Podcasts about Les Paul

In this episode, Mindie sits down with Grammy Award-winning producer, composer, and author Barry Goldstein for a rich conversation about music as a tool for healing, heart coherence, creative flow, and energetic management. Barry shares his unlikely journey (from house music and hip hop in the Bronx, to winning a Grammy with Les Paul, to pioneering the use of music and sound as medicine) and offers deeply practical wisdom for entrepreneurs looking to protect their energy and bring their biggest visions into the world.Episode HighlightsFrom the Bronx to the Grammy stage — Barry grew up with a love of music planted by his mother at the piano, learned guitar in the '70s (sporting what he calls "the Jaffer," a Jewish Afro), and eventually won a Grammy for Best Rock Instrumental working alongside Les Paul, the inventor of the electric guitar.Burnout led to breakthrough — After achieving success in club music and hip hop production, Barry hit a wall. Determined to reconnect with the joy of music, he set his metronome to 60 BPM and began composing long, unstructured soundscapes, unknowingly pioneering what we now understand as heart coherence music.The science of sound and heart coherence — Barry breaks down how music at 60 BPM can synchronize your heart rate, slow your breathing, and produce smooth, orderly heart rhythms (the very definition of heart coherence) while simultaneously shifting the brain into alpha and theta waves associated with creativity and flow state.Music as energetic management — Barry reframes music not just as art or medicine, but as a tool for scheduling and protecting your energy throughout the day. He lays out a simple "three meals a day" approach: an activating song in the morning, a mid-day reset during your energy dip, and 60 BPM music in the evening to wind down and unlock insight before sleep.Creativity belongs to everyone — Barry makes the case that creativity isn't reserved for artists. Every interaction, every moment of connection, ripples outward in ways we can't always see. He encourages listeners to carve out even five minutes a day for their vision and watch momentum build.Embrace the edge — Barry's closing message to entrepreneurs on the precipice of something new: the edge is exactly where you want to be. Whether it leads to a fall or to soaring, the gift is in being there at all, alive to possibility and in motion on your HeartPath.

