topped ridges surrounded by escarpments. More information can be found on Visit Arizona here. National Endowment For The Arts - was established by the US Congress in 1965 and created to fund arts and education in the United States. You can find more information here.  Dawson's Springs Museum - is an art museum located in an old bank and was established in 1986 in Dawson's Springs, Kentucky. Karoo Desert - is a semi-desert located in South America and distinguished by the Great Karoo and the Little Karoo. A great article about the Karoo Desert by The Guardian can be found, here Chobe River - also known as the Kwando, is a river which flows from Angola and Namibia. It is known for its wildlife and runs through various National Parks.   Kachina - these are the religious beliefs of the Hopi, Zuni, Hopi-Tewa, and Kerasan. It incorporates the supernatural, dancing, and dolls through Ancestor worship.  bas relief - is a sculptural technique where figures and designs are carved or moulded onto a flat surface, only slightly raised above the background. Bas relief has been used in art and architecture for thousands of years and is found in various cultures, such as the Egyptians, and Assyrians, during The Rennaisance, until today. Bas relief is used today to decorate buildings, monuments, tombs, and decorative objects such as plaques, medals, and coins. In bas-relief, the figures and designs are typically carved or moulded in shallow relief, with only a few millimetres of depth,  creating a subtle, three-dimensional effect that is less dramatic than the more deeply carved high relief. Bas relief can be made from various materials, including stone, wood, metal, and plaster. sepia - is a reddish brown colour. Can be found in various pigments.  Duomo di Firenze - is the Florence Cathedral, finished in the 15th Century, using some of the finest architects from Italy. It is associated with the Italian Renaissance.  Boston Printmakers -  is an organization of international printmakers started in 1947. It holds a Biennial every two years. You can find more information here. The National Gallery of Art - is a free art gallery in Washington D.C. Founded by financier Andrew W. Mellon. The gallery houses more than 150,000 pieces dedicated to education and culture. Construction finished for the West building in 1941. More info can be found here.  © Popular Wheat Productions opening and closing musical credit - I Got It Bad And That Ain't Good  by The Oscar Peterson Trio (1963) on Verve Records. logo designed and produced by Douglas Batchelor and André Zadorozny  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) Слава Українi If you find any issue with something in the show notes please let me know. ***The opinions expressed by guests in The Unfinished Print podcast are not necessarily those of André Zadorozny and of Popular Wheat Productions.***        

This week on Jazz After Dinner Joe features Saxophonist Sonny Stitt from his 1959 Verve Records recording titled “Sonny Stitt Sits In With The Oscar Peterson Trio.”

Pianist-composer Vijay Iyer has been described by The New York Times as a “social conscience, multimedia collaborator, system builder, rhapsodist, historical thinker and multicultural gateway.” He has been praised by Pitchfork as “one of the best in the world at what he does,” by the Los Angeles Weekly as “a boundless and deeply important young star,” and by Minnesota Public Radio as “an American treasure.” He received a MacArthur Fellowship, a Doris Duke Performing Artist Award, a United States Artist Fellowship, a Grammy nomination, the Alpert Award in the Arts, and two German “Echo” awards, and was voted Downbeat Magazine's Jazz Artist of the Year four times in the last decade.  But beyond all that praise, he is at his core simply a seeker of genuine connection and community. Here he talks about growing up in Rochester, NY as one of a small handful of first generation Indian Americans (his parents immigrated), how he developed his musical identity alongside an academic career as a scientist (he did his undergraduate work in math and physics at Yale and holds a PHD from UC Berkeley in the cognitive science of music), creating work for an uncertain future, how to make music matter, and his most recent recordings.  He released Love In Exile - a collaborative album with Arooj Aftab and Shahzad Ismaily - last month on Verve Records.  www.third-story.com www.patreon.com/thirdstorypodcast www.wbgo.org/studios

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, Midnight Sun, Too Darn Hot, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from the CD released by Verve Records featuring the best of the Ella Fitzgerald songbooks. Tracks include Something's Gotta Give, Love Is Here To Stay, Miss Otis Regrets (She's Unable To Lunch Today), I've Got My Love To Keep Me Warm, Why Was I Born?, The Lady Is A Tramp, Hooray For Love, Solitude, One Note Samba (Samba De Uma Nota So). GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Jamie Krents, a 25-year veteran of Universal Music Group, runs the Verve, Impulse! and Verve Forecast imprints, original home to Ella Fitzgerald, then Louis Armstrong, Billie Holiday, Velvet Underground and Frank Zappa. Today, jazz remains a core genre of the company with Grammy winner Samara Joy finding a new (read: younger) audience.See omnystudio.com/listener for privacy information.

