Podcasts about Second Movement

CONTENT WARNING: Discussion of death, knife fights, gunfire, murder, sexual misconduct, parental trauma, parental negliect, parental abuse. We weren't aware there was such a thing as being a method director, but this legendary film seems to have proven that's a thing. Because it's one thing to make a schlocky B-movie for teenagers about juvenile delinquents. It's another completely to try to reverse engineer that terrible movie into art for a budding movie star and enable his worst tendencies while also having an affair with his 16-year-old co-star, and his other co-star, and possibly him. This movie is a mess, which is actually being kind, because its director might be even more of a disaster. Somehow a bad movie with great acting gives us perhaps some of the greatest trivia of all time. We're deep in our angsty feels as we watch 1955's Rebel Without a Cause on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Rebel Without a Cause, written and composed by Leonard Rosenman. Copyright 1955 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “The Cincinnati Kid (Instrumental)” from the soundtrack to the film The Cincinnati Kid, written and composed by Lalo Schifrin. Copyright 1965 Warner Bros. Entertainment Inc. All Rights Reserved.

CONTENT WARNING: Discussion of murder, sex work. We've jumped ahead to 1945 to tackle the question of whether it's possible for a movie to have only one likeable character but still be compelling. The verdict - still unclear. This is a bizarre movie, down to the doctor who tries to save a dying young child trying to gain sympathy for having to drive all the way out to the house in the first place. Only one main character is likeable, and fortunately Joan Crawford is up to the task with the role. In fact, for a melodrama with more of a premise than a well-rounded plot and wildly uneven acting, Joan Crawford is the glue that holds all of this together. We're watching the Mother's Day classic, 1945's Mildred Pierce on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Mildred Pierce, written and composed by Max Steiner. Copyright 1945, 2005 Turner Entertainment Co., Warner Bros. Entertainment Inc. Excerpt taken from the main title to the film Rebel Without a Cause, written and composed by Leonard Rosenman. Copyright 1955 Warner Bros. Entertainment Inc. All Rights Reserved.

Margery and Jim have the day off. BPR regulars Andrea Cabral and Shirley Leung take over the mics.It's Live Music Friday with Grammy-nominated violinist Christina Day Martinson and filmmaker Nathaniel Hansen. Martinson is a Grammy-nominated violinist with Handel and Hyden and Boston Baroque, and the focus of Hansen's documentary A Second Movement.Molly Baldwin leads the community violence reduction nonprofit Roca and Jenna Leschuk is Senior Director of Development at 826 Boston. They join to discuss resisting federal pressure even as they continue to embrace DEI.Boston Medical Center's Dr. Katherine Gergen Barnett discusses HHS secretary RFK Jr. rolling back vaccine recommendations and the primary care physician shortage in Massachusetts.  It's "Press Play" with GBH's Callie Crossley and The Bay State Banner's Ron Mitchell, who discuss a rise in local news nonprofits, NPR's lawsuit against the Trump administration, and more.

Today: Andrea Cabral and Shirley Leung fill in for Jim and Margery.They host a panel with the leaders of two local nonprofits to discuss the current environment for organizations dealing with federal pressure and losing federal funding –  Molly Baldwin from the violence reduction group Roca and Jenna Leschuk of 826 Boston.Then, Live Music Friday with Grammy-nominated violinist Christina Day Martinson. She joins with filmmaker Nathaniel Hansen, who's made a documentary about Christina, called “A Second Movement.” 

CONTENT WARNING: Discussion of racism, sexual assault, false imprisonment. We've got a new name, a new season, and a new series! First up, we talk about our name change with a tagline you may be familiar with. Then, we kick off a new series with a trip through ALL the decades - if the year ends in 5, we're watching a movie from it! We kick things off with a frothy, zippy, real humdinger of a musical with Fred Astaire and Ginger Rogers doing their thing. Remarkably, this movie is incredibly wholesome and unproblematic, its most offensive thing being a wacky Italian accent that angered Mussolini - in short, a net benefit. We kick off our Decades Grab Bag with 1935's Top Hat on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Top Hat, written and composed by Irving Berlin. Copyright 1935 RKO Pictures, Inc. Excerpts taken from the main title to the film Mildred Pierce, written and composed by Max Steiner. Copyright 1945, 2005 Turner Entertainment Co., Warner Bros. Entertainment Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER We're seen all the movies, we've enjoyed or destroyed them all based on how we feel, and the big night is here at last. We start off with a discussion of the 35th Annual Academy Awards and how unremarkable it was - save for one very uniquely petty acceptance speech. Frank Sinatra may be charming, but he really shouldn't emcee an awards show. Then we dive deep into the 2025 Oscars, are befuddled and disappointed by how much everyone seems to love Anora, declare love for Conan O'Brien's bits and the nation of Latvia, and overall just seem underwhelmed by the year in movies that was. Come along for a final Oscars episode to wrap our season on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Interstitial music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the 35th Academy Awards held on April 8, 1963.

CONTENT WARNING: Discussion of racism, sexual assault, false imprisonment. 1962 contained not one but two books that were thrust upon us as required school reading (or acting), but none loom as large as this story. To be fair, it's one of the few stories about the pre-Civil Rights Act South that's presented through the eyes of a child, and that means it's perfect school fodder. The movie was a huge labor of love from the entire creative team, which is fantastic and reads on screen, but also makes for a truly uneven watching experience. Director Robert Mulligan gets the most out of the cast, but his execution of trying to see things through Jem & Scout's perspective never translates on screen. In fact, the only moments that truly work are in the courtroom, when the reality of small town Alabama racism come roaring back. It's a shame it's not a better movie because Gregory Peck is giving his masterpiece performance and the kids are phenomenal on screen, but acting alone cannot a movie make. We wrap up Oscars ‘62 with To Kill A Mockingbird onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved. Excerpts taken from the introduction to the 35th Academy Awards held on April 8, 1963.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Horror, gore, child murderers, child molesters, serial killers, knives. We're coming up on the 2025 Oscars and we share our main picks, our takes on the nominees, and why Emilia Perez is one of the worst nominees ever posted to the Oscars, all in this bonus episode of Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

