Podcasts about Paul Whiteman

In the fall of 1909, a strange fear settled over the hills and farms of Maryland. Newspapers carried reports of a monstrous winged creature said to stalk the countryside with a host of bizarre descriptions pouring out from witnesses, including glowing eyes, huge claws, and boiling brimstone dripping from its snout. The creature became known as the Snallygaster, and for a time, its legend gripped entire communities until its rapid demise. More than twenty years later, in 1932, the panic returned, proving that some stories refuse to stay buried. But was everything as it seemed? Or were there far uglier things at play than flying monsters?SOURCES Boyton, Patrick (2011) Snallygaster: The Lost Legend of Frederick County. Self Published Bridgeton Evening News (1909) The Devil Runs Rampant. Bridgeton Evening News, Fri 22 Jan, p3. NJ, USA Sheperdstown Register (1909) After The Colored People. Shepherdstown Register, Thu 4 Feb, p3. WV, USA. The Tennesseasn (1887) The Devil Of Leeds. The Tennessean, Sun 16 Oct, p12. TN, USA. Chicago Tribune (1909) Devil Which Alarms Jersey Likely To Be Captured Soon. Chicago Tribune, Fri 22 Jan 1909, p5. IL, USA. The Evening Sun (1932) Bovalopus Snallygaster Swoops Down On Village. The Evening Sun, Fri 25 Nov 1932, p50. MD, USA. The Evening Sun (1932) John Barleycorn Ends Career Of Snallygaster. The Evening Sun, Thurs 1 Dec 1932, p3. MD, USA. The News (1932) Snallygaster Captured: Huge Owl Is Shot Down. The News, Thurs 1 Dec 1932, p1. MD, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

Same Time, Same Station 05/17/2026Paul Whiteman Part 1. “The Kraft Music Hall) 02/01/1934 First Song – Ragin’ The Scale, Guest – Johnny Mercer, Jack Teagarden “Yesterday USA” 01/26/2025 Sunday night, Larry Gassman, Walden Hughes, and Perry Huntoon. Featuring the work of Paul Whiteman. part 1. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

Same Time, Same Station 05/17/2026Paul Whiteman Part 1. “The Kraft Music Hall) 02/01/1934 First Song – Ragin’ The Scale, Guest – Johnny Mercer, Jack Teagarden “Yesterday USA” 01/26/2025 Sunday night, Larry Gassman, Walden Hughes, and Perry Huntoon. Featuring the work of Paul Whiteman. part 1. If you would like to request shows, please call (714) 449-1958 E-mail: Larry Gassman: LarryGassman1@gmail.com John Gassman: John1Gassman@gmail.com

In 1890, the murders of Phoebe Hogg and her infant daughter in Hampstead became one of the most widely reported criminal cases of the Victorian period. The investigation quickly centred on Mary Pearcey, whilst the public eyed Phoebe's husband with suspicion. Evidence found at Mary's home, along with witness testimony, seemed to point to a simple investigation, but persistent rumours of an accomplice left lingering questions that persist until today.SOURCES Hopton, Sarah Beth (2017) Woman at the Devil's Door: The Incredible True Story of Mary Pearcey & The Hampstead Murders. Mango Books, London, UK. Portsmouth Evening News (1890) Appalling Crime In Hampstead. Portsmouth Evening News, Sat 25 Oct 1890, p3. Portsmouth, UK. Thanet Advertiser (1890) Execution of Mrs Pearcy. Thanet Advertsier, Sat 27 Dec 1890, p5. Kent, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't not tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. So why is there a picture of peaches featured on the playlist for this week’s Rapidly Rotating Records? Well, listen to the last segment of this week’s show and you’ll find out. In other segments, things will get a little fuzzy (having nothing to do with peach fuzz), we’ll have an employment segment, we’ll spread some joy and have some tunes about mammies. There's lots of great music and interesting information so set aside an hour with your favorite beverage and prepare to be transported back to a different–and we think better–musical era. Just click the link above to listen streaming online and/or download for listening at your convenience. THANKS FOR LISTENING! ENJOY THE SHOW! Here’s the complete playlist: Segment 1: Take this job and… Been On The Job Too Long – Wilmer Watts and The Lonely EaglesI Don’t Think I Need A Job That Bad – Gus VanShove It Up In There – Blue Harmony Boys Segment 2: Fuzzy Dad’s Getting Fuzzy – Red Whitehead and Dutch CampbellThe Fuzzy Wuzzy Bird – Isham Jones AHOFourth Avenue Stomp – Frank Bunch and HIs Fuzzy Wuzzies Segment 3: Loss Oy, More Joy Oh Joy! – Victor Arden and Phil OhmanI’ve Got The Joys (Intro: Cry Baby Blues) – Bennie Krueger’s OrchestraMy Little Pride And Joy – Joe Sullivan Segment 4: Mammy Japanese Mammy – Chuck Campbell AHO / Robert Wood (Irving Kaufman), v.Carolina Mammy – Great White Way OrchestraMammy O’ Mine – The Versatile Three Segment 5: Peaches Everything’s Peaches – Jay Whidden and His New Midnight Follies Band / Jay Whidden, v.Peaches In The Springtime – Memphis Jug BandPeelin’ A Peach – Paul Whiteman and His Swing Wing . The Four Modernaires, v.Little Peach – Vincent Lopez AHO The post A “Peach” of a Show! RRR # 1,346 May 3, 2026 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

In 1945, the end of the second world war was approaching, atom bombs were on the way, and science fiction felt more like speculative prophecies than adventure stories. In the pages of pulp magazine, claims that ancient civilizations lived beneath the surface of the earth, armed with forgotten technologies, and mutated into something monstrous and cruel. To some, it was pulp fantasy. To others, a terrifying revelation. Blurring the line between imagination and belief, the Shaver Mystery presented a surreal reality that was anything but ordinary. SOURCES Toronto, Richard (2013) War Over Lemuria: Richard Shaver, Ray Palmer & The Strangest Chapter of 1940's Science Fiction. McFarland & Co. NC, USA. Palmer, Ray (1945) The Observatory. Amazing Stories, Vol 18, No.3, May 1944. USA Shaver, Richard (1945) I Remember Lemuria. Amazing Stories, Vol 19, No.1, March 1945. USA Palmer, Ray (1945) Mantong, The Language of Lemuria. Amazing Stories, Vol 19, No.1, March 1945. USA Shaver, Richard (1945) Open Letter to the World. Amazing Stories, Vol 19, No.2, June 1945. USA Shaver, Richard (1945) Thought Records of Lemuria. Amazing Stories, Vol 19, No.2, June 1945. USA Shaver, Richard (1945) Cave City of Hel. Amazing Stories, Vol 19, No.3, September 1945. USA Palmer, Ray (1945) Report From the Forgotten Past? Amazing Stories, Vol 19, No.3, September 1945. USA ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

1 - There's a Gold Mine in the Sky - Larry Cotton with Horace Heidt and his Brigadiers – 19372 - Cash for Your Trash - Fats Waller and his Rhythm - 19413 - Maldito Dinero (Damn Money) - Pastora Soler – 19444 - Precious Little One - Vincent Calendo with the Jimmy Carr Orchestra - 19355 - Precious - Austin Young, Charles Gaylord, and Jack Fulton with Paul Whiteman and his Orchestra – 19266 - Love Is a Fortune - Jesse Powell Orchestra with Fluffy Hunter – 19527 - Coral Isle - Ray Kinney and his Royal Hawaiians - 19388 - Ruby - Cousin Emmy and her Kinfolk - 19469 - Two Little Ruby Rings - Paul Whiteman and his Orchestra – 192210 - Hi-Yo Silver - Bon Bon with Jan Savitt and his Top Hatters - 193811 – Hello Prosperity – Irving Kaufman – 192212 - Salud, Dinero Y Amor (Health, Wealth and Love) - Juan Vicari – 194613 - Big Blue Diamonds - Red Perkins – 195014 – The Crown Diamonds Overture - The Grosvenor Orchestra – 192415 - The Gold Ring, Haste to the Wedding - Paddy Killoran – 1937

