Podcasts about ghanaian

How do you stop negotiating with yourself when life forces you to walk away from what you're building? In this episode, we meet Ghanaian entrepreneur and creative professional Yaa Boateng, who takes us through her journey from graphic designer to creative director and eventually a creative entrepreneur as the co-founder of The Storytellers. Yaa opens up about navigating career pivots in the midst of grief, building resilience, and the importance of mentorship and global representation of the African creative industry. She also shares why she is committed to giving back through SIBI Africa, an initiative empowering the next generation of African creatives. If you're interested in applying for the 2026 SIBI program, applications are open now. The deadline is December 5, 2025. This episode was produced by Hauwa Otori with help from Osheiza Otori. Music composed by Kevin Edwards. You can follow Founders International Network on LinkedIn and BBP on Instagram.

Welcome BACK to The Lions Den!This week, Andrew Rappelyea goes in-depth with Anthony Donkoh, the inspiring offensive lineman for Penn State football, as he shares his incredible journey from Ghana to becoming a Nittany Lions star! From his upbringing in Virginia with Ghanaian immigrant parents to embracing his role as a leader on the field, Anthony's story is one of resilience, faith, and dedication.Here's what to expect:- Anthony's early love for football and how Pop Warner days shaped his passion for the game - The big picture of his high school football journey, from freshman team to varsity standout - Keys to success: overcoming injuries, embracing challenges, and staying motivated - His connection with Penn State coaches and what solidified his decision to commit early- How his faith and family drive him to achieve greatness on and off the field- A behind-the-scenes look at Penn State football's unique team culture and brotherhoodFOLLOW STATE MEDIA HERE:► TWITTER | ⁠https://twitter.com/StateMediaPSU⁠► TIKTOK | ⁠https://www.tiktok.com/@statemediapsu⁠► INSTAGRAM | ⁠https://www.instagram.com/statemediapsu/⁠► YOUTUBE | ⁠https://www.youtube.com/@StateMediaPSU?sub_confirmation=1⁠► FACEBOOK | https://www.facebook.com/profile.php?id=61558183472272CHAPTERS:00:00 - Intro07:29 - Football Journey13:54 - Recruitment Process19:50 - Gratitude for Playing Opportunities23:10 - Team Success and Individual Recognition24:34 - Overcoming Loss and Adversity26:38 - Relationship with Coach Franklin36:04 - Personal Motivation#collegefootball #nfl #cfb #pennstate #weare #happyvalley #football #sunday #saturday

“Ghanaian women's football is still developing and deserves the same support as men's football from the Sports Ministry and GFA to help it grow,” Kobby Stonne urges.

Greetings Glocal Citizens! Last week, Ghana lost another living legend, the first lady of the 4th Republic, Madam Nana Konadu Ageyman Rawlings. As we mourn this loss, I can't help but to take note of how 2025 has been a year punctuated with transitions of many of Ghana's cultural icons as well as civic leaders--all passionate about not only their crafts but forward movement, Ghana's progress. I invited my guest this week to join me in conversation particularly because of way that her craft, her passion and her lineage converge in a story that is and will continue to make an impact on arts, culture and economic development in Ghana and beyond. Ghanaian- American, Aretha Amma Sarfo-Kantanka is an accomplished global branding professional who has been instrumental in driving retail sales via innovative retail marketing and branding campaigns juxtaposing the fashion and music industry. In 1998, Aretha launched VISIONS Entertainment & Publicity in New York City with a client roster inclusive of: fashion brands, designers, actors, artists, publications and more. She has created and managed numerous cross-promotional marketing and branding campaigns, from concept to execution, for record labels such as: Interscope, DreamWorks, Sony/Columbia, Island/Def Jam, Arista and Atlantic Records. A decade later in 2008 she founded Global Fusion Productions Inc. promoting African culture, tourism, entertainment and news. Aretha has served as the liaison and connector for local and global businesses looking to target the vast and underserved global African market with events and projects including being a member of the team who brought Ghanaian icon, living legend and Glocal Citizen James Barnor's photography for exhibition in Ghana for the first time in 2012. Aretha also served as coordinator and panelist for the launch of Fashion Forum Africa's talk series on the business of fashion in Africa. Aretha has written for publications such as: New York based Applause Africa, MIA Magazine and Berlin, Germany based - POP Magazine covering global pop music and culture. In 2023, Aretha curated Culture Curators: Hip Hop 50 at the National Museum of Ghana, the first of its kind exhibition at the museum that celebrated Ghana's Diaspora connection thru music in a series of talks, films and one of a kind memorabilia items and commissioned art, along with bringing A/R technology to the museum for the first time in collaboration with The San Diego African-American Museum of Fine Art. 2024 sets the stage to honor and tell the story of Ghana's unique modern music of Hip Life in celebrating its 30th anniversary so there is much, much more to come for this dynamic diasporan! Where to find Aretha? On LinkedIn (https://www.linkedin.com/in/aretha-amma-sarfo-kantanka-401213272/) On Instagram (https://www.instagram.com/globalfusionist/) What's Aretha cooking? Kontomire 101 (https://niyis.co.uk/blogs/news/12-health-benefits-of-cocoyam-leaves-kontomire?srsltid=AfmBOooNnfMFy9_zsteigUCce3-RmjU7-_EH2N59MJD9wy0mIe2qEbM4) Other topics of interest: About Okomfo Anokye (https://en.wikipedia.org/wiki/Okomfo_Anokye) Guan People of Ghana (https://en.wikipedia.org/wiki/Guan_people) About Apostle Kwadwo Safo Kantanka (https://kristoasafomission.com/about1/) About KTA Mobile (https://youtu.be/KQyXcXVQdNg?si=lm1FeBQUadirNvAZ) About H.E. Nana Konadu Ageyman Rawlings (https://en.wikipedia.org/wiki/Nana_Konadu_Agyeman_Rawlings) Capricorn Astrology (https://cafeastrology.com/zodiaccapricorn.html) DollHouse Jeans (https://www.dollhouse.com/index.php) About the W.E.B Du Bois Centre in Accra (https://webdbmf.org/40th-anniversary-of-the-dedication-of-the-w-e-b-du-bois-memorial-centre-for-pan-african-culture/) Special Guest: Aretha Amma Sarfo-Kantanka.

Ministry of Education has clarified that the use of the mother tongue as the medium of instruction in Ghanaian schools applies only from Kindergarten to Primary Three (Lower Primary), and not across all basic school levels

Ghanaian weddings are not for the weak!

