Podcast appearances and mentions of Tracey Emin

The Guilty Feminist 484. Girls' Rights Are Human Rights Presented by Deborah Frances-White and Jessica Fostekew with special guests Claire Mahon and Julia Rowland Recorded 14 May 2026 at the Museum of Comedy in London. Released 25 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Jessica Fostekew https://www.instagram.com/jessicafostekew https://www.plosive.co.uk/events/jessica-fostekew-iconic-breath-tour-2026 More about our guests https://plan-international.org/publications/strengthening-girls-rights-as-human-rights https://www.globalhumanrightsgroup.org https://www.instagram.com/cfmahon https://www.clairemahon.com For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Tracey Emin in Conversation. https://www.southbankcentre.co.uk/whats-on/the-guilty-feminist-tracey-emin-in-conversation/ Stonewall Open Space day. https://stonewall.typeform.com/to/yutQ5R5F Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Guilty Feminist 484. Girls' Rights Are Human Rights Presented by Deborah Frances-White and Jessica Fostekew with special guests Claire Mahon and Julia Rowland Recorded 14 May 2026 at the Museum of Comedy in London. Released 25 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Jessica Fostekew https://www.instagram.com/jessicafostekew https://www.plosive.co.uk/events/jessica-fostekew-iconic-breath-tour-2026 More about our guests https://plan-international.org/publications/strengthening-girls-rights-as-human-rights https://www.globalhumanrightsgroup.org https://www.instagram.com/cfmahon https://www.clairemahon.com For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Tracey Emin in Conversation. https://www.southbankcentre.co.uk/whats-on/the-guilty-feminist-tracey-emin-in-conversation/ Stonewall Open Space day. https://stonewall.typeform.com/to/yutQ5R5F Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

“This is a calling. It's bigger than anything in your life as an individual. If you found the thing that you were put on this planet to do, and a lot of people are put on this planet and they don't know, it's such a gift to find it.”Nick Grimshaw and Annie Macmanus speak to global music icon Chaka Khan about her life and career.Born Yvette Marie Stevens in the US city of Chicago in 1953, her big break came at the age of 20 when her band Rufus signed its first record deal. With her powerful vocals and striking stage presence, she quickly caught the public's attention.The band enjoyed commercial and critical success in the years that followed, before Chaka decided to go it alone around a decade later… a decision which transformed her life and career.Worldwide hits such as I'm Every Woman and I Feel For You followed, as well as collaborations with legends like Whitney Houston and Prince, multiple Grammy Awards, and an induction into the Rock ‘n' Roll Hall of Fame.As a new musical telling her story begins its run, the 73-year-old has a lot to reflect on.Thank you to the Sidetracked team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Beatles drummer Ringo Starr, Oscar-winning director Guillermo del Toro, and artist Tracey Emin. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenters: Nick Grimshaw and Annie Macmanus Producers: Ben Cooper, Gráinne Morrison and Christine Czerniec Editor: Damon RoseGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Chaka Khan. Credit: Getty)

The Guilty Feminist 483. The Epstein Files with The Nerve Presented by Deborah Frances-White and Ria Lina with special guests Carole Cadwalladr and Lucia Osborne-Crowley from The Nerve, poetry from Dan Whitlam and music from GeeJay Recorded 30 April 2026 at the Leicester Square Theatre in London. Released 18 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Ria Lina https://www.instagram.com/rialina_ https://www.patreon.com/cw/rialina https://rialina.com More about The Nerve https://www.instagram.com/the_nerve_news https://www.thenerve.news https://www.instagram.com/carole_cadwalladr More about Lucia Osborne-Crowley https://www.instagram.com/luciaoc https://luciaosbornecrowley.com https://www.waterstones.com/book/the-lasting-harm/lucia-osborne-crowley/9780008591229 More about Dan Whitlam https://www.instagram.com/danwhitlam https://www.danwhitlam.com More about GeeJay https://www.instagram.com/geejayuk https://geejay.uk https://soundcloud.com/geejayuk For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ The Guilty Feminist Meets Rose McGowan. https://www.charleston.org.uk/event/the-guilty-feminist Tracey Emin in Conversation. https://www.southbankcentre.co.uk/whats-on/the-guilty-feminist-tracey-emin-in-conversation/ Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Guilty Feminist 483. The Epstein Files with The Nerve Presented by Deborah Frances-White and Ria Lina with special guests Carole Cadwalladr and Lucia Osborne-Crowley from The Nerve, poetry from Dan Whitlam and music from GeeJay Recorded 30 April 2026 at the Leicester Square Theatre in London. Released 18 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Ria Lina https://www.instagram.com/rialina_ https://www.patreon.com/cw/rialina https://rialina.com More about The Nerve https://www.instagram.com/the_nerve_news https://www.thenerve.news https://www.instagram.com/carole_cadwalladr More about Lucia Osborne-Crowley https://www.instagram.com/luciaoc https://luciaosbornecrowley.com https://www.waterstones.com/book/the-lasting-harm/lucia-osborne-crowley/9780008591229 More about Dan Whitlam https://www.instagram.com/danwhitlam https://www.danwhitlam.com More about GeeJay https://www.instagram.com/geejayuk https://geejay.uk https://soundcloud.com/geejayuk For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ The Guilty Feminist Meets Rose McGowan. https://www.charleston.org.uk/event/the-guilty-feminist Tracey Emin in Conversation. https://www.southbankcentre.co.uk/whats-on/the-guilty-feminist-tracey-emin-in-conversation/ Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Guilty Feminist 483. Bonus Presented by Deborah Frances-White with special guest Lucia Osborne-Crowley from The Nerve Recorded 13 May 2026 via Riverside. Released 18 May. The Guilty Feminist theme composed by Mark Hodge. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White https://deborahfrances-white.com https://www.instagram.com/dfdubz https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Lucia Osborne-Crowley https://www.instagram.com/luciaoc https://luciaosbornecrowley.com https://www.waterstones.com/book/the-lasting-harm/lucia-osborne-crowley/9780008591229 For more information about this and other episodes… visit https://www.guiltyfeminist.com tweet us https://www.twitter.com/guiltfempod like our Facebook page https://www.facebook.com/guiltyfeminist check out our Instagram https://www.instagram.com/theguiltyfeminist or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show Road to Gilead at the Museum of Comedy. https://www.museumofcomedy.com/the-guilty-feminist/ The Guilty Feminist Meets Rose McGowan. https://www.charleston.org.uk/event/the-guilty-feminist Tracey Emin in Conversation. https://www.southbankcentre.co.uk/whats-on/the-guilty-feminist-tracey-emin-in-conversation/ Guilty Feminist at Ventnor Fringe. https://purchase.vfringe.co.uk/EventAvailability?EventId=37801 Edinburgh Fringe. https://tickets.gildedballoon.co.uk/event/14:6708/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of the AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Celebs are no longer monoliths, Instagram is my diary and you no longer need to buy a memoir to know the intricate details of a public figure's life. Across PR campaigns, podcast appearances and TikTok lives, influencers, musicians and actors alike push to seem authentic and relatable. With those in the public eye sharing more and more, why does the incredibly personal art still manage to shock us?In this week's episode, join hosts Ione and Gina for an extra special live episode at Tate Modern as they discuss their incredible exhibition Tracey Emin: A Second Life and explore the ways classism, ableism and sexism intersect within the work of one of Britain's most notorious artists. This episode is in partnership with Tate Collective, Tate's young people scheme for 16-25 year olds. It's completely free to sign up and gives you access to £5 tickets to see shows like Tracey Emin: A Second Life. The Tracey Emin show is open until 31st August and you can get in late to see it Friday and Saturday at 9pm, and 8pm on Sundays!Support our work and become a Polyester Podcast member

