Podcasts about watergate

Watergate, the scandal that toppled Nixon. All the President's Men (1976) tells the story of Woodward and Bernstein, the two Washington Post journalists who “followed the money” and uncovered corruption at the highest level. But does the film hold up today or has it become a mythologized version of journalism that no longer exists? Richard, Thorin, and MonteCristo dig into Robert Redford & Dustin Hoffman's iconic roles, the slow-burn procedural style, the myth of journalism as a heroic truth-to-power force, and why this movie may feel like historical fiction in today's cynical political world.

My fellow pro-growth/progress/abundance Up Wingers,In 1976, America celebrated 200 years of independence, democracy, and progress. Part of that celebration was the release of To Fly!, a short but powerful docudrama on the history of American flight. With To Fly!, Greg MacGillivray and his co-director Jim Freeman created one of the earliest IMAX films, bringing cinematography to new heights.After a decade of war and great social unrest, To Fly! celebrated the American identity and freedom to innovate. Today on Faster, Please! — The Podcast, I talk with MacGillivray about filming To Fly! and its enduring message of optimism.MacGillivray has produced and directed films for over 60 years. In that time, his production company has earned two Academy Award nominations, produced five of the Top 10 highest-grossing IMAX films, and has reached over 150 million viewers.In This Episode* The thrill of watching To Fly! (1:38)* An innovative filming process (8:25)* A “you can do it” movie (19:07)* Competing views of technology (25:50)Below is a lightly edited transcript of our conversation. The thrill of watching To Fly! (1:38)What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.”Pethokoukis: The film To Fly! premiered at the Smithsonian Air and Space Museum, at the IMAX Theater, July 1976. Do you happen know if it was it the 4th of July or. . . ?MacGillivray: No, you know, what they did is they had the opening on the 2nd of July so that it wouldn't conflict with the gigantic bicentennial on the 4th, but it was all part of the big celebration in Washington at that moment.I saw the film in the late '70s at what was then called the Great America Amusement Park in Gurnee, Illinois. I have a very clear memory of this, of going in there, sitting down, wondering why I was sitting and going to watch a movie as opposed to being on a roller coaster or some other ride — I've recently, a couple of times, re-watched the film — and I remember the opening segment with the balloonist, which was shot in a very familiar way. I have a very clear memory because when that screen opened up and that balloon took off, my stomach dropped.It was a film as a thrill ride, and upon rewatching it — I didn't think this as a 10-year-old or 11-year-old — but what it reminded me upon rewatching was of Henry V, Lawrence Olivier, 1944, where the film begins in the Globe Theater and as the film goes on, it opens up and expands into this huge technicolor extravaganza as the English versus the French. It reminds me of that. What was your reaction the first time you saw that movie, that film of yours you made with Jim Freeman, on the big screen where you could really get the full immersive effect?It gave me goosebumps. IMAX, at that time, was kind of unknown. The Smithsonian Air and Space Museum was the fourth IMAX theater built, and very few people had seen that system unless you visited world's fairs around the world. So we knew we had something that people were going to grasp a hold of and love because, like you said, it's a combination of film, and storytelling, and a roller coaster ride. You basically give yourself away to the screen and just go with it.What Jim and I tried to do is put as many of the involving, experiential tricks into that film as we possibly could. We wrote the film based on all of these moments that we call “IMAX moments.” We tried to put as many in there as we could, including the train coming straight at you and bashing right into the camera where the audience thinks it's going to get run over. Those kinds of moments on that gigantic screen with that wonderful 10 times, 35-millimeter clarity really moved the audience and I guess that's why they used it at Great America where you saw it.You mentioned the train and I remember a story from the era of silent film and the first time people saw a train on silent film, they jumped, people jumped because they thought the train was coming at them. Then, of course, we all kind of got used to it, and this just occurred to me, that film may have been the first time in 75 years that an audience had that reaction again, like they did with first with silent film where they thought the train was going to come out of the screen to To Fly! where, once again, your previous experience looking at a visual medium was not going to help you. This was something completely different and your sense perception was totally surprised by it.Yeah, it's true. Obviously we were copying that early train shot that started the cinema way back in probably 1896 or 1898. You ended up with To Fly! . . . we knew we had an opportunity because the Air and Space Museum, we felt, was going to be a huge smash hit. Everyone was interested in space right at that moment. Everyone was interested in flying right at that moment. Basically, as soon as it opened its doors, the Air and Space Museum became the number one museum in America, and I think it even passed the Louvre that year in attendance.Our film had over a million and a half people in its first year, which was astounding! And after that year of run, every museum in the world wanted an IMAX theater. Everyone heard about it. They started out charging 50 cents admission for the 27-minute IMAX film, and halfway through the season, they got embarrassed because they were making so much money. They reduced the admission price to 25 cents and everyone was happy. The film was so fun to watch and gave you information in a poetic way through the narration. The storytelling was simple and chronological. You could follow it even if you were a 10-year-old or an 85-year-old, and people just adored the movie. They wrote letters to the editor. The Washington Post called it the best film in the last 10 years, or something like that. Anyway, it was really a heady of time for IMAX.An innovative filming process (8:25)It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . .I may have just read the Washington Post review that you mentioned. It was a Washington Post review from just three or four years later, so not that long after, and in the conclusion to that piece, it said, “You come away from the film remembering the flying, the freedom of it, the glee, the exaltation. No Wonder ‘To Fly' is a national monument.” So already calling it a national monument, but it took some innovation to create that monument. This isn't just a piece of great filmmaking and great storytelling, it's a piece of technological innovation. I wonder if you could tell me about that.We've worked with the IMAX corporation, particularly Graeme Ferguson, who is gone now, but he was a filmmaker and helped us immensely. Not only guiding, because he'd made a couple of IMAX films previously that just showed at individual theaters, but was a great filmmaker and we wanted three more cameras built—there was only one camera when we began, and we needed three, actually, so we could double shoot and triple shoot different scenes that were dangerous. They did that for us in record time. Then we had to build all these kind of imaginative camera mounts. A guy named Nelson Tyler, Tyler Camera Systems in Hollywood, helped us enormously. He was a close friend and basically built an IMAX camera mount for a helicopter that we called the “monster mount.” It was so huge.The IMAX camera was big and huge on its own, so it needed this huge mount, and it carried the IMAX camera flawlessly and smoothly through the air in a helicopter so that there weren't any bumps or jarring moments so the audience would not get disturbed but they would feel like they were a bird flying. You needed that smoothness because when you're sitting up close against that beautifully detailed screen, you don't want any jerk or you're going to want to close your eyes. It's going to be too nauseating to actually watch. So we knew we had to have flawlessly smooth and beautiful aerials shot in the best light of the day, right at dawn or right at sunset. The tricks that we used, the special camera mounts, we had two different camera mounts for helicopters, one for a Learjet, one for a biplane. We even had a balloon mount that went in the helium balloon that we set up at the beginning of the film.It was one of those things where our knowledge of technology and shooting all kinds of various films prior to that that used technology, we just basically poured everything into this one movie to try to prove the system, to try to show people what IMAX could do . . . There are quiet moments in the film that are very powerful, but there's also these basic thrill moments where the camera goes off over the edge of a cliff and your stomach kind of turns upside down a little bit. Some people had to close their eyes as they were watching so they wouldn't get nauseated, but that's really what we wanted. We wanted people to experience that bigness and that beauty. Basically the theme of the movie was taking off into the air was like the opening of a new eye.Essentially, you re-understood what the world was when aviation began, when the first balloonists took off or when the first airplane, the Wright Brothers, took off, or when we went into space, the change of perspective. And obviously IMAX is the ultimate change of perspectiveWhen I watched the entire film — I've watched it a few times since on YouTube, which I think somebody ripped from a laser disc or something — maybe six months ago, I had forgotten the space sequence. This movie came out a year before Star Wars, and I was looking at that space sequence and I thought, that's pretty good. I thought that really held up excellent. As a documentary, what prepared you to do that kind of sequence? Or was that something completely different that you really had to innovate to do?I had loved 2001: A Space Odyssey, the Kubrick film, and one of the special effects supervisors was Doug Trumbull. So we called Doug and said, “Look, I want to make the sequence. It's going to be short, but it's going to pay homage to space travel and what could happen in the future.” And he guided us a little bit, showed us how to make kind of the explosions of space that he'd done in 2001 using microscopic paint, so we had to develop a camera lens that fit on the IMAX camera that could shoot just a very small area, like half an inch across, where paint in a soluble mixture could then explode. We shot it in slow motion, and then we built a Starship, kind of like a Star Wars-looking — though, as you mentioned, Star Wars had not come out yet — kind of a spaceship that we then superimposed against planets that we photographed, Jupiter and Saturn. We tried to give the feeling and the perspective that that could give us with our poetic narrator, and it worked. It kind of worked, even though it was done on a very small budget. We had $690,000 to make that movie. So we only had one SAG actor who actually got paid the regular wage, that was Peter Walker.Was that the balloonist?Yeah, he was the balloonist. And he was a stage actor, so he was perfect, because I wanted something to obviously be a little bit overblown, make your gestures kind of comically big, and he was perfect for it. But we only had enough money to pay him for one day, so we went to Vermont and put him in the balloon basket, and we shot everything in