Podcasts about Les Paul

We close out tonight's show by celebrating the late great Wayman Tisdale - who was a talented musician on top of being a basketball player - on the birthday board. Les Paul, the inventor of the solid-bodied electric guitar is also on today's birthday board.

News; birthdays/events; gas station food used to be joke...but now there is gourmet gas station food!; word of the day. News; game: sax and drum intro songs; do you purchase or rent digital movies? what's your dollar threshold?; should certain places (like funeral homes) have drab decor on purpose or should they be cheerfully decorated? News; game: Les Paul songs; kids in the 80's and 90's mowed lawns 4 times more than kids do today...what are some chores that you did as a kid that your kids have no clue about?; what's your guilty pleasure summer snack and/or summer driving song? News; game: songs with Summer in the title; 100 years: things that would horrify someone from 1926 living in 2026...and vice versa; goodbye/fun facts....strawberry rhubarb pie day. Rhubarb is a one of the first foods gardeners begin to harvest rhubarb in the middle of May and early June, and it finds its way into desserts and preserves. Native to China, rhubarb was originally grown and traded as a medicine....it's technically a vegetable...Originating in Europe (Germany and UK), the rhubarb pie was introduced to the United States in the late 18th century....rhubarb and strawberries make an amazing combination! While the strawberries are sweet, the rhubarb provides a deliciously sour complement that offers a balance and tasty complexity. 

If you're not following us on Instagram you're really missing out: @alice973. Madonna's new music video is shocking and star-studded. Kiss is doing a land-locked cruise… huh? Ace Frehley's signature Les Paul sold at auction. What's the craziest thing you've stumbled upon in your fridge?

Hour 1:Songwriter Talay Riley was violently stabbed. Isn't it nice when humanity surprises us in GOOD ways? Spencer Pratt has been eliminated from the mayoral race. Let's eat some headlines! Meatball is getting a TV series. It was funny and good, which means it's all wrong. Alanis Morissette sold her Bay Area house. Send us your problems! Matty might give bad advice, but Sarah and Vinnie are here for you: Badadvice973@gmail.com. The Spurs are still alive after beating The Knicks in New York last night. In real estate news, you can buy Hell! You never forget your teenage summer job. Hour 2:The break-up we knew was coming has officially arrived. Ariana Grande (Glinda) and Ethan Slater (SpongeBob) have split. Nancy Guthrie has been missing for 5 months. A road rage incident led to the death of a ukulele. One thing is for sure, the Dublin Vs. Fremont debate isn't settled. What's up with the bills at the vet?! Hour 3: Don't bring your mom to Scott Capurro's comedy show on Thursday, but you'll like it! Can you spot the fake headline? The Bear season 5 is almost here. Nick Reiner still wants his inheritance. Famous men who have dated teenagers - ew. Scott Budman is on the show talking about Tim Cook's retirement and the future of Siri. Apple is leading the way even though they are constantly behind. Six crazy wedding objections that ACTUALLY happened. Hour 4: If you're not following us on Instagram you're really missing out: @alice973. Madonna's new music video is shocking and star-studded. Kiss is doing a land-locked cruise… huh? Ace Frehley's signature Les Paul sold at auction. What's the craziest thing you've stumbled upon in your fridge?

National Donald Duck day, Entertainment from 1984. 1st person deported from US, 1st transpacific flight, Income tax withholding act enacted. Todays birthdays - Les Paul, Jackie Wilson, Michael J. Fox, Johnny Depp, Wes Scantlin, Matt Bellamy, Natalie Portman. Charles Dickens died.Intro - God did good - Dianna Corcoran     https://www.diannacorcoran.com/Donald duck theme songTime after time - Cyndi LauperSomeday when things are good - Merle HaggardBirthdays - In da club - 50 Cent        http://50cent.com/Tiger Rag - Les PaulLonely Teardrops - Jackie WilsonBlurry - Puddle of MuddUprising - MuseExit - Summer Fall - Lee Sims         https://www.leesims.com/History & Factoids about today Playlist on SpotifyHistory & Factoids about today webpagecooolmedia.comcountryundergroundradio.comNational Days - May Puzzle BookGrace & Grit Christian Country Radio

Finding new musicians for your band sounds simple until your DMs turn into a crime scene.This week on Cover Band Confidential, Adam and Dan break down what actually goes into replacing a band member, filling a sub spot, or building a roster without losing your mind in the process. Adam is in the middle of this right now with Members Only as their longtime drummer transitions out of rotation, so this one is less “theoretical advice” and more “live footage from the hiring trenches.”We talk through the practical steps that make the search less painful: defining the role, being clear about the project, writing a specific audition post, asking for video early, using trusted referrals, being honest about money, filtering for availability, and auditioning people for the actual job they'll be doing.Because finding the best player is not always the same thing as finding the right player.Also in this episode: Adam recaps a Midwest family trip through Chicago, Saugatuck, South Bend, Notre Dame, Wrigleyville, and Chicago Music Exchange The emotional danger of playing an $8,000 Les Paul that unfortunately feels worth it Dan previews a trip to Utah and Las Vegas, including a possible live band karaoke meetup at The Venetian Why “clear communication” is basically the whole episode The value of asking for audition video before wasting everyone's time Why availability can matter as much as talent How to spot professional habits before someone is officially in the band Why a trial period protects both the band and the new player The terrifying concept of “musician icks” Finding band members is a slog, but you can make it less sloggy. And if you're leading the project, the goal is not just to find a player. It's to be the kind of band leader people actually want to work with.#CoverBandConfidential #CoverBandTips #WorkingMusician #BandLeader #GiggingMusician #CoverBand #LiveMusicBusiness #BandAuditions #MusicianLife #WeddingBand #CorporateBand #DrummerSearch #BandManagement #MusicPodcast #LiveBandTipscover band confidential, cover band podcast, working musician podcast, how to find musicians for a band, how to audition band members, finding a drummer, band audition tips, cover band tips, gigging musician advice, band leader advice, how to replace a band member, musician auditions, hiring musicians for a band, wedding band musicians, corporate band musicians, live band business, band management tips, how to run a cover band, professional musician habits, finding reliable musicians, musician availability, audition video for musicians, band rehearsal prep, cover band drummer, live music podcast

Santana, Slash, Freddy King, Link Wray & His Ray Men, Duane Eddy, The Champs, Les Paul, Kai Winding, Tommy Dorsey & His Orchestra, Perez Prado, Los Indios Tabajaras, Santo & Johnny, Fleetwood Mac, The Beatles, Los Pekenikes y The Shadows.

Mark Morton joins the show today, and we somehow manage to talk about the gravitational pull of the electric guitar, the operational realities of a world-class metal band, parenting, vintage Gibsons, noise gates, and New York pizza without anyone needing a liability waiver. Mark gets into the early magic of the guitar, back when the instrument didn't just look cool, it felt like a secret door. A wooden plank with wires, knobs, and just enough electricity to rearrange a kid's entire personality. From there, we talk about the family support that helped him chase that feeling, and how that same idea now shapes the way he supports his own kids as they find their own creative obsessions. We also dig into the less glamorous, more interesting machinery behind one of metal's most popular acts. Touring, family, business calls, merch approvals, stage production, the whole industrial riff-farm. The rock and roll fantasy is still in there somewhere, wearing sunglasses indoors, but these days it has a calendar invite and probably needs to approve a hoodie sample. And yes, there is plenty of guitar talk. Mark breaks down his move to Gibson, the creation of his signature Les Paul, his love of vintage instruments, the L.o.G writing process, and why some guitars feel alive while others just sit there like expensive furniture with strings. Plus: the Boss NS-2 gets its day in court. Bring a slice. Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we have the privilege of being visited by Giles Moon, the head of music curation at Julien's Auctions, who gives us the inside scoop of the upcoming Music Icons auction, which takes place May 29-30 at the Hard Rock Cafe Times Square in New York City. The sale features nearly 700 items from icons such as Johnny Cash (the guitar he played at his Grand Ole Opry debut in 1956), Ace Frehley (many items including his main Les Paul), Elvis Presley (a stage-used microphone), many Beatles items (including a table and chair set owned by Ringo Starr), a large collection of original paintings by Rolling Stone Ronnie Wood, and many more rare and iconic items.  To learn more about Rock Icons, or to register to bid or watch the livestream of the event, visit the Julien's website. What did you think of this episode? Drop us a line at modernmusicology1@gmail.com or just leave a comment on our socials or whatever podcast platform you're listening to us.  Find us on Facebook: https://www.facebook.com/ModernMusicology  Check us out on Instagram: https://www.instagram.com/modernmusicologypodcast/  Follow us on Twitter: https://twitter.com/ModrnMusicology  Subscribe to our YouTube Channel: https://www.youtube.com/channel/UCk-MlcGy5u3fK1j4bVty1Kw  Modern Musicology is part of the ESO Podcast Network. https://esonetwork.com/  Find more about us: Rob Levy: https://kdhx.org/shows/show/juxtaposition  Stephanie Seymour: www.therearebirds.com   R. Alan Siler: www.kozmiccreative.com   Anthony Williams: https://watchers4d.podbean.com/

Con Henry Mancini, Johnny & The Hurricanes, The Shadows, The Ventures, Django Reinhardt, Dave Brubeck quartet, Les Paul, Bill Monroe, Chris Spedding, Herb Albert´s & Tijuana Brass, Paul Mauriat, Toni Luz, Iceberg, Alman Brothers Band, Santana, Gipsy Kings y MFSB.

Muriel Anderson is renowned for her expertise on the 20-string harp-guitar, yet it is her gentle sense of humor and uplifting melodies that leave her audience smiling. Guitar Player Magazine lists her as one of the 50 noteworthy guitarists of all time. She has been listed among the top ten female guitarists, and is the first woman to win the National Fingerstyle Guitar Championship. She has recorded with country legend Chet Atkins, performed with Les Paul and countless other greats in Muriel Anderson's ALL STAR GUITAR NIGHT® over 30+ years. Muriel's CD Nightlight Daylight placed first in its category in 11 national awards, followed by Acoustic Chef, an international CD with cookbook. For her recent release Sailing Dreams, she has created a board game to accompany the music. Her open-heartedness extends beyond her music, as she founded the Music for Life Alliance to help foster music education for kids and donates a portion of Acoustic Chef sales to World Central Kitchen.CURRENT “PASSPORT” SHOWMuriel Anderson takes you on a journey through many countries with her 20-string harp-guitar enhanced by a backdrop of visuals by Bryan Allen, artfully projected onto a screen behind her. At many shows, the audience is handed “guitar passport books” to request what countries they'd like to visit in the music and visuals. Her compositions capture the essence of authentic traditional music, and she sings in up to 10 languages. You'll travel with her on her sailing adventures, and virtually (sometimes actually) taste the experiences that led to her release “Acoustic Chef.” If you're not already familiar with Muriel, you will find yourself smiling when you feel the joy of her music shining through a stunning array of styles.Muriel Anderson is a good friend and a great guitarist.  She deserves national recognition.Just one hell of a great player …a great personality and what I like is the touch that Muriel has on the guitar, the way she plays it like we all wish to play.Her double CD “Nightlight Daylight” won top honors in a dozen awards and is the first ever to include an interactive fiber-optic lighted CD cover, her own concept. It includes collaborations with fellow musicians Victor Wooten, Phil Keaggy, Mark Kibble of Take 6, Danny Gottlieb, Stanley Jordan, Tommy Emmanuel, Earl Klugh, Howard Levy, Jeff Coffin, Tierra Negra and members of the Nashville Symphony.Her recording of “El Noi de la Mare” appears in Woody Allen's film “Vicky Cristina Barcelona.” and her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery.  Muriel Anderson has released more than a dozen instrumental CD's, eight instructional DVD's and guitar books published by Hal Leonard, Mel Bay, and Zen-On Japan.  Her compositions include commissioned classical works for the Nashville Chamber Orchestra and Vox Caelestis Womens Choir, as well as songs which have appeared as title tracks for three albums by various artists.Muriel has published articles in Guitar Player, Acoustic Guitar, Fingerstyle Guitar, Classical Guitar and Frets magazines, and has been a regular columnist for Acoustic Guitar Japan magazine. She has many teaching DVDs and books. Muriel teaches online via TrueFire.com/h2495 and StringMasters as well as at guitar workshops across the country. many of which are sponsored by her GHS Signature strings. She plays and records on many handmade instruments including Tierra Negra flamenco, Camps, Mike Doolin harp guitars, Mike Brittain harp guitars, DT guitars, Alvarez Yairi, McPhearson, Emerald, and Morris steel string guitars (Japan). She uses Seymour Duncan D-Tar and Barbera pickups.She has demonstrated excellent technique and has the fine musicianship to communicate well to her audiences.Acoustic guitarist Muriel Anderson… has justifiably gained a reputation as one of the world's best, and most versatile, guitar instrumentalists.