Welcome to the 3rd Annual Blazy Awards.  Hall of Fame songwriter Kent Blazy host this insightful awards ceremony with TrulySignificant.com founder Rick Tocquigny.  Enjoy special tributes to Les Paul, The Beatles and our annual Memorium to musicians that went on their eternal home. The envelope please..... Kent's special awards for Newcomer of the Year- Jesse Welles. Listen to his extraordinary album Middle. According to Kent, he is the modern day traveling troubadour.  The Blazys pay tribute to the most influential duo of all time- The Everly Brothers. Consider how Phil and Don inspired Lennon and McCartney, Brian Wilson, Simon & Garfunkel, The Byrds, and so many others. Sound Engineers used to wear white coats, looking like scientists, willing to express their opinion on anything. The Blazys honors George Martin, for the Unsung Heroes Hall of Fame. And Sound Engineer for 2026 goes to Dave Cobb, producer for Chris Stapleton and Jason Isbell. And the Musician of the Year goes to........Italian, child prodigy, a fusion rock guitarist, finger stylist......Matteo Mancuso.Album of the Year....drum roll please......millions of downloads.....Jesse Welles broke the mold. Congratulations Jesse for being a rare "double winner" of the Blazys. Enjoy the Blazys celebration of Louis Armstrong, Quincy Jones along with many musical "Cornerstone" talents that passed away in 2025. The Blazys crescendos with a unique tribute to the Beatles recalling his Beatles to Bluebird Cafe journey.   Special thanks goes to our Austin production team.  Please enjoy all of the music of Kent Blazy at www.kentblazy.com and listen to the most insightful podcasts at www.trulysignificant.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Great marketing does not start with your product. It starts with your customer. In this conversation, I speak with marketing strategist Scott Hornstein about why storytelling, customer research, and trust are the real drivers behind successful brands. Scott shares lessons from decades in marketing, including his work with IBM and major technology launches, and explains how companies often fail when they focus on themselves instead of the people they serve. You will hear how listening to the voice of the customer can reshape messaging, build trust, and unlock growth. Scott also reflects on entrepreneurship, resilience, family, and the mindset required to get back up after setbacks. I believe you will find this conversation both practical and encouraging as you think about how relationships and trust shape business success. Highlights: · Creativity in Queens – Scott reflects on how music and culture shaped his early creativity.04:10 · From Literature to Marketing – His love of books leads him toward storytelling and marketing.12:57 · Learning to Experiment – A mentor teaches the value of trying ideas and learning from failure.20:46 · The Customer as the Hero – Scott explains why marketing must center on the customer.31:48 · Customer Insight Drives Messaging – Research helps reshape a company's message and market entry.41:23 · Resilience Through Setbacks – Scott reflects on perseverance in life and business.50:59 Top of Form Bottom of Form About the Guest: I currently live in Reston VA, my wife and I having moved there to be close to our 2 daughters and our 2 granddaughters. I am an independent business consultant specializing in storytelling – which embraces marketing, research, and content. Family is the most important thing in my life and it has taught me that lasting relationships, business and personal, are steeped in empathy and commitment. I was born in Manhattan on July 25, 1950. My parents soon moved the family to the up-and-coming borough of Queens. I attended the public schools in and around Forest Hills.  Writing was always my goal. I graduated NYU as an English major.  Upon graduation I traveled, then pursued my (naïve) dream of living as an artist – as a writer, an actor, and a musician. I wrote plays for the brand-new cable industry, wrote for a movie-making magazine, was in several off-off Broadway plays, worked as a pick-up musician. I helped in the office for a former professor to earn subway money. Got tired of starving to death. Took a job with CBS in the Broadcast Center, pulling together the Daily Log for the local station. Then, got hired to answer Bill Paley's mail. Then, I was hired as a marketing manager for Columbia House where I got some of the best advice – keep going. I met this guy from my neighborhood while commuting to my job in Manhattan. Turns our he worked for Y&R and said they were looking for someone. I interviewed and jumped over to agency-side work as an Account Executive, then Account Supervisor, then, going back to my roots, copywriter and eventually Creative Director. The entrepreneurial life has been a roller coaster, but I have been blessed to work with some brilliant people in marketing and sales, and some great companies. It allowed me to understand how I can really help my customers become successful in the long-term. Ways to connect with Scott**:** LinkedIn Medium www.hornsteinassociates.com About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone, and welcome once again to another episode of unstoppable mindset today. Our guest is Scott Hornstein, although when he came into the Zoom Room, I said, is it Hornstein or Hornstein? And of course, he also understood, because we're both of the same age, and are both fans of Young Frankenstein, who always said that his name was really pronounced Frankenstein. But you know, you have to have to know Gene Wilder for that. But anyway, if you haven't seen that movie, you got to see it. Mel Brooks at his best, but Scott is a marketing person and specializes a lot in storytelling, which fascinates me a lot, because I am a firm believer in storytelling, and I know we're going to have a lot of fun talking about that today. So Scott, I want to welcome you to unstoppable mindset. We're really glad you're here. Scott Hornstein  02:20 Thank you so much, Michael. I have to start by saying I have great respect for your work, and this is really quite a privilege for me. Thank you very much. Michael Hingson  02:32 Well, thank you. You're a long way from where you were born, in New York, in Manhattan. Now you're in Reston, Virginia, but that's okay. Well, you're not that far. It's just a short train ride, a few hours. Scott Hornstein  02:41 I That's true. That's true, although with that particular train, you can never be sure exactly how long it's going to be good Michael Hingson  02:52 point, yeah, yeah, good point. It is one of the things one has to deal with. But that's okay. But, you know, I've taken that train many times, and I've taken the the Metro liner as well, and also just the regular train. And I like the trains. I enjoy the train. I wish we had more of them out here. Scott Hornstein  03:15 I do too. I when it a long time ago in business, when I had a client here in DC, and I was living in Connecticut, I started taking the train, and it was so superior to flying. Oh yeah. And then recently I was, as I was mentioning to you, I was in Germany and taking the trains there is just wonderful. It's so superior. Michael Hingson  03:47 Yeah, I wish we would have more of them out here. If I, for example, want to take a train to San Francisco from where I live in Victorville, the only way I can do it is to take a train at roughly four in the morning to Los Angeles and then transfer on a train to go to San Francisco, which is no fun. I'll fly because it's it's kind of crazy, but I like the trains, and wish we wish we had more of them all over, and wish more people would use them. It's a lot better than driving, and it's a lot more pleasant. When I lived in the east, there were any number of times that I knew people who would travel from like Bucks County in Pennsylvania to New York Wall Street people, and they would go two, two and a half hours on the train every day and back again. And they formed discussion groups or other sorts of things. They they made it a part of their regular day, and it was there was nothing to them to do that. Scott Hornstein  04:54 And to them, I say, God bless. I am not in love with commuting, right? Yeah. Michael Hingson  05:00 Well, I understand that. I appreciate that, but they, they did well with it, and so good for them, or, as I would say in Australia, good on them. But you know, well, why don't we start tell us a little bit about you, maybe growing up in the early Scott and all that stuff. Let's start with that, sure. Scott Hornstein  05:21 First one brief aside about Young Frankenstein when I was living in Connecticut, I would go to the theater in Stanford, and for one performance, my tickets were at the will call, so I went up to the ticket booth, gave them my name, and the woman be on the other side of the iron bars keeps throwing her head to the side, wanting me to look over to my left, and I finally look over to my left, and there's Gene Wilder. Oh my gosh. What an enormously tall individual, very gracious, very nice. In any case, yes, Michael Hingson  06:06 with him, did you? Did you talk with Scott Hornstein  06:09 him just for a moment, just for a moment, you know, just Mr. Wilder, how nice to meet you. And he said a couple of nice things. And that was about it. Still, we all went to see the to see the show. Still, it was quite a thrill for me. What show I do not. Oh, that was, oh, no, excuse me. That was the the madness of King Charles, madness of King George. King George. But he was quite mad, and the play is excellent, excellent. Well, anyway, in any case, I grew I was born in Manhattan. I spent the first couple of years of life on the west side. I don't remember much of that. But my parents quickly moved us out to Queens, which at that point was rather undeveloped. You could get a lot more for your money, and we have lived in an apartment building. And around our apartment building was nothing but empty lots. It was just not developed yet. But it was a great place to grow up because the there was so much going on in those years and so much so much music that was going on. The first recollection I have, in light of all the talk about vaccines and healthcare and all of this is I really remember that polio was a real thing there, and I remember kids with the braces on their legs. And I remember that when one of my friends got chicken pox, that the mothers would get us all together and have a play date so that we got chicken pox too. Okay, but it was, Michael Hingson  08:20 I'm sorry, remember, I remember getting the polio vaccinations, even starting in kindergarten, Scott Hornstein  08:24 yes, yes. And it was such a remarkable thing at that time. We all thought it was like a miracle. And, and Jonas Salk, I mean, he was like, such a hero, yeah. The other thing, so I, we were out in Queens, in an area that's the larger area is called Forest Hills, and it was, it was a great place, because the the whole museum, whole music scene was just exploding. So I'm moving on until my junior high school and high school years, and it was just all over the place. Yes, we were playing in bands, but also there were these wonderful venues to go to. And there was the subway. If my parents only knew where I really was, we would get on the subway, go down in the village, go to all the cafe bar Gertie spoke city, all these places to hear the this wonderful mind changing music. And by mind changing, I don't mean drugs. I mean mind changing that it was, it was just everything in life. Michael Hingson  09:57 And there's nothing like hearing a lot. Music, Scott Hornstein  10:01 even to this day, it's my very, very favorite thing to do. Yeah, and so many musicians and artists came out of that area. I not being one of them. But it was so exciting. Michael Hingson  10:27 I remember when we lived in New Jersey, and I would commute into New York. I heard, for example, even then, and it was in like 96 to beginning of 2002 Woody Allen on Monday night would play his clarinet somewhere. And less, less, Paul was still doing music and playing music at the meridian ballroom. And you can even take your guitar in and he would sign it for you Scott Hornstein  10:55 the it was Joe's Pub. Woody Allen would right. And I went there a couple of times to see him. Of course, it was so pricey that we had to kind of sneak in have one beer, yeah, Michael Hingson  11:16 but still, it was worth doing. Scott Hornstein  11:19 And then they Yeah, and they were great clubs. I think that was, there's certainly the blue note for jazz that I went to a lot. And then there in Times Square, there was iridium, which was where I was able to see Les Paul, right? And many of those greats. Michael Hingson  11:42 Yeah, I never did get to go and get my guitar signed, and now it's too late. But oh, well, do you play? I play at it more than anything else. My father, I think, even before the war, before World War Two, or somewhere around there anyway, he traded something and got a Martin grand concert guitar. Oh, still, I still have it. That's wonderful. What a wonderful sound it is. Scott Hornstein  12:15 What a wonderful story. Yes, I play as well. I And growing up very early on, I decided I wanted to be Ricky Nelson. Oh, there you go. But I quickly learned that I was not going to be Ricky Nelson. However, the guy that was standing behind him playing guitar, now that might be something that I could do. So yes, so I picked it up, and I played in all the bands and then, which quickly taught me that I was not cut out for rock and roll, that I wasn't very good at it, but it led me into many other avenues of music, certainly listening, certainly being part of that scene, I'd go see friends of mine who could play well rock and roll and And that was so exciting for me. And then I, I played in pickup bands through college. So on a weekend night there would be a wedding, Bar Mitzvah, and this guy, I forget his name, piano player, he he got all the gigs and Howie was the first choice for guitar, and if Howie wasn't available, they'd call me. Michael Hingson  13:47 There you go, hey. So second choice is better than no choice. Absolutely. Scott Hornstein  13:54 I i enjoyed it thoroughly and that they paid me money to do this. There you go, right, inconceivable to me. Michael Hingson  14:05 So what did you major in in college? Scott Hornstein  14:10 Well, I started off majoring in biology, and there you go. And why I chose biology is is a mystery to this day, it didn't last long. I cycled through a number of things, and I graduated with a degree in literature, in English, particularly American literature, which is not quite the same as learning a trade. But you know it, it was consistent with with who I was at that time. I was the guy who, if he went out the door, would have two books with him, just in case I finished one. I didn't want to be left at sea, so a voracious reader couldn't stay away from the theater. So it was very consistent with who I was and and it was good for me, because I think through things like like literature and fiction and biography, you learn so much about the world, about how different people are confronted with challenges, how they process their lives, how they overcome these challenges or not or not, it just exposes you to so much. Michael Hingson  15:49 Yeah, and so I'll bet you had some challenges finding some sort of real, permanent job after getting a degree in English? Scott Hornstein  16:03 Yes, I did. But when I got out the idea of it didn't cross my mind that people actually would not earn a great living by being just an artist. What did I want to do? I wanted to write. I wanted to be involved in music. I wanted to act. I did all these things until the point when I got thoroughly fed up with being poor, with not having a dime in my pocket. Ever starving to death is, is sort of what you would call it. Yeah, yeah. You know, I did. I have modest success. Yes, I was able to keep myself off the streets, but no, it was no way for a career. It was no way to even be able to afford your own apartment, for gosh sakes. So I from there i i had done a lot of promotion for the different things that I was involved in, trying to get audiences, trying to get awareness of what I was doing, and that led me to have some contacts inside of CBS. And when I started looking for a job, I started talking to these folks, and they offered me a job. So here I was, and actually gainfully employed. Michael Hingson  17:44 What was the job? Well, I Scott Hornstein  17:47 was sort of a gopher for my first job. Mostly what I did was type, but I do have one good story for you. So I was down in the depths of the CBS Broadcast Center, which is all the way on the west side of 5017 and it's an old milk factory, so which they had converted to broadcast purposes. And so there were long holes, and the halls would always slope down. And there was one day where I was late for a meeting, and I came running down the halls, and there are always these swinging doors, I guess, for in case there's a fire or something, and I'm bursting through the doors, and I go running, and I burst through the next set of doors, and I'm running, and I burst through the next set of doors, and I knock this guy right on his bum. I pick him up, I dust him off. I say, I am so sorry. He says, Don't worry about a thing. It's all fine. I continue running. A friend of mine grabs me and says, Did you see Paul Newman? Michael Hingson  19:10 There you are. Scott Hornstein  19:12 So I have the unique entry on my resume of knocking Paul Newman to the ground. Michael Hingson  19:22 I Well, at least he was civil and nice about it. Scott Hornstein  19:26 He was very nice about it, though. Yeah, so I worked there and then through my writing, because I was writing for a film magazine at night, which, of course, didn't pay a cent, not a cent, but I got to go to all the premiers, and I got to meet all the people and interview all the people so whatever. So through that, I was able to go over to the main building and answer letters for Bill Paley, who was the. Michael Hingson  20:00 Chairman, Chairman, I said, Yes, right, Scott Hornstein  20:02 and it was my job to explain to everybody why Mr. Paley, I never called him, Bill, never, nobody, no, no, why he was right and they were wrong. That was my job, and that I did that for a little while, I can honestly say that I enjoyed having money in my pocket, but that was not the most fulfilling of jobs, and from there, I was able to go over and get my first marketing position, working for the Columbia record and tape Club, which was part of CBS Records at that time. And when I Ben or Dover was the president of Columbia House at that time, and when he made me the offer, he gave me one of the great life lessons that I've I've ever had. And he said, Scott, if you sit in your office and you do exactly what I ask you to do, and you do it on time, and you do it perfectly, we are not going to get along. But if you are out there and you're trying this and you're trying that, and this works, and that doesn't work, but you get up and you keep trying, we're going to be fast friends. Interesting. Yeah, yeah. That's something that has stayed with me my whole life. One of the great pieces of advice that I've ever gotten, Michael Hingson  21:57 well the for me, what's fascinating about it is thinking about how many people would really do that and allow that to happen, but it's really what more people should be doing. I've I've always maintained that the biggest problem with bosses is that they boss people around too much, rather than encouraging them and helping them and using their own talents to help people be more creative. When I hire sales people, the first thing I always told them was, well, the second thing because the first thing I always told them was, you need to understand right up front if you're going to sell here, you have to learn to turn perceived liabilities into assets. And that's got a story behind it. But the second thing that I always talked about was my job isn't to boss you around. I hired you because you convinced me that you're supposed to be able to do the job, and we'll see how that goes. But you should be able to but my job is to work with you to figure out how I can use my talents to help you and to enhance what you do to make you more successful. And the people who got that did really well, because we usually did things differently, and we both learned how to figure out and actually figure out how to work with each other and be very successful. But the people who didn't get it and wouldn't try that, generally, weren't all that successful. Scott Hornstein  23:26 Not terribly surprised, sir. You know, I think that people miss the the humanity of all this. And that if we bring our respective strengths and work together, that it's going to be a more complete and more successful whole than if I try and dominate you and tell you what to do, right, just that hasn't been a successful formula for me. I have never done well with people who tried to tell me exactly what to do, which is probably why I went out on my own. Probably why, in the greater scheme of things that I I did well, working for people from Columbia House. I met this guy on the train, and we got friendly, and he said he worked for an advertising agency, and they were looking for somebody would I be interested in interviewing? And this was with the young and Rubicon. And I did get the job, and I did work my way up to an account supervisor. And then i i said, i. Hate this, and I went back to be a copywriter and worked my way up to be a creative director. But, you know, I went on my own on January 1 of 86 and it was like a liberation for me, because at that point there was a new a new president of the division that I worked for, and he was not a nurturing individual. He was more of the dominant kind of you'll do what I tell you to do. Didn't sit well with me at all, and I had the opportunity to go on my own. So I I packed up my dolls and dishes, and I walked in on January 2, and I said, Bill, I quit. Michael Hingson  26:02 There you go. Was it hard for you to do that? Scott Hornstein  26:11 You know, at that point? So I here I am. I'm a creative director. I got the office on Madison Avenue, and I'm doing freelance all over the place, not only because it was extra money, but because it was it was fueling my creativity. It was giving me something back. It was fun. And I really like to have fun. I have so much fun working with people and that interaction that that humanity, the spark of humanity. So I was doing a lot of freelance, and I wrote this proposal for this one design group who was near where I was living at that time, and it got sold. So they said, Do you want to you want to work on it? And at that point in my life, I didn't have any responsibilities. I had a studio apartment there that was real cheap. And I said, If I don't try this now, yeah, I don't think I'll ever try it. So that's what I did. I quit, and I walked out the door into the great unknown, Michael Hingson  27:39 and the entrepreneurial spirit took over. Scott Hornstein  27:43 It did, and it worked well for about six, seven months, and then we got to the summertime, and I couldn't get arrested for a while. But you know, you have to take it one day at a time. And I figured, all right, well, let's just be open and network and see what's going on. It's not the time to quit. It's not the time to go back