CONTENT WARNING: Discussion of alcoholism, child neglect, substance abuse, addiction. Every year at the Oscars there's a movie that stands out as the film that should be the Best Picture, just for the sheer raw power of its storytelling. This is that movie. Jack Lemmon is giving a performance for the ages, the supporting cast is rock solid, and the always contrarian Blake Edwards goes for broke. This could have easily been a melodrama, but you get the sense very quickly that everyone making this movie got the impact of what they were doing here. And that's incredible, considering there's movies that come out in 2025 that can't capture the truth of addiction like this movie. We continue Oscars ‘62 with Days of Wine and Roses onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film To Kill A Mockingbird, written and composed by Elmer Bernstein. Copyright 1962 Universal Studios. All Rights Reserved.

CONTENT WARNING: Discussion of abuse, car accidents, aging, mental illness.. If last week was about a world war, this film is about a two-woman war. Joan Crawford and Bette Davis were two of the bitterest rivals in the 30's and 40's, but by 1962 both were desperate for a hit. So was director Robert Aldrich, and the three combined to create a unique blend of gothic horror and Hollywood cynicism that still resonates today. We continue Oscars ‘62 with What Ever Happened to Baby Jane? onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from the main title to the film Days of Wine and Roses, composed and conducted by Henry Mancini with lyrics by Johnny Mercer. Copyright 1962 Warner Bros. Entertainment Inc. All Rights Reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. D-Day happened over 80 years ago, and to this day, there's only been two films that capture the scope and scale of that bloody day. This movie is one of those, and unfortunately it's the boring one. To be clear, the battle sequences are among some of the best committed to celluloid; there's a few moments that will make you gasp at how well legendary ringleader Darryl F. Zanuck captures the battlefield. But then we turn to the characters, and they're all a) played by actors double the age of the characters and b) say the absolute hokiest lines you'll hear in a war movie. It may be an accurate film, but this definitely isn't entertaining history. We continue Oscars ‘62 as we discuss The Longest Day onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved. Excerpt taken the film What Ever Happened to Baby Jane?, copyright 1962 The Associates & Aldrich Company Inc.; 1962 Warner Bros. Entertainment Inc. All rights reserved.

CONTENT WARNING: Discussion of deafness, blindness, ableism. If you've ever done theater, and we definitely have, you dread the thought of having to deal with anything related to this movie and this story. And you'd be right to, because all too often we tell a sanitized, ableist, overacted retelling of a very real story: the breakthrough Annie Sullivan had teaching her student Helen Keller to communicate. So you'll have to pardon our shock while watching the original film adaptation of the Broadway success, and finding it's in fact a brilliant film. Director Arthur Penn is brilliant in adapting his own stage production by showing and not telling, a move that seems impossible for most stage to screen adaptations. Anne Bancroft and Patty Duke, reprising their roles from Broadway, are absolutely phenomenal. And sure, the supporting cast might as well be cardboard cutouts, but it doesn't matter when you've got a film as compellingly made as this one. We finally get a winner for Oscars ‘62 as we talk about The Miracle Worker onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Laurence Rosenthal. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved. Excerpt taken from the main theme in the original soundtrack to the film The Longest Day, written and composed by Maurice Jarre. Copyright 1962 Darryl F. Zanuck Productions, Inc. and Twentieth Century Fox Film Corporation, renewed 1990. All rights reserved.

CONTENT WARNING: imprisonment, solitary confinement, murder, homosexuality. The duds just keep on coming this week as a movie about one of America's most dangerous (and quirky) prisoners just collapses under its own weight. Many times we celebrate directors and casts who deeply care about their subject. In this case, it somehow makes the whole experience worse, mostly because it commits the cardinal sin of being boring. It's not the worst movie we've ever seen, but it's a real drag to sit through. Oscars ‘62 continues as we talk about Birdman of Alcatraz onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film Birdman of Alcatraz, written and composed by Elmer Bernstein. Copyright 1962 Metro-Goldwyn-Mayer, Inc. Excerpt taken from “Main Title” from the original soundtrack to the film The Miracle Worker, written and composed by Meredith Willson. Copyright 1962 Playfilm Productions, Inc. All Rights Reserved.

We keep our Oscars series rolling and well, things have been rough to start. You'd think with a musical as culturally significant and iconic as this one that the movies would have done it up for fun. Sadly, this is an incredibly BORING movie. Sure, Robert Preston is incredible, and sure, the songs are fun, but after the 3rd of 17 dance breaks, you start to realize that our director just barely made a movie. They might as well have filmed the stage production and screened that instead for as much money as they sunk into this. Oscars ‘62 trudges, not marches along, as we talk The Music Man onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Main Title” from the original soundtrack to the film The Music Man, written and composed by Meredith Willson. Copyright 1962 Warner Bros Records Inc; Warner Bros Pictures Inc. Excerpt taken from “Main Title” from the original soundtrack to the film Birdman of Alcatraz, written and composed by Elmer Bernstein. Copyright 1962 Metro-Goldwyn-Mayer, Inc.

CONTENT WARNING: castration, sterilization, sex work, abuse, parental abuse and neglect, menace. Did you miss us? We missed you! That's right, it's been far too long, and we're back with a patented Oscars(TM) series, this time focusing on the year 1962. We kick things off this week with mid-century Hollywood stalwart Tennessee Williams. Boy do we wish we hadn't. There are some legitimately good and enjoyable performances, but they're wasted on a movie that said “you know what this play adaptation needs - more set pieces!” This movie is a hot mess, and not in the way Tennessee Williams would want us to see it. Oscars ‘62 kicks off this week with our review of Sweet Bird of Youth onMacintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Ebb Tide,” written and composed by Robert Maxwell. Copyright 1953 Mercury Record Corporation. Excerpt taken from “Main Title” from the original soundtrack to the film The Music Man, written and composed by Meredith Willson. Copyright 1962 Warner Bros Records Inc; Warner Bros Pictures Inc.

