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Today's guest is Sam Ross, the founder of an agency called New School. Sam and his team represent some of the fashion industry's most exciting talent - photographers like Campbell Addy and Julian Song, set designers like Ibby Njoya, Patience Harding and Samuel Overs, casting directors Good Catch and movement director Yagamoto. Based in London's creative hub, 180 Strand, I caught up with Sam after he'd just returned from New York, where New School recently opened its second office. In this conversation, we cover what it takes to be a good agent, how the agency landscape has changed, and why it's important to market an agency, as well as the talent it represents. We also chat about New School's unique ethos, and the experiences that led Sam to set up his own agency.Click here to see pictures of some of the people we discuss, and subscribe for more Threads of Conversation. Get full access to Threads of Conversation at threadsofconversation.substack.com/subscribe
In this episode James shares with Jayda what it was like becoming a model as a plus size dark skinned man and the self-actualisation that his first ever shoot had, and the feeling of figuring it out what it is you want to do in life. James also unpacks tokenism that happens in modelling and what the difference is between feeling tokenised versus fashion being truly inclusive, and how what you see in the people behind the scenes makes all the difference. On this he also spoke about the competition and colourism between plus size and dark skinned models and why he wants to see more space made in fashion for people like him. Jayda also asks James about the male experience of body image and James' journey with body acceptance and James shared how it really doesn't matter how you look on the outside but it's how you internally feel about yourself. Lastly, James also spoke about the importance of brotherhood for men and how he draws on this theme in his work as a model and documentary maker. Follow James CorbinFollow Jayda GFollow Here's Hoping PodcastMore on our guest The Loveland FoundationHungermag editorialJames Corbin is a high fashion model, activist and creative director. He was scouted for his first modelling job in Vogue Italia during 2020 by photographer, Campbell Addy and is now represented as a model globally across the world. Some of his fashion credits include: Vogue Italia, Gucci, Valentino, BOSS, Lacoste, Dazed, British Fashion Council, Tommy Hilfiger, H&M, GQ, Perfect Magazine, Christian Cowan, S.S Daley, Mr Porter, Charles Jeffrey, Levi's and many more.James has a passion for discussing and writing on social issues and helping facilitate conversations of importance, that result in change. He has been interviewed and featured in profiles for The Guardian, Vogue, Dazed, Port Magazine, British Fashion Council, ES Magazine & The Independent. He is currently working on a personal documentary that delves into colourism within the UK, alongside a podcast project that aims to engage in conversations with industry insiders promoting self-confidence. Hosted on Acast. See acast.com/privacy for more information.
For episode four, photographer Campbell Addy is joined by designer Tolu Coker, and model James Corbin to discuss the importance of telling the stories of cultural identity within fashion and exploring their individuality through shared cultural experiences. The conversation focuses on the pressures of being Black in the fashion industry, and how to remain authentic in the face of criticism and obstacles.About Campbell:British-Ghanaian artist and photographer Campbell Addy draws inspiration from his culturally diverse upbringing, this has informed an intricate discovery of the self and a unique eye. In 2023, Campbell was awarded the Isabella Blow award in for Fashion Creator at The Fashion Awards presented by Pandora.About Tolu: Tolu Coker is a young British-Nigerian Fashion and Textiles Designer, Illustrator and Multi-Disciplinary Artist based in London. Merging artisan craftsmanship with innovative technology, her mainly- unisex designs have a key focus on deconstruction and sustainability and her work has since been internationally recognised, and is supported by the BFC NEWGEN initiative.About James: James Corbin is a fashion model and creative based in London who has fronted global campaigns for Levi's and Valentino and starred in editorials for Dazed and Vogue Italia. About the BFC Fashion Forum Podcast:Brought to you by the British Fashion Council, a series of conversations with designers and the broader creative community, all of whom play a vital role in the fashion industry's culture and reputation, promoting British creativity on a global scale. Hosted on Acast. See acast.com/privacy for more information.
