Podcasts about ghanaian

Derek Fordjour was born in Memphis, Tennessee to Ghanaian parents. He is the recipient of the 2025 Gordon Parks Foundation Artist Fellowship, the 2023 St. Jude Children's Research Hospital Spirit of the Dream Award, and previously served as the Alex Katz Chair at Cooper Union. He has received public commissions for the Highline, the NYC AIDS Memorial, MOCA Grand Avenue and the MTA's Arts & Design program. Fordjour's work has been reviewed in The New York Times, Financial Times, The Wall Street Journal, and The Los Angeles Times. A monograph of his work will be published by Phaidon in 2027.He is a graduate of Morehouse College in Atlanta Georgia, earned a Master's Degree in Art Education from Harvard University and an MFA in painting from Hunter College. His work is held in the private and public collections of the Metropolitan Museum of Art, Whitney Museum of American Art, Guggenheim Museum, and The Royal Collection in London among others. He is the founder of the Contemporary Arts Memphis.He and Zuckerman discuss his work, particularly his exhibition “Night Song,” identity, memory, and community, how art can evoke emotional responses and create shared experiences, his creative process, the importance of collaboration, his commitment to giving back to the community through his foundation in Memphis, and how art is life!

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/political-science

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-studies

It's now synonymous with music, festivals, and non-stop year-end celebrations. But beyond the glitter, Ghana and Nigeria are competing for bragging rights, tourism revenue, and cultural influence. AfricaLink host Adwoa Tenkoramaa Domena talks to Ghanaian entertainment analyst Erskine Whyte, and DW's Nigeria correspondent Abiodun Jamiu to explore what pulls the diaspora back home to party.

What is political independence? As a political act, what was it sanctioned to accomplish? Is formal colonialism over, or a condition in the present, albeit mutated and evolved? In Critique of Political Decolonization (Oxford UP, 2023), Bernard Forjwuor challenges what, in normative scholarship, has become a persistent conflation of two different concepts: political decolonization and political independence. This scholarly volume is an antinormative and critical refutation of the decolonial accomplishment of political independence or self-determination in Ghana. He argues that political independence is insufficiently a decolonial claim because it is framed within the context of a country, where a permanent colonial settlement was never deemed necessary for the consolidation of future colonial political obligations. So, while territorial dissolution was politically engineered by Ghanaians, the colonial merely reconstitutes itself in different legal and ideological forms. Forjwuor offers new methodological, theoretical, and conceptual approaches to engaging the questions of colonialism, political independence, political decolonization, justice, and freedom, and constructs multiple conceptual bridges between traditional disciplinary fields of inquiry including politics, history, law, African studies, economic history, critical theory, and philosophy and political theory. Using the Ghanaian experience as a rich case study, Forjwuor rethinks what colonialism and decolonization mean, and asserts that decolonization is primarily a question of justice. Bernard Forjwuor is an Assistant Professor of Africana Studies at the University of Notre Dame. He is a scholar of black political thought, and his research focuses on the philosophical, critical, and theoretical claims advanced by global black political thinkers. His recent work challenges the ways the colonial and the racial are routinely affirmed as extinguished in the liberal democratic affirmation of sovereignty.

Minister for Foreign Affairs Samuel Okudzeto Ablakwa has announced that the Latvian Foreign Ministry has responded to Ghana's request regarding Nana Agyei Ahyia's case, confirming its readiness to receive a Ghanaian delegation in Riga on January 20, 2026.

GPL clubs are the backbone of Ghanaian football. It is unfair to expect them to help generate funds for the sports fund and then exclude them from the benefits. There must be a law guaranteeing funding for every GPL club that qualifies for African competitions. - Collins Atta Poku, CEO of Aduana FC.

Conversations on national issues of interest to the regular Ghanaian

Season's Greetings Glocal Citizens! I met this week's guest, Derrick N. Ashong, earlier this year in Nairobi at the Charter Cities Institute, 2025 New Cities Summit (https://youtu.be/d9XUzdxKmzo?si=FbITjI8Git8kEb9Q). At the summit, we connected as storytellers that share Ghanaian heritage and formative years spent in Brooklyn, New York. In a glocal citizenship twist, we later came to find that we met virtually years prior through mutual connections in the media and arts spaces. Derrick's work leverages his international upbringing which informs his company's vision for Turning Culture into Currency for creators and fans worldwide. He does this as founder and CEO of TBTM, a media fintech that uses content to onboard global audiences to inclusive financial solutions, with partners like Mastercard. While still a student at Harvard, he played a supporting role in Steven Spielberg's Amistad, and went on to top charts with his band, winning a Billboard Songwriting Award. As a host and producer, he pioneered multi-platform interactive content with Oprah Winfrey, and major media platforms including ABC-Disney and Univision, earning three Emmy nods and a Royal Television Society Award. His original Take Back the Mic television series has won seven major international awards and achieved 1.1 Billion media impressions worldwide. He has delivered electrifying speeches on issues of Youth Culture and Tech for UK Parliament, the United Nations, and the world's most elite business schools, including Harvard, Stanford, MIT, Wharton, Cambridge and London School of Economics. He has interviewed celebrities and global luminaries ranging from Archbishop Desmond Tutu and Kofi Annan, to Zoe Saldaña, Kevin Hart and Steven Wozniak, among others. Most recently, he has delivered keynote speeches for Mastercard, Mobile World Congress in Barcelona and Kigali, as well as SuperReturn Africa--the continent's top investment forum. In this conversation we get to know even more about the next phase of Derrick's vision for flipping the script on creative industry infrastructure in Africa. #Listenandlearn more! Where to find Derrick? On LinkedIn (https://www.linkedin.com/in/dnatv/) On Instagram (https://www.instagram.com/tbtmstudios) On YouTube (https://www.youtube.com/@soulfegemusic) What's Derrick reading? Isaac Asimov's Foundation Series (https://www.penguinrandomhouse.com/series/FOU/foundation/) Lord of the Rings (https://www.penguinrandomhouse.com/series/LOR/the-lord-of-the-rings/) by J.J.R Tolkien Other topics of interest: About Larteh (https://joshuaproject.net/people_groups/print/11948/GH) in Ghana Where are Dansoman (https://en.wikipedia.org/wiki/Dansoman) and Adabraka (https://en.wikipedia.org/wiki/Adabraka) in Accra? What was music streaming like in the early 2000's? (https://mixdownmag.com.au/features/the-history-of-music-streaming/) Soulfege performs Sweet Remix (https://youtu.be/T1j8_kOtfd8?si=5sEyNakWJDyBxbLE) About Uechi-Ryū (https://en.wikipedia.org/wiki/Uechi-Ry%C5%AB) Martial Arts Special Guest: Derrick N. Ashong.

These women own businesses in Accra, work with nonprofits and women in northern Ghana to source raw materials for their goods, such as shea butter.这些女性在阿克拉做生意，与加纳北部的非营利组织和妇女合作，为她们的商品采购原材料，比如乳木果油。The butter extracted from the nut of the African shea tree is a staple in Violet, a MOB's line of Natural Beauty products.从非洲乳木果树坚果中提取的乳木果油是MOB旗下紫罗兰系列天然美妆产品线的主打成分。She says one of their goals is to help women keep the next generation out of poverty.她说，他们的目标之一是帮助妇女使下一代脱贫。So we ensure that they're able to use the profits or the money they get from our purchases to improve their livelihood by doing things like building clinics, taking their children to school and ensuring that they have a job.我们确保他们能够利用从我们购买中获得的利润或资金来改善生活，比如建造诊所、送孩子上学以及确保他们有工作。Mobarika Awudu supports women in the north by buying their handmade fabric to make beds for Accra markets.Mobarika Awudu通过购买北方女性手工制作的布料，为阿克拉市场制作床品来支持她们。Her father came from a small northern village, so she is aware of the many hardships in the region.她的父亲来自北方的一个小村庄，因此她深知该地区的诸多艰辛。She says women's economic independence has become especially important this year as incomes were stretched because of the coronavirus pandemic.她说今年女性的经济独立变得尤为重要，因为新冠疫情导致收入紧张。Some of them are doing well. They have started with weaving alone. Now they have apprentices that they are training as well.他们中有些人做得不错，一开始只是从事织布工作。现在他们还有正在培训的学徒。Especially now that the schools are locked down, most of the girls are now learning how to make a living from weaving.尤其是现在学校停课，大多数女孩都在学习如何通过织布谋生。Threaded Tribes puts a modern twist on traditional fashion to encourage young people to appreciate African style.Threaded Tribes为传统时尚注入现代元素，旨在鼓励年轻人欣赏非洲风格。It sources fabrics from across Africa and works with northern Ghanaian women who do the weaving.该公司从非洲各地采购布料，并与加纳北部的女性织工合作。The fact that they're women makes me happy. I don't think there are barely any men weavers to be honest because they'd be in the farms.和这些女性合作让我很开心。老实说，我认为几乎没有男性织工，因为他们都在农场干活。And even though women be in the farms too, but the weaving is a women business.尽管女性也在农场劳作，但织布是女性的行当。And being a woman in a black area, it's amazing. It's so amazing to be able to do this with women. To be honest, it's great.作为一名黑人社区的女性，能和女性们一起做这件事简直太棒了。说实话，这感觉好极了。While the north produces quality materials, there are few jobs leading young people to move south, many to already crowded cities.北方生产优质原材料，但就业机会却很少，这使得年轻人纷纷南下，许多人涌入本就拥挤的城市。Ghana's business experts say more investment is needed in the north to expand job prospects and to improve working conditions.加纳商业专家表示北部地区需要更多投资以扩大就业前景并改善工作条件。In terms of development, when you look at all the different regions in Ghana, some of the most deprived can be found in north.从发展角度来看，加纳各地中一些最贫困的地区位于北部。So it's only fair that given that they are giving us so much value, at least we give back a bit to ensure that the community also thrives.既然他们给了我们这么多价值，至少我们也应该回馈一些，以确保社区同样蓬勃发展，这才公平。Investing in women, say experts, is one of the best ways to develop local economies, a practice that these Accra business women are only too happy to support. 专家指出，投资女性是发展地方经济最有效的途径之一，阿克拉的这些女企业家们非常乐意支持这一做法。

We are Africa to the World, and this is one of the shows that represent that, for us the continent is getting smaller and smaller and we continue to connect and flow, this show feature our partner from South Sudan Emma who owns Banat Empowerment, which is all about woman empowerment, we also have our Ghanaian partner Christian Kwesi who owns Young African Great Minds, so it's all about empowerment on every level, Africa is as open as we make it!

Charity used to be about bake sales and running marathons. Now it's all about thumbnails, hashtags, and stunts.Recently, MrBeast ran a massive campaign called #TeamWater - he partnered up with WaterAid and 10,000 other content creators. It raised over $40 million and is the biggest example so far in terms of number of influencers involved in a charitable campaign.Now other influencers, and charities are following this trend - working together on campaigns. So what happens when charity becomes content? Does this represent the future of philanthropy? Makuochi Okafor, a BBC reporter in Nigeria talks us through this growing trend and we hear from Gisela Amponsa, a Ghanaian digital creator, who was part of the #TeamWater campaign. Instagram: @bbcwhatintheworld Email: whatintheworld@bbc.co.uk WhatsApp: +44 330 12 33 22 6 Presenter: Hannah Gelbart Producer: Julia Ross-Roy Editors: Verity Wilde and Harriet Oliver

In this episode, we welcome Professor Akosua Adomako Ampofo. Tapping into her experience as a Ghanaian scholar and activist, we discuss feminism, activism, and potential pitfalls in academic collaborations between the global north and the global south.   Akosua Adomako Ampofo is Professor of African and Gender Studies, and a former Director of the Institute of African Studies and the Centre for Gender Studies at the University of Ghana. She was awarded the 2025 Claude Ake Chair, hosted by the Department of Peace and Conflict Research and the Nordic Africa Institute. (NAI) This episode is hosted by Joakim Palmén