One step closer to the inevitable. TRACKLIST: 1 Bridge Of Eternity feat. Jessica Zese (Original Mix) Monarke 2 We Miss You (Original Mix) Elliot Moriarty 3 Nightwhisper (Extended Mix) [Anjunadeep] Jody Wisternoff & James Grant 4 The Truth (Original Mix) Luca Bacchetti, Ness 5 Losing My Mind "Original Mix" THEUSS 6 Crosses And Angels "Guy Mantzur Remix" Lopezhouse Feat. Angela 7 Coal In My Chest "Frankey & Sandrino Remix" Tone Of Arc & Dove City 8 We'll Meet In The Sky "Redspace Remix" Viki Lee 9 Farewell Gift (Original Mix) Tamas Skafar 10 Radius (Original Mix) Dave Leck 11 The Feel (Original Mix) Out of Sorts 12 Circles (Original Mix) Matan Caspi 13 Sentience (Original Mix) Clawz SG The Moon Landing - Astronaut Neil Armstrong 14 Particles (Original Mix) Sarkis Mikael 15 Children With No Name (Original Mix) Khen, Guy Mantzur, Kamila 16 Sukuru (Extended Mix) Julian Liander 17 Siproeta (Original Mix) Los Fida 18 Pinie "Sebastien Leger Remix" Parra For Cuva 19 So It Goes Matter 20 Luv (djimboh Remix) Daniel Helmstedt

Why do we play games?  Because they're fun?  Or is it because they give us a sense of structure and a clear goal, a refreshing contrast to our real lives, which are messy, unpredictable, and complicated? In the same way, we listen to Bach to give a much-needed feeling of structure and clarity to our hectic, messy lives.   But sometimes, he doesn't quite give us what we expect.  He breaks the patterns. And it's at those moments when we can catch a glimpse of the angels in the architecture. Italian Concerto, BWV 971, second movement, as performed by Christine Schornsheim for the Netherlands Bach Society "Wandering Flame", from the soundtrack to Final Fantasy X; this track is by the composer Masashi Hamauzu Link to chapter 1 of "Travels in Hyperreality" by Umberto Eco; the discussion on Disneyland mainly takes place on pages 43-48 of this document

Learn how physmodo's quick, 30-second movement screen can help boost gym sales and client engagement by providing valuable data on a client's mobility. Discover how this technology is being used by leading fitness brands, university athletic programs, and stretch studios to drive business and keep clients healthier. In this episode, Michael Benso sits down with Andrew Menter from physmodo to discuss their innovative assessment tool. Hear how physmodo's screen gives gyms, trainers, and physical therapists the insights they need to better understand and improve their clients' movement patterns. Whether you're a gym owner, personal trainer, or rehab specialist, this episode offers insights on leveraging technology to enhance the client experience and grow your fitness business. Learn firsthand how physmodo's data-driven approach is changing the game when it comes to efficient, effective fitness assessments and personalized program designThis Podcast is Presented to you by BUZOPS Software! Your next-generation gym management software and operational system, meticulously engineered for gym owners who seek excellence and efficiency. BUZOPS It's designed to empower you to flawlessly automate administrative tasks and optimize access management to your facilities, synchronizing effortlessly with member accounts, staff management, class bookings, scheduling, individual services, and user-friendly comprehensive business reports.

太陽附近是發生啥物代誌？為著欲揣出這个答案，NASA 發射 Parker 機器人太陽探測器 (PSP) ，飛到比進前閣較倚太陽 ê 所在 做調查。PSP ê 循環 軌道，予伊每幾若個月就會接近太陽 一擺。這个縮時攝影影片 是舊年 PSP 第 16 擺倚近太陽 ê 時陣翕--的。這是 PSP 飛到水星軌道內底，用目尾 ùi 太陽閘仔後壁 看出去 ê 景色。PSP ê 闊幅相機 (WISPR) 翕了超過 11 工 ê 影像，毋過 tī 遮 去予數位技術 壓縮做 1 分鐘 ê 影片。綴 PSP 踅太陽行，咱會當 tī 影片內底看著咧跳舞 ê 日冕 kah 日冕物質噴射。背景閣有 飛過 ê 恆星、行星、kah 銀河系 ê 中央盤。PSP 發現講，太陽的厝邊區 實在是有夠複雜--ê，甚至 太陽磁場 會 tī 足短 ê 時間內底 翻倒反。 ——— 這是 NASA Astronomy Picture of the Day ê 台語文 podcast 原文版：https://apod.nasa.gov/ 台文版：https://apod.tw/ 今仔日 ê 文章： https://apod.tw/daily/20240219/ 影片來源：NASA, JHUAPL, Naval Research Lab, Parker Solar Probe 資料處理：Avi Solomon; h/t: Richard Petarius III 音樂：Beethoven's Symphony No. 7, Second Movement 音樂來源：Wikimedia Commons 聲優：阿錕 翻譯：An-Li Tsai (NSYSU) 原文：https://apod.nasa.gov/apod/ap240219.html Powered by Firstory Hosting