Restaurateurs Asma Khan and Judy Joo share how food can bridge cultures and bring people together. Background:Food may be a universal experience, but the culinary world has a long patriarchal history. Throughout their own tenures in the industry, chef and philanthropist Asma Khan, who owns London's Darjeeling Express restaurant, and restaurateur and author Judy Joo, who operates the eatery Seoul Bird, faced a long line of roadblocks. At BoF VOICES, both shared how they struggled to find restaurant spaces, were talked over in meetings and consistently saw Western cuisines prized above all else.But it was through their respective journeys that Joo and Khan realised the depth of the relationship between food and politics, and how it can be used to help open people's minds. This week on The BoF Podcast, Khan and Joo discussed being women of colour in the male-dominated food world, as well as how food can be a vehicle for cross-cultural sharing and acceptance. “The more you learn about other cultures, you learn about tolerance, you learn about mindfulness, and you learn to respect each other more,” said Joo. Key Insights:After working in careers in law and finance, both Joo and Khan's passion for cooking pushed them to pursue careers in food. “I pursued a career in fixed income derivatives for about five or six years, and then I had an epiphany and I decided, you know, I can't chase a pay cheque anymore,” said Joo. “I really want to chase my passion… I just wanted to cook and eat. Patriarchal structures are reflected in the way the people eat, something Khan witnessed firsthand growing up. “I learned as a young woman in India that in our society, in every meal, women ate last, girls ate least, this was how it was,” said Khan.While hosting “supper clubs” out of her own kitchen, Khan more deeply understood how difficult it was to draw a line between food and culture. “I want to tell people you cannot take my food and separate culture from it. I won't let you eat it… You break bread with me. You have a conversation about my food,” said Khan. Though she — and her cuisine — have faced prejudice, Joo said Korean pop culture like “Squid Game” and “Money Heist: Korea” has opened more people's eyes. “Food is so often the entry point to learning about a new culture,” she said. Additional Resources:BoF VOICES 2022: Creativity and Its Power to Change: From South Korea and Japan to Ghana and Ukraine, speakers including Fast Retailing's Koji Yanai, photographer Campbell Addy and stylist Julie Pelipas discussed the power of culture and creativity in the fourth session of BoF's annual conference for big thinkers.You can catch up on all the videos from BoF VOICES on our YouTube channel, please follow this link. Hosted on Acast. See acast.com/privacy for more information.
Background: The Korean cultural wave, also known as Hallyu, has become worldwide sensation a in recent years, with Korean art, music, drama, food and more sweeping the globe. Thanks to the fervour over the likes of K-pop and K-beauty, many of the Korean diaspora have seen the culture they have grown up in become a common sight well beyond South Korea's borders. “To see my way of life and how I grew up become a global phenomenon is kind of crazy,” said Irene Kim, the influencer and founder of apparel brand IRENEISGOOD. This week on the BoF Podcast, Kim and Rosalie Kim, lead curator of the “Hallyu! The Korean Wave” exhibit at Victoria & Albert Museum join Yana Peel, Chanel's head of culture and arts to share their experience growing up as part of the Korean community and seeing their culture spread globally.Key Insights: Hallyu has had influence for years, but only recently has been recognised as a core soft power for South Korea, influencing everything from music to skin care. “It is really one of the most dynamic exporters of cultural content,” said Peel. Social media has played a large part in accelerating South Korean trends, allowing what were once micro or geographic-based movements to become more globally accessible. “Because of the era of this digital and social media, we've been able to be discovered by the world,” said Irene Kim. “And we're so excited that we're able to share our way of life.”Cultural influence can come as both an admiration of the culture itself as well as adoption of culture as one's own. “There are two faces to the coin. On the one side… you have the film industry that is really looking at the local narrative but has universal appeal,” says Rosalie Kim. “On the other hand, you have industries like K-pop… where you get to have a foreign influence constantly permeating your own culture and becoming part of [it].”Additional Resources:BoF VOICES 2022: Creativity and Its Power to Change: From South Korea and Japan to Ghana and Ukraine, speakers including Fast Retailing's Koji Yanai, photographer Campbell Addy and stylist Julie Pelipas discussed the power of culture and creativity in the fourth session of BoF's annual conference for big thinkers.To subscribe to the BoF Podcast, please follow this link. Hosted on Acast. See acast.com/privacy for more information.
