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The Jazz Session No.409 from RaidersBroadcast.com as aired in April 2025, featuring a sophisticated album from 1961, “Bags & Trane”, from Milt Jackson & John Coltrane. A treat! TRACK LISTING: Fill Your Heart - David Bowie; Night by Night - Steely Dan ; Quest for Coin - Ezra Collective; Enzo's Theme - The Stanley Clarke Band; The Late, Late Blues - Milt Jackson & John Coltrane; Three Little Words - Milt Jackson & John Coltrane; Organ Grinder Blues - George Melly with Mick Mulligan's Jazz Band; So Do I - Kenny Ball & His Jazzmen; Out of This World - John Coltrane ; Strode Rode - Sonny Rollins; Trevere - Miles Davis; Ostinato (Suite for Angela) - Herbie Hancock; Cryin' Mood - Ella Fitzgerald; Lyin' to Myself - Louis Armstrong & His Orchestra ; Be-Bop - Milt Jackson & John Coltrane; Centerpiece - Milt Jackson & John Coltrane; Teenbeat Reprise - Henry Cow; Sancho - Kenny Wheeler, w. John Dankworth Orchestra; Kathy's Waltz - The Dave Brubeck Quartet ; Port of Call - Cecil Taylor.
Teamsters Local 25's annual Autism Gala welcomed a special performance from the Boston Higashi School's jazz band. For more, ask Alexa to play WBZ NewsRadio on #iHeartRadio.
Hear from one of New England's most legendary band directors. Jeff Leonard spent 35 years in the Lexington Schools as K-12 Coordinator and Band Director. Now teaching at BU and Berklee, hear some of the ways to improve as a teacher in both the classical and jazz realm. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director!
Winter Morning I, Woodkid, Nils Frahm Ellis Erased TapesYou Name It, Nils Frahm Day LEITERGlare of Us, Evgeny Grinko Winter Moonlight Nettwerk Music GroupMr. Squirrel, Evgeny Grinko, SVRCINA Winter Moonlight Nettwerk Music GroupSiboney, Pepe Rivero, Alexey León Siempre en mi corazón Cezanne ProduccionesLa Comparsa, Pepe Rivero, Paquito D' Rivera, Reinier Elizarde el Negrón, Javier ColinaSiempre en mi corazón Cezanne ProduccionesOverjoyed, Javier Colina, Antonio Serrano, Guillermo McGill, Ivan Melón Lewis Colina-Serrano Project Universal Music Spain S.L.Invention No. 7 in E Minor, BWV 778 - Arr. for Jazz Band, Moisés P. Sánchez Bach (Re)inventions MarchVivoL'últim Cercle Polar, María Coma Celesta Musica GlobalKoro, María Coma Vocal Roots Foehn RecordsPare - Live, María Coma Pare (Live) Foehn RecordsSpark, Niklas Paschburg Oceanic 7K!Escuchar audio
Jazz Band at the End of the Earth | Revelation 8-11 | Revelation by Hunter Bible Church
Du jazz en Allemagne en pleine Seconde Guerre Mondiale ? Aussi surprenant que cela puisse paraître, ce fut une réalité. Entre 1940 et 1944, Charlie and his Orchestra était le big-band "officiel" de la propagande nazie, détournant les plus grands airs de jazz de l'époque pour servir le discours d'Hitler et de Goebbels. Un orchestre qui, chaque jour, servait depuis Berlin ses chansons édifiantes, à destination de l'Angleterre et des Etats-Unis, via les ondes de la radio. C'est la curieuse histoire de cet orchestre que je vous raconte dans cet épisode, à l'occasion de la sortie du livre Le Jazz-Band de Goebbels, de Demian Lienhard, chez JC Lattès. Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
durée : 00:59:19 - Cuttin' Out - par : Nathalie Piolé - ⛔️ Ce soir, on arrête les frais ! - réalisé par : Fabien Fleurat
In dit programma hoor je de Dirty River Jazz Band, een heel actieve Amerikaanse jazz band. Ze hebben hun wortels in San Antonio in de staat Texas in de USA. De oprichters van de band kenden alkaar omdat ze muziek studeerden aan de universiteit. Ze woonden een concert bij van een plaatselijke band, Jim Collum. Daar werden ze zo enthousiast van dat ze besloten om zelf zo'n band op te richten. Dat werd de Dirty River Jazz Band.Reacties: jazztrain@studio040.nl
An investigation into California's levees for flood control. Also, the three-year anniversary of the Russia-Ukraine War. Finally, the Andrew Maloney Quartet performs at CapRadio. How Prepared Are California's Levees?