and get a job. And I was fortunate in that I was sitting at the desk one day, and this one guy called me, and I had met him before his folks ran one of the biggest, or actually the biggest, telemarketing agency in New York at that time, and I had met, met this fellow, and he said, I got this project. I've been asking around for creative source, and three people gave me your name. So I figured, well, let's go talk. And that turned into a very, very good situation for me, it gave me a lot of responsibility and a lot of leeway to take all the things that I had learned and put them in service of my client and I had a ball. I loved it. The only thing I didn't love was the and I did love this for a while was the constant travel. Now, everybody doesn't travel, and they're all sitting in their rooms at home, looking at screens. But that was that was a great opportunity for me to to spread my wings and to take and I learned so much one of the. Initial assignments I had was for IBM and IBM at that time was, was Mount Olympus. Oh my gosh, working for IBM, and I worked in tandem with this research group. We were all working on the introduction of the IBM ThinkPad and what these folks, they had a methodology they called voice of customer research, which was a qualitative research we're talking to decision makers from a carefully prepared Interview Guide to come up with the attitudes, the insights that we could put together to to come up with a solution. And I was fascinated by this of how to tap into what what the customer really wants by talking to the customer. How unusual. Michael Hingson  31:16 What a concept. Oh yeah. I mean Scott Hornstein  31:19 then and now, it's still the operative phrase of this would be a wonderful business, business, if it wasn't for all those annoying customers and and this just turned that on its head. That's another thing that I learned that has stayed with me through my entire career, is that for the the storytelling, and what I mean by storytelling is, is two things. Is, first, you know all your stories are going to come from what you consider to be your brand, but if you're not developing your brand according to the wants, the needs, the desires, the expressed future state that your Customers want, then then you're wide of the mark. So I was able to bring this in, and I think do a much better job for my customers. Now, the way that relates into storytelling is that you're you're able to take what you do and put it into the story of how your customer succeeds with the hero in the hero's journey, is Michael Hingson  32:55 your customer, your customer? Why do you think that is such a successful tactic to use, Scott Hornstein  33:02 because everybody else is completely enamored of themselves. When other companies craft their their brand, it's mostly because why they think they are special and what their vision tells them is their future. And quite frankly, most customers really don't care when, when a new customer first confronts you and your brand. They ask three questions, who are you? Why should I care? And what's in it for me? And if you can't answer those, if the story that you tell whether complete or in fragments or in in different parts according to where they are on their consideration journey. It doesn't resonate. It doesn't resonate. Hey, I have the best technology out there. I have brilliant people working on this technology. And guess what? Your technology? Somebody will eat your technology in 18 months, and I don't care, I want to know. What does it do for me? Michael Hingson  34:28 Yeah, as opposed to saying, After asking enough questions, I have technology that will solve this problem that you have identified. Let me tell you about it. Is that okay? Exactly? Scott Hornstein  34:44 Yeah, exactly. And as odd as it sounds, that helps you to stand out in the field, in a crowded Michael Hingson  34:55 field, it does, but it's also all about the. Relating to the customer and getting the customer to establish a rapport and relating to you. And when you, as you pointed out, make it about the customer, and you talk in such a way that clearly, you're demonstrating you're interested in the customer and what they want they're going to relate to you. Scott Hornstein  35:24 There's two, two things in there that, well, there's a million things in there that are particularly true. And the first is not only recognizing and and internalizing the goals of your client, but also opening yourself up and saying, these are people. These are humans. And the other real distinguishing fact that a lot of people don't either realize or embrace is that in business to business, and I've spent most of my life in business to business, it's all personal. It's all about personal connections. It's all about trust. And call me crazy, but I am not going to trust a machine. I will have confidence in technology, but my trust is going to be placed in the human through this, one anecdote that that is has really impressed me is that I was doing one of these interviews once, and I was talking to the CEO of of this company. And I said, Well, you know, I of course, I'm working for company A and you've been a client for a long time. What's, what's the greatest benefit that you get from this company? And without hesitation, he said, our salesman. Our salesman is part of our team. He understands who we are, he knows what we need, and he goes and he gets it. So that kind of that, to me, has always been a touchstone on things. Michael Hingson  37:43 Well, the fact that the salesman earned that reputation, and the President was willing to acknowledge it is really important and crucial. Scott Hornstein  37:56 And within that, I would say the very important word that you used is earn. You need to earn that trust. Sure it doesn't come just because you have brilliant technology. It's all people. It's all personal, all people. Michael Hingson  38:20 And that's success, the successful sales people are people who understand and work to earn trust. Scott Hornstein  38:32 Well said, and I think that particularly in this age of accelerating remoteness, that this concept of earning the trust and the person to person becomes a compelling competitive differentiator. And I think that that telling the story of of how you make your customers successful, of the role you play, of where you're going, this allows you to bridge some of those troubled waters to people who are sitting remote. It helps you to open your ears you know where you're going, so you can listen, yeah, Michael Hingson  39:40 well, and that's an extremely important thing to to keep in mind and to continue to hone, because bottom line is, it's all about, as I said, trust, and it certainly is about earning, and that isn't something you. First, it's something that you understand. Scott Hornstein  40:04 It's a gift that can only be bestowed on your customer. You can want it, but they're the only ones who can give you. Your brand is the meal you prepare. You but your reputation is the review, right? So, yeah, you gotta earn that trust. Michael Hingson  40:32 So how long so you you own your own company? How long has the company been in existence? Scott Hornstein  40:40 I Well, let's see. I went on my own on January 1 in 1986 and I am still without visible means of support. Michael Hingson  40:58 Well, there you go, same company all along, huh? Scott Hornstein  41:03 I Yeah, you know, do different work with different people, sure, but yes, it's still me. Michael Hingson  41:13 It's still, do you actually have a company and a name or anything like that? Scott Hornstein  41:17 I did. I did for a long time. I operated under Hornstein associates, okay, and recently I have dropped that and I just work as myself. I think that I had employees, then I had expandable, retractable resources then, and I'm not so interested in doing that right now. I am interested in working as and I love working as part of a team. Collaboration is my middle name. I might not have put that on my resume, but yeah, and I'm just, I'm really just interested in being me these days. Michael Hingson  42:13 That's fair. There's nothing wrong with that. No, well, in your current role, what do you think is the greatest contribution you've made to your clients, and I'd love an example, a story about that. Scott Hornstein  42:28 I would love to tell you a story. Oh, good. So one of my clients is a manufacturer. And they manufacture of all things, barcode scanners, as you would use in a warehouse and in a warehouse, absolutely everything, including the employees, has a barcode. Theirs is different than the the ones that you would normally see, the ones that like have a pistol grip. These are, these are new. It's new technology. They're ergonomically designed. They sit on the back of your hand. They're lightweight. They have more capabilities. They're faster and more accurate. Well, that sounds like sliced bread. However, they had a big problem in that all the scanners in all the warehouses come from the titans of the universe, the Motorola's, the great big names and these great, you know the old saying of Nobody ever got fired for buying IBM. Well, you know, if they need more scanners. Why would they go elsewhere? They just go back and get the same thing. So the the big problem is, is how to penetrate this market? And we did it. I worked with them in a number of ways. The first way was to conduct interviews, qualitative interviews, with the executive team, to come up with their their brand. What did they think? What did they think that was most important? And they said, clearly, the productivity gains, not only is this faster, not only can we prove that this is faster, but the the technology is so advanced that now we can also give you. Information from the shop floor. Well, then we talked to their their partners, who were already selling things into these warehouses. And we talked to a number of companies that were within their ICP, their ideal customer profile, I think that's very important to be prospecting with the folks who can make best use of your products and services. And what we found is that it wasn't just the productivity, it was that we solved other problems as well, and without going heavily into it, we solved the a big safety problem. We made the shop floor more secure and safer for the workers. So we changed the message from Warehouse productivity to the warehouse floor of making each employee safer, able to contribute more and able to have a better satisfaction, and that we were able to roll out into a into great messaging. The initial campaign was solely focused on the workers, and our offer was We challenge you to a scan off our scanners, against yours, your employees, your products, your warehouse. Let's have a head to head competition, because we then knew from these interviews, from working with the partners, that once these employees got the ergonomic the lightweight, ergonomic scanners on their hands, and realized how much faster They were, and how much safer that they were, that they would be our champions. And in fact, that's what, what happened. I can go deeper into the story, but it it became a story. Instead of coming in and just saying, boost your productivity, it's the scanners work for your your overall productivity. It helps you to keep your customers satisfied, your workers, one of the big problems that they're having is maintaining a stable and experienced workforce, this changed the characteristic of the shop floor, and it changed the character, how the employees themselves described their work environment. So we were able to take that and weave a story that went from one end of the warehouse to the other with benefits for everybody in between. So you said, What is the the one you said, the greatest benefit, I would say the contribution that I'm most proud of, it's that it's to recast the brand, the messaging, in the form, in the shape of the customer, of what they need, of helping them to achieve the future state that they want. And I'm sorry for a long winded answer, Michael Hingson  49:10 yes, that's okay. Not a not a problem. So let me what would you say are the two or three major accomplishments or achievements in your career, and what did they teach you? Scott Hornstein  49:26 Well, you know, I think the the achievements in my career, well, the first one I would mention was incorporating that, that voice of customer research, bringing the customer to the planning table, letting the executives, the sales people, the marketers, unite around, how does the customer express their hopes, their dreams, their challenges? I would say the second. Uh, is this idea of taking all of the content of all of the messaging and and unifying it? Some people call it a pillar view. I call it storytelling, of relaying these things so that you are giving your prospects and your customers the information that they need when they need it, at the specific point in their consideration journey, when this is most important, and it might be that a research report for a prospect that talks about some of the challenges in the marketplace and what's being done, it might be as simple for a customer as a as a video on how do you do this? You know, how do you screw in a light bulb? Oh, here it is. Everybody's used to that. The the third thing, and, and this is something, forgive me, for which I am, I am very proud, is that now I take this experience and this expertise, and through the organization called score, I'm able to give this back to people who are are trying to make their way as entrepreneurs Michael Hingson  51:35 through the Small Business Administration. And score, yes, Scott Hornstein  51:40 very proud of that. I get so much for from that. Michael Hingson  51:46 Well, what would you say are maybe the two or three major achievements for you in life, and what did you learn? Or what did they teach you? Or are they the same Scott Hornstein  51:57 I did? Well, I would say they're they're the same, and yet they're a little bit different. The first one is, is that it's only very few people who lead the charmed life where they are never knocked down. I'm not one of those people, and I've been knocked down several times, both professionally and personally, and to get back up, I to have that, and you will forgive me if I borrow a phrase that indomitable spirit that says, no, sorry, I'm getting back up again. And I can do this. And it may not be comfortable and it may not be easy, but I can do this. So there was that I think that having kids and then grandkids has taught me an awful lot about about interpersonal relationships, about the fact that there isn't anything more important than family, not by a long shot, and from these different things. I mean, certainly, as you I was, I didn't have the same experience, but 911 affected me deeply, deeply and and then it quite frankly, there was 2008 when I saw my my business and my finances sort of twirl up into the sky like like the Wizard of Oz, like that house in the beginning, Michael Hingson  54:09 but still, Scott Hornstein  54:16 And I persevere, yeah. So I think that that perseverance, that that focus on on family, on humanity. And I would say there's one other thing in there, is that. And this is a hard one. Observation is that I can't do anything about yesterday, and tomorrow is beyond my reach, so I I have to take Michael Hingson  54:56 today, but you can certainly use yesterday. As a learning experience, Scott Hornstein  55:01 I am the sum of all my parts, absolutely, but my focus isn't today, and using everything that I've learned certainly. You know, I got tongue tied there for just a minute. Michael Hingson  55:19 I hear you, though, when did you get married? Scott Hornstein  55:25 I got married in 87 I I met my wife commuting on the train to New York. Michael Hingson  55:35 So you had actually made the decision to could to quit and so on, before you met and married her. Scott Hornstein  55:43 No, no, I was, I was I met her while I still had a job in advertising. That's why I was commuting to New York. And you know, in the morning there was a bunch of us. We'd hold seats for each other and just camaraderie, yeah, you know, have our coffee. Did she? Did she work? She did she did she was she joined the group because she knew she had just gotten a job in New York. And of course, for those who don't know New York? When I say New York, I mean Manhattan, the city. Nobody thinks of any of the boroughs Michael Hingson  56:27 as part of New York. Scott Hornstein  56:31 And yeah, I and one day gone in, she fell asleep on my shoulder, and the rest is history. There you go. Michael Hingson  56:41 What So, what did she think when you quit and went completely out on your own? Scott Hornstein  56:48 I you know, I never specifically asked her, but I would think that she would have thought that maybe I was not as solid, maybe not as much marriage material, maybe a little bit of a risk taker. I did not see it as as taking a risk, though, at that time, but it was actually great for us, just great for us. And yeah, met there, and then I quit. Shortly thereafter, she was still commuting. And then things started to just take off, yeah, yeah, both for my career and for the relationship, yeah. Michael Hingson  57:51 And again, the rest of course, as they say, is history. Scott Hornstein  57:56 It is. And here I am now in Reston, Virginia, and we moved to Reston because both daughters are in close proximity, and my two grandchildren. And you know, am I still confronted with the knock downs and the and the get up again. Yeah, the marketplace is very crazy today. The big companies are doing great, the mid size companies, which is my Market, and it's by choice, because I like dealing with senior management. I like dealing with the people who make the decisions, who if we decide something's going to happen, it happens and and you can see the impact on the culture, on on the finances, on the customer base. These guys are it's tough out there right now. Let me say that it's it's tough to know which way to go. This doesn't seem to be anything that's sure at the moment. Michael Hingson  59:11 Yeah, it's definitely a challenging world and and then the government isn't necessarily helping that a lot either. But again, resilience is an important thing, and the fact is that we all need to learn that we can survive and surmount whatever comes along. Scott Hornstein  59:33 And let me just throw in AI that is a big disruptor at the moment that nobody actually knows Michael Hingson  59:43 what to do with it. I think people have various ideas there. There are a lot of different people with a lot of different ideas. And AI can be a very powerful tool to help but it is a tool. It is not an end all. Um. Yeah, and well said, I think that, you know, even I, when I first heard about AI, I heard people complaining about how students were writing their papers using AI, and you couldn't tell and almost immediately I realized, and thought, so what the trick is, what are you going to do about it. And what I've what I've said many times to teachers, is let students use AI if that's what they're going to use to write their papers, and then they turn them in. And what you do is you take one period, and you call each student up and you say, All right, I've read your paper. I have it here. I want you now to defend your paper, and you have one minute, you're going to find out very quickly who really knows what they're talking about. Scott Hornstein  1:00:47 That, in fact, is brilliant. Michael Hingson  1:00:49 I think it's a very I think it's a very powerful tool. I use AI in writing, but I use it in that. I will use it, I will I will ask it questions and get ideas, and I'll ask other questions and get other ideas, and then I will put them together, however, because I know that I can write better than AI can write, and maybe the time will come when it'll mimic me pretty well, but still, I can write better than AI can write, but AI's got a lot more resources to come up with ideas. Scott Hornstein  1:01:21 It does. It does. And with that, it's a fantastic tool. The differentiator, as I see it, for most of my stuff, is that AI has read about all this stuff, but I've lived it, so I'm going to trust me at the end, Michael Hingson  1:01:45 and when I talk about surviving the World Trade Center and teaching people what I learned that helped me in the World Trade Center, I point out most people, if there's an emergency, read signs and they're told go this way to escape or to get out or do this or do that, but there's still signs, and they don't know anything. I don't read signs, needless to say, and what I did was spent a fair amount of time truly learning all I could about the World Trade Center where things were, what the emergency evacuation procedures were what would happen in an emergency and so on. And so for me, it was knowledge and not just relying on a sign. And so when September 11 happened, a mindset kicked in, and we talked about that in my my latest book, live like a guide dog. But that's what it's about, is it's all about knowledge and truly having that information, and that's what you can trust. Scott Hornstein  1:02:48 I'll give you a big amen on that one. Michael Hingson  1:02:52 Well, this has been a lot of fun to do. We've been Can you believe we've been doing this an hour? My gosh, time, I know having fun. Scott Hornstein  1:03:03 It's fun. And I would say again, in closing, I just have enormous respect for what you've accomplished, what you've done. This is been a great privilege for me. I thank you very much. Michael Hingson  1:03:19 Well, it's been an honor for me, and I really value all the comments, the advice, the thoughts that you've shared, and hopefully people will take them to heart. And I would say to all of you out there, if you'd like to reach out to Scott, how do they do that? Well, there you go. See, just, just type, well, right? Scott Hornstein  1:03:42 That's it. If you, if you sent an email to Scott dot Hornstein at Gmail, you'll get me. Michael Hingson  1:03:56 And Hornstein is spelled Scott Hornstein  1:03:58 H, O, R, N, S, T, E, I, Michael Hingson  1:04:03 N, and again, it's scott.hornstein@gmail.com Scott Hornstein  1:04:09 that's that's the deal. There you go. Well, find me on LinkedIn. You can find me on medium. I'm all over the place. Michael Hingson  1:04:18 There you are. Well, I hope people will reach out, because I think you will enhance anything that they're doing, and certainly trust is a big part of it, and you earn it, which is great. So thank you for being here, and I want to thank all of you for listening and watching us wherever you are. Please give us a five star review and a rating and but definitely give us a review as well. We appreciate that. If you know anyone else who ought to be a guest, Scott, you as well. We're always looking for more people to have on, so please introduce us and Scott. If you want to come on again, we can talk about that too. That'd be kind of fun. But I want to thank what I want to thank you again for being here. This has been fun, and I appreciate you being here with us today and and so thank you very much for doing it. Scott Hornstein  1:05:07 My all the pleasure is all mine. Michael Hingson  1:05:14 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Inventive guitar wizard talks about influences like Les Paul, Wes Montgomery and his latest album revolving around Action Park in New Jersey.

Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of CongressLinks and Show Notes:Tom's SiteLes Paul StudioMatt's Rant: Economic ReevaluationCredits:Guest: Tom CamusoHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

On this episode, we're diving deep into the world of strap locks and serious guitar wiring madness!

From Gov't Mule to the Allman Brothers Band to his prolific solo career, Warren Haynes has long been one of the busiest, hardest working guitarists in rock and jam band circles. In the deep guitar hang that follows, the famed guitarist/singer/songwriter plugs in a Les Paul and shares everything from how to approach Allman Brothers-style twin leads to how he learned to survive playing onstage with the late, great (and apparently very loud!) guitar legend Dickey Betts, to how to release multiple albums in just two years. Thank you, Warren. And thanks to GuitarPlayer.com for making this episode happen. Enjoy! — JUDE GOLD, host and creator, No Guitar Is Safe

PG Editorial Director Richard Bienstock has interviewed Slash more than a few times throughout the last couple decades. So, we've called on him to join us in celebrating the Guns N' Roses guitarist as we discuss his sound, his riffs, and his look! Tune in to find out about the time the two went guitar shopping and when Slash showed up at Richard's desk. Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

On this episode of Talking Guitars on Johnny Beane TV, we kick things off with the wild-looking D'Addario Microfiber Polishing Mitt—yeah, it looks like an oven glove, but it's built to keep your favorite axes spotless without chemicals or streaks. Super cool gear and an affiliate link is down below if you want one. Then we jump into an awesome story about Ozzy Osbourne and Zakk Wylde, sharing one of Zakk's favorite untold Ozzy moments. From there, we dive into the legend of Randy Rhoads and his iconic guitars, including that killer custom Les Paul. We also check out the D'Addario Pick Holder 360—a slick little way to store 12 of your favorite picks—and the D'Addario XLR8 String Cleaner/Lubricant to keep your strings fast, smooth, and sounding fresh. Affiliate links for all the gear are down below. And don't forget: this Monday I'm going LIVE from a guitar shop early afternoon Eastern. Make sure you're subscribed, turn on those bell notifications, and smash that thumbs up if you're into guitars, rock stories, and killer gear.

Send a textThis week on Jams ‘N' Cocktails, Brad Brock cranks up the amps and celebrates National Guitar Day the only way he knows how—loud, nerdy, and with a properly garnished cocktail in hand. Joined by co-host Kevin McLoughlin (and a surprise appearance from Tracy), the crew dives deep into the rich, centuries-long history of the guitar—from ancient Mesopotamian stringed instruments to the electrifying innovations of Les Paul and Leo Fender.But this isn't just a history lesson. Brad and Kevin swap personal stories about their favorite stage guitars, dream instruments, near-miss vintage regrets, and the magic of finding “the one.” They put their ears to the test in a riff-based round of Name That Tune, debate relic guitars vs. earned wear-and-tear, and even squeeze in a spontaneous guitar lesson packed with blues wisdom and practical theory. Whether you're a seasoned player or just love the sound of a screaming Telecaster, this episode hits all the right notes.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

This week on Jams ‘N' Cocktails, Brad Brock cranks up the amps and celebrates National Guitar Day the only way he knows how—loud, nerdy, and with a properly garnished cocktail in hand. Joined by co-host Kevin McLoughlin (and a surprise appearance from Tracy), the crew dives deep into the rich, centuries-long history of the guitar—from ancient Mesopotamian stringed instruments to the electrifying innovations of Les Paul and Leo Fender.But this isn't just a history lesson. Brad and Kevin swap personal stories about their favorite stage guitars, dream instruments, near-miss vintage regrets, and the magic of finding “the one.” They put their ears to the test in a riff-based round of Name That Tune, debate relic guitars vs. earned wear-and-tear, and even squeeze in a spontaneous guitar lesson packed with blues wisdom and practical theory. Whether you're a seasoned player or just love the sound of a screaming Telecaster, this episode hits all the right notes.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

Episode 500, baby. And we brought in Henri Cash (Starcrawler, Plague Vendor, Cash & Skye) to celebrate the only way this show knows how: by diving headfirst into glorious guitar chaos. This episode has everything. Vintage amp obsession. Touring war stories. Studio nerdery. Gretsch evangelism. Voltage drama. Tape machine romance. Mild existential crises about digital modelers. It is a full buffet of tone. Henri talks about Starcrawler being the first band to record on Les Paul's restored recording console in LA, how different venue power can totally change your rig night to night, and why speakers are secretly doing half the job while everyone argues about pedals online. Blake and Henri also get into production philosophy, why perfect takes can sound lifeless, and how mistakes are often the secret sauce that make records feel human. Along the way: Orange OR80 love, Magnatone/Vox combos, 5150 reality checks, old guitar neck magic, gear collecting vs actually playing, and why Gretsch might be the official guitar brand of beautiful weirdos. If you like guitar talk that's informed, unpretentious, and occasionally unhinged, this one is for you. Hit play for Episode 500 and come celebrate with us. Good luck, good tones, and thanks for being part of this wild ride. Follow all things Henri on his social media HERE https://www.instagram.com/henricash Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

