Podcast appearances and mentions of Joseph C Smith

1 - Oh Why, Oh Why - Dan Grisson with Jimmy Lunceford and his Orchestra – 19392 - Warum lächelst du, Mona Lisa - Willi Forst mit Odeon-Kunstler Orchester - 19313 - Just Because You're You, That's Why I Love You - McMurray's California Thumpers – 19224 - Why Am I So Romantic? - Wally Edwards and his Orchestra - 19305 - Warum muss man denn immer verliebt sein - Greta Keller – 19366 - Because I'm Lonesome - Ralph Haines with the Imperial Dance Orchestra – 19307 - Why Did You Lie to Me - Light Crust Doughboys - 19418 - Why Do I Lie to Myself About You - Fats Waller and his Rhythm – 19369 - Por Que Eres Asi - Martha Triana10 - Why, Dear? - Joseph C Smith and his Orchestra – 192111 - Why Was I Born - Billie Holiday with Teddy Wilson and his Orchestra - 193912 - Why Should I Care - Jimmie Davis with Charles Mitchell and his Texans – 193913 - Dont Ask Me Why - Nat Shilkret and the Victor Orchestra - 193114 - I Like Bananas Because They Have No Bones - Willie Bryant and his Orchestra – 193615 - Why Did I Get Married - Cal Carson - 193116 - Why Don't Women Like Me? - George Formby – 1927

Shellac Stack No. 287 weaves a fictional story about “Mary.” To tell it, we hear from the American Quartet, Joseph C. Smith, Fred Rich, Ben Selvin, Aileen Stanley, Billy Murray, Rudy Vallee, Nat Star, Nick Lucas, Ben Pollack, and many others. Thank you for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

1 - Who Am I? – Al Bowlly with Savoy Hotel Orpheans – 19312 - Where Are You? - Connie Boswell with Ben Pollack and his Orchestra - 19373 – Where? - Harriet Hilliard with Ozzie Nelson and his Orchestra – 19414 - What's What? - Sully, Harry, Ish and Jack with Kay Kyser and his Orchestra – 19405 - That's What - The King Cole Trio - 19476 - So What! - Tommy Dorsey and his Sentimentalists – 19407 - Why? - Irving Kaufman with Vincent Lopez and his Orchestra – 19298 - Oh Why, Oh Why - Dan Grisson with Jimmy Lunceford and his Orchestra - 19399 - Since When? - The Broadway Syncopators – 192310 - Guess Who? - Arthur Fields with the Carolina Club Orchestra – 192911 - Who Did It? - Joseph C. Smith's Orchestra – 191912 - Who Dat Up Dere? - Woody Herman and his Orchestra – 194313 - Who Are You? - Ella Fitzgerald - 194114 - Who Are You? - Clyde Rogers with Freddy Martin and his Orchestra – 194115 - Who? - Jack Leonard with Tommy Dorsey and his Orchestra – 193716 - Who-oo? You-oo! That's Who! - Irving Kaufman – 192717 – Why is Marriage Like Taking a Bath – It Pays to Be Ignorant – 1944 (Radio Comedy)18 – What Was It? – The Weird Circle – 1943 (Radio Drama)19 – Who? - California Melodie Syncopators – 1926

A younger sibling, now grown, fondly reminisces on the last Halloween spent with an older brother. - - - Lyrics: Joshua Castro Vocals: Joshua Castro Music: Harry Tierney (1919) Orchestra: Joseph C. Smith's Orchestra (1920) Sound Editors: The Sonic Writers (Shaun Day & Matty Margallo) McPumpkin Pail © 2022 - - - In honor of Edith Day --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/joshuacastro/support