This week we're exploring the miraculous gift and conduit of music, and the ways in which God moves through music to reach and help his people. If you'd like to connect with me, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠find me on Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠at my website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. If you'd like to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠help support this podcast financially⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, there's a way to do just that ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠on my page at buymeacoffee.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Thanks for sharing, subscribing, rating, and reviewing, as this helps our community to grow. Thanks as always to my friend, Peter Vaughan-Vail, for providing the beautiful harp music you hear in this and every episode. Here are some resources to help you dig into this week's topic on your own: 1. Raised Catholic Recommends music playlist on Spotify - faith music from lots of genres/moods 2. Green Noise playlist on Spotify 3. Song: Front Porch, by Vontmer - check out all of his music, lots in that green frequency range, but this one is magic for little ones. 4. Video clip - JAWS - With and Without Music featuring Richard Dreyfuss and John Williams 5. Song: Pitter Patter Goes the Rain, by Christy Nockels. I've taught this song hundreds of times and never had a teacher or parent NOT say that there is magic in this song. Nockels herself says that she recorded a track of herself reading scripture or encouraging words in each of the songs on this album that you can't audibly hear but you can feel. Listen for yourself. 6. Journal question: when has music elicited a response in me that I did not expect? What kind of music was it? Where was I? How do I explain that reaction? 7. A primer on green, white, brown, and pink music/sound from Soundly 8. A few examples of music that unexpectedly ministered to me: Simple Gifts from Appalachian Spring, Aaron Copland, John Williams, Boston Pops Orchestra Beethoven's 5th Symphony, Second Movement, Andante (When I first heard this, I thought it sounded like what we'll hear in Heaven. I still do.) Rainbow, by Kacey Musgraves Four, by Sleeping At Last (lots of 'hidden tracks' in his music as well - hear him tell the story of this one in this podcast episode - how it was made)