Genevieve Keeney-Vazquez explores universal themes in death rituals, examining how funerals, grief, and cultural customs intersect at the National Museum of Funeral History. Museum exhibits include gynecological coffins from Ghana, jazz funerals in Louisiana, and Victorian mourning practices, providing insight into how traditions shape the grieving process and honor the dead. Religion and cultural heritage guide communities through loss, establishing rituals that unite people and create space for healthy grieving. Grief is recognized as an ongoing experience, with individuals choosing solitude or seeking support from loved ones. Genevieve Keeney-Vazquez shares personal experiences with grief and emphasizes practices that foster healing. This conversation is part two of a two-part interview with Ashley Gould for On the Table with Ashley, a podcast dedicated to meaningful conversations across diverse life experiences and professions. Plan your visit to the museum today at nmfh.org and take a journey through over 30,000 square feet of fascinating history. Subscribe to The Final Curtain Never Closes on Apple Podcasts, Spotify, or wherever you get your podcasts. Key Takeaways 1. Rituals surrounding death are universal, but they vary widely in their practices and meanings. These customs serve dual purposes: aiding the grieving process for the living and, in many traditions, helping the soul or spirit of the deceased to “transcend” or move on. Regardless of the specifics, a common thread is that every culture finds ways to honor and remember loved ones, and most have beliefs about life after death or the soul's journey. 2. Funerary practices, including burial containers like coffins and caskets or unique customs such as Ghanaian fantasy coffins or jazz funerals, reflect both cultural values and practical concerns (like public health). These practices evolve over time—sometimes merging, adapting, or being challenged by modern sensibilities—but always provide structure and meaning during periods of loss. 3. Grief is a lifelong and deeply personal process. The transcript emphasizes that grieving varies from person to person and is affected by culture, tradition, and individual circumstance. Equally important is the message that grief should be honored and experienced—not masked or ignored—as unhealthy grief can have lasting physical and emotional impacts. Support from community, rituals, and sometimes professional help, can be vital. 4. Objects, photography, and even art made from cremains are powerful tools for remembrance and healing. These items enable people to hold on to memories, honor the dead, and sometimes find new ways to process loss. The meaning attached to such objects often transcends their physical material, providing comfort and a sense of continuity. 5. Professionals in the funeral industry are both caretakers and guides for grieving families. The transcript highlights that even those with expertise in death care are affected by grief and must manage personal boundaries and seek support when needed. There's an ongoing need for empathy, community, and sometimes humor, to balance the emotional demands of the profession, as well as recognition of the human aspect behind every role.See omnystudio.com/listener for privacy information.

In this episode, we journey to the vibrant continent of Africa, exploring its economic potential and the importance of the AGOA trade deal. Join us as we discuss the bipartisan efforts behind renewing this critical trade agreement that not only fosters business relationships but also enhances national security. We'll hear from Chairman Jason Smith, who played a pivotal role in shepherding the renewal through Congress, the Ghanaian ambassador to the U.S., Victor Smith, who shares insights from the African perspective, and Rosa Whitaker, a veteran advocate for the AGOA trade bill. Together, they illuminate the significance of mutual economic benefit between Africa and the United States.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From solo ownership myths to partnership wealth: Why the average Ghanaian earning 800 cedis can still own property - and the brutal truth about trust funds, strategic collaboration, and the $10,000 partnership model that beats waiting alone for decades. In this explosive episode of Konnected Minds, real estate veterans dismantle the dangerous solo ownership fantasy keeping African investors trapped in perpetual saving cycles while smarter players build wealth through strategic partnerships and affordable entry points. This isn't motivational real estate talk from social media gurus - it's a systematic breakdown of why you don't need to go in as an individual to secure your foot in the door, why millionaires use trust funds to purchase properties together for security and liability protection, and why the person making 800 cedis monthly isn't part of the game unless they increase their income and think beyond traditional employment. Critical revelations include: • Why you need to partner as a strategy - the average Ghanaian earning a certain amount can still get a foot in the door through collaboration • Why wealth thrives more in Ghana than Western countries - Africa has virgin lands, manpower, youth energy, and demand that creates opportunity • The employment cost advantage: in America, hiring someone costs minimum $45,000 annually - in Ghana you can employ help within a month of starting • The property management entry strategy: start as a facility officer changing bulbs and checking sockets, volunteer for sales exhibitions on weekends, dedicate eight months to learning the industry • Why the money is in the bush, not the office - working with chiefs, selling land, getting your hands dirty beats 15 years climbing corporate ladders for low salaries • The mindset crisis: people care too much about how they look, think they need to be saved by someone, and can't compute themselves doing what successful people do • The self-sabotage language: when someone says "the environment is so miraculous" they're unconsciously declaring they can't achieve what others have • The payment flexibility reality: cheapest land at 85,000 cedis with 50/50 payment plans, but human negotiation allows 30,000 deposits with customized schedules instead of rigid 10,000 monthly for eight months The conversation reaches its uncomfortable peak with a truth that destroys individual ownership pride: the average Ghanaian is selfish, doesn't trust their brother to go into business together, and thinks only about "me and my family" while missing the partnership strategies millionaires use through trust funds. Meanwhile, friends who bought Embassy Garden units together for $65,000 are now buying each other out after rental income and appreciation proved the model works - but most people would rather wait decades to buy land alone than partner strategically and own property within months. For the diaspora investor, local entrepreneur, and average Ghanaian seeking to own property instead of remaining trapped in rental cycles or perpetual saving, this conversation offers the unfiltered blueprint: stop thinking you need to go in alone. Use partnership models - trust funds, co-ownership agreements, verified large-scale developments where five friends pool resources. Increase your income through side businesses, weekend gigs, leveraging skills like architecture or quantity surveying. Start with property management or facility roles to learn the industry from the inside. Work with professionals who offer flexible payment plans beyond rigid monthly schedules. And remember - millionaires don't buy property alone when trust funds offer liability protection and collective purchasing power. The question isn't whether you can afford real estate on 800 cedis monthly. The question is whether you'll increase your income, find strategic partners, and secure your foot in the door - or spend decades waiting alone while partnership buyers own multiple properties and buy each other out with rental income profits. Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://konnectedacademy.com/

Show us some loveDo you recall those days where your status in school was governed by the fierceness of your "yo momma" jokes? (they may go back further than you ever though) We talk about this simulation every week, but a new page is written as some people think it's cool to donate money to a racist, come find out when, where, how and why. Do you remember that big deal from last week that put Netflix on the throne as a master streaming service? Well, tell us why the government is trying to put a stop to that. Are we in the "end of times"? Regardless of what you think, there's a Ghanaian who claims God told him to "prepare the way". There's plenty more where all that came from, make sure y'all tune in to get the rest!Support the show

From prayer to profit: Why Africa's wealth crisis isn't about capital - it's about mindset - and the brutal truth about the five-step wealth ladder, delayed gratification, and the religious indoctrination that keeps 95% of Africans broke while billionaires build ecosystems across entire value chains. In this explosive episode of Konnected Minds, Nigerian personal finance coach and pan-African thought leader NTO dismantles the dangerous poverty mindset keeping African youth trapped in prayer cycles while wealth flows to those who solve problems, control distribution, and build platforms. This isn't motivational money talk from Instagram gurus - it's a systematic breakdown of why money is attracted to people, not things you do, why the average Ghanaian earning 800 cedis thinks wealth requires fraud or politics instead of entrepreneurship, and why Facebook, Dangote, and Warren Buffett all climbed the same five-step ladder from problem-solving to investor status that most Africans never even know exists. Critical revelations include: • Why money is the least important resource on the wealth-building ladder - relationships and wisdom come first • The five steps to building generational wealth: solve a problem people pay for, become a distributor, control the value chain, build a platform/ecosystem, become an investor • Why 61% of Ghanaian youth want entrepreneurship but don't have capital - the truth is you don't need physical cash to start, you need wisdom to see what's already around you • The entrepreneur versus hustler distinction: hustlers chase whatever makes money today, entrepreneurs solve problems people desperately need fixed • Why Africa celebrates religious conferences with massive attendance but business and wealth conferences sit empty - we've been sold the lie that prayer alone builds wealth Guest: Nosakhari Tunde-Oni Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://konnectedacademy.com/ Recommended Books: • The Psychology of Money - Morgan Housel • Ego is the Enemy - Ryan Holiday Listen to the podcast on: Apple Podcast - http://tinyurl.com/4ttwbdxe Spotify - http://tinyurl.com/3he8hjfp Join this channel: /@konnectedminds FOLLOW ► https://linktr.ee/konnectedminds #Podcast #businesspodcast #AfricanPodcast

From luxury apartments to land scams: Why ownership obsession keeps Ghanaians broke - and the brutal truth about testing land, partnership strategies, and the $55,000 property model that beats building from scratch. In this explosive episode of Konnected Minds, two battle-tested real estate veterans - Rash Asari and Quasiotin Desmond (COD) - dismantle the dangerous ownership fantasy keeping African investors trapped in land disputes while smarter players build wealth through strategic property acquisition. This isn't motivational real estate talk from social media gurus - it's a systematic breakdown of why testing land before full payment is non-negotiable, why the average Ghanaian earning 800 cedis monthly can still own property through partnership models, and why buying a $55,000 apartment with passive income potential might be smarter than spending $15,000 on land that could end up in court for two years. Critical revelations include: • Why you must test land before paying 100% - dig the ground and whatever is hiding will come out • The deposit strategy: make partial payment, test the land immediately, then decide whether to proceed or walk away with refund guarantees • Why Accra land is the problem, not Ghana-wide: land disputes are concentrated in Greater Accra where every square meter is contested, while Northern Ghana gives land for free • The 800 cedis monthly earner truth: if you're making that little, you're not part of the real estate game unless you join verified large-scale developments or partnership models • The immediate development defense: once you make a deposit and test the land, start building immediately - visible development strengthens your legal position if disputes arise • Why rushing to build your dream home is financial suicide - focus on cash flow first, whether through rental apartments, dividend stocks, or business investments that generate passive income to fund construction later The conversation reaches its uncomfortable peak with a truth that destroys individual land-buying confidence: Rash's first land purchase in Ghana - done with a lawyer, full due diligence, everything correct on paper - still ended up in court for two years after someone showed up claiming ownership once construction started. He won, but only because he had the money to fight. If he had tested the land with a deposit first instead of paying 100% upfront, he could have walked away or deducted court fees from the purchase price. That's why his business model now involves buying 100 acres, testing everything, absorbing all the risk, then selling verified plots to clients with contractual money-back guarantees - because the average buyer can't afford two years of court battles even when they're legally right. From understanding that most construction costs go into finishes - allowing you to move into unfinished buildings and complete them over time - to recognizing that the $55,000 apartment with 36-month payment plans generates immediate rental income while land purchases require additional construction costs before producing returns, to accepting that partnership models allow five friends contributing $10,000 each to own property together instead of waiting years to afford it alone - this episode proves that real estate in Ghana rewards strategic thinking over ownership pride. The person who buys an apartment, collects rent, reinvests passive income into land later, and builds when cash flow supports it will own more property than the person who spends years saving to buy land alone, gets caught in disputes, and never completes construction because they ran out of money fighting court cases. For the diaspora investor, local entrepreneur, and average Ghanaian seeking to own property instead of becoming another land dispute casualty or rental-trapped statistic, this conversation offers the unfiltered blueprint: work with companies that buy large land tracts, test everything, and offer money-back guarantees. Consider $55,000 apartments on payment plans that generate immediate passive income instead of spending the same amount on land and construction without guaranteed returns. Use partnership models - 3-5 friends contributing $10,000 each - to enter the market faster. If buying land, make deposits and test immediately before paying 100%. Start with boy's quarters or rental units to generate cash flow before building your dream home. And remember - ownership pride is the trap keeping people broke. The question isn't whether you own property with your name alone on the title. The question is whether you're generating passive income from real estate investments that compound into generational wealth - even if that means co-owning with partners, buying apartments instead of land, or renting while your rental properties pay for themselves. Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://konnectedacademy.com/

Ghanaian highlife musician Kwaisey Pee discusses his 25th music anniversary concert on December 25 at East Legon.

Ghanaian Man Builds Modern-Day Noah's Ark, Warns Of 2025 Christmas Flood | Ebo Noah And The Ark

Jamila Osman is a trainee investment manager in the graduate training program at Baillie Gifford. She graduated from Edinburgh University with a First in Chemical Engineering. Our conversation starts with her upbringing in Ghana and the pioneering training high school training program that prepared her for a demanding academic load in science that paved her way to Edinburgh University.We describe how she developed an interest in finance and this then transitions into a discussion as to what her generation is looking for in an employer today. This includes paying more than mere lip service to employee wellbeing, being mindful of mental health, offering flexible work solutions and stretch opportunities. She describes a typically intense and varied work day at Baillie Gifford and the blend of deep research time with industry network events that is so essential in an apprenticeship. This podcast is also being released as part of our Ghanaian voices series.Series 5 of 2025 is kindly sponsored by Diamond Hill. Diamond Hill invests on behalf of clients through a shared commitment to its valuation-driven investment principles, long-term perspective, capacity discipline and client alignment. An independent active asset manager with significant employee ownership, Diamond Hill's investment strategies include differentiated US and non-US equity, alternative long-short equity and fixed income.