Sintonía: "Oh Mary Don´t You Weep" - The Fisk Jubilee Singers"Up Above My Head" - Sister Rosetta Tharpe & Marie Knight with The Sam Price Trio; "God´s Gonna Gut ´em Down" - The Golden Gate Quartet; "I Want My Crown" - The Pilgrim Travellers; "Get On Board Little Children" - Alphabetical Four; "Climbing Up The Mountain" - Morris Brown Quartet; "Precious Memories" - Sister Rosetta Tharpe & Marie Knight; "Didn´t It Rain" - The Golden Gate Quartet; "Let The Church Roll On" - Capitol City Four; "Standing On The Highway" - The Pilgrim Travellers; "Wake Me, Shake Me, Don´t Let Me Sleep Too Long" - The Wright Brothers Gospel Singers; "Rock Me" - Sister Rosetta Tharpe; "Where Could I Go But To The Lord" - Sister Ernestine Washington with Bunk Johnson´s Jazz Band; "I Heard Zion Mourn" - Southern Sons; "Lonesome Road" - Sister Rosetta Tharpe with Lucky Millinder & His Orchestra; "You´ve Got To Move" - Elder Charles Beck; "Don´t Take Everybody To Be Your Friend" - Sister Rosetta Tharpe & The Sam Price Trio; "Amazing Grace" - Mahalia JacksonTodas las músicas extraídas de la recopilación (2xCD) "Black Gospel" de la serie "As Good As It Gets" del sello Disky Communications (2000).Escuchar audio
In dit programma hoor je de Black Swan Classic Jazz Band, een band uit de Verenigde Staten. Ze maken traditionele jazz, zoals de naam al aangeeft. Reacties: jazztrain@studio040.nl
Der Trompeter Peter Somuah wurde in Ghana geboren und wuchs in einer musikaffinen Familie auf. Zum Jazz kam er, als er mit 16 Jahren zufällig Aufnahmen von Miles Davis, Charlie Parker und John Coltrane hörte. Er brachte sich selbst das Trompete-Spielen bei und sammelte erste Erfahrungen in verschiedenen ghanaischen Bands. Später ging er der Liebe wegen nach Rotterdam und gründete dort eine eigene Jazzband mit holländischen Musikern. Mit ihnen hat er auch sein aktuelles Album „Highlife" eingespielt, das traditionelle afrikanische Musik mit europäischem Jazz, Afrobeats und Funk mischt. Und - wie der Titel schon sagt - mit Musik im Stil des „Highlife", der auf die Kolonialzeit zurückgeht. Peter Somuahs rhythmusbetonte Musik ist ein faszinierender Jazzmix und stellt eine Bereicherung des Genres dar - meint unser Jazzkritiker Johannes Kaiser.
Hear from one of todays best composers for young jazz band. We talk about ways to have a successful jazz program including advice on set up, improvisation, music selection and much more! We also hear 5 of his amazing charts with score and sound! To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of thegrowingbanddirector.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Follow the show: Podcast website : Thegrowingbanddirector.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support
I went back to my roots on this one - going solo and talking one on one with a trombone friend. Meet Dr. Anthony Williams as he speaks about some of his major influences as a musician. He shares some pedagogical views about trombone, being a musician, and takes us into what it might be like studying in his studio at the University of Northern Iowa. He is passionate about commissioning and playing new and different works with a fusion of styles for trombone. Williams can be seen playing in a big band, jazz combo or symphony orchestra throughout the calendar year. https://www.anthonywilliamstrombone.com/
The Jazz Session No.389 from RaidersBroadcast.com as aired in November 2024, featuring the amazing jazz-rock guitarist Allan Holdsworth and his 2002 live album “All Night Wrong”. TRACK LISTING: Play a Simple Melody - Bing & Gary Crosby; Early Autumn - Cleo Laine; Yellow Fields - Eberhard Weber, w.Gary Burton, Jan Garbarek; 892 Teeth - Mary Halvorson; Water on the Brain Pt. II - Allan Holdsworth; Gas Lamp Blues - Allan Holdsworth; I Am the Walrus - Brad Mehldau; One Girl Among Many - Yazz Ahmed; Caravan - Dizzy Gillespie & His Orchestra; St. Thomas - Sonny Rollins; Hypoxmastreefuzz - John Pope and John Garner; We Go On - Pat Metheny Unity Group; Organ Grinder Blues - George Melly, w. Mick Mulligan's Jazz Band; Sobbin' Blues - King Oliver & His Dixie Syncopaters; Lanyard Loop - Allan Holdsworth; The Things You See - Allan Holdsworth; On Green Dolphin Street - Jimmy Heath Orchestra; The Duke - Miles Davis & Gil Evans; Pule - Abdullah Ibrahim and the NDR Big Band; 1/4 Samba II - Tatsuya Nakamura.
