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4 episodes with Edward Enninful
2 episodes with Edward Enninful
3 episodes with Edward Enninful
2 episodes with Edward Enninful
2 episodes with Edward Enninful
2 episodes with Edward Enninful
3 episodes with Edward Enninful
2 episodes with Edward Enninful
2 episodes with Edward Enninful
David Beckham and King Charles reunite at the Chelsea Flower Show to unveil The King's Rose and promote careers in gardening. Meanwhile, Meghan Markle's former friend Edward Enninful reportedly cuts ties following a Vogue cover dispute, and new reporting alleges Queen Elizabeth scolded Meghan over a food row before the royal wedding. Plus, Princess Eugenie and Queen Camilla take on meaningful new roles — and introduce an adorable new royal dog named Moley.Get the show without ads. Five bucks. For Apple users, hit the banner on your Apple podcasts app which says UNINTERRUPTED LISTENING. For Spotify or other players, visit caloroga.com/plus.
On the show today: Kim Kardashian's trial outfits, Bella Hadid's Vogue cover, the Cannes red carpet chaos, Edward Enninful's new media empire, AI replacing models, & more. Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.
TGIT kiddybubs and kiddyboys! We have a jam packed episode this week where we discuss everything and more! 0:00 - We start the episode with our obligatory weekly updates 11:04 - In The Beauty Beat there is a Weleda review and beauty breakups with the split of Huda Beauty and Kayali and the potential sale of Sephora by LVMH 17:57 - Skims and Nike team up to create a new line which prompts a deep dive into other activewear brands including Lapp Brand, Tala, Adanola and Oner Active 35:02 - Steve Madden acquires Kurt Geiger which raises questions on who their target audience is today and a trip down memory lane of our time working in fashion retail 45:06 - New launches include Selfridges and their new loyalty programme and Edward Enninful launches global media and entertainment company EE72 1:00:15 - We conclude with our thoughts on Tyla's British Vogue cover And if that episode wasn't enough for you, you can sign up to our Patreon for for extra exclusive episodes www.patreon.com/styleandcitydiares You can find us here... Instagram: @Styleandcitydiaries / @prinnyraee / @amberleaux / @prinnyxamber Twitter: @Stylecitydiary / @prinnyrae / @amberleaux Tiktok: @Styleandcitydiaries / @prinnyrae_ / @amberleaux Youtube: Prinny and Amber Email: info@styleandcitydiaries.com www.styleandcitydiaries.com Learn more about your ad choices. Visit megaphone.fm/adchoices
We are still missing our big pal Cosgrove so we're really grateful to Simon and David for getting the TM jersey on and getting stuck in to the day's subjects. Recommendations: Eamonn In Vogue - the 90's Disney+ The '90s was the decade when high fashion walked off the runway and into mainstream culture. Featuring an A-list cast from the worlds of fashion, film and music, alongside Vogue's Anna Wintour and Edward Enninful, this landmark series reveals the inside story of the 90's most celebrated fashion and pop culture moments. David Algiers, Third World Capital:Freedom Fighters, Revolutionaries, Black Panthers - book The life of an unexpected revolutionary with the Black Panthers in Algiers Mokhtefi (née Klein), a Jewish American from Long Island, has had an exhilarating life. In the 1960s, she served as a press adviser to the National Liberation Front in postwar Algiers, before going to work with Eldridge Cleaver, who was wanted in the US for his role in a deadly shoot-out with Oakland police. Half a century later, as an eighty-nine-year-old painter living on the Upper West Side, Mokhtefi still seasons her prose with the argot of revolution. Simon The Hundred Years' War on Palestine The twentieth century for Palestine and the Palestinians has been a century of denial: denial of statehood, denial of nationhood and denial of history. The Hundred Years War on Palestine is Rashid Khalidi's powerful response. Drawing on his family archives, he reclaims the fundamental right of any people: to narrate their history on their own terms. Beginning in the final days of the Ottoman Empire, Khalidi reveals nascent Palestinian nationalism and the broad recognition by the early Zionists of the colonial nature of their project. These ideas and their echoes defend Nakba - the Palestinian term for the establishment of the state of Israel - the cession of the West Bank and Gaza to Jordan and Egypt, the Six Day War and the occupation. Moving through these critical moments, Khalidi interweaves the voices of journalists, poets and resistance leaders with his own accounts as a child of a UN official and a resident of Beirut during the 1982 seige. The result is a profoundly moving account of a hundred-year-long war of occupation, dispossession and colonialisation. https://www.channel4.com/news/
Edward Enninful, Vogue Global Creative and Cultural advisor has just made a documentary series, In Vogue: The 90s. He discusses the decade that changed fashion forever. Sue Prideaux has just written the first biography of French post impressionist artist, Gauguin, in over thirty years. She argues it is time to reappraise the way we look at the man and his work. American singer Lady Blackbird has been called 'the Grace Jones of jazz' and she discusses her recent rise to fame and plays a song from her new album Slang Spirituals. And, Will Boast is one of five a finalists for this year's BBC National Short Story Award with Cambridge University and joins Samira to discuss his entry.Presenter: Samira Ahmed Producer: Ruth Watts
Ian and Hannah review the biggest new films and bingeable shows on UK streaming services for the week beginning Friday 13th September, including:Join the trio for one last road trip as Jeremy Clarkson, James May & Richard Hammond take three cars they've always wanted to own on an emotional adventure through Zimbabwe. Watch The Grand Tour: One For The Road on Amazon Prime Video.In Vogue: The 90s is the definitive story of the fashion industry in the 90s through the eyes of Vogue editors, Hamish Bowles, Edward Enninful, Tonne Goodman and Anna Wintour, and it's available on Disney Plus.A tenacious mother unravels the complex mystery surrounding the 1989 disappearance of the daughter she placed for adoption, in Netflix original two-part documentary Into the Fire: The Lost Daughter.Andy Zaltzman, Babátúndé Aléshé, Emma Sidi, Jack Dee and Rosie Jones compete in a series of bizarre challenges presented to them by Greg Davies, the taskmaster, and Alex Horne, his assistant, in order to win back their forfeited possessions. Returning for its 18th season, Taskmaster is on Channel 4.Follow Bingewatch on all major podcast players for your weekly rundown of the best binge-worthy shows across Netflix, Prime Video, Disney+ and more.Remember to leave a 5 star review on Apple Podcasts, Podchaser and Goodpods AND you can now show your support and leave a tip for Ian and Hannah.You can also stay in touch with the team via Twitter AND if you like Bingewatch but you're looking for a specific review, check out BITESIZE BINGEWATCH, our sister show making it easier to get the bits you want!If you're a brand interested in sponsorship or collabs, email hello@podcastsbyliam.com and chat to us now!