245 - Jeff "Skunk" Baxter In episode 245 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Jeff “Skunk” Baxter. In their conversation Jeff tells about his role in the upcoming Rock and Roll Fantasy Camp which he does fairly often. Jeff tells us about his youth growing up in Mexico City and how he ended up playing guitar and eventually starting a surf band with Abe Laboriel. Jeff describes his early influences which are all very eclectic and Jeff talks about his move from Mexico to Connecticut and then New York City working at Jimmy's Music and the Dan Armstrong's repair shop and working on innovations with Bill Lawrence. Jeff describes the guitarists he ran into while working in New York City: Sam Brown, Eddie Deal, Danny Kortchmar and Les Paul. Jeff talks about his move to Boston to attend Boston University and working with David Schecter and studying the pedal steel. Jeff tells us about his love of muscle cars and a few of the cars he had throughout the years. Jeff discusses a few of his bands: Steely Dan and the Doobie Brothers and he talks about his session work and why he preferred to sit while playing live. Jeff talks about his love of eclectic guitars and what his collection looks like now and he talks about the work he's done for Roland, Gibson and Fender. Jeff discusses his work for the government, his hand in bringing rock music to Russia and his thoughts on new technologies and ones used during World War Two and talks a little about Nick Cook's book “the hunt for zero point”. Jeff describes being an avid reader of technical journals and guitar magazines and he talks plans for a second solo album. To find out more about Jeff you can go to his website: jeffskunkbaxter.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JeffSkunkBaxter #SteelyDan #DoobieBrothers #DanArmstrong #thehuntforzeropoint #FenderGuitars #GibsonGuitars #JamesPatrickRegan #RolandMusicalInstruments #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Once you reach a certain level, there is no ‘better'…it's different.”   Released on August 19, 1983, FLICK OF THE SWITCH (the 9th studio album by AC/DC and the 3rd featuring Brian Johnson on the mic) is what some fans might call their “White Album” (arriving after their “Black Album” and “Bronze Album”, respectively), showing a black and white grayscale drawing of a lone Angus pulling down some massive power, so to speak.   “That's literally ‘Bad To The Bone' and ‘In My Time Of Dying'…”   While self-produced by the band and containing a much rawer production and drier mix than the ultra-produced Mutt Lange masterpieces which came before it, FLICK OF THE SWITCH is a back-to-basics approach showing the band embracing more of their earlier blues based sound while still remaining faithful to the signature, high-energy, up-tempo jams which have become their calling card. It's loud, straight ahead, and powerful, and while perhaps not as uber popular as the 3 albums that preceded it, FLICK is still very much an important album in the AC/DC catalog and one that would serve as a “connector” between where they had been and where they were headed.   “We could have a rated R show…it doesn't have to be X…”   We're finally back on track after getting derailed by the weather. Always remember to “wait ‘til it has some viscosity to it…” and then JOIN US for a “night time” dive into the album that would serve as the bridge into the next era of AC/DC with “The White Album” known as FLICK OF THE SWITCH.   Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast More ACDC Episodes: https://www.metalnerdery.com/acdc   Show Notes: (00:01): #selfconsciousness / “Hold on…you don't know what you're asking for…”/ #darkcomedy / “It's kinda like…being in a cover band and having you guys show up when we play #POISON…”/ #carriesunderwear / “I need a rage truck…”/ “I like doing it…it's fun…”/ “A little bit…only if you push back…”/ ***WARNING: #listenerdiscretionisadvised ***/  “Synching up…locking in…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST (NIGHT TIME EDITION) ***/ #coveryourmouth / “I'm building up my immunity system…”/ “It could have been me…”/ #AIDSFlu / “It takes a flu nap is what you're saying…”/ #homemadelube / “Wait til it has some viscosity to it…” (05:55): EMAIL US at metalnerdery@gmail.com & PATREON US at patreon.com/metalnerderypodcast / #HailToTheBenton / “Dude, the Hog Story is worth the price of admission…”/ “Oh yeah…when we get done…I need to show you guys something…”/ “It's like zazz and zhuzh…”/ #NWOOSTM / “Here's what I hate about Marshalls…”/ #Traitor REACTOR IV (Venomizer – 2016) / #1986 / #incomplete /  “You know what dude, that's the best #BackstreetBoys song…”/ #Enmy – LEDGE / #melody / “It's the hard stop…and then super soft…”/ #markthetime / “I wasn't expecting to like that…”/ “No Slayer of the Episode?”/ #anush #penish / #SlayerOfTheEpisode / #Slayer HALLOWED POINT (Seasons In The Abyss – 1990) / “And just like that…all is right in the world…”/ “It's all 7's…” (22:47): #TheDocket METAL NERDERY PODCAST PRESENTS:  AC/DC – FLICK OF THE SWITCH / #ACDC #TheWhiteAlbum / “I don't remember being 10 and listening to AC/DC…” “It's black and white in grayscale…”/ Released August 19, 1983 / “Doing AC/DC always takes me back to childhood…”/ “In the For…Flick…Fly category, Flick is in the middle there…” / “It's 3-D and you can feel the texture…”/ Recorded in Nassau, The Bahamas with Robert John “Mutt” Lange / “He's the Bob Rock of the 80's…”/ “Their sound is menopause…”/ RISING POWER / “I feel like it was a little slow to start…”/ “#Pyromania btw was January 20 (1983)…”/ “I don't know what that is: a desert vagina kinda…”/ THIS HOUSE IS ON FIRE / “They should have swapped those two…”/ “Mega ultra mother fucking super stardom…” (33:23): FLICK OF THE SWITCH / “I think every band has a ‘connector' album…”/ “That's a good episode…3 albums in a row…”/ “Use penal clean…”/ NERVOUS SHAKEDOWN “Two words…slower and sleazier…”/ “You know what the leading cause of death is for nymphomaniacs is?”/ “We could have a Rated R show…it doesn't have to be X…”/ #killercloser / LANDSLIDE / “What a great closer for Side 1…”/ “That riff…reminded me of this…”/ PLAYING WITH GIRLS (Fly On The Wall – 1985) / “I try to hold this thing together…” (38:38): GUNS FOR HIRE / “Turn this up to loud…” / “Once you reach a certain level, there is no ‘better'…it's just different.”/ DEEP IN THE HOLE / “I'm over A.I…”/  “I cup the balls, I go all the way…”   (45:34): BEDLAM IN BELGIUM / “Side 2 better than Side 1…” / “It's really close to ‘Fly On The Wall'…” / BADLANDS / “That's literally ‘Bad To The Bone' and ‘In My Time Of Dying'…”/ “I feel like he does that in the studio…”/ SG vs Les Paul / #markthetime / BRAINSHAKE / #killercloser / “That sounds like an AC/DC closer…”/ “It's only 8 minutes longer than Reign In Blood…”/ “It sounds like a good bridge to ‘Fly On The Wall'…”/ “It's the bridge between the old and the next…”/ Bands with great 3-album runs / THANK YOU FOR JOINING US!!!/ #untilthenext #outroreel

This week, celebrated singer/songwriter & hometown humorist Antsy McClain with world renowned harp-guitarist Muriel Anderson recorded live at the Ozark Folk Center State Park. Also, interviews with Antsy & Muriel. Antsy McClain brings his unique blend of music and “humor with heart” to the stage, combining his original songs with a hilarious slide show, including Antsy's own life observations, social commentary and imaginary sponsors from his home town trailer park of Pine View Heights. As a master storyteller with the likes of PBS, NPR and TEDTalks under his belt, Antsy includes humorous and serious songs in his shows. Songs such as “One Less Trailer Here in Pine View Heights,” My Baby Whistles When She Walks,” and “The Junk Drawer of Your Heart,” are keenly humorous observations about love and loss, while his more serious songs, like “Field Trip,” “I'm Everyone,” or “Falling in Love in America,” are more akin to personal journal entries written in the act of living. It's this tightrope walk between humor and heart that makes Antsy McClain a true original. - http://unhitched.com/antsys-bio/ One of the world's foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson is the first woman to have won the National Fingerstyle Guitar Championship. Her CD “Nightlight Daylight” was chosen as one of the top 10 CDs of the decade by Guitar Player Magazine her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery. She has performed/recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her obvious joy of music, humor and her facility across the genres of folk, classical, jazz, bluegrass and international music is revered by guitarists worldwide. An engaging performer, Muriel's unique approach to the instrument virtually transforms the guitar into a lyrical choir, then a marching band, then a Japanese koto, then a Bluegrass band, one minute launching into a Beatles' tune and the next, a Rodrigo concerto. Her video “Why Worry” has garnered a total of over 8 million views. Muriel is host of the renowned Muriel Anderson's ALL STAR GUITAR NIGHT® and founder of the MUSIC FOR LIFE ALLIANCE charity. - http://murielanderson.com/press/bio/ In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.

131 years. Still handcrafted in Nashville. Still changing music.At NAMM 2026, Sean Martin and Marco Ciappelli sat down with Jeff Stempka, Global Brand & Marketing at Gibson & Gibson Custom, to talk about what makes this brand untouchable—the craftsmanship, the artist connection, and why people will stretch their budget just to hold one.From the Les Paul Studio Double Trouble to the ES-335 Fifties and Sixties refresh, Gibson is honoring its legacy while pushing forward.Jeff said it best: "These are tools that enable incredible musicians to take the instruments and do something we never intended."

It's Justin's time to play teacher as he tells Darrin (and you!) all about the inventiveness and sheer talent of Les Paul.  Download and listen today on Apple Podcasts, Spotify, iHeart, Amazon, Stitcher, Goodpods, and more of your favorite podcast services!  Interested in advertising? Want to be on the show? Reach out at geekcavepodcast@gmail.com  

The 1950s Guild Aristocrat is one of those vintage guitars that somehow slipped through the cracks, and that's exactly why it remains such a sleeper today.Built during Guild's early New York era, the Aristocrat was a serious professional instrument: a small, yet fully hollow body, carved spruce top, and the legendary Franz single-coil pickups that deliver clarity, punch, and a voice all their own. This was Guild's attempt at an improved Les Paul, that was lighter, and just enough wider to seem not like a toy.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

Discover why the Epiphone Les Paul Tribute has become a top choice for rock guitarists. We discuss its mahogany construction, ceramic humbuckers, playability features, and essential maintenance tips that keep this affordable Les Paul performing at its best across multiple genres. Read more at https://www.samash.com/epiphone-e1lpoebnh1-les-paul-tribute-electric-guitar-ebony-elpoebnh1 Sam Ash City: Hicksville Address: 278 Duffy Ave Website: https://www.samash.com/

Brian, Blake, and Richard are back for Episode 600 of the Chasing Tone Podcast -  The legend of goat mountain, Brian wants a new Les Paul, and behold - the Human Riff!We join the guys in a bizarre stand off as they convene for the annual "No Richards" party at NAMM and there is a mysterious portent. Meanwhile the guys come up with a new idea for a business and it is swiftly erased from memory. Blake has a special British guest on Tape Spaghetti this week and spills all.Brian has GAS for a Les Paul and the guys discuss it before looking at an all new ES 355 from Gibson that has quite the price tag and we learn that Brian has a lot on his mind. Richard found some new David Gilmour footage and it simultaneously ignites a new debate and nearly bores Brian to sleep.There is some Grand Theft Auto action as Blake makes a terrible admission about his gaming history. Meanwhile Richard is editing a book about a famous Californian band and it has awoken a deeper understanding - but not of how to pronounce names. He and Brian also drop some teases about what they are showing at NAMM. Only Fans, Random Facts, RIP Bob Weir, Guitar Whales, Carmageddon, Anthony Cleetus...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the showSupport the show

Brian, Blake, and Richard are back for Episode 599 of the Chasing Tone Podcast - Blake's cougar encounter and the ultimate tune-able tube screamers  It's a new year and Bri goes straight to the resolutions and nonsense, predictably, ensues before he makes a massive revelation and interrogates Richard's brain. Meanwhile he has been dreaming of adding a bender to his Les Paul and the guys were impressed by Brian's impersonation of Keith Richards. Richard get's all nostalgic for MTV but thanks to a website he was introduced to (https://wantmymtv.vercel.app/) he is able to sate his whimsical leanings. This leads the guys into a trip down memory lane as they discuss their favorite periods of the legendary music station that is no more. Richard is also disappointed with a new Bowie documentary but managed to catch GAS from it nevertheless.Blake has a "vintage" looper pedal and the guys talk about it at length. Brian comes up with an insane ground-breaking pedal design and the guys discuss it via the medium of Jell-o. Meanwhile the guys have been listening to some new music and tell all. Flat earth theory, The Buggles, The Great Cornholio, Streindberger, Phil Lynott, Nick Cave...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