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of manipulation, religion. It's time for a new spin around the world of documentaries, and we're starting things off with a certified gem that David brings from his “important film” days. In 1966, door-to-door sales were almost completely dead, but that didn't stop Albert and David Maysles from centering their first-ever film on the subject. Their documentary was honed and crafted from 100 hours of footage and four men giving their best pitches for the Greatest Book Ever Written, and completely self-distributed. But the final result is one of the most incisive, thoughtful and honest portrayals of hustle committed to film, and a true breakthrough for documentary filmmaking. We discuss Salesman for our second ever Documentary series this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the film Salesman, copyright 1968, 2001 Maysles Films Inc. All rights reserved. Excerpt taken from the piece “Orson's Theme” from the film F for Fake, written and composed by Michel Legrand. Copyright 1975 Les Films de L'Astrophore.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, childhood trauma, horror, earthquakes, demons, death. Oops, Freddy wasn't really dead after the final nightmare. But as Wes Craven makes abundantly clear in this film, horror legends never really go away, they always stick around. Wes' work in this film is admirable, and it's some of the best storytelling in the series. Yet watching you can't help but think about the meta-horror classic that Wes would bring to us just two years later, a film that redefined the genre. Everyone here is doing admirable work and “sending off “ Freddy in style, but there's a lot of missed opportunities that could have made this a sure-fire horror masterpiece. We discuss (Wes Craven's) New Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc. Excerpt taken from the theme to the TV show Documentary Now! written and composed by Joshua Mosier.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, childhood trauma, parental murder, suppressed memories, abuse. There's been a wide variety of entries in the Freddy Knife Hands series, but finally, finally, we got the entry that makes zero sense and is a bonkers good time. No, this film is not good, and no, it does not appear to have actually employed a competent editor. Although that may be the fault of the studio more than anyone involved in the production. Nevertheless, THINGS HAPPEN in this movie, and it's beyond weird and messy and hilarious and gory and sometimes, that's all you really want from your "final” entry in a horror franchise. We discuss Freddy's Dead: The Final Nightmare this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Why Was I Born? (Freddy's Dead)” written by Iggy Pop and Whitey Kirst, and performed by Iggy Pop. Copyright 1991 Metal Blade Records Inc.; New Line Cinema Corporation. Excerpt taken from “A New Nightmare Begins,” written and composed by J. Peter Robinson. Copyright 1994 New Line Productions; Milan Entertainment, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, mental illness, pregnancy, teen pregnancy, body changes in pregnancy. You don't usually expect the worst film of a horror franchise to be followed with one of the most unique entries, but Freddy Knife Hands is a fickle series of movies. It's a stretch to call this movie “good,” but it's one of the most visually interesting and cohesive entries since the original 1984 film. Stephen Hopkins has truly interesting, fascinating ideas of body horror and trauma along with some of the biggest stakes we've seen so far for Freddy himself. Alas, someone forgot to tell the writers that's what we were doing, because the dialogue and the story wholesale misses the part of the story that would really make this movie great, and instead we're left to wonder what might have been. We discuss A Nightmare on Elm Street 4: The Dream Child this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation. Excerpt taken from “I'm Awake Now” written and performed by Goo Goo Dolls. Copyright 1991 Metal Blade Records Inc.; Select Records; New Line Cinema Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, child neglect. You never expect 80's horror movies to be quality cinema. But you do expect there to be some wild, ridiculous stuff that also has enough of an edge to be scary and terrifying. With the 4th installment of Freddy Knife Hands, the writers decided that none of this was necessary. No, instead we kill off the remaining Dream Warriors and tag along with a new heroine who literally does nothing. And we mean that literally - nothing happens in this movie until about the last 10 minutes, except for some intensely goofy Freddy murders and some terrible 80s acting. No, this one is truly dire, and the only hope is they can make it weird again before the end of this series. We discuss A Nightmare on Elm Street 4: The Dream Master this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Anything, Anything (I'll Give You),” written by John Easdale and performed by Dramarama. Copyright 1985, 1990 Chameleon Records. Excerpt taken from “Take Your Daughter to the Slaughter,” written and performed by Bruce Dickinson. Copyright 1989 Zomba Recording Corporation; New Line Cinema Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, trauma, misdiagnosis, medical malpractice, mental health stigma, suicide, mental illness. Wes Craven didn't think Freddy Krueger could be a legitimate franchise character. And then the sequel basically printed money, and Wes thought it might be a good idea to jump back in the fray. This time, though, he and his co-writers returned back to the dream world, and Freddy comes for Nancy and a crew of new kids who discover, maybe, the path to destroy Freddy once and for all. No, the acting hasn't gotten any better, and no, the dialogue is still way too on the nose. But this is a real promising return to form for the franchise, and introduces a ton of new ideas for a great horror villain. We discuss A Nightmare on Elm Street 3: Dream Warriors this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Dream Warriors,” written by George Lynch and Jeff Pilson and performed by Dokken. Copyright 1987 Elektra/Asylum Records. Excerpt taken from “Anything, Anything (I'll Give You),” written by John Easdale and performed by Dramarama. Copyright 1985, 1990 Chameleon Records.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Horror, gore, child murderers, child molesters, serial killers, knives. Back in our second season in 2018 (?!??!?!) we talked about A Nightmare on Elm Street. We probably feel differently about it now. Check out our long ago review as we gear up for our new October series reviewing Freddy Knife Hands on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of murder, serial killers, gore, blood, child killers, death, homophobia, trauma.. When we watched the original Nightmare on Elm Street for the show, we were only in our 2nd season and were still relative horror newbies. But it's finally time to explore the entire Fred Krueger canon, and this week we start with a film that has no right to be as interesting and good as it is. The acting still isn't great, the dialogue is atrocious, and the producer made the entire process a nightmare for everyone involved. But the intentional undercurrents of homoeroticism coupled with a totally different take on Freddy's abilities makes this a fun but flawed entry in the canon. We're talking about Freddy Knife Hands in A Nightmare on Elm Street 2: Freddy's Revenge this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Time Has Come Today” written by Joseph Chambers and Willie Chambers, and performed by The Chambers Brothers. Copyright 1966, 1967 Sony Music Entertainment, Inc. Excerpt taken from “Main Title” to the movie A Nightmare on Elm Street 2:Freddy's Revenge, composed by Christopher Young. Copyright 1986 New Line Cinema Corporation Excerpt taken from the film A Nightmare on Elm Street 2: Freddy's Revenge. Copyright 1985 New Line Productions, Inc. Excerpt taken from “Dream Warriors,” written by George Lynch and Jeff Pilson and performed by Dokken. Copyright 1987 Elektra/Asylum Records.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of war, racism, grief, trauma, PTSD, explosions, abuse, trauma. We're wrapping up our series with Spike's most recent joint, traveling to Vietnam for a cross between Apocalypse Now and The Treasure of the Sierra Madre. It's another bold swing in the new era of Spike, but yet again, the balance is all off. When this movie is working, it's a masterpiece, but there's so much of it that feels like a slog. And it's not because of anything fundamentally wrong with the story, just that there's far too much of it, and far too much pontificating on the story itself. For the cast alone, though, it's a shame this got buried in the COVID shutdown, because they deserve heaps of recognition. We conclude our director's series with 2020's Da 5 Bloods this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Time Has Come Today” written by Joseph Chambers and Willie Chambers, and performed by The Chambers Brothers. Copyright 1966, 1967 Sony Music Entertainment, Inc. Excerpt taken from “Main Title” to the movie A Nightmare on Elm Street, composed by Charles Bernstein. Copyright 1984 New Line Cinema Corp.