Podcasts about Freddy Martin

1 - Golden Gate - Al Jolson – 19282 - Water Under the Bridge - Elmer Feldkamp with Freddy Martin and his Orchestra - 19343 - Pod Mostem (Under the Bridge) - Walter Jagiello aka Lil Wally with Eddie Terlikowski i jego Orkiestra Polskiej Karuzeli - 19494 - London Bridge is Falling Down - Count Basie and his Orchestra – 19385 - Fallen Arches - Ben Bernie and his Hotel Roosevelt Orchestra – 19266 - The Bridge - Columbia Stellar Quartette - 19157 - Low Bridge! Everybody Down! - Billy Murray – 19128 - On a Little Bamboo Bridge – Donald King with Roy Smeck and his Serenaders- 19379 - Boardwalk Blues - The Country Club Orchestra – 192210 - The Broadway Strut - The Original Six - 192211 - The Old Covered Bridge - Jack Parker with Joe Green and his Novelty Orchestra – 193412 - Waterloo Bridge - Bill Darnell with Bob Chester and his Orchestra – 194113 - Over The Bridge - Bob Haring's Velvetone Orchestra – 192314 - Sabotage – Marion Hutton with Glenn Miller and his Orchestra – 194215 - The Old Rustic Bridge by the Mill - The Black Diamonds Band - 191116 - Bridgebuilders - Keith Falkner – 1936

1 - By the Waters of Minnetonka - Princess Watahwaso – 19172 - Rainbow on The River - Perry Como with Ted Weeks and his Orchestra – 19363 - Blue River - Prairie Ramblers – 19334 - From the Land of the Sky-Blue Water - Mildred Bailey and her Orchestra – 19365 - I'm Like a Fish Out of Water - Dick Powell with Harry Sosnik and his Orchestra – 19386 - Low Bridge! Everybody Down! - Billy Murray - 19127 - Water Under the Bridge - Elmer Feldkamp with Freddy Martin and his Orchestra – 19348 - Theres Rhythm in the River - Blanche Calloway and her Joy Boys – 19319 - River of Jordan - Fisk University Male Quartet – 191510 - River, Stay 'Way from My Door - Jimmie Noone and his Orchestra – 193111 - Deep Water - Tommy Duncan with Bob Wills and his Texas Playboys – 194512 - Cool Water - Vaughn Monroe and Sons of the Pioneers - 194813 - Water Boy (Convict Song) - Paul Robeson – 192614 - Koni Au I Ka Wai (Tasting the Waters) - Alvin Kaleolani with Harry Owens and his Royal Hawaiian Hotel Orchestra – 193715 - Water Faucet (Drip, Drip, Drip) - Jock Carruthers with Jimmie Lunceford and his Orchestra – 194716 - Dream River - The Revelers – 1928

Features vintage music by Freddy Martin, Fletcher Henderson and Bunny Berigan.  We also learn more about the magic behind Boxer Ben.  Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Here's an artist dwelling in my father's collection we haven't heard from yet. We'll be hearing selections from the first of three Billy Vaughn records he had. This record isn't just filled with the pop hits Vaughn would arrange and record for orchestra to be played on those easy listening radio stations. These are standards. In fact, the hit recordings of these songs sold a lot of records. So, get ready to hear 7 tunes that were recorded over 1,200 times combined over the years in Volume 190: Billy's Million Sellers. More information about this album, see the Discogs webpage for it.  Credits and copyrights Billy Vaughn – Billy Vaughn Plays The Million Sellers Label: Dot Records – DLP 3119 Format: Vinyl, LP, Album Released: 1958 Genre: Jazz, Folk, World, & Country Style: Easy Listening We will hear 7 of the 12 songs on this album. Holiday For Strings written by David Rose Canadian Sunset written by Eddie Heywood Tonight We Love written by Freddy Martin, Ray Austin Fascination written by Fermo Dante Marchetti  In The Mood Written by Joe Garland, Jimmy Dale, Wingy Manone, Andy Razaf  Around The World Music written by Victor Young So Rare written by Jerry Herst, Jack Sharpe I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

In this episode we examine and listen to Disc #114 of the V-Disc Collection.  This V-Disc features vintage recordings by Freddy Martin and His Orchestra. (E034) * The musical performances and recordings featured in this podcast are in the Public Domain.  Artists are credited within the podcast.

A long time ago in a theme park far, far away... Star Tours!! Join Alex Stewart & Freddy Martin as they Jetset across time and space to share the story of one of best and long-lasting attractions in Tomorrowland at Disneyland! This is a journey you won't want to miss. We Have Merch!!Buy: WED Enterprises Inspired BSOW T-ShirtCheck Out Our Other Podcast: Did You Know DisneyOur Star Wars Themed Podcast: The Smuggler's DispatchFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterProduction CreditsDirected By: Alex StewartWritten By: Alex StewartSound Design and Editing By: Alex Stewart

Features vintage music by Woody Herman, Raymond Scott and Freddy Martin.  Ronnaldo also talks a little bit about an old show called "Call For Music". Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * The music featured in this podcast is considered Public Domain.  Artists are credited within the podcast.

Call it “dream logic”; call it a time-collapsing mind meld. It came to me in a dream: a snatch of nonsense lyric and melody, an ear-worm summoned up from 60 years in the past. I didn't know what it was, why it was teasing me, or precisely where it came from, but there it was… “and, so on, so on, so forth…” What was it? I googled just that much, and up it came: “The Hut-Song,” sung by the eponymous elephant in Horton Hatches an Egg, a cartoon that I had watched as a toddler. And, digging back a bit further, I discovered that preceding that animated Dr. Suess adaptation, The Hut-Sut Song was a monster pop hit, with several cover versions - the most popular being Freddy Martin's. Thereby, not only did I jump start my memory, but I made a new discovery, as well. So, here we are: A Sunny Song from the deep recesses of my sub-conscious. I'm including both versions because the pop hit has a whole backstory to explain the indecipherable lyrics.I think the genesis of this whole mission was that I recently became a grandfather, and had been thinking about what books I'd like to read to the child. I was trying to remember the ones I read to my kids, and the ones that were read to me. I loved all the Dr. Suess books, especially “If I Ran the Circus”, and later, cogitating about what to include in the next round of Sunny Songs, this ditty bubbled up from deep within my gooey grey matter, and would not be denied. So, my next question would be: Why was Horton the Elephant singing that song? It's a house of mirrors.

Features music by Glenn Miller, Freddy Martin, Frank Sinatra and more.  We also learn about an old radio show called The Refreshment Club. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Join us as we travel To Infinity And Beyond on this adventure of galactic proportions as we explore the amazing history of Buzz Lightyear Astro Blasters attraction at Disneyland! Alex Stewart, Freddy Martin, and Annie Ruygt leave no space stone unturned as they discuss the rich history of the founding and creation of Pixar, the awesome stories behind the concept for Astro Blasters, and the fascinating details behind how this seemingly run-of-the-mill attraction takes a common ride system found in theme parks all over the world and turns it on its head! This is an episode you will not want to miss!!We Have Merch!!Buy: WED Enterprises Inspired BSOW T-ShirtCheck Out Our Other Podcast: Did You Know DisneyFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterCheck out Cole's Amazing Podcast Right HereGalactic News PodcastProduction CreditsDirected By: Alex StewartWritten By: Alex StewartSound Design and Editing By: Alex Stewart

We welcome back communicator, strategist, and leader Freddy Martin to discuss his time as a Disneyland Attractions Host and the mysterious Society of Explorers and Adventurers. We have authored two books: Cleaning The Kingdom: Insider Tales of Keeping Walt's Dream Spotless and Cleaning The Kingdom: Night, Day, Past and Present.   The Sweep Spot is an unofficial Disneyland podcast, with weekly episodes: a Topical Episode every two weeks, alternating with a Current Events Episode the other weeks. Lynn Barron and Ken Pellman, former Disneyland Day Custodial Foremen, are your hosts. For more information and to order books, visit our official website:  http://www.TheSweepSpot.com

Welcome to GLIDE Memorial Church's “Tiny Celebrations,” the mini-podcast highlighting the inspirational words and music from our Sunday Celebration.In this episode soloist Dennis Hersey and The Glide Ensemble sing "I Want Jesus To Walk With Me," then GLIDE member, and GLIDE Congregational Life and Community Engagement manager, Freddy Martin shares his personal I AM GLIDE story.Please support the music, the art, and the message of GLIDE Memorial Church. Please donate today. https://www.glide.org/igive/

