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26 episodes with Tracey Emin
10 episodes with Tracey Emin
9 episodes with Tracey Emin
4 episodes with Tracey Emin
3 episodes with Tracey Emin
3 episodes with Tracey Emin
3 episodes with Tracey Emin
3 episodes with Tracey Emin
3 episodes with Tracey Emin
A 40-year career retrospective of Dame Tracey Emin's work has opened at the Tate Modern in London, featuring many of the artist's most iconic pieces, from her controversial, Turner Prize shortlisted My Bed (1998) to her neon artworks, textiles, bronze sculptures, photos, and paintings. Called A Second Life, it explores the connections and tensions between her early career and the work she's created since 2020, when she was diagnosed with cancer and underwent a huge operation. Tracey joins Anita Rani to discuss her body of work.Student midwives have contacted us to say many of them are struggling to find jobs despite a serious shortage of midwives in the NHS. A new survey from the Royal College of Midwives finds 31% of newly qualified midwives are still not employed in the role, and the majority of those who have found employment are on fixed-term contracts. Nuala McGovern hears from Safia, who is in her final year of midwifery training, and Gill Walton, Chief Executive of the Royal College of Midwives.Molly vs the Machines is a new feature-length documentary that tells the story of Ian Russell and his fight for online safety after his daughter Molly took her own life in 2017 following months of viewing content relating to self-harm and suicide on social media. Molly's friends Charlotte Campbell and Sophie Conlan tell Anita why it was important for them to take part in the film.In collaboration with our Send in the Spotlight podcast, Nuala speaks to Schools Standards Minister Georgia Gould about the government's proposed SEND reforms.Writer and actor Kyla Harris joins Clare McDonnell to discuss reframing disability with her acclaimed BBC comedy We Might Regret This, which she co-created.Presenter: Anita Rani Producer: Dianne McGregor
Following the tragic death of Koyo Kouoh last May, the details of her final project—In Minor Keys, the international exhibition of the 2026 Venice Biennale—were unveiled this week by the collaborative team that will carry through her vision for the show. Ben Luke speaks to The Art Newspaper's editor-at-large Jane Morris, about the show's themes and strands and the artist list. The Barbican Art Gallery in London has opened a new exhibition of the work of the Colombian artist Beatriz González, who died in January, aged 93. Ben takes a tour of the show with its curator, Lotte Johnson. And this episode's Work of the Week features in another major new London show: Tracey Emin: A Second Life, at Tate Modern. Our digital editor, Alexander Morrison, speaks to the outgoing director of Tate, Maria Balshaw, who has curated the Emin exhibition, about The Last of the Gold (2002), an embroidered blanket that has never been shown publicly until now.The Venice Biennale, 9 May-22 November.Beatriz González, Barbican Art Gallery, until 10 May. You can hear our interview with Doris Salcedo in which we discuss González's influence on A brush with… Doris Salcedo, wherever you get your podcasts.Tracey Emin: A Second Life, Tate Modern, London, 27 February-31 August. Hosted on Acast. See acast.com/privacy for more information.
Morse code transcription: vvv vvv Spain to check Gibraltar arrivals under post Brexit border deal Chris Mason Drama has swirled ahead of Gorton and Denton by election test Nottingham Inquiry Woman broke spine after falling from window trying to flee triple killer Is Beadnells ban the solution for villages with too many holiday homes American citizen among those killed in Cuba boat shooting, US official says How Ghislaine Maxwell brought Bill Clinton into Epsteins orbit Soham murderer Ian Huntley seriously injured in prison attack MoD launches review into whether Epstein used RAF bases Russia says it has handed over 1,000 Ukrainian soldiers bodies Tracey Emin says her artwork My Bed would be tidy, clean and boring if she made it today
Inspired by the fate of Andrew Mountbatten-Windsor, Waldy and Bendy look at artworks of people in power who fell from grace. Also the Tracey Emin exhibition at Tate Modern. See the show notes: https://zczfilms.com/podcasts/waldy-bendy/season-5-episode-24-fallen-royals/ Watch on YouTube: https://youtu.be/M3pNlr0Z11A
Art critic Louisa Buck and writer Chris Power giving their verdicts on Tracey Emin: a second life at Tate Modern. This landmark exhibition spans 40 years and includes famous works such as My Bed to recent paintings and bronzes which are on display for the first time.They will also be reviewing the Oscar nominated film Sirât - which tells the story of a father travelling the Moroccan desert with ravers in the hope of finding his missing daughter.And they discuss Bird Grove, a play which tells the story of Mary Ann Evans before she became George Eliot.Plus Tom interviews Linda Tolhurst, the National Theatre's Stage Door Keeper who is receiving the Industry Recognition Award at the Olivier Awards this year.Presenter: Tom Sutcliffe Producer: Claire Bartleet
Dame Tracey Emin is BACK on The GWA Podcast! Hailed for her paintings, videos, textiles, neons, writing, sculptures, installations, and now, her extraordinary work as an educator, raising the next generation of artists at TKE Studios in Margate, right by where we are recording today – Emin has been at the forefront of art for more than four decades. Born in Croydon, and raised in Margate with her twin brother Paul, Emin had a complex child- and teenagehood, which she details in her part-memoir, Strangeland – as well as in works such as Why I Never Became a Dancer or Mad Tracey From Margate. Officially leaving school aged 15, Emin went to Maidstone College of Art, and onto the Royal College – where she won over her interviewees with her impressive sketch book selection. In 1993, she kept a shop in Brick Lane, titled “The Shop”, which ended with a party on her 30th birthday, and that year had her first exhibition – at a then-new gallery called White Cube. On view were objects she had collected over the years – from teenage diaries to toys, paintings, drawings and unsent letters. She titled it My Major Retrospective, just in case she never had another show. However, this was just the start. Emin has since exhibited all over the world – most recently the Yale Center for British Art, where I saw her work a floor above JMW Turner, getting me to realise the painterly relationship between the two artists – despite working 250 years apart – from how Emin plays with moods akin to his stormy weathers, to how the bodies in her paintings evoke his mountainous landscapes, with vein-like rivers. As well as Palazzo Strozzi, highlighting Emin's relationship to the history and iconography in Italian art – such as life, death and the crucifixion, to the decay of the body and enlightenment through spiritual (and sexual) quests. It challenged the city's history, revealing the rawness of a woman's perspective in a culture that so rarely addressed it. Now, we meet in Margate on the occasion of the largest – and perhaps the most important – exhibition in her life so far, “A Second Life” opening at Tate Modern on 27 February, in the very city where her artistic life thrived. But it's also a show taking place after monumental personal shifts, such as her mother's passing in 2016, surviving cancer in 2020, the opening of her free studio-based art school in 2023, but also when the world couldn't be more excited for Emin. She has said of this show to be a “true celebration of living” and I can't wait to find out more…