What happens when you trust your talent before anyone else does? I had the pleasure of speaking with Spider Saloff, a jazz vocalist and performer whose journey shows what it means to truly create your own path. From secretly rehearsing as a teenager to performing for the Gershwin family and building a career in jazz and cabaret, Spider shares how taking risks, following curiosity, and trusting your instincts can open unexpected doors. We also explore her resilience through personal challenges, including overcoming an abusive relationship and rebuilding her life from nothing. You will hear how music, creativity, and lifelong learning became her anchors, and why choosing your own direction can lead to a life that is both meaningful and unstoppable. Highlights: 00:10 – Discover how a passion for music at a young age can shape an entire life path 02:04 – Learn how early opportunities and saying yes can open unexpected doors 10:00 – Understand why creating your own opportunities can redefine your career 16:20 – Hear how taking bold action led to a life-changing connection with the Gershwin family 30:00 – Discover how one decision can completely change where your life and career unfold 44:44 – Learn what it takes to break free from hardship and rebuild your life with resilience Bottom of Form About the Guest: What does it take to build a lasting career in music and performance? Spider Saloff has done exactly that, earning recognition as a multi-award-winning vocalist and entertainer known for her powerful voice, wide range, and captivating stage presence. Born in Philadelphia and raised in New Jersey, she began her journey in theater at a young age, studying acting at Rowan University and the University of London. Her early career in musical theater included more than 25 major roles, but everything shifted when she discovered her passion for jazz. That move led her to work with top musicians, gain critical acclaim, and begin touring both nationally and internationally. Over time, Spider became one of the most respected interpreters of the American Songbook, known for blending deep emotion with humor in her performances. Her connection with the Gershwin family helped launch signature shows like her tribute to George Gershwin, which has been performed around the world. She has also created tributes to icons like Cole Porter and Irving Berlin, performed at major venues and festivals globally, and hosted the syndicated radio series Words and Music. Beyond the stage, she is a teacher, writer, and creator who helps others find their unique voice, continuing to inspire audiences and students alike through a career built on passion, creativity, and authenticity. Ways to connect with Spider: Website: https://spidersaloff.com LinkTree: https://linktr.ee/spiderjazz Facebook: https://www.facebook.com/spidie.saloff Twitter (@spidersaloff): https://x.com/spidersaloff?s=21&t=XIFFgGFn7E5Hd_8J8Rexfg Spotify: https://open.spotify.com/artist/6gKiYyeoZyxZTAI2EpGWbU?si=WudPV-CUQPmMThTtV508Og YouTube (@TheMartinicat): https://www.youtube.com/channel/UCTLI-Gd51JdcMT0FVvvD9lA YouTube, “When You See Me”: https://www.youtube.com/watch?v=DTbO1FWrje4 Instagram (@spider.jazz): https://www.instagram.com/spider.jazz/ About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:04 What if the biggest thing holding you back isn't what's in front of you, but rather what you believe Welcome to unstoppable mindset where inclusion, diversity and the unexpected meet. I'm your host. Michael hingson, speaker, author and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on and show what's possible when we choose curiosity over fear, together, we focus on mindset resilience and the small shifts that lead to meaningful change. Let's get started. Hi everyone, and I want to welcome you to another episode of unstoppable mindset, and we have an unstoppable mindseted, oriented sort of person today. Spider Saloff. Spider is a vocalist. She's a comedian. She is in Chicago, as I recall, but she has been to a variety of places. She is a very highly acclaimed vocalist, a singer. She sings and deals with a lot of the songs that I like, like the Great American Songbook, Gershwin, Irving, Berlin and other things like that. And she has a lot of accolades that come from any number of famous people who you've probably heard of. And so in the course of the next hour or so, I'm sure we're going to hear about a bunch of that. But for now, spider, welcome to unstoppable mindset. We're really glad Spider Saloff  01:49 you're here. Well, I'm happy to be here. Thank you for inviting me. Michael Hingson  01:53 Well, you are, you are most welcome. So how did you get into doing, acting, singing and all the other things that you do. Spider Saloff  02:04 Well, it started when I was a kid. I always loved music, and you know, it was so in love with the arts. But when I was 14, I came home and told my parents that I could get them tickets to the high school variety show. And they said, What? And I told them, I'm in it. I'm going to be in it. And they said, well, doing what? And I said, singing. And they were they were shocked, and I didn't tell them. I used to rehearse at my girlfriend's home because her family was all over it. They thought I was wonderful, and I knew my family would tell me that I couldn't do it so because it's just too foreign and too scary to them. So I ended up performing at this variety show, and my my parents were absolutely shocked, and one thing led to another. And then I met a theater director who worked at my school, and he came, he was a professional guy from New York that they hired to come in to do a musical, and I was in it. And I ended up getting the opportunity to be in a summer stock company and my parents let me go, which was amazing. I think they were just relieved to get me out of the house for the summer, but whatever it takes, but I certainly learned a lot, and I was very young for that experience, but it was, it was so, so worth it. And then after I finished high school, I went to college for theater. Now, your parents are from Russia. Oh, no, no, no, no, they're descend. My father's descendants are from Russia. That's where the name is from. But they are, I think I am about 11 different nationalities. So it's we're real much we are real much of the world. Well, there you go, yeah. Michael Hingson  04:05 So now we need to just clone that combination, since obviously you sing, well, we need to get that in other people, just just, you know, just a thought, you know, Spider Saloff  04:16 sounds good. Sounds dangerous to me. Michael Hingson  04:18 Actually, I know it's either that or we're gonna Spider Saloff  04:21 have to get more, more of one than more than one of Michael Hingson  04:24 me, more than one spider? No, we can't have that. Well, either that or we get AI to to imitate you. But we don't want to do we don't want to do that either, scary stuff. 04:35 Yeah, yeah, it is. Michael Hingson  04:36 Well, so how did you encounter and come up with the name spider. Spider Saloff  04:44 I did not choose it. I, you know, I never thought that my real name made any sense from the time I was a child, it's, I'm like, that doesn't make sense. And then I got the nickname when I was in college, because I have, I'm. Really a small person, but I have very long arms and legs, and it was a nickname, and it just stuck with me. And then finally I surrendered to it as a professional name, and people don't forget it. They may not like me, but they don't forget the name. And then it just stuck. And it's been that way ever since, how could Michael Hingson  05:20 somebody not like you? Spider Saloff  05:23 Well, I don't know. I'm sure there's somebody out there. I would love to thank everyone. Just endorse me, but Michael Hingson  05:31 we'll see. Well, yeah, I mean, it'll all go so where did you go to college? Spider Saloff  05:37 I went to a college that doesn't exist anymore, actually, now it is Rowan University. It's in New Jersey, outside of Philadelphia, and it became Rowan University when it got the largest private donation in history. But it was a state college called Glassboro State College, and it was a fine arts school at the time. There were several of my friends, including the conductor for the Lion King and Broadway people, all went to school there, and now it has no arts program at all. But part of our program, I did get to study at University of London too. So that was really exceptional. And it was so wonderful, a wonderful school, great opportunity. You know, it's, it was outside of Philadelphia, close to New York, and now it's an engineering school. For the most part. There isn't, there are no fine arts there at all. Well, that's too bad. But, well, yeah, I know, but somebody's got to do the engineering, Michael Hingson  06:39 I guess. I Well, there's truth to that too. Now, have you seen THE LION KING LIVE on Broadway? I have Spider Saloff  06:46 never seen it, and it's never seen it. I gotta see it. I've got to see it. I it just never happened. I kept intending to go and I never saw it. And I know people that played for it as well. 06:59 You've seen the movie. No, you haven't seen the movie Spider Saloff  07:02 either, anything Lion King. My goodness, I know I better. That's one of my goals. By the end of the year, let me see if I can see it. Michael Hingson  07:10 Well, I'll tell you my lion king story. A my brother in law knew someone who knew some of the actors in Lion King, and he and his wife and their little girl, who at the time was like three or four, were coming through New Jersey, where we lived in Westfield, and we all arranged to go see The Lion King. It was a Wednesday afternoon. It was a matinee, and near the beginning when scar, the bad guy meets the hyenas, who he works with, they all come on, they come on stage and they're growling and all sorts of things like that. Well, in the theater, the hyenas come from the back of the theater, down the stairs, and they walk past everyone growling and making all these noises? Well, my wife was in a wheelchair her whole life. She was a t3 paraplegic, and when one of the hyenas came up next to her, because we were able to arrange for an accessible seat, which was right on the aisle, this hyena comes up right next to her and goes, you've never seen a woman who is totally paralyzed suddenly literally jump up and almost walk out of the theater. It was amazing. She he shocked her completely. But it was so much fun. And of course, Alanya, the little girl, was just there with these big, huge eyes over all of this. But what Karen, my wife, told me later was that what was interesting about it was that when she was obviously watching all of this, and she said, You got totally used to the the puppets being the animals they were. They didn't you. They didn't even look like puppets anymore. They were just the animals. Spider Saloff  09:05 And that's exactly what I've heard about it, that it's like, it was fascinating. You're completely swept away with it. Michael Hingson  09:10 Yeah, wow. So, so it's cool, but, yeah, you gotta, you gotta go see The Lion King. It is absolutely worth it. The music is wonderful and all that. Wow. So we got to see it on Broadway, which was cool. Well, so you, so you went to college, and then what did you do? Spider Saloff  09:32 Well, when I got out of college, I, you know, was doing theater, but I ended up in musicals because I sang, and I really my training, my formal training, really is acting. I did not train as a singer. I just started singing naturally when I was a teenager, and then I just did a ton of musicals. I was in musicals like forever and but. I always loved jazz, and that was always in my back pocket. And then at one point, I really decided I wanted to pursue jazz while it was still in musical theater, because it was getting harder and harder to get roles, because they wanted, this is in the late 80s. They wanted you to be a dancer as well, and that was not going to happen for me. So I really thought, you know, I just, I want to check out the whole nightclub scene, you know, in Cabaret, where you could produce your own show. And so I started to really pick the minds of the guys in the pit band. And I talked to all these pit musicians, and they would tell me about, you know, places to go, and how they there were guys I met there that introduced me to other people, that helped me to do my first demo, and then started working in clubs. And then that really changed everything for me. Michael Hingson  11:01 So you got very much involved in doing a lot of Spider Saloff  11:04 jazz, yeah, jazz and cabaret, and it was all small clubs. But then that was what got me major press attention. And then I started touring with a show that I co wrote with a guy named Ricky ritzel, who's from New York, and we did a show called 1938 and that was my first recording as well. And then then just kept going from there, and that's how a lot of things happened, was really just deciding to do my own thing and create my own world of performance. So you're also Michael Hingson  11:45 known for doing something related in one way or another to comedy? Spider Saloff  11:50 Well, yeah, I've always done comedic roles, and I can't say I have ever done stand up, but I may be getting close to it, I'm not sure, but I always involve a lot of comedic monologs in everything I do. Like, if you see me at a jazz club, I will tell stories. And, you know, it's part of, part of who I am, is a lot of the comedy stuff. And, you know, crazy stories and telling stories about people, and, you know, doing imitations of people that I've met over the years and that kind of stuff. So it's, it is part of my whole persona on stage. Michael Hingson  12:33 What's your favorite musical that you've done? Boy, it's probably a toughy. Spider Saloff  12:40 I did so many, I have to say, Guys and Dolls. Okay, guys and dolls. I was Adelaide and Guys and Dolls, one of the best roles I've ever done. It was really a good choice for me, and and I, and I have to say I was in what, four productions of Fiddler on the Roof, and I've been two seidels, one Hava and fru masera, so but I love that show. I think it's magical. Michael Hingson  13:21 Just it is. Have you ever been in numb? I like Guys and Dolls, but my favorite, and it's just been that way for a long time. I don't know why was the music? Man, were you ever in the music? Spider Saloff  13:32 Man, I was, but there's no, there's no role in that for me. But I was one of the pick a little ladies. Oh, it is one of my favorite shows. Though, I think it's a masterpiece. I love love love music, man. I think it's just brilliant. Michael Hingson  13:48 You don't think you could have done you? Lily capecni shim you know, Spider Saloff  13:53 I was too young to do it at the time. Michael Hingson  13:54 Yeah. Well, like always, now there's always Marion, Spider Saloff  14:00 no, I don't have the soprano chops for that. They let me do it in Sutton Foster's keys. Well, I was thrilled that they took it down for her, because I could actually do it in those keys. That would be great. Michael Hingson  14:16 I saw it a couple of times on Broadway. Now I'm blanking out on the person it was in. Well, we saw it in, like, 2002 1001 and I'm trying to remember I'm blanking out on the person who played Marion. She actually ended up getting Lou Gehrig's disease and passed away. Spider Saloff  14:43 I don't know who. I don't know, which Michael Hingson  14:45 totally shocked us. Spider Saloff  14:46 I'm drawing a blank, I don't know. Michael Hingson  14:48 Yeah, I'm blanking out on her name. I may think of it, but, Oh, forgive us. She did a she did a great, a great job. But, yeah, but there's nobody like Robert Preston to play Harold Hill. And. Spider Saloff  15:00 Anyway, oh, that movie is so beautiful. I love that movie. Yeah, music, man is brilliant. It really is brilliant. Well, that Michael Hingson  15:10 goes back to, you know, Mr. Mr. Meredith. Meredith Wilson, Spider Saloff  15:18 yes, and I read, I read his book. Have you ever do you know of his book called he doesn't know the territory? Michael Hingson  15:27 No, I'll have to see if I Spider Saloff  15:28 can find writing and production of music. Man, I love, love. Love that book. And it's about all the trials of getting it produced and how he did. They did one of the opening one of the readings when they were trying to raise the money to do it. And moss Hart. Moss and Kitty Hart were there, and they hated it so much they walked out the middle of it. Opening Night, moss Hart was there, and he he saw, he saw Meredith Wilson in the lobby, and he shook his hand, and he said, he said, Great show. But you know what, you still haven't licked that book. Oh gosh, because he was an outsider. I mean, he wasn't part of the Broadway team. And no, the fact that he actually played with a John Philip Sousa, like, what, yeah, couch or something. It was real deal. Like, real real, like, old timey marching band stuff. Michael Hingson  16:35 Yeah, amazing. Well, then he also did The Unsinkable Molly Spider Saloff  16:39 Brown, yes, yes, another great show, yeah, not produced very often. But no, Michael Hingson  16:45 no, it's not. It's, it's sort of sad. Oh, well. But you, you've been very much involved with with a lot of jazz and so on. Tell us about meeting the Gershwin family and and your your involvement with Gershwin, which, you Spider Saloff  17:01 know, he, of course, magical. It was. It was truly a life changing event for me, my partner and I, Ricky ritzel And I had been doing 1938 and then we decided to write this show that was called Porgy and Bess, a cabaret concert, oh boy. And it was in New York, and a very powerful guy from ASCAP came to see it, and Michael kirker, and he came to see it, and he said, this show is brilliant. He goes, but you guys are going to get shut down by the Gershwin family, so you need to call them and see if they'll give you permission. So I had the phone number for Leopold godowsky, the third who is the nephew of George and Ira. His mother is Frankie Gershwin, who was George and IRA's younger sister, and I was a wreck. My hands were shaking, and I called him on the phone and and he was very polite. He just had this incredibly mannered guy, you know, it was really lovely. He goes, Well, you know, I don't see that we could allow Porgy and Bess be performed in a night club, and it wasn't like we were doing the show. We were just right. We were telling a story about how it was written and then just performing the songs as separate entities, but they were enfolding into the story. So I said, Would you would you want to comment? Would you want to see it? If we put it on a videotape, and he goes, Oh, I don't know. He goes, let me think about it. So then I called him back right away. I had the nerve to call him back again. I said, Well, would you come to see the show. He said, you know, what would you and your partner be willing to come and perform it at my home in Connecticut? There you go. And I'm like, What? What? So this whole thing got put together, and we went up to the Gershwins home in Connecticut. We met Leopold and his fabulous wife, Elaine, and they had, they said, we're having, we're having 40 close friends here for dinner. They were cooking dinner themselves, and it was this magical house in Connecticut. They had 40 industry people there. It was crazy. I mean, there were all these famous people there, and we were, we did like, as he called it, a 30 minute musicale. We did highlights from the show in their living room by the great. End piano, and I believe the piano had belonged to George, because Leopold is classical pianist as well. So we did the show, and then we all had dinner, and this friendship started. So what evolved was they, they did, let us do the show, but then my relationship continued with them, and when the Gershwin Centennial started in 1996 it was Iris 100th birthday, two years before George's. In 98 I became part of the centennial presentation, so I got to tour with my Gershwin concert under their brand, and also record my Gershwin album with their brand on it. And it was the beginning of a beautiful friendship. And it was, it was a huge, you know, a huge mark in my career, and it opened a lot of doors for me. So wonderful, wonderful people. Michael Hingson  21:03 One of my favorite pieces of all times. Calling it a piece is probably not totally accurate. It's bigger than that, but one of my favorite things from classical music has always been Rhapsody in Blue. And I don't know why, but the very first time I heard it, I loved it, and I've enjoyed it ever since. I've heard the Boston Pops do it, you know, and and others do it. It's just one of those neat things I've just always loved. Spider Saloff  21:30 I'm getting chills just talking about it, because that was so groundbreaking at the time when Paul Whiteman had the contest right of who was going to be able to cross the borders of jazz and classical. And you know, who else was in that contest was Aaron Copland, oh my gosh, Eric Copeland, and he was always in competition with Gershwin, yeah, and Gershwin won and musically, that that changed the whole concept of jazz, I mean, to be accepted in a classical arena. It was really remarkable. What that what that piece did, like, amazing. Michael Hingson  22:18 I actually heard once the Paul Whiteman arrangement of Rhapsody in Blue was performed by a group I don't even recall where, but it was outside. It was a little different, but it still was just so neat to hear this. Spider Saloff  22:36 The first person to hear it, yep. I mean, Paul, my Paul Whiteman was incredible, though. I mean, what a what a groundbreaking person. He was artistically, right? Michael Hingson  22:48 Yeah, he, he did some amazing things, Spider Saloff  22:51 yeah, yeah, you know what I've got to mention. And I hope this doesn't make make our interview too dated. But last night, I saw the movie Blue Moon. That is about about Larry Hart. Oh, my God, I haven't seen that. I'm gonna have to. It just came out last week. Oh, okay, it's not gonna be very often. It's absolutely gorgeous, and Ethan Hawk plays Larry Hart. It it's it's beautiful and funny and heartbreaking, and it all the whole premise is Larry Hart has to go to opening night of Oklahoma, oh gosh, and how painful it is, and this whole cathartic thing he's going through. So the bulk of the entire it's more like, like a theater piece. The whole thing takes place at the bar at Sardi's when he's talking to the bartender and waiting for for Rogers and Hammerstein to show up. And it's, ah, Wowza, it's brilliant. It's brilliant. And talk about, I don't know how they ever got that produced, because it's definitely a movie that's not going to appeal to everybody, but boy, is it brilliant. Michael Hingson  24:14 Wow. Well, hopefully it will come out in some place where I can can watch it up here, and that'll be cool, yeah, Spider Saloff  24:22 and I think it's probably going to go to streaming pretty soon, I'm sure, yeah. So you'll have a lot of opportunities. But I really was happy to go to the theater and see it. But wow, and people in the audience were laughing at all the jokes they were getting, all the sly, Sly comments of Larry Hart, like, wow, witty, witty, witty, just brilliant, just brilliant. Michael Hingson  24:51 Well, your whole Gershwin relationship, obviously, is pretty significant. You even did some Gershwin concert. In Russia, Spider Saloff  25:02 yes, yes. That was why I went to Russia. They were having a Gershwin Centennial in St Petersburg in 1998 because that is the, that is the origins of the Gershwin family. They are from St Petersburg. And so I was hired with my pianist to go to St Petersburg. And do we? Did we were there for seven days, and I think we did like five concerts, and it was amazing to be there, because this was when Russia was getting good. This was, like the good part, and still was scary. It was scary. We stayed in this really creepy hotel that was like a government hotel, and the rooms were bugged. And then when the hallways there were padded walls, like where they could pull these panels out, and there was all kinds of wiring in there, bugging and strange stuff. The concert hall was absolutely magical. It was an old concert hall, and people went crazy, and when I sang the song vodka, which is an oddity, by Gershwin, by way, herbert stothard, Otto Harbach, Oscar Hammerstein and George Gershwin wrote this crazy song called vodka. And when I did the song, people stood on their chairs and screamed, the Russians just loved, loved, loved the concert, the audiences couldn't have been better, and the people that ran the organization couldn't have been weirder. It was, it was very strange. And when we went to leave, the guy that booked us and me and my pianist, they they took our passports, and we had to go to a little room where they said that we our visas were expired and and we had to pay money to get out of there, and they were mad at the guy that was our manager, because he sassed them. And anyway, we had to wait. We were afraid we're going to miss the plane. And then finally, they came out with, like a little, a little tape from an adding machine, and they, they said, you have to pay $58.23 American. So they charged us this $58 and we paid it and ran to get on the plane and and I'm like, I was never so scared in my life. I didn't know what they were going to do, but it was an experience, and it was thrilling and beautiful. But don't think I'm going back to Russia, not in the near term. Yeah. Oh, and then that's when all these people said, my name is sell off. You are my cousin. I come home with you like there were so many people with my name, because in this country, there aren't that many. Aren't that many sell offs. My family is pretty small, and occasionally I'll meet us a sell off. But they're usually, they're usually rabbis, or it's like there aren't that many of us out there, but it was, it was an amazing experience. Loved it. Michael Hingson  28:28 Now, did you when you were over there, sing any of the songs or anything in Russian, or did that matter? Spider Saloff  28:34 Oh no, oh no, let's didn't do that, huh? I'm not. No, I, you know, I'm good at doing accents, and sometimes I will learn to say, like I would learn a little bit of French to get by, but then they would start asking me questions, and I didn't know what they were saying, and then they thought I was just being a jerk, you know, I'm pretending I don't understand them or something. But it was, No, I don't speak. I can barely handle English, but I didn't know whether you might have Michael Hingson  29:05 tried to learn one of the songs just for fun. Spider Saloff  29:08 There wasn't time. This went together so fast. I think we only had, like, two weeks notice. They had rushed the visas and, you know, we had, we had passports in order, but it was a lot of legal red tape. Michael Hingson  29:25 But that's why it cost $58.33 to get out. I don't know, very crazy one of those things. Oh, yeah. Well, well, at least it was affordable. Spider Saloff  29:41 Well, it will, and it was exciting. I mean, everything was paid for. But, oh, this was another weird thing they paid. They paid us in cash, American dollars, and I needed to hide, I had to hide it in my boot. I put it in. Hide the soul of my boot when I'm okay, wow, yeah, it was, it was creepy all the way down the line. It was very strange. Oh, well, yeah, things happen. 