D'Tracey Emin ass wuel déi bekanntste Kënschtlerin aus Groussbritannien. An den 80er an den 90er Joren ass si mat hirer rauer, provokativer Konscht zum Superstar vun der brittescher Konscht ginn. An hirem Wierk geet et em Aarmut, Sex, Mëssbrauch, Ofdreiwung an awer och em Léift a Freet. Den Tate Modern zu London kuckt elo op hir laang Karriär zréck. D'Claire Barthelemy war fir eis kucken.

We discuss the Lauren Sanchez Bezos profile in The New York Times, the Euphoria wedding episode, the Taylor Swift x Tracey Emin x Lena Dunham nexus, and more. Hosted on Acast. See acast.com/privacy for more information.

Robert meets MEEK, an emerging singer-songwriter, producer, and multi-instrumentalist whose new EP Fabulous has become a favourite of the art world, and global queer community, since debuting in February. We discuss how art has inspired her creativity and life, including the work of Magritte, Tracey Emin and her passion for the National Portrait Gallery and visiting museums in London.We explore her devotion to artistry within her music, visuals and costumes including recent collaborations with filmmaker Sophie Muller and performance artist Theo Adams on her debut music videos, and sold out live show at the Garage.MEEK is not a work in progress. She is fully formed, earned her stripes, comes from nothing, nepo-baby baiting execution of timeless pop brilliance. While sounding directly descended from the DNA of famed countercultural misfits and bona fide pop aces, all strewn across the decades, her music is a no messing, straight shoot for the top. Georgia Meek understands that people like her only get one chance to make a first impression.Frequently, her songs will open out with a stringent big note, a walloping guitar figure, the best hook in her almanac of songwriter-ly resources. Because they have to. “I've never had the option to ask,” she says. “I've always had to take. I've always had to force my way through closed doors. That's what shapes my sound. Yes, we will start with a huge vocal note to make people turn around and listen. Yes, I will say in the studio, give me some hair-raising guitar windmills. Let's do that. You waste thirty seconds and you've lost it.”Equally, MEEK's visual aesthetic is once seen, never forgotten. She wants to reclaim dressing up for everyone, not just those that can afford to indulge in the monied whimsy of high fashion. “I have a clear visual thing for myself, which is basically prom outfits for poor people.” She's the Cinderella who flipped a finger at the Ugly Sisters, then invited them along to join in the fun, too. “It's about being absolute glam-trash and owning it. That pink tulle over a stained Adidas jacket? Throw it on. I just want it to feel like something anybody can put together themselves, a sustainable way to look fucking wild. Why not?” The best thing about MEEK? There is a point to her. She is as if the comedy queen, Daisy May Cooper stumbled into a charity shop, found a bunch of glittering second hand couture, dolled herself up shamelessly in it, injected the raw spirit of Freddie Mercury and emerged, Mr Ben style, as a fully-fledged MEGASTAR in the making out of the changing rooms, then lead a troubadour of misfits singing down the high street. There is not what you might call a shortage of self-confidence in MEEK. As she sings herself, on a calling card anthem which is sure to become the earworm of the nation once unleashed upon its airwaves: “I'm so f*cking fabulous.”This week sees MEEK performing live on numerous TV shows including Saturday Night Live UK, with Aimee Lou Wood as well as her USA TV debut with Jimmy Fallon.Follow @MustBeMeekListen to Meek's new EP Fabulous out now:https://music.apple.com/gb/artist/meek/1784432868 Hosted on Acast. See acast.com/privacy for more information.

This episode explores the bed and our rooms as sites for artistic expression + resistance