Good morning. There was a time in the early 2000's when you could not open a paper without seeing a photo of Tracey Emin at a party, glass in hand, staring at the camera. A moving interview with her in The Guardian in connection with her major new show at Tate Modern which starts next week reveals a very different Tracey Emin. She talks about the terrible cancer she has suffered, with many of her body parts being removed, so that life now is lived with great difficulty. At the time she thought she was going to die and then ‘Whoever they are', she said to Charlotte Higgins the interviewer, glancing heavenwards, ‘they said “I don't think she is all bad. Let's give her another go, see what she can do”' So she gave up alcohol and her 50 cigarettes a day and has since then thrown herself into her art - not only her own art but helping young artists and others in her home town of Margate. As she said ‘I have spent a lot of my life being sad, nihilistic and punishing myself mentally-and drinking and smoking. And then I realised: I could have my time back again.' No wonder her new exhibition is called ‘Tracey Emin: A Second Life.' Lent, which began yesterday is a reminder that we do not have to wait until death stares us in the face to have a second life. Notwithstanding regrets and failures every day is a new gift, a new beginning, a time to focus on what really matters to us. Tracey Emin says about those earlier years in the 2000's ‘God, was that the shallowest level of myself that I could ever be?' There is a shallow side and a deeper side to all of us. That deeper side brings into focus what we really want to do with our life, what kind of person we really want to be. If you visit Liverpool's Anglican Cathedral, the largest religious building in the country, built between 1904 and 1978, it is difficult not to be overwhelmed by its immense space and monumentality. But as you enter, just above the West End Doors, there is a total contrast-a permanent pink neon installation with the words ‘I felt you and I knew you loved me' written in Tracey Emin's own hand. Tracey Emin burst on the scene in 1988 with a work of art consisting of her unmade bed surrounded by condoms, blood and general detritus and people still associate her with this. But I like to think of her devoting herself to making new art and helping others in Margate, and that simple, pink neon installation in Liverpool Cathedral with its words ‘I felt you and I knew you loved me.'
Colorectal cancer (cancer of the colon and rectum) is now the leading cause of cancer deaths in adults younger than 50. Rates have increased steadily over the past three decades, with the most dramatic rise seen in people in their 20s and 30s. In this episode we break down what that means for you and the people you love. https://bit.ly/3OpPlk8Early colorectal cancer often has no symptoms at all, which is why screening guidelines were recently lowered to begin at age 45. When caught early, the five-year survival rate is 91%. When detected after it has spread, survival drops dramatically.We discuss:Why colorectal cancer is increasing in younger adultsThe subtle symptoms many people ignoreHow blood clots can complicate cancerLifestyle factors linked to riskWhy early-onset colorectal cancer tends to be more aggressiveHow to advocate for yourself if something feels “off”If you notice blood in your stool, persistent abdominal pain, changes in bowel habits, unexplained weight loss, or fatigue from anemia — do not dismiss it. Speak up. Get evaluated. Early detection can save your life.In this Episode:0:00 – Intro: Colorectal Cancer Cancer in Young Adults02:35 – Recipe: Yummy Ham & Pickle Rollups02:50 – “André Is An Idiot”: André Ricciardi's Terminal Creative Legacy 05:38 – Celebrity Case Studies: James Van Der Beek & Catherine O'Hara14:32 – Super Bowl Ad Alert: Multi-Cancer Tests & False Negatives16:54 – The Reality Check: Lifestyle Risks & Charlie's Personal Disclosure30:44 – Tracey Emin: Reclaiming Life After Radical Pelvic Surgery34:00 – Outro#ColorectalCancer #AndréRicciardi #TraceyEmin #JamesVanDerBeek #CatherineOHara #ColonCancer #CancerScreening #EarlyDetection #YoungAdultsHealth #CancerAwareness #PreventCancer #EveryoneDiesPodcast #KnowTheSigns #AdvocateForYourHealth Support the showGet show notes, images and resources at our website: every1dies.org. Facebook | Instagram | YouTube | mail@every1dies.org
Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service. This programme contains distressing details.Our guest is Bárbara Fernández Melleda, Assistant Professor in Latin American Studies at the University of Hong Kong.We start with Chilean author Isabel Allende on her debut novel, The House of the Spirits, in 1982 which reflects Chile's 20th century history.Then, we hear the memories of a soldier injured in the Battle of Gallipoli.The recollections of a mother who lost both her daughters in a crowd crush at Hillsborough stadium in 1989 - the UK's worst sporting disaster.How a British artist's unmade bed was nominated for a prestigious art prize in 1999.Next the swimsuit made ahead of the Beijing Olympic games in 2008 that was so good it had to be banned.Finally, we learn about the world's longest running animated TV series that began in 1969.Contributors:Isabel Allende - a Chilean author.Rupert Westmacott - a soldier (from archive).Jenni Hicks - a mother who lost her two daughters in the Hillsborough tragedy.Dame Tracey Emin - an artist.Jason Rance - former head of Speedo's global research and development team.Sunishi Yukimuro - an animated cartoon writer.(Image: Chilean author Isabel Allende. Credit: Felipe Amilibia/AFP via Getty Images)
In the final episode of the 2025 Frieze Masters Podcast, artist Antony Gormley and curator Arturo Galansino discuss how sculpture can help us reconnect with our bodies and the world around us. Gormley asks, 'how can we make it about feeling and collective futures – rather than particularly powerful individuals?' 'How can we make it intimate again?' Sir Antony Gormley CH OBE RA is a British sculptor. His works include the Angel of the North (1998), a public sculpture in Gateshead, UK. He is joined by Arturo Galansino, art historian, curator, director general of the Palazzo Strozzi Foundation in Florence and this year's curator of the Frieze Masters Talks programme. Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. To keep up to date on all the latest news from Frieze, sign up to our newsletter at frieze.com, and follow @friezeofficial on Instagram, Twitter and Frieze Official on Facebook.