From July 31, 2024. Hosted by Dr. Jacinta Delhaize, Dr. Tshiamiso Makwela & Dr. Daniel Cunnama. In this double feature episode, Jacinta interviews two amazing astronomers at the SARAO conference (South African Radio Astronomical Observatory).   Dr. Mpati Ramotsoku is a radio astrophysicist from South Africa. In the episode she discusses her journey from studying in the Netherlands to working in Italy at the Italian National Institute of Astrophysics in Cali, and eventually returning to South Africa as a research associate at Rhodes University. She delves into her research on how galaxies evolve by studying hydrogen gas in galaxies and the environmental effects on galaxy evolution, such as ram pressure stripping. Mpati also shares her discovery of new filaments in galaxies through images from the MeerKAT Telescope, a finding which has garnered international attention.   Dr. Emanuel Proven Adzuri is a Ghanaian astronomer at the Ghana Space Science and Technology Institute and the Ghana Radio Astronomy Observatory. In this episode he shares his background and journey in astronomy. Emanuel discusses his education in computational engineering and astronomy that led to a groundbreaking PhD project on space lasers, specifically focusing on the periodicity of methanol masers in star-forming regions. Emanuel also discusses the advancements in Ghana's astronomy infrastructure, including the transformation of a decommissioned telecom dish into a 32-meter radio telescope.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

When Nana Daniels returned from a trip to Ghana in 2016, she experienced a severe lupus flare-up that left her skin severely burned. What happened next changed her life forever.After seven hours in the emergency room with no real solution, Nana turned to her Ghanaian roots and created her own remedy using raw shea butter, vitamin E, and essential oils. The results were so remarkable that friends started asking for their own supply—and Honam Naturals was born.In this inspiring episode, Nana shares:Her 25-year journey living with lupus and sclerodermaHow a medical crisis became an unexpected business opportunityThe cultural wisdom behind shea butter and African black soapSelling out her first product batch in one hour and making $1,000Winning a mentorship with Dragons' Den's Manjit MinhasLanding products in Winners, Walmart (US and Canada), and Amazon—all while battling imposter syndromeThe challenges of scaling from kitchen countertop to big box retailWhy she chose aluminum containers and eco-friendly packagingHer vision for getting into more natural health stores across CanadaFrom Ajax, Ontario, Nana has built a thriving skincare and haircare brand that honors traditional African ingredients while meeting modern clean beauty standards. Her story proves that sometimes the best solutions come from going back to basics—and that a little bit of courage can turn adversity into opportunity.Products discussed: Body butters, African black soap, hair care for tight curls and chemically-treated hair, home fragrances, and men's groomingConnect with Honam Naturals: http://honamnaturals.com/collectionsThank you to Field Agent Canada for sponsoring the podcast: https://www.fieldagentcanada.com/

Hey friends, and welcome back to Help Me Abide.Today, I have the joy and honor of welcoming someone truly special. A personal friend, a woman I deeply admire, and a true hero of the faith, Mrs. Elizabeth Speer.Elizabeth and her husband Ted Speer have served as missionaries in Ghana, West Africa, for the past 16 years. Together, they've poured their lives into the work of the Gospel, and the fruit of their labor is truly remarkable.Through their ministry, over 50 churches have been started, either directly or indirectly. Their main church averages around 700 people every Sunday, not counting daughter churches. Their Bible college, Hyles-Anderson College of West Africa, has graduated 87 students. The Christian school my husband Brett helped launch, the Fundamental Baptist Academy, has 445 students enrolled this school year. Every August, their Pastors' and Workers' Conference draws hundreds from across West Africa, and they currently have over 70 team members on payroll. These statistics are just the tip of the iceberg in relating the incredible ministry the Lord has built through their faithful service.But Elizabeth's impact goes far beyond numbers. She is a woman who has faithfully embraced the priorities of each season God has led her through. She's a steady voice of wisdom, and a beautiful example of what it looks like to abide in Christ.Elizabeth is also a proud mom to Kimberly, James, Rachel, Grace, and Michael, as well as a son-in-law, a daughter-in-law, and a precious granddaughter.And for a little taste of her Ghanaian life, quite literally, her favorite local dish is red red with pepper sauce. If you know, you know!So whether you're folding laundry, commuting to work, or just needing encouragement in your own walk today, I pray this conversation is a blessing.Are you ready to be encouraged and equipped to abide in Christ? Let's get into the heart of today's episode.RESOURCES:Elizabeth Speer - Facebook PageBible Memory App ⁠- Phone App⁠Nourishing Traditions - WebpageTEAM:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podcast Facilitator - Mrs Tammy Goddard ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Host - Jennifer Beil⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social Media Director - Lisa Grubb ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music Coordinator - Lindsey Osgood ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Resource Promoter - Connie Marrujo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Webpage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠

Did you know that 70% of Ghanaian women with breast cancer are diagnosed at advanced stages? But when caught early, breast cancer has over a 90% survival rate. On this episode, Prof. Kafui Akakpo returns to break down everything you need to know from self-examination to treatment options.

“I got my Ghanaian passport two years ago. My desire to join the national team has been long-standing, not just now that Ghana has qualified for the World Cup,”- Francis Apelete Amuzu, Gremio star from the Brazilian league, on his nationality switch.

What happens when you lose everything and have to rebuild from scratch? Francis Kofigah shares the raw journey from wealth to poverty and back—how his family lost it all when he was in JSS3, why he became a dining hall prefect just to get enough food, and the moment a simple donut triggered his entrepreneurial awakening. From selling donuts door-to-door with plastic containers to raising investment that changed everything (and cost him majority ownership), this conversation exposes the real price of building a business in Ghana. You'll discover why the woman who made the original donuts refused to share her recipe even after investment came in, forcing Francis to reverse-engineer his own product. He breaks down the critical mistake of giving away more than 50% equity, why debt might have been better than investment, and how documentation and data tracking attracted his first investor through an unexpected partnership. The conversation gets tactical about cash flow management—understanding the difference between margin and profit, why most Ghanaian businesses fail (hint: they don't listen to the market), and how taking customer phone numbers can transform your revenue. Francis also reveals the mindset shifts that matter: why discipline beats motivation, how AI and automation can revolutionize local businesses, and the best advice he ever received—don't pay investors to get your shares back when you can use that money to start something new. From sleeping on classroom floors to building multiple businesses, this is a masterclass in resilience, strategic thinking, and the unglamorous work of turning struggle into success. If you're building in Africa or trying to understand how to navigate partnerships, investment, and growth without losing your soul (or your company), this conversation hands you the unfiltered playbook. Ready to transform your business thinking? Follow the show, share this episode with an entrepreneur who needs to hear it, and drop a review with your biggest takeaway. Join our Entrepreneurs Community at konnectedacademy.com for exclusive monthly calls and networking opportunities.

Principal Rent Manager at Rent Control, Ishmael Essien, emphasizes that Ghanaian tenants are legally required to pay rent on a monthly basis. He also highlighted that the Rent Control Department remains a relevant institution with an effective system in place to ensure fairness between landlords and tenants.

Sunday Edition with Anthony Corona   This week on Sunday Edition we bring you a show filled withinspiration, culture, and celebration.   In our first hour, Anthony sits down with Ben Akuoko, a dynamic thought leader, advocate, and founder of Brightside Scope, a Canadian-based platform advancing awareness, representation, and empowerment within disability and cultural communities. A proud Black man of Ghanaian descent living with Retinitis Pigmentosa, Ben uses his lived experience to explore the intersection of race, culture, and disability with honesty, passion, and purpose.   Ben holds a Master of Social Work and has led countless workshops and consulting projects centered on diversity, equity, inclusion, and accessibility. Through public speaking, training for production agencies, and leadership in national coalitions, he has become a powerful voice for Black individuals with disabilities across Canada and beyond. Ben is also a podcast host, digital creator, and storyteller whose mission is to ensure that every voice is seen, heard, and valued. This conversation will explore what true inclusion looks like in media, community, and culture today.   In our second hour, Gabriel Lopez Kafati and Danays Bautista join us in the Sunday Edition studio to celebrate Hispanic Heritage Month. Together, they will share some of their favorite Hispanic anthems, memories, and stories of culture, resilience, and joy. They may even treat us to a recipe or two.   Danays, as many of you know, was also our recent guest on An Intimate Evening with Danays Bautista. Be sure to check out that beautiful and emotional journey through her music and life on the Sunday Edition with Anthony Corona podcast feed.   Join us this Sunday at 1 PM Eastern live on 2020 The Beacon. You can stream from anywhere by visiting 2020TheBeacon.com or the listen page at 2020TheBeacon.com/listen. You can also ask your Alexa device to enable 2020 The Beacon or listen on GetMeRadio and Live365.   Subscribe to the Sunday Edition News email group at SundayEditionNews+subscribe@groups.io and stay informed by joining our Facebook community Above the Fold: The Sunday Edition News Group.   SundayEdition #AnthonyCorona #BenAkuoko #BrightsideScope #HispanicHeritageMonth #DanaysBautista #GabrielLopezKafati #Inclusion #Accessibility #DEIA #Representation #2020TheBeacon #AboveTheFold #SundayEditionNewsEpisode Notes Notes go here Support Sunday Edition with Anthony Corona by contributing to their tip jar: https://tips.pinecast.com/jar/acb-sunday-edition This podcast is powered by Pinecast.