From land title certificates to court judgments: Why Ghana's real estate market creates millionaires and destroys dreamers - and the brutal truth about testing land, fighting families, and the 18% homeownership crisis keeping Accra trapped in rental cycles. In this explosive episode of Konnected Minds, two battle-tested real estate veterans dismantle the dangerous fantasy keeping diaspora Africans broke and locals trapped in property nightmares. This isn't motivational real estate talk from social media gurus - it's a systematic breakdown of why land title certificates don't guarantee safety, why the same plot can have two different judgments from two different courts, and why the smartest investors test 100 acres before selling a single plot to clients who trust their money-back guarantee. Critical revelations include: • Why testing land is the only real protection - buying 100 acres, grading it, taking possession, then selling to clients with guarantees • The land title illusion: you can have a registered title and still face a judgment that supersedes everything you thought you owned • How chiefs fight in court and win judgments covering all the land - forcing people with valid titles to pay twice or lose their plots • The painted building defense: courts consider physical development and occupation when ruling on disputed land • Why the average Ghanaian earning 800 cedis monthly can still own property - but only if they avoid the one-plot trap and join verified large-scale developments • The Gar East judgment reality: specific rulings protect structured plots while vacant land gets repossessed - details matter • Why apartments aren't safer - they're still on land that could require regularization payments if the foundation title gets challenged • The brutal truth: it's not safe to buy land in Ghana on your own unless you test it, know the family, verify judgments, and develop immediately The conversation reaches its uncomfortable peak with a truth that destroys diaspora real estate dreams: you can do an official Lands Commission search, get a comprehensive report showing clean ownership all the way to the seller's name, pay full price for the land, sign the indenture, and then discover there's an injunction blocking your title registration. The unofficial advice? Continue your work. Paint your building. Make sure there's visible development. Because in court, possession and development help you - and waiting for the legal system to resolve an 80-year-old case means you'll never own anything. From understanding that land disputes are an Accra issue - not a Ghana-wide crisis - to recognizing that Northern Ghana gives land for free while Greater Accra fights over every square meter, to accepting that greed, family betrayals, and educated scammers make individual plot purchases financial suicide without professional testing - this episode proves that real estate in Ghana rewards those who buy big, test thoroughly, and develop immediately. The 55-year-old UK resident saving to buy retirement land? Don't go alone. Buy from someone who already tested 100 acres, fought the court cases, verified the family lineage, and offers money-back guarantees because they took possession first. For the diaspora investor, local entrepreneur, and anyone seeking to own property in Ghana instead of becoming another land dispute casualty, this conversation offers the unfiltered blueprint: avoid one-plot purchases unless you personally know the family lineage and have tested the land. Work with professionals who buy large tracts, test everything, and sell verified plots under one governing document. Develop immediately - painted buildings and occupied land strengthen your position in court. Understand that land title certificates are not the highest protection when judgments can supersede them. And remember - 18% homeownership in Accra isn't because Ghanaians are poor. It's because land acquisition without testing, family knowledge, and legal warfare preparation is a gamble most people lose. The question isn't whether you want to own land in Ghana. The question is whether you'll test it first, or become another story of a diaspora dream destroyed by a judgment nobody saw coming. Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://konnectedacademy.com/ Listen to the podcast on: Apple Podcast - http://tinyurl.com/4ttwbdxe Spotify - http://tinyurl.com/3he8hjfp Join this channel: /@konnectedminds FOLLOW ► https://linktr.ee/konnectedminds #Podcast #businesspodcast #AfricanPodcast