In this episode, Gem Fletcher chats to photographer and director Campbell Addy. They come together to discuss Cambell's first monograph Feeling Seen published by Prestel. Much has happened since the pair recorded the first episode back in 2018. This is a truly special episode that speaks to what it means to be a young artist, how to navigate fashion and advertising and not lose yourself, what it means to meet the people who helped form you as an artist and how community shapes everything. Campbell has worked with editorial outlets Vogue, Financial Times, Dazed, Luncheon Magazine, Double Magazine, Wall Street Journal Magazine, Rolling Stone Magazine, and Garage Magazine. His work has been exhibited internationally including at the world-renowned Somerset House. Campbell is also the founder of Nii Journal, a biannual arts and culture publication, and of Nii Agency, a modelling and casting agency dedicated to representing and celebrating diversity. In this conversation, we discuss Campbell's journey since the first episode, what he has discovered about himself and making work along the way touching upon community, process, creative practice and the future. Check out my first conversation with Campbell on episode 4 here. Follow Campbell on Instagram @campbelladdy - Follow Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback and maybe five stars if we're worthy in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com See acast.com/privacy for privacy and opt-out information.
DeRay, Kaya, Myles and De'Ara cover the underreported news of the week— including Black women targeted by a big pharma company, Black Americans lead the NFT/crypto revolution, a judge's criminalization of mothers who report domestic abuse, and the trials and triumph of artist Campbell Addy. DeRay interviews activist and speaker Bridget Todd about the roots of the internet, the impact that it has, and why it disproportionately harms women, communities of color, and LGBTQ folks. Kaya https://medicalxpress.com/news/2022-02-drug-pregnant-women-doesnt-fda.html DeRay https://www.propublica.org/article/she-said-her-husband-was-abusive-a-judge-took-away-her-kids-and-ordered-her-arrest Myles https://finance.yahoo.com/news/why-black-americans-are-leading-the-nft-crypto-revolution-201819748.html De'Ara https://www.nytimes.com/2022/03/17/style/campbell-addy-feeling-seen.html Learn more about your ad choices. Visit podcastchoices.com/adchoices
In episode four of the second series of Conversations in Culture, host Abraxas Higgins is joined by British Ghanaian photographer and filmmaker Campbell Addy. This week's conversation focuses on the topic ‘Defining Culture Through the Creative Lens'. This is part of a weekly series first broadcast on Clubhouse which features conversations around fashion and British culture. Check out our Clubhouse: https://www.joinclubhouse.com/club/ted-baker
Two friends from the world of contemporary culture catch up in our debut podcast series. So sit back, listen in and enjoy as writer and curator Ekow Eshun and photographer Campbell Addy discuss freedom, what it means to be British-Ghanaian and the importance of being ‘you' in our latest episode. See acast.com/privacy for privacy and opt-out information.
Russell and Robert meet Edward Enninful OBE, editor-in-chief of British Vogue. Over the past two and a half years as editor-in-chief of the famed publication, he has helped shape a new vision for fashion media — not just in the UK, but globally — where he has placed a “diversity of perspective” at its core.Enninful has described his vision for British Vogue as “about being inclusive. It’s not just the colour of your skin but the diversity of perspective.” He has made art a priority including interviews and features with artists as varied as Lubaina Himid, Steve McQueen (who is Vogue's Contributing Editor), Luchita Hurtado, Celia Hempton, Anthea Hamilton, Lorna Simpson, Mark Bradford, Nathaniel Mary Quinn, Frank Bowling, Lynette Yiadom-Boakye, Howardena Pindell, Bridget Riley, Toyin Ojih Odutola, Rosalind Nashashibi, Maggi Hambling, Huguette Caland, Tracey Emin, Grayson Perry and Rachel Whiteread. He has also profiled curators and museum directors such as Zoé Whitley (Chisenhale), Maria Balshaw (Tate) as well as writer Zadie Smith and photographers including Nadine Ijewere, Tyler Mitchell and Campbell Addy. In 2019, Enninful presented the Turner Prize, in an historic year where all four nominees won the prize.Ghanaian-born Enninful began his career as fashion director of British youth culture magazine i-D at age 18, the youngest ever to have been named an editor at a major international fashion title. After moving to London with his parents and six siblings at a young age, Enninful was scouted as a model on the train at 16 and briefly modelled for Arena and i-D magazines including being shot by artist Wolfgang Tillmans.Inspired by London’s club scene in the 1980s, Enninful’s work during this period captured the frenetic energy and creative zeitgeist of the time. It was also during this time that he befriended many of his future fashion collaborators, including Steven Meisel, David Smins, Pat McGrath, Craig McDean, Mario Sorrenti, Kate Moss and Naomi Campbell. For British Vogue, Enninful ’s covers have consistently featured strong women who promote messages of empowerment: Stella Tennant, Oprah Winfrey, Adwoa Aboah, Naomi Campbell, Rihanna, not to mention his September 2019 edition guest-edited by Meghan Markle HRH Duchess of Sussex, which featured 15 trailblazing female changemakers including Greta Thunberg and Jane Fonda on the cover.Enninful was awarded an OBE for his services to diversity in the fashion industry, and in 2018 he received the Media Award in Honour of Eugenia Sheppard from the CFDA in recognition of his career-long contribution to the fashion industry.Follow @Edward_Enninful and @BritishVogue. For images of all artworks discussed in this episode visit @TalkArt. We've just joined Twitter too @TalkArtPodcast. If you've enjoyed this episode PLEASE leave us your feedback and maybe 5 stars if we're worthy in the Apple Podcast store. We love to hear your feedback!!!! Thank you for listening to Talk Art, we will be back very soon. See acast.com/privacy for privacy and opt-out information.