In 1999, Dame Tracey Emin's unmade bed was nominated for Britain's prestigious Turner art prize opening up conversations about how we define art.The installation titled, My Bed, was Dame Tracey's bed surrounded by empty bottles and detritus.Dame Tracey said: “It's like a time capsule of a woman from the '90s.”After eventually losing out on the Turner prize, she sold her piece for $200,000. She says: “The bed itself has become a national treasure of sorts”.Natasha Fernandes uses Dame Tracey's 2024 interview with BBC 100 Women to tell the story of her famous artwork.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Tracey Emin sat next to her unmade bed in 2014. Credit: Niklas Halle'n/AFP via Getty Images)
'Every time you put a mark on a painting and you can't take it off, you are running the risk of destroying the painting,' says artist Glenn Brown. 'But that's what makes it exciting to paint.' In the sixth episode of the Frieze Masters Podcast 2025, British artist Glenn Brown – who has pioneered the use of visual appropriation in his work – and curator Arturo Galansino discuss the jeopardy and excitement of mark-making, and what it means to collect, display and distort the work of old masters. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. About the speakers Glenn Brown CBE is a British contemporary artist known for the use of appropriation in his paintings. His solo presentation was also a highlight of the Studio section at Frieze Masters 2025. He is joined by Arturo Galansino, art historian, curator, director general of the Palazzo Strozzi Foundation in Florence and this year's curator of the Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. Listen now on Spotify and Apple Podcasts. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. Image credit: detail, Glenn Brown, Rabbit Hole, 2025. Acrylic and India ink on panel, 30 x 20 inches (76.2 x 50.6 cm). Framed: 40 x 29 3/4 x 2 inches (101.4 x 75.4 x 5 cm © Glenn Brown, Photo: The Brown Collection, Courtesy the artist and Gagosian
Is fashion art? Curators Émilie Hammen, Elizabeth Way and Arturo Galansino discuss the overlapping histories of fashion and art, and how contemporary designers are reconfiguring fashion's place in culture. 'Art, going back to the Renaissance, is emotional. It's intellectual, is apart from the body even as they paint are painting real life.' says Way. 'The Pre-Raphaelites and the arts and crafts movement took high art down from the wall and put it on the body, in their homes, in their lives.' The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. About the speakers Émilie Hammen is a fashion historian and director of Palais Galliera, Paris. Elizabeth Way is a writer and curator at the Museum of Fashion, Institute of Technology, New York. They are joined by their host Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. Listen now on Spotify and Apple Podcasts. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. Image: Issey Miyake for Pleats Please and Yasumasa Morimura, Guest Artists Series No. 1 printed polyester dress, fall 1996, japan. Gift of Issey Miyake, Pleats Please Issey Miyake, Guest Artist Series 1, Yasumasa Morimura On Pleats Please ©The Museum at FIT
'Bahadur Shah Zafar writes poetry in six different languages and through the sheer brilliance of his example, he provokes this last great renaissance in Delhi.' – William Darymple In the fourth episode of the Frieze Masters Podcast 2025, writer and broadcaster William Dalrymple discusses the art, poetry and politics of the last Mughals with curator Arturo Galansino. Together, they uncover the lesser-known histories of one of the defining chapters in the history of the Indian subcontinent – challenging colonial narratives and exploring what survives of the Mughals' legacy today. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. About the speakers William Dalrymple is a historian, broadcaster and writer. He is joined by Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. Listen now on Spotify and Apple Podcasts. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. Image credit: Ghulam Murtaza Khan, Akbar II in darbar with the British Resident Charles Metcalfe, ca. 1811-15. Cincinnati Art Museum, The William T. and Louise Taft Semple Collection, 1962.458
The Image of the Black archive at The Warburg Institute comprises more than 30,000 images documenting representations of people of African descent from antiquity to the civil rights era. In 2025, images from this collection were shown in public for the first time as part of 'Black Atlas', an exhibition and moving-image essay directed by Edward George and produced by Matthew Harle – Arturo Galansino's guests on the third episode of the Frieze Masters Podcast 2025. Together, they discuss the legacy of Black imagery and its ability to reveal more than the creator's intention. The archive has its 'an infinite potential because of its unfinishedness,' says Harle, 'it has its own energy.' 'Black Atlas' is on view at The Warburg Institute, London, 10 October 2025 – 17 January 2026 About the speakers Edward George is a writer, broadcaster and the founder of Black Audio Film Collective. Matthew Harle is a writer, curator and The Warburg Institute's curator of artistic programmes. They are joined by their host Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. Listen now on Spotify and Apple Podcasts. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
What's the word ‘punk' come to mean 50 years later? It's been adopted by the very people it sought to unsettle. Chris Sullivan – DJ, club runner, lecturer, former band-leader – arrived in London just as it kicked off and looks back at a time when everything was a challenge, no-one apologised, outsiders linked up and fought for recognition, and pop culture could change overnight. We talk to him here about ‘Punk: the Last Word' which traces its roots from Socrates to Soho, touching on… … does ‘punk' now mean conformity? … is pop music still allowed to be outrageous? … Socrates, Rimbaud, Lee Miller, the Warhol superstars: 2,000 years of people who embody the punk philosophy … how the clothes often precede the music … the 1975 pre-Pistols world – “people dressing as teddy boys, Marilyn Monroe, Cary Grant, records by Patti Smith, the Velvets, MC5” … the days when you were attacked for dressing up, in his case by the Newport Rugby team and a guy with a starting handle at a service station ... new punk equivalents emerging in 2025 … how the spirit of punk gave people a drive and identity – Tracey Emin, Damien Hirst, Jonathan Ross, John Galliano … “I threw a policeman through a plate-glass window” Order ‘Punk: the Last Word' here: https://www.waterstones.com/book/punk/stephen-colegrave/chris-sullivan/9781915841254Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.