Antoine Semenyo has gone from strength to strength, becoming the talisman for AFC Bournemouth and one of the Premier League's most devastating forwards. This episode breaks down the rapid rise of the Ghanaian international, analyzing his unique playing style—a fierce blend of blistering pace, high pressing, and a powerful 6'1" frame that makes him a nightmare for defenders. We dive into the ludicrous stats that have caught the attention of giants like Liverpool and Chelsea: 6 goals and 3 assists in just 7 league games this season, a 1.29 goal involvement rate per 90 minutes. Discover why his €45 million market value continues to soar, and why his seamless fit in Andoni Iraola's system means a step up to Champions League football is inevitable.Antoine Semenyo, AFC Bournemouth, Premier League, Ghana Football, Transfer Target

Listen to JCO's Art of Oncology article, "A Fight Bigger Than Myeloma” by Dr. Adeel Khan, an Assistant Professor of Medicine and Public Health at UT Southwestern. The article is followed by an interview with Dr. Adeel Khan and host Dr. Mikkael Sekeres. Dr. Khan shares the story of a patient whose multiple myeloma diagnosis and treatment serves as a reminder of the civil liberties progress we've made and that we have more to go. TRANSCRIPT Narrator: A Fighter Bigger Than Myeloma, by Adeel M. Khan, MD, MPH, MS  I met her during the early part of my clinical training in hematology/oncology. She was in her late 70s, dressed in a rust-colored cardigan and a headwrap with patterns that reminded me of Ghanaian kente cloth. Her eyes were sharp, her tone polite but direct. You could tell from the moment she spoke that she had lived a life where she had to advocate—for herself, for her family, for her place in rooms that were not always welcoming.  Her chart said “multiple myeloma, R-ISS II,” but it did not say that she had first come to an emergency room at least a year earlier complaining of back pain and fatigue and had been told it was probably arthritis or old age. It did not mention that she had seen three different doctors before someone ordered the laboratory tests that finally began to work up her anemia and increasingly compromised kidney function. It would take another trio of doctors to eventually order a magnetic resonance imaging whose ghostly lytic lesions led down the path to a bone marrow biopsy and her cancer diagnosis. When I brought this up gently during one of our early appointments, she looked at me and said, “They don't hear pain the same when it comes from someone like me.” As a Black woman from the Deep South, she had grown up learning how to navigate a health care system that did not always believe her. She told me stories about being dismissed, misdiagnosed, and interrupted. She was born into an era of structural violence where she would be ignored at best and mistreated at worst. She carried the weight of those moments, but she also carried strength, and clarity, and the kind of dignity that made people sit up straighter in their leather chairs when she entered the room. She was one of the most quietly revolutionary people I have ever known, having grown up during a time of civil rights activism. She had even taken part in bending Dr King's long arc of the moral universe toward justice and could share story upon story from her glory days. Her myeloma treatments were not easy. Chemotherapy rarely is. She shared that there were days when her body was tired of fighting, when her bones ached, her blood counts dropped, and her neuropathic pain throbbed. In the back of my mind, I thought how tragic it was that her delayed diagnosis added unnecessary complications and whether she too thought of that. She was fully mindful of the issues people with her skin color faced in our American healthcare system and society as a whole and revealed how that motivated her to carry forward. “If I don't take up space here,” she told me once, “then someone else like me won't either.” Over the course of our visits, I came to understand that she did not see her myeloma as the hardest fight of her life. Not by a long shot. Her primary struggle was centered on life in Birmingham in the 1950s where separate but equal was still the law of the land; her mother cleaned houses, her father worked odd jobs, and her own prospects were uncertain. She admired the writings of Richard Wright and Jean Toomer and was not shy in sharing her passions. One day, during a particularly tough visit—her disease had progressed and we were down to limited options—I found myself meandering. We went through the usual workup and discussions: laboratory test results, symptoms, and treatment options. I offered the prospect of clinical trials, but she shook her head gently and said, “I've done my time in experiments—I can't give myself to a system that gave my people so little.” I paused. It was the first hint of what would become a larger conversation—not just about medicine, but about history. She was well aware of the atrocities of the Tuskegee syphilis trials in her home state, the Kligman experiments on incarcerated Black men, and the forced sterilization of women of color. As dependent upon medicine as she was in her old age, it carried a bloody stain of dehumanizing racism that soured her against it. Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Although I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust. And the truth is the health care system had not treated her well. She had personal stories of doctors who did not believe her pain, nurses who assumed she was uneducated,  and being passed over for better options, better care, and better answers. “But I kept showing up,” she said. “Because that's what we do. We show up even when we're not wanted.” Her stories to me were revelations. In her younger years, she had helped organize teachers at her school when they tried to fire a fellow Black teacher who seemingly spoke too loud in a meeting. She had lived through redlining, through the crack epidemic, through watching young Black men vanish into prisons, and still she rose every day and worked as a public school teacher for decades. She worked for a system that largely did not work for her. I came to admire that about her—that in simply living day-to-day life with plain dignity and acute awareness of society's issues, she promoted change by living it. “You want to talk about cancer?” she once said, half laughing. “Try walking into a bank in 1972 with a good credit score and a Black face. That's a disease this country still hasn't cured.” Curiously, she did not say these things with bitterness. Not even anger, really. Just clarity. Like someone who had long ago made peace with the truth, even if it was sharp. In clinic, she challenged my every assumption—about treatment tolerance, about compliance, about who is difficult, and who is “advocating.” And she taught me to look differently at the ways bias lingers in medicine. Not just in data or policies, but in subtle moments: the tone we use when explaining options, the hesitations in our tests and referrals, and the assumptions we may not even realize we are making. And she did not just expect good care—she demanded it. She told me early on, “Don't you treat me like I'm anything other than your mother.” That landed. And in seeing patients before me now, I remind myself to wonder who they were in their past lives, what baggage burdens them, and how it all shapes their perspectives. So from my view, she fought multiple myeloma with everything she had, but from hers, she fought something bigger: an entire system shaped by inequality. And ultimately, she made me better to realize that, not just as a doctor, but as a human being. In my years since knowing her, completing my training, and beginning my practice, I reflect on her grace. I think not just about her life, but what it means to practice medicine in a world that often forgets what patients carry with them into the clinic—generations of weight, of injustice, of strength. Mikkael Sekeres: Welcome back to JCO's Cancer Stories, The Art of Oncology. This ASCO podcast features intimate narratives and perspectives from authors exploring their experiences in oncology. I'm your host, Mikkael Sekeres. I'm Professor of Medicine and Chief of the Division of Hematology at the Sylvester Comprehensive Cancer Center, University of Miami. I am so happy that today we are joined by Adeel Khan, who's Assistant Professor of Medicine and Public Health at UT Southwestern in Dallas to talk about his Journal of Clinical Oncology article, “A Fight Bigger than Myeloma.” Our guest's disclosures will be linked in the transcript. Adeel, thank you so much for contributing to JCO and for joining us to discuss your article. Adeel Khan: Thank you so much for having me. It's a pleasure to be here. Mikkael Sekeres: Adeel, I don't want to be disingenuous to our readers by acting as if we've just met. You and I have known each other for a decade since you were still in your training. I wonder if for our listeners you can tell us a little bit about yourself, where are you from and and walk us through your career so far. Adeel Khan: More than happy to. So, I grew up mostly in Oklahoma, but I've sort