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays selections from These are the Blues, a selection of blues songs that Ella recorded for Verve Records in 1963, and one of the few occasions in Ella's career in which she performed the blues. Tracks include See, See Rider, Hear Me Talkin' To Ya, Fine And Mellow, Down Hearted Blues, Jail House Blues, In The Evening (When The Sun Goes Down), Trouble In Mind, How Long, How Long Blues, plus two live renditions of St. Louis Blues. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

Show #977 Beardo's Birthday Bash 2022 A show with songs selected by a couple of friends of Bandana Blues to honor Beardo. 01. Todd Rundgren - Birthday Carol (9:20) (Runt, Bearsville Records, 1970) 02. HOROJO Trio - Set The Record Straight (4:44) (Set The Record, Stony Plain Records, 2022) 03. Brandon Santini - Don't Shake The Devil's Hand (3:47) (Single, San-Tone Music, 2022) 04. Albert Castiglia - Little Havana Blues (Arroz Con Mango) (5:40) (Solid Ground, Ruf Records, 2014) 05. Dede Priest & Johnny Clark's Outlaws - 16 Tons (3:36) (When Birds Were Snakes, Creeping Fig Records, 2021) 06. Mark Wenner & Switchblade - Sixteen Tons (4:39) (Fugitive, Whitewall Records, 1984) 07. Jessy Martens & Band - Tricky Thing (4:31) (Tricky Thing, Jayfish Records, 2017) 08. Bonnie Raitt - Coming Home (3:26) (Lightning In A Bottle, Columbia Records, 2004) 09. Natalie Cole - St. Louis Blues (3:52) (Lightning In A Bottle, Columbia Records, 2004) 10. The Neville Brothers - Big Chief (3:27) (Lightning In A Bottle, Columbia Records, 2004) 11. Darko The Super - Bobby Brown Goes Down (2:25) (The Meeting Place, U Don't Deserve This Beautiful Art, 2022) 12. Pete Brown & Piblokto - Broken Magic (6:46) (Pete Brown & Piblokto, Harvest Records, 1970) 13. Frank Zappa - Lumpy Gravy (excerpt) (3:55) (Lumpy Gravy, Verve Records, 1968) 14. Tino Gonzales - Piece Of Work (4:36) (A Heart Full Of Blues, Dixiefrog Records, 1997) 15. Kid Andersen - It's Dark In Here (3:13) (Greaseland, Blue Mood Records, 2006) 16. Carlos del Junco & the Blues Mongrels - Lil' Laptop (6:59) (Mongrel Mash, Big Reed Records, 2011) 17. Tom Waits - Jockey Full Of Bourbon (2:47) (Rain Dogs, Island Records, 1985) 18. Joe Bonamassa - Jockey Full Of Bourbon (5:21) (The Ballad Of John Henry, J&R Adventures, 2009) 19. Albert Collins - Don't Go Reaching Across My Plate (3:44) (Frostbite, Alligator Records, 1980) 20. Arc Angels - Too Many Ways to Fall (5:57) (Arc Angels, Geffen Records, 1992) 21. Junior Wells - In The Wee Wee Hours (3:45) (Hoodoo Man Blues, Delmark Records, 1965) 22. Tino Gonzales - Hold On (4:51) (The Right Time, Just Us Recordings, 2012) 23. Les Copeland - Tiny People (3:32) (One More Foot In The Quicksand, Earwig Music, 2018) Bandana Blues is and will always be a labor of love. Please help Spinner deal with the costs of hosting & bandwidth. Visit www.bandanablues.com and hit the tipjar. Any amount is much appreciated, no matter how small. Thank you.

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangemnts by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangemnts by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangements by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays tracks from Like Someone I Love, an album Ella recorded for Verve Records in 1957, featuring lush arrangements by Frank de Vol. Tracks include There's A Lull In My Life, More Than You Know, What Will I Tell My Heart, Ella Fitzgerald I Never Had A Chance, Close Your Eyes, Then I'll Be Tired Of You, Like someone in love, I Thought About You, You're Blasé, Night Wind, What's New. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays some of the very best singles that Ella recorded for Verve Records circa 1956-1966. None of these songs appeared on any of the albums that Ella recorded for Verve during that time. Tracks include Too Young For The Blues, Stay There, Beale Street Blues, A Beautiful Friendship, Hotta Chocolatta, A-Tisket, A-Tasket, Swingin' Shepherd Blues (Alternate Take), Your Red Wagon, You'll Have To Swing It (Mr. Paganini), Desafinado, Stardust (Bossa Nova Version), Ringo Beat, The Shadow Of Your Smile, Place For Lovers, Lonely Is. This edition of GPE was produced by Ed Robertson Learn more about your ad choices. Visit megaphone.fm/adchoices