Author and Electoral College expert Tara Ross joins Tim to tell the story behind the Electoral College, how it governs elections and why it is still needed. Tara's latest book is entitled, “Why We Need the Electoral College.” This episode was first released October 12, 2020. https://traffic.libsyn.com/secure/shapingopinion/Encore_-_The_Electoral_College.mp3 It's happened five times. Five times a candidate won the presidency even though he did not win the popular vote. He won the presidency because he won the Electoral College. If you're wondering why the United States doesn't just choose a president based only on the popular vote, the answer as we know it was given in 1804. Some in congress wanted Congress to choose the president. Others wanted a democratic popular vote. And even to this day, many Americans believe that we do elect a president based on that popular vote. The country's leaders arrived at a compromise which created the Electoral College. Tara Ross is a retired attorney and the author of four books on the Electoral College. While she is one of the nation's leading experts on the Electoral College, she continues to find that most Americans remain generally confused about why it exists and what it does. Links Tara Ross Website Why We Need the Electoral College, by Tara Ross (Amazon) Presidential Election Process, USA.gov What is the Electoral College? National Archives About this Episode's Guest Tara Ross Tara Ross is nationally recognized for her expertise on the Electoral College. She is the author of Why We Need the Electoral College (2019), The Indispensable Electoral College: How the Founders' Plan Saves Our Country from Mob Rule (2017), We Elect A President: The Story of our Electoral College (2016), and Enlightened Democracy: The Case for the Electoral College (2d ed. 2012). She is also the author of She Fought Too: Stories of Revolutionary War Heroines (2019), and a co-author of Under God: George Washington and the Question of Church and State (2008) (with Joseph C. Smith, Jr.). Her Prager University video, Do You Understand the Electoral College?, is Prager's most-viewed video ever, with more than 60 million views.   Tara often appears as a guest on a variety of talk shows nationwide, and she regularly addresses civic, university, and legal audiences. She's contributed to many law reviews and newspapers, including the National Law Journal, USA Today, the Washington Examiner, The Hill, The Washington Times, and FoxNews.com.  She's addressed audiences at institutions such as the Cooper Union, Brown University, the Dole Institute of Politics, and Mount Vernon. She's appeared on Fox News, CSPAN, NPR, and a variety of other national and local shows. Tara is a retired lawyer and a former Editor-in-Chief of the Texas Review of Law & Politics. She obtained her B.A. from Rice University and her J.D. from the University of Texas School of Law.  She resides in Dallas with her husband and children.

Shellac Stack No. 272 dispenses hugs and kisses galore, with Aileen Stanley, Morton Downey, Les Paul and Mary Ford, Pearl Bailey, Joseph C. Smith, Charles Capper, Rudy Vallee, Albert Sandler, Jean Goldkette, and many more. Thank you for supporting the Shellac Stack on Patreon: patreon.com/shellacstack

1 - I Found a New Baby - Andy Preer and the Cotton Club Orchestra - 19272 - Hello Baby - Bert Lown and his Hotel Biltmore Music – 19303 - Everybody Loves My Baby - Taylor's Dixie Serenaders - 19314 - When My Baby Smiles At Me - Ted Lewis Jazz Band – 19205 - Yo Te Amo, Oh! Baby - Amy Arnell with Tommy Tucker Time - 19416 - Baby (You're Sweet As Honey To Me) - Dave Edwards and his Alabama Boys – 19377 - That Crawlin' Baby Blues - Blind Lemon Jefferson – 19298 - Baby Won't You Please Come Home – Louis Prima and His Orchestra - 19469 - I Wonder Where My Baby is To-night - Paul Whiteman and his Orchestra - 192510 - Grandpa Stole My Baby - Moon Mullican – 195311 - Bandanna Babies - Duke Ellington and his Orchestra - 193712 - Jazz Baby - Bill Cox and Cliff Hobbs – 193713 - Goodnight Baby, Goodnight - Four Tones and Eddie Beal Trio - 194114 - Ragging the Baby To Sleep - Al Jolson – 191215 - Rock-a-Bye Baby - Joseph C. Smith's Orchestra - 191816 - Rock-a-Bye Your Baby with A Dixie Melody - Wilbur Sweatman's Original Jazz Band – 191817 - Have You Got Any Castles, Baby? - Jack Leonard with Tommy Dorsey and his Orchestra – 193718 - Butch Minds the Baby - Damon Runyon Theater – 1949 (Radio Drama)19 – The Big Little Mother - Dragnet – 1953 (Radio Drama)20 - Oh Baby - Wolverine Orchestra - 192421 - Sweet Baby Doll - King Oliver's Jazz Band – 192322 - Whoa Babe - Lionel Hampton and his Orchestra – 1937