Une sélection musicale inédite, de Frank Sinatra à Kraftwerk, Pink Floyd, Coleman Hawkins – Stardust – , Les Paul & Mary Ford et bien d'autres ! Voyagez à travers l'espace avec Youri Gagarine et les astronautes d'Apollo 11… Partagez ce voyage sonore inédit. Une émission d'anthologie ! Playlist : John Williams > Intro Close Encounters of The Third Kind / Los Lobos > Kiko & The Lavender Moon / Fiona Apple > Across The Universe / Eddy Arnold > Roll Along Kentucky Moon / Gabby Pahinui > Blue Hawaian Moonlight / Todd Rundgren > The Spark Of Life / Coleman Hawkins accompagné par Django Reinhardt > Stardust / Ella Fitzgerald > Two Little Men In A Flying Saucer / Nina Simone > Stars / Cliffie Stone > When My Blue Moon Turns To Gold Again / Les Paul & Mary Ford > How High's The Moon / Kraftwerk > Spacelab / Pink Floyd > On The Run / Rolling Stones > 2000 Light Years From Home / Blade Runner Original Soundtrack > One More Kiss / Frank Sinatra > Fly Me To The Moon / Arthur Rubinstein - Ludwig Van Beethoven > Sonate au clair de lune /

Dave & Will are joined by the owner of the 'Les Paul' Mike FestaSee omnystudio.com/listener for privacy information.

262 - Jim Kimo West (Solo, Weird Al Yankovic) In episode 262 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Jim “Kimo” West who is a slack key guitarist and plays guitar with Weird Al Yankovic. In our conversation Jim discusses his current tour schedule with George Kahumoku and with Weird Al later in the summer. Jim takes us through his musical history growing up in Canada and moving to Florida at a young age playing in bands and eventually moving to LA and quickly becoming a member of Weird Al's band. Jim tells us how he came to embrace slack key guitar after a post tour trip to Maui and how playing and writing slack key songs for fun started a second career. Jim talks about meeting Frank Zappa and Glen Frey while playing guitar in a cover band in Tampa. Jim takes us through his gear early on Telecasters, Les Paul's and Fender Bassmans and Marshalls and his gear now Tom Anderson Strat types and Fractal AX FX 3 and the FM 9 and Taylor guitars for his slack key gigs he also takes us through his pickup system for his Taylor's and the banjo tuners he uses. Jim discusses working with Rick Derringer who produced Weird Al's early albums and eventually became a mentor to Jim. Jim describes what it's like to work and tour with Weird Al and the special gear he's used for different gigs throughout the years. Finally Jim tells us about his collaboration with Joss Jaffe and their latest album “Delphinus”. To find out more about Jim you can go to his website: jimkimowest.com Please subscribe, like, comment, share and review this podcast! #moogguitar #VintageGuitarMagazine #JimKimoWest #WeirdAl #SlackKeyGuitar #Delphinus #taylorguitars #TomAndersonGuitars #GeorgeKahumoku #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

On this edition of The Catered Quiz, broadcaster and comedian Greg Bach joins the show to answer questions about Pink Floyd and guitars. We also talk about Les Paul, Kyle Kinane and SCRAM. Listen to Nite Lite With Pete Schwaba and Greg Bach Monday-Friday from 5-7pm on Civic Media.

The interview with Les Paul (1915-2009) took place in April 2008, coordinated from Los Angeles, I flew to New York just to have the opportunity to speak with the Les Paul earlier in the day before his  performance that evening at the Iridium.Les typically played two shows every Monday night (8:00 PM and 10:00 PM). He performed with the Les Paul Trio, which often included Lou Pallo on guitar and Nicki Parrott on bass.His shows were famous for surprise appearances by guitar icons like Slash, Steve Miller, and Paul McCartney. Les Paul continued this Monday night tradition until his final performance on June 1, 2009, just months before he passed away in August 2009. Les Paul's accomplishments are so vast that he is often called the "Father of Modern Music". He is uniquely recognized as the only person inducted into both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame. Musical Inventions & Technology include, Solid-Body Electric Guitar: In 1941, he built "The Log," one of the first solid-body electric guitars, which eventually led to the iconic Gibson Les Paul model.Multitrack Recording: He pioneered the technique of recording separate tracks and layering them, effectively inventing the modern studio process.Studio Effects: He is credited with developing overdubbing (sound-on-sound), tape delay, phasing, and reverb.8-Track Tape Recorder: He commissioned the first 8-track "Octopus" recorder from Ampex, allowing for even more complex arrangements.The Paulverizer: A device attached to his guitar that allowed him to control recording and playback loops live on stage. He also achieved Chart-Topping Hits: Alongside his wife, Mary Ford, he had numerous #1 hits in the 1950s, including "How High the Moon" and "Vaya Con Dios". Les was a  virtuoso guitarist: Known for his "brassy" playing style and lightning-fast runs, he influenced generations of guitarists from Eric Clapton to Slash.  Les Paul won multiple Grammy Awards, including a Lifetime Achievement Award (1983) and a Technical Grammy (2001).National Medal of Arts: Awarded in 2007 by the National Endowment for the Arts for his contributions to American culture.Emmy Award: Received a Lifetime Achievement Award in Engineering in 2004.KPFK Music Director Maggie LePique interviewed then-92 year old Les Paul before his weekly performance at the Iridium Club in New York City on April 7th, 2008. On a chilly Monday afternoon before his first set, Les was in great form: what started out as a friendly conversation becomes a whirlwind overview of this legendary guitar player and inventor. From his early hard body electric guitar invention to the Les Pulverizer to his first ever multi-track recording to his blistering guitar technique, Les Paul is the original Guitar Hero. ENJOY!! Source:  https://www.les-paul.com/Source: https://lespaulverizer.com/Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Send us Fan MailSupport the show@profileswithmaggielepique@maggielepique

258 - Andy Thomas In episode 258 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist and band leader Andy Thomas. In their conversation Andy describes living in Florida and growing up in Virginia and he tells us about his new album “Highway Junkie” that was produced by Widespread Panic's Dave Schools and Andy explains how the two met. Andy tells us about his gear: Telecasters, Les Paul's and Firebirds and an Oliver amp. Andy describes his influences Lynyrd Skynyrd, Little Feat and Andy's father. Andy takes us through his musical history, a family band, the Yarns and now out on his own. Andy talks about running the band with members spread throughout the south and he discusses the logistics of rehearsals, touring and managing the band all while being married and having a young son and working a day job in construction. Andy discusses how he navigates his sobriety while touring. To find out more about Andy you can go to his website: andythomasmusic.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #AndyThomas #HighwayJunkie #GibsonGuitars #FenderTelecaster #OliverAmps #WidespreadPanic #DaveSchools #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

256 - Chris Vos (the Record Company) In episode 256 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Chris Vos from the Record Company who he first interviewed in episode six. In their conversation Chris discusses his guitar and lap steel collection at home and talks about his local guitar shop Old Style Guitars (https://oldstyleguitarshop.com/)in LA. Chris describes the guitars and lap steels that he uses live and he tells us about the rest of his live rig and his trick to keep his guitar volume up and the stage volume manageable, he also explains his backline situation with amps and guitars. Chris talks about the economics and realities of touring and not using a bus. Chris tells us about growing up on a dairy farm Wisconsin and what drew him to guitar and his musical experiences in Wisconsin eventually teaching 60 students and playing locally in different original bands. Chris talks about his friendship with fellow Wisconsin native Greg Koch and Marcus King who originally opened up for the Record Company and a phone conversation with Les Paul. Chris describes the culture shock when he moved to LA and how he found fast friends with the two other guys in the Record Company. Chris describes continuing to learn on the guitar and his love of music education and playing in songwriting rounds to work on his craft. To find out more about Chris you can go to his bands website: therecordcompany.net Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #theRecordCompany #ChrisVos #GregKoch #OldStyleGuitarShop #FenderAmps #GibsonGuitars #FenderTelecaster #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast . . . . Please like, comment, and share this podcast! Download Link

This week on Geekwire, we dig into Vinnie Vincent's latest bout of absurdity as he puts a $2 million price tag on his new album, while Ace Frehley's legendary 1975 Les Paul heads to auction with a hefty expected sale price. We also cover a surprise Guns N' Roses-related reunion performance at Rock For Jennifer and Charlie Benante's thoughts on both a possible live album from Pantera and the direction of the upcoming Anthrax release. We also get into Blaze Bayley being added to the list of Iron Maiden members nominated for the Rock Hall, Bobby Blotzer calling for one last tour from Ratt's classic lineup, and the sons of Paul Stanley and Gene Simmons releasing a new Stanley Simmons video while Paul pushes back on the nepotism talk. On top of that, Melissa Reese will miss the upcoming Guns N' Roses tour, William Shatner teams with Rob Halford for a reworked Judas Priest classic, Rikki Rockett's long-awaited memoir finally gets a release window, Ginger of The Wildhearts reveals a serious cancer diagnosis, and Geoff Tate offers praise for Queensrÿche replacement Todd La Torre. It's another view into the latest, greatest, and stupidest news happening in the rock world today. We hope you enjoy Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week on Geekwire, we dig into Vinnie Vincent's latest bout of absurdity as he puts a $2 million price tag on his new album, while Ace Frehley's legendary 1975 Les Paul heads to auction with a hefty expected sale price. We also cover a surprise Guns N' Roses-related reunion performance at Rock For Jennifer and Charlie Benante's thoughts on both a possible live album from Pantera and the direction of the upcoming Anthrax release. We also get into Blaze Bayley being added to the list of Iron Maiden members nominated for the Rock Hall, Bobby Blotzer calling for one last tour from Ratt's classic lineup, and the sons of Paul Stanley and Gene Simmons releasing a new Stanley Simmons video while Paul pushes back on the nepotism talk. On top of that, Melissa Reese will miss the upcoming Guns N' Roses tour, William Shatner teams with Rob Halford for a reworked Judas Priest classic, Rikki Rockett's long-awaited memoir finally gets a release window, Ginger of The Wildhearts reveals a serious cancer diagnosis, and Geoff Tate offers praise for Queensrÿche replacement Todd La Torre. It's another view into the latest, greatest, and stupidest news happening in the rock world today. We hope you enjoy Geekwire and SHARE with a friend! Decibel Geek is a proud member of the Pantheon Podcasts family. Contact Us! Rate, Review, and Subscribe in iTunes Join the Facebook Fan Page Follow on Twitter Follow on Instagram E-mail Us Subscribe to our Youtube channel! Support Us! Buy a T-Shirt! Donate to the show! Stream Us! Stitcher Radio Spreaker TuneIn Become a VIP Subscriber! Click HERE for more info! Comment Below Direct Download  Learn more about your ad choices. Visit megaphone.fm/adchoices