one day. We never actually shot him flying. We shot him hanging in the balloon basket and the balloon basket was hanging from a crane that was out of the picture, and so we could lift him and make him swing past us and all that stuff, and he was terrific.Then we shot the real balloon, which was a helium balloon. We got the helium from the Navy — which would've been very costly, but they donated the helium — and went to West Virginia where the forest was basically uncut and had no power lines going through it so we could duplicate 1780 or whatever the year was with our aerial shooting. And we had a guy named Kurt Snelling, who was probably the best balloonist at that particular moment, and he dressed like Peter in the same costume and piloted the balloon across. And balloons, you can't tell where they're going, they just follow the wind, and so it was a little dangerous, but we got it all done. It was about a week and a half because we had to wait for weather. So we had a lot of weather days and bad rain in West Virginia when we shot that, but we got it all done, and it looks beautiful, and it matches in with Peter pretty well.Just what you've described there, it sounds like a lot: You're going to Maine, you're in West Virginia, you're getting helium from — it sounds like there were a lot of moving parts! Was this the most ambitious thing you had done up until that point?Well, we'd worked on some feature films before, like The Towering Inferno and Jonathan Livingston Seagull, and things like that, which were involved and very complicated. But yeah, it was very much the biggest production that we put together on our own, and it required us to learn how to produce in a big fashion. It was a thrill for us. Essentially, we had about 10 people working on the film in Laguna Beach, and none of them, except for maybe Jim and I, who we'd worked on feature films and complicated shoots with actors and all that, but a lot of our team hadn't. And so it was an adventure. Every day was a thrill.A “you can do it” movie (19:07). . . we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.There's a version of this podcast where we spend a half hour talking about The Towering Inferno. I just want you to know that it's very hard for me not to derail the conversation into talking about The Towering Inferno. I will not do that, but let me ask you this, the movie is about flight, it's about westward expansion, but that movie, it came out for the bicentennial, we'd gone through a tumultuous, let's say past 10 years: You had Vietnam, there's social unrest, you had Watergate. And the movie really must have just seemed like a breath of fresh air for people.As you put the movie together, and wrote it, and filmed it, did you feel like you were telling a message other than just about our connection with flight? It really seemed to me to be more than that, a movie about aspiration, and curiosity, and so forth.It was, and pretty much all of our films have been that positive spirit, “You can do it” kind of movie. Even our surfing films that we started with 20 years, maybe 10 years before To Fly!, you end up with that spirit of the human's ability to go beyond. And obviously celebrating the bicentennial and the beginning of democracy here in this country and the fact that we were celebrating 200 years of democracy, of individual freedom, of individual inspiration, getting past obstacles, because you can do it — you have that belief that you can do it.Of course, this was right there when everyone had felt, okay, we went to the moon, we did all kinds of great things. We were inventive and a lot of that spirit of invention, and curiosity, and accomplishment came from the fact that we were free as individuals to do it, to take risks. So I think To Fly! had a lot of that as part of it.But the interesting thing, I thought, was I had one meeting with Michael Collins, who was the director of the Air and Space Museum and the astronaut who circled the moon as Neil and Buzz Aldrin were on the moon walking around, and here he is, hoping that these two guys will come back to him so that the three of them can come back to Earth — but they'd never tested the blast-off from the moon's surface, and they didn't know 100 percent that it was going to work, and that was the weirdest feeling.But what Collins told me in my single meeting that I had with him, he said, “Look, I've got a half an hour for you, I'm building a museum, I've got two years to do it.” And I said, “Look, one thing I want to know is how much facts and figures do you want in this movie? We've got a little over a half an hour to do this film. The audience sits down in your theater, what do you want me to do?” And he said, “Give me fun. Give me the IMAX experience. I don't want any facts and figures. I don't want any dates. I don't want any names. I've got plenty of those everywhere else in the museum. People are going to be sick of dates and names. Give me fun, give me adventure.” And I said, “Oh gosh, we know how to do that because we started out making surfing films.” and he goes, “Do that. Make me a surfing film about aviation.” It was probably the best advice, because he said, “And I don't want to see you again for two years. Bring me back a film. I trust you. I've seen your films. Just go out and do it.” And that was probably the best management advice that I've ever received.So you weren't getting notes. I always hear about studios giving filmmakers notes. You did not get notes.The note I got was, “We love it. Put it on the screen now.” What they did do is they gave me 26 subjects. They said, “Here's the things that we think would be really cool in the movie. We know you can't use 26 things because that's like a minute per sequence, so you pick which of those 26 to stick in.” And I said, “What I'm going to do then is make it chronological so people will somewhat understand it, otherwise it's going to be confusing as heck.” And he said, “Great, you pick.” So I picked things that I knew I could do, and Jim, of course, was right there with me all the time.Then we had a wonderful advisor in Francis Thompson who at that time was an older filmmaker from New York who had done a lot of world's fair films, hadn't ever done IMAX, but he'd done triple-screen films and won an Academy Award with a film called To Be Alive! and he advised us. Graeme Ferguson, as I mentioned, advised us, but we selected the different sequences, probably ended up with 12 sequences, each of which we felt that we could handle on our meager budget.It was delightful that Conoco put up the money for the film as a public service. They wanted to be recognized in the bicentennial year, and they expected that the film was going to run for a year, and then of course today it's still running and it's going into its 50th year now. And so it's one of those things that was one of those feel-good moments of my life and feel-good moments for the Air and Space Museum, Michael Collins, for everyone involved.Competing views of technology (25:50)Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.When rewatching it, I was reminded of the 1982 film Koyaanisqatsi by Godfrey Reggio, which also had a very famous scene of a 747 looming at the camera. While yours was a joyous scene, I think we're supposed to take away an ominous message about technology in that film. That movie was not a celebration of flight or of technology. Have you wondered why just six years after To Fly!, this other film came out and conveyed a very different message about technology and society.I love Koyaanisqatsi, and in fact, we helped work on that. We did a lot of the aerial shooting for that.I did not know that.And Godfrey Reggio is an acquaintance, a friend. We tried to actually do a movie together for the new millennium, and that would've been pretty wild.Certainly a hypnotic film, no doubt. Fantastic.Yeah. But their thesis was, yeah, technology's gotten beyond us. It's kind of controlled us in some fashions. And with the time-lapse sequences and the basic frenetic aspects of life and war and things like that. And with no narration. That film lets the audience tell the story to themselves, guided by the visuals and the technique. Our film was absolutely a 100 percent positive that the 747 that we had was the number one 747 ever built. Boeing owned it. I don't think they'd started selling them, or they were just starting to use them. Everyone was amazed by the size of this airplane, and we got to bolt our IMAX camera on the bottom of it, and then it was such a thrill to take that big 747.The guy took off from Seattle and the pilot said, “Okay, now where do you want to go?” I said, “Well, I want to find clouds. And he goes, “Well, there's some clouds over next to Illinois. We could go there,” so we go two hours towards Illinois. And I'm in a 737 that they loaned us with the IMAX camera in a brand new window that we stuck in the side of the 737, just absolutely clear as the sheet of glass, just a single pane, and the camera's right up against that piece of plexiglass and with the 40-millimeter lens, which is a 90-degree lens.So I said, “We've got to fly the 737 really close to the 747 and through clouds so that the clouds are wisping through, and so the 747 is disappearing and then appearing and then disappearing and then appear, and we have to do this right at sunset in puffy clouds, these big cumulus clouds.” And so they said, “We can do that, let's go find it!” The two guys who were piloting were both military pilots, so they were used to flying in formation and it was a delight. We shot roll, after roll, after roll and got some of those moments where that 747 comes out into light after being in the white of the cloud are just stunning. So we made the 747 look almost like a miniature plane, except for the shot from underneath where you see the big wheels coming up. So it was a really cool, and I don't know what it cost Boeing to do that, but hundreds of thousands, maybe.Another public service.But they got it back. Obviously it was a heroic moment in the film, and their beautiful plane, which went on to sell many, many copies and was their hero airplane for so many years.Yeah, sure.It was a fun deal. So in comparison to Koyaanisqatsi, our film was the exact opposite. Our film was the feel-good, be proud to be an American and be proud to be a human being, and we're not messing up everything. There's a lot that's going right.I feel like there's a gap in what we get out of Hollywood, what we get out of the media. You don't want just feel-good films. You don't want just celebrations. You want the full range of our lives and of human experience, but I feel like, Koyaanisqatsi is about being out of balance, I think we've gotten out of balance. I just don't see much out there that has the kind of aspirational message with To Fly! I'm not sure what you think. I feel like we could use more of that.Yeah, I'm hopeful that I'm going to be able to make a movie called A Beautiful Life, which is all about the same thing that I was talking about, the freedom that the individual has here in America. I was hopeful to do it for the 250th anniversary, but I'm not going to get it done by that time next year. But I want to do that movie kind of as a musical celebration of almost a “family of man” sort of movie located around the world with various cultures and positive spirit. I'm an optimist, I'm a positive person. That's the joy I get out of life. I suppose that's why Jim and I were perfect to make To Fly! We infused beauty into everything that we tried to do.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro ReadsPlease check out the website or Substack app for the latest Up Wing economic, business, and tech news contained in this new edition of the newsletter. Lots of great stuff! Faster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