30:11 Things happen. Yeah, I was, Spider Saloff  30:12 I'm very, very, very fortunate that I got, got to do it, yeah? Michael Hingson  30:19 So obviously a wonderful memory. And yeah, oh yeah, one of those things that you'll you'll always treasure. You bet. Well, so when did you move to Chicago? Spider Saloff  30:32 Oh, well, when? When I started to get get my feet wet in New York, in the nightclub scene and the jazz scene, I got some really fabulous reviews, including the New York Times. And there was a guy from Chicago who I met through the great Julie Wilson, and his name was Bill Allen, and he was partners with Bobby Short, and he opened this really crazy club in Chicago, very famous, called the Gold Star sardine bar. And both Liza Minnelli had played there the Basie band. He squeezed the Basie band in there, but it was this tiny little place right in downtown Chicago, and it was really wild. And a lot of people had played there. Tony Bennett had played there, and Liza and I kind of was courting the room. I kept talking to him. He had he had found my press kit. Think he had been sent three different press kits, and we don't know which one he opened, and he called me, and we kept this ongoing conversation about coming out to do performance there, and then finally, he decided to bring me out for New Year's Eve, and my husband and I flew out, and it was just we were we had a couple of friends here in Chicago that we visited, but we didn't know anybody here. I'd never been to Chicago, you know, but it was magical. And then he said, Well, I'm going to have you back. I'm going to have you back. And then I didn't hear from him. And finally, the following September, he asked if I could come and play for a month, and I had almost no warning, because he was very impulsive and really crazy. So he asked me to come out for a month, and I did. They put me up in a hotel, and I played with the musicians. Were magical. People were so great. And so I played for a month, and then he said, you know, what would you think about about moving here? And my husband and I were both excited about it. Then we didn't hear anything from him. And then right after So, the first week of February the following year, he calls me up and said, Could you move here? And I'm like, I guess so. Why he goes, Well, I'll book you here for a year, and we'll arrange to get an apartment. And can you start like next week? Oh, gosh, ah, so I did it. I came out, and then my husband came out. We took a sublet on an apartment right downtown in Chicago, sight unseen. We moved here with our cat, and the rest was history. I ended up having the best nobody has a gig for a year, yeah, and and hired partially by the only person that had a gig forever, who was Bobby Short. So because I had met Bobby Short in New York, and he kind of gave bill the okay, you know, he liked me. And then I, I met Tony Bennett there, and Liza interrupted my show one night and crawled on to the over the balcony, onto the stage. And it was magical. There were lines around the block and and I got, I was courted by the press in Chicago like you wouldn't believe. I mean, it was magical. So when my run was up there, I started working at other clubs, and also I started touring at concert tours of my shows, like the Gershwin show, and started to tour. So it just became another life for me. But I'm, I'm in Chicago forever. As far as I'm concerned. I adore it here. I just love it. Michael Hingson  34:45 So when did you move there? Spider Saloff  34:47 The beginning of 92 Michael Hingson  34:49 Okay, all right, so when Liza, when Liza invaded the stage? Did you guys sing together? Spider Saloff  34:55 No, this is what happened. I had met Liza. Yeah, well, I was still living in New York, and I was friends with Billy Stritch, who was liza's musical director. So he was a friend of mine, and he introduced me to Liza, and because she was he was conducting a bit that big show she did at Radio City Music Hall that was a tribute to Vincent Minnelli. Right? She did this spectacular show at Radio City, and Billy was musical directing, and that's when they really became partners. And he introduced me to Liza, and she was just a doll, one of the nicest, coolest people in show business. So I met her, and she was really kind to me, very friendly, very sweet. And so they were playing at the Chicago theater. Liza was doing her one woman show, and it was closing this particular Saturday that I was at the Gold Star, and I had sent Billy a note to to, you know, come by when they're we're done. So I'm doing the second set. And then crazy Bill Allen at the break. He goes, he goes, Okay, people are going to come in here. Joe Pesci is going to come in and and he's going to come up and meet you. And I'm like, Joe Pesci. Joe Pesci was doing a movie here, and his double, his gangster double, used to come in and see me at the gold star. So anyway, the break comes, I'm on stage, and all of a sudden the door opens, and they come in, and it's, it was Billy and Liza and Joe Pesci. And Joe Pesci comes up on stage with Billy and my band kind of crawls off the stage, because by now, there are, there's about, I don't know, 200 people packed in a 70 person room, and their people are coming out of the woodwork. They're like, sitting on top of the bar, and I can't even get off the stage. And Joe Pesci. Pesci leans down, he's like, hey, hey, honey, my my double. He thinks you're great. He goes, Yeah, we're gonna do some songs now. And I'm like, okay, so I sat there, and Billy came up and played. The bass player was there with them. Joe Pesci got up and sang. He was adorable. And then Liza is sitting right by this. They called it the opera box. There was a big, like private table that was right next to the stage. She crawls over the bar onto the stage, and people are just screaming. It was absolutely nuts. And she did like three songs, and she was losing her voice. She had just done a killer thing at the Chicago theater, and she was really, like, raspy. Did it anyway? And she ended with New York, New York, and people were like, screaming. It was just bonkers. It was bonkers. And so that's what the Gold Star was like. It was just a crazy place, and you didn't know who was going to come in the door, who was going to interrupt your show? You just, you just didn't know. Michael Hingson  38:24 Yeah. And they even had the Count Basie orchestra there, and that was, how'd they fit him? How'd they Spider Saloff  38:30 fit him in? Couldn't fit them. It was like a publicity stunt, yeah, and the band was all stuffed in there, and there were a few people that could get in the room, but people were standing in the hallway to hear Pacey pants. This is way before my time. Yeah, it was like in the early 80s, when they opened and they were way crazier then, then when, when I came, Michael Hingson  38:53 you settled them down. Did Spider Saloff  38:55 you No? No, but they, they, they, well, I was there for a year, and then the following year, I went back a few times on Saturdays, and then Bill told Jeremy Conn and I that we were going to be the regular actor because they were always on the verge of closing. They wouldn't have any liquor, and somebody would be coming in the back door with liquor because they didn't pay their liquor bill. And it was, he was in a lawsuit. And anyway, they told us that he goes, Yeah, yeah. Call me on Tuesday and we're gonna we're getting all the details straight. Now. You guys are going to be regular. Here Tuesday came and there were chains on the door. Oh, gosh. And that was the end of it. It ended, and it was a magical time, but there were a lot of problems, a lot of legal problems going on. Michael Hingson  39:50 I met Liza Minnelli once. That was the second or third time I was interviewed by Larry King, and she was now. She was going to perform on the show as well, but it was after September 11, and so I got, I got to meet her, and that was about it, but I did get to meet her, which was fun. Exciting. It was fun. How exciting. And every time we walked out after the interviews, there were lots of photographers outside. Everyone was taking pictures, and we had to put up with all that, but I guess it provided a lot of visibility, but it was kind of fun to be able to do that. Spider Saloff  40:34 How cool. I never met Larry King. I knew a lot of people were on his show. But well, how exciting that you did it twice? Michael Hingson  40:43 Well, actually we there were five interviews with Larry. The first one was right after September 11. It was on the 14th. And then there was another one. There was either one or two more. I think there was one more in November of 2001 and then on the anniversary, in 2002 was the third. But there there were five altogether, and during one of them, and I think it was the one on the anniversary or in 2002 but I have to go back and see if I can research it. But anyway, Hillary, Hillary Clinton and Chuck Schumer were, were there? Lisa Beamer, Todd Beamer, his wife Todd's the guy who said, let's roll on flight 93 when they took over the plane again and got it in a crash in Shanksville. Wow, and and Queen. Nor was there. So who I'm sorry, Queen nor from? Who is the queen of Jordan? Oh, wow. And she and she and Roselle had a thing for a while. Roselle was my guide dog at the time, so they visited. It was kind of fun. Oh, wow. But, yeah, it was, it was interesting. But as I say, then we, we did meet Liza briefly, and that was kind of fun. She said she's Spider Saloff  42:09 a doll, yeah, doll. Oh, yeah. What a great person, yeah. Michael Hingson  42:13 Well, so I was looking at all the things that you sent me, and I noticed Tony Bennett. I got to meet Tony Bennett once we were on Regis and Kelly live in November of 2001 and I was sitting there, and I heard that Tony Bennett was going to be on the show. And suddenly he comes over and he says, Hey, I'm Tony Bennett. Good to meet you. I've heard about you. So we chatted for a while, and he and Roselle had a thing too, and he and Roselle had a thing too. Spider Saloff  42:45 So that was good. Oh, that Roselle. Oh, but yeah, I met him at the Gold Star, and he because he had played there several times, you know, as a future act. And he was doing, he was in. He was in town to do something. Maybe it was at the Chicago theater as well, but he came in, hanging out in his in his white dinner jacket, absolutely charming. And he sat down and talked to me between sets. It's like talking to your uncle, like he's like, Yeah, what do you think of this weather here in Chicago, and it was like just the friendliest, most laid back, cool guy and and I've seen him perform several times. I adored him. Michael Hingson  43:32 I regret I never got to see him live other than hearing him do, other than hearing him on regents and Kelly, he did a New York state of mind. Spider Saloff  43:41 Oh, cool. Very cool, Michael Hingson  43:43 wow, very soft spoken guy. But when he can sing, he can he could Bell it, Bell it out, Spider Saloff  43:49 and he and he sang the same forever, like, that's my my idols are. I want to sound the same forever, and I have the two, the two, the two most remarkable preserved voices were Ella Fitzgerald and Mel Tormey, both of them, they had chops forever like that. They they were just very, very careful and smart about the way they use their voices. Michael Hingson  44:18 Yeah. Johnny Mathis lasted a long time. I don't know what he sounds like. Spider Saloff  44:24 He just sounded the same forever. Yeah, killer, woo hoo, wow. And I never got to see him live, but I know people that did, and I mean, not that long ago, and they were blown away. Like, just Yeah, killer, yep, Michael Hingson  44:43 amazing, another amazing guy. Well, so have you ever had any any real kind of challenges and sort of negative things that have happened to you in your life? You've obviously been very successful. And all that. But, you know, unstoppability oftentimes happens when you have a challenge. Spider Saloff  45:05 Oh yes, well, you know, small things, challenges. I mean, like the worst, though, was when I was very young, a young actress, I got swept away by a guy that was a director. He was 10 years older than me, and I ended up in a really terrible abusive relationship for years, and didn't know how to get out, and I did. I ended up doing a six part. I have a YouTube channel, and this was two years ago. I did a six part series called learning to love you, and it was the very subject of what happens in abusive relationships and why people stay and why they are convinced that they can't live without the person. They're convinced that they're powerless. They are told they have to depend on this person, and they're very afraid. And I I was so lucky to break away from there and get out. And when I got out. I mean, I this guy completely left me with no money, no home, no job, and I was so ashamed to tell my family. I didn't tell them till months after it had happened, and I went, you know, trying to get trying to get more work as an actress. I worked as a bartender in a comedy club, and I did that's what I had a lot of comedian friends because of that era, and my friends, and eventually my family, really helped me to get out of it. But I had to get I had to be independent through the whole thing, I my first place I ever I was homeless for six months, and I would go around on busses going between wherever and Atlantic City because the casinos were there. So I could get a free ride to Atlantic City and then get a free bus back to New York. I could get a bus back to Philadelphia. I could go around on these busses and just stay at people's houses a couple of nights a week, and not having a place to live, it was horrible. So when I finally moved somewhere, I moved in with an actor friend of mine who had just got out of his abusive relationship, and I slept on the floor of an attic for like, the first six months that I was living on my own, and I was so grateful to have that floor and and I just kept saying every night before I went To bed, it it gets better from here. It's going up, it's going up, and it did. It did. It was it's remarkable. It's remarkable. Michael Hingson  48:09 What? What did you learn from that relationship? Spider Saloff  48:14 Beware of predators. I really never, never lose sight that you're the person in charge. Yeah, you are the person in charge of your life, and you're the only one that's allowed to do that. And you don't, you don't bend to anybody that's asking you to do anything too far. You just, you have to be very skeptical about, you know, who's getting close to you? And I was married long after that, I was married to my husband, and he passed away, oh, 16 years ago, and but there's been, there's been a lot of strange loss and and trauma. But I I am blessed with resilience, and I have to say, the thing that keeps me steady music, music and beauty and art can carry me through anything, and I'm surrounded by that and the best, best, best friends in the world. Oh, man, and my family and my friends are amazing, and I'm very, very fortunate, very fortunate. Michael Hingson  49:32 How long were you married? Before he passed away, Spider Saloff  49:35 we would have been married 17 years. Oh, my wife, Michael Hingson  49:41 my wife. My wife and I were married 40 years. She passed away in November of 2022 lot. Well. Thank you. I appreciate that. And I I always say when I when I tell that to anybody that she's watching from somewhere, and if I misbehave, I'm going to hear about it, so I don't even. Chase the girls. I also point out that they're not chasing me, so it's okay, but, but, but, you know, so many wonderful memories after 40 years, and people say, Well, are you going to move on? And I say, No, I'll never move on. I'll move forward, but I won't move on. I don't want to forget, but I'll move forward. Spider Saloff  50:20 That's an interesting twist of words there. Yeah, no. I mean, I have moved my life has become, actually, way, way better since my husband passed. I was dealing with a lot, and he was, he was dealing with severe mental illness, and it was very it was very hard near the end, my life is beautiful now. And I, I'm just, I feel like everything is new all the time. And I, I don't really have any close relationships, in romantic relationships. I tried a couple since he passed, but I don't, I don't think I'm good at it. I do better on my own. I'm much better on my own. Michael Hingson  51:18 Yeah, yeah. I know what I know what you mean. And as I said, it'll be three years in two weeks for me and I, when we got married, we had both lived alone. And when she was when she passed, it wasn't totally all of a sudden. So I I had some time to prepare. But it it has worked out pretty well. And so now I have a dog and a cat who keep me honest. The cat especially, oh, we have a cat. Her name is stitch, and she likes to be petted while she eats, and she'll yell at me until I come and pet her while she's eating and what. And when I travel somewhere to speak and I come home, I hear about it for quite a while. How could I ever do that? But she's not left alone. You know, I've got somebody who comes in. She has to give me what for? Well, she does. That's her obligation. Just ask her, absolutely, yeah. And how come you took that dog with you and not me? It's a guide dog. Spider Saloff  52:20 So this is not fair, yeah. Michael Hingson  52:24 Well, the other side of it is, I don't want her to ever get the idea that she can go out of the house. She She developed, on her own, a fear of going outside we she went out into our garage once when we first moved in here, and I kept calling her, she wouldn't come in, so I turned the lights off and I closed the door, and 10 seconds later, she's at the door wanting in, and so she doesn't try to go out. So I really feel blessed that she Spider Saloff  52:49 Yeah, that's good, yeah, yeah, yeah. I had a cat that never wanted to go near the door either, because he had been an alley cat. Everything outside that door was the alley going back there. Yeah, he also was a, he was a big fat house cat. Like, just wanted to lay around and luxuriate and eat and, you know he was, he was really a sweetie. I don't have pets anymore because I'm I leave too often? Michael Hingson  53:21 Yeah, you travel a lot. Well, a lot we at least I have people to help take care of stitch when I'm not here. So it does work out. Yeah, so do you so with all the things that you've been doing and singing and so on, do you teach voice to people? Spider Saloff  53:40 I do. I've taught at a school I didn't start teaching till I moved to Chicago, and this guy named David bloom, he's kind of a Chicago icon. He's had a jazz school in Chicago for years, and he asked me to teach at the school about a year after I moved to Chicago, and I said, I don't know how to teach. He said, Yes, you do. You just teach what you know. And I started teaching. And then I did courses there for a long time. I met a lot of people, and I've had wonderful students, and I still work there on occasion when we have a course. But I teach privately now, and I am. I just love it so much. I mean, I learned so much from my students all the time. You know, they're, they're just amazing, and they're all different, all different voices, all different age groups, all different reasons why they want to sing. But it's, it's one of the joys of my life. Students, they're fantastic. And I adore teaching voice. And I really a coach, you know, I teach performance and coaching, and it's not so much technique. I do some technique, but mostly it's working with. What, what the singer has to offer. Michael Hingson  55:03 I like the way you put it though that you learn so much from students. I think the day we stop learning, the day we become useless, we we always need to learn, learning, and life is all about learning, every Spider Saloff  55:15 day, learning, you bet it's exciting. It keeps you ticking. Michael Hingson  55:21 It does. It's so much fun. And it's, you know, like the internet, I regard it as an as a wonderful treasure trove. There's always neat stuff to learn. So I don't worry about the so called dark web and all that. You know, I didn't know that I would Spider Saloff  55:35 learn as much as I did about, you know, the internet and and the things covid really well. I always, always had a website. I had a guy that became my webmaster, that heard me radio and like there were all. I always was connected with it. But to the extent that I learned how to produce videos that all happened during covid, I really thought I was never going to be performing again live. I you didn't know, you know, that talk, you know, it was just so such a weird world. All of a sudden it was but learning to adapt. That was what we all learned from covid, was adapting and being open to new experiences. You know, that was a major, major factor of the whole thing. Michael Hingson  56:23 And living alone, you have to cook your own food. Spider Saloff  56:25 And like I've always, cooked my own food. Oh, my God, do I love to cook. Yeah, every day for myself. I love cooking and throwing parties. I must be Michael Hingson  56:35 a little bit lazy. I enjoy cooking. But when Karen was here. We shared the responsibility, and it's it's a lot to cook for one person, so I don't do as much of it as I used to, but I don't suffer. I will Spider Saloff  56:50 point that out you guys suffer, no, but I probably I cook for myself. Every day I cook. Almost everything I eat, I don't cook for myself is when somebody magically takes me to dinner or I go to somebody's house. I've got a lot of friends, so I get to eat at other people's houses and go out to restaurants, but I do and look forward to cooking for myself. I just can't wait to see what am I gonna have today, like I get excited about it. You know, it's a joy for me. Michael Hingson  57:23 I cook more easy meals, but I also do my own cooking. I mean, I don't go out very often, and that's fine. Yeah, I enjoy being home. I enjoy being home with a puppy and a kitty and listening to the radio and all that sort of stuff. So I hear you fabulous, fabulous. So you did some work on on radio series. Spider Saloff  57:45 Oh, yes, one of the, actually, the very first pianist that I worked with at the Gold Star sardine bar is a guy named Brad Williams. And we've been friends for years, and then at one point, this, this this guy that was a big fan of mine, Bill Sheldon. He was an old way, older fellow. The three of us created a radio series that's called Words and Music, that's about the American Songbook, and we were on the air for two and a half years. We were on we were part of NPR, and we were syndicated internationally, all through our classical station here in Chicago, W FMT, and it was the most challenging but wonderful time to crank those shows out. We never worked so hard as we did for that show, but those are still out there, you know. And we the copies of that show are available on CD. People can purchase them, and you can learn about that on my website too. Michael Hingson  58:49 I have been collecting old radio shows since 19 Well, let's see, probably 1968 and I've collected a bunch, and I'm also part of the radio enthusiast of Puget Sound, so we recreate programs every year. So I wasn't able, I wasn't able to be at the one that they did up in Washington State in September, because I was speaking somewhere. But there's going to be another one around. Well at Christmas, it's actually going to be the fifth, fourth, fifth and sixth. I think it is. Of December, we're going to recreate something like 12 or 13 different shows, and that's a lot of fun. Spider Saloff  59:34 Wowza, what are the shows like? What is it comprised of performance or recordings or what? Michael Hingson  59:42 No, no, we're actually going to perform live up in Washington, and people are invited to come and be in the audience, and they'll also be broadcast on yesterday usa.com and yesterday usa.net whichever you go to yesterday, USA is a, is a network. It's, it's got a red net. Work in a blue network, just like NBC used to have, and they play old radio shows and a lot of interviews with people. So there's still some old radio actors who will be there as part of it, Carolyn Grimes, who played Zuzu and it's a wonderful life will be there, and Beverly Washburn, who was on the Jack Benny show, and and there'll be other people, and it's kind of neat. And Larry Albert, who will be doing some of the voices, and who's was Harry Niles for years, and still is, I guess, on NPR and and so on. But it's really fun. Spider Saloff  1:00:39 That's excellent. What a blast. Yeah, it is, wow. Well, have a happy holidays with that. Michael Hingson  1:00:46 And yeah, well, I want to thank you for being here. How do people reach out to you, if they'd like to, to reach out, or if you Spider Saloff  1:00:54 want them to my website, spider jazz, calm, and you can find everything and too much information about me, and then, and if you want to get in touch with me directly, write to my email address. Spider jazz@gmail.com makes it easy. And maybe you can take private lessons, because I teach on Zoom. Ah, there you go. Me how. Yeah, cool. Michael Hingson  1:01:20 Well, thank you for being here, and I want to thank you all for listening today and watching whichever you do or both. Love to hear your thoughts about our conversation. Feel free to email me. Michael H, i@accessibe.com that's m, I, C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, wherever you're monitoring us today, please give us a five star rating, and please give us a review. We love your reviews. We appreciate your input. If you can think of anyone who you think ought to be a guest, and if you listening out there want to be a guest, please reach out to me. We're always looking for more people to come on the podcast. We met spider through someone else who has been on the the podcast as well. And spider, if you know anyone who want who you think ought to be a guest, yep, love to hear from you. I got some ideas, cool. Well, I want to once again. Thank you for being here. This has been absolutely fun. Spider Saloff  1:02:16 Thank you, Michael, what a blast. I'll be talking to you soon. Michael Hingson  1:02:24 Thank you for being here with me on unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about if you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to Michael hinkson.com and download my free ebook, blinded by fear. It explores the invisible beliefs that hold us back and shows you how to reframe them so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning and keep choosing to live with an unstoppable mindset you.