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of homicide, gun violence, racism, gang wars, gangs, drug use, sex, misogyny, death of a child, grief. We've jumped ahead to Spike's new era of films for a movie we absolutely should have seen so much earlier. Why? Because it's a Spike Lee Joint adapted from one of the most important Greek comedies ever written, and it happens to be pretty hilarious at how good a job it does. The problem is when Spike and new collaborator Kevin Willmott stray from the source and take themselves a little too seriously with an incredibly silly premise. Especially for Greek drama and comedy, allowing the structure to play out without interruption is the only way to go. We discuss 2015's Chi-Raq this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Chi-Raq” written by Rico Cox, Robert Amparan, Leroy Griffin, Jr. and Nick Cannon, and performed by Nick Cannon. Copyright 2015 Da Chi Picture Company, LLC. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of Nazi collaboration, antisemitism, robbery, racism, violence, murder, drug dealing, assault, gun violence, threats of violence, homicide, police. This week we've got a special double feature, with a Spike movie we loved without knowing it was a Spike Lee joint, and one from the past that took a different look at the world of crime. In 2006, Spike dropped his most commercially successful film to date that just so happened to be a heist classic. But in 1995, he'd already explored the drug trade taking over lots of the projects. While both movies are different, they're a look at the different ways Spike approaches crime, police work, detectives, and his beloved New York. We discuss 2006's Inside Man and 1995's Clockers this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Ten Thirty” from the score to the movie Inside Man, composed by Terence Blanchard. Copyright 2006 Universal Studios. Excerpt taken from “Crazy (Acoustic)” written and performed by Seal. Copyright 1991, 2004 Warner Bros. Records Inc., WEA International Inc. Excerpt taken from “Chi-Raq” written by Rico Cox, Robert Amparan, Leroy Griffin, Jr. and Nick Cannon, and performed by Nick Cannon. Copyright 2015 Da Chi Picture Company, LLC. All Rights Reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of underage attraction, racism, sexism, murder, drug use, prison, assault, violence. It's been so long since we had a proper movie fight on this show, and this week's movie finally fit the bill. David thinks this is actually a poignant allegory for the tragic events of 9/11 and trying to reckon with those emotions. Diana thinks it's a pointless movie that deserves to be thrown in the garbage. We both agree, though, that the script could have made some choices to help with the awkwardness of it all. Get ready for an all-out patented Movie Fight(TM) as we discuss 2022's 25th Hour this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Open Title” from the score to the movie 25th Hour, composed by Terence Blanchard. Copyright 2002 Hollywood Records, Inc. and Touchstone Pictures. Excerpt taken from “Crazy (Acoustic)” written and performed by Seal. Copyright 1991, 2004 Warner Bros. Records Inc., WEA International Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. It was only a matter of time before Spike Lee decided to make his own ode to basketball. Unfortunately, his script here is just not up to par, which is a shame, because underneath the flash and messy storytelling, there's a really interesting story about fathers and sons. Denzel is bringing his best, as usual, and the supporting cast is doing their absolute best. Even Ray Allen, who's definitely not an actor, still has flashes of brilliance as he relaxes into the role. And Spike's directing has so much thought and care, particularly in his use of score. But none of that matters when the movie just doesn't have a whole lot to say. Check the ball and post up as we discuss 1998's He Got Game this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. After another Spike masterpiece (one we've both seen already), Spike geared up for one of his most personal projects to date. Written as a TV pilot by Spike's sister Joie and brother Cinqué, Spike reigns everything back in to show a family, both good and bad, living in Brooklyn in 1973. It moves more like a series of scenes than an actual movie, but the characters here are among some of his best, and Spike is willing to lay everything in front of us: the anger, the dysfunction, the sorrow, and the love. It doesn't hurt that he's got Alfre Woodard and Delroy Lindo as the parents either, nor an outstanding child performance from Zelda Harris. It's a really good movie, subtle but true and a delight to watch. Turn the TV off and make sure you clean your dishes as we discuss 1994's Crooklyn this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Everyday People” by Sly and the Family Stone, copyright 1968 Daly City Music. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of womanizing, misogyny, gambling. Spike Lee had the unenviable task of following up one of the greatest movies of all time. And instead of taking a long break or jumping to big budget movies, Spike decided to rein everything back in for another slice of life about another of his many loves - jazz. Granted, his writing efforts were a bit disjointed, a bit lacking in story to make everything well-rounded. But Spike still brought all his visual powers to bear with a cast that absolutely knocks out their roles, even if they're a bit thin on the page. And don't get us started on the music - this movie still has a lot to offer. Grab a seat and order a drink as we talk about 1990's Mo' Better Blues this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Mo' Better Blues” from the soundtrack to the movie Mo' Better Blues, written by Bill Lee and performed by the Branford Marsalis Quartet featuring Terence Blanchard. Copyright 1990 CBS Records Inc. Excerpt taken from “Part I - Acknowledgement” from John Coltrane's A Love Supreme, copyright 1965 ABC-Paramount Records, Inc.; 2022 UMG Recordings, Inc. Excerpt taken from “Everyday People” by Sly and the Family Stone, copyright 1968 Daly City Music.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of police murders, police brutality, racism, sex, racial tension, alcoholism. Our Spike Lee series continues with, perhaps, Spike's greatest movie and only his third full-length feature. It's a movie so poignant and real that it can literally change lives, and we don't say that lightly. Of course, Hollywood was terrified it would incite violence and rioting, which is preposterous because its real message is how to navigate living together, both in peace and violence. Spike doesn't ask easy questions and doesn't expect easy answers; he just wants to lay it all out in front of us. And, in the meantime, he gives us a whole crew of unique, well-drawn characters that, even when caricatures, still show a sense of the real world and all of its struggles. Wake up, wake up, up you wake and join us as we watch 1989's masterpiece Do the Right Thing this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fight the Power” from the soundtrack to the movie Do the Right Thing, written by Carlton Ridenhour, Eric Sadler, Hank Shocklee and Keith Shocklee and performed by Public Enemy. Copyright 1989 Universal City Studios, Inc.; Motown Record Company, L.P. Excerpts taken from the movie Do the Right Thing, copyright 1989 Universal City Studios, Inc. All Rights Reserved. Excerpt taken from the 1990 Academy Awards with a speech from Kim Basinger. Excerpt taken from “Mo' Better Blues” from the soundtrack to the movie Mo' Better Blues, written by Bill Lee and performed by the Branford Marsalis Quartet featuring Terence Blanchard. Copyright 1990 CBS Records Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of sexism, misogyny, rape, rape culture, manipulation, narcissism, sex. We're starting a new director series, and this year we're watching the films of one of Hollywood's most controversial and iconic directors: Spike Lee. This week, we check out his first joint, a sex comedy that's shockingly progressive and thoughtful for its time. It's refreshing for one of the greatest low-budget films of all time to be far more thoughtful than most comedies of its era. And it's incredibly funny to boot, provided you remember it's 1986 and off-color jokes cross the line more often than not. It's not the greatest movie, but it's a great start for one of the best directors of all time. Please baby, pleasebaby, please baby baby please join us as we watch 1986's She's Gotta Have It this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc. Excerpt taken from Nike's “It's Got To Be the Shoes” commercial, starring Spike Lee and Michael Jordan. Excerpt taken from “Fight the Power” from the soundtrack to the movie Do the Right Thing, written by Carlton Ridenhour, Eric Sadler, Hank Shocklee and Keith Shocklee and performed by Public Enemy. Copyright 1989 Universal City Studios, Inc.; Motown Record Company, L.P.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of child neglect, child abuse, teen drug use, teenage pregnancy, racism, systematic racism, manipulation. It wouldn't be a series on this show without a dud to end things on. 1989 had its fair share of great movies, but it also contained this absolutely terrible piece of work. On paper, this movie should be fantastic: Morgan Freeman, John G. Avildsen of Rocky directing, a compelling drama. But the low expectations of our writer and our director's absolute devotion to hitting emotional story beats undercuts a really complicated and unique story from an urban high school. It's bad enough that the movie completely rewrites history; it also just does a really terrible job of it too. Pull your pants up and take your hat off as we watch Lean on Me this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc. Excerpt taken from the movie Lean on Me, copyright 1989 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from “Who Will Be The One” from the soundtrack to the movie She's Gotta Have It, written and composed by Bill Lee. Copyright 1986 Island Records Inc.