Ed opperman interview Mark Shaw about the murder of Dorothy KilgallenWas What's My Line TV Star, media icon, and crack investigative reporter and journalist Dorothy Kilgallen murdered for writing a tell-all book about the JFK assassination? If so, is the main suspect in her death still at large?These questions and more are answered in former CNN, ESPN, and USA Today legal analyst Mark Shaw's 25th book, The Reporter Who Knew Too Much. Through discovery of never-before-seen videotaped eyewitness interviews with those closest to Kilgallen and secret government documents, Shaw unfolds a “whodunit” murder mystery featuring suspects including Frank Sinatra, J. Edgar Hoover, Mafia Don Carlos Marcello and a "Mystery Man" who may have silenced Kilgallen. All while by presenting through Kilgallen's eyes the most compelling evidence about the JFK assassinations since the House Select Committee on Assassination's investigation in the 1970s.Called by the New York Post, “the most powerful female voice in America,” and by acclaimed author Mark Lane the “the only serious journalist in America who was concerned with who killed John Kennedy and getting all of the facts about the assassination,” Kilgallen's official cause of death reported as an overdose of barbiturates combined with alcohol, has always been suspect since no investigation occurred despite the death scene having been staged. Shaw proves Kilgallen, a remarkable woman who broke the "glass ceiling" before the term became fashionable, was denied the justice she deserved, that is until now. More about the book may be learned at thereporterwhoknewtoomuch.com or thedorothykilgallenstory.org.Part Two Ed Opperman interviews Daniel Hopsicker, Author of Barry and The Boys, about Barry Seal the CIA cocaine smuggler durring Iran Contra and the subject of the Tom Cruise movie American MadeNOTE: Chapter 35 is intentionally missing from the printing of this publication. This was intentionally done by the publisher and is not a printing error.This is the story of Barry Seal, the biggest drug smuggler in American history, who died in a hail of bullets with George Bush's private phone number in his wallet...The Wall Street Journal called Barry Seal "the ghost haunting the Whitewater probe." He was far more than that.Based on a 3-year long investigation, Daniel Hopsicker discovered the secret history the American Press was afraid to tell Seal, the most successful drug smuggler in American history, was also and not coincidentally a lifelong CIA agent, one of the most famous who ever lived, active in everything from the Bay of Pigs to Watergate to the Kennedy Assassination. And all this before becoming famous for importing tons of cocaine through Mena, Arkansas in the Scandal that wont go away.The story of Barry Seal is the story of what happens when guys we pay to protect us CIA guys go into business with guys were paying them to protect us against.."Made" guys. Mobsters Organized Crime.Ripping the official story on the so-called "Clinton Scandals" to shreds, Barry and the Boys breaks the biggest scoop of all about the Arkansas Drug Connection: where the money went.And goesDid the big-time "players" in small backwards Arkansas Bill Clinton, Vince Foster, Jackson Stephens, Jim Blair, Don Tyson stand idly by while Barry Seal made billions of dollars importing cocaine through their state?Or were the "goings-on in Mena" of Barry and the boys just the continuation of business as usual?Americas Secret HistoryRevealed:Youll learn about the incredible involvement with Seals narcotics smuggling organization of top officials in both major American political parties Republican Attorney General Ed Meese Democratic National Chairman Charles Manatt Al Gores Campaign Chairman, Tony CoelhoYoull discover why a young Arkansas Attorney named Bill Clinton signed a "get-out-of-jail-free" personal recognizance bond for Barry Seal, after Seal had been jailed for drug smuggling in Menain the 70s.And youll learn of the suspicious and long-lasting link between smuggler Barry Seal and the Bush Family, Senior and Junior.Most importantly, youll discover why a photograph taken by a night club photographer in a Mexico City nightspot ten months before the Kennedy assassination holds the key to the shadowy organization responsible for the massive corruption in Bill Clinton's Arkansas twenty years laterCommenting on the CIAs affair with the Mafia, L.B.J.s press secretary, Bill Moyers said, "Once we decide that anything goes, anything can come home to haunt us."After youve read Barry and the boys youll understand what he meant.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

3 Hours and 35 MinutesPG-13Thomas777 is a revisionist historian and a fiction writer.Here, in one file, are the 3 episodes Thomas777 did with Pete covering the Watergate scandal.Episode 1: Nixon and Watergate - Pt 1 of 3 w/ Thomas777Episode 2: Nixon and Watergate - Pt 2 of 3 w/ Thomas777Episode 3: Nixon and Watergate - The Break-in and Aftermath - Pt 3 of 3 w/ Thomas777Thomas' SubstackThomas777 MerchandiseThomas' Book "Steelstorm Pt. 1"Thomas' Book "Steelstorm Pt. 2"Thomas on TwitterThomas' CashApp - $7homas777Pete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

This Day in Legal History: Ford Grants Nixon PardonOn September 8, 1974, President Gerald R. Ford granted a full and unconditional pardon to former President Richard M. Nixon for any crimes he may have committed while in office, specifically those related to the Watergate scandal. The announcement came just one month after Nixon resigned in disgrace, becoming the first U.S. president to do so. Ford, who had only recently assumed the presidency, delivered the pardon via a televised address, explaining that he hoped to heal the nation's wounds and end the "long national nightmare." The decision was met with swift and widespread controversy.Critics accused Ford of striking a backroom deal with Nixon—trading the presidency for a guarantee of legal immunity. The move damaged Ford's credibility and likely contributed to his loss in the 1976 presidential election. Supporters, however, argued that the pardon was necessary to move the country forward and prevent a divisive, prolonged legal spectacle. Legally, the pardon was grounded in Article II, Section 2 of the U.S. Constitution, which grants the president broad clemency powers for federal offenses. Importantly, Nixon had not been formally charged at the time of the pardon, making it a preemptive act.The pardon set a precedent for the scope of presidential pardon powers, later cited in legal arguments involving other controversial figures. It also fueled lasting debates about executive accountability and the limits of legal immunity for high-ranking officials. Public opinion at the time was largely against the decision, but historical reassessment has yielded more nuanced views. Ford later received the Profile in Courage Award in 2001 for the pardon, which some historians came to see as a politically costly but morally principled decision. The moment remains a defining one in the legal and political legacy of both Nixon and Ford.Luigi Mangione, accused of murdering UnitedHealth Group executive Brian Thompson, argued in a court filing that federal prosecutors unfairly prejudiced potential jurors by linking him to a separate mass shooting. Prosecutors had previously claimed Mangione inspired Shane Tamura, who killed four people and himself at the offices of Blackstone and the NFL. Mangione's attorneys countered that there is no evidence Tamura was influenced by either Mangione or his anti-health-insurance-industry writings. They accused the government of deliberately trying to bias jurors and undermine Mangione's right to a fair trial.The government cited Tamura in response to Mangione's request for more details on what prosecutors might argue during a potential capital sentencing phase. Prosecutors claimed that Mangione's alleged ability to inspire vigilante violence demonstrates his dangerousness and supports their pursuit of the death penalty. However, Mangione rejected any link to Tamura and called the connection politically motivated. His legal team reiterated its demand for more information on the government's death penalty theory. U.S. District Judge Margaret Garnett will determine whether the prosecution must share additional details at this stage.Luigi Mangione Says Linking Him to Blackstone Killer Biases JuryThe Trump administration has announced plans to deport Kilmar Abrego, a Salvadoran migrant at the center of a high-profile immigration case, to Eswatini, a country in southern Africa with which he has no ties. Abrego is currently detained in Virginia and previously faced deportation to Uganda, but the destination was changed after he claimed fear of persecution there. A Department of Homeland Security official dismissed his claims, citing that he has alleged fear of persecution in over 20 countries.Abrego was initially deported to El Salvador in March despite a court order blocking the move, prompting criticism of the administration's handling of his case. He was later returned to the U.S. in June to face federal charges of transporting undocumented migrants, to which he has pleaded not guilty. His attorneys argue that the prosecution is retaliatory and aimed at coercing a guilty plea. They also revealed that the government offered to send him to Costa Rica if he accepted a plea deal, or to Uganda if he refused.Abrego, who had been living in Maryland with his American wife and children, has become a symbol in the broader debate over immigration enforcement. The administration previously used deportation flights to Eswatini for people labeled too dangerous for their home countries to accept, raising further concerns about Abrego's treatment.Trump administration says migrant Abrego could be deported to Eswatini | ReutersThe Trump administration has officially ended its legal defense of a rule, created under President Biden, that banned employee noncompete agreements. These agreements prevent workers from joining competing businesses or starting their own in the same industry. On Friday, the Justice Department moved to dismiss two appeals in federal courts that challenged rulings striking down the 2024 Federal Trade Commission (FTC) rule. The decision was widely expected after Trump-appointed FTC Chair Andrew Ferguson, a critic of the rule, indicated earlier this year that the agency was reviewing its legality.The dropped appeals mean courts will not rule on whether the FTC has the authority to implement broad nationwide bans under its antitrust mandate. The original FTC rule had cited evidence that over 20% of U.S. workers are bound by noncompete clauses, which it argued restrict worker mobility and depress wages. However, Ferguson and other Republicans maintain that the FTC lacks the rulemaking power to impose such sweeping bans.The legal challenges were brought by a marketing firm, a real estate developer, the U.S. Chamber of Commerce, and other business groups. During Trump's first term, his administration held that although some noncompete clauses might be illegal, the agreements as a whole were not. Meanwhile, the FTC announced a new enforcement action against a major pet cremation company, accusing it of using unlawful noncompetes, including for low-wage workers.Trump administration drops defense of ban on employee 'noncompete' agreements | ReutersThe Trump administration is preparing backup plans to continue imposing tariffs if the Supreme Court rejects its current legal basis for doing so. After losing in lower courts, Trump is asking the Supreme Court to uphold his use of the International Emergency Economic Powers Act (IEEPA), a 1970s national security law that appellate judges ruled does not authorize tariffs. In the meantime, White House officials have been quietly exploring other legal tools for months, anticipating potential judicial pushback.Two key alternatives under consideration are Section 232 of the Trade Expansion Act of 1962 and Section 301 of the Trade Act of 1974. Section 232 allows the president to raise tariffs if certain imports are found to threaten national security—many of Trump's existing tariffs fall under this provision and wouldn't be directly affected by the IEEPA ruling. Section 301 permits the U.S. trade representative, under presidential direction, to take action in response to unfair trade practices. However, neither law offers the speed and flexibility that IEEPA provided, and each comes with legal and logistical hurdles.Trump's legal team and advisers remain confident that the Supreme Court, with a conservative majority that includes three of his appointees, might still side with him. But regardless of the legal outcome, the administration is determined to maintain a public and political case for Trump's tariff powers, framing them as essential to national security and foreign policy goals. These legal uncertainties are complicating U.S. trade negotiations, as foreign governments remain cautious and unconvinced that the court case will significantly shift the U.S. position.The White House is exploring how to keep Trump's tariffs if the Supreme Court strikes them down This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe

Little Watergate was bigger than Watergate. Behind it hid an event that will still be spoken of ten thousand years from now, just as we still speak of the domestication of wheat ten thousand years ago. Yet most have never heard about it, why it is the topic of this season finale.What if I told you there's more to the seasonal year 72-73 of the millenniums last long total solar eclipse, the Brettonwoods collapse, Hoovers death, WTC erection, OPEC block, first EU enlargement, The advent of the War on Terror and the end of the Cold War proper?

Today on Mea Culpa, I'm joined by Jill Wine-Banks, former Watergate prosecutor, legal analyst, podcast host, and author of The Watergate Girl. We unpack the ongoing Epstein cover-up, the survivors demanding transparency, and Ghislaine Maxwell's cushy prison transfer. Jill and I also tackle Trump's unlawful federalization of police and the danger it poses to her hometown of Chicago, along with the rise of authoritarian alliances and America's economic decline under illegal tariffs. From gun violence to Congress's failure to act, Jill offers a sobering reminder of how fragile justice has become, and what it will take to fight back. Thanks to our sponsor: Prize Picks: Download the app today and use code COHEN to get $50 in lineups after you play your first $5 lineup! Subscribe to Michael's Substack: https://therealmichaelcohen.substack.com/ Subscribe to Michael's YouTube Channel: https://www.youtube.com/@TheMichaelCohenShow Join us on Patreon: https://www.patreon.com/PoliticalBeatdown Add the Mea Culpa podcast feed: https://www.meidastouch.com/tag/mea-culpa-with-michael-cohen Add the Political Beatdown podcast feed: https://www.meidastouch.com/tag/political-beatdown Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Trump has launched a new war on the cartels, escalating U.S. military action after a Venezuelan drug boat linked to the Tren de Aragua cartel was destroyed, killing 11 members. Ben Domenech explains why this marks a dramatic shift in America's fight against cartel power and what it could mean for the border. Then, NFL legend Mark Schlereth breaks down the biggest football storylines heading into the season — including whether Travis Hunter can truly play both sides of the ball, Trevor Lawrence's make-or-break year, and why offensive line play is the real backbone of the league. Later, journalist Matt Taibbi joins to unpack his reporting on the Twitter Files, FBI leaks, and the rise of AI-driven censorship. From Russiagate to Silicon Valley's obsession with transhumanism, Taibbi warns that America is facing a dangerous new phase of surveillance and media manipulation — one that could rival the scandals of Watergate. Join the conversation! Leave your comments, subscribe for more, and rate & review wherever you listen. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Top tier from Reece.4 Pines. Ticket are on sale now to our Grand Final Party, go in the draw to win one of six tickets to the Grand Final when you buy a ticket here: https://events.humanitix.com/4-pines-grand-final-rev-upThe Hello Sport Black Bomber Jackets are still on sale via https://hellosport.shop/Good Day Multivitamin & Day Lyte Electrolytes, it's the least you can do. Use code 'dribblers' for 10% off your order here: https://www.begoodhealth.com.au/Neds. Whatever you bet on, Take it to the Neds Level. Visit: https://www.neds.com.au/Swyftx. Get $20 worth of Bitcoin FREE when you sign up to Swyftx using the link here: https://trade.swyftx.com.au/register/?promoRef=Dribblers20 - Valid for new sign-ups only. https://swyftx.com/au/terms-conditions/Grumpy Coffee, turn your frown upside down. Use code "MANLY" for 10% off your order this week here: https://grumpycoffee.com.au/NostalgiaNeighbour BeefReece WalshShibasakiCricketRugby Union Hosted on Acast. See acast.com/privacy for more information.

LABOR DAY / CLASSIC EPISODE FROM JULY 28, 2025 -- On the Show: -- David hosts a Substack Live with Heather Cox Richardson -- Donald Trump faces mounting fallout from the Epstein files as comparisons to Watergate raise questions about his legacy -- Donald Trump delivers a rambling and incoherent rant about windmills and whales during a global press appearance -- Tulsi Gabbard lashes out after her attempt to reframe Russiagate with declassified documents fails to gain traction -- Donald Trump fumbles basic questions and dodges Epstein inquiries in what might be his most disastrous press conference yet -- Donald Trump appears unwell and rants about nuclear dust while dodging questions on Gaza and free speech -- Senator Markwayne Mullin is fact-checked live by Jake Tapper after falsely blaming Obama for Epstein's 2008 plea deal -- Benny Johnson's explosive subscriber growth on YouTube raises major red flags about possible artificial inflation strategies -- On the Bonus Show: Trump caught cheating at golf, Pete Hegseth ordered to stop lie-detecting staff, Lauren Boebert defends her son over child abuse allegations, and much more...

Colbert jumped on the podcast in July for 'Celebrity Boss' - Part Two to further reveal what life is like in the limelight. Rewind yourself to last night's Adrien Brody podcast for Part One if you missed it! Then verified celebrity and Academy Award winner Julia Roberts tells Stephen about playing Martha Mitchell in the Starz series, “Gaslit,” which took place in the Watergate era (Roberts' interview originally aired in April 2022). The Late Show Pod Show will be looking back at some of our favorite Colbert Introductions from this past season before Stephen returns with all new episodes September 2nd. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

In the 1972 presidential election, Richard Nixon defeated antiwar Democrat George McGovern in a landslide, aided by the announcement of a tentative peace deal. However, South Vietnamese President Thieu rejected the agreement, fearing it would lead to Communist domination. Talks broke down, prompting Nixon to launch the intense “Christmas Bombings” (Operation Linebacker II) in December 1972. The bombings pressured North Vietnam back to the negotiating table. The Paris Peace Accords were signed in January 1973, calling for a U.S. withdrawal and a ceasefire. Nixon forced Thieu to accept the terms, though both North and South Vietnam soon violated the agreement. Later in 1973,the U.S. exited Vietnam, leaving South Vietnam heavily dependent on continued American aid. By 1974, U.S. support dwindled due to the Watergate scandal and Congressional opposition. South Vietnam’s economy and military collapsed under the strain. In late 1974, North Vietnam launched a final offensive. The ARVN, plagued by desertions and logistical failures, crumbled. Saigon fell on April 30, 1975, marking the end of the war and the unification of Vietnam under Communist rule. John Sean and James as they narrate the dramatic final years of the Vietnam War.See omnystudio.com/listener for privacy information.