When Mark Rothko visited Fra Angelico's frescoes at the convent of San Marco in Florence, he was 'overwhelmed,' recounts his son, the psychologist and writer Christopher Rothko. 'That's what he wanted for his viewer,' says Rothko, 'to look at his artwork as sources of inspiration, spirituality and contemplation.' In the second episode of the Frieze Masters Podcast 2025, Christopher Rothko is in conversation with curator and art historian Carl Strehlke and Arturo Galansino, director general of Palazzo Strozzi, to discuss the affinity between Rothko's abstract expressionism and the Italian renaissance, ahead of a landmark show of Rothko's work in Florence in 2026. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill 'Rothko in Florence' is on view at Fondazione Palazzo Strozzi, Florence, 14 March – 26 July 2026 About the speakers Christopher Rothko is a writer, psychologist and son of artist Mark Rothko. He has written extensively on his father's legacy. Carl Strehlke is an art historian and curator of the Philadelphia Museum of Art. They are joined by their host Arturo Galansino, art historian, curator, director general of the Fondazione Palazzo Strozzi in Florence and this year's curator of the Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of Fondazione Palazzo Strozzi in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. Further Information To keep up to date on all the latest news from Frieze, sign up to our newsletter at frieze.com, and follow @friezeofficial on Instagram, Twitter and Frieze Official on Facebook.
'My discovery of early Renaissance art was completely by accident in the National Gallery, by just walking down a few more stairs...I'd stay there for about an hour, and then I would come out, I'd close my eyes, and as I pushed the doors, I would imagine my paintings'. –Tracey Emin In the first episode of the 2025 Frieze Masters Podcast, artist Tracey Emin, Nicholas Cullinan (director, British Museum), and their host Arturo Galansino (Director General, Fondazione Palazzo Strozzi) discuss their early experiences and evolving relationships within the arts, delving into topics such as intimacy and feelings of safety in the context of an institution, overcoming class struggle and illness, and speaking the truth. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill. Full transcript available at frieze.com Dame Tracey Emin OBE is one of the most important contemporary artists of her generation, known for her autobiographical and confessional work. Nicholas Cullinan OBE, art historian and curator has been the Director of the British Museum since 2024, and prior to that was appointed the 12th Director of the National Portrait Gallery from 2015. They are joined by their host Arturo Galansino - art historian, curator, and Director General of the Fondazione Palazzo Strozzi in Florence, and the curator of this year's Frieze Masters Talks programme. About the Frieze Masters Podcast The Frieze Masters Podcast is back for 2025, bringing you seven conversations across art history curated by Arturo Galansino (Director General of the Palazzo Strozzi Foundation in Florence). Entitled 'Woven Histories' and recorded live at Frieze Masters 2025, this year's series features artists, curators and thinkers, whose conversations weave together geographies and chronologies, and challenge us to look at history in new and unexpected ways. Topics range from the evolving relationship between fashion and art to the role of the archive in Black history, the last Mughals and their cultural influence in India and the enduring inspiration of the old masters and renaissance art on contemporary making. Speakers include artists Tracey Emin, Glenn Brown and Antony Gormley, museum directors and curators Nicholas Cullinan, Émilie Hammen, Elizabeth Way and Carl Strehlke, and writers Edward George, Matthew Harle, Christopher Rothko and William Dalrymple. The Frieze Masters Talks programme and the Frieze Masters Podcast are brought to you by Frieze in collaboration with dunhill.
Australia's under-16 social media ban comes into force soon. From 10th December, platforms must take 'reasonable steps' to stop under-16s from opening accounts and remove accounts that already belong to them. Companies who fail to comply could face fines of up to £25m. BBC Sydney Correspondent Katy Watson has been talking to teenagers in the state of Victoria. She explains how we got here and updates us on a new legal action being brought to challenge the ban.Ever wondered what your bottom says about your health? A new study of over 60,000 people reveals that subtle changes in the shape of your buttock muscles can reveal when people are heading towards type two diabetes. The study was carried out by the University of Westminster. Louise Thomas, Professor of Metabolic Imaging who is the senior author of the study, joins us alongside personal trainer Jacqueline Hooton.We talk to the author of a review of how the justice system treats girls. They can no longer be sent to Young Offenders Institutes as a result of Susannah Hancock's recommendations, but she says there is still plenty of work to be done and much of the remaining custodial accommodation needs improvement. Pippa Goodfellow, Deputy Director of Policy, Communications and Strategy at the National Children's Bureau, who will serve on the government's new advisory board on these matters, also joins us.A new exhibition, ‘Learning to See,' by the abstract artist Bridget Riley has opened at Turner Contemporary in Margate. There are 26 of her most recent works on show - large canvases, studies and works painted directly on the wall. To talk about Bridget's life so far and the significance of her work, Nuala McGovern is joined by artist Dame Tracey Emin, Melissa Blanchflower, senior curator of the exhibition and Dr Frances Follin, author of Embodied Visions: Bridget Riley, Op Art and The Sixties.Presenter: Nuala McGovern Procuer: Simon Richardson
Blisko 200 artystek z całego świata, od Artemisii Gentileschi i Angeliki Kauffmann przez Tamarę Łempicką, Fridę Kahlo i Evę Hesse po Marlene Dumas, Tracey Emin, Leonor Antunes, Yoko Ono i Talę Madani. Ponad pięć wieków twórczości kobiet, pokaz zaangażowania oraz siły działań feministycznych.