This week we are joined by Edward Enninful, British Vogue's former editor-in-chief and host of the documentary series In Vogue: The 90s, which premieres this Friday on Disney + and Hulu. Enninful gives a preview of what we can expect from the series and digs into one of the most stylish decades of all-time, including his close friendship with Naomi Campbell, the advent of grunge, and how hip hop artists innovated fashion as we know it today.We kick the episode off with New York Fashion Week (NYFW), obvs! Chloe joins olympic gold medalist Gabby Thomas for a car ride to the Tommy Hilfiger show, and walks Chioma through the most memorable shows of the week, so if you want to hear all about shows like Off-White, Alaïa, and Willy Chavarria, this episode is for you! Share your thoughts on The Run-Through with Vogue. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=6&uCHANNELLINK=2
In episode #179 of the CEOish Podcast, your favorite CEOs Taylor Graham and Chloe Willemsen are sitting down with the one, the only... Tegan Rice Makeup! Tegan is a New York-based makeup artist. She studied art and theater at Niagara University and is a licensed aesthetician. She honed her skills while studying under artists like Charlotte Tilbury, Sam Fine, John Stapleton, Fatima Thomas and Berta Camal. Her ability to blend trend-driven style with timeless elegance has led her to work with Tom Ford, Dolce & Gabbana, Christian Siriano, and Oscar de la Renta. Tegan has worked on many celebrities and influencers including Susan Sarandon, Amal Clooney, Tara Banks, Edward Enninful, Alec Baldwin, Tefi Pessoa and more. She's here to chat with us about: Major corporate work to freelancing Leaving toxic jobs Neurodivergency and self employment How she stays inspired in such a competitive field Handling the pressure when working on high-profile events or photoshoots Ageism in beauty and the perception of women over the age of 30 Her amazing dogs and the charity she supports And so much more! Link to LC's first episode Link to LC's second episode Feel free to stalk your hosts further: Chloe's IG: @c.e.chlo Chloe's TikTok: @c.e.chlo Taylor's IG: @taygrahambiz and @sociallytaylored Taylor's TikTok: @taygraham To check out the official CEOish website click HERE To ask us a question or request a guest, connect with us on Instagram and Twitter @ceoishpodcast or email us at hello@ceoishpodcast.com Submit to CEOish: Ask the CEOs: Advice Column: https://docs.google.com/forms/d/e/1FAIpQLSfcEc_elHplUP1_HiIoHavIbJzwJglCNP5sWck5e85nQJLVQA/viewform?usp=sf_link Your WORST Travel Story: https://forms.gle/91GzBgnUEPPK76mQ9 Are You a Bitch, Hoe, or CEO (our version of AITA): https://forms.gle/B6rrtEFbPRBbxNx9A Interested in being a guest on the show? Submit yourself here: https://docs.google.com/forms/d/e/1FAIpQLScHO_5XjulsvdUaHGeZiq4jUp72Y6JJ4CHrZXTjY89n3TgF4g/viewform?usp=sf_link
FRAME cofounder and chief creative director, Erik Torstensson, is a pioneering figure in the fashion industry. He created Mr. Porter, co-founded and led creative agencies Saturday Group and Wednesday Agency, and co-founded and helmed Industrie magazine. With a keen eye for branding and digital strategy, Torstensson has successfully deployed unique marketing and communication approaches across his roles. He's driven FRAME's global reach through culture-catching campaigns and collaborations, often fronted by top talents like Gisele Bündchen, Karlie Kloss, and Amelia Gray. As an outside-of-the-box thinker, he shares insights into conscious design, digital strategy, brand partnerships, and his recent obsession with AI. Consistently setting new standards for what's contemporary, Torstensson advocates for curiosity, naivety, and the restless courage that comes from using an outsider's perspective to his advantage. Episode Highlights: Growing up as an only child on a farm in the Swedish countryside, Torstensson remarks on the importance of boredom to his creative development and the necessity of simply finding something to do. Slow-paced life didn't suit him. He began to enjoy traveling, dancing, and skateboarding, which held both collaborative and independent creative potential. After working at interiors magazine Wallpaper, Torstensson helped launch Industrie and Man About Town magazines—the former had cover stars like Anna Wintour, Edward Enninful, and Naomi Campbell. Outside of quantitative efforts in brand identity, ad campaigns, and editorial work, Torstensson says, “It's not really about you. It's about who you work with, who you surround yourself with.” FRAME was a community-led “passion project” stemming from Industrie. It was built not necessarily on denim but on the idea of perfecting any single product with a particular aesthetic in mind, in this case, “the FRAME woman.” Working on a budget to produce and market FRAME's aesthetic has led Torstensson to think out of the box. Torstensson discusses a brand's life cycle and its different versions, from starting out as a hot newcomer to becoming more organized and productive to later cutting through the media landscape with more sensational marketing. On the level of scale and production, AI gave Torstensson a great new tool he likens to Photoshop, making him quicker and more effective. Having a strong team, a partnership with Jens Grede, and the luxury of slowing down have gone hand in hand with an increase in confidence in his work over the years. He foregrounds the importance of knowing your strengths and leaning into them, going with your personal passions—“Just do it.” Torstensson recommends reevaluating what's contemporary and what will last every five years or so, not being afraid, and learning to evolve. Learn more about your ad choices. Visit megaphone.fm/adchoices
In this episode I go on a style journey with the Creative Director Lucinda Chambers. Lucinda has worked in the fashion industry for more than three decades…as Fashion Director of British Vogue for 25 years she certainly shaped the face of fashion and inspired the wardrobes of millions of women. She has worked as a creative consultant and stylist across both high street and luxury brands from Prada and Marni to H&M, River Island and Warehouse. We reminisce about her early days as a fantastically creative stylist at Vogue, in the pre-internet days she used National Geographic for her location inspiration…taking her to Ladakh in northern India on her very first location shoot…with Cindy Crawford and the photographer Patrick Demarchelier…sleeping in tents and drawing sticks to get the last few seats on the plane out…so naively brave… She talks eloquently about creating the story which has inspired the images…how for her image making was all about the narrative and I use the opportunity to ask about one of my favourite images of Linda Evangelista wearing Wakeley… Her journey in fashion has been a long and fabulous one …starting at Vogue as the secretary to the petty cash lady but her talent and creative vision took her the whole way…she is a phenomenally optimistic creative, making the most of every situation stating that it's never a crisis it's an opportunity...whether that was all the clothes for a cover shoot with Emma Watson being stolen from the luggage compartment of the Eurostar, to arriving to shoot in Miami as a hurricane had just flattened it… but always improvising and coming back with the shots. Since her well-publicised departure from Vogue when the then new editor Edward Enninful ushered in a new era and a new team… she has flourished creating her revolutionary shopping platform Collagerie with her ex-Vogue colleague Serena Hood. Expertly curating the best in fashion, interiors, beauty and lifestyle, the brand celebrates shopping at every price point, bringing you an innovative way to discover inspiring, and at times unexpected, designs. Thank you @lucindachambers for being such an open and generous guest …it was lovely to reconnect x
Globally renowned for creating iconic hairstyles on famous names and faces across music, film, fashion and art – from supermodels to Hollywood A-listers – session hair stylist Raphael Salley has amassed an awe-inspiring roll-call of devoted clients and collaborators during his expansive career.We're talking Claudia Schiffer, Kate Moss, Helena Bonham Carter, Charlotte Tilbury, Givenchy, The Vampire's Wife, Versace, Agent Provocateur, Isabel Marant, Juergen Teller, Harley Weir, Nick Knight and Edward Enninful…as well as fashion publications – Dazed, AnOther Magazine and Vogue.From serendipitously bumping into fashion hair legend Eugene Souleiman in make-up mecca Screen Face in West London, to getting approached by global creative talent agency Streeters, to this Dazed and Confused shoot that would lead to hair consultancies for Hollywood directors Jane Campion and Matthew Vaughn, Raph tells us about the moments that shaped his career and lets us in on his secrets for getting the best out of a subject in the styling seat. During the episode, Raph also opens up to us about how he rebuilt his confidence and his career after overcoming a life-changing trauma and the lessons he learned along the way. “Once the trust is gained with the artist, once that person is feeling comfortable in your chair, you can pretty much do anything! They'll say, yeah, go for it”.Wondering what that book of healing poetry Raph mentioned a certain actor read to him was? Wonder no further. EPISODE INSIGHTSDeveloping long-lasting relationships with A-list clientsThe importance of seeing an opportunity and taking itRebuilding a career in the wake of physical traumaStories from an illustrious careerFind out more about Raph @raphaelsalleyWe'd love to know what you thought of the episode @creativebloodworldEPISODE CREDITSHosted by Laura ConwayProduced by Ben Tarrant-BrownMusic by Ben Tarrant-Brown
Legendary hairstylist Guido Palau, who developed the new Zara Hair line and worked on Edward Enninful's final cover for British Vogue, has done runway hair for pretty much every fashion label (Prada, Valentino, Marc Jacobs) and cut the hair of all the top models (Kaia Gerber included). He's here to tell us about his career path in the fashion industry, share his creative process, and talk about some of the products he's created for brands like Redken. This was Guido's first podcast interview ever, and it originally aired in 2019; we're replaying it now, with a new introduction, to celebrate all the gorgeous work he's been doing lately. Products mentioned in this episode: shopmy.us/collections/452049Episode recap with links: fatmascara.com/blog/guido-palauSponsor links & discount codes: fatmascara.com/sponsorsPrivate Facebook Group: Fat Mascara Raising a WandTikTok & Instagram: @fatmascara, @jenn_edit, @jessicamatlinSubmit a "Raise A Wand" product recommendation and be featured on the show: email info@fatmascara.com or leave a voicemail at 646-481-8182 Become a member at https://plus.acast.com/s/fatmascara. Hosted on Acast. See acast.com/privacy for more information.