In part two of Red Eye Radio with Gary McNamara and Eric Harley, audio from a 2017 interview with John Soloman about the FISA courts that harkens back to the classic movie about the Watergate scandal in comparison to the Russia hoax. This plus much more! For more talk on the issues that matter to you, listen on radio stations across America Monday-Friday 12am-5am CT (1am-6am ET and 10pm-3am PT), download the RED EYE RADIO SHOW app, asking your smart speaker, or listening at RedEyeRadioShow.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Thanks, Sandy! Based on the transcript, here's a compelling podcast episode package for Kent Hance, The Best Storyteller in Texas Podcast:

While Trump keeps working hard on his own monetization and glorification—and delivers a Watergate practically every hour—the pro-democracy coalition must stay focused on winning next year's midterm elections. Trump is at the point of no return, Congress is becoming the only institution that can stop him, and holding onto that lever of power is his top priority. Meanwhile, not only did Trump look weak in Alaska, he also looked unpresidential. Plus, a new publication focused on the threats from the post-liberal right and left. Jerusalem Demsas and Garry Kasparov join Tim Miller. show notes Garry's Substack, "The Next Move" Jerusalem's "The Argument" Chess grandmaster Magnus Carlsen slamming the table after losing in June Trump comparing himself to Nixon *** THE BULWARK LIVE in Toronto, D.C. and NYC: Thebulwark.com/events *** Get 20% off your DeleteMe plan when you go to joindeleteme.com/BULWARK and use promo code BULWARK at checkout.

The New Yorker's Ruth Marcus says Bondi has presided over the DOJ's most convulsive transition of power since Watergate, aggressively reversing policies, investigating Trump's foes and firing staff.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

Eb and Bruce are first joined by Geoff Shepard, Watergate defense lawyer for President Richard Nixon. Then Jay Tolkoff, Republican nominee for the city council in Ward 6.

Russiagate has been running, one way or another, for a staggering nine years, and only now are we finally putting together how sinister its origins were. John Solomon has been tracking this saga from its very beginning. John joins Charlie to explain how the Russiagate nothingburger has slowly transformed into the exposure of a vast criminal conspiracy against the American people. Will Barack Obama be indicted? How far does the conspiracy go, and how far can the Trump admin go to take it down? Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Russiagate has been running, one way or another, for a staggering nine years, and only now are we finally putting together how sinister its origins were. John Solomon has been tracking this saga from its very beginning. John joins Charlie to explain how the Russiagate nothingburger has slowly transformed into the exposure of a vast criminal conspiracy against the American people. Will Barack Obama be indicted? How far does the conspiracy go, and how far can the Trump admin go to take it down? Watch every episode ad-free on members.charliekirk.com! Get new merch at charliekirkstore.com!Support the show: http://www.charliekirk.com/supportSee omnystudio.com/listener for privacy information.

Jack speaks with Daniel Sheehan, a renowned constitutional and public interest lawyer whose career spans landmark cases including the Pentagon Papers, the Watergate break-in, and cases related to the Dakota Access Pipeline protests. Today, Sheehan is at the forefront of UAP disclosure efforts and runs the New Paradigm Institute, a grassroots movement advocating for government transparency on UFO/UAP phenomena. Daniel Sheehan has a new show with SpectreVision Radio where he dives deep into his career at the forefront of the disclosure movement, you can listen here: Full Disclosure with Daniel Sheehan Daniel Sheehan's The New Paradigm Institute Check out our Merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow us on:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ For business inquiries contact: OtherworldTeam@unitedtalent.com If you have experienced something paranormal or unexplained, email us your story at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠stories@otherworldpod.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this episode of the podcast, Wisconsin Congressman Glenn Grothman discussed the federalization of Washington, D.C., emphasizing its potential to reduce crime and improve safety. He criticized the liberal governance of cities like Milwaukee and linked the rise in crime to the breakdown of families due to welfare programs.Additionally, Rep. Grothman highlighted the Oversight Committee's subpoenas to figures like Hillary Clinton and Eric Holder, accusing them of election manipulation. He also addressed former President Joe Biden's pardons and executive orders, questioning their legality and impact. Finally, Congressman Grothman praised President Trump's reduction of the illegal immigrant population by 1.6 million and stressed the need for further deportations to maintain American values and housing affordability.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

* Fotbollsagent stämmer ett mediehus. Hur har sportjournalistiken lyckats bevaka spelaragenterna? * Trumps flerfrontskrig mot medier. Har han hittat mediernas ömma punkt? * Sommarserie om journalistiska metoder. Om åsiktsjournalistik. Lyssna på alla avsnitt i Sveriges Radio Play. Sportjournalisternas agentdilemma Under sommaren har ytterligare en fotbollsagent stämt ett svenskt mediehus. Det gör det till den tredje stämningsansökan från just en fotbollsagent mot svenska medier bara det senaste året. Och det är två roller med en lite speciell relation. I flera år har det kring fotbollsjournalistiken diskuterats huruvida relationen med vissa fotbollsagenter varit problematiskt nära. Så frågan är om det senaste årets granskningar av agenter och juridiska motaktioner markerar ett skifte i en relation som genom åren varit lite — ja—komplicerad.Reporter: Erik PeterssonTrumps flerfrontskrig mot medier Donald Trumps krig mot medierna har skruvats upp sedan hans förra runda som president. Han stämmer nyhetsbolag på mångmiljardbelopp, häcklar och hotar journalister, och portar dom han inte gillar från Vita huset. Så - vad betyder det för pressfriheten i USA? Och hur ser hans mediekrig ut i praktiken? Reporter Katarina Andersson har träffat journalistikprofessorn som varit med sen Watergate-eran. Sommarserie om journalistiska metoderNu till den sista delen i vår sommarserie om journalistiska metoder; olika verktyg för att bedriva journalistik. ”Skapa innehåll” kan man cyniskt säga, eller ”låta människor komma till tals”, om man vill vara högtravande. En journalistisk metod för detta är likafullt: debattartikeln. Men frågan är vem som ligger bakom innehållet egentligen? Är det skribenten som undertecknar eller redaktören på mediet som publicerar? Hur går det egentligen till när åsikter ska möta offentligheten? Reporter: Hannah Engberg

Ep 057 – Nonfiction. New York Times Bestselling Author Garrett M. Graff discusses his book, “When the Sea Came Alive: An Oral History of D-Day.”‘June 6, 1944—known to us all as D-Day—is one of history's greatest and most unbelievable military triumphs. The surprise sunrise landing of more than 150,000 Allied troops on the beaches of occupied northern France is one of the most consequential days of the 20th century. Now, Pulitzer Prize finalist Garrett M. Graff, historian and author of The Only Plane in the Sky and Watergate, brings them all together in a one-of-a-kind, bestselling oral history that explores this seminal event in vivid, heart-pounding detail.The story begins in the opening months of the 1940s, as the Germany army tightens its grip across Europe, seizing control of entire nations. The United States, who has resolved to remain neutral, is forced to enter the conflict after an unexpected attack by the Japanese at Pearl Harbor. For the second time in fifty years, the world is at war, with the stakes higher than they've ever been before. Then in 1943, Allied leaders Franklin D. Roosevelt and Winston Churchill meet in Casablanca to discuss a new plan for victory: a coordinated invasion of occupied France, led by General Dwight D. Eisenhower. Failure is not an option. Over the next eighteen months, the large-scale action is organized, mobilizing soldiers across Europe by land, sea, and sky. And when the day comes, it is unlike anything the world has ever seen.These moments and more are seen in real time. A visceral, page-turning drama told through the eyes of those who experienced them—from soldiers, nurses, pilots, children, neighbors, sailors, politicians, volunteers, photographers, reporters and so many more, When the Sea Came Alive “is the sort of book that is smart, inspiring, and powerful—and adds so much to our knowledge of what that day was like and its historic importance forever” (Chris Bohjalian)—an unforgettable, fitting tribute to the men and women of the Greatest Generation.'Subscribe to the War Books podcast here:YouTube: https://www.youtube.com/@warbookspodcastApple: https://apple.co/3FP4ULbSpotify: https://spoti.fi/3kP9scZFollow the show here:Twitter: https://twitter.com/warbookspodcastFacebook: https://www.facebook.com/warbookspodcastInstagram: https://www.instagram.com/warbookspodcast/

TV's Kevin, Jessi Kat, and Justin "Third Chair" Germeroth sit down for the lib fantasia Watergate miniseries, Gaslit. Now, it might not be the prestige Watergate miniseries you're thinking of. It's the other one.