Artists spend so much time worrying about being consistent. But what if that's not the point? What if your inconsistency is proof that you're alive in your practice? I know you look at other artists — the ones who seem to stay in one lane — and you think, maybe I'm doing it wrong. Maybe people won't get it. Maybe the market only rewards repetition. And yet, deep down, you know that sameness suffocates you. You didn't become an artist to repeat yourself. You became an artist to explore. To experiment. To see what else is possible. We humans like certainty — patterns, predictability, knowing what's what. But artists are wired for curiosity. You thrive on the unknown, the risk, the mess of it all. You love the feeling of falling forward. So when you see others who appear to be consistent, remember you might just be comparing your evolution to their edit. It´s time to make peace with being consistently inconsistent – listen in and let Ceri show you how. KEY TAKEAWAYS Consistency isn't sameness. Consistency is commitment. It's showing up for the work, again and again, in whatever form it needs. Most successful artists Ceri has met aren't driven by style — they're driven by a question. One that won't leave them alone. Louise Bourgeois had it, Tracey Emin, Frida Kahlo - their forms changed, but the question stayed. They kept circling the same core. Stop trying to make your work look the same. Start making it feel true to the same enquiry. Ask yourself: what do I keep coming back to? What keeps tugging at my sleeve? What am I still trying to understand? That´s your North Star, follow it. BEST MOMENTS “The market might appear to love sameness, but the artists who last are those who stay faithful to their inquiry. They don't bend to the zeitgeist, they don't make to order, they don't chase trends.” “ Some people won't get it, some people won't like it, but you can't be a brilliant artist and a people pleaser.” “Authenticity is showing up for what matters, even when it's unfashionable.” “Avoiding your true voice by copying others or chasing what sells keeps you stuck.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
We meet Katy Hessel to discuss her incredible new book How To Live An Artful Life. The year ahead is a gift that has been given to you. What might you do with it?Dive into the year with the wisdom of artists. Gathered from interviews, personal conversations, books and talks, How to Live an Artful Life moves through the months of the year offering you thoughts, reflections and encouragements from artists such as Marina Abramovic, Nan Goldin, Lubaina Himid, Louise Bourgeois and many more.With a thought for every day of the year, whether looking for beginnings in January, freedom in summer, or transformation as the nights draw in, this is a book of words to cherish. The year is full of the promise of work that has yet to be written, paintings that are yet to be painted, people who have yet to meet, talk, or fall in love. With this book in hand, pay attention, and see the world anew. Go out and find it, taste it, seize it, and live it – artfully.Katy Hessel is an art historian and the author of The Story of Art without Men, the international bestseller and Waterstones Book of the Year 2022. She runs @thegreatwomenartists on Instagram, hosts The Great Women Artists Podcast, interviewing artists such as Tracey Emin and Marina Abramovic, and is a columnist for the Guardian. Hessel is a Visiting Fellow at Cambridge University and a Trustee of Charleston. In 2024, she launched Museums Without Men, an audio series highlighting works by women artists in museum collections worldwide, such as The Met and Tate Britain.Follow @Katy.Hessel on Instagram. Hosted on Acast. See acast.com/privacy for more information.
We meet Rose Blake an illustrator and artist making drawings and pictures in London who has just illustrated Russell & Robert's first children'sbook Art School (In A Book). Rose Blake studied at Kingston University and the Royal College of Art. She was awarded the D&AD Best New Blood Award and was shortlisted for the AOI prize and The World Illustration Awards. She shows with the Rebecca Hossack Gallery, and has had two solo show there; ‘Now I Am An Artist' in 2015 and ‘Sing Swim Ok Moon' in 2018. She is a Visiting Lecturer at Kingston University on the Illustration and Animation BA.Art School (In A Book) is out on Thursday 23rd October 2025. Pre-order now from Amazon, Waterstone's and Bookshop.orgAn exciting introduction to the world of contemporary art for young creatives from the makers of hit podcast Talk Art, actor Russell Tovey and gallerist Robert Diament.Do you love art and want to know more but don't know where to start? Introducing Art School (in a book), a virtual gallery where you can see the most exciting contemporary artists of today, as well as some of the greatest from the twentieth century, including Henri Matisse, Jean-Michel Basquiat and Frida Kahlo.And who are the visionaries, the icons, the ones to watch now? With works by Tracey Emin, Antony Gormley, and David Hockney, study the art of 20 key artists working today, find out what inspires them, how they work and the meaning behind their art.With Russell and Robert as your guides you will also discover the artist within you, with tips on new ways of seeing and reacting to the world around you and guidance on how you can develop your own creativity.Buy Art School from Waterstone's: https://www.waterstones.com/book/art-school-in-a-book/russell-tovey/robert-diament/9781510231412Follow @IAmRoseBlake on Instagram. Hosted on Acast. See acast.com/privacy for more information.
Art World Infamy is a special series from the team behind The Art Angle, investigating the scandals and schemes that have rocked the art world. In the first chapter, told over four episodes, senior market reporter Eileen Kinsella unravels the rise and fall of dealer Inigo Philbrick. Long before headlines exposed his $86 million fraud, Inigo Philbrick was just another ambitious intern at one of the most powerful galleries in the world. Then a student at Goldsmiths College, Philbrick caught the attention of legendary dealer Jay Jopling and landed a coveted internship at White Cube—the gallery that defined 1990s London, and launched the YBAs (Young British Artists) including Damien Hirst and Tracey Emin. In this second episode, we explore how Philbrick so quickly ingratiated himself into the upper echelons of the art world that, within just a few years, he was running his own eponymous gallery. With hindsight, were there early warning signs of what was to come that the art world failed to see?
Art World Infamy is a special series from the team behind The Art Angle, investigating the scandals and schemes that have rocked the art world. In the first chapter, told over four episodes, senior market reporter Eileen Kinsella unravels the rise and fall of dealer Inigo Philbrick. Long before headlines exposed his $86 million fraud, Inigo Philbrick was just another ambitious intern at one of the most powerful galleries in the world. Then a student at Goldsmiths College, Philbrick caught the attention of legendary dealer Jay Jopling and landed a coveted internship at White Cube—the gallery that defined 1990s London, and launched the YBAs (Young British Artists) including Damien Hirst and Tracey Emin. In this second episode, we explore how Philbrick so quickly ingratiated himself into the upper echelons of the art world that, within just a few years, he was running his own eponymous gallery. With hindsight, were there early warning signs of what was to come that the art world failed to see?
