Podcasts about Shellac

Come As You Are Series: TamarGenesis 38:26 “Then Judah acknowledged them and said, “She is more righteous than I, inasmuch as I did not give her to my son Shellac.” And he did not lie with her again.”The purpose of this series is to show you that God doesn't pick the perfect people to fulfill his plan. This is what we tell ourselves, or what the enemy tells us. We tell ourselves that God can't use us because we are not good people, and we have done bad things. If, by some miracle, we can believe that God wants to use us, then the enemy comes in and starts whispering lies in our ears. He tells us that we aren't enough and that God would never pick us. He reminds us about every bad thing we have ever done and tries to tell us that because of these things, God can't use us.I have been hearing this so much more from people lately, and that is what prompted this series. You may get tired of me saying the same thing over and over again. However, it is an important enough message that it is okay if I convey the same message 31 different ways. We need repetition. We need to hear things over and over again. Research suggests that we need to listen to things between 5 and 7 times before we remember them correctly. I think when we are trying to correct negative thinking, the number is much higher.Over and over again in the Bible, God uses ordinary people to do extraordinary things. He uses people who have sinned to show us that our sins don't count us out. He uses people who think they are better than others to show us that even if we feel that way, God can still use us. He uses people with unfavorable professions to show us that even if that is us, we can still be of use. God made you, He created you, He knows you. He can use you no matter what your circumstances are.Today, we will talk about Tamar. You can find her complete story in Genesis 38. I will summarize it for you. Tamar was married to one of Judah's three sons. His oldest son is named Er. But Er was wicked, in the sight of the Lord, so the Lord killed him. It was the custom when they lived that if your husband died before you got pregnant, it was the job of his brother to sleep with you and give you an offspring. So, Judah told his next son, Onan, to sleep with Tamar and give her a child. Onan slept with Tamar, but he withdrew before getting her pregnant, as it would not be considered his child. God did not like this, and he slew Onan too.Judah's younger son was too young to produce a child, so Judah told Tamar to go live as a widow in her father's house, and as soon as his younger son was old enough, he would give her to his youngest son. Over time, Judah's wife died, and Tamar saw that the younger brother had grown up, and Judah did not keep his promise. Tamar really wanted to have a child, so she dressed up like a harlot and slept with her father-in-law. He did not recognize her as she was covered. She asked him before they slept to gather to give her something so that he could go into her.Judah said he would send a goat. Tamar asked for his signet ring, cord, and staff as a pledge until he sent the goat. Judah agreed and went into her. Then, when he got back home, he sent his friend back with a goat for this harlot, but he could not find her, as Tamar was back to living as a widow in her father's house. Judah felt foolish, so he let it go. Then he heard, three months later, that Tamar had played the harlot and was with child as a result of this harlotry. Judah said to bring her out to be burned. However, when she came out, she brought the ring, cord, and staff and said, “By the man to whom these belong, I am with child.” This is where today's verse picks up. “Then Judah acknowledged them and said, “She is more righteous than I, since I did not give her to my son Shellac.” And he did not lie with her again.”When Tamar gave birth, she had twins, one named Perez and one called Zerah. The next time we hear about Tamar is in Ruth 4:12. Her name is mentioned in the blessing at Boaz and Ruth's wedding: “ and, through the children that the Lord will give you by this young woman, may your house be like the house of Perez, whom Tamar bore to Judah.” By mentioning Tamar, the people are saying: Even out of broken, unexpected circumstances, God can bring blessing and a great family line. Perez Became a Symbol of Strength and Growth. Perez's name means “breaking out. He became the ancestor of a large, influential tribe in Israel. The blessing is basically saying: May your descendants “break out” in number, influence, and strength like Perez's did.Tamar was not an extraordinary person. She did not