RUNDOWN   We're celebrating the start of Year 8 of Mitch Unfiltered! Mitch checks in from Las Vegas—oddly with zero urge to gamble—while Hotshot breaks down his old roulette system and the painful bad beat that once drove him out of Vegas for years. Mitch and Hotshot geek out over the new Eddie Murphy documentary, then Mitch tells his favorite 10-seconds-of-fame story — yelling a deep-cut sketch line to Murphy at a 1985 stand-up show and getting singled out from the stage. They pivot to the Seahawks' 30–24 "no-win" win in Nashville, weighing how worried to be about letting a 30–10 lead shrink, while marveling at Jaxon Smith-Njigba's obscene pace (already breaking the single-season franchise yardage mark in 11 games) and explaining why Rams-Bucs, common opponents, and divisional records mean Seattle may need both a win over the 49ers and help from the lowly Cardinals to take the NFC West. Steve Phillips joins Mitch to unpack Seattle's near–World Series run — from Julio Rodríguez's late-season surge to the Game 7 choices that doomed the Mariners, including pulling George Kirby too early and avoiding Andrés Muñoz in the highest-leverage spot. He explains why modern analytics can mislead managers, why Aaron Judge rightfully edged Cal Raleigh for MVP despite East Coast conspiracy theories, and why extending Josh Naylor was the right call even if the back-end years sting. Brady and Jacson join Mitch to break down Seattle's 30–24 win over the Titans — a game that was far closer than it should've been against the NFL's worst roster. They dissect the defensive lapses (two long late TD drives, missed tackles, fatigue), Sam Darnold's clean but risky performance (a couple near-picks, heavy JSN dependence), and a quietly emerging run game anchored by Walker and Charbonnet. Rick Neuheisel joins Mitch to reset the entire college football landscape heading into rivalry week — from Washington's shot at a season-defining upset over Oregon to the seismic consequences of an eight-win finish versus nine. He breaks down the transfer-portal era attrition at programs like UCLA, the SEC's multi-team playoff math (with Alabama's "brand advantage"), and why chaos in Austin, Baton Rouge, and Oxford could reshape the playoff bracket if Lane Kiffin jumps jobs before December 3rd.   GUESTS   Steve Phillips | Former Mets GM & MLB Analyst (SiriusXM / MLB Network) Brady Henderson | Seahawks Insider, ESPN Jacson Bevens | Writer, Cigar Thoughts Rick Neuheisel | CBS College Football Analyst, Former Head Coach & Rose Bowl Champion   TABLE OF CONTENTS   0:00 | Mitch Turns 8 (Seasons), Vegas Without Gambling, and a Birthday Tour Through Sports, History… and Freddie Mercury 12:00 | BEAT THE BOYS - Register at MitchUnfiltered.com 16:09 | Eddie Murphy, Clint, and a Nervy 8–3: Seahawks Survive Titans While JSN Flirts with 2,000 Yards 40:55 | GUEST: Steve Phillips; Steve Phillips on the Mariners' Game 7 Collapse, Cal Raleigh's MVP Near-Miss, and Seattle's Offseason Decisions 1:05:13 | GUEST: Seahawks No-Table; Seahawks Escape Tennessee, Move to 8–3, and Reveal Both Promise and Warning Signs in Nashville 1:27:51 | GUEST: Rick Neuheisel; Rick Neuheisel on Washington–Oregon Stakes, Lane Kiffin Chaos, and a Wild Final Push Toward the Playoff 2:01:20 | Other Stuff Segment: NFL players spitting incidents (Jalen Carter, Jamar Chase, Jalen Ramsey, Boise State, massive fines for spitting), Mariners non-tender Gregory Santos after almost never pitching, questions about how MLB trade physicals get passed, Dodgers Game 7 World Series home run balls (Miguel Rojas, Will Smith) both caught by same father/son and later underperforming at auction, Lane Kiffin's reported choice between Ole Miss, LSU, and Florida with a 7-year $98M deal and $25M/year in NIL money, UW women's soccer upsets #1 Virginia 10v11, Belichick family blowup, Chris Paul announces plans to retire after the 25–26 season and reflects on a Hall of Fame point guard career, Boris Becker (age 58) welcomes baby daughter, Kevin Spacey claims to be essentially homeless and working as a lounge singer in Cyprus, Ace Frehley's famous smoking sunburst Les Paul goes up for auction, RIPs: Rodney Rogers — Wake Forest star and 12-year NBA forward, dies at 54, Jellybean Johnson — drummer for The Time, dies at 69, Randy "Junkman" Jones — Padres legend, dies after a long career in and around baseball, HEADLINEs: Airport bulge turns out to be two endangered parakeets, Interstate flasher "needed excitement", Two Texas men plot to invade a Haitian island and enslave everyone, Failed threesome leads woman to beat up her boyfriend, Study says Viagra may help with hearing loss.

In a very rare and surprise appearance, founding #DeepPurple and #Rainbow guitarist #RitchieBlackmore joins us to talk all things classic rock including his friendship with the late great #JeffBeck, the historic live Purple masterpiece #MadeInJapan, why he prefers the Stratocaster over the Les Paul, fellow Purple giant - the late #JonLord and so much more!SHOW CREDITS: Diamond Dave Kinchen & Brother Shane McEachern (hosts). Intro made in part w/ Drum Pad Machine (DPM). Instagram: @RockNationsDK Twitter: @RockNationsDK. Facebook: @RockofNationsDK.

Tom Camuso • Grammy Award–winning engineer and studio ownerBest known for work with Blondie, Steve Earle, Medeski Martin & Wood, Lenny Kravitz and Les Paul.Tom is a dear friend and one of the most talented engineers I know.He has brought Les Paul and Mary Ford's legacy back to life. Along with the team at the Les Paul Foundation he has created a working studio utilizing Les Paul's original console and 8 track tape machine.Housed in historic United Studios, Studio D at 6050 Sunset in Hollywood, this amazing studio also has a lathe. Come by and listen to the incredible music of Les Paul and Mary Ford and see this working homage to recording history.

This video is a conversation titled "The History of Sound with James M Errington" from the channel Conversations with Strangers.James M. Errington is the creator of the project Centuries of Sound, which compiles a mixtape for every year of recorded sound [00:39]. The interview covers his personal background, musical tastes, and a detailed history of recorded sound technology.Key Topics DiscussedThe History of Recorded SoundThe discussion provides a timeline of recording technology:• 1853 (Édouard-Léon Scott de Martinville): The very earliest known recording, which used a device to mark sound vibrations onto soot-covered paper. This device could not play back the sound, only capture a visual record of it [15:44].• Late 1870s (Thomas Edison): The invention of the phonograph, which was the first machine to both record and play back sound, initially using tin foil and later metallic soap cylinders. Edison originally intended it as a dictation device for businessmen [17:52].• Early 1900s: The shift from cylinders to discs (gramophones). This era saw the rise of Ragtime as a major musical genre [24:16].• Acoustic Recording (Pre-1926): Sound was physically captured using a gigantic brass horn that focused vibrations down to a needle, cutting groves into a wax disc [25:24].• Electrical Recording (Post-1926): The introduction of microphones and electrical recording systems led to a dramatic improvement in sound quality (capturing more bass and treble). The year 1927 is highlighted as an "amazing year" for recorded music, capturing diverse regional genres like folk, jazz, and blues for the first time [28:59].• Magnetic Tape: Technology found in Germany after WWII and popularized in the US by people like Bing Crosby [34:18]. Les Paul is noted as a pioneer in using magnetic tape for multitracking [36:33].• Modern Production: The conversation touches on influential producers like George Martin (The Beatles) [40:02] and Phil Spector (Wall of Sound) [41:06], leading to the current era of digital technology where almost anyone can create music [49:18].James M. Errington's Work• Centuries of Sound: The core project involves compiling a mixtape for every year of recorded sound, including music, news, and other audio from that year [00:54]. The mixes are now hosted on Mixcloud to ensure proper licensing and artist payment [50:55].• Musical Taste: James shares his eclectic musical tastes, which include:• Early 70s Fusion Jazz (his "ultimate sweet spot") [07:29].• His all-time favorite band, Soft Machine [07:45].• A preference for "weird pop music," citing Charlie XCX as a current favorite [13:51].• Other Projects: He also creates ambient experimental music under the name Buff Cuts [53:34].You can find his website here: https://centuriesofsound.com and you can watch the full video here: http://www.youtube.com/watch?v=O6sndFKb6jA

On this episode I answer questions submitted to the 182 News Instagram page. Topics include blink-182, AVA, Matt Skiba, favorite guitars, Tom's Les Paul, and more!Host/Produced by: poppincurbsPod IG: 182newspodCheck out "poppinland - episode 3" below:https://youtu.be/lDXasojtWaI

Send us a textA twenty-year reunion turns into a masterclass on survival, adaptation, and the art of playing for keeps. We sit down with guitarist, writer, and singer George Cintron to trace a line from a Puerto Rican household in Bayshore—where top 40 radio was the cultural gateway—to roaring Long Island clubs, studio sessions with heavy hitters, and a phone call that vaulted him onto arena stages with Enrique Iglesias. George shares how a gold-top Les Paul and theory class became real gigs, why auditions used to be about skill, and how the drinking age shift quietly gutted a thriving band economy.The story pulls no punches on today's bar math: band pay that never rose, owners who book by headcount, and hobby acts undercutting rates. Yet it's not a rant; it's a roadmap. You'll hear the Enrique break—how speaking Spanish got George hired to help form the touring band and teach phonetics to non-Spanish speakers—and what it felt like when Bailamos turned a summer tour into a year-end sprint. Then we jump to Trans Siberian Orchestra and the long-running Windborne Music shows, where Zeppelin, Queen, and Pink Floyd get rebuilt with a full symphony and a rock band at center. Charts are precise, subs are surgical, and the result draws multiple generations without diluting the punch.Woven through the tour stories are studio truths (why producers say “be yourself” then ask for less), candid talk about health and aging, and the case for steady rehearsal as the secret engine of great bands. If you care about live music, gig economics, and how players actually make it work, this conversation is a clear-eyed, generous guide. Subscribe, share with a musician friend, and leave a review with your take: should clubs prioritize draw or musicianship?Support the show

Ace Frehley inspired generations of guitarists and rockers as first the original lead guitarist and co-founding member of KISS and later as a solo artist. Whether he was delivering blistering guitar solos from a smoking Les Paul, leading his own bands and writing songs on his own or just being the fun and amazing cackling personality he was known to be, Ace never stopped delivering. What A Time To Be Alive! celebrates the music, the life, the greatness that was The Spaceman, Ace Frehley.https://www.instagram.com/wattbashow/https://twitter.com/wattbashowhttps://www.facebook.com/wattbashowWhat A Time To Be Alive episode page

The guitar has been a friend to musicians for centuries, evolving from simple stringed instruments to the masterpieces we know today. In this episode, we explore how innovations in design, materials, and bracing systems shaped the sound of acoustic and electric guitars, and meet legends like Antonio de Torres and Les Paul, whose ideas changed the course of music. From the resonance of cedar and spruce to the electrifying breakthroughs of modern guitars, discover why this instrument remains a lifelong companion for anyone who plays it.   This episode was prepared with the help of AI, and the content is written by OYLA authors. For subscription, please visit: oyla.us, oyla.uk, oyla.au, oyla.eu, oyla.co.in to check it out!