Suppressed Desires by Susan Glaspell and George Cram Cook Cast Narrator: Kitty Israel Henrietta: Mattie Gelaude Stephen: Andrew Bruning Mabel: Jo Vasquez Director / Organizer / Sound Editor: Mischa Hooker Sound effects: Mischa Hooker and Caroline Ford Intro / outro music: Joseph C. Smith’s Orchestra, “Smiles” Theme music: Chopin, Waltz in A flat Major, Opus 69, number 1, performed by Olga Gurevich. The Game by Louise Bryant Cast Narrator: Kathy Calder Death: Mike Carron Life: Angela Rathman Youth: Andrew Calder The Girl: Brianna Gray Director / Organizer / Sound Editor: Mischa Hooker Sound effects by Mike Koenig Background Music by Royalty Free Music Theme music: Chopin, Waltz in A flat Major, Opus 69, number 1, performed by Olga Gurevich. Background In 1915, two Davenport, Iowa, natives, Susan Glaspell and George Cram Cook, started a theater group in Provincetown on Cape Cod, Massachusetts, which turned out to have a profound influence on American drama forever. Many of the Provincetown shows featured a number of short scripts presented together in a single night of performance, and this program follows that tradition. For more information about the Provincetown Players, Glaspell, Cook, and their connection to the Quad Cities, visit www.genesius.org/provincetown-players.php First on the bill today is that first play written by Susan and Jig, “Suppressed Desires.” In our performance, the role of Henrietta is played by Mattie Gelaude, her husband Stephen is played by Andrew Bruning, her sister Mabel by Jo Vasquez; the narrator is Kitty Israel. The second play on today’s bill is a shorter script entitled “The Game: A Morality Play,” a highly stylized, symbolic meditation on the human condition by Louise Bryant, a journalist and feminist activist who arrived on the scene fresh from Portland, Oregon, brought out to the East Coast by a burgeoning love affair with Oregon native John Reed. He described her as “an artist, a rampant, joyous individualist, a poet and a revolutionary.” This script was written and first staged in the 1916, with World War I raging in Europe. The horror and ravages of war looming on the horizon, along with the personal dramas of romantic relationships such as that of Louise Bryant and John Reed themselves, were the large-scale and small-scale backdrops for the piece, which features a personified Life and Death, playing their game with the lives and deaths of human beings, such as the poet and the dancer who meet under their supervision. In today’s program, Life is played by Angela Rathman, Death by Mike Carron, Youth (the poet) by Andrew Calder, and the Girl by Brianna Gray; the narrator is Kathy Calder.

Shellac Stack No. 216 sleepwalks with Lady Maud and Jack Sheedy. We visit Miami with Eddie Paul's Paramount Orchestra, Doc Ross, and Joseph C. Smith. We also hear from Irving Aaronson, Jimmie Rodgers, Benny Goodman, Montana Taylor, and many others. Thanks for your support on Patreon that makes these programs possible: patreon.com/shellacstack

1 - Dance and Grow Thin - Joseph C. Smith's Orchestra – 19182 - Hand Me Down My Walkin' Cane - The Boswell Sisters and The Dorsey Brothers – 19323 - I'm Walking Around in Circles - Broadway Bellhops - 19264 - Walkin' This Boogie - Roosevelt Sykes and The Honey Drippers - 19525 - Walking Blues - Raymond Barrow – 19296 - Dance of the Octopus - Red Norvo Quartet – 19337 - Run, Rabbit, Run! - Marion Mann with Bob Crosby and his Orchestra – 19408 - Run Little Rabbit - Cab Calloway and his Orchestra – 19419 - Bug Dance - Chet Atkins and his Colorado Mountain Boys – 194710 - Run, Run, Run - The Andrew Sisters with Vic Schoen And His Orchestra - 194411 - Running Around in Circles - Lil Green and Her Band - 194912 - Run Joe - Louis Jordan and The Calypso Boys – 194613 - Save The Last Dance for Me - Erno Rapee's Orchestra – 193214 - Shall We Dance - Rose Blaine with Abe Lyman and His Californians – 193715 - Dance-O-Mania - Selvin's Novelty Orchestra - 192016 - Dance-O-Mania - Isham Jones Rainbo Orchestra – 192017 - Tain't No Sin to Dance Around in Your Bones - Dick Gardner with George Olsen and his Music – 1929