Vi bor på Carlton Club på St James's street, klubben där det nuvarande torypartiet bildades, fast lokalerna tog de över först 1940, efter en tysk bomb. Kungen fyller åttio och fick passande nog en fin Märta Måås-Fjetterström-matta. Kungen är intresserad av hantverk. Vi har sett en fantastisk utställning om Elsa Schiaparelli på Victoria & Albertmuséet. Otroliga kreationer av den första modeskaparen som verkligen gjorde konst av sitt hantverk. Ingrid Giertz-Mårtenson kommer att skriva om utställningen i Fokus, ingen kunde göra det bättre. Tracey Emin på Tate Modern inte så kul, hon är som en hispig tonårsbrud som aldrig utvecklas. Stig Strömholm har skrivit en fantastisk understreckare om 1870 års män, apropå en bok av Per Wästberg om Bo Bergman. De hade nyanserade, vuxna liv. Johan tänker på Hans L Zetterberg och hans tal om samhällets sfärer. De har blivit färre. Lite onödigt med överpriserna för att inreda Sagerska huset. En skithistoria, men lite av Konsultsverige möter resten av Sverige. Kvartals story om SOM-undersökningarna som antagligen överskattar förtroendet för Public service och delvis finansieras av Public service är bra, men problemet har varit tydligt hela tiden: förtroendet för PS växer vänsterut, sjunker högerut. Novus konstaterar att tre av fyra upplever samtalstonen inom politiken som ohövlig. Simona Mohamsson kanske inte vet så mycket, men har gott humör i motgång. Rädda våtmarkerna har skattefuskat, men de är svenska anarkister, så de böjer sig för Förvaltningsdomstolen. Oförklarlig trötthet ej oförklarlig: träna mindre. Vi gillar fortfarande våra favoritkrogar i London: The Wolseley, Mr Chow, Simpsons-in-the-Strand och så vidare. Men London har blivit mer privat. Bra att Operan i Stockholm kan renoveras och bli kvar, tack vare privata finansiärer. Blir det bensinransonering? Vi ser fram emot gengasen. Hosted on Acast. See acast.com/privacy for more information.

The queens talk about writing through sadness and grief in order to move forward and gain a different vantage point. Please Support Breaking Form!Review the show on Apple Podcasts here.Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press. James's ROMANTIC COMEDY is available from Four Way Books. Show Notes:Take a look at the Tracey Emin sculpture "My Bed." It was sold at auction by Christie's in July 2014 for £2.5 million to German collector Count Christian Duerckheim.Read Larry Levis's poem "Boy in Video Arcade"Read Dickinson's 670 ("One Need not be a Chamber to be Haunted"). For more variations she included on the fascicle, visit the Emily Dickinson Online archive at Harvard's Houghton Library here. In an interview with Melanie Brooks and published in Creative Nonfiction (Winter 2017), Mark Doty says about grief: "It was like just pushing my way up this very tall, spirally staircase. I'd write and cry and write and cry and write and cry." Read the essay here (jstor access required).

Winnie Byanyima, head of UNAids. has devoted her life to advancing human rights and equality, first in her home country Uganda, and then on the global stage: “We live in a complex world, a challenging world. I am somebody who fights for social justice and gender equality, and I continue to do so. It's maybe a tough environment, but I do not change my position. I don't alter it at all.” Part of the pro-democracy movement in Uganda, she is now a critic of the country's leadership and what she believes to be the wrongful arrest and detention of her husband Kizza Besigye. And as the leader of a global organisation charged with co-ordinating the response to HIV Aids, she is having to weigh up funding cuts, a loss of trust in the UN and increasing global conflict. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with Joy Phumaphi of the African Leaders Malaria Alliance and artist Tracey Emin. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Catherine Byaruhanga Producers: Clare Williamson and Osman Iqbal Editor: Damon Rose Get in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Images: Winnie Byanyima Credit: Fabrice Coffrini/AFP)

Rachel and Simon speak to the art historian and author Katy Hessel. While working at a London art gallery, Katy set up @thegreatwomenartists, an Instagram account dedicated to celebrating female artists, as well as "The Great Women Artists Podcast". In 2022 she published "The Story of Art without Men", which became a Sunday Times and New York Times bestseller and won Waterstones Book of the Year. (She has recently adapted it into an illustrated book for children.) In 2025 she published "How To Live An Artful Life", a collection of quotes for every day of the year, drawing on her interviews with artists including Marina Abramović, Tracey Emin and more. We spoke to Katy about falling in love with the world of museums and art history as a child, the virtues of Instagram and putting together "How To Live An Artful Life". In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  Join us on April 21st as we interview Michael Morpurgo at the Lantern Theatre in Bristol. You can get your tickets here.  We've made another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We've added 40 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New York Times, the Washington Post and the BBC. The whole compendium now runs to a whopping 160 pages. For Patreons who contribute $10/month we're now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (seven are left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a monthly call with Simon and Rachel. A new edition of “Always Take Notes: Advice From Some Of The World's Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  Learn more about your ad choices. Visit podcastchoices.com/adchoices

Season 27 @TalkArt continues with TRACEY EMIN. Hosted by @RobertDiament. An exclusive new interview recorded in Margate within Crossing Into Darkness, a group exhibition curated by Dame Tracey Emin including works by 21 international artists.Crossing Into Darkness brings together a group of artists whose works confront the darkness inherent in human experience, not as something to be feared but as a necessary threshold toward renewal. In times marked by upheaval and uncertainty, this journey feels both universal and deeply personal.Featuring works by David Altmejd, Georg Baselitz, Louise Bourgeois, Marlene Dumas, Tracey Emin, Laura Footes, Antony Gormley, Francisco Goya, Gilbert & George, Celia Hempton, Anselm Kiefer, Joline Kwakkenbos, Mark Manders, Danielle Mckinney, Lindsey Mendick, Juanita McNeely, Edvard Munch, Hermann Nitsch, Janice Nowinski, Anna Pakosz and Johnnie Shand Kydd.The title of the show is very self explanatory, especially for the times we are living in. But even so we have always had our own journeys. And I feel that we have to cross into darkness to find light. I'd like this show to be very emotionally immersive and people to feel the strength and vibrations within the works. I want people to know that art isn't just something that you look at. That it has a deeper purpose and can penetrate all souls. I love the idea of people coming to Margate on the greyest of winter days with gale force winds and crashing waves to make the pilgrimage to see the show.– Dame Tracey EminFollow @TraceyEminStudioSpecial thanks to @CarlFreedmanGalleryThis powerful group show runs until Sunday 12th April at Carl Freedman Gallery, Margate. Free entry, no booking required.Tracey Emin's major solo exhibition A Second Life runs until Sunday 31st August 2026 at Tate Modern, London. Tickets available from Tate. Hosted on Acast. See acast.com/privacy for more information.

We discuss the scandal around the heinous Vanity Fair party lighting, Mark Guiducci's interview with Puck, the enduring genius of Sharon Stone, Tracey Emin's retrospective and the dream of being painters, romanticising spin class, Devil Wears Prada 2, reading 'Mating in Captivity', & more. Hosted on Acast. See acast.com/privacy for more information.