This week, Bob Iger talks about the parks, spring break is hitting the parks, but weather is tempering the crowds, fireworks are back nightly, Imagineering shows off some cool tech, we finish our talk with Don from the PNW Mouse Meet, and more! Please support the show if you can by going to https://www.dlweekly.net/support/. If you want some DLWeekly Swag, you can pick some up at https://www.dlweekly.net/store/. Book your travel through ConciEARS at no extra cost to you! Be sure to mention that you heard about ConciEARS from DLWeekly at booking! DISCOUNTS! We have partnered with the Howard Johnson Anaheim Hotel & Water Playground to get great deals for our listeners! Book your stay at the Howard Johnson Anaheim and get 15% off your stay (code 1000022077)! Magic Key Holders get 20% off their stay (code 1000025935) as well! Book now! Need the perfect bag for your days in the parks? Look no further than Designer Park Co.! Purchase the Rope Drop Bag as featured on Episode 222 and get 10% off your purchase! Use coupon code DLWEEKLY to get the discount. If you want some awesome headwear or one of a kind items, be sure to visit our friends over at All Enchanting Ears! You can use the promo code DLWEEKLY10 to get 10% off your order! News: Bob Iger talked about the company and the parks during a question and answer session at the Morgan Stanley Technology, Media and Telecom Conference. He emphasized that reducing crowds in the parks was important to improving the guest experience. It sounds like part of the process to help with that would be to add new capacity and attractions to serve more guests. – https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ and https://dlnewstoday.com/2023/03/ceo-bob-iger-talks-disney-parks-guest-experience-rethinking-pricing-strategies-and-opportunities-to-add-more-attractions/ Spring Break season has descended upon the resort. This year, it has been very interesting to see the crowds because of the on again, off again weather changes. On the nice weather days, the parks feel like they are back to the pre-pandemic levels, then just a day later with rain, the parks seem deserted. Waits on the rainy days were mostly under 30 minutes – https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ Nightly fireworks have returned to the resort for the higher crowds and spring break. Usually, the fireworks are only part of the show from Friday through Sunday. Now, they are performed every night, which is a wonderful way to see Wondrous Journeys. – https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ Walt Disney Imagineering were at it again showing off some of the new technology that they have been working on at a Disney Parks presentation at South by Southwest. Some of the eye-catching things included a “life size” Tinker Bell. In addition, they demoed a small dynamic robot that could bring Judy Hopps to life, along with showing off the Hulk character that was in Avengers Campus in September. – https://dlnewstoday.com/2023/03/new-look-at-life-size-tinker-bell-for-disney-parks-meet-and-greet-may-still-debut/ and https://dlnewstoday.com/2023/03/video-disney-parks-shares-closer-look-at-life-size-tiny-tinker-bell-technology/ The rest of Toontown opens this weekend, but another smaller part of the land has opened. EngineEar Souvenirs has opened as the attached gift shop to Mickey and Minnie's Runaway Railway. The new shop is very themed to trains, including a train that travels around the store above guest's heads. The shop carries a lot of Toontown and Runaway Railway attraction merchandise. – https://www.disneyfoodblog.com/2023/03/10/disney-opened-a-new-store-today-come-check-it-out/ and https://www.micechat.com/349905-disneyland-toontown-merchandise-engineear-souvenirs/ St. Patrick's Day is this Friday and of course, Disneyland has some treats to help celebrate! Guests can pick up some shamrock-shaped rice crispy treats, green stuff at Red Rose Tavern, a cupcake and donut at Craftsman Grill at the Grand Californian Hotel, and a cocktail at the Hearthstone Lounge though March 19th. Downtown Disney also has an assortment of options for the holiday. – https://dlnewstoday.com/2023/03/full-list-of-st-patricks-day-2023-food-beverages-coming-to-disneyland-resort/ and https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ Sunday, April 9th is Easter and that can mean only one thing: Handmade Chocolate Fudge Easter Eggs are back! Every Monday, Wednesday, and Saturday until Easter, guests can pick up an egg for $12.99 at the Candy Palace. If you don't want that much sugar, you can just watch Cast Members make them in the window of Candy Palace. No word on the flavors for this year just yet. – https://www.disneyfoodblog.com/2023/03/10/disneys-famous-chocolate-easter-eggs-are-back/ and https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ Minnie has once again returned to welcome guests to Disneyland! The Mickey floral has been replaced by the Minnie floral for International Women's Day, which was on March 8th. We expect Minnie to stay in place for at least a few weeks. – https://www.micechat.com/350274-disneyland-update-the-one-two-punch/ We talk about synergy between the Disney brands that used to happen a lot in the parks, and there is some that has come back recently. Now through April 30th at Disneyland and Walt Disney World, a special Hulu-inspired Coca-Cola Freestyle flavor will be available. The new flavor is called Hulu Fanta Suprise and helps to celebrate the 15th anniversary of the streaming service.  – https://dlnewstoday.com/2023/03/limited-time-hulu-inspired-coca-cola-freestyle-flavor-coming-to-disneyland-resort-and-walt-disney-world/ We talked about Adventureland Day last week, but our past guest Freddy Martin, better known as “Skipper Freddy” has posted a wonderful article on this year's event and what it all entails. To read all about it, check out the link in our show notes. – https://dlnewstoday.com/2023/03/khaki-crowds-descend-on-disneyland-for-adventureland-day-2023/ Discussion Topic: Don Morin – Founder and Host of PNW Mouse Meet Since 2009 Don and his team have been creating a magical experience for thousands of Guests. “Passion, Disney Fandom and giving them more than they expect are key ingredients to our success!” The PNW Mouse Meet is an unofficial Disney Fan Event that was created by Disney Fans FOR Disney Fans. This annual event provides Disney enthusiasts the opportunity to get together right here in the Pacific Northwest to share and celebrate all things Disney. https://www.youtube.com/@PNWMOUSEMEET

Adventure is afoot on this very special episode of The Backside of Water! This fully immersive audio adventure follows Alex Stewart and Freddy Martin as they uncover even more of the secrets of The Society of Explorers and Adventurers! On this episode you'll learn about all the SEA references in the newly updated Jungle Cruise Queue. You'll also learn about newly canonized characters as well as locations that haven't be explored yet. So, hang on to those pith helmets and bullwhips and get ready for the adventure of a lifetime!!Big News! Click The Links Below For DetailsJoin Us March 4th, 2023 At The Hojo Anaheim For An Amazing Mid-Century Tomorrowland EventJoin Us March 5th, 2023 for AdventureLand Day 2023Want More S.E.A. Adventures??To get caught up on our adventure, please go back and listen to Part I and Part II of the BSOW Radio Theater Society of Explorers and Adventurers Saga!Check Out Our Other Podcast: Did You Know DisneyFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterProduction CreditsDirected By: Alex StewartWritten By: Alex Stewart & Freddy MartinDialogue Edited By: Harry FiascoSound Design and Editing By: Harry Fiasco

1 - I've Got My Captain Working for Me Now - Al Jolson – 19192 - I Just Can't Forgive You Anymore - Jimmie Lawson – 19463 - I'm Getting Even with You - Freddie Rose - 19284 - I'm Gonna Fix Your Wagon - The Shelton Brothers (Bob and Joe) - 19375 - I'm Gonna Fix Your Wagon - Sweet Violet Boys – 19406 - Burglars' Revenge - Bert Shefter and his Rhythm Octet – 19377 - Plumber's Revenge - Les Brown and his Orchestra – 19398 - Tit for Tat - Red Foley with the Cumberland Valley Boys - 19479 - Do I Really Deserve It from You - Ozzie Nelson and his Orchestra – 193110 - Revenge - Cooper Lawley with The Troubadours – 192811 - Retribution - Miklos Rozsa – 194712 - Can You Forgive? - Roy Hall and his Blue Ridge Entertainers - 194013 - Forgive My Heart - Ziggy Elman and his Orchestra – 193914 - Forgive Me - Gene Austin – 192715 - Forgive Me - Louis Prima and his Orchestra – 194116 - Forgive a Fool - Gladys Madden with Coleman Hawkins and his Orchestra - 194017 - I Forgive but Can't Forget You - Eddy Howard – 194118 - Lady in Distress - Suspense – 1947 (Radio Drama)19 – Island of the Dead – Murder at Midnight – 1946 (Radio Drama)20 – I've Taken All I'm Gonna Take From You – Tex Williams with Spade Cooley and his Orchestra – 194421 – I Can't Forgive Myself – Elmer Feldkamp with Freddy Martin and his Orchestra - 1933

A propos de Bernie KrauseDerrière la porte  Jean PoinsignonKoroni (solo de flûte)  Musique DayakDas insekt  Der PlanLes insectes   Maurice JarreRetour vers la canopée. Jean PoinsignonLes éphémères   Knud ViktorRobert et les insectes.  Albert MarcoeurMireille  Dick AnnegarnAji fly  FoodmanFly eye   Daniel JohnstonFly in the pool   Boards of CanadaLa terre est rouge   Cha Cha GuitriPhase IV Saul Bass  1974La maladie des fourmis  Guigou Chenevier & Sophie JausserandLe roi des fourmis  Michel PolnareffLa cigale et la fourmi  Charles TrenetBumble Boogie   Freddy  MartinBee Oh  DialectBusy Bee  Arthur AskeyEphemeroptera  Ikue MoriLe bourdonnements des abeilles  Pygmées BakaMélodie d'harmoniques (insectes)   Papua New GuineaThe insect dancers   Dave ClarksonInsect fear   Cavern Of  Anti-MatterInsects   IQ ZeroLa Métamorphose  Franz Kafka lecture de Dominique BlancRitual with Giant Hissing Madagascar CockroachesMetamorphoses   God is GodThe naughty little flea  Miriam MakebaCulex pipiens  André-Jacques Andrieu et Bernard DumortierGreen mosquito  The Tune RockersUn papillon  Hector ZazouPhylopn  Mira Calix

1 - Who Am I? – Al Bowlly with Savoy Hotel Orpheans – 19312 - Where Are You? - Connie Boswell with Ben Pollack and his Orchestra - 19373 – Where? - Harriet Hilliard with Ozzie Nelson and his Orchestra – 19414 - What's What? - Sully, Harry, Ish and Jack with Kay Kyser and his Orchestra – 19405 - That's What - The King Cole Trio - 19476 - So What! - Tommy Dorsey and his Sentimentalists – 19407 - Why? - Irving Kaufman with Vincent Lopez and his Orchestra – 19298 - Oh Why, Oh Why - Dan Grisson with Jimmy Lunceford and his Orchestra - 19399 - Since When? - The Broadway Syncopators – 192310 - Guess Who? - Arthur Fields with the Carolina Club Orchestra – 192911 - Who Did It? - Joseph C. Smith's Orchestra – 191912 - Who Dat Up Dere? - Woody Herman and his Orchestra – 194313 - Who Are You? - Ella Fitzgerald - 194114 - Who Are You? - Clyde Rogers with Freddy Martin and his Orchestra – 194115 - Who? - Jack Leonard with Tommy Dorsey and his Orchestra – 193716 - Who-oo? You-oo! That's Who! - Irving Kaufman – 192717 – Why is Marriage Like Taking a Bath – It Pays to Be Ignorant – 1944 (Radio Comedy)18 – What Was It? – The Weird Circle – 1943 (Radio Drama)19 – Who? - California Melodie Syncopators – 1926

Two friends and academics recap classic literature and take it off its pedestal. In our twenty-eighth episode, we court controversy with Vladimir Nabokov's surreal paedophile road trip, Lolita (1955). It's got more unreliable narration, 1950s consumerism, and untranslated French than you can stomach. Cover art © Catherine Wu.Episode theme: Tchaikovsky's 'Serenade for Strings', covered by Freddy Martin and his Orchestra Hosted on Acast. See acast.com/privacy for more information.

Hubo un tiempo en la década de los años 30, en un fenómeno como la era del swing, las bandas sweet producían la mayoría de la música de baile en Norteamérica. Con José Manuel Corrales.

Hubo un tiempo en la década de los años 30, en un fenómeno como la era del swing, las bandas sweet producían la mayoría de la música de baile en Norteamérica. Con José Manuel Corrales.