Author and Electoral College expert Tara Ross joins Tim to tell the story behind the Electoral College, how it governs elections and why it is still needed. Tara's latest book is entitled, “Why We Need the Electoral College.” https://traffic.libsyn.com/secure/shapingopinion/Electoral_College_auphonic.mp3 It's happened five times. Five times a candidate won the presidency even though he did not win the popular vote. He won the presidency because he won the Electoral College. If you're wondering why the United States doesn't just choose a president based only on the popular vote, the answer as we know it was given in 1804. Some in congress wanted Congress to choose the president. Others wanted a democratic popular vote. And even to this day, many Americans believe that we do elect a president based on that popular vote. The country's leaders arrived at a compromise which created the Electoral College. Tara Ross is a retired attorney and the author of four books on the Electoral College. While she is one of the nation's leading experts on the Electoral College, she continues to find that most Americans remain generally confused about why it exists and what it does. Links Tara Ross Website Why We Need the Electoral College, by Tara Ross (Amazon) Presidential Election Process, USA.gov What is the Electoral College? National Archives About this Episode's Guest Tara Ross Tara Ross is nationally recognized for her expertise on the Electoral College. She is the author of Why We Need the Electoral College (2019), The Indispensable Electoral College: How the Founders' Plan Saves Our Country from Mob Rule (2017), We Elect A President: The Story of our Electoral College (2016), and Enlightened Democracy: The Case for the Electoral College (2d ed. 2012). She is also the author of She Fought Too: Stories of Revolutionary War Heroines (2019), and a co-author of Under God: George Washington and the Question of Church and State (2008) (with Joseph C. Smith, Jr.). Her Prager University video, Do You Understand the Electoral College?, is Prager's most-viewed video ever, with more than 60 million views.   Tara often appears as a guest on a variety of talk shows nationwide, and she regularly addresses civic, university, and legal audiences. She's contributed to many law reviews and newspapers, including the National Law Journal, USA Today, the Washington Examiner, The Hill, The Washington Times, and FoxNews.com.  She's addressed audiences at institutions such as the Cooper Union, Brown University, the Dole Institute of Politics, and Mount Vernon. She's appeared on Fox News, CSPAN, NPR, and a variety of other national and local shows. Tara is a retired lawyer and a former Editor-in-Chief of the Texas Review of Law & Politics. She obtained her B.A. from Rice University and her J.D. from the University of Texas School of Law.  She resides in Dallas with her husband and children.