In addition to Friday being International Women's Day, March is Women's History Month, and that seemed the perfect time to have this series I've been concocting in my brain for a while called Women in Power. I am so proud and happy to share my conversations with you! Also, at the end of each episode in this series, I'll be sharing three books by three female writers whose collections I love, so stick around after the interview for that. Our first guest in the Women in Power series is a legend in the magazine space: Alexandra Shulman, who was editor-in-chief of British Vogue for 25 years. A full quarter century! She is the longest-serving editor in the position and took the helm in 1992; she has become one of the U.K.'s most respected voices in fashion since. Her 25 years at the top of the masthead included many iconic issues of the magazine, like the December 1999 “Millennium Issue,” which became the highest-selling issue of Vogue. You'll hear me speak about this with her, but I always respected Alexandra's stance that the magazine never publish pieces on diets or cosmetic surgery, as she didn't want to tell women a specific way they should look. While still editor in-chief, she published a novel, Can We Still Be Friends?, in 2012, and in 2016, highlighting British Vogue's centenary year, she published the book Inside Vogue: My Diary of Vogue's 100th Year. In January 2017, nearing the quarter-century mark in her role, it was announced that she would leave her role that June, and she was succeeded as editor-in-chief by Edward Enninful. Since then, she has published a memoir I loved called Clothes And Other Things That Matter, which came out in 2021. Today we talk about what she's up to these days (and it's a lot!), what she's reading, and, of course, about her time at Vogue. By Alexandra Shulman: Can We Still Be Friends? Inside Vogue: My Diary of Vogue's 100th Year Clothes…And Other Things That Matter Alexandra's recommendations: Orbital by Samantha Harvey Slow Horses by Mick Herron My “Leave You with Three” picks today: Tiny Beautiful Things by Cheryl Strayed Big Magic by Elizabeth Gilbert Untamed by Glennon Doyle + Together Rising
Men-E-Men Stüdyo tarafından hazırlanan yüz elli altıncı bölüm sizlerle. Kaydımızın en başında, görevinden ayrılan İngiliz Vogue dergisi editörü Edward Enninful'dan bahsettik. Herkes son sayısında ne yapacak, acaba hangi ünlü ismi kapağa taşıyacak diye merak ederken, Edward Enninful'dan çok ters köşe bir hareket geldi. Bir değil tam 40 tane kadını kapağa taşıdı. Bunu konuştuk. Ardından bol bol Super Bowl'dan bahsettik. Bir spor karşılaşması bu kadar popüler olunca ister istemez üzerinde konuşuluyor. Üstelik spordan çok başka kavramlara odaklanıyor herkes. Olayın magazinel tarafı, reklam ve iletişim konusu ve hiç kuşkusuz devre arası şovu. Amerika'nın kendi kültürünü, düzenini tüm dünyaya takip ettirme çabasının bir sonucu olarak değerlendiriyoruz. En sonda da devre arasında çıktığı reklam filminde sürpriz yapan Beyonce'nin son albümünü ve bu albümün geleceğini değerlendirdik.
G'day, everyone! On today's show: Allllll things Super Bowl, from the two moments that gave us the ick, to Usher's halftime show, and the Ben Affleck ad that won us over. Then! Edward Enninful went bang with his final cover of British Vogue, Beyonce's big announcement, Kim Kardashian's new boyfriend, and a new development in one of the weirdest stories we covered last year. To watch that Dunkin' Donuts ad we mentioned in today's episode, head here. This week, Zara recommended listening to Ben Winston on Awards Chatter, as well as One Day on Netflix. Mich recommended watching Nemesis on ABC. This episode was audio produced by Annabelle Lee. Big thanks to Dan's Daily for making this episode possible. Head online to Dan's Daily today to up your cocktail game, expand your wine knowledge, or discover what's trending in the world of drinks. Want to support our show? We are sending air kisses, air tea, and air hugs (too far?) to anyone who clicks ‘follow' on Apple and Spotify. (Bonus hugs for anyone who leaves a five-star review, too!) Still not enough? Well! Our hearts! See below for everything else. Click here to subscribe to ShameMore: http://apple.co/shamelesspod Subscribe to the weekly ‘ASK SHAMELESS' newsletter: http://eepurl.com/gFbYLT Join our book club: https://www.instagram.com/theshamelessbookclub/ Check out our website: https://shamelessmediaco.com/ Write to the Shameless Mailbag: Email hello@shamelessmediaco.com Thanks for listening! We are very big fans of yours.
After an eventful Grammys, Chan&Tiff get together to break it all down with their favorite wins and not-so favorite wins. The girls chat Victoria Monet, Taylor Swift, New York Fashion Week, and the legendary Edward Enninful of British Vogue. We have it all here for you on this week's episode of FEMININE CHAO$. As for the Martini Club, the girls get raw and talk Valentine's Day. CHEER B*TCH!
Entertainment Daily: Movie, music, TV and celebrity news in under 10 mins.
Amy Robach and T.J. Holmes alluded to their apparent prohibition from Disney Parks, following their exit from ABC, a Disney-owned entity.Victoria Beckham, Kate Moss, and Gigi Hadid were among the 40 luminaries featured on the cover of British Vogue's final edition under Edward Enninful. However, Meghan Markle, the Duchess of Sussex, was notably absent from the star-studded lineup.Bill Maher recently revealed his decision to cancel the release of a two-hour podcast episode featuring Kanye West.Drake addresses video of a private moment, lying in bed and engaging in personal activity.Wil Wheaton, the actor known for his role in "Star Trek: The Next Generation," recently expressed his outrage on Facebook towards Larry David for his actions involving the Muppet Elmo.Dakota Johnson recently reflected on her not-so-pleasant experience while filming the final episode of "The Office".
Isla went to the MOBOs last night! She's filling us in on her night on the red carpet, including who she got to interview and who was best dressed. Then we're discussing Edward Enninful's star studded final Vogue cover and we get into the Grammys - there was one outfit in particular we think will go down in history... Hosted on Acast. See acast.com/privacy for more information.
Carolyn Bessette Kennedy was the beautiful fashion PR who married the most eligible bachelor in America, John Kennedy Jr. The couple, and Carolyn's sister Lauren, tragically lost their lives when a plane flown by Kennedy crashed into the ocean in 1999.But Bessette Kennedy had an outsize influence on style and fashion in the 1990s that endures today, and her legacy has been celebrated in a new book, CBK: Carolyn Bessette Kennedy: A Life in Fashion, by the British author and fashion creative director Sunita Kumar Nair, with a foreword by Gabriela Hearst, and preface by Edward Enninful, OBE.On Episode 5 of Season 4 of Rodeo Drive - The Podcast, Kumar Nair talks with Lyn Winter about her carefully curated and sumptuously illustrated book, which tracks Bessette Kennedy's fairytale rise, starting with a job at a Calvin Klein store in a mall where she was, ”plucked by a corporate executive at Calvin Klein, and offered the golden ticket – come to New York.”From there the willowy blonde with a knack for an ultra-chic and minimal “thrown together look,” became a fashion muse herself, in an era when American fashion traded padded shoulders and power suits for the understated elegance and comfort of Klein, Donna Karan and Ralph Lauren.Kumar Nair shares anecdotes about the celebrities – Kate Moss, Jennifer Aniston, Sharon Stone – and the great names in fashion and design who worked with Bessette Kennedy, and were inspired by her. She says the photographer Mario Sorrenti “remembers a time when they were sitting on the floor, talking about what the goals were for the advertising,” and corporate would want to know, “what does Carolyn think?”She also talks about Bessette Kennedy's powerful sense of self, wearing what pleased her despite societal expectations. When she married into American royalty, she might have taken to “wearing perhaps Dior or Yves Saint Laurent,” as well as the jewelry she inherited from her late mother-in-law Jackie Kennedy, also a fashion icon. “But instead she chose to wear Yohji Yamamoto and Ann Demeulemeester, and I think the only piece of jewelry (of Jackie Kennedy's) that she would wear often was Jackie's Cartier Tank.”Finally, Kumar Nair explains how Bessette Kennedy's allure endures today, in part because of how she approached life and clothes, with discretion and simplicity. “I think there is just this demand for her because there's a dignity in the way that she lived and I think it's inspiring for people who didn't grow up with her to pick up a book and discover her and her world.”Season 4 of Rodeo Drive – The Podcast is presented by the Rodeo Drive Committee with the support of The Hayman Family, Two Rodeo Drive, Beverly Wilshire, A Four Seasons Hotel, and the Beverly Hills Conference & Visitors Bureau.Season 4 Credits:Executive Producer and Host: Lyn WinterOn behalf of the Rodeo Drive Committee: Kathy GohariScriptwriter and Editorial Advisor: Frances AndertonEditor and Videographer: Hans FjellestadTheme music by Brian BanksProduction Assistant: Isabelle AlfonsoListen, subscribe, rate and review on Apple Podcasts, Spotify or wherever you get your podcasts.Visit the website: https://rodeodrive-bh.com/podcast/Join us on Instagram @rodeodrive Hosted on Acast. See acast.com/privacy for more information.