do anything spectacular. She was married and wanted to be a mom. However, God knew her husband was wicked and killed him. Then her brother-in-law was being selfish, and God killed him. However, God did not abandon her, and He did not forget her desire to have a baby. I am not condoning how she had that baby, and I have no idea if there was another way for her to have a baby or not. I don't think that is the point of the story.What I do know is that God used Tamar and her child to bring about Jesus Christ, the Messiah. After the mention in Ruth, we hear about Tamar in Matthew 1:3 when he is recounting the lineage of Jesus. “and Judah the father of Perez and Zerah by Tamar, and Perez the father of Hezron, and Hezron the father of Aram.” I did not list the whole genealogy, but as you can see, Tamar is listed. There were 14 generations listed from Abraham to David, and from David to deportation to Babylon, there were 14 generations, and from the Deportation of Babylon to Christ, there were 14 generations. In all these generations listed in the genealogy, there are only five women listed. All the rest are men.Tamar, who dressed as a harlot to seduce her father-in-law to sleep with her so she could have a baby, is one of only five women listed in the lineage of Jesus. Are you starting to see what I am saying? Are you starting to believe me when I say God can and will use anyone He wants to use for His purpose? I know you feel like God can't or won't use you. You feel too old, too young, too sick, too busy. You feel as if your sins are too great. You feel as if you have done too much, and your sins can't be redeemed. In this story, there is no shame towards Tamar. There are so many people God could have used to bring forth Jesus. I am sure some people were going to the temple as they should have, following all the laws and doing everything right, and yet that is not who God chose.God wants to use you. I don't know what He wants to use you for, but I know He wants to use you. He is just waiting for your yes. He will use all you have been through as a beautiful testimony for whatever He is calling you to do. Don't be afraid to say yes, I promise He won't abandon you. He will be there with you each step of the way.Dear Heavenly Father, I ask you to bless each person listening to this episode today. Lord, thank you for all you do for us. Thank you for redeeming us. Thank you for using us, even though we aren't even close to perfect. Thank you for allowing us to be part of your grand plan. Thank you for accepting us, flaws and all. Lord, we ask that you help us to believe you want to use us. Please help us to believe that whatever we have done it does not count us out. Please help us understand that you are bigger than anything we might have done. We love you so much, and we ask all of this in accordance with your will and in Jesus's holy name, Amen.Thank you so much for joining me on this journey to walk boldly with Jesus. If you are really enjoying these podcast episodes, I invite you to check out my mentoring group. It is the same great information, but with the longer sessions, it allows me to go deeper. There is also time for questions and answers, or small group discussions, so that we can learn to apply what I am discussing to our daily lives. I will place a link for more information in the show notes. You could always come and check it out for a month and see if it is a good fit for you. There is no contract, and it is easy to cancel if you don't love it. Give it a try, invest in your spiritual life, you won't be sorry you did.I look forward to seeing you all here again tomorrow. Remember, Jesus loves you just as you are, and so do I! Have a blessed day!Today's Word from the Lord was received in May 2025 by a member of my Catholic Charismatic Prayer Group. If you have any questions about the prayer group, these words, or how to join us for a meeting, please email CatholicCharismaticPrayerGroup@gmail.com. Today's Word from the Lord is, “I have your crowns waiting, each specifically designed for each one of you. Though I have many children, I want you to know that I remember each and every one of your names. As your parents do not forget your names, nor do I. Know that I love you, every one of you. My heart burst with pride and love for all of you.” www.findingtruenorthcoaching.comCLICK HERE TO DONATECLICK HERE to sign up for Mentoring CLICK HERE to sign up for Daily "Word from the Lord" emailsCLICK HERE to sign up for my newsletter & receive a free audio training about inviting Jesus into your daily lifeCLICK HERE to buy my book Total Trust in God's Safe Embrace