Before the Telecaster… before the Les Paul & the Strat… there was Bigsby.In this video, we take a deep dive into a 1949 Bigsby electric guitar, one of the earliest solid-body electrics ever made, and a true cornerstone in the evolution of the modern guitar. Built by Paul Bigsby, these instruments weren't mass-produced, they were individually handcrafted works of art.Bigsby guitars are incredibly rare, as he built around 27 guitars from the mid-1940s through the late 1950s. Each one was custom-made, often for top-tier players, making them some of the most elusive and historically significant electric guitars in existence.Most famously associated with Merle Travis, Bigsby's designs introduced features that would later define the electric guitar as we know it, including a solid body, a six-on-a-side headstock, and a sleek, functional aesthetic that clearly influenced Leo Fender and the birth of the Fender Telecaster.This particular instrument has its own incredible story. Created on August 7, 1949, this guitar was built by Paul specifically to be photographed for one of his early catalogs. Because of that, collectors have long referred to it as “the catalog guitar.”Even more special, the owner generously allowed me to take the instrument to my studio for a couple of hours so I could film this episode. Getting hands-on time with a guitar like this is a rare opportunity, and I'm excited to share it with you.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

The Dads are BACK, but more importantly, Matt returns from the Amigo Guitar Show in Franklin, TN with a new guitar and no regrets (and no regerts). Plus: Vinny Vincent wants $2 million for his new album (yes, really), Keith Urban goes full yacht rock, Dave ponders a new Les Paul journey, Source Audio's new release, Pathways, the EVH 5150 DX series, and capture tech finally comes to the Helix Stadium. Please support our sponsor, Coppersound Pedals www.coppersoundpedals.com and use code DADPOD10 (THAT's a NEW CODE) to get 10% off your order, INCLUDING the  NEW ION FUZZ 

On this episode of Exclusively Van Halen on Johnny Beane TV, we dive into an incredible story from Guitar Player that sheds new light on the early days of Eddie Van Halen—before the tapping, before the whammy bar, and before the world knew his name. George Lynch shares firsthand memories of witnessing Eddie in his rawest form on the Sunset Strip—back when he was playing a Les Paul through a Fender amp, delivering a blues-driven style heavily inspired by Eric Clapton. No flashy techniques. No dive bombs. Just pure, mind-blowing guitar playing. Lynch describes seeing early versions of Van Halen (and even pre-Van Halen days in Mammoth) as “mind-bending,” pushing him to practice for hours just to keep up. But what's even more fascinating? He says that version of Eddie—the stripped-down, “meat-and-potatoes” blues player—might be the most underrated and interesting era of all. The episode also uncovers a forgotten influence: Terry Kilgore of Reddi Killowatt. According to Lynch, Kilgore may have inspired some of Eddie's early ideas—and might have even been “better” at the time. It's a bold claim that adds a whole new layer to the Van Halen origin story. Plus, hear incredible behind-the-scenes stories from the Monsters of Rock Tour 1988—including how Eddie lent Lynch his own gear for half the tour, and even gave Lynch's son a private guitar lesson backstage. A true class act. If you're a fan of Van Halen, guitar history, or the evolution of Eddie Van Halen's iconic sound, this is a must-watch episode packed with rare insight, stories, and inspiration.

Guitarist Andy Reiss joins me on the show today, the last full episode of Season 9! When I first moved to Nashville, I started going to see the Time Jumpers. They are an incredible band that plays western swing and classic country every Monday at 3rd & Lindsley. For quite a few years there, the band included Vince Gill, Paul Franklin, Ranger Doug, 3 incredible fiddle players, Dawn Sears on vocals, and Andy Reiss was always there, just calmly tackling every song, no matter how fast and crazy or slow and soulful. Usually playing elegant jazz/blues/bop licks on a Les Paul, or sometimes a 335. And while it was mind-bending to see everyone doing what they do, Andy was always a high point of any show for me. He's still doing that gig, as he has for over 20 years now. Andy started out in San Francisco, and made his way to Nashville around 1980, where he got to watch and work with a number of the original Nashville A-Team. Folks like Pete Drake, Harold Bradley, Bob Moore, Ray Edenton, and Pig Robbins. People that I know of as legends - Andy was around them from day 1 after moving here. He spent a good deal of time on the road with artists like Reba McIntyre and Slim Whitman, and has played on hundreds of records for artists like Miranda Lambert, Willie Nelson, Kenny Rogers and Leon Russell. He is truly one of the great guitar players in town, and has a deep knowledge of music, guitars and history. I also get to enjoy him up close and personal, since he now plays in my band The Volcano Brothers as well! Be sure to go and see Andy any time you're in Nashville.Enjoy my conversation with Andy Reiss.This season is brought to you by our main sponsors Larivée Guitars, Audeze, Izotope, FabFilter, and Chase Bliss. Hosted on Acast. See acast.com/privacy for more information.

In this episode, Mindie sits down with Grammy Award-winning producer, composer, and author Barry Goldstein for a rich conversation about music as a tool for healing, heart coherence, creative flow, and energetic management. Barry shares his unlikely journey (from house music and hip hop in the Bronx, to winning a Grammy with Les Paul, to pioneering the use of music and sound as medicine) and offers deeply practical wisdom for entrepreneurs looking to protect their energy and bring their biggest visions into the world.Episode HighlightsFrom the Bronx to the Grammy stage — Barry grew up with a love of music planted by his mother at the piano, learned guitar in the '70s (sporting what he calls "the Jaffer," a Jewish Afro), and eventually won a Grammy for Best Rock Instrumental working alongside Les Paul, the inventor of the electric guitar.Burnout led to breakthrough — After achieving success in club music and hip hop production, Barry hit a wall. Determined to reconnect with the joy of music, he set his metronome to 60 BPM and began composing long, unstructured soundscapes, unknowingly pioneering what we now understand as heart coherence music.The science of sound and heart coherence — Barry breaks down how music at 60 BPM can synchronize your heart rate, slow your breathing, and produce smooth, orderly heart rhythms (the very definition of heart coherence) while simultaneously shifting the brain into alpha and theta waves associated with creativity and flow state.Music as energetic management — Barry reframes music not just as art or medicine, but as a tool for scheduling and protecting your energy throughout the day. He lays out a simple "three meals a day" approach: an activating song in the morning, a mid-day reset during your energy dip, and 60 BPM music in the evening to wind down and unlock insight before sleep.Creativity belongs to everyone — Barry makes the case that creativity isn't reserved for artists. Every interaction, every moment of connection, ripples outward in ways we can't always see. He encourages listeners to carve out even five minutes a day for their vision and watch momentum build.Embrace the edge — Barry's closing message to entrepreneurs on the precipice of something new: the edge is exactly where you want to be. Whether it leads to a fall or to soaring, the gift is in being there at all, alive to possibility and in motion on your HeartPath.

Welcome to the 3rd Annual Blazy Awards.  Hall of Fame songwriter Kent Blazy host this insightful awards ceremony with TrulySignificant.com founder Rick Tocquigny.  Enjoy special tributes to Les Paul, The Beatles and our annual Memorium to musicians that went on their eternal home. The envelope please..... Kent's special awards for Newcomer of the Year- Jesse Welles. Listen to his extraordinary album Middle. According to Kent, he is the modern day traveling troubadour.  The Blazys pay tribute to the most influential duo of all time- The Everly Brothers. Consider how Phil and Don inspired Lennon and McCartney, Brian Wilson, Simon & Garfunkel, The Byrds, and so many others. Sound Engineers used to wear white coats, looking like scientists, willing to express their opinion on anything. The Blazys honors George Martin, for the Unsung Heroes Hall of Fame. And Sound Engineer for 2026 goes to Dave Cobb, producer for Chris Stapleton and Jason Isbell. And the Musician of the Year goes to........Italian, child prodigy, a fusion rock guitarist, finger stylist......Matteo Mancuso.Album of the Year....drum roll please......millions of downloads.....Jesse Welles broke the mold. Congratulations Jesse for being a rare "double winner" of the Blazys. Enjoy the Blazys celebration of Louis Armstrong, Quincy Jones along with many musical "Cornerstone" talents that passed away in 2025. The Blazys crescendos with a unique tribute to the Beatles recalling his Beatles to Bluebird Cafe journey.   Special thanks goes to our Austin production team.  Please enjoy all of the music of Kent Blazy at www.kentblazy.com and listen to the most insightful podcasts at www.trulysignificant.com.Become a supporter of this podcast: https://www.spreaker.com/podcast/success-made-to-last-legends--4302039/support.