In this episode of the Themed Attraction Podcast, our guest is Sina Bahram, the founder of Prime Access Consulting, and one of the Themed Entertainment Association's first ever Catalyst Award recipients. Sina's inclusive design firm helps attraction designers implement accessible solutions that make knowledge, culture, and technology available to the widest possible audience. Connect with Sina Bahram on LinkedIn, via his website at pac.bz and follow him on Twitter. Show hosts: Mel McGowan & Freddy Martin Show design & production: Barry R. Hill Theme music composed by Rob Watson, closing music by the Lost Dogs. Give us a shoutout on iTunes; we love the attention, and browse www.themedattraction.com for even more on the attractions industry. Thanks for listening! Transcript of this episode: Freddy (00:20): Welcome aboard the Themed Attraction Podcast, where we take you for a ride... through the wonderful world of theme park design that is. You've just set sail on an unmatched journey of discovery and discussion with theme park industry master of the craft. I'm your skipper, Freddy Martin, and riding the rippling river with me is theme park designer, master planner, and Chief Creative Officer for Storyland studios, Mel McGowan. Which way is the river taken us today, Mel? Mel (00:47): Freddy, we've got a unique episode on the horizon day. As we interview one of the Themed Entertainment Association's first ever Catalyst Award recipients, Sina Bahram. Sina is the founder of Prime Access Consulting. That's an inclusive design firm that helps attraction designers implement accessible solutions that make knowledge, culture, and technology available to the widest possible audience. And that we are so excited to have him as part of our extended team for a very special project, which I'm hoping you're allowed to talk about here. Freddy (01:16): Maybe a little bit. Sina is unique. I had the pleasure of hearing him speak at the TEA Summit and I knew his story would blow our audience away. So I had to ask him to be on the show. I immediately asked him to join us for an interview and he didn't disappoint. I'm telling you. His passion and enthusiasm for helping create experiences for everyone is infectious. I dare you to match his enthusiasm. All righty folks, keep your hands, arms feet and legs inside the boat, 'cause This episode is about to leave the dock. Hit it, Sam. Mel (02:04): You know, Freddy, when the ADA or Americans with disability act passed in 1990 that was a pretty groundbreaking deal for the certainly the architecture industry for the real estate development industry. You know, and actually we're excited to be working with one of the catalysts that really kind of worked to get hat passed. You know, and it has radically, of course changed the way new attractions are built, how old attractions are modified. I mean, some of the blatantly obvious examples, like the alternative experience with the Nemo sub ride, with the with the, the sleeping beauty castle walkthrough experience. Those are some, you know, kind of obvious examples, but quick question to you, as you've been able to go deep with this particular unique project and, really getting a broader understanding of the "specially abled" the disabilities of inclusive design. You know, my question is how should we approach attraction and experience design with the needs of our entire audience in mind? I mean, I'm asking that as a father of a deaf son and you know, we, you know, different kids with different types of dis learning disabilities you know, how do, how, how do we come across this if, if we're not experiencing some of this stuff ourselves. Freddy (03:26): Yeah. It's a, it's an amazing question to, to ponder and think about. And the you're hinting at a project that we're working on, which is really part of the mission of one of the biggest disability advocacy organizations in the world. And they've asked us to help create a space for them that tells ...

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless, AFN programs were widely enjoyed by the British civilian listeners who could receive them, and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programs available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.

1 - Get Yourself a Past - Nan Blackstone with Artie Fields and his Orchestra – 19462 – A Shady Tree - Harold Lambert with Sam Lanin's Dance Orchestra - 19273 – Trees – Paul Robeson – 19384 - Tout Passe (All Is Past) - Margaret McKee - 19255 - Del Pasado - Alfredo de Angelis y su Orquesta Tipica – 19456 - Visions of the Past - Sons of the West – 19387 - Yesterday - Artie Shaw and his Orchestra – 19398 - Joys of the Past - Russian Novelty Orchestra - 19289 - A Too Fast Past - Merle Travis – 195210 - You're My Past, Present, and Future - Joe Venuti and his Orchestra - 193311 - You're My Past, Present and Future - Joey Nash with Dick Himber and his Essex House Orchestra – 193312 – Fun in a Boiler Factory – Ralph Gordon and his Orchestra – 193813 - Fabrykantka Polka (Factory Girl) - Stephanie Domkowski and Michael Kendra with Wladyslaw Dombkowski i jego Slynna Orkiestra – 194614 - Smoke! Smoke! Smoke! That Cigarette - Johnny Bond and his Red River Valley Boys - 194715 – Stop and Fix It – Washboard Sam and his Washboard Band - 194316 - Marionettes, Inc - Dimension X – 1951 (Radio Drama)17 - Childs' Play - X Minus One – 1955 (Radio Drama)18 – I Just Can't Forget the Past – Shelly Lee Alley and his Alley Cats – 194019 - My Future Star - Terry Shand with Freddy Martin and his Orchestra – 193420 - To the Future - Ben Selvin and his Orchestra – 1931

What does one do when they question their love for a classic Disney attraction? Why, they go on a roadtrip exploring the history of humanity's obsession with roads and travel! On this very beefy episode of The Backside of Water, Annie Ruygt, Freddy Martin, and Alex Stewart explore the rich history behind Disney favorite roadway, Autopia. Enjoy! Check Out Our Other Podcast: Did You Know DisneyFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterCredits:Directed By: Alex StewartWritten By: Alex Stewart, Freddy Martin, And Annie RuygtDialogue Edited By: Daniel MartinSound Design and Editing By: Alex Stewart

The BSOW crew finds themselves facing the music after entering into a strange portal in the middle of Tomorrowland, where they discover one of the strangest pieces of Disneyland history that they've discovered thus far! The Beatles nearly took over Disneyland!? What does that even mean? And what does Dick Clark have to do with all of this!? Find out on our newest, and most bizarre, episode of the Backside of Water!A very special thank-you to one of our hosts, Freddy Martin for breaking this truly insane piece of Disney history! If you want to dive even deeper down the rabbit hole, read the Freddy's in-depth article and watch the entire video of Dick Clark pitching Michael Eisner on a total Beatles overlay at Disneyland by following this link: FreddyMartin.net/Beatlesland. A very special thank-you also goes to Daniel Martin for editing, mixing, and sound design on this episode! It sounds awesome because HE'S awesome!!Finally, a HUMONGOUS team of creators has pitched in to celebrate Dick Clark's wild Beatles vision by creating their own absolutely stunning works of art. You can find all of this art by searching the hashtag #beatlesland on social media!Get Even More Backside of Water Content Every Month: https://www.patreon.com/bsownetworkFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterCredits:Directed By: Freddy MartinWritten By: Freddy MartinDialogue Edited By: Daniel MartinMixed and Edited By: Daniel Martin

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

The series began on NBC Radio as a summer replacement situation comedy in 1944, featuring vocalist Bea Wain. It then moved to ABC Radio with Jean Gillespie portraying Young's girlfriend Betty. The program was next broadcast by NBC for a 1946–47 run and was off in 1948. When it returned to NBC in 1949, Louise Erickson played Betty and Jim Backus was heard as wealthy and snobbish playboy Hubert Updike III, a character he later adapted as Thurston Howell III in Gilligan's Island. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

All aboard for this rousing roundtrip romp through the storied history of America's first monorail system! This episode is chockfull of amazing historical trivia and tidbits that you definitely won't want to miss! Enjoy!Get Even More Backside of Water Content Every Month: https://www.patreon.com/bsownetworkFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterCredits:Directed By: Alex StewartWritten By: Alex Stewart, Freddy Martin, And Annie RuygtDialogue Edited By: Daniel MartinMixed and Edited By: Alex Stewart

1 - Quiet Please (It's the Drummer in Me) - Tommy Dorsey and his Sentimentalists with Buddy Rich – 19402 - Ever So Quiet - Harry Roy and his Orchestra – 19383 - Silence and Fun - Sousa's Band – 19054 - Milkman, Keep Those Bottles Quiet - Woody Herman and his Orchestra - 19445 - In the Still of the Night - Jack Leonard with Tommy Dorsey and his Orchestra - 19376 - At Peace With the World - Isham Jones Orchestra – 19267 - In the Quiet of An Autumn Night - Buddy Clark with Freddy Martin and his Orchestra - 19348 - Sweet and Low Down - Paul Whiteman and his Orchestra – 19259 - My Silent Moon - Terry Allen with Larry Clinton and his Orchestra - 193910 - In the Hush of The Night - Scrappy Lambert with the Hal Kemp Orchestra – 192911 - Just a Quiet Evening – Jimmy Brierly with the Leo Reisman Orchestra - 193612 - Let's Spend a Quiet Evening at Home - Artie Wayne with the Andy Phillips Orchestra – 194713 - On a Quiet Evening at Home - Chick Endor – 192614 - Callando, Callando (Shh, Quiet) - Jose Luis Monero con A. Mendez Orchestra - 194515 - Keep Your Big Mouth Shut - Bull Moose Jackson and his Orchestra – 194716 - Hush-A-Bye - Colonial Club Orchestra - 192617 - Der er Ingenting i Verden Saa Stille Som Sne - Aksel Schioetz with Herman D. Koppel, Piano – 193918 – Northern Lights - Quiet, Please! – 1949 (Radio Drama)19 - Quiet Night - Suspense – 1956 (Radio Drama)20 - It's a Quiet Town - Doris Day and the Modernaires – 1947

On This Episode:Join Alex Stewart and Freddy Martin as they take a deep dive into the rich story behind the creation of one of the most beloved attractions in Disneyland history, The Finding Nemo Submarines, formerly known as The Submarine Voyage Through Liquid Space. Enjoy!Get Even More Backside of Water Content Every Month: https://www.patreon.com/bsownetworkFollow Us On Instagram: @the_backside_of_waterJoin Our Facebook Group: The Backside of WaterCredits:Directed By: Alex StewartWritten By: Alex Stewart & Freddy MartinDialogue Edited By: Daniel MartinMixed and Edited By: Alex Stewart

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London.---------------------------------------------------------------------------Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theaterhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441https://live365.com/station/CBS-Radio-Mystery-Theater-a57491----------------------------------------------------------------------------

Avast there, ye festive dogs! We are proud to ring in the holiday season with a brand new holiday episode! We've pulled out all the stops on this one. Alex Stewart, Freddy Martin, Mike Mulligan, and Harrison Ownbey find themselves in hot water when their secret Santa gifts are looted by salty old pirates while riding Pirates of the Caribbean. Now, the entirety of the Caribbean stands between them and their gifts. Will they find the pirates who did it? Will they get their gifts back? Will there be churros involved?? Tune in to find out!! Happy Holidays, everyone!!Written By: Alex StewartDirected By: Alex StewartVocal Editing By: Daniel MartinSound Design & Mixing By: Alex StewartVocal Cast:Alex StewartAnnie RuygtAshley StewartFreddy MartinHarrison OwnbeyJack StewartMike MulliganWyatt StewartPlease be sure to check out our Patreon! We're ringing in 2022 with a whole new streamlined format over there with content that you won't want to miss! Simply visit www.patreon.com/bsownetwork

Features vintage Big Band recordings by Louis Prima, Freddy Martin, Kay Kyser and Benny Goodman.  We also listen to a couple of catchy Soundies. Consider supporting The Big Band and Swing Podcast by becoming a Hepcat.  Learn more at SupportSwing.com. * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

You're listening to Artie Wayne with Freddy Martin and His Orchestra and…   You're on the Sound Beat.   While Howard Hughes' aviation career is popularly associated with “The Spruce Goose”, the Hughes H-1 Racer set the landplane air-speed record in 1935, and it occupies a place in history that exists now, and may very well forever. Speaking of that, you're listening to Now and Forever, from Tchaikovsky's Sixth Symphony. It was used in the 1943 film, “The Outlaw”, which Hughes produced. As for  particular place in history: when the H1 broke the record by travelling at 352 mph, it was the last civilian plane to break it. As we know from Leonardo Dicaprio, and researchers, of course, Hughes was a man consumed with success. Upon crash-landing the H1 in its initial test run, he stepped from the downed plane and announced “We can fix her; she'll go faster”.