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

This Episodes Questions: Brians Questions Hey guys, appreciate you answering several of my questions in the past, so I thought of a few more. Feel free to separate as they are not related: 1: What do you do, if anything, to maintain furniture you have built? What would you tell a client if they were to ask you. I have always heard Murphy's oil is a good restorative, but when I looked at a bottle at the store I discovered it's just mineral oil. I would never recommend that. Or should I? Lemon Pledge Furniture Polish. Joking, but seriously, what is a good answer? Paste wax? Or just wipe the dust off and let it be? Peter Downing I'm building a dresser and have built the carcass out of cherry plywood. I've glued up a panel out of solid cherry that I want to use as the top. I want to attach the solid panel to the top of the carcass. Would you recommend using screws from the inside/underside of the plywood top and allowing for wood movement or is it ok to glue the solid wood top to the plywood carcass top? Eric Guys Questions Domino vs beadlock set up from rockler?   Same principle...and , in my experience...same outcome.    Thoughts? Crafted Carpentry Tampa When I wanted to learn how to apply shellac, I did a search and found a Youtube video of Guy from the late 70's when Youtube first came out demonstrating his technique involving a balled up rag and a mason jar with a lid to keep it in so it doesn't dry out between coats.  That video is fantastic and I learned a lot than just the rag and jar business. Inevitably, when I'm done shellacking for the day, I leave the rag Guy's Jar.  Because you never really know when you are done applying shellac to something until you arrive at that destination, I end up leaving that rag in the jar for a few weeks.  It's amazing how well it keeps even weeks later.  HOWEVER, on more than one occasion, when I pull Guy's Rag from the jar, it is moldy.  This surprised me the first time because I assumed that the amount of alcohol in the shellac would prevent anything from growing. Does this happen to y'all or is indicative of something amiss.  I just toss it and get a new rag. Additional data points: Shallac is < 2 months old, made from flakes, sourced from Oregon's shellacshack.com I'm using Platina colored shellac usually I'm using "Finishers Edge Shellac Reducer" instead of denatured alcohol because is way more expensive so it must be better right? Jar is a resealable mason jar with a rubber gasket Cloth is from the "bag of t shirts" you can buy at your local woodworking store Shellac still has a strong odor of fresh shellac I reuse the same jar to store my rag Because I'm not a proctologist, there is a chance I've misdiagnosed the mold so I attached an image of the rag. Robert Huys Questions Gents, there is a question here, but I wanted to share some info with you first. In a recent episode there was a bit of a discussion of using Tung oil and how to thin it, etc.  I recently made a  walnut desk inspired by the Nakashima style. I've had the good fortune to get my eyes and hands on some of his pieces for inspiration - they are amazing.  Anyway, on the Nakashima website they discuss the care of their furniture, mentioning how they use Southerland Welles Tung Oil Wiping Varnish. https://sutherlandwelles.com/product-category/wipingvarnish/ It is really easy to apply and looks fantastic, especially on walnut.  I used the Sealer and High Lustre Polymerized Tung Oil finishes. I highly recommend them. (this is not a paid ad!) Finally, here is my question: Have you ever taken a technique, tool, or finish that is used in another craft for your use in furniture making? An example might be Tru Oil used on gunstocks as a furniture finish? Or a technique used by luthiers that helped you in furniture making? Thanks again for a great podcast! Regards, David V. Hi guy I have a question or re3ally looking for advice. I noticed the tension on the v-belt of my delat 14 inch band saw was lose. It looked like freely wabblying when spinning the balde and I could come reaelly close to touching the two sides together when pinching the belt. Anyways I found the manuel online and it says there should be 1 inch deflection. asuming the maker knows what they are talking about I never seen a belt with that much allowance after being tight, so what do you think? Also Wen mention how much a pain replacing the tires or wheels were, how do you do that (i know google will answer my questions too, but we like hearing you guys talk)? Last part, are these upgrades really worth it, sometime I buy into something that really is not an improvement (https://www.youtube.com/watch?v=JpDA2X6L9Y4) (https://www.youtube.com/watch?v=4FOa9EJf91g) Paul Miotchell

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology

With the rise of the gramophone around 1900, the shellac disc traveled the world and eventually became the dominant sound format in the first half of the twentieth century. Format Friction brings together a set of local encounters with the shellac disc, beginning with its preconditions in South Asian knowledge and labor, to offer a global portrait of this format.Spun at seventy-eight revolutions per minute, the shellac disc rapidly became an industrial standard even while the gramophone itself remained a novelty. The very basis of this early sound reproduction technology was friction, an elemental materiality of sound shaped through cultural practice. Using friction as a lens, Gavin Williams illuminates the environments plundered, the materials seized, and the ears entangled in the making of a sound format. Bringing together material, political, and music history, Format Friction decenters the story of a beloved medium, and so explores new ways of understanding listening in technological culture more broadly. Nathan Smith is a PhD candidate in Music Theory at Yale University nathan.smith@yale.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Jay Ryan is a Chicago-based musician best known as the bassist for the instrumental post-rock trio Dianogah. Formed in 1995, Dianogah earned cult status for their unique two-bass lineup and collaborations with recording engineer Steve Albini. Ryan's melodic, percussive playing helped define the band's heavy and cinematic sound. Named after the garbage-loving monster from the original Star Wars film, the band consists of Jay and fellow bassist Jason Harvey in tandem with drummer Kip McCabe. Dianogah is one of the pioneers of the emerging mortgage core scene. Outside of music, he's the founder of The Bird Machine, a screen-printing studio famed for its hand-crafted gig posters for bands like Shellac, The Decemberists, and Andrew Bird. Jay Ryan bridges the worlds of indie rock and visual art with distinctive creativity and DIY ethos. LINKS Dianogah on Bandcamp The Bird Machine