of lived around in the Northeast and here in the Southwest where I am currently. I did college at the University of Oklahoma. I did medical school at the University of Michigan. I did residency with good fortune at the Cleveland Clinic where I happened to get to know you and have continued to know you since. I did my fellowship then in hematology oncology at Beth Israel Deaconess in the Harvard system and along the way of all that I did a Masters of Public Health at Harvard and a Masters of Science and Epidemiology at Columbia, and that pinball finally settled here to UT Southwestern here in Dallas which I am very happy to make my second home. Mikkael Sekeres: That's great. I will say just for our listeners you've been a superstar since the moment you were a resident. It's been a real treat for me to get to know you over the years. Adeel Khan: Thank you so much. Mikkael Sekeres: Can you tell us a little bit about your own story as a writer? You're a good writer. We get submissions from some really good writers every single week. It's a real privilege to be an editor for the Art of Oncology section and it's always reinvigorating to me to see how many good writers there are in medicine. How did you start your journey as a writer and how long have you been writing reflective narrative pieces? Adeel Khan: I would say if I went back to let's say high school, you know, people tend to be divided into kind of like the sciency types versus the literary arts types and you're kind of an either/or, you know, you didn't really have as much crossover then. But you know, I actually didn't mind when we had an essay due and I liked writing back then, and when I entered college I did a minor in English because I actually did enjoy that and I just liked the idea of being able to put your thoughts on paper in a way immortalizing them. Adeel Khan: And then as I sort of pursuing medicine more and more, publishing is really- it has all kinds of flavors to it and scientific publishing is obviously what has been emphasized, but you know, there's so many things to talk about within medicine. There's the science and the art of the field, and as I've moved along, I've written different pieces focusing really on patient stories and interactions. And I think my motivation has always been that as I have gotten particularly nowadays increasingly busy, I've had the fortune and misfortune of becoming more and more busy, it's easy to lose the opportunity to really connect with people that makes what we do meaningful. And so in those times when you know, and they can be rare, but when you really get to connect with someone in front of you who you're helping to care for, it's really refreshing and it's rejuvenating and I've tried to keep that with me as long as I can as I've gone through my journey. Mikkael Sekeres: There's a lot of jumping off points from what you just said, Adeel. I wonder if I can start with do you consider yourself an English major who's good at science or do you consider yourself a scientist who's a good writer? Adeel Khan: I think I'm too humble to say either. I think I was really a science major who just happened to like writing and reading and kept that as a part of myself. Mikkael Sekeres: Because I think there are a cadre of doctors who are actually English majors and have learned to turn science into storytelling and that's their entrée into science and medicine. I remember I talked for a while with David Scadden about this. He's a brilliant translational scientist who's based at Mass General who also teaches a writing course to the Harvard undergrads and who was an English major when he was an undergrad at Case Western. We've talked about this, about how there are people, I'll include myself in this, who just think different, who probably have these liberal arts brains and they figured out a way to convert science into a way a liberal arts person can understand it. Adeel Khan: Yeah, I mean narrative medicine has been I think around all along and it has only kind of been recently named as a field, but I mean it very much speaks to that that there's so much more than just G proteins in medicine. Mikkael Sekeres: I'm thrilled to hear that by the way. You mentioned you were an English minor. Are there particular writers who are an influence on you or can you talk about what's the most recent book or article you've read? Adeel Khan: Oh, that is a great question. Paulo Coelho is someone I've liked for a long time, The Alchemist. I really liked it because I read it after I had lived in Egypt. I lived in Egypt between college and med school as a study abroad program, and I had actually been to the Faiyum Oasis where the protagonist in that story ends up. And so it was just a fascinating story to me that I could trace some of the steps that are discussed in the book and it's so much- it's a story about self discovery which at that phase of life that I was in was you know, very much a theme of my own life. And so that's one that definitely stands out in my head. Mikkael Sekeres: Do you think reading pieces outside of medicine makes you a better scientist? Adeel Khan: I think absolutely. I think it makes you a better human being. In some ways I lament that so much of what I do reading now is so much just about what's in the field, what's new in myeloma, what's new in hematology oncology and I sort of miss the escape to reading other things and being able to pursue it. And even broader than just what a novel really offers. I mean, I grew up reading comic books too and I've always loved superheroes and fiction whether it's Star Wars and other things. And really they're just stories and the medium- there might be connotations whether it's a comic book or a or a novel, but they're just different mediums, but the fact that they're just stories is fundamental. I actually think to myself that it's so fascinating that the earliest piece of writing that we've really retained as human beings is we believe, the Epic of Gilgamesh, which is really a story of a superhero when you think about it, you know, and it's it's fiction, it's phantasmic in so many ways. But it speaks to how stories are just vital as people. Mikkael Sekeres: And what is it about graphic novels or my kids now of course call them graphic novels. We're not allowed to call them comic books. Adeel Khan: As they've been renamed, yeah. Mikkael Sekeres: What is it about graphic novels or comic books or the story of a hero that appeals to us in medicine? Adeel Khan: I think it's in some ways a parable of what we're doing. There's something so powerful and fundamental about this idea of good-evil and we can rename it in different ways, but that you're trying to overcome something that's an issue, an obstacle. And when you think about what we do in- particularly in oncology, that's very much what we're trying to do. We're trying to overcome an illness, a disease, to try to help the person in front of us. And it has different aspects to it. It could be someone pursuing something in a lab, it can be treating someone in front of you in clinic, but that simple dichotomy of there's something good about what you're doing because there's something bad in front of you is just the fundamental that runs through it all. Mikkael Sekeres: It's fascinating. I wonder if 30, 40, 50 years ago people would have said, “Oh, it's because the doctor is the hero,” but we don't view ourselves that way anymore. The patient is the hero. I love how you posit this as a good versus evil, the evil of course being cancer and the good everything that our patients do and that we try to to help to do to overcome that. Adeel Khan: For sure. Mikkael Sekeres: You wrote a really great essay about a woman who was a patient of yours. Can you tell me a little bit about what inspired you this time to make this connection and to write about this woman? Adeel Khan: Within the past year or so as I had been just really- the fortune and misfortune of getting busier, I lamented that I just wasn't able to spend as much time with patients in the way that I used to. One of the beauties of medical school and you know, to some degree residency and certainly fellowship is that you just have a little bit more time as a trainee, student and trainee where you can really bond with your patients I think a little bit more. And so in trying to kind of refresh my motivation, I was thinking about just kind of randomly some stories that I've kept in the back of my mind and this patient's story is one that stood out to me as I was recalling things. It was so fascinating to me because she had the disease which I now focus on. And the way that she viewed it and the way that she viewed it as a part of her life was just so different than what I think most people think of. And in that way it was very revitalizing that her focus in her life was part of a broader theme of the way that I think she viewed society. And this was just one piece of her own part of that much, much larger puzzle. Mikkael Sekeres: You really write lovingly about her and about how meaningful her context was in how you cared for her and what her experience was in the medical system. I wonder if I can read a little bit of what