James Lee is a 16-year-old classical and jazz pianist, composer, and multi-instrumentalist. A junior at Wilsonville High School, James is an active member of the Symphonic Band/Pep Band as a percussionist, the Jazz Band as a pianist and drummer, and regularly accompanies classmates for OMEA competitions. This summer, he graduated from the OMTA Syllabus program “with distinction” under Heidi Evans, having also participated in solo and concerto piano festivals, masterclasses with renowned pianists Jeeyoon Kim and Kate Boyd, and recently earned honorable mention in the 2024 OMTA State Composition Festival.
Brittany loves to be busy. Since childhood she had said "yes" to just about any opportunity, from International Baccalaureate to Jazz Band. But she never said "yes" to the idea of God...until she realized that God had been saying "yes" to her all along. The "Stories of Faith" series highlights real people telling their real stories of life in relationship to Jesus. Do you have a "story of faith" that you're interested in sharing on Bible Jazz?Be in touch!Instagram: @biblejazzSubscribe to Bible Jazz on Apple!https://podcasts.apple.com/us/podcast/uppc-podcast/id1450663729?mt=2Follow on Spotify:https://open.spotify.com/show/2YLbRFDsJbqGEAkMuJ1E5MAnd at www.UPPC.orgMusic:"Vibing Over Venus" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Modern Jazz Samba" by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4063-modern-jazz-sambaLicense: https://filmmusic.io/standard-license"Study And Relax" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"On Hold for You" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
Brittany loves to be busy. Since childhood she had said "yes" to just about any opportunity, from International Baccalaureate to Jazz Band. But she never said "yes" to the idea of God...until she realized that God had been saying "yes" to her all along. The "Stories of Faith" series highlights real people telling their real stories of life in relationship to Jesus. Do you have a "story of faith" that you're interested in sharing on Bible Jazz?Be in touch!Instagram: @biblejazzSubscribe to Bible Jazz on Apple!https://podcasts.apple.com/us/podcast/uppc-podcast/id1450663729?mt=2Follow on Spotify:https://open.spotify.com/show/2YLbRFDsJbqGEAkMuJ1E5MAnd at www.UPPC.orgMusic:"Vibing Over Venus" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"Modern Jazz Samba" by Kevin MacLeodLink: https://incompetech.filmmusic.io/song/4063-modern-jazz-sambaLicense: https://filmmusic.io/standard-license"Study And Relax" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/"On Hold for You" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/
10 11 2024 02 Radio Revista Oscar Barreto Jazz Band by ABC Color
En esta emisión de En esta casa somos melómanos, Germán Martínez Aceves nos comparte la música y el trabajo de Calacas Jazz Band, agrupación que incluye el jazz hot, ragtime y dixiland.
Luba, Arkadiusz www.deutschlandfunkkultur.de, Aus der jüdischen Welt
Polen will EU-Ratspräsidentschaft nutzen, um EU-Mittel für den Grenzschutz zu sichern. Und: Was ist der Stolperstein-Effekt und welche unbeabsichtigten Nebeneffekte hat er für die Wahrnehmung des Zweiten Weltkriegs in Deutschland? Mehr im aktuellen Infomagazin.
Producer Brendan Bryan talks with Dave Camwell about his band Covert Ensemble and the process of rearranging music in a modern form.