On this eye-opening episode of Vitality Radio, Jared breaks down the part of the supplement label most people ignore: other Ingredients. While active ingredients get all the attention, it's often the excipients—binders, fillers, flow agents, coatings, and colorants—that determine whether your supplement is truly clean and effective. Jared exposes why manufacturers use these "inactive" ingredients, how they impact product quality, and which common additives you should avoid. You'll learn how to read this overlooked section of your supplement label and become an informed, empowered consumer.Additional Information:#525: Decoding Supplement Fact Panels and Becoming a More Informed ConsumerOther Ingredients Breakdown Blog PostVisit the podcast website here: VitalityRadio.comYou can follow @vitalitynutritionbountiful and @vitalityradio on Instagram, or Vitality Radio and Vitality Nutrition on Facebook. Join us also in the Vitality Radio Podcast Listener Community on Facebook. Shop the products that Jared mentions at vitalitynutrition.com. Let us know your thoughts about this episode using the hashtag #vitalityradio and please rate and review us on Apple Podcasts. Thank you!Just a reminder that this podcast is for educational purposes only. The FDA has not evaluated the podcast. The information is not intended to diagnose, treat, cure, or prevent any disease. The advice given is not intended to replace the advice of your medical professional.

Amanda sits down with Mike Mascellii and Bob Van Dyke to answer questions and chat about Fine Woodworking New England. Get your tickets for Fine Woodworking New England - https://secure.interactiveticketing.com/1.43/83104a/#/select For more information about our other eLearning courses - http://www.finewoodworking.com/elearning For more information about our Woodworking Fundamentals journey - http://www.finewoodworking.com/fundamentals Join us on our new Discord server! - https://discord.gg/8hyuwqu4JH Links from this episode can be found here - http://www.shoptalklive.com Sign up for the Fine Woodworking weekly eLetter - https://www.finewoodworking.com/newsletter Sign up for a Fine Woodworking Unlimited membership - https://www.finewoodworking.com/unlimited Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@finewoodworking.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page. Join us on our Discord server here.

NAILS BY MALA!

What Are The Facts?That shiny coating that can be found on anything from jellybeans to fruit to hard-wood flooring. What is it made of? Is it Kosher? Let's listen in to a fascinating (and slightly discomforting) discussion about Shellac otherwise known as confectioners glaze, with Rabbi Sholem Fishbane - Kashrus Administrator at the Chicago Rabbinical Council, and Executive Director of AKO. View it in its entirety at https://www.kashrusawareness.com/post/shellac-on-snacksTo Sponsor An Episode: https://pay.banquest.com/kashrusawarenessJoin the Let's Talk Kashrus WhatsApp Community for educational content and kashrus updates https://chat.whatsapp.com/Hk3SHVsBfELEgJet4ZNYDR

Happy Holidays to all of our ‘Scurians out there. Due to the abundance of amazing new releases in the world of rock n' punk n' metal, we will forego our annual Christmas episode for a 2-parter Shallow Graves 2024! At the end of every year, Kevin does a solo episode celebrating top releases of the year, but there are too many artists that Captain Content heard this year where he said, “…I'd like a little more of that”! So, Kevin's Christmas present to the Captain is songs from artists he said he dug… Hope you dig these 2024 tunes also!What is it we do here at InObscuria? Every show Kevin opens the crypt to exhume and dissect from his personal collection; an artist, album, or grouping of tunes from the broad spectrum of rock, punk, and metal. This week we look back on bands that released new rock n' punk n' metal in the year 2024 that piqued the Captain's interest. Hopefully, you get turned onto something new!Songs this week include:Tuk Smith & The Restless Hearts - “Little Renegade” from Rogue To Redemption (2024)Now After Nothing - “Criminal Feature” from Artificial Ambivalence (2024)Skraeckoedlan - “Meteorb” from Vermillion Sky (2024)The Damn Truth - “The Willow” from The Willow - single (2024)Riot V - “Love Beyond The Grave” from Mean Streets (2024)Shellac - “WSOD” from To All Trains (2024)Nestor - “We Come Alive” from Teenage Rebel (2024)UltraBomb - “Who Knows” from Dying To Smile (2024)Meanstreak - “Rubberneck” from Blood Moon - Ep (2024)Black Country Communion - “You're Not Alone” from V (2024)Type O Negative - “Red Water (Christmas Mourning)” from October Rust (1996)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

      Hour 1 of A&G features... Does Trump really want to deal with the Gaetz drama? Mailbag! End of an era on The Simpsons & a tangerine nailed to the floor Katie Green's Headlines!  See omnystudio.com/listener for privacy information.