Dame Tracey Emin burst onto the art scene in the 1990s and controversy has followed her ever since. Like in 1999, when her Turner Prize-nominated My Bed caused a media frenzy. Emin's raw, autobiographical and confessional work is very personal yet also platforms the wider female experience through its themes of abuse, sexuality, poverty, and reproductive rights.  Jen chats to Jess Baxter, assistant curator of major new exhibition Tracey Emin: A Second Life at the Tate Modern, about the artist, her work, and the expression of the female experience. Want to support us and enjoy additional content? Of course you do. And you can: patreon.com/standardissue. Learn more about your ad choices. Visit megaphone.fm/adchoices

Orit Gat takes in the new Tate Modern show from former YBA, now officially OBA, Tracey Emin; Rachel Andrews is at Cork's Make2026, with Prof Helen A. Fielding to learn which AI to love; and Patrick O'Laoghaire's Island postcard comes from a road near Clifden.

If you enjoyed Orit Gat's essay on Tracey Emin's sort-of-retrospective at Tate Modern (which you can hear in the current edition of Culture File), here is some further conversation between Orit Gat and Luke Clancy, around Emin, Autofiction, Bad Museums, Rose Wiley and Nobel Prize Winners.

Today's guest is Ruthie Rogers, the legendary chef and restaurateur behind The River Cafe in London, and she joins host Kerry Diamond to talk about her latest book, “Table 4 at The River Cafe.” Inspired by her popular podcast, “Ruthie's Table 4,” the book features conversations with the likes of Nigella Lawson, Tina Fey, Greta Gerwig, Alice Waters, Tracey Emin, and dozens of other forces from the worlds of art, music, film, and food.  Ruthie shares the story of how The River Cafe began as a humble sandwich shop and evolved into a global culinary institution, the lessons she's learned from nearly 40 years of running a restaurant, and why curiosity and kindness matter when hiring and mentoring the next generation of cooks. She also reflects on the power of food memories, what she's discovered after more than 200 podcast interviews, and why so many people talk about their grandmothers when discussing the meals that shaped them. Plus, Ruthie reveals her comfort food (spoiler: it involves tomatoes, pasta, and butter), the River Cafe dishes that will never leave the menu, and the food world hero she'd want with her on a desert island. Click here for the Rigatoni With Cavolo Nero & Olive Oil recipe from The River Cafe London. Thank you to Peter Som's “Family Style” cookbook for supporting our show.  This interview was recorded at Newsstand Studios at Rockefeller Center.  Cherry Bombe on SubstackThe Jubilee Business Owners Pass applicationOur new Mom's the Bombe issue Visit cherrybombe.com for subscriptions, tickets to upcoming events, and more. More on Ruthie: Instagram, The River Cafe, “Table 4 at The River Cafe” book More on Kerry: Instagram, “So You Want To Open A Restaurant” Substack series

“When you've been really nihilistic in your life when you're younger, and then you feel you've been given a second chance.”Emma Barnett speaks to artist Dame Tracey Emin about her life and career. Emin rose to fame in 1990s as a disruptor of the art world, with her works, such as the sculpture ‘My Bed', gaining widespread media attention. Having been at the forefront of the modern art scene for over three decades, a solo exhibition has now opened at the Tate Modern in London showcasing 40 years of her work.She's well-known for channelling her life experiences into her artwork. Following a troubled childhood, in which she was a victim of sexual abuse, Emin battled alcohol addiction throughout her adult life. However, she gave up alcohol after being diagnosed with an aggressive form of bladder cancer in 2020 - which is now in remission.Emin views the experience as a ‘second life', and believes the lifestyle change has been for the better.Thank you to the Ready to Talk with Emma Barnett team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC, including episodes with UN Secretary General Antonio Guterres, free speech campaigner Maria Ressa, and Olympic cyclist Sir Bradley Wiggins. You can listen on the BBC World Service on Mondays, Wednesdays and Fridays at 0800 GMT. Or you can listen to The Interview as a podcast, out three times a week on BBC Sounds or wherever you get your podcasts. Presenter: Emma Barnett Producers: Ben Cooper, Mark Ward and Clare Williamson Editor: Justine Lang and Damon RoseGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Tracey Emin posing beside her artwork during a preview of her upcoming show, Tracey Emin: A Second Life at The Tate Modern in London. Credit: ADRIAN DENNIS / AFP via Getty Images)

Miquita Oliver and Jordan Stephens discuss Louis Theroux's manosphere doc and the power of Tracey Emin's artThis episode contains very strong language, discussion of suicide, sexual assault and adult themes. Credits: Producer: Natalie Jamieson Technical Producer: Oliver Geraghty Assistant Producer: Caillin McDaid Production Coordinator: Rose Wilcox Executive Producer: Dino Sofos Commissioning Producer for BBC: Jake Williams Commissioners: Dylan Haskins & Lorraine Okuefuna Miss Me? is a Persephonica production for BBC Sounds

"All I wanted was time" - Tracey Emin, Strozzi Gallery DocumentaryToday I share a travel story for International Women's Day about a glorious art and life moment in Florence from 2025.  There are beautiful things that happen along the way that stay with you. I reflect on my experience and joy while walking in the Centro Storico of Florence and discovering that there was an exhibition of Tracey Emin's work on that week at the Palazzo Strozzi. It had been a long time since I had seen her work and remembered her brilliant exhibition in Sydney in the early 2000s. Today I honour Women and Art and the creative genius of Tracey Emin. I describe the effect of seeing her work in real life as "subtle and profound" and always significant. When you see Emin's work in real life you don't forget. You remember everything.These days the Palazzo Strozzi has some wonderful exhibitions - Mark Rothko opens next week and more recently there was Fra Angelico.  So make time to see what is happening at The Strozzi Gallery if you visit Firenze.And they have a nice cafe downstairs too that you can enjoy in the renaissance court yard. Enjoy, Michelle xA Florentine Cafe & Musings on Women and Art in ItalyShownotes A Writer in Italy InstagramSubstack - At My TableMichelle's BooksMusical Scores by Richard Johnston© 2026  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2026Support the show

Biesinger, Gabi www.deutschlandfunk.de, Kultur heute

The Matts answer questions from listeners, including whether or not the age of deference is dead; is Trump going flat; is Farage just like Thatcher; why doesn't NATO repel Russia; what does a deepfake of Piers Morgan say about the future; and is Tracey Emin right about museum and gallery funding? Enjoy!Produced by Matt WithersOFFER: Get The New World for just £1 for the first month. Head to https://www.thenewworld.co.uk/2matts/ Hosted on Acast. See acast.com/privacy for more information.