We discuss the brilliant new exhibition Get Up, Stand Up Now: Generations of Black Creative Pioneers at Somerset House. See links below. Get Up, Stand Up Now: Generations of Black Creative Pioneers, Somerset House (12 June – 15 September 2019): https://www.somersethouse.org.uk/whats-on/get-up-stand-up-now Zak Ové: http://www.zak-ove.co.uk/ Horace Ové (director), Pressure (1976): https://www.imdb.com/title/tt0075098/ Horace Ové, The Black Safari (1972): https://www.bfi.org.uk/films-tv-people/4ce2b6f601fde Normski: http://www.normskiphotography.com/ Barbara Walker: https://www.barbarawalker.co.uk/ David Hammons: https://www.moma.org/artists/2486 Sanford Biggers: http://sanfordbiggers.com/ Marlon James: https://www.penguinrandomhouse.com/authors/240287/marlon-james Hank Willis Thomas: https://www.hankwillisthomas.com/ Campbell Addy: https://campbelladdy.com/ Nick Cave at Jack Shainman Gallery: https://www.jackshainman.com/artists/nick-cave/ Ari Haque: https://ari-potter.com/
Campbell Addy is a London based photographer & filmmaker. His work is narrative and emotional in nature, with a focus on a unique casting and under-represented faces. In addition to his photographic and directorial career Campbell has launched Nii Journal, a biannual arts and culture publication as well as Nii Agency, a modelling agency dedicated to representing interesting faces and celebrating diversity."I think my generation struggles because no one posts their fails. It’s vital to keep your head in the game, keep your blinders on and stay focused."Campbell Addy talks to Gem Fletcher about his creative output, vision and mental health.campbelladdy.com@campbelladdyNii AgencyNii Journal See acast.com/privacy for privacy and opt-out information.
In October, we joined forces with London’s iconic V&A for a special photography edition of their Friday Lates and as part of the celebrations, i-D Fashion Features Editor Steve Salter was joined by one of the most exciting image makers working today, south London-born-and-based photographer Campbell Addy. Over the course of an hour long conversation, the pair discussed Campbell’s career and his work on Nii Journal, a biannual arts and culture publication. They talked Campbell’s role within the new start-up generation, those bright young things who have jumped fashion’s impenetrable walls to question what creativity looks like in 2018. And they took questions from the audience, as we learnt more about one of the most authentic voices in fashion now. See acast.com/privacy for privacy and opt-out information.
We first spotted British-Ghanaian photographer Campbell Addy when he was still a student at Central Saint Martins. A few short years later and he’s shooting his first i-D cover, snapping the enigmatic face of model of the moment Adut Akech for our Balenciaga cover story. Not only is Campbell one of London’s rising stars, he’s also the publisher of Nii Journal and the founder of Nii Agency, a culture magazine and modelling agency respectively, and he’s one of fashion’s nicest guys! With i-D’s new Earthwise issue hitting the stands, i-D Arts and Culture Editor Matthew Whitehouse meets Campbell and gets his advice on how to make it as a photographer. See acast.com/privacy for privacy and opt-out information.
The last 12 months has seen a new wave of British independent magazines made by people of colour, so we brought a group of them together for a panel discussion at The Book Club in London on Tuesday 23 May. Featuring Mariel NO, assistant arts and culture editor of gal-dem; Campbell Addy, founder of Nii Journal; Rhona Ezuma, founder of Thiiird; and Jason Nicco-Annan, co-founder of Signatures.