High in the mist-shrouded Cairngorms, where the winter wind bites like a vice, lies the domain of a long-spoken, unsettling presence. For over a hundred years, the climbers of Ben Macdui have told stories of a towering figure pacing just beyond sight and of booming footsteps lost in the fog. Known as the Big Grey Man, few have seen it, several have heard it and even more sensed it, but just about none have ever agreed on what “it” actually is. SOURCES Gray, Affleck (1970) The Big Grey Man of Ben MacDhui. Impulse Books, Edinburgh, Scotland. Baker, Ernest A. (1973) The British Highlands: With Rope & Rucksack. EP Publishing Ltd, UK. Wood, Wendy (1930) Secret of Spey. Rob Grant & Son, Edinburgh, Scotland. Alexander, Henry (1926) The Ben MacDhui Giant Spectre. The Cairngorm Club Journal, Vol XI, No.64, July 1926. The Cairngorm Club, Scotland. Aberdeen Press & Journal (1925) Cairngorm Club. Aberdeen Press & Journal, Mon 30 Nov 1925, p5. Aberdeen, Scotland. Aberdeen Press & Journal (1925) Letters To Editor. Aberdeen Press & Journal, Tues 1 Dec 1925, p5. Aberdeen, Scotland. Aberdeen Press & Journal (1925) Mountain Climbers & The Ghost of Ben MacDhui. Aberdeen Press & Journal, Thurs 3 Dec 1925, p6. Aberdeen, Scotland. Aberdeen Press & Journal (1925) Dr Kellas & His Spectre. Aberdeen Press & Journal, Sat 5 Dec 1925, p4. Aberdeen, Scotland. The Scotsman (1941) The Grey Man Of Ben MacDhui. The Scotsman, Tues 14 Oct 1941, p7. Scotland. The Scotsman (1941) Mountain Spectres. The Scotsman, Mon 20 Oct 1941, p4. Scotland. The Scotsman (1941) Mountain Spectres. The Scotsman, Thurs 23 Oct 1941, p4. Scotland. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.     Learn more about your ad choices. Visit megaphone.fm/adchoices