A 40-year career retrospective of Dame Tracey Emin's work has opened at the Tate Modern in London, featuring many of the artist's most iconic pieces, from her controversial, Turner Prize shortlisted My Bed (1998) to her neon artworks, textiles, bronze sculptures, photos, and paintings. Called A Second Life, it explores the connections and tensions between her early career and the work she's created since 2020, when she was diagnosed with cancer and underwent a huge operation. Tracey joins Anita Rani to discuss her body of work.Student midwives have contacted us to say many of them are struggling to find jobs despite a serious shortage of midwives in the NHS. A new survey from the Royal College of Midwives finds 31% of newly qualified midwives are still not employed in the role, and the majority of those who have found employment are on fixed-term contracts. Nuala McGovern hears from Safia, who is in her final year of midwifery training, and Gill Walton, Chief Executive of the Royal College of Midwives.Molly vs the Machines is a new feature-length documentary that tells the story of Ian Russell and his fight for online safety after his daughter Molly took her own life in 2017 following months of viewing content relating to self-harm and suicide on social media. Molly's friends Charlotte Campbell and Sophie Conlan tell Anita why it was important for them to take part in the film.In collaboration with our Send in the Spotlight podcast, Nuala speaks to Schools Standards Minister Georgia Gould about the government's proposed SEND reforms.Writer and actor Kyla Harris joins Clare McDonnell to discuss reframing disability with her acclaimed BBC comedy We Might Regret This, which she co-created.Presenter: Anita Rani Producer: Dianne McGregor

Following the tragic death of Koyo Kouoh last May, the details of her final project—In Minor Keys, the international exhibition of the 2026 Venice Biennale—were unveiled this week by the collaborative team that will carry through her vision for the show. Ben Luke speaks to The Art Newspaper's editor-at-large Jane Morris, about the show's themes and strands and the artist list. The Barbican Art Gallery in London has opened a new exhibition of the work of the Colombian artist Beatriz González, who died in January, aged 93. Ben takes a tour of the show with its curator, Lotte Johnson. And this episode's Work of the Week features in another major new London show: Tracey Emin: A Second Life, at Tate Modern. Our digital editor, Alexander Morrison, speaks to the outgoing director of Tate, Maria Balshaw, who has curated the Emin exhibition, about The Last of the Gold (2002), an embroidered blanket that has never been shown publicly until now.The Venice Biennale, 9 May-22 November.Beatriz González, Barbican Art Gallery, until 10 May. You can hear our interview with Doris Salcedo in which we discuss González's influence on A brush with… Doris Salcedo, wherever you get your podcasts.Tracey Emin: A Second Life, Tate Modern, London, 27 February-31 August. Hosted on Acast. See acast.com/privacy for more information.

Morse code transcription: vvv vvv Spain to check Gibraltar arrivals under post Brexit border deal Chris Mason Drama has swirled ahead of Gorton and Denton by election test Nottingham Inquiry Woman broke spine after falling from window trying to flee triple killer Is Beadnells ban the solution for villages with too many holiday homes American citizen among those killed in Cuba boat shooting, US official says How Ghislaine Maxwell brought Bill Clinton into Epsteins orbit Soham murderer Ian Huntley seriously injured in prison attack MoD launches review into whether Epstein used RAF bases Russia says it has handed over 1,000 Ukrainian soldiers bodies Tracey Emin says her artwork My Bed would be tidy, clean and boring if she made it today

Morse code transcription: vvv vvv MoD launches review into whether Epstein used RAF bases Russia says it has handed over 1,000 Ukrainian soldiers bodies How Ghislaine Maxwell brought Bill Clinton into Epsteins orbit Tracey Emin says her artwork My Bed would be tidy, clean and boring if she made it today Chris Mason Drama has swirled ahead of Gorton and Denton by election test Soham murderer Ian Huntley seriously injured in prison attack Nottingham Inquiry Woman broke spine after falling from window trying to flee triple killer Spain to check Gibraltar arrivals under post Brexit border deal American citizen among those killed in Cuba boat shooting, US official says Is Beadnells ban the solution for villages with too many holiday homes

Morse code transcription: vvv vvv Soham murderer Ian Huntley seriously injured in prison attack MoD launches review into whether Epstein used RAF bases Chris Mason Drama has swirled ahead of Gorton and Denton by election test Spain to check Gibraltar arrivals under post Brexit border deal How Ghislaine Maxwell brought Bill Clinton into Epsteins orbit Is Beadnells ban the solution for villages with too many holiday homes American citizen among those killed in Cuba boat shooting, US official says Tracey Emin says her artwork My Bed would be tidy, clean and boring if she made it today Russia says it has handed over 1,000 Ukrainian soldiers bodies Nottingham Inquiry Woman broke spine after falling from window trying to flee triple killer

Hilary Clinton testifies over the Jeffrey Epstein files - and offers no defence for her husband Bill; Assisted Dying Controversy, as 2 islands agree to legalise it; and why the artist Tracey Emin thinks her artwork 'My Bed' saved her life. Vicki Turner shares details on these stories with Africa Melane. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk5See omnystudio.com/listener for privacy information.