Künstlerin und gleichzeitig Mutter sein – das geht auf keinen Fall. So lautete lang ein Credo in der Kunstwelt, vertreten von Ikonen wie Marina Abramović oder Tracey Emin. Wie sieht es heute aus? Und warum ist es für Väter offenbar leichter Kunst zu machen? Von Teresa Schomburg www.deutschlandfunkkultur.de, Feature
"What we can be in control of we should be, especially when it comes to creativity" - Tracey Emin, Strozzi Gallery Florence - Documentary This podcast share has been percolating for some time. Over the year I have found myself musing about creativity and the importance of opening up space in our busy lives to not only make beautiful things but to be available to our creativity as a way to keep steady as technological advancements continue to shift our lives in various directions. I love that we get to have this experience and make choices along the way. Do you remember dial up Internet and how slow it was? And now we can use this incredible resource to our advantage. We can make things happen. We can be many things, all at once. It is exciting and yet, to thrive we will need to create beautiful openings in our lives to not let it undermine our ability to be creative, to be sovereign and unique as life moves us forward. I guess this conversation is about many things. It is about the necessity of creativity and the fact that great art and writing and books are beautiful things to hold onto and to be a part of. I want to share this sense that I have, that being on a creative quest is important and vital and nourishing as the noise around us gets louder vying for our attention, that we do have our own bounty of inner resources to tap into. Regardless, I am feeling that it is time to get creative and make beautiful things. That could be our legacy as things leap and change and grow in the coming years...Enjoy xSupport the show
"Solitude is a place I like to go" - Tracey EminWelcome to Episode #113:Today I share some beautiful moments in Bologna and Florence while sitting at a cafe close to Mercato Centrale in the centro storico of Firenze. Exploring art and culture was at the forefront of my experience in Italy on this recent travel adventure and there is no doubt there are many moving parts on this journey of mine. I discover much more than I expect seeing Tracey Emin at the Palazzo Strozzi and the restored artwork of Plautilla Nelli - The Last Supper c.1560 at the Santa Maria Novella.I mention the Strozzi Gallery and seeing Tracey Emin Sex and Solitude and The Time for Women exhibition that are currently showing in Florence, yet would also like to add while in Milan I went to I am Leonor Fini at the Palazzo Reale and loved her work and the beauty of her rich artist life in Italy and France. It came as quite a surprise to see such a femme de force of art after perusing the NovoCento in Milan, a wonderful museum of 20th and 21st Century modern art, yet certainly I noticed that 99 percent of the work was the art of men, a legacy that obviously reflects something more pertinent to art history and Italian culture. These observations left me pondering the times and the culture of art in Italy and perhaps my own experience as a woman forging ahead in difficult times in the 21st Century.Enjoy xFind all Shownotes at michellejohnston.life© 2025 A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the show
Painter Jenny Saville, renowned for her large-scale portraits of fleshy, naked women, made her name soon after leaving art school when her graduation exhibition work was bought by collector Charles Saatchi. In 1997, her work was also part of the landmark Royal Academy show Sensation, alongside now iconic pieces by Damien Hirst, Tracey Emin and others. Since then, the main focus of her work - which has been shown in museums and galleries all around the world - has remained the female form. In 2018, a Jenny Saville painting called Propped sold at auction for £9.5m, at the time a world record for a work by a living female artist. A retrospective exhibition of over 50 of her paintings and drawings is being held at the National Portrait Gallery in London. Jenny Saville tells John Wilson how her childhood interest in painting was nurtured by her uncle, an art teacher, who took her to museums to understand the work of great artists. She says she was hugely inspired by seeing a Lucien Freud exhibition at the Hayward Gallery in London in 1987, and that his large-scale nude portraits influenced her early style. Jenny recalls how a year spent at the University of Cincinnati, as part of her Glasgow School of Art degree course, also had an impact on her understanding of art history from a feminist perspective and refocused the theme of her painting. She describes how she made the monumental paintings of female nude figures, some with liposuction surgery markings on the bodies, which were shown at the Saatchi Gallery and at the Royal Academy Sensation exhibition. Jenny Saville also reflects on the later influence on her work of the Dutch-American abstract painter Willem de Kooning, and of her children with whom she paints at home. Producer: Edwina Pitman
Hoppen, Franziska www.deutschlandfunk.de, Kultur heute
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
How are working class women represented in contemporary culture? In Slags on Stage: Class, Sex, Art and Desire in British Culture (Routledge, 2025), Katie Beswick, a Senior Lecturer in Arts Management at Goldsmiths, University of London, examines this question by analysing the figure of the ‘slag' across a range of cultural forms, including theatre and television. Alongside a history of the idea of the ‘slag', the book draws on deep case studies of key artists, including Tracey Emin, Cash Carraway and Michaela Coel to understand both the meaning of ‘slags' in British culture and how class, race and gender all intersect in Britain's unequal society. Blending memoir, poetry, close reading, and history, the book is essential reading across the arts and humanities, as well as for anyone interested in culture today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art
Season 25 begins! We meet Juergen Teller, one of the world's most sought-after contemporary photographers, successfully straddling the interface of both art and commercial photography.We discuss childhood, touring with Nirvana, Agnès Varda, Tracey Emin, William Eggleston, Kate Moss, Pope Francis, Kristen McMenemy, Zoe Bedeaux, collaborating with @DovileDrizyte and breakthroughs with Marc Jacobs. Juergen Teller's new exhibition of his photographs taken at Auschwitz Birkenau is now open Kunsthaus Göttingen, Germany until 1 June 2025 @KunsthausGoettingen. An accompanying photobook is published by @SteidlVerlag. 7 ½, Teller's concurrent exhibition runs at Galleria Degli Antichi, Sabbioneta, Italy until 23 November 2025 @VisitSabbioneta.Teller (b.1964) grew up in Bubenreuth near Erlangen, Germany. Teller graduated in 1986 and moved to London, finding work in the music industry shooting record covers for musicians such as Simply Red, Sinéad O'Connor and Morrissey with the help of the photographer, Nick Knight. By the early 1990s, he was working for avant-garde fashion magazines such as i-D, The Face, Details and Arena. Teller has collaborated with many fashion designers over the years, including Helmut Lang, Marc Jacobs, Yves Saint Laurent, Vivienne Westwood, Celine and Louis Vuitton.Teller was the recipient of the Citibank Photography Prize in association with the Photographer's Gallery, London in 2003. In 2007, he represented the Ukraine as one of five artists in the 52nd Venice Biennale. Teller has exhibited internationally, including solo shows at the Photographer's Gallery, London (1998), Kunsthalle Wien, Vienna (2004), Foundation Cartier, Paris (2006), Kunsthalle Nürnberg, Germany (2009), Daelim Contemporary Art Museum, Seoul (2011), Dallas Contemporary, USA (2011), Institute of Contemporary Art, London (2013), Deste Foundation, Athens (2014), Contemporary Fine Arts, Berlin (2015) and Bundeskunstalle, Bonn (2016).Teller's work is featured in numerous collections around the world, including the Centre Pompidou, Paris; International Center for Photography, New York; Pinchuk Art Centre, Kiev; and the Victoria & Albert Museum, London. He has published forty-one artist books and exhibition catalogues since 1996. He currently holds a Professorship of Photography at the Akademie der Bildenden Künste Nürnberg, and lives and works in London. Follow @JuergenTellerStudio and https://www.juergenteller.co.uk/ Hosted on Acast. See acast.com/privacy for more information.