It's the September episode baby, we've prepared all year for this! Former British Vogue editor Edward Enninful has an incredible ability to create images in his head and bring them to life as some of the greatest editorials and magazine covers of the last decade. His memoir does an incredible job walking us through his career and his appreciation for cool stuff. Keep up with all the latest: https://celebritymemoirbookclub.biz/ VERY SMART WORM SWEATSHIRTS ARE BACK https://celebritymemoirclub.limitedrun.com/ WE'VE GOT MORE TOUR DATES 9/20 - Chicago, IL – JUST ADDED A SECOND SHOW 9/22 - St. Paul, MN 10/11 - Nashville, TN 10/12 - Atlanta, GA 11/3 - Washington D.C. – MORE TICKETS ADDED 11/4 - Philadelphia, PA 11/14 - Denver, CO - JUST ADDED 11/15 - San Francisco, CA Join our Geneva Community to chat with the other worms!!!! Join the Patreon for new episodes every Thursday! https://www.patreon.com/celebritymemoirbookclub Follow us on Twitter @cmbc_podcast and Instagram @celebritymemoirbookclub Art by @adrianne_manpearl and theme song by @ashleesimpsonross
British Vogue's Edward Enninful talks to Chloe and Chioma about Vogue World London's fashion and festivities, his favorite British Vogue covers, and what's next for him in 2024. Plus Chioma and José Criales-Unzueta talk with Olivia Rodrigo about her sophomore album, “Guts.” Learn more about your ad choices. Visit podcastchoices.com/adchoices
Darnell Strom's professional path has wound its way from politics to Hollywood, a trajectory that started with several globe-trotting years working for former US President Bill Clinton. As partner and head of culture and leadership at entertainment agency UTA today Strom represents totemic cultural figures including Nobel Peace Prize laureate Malala Yousafzai and Edward Enninful, the outgoing editor-in-chief of British Vogue, as well as Gisele Bundchen and Michaela Cole. The breadth of his client roster reflects Strom's thesis that captivating, culturally impactful people can come from anywhere. “My definition of talent isn't just an actor, a musician and an athlete,” he says. “It's also a well-known politician or an incredible activist or a rock star CEO or someone in fashion, an artist … I want to be able to represent all those people.”This week on The BoF Podcast, BoF founder and editor-in-chief Imran Amed sits down with Strom to discuss what his career has taught him about the power of creativity and cultural convergence – and the opportunities this is creating for top talents. Key Insights:It was a conversation with the late fashion designer Virgil Abloh that inspired Strom to think differently about his work as an agent and seek out clients from all types of industries. He recalls Abloh telling him: “You should be representing people like me, people who are multi-hyphenate, people who understand that there are no walls between these worlds of culture.” Strom believes social media has irrevocably democratised the entertainment industry, making it possible for even an aspiring filmmaker from anywhere to create a blockbuster movie or a fashion trend that stems from a single post. “As you look at the marketplace, both in fashion and entertainment and media, everything is moving at such a fast rate. And if you're doing the job the same way you did 10 years ago, you're going to get left behind,” he says.Strom believes the changes we are seeing is just the start of a bigger journey. “I think the future of culture is convergence, which we're seeing now. But I think it's just the beginning of it. I think the next 10 years are going to be fascinating,” says Strom. Additional Resources:Darnell Strom to Lead UTA's Newly Created Culture and Leadership Division: Political staffer turned Hollywood rep joins entertainment agency UTA to head its new culture and leadership division. What the Hollywood Strike Means for Fashion: While red carpets have momentarily dried up for brands and stylists, the SAG and WGA's simultaneous strikes pose an unlikely opportunity for fashion companies to tap celebrity talent. To subscribe to the BoF Podcast, please follow this link. Hosted on Acast. See acast.com/privacy for more information.
Nick and Angela welcome radio royalty to DISH HQ. Clara Amfo is an award-winning broadcaster, podcaster and television presenter best known for her work on BBC Radio 1, where she now presents Future Sounds. Clara has interviewed some of the biggest names in music including Jay-Z, Kendrick Lemar, Sir Elton John, and Billie Eilish who personally requested Clara for her LA Special. On her podcast This City she chats with guests like Louis Theroux, Little Simz and Edward Enninful who share their stories of life in London. Obsessed with all things pop culture and trivia, Clara was crowned the winner of all of her appearances on The Weakest Link, Pointless and The Hitlist. As Clara is a big goat's cheese fan, Angela prepares Lucas Hollweg's cherry & quinoa tabbouleh with goat's cheese and Nick mixes a cosmopolitan. This episode is a riotous romp through topics like Clara's mum's infamous whatsapp messages, her admiration for Nick's brother and what the inside of Elton John's house looks like. Shout out to Nick Grimshaw who made a cheesecake that nearly went to plan. Just so you know, our podcast might contain the occasional mild swear word or adult theme. All recipes from this podcast can be found at waitrose.com/dishrecipes A transcript for this episode can be found at waitrose.com/dish We can't all have a Michelin star chef in the kitchen, but you can ask Angela for help. Send your dilemmas to dish@waitrose.co.uk and she'll try to answer in a future episode. Dish is a S:E Creative Studio production for Waitrose & Partners. Learn more about your ad choices. Visit podcastchoices.com/adchoices
In this week's episode, I delve into the extraordinary life and career of Alec Maxwell, the visionary behind Kloss Films and husband to the brilliant Edward Enninful. Originally from the Wirral, just outside Liverpool, we chat about Alec's path from studying fashion at university, becoming a lecturer to founding Kloss Films - Alec offers a really interesting insight that anyone wanting to get into the fashion and film industry needs to hear. We also explore his perspective on breaking into fashion today, why he hates the word ‘networking' and the controversial topic of unpaid internships. Plus, he shares a behind-the-scenes glimpse into some of his most famous collaborations, including a shoot with Rhianna, which I was obsessed with. We also talk about his meticulous planning schedule and why he lives by the mantra of "failing to prepare is preparing to fail." There is so much in this episode, so listen wherever you get your podcasts, or watch the full episode over on my YouTube channel The Break here: https://www.youtube.com/@The_Break Follow the Break Social on Instagram for updates: https://www.instagram.com/thebreaksocial/ For Business and Sponsorship Opportunities: Hello@thebreakplatform.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Nicole discusses Edward Enninful stepping down from UK Vogue and the LVMH appointment of Pharrell Williams. --- Support this podcast: https://podcasters.spotify.com/pod/show/youhavetowearsomething/support
Since more people listened to our last fashion chat episode than expected we just had to do another one. Of course as soon as we finished recording the last one, all this news broke of creative directors leaving their posts. Me and Jai touch on all the shifting going around in the industry, the new Rick and Prada mens shows, new magazine pickups, and Pharrell Williams new collection and spectacle at Louis Vuitton, and much more!
This week on the pod, the ladies reconvene to discuss Kim Cattrall's paywalled Sunday Times interview, her new show Glamorous, the Taylor Swift / Matty Healy drama, the underwhelming Karma remix and it's bizarre music video, the first episode of The Idol, Chelsea's new favorite song World Class Sinner / I'm a Freak, Target's Pride Month controversy, Beanie Feldstein's adorable wedding, new celesbian power couples Cass Bird and Jenna Lyons and Lily-Rose Depp and 070 Shake, the debut of Apple Vision Pro, Edward Enninful's exit from British Vogue, our new favorite movie Sick of Myself, the disappointing and VERY depressing Anna Nicole Smith documentary, and more. We apologize for Chelsea's uneven audio quality and would like to blame her hotel's shitty Wi-Fi. Thankfully we will be back, in person next week! Today's episode is brought to you by HoneyLove. Treat yourself to the best shapewear on the market and save 20% Off at honeylove.com with the code Outfit. Use code Outfit at honeylove.com. Like what you heard? Want to hear more? Like our thoughts on the Yellowjackets Season Finale? Or the AJLT Season 2 Trailer? Become a Patron! Go to Patreon.com/EveryOutfitWE HAVE A HOTLINE! Disagree with us? Make your case and we may play it on the show. Questions, secrets, or gossip from the And Just Like That set are also welcome. Call 323-486-6773
Lauren Sherman joins Peter to dissect the exit of Edward Enninful from British Vogue and the power struggles inside Condé Nast as Anna Wintour consolidates power yet again. Then they dig into the murky economics of celebrity stylists in Hollywood. For more from Lauren - https://puck.news/the-end-of-the-edwardian-age/?utm_medium=organic&utm_source=thepowersthatbe20230606 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
President Zelensky says his country's forces are delivering 'the news Ukrainians were expecting'. Also: Apple launches a much anticipated digital headset - its first brand-new product for eight years, and with the announcement of his departure, how Edward Enninful broke boundaries as editor of British Vogue.