Great marketing does not start with your product. It starts with your customer. In this conversation, I speak with marketing strategist Scott Hornstein about why storytelling, customer research, and trust are the real drivers behind successful brands. Scott shares lessons from decades in marketing, including his work with IBM and major technology launches, and explains how companies often fail when they focus on themselves instead of the people they serve. You will hear how listening to the voice of the customer can reshape messaging, build trust, and unlock growth. Scott also reflects on entrepreneurship, resilience, family, and the mindset required to get back up after setbacks. I believe you will find this conversation both practical and encouraging as you think about how relationships and trust shape business success. Highlights: · Creativity in Queens – Scott reflects on how music and culture shaped his early creativity.04:10 · From Literature to Marketing – His love of books leads him toward storytelling and marketing.12:57 · Learning to Experiment – A mentor teaches the value of trying ideas and learning from failure.20:46 · The Customer as the Hero – Scott explains why marketing must center on the customer.31:48 · Customer Insight Drives Messaging – Research helps reshape a company's message and market entry.41:23 · Resilience Through Setbacks – Scott reflects on perseverance in life and business.50:59 Top of Form Bottom of Form About the Guest: I currently live in Reston VA, my wife and I having moved there to be close to our 2 daughters and our 2 granddaughters. I am an independent business consultant specializing in storytelling – which embraces marketing, research, and content. Family is the most important thing in my life and it has taught me that lasting relationships, business and personal, are steeped in empathy and commitment. I was born in Manhattan on July 25, 1950. My parents soon moved the family to the up-and-coming borough of Queens. I attended the public schools in and around Forest Hills.  Writing was always my goal. I graduated NYU as an English major.  Upon graduation I traveled, then pursued my (naïve) dream of living as an artist – as a writer, an actor, and a musician. I wrote plays for the brand-new cable industry, wrote for a movie-making magazine, was in several off-off Broadway plays, worked as a pick-up musician. I helped in the office for a former professor to earn subway money. Got tired of starving to death. Took a job with CBS in the Broadcast Center, pulling together the Daily Log for the local station. Then, got hired to answer Bill Paley's mail. Then, I was hired as a marketing manager for Columbia House where I got some of the best advice – keep going. I met this guy from my neighborhood while commuting to my job in Manhattan. Turns our he worked for Y&R and said they were looking for someone. I interviewed and jumped over to agency-side work as an Account Executive, then Account Supervisor, then, going back to my roots, copywriter and eventually Creative Director. The entrepreneurial life has been a roller coaster, but I have been blessed to work with some brilliant people in marketing and sales, and some great companies. It allowed me to understand how I can really help my customers become successful in the long-term. Ways to connect with Scott**:** LinkedIn Medium www.hornsteinassociates.com About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Well, hi everyone, and welcome once again to another episode of unstoppable mindset today. Our guest is Scott Hornstein, although when he came into the Zoom Room, I said, is it Hornstein or Hornstein? And of course, he also understood, because we're both of the same age, and are both fans of Young Frankenstein, who always said that his name was really pronounced Frankenstein. But you know, you have to have to know Gene Wilder for that. But anyway, if you haven't seen that movie, you got to see it. Mel Brooks at his best, but Scott is a marketing person and specializes a lot in storytelling, which fascinates me a lot, because I am a firm believer in storytelling, and I know we're going to have a lot of fun talking about that today. So Scott, I want to welcome you to unstoppable mindset. We're really glad you're here. Scott Hornstein  02:20 Thank you so much, Michael. I have to start by saying I have great respect for your work, and this is really quite a privilege for me. Thank you very much. Michael Hingson  02:32 Well, thank you. You're a long way from where you were born, in New York, in Manhattan. Now you're in Reston, Virginia, but that's okay. Well, you're not that far. It's just a short train ride, a few hours. Scott Hornstein  02:41 I That's true. That's true, although with that particular train, you can never be sure exactly how long it's going to be good Michael Hingson  02:52 point, yeah, yeah, good point. It is one of the things one has to deal with. But that's okay. But, you know, I've taken that train many times, and I've taken the the Metro liner as well, and also just the regular train. And I like the trains. I enjoy the train. I wish we had more of them out here. Scott Hornstein  03:15 I do too. I when it a long time ago in business, when I had a client here in DC, and I was living in Connecticut, I started taking the train, and it was so superior to flying. Oh yeah. And then recently I was, as I was mentioning to you, I was in Germany and taking the trains there is just wonderful. It's so superior. Michael Hingson  03:47 Yeah, I wish we would have more of them out here. If I, for example, want to take a train to San Francisco from where I live in Victorville, the only way I can do it is to take a train at roughly four in the morning to Los Angeles and then transfer on a train to go to San Francisco, which is no fun. I'll fly because it's it's kind of crazy, but I like the trains, and wish we wish we had more of them all over, and wish more people would use them. It's a lot better than driving, and it's a lot more pleasant. When I lived in the east, there were any number of times that I knew people who would travel from like Bucks County in Pennsylvania to New York Wall Street people, and they would go two, two and a half hours on the train every day and back again. And they formed discussion groups or other sorts of things. They they made it a part of their regular day, and it was there was nothing to them to do that. Scott Hornstein  04:54 And to them, I say, God bless. I am not in love with commuting, right? Yeah. Michael Hingson  05:00 Well, I understand that. I appreciate that, but they, they did well with it, and so good for them, or, as I would say in Australia, good on them. But you know, well, why don't we start tell us a little bit about you, maybe growing up in the early Scott and all that stuff. Let's start with that, sure. Scott Hornstein  05:21 First one brief aside about Young Frankenstein when I was living in Connecticut, I would go to the theater in Stanford, and for one performance, my tickets were at the will call, so I went up to the ticket booth, gave them my name, and the woman be on the other side of the iron bars keeps throwing her head to the side, wanting me to look over to my left, and I finally look over to my left, and there's Gene Wilder. Oh my gosh. What an enormously tall individual, very gracious, very nice. In any case, yes, Michael Hingson  06:06 with him, did you? Did you talk with Scott Hornstein  06:09 him just for a moment, just for a moment, you know, just Mr. Wilder, how nice to meet you. And he said a couple of nice things. And that was about it. Still, we all went to see the to see the show. Still, it was quite a thrill for me. What show I do not. Oh, that was, oh, no, excuse me. That was the the madness of King Charles, madness of King George. King George. But he was quite mad, and the play is excellent, excellent. Well, anyway, in any case, I grew I was born in Manhattan. I spent the first couple of years of life on the west side. I don't remember much of that. But my parents quickly moved us out to Queens, which at that point was rather undeveloped. You could get a lot more for your money, and we have lived in an apartment building. And around our apartment building was nothing but empty lots. It was just not developed yet. But it was a great place to grow up because the there was so much going on in those years and so much so much music that was going on. The first recollection I have, in light of all the talk about vaccines and healthcare and all of this is I really remember that polio was a real thing there, and I remember kids with the braces on their legs. And I remember that when one of my friends got chicken pox, that the mothers would get us all together and have a play date so that we got chicken pox too. Okay, but it was, Michael Hingson  08:20 I'm sorry, remember, I remember getting the polio vaccinations, even starting in kindergarten, Scott Hornstein  08:24 yes, yes. And it was such a remarkable thing at that time. We all thought it was like a miracle. And, and Jonas Salk, I mean, he was like, such a hero, yeah. The other thing, so I, we were out in Queens, in an area that's the larger area is called Forest Hills, and it was, it was a great place, because the the whole museum, whole music scene was just exploding. So I'm moving on until my junior high school and high school years, and it was just all over the place. Yes, we were playing in bands, but also there were these wonderful venues to go to. And there was the subway. If my parents only knew where I really was, we would get on the subway, go down in the village, go to all the cafe bar Gertie spoke city, all these places to hear the this wonderful mind changing music. And by mind changing, I don't mean drugs. I mean mind changing that it was, it was just everything in life. Michael Hingson  09:57 And there's nothing like hearing a lot. Music, Scott Hornstein  10:01 even to this day, it's my very, very favorite thing to do. Yeah, and so many musicians and artists came out of that area. I not being one of them. But it was so exciting. Michael Hingson  10:27 I remember when we lived in New Jersey, and I would commute into New York. I heard, for example, even then, and it was in like 96 to beginning of 2002 Woody Allen on Monday night would play his clarinet somewhere. And less, less, Paul was still doing music and playing music at the meridian ballroom. And you can even take your guitar in and he would sign it for you Scott Hornstein  10:55 the it was Joe's Pub. Woody Allen would right. And I went there a couple of times to see him. Of course, it was so pricey that we had to kind of sneak in have one beer, yeah, Michael Hingson  11:16 but still, it was worth doing. Scott Hornstein  11:19 And then they Yeah, and they were great clubs. I think that was, there's certainly the blue note for jazz that I went to a lot. And then there in Times Square, there was iridium, which was where I was able to see Les Paul, right? And many of those greats. Michael Hingson  11:42 Yeah, I never did get to go and get my guitar signed, and now it's too late. But oh, well, do you play? I play at it more than anything else. My father, I think, even before the war, before World War Two, or somewhere around there anyway, he traded something and got a Martin grand concert guitar. Oh, still, I still have it. That's wonderful. What a wonderful sound it is. Scott Hornstein  12:15 What a wonderful story. Yes, I play as well. I And growing up very early on, I decided I wanted to be Ricky Nelson. Oh, there you go. But I quickly learned that I was not going to be Ricky Nelson. However, the guy that was standing behind him playing guitar, now that might be something that I could do. So yes, so I picked it up, and I played in all the bands and then, which quickly taught me that I was not cut out for rock and roll, that I wasn't very good at it, but it led me into many other avenues of music, certainly listening, certainly being part of that scene, I'd go see friends of mine who could play well rock and roll and And that was so exciting for me. And then I, I played in pickup bands through college. So on a weekend night there would be a wedding, Bar Mitzvah, and this guy, I forget his name, piano player, he he got all the gigs and Howie was the first choice for guitar, and if Howie wasn't available, they'd call me. Michael Hingson  13:47 There you go, hey. So second choice is better than no choice. Absolutely. Scott Hornstein  13:54 I i enjoyed it thoroughly and that they paid me money to do this. There you go, right, inconceivable to me. Michael Hingson  14:05 So what did you major in in college? Scott Hornstein  14:10 Well, I started off majoring in biology, and there you go. And why I chose biology is is a mystery to this day, it didn't last long. I cycled through a number of things, and I graduated with a degree in literature, in English, particularly American literature, which is not quite the same as learning a trade. But you know it, it was consistent with with who I was at that time. I was the guy who, if he went out the door, would have two books with him, just in case I finished one. I didn't want to be left at sea, so a voracious reader couldn't stay away from the theater. So it was very consistent with who I was and and it was good for me, because I think through things like like literature and fiction and biography, you learn so much about the world, about how different people are confronted with challenges, how they process their lives, how they overcome these challenges or not or not, it just exposes you to so much. Michael Hingson  15:49 Yeah, and so I'll bet you had some challenges finding some sort of real, permanent job after getting a degree in English? Scott Hornstein  16:03 Yes, I did. But when I got out the idea of it didn't cross my mind that people actually would not earn a great living by being just an artist. What did I want to do? I wanted to write. I wanted to be involved in music. I wanted to act. I did all these things until the point when I got thoroughly fed up with being poor, with not having a dime in my pocket. Ever starving to death is, is sort of what you would call it. Yeah, yeah. You know, I did. I have modest success. Yes, I was able to keep myself off the streets, but no, it was no way for a career. It was no way to even be able to afford your own apartment, for gosh sakes. So I from there i i had done a lot of promotion for the different things that I was involved in, trying to get audiences, trying to get awareness of what I was doing, and that led me to have some contacts inside of CBS. And when I started looking for a job, I started talking to these folks, and they offered me a job. So here I was, and actually gainfully employed. Michael Hingson  17:44 What was the job? Well, I Scott Hornstein  17:47 was sort of a gopher for my first job. Mostly what I did was type, but I do have one good story for you. So I was down in the depths of the CBS Broadcast Center, which is all the way on the west side of 5017 and it's an old milk factory, so which they had converted to broadcast purposes. And so there were long holes, and the halls would always slope down. And there was one day where I was late for a meeting, and I came running down the halls, and there are always these swinging doors, I guess, for in case there's a fire or something, and I'm bursting through the doors, and I go running, and I burst through the next set of doors, and I'm running, and I burst through the next set of doors, and I knock this guy right on his bum. I pick him up, I dust him off. I say, I am so sorry. He says, Don't worry about a thing. It's all fine. I continue running. A friend of mine grabs me and says, Did you see Paul Newman? Michael Hingson  19:10 There you are. Scott Hornstein  19:12 So I have the unique entry on my resume of knocking Paul Newman to the ground. Michael Hingson  19:22 I Well, at least he was civil and nice about it. Scott Hornstein  19:26 He was very nice about it, though. Yeah, so I worked there and then through my writing, because I was writing for a film magazine at night, which, of course, didn't pay a cent, not a cent, but I got to go to all the premiers, and I got to meet all the people and interview all the people so whatever. So through that, I was able to go over to the main building and answer letters for Bill Paley, who was the. Michael Hingson  20:00 Chairman, Chairman, I said, Yes, right, Scott Hornstein  20:02 and it was my job to explain to everybody why Mr. Paley, I never called him, Bill, never, nobody, no, no, why he was right and they were wrong. That was my job, and that I did that for a little while, I can honestly say that I enjoyed having money in my pocket, but that was not the most fulfilling of jobs, and from there, I was able to go over and get my first marketing position, working for the Columbia record and tape Club, which was part of CBS Records at that time. And when I Ben or Dover was the president of Columbia House at that time, and when he made me the offer, he gave me one of the great life lessons that I've I've ever had. And he said, Scott, if you sit in your office and you do exactly what I ask you to do, and you do it on time, and you do it perfectly, we are not going to get along. But if you are out there and you're trying this and you're trying that, and this works, and that doesn't work, but you get up and you keep trying, we're going to be fast friends. Interesting. Yeah, yeah. That's something that has stayed with me my whole life. One of the great pieces of advice that I've ever gotten, Michael Hingson  21:57 well the for me, what's fascinating about it is thinking about how many people would really do that and allow that to happen, but it's really what more people should be doing. I've I've always maintained that the biggest problem with bosses is that they boss people around too much, rather than encouraging them and helping them and using their own talents to help people be more creative. When I hire sales people, the first thing I always told them was, well, the second thing because the first thing I always told them was, you need to understand right up front if you're going to sell here, you have to learn to turn perceived liabilities into assets. And that's got a story behind it. But the second thing that I always talked about was my job isn't to boss you around. I hired you because you convinced me that you're supposed to be able to do the job, and we'll see how that goes. But you should be able to but my job is to work with you to figure out how I can use my talents to help you and to enhance what you do to make you more successful. And the people who got that did really well, because we usually did things differently, and we both learned how to figure out and actually figure out how to work with each other and be very successful. But the people who didn't get it and wouldn't try that, generally, weren't all that successful. Scott Hornstein  23:26 Not terribly surprised, sir. You know, I think that people miss the the humanity of all this. And that if we bring our respective strengths and work together, that it's going to be a more complete and more successful whole than if I try and dominate you and tell you what to do, right, just that hasn't been a successful formula for me. I have never done well with people who tried to tell me exactly what to do, which is probably why I went out on my own. Probably why, in the greater scheme of things that I I did well, working for people from Columbia House. I met this guy on the train, and we got friendly, and he said he worked for an advertising agency, and they were looking for somebody would I be interested in interviewing? And this was with the young and Rubicon. And I did get the job, and I did work my way up to an account supervisor. And then i i said, i. Hate this, and I went back to be a copywriter and worked my way up to be a creative director. But, you know, I went on my own on January 1 of 86 and it was like a liberation for me, because at that point there was a new a new president of the division that I worked for, and he was not a nurturing individual. He was more of the dominant kind of you'll do what I tell you to do. Didn't sit well with me at all, and I had the opportunity to go on my own. So I I packed up my dolls and dishes, and I walked in on January 2, and I said, Bill, I quit. Michael Hingson  26:02 There you go. Was it hard for you to do that? Scott Hornstein  26:11 You know, at that point? So I here I am. I'm a creative director. I got the office on Madison Avenue, and I'm doing freelance all over the place, not only because it was extra money, but because it was it was fueling my creativity. It was giving me something back. It was fun. And I really like to have fun. I have so much fun working with people and that interaction that that humanity, the spark of humanity. So I was doing a lot of freelance, and I wrote this proposal for this one design group who was near where I was living at that time, and it got sold. So they said, Do you want to you want to work on it? And at that point in my life, I didn't have any responsibilities. I had a studio apartment there that was real cheap. And I said, If I don't try this now, yeah, I don't think I'll ever try it. So that's what I did. I quit, and I walked out the door into the great unknown, Michael Hingson  27:39 and the entrepreneurial spirit took over. Scott Hornstein  27:43 It did, and it worked well for about six, seven months, and then we got to the summertime, and I couldn't get arrested for a while. But you know, you have to take it one day at a time. And I figured, all right, well, let's just be open and network and see what's going on. It's not the time to quit. It's not the time to go back and get a job. And I was fortunate in that I was sitting at the desk one day, and this one guy called me, and I had met him before his folks ran one of the biggest, or actually the biggest, telemarketing agency in New York at that time, and I had met, met this fellow, and he said, I got this project. I've been asking around for creative source, and three people gave me your name. So I figured, well, let's go talk. And that turned into a very, very good situation for me, it gave me a lot of responsibility and a lot of leeway to take all the things that I had learned and put them in service of my client and I had a ball. I loved it. The only thing I didn't love was the and I did love this for a while was the constant travel. Now, everybody doesn't travel, and they're all sitting