Grab a cup of Peart Family Coffee and curl up with your headphones and some LSD for a trip through Afghanastan with a Les Paul strapped to your back. We're listening to Kabul Blues from 2022's eponymous release by Envy of None. I'm not as toned as you stink I am...SCHATZ'S SCRATCH LIST - RUSH TRIBUTE BANDSScratch your itch to hear RUSH music played live by going to check out any of these great RUSH Tribute Bands - these bands are keeping the community and the music alive - the most current, curated, and rockin' list of RUSH Tribute Bands in the world! Yeah!⁠⁠⁠⁠Click here: ⁠Schatz's Scratch List⁠ ⁠⁠⁠⁠(And say it 5 times fast!)GO BONELESSCertified boneless in the state of Ohio by the Boneless Podcasting Network. Go Boneless. Boneless Makes a Better Podcast. Hosted on Acast. See acast.com/privacy for more information.

Eddie Trunk welcomes guitar legends John 5 and Richie Kotzen to discuss their joint tour. The conversation covers John's residency with Mötley Crüe in Las Vegas, Richie's DIY home generator project, and their mutual admiration as musicians. The guitarists share fascinating stories from their careers, including Richie's near-miss with Ozzy Osbourne, John's memorable experience playing with Les Paul, and how they both discovered their passion for guitar. After that, Eddie speaks to Nancy Peart Burkholder, sister of late Rush drummer Neil Peart, who shares her family's support for Rush's unexpected tour announcement featuring a new female drummer. Nancy discusses the 'Legacy in Bronze' initiative to create two stunning sculptures honoring Neil at the real-life Lakeside Park that inspired his lyrics. Nancy also talks about her family's fundraising efforts, including their coffee business, and how Rush fans can contribute to making the memorial a reality. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Hello dear listener, Welcome back to another episode of Guitar Nerds! This week, Matt and I are discussing everything from The Butterfly Effect 3 to Joe Bonamassa's new Epiphone '59 Les Paul! Hosted on Acast. See acast.com/privacy for more information.

Matt and Mikey tackle the saliant topics of the day because while big game hunters stalk Shane through the wilderness.Episode Links:Berthold CityHarakiri For the SkyCheck out our Patreon for bonus shows and more!Musical Attribution:Licensed through NEOSounds.“5 O'Clock Shadow,” “America On the Move,” “Baby You Miss Me,” “Big Fat Gypsy,” “Bubble Up,” “C'est Chaud,” “East River Blues,” “The Gold Rush,” “Gypsy Fiddle Jazz,” “Here Comes That Jazz,” “I Wish I Could Charleston,” “I Told You,” “It Feels Like Love To Me,” “Little Tramp,” “Mornington Crescent,” “No Takeaways.”

We've gotten more than a few chances to talk with special guests about a particular film they're involved in, but this episode takes things to a wonderful new level.At the center of our discussion is the beautiful new documentary, It's Never Over, Jeff Buckley, which received overwhelmingly positive reviews after its Sundance premiere. Through never-before-seen footage of Jeff, as well as interviews with people close to him, the film becomes a graceful retrospective on the gifted musician we lost far too soon.Nobody understands that feeling better than Jeff Buckley's mother, Mary Guibert, and we were honored to speak with her for this episode. She shares the origin story of this deeply personal project that was decades in the making, and how she decided to put the story of her son in the hands of director Amy Berg.We also hear about her earliest memories of Jeff's love for music, from singing Spanish nursery rhymes as a toddler to getting a Les Paul guitar that he practically slept with, and the nonprofit organization Road Recovery, which was inspired by Jeff's life to help at-risk youth turn tragedy into harmony through the power of music.Stick around to the end to hear Guibert's answer to Dori's trademark question, as she reveals what "Scotty" --- as his mom still calls him --- would say his childhood smelled like.*****Cinebuds is sponsored by Joe Wilde Co.

This week, is Ticketmaster finally going to get theirs for screwing over consumers for so long? Is Bon Jovi going to come back with Richie? Can Mellencamp still sing? Also, what's your pedal board pleasure and Gibson goes 70s. Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADS10 to 10% off your order! Also - please consider supporting the Dads at patreon.com/guitardadspodcast We have some great exclusive content with special guests AND a special discount code for patreon supporters only! 

Led Zeppelin played the Schaefer Music Festival on July 21, 1969 in Central Park, NYC. This is early into the Les Paul days and the band were already recording their second album while on the road promoting their first. I play the three opening numbers, back to back, Train Kept A Rollin, I Can't Quit You, Baby, and Dazed and Confused. Even though they're still making a name for themselves they're already famous. They'll keep rising throughout the decade to heights unimagined.

EP292 Cars and Guitars with guest Randy Alameda Randy Alameda aka Randy Arnold is a big time Gibson guitar collector and auto enthusiast. Jhae travels to Albuquerque for a sit down with Randy and to see the guitar vault. Summary: In this episode, host Jhae sits down with Randy Alameda, a 75-year-old Albuquerque icon, at an undisclosed South Valley location. Randy shares his vibrant life story, from his music career touring with the band Ashley Pond to his passion for Acura NSXs and his medical sales background. He recounts surviving a life-altering motorcycle accident, his extensive guitar collection housed in a custom vault, and his reflections on love, loss, and resilience. This episode is a heartfelt dive into music, cars, and perseverance.Chapters:02:03-2:55: Randy discusses moving to Albuquerque 40 years ago, living near a B1 bomber facility, and local environmental issues. 3:19-4:08: Introduction to Randy's guitar collection and the custom vault built by his neighbor. 5:10-9:02: Randy's backstory, including avoiding the draft, Air Force medical training, and a severe motorcycle accident that nearly left him paralyzed. 12:59-20:49: Music career highlights, touring with Ashley Pond (1980-2000), and a tragic incident involving a bandmate's girlfriend. 21:03-24:23: Origins of Randy's music passion, sparked by his grandmother and early guitar discoveries. 26:04-28:44: Insights on veterans' healthcare issues, drawing from Randy's medical career and VA experiences. 30:18-32:14: Encounters with music legends like Rick Derringer and ZZ Top, plus a van crash anecdote. 33:09-35:09: Randy's favorite guitars, including a 2005 Les Paul from a Jimmy Page run. 40:23-50:36: Randy's love for Acura NSXs, inspired by Ayrton Senna, and his ownership of 1991 and 2017 models. 57:44-1:12:05 Reflections on music as the heart of his life, plus a poignant story of a lost love. 1:12:05-1:28:03: Tour of Randy's guitar vault, showcasing rare Gibsons like a 1959 Les Paul Special and a Johnny Winter Firebird. 1:29:05-1:32:25: A look at Randy's NSXs Main Show Sponsors:Right Honda:⁠⁠⁠ ⁠⁠⁠⁠⁠https://righthonda.com/⁠⁠⁠Right Toyota: ⁠⁠⁠⁠⁠⁠⁠⁠https://www.righttoyota.com/⁠⁠⁠⁠⁠⁠⁠⁠Arcus Foundry: ⁠⁠⁠⁠⁠⁠⁠⁠https://arcusfoundry.com⁠⁠⁠Autocannon Official Gear: ⁠⁠⁠⁠⁠⁠⁠⁠https://shop.autocannon.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Contact Hard Parking with Jhae Pfenning:email: Info@HardParking.com Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.Hardparking.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon:⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/hardparkingpodcast/⁠⁠⁠Instagram:⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠instagram.com/hardparkingpod/⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://youtube.com/@HardParking⁠⁠

We're back to time travel through rock history with another issue of the Decibel Geek Times. In this edition, we pay tribute to several rock legends on their deathdays, honoring the lasting impact of Dick Wagner, Jack Russell, Eric Wagner, Les Paul, Dave Williams, and Pete Way.  We also celebrate a wide range of album anniversaries spanning 15 to 40 years. From Iron Maiden's The Final Frontier — the album that trolled fans into thinking it could be their last — to Dio's Sacred Heart, we revisit the stories, chart stats, and behind-the-scenes moments that made these records memorable. Highlights include Halford's triumphant Resurrection, Extreme's career-defining Pornograffitti, Mother Love Bone's bittersweet debut Apple, and many more milestones across the decades. On the new music front, there's plenty to be excited about. Alice Cooper returns with The Revenge of Alice Cooper, reuniting original band members and even featuring vintage guitar work from the late Glen Buxton. Honeymoon Suite drops Wake Me Up When the Sun Goes Down, Halestorm climbs to new heights with Everest, Ellefson Soto unleashes Unbreakable, and fresh releases from Chevelle and The Rods round out your next listens. It's all that and a whole lot more in this issue of the Decibel Geek Times. We hope you enjoy and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts Family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

We're back to time travel through rock history with another issue of the Decibel Geek Times. In this edition, we pay tribute to several rock legends on their deathdays, honoring the lasting impact of Dick Wagner, Jack Russell, Eric Wagner, Les Paul, Dave Williams, and Pete Way.  We also celebrate a wide range of album anniversaries spanning 15 to 40 years. From Iron Maiden's The Final Frontier — the album that trolled fans into thinking it could be their last — to Dio's Sacred Heart, we revisit the stories, chart stats, and behind-the-scenes moments that made these records memorable. Highlights include Halford's triumphant Resurrection, Extreme's career-defining Pornograffitti, Mother Love Bone's bittersweet debut Apple, and many more milestones across the decades. On the new music front, there's plenty to be excited about. Alice Cooper returns with The Revenge of Alice Cooper, reuniting original band members and even featuring vintage guitar work from the late Glen Buxton. Honeymoon Suite drops Wake Me Up When the Sun Goes Down, Halestorm climbs to new heights with Everest, Ellefson Soto unleashes Unbreakable, and fresh releases from Chevelle and The Rods round out your next listens. It's all that and a whole lot more in this issue of the Decibel Geek Times. We hope you enjoy and SHARE with a friend. Decibel Geek is a proud member of the Pantheon Podcasts Family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Presave WM's New Album: https://firebird.lnk.to/WhompWhackThunder Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/whiskey-myers-2025Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeFrom couchsurfing to playing the Ryman, rockers Whiskey Myers of Palestine, Texas, have had one hell of a Cinderella story. We caught up with guitarist John Jeffers back in 2021 for a virtual Rig Rundown, but this time around, ahead of the September release of their seventh LP, Whomp Whack Thunder, PG's Chris Kies met up with Jeffers and rhythm guitarist Cody Tate before their July 19 gig at Nashville's Ascend Amphitheater to get a tour of their latest and loudest noisemakers.Shop Whiskey Myers' Gear:Empress Compressor Mk II - https://sweetwater.sjv.io/daWeOKEarthQuaker Devices The Depths - https://sweetwater.sjv.io/e1PKX6Orange Custom Shop 50 - https://sweetwater.sjv.io/qzX49bAmpRx Backline 1200 - https://sweetwater.sjv.io/xLDkaxVoodoo Labs Switcher - https://sweetwater.sjv.io/5gV32LBoss ES-5 - https://sweetwater.sjv.io/ZQgj6KJHS Morning Glory - https://sweetwater.sjv.io/7aevm5JHS Unicorn - https://sweetwater.sjv.io/9LagD4JHS Prestige - https://sweetwater.sjv.io/5553k9Dunlop Wah - https://sweetwater.sjv.io/AWa9XxBoss TU-3w - https://sweetwater.sjv.io/750ngOMarshall JCM 800 - https://sweetwater.sjv.io/Gm36zVFender Stratocaster - http://sweetwater.sjv.io/dO3KbkGibson Les Paul - https://sweetwater.sjv.io/GKOP7LGibson SG - https://sweetwater.sjv.io/GKOP7LGibson Firebird - https://sweetwater.sjv.io/6eJ3rr0:00 - Joe Glaser & D'Addario0:15 - John Jeffers Guitar Solo Intro0:43 - Subscribe to Rig Rundowns!0:55 - Chris Kies Intro1:15 - John Jeffers' OG Les Paul4:56 - John Jeffers' 2021 Gibson Custom Murphy-Painted 1960 Les Paul 60 Reissue6:02 - John Jeffers' 1972 Gibson Les Paul '54/'58 Reissue7:31 - John Jeffers on 1st Tours in Chevy Suburban10:22 - John Jeffers on Working with Producer Jay Joyce13:43 - John Jeffers' 1992 Gibson SG Custom '67 Reissue15:26 - John Jeffers' Gibson Firebird I17:06 - John Jeffers' Orange Custom Shop 50 & Vox AC3020:15 - John Jeffers' Pedalboard24:53 - John Jeffers' on Whomp Whack Thunder Album Name26:06 - Rig Rundowns & D'Addario Backline Gear Transport Packs26:47 - Cody Tate on Working with Producer Jay Joyce27:22 - Cody Tate's Fender American Deluxe HSS Stratocaster30:34 - Cody Tate's Pedalboard31:42 - Cody Tate's Fender Rarities Flame Koa Stratocaster34:02 - Cody Tate's Eastwood Mandocaster34:47 - Cody Tate's Fender Custom Shop Strat37:19 - Cody Tate: Cars or Guitars?37:49 - Cody Tate's Marshall JCM 800 Amps40:14 - D'AddarioPresave WM's New Album: https://firebird.lnk.to/WhompWhackThunder Full Rig Info: https://www.premierguitar.com/videos/rig-rundown/whiskey-myers-2025Subscribe to PG's Channel: http://bit.ly/SubscribePGYouTubeWin Guitar Gear: https://bit.ly/GiveawaysPGDon't Miss a Rundown: http://bit.ly/RIgRundownENLMerch & Magazines: https://shop.premierguitar.comPG's Facebook: https://facebook.com/premierguitarPG's Instagram: https://www.instagram.com/premierguitar/PG's Twitter: https://twitter.com/premierguitarPG's Threads: https://threads.net/@premierguitarPG's TikTok: https://www.tiktok.com/@premierguitar[Brought to you by D'Addario: https://ddar.io/wykyk-rr]© Copyright Gearhead Communications LLC, 2025#guitar #rigrundown #guitarist #guitarplayer #guitargear #whiskeymyers