Following Ofsted's consultation on its new inspection framework in early 2025, and its limited rollout later last year, the new framework has been fully in place for school inspections across England since January 2026.Throughout this period, NAHT has consistently challenged the framework and highlighted the risks it poses to school leaders. Working both publicly and behind the scenes, the union has secured several important improvements – but significant concerns remain.In this episode, NAHT general secretary Paul Whiteman discusses the impact of the new inspection framework so far, some of the challenges school leaders are experiencing, and NAHT's ongoing work with Ofsted and the government to secure a fairer, safer system.Find out more about NAHT's campaign on inspection reform. See NAHT's advice for school leaders around the new inspection framework.For more insightful and engaging discussions on key issues in education and school leadership, explore NAHT's online magazine ⁠⁠⁠⁠Leadership Focus⁠⁠⁠⁠.

Welcome to Glenn Robison's Rapidly Rotating Records, bringing you vintage music to which you can't not tap your toes, from rapidly rotating 78 RPM records of the 1920s and '30s. After years of plummeting numbers, the World Wildlife Fund reported a 64% increase in the number of migrating monarch butterflies in Mexico this year. So the fourth segment of this week’s show is all about butterflies. There are three birthday segments for Paul Whiteman, Barney Rapp and Billy Merson. And in the final segment, we celebrate the arrival of spring here in the northern hemisphere. There's lots of great music and interesting information so set aside an hour with your favorite beverage and prepare to be transported back to a different–and we think better–musical era. Just click the link above to listen streaming online and/or download for listening at your convenience. THANKS FOR LISTENING! ENJOY THE SHOW! Here’s the complete playlist: Segment 1: Paul Whiteman Announcer’s Blues – Paul Whiteman AHOHoney I’m In Love With You – Paul Whiteman AHOMe Too (Ho-Ho! Ha-Ha!) – Paul Whiteman AHO / Charles Gaylord, Austin Young, Jack Fulton, v. Segmetn 2: Billy Merson On The Good Ship Yacki-Hicki-Doo-La – Billy MersonOut Of The Prairie – Billy MersonThe Spaniard That Blighted My Life – Al Jolson Segment 3: Barney Rapp Sunset – Ray Nichols’ OrchestraWalk, Jennie, Walk! – Barney Rapp AHOBuild A Little House – Barney Rapp and His New Englanders / Buddy Welcome Segment 4: Monarch Butterflies Little Butterfly – Paul Whiteman AHOGoodbye, Pretty Butterflies – Art Hickman AHOThe Butterfly – Alfredo Campoli and His Salon Orchestra Segment 5: Spring Springtime Rag – Vic Meyers AHOHobo’s Spring Song – Radio Mac (Harry McClintock)Like A Breath Of Spring Time – Henry Busse AHO / Burt Lorin (Scrappy Lambert), v. The post A “Fluttering” Edition of RRR # 1,341 March 29, 2026 appeared first on Glenn Robison's Rapidly Rotating 78 RPM Records.