A bombshell so much bigger than Watergate. We just caught Adam Schiff, Eric Swalwell, the Democrats and FBI Director James Comey committing so many felonies a normal person would spend the rest of their lives in prison. Here's what that means. Plus $37 trillion in debt and why Trump wants to meet with Putin personally in Alaska. (Please subscribe & share.) Sources: https://www.cnn.com/2025/08/12/americas/mexico-26-cartels-trump-intl-latam https://redstate.com/wardclark/2025/08/12/big-mexico-expelling-26-cartel-figures-to-us-in-deal-with-trump-admin-n2192740 https://x.com/theblaze/status/1955261194446455112 https://nypost.com/2025/08/12/us-news/adam-schiff-authorized-classified-intel-leaks-to-smear-trump-during-russiagate-whistleblower-claims/?utm_source=aol&utm_campaign=nypost&utm_medium=referral https://justthenews.com/accountability/house-judiciary-chairman-jordan-says-garland-schiff-may-be-summoned-testimony-over https://justthenews.com/government/federal-agencies/comey-media-mole-admitted-fbi-he-shaped-russia-narrative-needed

Tara claims a "bombshell" report has revealed felonies committed by Democrat leaders, including Adam Schiff and Eric Swalwell, in leaking classified information during the Russia collusion probe. The host alleges that the FBI and Department of Justice covered up these crimes, which he says were committed to "topple the Trump administration" and "fix the constitutional crisis." The host also suggests that the Russia collusion hoax was created to cover up Hillary Clinton's own alleged crimes related to classified information. The host concludes by stating that this information proves the corruption of the FBI and the Democratic party.

The host combines a series of claims to argue that a "fake reality" has been unmasked, revealing a deep conspiracy. He asserts that a whistleblower led to the declassification of documents from a secret room inside the FBI, which he says prove that high-ranking Democrats, including Adam Schiff, Eric Swalwell, and Hillary Clinton's campaign, fabricated the "Russia hoax" to damage and indict Donald Trump. The host claims these documents show a plot where Democrats openly planned to leak classified information, with a staffer calling it "treason." He further alleges that the FBI and DOJ, under James Comey and Merrick Garland, covered up these crimes by shutting down an investigation called "Arctic Haze" and manipulating evidence against Trump in another case, thus demonstrating a "dual justice system." The host also contrasts this with positive economic data, which he says proves that the "fake reality" is collapsing, and calls for prison time for all those involved to ensure accountability. He also claims that Democrats are paying for protests in D.C. to oppose Trump's policies.

The host argues that everything about your reality is fake, citing paid protests in Washington D.C. as a key example. He claims that a company that rents crowds has seen a 400% increase in requests from Democrats to oppose President Trump's policies, particularly his federal takeover of the city's police force. He contrasts these carefully cultivated crowds with what he calls real Republican crowds. The host then discusses what he describes as Watergate level history, referencing declassified documents that he says expose the Russia collusion hoax. According to the host, these documents reveal that prominent Democrats, including Adam Schiff and Eric Swalwell, along with former FBI Director James Comey, were involved in a conspiracy to illegally leak classified information to damage and indict Trump. He claims that the FBI knew about these crimes as early as June 2023 but covered them up, demonstrating a dual justice system. The host also alleges that D.C. crime statistics are being manipulated to hide an increase in crime.

Uncover what the media won't tell you about the Russia collusion scandal, Barack Obama's role in changing intelligence reports, and how the so-called “hunters” of Donald Trump are now facing the spotlight themselves. Plus, Victoria Taft sits down with Watergate expert and former federal prosecutor John O'Connor to draw startling parallels between the most infamous political scandal in U.S. history and today's weaponized intelligence operations.

June 6, 1944—known to us all as D-Day—is one of history's greatest and most unbelievable military triumphs. The surprise sunrise landing of more than 150,000 Allied troops on the beaches of occupied northern France is one of the most consequential days of the 20th century. Now, Pulitzer Prize finalist Garrett M. Graff, historian and author of The Only Plane in the Sky and Watergate, brings them all together in a one-of-a-kind, bestselling oral history that explores this seminal event in vivid, heart-pounding detail.The story begins in the opening months of the 1940s, as the Germany army tightens its grip across Europe, seizing control of entire nations. The United States, who has resolved to remain neutral, is forced to enter the conflict after an unexpected attack by the Japanese at Pearl Harbor. For the second time in fifty years, the world is at war, with the stakes higher than they've ever been before. Then in 1943, Allied leaders Franklin D. Roosevelt and Winston Churchill meet in Casablanca to discuss a new plan for victory: a coordinated invasion of occupied France, led by General Dwight D. Eisenhower. Failure is not an option. Over the next eighteen months, the large-scale action is organized, mobilizing soldiers across Europe by land, sea, and sky. And when the day comes, it is unlike anything the world has ever seen.These moments and more are seen in real time. A visceral, page-turning drama told through the eyes of those who experienced them—from soldiers, nurses, pilots, children, neighbors, sailors, politicians, volunteers, photographers, reporters and so many more, When the Sea Came Alive “is the sort of book that is smart, inspiring, and powerful—and adds so much to our knowledge of what that day was like and its historic importance forever” (Chris Bohjalian)—an unforgettable, fitting tribute to the men and women of the Greatest Generation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

June 6, 1944—known to us all as D-Day—is one of history's greatest and most unbelievable military triumphs. The surprise sunrise landing of more than 150,000 Allied troops on the beaches of occupied northern France is one of the most consequential days of the 20th century. Now, Pulitzer Prize finalist Garrett M. Graff, historian and author of The Only Plane in the Sky and Watergate, brings them all together in a one-of-a-kind, bestselling oral history that explores this seminal event in vivid, heart-pounding detail.The story begins in the opening months of the 1940s, as the Germany army tightens its grip across Europe, seizing control of entire nations. The United States, who has resolved to remain neutral, is forced to enter the conflict after an unexpected attack by the Japanese at Pearl Harbor. For the second time in fifty years, the world is at war, with the stakes higher than they've ever been before. Then in 1943, Allied leaders Franklin D. Roosevelt and Winston Churchill meet in Casablanca to discuss a new plan for victory: a coordinated invasion of occupied France, led by General Dwight D. Eisenhower. Failure is not an option. Over the next eighteen months, the large-scale action is organized, mobilizing soldiers across Europe by land, sea, and sky. And when the day comes, it is unlike anything the world has ever seen.These moments and more are seen in real time. A visceral, page-turning drama told through the eyes of those who experienced them—from soldiers, nurses, pilots, children, neighbors, sailors, politicians, volunteers, photographers, reporters and so many more, When the Sea Came Alive “is the sort of book that is smart, inspiring, and powerful—and adds so much to our knowledge of what that day was like and its historic importance forever” (Chris Bohjalian)—an unforgettable, fitting tribute to the men and women of the Greatest Generation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

June 6, 1944—known to us all as D-Day—is one of history's greatest and most unbelievable military triumphs. The surprise sunrise landing of more than 150,000 Allied troops on the beaches of occupied northern France is one of the most consequential days of the 20th century. Now, Pulitzer Prize finalist Garrett M. Graff, historian and author of The Only Plane in the Sky and Watergate, brings them all together in a one-of-a-kind, bestselling oral history that explores this seminal event in vivid, heart-pounding detail.The story begins in the opening months of the 1940s, as the Germany army tightens its grip across Europe, seizing control of entire nations. The United States, who has resolved to remain neutral, is forced to enter the conflict after an unexpected attack by the Japanese at Pearl Harbor. For the second time in fifty years, the world is at war, with the stakes higher than they've ever been before. Then in 1943, Allied leaders Franklin D. Roosevelt and Winston Churchill meet in Casablanca to discuss a new plan for victory: a coordinated invasion of occupied France, led by General Dwight D. Eisenhower. Failure is not an option. Over the next eighteen months, the large-scale action is organized, mobilizing soldiers across Europe by land, sea, and sky. And when the day comes, it is unlike anything the world has ever seen.These moments and more are seen in real time. A visceral, page-turning drama told through the eyes of those who experienced them—from soldiers, nurses, pilots, children, neighbors, sailors, politicians, volunteers, photographers, reporters and so many more, When the Sea Came Alive “is the sort of book that is smart, inspiring, and powerful—and adds so much to our knowledge of what that day was like and its historic importance forever” (Chris Bohjalian)—an unforgettable, fitting tribute to the men and women of the Greatest Generation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