      Hour 1 of A&G features... Does Trump really want to deal with the Gaetz drama? Mailbag! End of an era on The Simpsons & a tangerine nailed to the floor Katie Green's Headlines!  See omnystudio.com/listener for privacy information.

At my invitation, Steve Albini appeared on Kreative Kontrol at least once a year since its inception in 2013. We started a tradition where we spoke just ahead of annual, poverty alleviation Letters to Santa live events, such as the gala they're holding on November 23, 2024, at the Brookfield Zoo Chicago: Discovery Center, featuring Jeff Tweedy, Fred Armisen, and Kim Deal among others. To maintain the tradition and spirit of the talks we had, I plan to feature archival interviews I conducted with Steve over the years, presenting them here ahead of Letters to Santa events for as long as possible. Here's the second radio interview we ever did. It took place in the early summer of 2007 and was ostensibly about the then new Shellac album, Excellent Italian Greyhound, and touched upon local radio fame, Martina Navratilova, people who film concerts instead of participating in them, Canada, SCTV, John Peel, and more.Support vish on Patreon! Specifically by November 21, 2024 to help reach our membership drive goal of 600 paid subscribers!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters to Santa. Follow vish online.Related episodes/links:My first Steve Albini interview (2006)Ep. #869: Steve AlbiniEp. #826: Steve Albini and Fred ArmisenEp. #806: The BreedersEp. #692: WilcoSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

As we gear up for our next season of Four Strings and the Truth interviews, we're introducing a new, more bite-sized feature: the Bass-ic Review. This is an analysis of new and recently released albums from the bottom up - i.e., from the point of view of the bass: the playing AND the player. And to kick things off, we're focusing on the much-anticipated new album from Oklahoma City noise mavens Chat Pile, “Cool World.” Bassist Stin, who co-writes the tunes and has served as de facto producer, puts in the work on the new collection, which is earning huzzahs from fans of loud music across the punk-metal-alt-noise spectrum. Let's find out how he makes Chat Pile tick. Chat Pile (https://chatpile.bandcamp.com/) Chat Pile Tour Dates (https://chatpile.net/shows) Chat Pile AMA (Ask Me Anything) on Reddit (https://www.reddit.com/r/AMA/comments/1g5abvq/we_are_okc_noise_rockers_chat_pile_ama/) Korn “Prayer To God” by Shellac (https://shellac.bandcamp.com/track/prayer-to-god) The Tronographic Rusty Box (https://www.tronographic.com/store/p/rusty-box)