Hello hello! On today's show: We finally have answers as to what caused the huge rift between This Morning's Phillip Schofield and Holly Willoughby. It's almost time for Barbie Mania, Matty Healy has some… choice words… for anyone who was offended by those February podcast comments, and it's that time of the year again: the top 100 Australian influencers have been named, and true to form, we have about 10,000 questions. This week, Mich recommended listening to Edward Enninful being interviewed on The Diary of a CEO. Zara recommended following the 7th Heaven TikToker you've probably seen on your feeds, Rob Anderson. Big thanks to Swinburne Online for making this episode possible. Visit swinburneonline.edu.au to see a range of online courses in Business, Psychology, Education and Law. Want to support our show? We are sending air kisses, air tea, and air hugs (too far?) to anyone who clicks ‘follow' on Apple and Spotify. (Bonus hugs for anyone who leaves a five-star review, too!) Still not enough? Well! Our hearts! See below for everything else. Click here to subscribe to ShameMore: http://apple.co/shamelesspod Subscribe to the weekly ‘ASK SHAMELESS' newsletter: http://eepurl.com/gFbYLT Join our book club: https://www.instagram.com/theshamelessbookclub/ Check out our website: https://shamelessmediaco.com/ Write to the Shameless Mailbag: Email hello@shamelessmediaco.com Thanks for listening! We are very big fans of yours.
Edward began his career in fashion as a model before becoming the fashion director of the British fashion magazine i-D at just 18 years old. This made him youngest-ever fashion director for an international magazine and Edward held this position for over 20 years. Between 1998 and 2011 he contributed extensively for Vogue Italia and Vogue US. From 2011, he was the Creative and Fashion Director at W Magazine. In 2016, Edward was awarded an OBE for Services to Diversity in the Fashion industry, and in 2017 he was named the editor-in-chief of British Vogue. In this conversation Edward and Steven discuss topics, such as: His upbringing in Ghana and his experience of being a immigrant in the UK His experience of being one of the few black people in the world of fashion How his insecurity drove him to succeed Becoming a workaholic and how work dominated his life The mental health impact of being a high achiever Edward's memoir, ‘A Visible Man' is now available in paperback, you can purchase it here: https://bit.ly/3OK3EOv Edward: Instagram: https://bit.ly/427qz9x Watch the episodes on Youtube - https://g2ul0.app.link/3kxINCANKsb My new book! 'The 33 Laws Of Business & Life' per order link: https://smarturl.it/DOACbook Follow me: Instagram: http://bit.ly/3nIkGAZ Twitter: http://bit.ly/3ztHuHm Linkedin: https://bit.ly/41Fl95Q Telegram: http://bit.ly/3nJYxST Sponsors: AirBnB: http://bit.ly/40TcyNr Huel: https://g2ul0.app.link/G4RjcdKNKsb
British Vogue editor-in-chief, Edward Enninful, says the latest issue with five disabled cover stars is one of his “proudest moments”. Today's Mishal Husain spoke with Mr Enninful about why he decided to work with disability activist Sinéad Burke to create the series and how she taught him ‘that a whole group of people are being ignored'. And away from fashion, Martha Kearney looked at jogging. Specifically, the growing trend of running without headphones or other tech. She spoke with Julia Oosthuizen, Founder of Queen's Running Club, and Jimmy Watkins, co-founder of Running Punks about so-called ‘naked running'.
What you'll learn in this episode: How Melinda created the definitive guide to the Napier Company. What made Napier stand out from other costume jewelry manufacturers of the 20th century. Why Chinese and Russian collectors are becoming increasingly interested in American costume jewelry. How the dawn of costume jewelry changed the way we accessorize. Why the craftsmanship of vintage costume jewelry is often as good as fine jewelry. Why being part of a community can be the most rewarding part of collecting. About Melinda Lewis Jewelry historian Melinda Lewis spent 11 years researching the history of a single American jewelry manufacturer —The Napier Co. Determined to bring the first book about this company to the public, she interviewed over fifty former employees from around the country spanning multiple generations. Those interviewed included the great-grandson of William Rettenmeyer, the designer who started in 1891; to designers who worked for Napier from 1941 to the close of the plant; as well as executive management, including the former CEO, Ron Meoni; and traveling salesmen, whose careers were no less than 30-plus years with the company. After publishing her book, Lewis and her husband have spent the last year curating an extraordinary collection of vintage jewelry from around the country for her customers with The Jewelry Stylist and Vintage Jewelry Collect. Photos available on TheJewelryJourney.com Additional Resources: FACEBOOK: https://www.facebook.com/thenapierbook/ THE NAPIER BOOK: https://napierbook.com FACEBOOK: https://www.facebook.com/thejewelrystylist2 INSTAGRAM: https://www.instagram.com/thejewelrystylist/ THE JEWELRY STYLIST: https://thejewelrystylist.com VINTAGE JEWELRY COLLECT: https://vintagejewelrycollect.com CJCI : http://cjci.co This forwards to https://www.costumejewelrycollectors.com/ Transcript: Some collectors don't give costume jewelry a fair shake, but for jewelry historian Melinda Lewis, vintage costume jewelry has only brought her happiness. She spent over a decade researching The Napier Company, an influential costume jewelry manufacturer, and created a community of fellow costume lovers along the way. She joined the Jewelry Journey Podcast to talk about the process of researching and writing her book, “The Napier Co.: Defining 20th Century American Costume Jewelry”; what costume jewelry is trending and where the hot markets are; and why the joy of jewelry often lies in connecting with others. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the second part of a two-part episode. If you haven't heard part one, please head to TheJewelryJourney.com. Today, we are talking with Melinda Lewis, the author of the definitive work on Napier Company jewelry, “The Napier Co.: Defining 20th Century American Costume Jewelry.” She's also one of the founders of Costume Jewelry Collectors International. If you look at their website, CJCI.co, you'll be able to find all you want to know about costume jewelry. Welcome back. Why did they start making costume jewelry? What I'm always surprised by is that everything was just as nice about it, but it wasn't a real ruby. That's all. It was a synthetic one. [Repeat from Part one] Melinda: I think the reason why it became popular was that it allowed more people to adorn themselves. If you think about it, you had a real piece that might cost $2,000, but you could offer a lovely, finely crafted piece of jewelry for $20. It allowed the average person to feel as beautiful as the socialite that was wearing the $10,000 piece. It made things more democratic. It opened up the market to people that perhaps would not have been wearing that expensive piece of jewelry. I think that's why it made it more accessible to the masses. Sharon: Would you say it was manufactured? Everything about it was the same except that it wasn't “real”? Melinda: A lot of the manufacturing companies used the same manufacturing techniques as fine jewelry. Many of the people, particularly in the 1920s, had come over from Europe and had worked for the jewelry houses of Paris, so their techniques, their skill levels, were unsurpassed. They were jewelry makers. That's why some of the early pieces look just like fine jewelry, because there really wasn't a difference in the manufacturing with the stones, the setting and the design aspects. We were really fortunate, if you think of it, to have all of these fine jewelry designers and manufacturers immigrate to the U.S. and give us, as a society, the opportunity to buy jewelry that wasn't $10,000. Sharon: Is it still true? Would you say the quality is still as good? Melinda: I think it's line specific, but certainly jewelry today is probably not made to the same quality standards as costume jewelry was during the beginning of the 20th century. There certainly are going to be pieces, but most of the jewelry we see in department stores is not made in the same way it was made a hundred years ago. I can't really explain it. Often, it falls apart. It doesn't have the same plating. We don't use the same quality stones. I don't think the designers have a full understanding of the design aspects or design aesthetics they had a hundred years ago. It's hard for me to say it has the same quality that it did. Sharon: Are you a flea market junkie or a swap meet junkie? Melinda: Yes, my treat to myself is to do that on occasion, to go to an antique fair. But Covid certainly changed a lot of things in the last three years. The majority of my acquiring comes from online, but there's certainly something about spying that piece in a pile of jewelry. Someone has no idea what they have, and that's when your years of study pay off. You're able to recognize something and think, “Oh, that has value.” Sharon: Do you still have a store online? Melinda: I have three online stores. My husband and I have three. One is for the Napier book, and then two others are online venues for vintage jewelry. One sells Napier jewelry exclusively, and the other two sell regular costume jewelry. Sharon: Except for this exposure to costume jewelry, I don't know that much about it. I hadn't heard about your website. I thought I knew everything about all kinds of jewelry. Tell us about your websites with jewelry. Melinda: One is called TheJewelryStylist.com. That has higher-end costume jewelry. Vintage Jewelry Collect is my other website. That one has mid- to upper-level costume jewelry and probably a deeper array of things, from wood jewelry and Bakelite and rhinestone jewelry. My objective with The Jewelry Stylist is to have the higher-end collectables on that side. Then TheNapierBook.com is where I sell my book as well as vintage Napier jewelry. Sharon: Do you have people—stylists I guess—who come to you because they're doing a movie or a TV show and they need something? Melinda: I used to do that. In the early 2000s, I did a lot of work with Edward Enninful's team and had a lot of jewelry featured in Italian Vogue. I had my jewelry used for MAC cosmetics. I'm going blank on the other ads, but yes, I did do that in the early 2000s. However, it's a lot of work. It's not a paid gig; you do it for exposure. I stopped doing that probably around 2008 or 2009. It was a lot of fun and certainly exciting to see your pieces on the cover of Vogue Italia. My focus at that point was on the book, so doing that type of print work interfered with me moving forward with completing my book. So, I put it to the side. Sharon: Did you stop everything and focus on the book? What did you do? Melinda: I was trying to do both. We founded CJCI in 2009, so I had a lot going on. Incidentally, it's CJCI.co, not com. Sharon: Thank you. It stands for—go ahead. Melinda: Costume Jewelry Collectors International. We were formed to promote the study, enjoyment and promotion of costume jewelry. We started our club when we learned about the retirement of Lucille Tempestas' jewelry club. She had a jewelry club named the VFCJ. I knew there was going to be a void for people, because we really enjoyed getting together with jewelry clubs. I talked it over with my husband and decided I was going to ask my cofounder, Pamela Siegel, if she would join me on this journey of starting a new jewelry club. She said