In January 1921, a five-masted schooner was discovered run aground off the coast of North Carolina with no crew aboard and no clear signs of struggle. Personal belongings, navigation equipment, and the ship's lifeboats were missing, leaving investigators with more questions than answers and a trio of cats, which had been the only signs of life aboard the abandoned ship. Rumors of piracy, mutiny, Russian conspiracies, and even supernatural involvement quickly spread, but no definitive explanation ever emerged, earning the wreck the enduring title of “The Ghost Ship of the Diamond Shoals.”SOURCES Simpson, Bland (2002) Ghost Ship of Diamond Shoals. Chapel Hill & London, University of North Carolina Press. NC, USA. New York Times (1921) Skippers Daughter Holds Pirate Theory. New York Times, Thurs 23 June 1921, p2. NY, USA. New York Times (1921) Soviet Pirate Tale Declared a Fake. New York Times, Fri 26 Aug 1921, p2. NY, USA. The Sun Journal (1921) All a Fake Admits Gray. The Sun Journal, Mon 29 Aug 1921, p3, Maine, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.     Learn more about your ad choices. Visit megaphone.fm/adchoices

In the late 16th century, in the small village of Warboys, just outside Cambridge, everyday life was unsettled by growing fear and uncertainty, when family members of the local gentry began suffering from strange illnesses. Suspicion of witchcraft quickly spread amongst the community, and one neighbouring family found themselves accused by a local population that was searching for explanations in an environment of fear and superstition, forcing ordinary, everyday events to become evidence of something much darker.SOURCES Man, Thomas & Winnington, John (1593) The Most Strange and Admirable Discovery of the Three Witches of Warboys. Widow Orwin, London, UK. Almond, Philip C. (2008) The Witches of Warboys. I. B. Taurus, London, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.     Learn more about your ad choices. Visit megaphone.fm/adchoices

The East London district of West Ham might be best known globally for the football team of the same name, but in the late 19th century, the area became famous for something much darker. West Ham, and in particular, a single road within the district, became the scene for a series of unusual disappearances that took place over more than a decade, as young girls were vanished away from the streets, never to be seen again. At least until one was found dead and stuffed into a cupboard in an empty house.SOURCES Bondeson, Jan (2016) Rivals of The Ripper: Unsolved Murders of Women in Late Victorian London. Gloucester History Press. UK. London Daily Chronicle (1881) Disappearance Of A Girl. London Daily Chronicle, Thurs 21 April, 1881, p6. London, UK. Tower Hamlets Independent and East End Local Advertiser (1881) Another Mysterious Disappearance. Tower Hamlets Independent and East End Local Advertiser, Sat 23 April, 1881, p3. London, UK. Birmingham Mail (1881) The Mysterious Disappearance Of Girls. Birmingham Mail, Wed 1 June, 1881, p3. Birmingham, UK. Chelmsford Chronicle (1881) Stratford. Chelmsford Chronicle, Fri 13 May, 1881, p3. London, UK. London Evening Standard (1882) Disappearance Of A Girl. London Evening Standard, Tues 31 Jan 1882, p2. London, UK. London Evening Standard (1882) The Missing Girl Carter. London Evening Standard, Tues 7 Feb 1882, p5. London, UK. Selby Times (1882) The Disappearance Of Two Girls From West Ham. Selby Times, Fri 10 Feb 1882, p3. Leeds, UK. Penny Illustrated Paper (1882) The Mysterious Disappearance Of Eliza Carter From West Ham. Penny Illustrated Paper, Sat 18 Feb 1882, p7. London, UK. Daily News (1884) Unpunished Crimes - Disappearance Of Eliza Carter. Daily News, Tues 12 Feb 1884, p3. London, UK. Morning Advertiser (1890) Stratford. Morning Advertiser, Mon 3 Feb 1890, p7. London, UK. Ripon Observer (1890) Opening Of The Inquest. Ripon Observer, Thurs 20 Feb 1890, p6. Ripon, UK. The Guernsey Star (1890) The West Ham Murder. The Guernsey Star, Sat 22 Feb 1890, p2. Guernsey. Illustrated Police News (1890) Horrible Crime At West Ham. Illustrated Police News, Sat 22 Feb 1890, p2. London, UK. Illustrated Police News (1890) The Missing Keys Found. Illustrated Police News, Sat 24 May 1890, p2. London, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

President Trump and Gov Wes Moore spar over jurisdiction at the sewage spill site. Dean Naujoks of the Potomac Riverkeeper Network with an update. What's happening with the housing agenda in the Maryland General Assembly? Maryland Association of Counties' Michael Sanderson explains. Montgomery County Board of Education takes the first step closing down the school district only and months-old charter school. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.  

CONTENT WARNING: Discussion of child abuse. Something was in the air in 1973 where people wanted nostalgia and con artists in their films. But while George Roy Hill teamed up with Redford and Newman for the utter perfection of the genre, Peter Bogdanovich followed up one classic film with another underrated gem. Nothing about this movie is particularly remarkable, save the outstanding performance by 9-year-old Tatum O'Neal. Instead, it's just an aggregate of everyone telling a really good story. I'll give you this 5 dollar bill rather than the dollar change but you can get a 20 instead as we watch Paper Moon on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist. Excerpt taken from the song “The Finer Things,” written by Donald Fagen and performed by David Sanborn as part of the soundtrack to The King of Comedy. Copyright 1983 Warner Bros. Records Inc.

In 2019, Maryland became the first state in the nation to establish a Prescription Drug Affordability Board. After years of preparatory work, the agency is poised to take its first actions on two blockbuster diabetes drugs, Jardiance and Farxiga, and a year later, the Board can expand its price control mechanism to the private insurance market. Will they clear the thicket of dysfunction in the drug marketplace and help lower actual drug costs? Sunil Dasgupta talks with Andrew York, Executive Director Maryland Prescription Drug Affordability Board, and Vincent DeMarco, president of the Maryland Health Care for All Coalition. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

In the early 1700s, when maps still had blank spaces and “here be dragons” felt like a reasonable warning, a stranger arrived in Europe with a fantastic story to tell. Calling himself George Psalmanazar, and claiming to be a native of far-off Formosa, where people lived in underground houses and dined on human meat. He translated scriptures into a language no one had ever heard and tutored missionaries in the customs and culture of his country. But the greatest fiction wasn't his island at all, it was Psalmanazar himself. And for a while, the world believed every dazzling word.SOURCES Psalmanazar, George (1704) An Historical & Geographical Description of Formosa. London, UK. Psalmanazar, George (1764) Memoirs of ****. Commonly Known by the Name of George Psalmanazar, a Reputed Native of Formosa. London, UK. Keevak, Michael (2001) The Pretended Asian. Wayne State University Press. USA Foley, Frederic (1968) The Great Formosan Imposter. St. Louis Jesuit Historical Institute, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

In a decade of darker, boundary-crossing films, this week's film is just under the rader for having some of the darkest undertones of all. And that's beyond the fact that it might be one of the best portrayals of sex workers on screen, refusing to judge its subject on anything but her actual character. I mean, yes she is being stalked by a violent powerful man to get murdered, but it has nothing to do with her means of income. the problem is that this movie is just plain weird, and not for any real reason. But it's worth the price of admission for Jane Fonda giving an absolutely stunning performance. Sit back and relax and fall lin love with Bree as we watch Klute on Have a Good Movie! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Klute, composed and conducted by Michael Small. Copyright 1971 Warner Bros. All Rights Reserved. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist.

The Wootton High School shooting revives calls to bring SROs back to MCPS schools. MontgomeryCounty Councilmember Dawn Luedtke on why. Magruder High School in Derwood often gets overlooked in MCPS planning. PTSA President Kim Glassman wants answers. The Montgomery County Democratic Central Committee can now for the first time become involved in non-partisan Board of Education races. Chair Pam Luckett explains when. College Park Mayor Fazlul Kabir on city efforts to protect its student renters. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

From Walkersville, MD, a purple town of 7,000 on Route 15, which connects Frederick, MD, to Gettysburg, PA, a tale of political education. Sunil Dasgupta talks with Town Commissioner Chris Ragen, a self-professed conservative, about his efforts to increase public participation in a decision that could have changed the town's police force and saved money. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

MCPS proposes to move Wootton High School from Rockville to Gaithersburg and causes uproar in the community. The Montgomery County Council oversight hearing on the failure of snow response comes down to coordination and communication. We read between the lines. Howard County, MD, becomes the first in the state council to revoke a building permit in Elkridge for an ICE jail. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

A new book, Storm at the Capitol: An Oral History of January 6th, by Associated Press Congressional Reporter Mary Clare Jalonick, captures first-hand descriptions of the day of the biggest attack on the United States Capitol since 1814. Jalonick, who was trapped in the press gallery of the U.S. House of Representatives, says she wanted to create a definitive record of the day because there is now, following Trump's return to power, there is a risk of erasure of what really happened. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

At the turn of the twentieth century, a pattern of unusual deaths began to surface, when three unrelated women were found drowned in their bathtubs, following a fit or a feinting. The cases seemed unconnected, scattered across towns and surnames, until the similarities grew too precise to ignore. At the center of the widening suspicion was a man named George Joseph Smith, though very few actually knew him by that name until reports of his crimes began to filter into the newspapers, and purely by chance, people around the country began connecting the dots. SOURCES Robins, Jane (2010) The Magnificent Spilsbury & The Case of the Brides in the Bath. F. A. Thorpe, Leicestershire, UK. Kentish Express (1912) Drowned In A Bath. Kentish Express, Sat 20 July 1912, p5. Kent, UK. Weekly Dispatch (1914) Bride's Death In Bath. Weekly Dispatch, Sun 27 Dec 1914, p13. London, UK. Coleraine Chronicle (1915) The Execution of Smith. Coleraine Chronicle, Sat 21 Aug 1915, p4. Londonderry, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

How do other jurisdictions and past snow events compare to Snowcrete 2026? Montgomery County Councilmember Andrew Friedson weighs in prior to oversight hearings. Leaders from Republican-leaning jurisdictions oppose the 287g ICE agreement ban because they say the arrangement preempts ICE violence. MD Delegate Vaughn Stewart explores legislative ideas to limit ICE presence after the federal agency buys two warehouses in the state to serve as detention centers. In Prince Geroge's County, a Chinese Immersion Program in a Title 1 school in College Park is being cut as part of budget woes. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

Pues allá vamos; durante todo este mes tendréis aquí un podcast diario dedicado a films sobre músicos, la música o el showbusiness en general. Me hace mucha ilusión este proyecto y espero que os guste y os descubra nuevas películas. Hoy empiezo con una de los más tempranos egotrips de la historia del musical, la película hecha para la gloria de Paul Whiteman y su orquesta. Whiteman, con ese apellido, tiene los santos bemoles de proclamarse "rey del jazz". No pensemos mucho en ello y disfrutemos de su revista a todo tecnicolor.

Montgomery County Public Schools, which had banned AI in classrooms in 2023, now has a draft new AI policy document out for public comment. Sunil Dasgupta talks with MCPS parent, Ed tech expert, and Stoneridge School of the Scared Heart teacher Jaime Chao Mignano to break down the document and the big AI questions that are predicted to upend education itself. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.

The snow emergency has captured attention; hundreds of millions of raw sewage has spilled into the Potomac River from a pipe break under the American Legion Bridge, which joins Maryland and Virginia. DC Water, which runs the pipe, is working on it, but no local jurisdiction has issued a health advisory. Maryland Governor Wes Moore presented the last budget of his first term. We have takeaways. Montgomery County Board of Education has been considering a written policy on the use of AI in classrooms. We break it down. And more. Newly in public domain music by George Gershwin, Paul Whiteman band, and Marian Andersen.  