Four more or less unrelated sessions featuring high quality and professional traditional jazz as it was being performed on 52nd Street . . George Wettling's Rhythm Kings with Ed Hall, Billy Butterfield and Dave Bowman; Bud Freeman's Gang with Bobby Hackett, Pee Wee Russell, Dave Matthews and Jess Stacy; two sessions by George Brunies' Jazz Band with either Wild Bill Davison or Max Kaminsky, either Tony Parenti or Johnny Mince, Gene Schroeder, Jack Lesberg and Johnny Blowers. And Eddie Condon on every side! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Brad Gowans was better known as a valve trombonist and arranger, but he was an adept clarinetist who was initially inspired by the first jazz records by the Original Dixieland Jazz Band. He brought trombonist Eddie Edwards, pianist Frank Signorelli and drummer/kazoo player Tony Sbarbaro from the original group into the World, Commodore and V Disc studios with contemporary players like Wild Bill Davison, Bobby Hackett, Max Kaminsky, Gene Schroeder, Teddy Roy, Eddie Condon and Bob Casey to recreate some of the original tunes, albeit with a bit more swing. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
David and Judy Brown talk about an experience they had where a jazz band was the keynote speaker at a quality conference and the leadership lessons that were drawn from the event
Talk Python To Me - Python conversations for passionate developers
Flask is one of the most important Python web frameworks and powers a bunch of the internet. David Lord, Flask's lead maintainer is here to give us an update on the state of Flask and Pallets in 2024. If you care about where Flask is and where it's going, you'll definitely want to listen in. Episode sponsors Sentry Error Monitoring, Code TALKPYTHON Talk Python Courses Links from the show David on Mastodon: @davidism David on X: @davidism State of Pallets 2024 FlaskCon Talk: youtube.com FlaskCon: flaskcon.com FlaskCon 2024 Talks: youtube.com Pallets Discord: discord.com Pallets Eco: github.com JazzBand: jazzband.co Pallets Github Org: github.com Jinja: github.com Click: github.com Werkzeug: github.com MarkupSafe: github.com ItsDangerous: github.com Quart: github.com pypistats: pypistats.org Watch this episode on YouTube: youtube.com Episode transcripts: talkpython.fm --- Stay in touch with us --- Subscribe to us on YouTube: youtube.com Follow Talk Python on Mastodon: talkpython Follow Michael on Mastodon: mkennedy
This week, we're talking ambiguous words and ambiguous phrases– sometimes we think we know what we're saying and sometimes we're really wrong.
Some of the first records under Turk Murphy's name done for Good Time Jazz in 1950 and 51 . . featuring at various times Bob Scobey, Don Kinch, Bill Napier, Bob Helm. Skippy Anderson, Wally Rose, Burt Bales, Pat Patton, George Bruns, Squire Girshback and others, these were highly influential recordings in the San Francisco traditional jazz style. --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Acclaimed genre-crossing songwriter and interpreter Madeleine Peyroux takes stock of her songwriting over the years and shares insights into the creation of her latest album. PART ONEPaul and Scott talk music books, the value of recording, and whether or not performers should stick to a strict or loose interpretation of a song when performing live. PART TWOOur in-depth conversation with Madeleine PeyrouxABOUT MADELEINE PEYROUXMadeleine Peyroux moved to Paris with her mother at the age of 12 and began singing with street musicians while still a teenager. She eventually joined the Lost Wandering Blues and Jazz Band, with whom she toured Europe. After being discovered by Atlantic Records she released her debut album, Dreamland, in 1996. Madeleine's commercial breakthrough came with the Gold-selling album Careless Love in 2004 and it's single, the self-penned “Don't Wait Too Long,” which was released by Rounder Records and topped the jazz charts. The follow-up album, Half the Perfect World, hit the Top 40 on Billboard's US album chart. Her 2009 album, Bare Bones, was the first to feature all original material. She moved to Decca Records for the Standing on the Rooftop album in 2011 and has since released four additional studio albums. Her latest effort, Let's Walk, features all original material and continues to showcase her masterful blending of jazz, blues, folk, pop, and more.
Louise Blackwell et son Jazz band The French Set seront à Melbourne le 13 et le 14 juillet dans le cadre de Bastille Day 2024.