in their rooms at home, looking at screens. But that was that was a great opportunity for me to to spread my wings and to take and I learned so much one of the. Initial assignments I had was for IBM and IBM at that time was, was Mount Olympus. Oh my gosh, working for IBM, and I worked in tandem with this research group. We were all working on the introduction of the IBM ThinkPad and what these folks, they had a methodology they called voice of customer research, which was a qualitative research we're talking to decision makers from a carefully prepared Interview Guide to come up with the attitudes, the insights that we could put together to to come up with a solution. And I was fascinated by this of how to tap into what what the customer really wants by talking to the customer. How unusual. Michael Hingson  31:16 What a concept. Oh yeah. I mean Scott Hornstein  31:19 then and now, it's still the operative phrase of this would be a wonderful business, business, if it wasn't for all those annoying customers and and this just turned that on its head. That's another thing that I learned that has stayed with me through my entire career, is that for the the storytelling, and what I mean by storytelling is, is two things. Is, first, you know all your stories are going to come from what you consider to be your brand, but if you're not developing your brand according to the wants, the needs, the desires, the expressed future state that your Customers want, then then you're wide of the mark. So I was able to bring this in, and I think do a much better job for my customers. Now, the way that relates into storytelling is that you're you're able to take what you do and put it into the story of how your customer succeeds with the hero in the hero's journey, is Michael Hingson  32:55 your customer, your customer? Why do you think that is such a successful tactic to use, Scott Hornstein  33:02 because everybody else is completely enamored of themselves. When other companies craft their their brand, it's mostly because why they think they are special and what their vision tells them is their future. And quite frankly, most customers really don't care when, when a new customer first confronts you and your brand. They ask three questions, who are you? Why should I care? And what's in it for me? And if you can't answer those, if the story that you tell whether complete or in fragments or in in different parts according to where they are on their consideration journey. It doesn't resonate. It doesn't resonate. Hey, I have the best technology out there. I have brilliant people working on this technology. And guess what? Your technology? Somebody will eat your technology in 18 months, and I don't care, I want to know. What does it do for me? Michael Hingson  34:28 Yeah, as opposed to saying, After asking enough questions, I have technology that will solve this problem that you have identified. Let me tell you about it. Is that okay? Exactly? Scott Hornstein  34:44 Yeah, exactly. And as odd as it sounds, that helps you to stand out in the field, in a crowded Michael Hingson  34:55 field, it does, but it's also all about the. Relating to the customer and getting the customer to establish a rapport and relating to you. And when you, as you pointed out, make it about the customer, and you talk in such a way that clearly, you're demonstrating you're interested in the customer and what they want they're going to relate to you. Scott Hornstein  35:24 There's two, two things in there that, well, there's a million things in there that are particularly true. And the first is not only recognizing and and internalizing the goals of your client, but also opening yourself up and saying, these are people. These are humans. And the other real distinguishing fact that a lot of people don't either realize or embrace is that in business to business, and I've spent most of my life in business to business, it's all personal. It's all about personal connections. It's all about trust. And call me crazy, but I am not going to trust a machine. I will have confidence in technology, but my trust is going to be placed in the human through this, one anecdote that that is has really impressed me is that I was doing one of these interviews once, and I was talking to the CEO of of this company. And I said, Well, you know, I of course, I'm working for company A and you've been a client for a long time. What's, what's the greatest benefit that you get from this company? And without hesitation, he said, our salesman. Our salesman is part of our team. He understands who we are, he knows what we need, and he goes and he gets it. So that kind of that, to me, has always been a touchstone on things. Michael Hingson  37:43 Well, the fact that the salesman earned that reputation, and the President was willing to acknowledge it is really important and crucial. Scott Hornstein  37:56 And within that, I would say the very important word that you used is earn. You need to earn that trust. Sure it doesn't come just because you have brilliant technology. It's all people. It's all personal, all people. Michael Hingson  38:20 And that's success, the successful sales people are people who understand and work to earn trust. Scott Hornstein  38:32 Well said, and I think that particularly in this age of accelerating remoteness, that this concept of earning the trust and the person to person becomes a compelling competitive differentiator. And I think that that telling the story of of how you make your customers successful, of the role you play, of where you're going, this allows you to bridge some of those troubled waters to people who are sitting remote. It helps you to open your ears you know where you're going, so you can listen, yeah, Michael Hingson  39:40 well, and that's an extremely important thing to to keep in mind and to continue to hone, because bottom line is, it's all about, as I said, trust, and it certainly is about earning, and that isn't something you. First, it's something that you understand. Scott Hornstein  40:04 It's a gift that can only be bestowed on your customer. You can want it, but they're the only ones who can give you. Your brand is the meal you prepare. You but your reputation is the review, right? So, yeah, you gotta earn that trust. Michael Hingson  40:32 So how long so you you own your own company? How long has the company been in existence? Scott Hornstein  40:40 I Well, let's see. I went on my own on January 1 in 1986 and I am still without visible means of support. Michael Hingson  40:58 Well, there you go, same company all along, huh? Scott Hornstein  41:03 I Yeah, you know, do different work with different people, sure, but yes, it's still me. Michael Hingson  41:13 It's still, do you actually have a company and a name or anything like that? Scott Hornstein  41:17 I did. I did for a long time. I operated under Hornstein associates, okay, and recently I have dropped that and I just work as myself. I think that I had employees, then I had expandable, retractable resources then, and I'm not so interested in doing that right now. I am interested in working as and I love working as part of a team. Collaboration is my middle name. I might not have put that on my resume, but yeah, and I'm just, I'm really just interested in being me these days. Michael Hingson  42:13 That's fair. There's nothing wrong with that. No, well, in your current role, what do you think is the greatest contribution you've made to your clients, and I'd love an example, a story about that. Scott Hornstein  42:28 I would love to tell you a story. Oh, good. So one of my clients is a manufacturer. And they manufacture of all things, barcode scanners, as you would use in a warehouse and in a warehouse, absolutely everything, including the employees, has a barcode. Theirs is different than the the ones that you would normally see, the ones that like have a pistol grip. These are, these are new. It's new technology. They're ergonomically designed. They sit on the back of your hand. They're lightweight. They have more capabilities. They're faster and more accurate. Well, that sounds like sliced bread. However, they had a big problem in that all the scanners in all the warehouses come from the titans of the universe, the Motorola's, the great big names and these great, you know the old saying of Nobody ever got fired for buying IBM. Well, you know, if they need more scanners. Why would they go elsewhere? They just go back and get the same thing. So the the big problem is, is how to penetrate this market? And we did it. I worked with them in a number of ways. The first way was to conduct interviews, qualitative interviews, with the executive team, to come up with their their brand. What did they think? What did they think that was most important? And they said, clearly, the productivity gains, not only is this faster, not only can we prove that this is faster, but the the technology is so advanced that now we can also give you. Information from the shop floor. Well, then we talked to their their partners, who were already selling things into these warehouses. And we talked to a number of companies that were within their ICP, their ideal customer profile, I think that's very important to be prospecting with the folks who can make best use of your products and services. And what we found is that it wasn't just the productivity, it was that we solved other problems as well, and without going heavily into it, we solved the a big safety problem. We made the shop floor more secure and safer for the workers. So we changed the message from Warehouse productivity to the warehouse floor of making each employee safer, able to contribute more and able to have a better satisfaction, and that we were able to roll out into a into great messaging. The initial campaign was solely focused on the workers, and our offer was We challenge you to a scan off our scanners, against yours, your employees, your products, your warehouse. Let's have a head to head competition, because we then knew from these interviews, from working with the partners, that once these employees got the ergonomic the lightweight, ergonomic scanners on their hands, and realized how much faster They were, and how much safer that they were, that they would be our champions. And in fact, that's what, what happened. I can go deeper into the story, but it it became a story. Instead of coming in and just saying, boost your productivity, it's the scanners work for your your overall productivity. It helps you to keep your customers satisfied, your workers, one of the big problems that they're having is maintaining a stable and experienced workforce, this changed the characteristic of the shop floor, and it changed the character, how the employees themselves described their work environment. So we were able to take that and weave a story that went from one end of the warehouse to the other with benefits for everybody in between. So you said, What is the the one you said, the greatest benefit, I would say the contribution that I'm most proud of, it's that it's to recast the brand, the messaging, in the form, in the shape of the customer, of what they need, of helping them to achieve the future state that they want. And I'm sorry for a long winded answer, Michael Hingson  49:10 yes, that's okay. Not a not a problem. So let me what would you say are the two or three major accomplishments or achievements in your career, and what did they teach you? Scott Hornstein  49:26 Well, you know, I think the the achievements in my career, well, the first one I would mention was incorporating that, that voice of customer research, bringing the customer to the planning table, letting the executives, the sales people, the marketers, unite around, how does the customer express their hopes, their dreams, their challenges? I would say the second. Uh, is this idea of taking all of the content of all of the messaging and and unifying it? Some people call it a pillar view. I call it storytelling, of relaying these things so that you are giving your prospects and your customers the information that they need when they need it, at the specific point in their consideration journey, when this is most important, and it might be that a research report for a prospect that talks about some of the challenges in the marketplace and what's being done, it might be as simple for a customer as a as a video on how do you do this? You know, how do you screw in a light bulb? Oh, here it is. Everybody's used to that. The the third thing, and, and this is something, forgive me, for which I am, I am very proud, is that now I take this experience and this expertise, and through the organization called score, I'm able to give this back to people who are are trying to make their way as entrepreneurs Michael Hingson  51:35 through the Small Business Administration. And score, yes, Scott Hornstein  51:40 very proud of that. I get so much for from that. Michael Hingson  51:46 Well, what would you say are maybe the two or three major achievements for you in life, and what did you learn? Or what did they teach you? Or are they the same Scott Hornstein  51:57 I did? Well, I would say they're they're the same, and yet they're a little bit different. The first one is, is that it's only very few people who lead the charmed life where they are never knocked down. I'm not one of those people, and I've been knocked down several times, both professionally and personally, and to get back up, I to have that, and you will forgive me if I borrow a phrase that indomitable spirit that says, no, sorry, I'm getting back up again. And I can do this. And it may not be comfortable and it may not be easy, but I can do this. So there was that I think that having kids and then grandkids has taught me an awful lot about about interpersonal relationships, about the fact that there isn't anything more important than family, not by a long shot, and from these different things. I mean, certainly, as you I was, I didn't have the same experience, but 911 affected me deeply, deeply and and then it quite frankly, there was 2008 when I saw my my business and my finances sort of twirl up into the sky like like the Wizard of Oz, like that house in the beginning, Michael Hingson  54:09 but still, Scott Hornstein  54:16 And I persevere, yeah. So I think that that perseverance, that that focus on on family, on humanity. And I would say there's one other thing in there, is that. And this is a hard one. Observation is that I can't do anything about yesterday, and tomorrow is beyond my reach, so I I have to take Michael Hingson  54:56 today, but you can certainly use yesterday. As a learning experience, Scott Hornstein  55:01 I am the sum of all my parts, absolutely, but my focus isn't today, and using everything that I've learned certainly. You know, I got tongue tied there for just a minute. Michael Hingson  55:19 I hear you, though, when did you get married? Scott Hornstein  55:25 I got married in 87 I I met my wife commuting on the train to New York. Michael Hingson  55:35 So you had actually made the decision to could to quit and so on, before you met and married her. Scott Hornstein  55:43 No, no, I was, I was I met her while I still had a job in advertising. That's why I was commuting to New York. And you know, in the morning there was a bunch of us. We'd hold seats for each other and just camaraderie, yeah, you know, have our coffee. Did she? Did she work? She did she did she was she joined the group because she knew she had just gotten a job in New York. And of course, for those who don't know New York? When I say New York, I mean Manhattan, the city. Nobody thinks of any of the boroughs Michael Hingson  56:27 as part of New York. Scott Hornstein  56:31 And yeah, I and one day gone in, she fell asleep on my shoulder, and the rest is history. There you go. Michael Hingson  56:41 What So, what did she think when you quit and went completely out on your own? Scott Hornstein  56:48 I you know, I never specifically asked her, but I would think that she would have thought that maybe I was not as solid, maybe not as much marriage material, maybe a little bit of a risk taker. I did not see it as as taking a risk, though, at that time, but it was actually great for us, just great for us. And yeah, met there, and then I quit. Shortly thereafter, she was still commuting. And then things started to just take off, yeah, yeah, both for my career and for the relationship, yeah. Michael Hingson  57:51 And again, the rest of course, as they say, is history. Scott Hornstein  57:56 It is. And here I am now in Reston, Virginia, and we moved to Reston because both daughters are in close proximity, and my two grandchildren. And you know, am I still confronted with the knock downs and the and the get up again. Yeah, the marketplace is very crazy today. The big companies are doing great, the mid size companies, which is my Market, and it's by choice, because I like dealing with senior management. I like dealing with the people who make the decisions, who if we decide something's going to happen, it happens and and you can see the impact on the culture, on on the finances, on the customer base. These guys are it's tough out there right now. Let me say that it's it's tough to know which way to go. This doesn't seem to be anything that's sure at the moment. Michael Hingson  59:11 Yeah, it's definitely a challenging world and and then the government isn't necessarily helping that a lot either. But again, resilience is an important thing, and the fact is that we all need to learn that we can survive and surmount whatever comes along. Scott Hornstein  59:33 And let me just throw in AI that is a big disruptor at the moment that nobody actually knows Michael Hingson  59:43 what to do with it. I think people have various ideas there. There are a lot of different people with a lot of different ideas. And AI can be a very powerful tool to help but it is a tool. It is not an end all. Um. Yeah, and well said, I think that, you know, even I, when I first heard about AI, I heard people complaining about how students were writing their papers using AI, and you couldn't tell and almost immediately I realized, and thought, so what the trick is, what are you going to do about it. And what I've what I've said many times to teachers, is let students use AI if that's what they're going to use to write their papers, and then they turn them in. And what you do is you take one period, and you call each student up and you say, All right, I've read your paper. I have it here. I want you now to defend your paper, and you have one minute, you're going to find out very quickly who really knows what they're talking about. Scott Hornstein  1:00:47 That, in fact, is brilliant. Michael Hingson  1:00:49 I think it's a very I think it's a very powerful tool. I use AI in writing, but I use it in that. I will use it, I will I will ask it questions and get ideas, and I'll ask other questions and get other ideas, and then I will put them together, however, because I know that I can write better than AI can write, and maybe the time will come when it'll mimic me pretty well, but still, I can write better than AI can write, but AI's got a lot more resources to come up with ideas. Scott Hornstein  1:01:21 It does. It does. And with that, it's a fantastic tool. The differentiator, as I see it, for most of my stuff, is that AI has read about all this stuff, but I've lived it, so I'm going to trust me at the end, Michael Hingson  1:01:45 and when I talk about surviving the World Trade Center and teaching people what I learned that helped me in the World Trade Center, I point out most people, if there's an emergency, read signs and they're told go this way to escape or to get out or do this or do that, but there's still signs, and they don't know anything. I don't read signs, needless to say, and what I did was spent a fair amount of time truly learning all I could about the World Trade Center where things were, what the emergency evacuation procedures were what would happen in an emergency and so on. And so for me, it was knowledge and not just relying on a sign. And so when September 11 happened, a mindset kicked in, and we talked about that in my my latest book, live like a guide dog. But that's what it's about, is it's all about knowledge and truly having that information, and that's what you can trust. Scott Hornstein  1:02:48 I'll give you a big amen on that one. Michael Hingson  1:02:52 Well, this has been a lot of fun to do. We've been Can you believe we've been doing this an hour? My gosh, time, I know having fun. Scott Hornstein  1:03:03 It's fun. And I would say again, in closing, I just have enormous respect for what you've accomplished, what you've done. This is been a great privilege for me. I thank you very much. Michael Hingson  1:03:19 Well, it's been an honor for me, and I really value all the comments, the advice, the thoughts that you've shared, and hopefully people will take them to heart. And I would say to all of you out there, if you'd like to reach out to Scott, how do they do that? Well, there you go. See, just, just type, well, right? Scott Hornstein  1:03:42 That's it. If you, if you sent an email to Scott dot Hornstein at Gmail, you'll get me. Michael Hingson  1:03:56 And Hornstein is spelled Scott Hornstein  1:03:58 H, O, R, N, S, T, E, I, Michael Hingson  1:04:03 N, and again, it's scott.hornstein@gmail.com Scott Hornstein  1:04:09 that's that's the deal. There you go. Well, find me on LinkedIn. You can find me on medium. I'm all over the place. Michael Hingson  1:04:18 There you are. Well, I hope people will reach out, because I think you will enhance anything that they're doing, and certainly trust is a big part of it, and you earn it, which is great. So thank you for being here, and I want to thank all of you for listening and watching us wherever you are. Please give us a five star review and a rating and but definitely give us a review as well. We appreciate that. If you know anyone else who ought to be a guest, Scott, you as well. We're always looking for more people to have on, so please introduce us and Scott. If you want to come on again, we can talk about that too. That'd be kind of fun. But I want to thank what I want to thank you again for being here. This has been fun, and I appreciate you being here with us today and and so thank you very much for doing it. Scott Hornstein  1:05:07 My all the pleasure is all mine. Michael Hingson  1:05:14 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.