Damir Marusic and WoC executive editor Santiago Ramos get together to discuss Damir's latest article, “Why We Need Nightmares.” In it, Damir writes about the the binding of Isaac — the chilling story from the Book of Genesis where God asks Abraham to sacrifice his son. Damir is fascinated both by the story and by a Caravaggio painting depicting it. “That's the stuff,” he writes. But what is this “stuff”?While searching for an answer to this question, Damir and Santiago cover a lot of ground. They discuss the story of Abraham and Isaac, as well as the different ways that philosophers have interpreted it. They talk about Kierkegaard, Nietzsche, and Kant. They come to the conclusion that, while we all have different words for it — terrifying, mysterious, sublime — everyone must grapple with the stuff. Grappling with the stuff is an essential part of living a human life, for believers and unbelievers alike.This episode covers the Bible, philosophy, art, music, and much more. It is not a debate, but an exploration of what exactly it is that makes certain stories, works of art, and experiences so moving, compelling, terrifying. We enjoyed recording this episode so much that we decided to make it free for all subscribers.Required Reading and Listening:* Damir, “Why We Need Nightmares” (WoC).* Damir, “The Pursuit of Passion for Its Own Sake” (WoC).* Damir, “It's Not Really About Cancel Culture,” about Tár (WoC).* “Ending Summer on Violence and Despair, with Twitter's Audrey Horne” (WoC).* The story of the binding of Isaac in Genesis 22 (King James Version). * Immanuel Kant (Stanford Encyclopedia of Philosophy).* Søren Kierkegaard (Stanford Encyclopedia of Philosophy).* Friedrich Nietzsche (Stanford Encyclopedia of Philosophy).* “Time of tension between dying and birth” quote by T. S. Eliot, in “Ash Wednesday” (Best Poems). * Mozart, Symphony No. 40 (Leonard Bernstein and the Boston Symphony Orchestra, YouTube).* Roger Scruton on pop music as addictive (YouTube).* Keith Richards on heavy metal, “No lift, no bounce, no syncopation” (YouTube).* Caspar David Friedrich, “Sea of Ice” (painting of shipwreck/example of the sublime).* The Rolling Stones, “Gimme Shelter” (YouTube).* Nirvana, “Radio Friendly Unit Shifter” (YouTube). * Shellac, At Action Park (YouTube). * Arvo Pärt, Cantus in memoriam Benjamin Britten (Norwegian Chamber Orchestra, YouTube).* Leonard Bernstein, “The Unanswered Question,” lectures (YouTube).Wisdom of Crowds is a platform challenging premises and understanding first principles on politics and culture. Join us! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

Lise and Sarah unpack and unload on their week and story-tell with more tangents than a Year 12 maths book. This is a stream-of-consciousness roller coaster, delivering laughter-related muscle soreness and guaranteed whip-lash. Keep up! Hosts: Lise Carlaw and Sarah WillsWebsite: www.liseandsarah.com.au Subscribe to Lise and Sarah GOLD here http://apple.co/LiseandSarah For Apple users, click here and follow the prompts on your Apple device: http://apple.co/LiseandSarahFor Android users, Apple Podcasts is now available on the web, which means all listeners are now able to enjoy the full Apple Podcast experience on any web browser, on any device. By signing up for an Apple Account, non-Apple users will be able to sign in and purchase podcast subscriptions. How does it work? Here's a step-by-step (and yes, we promise it's easy!) • Click here: http://apple.co/LiseandSarah• The link will open in a web browser• From there, just hit sign in, log in/create an Apple Account - it's free to do this• You can now proceed to sign up for The Lise & Sarah Show subscription (it may look like a TRY FREE button)• We suggest you save/bookmark/create a shortcut for the link for easy access whenever you want to tune in See www.omnystudio.com/listener for privacy information.See omnystudio.com/listener for privacy information.

Join Jay and Deon at the dining room table as they discuss the musical projects they have been obsessed with as of late. Super-special-secret friend Gary Johnson revisits Michigan's rich music history and exposes touring sonic imposters of yesteryear. A Hell's Half Mile Music Festival preview is also included in this joyful and juicy episode. Dig in! Sonic contributors to the twenty-third BONUS episode of Lightnin' Licks radio podcast include: Koreatown Oddity, Brothers Johnson, Jurassic 5, DJ NuMark, Dave Matthews Band, Zach Braff, Natalie Portman, Quincy Jones, Left Banque, The Ballroom, October Country, The Fifth Dimension, Shellac, The Pixies, The Breeders, Brian Eno, Roxy Music, The Winkies, Godfather Don, Das EFX, Fu-Shnickens, Public Enemy, Slaunchwise, Bread, Bread Machine, Neko Case, The New Pornographers, Fancey, Randy VanWarmer, The Organ, The Smiths, Jack Ashford, Johnny Griffith, Billy Sha-Rae's Band, Eddie Parker, Sandra Richardson, Lee Rogers, The Magnificents, Cody Chestnutt, Third Company Syndicate, Sault, Big Maybelle, ? and the Mysterians, Earl Van Dyke and the Soul Brothers, Elvets Rednow, Bob James, Bruce Springsteen, Waxahatchee, Billy Joel, Lord Tariq & Peter Gunz, Steely Dan, The Velvet Underground, REM, Mitch Ryder, Nico, Lou Reed, Keith Richards, Cheap Trick, The Zombies, Muddy Waters, Howlin' Wolf, Daniel Ralston's “The True Story of the Fake Zombies” podcast, Smokey Robinson, Rob Davis, Cathy Dennis, the Texas fake Zombies, ZZ Top, the Michigan fake Zombies, The Excels, Quintet Plus, Ira Gershwin, DuBose Heyward, The Monkees, The Archies, Colin Blunstone, Big Star, Hurray for the Riff Raff, Curtis Gadson, Los Bitchos, Liquid Mike, Sungaze, J.W. Francis, Bluhm, and The Monophonics. Bonus # 23 mixtape: [SIDE ONE] (1) Los Bitchos – Don't Change (2) Godfather Don – On & On (3) The Zombies – Hung up on a Dream (4) The Stylists – I Need Your Love (To Satisfy my Soul) (5) Hurray for the Riff Raff – Hawkmoon (6) The Organ – Basement Band Song [SIDE TWO] (1) Liquid Mike – Man Lives (2) The Velvet Underground – I'm Waiting for the Man (3) Waxahatchee – Crowbar (4) October Country – My Girlfriend is a Witch (5) The Breeders – Fortunately Gone (6) Brian Eno & the Winkies – Paw Paw Negro Blowtorch (super special not-so-secret hidden track) Bread Machine – Guitar Man Huge thanks to Gary for one of the most interesting conversations to ever take place across the dining room table. Visit the Michigan Rock & Roll Legends Hall of Fame. Read more about Bay City's doomed teen club of the mid 60s Band Canyon.  Subscribe to The True Story of the Fake Zombies podcast. Check out Gary's podcast. Make sure to attend Hell's Half Mile Film and Music Festival in Downtown Bay City, September 26th through 29th. Check out the HHM 2024 Music Playlist, too! Shop at Electric Kitsch. Drink Blue Chair Bay. Be kind. Rewind. EXPLICIT LANGUAGE (Sorry, Gary)