The shrouds, il nuovo inquietante film di David Cronenberg, è più un thriller tecnologico ed esistenziale che un horror. In Calvino a Tunisi autrici, autori e artisti tunisini reinterpretano l'opera dello scrittore italiano. Palazzo Strozzi a Firenze dedica un'ampia mostra dell'artista britannica Tracey Emin che dagli anni novanta esplora, attraverso pittura, installazioni e performance, temi come il trauma, lo stupro e l'aborto. Tutti i nostri segreti è un romanzo della scrittrice Fatma Aydemir che esplora aspettative, sogni infranti e rimozioni di una famiglia turco-curda emigrata in Germania. CONPiero Zardo, editor di cultura di InternazionaleChiara Comito, arabistaClara Pérez Almódovar, storica dell'arte Annalisa Camilli, giornalista di InternazionaleSe ascolti questo podcast e ti piace, abbonati a Internazionale. È un modo concreto per sostenerci e per aiutarci a garantire ogni giorno un'informazione di qualità . Vai suinternazionale.it/podcastScrivi a podcast@internazionale.it o manda un vocale a +39 3347063050Produzione di Claudio Balboni e Vincenzo De Simone.Musiche di Carlo Madaghiele, Raffaele Scogna, Jonathan Zenti e Giacomo Zorzi.Direzione creativa di Jonathan Zenti.The shrouds: https://www.youtube.com/watch?v=OWnDTKwe-30Calvino a Tunisi: https://www.youtube.com/watch?v=-fp3o1kJorwTracey Emin: https://www.youtube.com/watch?v=MaJeUDcqOF4Fatma Aydemir, Tutti i nostri segreti: https://www.youtube.com/watch?v=Xj6sWMnX-E0
Loose Ends this week is all about finding the light. Poet, performer and broadcaster Michael Rosen is touring a one man show making sense of some of the darker moments of his life. Dylan Jones was the editor of era-defining magazines like i-D, Arena and British GQ in the 1990s and noughties. Now his memoir, These Foolish Things - tells how he left behind a difficult childhood to embrace a career that encompasses hobnobbing with celebrities from Elton John to Tracey Emin, taking phone calls from David Bowie and recommending a tailor to Gordon Brown. There's dark themes too to the Texan comedian Kemah Bob's new show Miss Fortunate which tells the story of a disastrous solo trip to Thailand. It was hailed as "chest-achingly funny" and "charismatic" by the critics and won her a Best Newcomer nomination at Edinburgh Festival Last year. The actress Barbara Flynn knows how to pick her projects, appearing in Cracker, Cranford and now the BBC's hit drama Beyond Paradise where cosy crime meets health concerns, heated relationships and family niggles. With music by the winner of Channel 4's talent show The Piano Brad Kella, who is about to tour with Take That's Gary Barlow and the folk singer and protest song writer Grace Petrie.Presented by Stuart Maconie Produced in Salford by Olive Clancy
In Politik und Gesellschaft geht es gerade eher rückwärts als vorwärts — Kunst kann helfen, findet die britische Künstlerin Tracey Emin. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-tracey-emin
In Politik und Gesellschaft geht es gerade eher rückwärts als vorwärts — Kunst kann helfen, findet die britische Künstlerin Tracey Emin. Hier entlang geht’s zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/kunst-und-leben Den kostenlosen Monopol-Newsletter gibt’s auf https://www.monopol-magazin.de/ >> Artikel zum Nachlesen: https://detektor.fm/kultur/monopol-podcast-tracey-emin
Two of the four Los Angeles wildfires have been contained, while the Palisades and Eaton Fires rage on. We hear the latest news from the city, as well as reports of landlords who are hiking rental prices as people who have had to leave their homes seek temporary housing. Also in the programme: the North Korean soldiers who have been captured in Ukraine; and a conversation with the renowned British artist Tracey Emin.(Photo: A firefighter battles the Palisades Fire in Mandeville Canyon, Los Angeles, California. Credit: REUTERS/Ringo Chiu)
If you could hang a podcast in The Louvre, then this might just be that podcast. Why did a banana taped to a wall cost $6.2 million? What is the point of the Mona Lisa? What actually is 'art'? These are some of the many questions that we put to Dr. James Hicks, who is art historian and one of the most knowledgable people we've ever met. This episode makes us to some unexpected places (Tracey Emin's Bed meets Joe Marler anyone?) and we're very much here for it. To sign up for one of James' art history classes, click here: https://www.startarthistory.com/ To listen to his podcast all about art history, click here: https://doctorjhicks.podbean.com/ To go and buy your Christmas Curious Case from Noble Green Wines, click here: https://noblegreenwines.co.uk/ To get in touch with us, email joe@crowdnetwork.co.uk If you would like to be a guest on the show, click here: https://docs.google.com/forms/d/1rfSo3PVJgtBRZHCCAZndem-iyy2EdvGcEYDqycsM2aQ/viewform To get ad-free and longer episodes on Apple, hit the 'grow the show' button or click: https://apple.co/3sAX0xR On Spotify you can subscribe for £1 a week by clicking this link: https://anchor.fm/thingspeopledo To become an official sponsor, go to Patreon.com/thingspeopledo To grow the show on socials, look for @thingspeoplepod on Instagram, Twitter and TikTok If you'd like to enquire about commercial partnerships with our podcast, email Ryan Bailey ryanb@crowdnetwork.co.uk Music courtesy of BMG Production Music Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is the second instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the second instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey in the link below and be in with the chance of winning a £50 Amazon gift card. https://docs.google.com/forms/d/e/1FAIpQLSfA1Tsxmitg7Gg6xyalWWNUqVRpl76fBQ7nVL6FDkOBng9KXQ/viewform Learn more about your ad choices. Visit podcastchoices.com/adchoices
This is the first instalment of a three-part episode. How many women artists do you know? Despite the work of activist groups and scholars alike, women are still troublingly absent from the history of art. Historian and broadcaster Katy Hessel wants to change that. In September 2024 she came to the Intelligence Squared stage in conversation with the journalist, author and podcaster Pandora Sykes to write women back into art history. Discussing her bestselling book The Story of Art Without Men, she paid homage to the greats such as Artemisia Gentileschi, Frida Kahlo, Hilma af Klint, Tracey Emin and Kara Walker while also shining a light on lesser known figures such as Lavinia Fontana, thought to be one of the first women in Western art to paint female nudes in 1595. This is the first instalment of a three-part episode. If you'd like to become a Member and get access to the full conversation immediately as an early access subscriber, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. ... Let us know your thoughts! Take a moment to fill in our Intelligence Squared Audience Survey and be in with the chance of winning a £50 Amazon gift card. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Today, we bring you a special conversation with Jan Dalley, who has just retired as the FT's arts editor after almost 20 years. When Jan stepped into her job, terrestrial TV ruled, podcasts didn't exist and the art world wasn't quite so luxe. And video games? Newspapers didn't review video games. She joins Lilah in the studio to reflect on how the arts have changed over these two decades (“beyond recognition!”), divulge what the art world is really like (“gruelling”) and share some excellent advice for exploring culture.-------Stay in touch! Lilah is on Instagram @lilahrap talking to listeners about culture, and on email at lilahrap@ft.com. We love hearing from you.-------Links (all FT links get you past the paywall): – Jan's Lunch with 83-year-old artist Michael Craig-Martin is here: https://on.ft.com/4d9rQCF – A recent profile of artist Tracey Emin: https://on.ft.com/3XPBaa6 – And here's a column of hers that we love, on the immersive Van Gogh exhibit: https://on.ft.com/4ey7eVt Read a transcript of this episode on FT.com Hosted on Acast. See acast.com/privacy for more information.