June 6, 1944—known to us all as D-Day—is one of history's greatest and most unbelievable military triumphs. The surprise sunrise landing of more than 150,000 Allied troops on the beaches of occupied northern France is one of the most consequential days of the 20th century. Now, Pulitzer Prize finalist Garrett M. Graff, historian and author of The Only Plane in the Sky and Watergate, brings them all together in a one-of-a-kind, bestselling oral history that explores this seminal event in vivid, heart-pounding detail.The story begins in the opening months of the 1940s, as the Germany army tightens its grip across Europe, seizing control of entire nations. The United States, who has resolved to remain neutral, is forced to enter the conflict after an unexpected attack by the Japanese at Pearl Harbor. For the second time in fifty years, the world is at war, with the stakes higher than they've ever been before. Then in 1943, Allied leaders Franklin D. Roosevelt and Winston Churchill meet in Casablanca to discuss a new plan for victory: a coordinated invasion of occupied France, led by General Dwight D. Eisenhower. Failure is not an option. Over the next eighteen months, the large-scale action is organized, mobilizing soldiers across Europe by land, sea, and sky. And when the day comes, it is unlike anything the world has ever seen.These moments and more are seen in real time. A visceral, page-turning drama told through the eyes of those who experienced them—from soldiers, nurses, pilots, children, neighbors, sailors, politicians, volunteers, photographers, reporters and so many more, When the Sea Came Alive “is the sort of book that is smart, inspiring, and powerful—and adds so much to our knowledge of what that day was like and its historic importance forever” (Chris Bohjalian)—an unforgettable, fitting tribute to the men and women of the Greatest Generation. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Matt Taibbi (author, investigative journalist, and publisher, Racket News) joins Chris Cuomo to dig into the unanswered questions surrounding the FBI's surveillance of the Trump campaign, the origins of the Steele dossier, and what he sees as parallels to Watergate and the WMD scandal. They debate whether any crimes will be proven, the role of the media, and how Russiagate's legacy shapes politics today. From FISA warrants to informant approaches, leaked intelligence to unanswered questions about Hillary Clinton's campaign, Taibbi lays out the evidence he's uncovered — and why he believes accountability matters. Cuomo challenges him on the political impact, the risks of endless investigations, and the future of independent journalism. For a limited time only, get 60% off your first order PLUS free shipping when you head to http://www.Smalls.com/CUOMO Go to http://www.quince.com/CUOMO for free shipping on your order and 365-day returns." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Looking at the puzzling investigation into who erased 18.5 minutes from Nixon's White House Tapes as we cover the Missing Watergate Minutes. Support us directly: https://www.redwebpod.com In 1973, investigators requested tapes that could help unravel one of the most powerful political scandals in American history. When the recordings arrived, one contained a mysterious gap, with nearly twenty minutes of silence during a key conversation. The contents of that missing audio have never been recovered. Today, we examine the Missing Watergate Minutes. Our sponsors: Shady Rays - Go to http://shadyrays.com and use code REDWEB to get 35% off polarized sunglasses. Learn more about your ad choices. Visit megaphone.fm/adchoices

Let's talk about the godhead himself: Barack Hussein Obama. The Left's political messiah. The only man who could wear mom jeans and still get a book deal. Well, guess what? Baby Black Jesus has been outed. He knew Russian collusion was a lie. Sat on it. Weaponized it. And never told the American people. You know, the ones who thought democracy was real.Durham's report confirmed what we already knew: Obama, Biden, and Clinton colluded to frame Trump with Russian lies while the media did cartwheels to carry their dirty water. And now? Obama's halo is slipping. His brand is starting to look like the Vineyard Vines version of Watergate.The Democrats have been revealed as the party of frauds, fakes, and fabulists. Their entire platform is duct-taped together by identity politics and MSNBC op-eds.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Shaun knows where the Texas Democrats are hiding! PLUS, John O'Connor, author of Postgate: How the Washington Post Betrayed Deep Throat, Covered Up Watergate, and Began Today's Partisan Advocacy Journalism, compares what happened with Watergate and what is happening with Obamagate and how corrupt our government has really gotten. Phil Kerpen, president of American Commitment and the Committee to Unleash Prosperity, discusses Trump's tariff policies and the bad policies the Democrats can't help themselves but to support. And Our National Anthem: sung by Kathryn Dobyns, U.S. Navy Musician First Class.See omnystudio.com/listener for privacy information.

John O'Connor, author of Postgate: How the Washington Post Betrayed Deep Throat, Covered Up Watergate, and Began Today's Partisan Advocacy Journalism, compares what happened with Watergate and what is happening with Obamagate and how corrupt our government has really gotten. See omnystudio.com/listener for privacy information.

Back on this day in 1974, Richard Nixon resigned. After feeling the pressure of impeachment due to the Watergate affair, Richard Nixon decided to resign and made a 16-minute televised address.

Recorded on Thursday July 31, 2025We are back with another Dispatch, this time discussing some of the people crucial to the legacy of Watergate and other Cold War era events that played an important role in shaping current realities related to both domestic politics and geopoliticshttps://x.com/mylovanov/status/1950640614779003319https://en.wikipedia.org/wiki/Anatoliy_Golitsynhttps://dossier.center/jeffreyepsteinrusconnect-en/https://craigunger.substack.com/p/from-russiato-jeffrey-with-love-parthttps://x.com/jeremywrk/status/1899022657279984020https://x.com/AmericanPostman/status/1897447859756450170https://x.com/jeremywrk/status/1899218525283090586https://en.wikipedia.org/wiki/James_WMcCordJr.https://en.wikipedia.org/wiki/Michael_Goleniewskihttps://www.nli.org.il/en/newspapers/jweekly/1996/08/30/article/127.1/?e=-------en-20--1--img-txIN%7CtxTI--------------1https://jweekly.com/1996/08/30/ex-russians-aided-by-dole-and-kemp-go-campaigning/https://www.upi.com/Archives/1982/05/10/Emigre-to-Moscow-bride-I-love-you/7720389851200/

In this episode, we engage in a compelling discussion with Congressman Devin Nunes, who shares insights on the ongoing challenges facing the intelligence community and media integrity. Nunes, a key figure in the Trump administration, discusses the implications of media bias and the importance of free speech, while also addressing the need for reforms within intelligence agencies. Assistant Attorney General for Civil Rights at the US Department of Justice Harmeet Dhillon discusses the recent decision by the Department of Justice to dismantle diversity, equity, and inclusion (DEI) policies in government hiring practices. Finally, it's AMAC Wednesday, and AMAC National Spokesman Bobby Charles joins for his weekly segment. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In a stunning reversal, the Trump administration just gave the green light to a major tech merger — and then fired two Justice Department lawyers who opposed it. Was corruption at play in the merger decision?Today on Lever Time, David Sirota sits down with The Lever's Luke Goldstein and UnHerd Magazine's Sohrab Ahmari, who first exposed the “mergers over martinis” story behind the reversal. They dive into the MAGA power struggle inside the Justice Department and tackle the big questions: What triggered the reversal? Could a Watergate-era anti-corruption law bring the truth to light? And if Trump is now opening the floodgates to corporate mergers, what will that mean for your wallet?To check out Sohrab Ahmari's reporting, as referenced in this episode, click here.Get ad-free episodes, bonus content and extended interviews by becoming a member at levernews.com/join.To leave a tip for The Lever, click here. It helps us do this kind of independent journalism.

-- On the Show: -- David hosts a Substack Live with Heather Cox Richardson -- Donald Trump faces mounting fallout from the Epstein files as comparisons to Watergate raise questions about his legacy -- Donald Trump delivers a rambling and incoherent rant about windmills and whales during a global press appearance -- Tulsi Gabbard lashes out after her attempt to reframe Russiagate with declassified documents fails to gain traction -- Donald Trump fumbles basic questions and dodges Epstein inquiries in what might be his most disastrous press conference yet -- Donald Trump appears unwell and rants about nuclear dust while dodging questions on Gaza and free speech -- Senator Markwayne Mullin is fact-checked live by Jake Tapper after falsely blaming Obama for Epstein's 2008 plea deal -- Benny Johnson's explosive subscriber growth on YouTube raises major red flags about possible artificial inflation strategies -- On the Bonus Show: Trump caught cheating at golf, Pete Hegseth ordered to stop lie-detecting staff, Lauren Boebert defends her son over child abuse allegations, and much more...

Unleashed: The Political News Hour with Chris Cordani – While mainstream media is trying to push other stories ahead of this one, it must be noted that this scandal was exponentially worse than the Watergate robbery, as it was designed to alter the direction of and interfere with the 2016 presidential election. While Nixon was on the way to a landslide victory over George McGovern, Hillary Clinton's election and electability were...