Inventive guitar wizard talks about influences like Les Paul, Wes Montgomery and his latest album revolving around Action Park in New Jersey.

Matt is joined by grammy winning engineer Tom Camuso who has worked with Lenny Kravitz, Blondie, Steve Earl as well as a number of commercial, television and film projects. Tom is also the Chief Engineer at The Les Paul Recording Studio in Holly wood.In This Episode, We Discuss:Preserving Les Paul's LegacyLos Angeles vs. New YorkCracking the Preservation CodeWeatherEducationLibrary of CongressLinks and Show Notes:Tom's SiteLes Paul StudioMatt's Rant: Economic ReevaluationCredits:Guest: Tom CamusoHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith

On this episode, we're diving deep into the world of strap locks and serious guitar wiring madness!

From Gov't Mule to the Allman Brothers Band to his prolific solo career, Warren Haynes has long been one of the busiest, hardest working guitarists in rock and jam band circles. In the deep guitar hang that follows, the famed guitarist/singer/songwriter plugs in a Les Paul and shares everything from how to approach Allman Brothers-style twin leads to how he learned to survive playing onstage with the late, great (and apparently very loud!) guitar legend Dickey Betts, to how to release multiple albums in just two years. Thank you, Warren. And thanks to GuitarPlayer.com for making this episode happen. Enjoy! — JUDE GOLD, host and creator, No Guitar Is Safe

PG Editorial Director Richard Bienstock has interviewed Slash more than a few times throughout the last couple decades. So, we've called on him to join us in celebrating the Guns N' Roses guitarist as we discuss his sound, his riffs, and his look! Tune in to find out about the time the two went guitar shopping and when Slash showed up at Richard's desk. Sponsored by Gibson: gibson.comFollow Nick: https://www.instagram.com/nickmillevoiFollow Jason: https://www.instagram.com/jasonshadrickGet at us: 100guitarists@premierguitar.comCall/Text: 319-423-9734Podcast powered by Sweetwater. Get your podcast set up here! - https://sweetwater.sjv.io/75rE0dSubscribe to the podcast:Spotify: https://open.spotify.com/show/0aXdYIDOmS8KtZaZGNazVb?si=c63d98737a6146afApple: https://podcasts.apple.com/us/podcast/100-guitarists/id1746527331

On this episode of Talking Guitars on Johnny Beane TV, we kick things off with the wild-looking D'Addario Microfiber Polishing Mitt—yeah, it looks like an oven glove, but it's built to keep your favorite axes spotless without chemicals or streaks. Super cool gear and an affiliate link is down below if you want one. Then we jump into an awesome story about Ozzy Osbourne and Zakk Wylde, sharing one of Zakk's favorite untold Ozzy moments. From there, we dive into the legend of Randy Rhoads and his iconic guitars, including that killer custom Les Paul. We also check out the D'Addario Pick Holder 360—a slick little way to store 12 of your favorite picks—and the D'Addario XLR8 String Cleaner/Lubricant to keep your strings fast, smooth, and sounding fresh. Affiliate links for all the gear are down below. And don't forget: this Monday I'm going LIVE from a guitar shop early afternoon Eastern. Make sure you're subscribed, turn on those bell notifications, and smash that thumbs up if you're into guitars, rock stories, and killer gear.