yes, and within three days, we had a website up; we had created groups on Facebook. Within three months, we had published our first magazine. In 2011, we had our first jewelry convention. Sharon: You've had one every two or three years, like a convention or conference. Melinda: We had one for seven years straight. Sharon: Wow! It's a lot of work. Melinda: It's a lot of work. Right now, our focus is on the website. We acquired a database from another website called Research In Costume Jewelry, which was a website created by Dotty Springfield. That's why people come to our website, to get information about jewelry marks. That was a very big project. We had to integrate all of the data from one website and incorporate it into ours. It was a costly and timely project, but we were able to do it. We get about 13,000 unique visitors a month to our website to look up jewelry marks. Sharon: The marks specifically? Melinda: Yeah. Sharon: I did hear that you might have a cruise. Melinda: One thing we're considering is perhaps doing a jewelry cruise next year. Pam and I will be talking about that this year to see if it's feasible. That might be in the works for 2024, but nothing's set in stone yet; we're just looking at our options. Sharon: Nothing for 2023 this year. Melinda: No. It was a tough decision. We had to make a financial assessment of whether or not it was viable for us, and still with Covid and the uncertainties and the contract obligations you have as an event promoter—if you don't fill it, you still have to pay the bill—we decided it was in our best interest to not have a convention this year. It was very sad choice for us, but one we needed to make. Sharon: How did you and the businesses stay afloat during Covid? How did you manage? Melinda: CJCI is donation based, so we were greatly affected by it and by not having conventions, which is our main source of income to try to cover the expenses of hosting a website and such. That income wasn't there. My personal businesses actually had a little bit of an uptick during Covid. That was a nice surprise, and certainly one I wasn't expecting. Sharon: I've heard that a lot of jewelry websites or people who sold jewelry did find an uptick during that time because people were at home. What else did people have to do? Melinda: Right, and a new buying community has opened up, like I mentioned with the Chinese market and Russian market. It's really gratifying to see other communities taking an interest in our American jewelry heritage. Sharon: What are they looking for? Not that it's American, but that it's high-end or lower? Melinda: High-end, and they're actually taking an interest in the history, which is fascinating and wonderful. I'm not sure that Americans in the same age group have the same interest in our history. Sharon: I'm thinking about some of the smaller antique fairs I've been to. I don't collect costume jewelry specifically, but I've been surprised at some of the prices for high-end costume jewelry. Melinda: It's been phenomenal. In the last two years, it has really peaked—perhaps not peaked; it has spiked. Sharon: I'm sure it's good for you, yes. Sometimes I think, “Why didn't I start with costume jewelry?” You can buy a lot more, but it's really gotten expensive. Melinda: Yes, it has. My advice to people is buy what you love and get the best you can afford. Grow your collection that way, but don't necessarily buy it for investment purposes. The market can be fickle, and it's generally a long game when you buy a piece. You have to have a pulse on the market. You have to know just the right time to offer it. Most people aren't following the market that closely. Sharon: But that's something you do, follow the market for costume jewelry? Melinda: Oh yes, every day. Sharon: Do people come to you and ask you to appraise things? Melinda: They do, but I don't offer that service. For one, I believe in California you have to be licensed to appraise. I give them guidance on what they can do. It's the same things I would do, like looking at closed auctions or websites that provide finished auction prices I do get that a lot, but I decline answering that question. Sharon: I think you are correct in that you have to be licensed. Why should somebody like me, who clearly doesn't know that much about costume jewelry, why should I be interested? Why would I start turning my eye towards that as opposed to other antiques? Is it a progression? Do they go from one thing to another and end up with something else somewhere along the line? Melinda: For me, with collecting costume jewelry, there is not only a recognition of the art form, but it's the community that is fostered during the research and the study. It's having that connection with other people who are interested in our history and the meaning behind that history. That is my biggest source of joy for collecting it. So, it is about the piece of jewelry, but it's not. It's also about the community that comes with the study of costume jewelry. It's a wonderful time right now to become connected with others for research and collaboration and what I like to call jewelry genealogy. It really is, and that's exciting. When we learn a new detail about a piece of jewelry, there's nothing more rewarding. You get those endorphin hits. I think that's the thing I like about it. You get a surge of energy, a surge of joy. “Oh my gosh, I just discovered something new. I didn't know what that meant. Wow!” You collaborate with others and pull together your knowledge base. That's what makes it fun. There are so many groups right now, like on Facebook, that people can join to aid them in their jewelry journey. These groups just weren't available a decade ago. It has expanded. In the last two or three years, the amount of jewelry groups for different aspects of studying it—and a lot of them specialize in one area. There are Schreiner groups. There's my page, and I have a group per se. There's the Alice Caviness group and the Hattie Carnegie group. People hone on in their interest and share their knowledge. That's the essence of what collecting is all about. Sharon: Do you find yourself ever wanting to go astray? Do you ever see a piece of Hattie Carnegie, let's say, that you think is wonderful and buy it? Melinda: Of course. I have a folder on my computer called “Want to Buys” for areas I want to learn more about. They are my bucket list pieces, and they're not Napier; they're other pieces. I'm like, “Oh, my gosh, I really want that piece. That is so polar opposite. I had no idea they made a line like that.” I think that's true for most collectors. The great thing about being in a group with other jewelry collectors is that you expose yourself to things beyond what you're accustomed to seeing. It makes it wonderful. Sharon: Do you wear a piece of costume jewelry every day or every time you go out, no matter what you're wearing? Melinda: No, unfortunately where I live, I don't think it would be appropriate to wear a piece of jewelry. When we go out to dinner, I'll put on something, but I don't wear it every day. I play with it every day. I love handling it or picking up a piece or refreshing my memory about a piece. That I do, but I don't wear it every day. Sharon: I find myself wondering—there are communities, but if you have more of a community because you wrote the book and developed this community, do you have more than other people? How do I have community if I didn't write this book? Melinda: The book certainly helped form my community. My book actually wouldn't have been published without my community. That's very true. When I say my community, in that sense, I mean my costume jewelry collecting community. It wasn't a Napier community. My community supported me such that we were able to raise the funds to do the printing. The Napier book would not have happened without the jewelry community supporting me. There are groups on Facebook that have been formed that specialize in specific designers. They don't necessarily have a book behind them or an author behind that group, so I'm not sure. Sharon: What's your next book on? Are you continuing this one? Is it part two, or are you starting fresh? Melinda: I'm not sure if there's another book in me. It takes a lot of work. There are certainly revisions I would do. I hope once we sell out of the hard copy, if I do an e-book, it will have revisions and updates. I've learned so much since we originally published. I'm on the internet every day looking at archives, looking at newspaper ads and clippings and identifying more specific years that things were made. That's a habit for me, to try to collect articles to further my understanding of Napier. Sharon: It does sound like it takes a lot of work, a lot of time. What would you revise first, prices or the pictures? Would you say, “This was done elsewhere”? Melinda: The latter, yes. If I had dated something, say, at the late 50s, but I found the ad that said, “No, it was 1962,” I would move it; I would put it in its proper age spot. Even though I was off by five years, I was trying to be as specific as I could. I would update some of the years for things and perhaps add more pieces or more dating I've since discovered. Sharon: I don't know if there's any room for more pieces. You have so many. I was looking and I thought, “How did you do this?” The photos are really beautiful. They're clear and very detailed. It's very nice. Do people contact you because of the book itself? Melinda: Yes, I do get that. When I was writing the book, I had a spreadsheet so I could keep track of everything. Everything was kept on spreadsheets, down to making comma changes and other things. I had a very extensive database so I could track where everything was to make sure it was in its proper place when I was laying out the book. Sharon: Did your family help you? Or did they say, “Don't bother me,” or “I'm tired of hearing about it,” even though they were involved from a monetary standpoint? Melinda: My mother helped with some of the editing. I had a number of friends helping me with the editing. My husband found the printer. We used the same printer as Condé Nast and Assouline Books. My husband went out and got the best printer we could get. In terms of the template for the book layout, he contracted with a couple of people that wrote for Consumer Reports, and they helped devise the template. From there, I worked with the template they provided to fill out the book. We had the foundation designed for us. My husband probably was my biggest support, following me all around the country. I couldn't travel without him. He was the one carrying all the equipment and what not. Sharon: So, you would go to the collections? You would go wherever— Melinda: Yeah, and I'd stay with the employees. They were most generous. I stayed with Henry for a week and talked Napier. We stayed with a gentleman named Bill Hurlbutt and his wife, Alice. We stayed with them for a week. We met with Napier employees on our honeymoon. I decided to go to Meriden and have a lunch date with Napier employees instead of taking a honeymoon. It was a lot of fun. Sharon: I hope your husband had some inkling at the time when that happened. Thank you so much for being with us today. We'll look for part two. I'm sure all of us will be looking at jewelry and turning it over and trying to find the marks you've mentioned that we didn't know might be there. Thank you so much, Melinda. Melinda: Thank you for having me, Sharon. Sharon: We will have photos posted on the website. Please head to TheJewelryJourney.com to check them out. Thank you again for listening. Please leave us a rating and review so we can help others start their own jewelry journey.