Send us a textHere in Episode 234 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses to talk out his 'famous' great band names list.We cover such great names such as Funkmaus, Professor Electricity, Plastic Potpourri and Let Jessica Know.We also cover music from Foo Fighters, Rush, Poison and Pearl Jam to name only a few.We also talk about Les Paul guitars and airports!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

Andrew Patrick of The Carolyn joins Blake to talk tone, songwriting, and the joys (and occasional heartbreak) of Les Pauls that refuse to stay in tune. They get into the band's humble beginnings, Andrew's early love for whiny punk-pop, and why their latest record Pyramid Scheme of Grief nearly didn't sound the way it was supposed to (spoiler: the Kemper got benched). Also covered: • The Milkman Amp that saved Andrew's rig • Embracing “the suck” as a guitarist • Internet trolls and why none of them are Steve Vai • The difference between a good tone and a good mix • Tube screamers, Blues Drivers, and the underrated OD-1 • Why music doesn't have to be your job to matter Plus: gear chat, writing dynamics, keeping your amp happy with a Brown Box, and a shared appreciation for greasy New York pizza that borders on insanity. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Release your music via DistroKid and save 30% by going to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/distrokid Learn more about your ad choices. Visit megaphone.fm/adchoices

www.patreon.com/banjopodcast   Cynthia is a modern virtuoso of the 4-string plectrum banjo! She is celebrated not only for her talents in the traditional jazz/plectrum repertoire, but also for her original pieces and creative interpretations of different musical genres from around the world. Her accolades include the 2023 Steve Martin Banjo Prize and an inductee into the American Banjo Hall Of Fame, the first banjoist to win the 2019 Bistro Award and 2018 Global Music Awards, and in 2018 the first 4-string jazz banjoist to be a featured artist at the iconic Newport Jazz Festival. Cynthia rose to international prominence as a founding member of Woody Allen's New Orleans Jazz Band, and has played with leading jazz, popular, and roots music artists including Bucky Pizzarelli, Dick Hyman, Andy Statman, Les Paul, Marvin Hamlisch, Wynton Marsalis, Scott Bradlee's Postmodern Jukebox, Vince Giordano, The Kingston Trio, Scott Robinson, and many others.  Sayer has appeared as a guest and performer on CBS, FOX & ABC network television, on NPR's “Piano Jazz,” and elsewhere. Her work has been featured in The New York Times, DownBeat, Fretboard Journal, People Magazine, The Wall Street Journal, and countless other local, trade, and foreign media outlets.   Cynthia Sayer is also an avid educator. She has been a guest clinician at The Berklee College Of Music, The New School and others, given multiple educational programs at Lincoln Center, in public schools, and more. She's on the faculty of the NY Hot Jazz Camp, and gives lessons and workshops. Her play-along program, You're IN The Band is popular with players of all instruments learning and practicing traditional/hot jazz and swing. Her newest book for banjo, guitar and mandolin, The Swinging Solos Of Elmer Snowden, was published in 2022.  Cynthia lives in New York City and endorses Ome banjos, GHS Strings, Blue Chip Picks, and The Realist Banjo Pickups by David Gage.   Sponsored by Elderly Instruments, Peghead Nation, Bluegrass Country Radio, and Sullivan Banjos   Cynthia on the web: https://cynthia-sayer.squarespace.com/  

Guitar virtuoso Joe Bonamassa returns to Chewing the Gristle, bringing his characteristic wit and wisdom as he prepares for an ambitious European tour season. This conversation between two master guitarists reveals the realities of sustaining a music career with both artistic integrity and business savvy.Bonamassa takes us behind the scenes of his upcoming three-month European adventure, which includes solo performances, a Black Country Communion reunion after 14 years, and a special tribute to blues legend Rory Gallagher. The logistics are fascinating – he maintains duplicate touring rigs for Europe and America, a practical response to shipping costs that have nearly tripled since the pandemic.The highlight comes when Bonamassa shares treasures from his 1,200+ instrument collection, including his beloved "Principal Skinner" 1959 Les Paul. Rather than treating these vintage pieces as museum exhibits, he plays them regularly, embracing each new ding and scratch as part of their continuing story. "They're not out here to be preserved," he explains, challenging the collector mentality that prioritizes value over music-making.What truly distinguishes this episode is Bonamassa's candid assessment of music business realities. After discovering early in his career that middlemen were taking substantial portions of his performance fees, he developed a direct-to-consumer approach that has sustained his career. "My motto is I don't need millions, I just need enough," he shares, articulating a philosophy that values artistic fulfillment over commercial peaks.For aspiring musicians, Bonamassa offers both sobering and inspiring advice: "You have to love this thing so much that you're willing to take a vow of poverty, still be happy, and can't live with yourself if you don't play." It's this unwavering passion, combined with business acumen, that has enabled his enduring career in the often unforgiving music industry.Ready to hear more wisdom from one of blues rock's most successful independent artists? Subscribe now and journey through the musical landscape with Joe Bonamassa and your host, Greg Koch.

Brian, Blake, and Richard are back for Episode 572 of the Chasing Tone Podcast - How to avoid being triggered, is there a new shift in the demographics of guitarists, and the ultimate MIDI course is here... Richard educates the guys on the recent Glastonbury festival and some of the controversy that surrounded a certain act - and he has also got some observations on the music too which made him very happy. He also apologizes for any dog squeaker noises you may hear from his enthusiastic puppy. Are we seeing a rise in a new demographic for guitar players? An article in Guitar World made the guys ponder something about the current guitar buying public and it has got the old grey matter moving a little. Brian ponders whether he should create an Only Fans site. Yes, that is what I said. Brian has finally released the Ultimate MIDI course over at GuitarPedalHorse, sorry GuitarPedalCourse.com and the guys discuss this. It is a really big deal to Richard and he is audibly excited when Brian pays him a complement. Blake tries to convince Richard to oil up and wiggle into the Black Sabbath concert and finally the guys discuss whether or not guitar YouTube is dying. John Fogerty's plaid Les Paul, Yussef Dayes, Is that a butt or is that his back? Dr. KEEZ, Glastonberries and Mandates...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Awesome Courses including the ULTIMATE MIDI COURSE https://www.guitarpedalcourse.com/Merch and DIY mods:https://www.wamplerdiy.com/Youtube:https://www.youtube.com/@chasingtonepodcastAwesome Course, Merch and DIY mods:https://www.guitarpedalcourse.com/https://www.wamplerdiy.com/Find us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

Luke Bentham - The Dirty Nil I caught Luke spreading the word of Rock n Roll after his band finished soundcheck (on tour now in America). We get into his band the Dirty Nil and what they do and how they do it. There's also a healthy amount of talk about, Les Paul guitars, gear, songwriting and the magic and mystery of performing for an audience. The Dirty Nil - New album “The Lash” Out July 25 Tour dates and more at https://www.thedirtynil.com/ --- Join our Text list by texting MXPX to 844-923-0900 http://Linker.ee/mikeherrerapodcast Listen now! Share with a friend. Leave a voicemail- 360-830-6660 --------------------- Check out the new MxPx album 'Find A Way Home' at MxPx.com and streaming everywhere now! Listen or watch "Linoleum" here MXPX - Self Titled Deluxe Edition  I now have an Artist Series Music Man Stingray from Ernie Ball! You can order straight from the shop on the Music Man website.  A portion of proceeds goes to MusicCares! MIKE HERRERA SIGNATURE SERIES BASS If you like the podcast- Subscribe, rate and review on Apple. Support what I do at MXPX.com and also add MXPX and Mike Herrera to your music libraries on whatever streaming platfrom you use. Producing and editing by Bob McKnight. @Producer_Bob

Episode 156: Get More From Your Guitar Pedals (Without Buying New Ones) Welcome to the Chairmen of the Boards Podcast! The ultimate pedalboard podcast with the foremost rig builders in the world: Grant Klassen (Goodwood Audio), Brian Omilion (Omilion Audio), and Mason Marangella (Vertex Effects/The Rig Doctor). We've teamed up to democratize great tone and provide you with our best tricks, tips, resources and hacks so you can build the pedalboard of your dreams!   //SPONSORS// The Guitar Sanctuary - https://theguitarsanctuary.com Neural DSP - https://www.neuraldsp.com (use discount code "chairmen" for 30% off) Best-Tronics - https://btpa.com (use code "dachairs" for 10% off) GB Music & Sound - https://www.gbmusicandsound.com/?ref=Chairmen   //HOSTS// Grant Klassen (Goodwood Audio) YT - ‪@GoodwoodAudio‬ IG - https://instagram.com/goodwoodaudio   Brian Omilion (Omilion Audio) YT - ‪@omilionaudio‬ IG - https://instagram.com/omilionaudio   Mason Marangella (Vertex Effects) YT - ‪@VertexEffectsInc‬ IG - https://instagram.com/vertexeffects   //YOUTUBE// Watch COTB Podcast live: @chairmenoftheboards