This week we dive into why platforming fascists is always a terrible idea, using Mehdi Hasan's recent Jubilee debate as our cautionary tale. We examine how these staged confrontations accomplish nothing except providing content for right-wing sites and turning wannabe fascists into MAGA heroes.We break down the employment reality behind Connor Estelle's firing (spoiler: it's called "at-will employment," not "cancellation") and marvel at how quickly the grift machine turned his unemployment into a nearly $40K GoFundMe payday.Then we turn to the real story everyone's trying to avoid: Trump's massive pedophile coverup and the GOP's desperate scramble to shut down any discussion of the Epstein files. We watch Mike Johnson literally shut down the House rather than allow a vote on transparency, while Trump pulls out his greatest hits of Obama derangement and treason accusations to distract his base.Recorded live from the Cornfield Resistance, where stupid Watergate just keeps getting stupider.Link for this episode:  Catch Driftglass and Digby on The Bradcast 7/23/25: https://bradblog.com/?p=15450 Stay in Touch! Email: proleftpodcast@gmail.comWebsite: proleftpod.comSupport via Patreon: patreon.com/proleftpodMail: The Professional Left, PO Box 9133, Springfield, Illinois, 62791Support the show

On this episode of The Ben & Marc Show, a16z co-founders Marc Andreessen and Ben Horowitz sit down with Erik Torenberg— General Partner at a16z and founder of the media company Turpentine—to unpack how the internet shattered the old media order and reshaped the way power works in America.What begins as a look at the evolution of media quickly becomes something bigger: a conversation about truth, trust, and the collapse of institutional authority. They explore how social media became both an x-ray and an engine, why authenticity now beats polish, and how the rules of politics, and journalism, have permanently changed.Together, they break down:-Why 2017 marked a structural break between tech and the press-Trump's real training ground-The tension between objectivity, activism, and “speaking truth to power”-Why podcasters. not pundits, are setting the agenda- How the barbell strategy is reshaping media: short-form virality meets long-form depthWith stops at Watergate, the rise of Rogan, the fall of legacy gatekeepers, and the media playbooks behind Obama, Trump, and the Kardashians—this episode explores how we got here, what's next, and what it means for founders, voters, and anyone trying to build (or tell) a story. Timecodes: 0:00 Introduction0:55 The Evolution of Media: From Centralization to Fragmentation2:34 The Internet's Impact on Traditional Media4:06 Unionization and Technological Change in Media6:39 Oversupply and Competition in News Organizations8:44 The Changing Role and Ideology of Journalism11:46 Speak Truth to Power: Conflicts in Journalism13:39 The 2016 Election and the Collapse of Media Trust23:20 Martin Gurri and the Crisis of Authority31:34 Decentralization: From the 1970s to Social Media48:06 Trump, Reality TV, and the New Media Playbook59:10 Drama, Authenticity, and the Barbell Effect in Media1:16:40 Podcasts, Direct Communication, and the Future of Authority1:34:48 Advice for Founders and the Importance of Personal Branding1:37:35 Conclusion & Final Thoughts Stay Updated: Let us know what you think: https://ratethispodcast.com/a16zFind a16z on Twitter: https://twitter.com/a16zFind a16z on LinkedIn: https://www.linkedin.com/company/a16zSubscribe on your favorite podcast app: https://a16z.simplecast.com/Follow our host: https://x.com/eriktorenbergPlease note that the content here is for informational purposes only; should NOT be taken as legal, business, tax, or investment advice or be used to evaluate any investment or security; and is not directed at any investors or potential investors in any a16z fund. a16z and its affiliates may maintain investments in the companies discussed. For more details please see a16z.com/disclosures.

In this episode of the Victor Davis Hanson Show, Victor Davis Hanson and host Jack Fowler delve into the Russia hoax vs. Watergate, Obama's legacy, the Minneapolis mayor's race, conservative centers on college campuses, and more.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

SEASON 3 EPISODE 147: COUNTDOWN WITH KEITH OLBERMANN A-Block (1:45) SPECIAL COMMENT: We have been burying the lede here. Trump. Is. Suing. Murdoch. Trump and Murdoch are at war. Over Jeffrey Epstein. The two worst people in the country, probably the world, at each other's throats, until further notice. Weeks, months, years. Amid rumors Murdoch's people at the Wall Street Journal are upworking ANOTHER Trump-Epstein/Epstein-Trump/Trumpstein story. And that Murdoch is preparing a Defcon scenario in which he turns Fox News against Trump. Because if Trump is stupid enough to try to put Murdoch out of business, Murdoch will have no choice but to try to put Trump out of business. Trump also seems to be doing everything else he can think of to make sure the Trumpstein story never leads the headlines again. Attacks his own people again. Left a paper trail inside the DOJ and FBI of Pam Bondi searching for thousands of Trump references inside an evidence pit the size of The New York Public Library. Changing the story of the latest plot against him for the sixth time in a week. And watching the polls - 17% approve of his handling of the Epstein issue - actually get worse since just last Thursday (89% want everything, not just the almost-meaningless Grand Jury testimony, released). Oh by the way there IS a Trump Client List inside DOJ/FBI. The only part of Trump's claim that there isn't that's true, is that it may not bear that title. There's literally 40 computers, 70 CDs of video, and 300 gigabytes of data. The Trumpstein story will swamp his presidency. For sheer volume it exceeds almost everything else Trump has ever done. It makes Watergate look like the editing out of four words in a 5,000 word document. IT'S WONDERFUL. Trumpstein, Trumpstein, Trumpstein. ALSO: Trump's unpopularity has now reached 1st Term proportions. Tulsi Gabbard is conflating two Russian stories and claiming the one nobody believed (Russia tampered with voting machines) disproves the one Robert Mueller proved (Russia hacked emails and got them to Trump's campaign). How does that work? I'll explain the psychology of morons who want to please their bosses, with the story of Tennessee Ernie Williams. And if you think Trump isn't brain dead he wrote something that must've come directly from a dream about how the Cleveland Guardians (formed 1901, not named "Indians" until 1915) are one of baseball's "six original teams" (Major League Baseball started 30 years earlier; it's HOCKEY with "the original six" and that's wrong too). B-Block (39:15) POSTSCRIPTS TO THE NEWS: I understand this busts the narrative and reduces our ability to suffer as martyrs, but there is one inarguable and unanswerable fact that disproves the almost-universally accepted premise that CBS cancelled Stephen Colbert solely to appease Trump. It's this: If they are silencing him, why have they decided to keep him on TV for THE NEXT TEN MONTHS? This is the Phil Donahue cancellation all over again. It works to CBS's corporate advantage to make it look like they are sucking up to the psycho. Sorry. This is the least of the reasons. C-Block (1:09:10) MONDAYS WITH THURBER: Haven't done any of his priceless stories lately, and with Trump's new permanent Trumpstein Crisis, it's fitting to do James Thurber's stunningly prophetic saga "The Greatest Man In The World."See omnystudio.com/listener for privacy information.

Today on the Top News in 10, we cover: A closer look at the Obama files confirm the details of a scandal dwarfing Watergate. Los Angeles Mayor Karen Bass tries to save face after her record on the riots & wildfires. Democrats spend the weekend raging at CBS for cancelling Stephen Colbert's Late Show. Subscribe to The Tony Kinnett Cast: ⁠⁠⁠⁠https://www.youtube.com/playlist?list=PLjMHBev3NsoV3kHckydY58R7TaYsizl45⁠⁠⁠⁠ Don't forget our other shows: Virginia Allen's Problematic Women:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dailysignal.com/problematic-women⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Bradley Devlin's The Signal Sitdown:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.dailysignal.com/the-signal-sitdown⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Follow The Daily Signal:  X:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://x.com/DailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Instagram:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/thedailysignal/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Facebook:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/TheDailySignalNews/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Truth Social:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://truthsocial.com/@DailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  YouTube:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.youtube.com/user/DailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Rumble:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://rumble.com/c/TheDailySignal⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    Thanks for making The Daily Signal Podcast your trusted source for the day's top news. Subscribe on your favorite podcast platform and never miss an episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Norma Percy is a documentary film-maker. She has been making programmes for over three decades and her productions have featured a range of political leaders from Tony Blair and Bill Clinton to Mikhail Gorbachev and Slobodan Milošević. Her film-making method, which she developed alongside her colleague Brian Lapping, tells the stories of our times by taking viewers into the room where the big decisions were made, with the people who made them.Norma was born in New York City and majored in Government at Oberlin College in Ohio. In 1963 she moved to London where she studied at the London School of Economics, before finding a job in the House of Commons as a researcher for the MP John Mackintosh.In 1972 she became a researcher for Brian Lapping, working on the Granada series State of the Nation. Later she produced The Second Russian Revolution and the award-winning Watergate – a five-part BBC series about the Watergate scandal.Her programmes have won an Emmy, two BAFTAs and four Royal Television Awards. Norma lives in London with her husband, the geneticist Professor Steve Jones. DISC ONE: Be Prepared - Tom Lehrer DISC TWO: Waltz in C sharp-minor, Op.64 No. 2. Composed by Frederic Chopin and performed by Khatia Buniatishvili DISC THREE: Well, Did You Evah? - Bing Crosby and Frank Sinatra DISC FOUR: Hard Day's Night - The Beatles DISC FIVE: Never Say No - The Fantasticks New Off-Broadway Cast DISC SIX: Swan Lake, Op. 20, TH.12 / Act 3: The Black Swan. Composed by Pyotr Tchaikovsky and performed by Erich Gruenberg (violin), London Symphony Orchestra, conducted by Richard Bonynge DISC SEVEN: It Ain't Me Babe - Joan Baez DISC EIGHT: Political Science - Randy Newman BOOK CHOICE: In Search of Lost Time by Marcel Proust LUXURY ITEM: A hot shower CASTAWAY'S FAVOURITE: It Ain't Me Babe - Joan Baez Presenter Lauren Laverne Producer Paula McGinley