In this episode, Brent responds to a question from Louis Thompson about the lead instrument in a small jazz ensemble with a trumpet, saxophone, trombone, and rhythm section. Brent discusses the dynamics of horn players working together, exploring various approaches for melody and improvisation. He explains how horn players usually play in a jam session. Brent emphasizes the importance of listening and adapting to each other's playing to create a cohesive sound. Whether it's harmonizing, creating counterpoint lines, or trading off the lead, there are numerous ways for horn players to collaborate and make the music shine. Tune in to discover how multiple horn players can harmonize, create counterpoint lines, and share the spotlight in jazz performances. Brent's insights will help you better understand ensemble playing and enhance your jazz skills. Don't miss this episode and make sure to subscribe on Spotify or Apple Podcasts for more valuable tips and advice.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.
Join Brent in this insightful podcast episode as he discusses the essential characteristics of a great jazz band and its members. Responding to a question from Arjun in the Netherlands, Brent explores the importance of musicians supporting each other, focusing on collective music-making rather than individual performance. He cites how unselfishness and a cooperative spirit are vital for creating outstanding jazz music.Brent also emphasizes the significance of responsibility and preparedness in a band setting. From showing up on time to being well-prepared with all parts of a song, these traits are crucial for a successful group dynamic. Listening skills are highlighted as a key component, enabling musicians to respond to each other's cues and adapt to different performance environments. Tune in to gain valuable insights that will help you form and contribute to a stellar jazz band.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.
The amazing Soquel High Jazz Band makes their annual appearance on the Off the Lip Radio Show
Full transcription available at http://heartsofgoldpodcast.com/ Kaylee, an inspiring young woman who has achieved remarkable feats both in her Girl Scout journey and in her athletic endeavors, shares the story of her Girl Scout Gold Award project, where she built over 100 feet of wooden bridges on the John P. Saylor Trail in Gallitzin State Forest. This project was inspired by her own experiences running on the muddy trails and aimed to improve the trail for all users. She discusses the challenges she faced, and how she overcame them with the help of her friends and the local community. Kaylee also delved into her passion for ultra marathon running, revealing that she started running ultras at the age of 14 and recently became the youngest person to complete the Badwater 135, known as the world's toughest foot race and the crucial role her support crew played in her success. Throughout our conversation, Kaylee emphasized the importance of leadership, teamwork, and communication, skills she honed through both her Gold Award project and her ultra running. She also shared her future aspirations, including her double major in biology and secondary education, and offered encouraging words for future Gold Award Girl Scouts. Kaylee's story is a testament to the power of perseverance, community support, and the impact of Girl Scouts beyond just selling cookies. Her dedication to her projects and her sport is truly inspiring, and I am grateful she took the time to share her journey with us. More About Kaylee: Kaylee started Girl Scouts as a Daisy in Kindergarten and remained an active member all the way through her senior year of high school as an Ambassador. She was also very active in extracurriculars and sports at Conemaugh Township, including soccer, track and field, cross country, Rotary Interact Club, Jazz Band, and Spanish Club. Kaylee is a CrossFit Level One Trainer and an avid ultra-marathon runner outside of school. She is attending the University of Pittsburgh at Johnstown to obtain a double major in biology and secondary education and a minor in chemistry with hopes of becoming a high school biology teacher. Facebook: https://www.facebook.com/kaylee.frederick.16 Instagram: https://www.instagram.com/frederick.kaylee/ Key Takeaways from this episode: 1. Kaylee's Gold Award project involved building wooden bridges on a local trail to improve the experience for hikers and runners. 2. Kaylee's experience running ultra marathons, including completing the challenging Badwater 135 race, showcases her determination and endurance. 3. Kaylee's involvement in CrossFit and coaching at a local gym demonstrates her commitment to fitness and helping others achieve their goals. Share this show with your friends on Twitter. Click to have an editable already written tweet! https://ctt.ac/33zKe Sign up for our newsletter: https://bit.ly/3rx06pr Join our Facebook Community https://www.facebook.com/sherylmrobinson/ Instagram https://www.instagram.com/sherylmrobinson/?hl=en Please subscribe to Hearts of Gold on YouTube at https://www.youtube.com/sherylmrobinson or on your favorite podcast app. Support future Hearts of Gold episodes at https://www.patreon.com/heartsofgold Editing by https://www.offthewalter.com/ Walter's YouTube channel is https://www.youtube.com/channel/UCt0wFZRVaOpUd_nXc_8-4yQ
Pippa speaks to Dwyn Griesel, the CEO and Founder of Kronendal Music Academy, and Jono Prest, trumpeter and vocalist of Nomadic Orchestra.See omnystudio.com/listener for privacy information.