Morse code transcription: vvv vvv Is Beadnells ban the solution for villages with too many holiday homes Chris Mason Drama has swirled ahead of Gorton and Denton by election test MoD launches review into whether Epstein used RAF bases Spain to check Gibraltar arrivals under post Brexit border deal American citizen among those killed in Cuba boat shooting, US official says Nottingham Inquiry Woman broke spine after falling from window trying to flee triple killer Tracey Emin says her artwork My Bed would be tidy, clean and boring if she made it today Russia says it has handed over 1,000 Ukrainian soldiers bodies Soham murderer Ian Huntley seriously injured in prison attack How Ghislaine Maxwell brought Bill Clinton into Epsteins orbit

Bongani Bingwa speaks to Adam Gilchrist about assisted dying controversy, why the artist Tracey Emin thinks her artwork 'My Bed' saved her life and Hilary Clinton testifies over the Jefferey Epstine files. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

Bongani Bingwa speaks to Adam Gilchrist about assisted dying controversy, why the artist Tracey Emin thinks her artwork 'My Bed' saved her life and Hilary Clinton testifies over the Jefferey Epstine files. 702 Breakfast with Bongani Bingwa is broadcast on 702, a Johannesburg based talk radio station. Bongani makes sense of the news, interviews the key newsmakers of the day, and holds those in power to account on your behalf. The team bring you all you need to know to start your day Thank you for listening to a podcast from 702 Breakfast with Bongani Bingwa Listen live on Primedia+ weekdays from 06:00 and 09:00 (SA Time) to Breakfast with Bongani Bingwa broadcast on 702: https://buff.ly/gk3y0Kj For more from the show go to https://buff.ly/36edSLV or find all the catch-up podcasts here https://buff.ly/zEcM35T Subscribe to the 702 Daily and Weekly Newsletters https://buff.ly/v5mfetc Follow us on social media: 702 on Facebook: https://www.facebook.com/TalkRadio702 702 on TikTok: https://www.tiktok.com/@talkradio702 702 on Instagram: https://www.instagram.com/talkradio702/ 702 on X: https://x.com/Radio702 702 on YouTube: https://www.youtube.com/@radio7See omnystudio.com/listener for privacy information.

Inspired by the fate of Andrew Mountbatten-Windsor, Waldy and Bendy look at artworks of people in power who fell from grace. Also the Tracey Emin exhibition at Tate Modern.   See the show notes: https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-24-fallen-royals/  Watch on YouTube: https://youtu.be/M3pNlr0Z11A 

Art critic Louisa Buck and writer Chris Power giving their verdicts on Tracey Emin: a second life at Tate Modern. This landmark exhibition spans 40 years and includes famous works such as My Bed to recent paintings and bronzes which are on display for the first time.They will also be reviewing the Oscar nominated film Sirât - which tells the story of a father travelling the Moroccan desert with ravers in the hope of finding his missing daughter.And they discuss Bird Grove, a play which tells the story of Mary Ann Evans before she became George Eliot.Plus Tom interviews Linda Tolhurst, the National Theatre's Stage Door Keeper who is receiving the Industry Recognition Award at the Olivier Awards this year.Presenter: Tom Sutcliffe Producer: Claire Bartleet

Dame Tracey Emin is BACK on The GWA Podcast! Hailed for her paintings, videos, textiles, neons, writing, sculptures, installations, and now, her extraordinary work as an educator, raising the next generation of artists at TKE Studios in Margate, right by where we are recording today – Emin has been at the forefront of art for more than four decades. Born in Croydon, and raised in Margate with her twin brother Paul, Emin had a complex child- and teenagehood, which she details in her part-memoir, Strangeland – as well as in works such as Why I Never Became a Dancer or Mad Tracey From Margate. Officially leaving school aged 15, Emin went to Maidstone College of Art, and onto the Royal College – where she won over her interviewees with her impressive sketch book selection. In 1993, she kept a shop in Brick Lane, titled “The Shop”, which ended with a party on her 30th birthday, and that year had her first exhibition – at a then-new gallery called White Cube. On view were objects she had collected over the years – from teenage diaries to toys, paintings, drawings and unsent letters. She titled it My Major Retrospective, just in case she never had another show. However, this was just the start. Emin has since exhibited all over the world – most recently the Yale Center for British Art, where I saw her work a floor above JMW Turner, getting me to realise the painterly relationship between the two artists – despite working 250 years apart – from how Emin plays with moods akin to his stormy weathers, to how the bodies in her paintings evoke his mountainous landscapes, with vein-like rivers. As well as Palazzo Strozzi, highlighting Emin's relationship to the history and iconography in Italian art – such as life, death and the crucifixion, to the decay of the body and enlightenment through spiritual (and sexual) quests. It challenged the city's history, revealing the rawness of a woman's perspective in a culture that so rarely addressed it. Now, we meet in Margate on the occasion of the largest – and perhaps the most important – exhibition in her life so far, “A Second Life” opening at Tate Modern on 27 February, in the very city where her artistic life thrived. But it's also a show taking place after monumental personal shifts, such as her mother's passing in 2016, surviving cancer in 2020, the opening of her free studio-based art school in 2023, but also when the world couldn't be more excited for Emin. She has said of this show to be a “true celebration of living” and I can't wait to find out more…

Good morning. There was a time in the early 2000's when you could not open a paper without seeing a photo of Tracey Emin at a party, glass in hand, staring at the camera. A moving interview with her in The Guardian in connection with her major new show at Tate Modern which starts next week reveals a very different Tracey Emin. She talks about the terrible cancer she has suffered, with many of her body parts being removed, so that life now is lived with great difficulty. At the time she thought she was going to die and then ‘Whoever they are', she said to Charlotte Higgins the interviewer, glancing heavenwards, ‘they said “I don't think she is all bad. Let's give her another go, see what she can do”' So she gave up alcohol and her 50 cigarettes a day and has since then thrown herself into her art - not only her own art but helping young artists and others in her home town of Margate. As she said ‘I have spent a lot of my life being sad, nihilistic and punishing myself mentally-and drinking and smoking. And then I realised: I could have my time back again.' No wonder her new exhibition is called ‘Tracey Emin: A Second Life.' Lent, which began yesterday is a reminder that we do not have to wait until death stares us in the face to have a second life. Notwithstanding regrets and failures every day is a new gift, a new beginning, a time to focus on what really matters to us. Tracey Emin says about those earlier years in the 2000's ‘God, was that the shallowest level of myself that I could ever be?' There is a shallow side and a deeper side to all of us. That deeper side brings into focus what we really want to do with our life, what kind of person we really want to be. If you visit Liverpool's Anglican Cathedral, the largest religious building in the country, built between 1904 and 1978, it is difficult not to be overwhelmed by its immense space and monumentality. But as you enter, just above the West End Doors, there is a total contrast-a permanent pink neon installation with the words ‘I felt you and I knew you loved me' written in Tracey Emin's own hand. Tracey Emin burst on the scene in 1988 with a work of art consisting of her unmade bed surrounded by condoms, blood and general detritus and people still associate her with this. But I like to think of her devoting herself to making new art and helping others in Margate, and that simple, pink neon installation in Liverpool Cathedral with its words ‘I felt you and I knew you loved me.'