From a little while back, we go way back with memories of days gone by. We present a re-broadcast of a Danny Lane radio program that aired on WTMY AM 1280. Once again, Danny Lane lets you remember the past without actually having to go back. This just might be the best part of your day. Enjoy. Comments: dannymemorylane@gmail.com ***** This episode includes: 1) American Patrol by Glenn Miller & His Orchestra 2) Just One Of Those Things by Nat King Cole 3) Dance With Me Henry [The Wallflower] by Georgia Gibbs 4) South America, Take It Away by The Andrews Sisters & Bing Crosby 5) Luna Mezzo Mare [Lazy Mary] by Dean Martin 6) Fly Me To The Moon by Anita O'Day 7) Rosetta by Earl Hines & His Orchestra 8) I'm Having More Fun Since I'm Sixty by Sophie Tucker 9) Begin The Beguine by Artie Shaw 10) The Trolley Song by Judy Garland 11) When The Red, Red Robin Comes Bob, Bob Bobbin' Along by Bob Crosby 12) Who Cares by Benny Goodman & His Orchestra (Fred Astaire, vocal) 13) Doctor, Lawyer, Indian Chief by Betty Hutton 14) Melody Of Love by The Four Aces 15) Let's Get Away From It All by Gene Krupa (Anita O'Day, vocal) 16) Dream A Little Dream Of Me by Ella Fitzgerald & Louis Armstrong 17) The Hut-Sut Song by Freddy Martin & His Orchestra (Eddie Stone, vocal) 18) Moonlight Gambler by Frankie Laine 19) Things Ain't What They Used To Be by Charlie Barnet & His Orchestra 20) Daddy by Julie London 21) Isn't This A Lovely Day by Ginger Rogers 22) No Name Jive by Glen Gray & The Casa Loma Orchestra 23) Big Long Slidin' Thing by Dinah Washington 24) My Wild Irish Rose by The Ink Spots 25) Green Eyes by Jimmy Dorsey Orchestra (Helen O'Connell, vocal) 26) Blow Top by Count Basie 27) Dance of the Blue Devils by Les Brown 28) Stompy Jones by Duke Ellington 29) Mr. Five-By-Five by Freddie Slack & His Orchestra (w/ Ella Mae Morse, vocal) 30) Make Believe Ballroom by Charlie Barnet and His Glen Island Casino Orchestra 31) Sugar Blues by Clyde McCoy & His Orchestra 32) Saturday Night (Is The Loneliest Night In The Week) by Frank Sinatra 33) Thanks For The Memory by Bob Hope & Jane Russell 34) Frenesi by Eydie Gormé 35) When You Come Back to Me Again by Steve Lawrence 36) Remembering You by Roger Kellaway

You’ll hear: 1) Swinging On A Star [Pkd@#1 in Aug 1944 and was the #1 song for the year 1944] by Bing Crosby (with John Scott Trotter and His Orchestra and The Williams Brothers Quartet, backing vocals) 2) Rum And Coca-Cola [Pkd@#1 in Feb 1945 and was the #1 song for the year 1945] by The Andrews Sisters 3) I'm Beginning To See The Light [Pkd@#1 in Apr 1945] by Harry James & His Orchestra (with Kitty Kallen, vocal) 4) (Give Me) Five Minutes More [Pkd@#1 in Sep 1946] by Frank Sinatra (with Axel Stordahl Orchestra) 5) My Dreams Are Getting Better All the Time [Pkd@#1 in Apr 1945] by Les Brown & His Band Of Renown (with Doris Day, vocal) 6) That Lucky Old Sun [Pkd@#1 in Oct 1949] by Frankie Laine (with Judd Conlon's Rhythmaires, backing vocals) 7) Cruising Down the River [Pkd@#1 in Mar 1949] by Russ Morgan & His Orchestra (with The Skylarks) 8) You Call Everybody Darlin' [Pkd@#1 in Aug 1948] by Al Trace & His New Orchestra (with Bob Vincent, vocal) 9) Manana (Is Soon Enough For Me) [Pkd@#1 in Mar 1948] by Peggy Lee 10) On The Atchison, Topeka And The Santa Fe [Pkd@#1 in July 1945] by Johnny Mercer And The Pied Pipers 11) Elmer's Tune [Pkd@#1 in Dec 1941] by Glenn Miller & His Orchestra (with Ray Eberle & The Modernaires) 12) To Each His Own [Pkd@#1 in Sep 1946] by The Ink Spots 13) The G.I. Jive [Pkd@#1 in Aug 1944] by Louis Jordan & His Tympany Five (with Louis Jordan, vocal) 14) Chickery Chick [Pkd@#1 in Nov 1945] by Sammy Kaye & His Orchestra (with Nancy Norman & Billy Williams, and The Kaye Choir, vocals) 15) Green Eyes [Pkd@#1 in Aug 1941] by Jimmy Dorsey (with Bob Eberly and Helen O'Connell, vocals) 16) Managua, Nicaragua [Pkd@#1 in Feb 1947] by Freddy Martin & His Orchestra and Chorus (with Stuart Wade, vocal) 17) Make Believe Island [Pkd@#1 in Aug 1940] by Mitchell "Mitch" Ayres & His Fashions In Music (with Mary Ann Mercer, vocal) 18) Blues In The Night [Pkd@#1 in Feb 1942] by Woody Herman Orchestra (with Woody Herman, vocal) 19) The Anniversary Song [Pkd@#1 in Mar 1947] by Dinah Shore (with The Morris Stoloff Orchestra) 20) There! I've Said It Again [Pkd@#1 in May 1945] by Vaughn Monroe (with The Norton Sisters, vocals) 21) Frenesi [Pk@#1 in Dec '40] by Artie Shaw & His Orchestra

Merv Griffin with Freddy Martin and his Orchestra on a 1950 RCA Victor record

This is another of our salutes to the music and service that the Stage Door Canteens provided to military personnel during World War II. The Stage Door Canteen refers to the famous World War II-era Times Square social club for soldiers temporarily stationed in New York City awaiting deployment, usually to the war in Europe. It opened March 2, 1942, in a space underneath the 44th Street Theatre. The canteen was open seven nights a week and offered servicemen dancing, entertainment, food and nonalcoholic drinks, and even opportunities to rub shoulders with celebrities. And it all was FREE. The New York acting community did everything. They would perform songs, comedy, and short versions of the plays and musicals that were playing on Broadway. Actresses also served as hostesses and dancing partners. The New York Stage Door Canteen was immediately popular. The space was 40-by-80 feet and could accommodate 500 people, but it was filled to capacity from the start. Seven other canteens were later located in Boston, Washington DC, Philadelphia, Cleveland, San Francisco and Newark and Los Angeles. In 1943 the success of New York’s Stage Door Canteen prompted a movie about the popular service men's center and featured stars of the big screen and popular Big Bands. One of the many praiseworthy qualities of the canteens was their credo. They were open to all servicemen of every Allied nation, and without any form of segregation. As the war dragged on, the popularity of the canteens never wavered. By November 1945, Stage Door Canteens were operating in eight US cities and London and Paris. Together, they entertained and fed 11 million Allied servicemen. The only canteen to rival the original’s fame was the Hollywood Canteen in Los Angeles, thanks to its proximity to the country’s biggest stars. Instead of theater people, movie stars and crew members did the work. Hollywood Canteen, the movie, was the fourth highest grossing film of 1944. Watch both movies. You’ll be entertained and hear some great music. If you ever visit the National World War II Museum in New Orleans, you’ll see a replica of the Stage Door Canteen. We hope you enjoy this music of the Stage Door Canteens. Please accept this as a tribute to the Greatest Generation. To all our service members past and present, thank you from the bottom of my heart, for your service. Enjoy. - - - Join the conversation on Facebook at - - - https://www.facebook.com/profile.php?id=100008232395712 or by email at - - - dannymemorylane@gmail.com - - - You’ll hear: 1) When Johnny Comes Marching Home by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) 2) Comin' In On A Wing And A Prayer by The Song Spinners [The only song with a war connection to appear in the top twenty best-selling songs of 1943 in the US] 3) I'll Get By (As Long As I Have You) by Harry James & His Orchestra (with Dick Haymes, vocal) [Reached #1 on the Juke Box chart on 6/10/44 - Lasted 6 wks] 4) They're Either Too Young or Too Old by Bette Davis [From Thank Your Lucky Stars (1943), a film made as a World War II fundraiser, with the stars donated their salaries to the Hollywood Canteen, which was founded by John Garfield and Bette Davis] 5) Jingle, Jangle, Jingle by Kay Kyser & His Orchestra (with Julie Conway and Harry Babbitt & The Group, vocals) [A fan favorite from the Stage Door Canteen (1943) era] 6) Rosie The Riveter by Four Vagabonds [Rosie the Riveter was the star of a campaign aimed at recruiting female workers for defense industries during World War II] 7) She's a Bombshell from Brooklyn by Xavier Cugat [From the original film soundtrack of Stage Door Canteen (1943)] 8) Somebody Else Is Taking My Place by Benny Goodman & His Orchestra (with Peggy Lee, vocal) [Featured in the movie, Stage Door Canteen (1943)] 9) Don't Sit Under The Apple Tree (With Anyone Else But Me) by Glenn Miller & His Orchestra (with Marion Hutton, Tex Beneke & The Modernaires, vocals) [Featured in the movie, Stage Door Canteen (1943)] 10) Till The End Of Time by Perry Como [Spent 19 weeks on the Best Seller chart, 9 weeks at #1 and a million seller] 11) V-Day Stomp by The Four Clefs (Johnny Green, Adam Cato, Melvin Chapman, Jack Martin) [A World War II classic] 12) Saturday Night (Is The Loneliest Night In The Week) by Frank Sinatra [Featured in the movie, Stage Door Canteen (1943)] 13) Mairzy Doats by The Merry Macs [Reached #1 on the Juke Box chart on 3/18/44 - Lasted 5 weeks] 14) Don't Worry Island by Freddy Martin & His Orchestra [From the original film soundtrack of Stage Door Canteen (1943)] 15) Why Don't You Do Right? by Benny Goodman & His Orchestra (with Peggy Lee, vocal) [Featured in the 1943 film, Stage Door Canteen and sold 1 million records] 16) Corns for My Country by The Andrews Sisters [From the original film soundtrack of The Hollywood Canteen (1944)] 17) Now Is The Hour (Maori Farewell Song) by Bing Crosby (with The Ken Darby Choir, vocals) [Became known as Po Atarau and was used as a farewell to Māori (the indigenous Polynesian people of New Zealand) soldiers going to off War] 18) Katharine Hepburn’ advice. [A clip from the original film soundtrack of Stage Door Canteen (1943)] 19) We Mustn't Say Goodbye by Lanny Ross [From the original film soundtrack of Stage Door Canteen (1943)] 20) Goodnight, Sweetheart by Ray Noble & His Orchestra (with Snooky Lanson, vocal) [A best seller from the WWII era] 21) I Left My Heart At The Stage Door Canteen by Jan Garber & His Orchestra [From the Broadway All-Soldier Show "This Is The Army" (1942) written by Irving Berlin]