In 1933 when a young, London inventor died under suspicious circumstances, his two surviving brothers turned to the talents of spiritualist mediums in the hopes of finding some answers to the many questions they had following the wholly satisfying inquest. Over a period of six months, the two men sat for several well known mediums, but by the end of it all, were given no hard answers to any of the bigger matters; Exactly who had been with him at the time of his death, and how had it come about? If anything, they were only asked a new question; Were any of the details given by the mediums to be trusted at all?SOURCES Gay, Kathleen (1957). The case of Edgar Vandy. Journal of the Society for Psychical Research 39, 2-61. London, UK. Mackenzie, Andrew (1970) The unexplained; some strange cases in psychical research. Abelard Schumann, London, UK. ​​Keen, M. (2002). The case of Edgar Vandy: Defending the evidence. Journal of the Society for Psychical Research 66, 247-59. London, UK. West Ham & South Essex Mail (1912) Funeral of Mr G.H Vandy. West Ham & South Essex Mail, Fri 7 June 1912, p8.  London, UK. Liverpool Daily Post (1967) The Unexplained. Liverpool Daily Post, Mon 6 Feb 1967, p9. Liverpool, UK. BBC (1975) Leap in the Dark. [Video] https://youtu.be/_9LrYSWaDxY?si=pdJCgxyv7j0ziQTU. BBC, London, UK. Sussex Express (1933) Bathing Fatality At Nutley. Sussex Express, Fri 11 Aug 1933, p5. Sussex, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

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Today we present two piano instrumentals that explore the mysteries of Mist.  Strictly speaking, a “mist” can be defined by some water vapor that obscures your vision, but how many more evocative instances can you think of where a mist appears in a story or film, usually preceding an arrival of some spiritual manifestation? There was a video game called “Myst” (spelled with a Y) which featured a series of puzzles saturated with a heady whiff of the arcane. Your sight is always obscured; your emotional restlessness is never assuaged.  Erroll Garner and Bix Beiderbecke were two jazz titans writing compositions separated by 30 years that hint at this other-worldly quality inherent in the idea of the Mist. Their music excites the senses and tugs at the heart simultaneously; it's music that lifts off and keeps insinuating an urge to maintain altitude in an unresolved quest for landing, but never deciding on a perch.ERROLL GARNERMost of you probably know Johnny Mathis's version of Misty, with lyrics by Johnny Burke, that was a monster hit of 1959, but Erroll Garner wrote the song as an instrumental 5 years earlier, on a plane flight to Chicago's OHare airport, after seeing a rainbow through the airplane window. That's a fitting image for the complicated feelings invoked here: a glimpse of hope through tears. Influenced by Earl Hines, Garner played with spontaneous timing changes, liquidy octaval melodies, and improvised chordal voicings, and his contribution to jazz evolution was to reconcile the gap between BeBop spontaneity and Orchestral formalism. His style was so free that he was dubbed “the happy man” because this joy he exuded was so palpable. Misty was concocted from the eternal music of the spheres - maybe because his feet were not on the ground when he composed it.BIX BEIDERBECKEThe comet of Bix Beiderbecke's talent was a mystery in itself: dead from alcohol in 1931 at the age of 28, his cornet style and compositional originality continues to fascinate almost 100 years later. A self taught musician, Bix appeared from podunk Iowa and immediately became a ragtime sensation at the height of the Jazz era with The Wolverines, then with Paul Whiteman's orchestra (along with Bing Crosby). He was a white man playing a traditionally black form of music, which was a novelty, and that made him easier to market to middle America - but such genius is color blind.Although renowned for his horn playing, he composed In a Mist on piano in 1927 (he was 24), and it's here that you see the influence of the impressionist composer Claude Debussy, the creator of such sensuous works as Prelude to the Afternoon of a Faun and La Mer. Is this Jazz? How did he do it? Clearly, Bix was in touch with mystical forces beyond human understanding, or maybe, like Robert Johnson, he just made a deal with the devil. Either way, the spiritual quest suggested by these chord changes transports us into a misty continent of emotional confusion.

Send us a textIntro: Tea For Two by Marion Harris (1925)5. Rhapsody in Blue by Paul Whiteman & His Orchestra (1924)4. My Blue Heaven by Gene Austin (1927)3. Ol' Man River by Paul Robeson (1928)2. Ain't Misbehavin' by Fats Waller (1929)1. Swanee by Al Jolson (1920)Outro: Someone to Watch Over Me by Gertrude Lawrence (1927)

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Songs include Valencia by Paul Whiteman, Black Bottom Stomp by Jelly Roll Morton, White House Blues by Charlie Poole, Hebbie Jebbies by Louis Armstrong, Lost Your Head Blues by Bessie Smith and I'm Sitting On Top Of the World by Al Jolson. 

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Over the Christmas of 1716, during a time of political tension and uncertainty in England, strange events began to trouble Epworth Rectory. After nightfall, the home of Reverend Samuel Wesley was disturbed by unexplained sounds. Soft footsteps thumped in hallways, as dull thuds knocked on the  walls and door latches rattled in their housings. The Wesley family spoke cautiously of a presence they called Old Jeffrey, an unseen force that seemed intent on making itself known. Whether trick, imagination, or something darker, the disturbances unsettled the household for only a short time, but held a potential influence that would be felt centuries later, through the beliefs of the son, John Wesley, who would later go on to be a founding member of the Methodist church. SOURCES Southey, Robert (1904) The Life of John Wesley. Hutchinson & Co. London, UK. Tomkins, Stephen (2003) John Wesley: A Biography. Lion Books, Oxford, UK. Wesley, John (1784) The Haunting of Epworth Rectory: An Account of the Disturbances in my Father's House. The Arminian Magazine, No.7, 1784, London, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that.   Learn more about your ad choices. Visit megaphone.fm/adchoices

Sleigh rides in July, swinging Santas, holidays in Harlem, ca. 1920s-1940s. Music: Swingin' Them Jingle Bells (1936) - Fats Waller & His Rhythm; Santa Claus Came in the Spring (1935) - Benny Goodman & His Orchestra; Santa Claus Blues (1924) - Eva Taylor, Clarence Williams' Blue Five; I Told Santa Claus to Bring Me You (1937) - Bernie Cummins, Holiday in Harlem (1937) - Ella Fitzgerald, Chick Webb; Snowy Morning Blues (V-disc 1943) - James P. Johnson; Winter Weather (1941) - Fats Waller & His Rhythm; Snowfall (1941) - Claude Thornhill & His Orchestra; I've Got My Love to Keep Me Warm (1937) - Billie Holiday; Christmas Morning Blues (1926) - Victoria Spivey, Lonnie Johnson; Santa Claus Crave (1927) - Elzadie Robinson; Santa Claus, Bring My Man Back (1928) - Ozie Ware, Duke Ellington Hot Five; At the Christmas Ball (1925) - Bessie Smith; Christmas Night in Harlem (1934) - Paul Whiteman; Winter Weather (1941) - Peggy Lee, Benny Goodman.

In the summer of 1819,  the whaleship Essex set sail from Nantucket, chasing fortune across the vast and indifferent Pacific. What began as a routine whaling voyage soon veered into a nightmare, however, when the hunted became the hunter, and the ship, until now known as one of the luckiest around, was smashed to splinters, leaving her crew adrift in an ocean without mercy. Their struggle was a descent into fear, hunger, and the raw edge of human endurance that would go on to inspire the story of Moby Dick, though much of the darker elements would be left at sea, where such stories belonged. SOURCES Chase, Owen (1821) Narrative of the Wreck of the Whaleship Essex. Wesleyan University Press. NH, USA. Heffernan, Thomas (1981) Stove by a Whale: Owen Chase & The Essex. Wesleyan University Press, NH, USA. Philbrick, Nathaniel (2000) In the Heart of the Sea: The Tragedy of the Whaleship Essex. Viking Press. NY, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠⁠darkhistories.com ⁠⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠⁠http://author.to/darkhistories⁠⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠⁠ & Instagram: ⁠⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠⁠contact@darkhistories.com⁠⁠⁠⁠ or join our Discord community: ⁠⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

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In the autumn of 1954, France found itself gripped by a strange and unnerving spectacle. From quiet rural villages to bustling towns and cities, witnesses reported everything from flying discs, cigars and carrots, to little creatures in diving gear waddling beneath a glowing sphere. Newspapers buzzed with excitement as sightings unfolded night after night, spreading across the country like a raging epidemic. It was the first major group of UFO sightings outside of America, and by the end of the year, more than two thousand reports were made from people from all regions of the country, and all walks of life. Was it signs of an impending alien invasion, or all the outcome of a collective delusion? That was the question posed at the time, and it's still one that's never really been answered. SOURCES Michel, Aimé (1958) Flying Saucers and the Straight Line Mystery. S. G. Phillips Inc. NY, USA. Graeme Rendall (2024) The French UFO Wave of 1954. Independently Published. Gross, P. (2025). UFOS at close sight: the 1954 French flap sightings catalogue. Patrickgross.org. https://ufologie.patrickgross.org/1954/1954.html ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠darkhistories.com ⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠http://author.to/darkhistories⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠ & Instagram: ⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠contact@darkhistories.com⁠⁠⁠ or join our Discord community: ⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this week's episode of Yesterday Today I had a bit of a dive into teh murder of Mary Jane Kelly and how it was presented in the London papers, along with a few other oddities, like Barnaby and Burgho the bloodhounds and the insistence of drunk people to pretend they were a heavily hunted serial killer... ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠darkhistories.com ⁠⁠⁠ Support the show by visiting our Patreon for bonus episodes and Early Access: ⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠http://author.to/darkhistories⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠ & Instagram: ⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠contact@darkhistories.com⁠⁠⁠ or join our Discord community: ⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the frozen landscape of Finnish winter, 1885, the quiet croft of Efraim Martin in Ylöjärvi became the center of local attention thanks to a series of unexplainable events that saw almost the entire neighbourhood crowd into the small farmhouse. Rumours of the devils and demons wound through the township, as neighbors swore they saw an invisible force cause havoc throughout the otherwise peaceful home. The story spread like the winter frost, and soon the authorities themselves were forced to ask the question: was this trickery, or had the Devil truly come to Ylöjärvi?SOURCES Stenius, J. Harrison (2020) The Haunting of Martin's Croft. Independently published, Finland Aamaluheti (1885) The Devil's Tricks. Superstition or Spiritism? Aamaluheti, Thurs 22 Jan 1885, p4. Tammerfos, Finland. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠darkhistories.com ⁠⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠⁠http://audibletrial.com/darkhistories⁠⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠http://author.to/darkhistories⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠ & Instagram: ⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠contact@darkhistories.com⁠⁠⁠ or join our Discord community: ⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the shadows of war-torn Paris, a charming young doctor lived a double life. Physician by day, and resistance fighter by night, his underground network promised salvation to those desperate to escape the Nazi grip. But in a time where trust was at a premium, the truth was not necessarily as it seemed. When Dr. Marcel Petiot's home at 21 Rue Le Sueur became a concern to his neighbours as a sickly smelling smoke rose from his furnace, the illusion began to unravel. A resistance fighter, a Gestapo set up, or the scene of countless heinous crimes, the truth was as complicated to the police as it was for those who knew the doctor's friendly smile, and kind bedside manner. SOURCES King, David (2011) Death in the City of Light. Little Brown Book Group, London, UK. Liverpool Echo (1944) Death House Doctor Hunt. Liverpool Echo, Mon 13 March 1944, p3. Liverpool, UK. Rosbotton, Ronald C. (2015) When Paris Went Dark: The City of Light Under German Occupation, 1940-1944. Back Bay Books, NY, USA.The Standard (1946) Dr Petiot Executed In Paris. The Standard, Sat 25 May 1946, p12. London, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠darkhistories.com ⁠⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠⁠http://audibletrial.com/darkhistories⁠⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠http://author.to/darkhistories⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠ & Instagram: ⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠contact@darkhistories.com⁠⁠⁠ or join our Discord community: ⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we continue to look into the press around the time of Jack the Ripper and dig up a extremely peculiar story that's never really explained at all, about mysterious disappearing bread. Yep. ------ For almost anything, head over to the podcasts hub at ⁠⁠⁠darkhistories.com ⁠⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠⁠http://audibletrial.com/darkhistories⁠⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠⁠https://www.patreon.com/darkhistories⁠⁠⁠ The Dark Histories books are available to buy here: ⁠⁠⁠http://author.to/darkhistories⁠⁠⁠ Dark Histories merch is available here: ⁠⁠⁠https://bit.ly/3GChjk9⁠⁠⁠ Connect with us on Facebook: ⁠⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠⁠ Or find us on Twitter: ⁠⁠⁠http://twitter.com/darkhistories⁠⁠⁠ & Instagram: ⁠⁠⁠https://www.instagram.com/dark_histories/⁠⁠⁠ Or you can contact us directly via email at ⁠⁠⁠contact@darkhistories.com⁠⁠⁠ or join our Discord community: ⁠⁠⁠https://discord.gg/cmGcBFf⁠⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