Colorectal cancer (cancer of the colon and rectum) is now the leading cause of cancer deaths in adults younger than 50. Rates have increased steadily over the past three decades, with the most dramatic rise seen in people in their 20s and 30s. In this episode we break down what that means for you and the people you love.  https://bit.ly/3OpPlk8Early colorectal cancer often has no symptoms at all, which is why screening guidelines were recently lowered to begin at age 45. When caught early, the five-year survival rate is 91%. When detected after it has spread, survival drops dramatically.We discuss:Why colorectal cancer is increasing in younger adultsThe subtle symptoms many people ignoreHow blood clots can complicate cancerLifestyle factors linked to riskWhy early-onset colorectal cancer tends to be more aggressiveHow to advocate for yourself if something feels “off”If you notice blood in your stool, persistent abdominal pain, changes in bowel habits, unexplained weight loss, or fatigue from anemia — do not dismiss it. Speak up. Get evaluated. Early detection can save your life.In this Episode:0:00 – Intro: Colorectal Cancer Cancer in Young Adults02:35 – Recipe: Yummy Ham & Pickle Rollups02:50 – “André Is An Idiot”: André Ricciardi's Terminal Creative Legacy 05:38 – Celebrity Case Studies: James Van Der Beek & Catherine O'Hara14:32 – Super Bowl Ad Alert: Multi-Cancer Tests & False Negatives16:54 – The Reality Check: Lifestyle Risks & Charlie's Personal Disclosure30:44 – Tracey Emin: Reclaiming Life After Radical Pelvic Surgery34:00 – Outro#ColorectalCancer #AndréRicciardi #TraceyEmin #JamesVanDerBeek #CatherineOHara #ColonCancer #CancerScreening #EarlyDetection #YoungAdultsHealth #CancerAwareness #PreventCancer #EveryoneDiesPodcast #KnowTheSigns #AdvocateForYourHealth Support the showGet show notes, images and resources at our website: every1dies.org. Facebook | Instagram | YouTube | mail@every1dies.org

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. This programme contains distressing details.Our guest is Bárbara Fernández Melleda, Assistant Professor in Latin American Studies at the University of Hong Kong.We start with Chilean author Isabel Allende on her debut novel, The House of the Spirits, in 1982 which reflects Chile's 20th century history.Then, we hear the memories of a soldier injured in the Battle of Gallipoli.The recollections of a mother who lost both her daughters in a crowd crush at Hillsborough stadium in 1989 - the UK's worst sporting disaster.How a British artist's unmade bed was nominated for a prestigious art prize in 1999.Next the swimsuit made ahead of the Beijing Olympic games in 2008 that was so good it had to be banned.Finally, we learn about the world's longest running animated TV series that began in 1969.Contributors:Isabel Allende - a Chilean author.Rupert Westmacott - a soldier (from archive).Jenni Hicks - a mother who lost her two daughters in the Hillsborough tragedy.Dame Tracey Emin - an artist.Jason Rance - former head of Speedo's global research and development team.Sunishi Yukimuro - an animated cartoon writer.(Image: Chilean author Isabel Allende. Credit: Felipe Amilibia/AFP via Getty Images)

In the final episode of the 2025 Frieze Masters Podcast, artist Antony Gormley and curator Arturo Galansino discuss how sculpture can help us reconnect with our bodies and the world around us. Gormley asks, 'how can we make it about feeling and collective futures – rather than particularly powerful individuals?' 'How can we make it intimate again?' Sir Antony Gormley CH OBE RA is a British sculptor. His works include the Angel of the North (1998), a public sculpture in Gateshead, UK. He is joined by Arturo Galansino, art historian, curator, director general of the Palazzo Strozzi Foundation in Florence and this year's curator of the Frieze Masters Talks programme. Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. To keep up to date on all the latest news from Frieze, sign up to our newsletter at frieze.com, and follow @friezeofficial on Instagram, Twitter and Frieze Official on Facebook.

In 1999, Dame Tracey Emin's unmade bed was nominated for Britain's prestigious Turner art prize opening up conversations about how we define art.The installation titled, My Bed, was Dame Tracey's bed surrounded by empty bottles and detritus.Dame Tracey said: “It's like a time capsule of a woman from the '90s.”After eventually losing out on the Turner prize, she sold her piece for $200,000. She says: “The bed itself has become a national treasure of sorts”.Natasha Fernandes uses Dame Tracey's 2024 interview with BBC 100 Women to tell the story of her famous artwork.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Tracey Emin sat next to her unmade bed in 2014. Credit: Niklas Halle'n/AFP via Getty Images)

'Every time you put a mark on a painting and you can't take it off, you are running the risk of destroying the painting,' says artist Glenn Brown. 'But that's what makes it exciting to paint.'  In the sixth episode of the Frieze Masters Podcast 2025, British artist Glenn Brown – who has pioneered the use of visual appropriation in his work – and curator Arturo Galansino discuss the jeopardy and excitement of mark-making, and what it means to collect, display and distort the work of old masters.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  About the speakers  Glenn Brown CBE is a British contemporary artist known for the use of appropriation in his paintings. His solo presentation was also a highlight of the Studio section at Frieze Masters 2025. He is joined by Arturo Galansino, art historian, curator, director general of the Palazzo Strozzi Foundation in Florence and this year's curator of the Frieze Masters Talks programme.  About the Frieze Masters Podcast  The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence).    Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways.   Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple.  Listen now on Spotify and Apple Podcasts.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  Image credit: detail, Glenn Brown, Rabbit Hole, 2025. Acrylic and India ink on panel, 30 x 20 inches (76.2 x 50.6 cm). Framed: 40 x 29 3/4 x 2 inches (101.4 x 75.4 x 5 cm © Glenn Brown, Photo: The Brown Collection, Courtesy the artist and Gagosian 