Two hours of Christmas music from the Hit Parade artists and Big Bands of yesterday and today, with no interruptions. We also feature great singers you know and love. It’s my present to you, Merry Christmas. These are the songs featured in this episode: 1) Happy Holiday / The Holiday Season by The Manhattan Transfer 2) Rudolph The Red-Nosed Reindeer by Bing Crosby 3) Let It Snow! Let It Snow! Let It Snow! by Lena Horne 4) Winter Wonderland by Louis Armstrong 5) The Christmas Medley: I'll Be Home For Christmas / Let It Snow / Silver And Gold by Linda Eder 6) Have Yourself A Merry Little Christmas by Frank Sinatra 7) White Christmas by Ella Fitzgerald 8) The Christmas Song (Chestnuts Roasting On An Open Fire) by Mel Tormé 9) (Everybody's Waitin' for) The Man With The Bag by Vonda Shepard 10) (There's No Place Like) Home For The Holidays by Perry Como 11) Santa Claus Is Coming To Town by Diana Krall (with The Clayton/Hamilton Jazz Orchestra) 12) Must Be Santa by Mitch Miller and The Gang 13) Good King Wenceslas by The Ames Brothers 14) It's Beginning To Look Like Christmas by Kate Smith 15) The Christmas Can-Can by Straight No Chaser 16) Carol Of The Bells by Nancy Wilson 17) Because It's Christmas (For All The Children) by Barry Manilow & Rosie O'Donnell 18) I've Got My Love To Keep Me Warm by Billie Holiday 19) Go Tell It On The Mountain by Yellowjackets 20) I'll Be Home For Christmas by Diane Schuur 21) Sleigh Ride by Freddy Martin & His Orchestra (with Merv Griffin & The Martin Men) 22) Ole Santa by Dinah Washington 23) Cool Yule by Bette Midler 24) Christmastime In Tinsel Town by Big Bad Voodoo Daddy 25) Silver Bells by The Fontane Sisters 26) A Holly Jolly Christmas by Burl Ives 27) Winter Wonderland Cha Cha by Tina Robin 28) Happy Holidays by Andy Williams 29) Here Comes Santa Claus / Santa Claus Is Comin To Town by Linda Eder 30) Merry Christmas Baby by Lionel Hampton & His Orchestra 31) Santa Baby by Eartha Kitt 32) Christmas Night in Harlem by Louis Armstong & His All-Stars 33) Have Yourself A Merry Little Christmas by Dinah Shore 34) Jingle Bells by Frank Sinatra 35) The Secret Of Christmas by Ella Fitzgerald 36) I Saw Mommy Do The Mambo (With You Know Who) by Jimmy Boyd (with Mitch Miller & His Orchestra) 37) Let It Snow, Let It Snow, Let It Snow by Diana Krall (with The Clayton/Hamilton Jazz Orchestra) 38) The Christmas Song (Chestnuts Roasting On An Open Fire) by Johnny Mathis (with Percy Faith & His Orchestra

It's finally here!! We get to explore an actual ride again! After many, many, months of exploring walkthroughs and experiences it is a real treat for the gang to be able to ride ToonTown's one and only E-Ticket attraction! On this episode we dive deep into the big city side of ToonTown and explore the seedy back alleys and shady cab companies that populate the booming cityscape of ToonTown. So throw that hand high in the air, give a loud whistle, and hail the first cab you can find to take a drive through the wacky, zany, and wonderful world of Roger Rabbit's Car Toon Spin.BIG NEWS: Thanks to Freddy Martin we were able to score an interview with former Vice President of Imagineering and creator of ToonTown, Joe Lanzisero over on Did You Know Disney. And since Did You Know Disney has migrated over to our BSOW Network Patreon it is only available if you're a member. BUT for the next 30 days the episode is available and able to be listened to! This is our gift to you as listeners during the upcoming holiday season. While you're there, consider becoming a member of BSOW Network to receive even more exclusive monthly content with other amazing Disney figures and more! You can find the Patreon by visiting https://www.patreon.com/bsownetworkor visiting www.patreon.com and searching for BSOW NetworkWritten by: Freddy MartinVocal Edit by: Annie RuygtSound Design and Mixing by: Alex Stewart

Songs about being thankful.  Songs include: Thanks a Million, Crazy Bout My Baby, Count Your Blessings, I've Got Plenty to be Thankful For, Thank Your Lucky Stars and Let a Smile Be Your Umbrella. Musicians include: Louis Armstrong, Bing Crosby, The Boswell Sisters, Vaughn Monroe, Jimmy Dorsey, Benny Goodman, Thomas "Fats" Waller and Freddy Martin.

Episode 32 features some great music by Gene Krupa, Tommy Dorsey, Red Norvo, Lucky Millinder and Freddy Martin.  We also listen to an old radio ad for Carnation Evaporated Milk. ...and remember, if you want to listen to more Big Band and Swing Music check out SwingCityRadio.com to hear Your Big Band Favorites from the 1930's, 40's and Today! * All music in this podcast are Creative Commons.  Artists are credited within the podcast.

Mark Hoskins is in his 18th year as Director of Bands at Wheeler High School in Marietta, GA. He teaches and oversees the entire band program, consisting of 3 concert bands, marching band, jazz ensemble, jazz combo, woodwind and brass choirs, winter guard, and percussion ensembles. Prior to accepting the band director position at Wheeler, he was Director of Bands at South Cobb High School in Austell, GA from Jan. of 1999-May 2003. A graduate of East Tennessee State University, he is in constant demand as an adjudicator, clinician, and conductor in the marching band, jazz, and concert band arena. His program at Wheeler is regionally and nationally recognized in those fields as well, consistently receiving superior ratings and best in class awards. While at ETSU, Hoskins had the opportunity to perform with many of the jazz greats of our time, including Jon Faddis, Ed Shaughnessy, Allen Vizzuti, Dick Oates of Flim and the BBs, and Ernie Watts. He was also a four- year member and featured mellophone soloist with the Spirit of Atlanta Drum and Bugle Corps, in Atlanta, GA. He later became the visual caption head for the corps in 2001, under the guidance of drum corps legend and mentor, Freddy Martin, and was brass caption head for the 2005 Magic Of Orlando Drum and Bugle Corps. He is now a brass adjudicator for Drum Corps International. He is a member of the Georgia Music Educators Association (GMEA), NAfME (National Assoc. for Music Education, formerly MENC), JEN, and a founding member of MBDNA, the Minority Band Directors National Association. He was born in Norton, VA and grew up in Big Stone Gap, VA, attending Powell Valley High School. He is happily married to Maggy Hoskins and they have two children, Tamia Marie, and Miles Anthony. They reside in Marietta, GA. --- Send in a voice message: https://anchor.fm/sketchbookpodcast/message

Dr. Andrea E. Brown was appointed the Associate Director of Bands at the University of Maryland in 2018. In this position, she conducts the University of Maryland Wind Ensemble and serves as the Director of Athletic Bands. Brown is formerly a member of the conducting faculty at the University of Michigan where she served as the assistant director of bands and was a faculty sponsor of a College of Engineering Multidisciplinary Design Project team researching conducting pedagogy technology. Previously Brown was the director of orchestra and assistant director of bands at the Georgia Institute of Technology in Atlanta. She is a frequent guest conductor, clinician, and adjudicator in the US, Europe, and Asia. Brown completed a DMA in instrumental conducting at UNC Greensboro where she was a student of John Locke and Kevin Geraldi. While at UNCG, she was both guest conductor and principal horn on UNCG Wind Ensemble's fireworks! and finish line! CDs released on the Equilibrium label. Brown has also had several rehearsal guides published in the popular GIA Publications series, "Teaching Music Through Performance in Band" and has presented at the Midwest Clinic in Chicago, Music For All Summer Symposium, the Yamaha Bläserklasse in Schlitz, Germany, the International Computer Music Conference in Ljubljana, Slovenia, the College Music Society International Conference in Sydney, Australia, and multiple times at the College Band Directors National Association National Conference. A proponent of inclusion and equity issues in the music profession, Brown is a frequent guest speaker on these topics. She currently serves on the CBDNA Diversity Committee and is a member of the Drum Corps International Women’s In Step Committee. Brown is the founder of “Women Rising to the Podium”- an online group of over 3600 members supporting and celebrating women band directors. Additionally, she also serves the chair of the Sigma Alpha Iota Women’s Music Fraternity Graduate Conducting Grant and an advisor of the SAI chapter at the University of Maryland. Brown previously served on the brass and conducting instructional staff of the DCI World Champion Phantom Regiment (2004 – 2017). Other marching organizations she has instructed include the U.S. Army All-American Marching Band, Carolina Crown, and Spirit of Atlanta. Brown will serve a music judge for DCI for the 2021 season. As a performer, Brown was a member of the AA Brass Quintet, which won the International Brass Quintet Competition hosted by Fred Mills at the University of Georgia. She performed with the horn sections of the Boston Brass All-Stars Big Band, North Carolina Symphony, Winston-Salem Symphony, and the Brevard Music Center Orchestra. Brown has studied brass performance and pedagogy with Abigail Pack, J.D. Shaw, Jack Masarie, Freddy Martin, Dottie Bennett, Randy Kohlenberg, Richard Steffen, and Ed Bach. Originally from Milan, Tennessee, she is a graduate of Austin Peay State University and earned a master of music degree in horn performance and a master of music education degree with a cognate in instrumental conducting from UNCG. Prior to her position at Georgia Tech, Brown was the assistant director of bands at Austin Peay State University and taught public school in Milwaukee, Wisconsin, and Dallas, Texas. She is a member of Phi Kappa Phi, Pi Kappa Lambda, NAfME, and CBDNA. She was awarded the Rose of Honor as a member of Sigma Alpha Iota Women's Music Fraternity and is an honorary member of Kappa Kappa Psi and Tau Beta Sigma. --- Send in a voice message: https://anchor.fm/sketchbookpodcast/message