Author and Electoral College expert Tara Ross joins Tim to tell the story behind the Electoral College, how it governs elections and why it is still needed. Tara’s latest book is entitled, “Why We Need the Electoral College.” https://traffic.libsyn.com/secure/shapingopinion/Electoral_College_auphonic.mp3 It’s happened five times. Five times a candidate won the presidency even though he did not win the popular vote. He won the presidency because he won the Electoral College. If you’re wondering why the United States doesn’t just choose a president based only on the popular vote, the answer as we know it was given in 1804. Some in congress wanted Congress to choose the president. Others wanted a democratic popular vote. And even to this day, many Americans believe that we do elect a president based on that popular vote. The country’s leaders arrived at a compromise which created the Electoral College. Tara Ross is a retired attorney and the author of four books on the Electoral College. While she is one of the nation’s leading experts on the Electoral College, she continues to find that most Americans remain generally confused about why it exists and what it does. Links Tara Ross Website Why We Need the Electoral College, by Tara Ross (Amazon) Presidential Election Process, USA.gov What is the Electoral College? National Archives About this Episode’s Guest Tara Ross Tara Ross is nationally recognized for her expertise on the Electoral College. She is the author of Why We Need the Electoral College (2019), The Indispensable Electoral College: How the Founders’ Plan Saves Our Country from Mob Rule (2017), We Elect A President: The Story of our Electoral College (2016), and Enlightened Democracy: The Case for the Electoral College (2d ed. 2012). She is also the author of She Fought Too: Stories of Revolutionary War Heroines (2019), and a co-author of Under God: George Washington and the Question of Church and State (2008) (with Joseph C. Smith, Jr.). Her Prager University video, Do You Understand the Electoral College?, is Prager’s most-viewed video ever, with more than 60 million views.   Tara often appears as a guest on a variety of talk shows nationwide, and she regularly addresses civic, university, and legal audiences. She’s contributed to many law reviews and newspapers, including the National Law Journal, USA Today, the Washington Examiner, The Hill, The Washington Times, and FoxNews.com.  She’s addressed audiences at institutions such as the Cooper Union, Brown University, the Dole Institute of Politics, and Mount Vernon. She’s appeared on Fox News, CSPAN, NPR, and a variety of other national and local shows. Tara is a retired lawyer and a former Editor-in-Chief of the Texas Review of Law & Politics. She obtained her B.A. from Rice University and her J.D. from the University of Texas School of Law.  She resides in Dallas with her husband and children.

Synopsis All content creators and authors want their work to be shared. But, when you take too much information and content from them, it can become a problem for you and for the original author. Especially if you take credit for someone else's work, or don't credit them properly. Here are the basic rules, as I see it, you need to follow. What You Will Learn In This Post 1. You will learn my 4 basic rules for sharing another author's content. 2. You will learn why linking to another author or providing backlinks, is imperative. 3. You will learn some of the fundamental ways that you shouldn't be claiming the work of others as your own. Introduction If you would like to share, use, or copy, any of an author's content or work to use on your website, in your article, in your blog post, in your book, or anywhere else, that's great. It'll help that author expand their audience, and it will help you and your audience too. Sharing content is expected. The entire internet is about sharing content. And all content creators and authors want their work to be shared. But, when you take too much information and content from them, it can become a problem for you and for the original author. Especially if you take credit for someone else's work, or don't credit them properly. So, I've made a list of some of the ways that my own content is taken and used without giving me any credit, or not the proper credit, for my work. Many of these offenders don't even include a backlink to my website. I'm sure that many of you have had these same things happen to you too. Here are the basic rules, as I see it, you need to follow: Content Sharing Etiquette Rule # 1: Use The Author's Name As They Use It a. You must use the author's name, as they use it on their own online and in-print work. If the author's name is Joseph C. Smith, Jr., don't re-write it as Joe Smith. Or as Joe Smithjr. The author has a reason to write his name the way he does, and you should respect that. Content Sharing Etiquette Rule # 2: You Must Include A Backlink To Original Author a. If you're sharing or using another person's online content, such as you might find on their website or blog, a link back to the author's website or blog is mandatory. Simply including their name is not enough. Backlinks are a major part of blogging. You want them, and so does the author whose work you are using. “Sharing content online & in print is expected & appreciated by most authors and readers. But, there is a proper way to do it, & an inappropriate way to do it. And, as an author and content creator, you are expected to know the difference.” (Tweet) Content Sharing Etiquette Rule # 3: You Must Notify The Original Author a. If you're sharing or using another person's content in your own book, ebook, or print, notifying the author is mandatory. b. Sending the author an email letting them know that you are using their content in your book is expected because it's just common courtesy and a sign of respect. c. The original author can then let their own readers see how and where their content is being used, and share and promote your content too. It's a win-win-win for all involved. This is how you succeed as an author, blogger, and business person. Content Sharing Etiquette Rule # 4: Don't Put Your Name On Something That You Didn't Create a. You cannot re-post an author's content and then add your name as co-author. b. You cannot re-post an author's content, then delete their name, and sign your name to it, claiming that it's your work. c. You cannot re-arrange the paragraphs, and then claim the original author's work as yours alone. d. You cannot re-post an author's content, word-for-word, and then claim it as your work, by simply changing the title. e. You cannot re-post an author's content, word-for-word, and add a few of your own paragraphs, and then claim it as your work. All of these are outright stealing and copyright ...