"It's about letting the words and the images wash over you. It's about allowing them to surround you. It's about allowing God's spirit to draw you close." - Michael John CusickOn this episode of Restoring the Soul, Michael discusses the practice of Lectio Divina, a spiritual reading practice that deepens one's relationship with God. He reflects on the importance of the four movements: reading, reflecting, responding, and resting. Michael also shares personal experiences and insights, emphasizing the need to listen for words and images when engaging with scripture. Join him as he invites listeners to practice Lectio Divina using a passage from Matthew 11:28-30, known for teaching about learning the unforced rhythms of grace. Throughout the episode, Michael encourages listeners to embrace silence, respond authentically, and find rest in God's words. HELPFUL RESOURCES:- Episode 267 - Michael John Cusick, "Slow Down and Open Your Heart with Lectio Divina: 5 Reasons to Learn"- Opening to God: Lectio Divina and Life as Prayer- Too Deep for Words: Rediscovering Lectio DivinaDiscover how the barrier built by porn addiction can become a bridge to abundant life.What if lust for porn is really a search for true passion?In a world where there are 68 million searches for pornography every day and where over 70 percent of Christian men report viewing porn in the last year, it's no surprise that more and more men struggle with an addiction to this false fantasy. Common wisdom says if they just had more willpower or more faith, their fight would be over. Contact Restoring the Soul:- Tweet us at @michaeljcusick and @PodcastRTS- Like us on Facebook- Email us at info@restoringthesoul.comThanks for listening!