Gabriel Deshaune Parker, co-frontman of Artemis Funk and founder of the viral pop culture cover group Unlockable Characters, joins us on the show! We chat about jazz, classical composers, and even the troubled past of Richard Wagner. Gabriel offers insights into his musical journey, explaining how his experience in a post-punk band prepared him for the life of gigging and striving in the industry. He delivers honest, thoughtful answers and even shares advice he'd give his younger self.In true Punkadoodle fashion, Ruth keeps things lively with some playful harassment throughout the episode.If you're a music lover, regardless of genre, and want to discover your new favorite artist, then this episode is a must-listen!Follow Gabriel Deshaune Parker:InstagramUnlockable CharactersARTEMIS FUNK Follow The Austin Young Show:www.austinyoungshow.com Music By: ARTEMIS FUNK - Hold It Down & FeelingsThe Effinays - Donut ShopSteve Gnash - Las Colinas, PT 1
Yesterday on the show we were lucky to be joined by 26 students from Staten Island's Susan E. Wagner High School jazz band. The students will soon be taking part in Jazz at Lincoln Center's Essentially Ellington High School Jazz Band Competition & Festival, happening May 9-11. They are the only New York City band out of 15 schools around the country selected to participate. After we wrapped our on-air conversation, the band also recorded two bonus songs, "Almendra" and "Who Me?" You can hear those performances now!This segment is guest-hosted by Kate Hinds.
Jazz at Lincoln Center's 29th annual Essentially Ellington High School Jazz Band Competition & Festival is May 9–11! We receive a preview of the event from JLCO's longtime sax player, Sherman Irby, Todd Stoll, jazz trumpeter and Vice President of Education at Jazz at Lincoln Center, Paul Corn, the band director at Staten Island's Susan E. Wagner High School and some of his students for a live performance.*This segment is guest-hosted by Tiffany Hanssen.
Tokyo Groove Jyoshi, known for their energetic live performances and a diverse repertoire spanning original compositions to vibrant renditions of jazz, funk, R&B, and rock classics from the dynamic eras of the 70s and 80s, is about to embark on their inaugural tour across Australia. - オリジナル曲に加え、70年代~80年代のジャズ、ファンク、R&B、ロックのカバーなど、あらゆるのレパートリーを持ち、エネルギッシュなライブで知られる『東京グルーブ女子』が、初となるオーストラリアツアーを開催します。
Michael Sweeney has changed the landscape of music education by his accessible arrangements of master works for Concert Band and Jazz Band. Editor at Hal Leonard since 1982 - Michael Sweeney spends time with us for this first part of a two-part series on all things band - including some highlights of his music. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support
Michael Sweeney has changed the landscape of music education by his accessible arrangements of master works for Concert Band and Jazz Band. Editor at Hal Leonard since 1982 - Michael Sweeney spends time with us for this first part of a two-part series on all things band - including some highlights of his music. To gain access to all show notes and audio files please Subscribe to the podcast and consider supporting the show on Patreon - using the button at the top of growingband.com Our mission is to share practical advice and explore topics that will help every band director, no matter your experience level, as well as music education students who are working to join us in the coming years. Connect with us with comments or ideas Visit our merchandise store to purchase exclusive swag from The Growing Band Director Podcast Follow the show: Podcast website : Growingband.com On Youtube The Growing Band Director Facebook-The Growing Band Director Podcast Group Instagram @thegrowingbanddirector Tik Tok @thegrowingbanddirector If you like what you hear please: Leave a Five Star Review and Share us with another band director! --- Support this podcast: https://podcasters.spotify.com/pod/show/kyle-smith95/support