1 - Black Magic - Isham Jones' Orchestra – 19342 - El Brujo En Guanabacoa - Oscar Lopez with Orquesta Havana Casino3 - Witch Doctor - Ina Ray Hutton and Her Melodears – 19344 - Ogoun Badagris (Voodoo War God) - Charlie Barnet and his Orchestra - 19395 - Voodoo Moon (Enlloro) - Tito Rodriguez with Enrique Madriguera and his Orchestra – 19416 - Spring Magic - Jimmy Saunders and The Stardreamers with Charlie Spivak and his Orchestra - 19467 - Magic Is the Moonlight - Artie Wayne with Freddy Martin and his Orchestra - 19448 - Magic Mountain - Kenny Sargent with Glen Gray and the Casa Loma Orchestra – 19409 - Love Your Magic Spell Is Everywhere - Irving Kaufman with Vincent Lopez and his Orchestra – 192910 - It's Witchery - Tommy Mercer with Charlie Spivak and his Orchestra – 194711 - Kee-Mo Ky-Mo (The Magic Song) - The King Cole Trio – 195112 - Ninfa de Ojos Brujos - Jose Luis Monero con La Super Orquesta Original13 - That Old Black Magic – Skip Nelson and the Modernaires with Glenn Miller and his Orchestra – 194214 - That Old Black Magic - Beryl Davis with Stephane Grappelly and his Quartet – 194815 - Mr. Jinx Stay Away From Me - Bea Wain with Larry Clinton and his Orchestra – 193816 - The Spell of the Blues - Frederick Vettel - 192917 - The Spell of the Blues - Sam Coslow with The High Hatters – 192818 – The Black Art – Inner Sanctum Mysteries (Radio Drama) – 194519 - The Charming Spell of Your Embrace - Ray Morton with Ruby Newman and his Orchestra – 193820 – Under the Spell of Your Kiss – Lewis James - 192921 - Magic Town - The Screen Directors Playhouse (Radio Drama)– 195022 - Magic Town – Mel Torme

Dr. Andrea Brown is the Associate Director of Bands at the University of Maryland in College Park, MD. At UM, Dr. Brown conducts several ensembles including the University of Maryland Wind Ensemble and the Mighty Sound of Maryland Marching Band.    Topics include: - Andrea discusses her experiences working as the Assistant Director of Bands at the University of Michigan and making the transition to leading ensembles at the University of Maryland  - Designing shows for marching band - Promoting diversity of gender in the field of music education   Links:  Andrea’s UM page: https://music.umd.edu/directory/andrea-brown UM Bands: https://music.umd.edu/ensembles/bands   Bio:  Dr. Andrea E. Brown was appointed the Associate Director of Bands at the University of Maryland in 2018. In this position she conducts the University of Maryland Wind Ensemble and serves as the Director of Athletic Bands in which she leads the “Mighty Sound of Maryland” and all aspects of the athletic band program. Brown is formerly a member of the conducting faculty at the University of Michigan where she served as the assistant director of bands. In this position, she was the conductor of the Campus Bands and director of the Campus Band Chamber Ensembles, associate director of the Michigan Marching and Athletic Bands, director of the Men's Basketball Band, guest conductor with the Symphony Band and Concert Band, taught conducting, and was a faculty sponsor of a College of Engineering Multidisciplinary Design Project team researching conducting pedagogy technology. Previously Brown was the director of orchestra and assistant director of bands at the Georgia Institute of Technology in Atlanta where she also led research in conducting pedagogy technology and was a member of the Oxford Program faculty. She is a frequent guest conductor, clinician, and adjudicator in the US, Europe, and Asia.    Brown completed a DMA in instrumental conducting at UNC Greensboro where she was a student of John Locke and Kevin Geraldi. While at UNCG, she was named Outstanding Teaching Assistant and was both guest conductor and principal horn on UNCG Wind Ensemble's fireworks! and finish line! CDs released on the Equilibrium label. Brown has also had several rehearsal guides published in the popular GIA Publications series, "Teaching Music Through Performance in Band" and has presented at the Midwest Clinic in Chicago, Music For All Summer Symposium, the Yamaha Bläserklasse in Schlitz, Germany, the International Computer Music Conference in Ljubljana, Slovenia, the College Music Society International Conference in Sydney, Australia, and multiple times at the College Band Directors National Association National Conference.   A proponent of inclusion and equity issues in the music profession, Brown is a frequent guest speaker on these topics. She currently serves on the CBDNA Gender and Ethnic Minority Committee, and as a member of the recently formed Drum Corps International Women’s In Step Committee. Brown is also the founder of “Women Rising to the Podium” - an online group of 2300 members supporting and celebrating women band directors. She also serves the chair of the Sigma Alpha Iota Women’s Music Fraternity Graduate Conducting Grant.   Brown currently serves as a brass consultant for Phantom Regiment and Spirit of Atlanta Drum and Bugle Corps. She has been on the brass and conducting instructional staff of the DCI World Champion Phantom Regiment since 2004. Other marching organizations with which she has instructed are the U.S. Army All-American Marching Band, Carolina Crown, Kennesaw Mountain High School (GA), Father Ryan High School (TN), and McGavock High School (TN).   As a performer, Brown was a member of the AA Brass Quintet, which won the International Brass Quintet Competition hosted by Fred Mills at the University of Georgia. She performed with the horn sections of the Boston Brass All Stars Big Band, North Carolina Symphony, Winston-Salem Symphony, and the Brevard Music Center Orchestra. Brown has studied brass performance and pedagogy with Abigail Pack, Jack Masarie, Freddy Martin, J.D. Shaw, Dottie Bennett, Randy Kohlenberg, Richard Steffen, and Ed Bach.   Originally from Milan, Tennessee, she is a graduate of Austin Peay State University where she was named "Outstanding Student in Music." Brown earned a master of music degree in horn performance and a master of music education degree with a cognate in instrumental conducting from the University of North Carolina at Greensboro. Prior to her position at Georgia Tech, Brown was the assistant director of bands at Austin Peay State University and taught public school in Milwaukee, Wisconsin, and Dallas, Texas. She is a member of Phi Kappa Phi, Pi Kappa Lambda, and CBDNA. She was awarded the Rose of Honor as a member of Sigma Alpha Iota and is an honorary member of Kappa Kappa Psi and Tau Beta Sigma.    

From a little while back, we go way back with memories of days gone by. We present a re-broadcast of a Danny Lane radio program that aired on WTMY AM 1280 in Sarasota Florida. Once again, Danny Lane lets you remember the past without actually having to go back. This just might be the best part of your day. Enjoy. Comments: dannymemorylane@gmail.com This episode includes: 1) American Patrol by Glenn Miller & His Orchestra 2) Just One Of Those Things by Nat King Cole 3) Dance With Me Henry [The Wallflower] by Georgia Gibbs 4) South America, Take It Away by The Andrews Sisters & Bing Crosby 5) Luna Mezzo Mare [Lazy Mary] by Dean Martin 6) Fly Me To The Moon by Anita O'Day 7) Rosetta by Earl Hines & His Orchestra 8) I'm Having More Fun Since I'm Sixty by Sophie Tucker 9) Begin The Beguine by Artie Shaw 10) The Trolley Song by Judy Garland 11) When The Red, Red Robin Comes Bob, Bob Bobbin' Along by Bob Crosby 12) Who Cares by Benny Goodman & His Orchestra (Fred Astaire, vocal) 13) Doctor, Lawyer, Indian Chief by Betty Hutton 14) Melody Of Love by The Four Aces 15) Let's Get Away From It All by Gene Krupa (Anita O'Day, vocal) 16) Dream A Little Dream Of Me by Ella Fitzgerald & Louis Armstrong 17) The Hut-Sut Song by Freddy Martin & His Orchestra (Eddie Stone, vocal) 18) Moonlight Gambler by Frankie Laine 19) Things Ain't What They Used To Be by Charlie Barnet & His Orchestra 20) Daddy by Julie London 21) Isn't This A Lovely Day by Ginger Rogers 22) No Name Jive by Glen Gray & The Casa Loma Orchestra 23) Big Long Slidin' Thing by Dinah Washington 24) My Wild Irish Rose by The Ink Spots 25) Green Eyes by Jimmy Dorsey Orchestra (Helen O'Connell, vocal) 26) Blow Top by Count Basie 27) Dance of the Blue Devils by Les Brown 28) Stompy Jones by Duke Ellington 29) Mr. Five-By-Five by Freddie Slack & His Orchestra (w/ Ella Mae Morse, vocal) 30) Make Believe Ballroom by Charlie Barnet and His Glen Island Casino Orchestra 31) Sugar Blues by Clyde McCoy & His Orchestra 32) Saturday Night (Is The Loneliest Night In The Week) by Frank Sinatra 33) Thanks For The Memory by Bob Hope & Jane Russell 34) Frenesi by Eydie Gormé 35) When You Come Back to Me Again by Steve Lawrence 36) Remembering You by Roger Kellaway

1 - Twenty Million People - Wayne King and his Orchestra - 19332 - Twenty Million People - Art Kassel And His Kassels-In-The-Air – 19333 - Fifty Million Frenchmen Can't Be Wrong - Sophie Tucker – 19274 - Baby You Can Count on Me – Peggy Lee with Dave Barbour and his Orchestra – 19465 - Four Thousand Years Ago - Hoosier Hot Shots – 19346 - If I Can Count On You - Joan Whitney with Will Osborne and his Orchestra - 19377 - You Can Count On Me – Ivy Anderson with Duke Ellington and his Famous Orchestra - 19398 - Count Your Blessings - Elmer Feldkamp with Freddy Martin and his Orchestra – 19339 - The Count - Andy Kirk And His Clouds Of Joy - 194010 - It's the Little Things That Count - Jerry Perkins with Mal Hallett And His Orchestra – 193711 - Count Me Out - Dan Grissom with Jimmie Lunceford and his Orchestra - 193712 - Ninety-Nine Out of a Hundred - Sam Lanin's Dance Ensemble – 193113 - A Thousand Dreams of You - Fats Waller and his Rhythm - 193614 - Ten Thousand Four Hundred and Thirty-Two Sheep - Doris Day with the George Siravo Orchestra – 195015 - One In a Million - Fats Waller and his Rhythm - 193616 - A Million Dreams Ago - Dick Haymes with Harry James and his Orchestra – 194017 - After a Million Dreams - John Boles – 1929

Freddy joins Faith Backstage to talk about being raised by his hospital chaplain, the inspiration and conception of Children's Hunger Fund's Poverty Encounter, and his trip to Haiti after the earthquake in 2010. But first, Joey and Madison discuss all there is to miss about being at church and how to experience and encounter God during quarantine.