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: sexism, manipulation, stealing credit, Kevin Spacey. We jump from a New York nightmare to a fairy tale, albeit one with some real power plays. This week's movie is definitely lighter fare, but it's worth realizing just how empowering it was in its time. Secretaries didn't have the chance to work their way up, and hierarchies only allowed for certain women to make their way to the boardroom. So it was a big deal to say that someone working through various menial positions could get the power to make million or even billion dollar deals. What makes this week's movie great is the combination of its message, its attention to detail, and some truly fantastic chemistry between Harrison Ford and Melanie Griffith. Enjoy your new office as we watch Working Girl this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved. Excerpt taken from “Rap Summary (Lean On Me)” from the soundtrack to the movie Lean on Me, written and performed by Big Daddy Kane. Copyright 1989 Warner Bros. Records Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: From 37:33-38:22, discussion of sexual assault and torture of a minor with respect to a fictional character. Also, discussion of infidelity, obsessive behavior, psychopathy, mental illness, murder, animal cruelty, suicide, drowning, strangulation, sexism, mental health stigma. 1987's movie is truly one of the greatest movies ever made about infidelity. This wasn't just a run-of-the-mill thriller - for many, this was a wake-up call. True, the movie takes things to extremes, but there's layers of meaning and thought in this film. That's mostly due to an outstanding cast, with Michael Douglas finding all the subtleties in being an asshole and Glenn Close giving one of her best-ever performances. The only thing holding the movie back is its 1987 attitude toward mental illness and sexual politics. Nevertheless, this movie is still one hell of a thriller that manages to ask a lot of questions with no easy answers. Check to make sure all your bunnies are in their pens as we watch Fatal Attraction this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation. Excerpt taken from the movie Fatal Attraction, copyright 1987 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Let the River Run” from the soundtrack to the movie Working Girl, written and performed by Carly Simon. Copyright 1988 Twentieth Century Fox Film Corporation. Excerpt taken from “Work Hard or Die Trying, Girl” from the TV show Bob's Burgers. Copyright 2011, 2014 Fox and its related entities. All rights reserved.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Homophobia, transphobia, racism, sexism, poaching. Our 1986 entry for this series is one of the most baffling movies in this series. This movie rivaled none other than Top Gun for the biggest box office win of 1986, and made a handful of Australians truckloads of cash. It lived large as the biggest Australian cultural export to America for nearly 30 years. And it's also just an absolutely awful movie. The comedy isn't funny, the romance isn't romantic, and almost half the movie is spent on a slow walkabout in the Outback. There's a handful of jokes and moments that loom large, but they're held together by the flimsiest of stories. And somehow, some way, the Academy saw fit to nominate the film for Best Original Screenplay. Join us for this Aussie travesty as we watch Crocodile Dundee this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Opening Title Theme” from the soundtrack to the movie Crocodile Dundee, written and composed by Peter Best. Copyright 1986 Paramount Pictures Corporation; Best Results Pty. Ltd. Excerpts taken from the movie Crocodile Dundee, copyright 1986 Rimfire Films Limited. All Rights Reserved. Excerpt taken from “Fatal Attraction” from the soundtrack to the movie Fatal Attraction, written and composed by Maurice Jarre. Copyright 1987 Paramount Pictures Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Misogyny, murder, STDs. 1985's movie is perhaps the role Chevy Chase was born to play. Imagine a man with a shoestring disguise budget, the affable charm of the mediocre white man, and an absolute disdain for everyone around him. That's Irwin Fletcher, and Chevy is absolutely fantastic in the role. Unfortunately, Hollywood couldn't escape the thought that they needed to make a silly comedy and not a sarcastic send-up of noir. This movie needed to let Chevy be Chevy and turn on all of his sarcastic charm. Instead, it relies a bit too much on bits, ignoring the mystery structure, and the one-liners outshine the fun of the characters. Splurge on some 49-cent fake teeth as we talk about Fletch this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc. Excerpts taken from the movie Fletch, copyright 1985 Universal Studios. All Rights Reserved. Excerpt taken from “Opening Title Theme” from the soundtrack to the movie Crocodile Dundee, written and composed by Peter Best. Copyright 1986 Paramount Pictures Corporation; Best Results Pty. Ltd.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We step into 1984 with a true children's classic that was bound to scar so many young minds. Because this week's movie is a meditation on grief, loss, and how we intertwine with stories to help heal, and it's also full of really cool practical special effects. But while our director may have made the greatest submarine movie of all time, his ability to sort through the nuances of a really beautiful story was kind of a mess. For a 90 minute movie, this drags, and it's not only because the story is lost in translation. Yet the real travesty is missing the second half of the story, which pulls everything full circle in a truly beautiful, wonderful way. Grab a hold of Falcor and get ready to ride as we talk about The NeverEnding Story this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd. Excerpt taken from “Fletch Theme” from the soundtrack to the movie Fletch, written and composed by Harold Faltermeyer. Copyright 1985 Universal City Studios, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. We continue our 80's Grab Bag with the true grandfather of all high fantasy movies, or at least the ultra-violent ones. Before Game of Thrones, before The Witcher, there was one man, bigger than 5 combined and able to crush his enemies, see them driven before him, and listen to the lamentations of their women. His name was Arnold Schwarzenegger, and before he become a bona fide movie star, he took on a cult classic role in this week's movie. No, the movie's not what you'd call “good,” but it's also doing more with what it has than a lot of similar movies of its time. Director John Milius didn't have the resources to hire ILM or call up the artists behind Alien and Blade Runner - he had to find a way to make it all work. And even though there's stretches where the movie's laughable, there's also some true badassery hidden within. Grab your broadsword and study the way of its steel as we talk about Conan the Barbarian this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Love on a Real Train (Risky Business)” from the soundtrack to the movie Risky Business, written and composed by Tangerine Dream. Copyright 1983 The David Geffen Company.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. The 80's Grab Bag continues with a truly promising premise with some very flawed execution. While this movie had the chance to be Ferris Bueller's Day Off but with a ultra-dark twist, it winds up being a bit of a tepid rehashing of bad teen ideas. And it's mostly to do with the awkward, overly “erotic” and ultimately unnecessary sex. It's a shame our writer and director didn't really know what he was doing because he's got a cast of true up-and-coming stars and one hell of a synth-rock soundtrack. Ultimately, it all ends up falling a little flat. Put on some tighty-whiteys and crank up the Bob Seger as we talk about Risky Business this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Love on a Real Train (Risky Business)” from the soundtrack to the movie Risky Business, written and composed by Tangerine Dream. Copyright 1983 The David Geffen Company. Excerpt taken from the movie Risky Business, copyright 1983 The Geffen Film Company; Warner Bros. Entertainment Inc. All rights reserved. Excerpt taken from “The Never Ending Story” from the soundtrack to the movie The NeverEnding Story, written by Giorgio Moroder and Keith Forsey. Copyright 1984 Neue Constantin Film Productions GmbH; EMI Records, Ltd.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Child abuse, physical abuse, mental abuse, manipulation, gaslighting, childhood trauma. Our next film in the 80's Grab Bag series centers on a controversial story around a major public figure. Namely, why Faye Dunaway was ever given a chance at stardom. Because this film is a disaster of the most epic proportions. The writing? It's god-awful, making an incredibly complex and difficult story of childhood trauma into a laughable soap opera. The directing? It is truly, ineffably bad, bouncing from moment to moment with editing that would be side-eyed by z-movie directors from the 60's. And the cast? Never let it be said they're not committed (except you, Steve Forrest, no excuses), but literally nobody is able to figure out what the hell is going on. Forget about the tell-all aspect; this movie is a trainwreck of the highest order. Hide all your wire hangers as we talk about Mommie Dearest this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “End Credits” from the soundtrack to the movie Mommie Dearest, written and composed by Henry Mancini. Copyright 1981 Paramount Pictures Corporation. Excerpt taken from the film Mommie Dearest, copyright 1981 Paramount Pictures Corporation. All Rights Reserved. Excerpt taken from “Anvil of Crom” from the soundtrack to the movie Conan the Barbarian, written and composed by Basil Poledouris. Copyright 1982 Universal City Studios, Inc.; MCA Records, Inc.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Homophobia, sexual assault, sexual coercion, homophobia, child abuse, drug use, alcohol abuse, underage drinking, racism. It's a new season and a new series as we head to the 80's this time instead of the 90's and catch up on a number of movies we need to discuss. This week, we're talking about a truly groundbreaking, influential film. It's one thing to say that, it's another to watch spiritual (and literal) sequels or remakes get made of this story, over and over again. And yet this 1980 classic is rough, raw, but still very engaging, partially because of its novelty. No, it's not great, and its 2009 remake is maybe one of the worst movies we've watched for this show. Yet it's almost a requirement to see this movie about the pressure of young creatives searching for their golden ticket. Settle in and make sure your audition is ready as we talk about Fame this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Fame” from the movie Fame. Written by Michael Gore with lyrics by Dean Pitchford, and performed by Irene Cara. Copyright 1980 Metro-Goldwyn-Mayer Inc. Excerpt taken from “Fame” from the movie Fame. Written by Michael Gore with lyrics by Lesley Gore, and performed by Irene Cara. Copyright 1980 Metro-Goldwyn-Mayer Inc. Excerpt taken from film Fame, copyright 1980 Warner Bros. Entertainment Inc. Excerpt taken from “End Credits” from the soundtrack to the movie Mommie Dearest, written and composed by Henry Mancini. Copyright 1981 Paramount Pictures Corporation.

CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of assassination, graphic details of gunshots, homophobia, lies, drugging, conspiracy theories, war. Our show wraps up season 6 with a quick recap of the 95th Academy Awards, in which Jimmy Kimmel only tiptoed over the line a few times and someone in a bear costume tripped Elizabeth Banks and accosted Malala Yousafzai. That was the wildest (and funniest moment) of the night in a still enjoyable Oscars - fun bits, good presentations, and lovely speeches. But the big winner of the night are those weirdos who made the weirdest and most beautiful movie of the year, Everything Everywhere All at Once. We can't help but be overjoyed at the result, considering we've been hailing the movie as our favorite for a whole calendar year. And while the Academy still needs to nominate some women in directing categories and re-examine their actor nominees, overall, it's been a pretty great year for movies, and for new voices. Grab some popcorn or your favorite hangover cure as we talk about this year's Oscars on the season finale of Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.