Stories have a way of helping us recognize ourselves, and that's exactly what happened in my conversation with Nana Ekua Brew-Hammond. Nana shares what it was like to grow up in Queens, then suddenly move to a boarding school in Ghana, and how that experience shaped her identity in ways she's still uncovering today. As Nana describes her path from writer to author, her years of persistence, and the curiosity that led to books like Powder Necklace and Blue, I felt a deep connection to her commitment to keep creating even when the process feels uncertain. We also explored trust, partnership, and the lessons my guide dogs have taught me—all ideas that tie into the heart of Nana's storytelling. This conversation is an invitation to see your own life with more clarity, courage, and compassion. Highlights: 00:00:10 – Step into a conversation that explores how stories shape courage and connection. 00:01:41 – See how early environments influence identity and spark deeper questions about belonging. 00:02:55 – Learn how a major cultural shift can expand perspective and redefine personal truth. 00:23:05 – Discover what creative persistence looks like when the path is long and uncertain. 00:27:45 – Understand what distinguishes writing from fully embracing authorship. 00:33:22 – Explore how powerful storytelling draws people into a moment rather than just describing it. 00:46:45 – Follow how curiosity about history can unlock unexpected creative direction. 00:59:31 – Gain insight into why treating a publisher as a partner strengthens both the work and the audience reach. About the Guest: Nana Ekua Brew-Hammond is the author of Powder Necklace: A Novel, the award-winning children's picture book Blue: A History of the Color as Deep as the Sea and as Wide as the Sky, the collection Relations: An Anthology of African and Diaspora Voices, and My Parents' Marriage: A Novel.  Tapped for her passion about Africa's rich fashion traditions and techniques, Brew-Hammond was commissioned by the curators of Brooklyn Museum's "Africa Fashion" exhibit to pen and perform an original poem for the museum's companion short film of the same name. In the clip, she wore a look from the made-in-Ghana lifestyle line she co-founded with her mother and sister, Exit 14. The brand was featured on Vogue.com. Every month, Brew-Hammond co-leads the Redeemed Writers Group whose mission is to write light into the darkness. Learn more about it here.Learn more at nanabrewhammond.com. Ways to connect with Nana**:** Instagram, Facebook and Threads: @nanaekuawriter Twitter: @nanaekua  www.NanaBrewHammond.com  ORDER my new novel   MY PARENTS' MARRIAGE Read 2023 NCTE Award Winner & NAACP Image Award Nominee   BLUE: A History of the Color as Deep as the Sea and as Wide as the Sky   Read RELATIONS: An Anthology of African and Diaspora Voices , stories, essays & poems by new and established Black writers   Shop Exit 14 , all weather, uniquely designed, 100% cotton apparel sustainably made in Ghana About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson  01:20 And a pleasant, Good day to you all, wherever you happen to be, I would like to welcome you to another episode of unstoppable mindset. Today, we get to have a conversation with Nana Ekua Brew-Hammond And Nana has a lot of interesting things to talk about. She's written books, she's done a variety of different things, and rather than me giving it all away, it'll be more fun to let her tell the stories and get a chance for us to listen to her. She is in Oakland, California, so she's at the other end of the state for me, and we were just comparing the weather. It's a lot colder where she is than where I live down here in Victorville, where today it's 104 degrees outside. And Nana, you said it was like, what, somewhere around 70. Yeah, it's 68 There you go. See lovely weather. Well, Nana, I want to welcome you to unstoppable mindset. We're really glad you're here, and I want to thank you for taking the time to be with us. Nana Ekua Brew-Hammond  02:23 I feel the same way. Thank you for having me on your amazing show. And it's so wonderful to be in conversation with you. Michael Hingson  02:30 Well, I'm glad we get a chance to spend some time together and we can, we can talk about whatever we want to talk about and make it relevant and interesting. So we'll do that. Why don't we start with what I love to do at the beginning of these is to talk about the early Nana growing up and all that. So take us back as close to the beginning as your memory allows. Nana Ekua Brew-Hammond  02:52 Oh gosh, as my memory allows. Um, I so I was born in Plattsburgh, New York, which is upstate near Montreal, Canada. Michael Hingson  03:06 Been there. Oh, cool in the winter. I even crossed the lake in an icebreaker. Nana Ekua Brew-Hammond  03:12 But yeah, oh my gosh, wow. Okay, yeah. Bring back memories. Well, I was only there for till I was, like two years old. So, but I do, I have gone up there in the winter and it is cold. Yes, it is cold, yeah. So I was born there, but I grew up in New York City and had that really was sort of my life. I lived in New York, grew up in Queens, New York, and then at 12 years old, my parents decided to send me to Ghana to go to school. And that was sort of like a big, the biggest change of my life, like I know that there was a before Ghana and an after Ghana, Nana and so, yeah, wow. Michael Hingson  04:02 So, so when was that? What year was that that you went to Ghana? Nana Ekua Brew-Hammond  04:06 That was 1990 August of 1990 actually. Michael Hingson  04:11 So what did you think about going to Ghana? I mean, clearly that was a major change. Nana Ekua Brew-Hammond  04:15 Yeah, you know, I, you know, my parents are from Ghana originally. So when, you know, they would always talk about it. We, you know, back then phones, long distance phone calls to Ghana. I, you know, that was, that was the extent of my sort of understanding of Ghana, the food that we ate at home, etc. So going to Ghana was just sort of mind blowing to me, to sort of be crossing, you know, getting on a plane and all of that, and then being in the country that my parents had left to come to the United States, was just sort of like, oh, wow, connecting with family members. It was just, it was a lot. To process, because life was very, very, very, very different. So yeah, it was just sort of a wild eye opening experience about just the world and myself and my family that ultimately inspired me to write a book about it, because it was just, I just, it was a lot to process. Michael Hingson  05:25 Why did they want you to go to to Ghana to study? Nana Ekua Brew-Hammond  05:30 Yeah, so in the 90s, in New York City or and in the late 80s, there was the crack epidemic was happening, and we, you know, I mean, I remember, we lived in a house in Queens, and when we would, you know, part of our chores was to sweep in front of the house, you know, rake the leaves, that kind of thing in the fall. And we would, all the time there would be crack files, you know, like as we're sweeping up, and I didn't get there where we were young. My sister was, you know, a teenager. I was 12, and my, you know, my younger brother had just been born. He was just like a, like, a little under a year old. And I think my parents just didn't feel that it was a safe place for us as kids to grow up. And so, yeah, they wanted to kind of give us an opportunity to get out of, you know, that environment for a while. Michael Hingson  06:33 What did you think of it? Nana Ekua Brew-Hammond  06:35 I mean, you know, as a kid, you never want to leave what to you. So it was, I would say it was, it was, it was interesting. Because initially I loved it. I was like, I actually campaigned, you know, I was like, I really, you know, would like to stay in Ghana, but I didn't want to stay for, you know, the three years, which is what I what happened? I wanted to stay for maybe, like a year, kind of try it, you know, go to school for a year. I found it this really cool adventure, go to boarding school and on all of that. But my parents made the decision that we should just sort of ride it out and finish like I had to finish high school. And, yeah, so, so great for me. Michael Hingson  07:25 So you were there for three years, yes. So by you were 12, so by 15, you had finished high Nana Ekua Brew-Hammond  07:32 school, yeah, because the system there is different. It's it was at the time the British system. So it was like a form system where I saw I entered in form three, because it was, it wasn't quite the equivalent in the sense that I probably should have started in form two or form one, but I was also an advanced student, and and they, the way the system there works is you have to take a common entrance exam from primary school to get into secondary school. So it's very difficult to get into school midstream there. So we had to go through all of these hoops. And, you know, there was an opening in form three, and that was higher than my, you know, than where I should have been, but I was advanced, so I was able to get into that school that way. You did okay. I assume I did. I mean, I struggled, which was interesting, because I was a very, you know, good, strong student in the States, but I struggled mightily when I first got there, and throughout, it was never easy, but I was able to manage. Michael Hingson  08:49 Now, did your sister also go to Ghana? She Nana Ekua Brew-Hammond  08:52 did, and she was hopping mad. Michael Hingson  08:55 How old was she when you were 12, she was Nana Ekua Brew-Hammond  08:59 17, so she Okay, yeah, almost about to go to college. She was really excited about, like, that portion of life. And then it was like, okay, she's in Ghana. She was hopping mad. Michael Hingson  09:13 Well, how long did she stay? Nana Ekua Brew-Hammond  09:16 Well, so she stayed for two years. Because what Ghana has is sort of like, at the time it was something called sixth form, which is, again, the British system. So it's sort of like a college prep in between the equivalent of that. So she basically did that in Ghana. Michael Hingson  09:38 Okay, well, and your little brother didn't go to Ghana, Nana Ekua Brew-Hammond  09:44 not yet, not not yet. You Michael Hingson  09:47 mean they didn't send him over at one year? No, okay, well, that's probably a good idea. Well, so looking back on it, what do you think about having spent three years in. Nana Ekua Brew-Hammond  10:00 Ghana, looking back on it, I think it was actually really, really good for me. I mean, it was that doesn't take away from the fact that it was very difficult. It was very, very challenging, not only academically. It was I was bullied really hard at this boarding school that I went to. The girls just kind of made my life hell. But what was amazing about it for me was that I had, I had exposure to Ghanaian culture in a way that I would never have had in the States. As I mentioned to you, Ghana was sort of that country over there when I lived in America. And you know, it existed as you know, family members coming to visit, long distance phone calls, the food that we ate, that you know, the accents that we had, things that made us different, and at the time, that was not cool. You know, as a kid, you just want to fit in and you don't want to be different. And going to Ghana was my opportunity to learn that, wow, I didn't have to be embarrassed or ashamed of that difference. There was so much to be proud of. You know, my family was, you know, a sprawling family, you know, my my grandmother owned a business, my grandfather owned a business, you know, it was, it was really, it was eye opening, just to sort of be in another environment. People knew how to, you know, pronounce my name, and I didn't have to, you know, just explain things. And that was really affirming for a 12 year old and a 13 year old when you're going through that, you know. So it was really good for me. And in Ghana is where I came to know Christ. I became a Christian, and it was something that spiritually, I was not really, I don't know, I just didn't really think about spiritual. I did on some level. But going to Ghana, it everything just felt so palpable. It was really like we're praying for this. And it happened, you know what I mean, like, yeah. It felt very Yeah. It was just a time in my life when life really felt very the mysteries of life really felt like they were open to me, Michael Hingson  12:37 interesting and so you clearly gained a lot of insight and knowledge and experience over there that you were able to bring back with you when you came Yes, yes. Nana Ekua Brew-Hammond  12:55 When I returned to the States, I was just, I think of myself, I guess, as a weirdo. Like, when I came back, I just felt so weird because I couldn't really, fully, you know, connect with my friends, because I had missed out on three years of culture, you know. And you You don't realize how much culture means, like, until, like, you know, you don't have those references anymore. I didn't know the songs that were popular. I didn't, you know, know about, I forget, there was some sort of genes that were really popular while I was gone. I didn't know what they were. I didn't have a pair of them. So it was just sort of this, this interesting time. And I was also young, because I had finished high school, and I was 15, yeah, my friends were, you know, sophomores, yeah, you know, and I was beginning the process of looking into college. So it was just a really isolating time for me and I, but also, you know, interesting and I, again, I say it was, it was ultimately in the in the wash of it. I think it was good because it enabled me to sort of, I guess, mature in a way that enabled me to start college earlier. And, you know, sort of see the world in a much different way. Michael Hingson  14:26 So when you went to college, what did you want to do? Or had you had you decided to start laying plans for a major and what you wanted to do post college, Nana Ekua Brew-Hammond  14:36 I did not know what I wanted to do. I kind of, I mean, I kind of thought I wanted to be a doctor. I thought I wanted to be a doctor. Like, all my life, growing up, I was like, I'm going to be a doctor. And I was a science student in Ghana, but I struggled mightily. But still, I went. I entered college with us. You know, the plans? To become a bio psychology major. And you know, I took two, three classes, well more than that, I did, like, a year of classes. And I was just like, This is not for me, not for me at all. But yeah, yeah. So it was, it was that was a little rough. Michael Hingson  15:21 Things happen. So what did? What did you go off and do? Nana Ekua Brew-Hammond  15:25 Then I ended up majoring in political science and Africana Studies, and it was, I remember taking a political science class my freshman year, and I, my my professor was amazing, but it was, it was interesting to me. I think looking back now, being able to think about the world in a way that was sort of linking history and politics and culture together. And I think that was interesting to me, because I had just come from Ghana and had been exposed to, like, sort of this completely different culture, completely different political system, and, you know, kind of having that, I that thinking, or that wonderment of like, wow, you can Life can be so different somewhere else, but it's still life, and it's still happening, but also having that connection as an American to America and what's happening there. And so holding both of those things in my hands when I got to college, I think I was, I just what I was really sort of intrigued by the idea of studying politics and studying culture and society, Michael Hingson  16:48 and that's what you did. Yes, I did. So you got a degree in political science. Nana Ekua Brew-Hammond  16:54 Yes, a double degree political science and Africana Studies. Michael Hingson  16:57 Africana Studies, okay, and again, that that's probably pretty interesting, because the the Ghana influence had to help with the Africana Studies, and the desire to to do that, and you certainly came with a good amount of knowledge that had to help in getting that as a part of your major. Nana Ekua Brew-Hammond  17:16 Well, interestingly, my focus was on African American Studies, because I really growing up as an immigrant, like with immigrant parents, their understanding or their their thought process wasn't necessarily, I don't know they weren't. They didn't really raise us to think about race or being black, because their consciousness wasn't about that. It was they were immigrants. You know what? I mean, they weren't thinking about that. So I was actually quite curious, because I did grow up in America and I was black, but I didn't understand, you know, the history of America in that way. And I remember, actually, when I was in was it the third or maybe it was the second or third grade, or maybe it was fifth grade. I did a project on the Civil War, and I remember being so interested in it, because I had, I just didn't, you know, it wasn't. I was so fascinated by American history because I really wasn't. I didn't, I didn't understand it in the way that maybe somebody who wasn't the child of immigrants, you know, might, you know, connect with it. So I was just Yeah, so I was really fascinated by African American history, so I ended up double majoring in it and concentrating on African American politics, which was really fascinating to me. Michael Hingson  18:55 Yeah, and there certainly has been a fair amount of that over the years, hasn't there? Yes, there has, but you can, you can cope with it and and again. But did your time in Ghana, kind of influence any of what you did in terms of African American Studies? Did it help you at all? Nana Ekua Brew-Hammond  19:15 Um, I, I don't know, because I don't because, because I think what, what I what, what Ghana helped me with was, I remember, I'll say this. I remember one time in Ghana, in class, we were reading a book by an author who had we were reading a play, actually by a Ghanaian writer who was writing about a Ghanian man who married an African American woman and brought her to his home. And there was a lot of clash between them, because, you know, they were both black, but they had different sort of backgrounds. Yeah, and I remember the teacher asking, because the. The the wife that he brought home, the African American woman, mentioned certain things about America, and no one in the classroom could answer any questions about America, and I was the only one who could. And I was, you know, very, very sort of shy in that in that school and in that context. But I remember that day feeling so emboldened, like I was, like, I can actually contribute to this conversation. And so maybe, you know, in on some level, when I got back to the states, maybe there was some interest in linking those two things together. But it wasn't as as is in life. It wasn't obvious to me. Then it was sort of just kind of me following my interest and curiosity. And I ended up, I didn't set out to be an Africana Studies double major, but I ended up taking so many classes that I had the credits. And, you know, I was like, Okay, I guess I'm I have two degrees now, or two, two concentrations, Michael Hingson  21:02 yeah, did you go and do any advanced work beyond getting bachelor's degrees? Nana Ekua Brew-Hammond  21:08 No, I did not. When I graduated, I initially thought I might get interested, get in, go to law school. But this was me again, following my muse. I realized that my real interest was in writing papers when I was in college. You know, give me a 15 page paper, 20 page paper, I was ecstatic. I loved writing papers. And I think that's one of the reasons, too, why I loved political science and Africana Studies, because we were assigned tons of papers, and it enabled me to sort of, you know, writing these papers enabled me to kind of think through questions that I had, or process what I was reading or thinking about or feeling. And so when I graduated from college, you know, I got, you know, a job, and was working, trying to figure out, Okay, do I want to go to law school? But at the time that I graduated, that was also during the time of, like, the.com boom, and there were a lot of online magazines that were looking for writers, and so I started, kind of, you know, submitting, and I got some some things published. And as that was happening, I was like, I think this is what I want to focus on. Michael Hingson  22:30 So when did you really know that you were a writer? Then? Nana Ekua Brew-Hammond  22:34 I mean, I don't I think that when I got back, when I started working, so I, ultimately, I got a job in advertising, and I was working, you know, as an assistant in the on the account side of things, but there was this whole creative department that, you know, got to, you know, come up with all of the, you know, the the taglines and write commercials and write jingles and all that kind of stuff. And I was, like, so fascinated by that, and that's what I thought, okay, I could if you know, I need a job, I need money, and I want to write, so maybe this is what I need to be doing. And so I ultimately did get a job as a copywriter and and I still, you know, do that work today, but I think I always knew that I needed to write, and I wanted to actually write about my experience in Ghana. So I remember, you know, I started kind of very fledgling. Would began to write into that, and I ultimately started writing that the book that became my first book, powder necklace, on the subway to and from work. Every morning I would wake up very early, write what I could get ready for work, right on the bus, right on the subway, you know, get to work after work. You know, repeat. And it took me many years, but that's what I did. And I wrote my first book, Michael Hingson  24:14 and that was published in 2010 right? Yes, it was, did you self publish? Nana Ekua Brew-Hammond  24:18 Or I well, I did not self publish. I was published by Simon and Schuster. Simon and Schuster's Atria Books, Washington Square press. And part of my process was I started just kind of, you know, the Internet. The Internet was new. It was something that was available to me. So I started just kind of Googling, how do you get published? And they said you needed a literary agent. So I started looking online for literary agents. And because I lived in New York City at the time, I would literally write my my query letters and like, hand deliver them different agencies. 90s, and one woman, after four years of looking, said, Okay, this sounds interesting. I'd love to meet with you. And I didn't believe. I was like, wow, I've been rejected for four years, and somebody actually wants this, and she was able to sell the book. And I was shocked. I was like, Simon and sister, okay? And at the time they bought it, the, you know, the America, the US, was going through the whole financial, you know, crisis, the recession, in 2008 so they held my book for a year, and then we began the process in 2009 and then they, you know, we were on track to publish it in 2010 Michael Hingson  25:46 Wow. Well, tell me about that book. Yeah. Nana Ekua Brew-Hammond  25:51 Powder necklace is a novel. It's a fictionalized account of my experience going to high school in Ghana. I when I went to school in Ghana. I went to a girls boarding school in the mountains of Ghana central region, and that school was going through a major water crisis. We did not, I mean, we the short story is that, I guess, because of we were on the mountain, the water pressure was very low, and so it was really difficult to get the water up that mountain. And they didn't have like enough, you know, tanks around the school and what have you. So we had one artificial well, and then we had, like, an underground well, and that was it. And the underground well wasn't always, you know, full of water to service the whole school. It was really difficult. So, you know, we had to bring in our own water, some. And then it became, if you had money, you could bring water. But if you didn't have money, you didn't and it was a very desperate time for for young girls without being not being able to take a shower on demand. And it was, it was wild. Michael Hingson  27:15 Where does the title powder necklace come from? Nana Ekua Brew-Hammond  27:19 So the title, I named it powder necklace, because, as I mentioned, taking a shower became this like symbol of the haves and the have nots. And, you know, all of this having water, really. And if so, what, what the girls, what we would do is, you know, after you've taken a bath, people would put tons of powder on their necks. And it was sometimes it was okay we didn't take a bath, so we're going to put powder on our necks to scented powder to cover the odor. But it was also a way, like if you had bathed, to sort of, you know, show off that you'd bathed. So for me, it was as I was reflecting on the on this as I was writing this story and reflecting on that whole experience, I thought, wow, it was sort of our way of holding our heads up, you know, in the difficult situation, and kind of making the best of it. So that's why I called it powder necklace, Michael Hingson  28:17 okay? And that was for children. Nana Ekua Brew-Hammond  28:20 Well, it was for young adults, young adults, but Michael Hingson  28:25 it was more writing than pictures. Nana Ekua Brew-Hammond  28:27 Yeah, it was a young adult novel. I actually, I mean, this was my first book. I really didn't know what I was doing. I just, I wrote the book and I didn't know that it was a young adult novel, until people were like, Yeah, you wrote a young adult novel. I'm like, okay, Michael Hingson  28:47 works for me. Well, what does, what does being a writer mean to you? Nana Ekua Brew-Hammond  28:54 Um, I think being a writer means to me being able to articulate. A time, a place, a mood, a moment, being able to articulate it, one for myself, but also to create a record that helps people who don't necessarily have that gift to be able to sort of put words to the experience of living at a time place, having a certain feeling about something. Michael Hingson  29:34 Do you think there's a difference between being considered a writer and being an author, are they the same, or are they really different? Nana Ekua Brew-Hammond  29:45 I do think that there is a difference, and not in a sort of, you know, highfalutin way. I think the difference is the fact that when you I think, like, when you asked me initially, like, when do you think that you you became. Became a writer. My My instinct is to say that I think I was always a writer, because I think if you write, you're a writer. And whether you're published or not, you're a writer. If you have that inclination, that gift, and you sort of invest in that gift, and invest and develop it. I think you're a writer, but I think with an author, I think then that's to me. I think of it as the business of being a writer, or the business of being, yeah, you are now sort of in business with your publisher. Publisher has invested a certain amount in you, and it then becomes a more sort of public facing thing. The work is not just for you anymore. The work is now being disseminated to a group and hopefully to as many people as possible, and you as the writer now have to figure out, like, how do I get to my audience? How do I maximize or expand the reach of this thing that I wrote? How do I connect with people around the story and build build a readership. And how do I ultimately, you know, the my desire and goal would be to live off of this. How do I make turn this into something that I can, I can do, you know, full time and live off of Michael Hingson  31:38 so you turn from a writer to being an author. Nana Ekua Brew-Hammond  31:42 I'm, yes, I am an author, and I'm and I'm hoping to get to the to the, you know, the point where I can do it 100% full time, and it be, you know, 100% lucrative in that way. Michael Hingson  31:56 So what are you doing now? In addition to doing books, I Nana Ekua Brew-Hammond  32:01 also freelance as a copywriter, so I'm still copywriting, Michael Hingson  32:05 okay, I was wondering what you what you did? So you're doing, still marketing and jingles and all those things, yeah, well, I Nana Ekua Brew-Hammond  32:13 I'm my focus. I do do that, but my focus is mainly in the digital space. So I write lots of websites and web ads and social media copy, and, you know, things of that nature, campaign work. Michael Hingson  32:33 Well, that's, is there anything that you've written or copy written that we would all know, Nana Ekua Brew-Hammond  32:42 yeah, I mean, I did. I've done a lot. I guess the maybe the most recent thing that I've done that people might be aware of, or some people might be aware of, is the Brooklyn Museum in New York, did a an exhibition called Africa fashion. And I, they created a short film to promote it, and I, they commissioned me to write an original piece for it. And so I wrote that piece and and performed it in the film. So, you know, people who are into that kind of thing a museum, that that museum might be aware of it. But I've also written for, I did a lot of work for L'Oreal Paris, USA, and I've just done a lot of beauty work. So many of the beauty brands you might be aware, you know, you might know, I've done some work for them, cool. Michael Hingson  33:45 Well, that, you know, you do have to do things to earn an income to to be able to afford to write until you can do it full time. Nana Ekua Brew-Hammond  33:53 Yeah, yeah. And I actually really love copywriting. I think it's an it's been an incredible teacher in the sense of how to how to crystallize an idea in very short, you know, in just a few words, how to convey emotion in just a few words. And also that storytelling is not just the words, it's how you deliver the story that's all part of it. So I think it's been an incredible teacher in that way. Michael Hingson  34:28 I know for me as a speaker, it is how you tell the story. And I've learned over 23 and a half years of speaking how to take people inside the World Trade Center and actually have them travel with me and do all the things that, and experience all the things that that I went through, and then come out of the other side and I and I say that because so many people after I speak somewhere, well. Come up and say, we were with you in the building. We were with you with everything that you did. And I appreciate that there is a real significant art to storytelling, and part of it is also, and I'm sure that this is true for you as a writer and an author, that part of it has to be that you have to actually connect with the audience. You've got to understand the audience. You've got to connect with them, and you have to bring them along, because they're not expecting to go with you. Nana Ekua Brew-Hammond  35:33 Absolutely, absolutely. And I will say that I started one of your books just the beginning of it, and I was just running with Roselle, and I was so taken, so absorbed by the first few pages of it. You really do immerse us. And I think that that's the best kind of of writing. You know, when you're able to kind of present material that people may or may not be familiar with, and make it riveting and really bring us into it, and then have us invest being, feel invested well. Michael Hingson  36:16 And I think the last book that we did last year live like a guide dog. I worked really hard to make sure that we were drawing people into the experiences, because every chapter is actually taking lessons from one of my guide dogs and also from Fantasia, which who is my wife's service dog, but each chapter relates to one of those dogs, and I wanted them to be environments where people again were drawn in and appreciate the dogs for what they are and what they do, not just some dumb Animal that comes along. Yeah. Nana Ekua Brew-Hammond  37:00 Yeah, absolutely. I mean, yeah, so interesting. I think there's, there's so much, I guess. I don't want to use the word, I guess what I want to say, there's a lot of mystery in in the sort of human animal interaction, and people just aren't aware of how powerful it is, and I can, I'm saying that I speak for myself, because growing up, actually, I was really, really scared of dogs and animals, all animals, and I so there's, there's two, there's kind of two stories I'll share. But one is when we were, when we were growing up, my parents, you know, were from Ghana. They wanted to eat goat meat. And at the time, you couldn't just go to a supermarket goat meat. So we used to go to a farm out in New Jersey that had goats, and we would have to go and have the goat, you know, slaughtered and, you know, cut up and all that kind of stuff for the meat. And I remember that whenever the hand would go into, you know, the pen where the goats were, the goats would just were. They would be so stressed out, they would like, you know, part like the ocean walked in, and if he picked, when he picked one out. There would be other people, other goats in the pen that would start screaming in agony, along with the goat that had been picked out. And I was just like, Oh my gosh. That must be his family members, like, or his loved ones. And it was so I remember that was so eye opening to me, like, wow. So I ended up years, years later, I wrote a short story, and I actually did some research on goats and how brilliant they are, and I was just like, wow, oh my goodness, I remember that so well. But I have a cat right now, and my kitty cat is just such a such a joy, like just sort of to build that relationship with, with my with my pet, is just such a beautiful thing, and how she just kind of, because I grew up really scared of pets, and I sort of inherited her when I got when I got married, you know, she's been very patient with me, like, because at first I was so skittish around her, and I could see her, kind of like rolling her eyes, like, I mean, you no harm. You can pick me up. It's all good. And she's just been so wonderfully patient with me. We've built that bond over time. Michael Hingson  39:31 Well, yeah, I have, of course, my my eighth guy, dog, Alamo, and stitch the cat. Stitch is 15 and a half and a real cutie pie. We rescued her. Actually, there were people who were living next to us, and he was moving out. His wife had died, and he just told the people who were moving all of his stuff out, take the cat to the pound. I don't want anything to do with it. And we, we said, Absolutely not. We'll find it a home. And then I asked, What the. Cat's name was, and they told me the cat's name was stitch. And I knew that this cat wasn't going to go anywhere because my wife had been, well, my wife had been a quilter since 1994 and a quilter is never going to give away a cat named stitch. Yes. Nana Ekua Brew-Hammond  40:14 Oh, I'm so glad stitch found a home with you. Michael Hingson  40:18 Oh, yeah. Well, we found a stitch. Nana Ekua Brew-Hammond  40:20 Oh, that's right, that's right. Michael Hingson  40:23 And, and, and so she's, she's got lots of personality. And so it really works out pretty well. No, no complaints. And I've always said, Whenever I get a guide dog, because my wife has always had cats, when I get a new guide dog, I've always said, and will continue to say, it has to be a dog that's been raised around cats and has no problems with cats. I have seen a couple of Guide Dogs, actually, that hated cats, and one almost killed a cat, and that's I will never tolerate that. Yeah, they have to get along. Yeah, absolutely, absolutely now, when we brought Alamo home, stitch had a few concerns about this dog in her house. She got over it when she decided that Alamo wasn't going to do anything to bother her and they they talk all the time now and rub noses and all that sort of stuff. Oh, that's so cool, yeah, but, but it's, it is great, and they, they bring so much joy and so many lessons to us that I think it was really important to learn. Nana Ekua Brew-Hammond  41:34 Yeah, yeah. You're reminding me the first dog, because my grandmother actually loves animals, and when I went to Ghana, she got a dog, and, you know, as a kid, so we got a puppy. And I remember the puppy was initially supposed to be a guard dog, but we I, I would feed the I would hand feed the dog sausages and just spoil the dog so much. Could not be a guard dog, so I loved that dog. Joshua, yeah, Joshua, Michael Hingson  42:07 well, but you and Joshua got along really well. On we got along great. One of the things that people sometimes ask me is if my dog trained to protect and the answer is no, they're not trained, and then they've said, Well, what would happen if somebody were to decide to attack you with the dog around? And my response will always be and rightly so, I wouldn't want to be the person to try that and find out what will happen, because much more than guarding, there's love. And I've always believed that dogs love unconditionally. I think trusting is a different story. They are open to trust, but, but you have to earn their trust. They'll love you, but will they trust you? That depends on you. And so it's it's really pretty cool, but I would not want to be the person to ever decide to try to attack us, because I, I am sure that Alamo would not tolerate that at all. Nana Ekua Brew-Hammond  43:10 Oh, not at all. How do, how do you or how have you built trust with your your pets? Michael Hingson  43:17 Well, a lot of it has to do with they want us to be the pack leaders. They want us to be their team leader. And so I have to set the ground rules. So, for example, no jumping on the furniture and all that. But again, it's also how you convey that. So if my dog is going to jump up on something and I don't want that, I'll say, leave it. And as soon as the dog obeys, I'll give the dog a food reward, a kibble, to let the dog know, and I'll also use a clicker, but I'll let the dog know I approve of what you did, not punishing them for, you know, something else. Yeah, so it's not punishment, it's positive rewards. I think that's extremely important, but also it is in the stressful times being very focused and calm. So if we're walking somewhere and we get lost, that is not the dog's fault, because it's my job to know where to go and how to get where I'm going, and it's the dog's job to make sure that we walk safely to get there, so if we get lost, that's on me. And what I can't do, or shouldn't do, is panic and become very fearful and upset, because the dog will sense that I have to stop and figure it out and continue to praise the dog, saying what a good job you're doing, and so on. And those kinds of things are the things that will, over time, build that trust. I think it takes a good year to truly build a trusting relationship that is second. To none. And that's the kind of teaming relationship that you want, whether it's a guide dog or any dog. And even as far as that goes, although they're different cats, yeah, but it's, it's all about building that relationship and conveying the command and conveying that you want to trust and be trusted? Nana Ekua Brew-Hammond  45:24 Yeah, yeah. I think you're you. What you said that really resonated with me is that they want to know. They want you to be the pack leader and the and part of that is, you know, you lay down the ground rules, but also you're responsible for them and their well being. And, yeah, that really, that really resonated with me. Michael Hingson  45:48 Well, so you wrote your first book, and then when did you write your second book? Nana Ekua Brew-Hammond  45:55 My second book came out in 2022, so it was a 12 year spread in my first book and my second book, Why so long? Oh my gosh, my book, I was the book I was working on, like to sort of follow, was just rejected for, for all that whole time, and I was, you know, in more and more distraught, and, you know, in despair about it. I didn't know what to do about it. And I actually, you know, I was actually reading the Bible, and I came across the fact that there was a curtain, a blue curtain, in King Solomon's temple. And I was like, why does it matter that the curtain was blue? And so I just started googling casually, and I discovered that there was a snail in antiquity that was harvested for the blue drops that it it secreted, or it secreted drops that were ultimately oxidized to turn blue. And I was like, what I've never heard about this? I started doing some more research, and I realized, like, oh my gosh, the color blue has such a fascinating history. Kids need to know about this. And so I wrote it really as a poem initially, but then I thought, you know, I really want to see if I can get this published. And I was able to get it published, and that became my children's book blue, which was such a bomb to my soul, because after sort of a decade of getting, you know, rejected, and, you know, close to a decade of getting rejected, this, this sort of beautiful, like, sort of knowledge, you know, I came across, But I was able to create a book, and it's just been a wonderful experience with the children's Michael Hingson  47:45 book, wow, so the full title of blue is, Nana Ekua Brew-Hammond  47:51 it's blue a history of the color as deep as the sea and as wide as the sky. Wow. Michael Hingson  47:57 That should be enough to get the book sold. But as you point out, there's, there's a lot of history, yes, and that, that's pretty cool. So it was, it was released in 2022 and they finally, the publishers finally bought into that, huh? Nana Ekua Brew-Hammond  48:16 Well, yeah, I mean, that wasn't the novel that I've been working on. So I was still working. I ultimately, I did sell the novel, but that was its own journey, and I ended up writing another book that became the book is called my parents marriage, and it is not about my actual parents marriage. It's a novel about a young woman for adult readers. It's my first book for adult readers, and it is about a young woman whose parents are in a polygamous union, and how they're they have a really turbulent polygamous union, and how that relationship kind of kind of cast a shadow on this woman's, you know, choices in relationships and marriage for herself. Michael Hingson  49:10 So you you publish that my parents marriage. You also did a collection relations. Tell me about relationships. Nana Ekua Brew-Hammond  49:18 I did. Yeah, so relations is an anthology of its stories, essays and poems that are by writers from all across the continent of Africa. So I have Egyptian poets and Libyan you know essayists and you know, Nigerian storytellers, just it was, it was a really amazing project to work on. I started working on it during August of 2020, which was sort of like I've heard it described as peak pandemic, right? You know, we were several months. Into lockdown, and you know, it became this wonderful way for me to kind of connect while I was sort of holed up in my apartment in New York. Michael Hingson  50:15 Okay, now, were you married by then? Nana Ekua Brew-Hammond  50:18 No, I was not. I had just started dating my now husband, and I was like, Am I ever gonna see this man again? Because he lived in California, so at that time, the planes were grounded. I remember we were, like, on the first, very first flights that were able to start, you know, that started and be on planes, there'd be like, four people on the entire plane. Michael Hingson  50:42 Yeah, hopefully you both weren't on planes going against each other at the same time. No, you did communicate a little more than that. Oh, good. Well, so you published. So when was well? What was relations published? Nana Ekua Brew-Hammond  51:02 Relations came out in 2023 okay, February of 2023, and my parents marriage came out in July of 2024. Just came out in July of 2025, Michael Hingson  51:14 which one the paperback of the paperback? Oh, okay. Have any of them been converted to audio Yes, Nana Ekua Brew-Hammond  51:23 all, but my first book, are audio books. So blue is an audio book, beautifully read, and then their relations, the stories and essays and poems are read by two speaking artists, and then my parents, marriage is is also wonderfully performed. So, yeah, they're all an audience. Michael Hingson  51:50 That's cool, yeah. So when you're writing, what, what's kind of the difference, or, how do you differentiate between writing for young people and writing for adults. There must be differences. Nana Ekua Brew-Hammond  52:07 Yeah, I think, I think with for young people, and the practical thing that I try to do is make sure that the vocabulary is are is familiar to them, mostly familiar. I like to put in a stretch word now and then to kind of get them to, like, get to the dictionary and find out what. But if I'm right, when I when I wrote blue, for example, knowing that, you know, the the age group is, the age spread is four to 888, year olds are in third grade. Four year olds are in pre K, so that's that's pretty big spread. So my sweet spot is first and second grade vocabulary words. Okay, it has to be something that they've been exposed to. So thinking of it in that way, the other thing too is breaking down concepts that are, you know, as adults, you know, we just assume that you know, or you can go look it up, but just kind of thinking it through. So if I'm talking about, instead of saying that, you know, there was a snail in antiquity who, you know, heart, you know, dyers were harvesting blue dye from these snails through after a process of oxidation. I wouldn't use any of those words. I would say, snail produced some drops that when exposed to the air and the sun turned blue. And so just sort of really, kind of being mindful of that, and also thinking very visually, writing, very visually. How can I create pictures with words that would be familiar to a child, that can sort of ignite their imagination? Michael Hingson  53:53 Yeah, I think it's extremely important to to deal with the visual aspects of it, but using words and really drawing again, drawing people in because if you just say, well, you can see this in this picture. That doesn't mean a lot, and you're also, I would think, helping to teach or create the concept that some people might some children might want to go off and write because they like how you say and what you say Nana Ekua Brew-Hammond  54:24 absolutely and when I when I talk to kids, I go or visit schools, I invite them like I wrote about the color blue. What's your favorite color? These are some some things that I did to kind of learn about it. You can do these things to learn about your favorite color and write your own book? Michael Hingson  54:42 Yeah, yeah, it's, I think, so important to really draw people in and get them to think. And I think it's so much fun for me, I do some of that, but I have probably more of a chance. Challenge, because kids want to play with the dog. Yeah, it's all about the dog. I did a lecture at a K through six elementary school in San Francisco several years ago. I'm trying to remember what school it was anyway, and the teacher said you can only talk for about 10 or 12 minutes, because they just won't pay attention any longer than that. 35 minutes later, I finally ended the discussion, because they were so fascinated to hear me talk about what my dog did. And then I carried that over to how blind people work and function and all that. And the fact is, they were fascinated. The teachers couldn't believe it, but for me, it was a great lesson to know that it's all about creating these pictures that people can follow, Nana Ekua Brew-Hammond  55:53 yeah, and also to extending those pictures or those words into an experience for kids. Yeah, they really, they really appreciate, sort of like seeing it, kind of, you know, see if the having the concept come to life, yeah, way. And so I'm sure when they see your dog, or are able to interact with your dog, that must be so wonderful for them, Michael Hingson  56:22 but it's important for them to understand what the dog is all about. So by the time they get to interact with the dog, we've talked about things like, you never pet a guide dog in harness. This is what a guide dog does, and this is what they don't do. There are a lot of things to to cover. So it's great when I have the opportunity to really teach them. And sometimes we'll walk around a classroom and I'll show them what he does. Yeah, it's important to be able to do that. Oh, I love that. I love that. And he loves it, of course, all the way. So no question about that. He's you haven't lived until you've seen two or 300 kids all wanting to pet this dog. And the dog knows what to do. He's down on the floor with every appendage stretched out as far as he can go to maximize petting places, petting. Oh, it is so funny. I love that. He loves it. He's, he's, he's so happy. He doesn't care whether he'll do it more with kids even than adults, but, yeah, he'll do it with everybody. It's all about petting me and just remembering I'm the dog. I love that. Well, you've gone through a fair amount of time between books, and I'm sort of curious, what do you think about all the various kinds of changes and ebbs and flows that have come along in the book business, in the book publishing business and so on. Nana Ekua Brew-Hammond  57:56 Yeah, there have been a lot of changes. Um, I think, um, when my first book came out, like things like, you know, Instagram Bookstagram did not exist. There weren't many sort of podcasts or things of that nature. So I think that there is, there's definitely, there are more venues and more platforms to, you know, get the message out about the book. But I think also there is, it's also just hard. It's in some ways, it also feels in some ways more challenging to get the word out, because in addition to, like, yes, there are more venues in that way, regard, there are fewer book reviewers and fewer places to get a book reviewed, and there's a whole kind of interesting business about around getting reviews. So it's just not the same in that way. But then at the same time. I think what remains the same is connecting with readers. I think the most effective thing is, you know, writing a book that's good and then getting people who have read it and liked it to evangelize, to tell people I liked it, please buy it, or you should have you heard of and because at the end of the day, you know, that's what's going to, you know, give it some wind Michael Hingson  59:30 when thunder dog came out, and we did mention about reviews, and it actually has had, like well over 1600 reviews since it came out in 2011 live like a guide dog hasn't had, of course, so many yet, but every time I get a chance to talk about that book, I ask people to go review it and tell them why it's so important, because potential readers want to know what people think of the book. Yeah, for sure. For sure, it's. It really is important for readers to review and just be honest and say what you think. It's fine, but people should do that. For me, I think one of the biggest things that I see that publishers are doing less of is in a lot of ways, true marketing. You don't, you know, you don't see them doing nearly as much. Of course, I know it's more expensive, but to help create book tours or anything like that, they focus only on social media, and that's not the way to market the book. Nana Ekua Brew-Hammond  1:00:33 Yeah, I think, I mean, I've never worked inside a publishing office, so I don't know what actually, how they make these decisions and what goes on, but I do. I think what I have come to sort of think, how I've come to think of it, is the publisher is my business partner, sort of invested in terms of, they've given me an advance. They're going to do the turn key things like, you know, make sure the book gets reviewed by Publishers Weekly, or, sorry, Publishers Marketplace, or no Publishers Weekly. I was correct, and Kirkus review, Kirkus right, and all those kinds of things. And maybe they'll do a mailing to you know who they believe are the people that they need to mail it to. But outside of that, unless you know you, you know it's stipulated in your contract, or you know you are that high, yeah, you know that that celebrity author, or that that best selling author that they you know, are willing to put that money behind. You're working with some your publicist, who's been assigned to your book has is probably working on 10 other books. Can devote so much to it. And so what I've learned is thankful. I'm thankful that, you know, I have this publisher, but I also know that I need to do a lot of work on my own to get Michael Hingson  1:02:04 you've got to be your best marketer, yes, but, but there's value in that too, because you can tell the story whatever it is, like no one else, exactly, exactly. And so that's that's really pretty important, yeah, Nana Ekua Brew-Hammond  1:02:18 for sure, for sure. And you can be, you know that I think, also giving yourself permission to be creative, yeah, you know, how can you get the word out in really creative ways, like, again, the publisher. These are things that like, if there was, you know, people, there were many people dedicated to your book for this amount of time, they could kind of sit there and brainstorm and do all those things. But, you know, the reality is, in most cases, it's a small it's a lean and mean team. They don't have that bandwidth, so yeah, just kind of coming up with creative ways. And at times, what I have learned to do is, how can I, if I have an idea that is maybe low cost and but I can't necessarily do it on my own? How can I ask them for support, because they do have, you know, a little bit more resources, Michael Hingson  1:03:16 yeah, and, and the how is really pretty simple. Actually, you just ask exactly, exactly, and you know either they will or they won't, or you'll share it, or whatever. And I have found that same thing to be true. Well, Nana, if people want to reach out to you, how do they do that? If they might want to talk about you doing copywriting for them or whatever, how can people find you? Nana Ekua Brew-Hammond  1:03:41 So my website is Nana brew-hammond.com, can you spell please? It's n, a n, a, b, r, e, w, H, A, M, M, O, N, d.com, and I have a newsletter there. So a newsletter sign up. So they can sign up to be a part of my newsletter and connect with me that way. They can also find me on Instagram, I'm at n, a, n, a, e, K, U, a writer on Instagram, and I'm also on Facebook at that same name, and then on Twitter, I am that without the writer. So, n, a, n, a, e, K, U, a, Michael Hingson  1:04:28 okay, cool. Well, I hope people will reach out and and I hope that they will read your books and like them and review them. I hope the same thing. Well, I want to thank you for being here, and I want to thank all of you for listening and watching us today. We really appreciate you being here with us. I'd love to hear what you think. Please feel free to email me. I'm reachable at Michael H, I m, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I. B, e.com, Michael H i@accessibe.com love to hear your thoughts and love to get your your opinions. I would really appreciate it if you would give us a five star rating when you have the opportunity to review this podcast. We really value your ratings and reviews very highly, and definitely want to know what you think, but please give us a great rating. We love that. If you know anyone who wants to be a guest on a podcast, or you think ought to be a guest, we're always looking for guests. And Nana you as well. If you know anyone, we're always looking for more people to come on the podcast and tell their stories. So we appreciate it. If you'd let us know. By the way, you can also go to my podcast page, www dot Michael hingson, M, I C, H, A, E, L, H, I N, G, s o n.com/podcast, that's another way to reach out to me as well. But definitely anything you can do to bring more folks to us, we value it very highly. And so with that, once again, Nana, I want to thank you for being here. This has been great. Nana Ekua Brew-Hammond  1:06:01 Thank you so much. I really appreciate you having me on, and you are such an inspiration. And thank you. Michael Hingson  1:06:13 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

In this episode of Creative Guts, co-hosts Becky Barsi and Joe Acone sit down with Theo Martey, Ghanaian-born artist and founder of the Akwaaba Ensemble. From vibrant performances and hands-on workshops to his role as New Hampshire Artist Laureate, Theo shares how West African rhythms, storytelling, and the spirit of welcome have guided his artistic journey. The conversation explores Theo's work in education, his passion for collaboration, and how music can build bridges across cultures and communities.Learn more about Theo at https://theomartey.wixsite.com/theomartey, and follow Akwaaba Ensemble at  https://www.instagram.com/akwaabaensemble/ andhttps://www.facebook.com/AkwaabaEnsemble. Also listen on Spotify here: "Akwaaba" Welcome Home and Jei Elaaja Wo (Lost in the World).Listen to this episode wherever you listen to podcasts or on our website www.CreativeGutsPodcast.com. Connect with us on Instagram, Facebook, LinkedIn, and Discord. Subscribe to our Substack at creativegutspod.substack.com. If you love listening, consider making a donation to Creative Guts! Our budget is tiny, so donations of any size make a big difference. Learn more about us and make a tax deductible donation at www.CreativeGutsPodcast.com. Thank you to our friends at Art Up Front Street Studios and Gallery in Exeter, NH and the Rochester Museum of Fine Arts in Rochester, NH for their support of the show!

If you're searching for hope, healing, or encouragement after miscarriage, loss, or delayed dreams, this episode with Myshel Wilkins will speak directly to your heart.So many women silently carry the weight of miscarriage, unanswered prayers, and the gut-level “why, God?” moments that shake your faith. If that's you or if someone you love is walking through heartbreak, today's conversation is a powerful reminder that God meets us right in the middle of our pain.In this emotional and faith-building episode, I sit down with worship leader and author Myshel Wilkins, who bravely shares her journey through eight miscarriages, overwhelming grief, spiritual battles, and ultimately, God's miraculous fulfillment of His promise. Her testimony is raw, hope-filled, and deeply relatable for anyone navigating loss.Myshel shares how worship became her lifeline, how she fought back against the lies of the enemy, and how God used the darkest moments to reveal His presence more intimately than ever before. Her story will help you recognize the traps of despair, choose truth over torment, and cling to the promises God has spoken over your life even when circumstances scream the opposite.Chapters:[00:00] Podcast Preview[01:30] Topic and Guest Introduction[05:18] The Journey of Loss and Grief[10:27] Finding Strength in Worship[12:50] Choosing Faith Over Fear[15:19] The Power of Decision[18:05] Clinging to Promises[22:35] Navigating Marriage Through Trials[27:56] The Impact of Loss and Finding Meaning[29:52] Closing Thoughts and Prayer[33:00] ResourcesResources mentioned:Website: myshelwilkins.comArise, Shine, and ConquerConnect with today's guest:Instagram: @myshelmusicFacebook: @myshel.wilkins1Myshel Wilkins is a multi-gifted recording artist, speaker, wife, and mother whose life and work inspire people around the world. Originally from Frankfort, Kentucky, Myshel grew up traveling internationally with her missionary father and Ghanaian mother, speaking and leading worship across several nations from an early age.After moving to Nashville, Tennessee, Myshel stepped into the Christian music arena and has lent her vocal gifts to renowned artists such as Don Moen, Matthew West, TobyMac, and Mandisa. Chances are, many listeners have heard her voice long before knowing her name.Myshel is a graduate of Tennessee State University, where she earned a degree in political science and was crowned Miss TSU. She later won the national title of Miss National Black Hall of Fame. She also holds a master's degree in Organizational Leadership from The King's University Seminary in Southlake, Texas.Her personal journey through multiple miscarriages has shaped a powerful part of her calling. Today, Myshel is deeply committed to raising awareness about the emotional and spiritual challenges many women face after pregnancy loss. Her story is a moving testament to resilience, faith, and the healing power of hope.Through her music, her message, and her ministry, Myshel continues to encourage others to trust God's promises and discover strength even in the most painful seasons.P.S. If you're just checking out the show to see if it's a good fit for you, welcome!If you're really serious about becoming Visibly Fit, you'll get the best experience if you download the worksheets available at

In this thought-provoking episode of Mindset Mastery Moments, Dr. Alisa Whyte sits down with Dr. Rachel Laryea, a Yale-trained PhD anthropologist and founder of Kelewele, whose work challenges the dominant narratives of wealth, power, and capitalism. Together, they explore what it truly means to reshape economic systems in a way that honors culture, community, and collective well-being.Dr. Laryea shares her remarkable journey from Wall Street's fast-paced financial sector to the deeply intentional world of anthropology and ethical entrepreneurship. She reveals how her Ghanaian heritage, academic research, and lived experiences inspired her to create a business rooted in community-centered economics — one that redefines success beyond individual achievement.Throughout their powerful conversation, Dr. Alisa and Dr. Laryea unpack the complex relationship between race, wealth, and access, highlighting the ways traditional capitalist frameworks often leave marginalized communities behind. They examine how entrepreneurship can become a tool for liberation when built with cultural integrity, shared value, and an abundance mindset at its core.This episode illuminates the importance of shifting from scarcity to collaboration, from extraction to empowerment, and from individual gain to collective advancement. Dr. Laryea offers a refreshing, necessary perspective on what ethical entrepreneurship looks like — and why cultural roots can be a catalyst for economic innovation.

From diaspora dreams to land disputes: Why Ghana's real estate market creates millionaires and bankrupts dreamers - and the brutal truth about buying property in Africa's hottest investment destination. In this explosive episode of Konnected Minds, two battle-tested real estate experts dismantle the fantasy keeping diaspora Africans broke and locals trapped in rental cycles. This isn't motivational property talk - it's a systematic breakdown of why the average Ghanaian earning 800 cedis monthly can still own property, why land ownership without proper testing is financial suicide, and why the smartest investors are pooling resources instead of chasing individual ownership dreams that take 15 years to materialize. Chapters 00:00:00 Introduction: Real Estate Success and Failures in Ghana 00:03:43 The First Step: Why Land Ownership Matters 00:05:28 Luxury Apartments vs Land: The Great Debate Begins 00:13:35 The Partnership Strategy: Pooling Resources to Own Property 00:24:55 The Mindset Problem: Why Ghanaians Struggle to Start 00:19:21 Making Money in Ghana: The Reality Check 00:40:58 Land Documentation Deep Dive: What You Must Know 00:11:27 The Testing Process: How to Verify Land Before Buying 00:43:49 Court Cases and Land Disputes: The Harsh Reality 01:05:31 The Future of Real Estate in Ghana and Where to Invest Now Guests: Rush Asare YT: https://www.youtube.com/@rushasare Cwesi Oteng Desmond YT: https://www.youtube.com/@CODREALTYPROPERTIES Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://konnectedacademy.com/ Listen to the podcast on: Apple Podcast - http://tinyurl.com/4ttwbdxe Spotify - http://tinyurl.com/3he8hjfp Join this channel: /@konnectedminds FOLLOW ► https://linktr.ee/konnectedminds #Podcast #businesspodcast #AfricanPodcast

Rahman and Ed are joined by Ghanaian journalist Owuraku Ampofo to discuss the Bournemouth forward's journey from Sunday League football to the Premier League and what's next for him with transfer speculation mounting. Plus Salah's struggles at Liverpool and DR Congo eliminate Nigeria in the World Cup playoffs

A deadly stampede during a recent Ghanaian army recruitment event killed six. How is the military fixing safety and restoring trust?

From IOUs to investment rounds: The brutal truth about raising funds in Africa - and why giving away 50% equity almost destroyed everything. In this raw and unfiltered episode of Konnected Minds, Francis pulls back the curtain on the harsh realities of building a business from absolute zero in Ghana. Starting with nothing but determination, he reveals how he wrote IOUs to co-founders he couldn't pay, got evicted by a landlady for "causing too much rubbish," and transformed a single themed donut order for Uber into their first investment round. The conversation exposes a fundamental truth most African entrepreneurs miss: investors aren't charity organizations looking to help you - they're multipliers seeking documented proof that their money will grow. Francis shares how most founders fail at fundraising because everything lives in their heads with zero documentation - no sales ledgers, no expense tracking, no evidence that invested capital will multiply. He opens up about the devastating cost of desperation, revealing how he gave away over 50% equity to his first investor, losing majority ownership while fighting to remain CEO of the company he built. "People change when money comes," he reflects, comparing it to getting married only to have your spouse forget you exist once they make money. Critical lessons revealed: • Why the fastest response time (minutes, not days) won them the Uber deal that changed everything • The IOU system that kept co-founders loyal when there was literally no money • How to think like an investor seeking multiplication, not a founder seeking help • Why "the economy is bad" is a lie - money just changed hands, it didn't disappear • The exact documentation framework that attracts investment vs endlessly chasing it • The painful reality of equity vs debt - and why he'd choose debt if starting over • Why working backwards from desired profit beats hoping for organic growth • The mentor advantage he didn't have - and why it cost him years of unnecessary grinding From selling phones at UTC Accra in secondary school to building multiple ventures, Francis demonstrates that raising funds isn't about crafting sob stories - it's about presenting data that shows clear paths to multiplication. He challenges the notion that there's no money in Ghana, revealing instead that there's "loose money" everywhere, desperately seeking documented opportunities to grow. The episode takes an unexpected turn as Francis discusses building business with his wife, emphasizing that communication and understanding trump everything else in partnership. He shares the painful decision to close a flashy shop after 11 months when data showed delivery donuts outsold everything else - proving that listening to market data beats emotional attachment to ideas. This isn't another generic fundraising tutorial - it's the unvarnished truth about what it takes to attract investment in African markets, including the mistakes that cost founders their companies, the systems that separate fundable businesses from eternal ideas, and why most Ghanaian businesses fail because they never listen to what the market is actually telling them. Host: Derrick Abaitey IG: https://www.instagram.com/derrick.abaitey YT: https://www.youtube.com/@DerrickAbaitey Join Konnected Academy: https://www.konnectedacademy.com/ Listen to the podcast on: Apple Podcast - http://tinyurl.com/4ttwbdxe Spotify - http://tinyurl.com/3he8hjfp Join this channel: /@konnectedminds FOLLOW ► https://linktr.ee/konnectedminds #Podcast #businesspodcast #AfricanPodcast

Listen up! Yayra Agbofah is the founder of Ghanaian non-profit, The Revival. He's seriously stylish a poet, a creative upcycler, and one of Time Magazine's 100 Most Influential Climate Leaders, as well a 2025 winner of the H&M Foundation's Global Change Award. And he's got some advice for the global fashion industry...Also covered in this charismatic convo: why wear a hat, the art of knowing yourself, community upcycling at scale, fashion education, how circularity is creating jobs as well as value from waste, and a new vision for the fashion system of tomorrow.If you enjoy the Episode, please help us share it.Find links and further reading at thewardrobecrisis.comRead Clare's columns & support the show on Substack - wardrobecrisis.substack.comTell us what you think. Find Clare on Instagram @mrspressGot recommendations? Hit us up!And please leave us a rating / review in Spotify/ Apple & help us share these podcasts. Hosted on Acast. See acast.com/privacy for more information.

Kute Blackson is a transformational teacher, speaker, visionary, guide and national best-selling author of You.Are.The.One. and The Magic of Surrender. Kute offers a fresh look at spiritual awareness for a whole new generation. Born in Ghana, West Africa, and brought up in England, Kute's multicultural upbringing as the child of a Japanese mother and a Ghanaian father has spanned four different continents. His unique lineage lay the foundation for his approach to breaking down barriers and unlocking an individual's true gifts and greatness. Heather and Kute's conversation offers real world practical ideas and soul stirring wisdom.  Kute's teachings ignite the heart and inspire courageous action. Heather and Kute talk about miracles, the ego, following your inner knowing and so much more. The mission is simple: To awaken and inspire people across the planet to access inner freedom, live authentically and fulfill their true life's purpose Kute speaks at countless events he organizes around the world.  He created a process that liberates the individual and the true self at the core and then pushes those gifts outward into the universe. This helps the individual get in touch with who they really are. It is a process of breaking free—so that the individual can live, give, and share the truest expression of their self. This is what Kute calls “Liberated Living.” Go to Kute Blackson website for all info on Kute, events, etc ⁠kuteblackson.com⁠ Website: ⁠www.heatherthomson.com⁠ Social Media:  IG: ⁠https://www.instagram.com/iamheathert/⁠                     You Tube: ⁠https://youtube.com/@iamheathert?si=ZvI9l0bhLfTR-qdo⁠ SPONSOR: MIMIO Health -. Go to www.Mimiohealth.com and use code HEATHER for 20% off your first order. Learn more about your ad choices. Visit megaphone.fm/adchoices

Asantehene, Otumfuo Osei Tutu II, is expected to intervene in the ongoing dispute between the late Ghanaian musician Daddy Lumba's sister, Akosua Brempomaa, and the family head, Abusuapanin Kofi Owusu

"Every Clark Kent can become Superman"Owusu Akoto is the Ghanaian entrepreneur tackling one of Africa's most overlooked problems: cold chain logistics. In this episode of Limitless Africa, host Claude Grunitzky speak with Owusu about how his company, Freezelink, is solving food and medicine waste by building Africa's temperature-controlled transport and storage network from the ground up. Owusu shares what African entrepreneurs need to succeed and why Africa's uncultivated land may be its most powerful untapped asset. He also breaks down the mindset shift needed to embrace failure, build legacy, and scale solutions across the continent. Whether you're interested in agribusiness, logistics, entrepreneurship or building the future of food in Africa, this episode offers grounded insights from the frontlines.Plus: Why failure can be the best teacher.

‘Fashion has to be more inclusive, it has to speak to people outside the normal demographic'BBC presenter Amol Rajan speaks to Ghanaian-born Edward Enninful, who rose to the pinnacle of fashion in Britain as the editor-in-chief of British Vogue.Enninful has dedicated his career to making fashion representative and relevant to all, ignoring the accepted conventions on which type of models will make magazines and clothes sell. Even before I knew what inclusivity was, he says, I knew something wasn't right. But now Enninful warns fashion is at risk of returning to a narrow definition of beauty, where being thin, European and young is the ideal. In this interview, he sets out an alternative vision of fashion where diversity is welcomed, and the beauty of older women is recognised - inspired by the ‘bodacious' African women dressed by his seamstress mother throughout his childhood.Enninful arrived in London from Ghana as a boy, and was fashion director of the influential i-D magazine by the age of 18. After being appointed editor of British Vogue in 2017, he spent six years at the helm before stepping down. He is now launching a new fashion and media platform EE72.Thank you to the Radical podcast team for their help in making this programme. The Interview brings you conversations with people shaping our world, from all over the world. The best interviews from the BBC. You can listen on the BBC World Service, Mondays and Wednesdays at 0700 GMT. Or you can listen to The Interview as a podcast, out twice a week on BBC Sounds or wherever you get your podcasts.Presenter: Amol Rajan Producers: Lucy Sheppard and Grace Reeve Editor: Justine LangGet in touch with us on email TheInterview@bbc.co.uk and use the hashtag #TheInterviewBBC on social media.(Image: Edward Enninful Credit: Mike Coppola/Getty Images)

In this clip from xTransfers, Ste is joined by Mizgan Masani to discuss links to Bournemouth's Antoine Semenyo and why Liverpool should try and sign the Ghanaian international.LISTEN TO THE FULL SHOW HERE - https://theredmentv.com/why-liverpool-should-sign-semenyo-xtransfers-episode-2-w-mizgan-masani/ Hosted on Acast. See acast.com/privacy for more information.

How do you stop negotiating with yourself when life forces you to walk away from what you're building? In this episode, we meet Ghanaian entrepreneur and creative professional Yaa Boateng, who takes us through her journey from graphic designer to creative director and eventually a creative entrepreneur as the co-founder of The Storytellers. Yaa opens up about navigating career pivots in the midst of grief, building resilience, and the importance of mentorship and global representation of the African creative industry. She also shares why she is committed to giving back through SIBI Africa, an initiative empowering the next generation of African creatives. If you're interested in applying for the 2026 SIBI program, applications are open now. The deadline is December 5, 2025. This episode was produced by Hauwa Otori with help from Osheiza Otori. Music composed by Kevin Edwards. You can follow Founders International Network on LinkedIn and BBP on Instagram.

Welcome BACK to The Lions Den!This week, Andrew Rappelyea goes in-depth with Anthony Donkoh, the inspiring offensive lineman for Penn State football, as he shares his incredible journey from Ghana to becoming a Nittany Lions star! From his upbringing in Virginia with Ghanaian immigrant parents to embracing his role as a leader on the field, Anthony's story is one of resilience, faith, and dedication.Here's what to expect:- Anthony's early love for football and how Pop Warner days shaped his passion for the game - The big picture of his high school football journey, from freshman team to varsity standout - Keys to success: overcoming injuries, embracing challenges, and staying motivated - His connection with Penn State coaches and what solidified his decision to commit early- How his faith and family drive him to achieve greatness on and off the field- A behind-the-scenes look at Penn State football's unique team culture and brotherhoodFOLLOW STATE MEDIA HERE:► TWITTER | ⁠https://twitter.com/StateMediaPSU⁠► TIKTOK | ⁠https://www.tiktok.com/@statemediapsu⁠► INSTAGRAM | ⁠https://www.instagram.com/statemediapsu/⁠► YOUTUBE | ⁠https://www.youtube.com/@StateMediaPSU?sub_confirmation=1⁠► FACEBOOK | https://www.facebook.com/profile.php?id=61558183472272CHAPTERS:00:00 - Intro07:29 - Football Journey13:54 - Recruitment Process19:50 - Gratitude for Playing Opportunities23:10 - Team Success and Individual Recognition24:34 - Overcoming Loss and Adversity26:38 - Relationship with Coach Franklin36:04 - Personal Motivation#collegefootball #nfl #cfb #pennstate #weare #happyvalley #football #sunday #saturday

Ghanaian weddings are not for the weak!

From July 31, 2024. Hosted by Dr. Jacinta Delhaize, Dr. Tshiamiso Makwela & Dr. Daniel Cunnama. In this double feature episode, Jacinta interviews two amazing astronomers at the SARAO conference (South African Radio Astronomical Observatory).   Dr. Mpati Ramotsoku is a radio astrophysicist from South Africa. In the episode she discusses her journey from studying in the Netherlands to working in Italy at the Italian National Institute of Astrophysics in Cali, and eventually returning to South Africa as a research associate at Rhodes University. She delves into her research on how galaxies evolve by studying hydrogen gas in galaxies and the environmental effects on galaxy evolution, such as ram pressure stripping. Mpati also shares her discovery of new filaments in galaxies through images from the MeerKAT Telescope, a finding which has garnered international attention.   Dr. Emanuel Proven Adzuri is a Ghanaian astronomer at the Ghana Space Science and Technology Institute and the Ghana Radio Astronomy Observatory. In this episode he shares his background and journey in astronomy. Emanuel discusses his education in computational engineering and astronomy that led to a groundbreaking PhD project on space lasers, specifically focusing on the periodicity of methanol masers in star-forming regions. Emanuel also discusses the advancements in Ghana's astronomy infrastructure, including the transformation of a decommissioned telecom dish into a 32-meter radio telescope.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

When Nana Daniels returned from a trip to Ghana in 2016, she experienced a severe lupus flare-up that left her skin severely burned. What happened next changed her life forever.After seven hours in the emergency room with no real solution, Nana turned to her Ghanaian roots and created her own remedy using raw shea butter, vitamin E, and essential oils. The results were so remarkable that friends started asking for their own supply—and Honam Naturals was born.In this inspiring episode, Nana shares:Her 25-year journey living with lupus and sclerodermaHow a medical crisis became an unexpected business opportunityThe cultural wisdom behind shea butter and African black soapSelling out her first product batch in one hour and making $1,000Winning a mentorship with Dragons' Den's Manjit MinhasLanding products in Winners, Walmart (US and Canada), and Amazon—all while battling imposter syndromeThe challenges of scaling from kitchen countertop to big box retailWhy she chose aluminum containers and eco-friendly packagingHer vision for getting into more natural health stores across CanadaFrom Ajax, Ontario, Nana has built a thriving skincare and haircare brand that honors traditional African ingredients while meeting modern clean beauty standards. Her story proves that sometimes the best solutions come from going back to basics—and that a little bit of courage can turn adversity into opportunity.Products discussed: Body butters, African black soap, hair care for tight curls and chemically-treated hair, home fragrances, and men's groomingConnect with Honam Naturals: http://honamnaturals.com/collectionsThank you to Field Agent Canada for sponsoring the podcast: https://www.fieldagentcanada.com/

Hey friends, and welcome back to Help Me Abide.Today, I have the joy and honor of welcoming someone truly special. A personal friend, a woman I deeply admire, and a true hero of the faith, Mrs. Elizabeth Speer.Elizabeth and her husband Ted Speer have served as missionaries in Ghana, West Africa, for the past 16 years. Together, they've poured their lives into the work of the Gospel, and the fruit of their labor is truly remarkable.Through their ministry, over 50 churches have been started, either directly or indirectly. Their main church averages around 700 people every Sunday, not counting daughter churches. Their Bible college, Hyles-Anderson College of West Africa, has graduated 87 students. The Christian school my husband Brett helped launch, the Fundamental Baptist Academy, has 445 students enrolled this school year. Every August, their Pastors' and Workers' Conference draws hundreds from across West Africa, and they currently have over 70 team members on payroll. These statistics are just the tip of the iceberg in relating the incredible ministry the Lord has built through their faithful service.But Elizabeth's impact goes far beyond numbers. She is a woman who has faithfully embraced the priorities of each season God has led her through. She's a steady voice of wisdom, and a beautiful example of what it looks like to abide in Christ.Elizabeth is also a proud mom to Kimberly, James, Rachel, Grace, and Michael, as well as a son-in-law, a daughter-in-law, and a precious granddaughter.And for a little taste of her Ghanaian life, quite literally, her favorite local dish is red red with pepper sauce. If you know, you know!So whether you're folding laundry, commuting to work, or just needing encouragement in your own walk today, I pray this conversation is a blessing.Are you ready to be encouraged and equipped to abide in Christ? Let's get into the heart of today's episode.RESOURCES:Elizabeth Speer - Facebook PageBible Memory App ⁠- Phone App⁠Nourishing Traditions - WebpageTEAM:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Podcast Facilitator - Mrs Tammy Goddard ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Host - Jennifer Beil⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Social Media Director - Lisa Grubb ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Music Coordinator - Lindsey Osgood ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Resource Promoter - Connie Marrujo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW US:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Webpage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠

E421 – Inner Voice: A Heartfelt Chat with Dr. Foojan & Sarodah Aboagye Welcome to Episode 421 of the Inner Voice Podcast with Dr. Foojan Zeine! In this deeply moving and transformational conversation, Dr. Foojan welcomes therapist, speaker, and author Sarodah Aboagye to share her inspiring healing journey—from surviving trauma and cultural isolation to embracing love, forgiveness, and living with purpose. This heartfelt discussion explores powerful themes like trauma recovery, emotional healing, panic attacks, anxiety recovery, cultural assimilation, and the immigrant experience. Sarodah opens up about her journey as an African immigrant woman, survivor of abuse, and now advocate for emotional intelligence, self-love, spiritual awakening, and mental health awareness. Whether you're navigating childhood trauma, healing your identity, or trying to find your voice, this interview offers relatable insights, hope, and healing. Discover how forgiveness therapy, writing as therapy, and awareness integration can help you move from suffering to strength.

A group of deportees from the US have sued the Ghanaian government, alleging they've been detained illegally. We talk to the lawyer representing these deportees and ask what legal framework underpins this US-Ghana deportation deal? And how does this situation tests the principles of human rights? Also in the programme: The BBC has managed to get rare access into Sudan's oil-rich Kordofan region, which has turned into a major front line in the war between the army and rival paramilitary forces. We hear about the people caught up in the fighting.And a 3000-year-old bracelet has been stolen and melted down in Egypt, raising questions about how the country protects its artefacts.Presenter: Charles Gitonga Producers : Yvette Twagiramariya, Patricia Whitehorse and Makouchi Okafor Senior Producer: Sunita Nahar Technical producer: Jonathan Greer Editors: Andre Lombard, Samuel Murunga, Maryam Abdalla and Alice Muthengi

Discover more Sincerely Accra!To greet that snobbish elder or not to greet? Ghanaian social norms have dictated facets of Ghanaian youth culture for years. Throw in respectability politics from Ghanaian family circles and we'll be here all day. Joseph breaks it all down with Nubuke and Vinod. Press Play!Opening Music Oshe - Reynolds The Gentleman ft. Fra!Music BridgesJolie EDM Remix - BiQoKwa Appiah Gyina So - Pure AkanForeign - BiQo Chokehold - BOYD Music CloserZANGELEWA - Amos K & Bravo ISRA GCR Production - Africa's Premiere Podcast Network

US President Donald Trump has repeatedly said he wants the United States to take control of Greenland. It's reignited passions in the territory on the topic of independence — not just from the US, but from Denmark. Also, a government commission in Peru has voted to nix plans for a vast 3 million acre conservation reserve in the Amazon that would have protected uncontacted peoples there. And, a rapper who was born in Greece to Ghanaian parents calls out Greece's lack of birthright citizenship as “racist.” Plus, the Women's International Motorcycle Association celebrates 75 years on the open road.Listen to today's Music Heard on Air. Learn about your ad choices: dovetail.prx.org/ad-choices

This week on the Primo show, Jesse and Katie discuss Joseph Awuah-Darko, a Ghanaian artist and influencer who announced his intention to seek assisted suicide, and invited people to dine with him in his last months.Joseph on InstagramJoseph Awuah-Darko's spreadsheet of emotion: 'Bipolar, colour and me'Can Artist Kehinde Wiley Survive Sexual Assault Accu… To hear more, visit www.blockedandreported.org