The Chicago-based West End Jazz Band (featuring Mike and Leah Bezin, Frank Gualtieri, John Otto, Mike Walbridge, Wayne Jones and Mike Albiniak) was especially active in the first fifteen years of the 21st Century and specialized in Hot Dance. Here, they play a series of selections recorded in the 1920's by the Coon Sanders Nighthawks. Terrific arrangements - the six piece band sounds like at least ten! --- Support this podcast: https://podcasters.spotify.com/pod/show/john-clark49/support
Bradley McKinney, a skilled piano and saxophone artist based in Louisville, Kentucky, draws inspiration from a diverse range of genres such as rock & roll, jazz, hip-hop, blues, country, and classical music. His musical journey commenced at the age of 7 when he started playing the piano, and a few years later, he embarked on saxophone lessons. Throughout his high school years, Bradley showcased his musical prowess in various settings, participating in Marching Band, Pep Band, Jazz Band, Concert and Symphonic Bands, as well as contributing to his district's KMEA and All County programs. Upon graduating from high school, Bradley pursued his passion for jazz music and history at The University of Louisville (UofL). During his time at UofL, he engaged in diverse musical experiences, playing in the school's Marching Band, Jazz Ensembles, and various small jazz combos. Notable performances included collaborations with acclaimed musicians like Adam Nussbaum and Doc Severinsen. Bradley further enriched his musical education by studying in Bogota, Colombia, and attending Master Classes conducted by Bill Evans, David Becker, Mark Colby, and Don Braden. During this period, Bradley began making a name for himself as both a saxophone player and a solo pianist, captivating audiences in and around the Louisville area. Following his graduation from the Music School at UofL, he became the keyboard player for the Adrian Taylor Band and briefly contributed to Louisville's Grateful Dead cover band, Shiny and the Breeze. Currently, Bradley serves as the keyboard player for TOP SHELF in Louisville. Beyond his band engagements, Bradley continues to thrive as a solo pianist, enchanting audiences at prestigious venues including French Lick and West Baden Springs in Indiana, as well as The Seelbach Hotel, The Pandennis Club, and The Omni Hotel in Louisville. --- Support this podcast: https://podcasters.spotify.com/pod/show/tophillrecording/support
Episode 114 features Miguel Bolivar a marching band director who is here because I have some things I want to say. From my blanket apology to start the conversation to discussing all of the bands and the role, it has in forming better habits and music in general to the importance of arts education in high school and much much more... Throughout the conversation, we discuss: Being a band geek Marching Band Symphonic Band Jazz Band Pep Band Performing and Garage Bands Saxophone Band is a place to belong The Road Not Taken The Piano Music Theory Practice and Playing The Band Room The Arts And much more Mentioned and Helpful Links from This Episode Eric Smith is an Author, an Agent, and More AgentPalmer.com Tweets @AgentPalmer @ThePalmerFiles Other Links Latest Features Dossier Don't Copy Xerox's Errors as Told in Fumbling the Future 2023: Maybe I'll Catch Up Later You can also hear more Palmer occasionally on Our Liner Notes, a musical conversation podcast with host Chris Maier or as co-host of The Podcast Digest with Dan Lizette. Music created and provided by Henno Heitur of Monkey Tongue Productions. --End Show Notes Transmission--
In this podcast episode, Brent addresses a question from Ed Robinson about the preference between a jazz trio or a quartet. Brent emphasizes the value of playing with other musicians and highlights the diverse challenges and experiences that come with different band settings. He shares personal insights, expressing a preference for a quartet setting with bass, drums, guitar (himself), and a saxophone. Brett encourages musicians to explore various settings to grow as jazz players and musicians.Important Links:Free Guide to learning standards by ear: Learn Jazz Standards the Smart WayLJS Inner Circle MembershipListen to the Learn Jazz Standards PodcastLearn Jazz Standards Inner Circle: Get 50% off your first month! Want to get your jazz question answered on the podcast? Click here.