you wrote because it really did grab me as well. I'm going to start out by quoting you where you say, “Outwardly, I had little in common with her. As a young South Asian man growing up in times more conscious of racial injustice, I was far removed from these historical crimes. Though I learned of them during my education, I did not internalize their impact on the patients in front of me in clinic. But through her, I came to comprehend just how scarring and enduring these events can be and how they can rob someone of trust.” Wow, there's a lot there. Could you start with what was your perspective as a young South Asian man growing up in Oklahoma and what your view was of racial injustice compared to what her experience was of racial injustice? Adeel Khan: Yeah, I have to admit I don't know that I thought that much of it back then and I think that that's part of what it is. You know, being someone who was South Asian, I'm Pakistani, I have Indian roots, and coming into American history and as we learned about it there's so much about slavery and the theme of slavery unfortunately and and the struggles that enslaved peoples have. And you know, as a relatively recent immigrant, I didn't see myself in that narrative. I didn't see myself in that historical reality. But I knew about it intellectually, you know, I knew about the Tuskegee Syphilis Experiments, you know, I learned about all these things and and you learned about how atrocious so much of it is. But again, not being so directly connected, I did not put myself in that same role as someone to view it so close to myself. I will say it hit a little bit more after 9/11 when you know, I was randomly stopped at airport security a little bit more often in those days and again, I think that speaks to racial injustices, you know, I was certainly profiled looking back then, I've been held by TSA in the past, but even that is very minor compared to what African Americans have dealt with here. And this patient in just kind of sharing her tidbits during our time together, I was not directly asking her so much of this. She was really offering a lot of it to me as we would talk and she would be very generous in sharing parts of her story. And over time I kind of understood the broader narrative of her life. You know, it was clear how much of all that was actually in the forefront of her head. Adeel Khan: And I think she might have been a little bit more unique in the way that she kept it there, but she was hyper vigilant of issues of society and the roots that brought a given society to where it is here. I kind of got to know her, this is during the COVID pandemic and this was after the injustice of what happened to George Floyd and so it was a theme that I think people were talking about more and so I think she felt comfortable in saying really what was quite a bit that was stewing in the back of her head seemingly at all times. Mikkael Sekeres: It's so interesting you talk about what you endured after 9/11 as being, I'm going to quote you now, “minor” compared to what she's been through, but even a minor affront like that can really compromise your trust. You write about her, “As a Black woman from the deep South, she had grown up learning how to navigate a healthcare system that did not always believe her.” Can you expand on that a little bit? How is it that the healthcare system didn't believe her and what can we do going into interactions with patients from different backgrounds where we're incorporating that there's a compromise of trust and we have to make up for that? Adeel Khan: Yeah, and I think you know, it's so unfortunate that so many people have stories like this where, in her case really it was back pain that was her presenting symptom. This is long before she knew me. And she'd had the back pain for quite some time, but being an older woman, she was in her 70s at that time, she was not in phenomenal health for other reasons. It sounds like she was just kind of ignored, told that it was old age, tendon changes, she did not have meaningful imaging for some time. When she finally did after seeing a slew of different providers, that's when it was revealed like there's something more significant here. And then when you kind of piece that a little bit retrospectively and I think she certainly sensed this and I did when I- hindsight's always 20/20, when I looked through things, it's like, well, this probably could have been caught much earlier. It's just that no one really I think listened to what she was speaking to with her pain and the gravity that was actually behind it. And it just speaks to the fact that I think we have to be more thoughtful in what we take away from patients and not to ignore even small comments because they might be revealing of something much bigger behind them. Mikkael Sekeres: You quote her, you have some really great quotes in your essay where you just listen to what she says and transcribe it because what she says is very meaningful. And one of the quotes you provide from her is, “They don't hear pain the same when it comes from someone like me.” Wow. “When it comes from someone like me,” someone like her, how was it that people weren't hearing her description of pain, something that was different that was going on in her body and how can we be more attentive to people when they complain about things like pain? Adeel Khan: It's unfortunate that there's even known data to show how depending upon a patient's melanin content in their skin, how likely they are to get pain medications and what happens to them is different and this is an unfortunate example of that where I think she just wasn't heard properly. And so it wasn't addressed properly and she was not shy about saying that. I mean I think she sensed that. She was very clear in feeling that herself and in wanting to have better care, she was still prevented and hence why she had to go from provider to provider. Mikkael Sekeres: You've lived in a bunch of different places in the country. I mean, following your path, you've been in Oklahoma, you've been in Michigan, Ohio, Massachusetts, and now Texas. Do you think that we as providers have to have different levels of sensitivity depending on where in the country we're practicing and how some of our patients' trust in healthcare may have been compromised in those different parts of the country? Adeel Khan: I think absolutely. I mean this particular patient was from Alabama which has a heavy history that she was again very aware of and for those of us reading history books are also very aware of too. And it's interesting how, while the U.S. is in some ways- has some aspects that are monolithic, but it's very much not so. It's very patchy and people are different, you know, if I take one theme that we're talking about here is obviously racial injustice, but if you take something like obesity, you know, prevalence rates are very different throughout the country and attitudes surrounding it are also very different. And I think we do- ought to be mindful that in treating the patient in front of us, it's not done without context. And so how they view their illness and their situation is going to be different depending upon the state, depending upon the city, depending upon actually even the era that they grew up in. So I would say now, if you took actually a similar patient, but you put her in a very modern context post-year 2000, she's likely to have different feelings of the situation around her than someone who was born in this case in the 1940s. And that just speaks to the fact that circumstances change and we should be recognizing that as providers, even though it's not always easy to. Mikkael Sekeres: Well, it just emphasizes how very important it is to know the history of the place where we practice and how it's affected our patients' perceptions of healthcare and trust and being cared for, particularly now as there's such a movement to whitewash that history and eliminate it from major institutions like the Smithsonian. It has been such a pleasure to have Adeel Khan here. He is Assistant Professor of Medicine, Public Health at UT Southwestern in Dallas and wrote just a great JCO article called “A Fight Bigger Than Myeloma.” Adeel, thank you so much for submitting your article and for joining us today. Dr. Adeel Khan: Thank you so much for having me. It's been a pleasure. Mikkael Sekeres: If you've enjoyed this episode, consider sharing it with a friend or colleague or leave us a review. Your feedback and support helps us continue to have these important conversations. If you're looking for more episodes and context, follow our show on Apple, Spotify, or wherever you listen and explore more from ASCO at ASCO.org/podcasts. Until next time, this has been Mikkael Sekeres for JCO Cancer Stories: The Art of Oncology. The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. Guest statements on the podcast do not express the opinions of ASCO. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Show Notes Like, share and subscribe so you never miss an episode and leave a rating or review.  Guest Bio: Dr Adeel Khan is an Assistant Professor of Medicine and Public Health at UT Southwestern.