Is fashion art? Curators Émilie Hammen, Elizabeth Way and Arturo Galansino discuss the overlapping histories of fashion and art, and how contemporary designers are reconfiguring fashion's place in culture.   'Art, going back to the Renaissance, is emotional. It's intellectual, is apart from the body even as they paint are painting real life.' says Way. 'The Pre-Raphaelites and the arts and crafts movement took high art down from the wall and put it on the body, in their homes, in their lives.'  The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  About the speakers  Émilie Hammen is a fashion historian and director of Palais Galliera, Paris. Elizabeth Way is a writer and curator at the Museum of Fashion, Institute of Technology, New York. They are joined by their host Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme.  About the Frieze Masters Podcast  The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence).    Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways.   Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple.  Listen now on Spotify and Apple Podcasts.   The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.  Image: Issey Miyake for Pleats Please and Yasumasa Morimura, Guest Artists Series No. 1 printed polyester dress, fall 1996, japan. Gift of Issey Miyake, Pleats Please Issey Miyake, Guest Artist Series 1, Yasumasa Morimura On Pleats Please ©The Museum at FIT 

What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Australia's under-16 social media ban comes into force soon. From 10th December, platforms must take 'reasonable steps' to stop under-16s from opening accounts and remove accounts that already belong to them. Companies who fail to comply could face fines of up to £25m. BBC Sydney Correspondent Katy Watson has been talking to teenagers in the state of Victoria. She explains how we got here and updates us on a new legal action being brought to challenge the ban.Ever wondered what your bottom says about your health? A new study of over 60,000 people reveals that subtle changes in the shape of your buttock muscles can reveal when people are heading towards type two diabetes. The study was carried out by the University of Westminster. Louise Thomas, Professor of Metabolic Imaging who is the senior author of the study, joins us alongside personal trainer Jacqueline Hooton.We talk to the author of a review of how the justice system treats girls. They can no longer be sent to Young Offenders Institutes as a result of Susannah Hancock's recommendations, but she says there is still plenty of work to be done and much of the remaining custodial accommodation needs improvement. Pippa Goodfellow, Deputy Director of Policy, Communications and Strategy at the National Children's Bureau, who will serve on the government's new advisory board on these matters, also joins us.A new exhibition, ‘Learning to See,' by the abstract artist Bridget Riley has opened at Turner Contemporary in Margate. There are 26 of her most recent works on show - large canvases, studies and works painted directly on the wall. To talk about Bridget's life so far and the significance of her work, Nuala McGovern is joined by artist Dame Tracey Emin, Melissa Blanchflower, senior curator of the exhibition and Dr Frances Follin, author of Embodied Visions: Bridget Riley, Op Art and The Sixties.Presenter: Nuala McGovern Procuer: Simon Richardson

We meet Katy Hessel to discuss her incredible new book How To Live An Artful Life. The year ahead is a gift that has been given to you. What might you do with it?Dive into the year with the wisdom of artists. Gathered from interviews, personal conversations, books and talks, How to Live an Artful Life moves through the months of the year offering you thoughts, reflections and encouragements from artists such as Marina Abramovic, Nan Goldin, Lubaina Himid, Louise Bourgeois and many more.With a thought for every day of the year, whether looking for beginnings in January, freedom in summer, or transformation as the nights draw in, this is a book of words to cherish. The year is full of the promise of work that has yet to be written, paintings that are yet to be painted, people who have yet to meet, talk, or fall in love. With this book in hand, pay attention, and see the world anew. Go out and find it, taste it, seize it, and live it – artfully.Katy Hessel is an art historian and the author of The Story of Art without Men, the international bestseller and Waterstones Book of the Year 2022. She runs @thegreatwomenartists on Instagram, hosts The Great Women Artists Podcast, interviewing artists such as Tracey Emin and Marina Abramovic, and is a columnist for the Guardian. Hessel is a Visiting Fellow at Cambridge University and a Trustee of Charleston. In 2024, she launched Museums Without Men, an audio series highlighting works by women artists in museum collections worldwide, such as The Met and Tate Britain.Follow @Katy.Hessel on Instagram. Hosted on Acast. See acast.com/privacy for more information.

We meet Rose Blake an illustrator and artist making drawings and pictures in London who has just illustrated Russell & Robert's first children'sbook Art School (In A Book). Rose Blake studied at Kingston University and the Royal College of Art. She was awarded the D&AD Best New Blood Award and was shortlisted for the AOI prize and The World Illustration Awards. She shows with the Rebecca Hossack Gallery, and has had two solo show there; ‘Now I Am An Artist' in 2015 and ‘Sing Swim Ok Moon' in 2018. She is a Visiting Lecturer at Kingston University on the Illustration and Animation BA.Art School (In A Book) is out on Thursday 23rd October 2025. Pre-order now from Amazon, Waterstone's and Bookshop.orgAn exciting introduction to the world of contemporary art for young creatives from the makers of hit podcast Talk Art, actor Russell Tovey and gallerist Robert Diament.Do you love art and want to know more but don't know where to start? Introducing Art School (in a book), a virtual gallery where you can see the most exciting contemporary artists of today, as well as some of the greatest from the twentieth century, including Henri Matisse, Jean-Michel Basquiat and Frida Kahlo.And who are the visionaries, the icons, the ones to watch now? With works by Tracey Emin, Antony Gormley, and David Hockney, study the art of 20 key artists working today, find out what inspires them, how they work and the meaning behind their art.With Russell and Robert as your guides you will also discover the artist within you, with tips on new ways of seeing and reacting to the world around you and guidance on how you can develop your own creativity.Buy Art School from Waterstone's: https://www.waterstones.com/book/art-school-in-a-book/russell-tovey/robert-diament/9781510231412Follow @IAmRoseBlake on Instagram. Hosted on Acast. See acast.com/privacy for more information.