On a warm, overcast summer's day of 1901, two English school mistresses strolled through the gardens of Versailles, unaware they were about to step into a defining moment in their lives. One minute in the present and the next in the past, Charlotte Anne Moberly and Eleanor Jourdain claimed to have crossed into a spectral vision of the court of Marie Antoinette. What began as a genteel outing quickly turned uncanny, with silent figures, oppressive stillness, and an inexplicable sense of dread creeping over their heads. Was it imagination, delusion, a ghostly breach in reality or simply a fancy dress party run amok?SOURCES Morison, Elizabeth & Lamont, Frances & (1913) The Adventure. Macmillan & Co. LTD. London, UK. Castle, Terry (1995) The Female Thermometer: Eighteenth Century Culture & The Invention of the Uncanny. Oxford University Press, Oxford, UK. Lamont, Mark (2021) The Mysterious Paths of Versailles: An Investigation of a Journey Back in Time. Independently Published. Castle, Terry (1991) Contagious Folly: An Adventure & It's Sceptics. Critical Inquiry, Vol. 17, No. 4 (Summer, 1991), pp. 741-772. Iremonger, Lucille (1957) The Ghosts of Versailles: Miss Moberly & Miss Jourdain & Their Adventure. Faber & Faber LTD, London, UK. The Daily Telegraph (1911) Books of the Day. The Daily Telegraph, 8 Feb 1911, p14. London, UK. Sidgwick, Henry (1911) Review: An Adventure. Proceedings of the Society for Psychical Research, Vol XXV, July 1911, p353. London, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠darkhistories.com ⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠http://audibletrial.com/darkhistories⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠https://www.patreon.com/darkhistories⁠⁠ The Dark Histories books are available to buy here: ⁠⁠http://author.to/darkhistories⁠⁠ Dark Histories merch is available here: ⁠⁠https://bit.ly/3GChjk9⁠⁠ Connect with us on Facebook: ⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠ Or find us on Twitter: ⁠⁠http://twitter.com/darkhistories⁠⁠ & Instagram: ⁠⁠https://www.instagram.com/dark_histories/⁠⁠ Or you can contact us directly via email at ⁠⁠contact@darkhistories.com⁠⁠ or join our Discord community: ⁠⁠https://discord.gg/cmGcBFf⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1695, a small rural, farming community of southwest Scotland was shaken by strange events at the farmhouse of Ringcroft of Stocking. What began with the shuffling around of livestock, soon escalated into unexplained noises, stones thrown through the air and voices that no one could trace. Neighbors and ministers all flocked to witness the disturbances, but none could find a cause and no amount of prayers could bring peace to the household, who lived under siege for almost an entire month, before, as suddenly as it started, the disturbances stopped, leaving nothing but unanswered questions and a pile of smouldering ashes.SOURCES Telfair, Alexander (1695) A true relation of an apparition, expressions, and actings of a spirit which infested the house of Andrew Mackie, in Ringcroft of Stocking… . Scotland, UK. Maxwell-Wood, J. (1911) Witchcraft & Superstitious Record in the South-Western District of Scotland. J. Maxwell & Son, Scotland, UK. Kirk, Robert (1815) The Secret Commonwealth of Elves, Fauns & Fairies. Eneas Mackay, Scotland, UK. Henderson, Lizanne (2006) The Survival of Witchcraft Prosecutions and Witch Belief in South-West Scotland. Scottish Historical Review, Vol 85, Issue 1. Edinburgh University Press, Scotland, UK. Henderson, Lizanne (2019) Witchcraft and Folk Belief in the Age of Enlightenment. Scotland, 1670–1740. Scottish Historical Review, Vol 98, Issue 2. Edinburgh University Press, Scotland, UK. ------ For almost anything, head over to the podcasts hub at ⁠⁠darkhistories.com ⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠http://audibletrial.com/darkhistories⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠https://www.patreon.com/darkhistories⁠⁠ The Dark Histories books are available to buy here: ⁠⁠http://author.to/darkhistories⁠⁠ Dark Histories merch is available here: ⁠⁠https://bit.ly/3GChjk9⁠⁠ Connect with us on Facebook: ⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠ Or find us on Twitter: ⁠⁠http://twitter.com/darkhistories⁠⁠ & Instagram: ⁠⁠https://www.instagram.com/dark_histories/⁠⁠ Or you can contact us directly via email at ⁠⁠contact@darkhistories.com⁠⁠ or join our Discord community: ⁠⁠https://discord.gg/cmGcBFf⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we look into some of the press reports from the second Jack the Ripper Murder, as well as some highlights of Hitchcock's Psycho release, from 1960. There's also sea serpents, haunted houses, and wise words that mean absolutely nothing, as far as I can tell... ------ For almost anything, head over to the podcasts hub at ⁠⁠darkhistories.com ⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠http://audibletrial.com/darkhistories⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠https://www.patreon.com/darkhistories⁠⁠ The Dark Histories books are available to buy here: ⁠⁠http://author.to/darkhistories⁠⁠ Dark Histories merch is available here: ⁠⁠https://bit.ly/3GChjk9⁠⁠ Connect with us on Facebook: ⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠ Or find us on Twitter: ⁠⁠http://twitter.com/darkhistories⁠⁠ & Instagram: ⁠⁠https://www.instagram.com/dark_histories/⁠⁠ Or you can contact us directly via email at ⁠⁠contact@darkhistories.com⁠⁠ or join our Discord community: ⁠⁠https://discord.gg/cmGcBFf⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

Behind the doors of an isolated farmhouse on the outskirts of Plainfield, Wisconsin, a trove of macabre secrets were stashed out of sight of the locals that blurred the line between reality and nightmare. Unearthed in 1957, the world of quiet, shy farmer, Edward Theodore Gein, revealed a bizarre story of grave robbing, body parts fashioned into household items, and a fascination with death that was almost unparalleled in its depravity. A psychiatrist's examination stated plainly that, “The overall picture was not that of a well person,” which was, perhaps, one of the greatest understatements in medical and criminal history.SOURCES Schechter, Harold (1998) Deviant: The Shocking True Story of Ed Gein, Original Psycho. Pocket Books, USA. Borowski, John (2016) The Ed Gein FIle: A Psycho's Confession & Case Documents. Waterfront Productions, Chicago, USA. Chicago Tribune (1957) Tell Gein's Crime Motive. Chicago Tribune, 21 Nov 1957, p1. Chicago, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠darkhistories.com ⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠http://audibletrial.com/darkhistories⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠https://www.patreon.com/darkhistories⁠⁠ The Dark Histories books are available to buy here: ⁠⁠http://author.to/darkhistories⁠⁠ Dark Histories merch is available here: ⁠⁠https://bit.ly/3GChjk9⁠⁠ Connect with us on Facebook: ⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠ Or find us on Twitter: ⁠⁠http://twitter.com/darkhistories⁠⁠ & Instagram: ⁠⁠https://www.instagram.com/dark_histories/⁠⁠ Or you can contact us directly via email at ⁠⁠contact@darkhistories.com⁠⁠ or join our Discord community: ⁠⁠https://discord.gg/cmGcBFf⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1913, a St. Louis housewife named Pearl Curran sat down at a Ouija board and claimed to make contact with a spirit called Patience Worth—a seventeenth-century Englishwoman who spoke in archaic language and spun tales with uncanny speed. What began as a parlor amusement soon erupted into a literary mystery: novels, poems, and dialogues flowed effortlessly through Pearl, though she had no known training in such artistry. Was this the voice of a forgotten soul, the hidden genius of an unlikely medium, or just a big hoax, either for profit, or simply to cure boredom? SOURCES Litvag, Irving (1972) Singer in the Shadows: The Strange Story of Patience Worth. Macmillan, NY, USA. Yost, Casper S. (1916) Patience Worth: A Psychic Mystery. Henry Holt & Co. NY, USA. Prince, Walter Franklin (1927) The Case of Patience Worth. Boston Society for Psychic Research, Boston, USA. St. Louis GLobe Democrat (1915) The Mystery of Patience Worth. St. Louis Globe Democrat, Sun 7 Feb 1915, p41. USA. St. Louis GLobe Democrat (1915) The Mystery of Patience Worth. St. Louis Globe Democrat, Sun 14 Feb 1915, p41. USA. St. Louis GLobe Democrat (1915) The Mystery of Patience Worth. St. Louis Globe Democrat, Sun 21 Feb 1915, p41. USA. St. Louis GLobe Democrat (1915) The Mystery of Patience Worth. St. Louis Globe Democrat, Sun 28 Feb 1915, p41. USA. The New York Times (1916) Patience Worth A Psychic Mystery. The New York Times, Sun 27 Feb 1916, p69. NY, USA. ------ For almost anything, head over to the podcasts hub at ⁠⁠darkhistories.com ⁠⁠ Support the show by using our link when you sign up to Audible: ⁠⁠http://audibletrial.com/darkhistories⁠⁠ or visit our Patreon for bonus episodes and Early Access: ⁠⁠https://www.patreon.com/darkhistories⁠⁠ The Dark Histories books are available to buy here: ⁠⁠http://author.to/darkhistories⁠⁠ Dark Histories merch is available here: ⁠⁠https://bit.ly/3GChjk9⁠⁠ Connect with us on Facebook: ⁠⁠http://facebook.com/darkhistoriespodcast⁠⁠ Or find us on Twitter: ⁠⁠http://twitter.com/darkhistories⁠⁠ & Instagram: ⁠⁠https://www.instagram.com/dark_histories/⁠⁠ Or you can contact us directly via email at ⁠⁠contact@darkhistories.com⁠⁠ or join our Discord community: ⁠⁠https://discord.gg/cmGcBFf⁠⁠ The Dark Histories Butterfly was drawn by Courtney, who you can find on Instagram @bewildereye Music was recorded by me © Ben Cutmore 2017 Other Outro music was Paul Whiteman & his orchestra with Mildred Bailey - All of me (1931). It's out of copyright now, but if you're interested, that was that. Learn more about your ad choices. Visit megaphone.fm/adchoices