Animal Products: Yotzeh vs. Pirshah; Shellac and Carmine; Bee Products (honey, royal jelly, pollen, beeswax, propolis); Eggs; Yotzeh of a kosher animal; Colostrum; Lanolin. See seforim by Rabbi Cohen at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kashrushalacha.com

Our third REM episode but the first one that we had to delay some recording of because of too much vomiting, which was a treat for Dave. If you've heard our takes on 'Out of Time' and 'Automatic For The People' you'll know that we absolutely loved those but we weren't even a fraction as familiar with this one at all. Also this is an absolute beast of an episode in terms of running time, mainly because of the total deluge of album and single releases within the five week time period in late 1994 that we were looking at so we won't be offended if you skip those sections if those aren't your favourite bits. But if you do skip them you'll miss us talking about the likes of Korn, Shellac, Digable Planets, Refused, Shampoo and obviously East 17. As always please do give us a follow on our social media platforms and why not go and give us a nice rating over on Spotify now that you're able to while you're checking out this episode's companion playlist and our ongoing and sprawling playlist of songs from each album that we do an episode on. Cheers!

Ben and Mike Mascelli talk finishing and upholstery, Then Amanda chats with Mike about his thoughts on our "fine woodworking" question from the last episode..  Every two weeks, a team of Fine Woodworking staffers answers questions from readers on Shop Talk Live, Fine Woodworking‘s biweekly podcast. Send your woodworking questions to shoptalk@finewoodworking.com for consideration in the regular broadcast! Our continued existence relies upon listener support. So if you enjoy the show, be sure to leave us a five-star rating and maybe even a nice comment on our iTunes page.

This week we're taking some time to honor the great Steve Albini. Having already done full episodes on Big Black, Rapeman, and most recently Shellac, this time we're talking about everything Albini has worked on that's affected us over the years. Mike speaks with Alex, their history guy, Tom, as well as his brother Robert about everything Steve Albini and his incredible legacy. Closing track: "Over" by Oxbow from Serenade in Red (1996)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsRobert @hoodpass.wicHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteRobert's show on NTS Radio: https://www.nts.live/shows/yayayi Robert's album: https://open.spotify.com/artist/6y9HtgqNCUTgnemSjTdpO4?autoplay=true