Irish stylist Alastair McKimm joins Christopher Michael to discuss his trailblazing path to becoming i-D Magazine's global editor-in-chief. Growing up in Belfast in the '80s and '90s, Alastair was captivated by the distinct street style and elements of skateboarding, hip hop, and punk cultures. He encountered the fashion world through the pages of i-D Magazine, which introduced him to renowned designers like Raf Simons, Ann Demeulemeester, Martin Margiela, and Helmut Lang. Working with iconic designers and photographers has helped mold his career, alongside his perseverance and exuberant passion for the work. At i-D, he has built a solid team, injecting the publication with a reenergized vision, always keeping open to new ideas and perspectives, and keen on fostering collaborative exchange. So, what is contemporary now? To Alastair, it is honesty, authenticity, and a community of people who bring out the best in others. Episode Highlights: Elements of education: Early exposure to street fashion in Alastair's native Belfast and studying fashion design at Nottingham Art School. Early influences: skateboarding, surfing, hip-hop, and punk; Raf Simons, Ann Demeulemeester, Martin Margiela, and Helmut Lang; i-D Magazine and Self Service, and their "advertising that wasn't even selling clothes, but a brand." In the '90s, the internet was in its infancy, and magazine images were the outsized primary influence. Designs, casting, styling, and photography: Alastair landed his first job in London by showing up with his portfolio and networking his way into an assistant's job with Edward Enninful, then the fashion director at i-D Magazine. Living the dream: Alastair relished every aspect of his introduction to fashion styling, though it was a steep learning curve—intense, terrifying, and exhilarating. Playing to strength: As administrative work was not his strong suit, Alastair focused on researching and scanning images from fashion archives, vintage, costume, and antique shops. Full circle: As i-D Magazine's global editor-in-chief, Alastair has the institutional memory to reflect on the evolution of covers, collaborators, and the industry's interplay. Do the work: Alastair underscores the importance of working every rung of the fashion ladder to gain fluency, perspective, and core-level competencies. Building out the team: Camaraderie and collaboration, which Alastair believes are the most contemporary (and work-life enhancing) of all things. Church and state: The false divisions between art and commerce, and why growth and financial engagement are essential to building brands. Making old school more commercial: social media mastery; video content; and digitization. Post-pandemic workplace creative processes and communication: finding the balance between in-person and virtual; deploying platforms, such as Facetime, Zoom, WhatsApp, sms, and email. Capturing the moment: How do Alastair and his team look at covers, themed issues, and other editorial decisions shaping the look and priorities at i-D Magazine. Content versus collections: The curation processes differ. Editor versus stylist: open-mindedness and growth invariably evolve out of collaboration essential to publishing effective, compelling magazine content. How New York has become home—with touchstone influences like Gap, Calvin Klein, DKNY, Tiffany's, and many more. The World is Flat: About the globalization (and overlap) in today's fashion landscape. Saying No to the Fashion Vacuum: Alastair shares thoughts on how his longstanding affinity for street culture (and an open mind) keep ideas fresh and inspiration expansive in an often insular, self-referential industry. On having it all: How a blend of gratitude and a distinct personality have helped Alastair maintain a healthy work-life balance. Checking imposter syndrome: Giving back and being of service helps Alastair stay grounded.
Edward Enninful is the editor-in-chief of British Vogue and the editorial director of Vogue in Europe. Edward was born in the port city of Takoradi in Ghana in 1972. His father was a major in the Ghanaian army and, following a period of political instability, the family fled the country and settled in London. Edward's interest in fashion dates back to his childhood in Ghana when he watched his seamstress mother at work making dresses for clients including the President's wife. As a teenager in London he was spotted by the stylist Simon Foxton and began modelling for the irreverent fashion magazine i-D. At 18 Edward became the magazine's fashion director, the youngest person ever to hold this post at an international fashion title. In 2017 Edward became editor-in-chief of British Vogue and since his appointment he has championed inclusivity and diversity. His cover stars have included Rihanna, Oprah Winfrey and he recently featured the first man – actor Timothée Chalamet. Edward was awarded an OBE for services to diversity in the fashion industry in 2016. He married his partner Alec Maxwell this year and they live in London with their dog Ru. DISC ONE: Kyenkyen Bi Adi Mawu by Alhaji K Frimpong DISC TWO: Song to the Siren by This Mortal Coil DISC THREE: Strange Fruit by Nina Simone DISC FOUR: Back to Life by Soul II Soul DISC FIVE: Ex-Factor by Lauryn Hill DISC SIX: Stars of Track & Field by Belle and Sebastian DISC SEVEN: Peru by Fireboy DML & Ed Sheeran DISC EIGHT: Love Without Tragedy/Mother Mary by Rihanna BOOK CHOICE: Caste: The Origins of Our Discontents by Isabel Wilkerson LUXURY ITEM: A pair of embroidered slippers CASTAWAY'S FAVOURITE: Strange Fruit by Nina Simone Presenter Lauren Laverne Producer Paula McGinley
For the American-born chef and restaurateur Ruth Rogers, owner of the Michelin-starred River Cafe on the north bank of the Thames in London's Hammersmith neighborhood, food is a portal: to memories and cultures. To conversations. To meaningful connections. Since Rogers, who goes by Ruthie, co-founded the celebrated Italian restaurant with Rose Gray in 1987, it has become a well-trod stomping ground for a bevy of artists, filmmakers, writers, actors, architects, and other movers and shakers—many of whom have appeared on her podcast, Ruthie's Table 4, including the director Steve McQueen, British Vogue editor-in-chief Edward Enninful, and the artist Tracey Emin. Similarly, many highly regarded chefs have come up through the River Cafe's kitchen, including Jamie Oliver, April Bloomfield, and Jess Shadbolt and Clare de Boer of the New York restaurants King and Jupiter. Rogers's latest project, The River Cafe Look Book (Phaidon), captures her true spirit; that of the restaurant as a whole; and that of her late husband, the Pritzker Prize–winning architect Richard Rogers, to whom the book is dedicated. A book as much about looking as eating, it encourages, in Rogers's wonderfully joyful way, engaging the full body and mind as a cook. On this episode, Rogers talks with Spencer about her journey in food and cooking; her 35 years at the helm of the River Cafe; and the rigorous culture of kindness and openness, paired with toughness, that she has built at the restaurant, both in and out of the kitchen.Special thanks to our Season 6 sponsor, L'ÉCOLE, School of Jewelry Arts.Show notes:Ruthie Rogers[03:32] The River Cafe Look Book[03:51] River Cafe 30[13:21] The River Cafe Cook Book[29:17] The River Cafe[41:53] Ruthie's Table 4
Pam sits down in an unprecedented discussion with British Vogue's Edward Enninful to discuss his new memoir, ‘A Visible Man'. They'll talk about his journey, his favorite shoots, the lessons he learned and what advice he would give his younger self today. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Vogue has been setting trends for decades, led by its legendary editor Anna Wintour, and since 2017, Edward Enninful has overseen its British counterpart. He is the first Black person and first man to hold the role. His agenda-setting, star-powered reign has attracted readers and buzz, all fueling speculation that he was gunning for Wintour's job. But in a revealing conversation with Christiane, Enninful puts the rumors to rest. He tells her how, in his words, he went from dorky immigrant to exotic model, and how he learned to stand up and stand out, making himself A Visible Man. Also on today's show: author Zarifa Ghafari; author Stacy Schiff.To learn more about how CNN protects listener privacy, visit cnn.com/privacy
After a tumultuous several weeks, Britain has a new prime minister and possibly some stability. The former chancellor Rishi Sunak takes over after the implosion of Liz Truss, who in turn took over after Boris Johnson had to resign. Sunak will be the first person of color in the post, and at 42, the youngest in two centuries. To discuss the challenges ahead, Christiane speaks with editor of The Spectator magazine Fraser Nelson, and Ayesha Hazarika, a former Labour Party adviser. Also on today's show: Clea Newman Soderlund, daughter of Paul Newman and Joanne Woodward, talks about her father's posthumous memoir Paul Newman: The Extraordinary Life of an Ordinary Man; MacArthur Fellowship winner Reuben J. Miller; Edward Enninful, Editor-in-Chief at British Vogue.To learn more about how CNN protects listener privacy, visit cnn.com/privacy
We remember British author Hilary Mantel who died Sept. 22. Mantel was best known for her trilogy of novels about Thomas Cromwell, the political fixer for Henry VIII. In 2012 she spoke with Terry Gross about her love of history. "Instead of thinking there was a wall between the living and the dead, I thought there was a very thin veil. It was almost as if they'd just gone into the next room."Also, we'll talk with Edward Enninful, editor-in-chief of British Vogue, about bringing diversity into the fashion industry. As a child, Enninful emigrated from Ghana to England. Early in his career, he was told Black women don't sell magazines. He proved that was false.Maureen Corrigan reviews Less is Lost, the follow up to Andrew Sean Greer's Pulitzer Prize-winning satirical novel Less.