Por esos caprichos del destino una hermosa canción de amor, hoy un clásico del feeling cubano, se convirtió en el triste leit motiv de quienes, durante los años 60, se vieron forzados a dejar atrás patria, afectos y familia. Con su canción "Adiós felicidad", Ela O'Farrill, sin proponérselo, resonó de manera singular con aquel fenómeno histórico que lamentablemente, multiplicado en innumerables éxodos durante más de seis décadas, ha marcado a la familia cubana. Último día del año 2023 que aprovechamos para repasar algunos tracks de la fabulosa producción "Con el permiso de Bola". Magnífico trabajo protagonizado en 2006 por Pancho Céspedes con la complicidad del pianista Gonzalo Rubalcaba,. Travesía musical completada por Dagoberto González en violín, René Toledo en guitarra, Carlos Miyares en saxo tenor, Yasek Manzano en trompeta, Maykel Elizalde en el tres, Ignacio Berroa en drums y Carlos del Puerto en contrabajo. Todos con el respaldo del poderoso emporio discográfico norteamericano Warner. Dentro de la historia cultural del barrio de Cayo Hueso, tendremos que volver, una y otra vez, al reconocimiento necesario de sus rumberos. Algo de la obra del percusionista, rumbero y compositor Luciano "Chano" Pozo acompañará este segmento del programa. Efectivo repertorio que, ya a comienzos de los años 40, ponía en el éter la señal de la RHC Cadena Azul del guajiro Amado Trinidad Velazco y que en la década siguiente reproducían agrupaciones como la orquesta "Sensación" de Rolando Valdés con su cantante Elpidio Piedra "El Chino". "Ariñáñara", edición Puchito donde sobresalen los solos de Juan Pablo Miranda en flauta y Yeyito Iglesias en bongoes. Más de la obra de Chano Pozo, está vez vinculada a las ediciones de las etiquetas Coda y SMC Pro Arte. Panchito Riset, Marcelino Guerra "Rapindey" y Alonso en las voces. Arsenio Rodríguez en el tres, y Chano en las tumbadoras. Los tesoros de la música popular cubana: La voz y los tambores de Chano. Buen recuerdo para el importante pianista, arreglista y compositor Pedro Justiz, bien conocido en el ambiente artístico musical con el sobrenombre de "Peruchín". Nacido en la localidad oriental de Banes en 1913 como muchos de sus contemporáneos se trasladó a La Habana en busca de mejor fortuna. Su paso por jazz bands de la región oriental de la isla, entre las que sobresalieron la orquesta Chepín Chovén y la de Mariano Mercerón, le permitieron desarrollar un riquísimo diapasón creativo. En el teclado blanquinegro Peruchín combinó lo más genuino de la música popular cubana con elementos del jazz. Ya en la capital de la república, en plena esfervescencia la era de los jazz bands y los conjuntos soneros, con un concepto melódico y armónico adelantado a su tiempo, no le resultó difícil figurar en bandas de primera línea como la "Casino de la Playa" y la "Riverside". Con el auge de la industria discográfica independiente participó en numerosas sesiones de estudio. El 24 de diciembre del año 1977, falleció “Peruchín”, uno de los grandes de la música popular cubana que habrá que tener siempre muy en cuenta. A propósito de barrios rumberos como Cayo Hueso, el rastro de sus toques y cantos nos conduce a la vida y obra del gran Virgilio Martí. Completamente desconocido por muchos músicos cubanos, dentro y fuera de la isla, en el Nueva York de los años sesenta y hasta su muerte en 1995, defendió con fuerza y verdad, el legado de la rumba y el guaguancó. Hasta el sol de hoy sus intervenciones en los míticos álbumes de "Patato y Totico" y el Grupo Folklórico y Experimental Nuevayorquino, son referentes importantes.
There are many trombone treasures to discover in this interview! Get to know Dr. Joseph Jefferson a bit in this episode. We learn about his musical influences from growing up going to church to his trombone professors instilling a great work ethic and the eagerness to continue to grow as a person and musician.
Hi Parents and Students. I want to tell you about a new online program I will be offering. It's called Keys to Jazz Bootcamp. This program is for anyone who wants to learn to play Jazz! It's particularly designed for kids, middle school and high school age, who want to play in Jazz Band at school, or are trying to get into a school Jazz program , or just want to play music with their friends. You can listen to interviews with some of my current students, and their parents, who attend our local Fine Arts Center. These kids are in a Jazz program where they get to play in ensembles with other kids, and they receive class instruction and private instruction. It's a very successful program, with many kids going on to college music programs, and many eventually become performers and/or teachers, as well. I'm excited to present this program. Teaching this music is something I'm passionate about! Remember that I'm also available for private study online, as well. I offer free consultations if you want to talk with me about any of this. Keithdavismusic.comI am available for online or in person study. Reach out to me at: keith@keithdavismusic.com Keith Davis Music
In today's episode we are going dive into the logistics of jazz band set-ups as well as provide a short history of jazz origins. Enjoy. Want to ADVERTISE your SERVICE or PRODUCT to a highly focused Music Education audience. Then ADVERTISE HERE! https://signup.libsyn.com/?promo_code=MUSICED Promo Code = MUSICED Do You Get Value From The Show? Consider Supporting the Show with a $3 Donation. https://glow.fm/themusiceducatorpodcast/