Send a textThis week on Jams ‘N' Cocktails, Brad Brock cranks up the amps and celebrates National Guitar Day the only way he knows how—loud, nerdy, and with a properly garnished cocktail in hand. Joined by co-host Kevin McLoughlin (and a surprise appearance from Tracy), the crew dives deep into the rich, centuries-long history of the guitar—from ancient Mesopotamian stringed instruments to the electrifying innovations of Les Paul and Leo Fender.But this isn't just a history lesson. Brad and Kevin swap personal stories about their favorite stage guitars, dream instruments, near-miss vintage regrets, and the magic of finding “the one.” They put their ears to the test in a riff-based round of Name That Tune, debate relic guitars vs. earned wear-and-tear, and even squeeze in a spontaneous guitar lesson packed with blues wisdom and practical theory. Whether you're a seasoned player or just love the sound of a screaming Telecaster, this episode hits all the right notes.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

This week on Jams ‘N' Cocktails, Brad Brock cranks up the amps and celebrates National Guitar Day the only way he knows how—loud, nerdy, and with a properly garnished cocktail in hand. Joined by co-host Kevin McLoughlin (and a surprise appearance from Tracy), the crew dives deep into the rich, centuries-long history of the guitar—from ancient Mesopotamian stringed instruments to the electrifying innovations of Les Paul and Leo Fender.But this isn't just a history lesson. Brad and Kevin swap personal stories about their favorite stage guitars, dream instruments, near-miss vintage regrets, and the magic of finding “the one.” They put their ears to the test in a riff-based round of Name That Tune, debate relic guitars vs. earned wear-and-tear, and even squeeze in a spontaneous guitar lesson packed with blues wisdom and practical theory. Whether you're a seasoned player or just love the sound of a screaming Telecaster, this episode hits all the right notes.LinksJNC Officialhttps://www.jncpodcast.comSupport us on Patreonhttps://www.patreon.com/jncpodcast

Episode 500, baby. And we brought in Henri Cash (Starcrawler, Plague Vendor, Cash & Skye) to celebrate the only way this show knows how: by diving headfirst into glorious guitar chaos. This episode has everything. Vintage amp obsession. Touring war stories. Studio nerdery. Gretsch evangelism. Voltage drama. Tape machine romance. Mild existential crises about digital modelers. It is a full buffet of tone. Henri talks about Starcrawler being the first band to record on Les Paul's restored recording console in LA, how different venue power can totally change your rig night to night, and why speakers are secretly doing half the job while everyone argues about pedals online. Blake and Henri also get into production philosophy, why perfect takes can sound lifeless, and how mistakes are often the secret sauce that make records feel human. Along the way: Orange OR80 love, Magnatone/Vox combos, 5150 reality checks, old guitar neck magic, gear collecting vs actually playing, and why Gretsch might be the official guitar brand of beautiful weirdos. If you like guitar talk that's informed, unpretentious, and occasionally unhinged, this one is for you. Hit play for Episode 500 and come celebrate with us. Good luck, good tones, and thanks for being part of this wild ride. Follow all things Henri on his social media HERE https://www.instagram.com/henricash Support The Show And Connect! The Text Chat is back! Hit me up at (503) 751-8577 You can also help out with your gear buying habits by purchasing stuff from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/sweetwater⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or grabbing your guitar/bass strings from ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tonemob.com/stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

245 - Jeff "Skunk" Baxter In episode 245 of “Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with guitarist Jeff “Skunk” Baxter. In their conversation Jeff tells about his role in the upcoming Rock and Roll Fantasy Camp which he does fairly often. Jeff tells us about his youth growing up in Mexico City and how he ended up playing guitar and eventually starting a surf band with Abe Laboriel. Jeff describes his early influences which are all very eclectic and Jeff talks about his move from Mexico to Connecticut and then New York City working at Jimmy's Music and the Dan Armstrong's repair shop and working on innovations with Bill Lawrence. Jeff describes the guitarists he ran into while working in New York City: Sam Brown, Eddie Deal, Danny Kortchmar and Les Paul. Jeff talks about his move to Boston to attend Boston University and working with David Schecter and studying the pedal steel. Jeff tells us about his love of muscle cars and a few of the cars he had throughout the years. Jeff discusses a few of his bands: Steely Dan and the Doobie Brothers and he talks about his session work and why he preferred to sit while playing live. Jeff talks about his love of eclectic guitars and what his collection looks like now and he talks about the work he's done for Roland, Gibson and Fender. Jeff discusses his work for the government, his hand in bringing rock music to Russia and his thoughts on new technologies and ones used during World War Two and talks a little about Nick Cook's book “the hunt for zero point”. Jeff describes being an avid reader of technical journals and guitar magazines and he talks plans for a second solo album. To find out more about Jeff you can go to his website: jeffskunkbaxter.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #JeffSkunkBaxter #SteelyDan #DoobieBrothers #DanArmstrong #thehuntforzeropoint #FenderGuitars #GibsonGuitars #JamesPatrickRegan #RolandMusicalInstruments #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Once you reach a certain level, there is no ‘better'…it's different.”   Released on August 19, 1983, FLICK OF THE SWITCH (the 9th studio album by AC/DC and the 3rd featuring Brian Johnson on the mic) is what some fans might call their “White Album” (arriving after their “Black Album” and “Bronze Album”, respectively), showing a black and white grayscale drawing of a lone Angus pulling down some massive power, so to speak.   “That's literally ‘Bad To The Bone' and ‘In My Time Of Dying'…”   While self-produced by the band and containing a much rawer production and drier mix than the ultra-produced Mutt Lange masterpieces which came before it, FLICK OF THE SWITCH is a back-to-basics approach showing the band embracing more of their earlier blues based sound while still remaining faithful to the signature, high-energy, up-tempo jams which have become their calling card. It's loud, straight ahead, and powerful, and while perhaps not as uber popular as the 3 albums that preceded it, FLICK is still very much an important album in the AC/DC catalog and one that would serve as a “connector” between where they had been and where they were headed.   “We could have a rated R show…it doesn't have to be X…”   We're finally back on track after getting derailed by the weather. Always remember to “wait ‘til it has some viscosity to it…” and then JOIN US for a “night time” dive into the album that would serve as the bridge into the next era of AC/DC with “The White Album” known as FLICK OF THE SWITCH.   Visit www.metalnerdery.com/podcast for more on this episode Help Support Metal Nerdery https://www.patreon.com/metalnerderypodcast Leave us a Voicemail to be played on a future episode: 980-666-8182 Metal Nerdery Tees and Hoodies – metalnerdery.com/merch and kindly leave us a review and/or rating on your favorite Podcast app Follow us on the Socials: Facebook - Instagram - TikTok Email: metalnerdery@gmail.com Can't be LOUD Enough Playlist on Spotify Metal Nerdery Munchies on YouTube @metalnerderypodcast More ACDC Episodes: https://www.metalnerdery.com/acdc   Show Notes: (00:01): #selfconsciousness / “Hold on…you don't know what you're asking for…”/ #darkcomedy / “It's kinda like…being in a cover band and having you guys show up when we play #POISON…”/ #carriesunderwear / “I need a rage truck…”/ “I like doing it…it's fun…”/ “A little bit…only if you push back…”/ ***WARNING: #listenerdiscretionisadvised ***/  “Synching up…locking in…”/ ***WELCOME BACK TO THE METAL NERDERY PODCAST (NIGHT TIME EDITION) ***/ #coveryourmouth / “I'm building up my immunity system…”/ “It could have been me…”/ #AIDSFlu / “It takes a flu nap is what you're saying…”/ #homemadelube / “Wait til it has some viscosity to it…” (05:55): EMAIL US at metalnerdery@gmail.com & PATREON US at patreon.com/metalnerderypodcast / #HailToTheBenton / “Dude, the Hog Story is worth the price of admission…”/ “Oh yeah…when we get done…I need to show you guys something…”/ “It's like zazz and zhuzh…”/ #NWOOSTM / “Here's what I hate about Marshalls…”/ #Traitor REACTOR IV (Venomizer – 2016) / #1986 / #incomplete /  “You know what dude, that's the best #BackstreetBoys song…”/ #Enmy – LEDGE / #melody / “It's the hard stop…and then super soft…”/ #markthetime / “I wasn't expecting to like that…”/ “No Slayer of the Episode?”/ #anush #penish / #SlayerOfTheEpisode / #Slayer HALLOWED POINT (Seasons In The Abyss – 1990) / “And just like that…all is right in the world…”/ “It's all 7's…” (22:47): #TheDocket METAL NERDERY PODCAST PRESENTS:  AC/DC – FLICK OF THE SWITCH / #ACDC #TheWhiteAlbum / “I don't remember being 10 and listening to AC/DC…” “It's black and white in grayscale…”/ Released August 19, 1983 / “Doing AC/DC always takes me back to childhood…”/ “In the For…Flick…Fly category, Flick is in the middle there…” / “It's 3-D and you can feel the texture…”/ Recorded in Nassau, The Bahamas with Robert John “Mutt” Lange / “He's the Bob Rock of the 80's…”/ “Their sound is menopause…”/ RISING POWER / “I feel like it was a little slow to start…”/ “#Pyromania btw was January 20 (1983)…”/ “I don't know what that is: a desert vagina kinda…”/ THIS HOUSE IS ON FIRE / “They should have swapped those two…”/ “Mega ultra mother fucking super stardom…” (33:23): FLICK OF THE SWITCH / “I think every band has a ‘connector' album…”/ “That's a good episode…3 albums in a row…”/ “Use penal clean…”/ NERVOUS SHAKEDOWN “Two words…slower and sleazier…”/ “You know what the leading cause of death is for nymphomaniacs is?”/ “We could have a Rated R show…it doesn't have to be X…”/ #killercloser / LANDSLIDE / “What a great closer for Side 1…”/ “That riff…reminded me of this…”/ PLAYING WITH GIRLS (Fly On The Wall – 1985) / “I try to hold this thing together…” (38:38): GUNS FOR HIRE / “Turn this up to loud…” / “Once you reach a certain level, there is no ‘better'…it's just different.”/ DEEP IN THE HOLE / “I'm over A.I…”/  “I cup the balls, I go all the way…”   (45:34): BEDLAM IN BELGIUM / “Side 2 better than Side 1…” / “It's really close to ‘Fly On The Wall'…” / BADLANDS / “That's literally ‘Bad To The Bone' and ‘In My Time Of Dying'…”/ “I feel like he does that in the studio…”/ SG vs Les Paul / #markthetime / BRAINSHAKE / #killercloser / “That sounds like an AC/DC closer…”/ “It's only 8 minutes longer than Reign In Blood…”/ “It sounds like a good bridge to ‘Fly On The Wall'…”/ “It's the bridge between the old and the next…”/ Bands with great 3-album runs / THANK YOU FOR JOINING US!!!/ #untilthenext #outroreel

This week, celebrated singer/songwriter & hometown humorist Antsy McClain with world renowned harp-guitarist Muriel Anderson recorded live at the Ozark Folk Center State Park. Also, interviews with Antsy & Muriel. Antsy McClain brings his unique blend of music and “humor with heart” to the stage, combining his original songs with a hilarious slide show, including Antsy's own life observations, social commentary and imaginary sponsors from his home town trailer park of Pine View Heights. As a master storyteller with the likes of PBS, NPR and TEDTalks under his belt, Antsy includes humorous and serious songs in his shows. Songs such as “One Less Trailer Here in Pine View Heights,” My Baby Whistles When She Walks,” and “The Junk Drawer of Your Heart,” are keenly humorous observations about love and loss, while his more serious songs, like “Field Trip,” “I'm Everyone,” or “Falling in Love in America,” are more akin to personal journal entries written in the act of living. It's this tightrope walk between humor and heart that makes Antsy McClain a true original. - http://unhitched.com/antsys-bio/ One of the world's foremost fingerstyle guitarists and harp-guitarists, Muriel Anderson is the first woman to have won the National Fingerstyle Guitar Championship. Her CD “Nightlight Daylight” was chosen as one of the top 10 CDs of the decade by Guitar Player Magazine her “Heartstrings” recording accompanied the astronauts on the space shuttle Discovery. She has performed/recorded with Chet Atkins, Les Paul, Victor Wooten and the Nashville Chamber Orchestra. Her obvious joy of music, humor and her facility across the genres of folk, classical, jazz, bluegrass and international music is revered by guitarists worldwide. An engaging performer, Muriel's unique approach to the instrument virtually transforms the guitar into a lyrical choir, then a marching band, then a Japanese koto, then a Bluegrass band, one minute launching into a Beatles' tune and the next, a Rodrigo concerto. Her video “Why Worry” has garnered a total of over 8 million views. Muriel is host of the renowned Muriel Anderson's ALL STAR GUITAR NIGHT® and founder of the MUSIC FOR LIFE ALLIANCE charity. - http://murielanderson.com/press/bio/ In this week's “From the Vault” segment, musician, educator, and country music legacy Mark Jones offers an archival recording of Ozark originals Robert & Mary Gillihan performing the traditional song “Banks of the Ohio,” from the Ozark Folk Center State Park archives. Author, folklorist, and songwriter Charley Sandage presents an historical portrait of the people, events, and indomitable spirit of Ozark culture that resulted in the creation of the Ozark Folk Center State Park and its enduring legacy of music and craft. This episode brings us a portrait of the White River Line railroad of the Ozarks, featuring interviews with George Lankford, professor emeritus at Lyon College in Batesville.