1 - Row, Row, Row Your Boat - The Four King Sisters with Alvino Rey and his Orchestra - 19402 - Row That Rowboat - The Norton Sisters with the McFarland Twins and their Orchestra – 19423 - Connola Argiento (My Boat is a Silver Gondola) - Rosina De Stefano - 19304 - The Boy in the Boat - Charlie Johnson and his Paradise Band – 19285 - Le Bateau des Iles (The Boat to the Isles) - Tino Rossi - 19516 - Mississippi Dreamboat - Jean Eldridge with Johnny Hodges and his Orchestra – 19397 - A Slip of the Lip (Can Sink a Ship) - Ray Nance with Duke Ellington and his Famous Orchestra - 19428 - Steamboat Bill - Paul Tremaine Orchestra – 19309 - Hualalai (Steamboat Hula) - Ray Kinney and his Hawaiians - 193910 - On the Good Ship Lollypop - The Stewart Sisters with Rudy Vallee and his Connecticut Yankees – 193411 - Like a Ship at Sea - Dan Grissom with Jimmie Lunceford And His Orchestra - 193712 - Rockin' the Boat - Joseph C. Smith's Orchestra – 191813 - Bon Voyage To My Ship Of Dreams - Jimmie Grier and the Cocoanut Grove Orchestra - 193214 - Steamboat Sal - Jan Garber – 192315 - When My Ship Comes In - Ambrose And His Orchestra – 193516 - Shanty Boat on the Mississippi - Louis Armstrong and his Orchestra – 1939

Imperial Inspector Syla Rau continues on her mission to squash rebel activity. Will she complete her goal? Or will a meeting with crimeboss Oga be too much? Buy On the Isle of Sound and Wonder at bit.ly/NewSoundWonder   Syla Rau is played by Aly Grauer @dreamstobecome   Content Warnings Gaslighting Violence, injury Drug and alcohol mentions Strong language Music Credits  Albinoni - Concerto for 2 Oboes in F Major Op9 no3, 2 Adagio by Advent Chamber Orchestra   Arround the Village (ID 1183) by Lobo Loco Sand Dweller by Metre Rainy Day Blues by Joseph C. Smith's Orchestra   Cosmic Relevance by Unheard Music Concepts We have To Do Something by Komiku 

 In this episode, we welcome Hákon Aðalsteinsfóstri Haraldsson (aka King Haakon the Good) to the throne of Norway. And with the deposed Eirik trying to find a new life for himself in Northumbria, you'd think there wouldn't be time to mess around with ol' Egil Skallagrimsson anymore. But Gunnhild holds a grudge. Cursing Egil to a restless life until he crosses paths with her once more, Gunnhild makes sure that she'll get the chance to avenge her son's death. Of course, she'll have to accomplish this vengeance through her husband, Eirik, and things don't always go as planned when Gunnhild puts Egil's head in Eirik's hands. Find out what happens when Egil meets Eirik and Gunnhild in York. You can read Egil's "head ransom" poem here in the original. Pick up a copy of Egil's Saga in translation here and read along with us. You've probably noticed that our latest episodes have been lacking the brilliant illustrations of our pal Matt Smith. That's because Matt's a success. He's got plenty of paid work to do with real deadlines. We're excited to see all the stuff he's been working on and look forward to his eventual return to Saga Thing illustration. In the meantime, we'd love to see more illustrations of the saga scenes and characters we encounter here at Saga Thing. If you feel inspired to illustrate something you've heard on the podcast, please send it to us through social media or our email address. Use the hashtag #SagaThingArt when posting on social media. If we get enough, I'll put together a special gallery on our website organized by saga. Any scene or character from any saga we've covered is fair game. Finally, for those of you looking for a deeper dive into what we're talking about, check out our updated bibliography page here. Music Credits: Intro Music - "Prelude and Action" by Kevin MacLeod (incompetech.com) Summary Music – “Rainy Day Blues” by Joseph C. Smith Orchestra Preview Music - "Floki's Last Journey" by Danheim Poetry Music - "Fornheim" by Danheim Outro Music - "Stormfront" by Kevin MacLeod (incompetech.com) Selections from music by Kevin MacLeod licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Joseph C. Smith's Orchestra - "Money Blues" https://www.wfmu.org/playlists/shows/84582