Vogue Magazine's @edward_enninful is the man changing fashion from the top. He's the first black editor, and the first gay male editor of @britishvogue, and his story is incredible. From a kid growing up on a military base in Ghana who didn't even know what gay was, fleeing to London as a refugee, to becoming the most important voice in fashion, he has consistently made it his business to be the driving force behind seeing trans, queer, and diverse faces in fashion. He has now put pen to paper with his memoir ‘A Visible Man' that details the life of a trailblazer, plus a fair old sprinkling of parties with the likes of Grace Jones, Kate Moss and Naomi Campbell, wonderful tales of being a queer kid in the 90's, and we even find out what the ONE piece of advice Anna Wintour gave him that he always cherished.You can get a copy of Edward's memoir here. Hosted on Acast. See acast.com/privacy for more information.
Vogue Magazine's @edward_enninful is the man changing fashion from the top. He's the first black editor, and the first gay male editor of @britishvogue, and his story is incredible. From a kid growing up on a military base in Ghana who didn't even know what gay was, fleeing to London as a refugee, to becoming the most important voice in fashion, he has consistently made it his business to be the driving force behind seeing trans, queer, and diverse faces in fashion. He has now put pen to paper with his memoir ‘A Visible Man' that details the life of a trailblazer, plus a fair old sprinkling of parties with the likes of Grace Jones, Kate Moss and Naomi Campbell, wonderful tales of being a queer kid in the 90's, and we even find out what the ONE piece of advice Anna Wintour gave him that he always cherished.You can get a copy of Edward's memoir here. Hosted on Acast. See acast.com/privacy for more information.
Edward Enninful grew up in Ghana, assisting his seamstress mother in her dressmaking shop. "For me, fashion was always such an inclusive, beautiful thing," he says. We talk about making the fashion industry more diverse, the famous "all Black" issue of Vogue Italia, and modeling as a teen. Enninful's memoir is A Visible Man.And David Bianculli reviews Reboot on Hulu.
If Getting Curious were a magazine, this week's episode would be the “September Issue,” and this week's guest would be the cover star of our dreams. British Vogue's Editor-in-Chief Edward Enninful, OBE, joins Jonathan to discuss how he's transformed your favorite magazines over the last three decades; how he's leading the way for a more diverse, welcoming fashion world; and what it was like to get vulnerable for his new memoir A Visible Man. Edward Enninful is Editor-in-Chief of British Vogue and the European Editorial Director for Vogue. As a lifelong advocate for diverse voices, Edward spearheaded “The Black Issue” at Italian Vogue which featured only Black models. He eventually rose to become the fashion and style director of W Magazine. In 2017, Edward became editor-in-chief of British Vogue, making him the only Black person to serve in this role in the history of Vogue. Born in Ghana, he currently resides in London.You can follow Edward on Instagram and Twitter @edward_enninful. His new memoir A Visible Man is now on sale. Follow us on Instagram and Twitter @CuriousWithJVN to join the conversation. Jonathan is on Instagram and Twitter @JVN and @Jonathan.Vanness on Facebook. Transcripts for each episode are available at JonathanVanNess.com. Love listening to Getting Curious? Now, you can also watch Getting Curious—on Netflix! Head to netflix.com/gettingcurious to dive in. Our executive producer is Erica Getto. Our associate producer is Zahra Crim. Our editor is Andrew Carson. Our theme music is “Freak” by QUIÑ; for more, head to TheQuinCat.com. Getting Curious merch is available on PodSwag.com.
Ira and Louis discuss the death of Queen Elizabeth II and the reactions to it, the Emmys, Ben Savage's political bid, the Obamas new portraits, and more. Plus, Edward Enninful joins to discuss his role as British Vogue's editor-in-chief and his new memoir A Visible Man.Check out Sheryl Lee Ralph's recent Keep It Appearance here: https://crooked.com/podcast/we-dont-talk-about-favreau-w-sheryl-lee-ralph/.
Russia flirts with nuclear disaster in Ukraine, Desi Lydic dives into New York Fashion Week, and British Vogue editor-in-chief Edward Enninful discusses his memoir "A Visible Man."See omnystudio.com/listener for privacy information.
As we look towards the beginning of New York Fashion week, we sit down with someone who has been changing conceptions of what the face of fashion can look like. Edward Enninful, the first Black editor-in-chief of British Vogue, recounts his rise to that position, his childhood in Ghana and experiences as a refugee in Britain in his new memoir, A Visible Man. Enninful will be speaking tonight at the Apollo Theater at 7:30 and tomorrow at The Strand at 7:00.
Edward Enninful is the editor in chief of British Vogue, a magazine which is revered in the world of fashion. He was appointed in 2017 and became the first black man to do the job. He sits in the front row of catwalk shows from the world's biggest designers – Dolce and Gabbana, Versace and Armani. Beyonce, Rihanna and Oprah Winfrey are close friends. But despite the glitz and glamour of the circles he moves in now, he had a very humble beginning. He came to UK as a refugee from Ghana when he was 13 years old. Now he's telling his story in a new memoir - A Visible Man. His interview with Alan Kasujja contains discussion of violence that some people might find disturbing. #AfricaDaily
Oprah speaks with British Vogue editor-in-chief Edward Enniful about his new memoir A Visible Man. Edward discusses his turbulent childhood growing up in Ghana and his teen years as a new immigrant in London. He recounts his early days as a fashion director at i-D magazine, a job he landed when he was just 18. Edward opens up about his drug and alcohol addiction and the moment he hit rock bottom. He shares stories about his illustrious career including working with fashion icons Anna Wintour and André Leon Talley. He also explains how he has shaken up the status quo in the fashion industry making it more inclusive.
This week I interview quite possibly the kindest man in fashion. I love him so much - and I know you will too. Edward Enninful is a pioneer: the first Black person and the first man to edit British Vogue, one of the most powerful magazines in the world. He was born in Ghana, emigrated with his family to the UK as a teenager and worked his way up through the fashion industry from model, to stylist and beyond. His new memoir, A Visible Man, charts this extraordinary trajectory and today, on How To Fail, Edward reveals the challenges that made him who he is today: from failing at singing, to dropping out of higher education and a self-perceived failure at weight loss that takes us to the heart of the fashion industry's historic problem with diversity. This is a fascinating, open-hearted conversation. Thank you, Edward. And rush out to buy his memoir now!--A Visible Man by Edward Enninful is out now and available to buy here: https://www.waterstones.com/book/a-visible-man/edward-enninful/9781526657015--How To Fail With Elizabeth Day is hosted by Elizabeth Day, produced by Naomi Mantin and Chris Sharp. To contact us, email howtofailpod@gmail.com--Social Media:Elizabeth Day @elizabdayHow To Fail @howtofailpod Edward Enninful @edward_enninful
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