Summary In this episode of Sustainability Stories, Scott Poynton shares his experiences in Nakpatua, Ghana, where he introduces biochar to local farmers. The conversation explores the farmers' initial understanding of biochar, their observations during trials, and the potential benefits of using biochar in agriculture. The episode highlights the community's engagement and the promising future of biochar in enhancing soil health and resilience against climate change. Takeaways The farmers in Nakpatua had little knowledge of biochar before its introduction. Biochar is made from agricultural waste and helps retain water in soil. Farmers are eager to learn and observe the effects of biochar on their crops. Mixing biochar with manure is a favored method among farmers. Farmers are not nervous about using biochar due to positive past experiences with charcoal. Biochar can increase crop yields by 20-30%. The longevity of biochar in soil is a significant advantage over chemical fertilizers. Farmers are encouraged to experiment with biochar in their gardens and fields. The community's trust in Scott Poynton's initiatives is strong due to past successes. The future of biochar in Nakpatua looks promising as farmers continue to learn and adapt. Sound Bites "You do get benefits just with biochar." "They have no doubt at all." "I think it's going to be great."  

Bitter water turned sweet isn't just an ancient story—it's a map for modern hearts carrying pain. In this powerful session, we explore Jehovah Rapha, the God who heals, and what healing looks like when cures delay, when diagnoses sting, and when faith must endure through the night. From Exodus 15's bitter waters of Marah to the cross that reframes every wound, we trace how God's ways—not only His acts—teach us to pray, to persist, and to find our identity beyond our symptoms.We walk through four portraits of faith that reveal the many faces of healing. The centurion models authority under authority: “Just say the word,” and a distant servant is restored. Hezekiah turns his face to the wall and receives fifteen more years, showing how lament, memory, and bold appeal meet mercy. A Gentile mother absorbs silence and offense without turning away, answering “Yes, Lord” and reaching for crumbs that become a feast of grace. A tormented boy is set free when Jesus rebukes an unclean spirit, and the disciples learn that some breakthroughs require both prayer and fasting. Along the way, we wrestle honestly with resistance to healing—how sin can harden us, how suffering can serve God's glory, and how not every struggle is a verdict against us.Eben also shares lived stories—from Ghanaian villages with no clinics to a prison chapel filled with men asking for prayer—where the Word becomes medicine and community becomes a lifeline. Each story shows that God's healing power is not limited by circumstance, geography, or time.Whether your battle is physical, emotional, or spiritual, this teaching invites you to keep asking, keep hoping, and refuse offense. Open your Bible, steady your heart, and bring your need to the God whose very name is Healer. Come discover what it means to encounter Jehovah Rapha—the One who restores, renews, and redeems every broken place.We are Trinity Community Church in Knoxville, Tennessee.Subscribe to our Podcast & YouTube channel to find past sermons, classes, interviews, and more!Find us on Facebook & Instagram

Join us for this week's Above Average FPL Podcast!In this episode, Adam and Baker discuss: - The impact of the recent international break on player performance - Standout players like Semenyo and the Newcastle defense - Coming soon! THE PROCESS - with insights from Ivan on long-term strategies and the decision-making process in FPL - Game week scores, including a deep dive into Tottenham's struggles and Arsenal's strong showing Don't miss the banter and analysis that can help you navigate your FPL team! Support the Show • Become a patron: https://patreon.com/aboveaveragefpl • Rate & review on Spotify, Apple Podcasts, or your favourite platform • Join our Discord for 24/7 FPL banter Learn more about your ad choices. Visit podcastchoices.com/adchoices

Howard K. French, professor, journalist and bestselling author talks about his new book "Second Emancipation" with Host Llewellyn King and Co-host Adam Clayton Powell III. The book is the second installment in a trilogy, which refers to the brief period beginning in 1957 when a slew of African colonies became countries. The liberation, French writes in his book, was at the center of a "movement of blackness," led by Ghana's charismatic first president, Kwame Nkrumah. 

Ranking Member of the Parliamentary Select Committee on Communications, Matthew Nyindam, has accused Communications Minister Sam Nartey George of deceiving Ghanaians with an irrelevant DSTV price review. He insists that the Minister must render an unqualified apology to the Ghanaian people.

Parents of Ghanaian students studying abroad on government scholarships are appealing to the government to release funds for the payment of fees.

E421 – Inner Voice: A Heartfelt Chat with Dr. Foojan & Sarodah Aboagye Welcome to Episode 421 of the Inner Voice Podcast with Dr. Foojan Zeine! In this deeply moving and transformational conversation, Dr. Foojan welcomes therapist, speaker, and author Sarodah Aboagye to share her inspiring healing journey—from surviving trauma and cultural isolation to embracing love, forgiveness, and living with purpose. This heartfelt discussion explores powerful themes like trauma recovery, emotional healing, panic attacks, anxiety recovery, cultural assimilation, and the immigrant experience. Sarodah opens up about her journey as an African immigrant woman, survivor of abuse, and now advocate for emotional intelligence, self-love, spiritual awakening, and mental health awareness. Whether you're navigating childhood trauma, healing your identity, or trying to find your voice, this interview offers relatable insights, hope, and healing. Discover how forgiveness therapy, writing as therapy, and awareness integration can help you move from suffering to strength.

Ohemaa Akosua made the leap from flight attendant to full-time content creator during the early days of COVID, and hasn't looked back since. In this episode, she shares how she's landed dream brand deals, built a community that cares, and represented proudly as a Ghanaian creator in the micro-influencer space. We also get into her content workflow, her favorite tools, and why Pinterest deserves a bigger seat at the creator table.Follow Ohemaa on Instagram, TikTok, and Pinterest @aqousuahh.

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/lgbtq-studies

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices

Headstrong: Women Porters, Blackness, and Modernity in Accra (U Pennsylvania Press, 2025) explores the experiences of women porters, called kayayei, in Accra, Ghana. Drawing on a decade of fieldwork, anthropologist Laurian R. Bowles shows how kayayei navigate precarity, bringing into sharp relief how racialization, rooted in histories of colonialism and enslavement, undergirds capital accumulation in Ghana. Bowles's ethnographic storytelling follows these women through their work as human transporters at Ghanaian markets. In creatively reappropriating public spaces as private sanctuaries, and in reimagining expected social relations through the cultivation of liberatory same-sex intimacies, kayayei develop ways to cope with the demands of their arduous labor while refusing narratives of victimhood projected on African women. Bowles's analysis of the emotional labor of the gig economy in Africa shows how the infrastructure anxieties of a modernizing city intersect with the complexities of blackness in a racially homogeneous nation, uncovering how antiblackness emerges in everyday public discourse, development agendas, and privately expressed anxieties about labor, gender, and sexual politics in Accra. Illustrating how race, sexuality, and gender manifest in daily life, Bowles centers kayayei, often perceived to be obstacles to progress and modernity, at the forefront for understanding urban Ghana's aspirations and anxieties about what it means to be a modern African country. Grounded in African feminist theory and Black feminist ethnography, Headstrong uses women's narratives as the central analytic for understanding the look and feel of modernity in Accra, challenging long-standing notions of gender, race, and desire in Africa. Laurian Bowles is the Vann Professor of Racial Justice and Associate Professor & Chair of the Anthropology Department at Davidson College. Jessie Cohen earned her Ph.D. in African History from Columbia University and is Assistant Editor at the New Books Network Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/book-of-the-day

A group of deportees from the US have sued the Ghanaian government, alleging they've been detained illegally. We talk to the lawyer representing these deportees and ask what legal framework underpins this US-Ghana deportation deal? And how does this situation tests the principles of human rights? Also in the programme: The BBC has managed to get rare access into Sudan's oil-rich Kordofan region, which has turned into a major front line in the war between the army and rival paramilitary forces. We hear about the people caught up in the fighting.And a 3000-year-old bracelet has been stolen and melted down in Egypt, raising questions about how the country protects its artefacts.Presenter: Charles Gitonga Producers : Yvette Twagiramariya, Patricia Whitehorse and Makouchi Okafor Senior Producer: Sunita Nahar Technical producer: Jonathan Greer Editors: Andre Lombard, Samuel Murunga, Maryam Abdalla and Alice Muthengi

In this episode, we'll meet Andrew Assuah, a teacher from Ghana who has come to Greenville to teach French in our public school system. In our discussion, Andrew will share about his dreams for himself and his family as well as the principles he lives by. He'll also give us a glimpse into the differences between how American children and Ghanaian children view their education. Welcome to this very special series, New Roots, New Voices: Listening to Our Immigrant Neighbors, where we will listen to and lift up the voices and stories of local immigrants here in Greenville, South Carolina. Find a full transcript and show notes HERE.This immigration series is done in partnership and collaboration with Village Engage and Greenville Immigration and Faith Coalition.Sign up for our newsletter and join us at The Inclusive Community to discover conversations, insights, and practices to encourage and support each of us working to build a more inclusive and equitable community.If you would like to help continue and grow our work, please visit our Support Us page. 