Dame Tracey Emin is one of the most famous artists and leading figures of the Young British Artists movement of the 1990s. Hers is a uniquely provocative, confessional style which confronts issues such as trauma of abortion, rape, alcoholism and sexual history. In recent years Tracey has focussed on painting and she has just published her first in-depth exploration of her painted work, simply called Paintings. Anita Rani talks to her about that and her latest exhibition, I followed you to the End, on now at the White Cube gallery in London.Nikki Doucet has been called the most powerful person in English women's football. She is the newly appointed CEO of the Women's Professional Leagues Ltd which took over leadership of the two top tiers of women's football from the Football Association this summer. Nikki and her team have big plans to revolutionise the women's game, as she tells Clare McDonnell.Four-time Oscar nominee Saoirse Ronan broke into Hollywood at 13 years old with her performance as Briony Tallis in Atonement. She has also appeared as Jo March in Little Women, as the lead actress in Brooklyn and won a Golden Globe for her performance in Lady Bird. She joins Clare to discuss her latest role in the film The Outrun in which she plays Rona, a young woman struggling with addiction.The number of women taking up NHS cervical screening test invitations has been declining for the last 20 years. Healthwatch England did research with women who were reluctant to accept NHS invitations for screening and found that 73% would do an at-home test instead. A trial done by King's College, London earlier this year found that if self-sample kits were available on the NHS, 400,000 more women would be screened per year. Chief Executive of Healthwatch England, Louise Ansari, and Dr Anita Lim, lead investigator of the King's College London trial, join Clare to talk about their findings.On 22 September 1994, the American TV show Friends premiered on NBC and the characters Monica, Rachel, Phoebe, Joey, Chandler and Ross became household names. To celebrate its 30th anniversary, Anita speaks to one of the show's writers and producers, Betsy Borns. Plus, we hear from journalist Emma Loffhagen about why the show still resonates with Gen Z all these years later.Carrie Hope Fletcher is an author, singer, West End star – and now a new mum. She joins Anita to talk about her UK tour, Love Letters, which will feature musical theatre favourites and love letters from the audience. Presenter: Anita Rani Producer: Annette Wells Editor: Rebecca Myatt
Dame Tracey Emin, one of the most famous artists and leading figures of the Young British Artists movement of the 1990s. Hers is a uniquely provocative, confessional style which confronts issues such as trauma of abortion, rape, alcoholism and sexual history. In recent years Tracey has focussed on painting and she has just published her first in-depth exploration of her painted work, simply called Paintings. It coincides with a new exhibition, I followed you to the end, at the White Cube gallery in London, which features mostly paintings that her treatment and recovery from bladder cancer.A man who raped, and stabbed a woman 60 times in Northumberland 27 years ago has been recommended for release by the parole board. Steven Ling was jailed for life in 1998 after murdering Joanne Tulip. Ms Tulip's mother, Doreen Soulsby has condemned the decision. She shares her story with Anita.Dame Maureen Lipman proposed to her partner, David Turner, as a joke. And he said yes! The two 78-year-olds are now engaged. Dame Maureen joins Anita to tell her the story of how it happened, and why she was the one who proposed. Since this summer, Woman's Hour has been taking a deep dive into the world of 'genre fiction', the women who write it and the women who read it. We've turned the pages of Romantasy; Science fiction; Historical novels; Spy and Thrillers. Today it's the turn of YA, Young Adult fiction. To discuss the YA genre and what's in it for women, Anita is joined by Catherine Doyle, co-author of the Twin Crowns trilogy, whose new YA novel, an epic, enemies-to-lovers fantasy, The Dagger and The Flame, is out this month; and Laura Dockrill, author of Lorali and Big Bones.
Talk Art Live, recorded at Apple Covent Garden. We meet Rebecca Lucy Taylor aka Self Esteem to celebrate her first new music in 3 years, the new single Big Man featuring Moonchild Sanelly.Recorded in front of a live audience of 400 art lovers, we explore her rise to fame over the past few years, what it was like playing the Sally Bowles lead in Cabaret on London's West End and her love of art and how artists continue to inspire her creative process while recording her third album. We discuss her admiration for artists including Lindsey Mendick, Marina Abramović, Tracey Emin, Cindy Sherman, Corbin Shaw and Jenny Holzer. Her passion for visiting museums like Yorkshire Sculpture Park, Hayward Gallery and artist degree shows, responding to Tony Soprano and masculine archetypes in her new imagery and what it feels like to be permanently hanging on the walls in the National Portrait Gallery collection in a portrait by photographer Karina Lax.Rebecca Lucy Taylor, known professionally by her stage name Self Esteem, is an award winning English singer-songwriter. Nominated for the Mercury Music Prize for her last hit album, Prioritise Pleasure, Self Esteem had sell-out tours at ever-growing venues across the UK and played the largest gigs of her career including Glastonbury – in recognising herself and others, Rebecca Taylor has made countless people feel esteemed.We love Self Esteem SO much! You can stream her new single, which is without doubt THE song of the summer BIG MAN, and also listen to her award-winning album PRIORITISE PLEASURE now at Spotify, Apple or wherever you listen to your music!!! View her new video for BIG MAN here: https://www.youtube.com/watch?v=mteCEloA1bsFollow @SelfEsteemSelfEsteem on Instagram and @SelfEsteem___ on Twitter. Hosted on Acast. See acast.com/privacy for more information.
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