Those pesky Hildiridarsons are up to their same old tricks in this episode, causing further tension between King Harald Fairhair and the rapidly rising Thorolf Kveldulfsson. When King Harald learns that Thorolf has a large cargo ship laden with expensive English goods returning to Norway, he dispatches his most-trusted henchmen, Sigtrygg Travel-quick and Hallvard Travel-hard, to intercept and seize the ship. With that betrayal things reach a breaking point between the two men. Will Thorolf make the right moves and restore his lord's faith in him, or will he light the match that brings about his own destruction? Along the way, we talk about the theme of kingship in the saga, the logic (or lack thereof) behind Thorolf's choices, the value of understanding Scandinavian geography, some interesting nicknames, and the effects of a berserker rage. Somewhere in there we manage to toss in some references to old movies, Thundercats, and "Yakety Sax." Join us for the fun. If you'd like to better appreciate the action and landscape of the sagas, we highly recommend Dr. Emily Lethbridge's fantastic Icelandic Saga Map. It allows you to get a sense of distance, landscape, and place. Because we talk about berserks briefly in this episode, you might want to learn more about the subject. While we have talked a lot about berserks over the years, we've never devoted an episode to them. But you're in luck. For more on berserks, check out Noah Tetzner's interview with Roderick Dale on The History of Vikings Podcast. A special thanks to Danheim, a Nordic folk/Viking inspired music project, for letting us use his music in this and future episodes. Check the credits below for links to the songs. If you're interested in hearing more from Danheim, visit his webpage or Youtube channel. As always, thanks to Matt Smith, our Saga Thing illustrator for providing us with the above image of the Travel Brothers. Music Credits: Intro Music - "Prelude and Action" by Kevin MacLeod (incompetech.com) Summary Music - "Rainy Day Blues" by Joseph C. Smith Orchestra Preview Music - "Holmgang" by Danheim, from the album Mannveigr Poetry Music - "Syrgja" by Danheim, from the album Fridr Outro Music - "Stormfront" by Kevin MacLeod (incompetech.com) Selections from music by Kevin MacLeod licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/

Joseph C. Smith's Orchestra - "Money Blues" http://www.wfmu.org/playlists/shows/84582

Joseph C. Smith's Orchestra - "Rose Room" http://www.wfmu.org/playlists/shows/81116

Joseph C. Smith's Orchestra - "Rose Room" https://www.wfmu.org/playlists/shows/81116

Podcaster Chuck Morse is joined by Tara Ross, author of The Indispensable Electoral College: How the Founders’ Plan Saves Our Country from Mob Rule (2017) We Elect A President: The Story of our Electoral College (2016) Enlightened Democracy: The Case for the Electoral College (2d ed. 2012) Co-author of Under God: George Washington and the Question of Church and State (2008) (with Joseph C. Smith, Jr.)

Guest, Tara Ross, joins Brother Craig to put to rest the 100-year-old false notion that America is a Democracy. America is a republic, and Tara Ross share the proof. Tara Ross is a mother, wife, writer, and retired lawyer. She is the author of The Indispensable Electoral College: How the Founders' Plan Saves Our Country from Mob Rule,Enlightened Democracy: The Case for the Electoral College, co-author of Under God: George Washington and the Question of Church and State (with Joseph C. Smith, Jr.), & We Elect A President: The Story of our Electoral College. She is a constitutionalist, but with a definite libertarian streak!