Discover more Sincerely Accra!To greet that snobbish elder or not to greet? Ghanaian social norms have dictated facets of Ghanaian youth culture for years. Throw in respectability politics from Ghanaian family circles and we'll be here all day. Joseph breaks it all down with Nubuke and Vinod. Press Play!Opening Music Oshe - Reynolds The Gentleman ft. Fra!Music BridgesJolie EDM Remix - BiQoKwa Appiah Gyina So - Pure AkanForeign - BiQo Chokehold - BOYD Music CloserZANGELEWA - Amos K & Bravo ISRA GCR Production - Africa's Premiere Podcast Network

Waterloo Road star Tillie Amartey joins Johnny Seifert on Secure The Insecure Podcast this week.Tillie reflects on her Ghanaian heritage and what gratitude has meant to her. She also spills all the gossip on Waterloo Road, where she stars as Stacey Neville, including which school year Stacey is supposed to be in. Plus, Tillie opens up about her experience with varicose veins and how The Vein Centre supported her.For more information on The Vein Centre visit: www.theveincentre.comSecure The Insecure is the celebrity mental health podcast that airs on Mondays available to watch on Youtube or listen to on Apple Podcasts and Spotify. Make sure you subscribe/rate/review where you are watching or listening to Secure The Insecure.Follow Johnny Seifert on Social Media:Instagram: www.instagram.com/johnnyseifertInstagram: www.instagram.com/securetheinsecurepodcastTikTok www.tiktok.com/johnnyseifert92 Hosted on Acast. See acast.com/privacy for more information.

Comedian Michael Blackson, the self-proclaimed “African King of Comedy,” sat down with Madd Hatta on Houston's Majic 102.1 for a raw and hilarious conversation about his journey from struggle to success. Blackson opened up about his tough childhood after immigrating from Ghana, recalling the culture shock of Newark, New Jersey, where he was teased for his accent, dark skin, and even his “$9.99 chicken flavor sneakers.” Though the ridicule made him self-conscious, a move to Philadelphia sparked a transformation as he saved up money working at Domino's, reinvented his image, and began finding his comedic voice—even after losing his job and stability for putting comedy first. His perseverance paid off with a breakthrough role in Next Friday and a career that's since made him “rich forever.” Beyond the laughs, Blackson shared his pride in giving back, including building a free school in his Ghanaian village, a dream partly funded by one epic Houston weekend where 12 sold-out shows covered 25% of the project. For Blackson, Houston holds a permanent place in his story and schedule.

Former Arsenal midfielder Thomas Partey has denied raping two women and sexually assaulting a third. The Ghanaian international pleaded not guilty to five counts of rape and one charge of sexual assault when he appeared before the Southwark Crown Court

In this latest episode of Luxe Stories, Pauline Brown sits down with Pulitzer Prize–winning fashion critic Robin Givhan to explore the remarkable legacy of Virgil Abloh, one of the most influential cultural figures of the 21st century. Givhan—who has written for The Washington Post, Harper's Bazaar, Vogue, Essence, New York Magazine, and The New Yorker—discusses her new book, Make It Ours: Crashing the Gate of Culture with Virgil Abloh. During the conversation, Robin reflects not only on Abloh's meteoric rise, but also on the evolution of the fashion industry itself, and how it provided space for a creative disruptor to reshape its very codes.Together, they trace Abloh's journey from his roots as the son of Ghanaian immigrants in Rockford, Illinois, through his training in engineering, architecture, and music, to his pivotal collaborations with Kanye West and eventual ascent to become Louis Vuitton's first Black artistic director. Robin considers how Abloh democratized—and at times destabilized—the world of luxury, and why his unfinished story continues to shape the way we think about fashion, culture, and creativity today.Tune in for a fascinating conversation on fashion, culture, and legacy—and how they were redefined by one visionary force.

In this episode of Nurse Converse, host Ama Mathewos talks with nurse innovator Farida Labaran about her journey co-creating the first satin-lined scrub cap with FIGS. Farida shares how her passion for natural hair, creativity, and nursing came together to design a product that protects hair, boosts confidence, and represents inclusivity in healthcare. From navigating corporate partnerships to drawing on her Ghanaian heritage for design inspiration, she reveals how innovation can be both purposeful and empowering—encouraging nurses and listeners alike to believe in their ideas and create change.>>Nurse Co-Creates FIGS Satin-Lined Scrub Cap That Protects HairJump Ahead to Listen:[00:02:07] Co-creating a scrub cap.[00:04:05] Creating custom scrub caps.[00:09:30] Embracing natural hair confidence.[00:11:49] Confidence and self-care during crisis.[00:19:07] The meaning behind the scrub cap.[00:20:46] Community in healthcare design.[00:25:37] Inclusion in design for minorities.[00:27:39] Healthcare professionals' mental health.[00:31:34] Nurse support and resources.Connect with Ama on LinkedInConnect with Farida on LinkedIn and on social media:Instagram: @reeedz__ @naturalhairbestieTikTok: @reeedz__For more information, full transcript and videos visit Nurse.org/podcastJoin our newsletter at nurse.org/joinInstagram: @nurse_orgTikTok: @nurse.orgFacebook: @nurse.orgYouTube: Nurse.org

US President Donald Trump has repeatedly said he wants the United States to take control of Greenland. It's reignited passions in the territory on the topic of independence — not just from the US, but from Denmark. Also, a government commission in Peru has voted to nix plans for a vast 3 million acre conservation reserve in the Amazon that would have protected uncontacted peoples there. And, a rapper who was born in Greece to Ghanaian parents calls out Greece's lack of birthright citizenship as “racist.” Plus, the Women's International Motorcycle Association celebrates 75 years on the open road.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

Charlène Osei-Mensah joins us for a fun episode where we compare notes on romance across cultures. Are Ghanaian men really unromantic? What does romance even mean in Ghana vs other places? Expect stories, laughs, and a few truths you might not want to hear

Discover more Sincerely Accra!What does it mean when a Ghanaian says, "Feel Free"? Vox Pops are back! Press Play! Opening Music Oshe - Reynolds The Gentleman ft. Fra!Music Bridges Rap Attack - Sarkodie ft. Vector Best for You - Manifest ft. LadipoeWala aboloo - Soul Winners Sunday School Vibes - Kyei Mensah All Types of Bread - Flava and Kwamz Suzzy Williams - Joey BHarmattan - Gyakie ft. Shatta Wale Joseph's Two Cents Bridge Tempo - Reynolds The Gentleman ft. Efya Music CloserY2K Luv - Gyakie ft. Omar SterlingA GCR Production - Africa's Premiere Podcast Network