You’re listening to Artie Wayne with Freddy Martin and His Orchestra and…   You’re on the Sound Beat.   While Howard Hughes’ aviation career is popularly associated with “The Spruce Goose”, the Hughes H-1 Racer set the landplane air-speed record in 1935, and it occupies a place in history that exists now, and may very […]

1 - Baby, Don't You Tell Me No Lie - June Richmond with Andy Kirk And His Clouds Of Joy – 19432 - It's a Sin to Tell a Lie - Fats Waller and his Rhythm - 19383 - Don't Lie to Me - Eddie Wells with The Spotlite Orchestra - 19494 - Don't Live a Lie - Gene Autry – 19455 - Don't You Lie to Me - Tampa Red - 19406 - Fue Mentira - Ramon Armengod con La Orquesta de Jose Moran – 19397 - How Could Washington Be A Married Man - Dan W. Quinn - 19178 - It's a Lie! - Swing and Sway with Sammy Kaye – 19469 - It's a Lie! - Nancy Reed and Frankie Lester with Hal McIntyre And His Orchestra – 194710 - Mentira, Mentira - Los Tres Diamantes - late 40's11 - Somebody'S Lyin' - The Five Red Caps – 194412 - Taint So, Honey, 'Taint So - Willard Robinson - 192813 - That Was A Big Fat Lie - Jack Carson with Frank DeVol and His Orchestra – 194914 - That's No Lie - Three Sharps and a Flat – 193915 - Who Told You That Lie - Vaughn Monroe and The Moon Maids - 194616 - Who Told You That Lie - Connee Boswell and The Paulette Sisters with the Bob Haggart Orchestra - 194617 - Who Told You that Lie - Phil Brito with Walter Gross and his Orchestra – 194618 - Why Did You Lie to me - Light Crust Doughboys - 194119 - You Told Me a Lie - Jimmie Davis – 194120 - Be Honest With Me - The Prairie Ramblers - 194021 - Be Honest With Me - Clyde Rogers with Freddy Martin and his Orchestra – 194122 - You Can't Pull the Wool over My Eyes - Helen Ward with Benny Goodman and his Orchestra – 193623 - You Can't Pull the Wool over My Eyes - Perry Como with Ted Weems and his Orchestra - 193624 - You Can't Pull the Wool over My Eyes - Linda Lee with Music in the Russ Morgan Manner – 193625 - It Must Be True - Earl Burtnett and His Los Angeles Biltmore Hotel Orchestra - 193026 - Honest and Truly - Jean Goldkette and His Orchestra – 192427 - Ain't It the Truth - Count Basie and his Orchestra – 194128 - Tell the Truth - The "5" Royales - 195929 - The Big Lie - Dragnet - 1952

Merv Griffin with Freddy Martin and his Orchestra on a 1950 RCA Victor record

In this very special, and timely, episode of the show, Alex Stewart, Freddy Martin, Mike Mulligan, and Annie Ruygt discuss the history of Disneyland's unscheduled closures and move very quickly into more positive space with solutions for you to get your Disneyland fix while Disneyland is closed. we discuss great podcasts to listen to, shows and movies to watch (including a grand circle viewing idea), and treat options for you to be able to bring delicious Disney treats into your home. You will also finally hear the story behind how Annie's last name got its pronunciation! So in the meantime, take a deep breath, grab some herbal tea, and enjoy this lighthearted and fun episode of Did You Know Disney!

In this special episode, we've pulled another episode out of the DYKD archives. This fully remastered episode features Freddy Martin interviewing the great Disney Imagineer Bob Gurr. Bob Gurr is responsible for creating most every ride vehicle in Disneyland, save very few. He is a fascinating individual who had the unique opportunity to work with Walt Disney himself. In fact, toward the end of the episode, Freddy and Bob talk about some personal stories involving Bob and Walt. So sit back, relax, and enjoy this very unique and wonderful interview. A very special thank you to Dr. Barry Hill for mixing the interview footage.

Freddy Martin and his Orchestra perform via Armed Forces Radio Service... (AFRS)) from the Coconut Grove Room of the Ambassador Hotel in L.A. California on January 27, 1946. Songs in order of appearance: Bells of St. Mary's; Spellbound; Give Me the Simple Life; Everybody Knew But Me; Bumble Bee Boogie; I'll Be Loving You Always; She of the Black Coffee Eyes; I'm In Love with Two Sweethearts; Rachmaninoff's Piano Concerto #2. This program can be found in our "Big Bands" playlist.

1 - Moment Musical by Franz Schubert - Raymond Scott Quintet – 19392 - Anitra's Dance by Edvard Grieg - Carmen Cavallaro And His Orchestra – 19483 - Anvil Chorus from Il Trovatore by Giuseppe Verdi - Glenn Miller and his Orchestra - 1948Les Brown and his Orchestra – 19414 - Meditation from Thais by Jules Massenet - Jackie Souders and His Orchestra - 1927Paul Whiteman & His Orchestra - 1924Carl Gay's Dance Orchestra – 19235 - Selections from the Nutcracker Suite by Peter Ilyich Tchaikovsky:March - Freddy Martin and his Orchestra - 1942Dance of the Sugar-Plum Fairies - Freddy Martin and his Orchestra - 1942Arab Dance - Larry Clinton and his Bluebird Orchestra - 1940Dance of the Reed Flutes - Freddy Martin and his Orchestra - 1942Waltz of the Flowers - Ambrose And His Orchestra – 19406 - Intermission features:Everybody's Making Money but Tchaikovsky - Betty Bonnie with Les Brown and his Orchestra - 1941As Brunnhilde's Battle Cry Might Be Sung by an American Crooner - Alec Templeton – 19407 - Flight of the Bumblebee by Nikolai Rimsky-Korsakov - Jack Fina with Freddy Martin and his Orchestra - 19468 - Nocturne In E Flat Major, Op. 9, No. 2 by Frederic Chopin - Ambrose And His Orchestra – 19429 - Selections from Carmen by Georges Bizet - Jan Savitt & his Top Hatters - 1941Raymond Scott Quintet – 194010 - Bella figlia dell'amore (Beautiful Daughter of Love) from Rigoletto by Giuseppe Verdi - Bert Ralton and His Havana Band - 1923Six Brown Brothers - 1916Raymond Scott Quintet – 194011 - The Tale of Peter and the Wolf by Sergei Prokofieff - Guy Lombardo And His Royal Canadians – 194212 - An Operatic Nightmare (A piano solo mash-up of the operas Lohengrin, Tanhauser, Samson, Faust, Pagliacci, and Rigoletto) - Felix Arndt - 191613 - Song of India from Sadko by Nikolai Rimsky-Korsakov - Tommy Dorsey and his Orchestra – 193714 - Symphony No. 6 "Pathétique” by Peter Ilyich Tchaikovsky - Glenn Miller and his Orchestra with Ray Eberle - 194215 - The Blue Danube by Johann Strauss - Spike Jones and his City Slickers – 194516 - Song of Momus to Mars by William Boyce – John Goss, baritone and Kathleen Markwell, piano – 192817 - Bolero by Maurice Ravel - Nat Shilkret and the Victor Orchestra – 193018 - Private Eye Test - Richard Diamond, Private Detective – 1950

Presented here as another bonus episode is one of the very earliest of the transcriptions. Time was not kind to the disk, and indeed it is a scratchy, tough listen (almost so tough we didn't release it). Brace yourself though, and listen past the poor quality to hear "The Bob Bain Trio" (!). It's Bob on guitar and vocals, with Sheldon Smith on piano and Jimmie Stutz on bass. We get to hear Bob's interpolation of "Lady Be Good" as an intro, and for the first and only time, the announcer tells us the title. Next up, Cole Porter's immortal "Night And Day". That's followed by a popular tune of the time, "Managua Nicaragua" which had been recorded by Freddy Martin, Guy Lombardo, and Kay Kaiser. "The Anniversary Song" follows, with yet another of Bob's clever arrangements. Then, "a hillbilly tune" with Bob singing "That's How Much I Love You". The trio brings it home and really shines on a bop blues tune, "Mop Mop". "Velvet melody" indeed, with apologies for the Oxnard grit...

Two episodes released in one day!? That's right! In honor of the release of Disney+ streaming service, Alex is joined by the venerable Freddy Martin to talk about the significance of Disney doing what they are doing with Disney+, first impressions of some of the flagship content, and some of the best things Disney history fans will want to put on their streaming list. So grab the popcorn and enjoy this very special bonus episode of Did You Know Disney!