What-cha Gonna Do When There Ain’t No Jazz? Esther Walker VICTOR- 18680-B Capricho (Caprice) Emil Coleman & His Club Trocadero Orcheatra VOCALION – A 14706 Titina Carl Fenton’s Orchestra BRUNSWICK – 2835-B Rose Room Joseph C. Smith’s Orchestra VICTOR – 18473-B Alexander’s Ragtime Band Victor Military Band VICTOR – 17006-A Hacienda- The Society Tango Felix … Continue reading "Episode 21 with Joseph DeStefano"

A first foray into netcasting, something that had to be done. It's not bad. It'll get better. All the usual. It's been a while since my radio days, but it's got to start somewhere. Tracklist: Mongha - Maschino Gaya [from Box Redrunk - Der Apparat] Chenard Walcker - F.I.R.E. [from Metamorphoses] Junkers - Yesh Yesh (Tonight) [from I Was Thinking to Kill You] meanwhileproject.ltd - Today is Sunday (and Sunday is today) [from Today is Sunday] M.Ace - Oddio Moogio [from Oddio Overplay] Mark Harp - Oddio Overplay [from Oddio Overplay] Rapoon - Iron Path [from Fallen Gods] Harry MacDonough & Joseph C. Smith's Orchestra with Billy Murray - The Vamp [from Canoodle] Supersonic Future - Robots Topless K-200 [from SSF-Sampler] Peter McConnell - Tree Pump [from Grim Fandango: Additional Game Soundtrack (disc 1)] Acid Wilhelm - Blue Whale Mix [from Doctor Who Theme Remixes] Album - Jesus Quantizó Mi Beatbox [from Quantization Proclamation] The Aperion Project - Adrastrea [from All Music is Improvised] Album - Es Teatro Griego [from Cancer Baby] khaosworks - who am i [from Doctor Who Theme Remixes] Namco - Dragon Spirit: The New Legend - Ending (MIDI Version 1 by Flying Omelette) [from Flying Omelette's Favorite Video Game Ending Songs Part 1] See also, the accompanying blog entry (link). EDIT: In one draft of this commentary I added a link to Free Albums Galore. Somehow that got left out of the finished article. Consider this careless omission now rectified.

Louis Jordan and the Tympany 5 - "Beware" Joseph C. Smith's Orchestra - "Tell Me" The Revelers - "Oh, Miss Hannah" The Farber Sisters - "How'd You Like to Be My Daddy" Elton Britt and Rosa Lee Allen - "Tennessee Yodel Polka" Louis Prima and His Orchestra - "Let's Swing It" Sophie Tucker - "Egyptian Ella" Ethel Waters - "Shake That Thing" Bessie Smith - "Sinful Blues" Dizzy Gillespie - "Oop-Bop-Sh'bam" Dorothy Shay, The Park Avenue Hillbilly - "Say That We're Sweethearts Again" The Mills Brothers - "Smoke Rings" Brox Sisters - "Lay Me Down to Sleep in Carolina" Whispering Jack Smith - "Baby Face" https://www.wfmu.org/playlists/shows/25313

Louis Jordan and the Tympany 5 - "Beware" Joseph C. Smith's Orchestra - "Tell Me" The Revelers - "Oh, Miss Hannah" The Farber Sisters - "How'd You Like to Be My Daddy" Elton Britt and Rosa Lee Allen - "Tennessee Yodel Polka" Louis Prima and His Orchestra - "Let's Swing It" Sophie Tucker - "Egyptian Ella" Ethel Waters - "Shake That Thing" Bessie Smith - "Sinful Blues" Dizzy Gillespie - "Oop-Bop-Sh'bam" Dorothy Shay, The Park Avenue Hillbilly - "Say That We're Sweethearts Again" The Mills Brothers - "Smoke Rings" Brox Sisters - "Lay Me Down to Sleep in Carolina" Whispering Jack Smith - "Baby Face" http://www.wfmu.org/playlists/shows/25313