We revisit a conversation we had in 2023 with Pinaman Owusu-Banahane, the Founder and CEO of ADJOAA, a curated multi-brand online marketplace specialising in premium and sustainable fashion and lifestyle products made by African designers and Black-owned businesses. Pinaman shares her journey as a young Ghanaian woman who emigrated but found her way back home again, determined to establish a tech business that would uplift fashion designers and artisans across the Continent to improve their livelihood and promote the use of sustainable practices.  During our conversation, Pinaman answers questions on, among other things:   * why she launched ADJOAA and the problem it is trying to solve;   *  the entrepreneurial and start-up space in Ghana;   *  the successes ADJOAA has been able to realise to date; and   *  the challenges of creating an online marketplace that connects Africa to the World.   The episode, show notes and links to some of the things mentioned during the episode can be found on the ICT Pulse Podcast Page (www.ict-pulse.com/category/podcast/)       Enjoyed the episode?  Do rate the show and leave us a review!       Also, connect with us on: Facebook – https://www.facebook.com/ICTPulse/   Instagram –  https://www.instagram.com/ictpulse/   Twitter –  https://twitter.com/ICTPulse   LinkedIn –  https://www.linkedin.com/company/3745954/admin/   Join our mailing list: http://eepurl.com/qnUtj    Music credit: The Last Word (Oui Ma Chérie), by Andy Narrell Podcast editing support:  Mayra Bonilla Lopez   ---------------

This week's topics: • Personal Anointings • Facebook for friendship connections • Being old and boring • Having or not having hobbies • Visiting siblings • Carnival cancelled? • Average Speed Cameras leeway • Galivanting around Paris • Holiday hospitalisation • Ghanaian women and Ghanaian men • First dates • Most important event for spouses • 10 year anniversary talk • Hiding something about your nephew/niece from your sibling • Humble first date • Single people taking HIV Prep drug for prevention • Serena Williams weight loss drug issues • Gaining weight • Childbirth's effect on women's body • AI adverts getting realer • Electric v CGE • Internal Combustible Engines • Real cars v Fake lables Connect with us at & send your questions & comments to: #ESNpod so we can find your comments www.esnpodcast.com www.facebook.com/ESNpodcasts www.twitter.com/ESNpodcast www.instagram.com/ESNpodcast @esnpodcast on all other social media esnpodcast@gmail.com It's important to subscribe, rate and review us on your apple products. You can do that here... www.bit.ly/esnitunes

This week on the Primo show, Jesse and Katie discuss Joseph Awuah-Darko, a Ghanaian artist and influencer who announced his intention to seek assisted suicide, and invited people to dine with him in his last months.Joseph on InstagramJoseph Awuah-Darko's spreadsheet of emotion: 'Bipolar, colour and me'Can Artist Kehinde Wiley Survive Sexual Assault Accu… To hear more, visit www.blockedandreported.org

On this week's show, Julia Turner is joined by guest hosts Nadira Goffe and Dan Kois to answer the urgent question: is The Naked Gun starring Liam Neeson and Pamela Anderson the vital satire we need for our time? (Answer: No, but does that matter? The joke-dense spoof reboot directed by Akiva Schaffer is a hoot.) Next, they turn to tropical shores and talk about Chief of War, the epic series about Hawaiian history starring and produced by Jason Momoa. Finally, the panel examines the legacy of the musical Hamilton on its ten-year anniversary. Is it a naive Obama-era cringefest or an enduring piece of theater that still has much to say about American democracy? In an exclusive Slate Plus Bonus episode, Julia and Nadira grill Dan about the creation of Slate's newest game Pears and discuss the state of the internet game ecosystem.     Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Nadira: The new album BLACKSTAR by Ghanaian and American singer and songwriter Amaarae. Julia: Jurassic Park at the Hollywood Bowl accompanied by the LA Philharmonic. If not that, stream on a screen near you. Dan: Quitting your job. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's show, Julia Turner is joined by guest hosts Nadira Goffe and Dan Kois to answer the urgent question: is The Naked Gun starring Liam Neeson and Pamela Anderson the vital satire we need for our time? (Answer: No, but does that matter? The joke-dense spoof reboot directed by Akiva Schaffer is a hoot.) Next, they turn to tropical shores and talk about Chief of War, the epic series about Hawaiian history starring and produced by Jason Momoa. Finally, the panel examines the legacy of the musical Hamilton on its ten-year anniversary. Is it a naive Obama-era cringefest or an enduring piece of theater that still has much to say about American democracy? In an exclusive Slate Plus Bonus episode, Julia and Nadira grill Dan about the creation of Slate's newest game Pears and discuss the state of the internet game ecosystem.     Email us your thoughts at culturefest@slate.com.  Podcast production by Benjamin Frisch. Production assistance by Daniel Hirsch. Endorsements: Nadira: The new album BLACKSTAR by Ghanaian and American singer and songwriter Amaarae. Julia: Jurassic Park at the Hollywood Bowl accompanied by the LA Philharmonic. If not that, stream on a screen near you. Dan: Quitting your job. Learn more about your ad choices. Visit megaphone.fm/adchoices

CISA issues an Emergency Directive to urgently patch a critical vulnerability in Microsoft Exchange hybrid configurations. SoupDealer malware proves highly evasive. Google patches a Gemini calendar flaw. A North Korean espionage group pivots to financial crime. Russia's RomCom exploits a WinRAR zero-day. Researchers turn Linux-based webcams into persistent threats. The Franklin Project enlists volunteer hackers to strengthen cybersecurity at U.S. water utilities. DoD announces the winner of DARPA's two-year AI Cyber Challenge. The U.S. extradites Ghanaian nationals for their roles in a massive fraud ring. Our guest is Steve Deitz, President of MANTECH's Federal Civilian Sector, with a look at cell-based Security Operations Centers (SOC). AI advice turns dinner into a medical mystery. Remember to leave us a 5-star rating and review in your favorite podcast app. Miss an episode? Sign-up for our daily intelligence roundup, Daily Briefing, and you'll never miss a beat. And be sure to follow CyberWire Daily on LinkedIn. CyberWire Guest On today's Industry Voices, we are joined by Steve Deitz, President of MANTECH's Federal Civilian Sector, as he is  discussing  the cell-based Security Operations Center (SOC) approach. Check out the full conversation from Steve here. Selected Reading Understanding and Mitigating CVE-2025-53786: A Critical Microsoft Exchange Vulnerability (The DefendOps Diaries) CISA Issues Urgent Advisory to Address Microsoft Exchange Flaw (GB Hackers) SoupDealer Malware Evades Sandboxes, AVs, and EDR/XDR in Real-World Attacks (GB Hackers) Google Calendar invites let researchers hijack Gemini to leak user data (Bleeping Computer) North Korean Group ScarCruft Expands From Spying to Ransomware Attacks (Hackread) Russian Hackers Exploited WinRAR Zero-Day in Attacks on Europe, Canada (SecurityWeek) BadCam: New BadUSB Attack Turns Linux Webcams Into Persistent Threats (SecurityWeek) DEF CON hackers plug security holes in US water systems (The Register) DARPA announces $4 million winner of AI code review competition at DEF CON (The Record) 'Chairmen' of $100 million scam operation extradited to US (Bleeping Computer) Guy Gives Himself 19th Century Psychiatric Illness After Consulting With ChatGPT (404 Media)  Audience Survey Complete our annual audience survey before August 31. Want to hear your company in the show? You too can reach the most influential leaders and operators in the industry. Here's our media kit. Contact us at cyberwire@n2k.com to request more info. The CyberWire is a production of N2K Networks, your source for strategic workforce intelligence. © N2K Networks, Inc. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pulitzer Prize-winning critic Robin Givhan talks with Tonya Mosley about her new book, Make It Ours: Crashing the Gates of Culture with Virgil Abloh. It's a powerful look at the life and influence of the late designer, who made history as the first Black American artistic director of menswear at Louis Vuitton. Givhan reveals how Abloh, the son of Ghanaian immigrants and a digital native, shaped by hip hop and skate culture, was able to penetrate fashion's elite barriers and redefine who gets to belong.Also, film critic Justin Chang reviews the summer blockbuster F1 starring Brad Pitt.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy