Podcasts about connected art

"The power of acting is really sacred. Acting is a way to reveal back to human beings, the human condition. It's the heart of empathy.This is why I always say I'm going to go to Congress and teach everybody how to act. Can you imagine these congressmen and women?  They would have to look opposite their enemy, and really take in another human being."- Anthony Meindl on The Modern Spirituality Show Join Theosophist Benjamin W. Decker and Acting Coach/Director Anthony Meindl for a riveting dialogue including the following: 

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.  Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.  Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.  Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

A bold reorientation of art history that bridges the divide between fine art and material culture through an examination of objects and their uses art history is often viewed through cultural or national lenses that define some works as fine art while relegating others to the category of craft.  Global Objects: Toward a Connected Art History (Princeton UP, 2022) points the way to an interconnected history of art, examining a broad array of functional aesthetic objects that transcend geographic and temporal boundaries and challenging preconceived ideas about what is and is not art. Avoiding traditional binaries such as East versus West and fine art versus decorative art, Edward Cooke looks at the production, consumption, and circulation of objects made from clay, fiber, wood, and nonferrous base metals. Carefully considering the materials and process of making, and connecting process to product and people, he demonstrates how objects act on those who look at, use, and acquire them. He reveals how objects retain aspects of their local fabrication while absorbing additional meanings in subtle and unexpected ways as they move through space and time. In emphasizing multiple centers of art production amid constantly changing contexts, Cooke moves beyond regional histories driven by geography, nation-state, time period, or medium. Beautifully illustrated, Global Objects traces the social lives of objects from creation to purchase, and from use to experienced meaning, charting exciting new directions in art history. Nushelle de Silva is a PhD candidate in the Department of Architecture at the Massachusetts Institute of Technology. Her work examines museums and exhibitions, and how the dissemination of visual culture is politically mediated by international organizations in the twentieth century.

Donna DeSalvo assembles some of Andy Warhol's greatest work for his retrospective at the Whitney Museum, while revelations that Whitney Vice Chair Warren B. Kanders owns a company that sells tear gas used at the border shake museum staff. Soul of a Nation at the Brooklyn Museum looks at the history of political activism, while Jack Waters offers a mix of bag of awe inspiring abject art paired with groan inspiring sculptures and paintings. Jack Whitten at the Metropolitan Museum dazzles, Art and Conspiracy flops, and Amazon is going to drive us all out of our homes. Relevant links below.  Andy Warhol at The Whitney Museum Whitney Museum Vice Chairman Owns a Manufacturer Supplying Tear Gas at the Border, Hyperallergic Whitney Museum Staffers Demand Answers, Hyperallergic  Soul of a Nation, Art in the Age of Black Power at the Brooklyn Museum  John Waters: Indecent Exposure at the Baltimore Museum of Art  Jack Whitten at the Metropolitan Museum of Art (Closed Dec 2) Everything is Connected: Art and Conspiracy at the Metropolitan Museum of Art Amazon Headquarters Will Come to Long Island City: Curbed Explainer ASAP Pledge Not to Take Crumbs from Amazon      

In this episode, we go down the rabbit hole with Ian Alteveer and Doug Eklund, the co-curators of “Everything is Connected: Art and Conspiracy” at the Met Breuer (until 6 January 2019). The show deals with the ways artists have imagined the forces that control their lives, presenting 70 works created between 1969 and 2016 by around 30 artists and artist collectives. It is the first major exhibition on the topic. The beginning half of the show focuses on art that uncovers corporate and political malfeasance through public records, dealing with scandals from Watergate to the assassination of JFK and the US government's handling of the AIDS crisis. It includes work by artists intent on unveiling deceptions, from shell corporations to the networks linking politicians, business people and arms dealers. The second part of the show moves into the realm of the fantastical, presenting works that are often dark or troubled—whether doll houses, LSD-inspired visions or other kinds of alternate realities.  Transcript: http://www.artagencypartners.com/transcript-art-and-conspiracy/ “In Other Words” is a presentation of AAP and Sotheby's, produced by Audiation.fm.

In this episode, we go down the rabbit hole with Ian Alteveer and Doug Eklund, the co-curators of “Everything is Connected: Art and Conspiracy” at the Met Breuer (until 6 January 2019). The show deals with the ways artists have imagined the forces that control their lives, presenting 70 works created between 1969 and 2016 by around 30 artists and artist collectives. It is the first major exhibition on the topic. The beginning half of the show focuses on art that uncovers corporate and political malfeasance through public records, dealing with scandals from Watergate to the assassination of JFK and the US government’s handling of the AIDS crisis. It includes work by artists intent on unveiling deceptions, from shell corporations to the networks linking politicians, business people and arms dealers. The second part of the show moves into the realm of the fantastical, presenting works that are often dark or troubled—whether doll houses, LSD-inspired visions or other kinds of alternate realities.  Transcript: http://www.artagencypartners.com/transcript-art-and-conspiracy/ “In Other Words” is a presentation of AAP and Sotheby’s, produced by Audiation.fm.

Original Broadcast:  April 7th, 2017   Synopsis:  Join host Maria Illiou for another episode of analysis and discussion turned into an art form all its own.

Original Broadcast Date:  March 17th, 2017   Maria Illiou, host, welcomes you to connect and gain an understanding of the autistic community through sharing of stories and experiences with a diverse collection of individuals making up the spectrum.  

ZKM Kunstpreise: AppArtAward 2016 | Preisverleihung 15.07.2016 ZKM_Medientheater Nach fünf erfolgreichen Wettbewerben feierten wir in diesem Jahr sechsjähriges AppArtAward-Jubiläum! Das ZKM | Zentrum für Kunst und Medien, das CyberForum und ihre Partner suchten auch 2016 die besten Kunstwerke im App-Format. Mit dem AppArtAward wurden Apps prämiert, die sich als avancierte künstlerische Anwendungen auszeichneten. Neben ästhetischen Aspekten standen die kreative Integration und Nutzung technologischer Möglichkeiten im Fokus. Gewinner des diesjährigen AppArtAwards sind: Connected Art: sacrificium | Joanna Dauner | 2016 Virtual Reality: Raum | Sascha Haus & Onat Hekimoglu | 2016 Art+Experience: Mimics | Thomas Krüger & Fabian Schaub | 2016 Sharing: Thangs | Sammy Schuckert | 2016 /// 15.07.2016 ZKM_Media Theater After five succesful competitions, we celebrated the 6th AppArtAward anniversary this year. The ZKM | Center for Art and Media Karlsruhe, Cyberforum e.V. and their partners looked again for the best artworks in app format. The AppArtAward honors apps that represent advanced artistic applications. Besides artistic aspects the creative integration as well as the use of options offered by new technologies is important. Winner of the AppArtAward 2016: Connected Art: sacrificium | Joanna Dauner | 2016 Virtual Reality: Raum | Sascha Haus & Onat Hekimoglu | 2016 Art+Experience: Mimics | Thomas Krüger & Fabian Schaub | 2016 Sharing: Thangs | Sammy Schuckert | 2016

Maria Iliou is your Director Manager, your Host for Connected  Art of Understanding Connecting on Friday's, 

Maria Iliou is your Director Manager, your Host for Connected Art of Understanding Connecting on Friday's. Whishing everyone Happy Christmas, Merry CHristmas , Happy Holiday's and Safe Happy New Year 2017

Original Air Date:  Friday, December 2nd 2016 Art Of Understanding.  Hosted by Maria Illiou  

Maria Iliou is your Director Manager, your Host for Connected  Art of  Understanding  Connecting  on Friday's.

    lMaria Iliou is your DIrector , your Host for Connected ART of Understanding Connectin  

Maria Iliou is your Director Manager, your Host for Connectecd  Art of Understanding Connecting on Friday's. 

Maria Iliou is your Director Manager, your Host for Connected Art of Understanding Connecting on Friday's. Art of Understanding  on topics autism, Developmental Disabilities, Learning Disabiliites, Autism Communication Disorder  based Learning Disabilities, Communication Disorder, CP, Speech, physical Disabilities and more   

Maria Iliou is your Director Manager, your Host for Connected  Art  0f  Understanding  Connecting  on Friday's...Art of Understanding in unique area's of life experiences_like Autism, Learning Disabilitiies, Autism with Communications and more

Maria Iliou is your Director Manger, your Host for Connected Art of Understanding on Friday's. Art of Understanding on unique topics: Autism, Leaning Disabiliites, Developmental Disabilities, CP. Downs Syndrom and more 

Maria Iliou is your Director Manager, your Host for Connected Art of Understanding  Connecting

Maria Iliou is your Director Manager, your Host for Connected  Art of Understanding on Friday's

. Maria Iliou is your Director Manager, your Host for Connected Art of Understanding Connecting. Live show with Guest: Pauli Libsohn...Presenting her Beloved mother Mitzi Libsohn as a Poet/ Sharing her story. Pauli publish he rmom poems. Pauli is reading her Beloved Mom poems also Paui live story and her live story as we learn history.  

Maria Iliou si your Director Manager, your Host for Connected Art  of Life Journey Connecting. Special episode

Maria Iliou is your Director Manager, your Host for Art of Understanding Connecting on Friday's. Special encored. Radio Drama The   Nick Nack Varity Show ANCA INAPA WAF September 30 to October 5, 2016 

Maria Iliou is your Director Manager, your host for  CONECTED Art of Understanding Connecting on Friday's.

Maria Iliou is your Director Manager, your Host for CONNECTED ART OF  UNDERSTANDING CONNECTING on Friday's. Play special  encore