Happy Halloween, party people! Join us on a strange and spooky journey to the Sixth Dimension as we discuss the soundtrack to FORBIDDEN ZONE! In the early 80s, Richard and Danny Elfman were straining to break free of the musical theatre circuit. Richard devised Forbidden Zone as a showcase for Danny's band, The Mystic Knights of the Oingo Boingo, as well as a means of breaking into the film industry. The result is a wild pastiche of Vaudeville, stagecraft, animation and big band music produced completely outside the realms of studio filmmaking and any semblance of good taste. The soundtrack features tons of music from Oingo Boingo, as well as pieces cribbed from Cab Calloway, Freddy Martin and...er...The Three Stooges. It's a wicked blast of camp from start to finish, and we discuss it warts and all! SHOW NOTES: Forbidden Zone is free to stream on several services Richard Elfman on the film's use of blackface "Swinging the Alphabet" - The Three Stooges Intro: "Pico and Sepulveda" - Felix Figueroa & His Orchestra Outro: "Forbidden Zone" - Danny Elfman and The Mystic Knights of the Oingo Boingo Have a soundtrack you'd like us to cover?  Follow us on Twitter @OSTParty and let us know! Or email us at OSTPartyPod@gmail.com

On this very special, AND very lengthy episode Alex is joined for the first time by newest co-host, Freddy Martin to discuss the amazingly rich and intricate history of Mickey's Toon Town. Join Freddy and Alex as they discuss the fantastic story that frames the narrative around that area of the park, the rise and fall of Michael Eisner, early land concepts including Roger Rabbit's Hollywood, and more! Alex even tries his hand at some armchair Imagineering at the end of the episode. It is a pleasure to have Freddy on board and we eagerly await Annie's return from the past with Dr. Sneck!

In this brand new episode of the fully re-imagined Did You Know: Disney Podcast, Alex is joined by Mike Mulligan, Freddy Martin, and Annie Ruygt to take a more informal, unscripted, and deeper dive into the life and work of the prolific, the timeless, the brilliant Sherman Brothers. So sit back, relax, and enjoy this very off-the-wall conversation about Richard and Robert Sherman.

no eta echo en esta app es por eso que se oye al --- Send in a voice message: https://anchor.fm/tecsup-arequipa/message

On Big Band Bash this week we will continue with part 2 of the "Music of World War 2". Some of the artists we'll be hearing from today are Bing Crosby, Tommy Dorsey, Kay Kyser, Nat King Cole, Freddy Martin, Jimmy Dorsey, and Charlie Spivak. These were the songs that our men in the service were listening to as they headed into battle. World War 2 changed the big bands. During this time there were recording bans and out of this the vocalists became very popular. Also, because of gas rationing the bands didn't get to tour as much. I hope you enjoy the selections on the show from the years of 1940 to 1945. Thank you for listening. Please visit this podcast at http://bigbandbashfm.blogspot.com

So, this rerun episode wraps up the 5th season of the TFJC podcast. The second half of our episode with Skipper Freddy Martin and Skipper Jeff Bailes. We had a great time with this, and you can see the greatness that is Freddy Martin as he takes his first podcast steps.  Originally Published June 6th, 2016 Hey Adventurers! Summer Vacation is here, and the podcast will be in re-runs for the next 5 weeks. To keep you entertained, we have one last new episode, the second half of our time with Skippers Fred Martin and Jeff Bailes. This contains one of my favorite Jungle Cruise stories ever, so take a listen.  If you need more Jungle Love, make sure you swing over to Facebook.com/JungleCrews for all of your Jungle news, photos, and vintage stories. (Curated by our very own Skipperette Jen...)  See you all Mid July!- Skipper Kyle Esq

Shellac Stack No. 161 gets some fun out of life with Dick Robertson, the Georgia Melodians, Jimmie Noone, Johnny Johnson, and Jay Wilbur's Orchestra, even as our thoughts drift to Paris with the monks of the Saint-Pierre de Solesmes Abbey. Add Art Fowler (the Wizard of the Uke), Errol Garner, and Freddy Martin to the … Continue reading »

Freddy Martin was an American bandleader and tenor saxophonist. He led a band for many years in the 1930's but his real success came in 1941 with an arrangement from the first movement of Tchaikovsky's Piano Concerto No. 1 in Bb Minor. Martin recorded the piece instrumentally, but soon lyrics were put in and it was re-cut as "Tonight We Love" with Clyde Rogers' vocal – becoming his biggest hit. Russ Morgan was an American big band leader and arranger during the 1930s and 1940s. He was one of the composers of "You're Nobody till Somebody Loves You" We will take a look at both of the bands and careers on this week's Big Band Bash. I hope you enjoy this look at two great bandleaders from the swing era. Please visit this podcast at http://bigbandbashfm.blogspot.com

In this episode we welcome Freddy Martin. He worked on the Jungle Cruise at Disneyland, and Tiki Room, Big Thunder Mountain and more. Freddy worked there in the late 80s to early 90s, and has some great stories to tell. Also he is one of the hosts from the podcast Themed Attraction Podcast. Check out all of Freddy's stuff here. Find the Themed Attraction Podcast on iTunes and stitcher. Visit ThemedAttraction.com to read articles about theme park design. Visit FreddyMartin.net for Freddy’s personal blog. Follow on socials @SkipperFreddy Also the latest in the Disneyland Resort Current Events, plus info on us at www.thesweepspot.com like our book Cleaning the Kingdom, T Shirts, show notes, links to Patreon, and more.      

On this bonus, dual release episode, Alex Stewart is joined by Freddy Martin as the two explore the mystery behind one of Disney's largest and most elaborate mega-themes, The Society of Explorers & Adventurers. Along the journey, Freddy and Alex attempt to solve another mystery surrounding a person name Richard Quartermaine Muntz.This episode serves as a teaser of sorts, displaying quality and kind of content you can expect over at our sister podcast, Did You Know Disney. You can hear episodes like this one and others by subscribing to the Did You Know Disney Podcast. So, grab your Tiger Tails and your secret medallions and strap in for a fully produced audio adventure!

Shellac Stack No. 155 tents down in Tennessee with the Ipana Troubadours, asks why with Ben Light, and finds itself “in wrong in Hong Kong”! Join us for records by Jane Green, Bing, Eddie Peabody, Russ Morgan, Freddy Martin, Jack Payne, Doc Evans, and many more.

In this week’s show…SING along with a Mexican stereotype!Do you have enough BLADES?Tap your foot to music by Charles Trenet and Freddy Martin!And THRILL to the tale of Universal Horror icon, the “Queen Of The Screamers”, Miss Evelyn Ankers!There’s also news afoot!To sign up as a Co-Producer of the shows CLICK HERE

Asha Sunday (9.16.18, Freddy Martin & Usha Shrivas) by River NYC Sermons

This week wraps up our look at the three album set called "The Big Bands". We are going to be listening to some of the hits for RCA Bluebird. Some of the artists we'll be hearing include Artie Shaw, Tommy Dorsey, Freddy Martin, Larry Clinton, Benny Goodman, Vaughn Monroe and many others. The Big Bands is long out of print but I hope you enjoyed listening to and learning about the three major record companies that recorded many of the big band artists. These last three programs were produced in 2013. I have some new programs produced and ready to play. Thank you so much for downloading and listening to Big Band Bash. Please visit this podcast at http://bigbandbashfm.blogspot.com

Boston Symphony trumpeter Michael Martin joins Andrew & Lance to talk his career as a player, and composer. Michael joined the BSO in 2010 and has had great success there, building on the training which began with his dad (Freddy Martin). We discuss his days at Interlochen and Northwestern, touring with his brother (Chris Martin) and the Chicago Symphony and how his composing career got off the ground at an early age. He also discusses his favorite conductors, what it takes to be a good section player, how to listen and how to learn new repertoire really quickly. Oh, and he shares a hilarious rookie error story during a rehearsal of Mahler 2 under Michael Tilson Thomas. "20!" LINKS: Michael's site BSO bio page Video interview New England Conservatory bio page Want to help the show? Take a minute to leave us a rating and a review on iTunes. The Brass Area of the Mary Pappert School of Music at Duquesne University in Pittsburgh PA is our new partner (and Lance has been teaching euphonium there since 2000). If you are interested in learning more about the program, visit the site HERE! Check out Parker Mouthpieces fine offerings (including the Andrew Hitz and Lance LaDuke models) at http://www.parkermouthpieces.com/ You can help offset the costs of producing the show by making a small donation at https://www.patreon.com/thebrassjunkies. Your support is greatly appreciated! Last but not least, we are now on Instagram! Follow us at instagram.com/pray4jens/ TODAY! Expertly produced by Joey Santillo with love, care and enthusiasm.

Check out our website at: 108point3.wordpress.com. You can also subscribe to the show on iTunes to get the latest episodes: https://itunes.apple.com/us/podcast/108.3-two-worlds/id1107273761?mt=2 Written, narrated, and produced by Arthur Walterson. You can read his other stories at: arthurwalterson.wordpress.com. Background music for the show is created by Eddie Palmer and used with permission. You can listen to his music at: https://thefuckedupbeat.bandcamp.com/ https://soundstudionoir.bandcamp.com/ Featured songs in this episode were The Blossoms on the Bough and Timbales by Freddy Martin. More information can be found on this page: https://108point3.wordpress.com/informationabout/

Shellac Stack No. 62 brings you the voice of Betty Boop (Mae Questel), jazz from Chicago and Australia (Johnny Dodds and Dave Dallwitz, respectively), dance music from Freddy Martin, Russ Morgan, and George Olsen, and even some Bavarian yodeling, courtesy of George P. Watson. Pull up a chair, fix your favorite hot beverage, and let … Continue reading »

“Established in the fall of 1976, Spirit Drum and Bugle Corps was the creation of husband and wife team Freddy Martin, a successful suburban Atlanta band director, and his wife, Lynda. That summer, they and Bob Hoehn partnered with a local network television affiliate to realize their dream of an Atlanta area junior drum and […]

"You can stand under my umbrella" on Mixtape015 from Media Monarchy - It's called 'Pacific Lifeline' and it's a one hour tour through the soggy sounds of Suede, George Martin, Christopher Cross, Hood Internet, Frank Sinatra, Johnny Cash, Florence and the Machine, Gene, Boards of Canada, Gregory Isaacs and U Roy, Anne Shelton, Morrissey, Flight of the Conchords, Freddy Martin, Modest Mouse, Vaccines and the Album Leaf... because it can't be news and politics all the time!MP3/FeedPrevious Mixtape: How It Ended and the Best of 2011

Frederick Alfred (Freddy) Martin (December 9, 1906 – September 30, 1983) was an American bandleader and tenor saxophonist.Orchestra leader Freddie Martin was not a jazz musician and never tried to be. Martin was, however, probably the most respected tenor saxophonist of the dance band era. The warmth and richness of his tone impressed even the most ardent of jazz performers and earned him the admiration of many. Martin's genius on his instrument also helped make his sweet orchestra one of the most musical of its time and propelled him on a bandleading career that spanned four decades.