131 years. Still handcrafted in Nashville. Still changing music.At NAMM 2026, Sean Martin and Marco Ciappelli sat down with Jeff Stempka, Global Brand & Marketing at Gibson & Gibson Custom, to talk about what makes this brand untouchable—the craftsmanship, the artist connection, and why people will stretch their budget just to hold one.From the Les Paul Studio Double Trouble to the ES-335 Fifties and Sixties refresh, Gibson is honoring its legacy while pushing forward.Jeff said it best: "These are tools that enable incredible musicians to take the instruments and do something we never intended."

It's Justin's time to play teacher as he tells Darrin (and you!) all about the inventiveness and sheer talent of Les Paul.  Download and listen today on Apple Podcasts, Spotify, iHeart, Amazon, Stitcher, Goodpods, and more of your favorite podcast services!  Interested in advertising? Want to be on the show? Reach out at geekcavepodcast@gmail.com  

The 1950s Guild Aristocrat is one of those vintage guitars that somehow slipped through the cracks, and that's exactly why it remains such a sleeper today.Built during Guild's early New York era, the Aristocrat was a serious professional instrument: a small, yet fully hollow body, carved spruce top, and the legendary Franz single-coil pickups that deliver clarity, punch, and a voice all their own. This was Guild's attempt at an improved Les Paul, that was lighter, and just enough wider to seem not like a toy.www.truetone.comTo Support the Channel:Patreon  https://www.patreon.com/AskZachttps://ask-zac-shop.fourthwall.comTip jar:  https://paypal.me/AskZacVenmo @AskZacSupport the show

Discover why the Epiphone Les Paul Tribute has become a top choice for rock guitarists. We discuss its mahogany construction, ceramic humbuckers, playability features, and essential maintenance tips that keep this affordable Les Paul performing at its best across multiple genres. Read more at https://www.samash.com/epiphone-e1lpoebnh1-les-paul-tribute-electric-guitar-ebony-elpoebnh1 Sam Ash City: Hicksville Address: 278 Duffy Ave Website: https://www.samash.com/

Brian, Blake, and Richard are back for Episode 600 of the Chasing Tone Podcast -  The legend of goat mountain, Brian wants a new Les Paul, and behold - the Human Riff!We join the guys in a bizarre stand off as they convene for the annual "No Richards" party at NAMM and there is a mysterious portent. Meanwhile the guys come up with a new idea for a business and it is swiftly erased from memory. Blake has a special British guest on Tape Spaghetti this week and spills all.Brian has GAS for a Les Paul and the guys discuss it before looking at an all new ES 355 from Gibson that has quite the price tag and we learn that Brian has a lot on his mind. Richard found some new David Gilmour footage and it simultaneously ignites a new debate and nearly bores Brian to sleep.There is some Grand Theft Auto action as Blake makes a terrible admission about his gaming history. Meanwhile Richard is editing a book about a famous Californian band and it has awoken a deeper understanding - but not of how to pronounce names. He and Brian also drop some teases about what they are showing at NAMM. Only Fans, Random Facts, RIP Bob Weir, Guitar Whales, Carmageddon, Anthony Cleetus...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the showSupport the show

Brian, Blake, and Richard are back for Episode 599 of the Chasing Tone Podcast - Blake's cougar encounter and the ultimate tune-able tube screamers  It's a new year and Bri goes straight to the resolutions and nonsense, predictably, ensues before he makes a massive revelation and interrogates Richard's brain. Meanwhile he has been dreaming of adding a bender to his Les Paul and the guys were impressed by Brian's impersonation of Keith Richards. Richard get's all nostalgic for MTV but thanks to a website he was introduced to (https://wantmymtv.vercel.app/) he is able to sate his whimsical leanings. This leads the guys into a trip down memory lane as they discuss their favorite periods of the legendary music station that is no more. Richard is also disappointed with a new Bowie documentary but managed to catch GAS from it nevertheless.Blake has a "vintage" looper pedal and the guys talk about it at length. Brian comes up with an insane ground-breaking pedal design and the guys discuss it via the medium of Jell-o. Meanwhile the guys have been listening to some new music and tell all. Flat earth theory, The Buggles, The Great Cornholio, Streindberger, Phil Lynott, Nick Cave...it's all in this week's Chasing Tone!We are on Patreon now too!Support the show (https://www.patreon.com/chasingtonepodcast)Courses and DIY mods:https://www.betterguitartone.comhttps://www.wamplerdiy.comhttps://www.guitarpedalcourse.comYoutube:https://www.youtube.com/@chasingtonepodcastFind us at:https://www.wamplerpedals.com/https://www.instagram.com/WamplerPedals/https://www.facebook.com/groups/wamplerfanpage/Contact us at: podcast@wamplerpedals.comSupport the show

RUNDOWN   We're celebrating the start of Year 8 of Mitch Unfiltered! Mitch checks in from Las Vegas—oddly with zero urge to gamble—while Hotshot breaks down his old roulette system and the painful bad beat that once drove him out of Vegas for years. Mitch and Hotshot geek out over the new Eddie Murphy documentary, then Mitch tells his favorite 10-seconds-of-fame story — yelling a deep-cut sketch line to Murphy at a 1985 stand-up show and getting singled out from the stage. They pivot to the Seahawks' 30–24 "no-win" win in Nashville, weighing how worried to be about letting a 30–10 lead shrink, while marveling at Jaxon Smith-Njigba's obscene pace (already breaking the single-season franchise yardage mark in 11 games) and explaining why Rams-Bucs, common opponents, and divisional records mean Seattle may need both a win over the 49ers and help from the lowly Cardinals to take the NFC West. Steve Phillips joins Mitch to unpack Seattle's near–World Series run — from Julio Rodríguez's late-season surge to the Game 7 choices that doomed the Mariners, including pulling George Kirby too early and avoiding Andrés Muñoz in the highest-leverage spot. He explains why modern analytics can mislead managers, why Aaron Judge rightfully edged Cal Raleigh for MVP despite East Coast conspiracy theories, and why extending Josh Naylor was the right call even if the back-end years sting. Brady and Jacson join Mitch to break down Seattle's 30–24 win over the Titans — a game that was far closer than it should've been against the NFL's worst roster. They dissect the defensive lapses (two long late TD drives, missed tackles, fatigue), Sam Darnold's clean but risky performance (a couple near-picks, heavy JSN dependence), and a quietly emerging run game anchored by Walker and Charbonnet. Rick Neuheisel joins Mitch to reset the entire college football landscape heading into rivalry week — from Washington's shot at a season-defining upset over Oregon to the seismic consequences of an eight-win finish versus nine. He breaks down the transfer-portal era attrition at programs like UCLA, the SEC's multi-team playoff math (with Alabama's "brand advantage"), and why chaos in Austin, Baton Rouge, and Oxford could reshape the playoff bracket if Lane Kiffin jumps jobs before December 3rd.   GUESTS   Steve Phillips | Former Mets GM & MLB Analyst (SiriusXM / MLB Network) Brady Henderson | Seahawks Insider, ESPN Jacson Bevens | Writer, Cigar Thoughts Rick Neuheisel | CBS College Football Analyst, Former Head Coach & Rose Bowl Champion   TABLE OF CONTENTS   0:00 | Mitch Turns 8 (Seasons), Vegas Without Gambling, and a Birthday Tour Through Sports, History… and Freddie Mercury 12:00 | BEAT THE BOYS - Register at MitchUnfiltered.com 16:09 | Eddie Murphy, Clint, and a Nervy 8–3: Seahawks Survive Titans While JSN Flirts with 2,000 Yards 40:55 | GUEST: Steve Phillips; Steve Phillips on the Mariners' Game 7 Collapse, Cal Raleigh's MVP Near-Miss, and Seattle's Offseason Decisions 1:05:13 | GUEST: Seahawks No-Table; Seahawks Escape Tennessee, Move to 8–3, and Reveal Both Promise and Warning Signs in Nashville 1:27:51 | GUEST: Rick Neuheisel; Rick Neuheisel on Washington–Oregon Stakes, Lane Kiffin Chaos, and a Wild Final Push Toward the Playoff 2:01:20 | Other Stuff Segment: NFL players spitting incidents (Jalen Carter, Jamar Chase, Jalen Ramsey, Boise State, massive fines for spitting), Mariners non-tender Gregory Santos after almost never pitching, questions about how MLB trade physicals get passed, Dodgers Game 7 World Series home run balls (Miguel Rojas, Will Smith) both caught by same father/son and later underperforming at auction, Lane Kiffin's reported choice between Ole Miss, LSU, and Florida with a 7-year $98M deal and $25M/year in NIL money, UW women's soccer upsets #1 Virginia 10v11, Belichick family blowup, Chris Paul announces plans to retire after the 25–26 season and reflects on a Hall of Fame point guard career, Boris Becker (age 58) welcomes baby daughter, Kevin Spacey claims to be essentially homeless and working as a lounge singer in Cyprus, Ace Frehley's famous smoking sunburst Les Paul goes up for auction, RIPs: Rodney Rogers — Wake Forest star and 12-year NBA forward, dies at 54, Jellybean Johnson — drummer for The Time, dies at 69, Randy "Junkman" Jones — Padres legend, dies after a long career in and around baseball, HEADLINEs: Airport bulge turns out to be two endangered parakeets, Interstate flasher "needed excitement", Two Texas men plot to invade a Haitian island and enslave everyone, Failed threesome leads woman to beat up her boyfriend, Study says Viagra may help with hearing loss.

In a very rare and surprise appearance, founding #DeepPurple and #Rainbow guitarist #RitchieBlackmore joins us to talk all things classic rock including his friendship with the late great #JeffBeck, the historic live Purple masterpiece #MadeInJapan, why he prefers the Stratocaster over the Les Paul, fellow Purple giant - the late #JonLord and so much more!SHOW CREDITS: Diamond Dave Kinchen & Brother Shane McEachern (hosts). Intro made in part w/ Drum Pad Machine (DPM). Instagram: @RockNationsDK Twitter: @RockNationsDK. Facebook: @RockofNationsDK.

On this episode I answer questions submitted to the 182 News Instagram page. Topics include blink-182, AVA, Matt Skiba, favorite guitars, Tom's Les Paul, and more!Host/Produced by: poppincurbsPod IG: 182newspodCheck out "poppinland - episode 3" below:https://youtu.be/lDXasojtWaI

Eddie Trunk welcomes guitar legends John 5 and Richie Kotzen to discuss their joint tour. The conversation covers John's residency with Mötley Crüe in Las Vegas, Richie's DIY home generator project, and their mutual admiration as musicians. The guitarists share fascinating stories from their careers, including Richie's near-miss with Ozzy Osbourne, John's memorable experience playing with Les Paul, and how they both discovered their passion for guitar. After that, Eddie speaks to Nancy Peart Burkholder, sister of late Rush drummer Neil Peart, who shares her family's support for Rush's unexpected tour announcement featuring a new female drummer. Nancy discusses the 'Legacy in Bronze' initiative to create two stunning sculptures honoring Neil at the real-life Lakeside Park that inspired his lyrics. Nancy also talks about her family's fundraising efforts, including their coffee business, and how Rush fans can contribute to making the memorial a reality. Catch Eddie Trunk every M-F from 3:00-5:00pm ET on Trunk Nation on SiriusXM Faction Talk Channel 103.And don't forget to follow Eddie on X and Instagram!Follow the link to get your free 3-month trial of SiriusXM: http://siriusxm.com/eddietrunk Find all episodes of Trunk Nation: https://siriusxm.com/trunknation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.