Part 1 of my conversation with guest Jay Breitling about our favorite music of 2024 so far. Show notes: Crazy stuff going right as we started recording Concert tours getting canceled because of poor ticket sales (Black Keys, JLo) The phenomenon of Taylor Swift Vinyl is selling well, but half the people who buy it don't own a record player Another factor in the concert business struggles is the high price of tickets Apparently Gen Z loves dream pop Spotify accuses Hallelujah the Hills of gaming the system The Legend of Doo Doo Brown JB's honorable mentions: The Bret Tobias Set, Bug Club, Fontaines D.C., Ducks Ltd., Bedbug, Umbrellas, Torrey, Waxahatchee, Shellac, Buffalo Tom, Les Savy Fav, Pedro the Lion JK's honorable mentions: Cloud Nothings, Boeckner, Redd Kross, Mdou Moctar, IDLES, Plus/Minus, Bodega, Kim Gordon, DIIV JK's #10: Mary Timony's first solo album in 19 years JB's #9: Dope Yeti is the nexus of Beck, Dylan and GBV JK's #9: A quieter, more Americana-focused album from Buffalo Tom JB's #8: Strong modern shoegaze release from DIIV JK's #8: Second album from the Smile is an acceptable Radiohead substitute JB's #7: Cloud Nothings keep cranking out great albums To be continued  Completely Conspicuous is available through Apple Podcasts. Subscribe and write a review! The opening and closing theme of Completely Conspicuous is "Theme to Big F'in Pants" by Jay Breitling. Voiceover work is courtesy of James Gralian.

This week we're discussing every album by Shellac. After covering Big Black and Rapeman in past episodes, it was only a matter of time before we eventually got to Shellac. However, due to the unexpected and tragic loss of Steve Albini this year, this episode is bittersweet. They were a fantastic band that we're happy to dissect in detail here.Closing track: "Watch Song" from 1000 Hurts (2000)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Instagram:Mike @pandermonkeyAlex @everyalbumalexTom @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on SpotifySubstackWebsiteMike's Picks:1000 Hurts (2000) -- Best AlbumAt Action Park (1994) -- Personal FavoriteExcellent Italian Greyhound (2007) -- Worst Album, Least FavoriteAlex's Picks:At Action Park (1994) -- Best Album, Personal FavoriteExcellent Italian Greyhound (2007) -- Worst Album, Least FavoriteAlbums we discussed this episode...At Action Park (1994)The Futurist (1997)Terraform (1998)1000 Hurts (2000)Excellent Italian Greyhound (2007)Dude Incredible (2014)To All Trains (2024)

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week on the pod we're joined by producer Justin Pizzoferrato. A few weeks ago we talked about the newest and sadly last Shellac album, "To All Trains." We spend a lot of time chatting about Steve Albini as a producer/engineer & his ethics as a human being and how that influenced Justin to become a producer. We also chat about the changing definition of the term post-rock and Justin's background in classical guitar. Justin Pizzoferrato is an engineer who has worked with Dinosaur, Jr, Sonic Youth, Kim Gordon, The Pixies, Wild Pink, Elder, Parquet Courts, Speedy Ortiz and so many others. Check out Sonelab Studios in Western Massachusetts if you're looking to record. https://www.justinpizzoferrato.com/ Subscribe to our Patreon here: www.patreon.com/spinningoutpod Follow us on social media -- twitter and instagram (@Spinningoutpod)

Episode 699: June 9, 2024 playlist: Crash Course In Science, "Fun Hair" (Near Marineland) 2024 Dark Entries Chrystabell and David Lynch, "Sublime Eternal Love" (Cellophane Memories) 2024 Sacred Bones Machinedrum, "KILL_U (feat. Tanerelle)" (3FOR82) 2024 Ninja Tune Ekin Fil, "Reflection" (Sleepwalkers) 2024 The Helen Scarsdale Agency Finlay Shakespeare, "Face Value (Trio Mandala)" (Directions Out Of Town) 2024 Editions Mego Actress, "Mellow Checx" (Statik) 2024 Smalltown Supersound Mercury Rev, "Patterns" (Born Horses) 2024 Bella Union Dave Brown / Jason Kahn, "Merri" (Terminal Analog) 2024 Room40 ojeRum, "Coreless Whisper" (Cut Paper Flowers) 2024 Line d'Eon, "Figurine" (Leviathan) 2024 Hausu Mountain Jeremy Gignoux, "Quimsie (feat. Jiajia Li)" (Odd Stillness) 2024 [self-released] Shellac, "I Don't Fear Hell" (To All Trains) 2024 Touch and Go Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Hosts Jim DeRogatis and Greg Kot talk with Ira Robbins, founder of Trouser Press magazine which inspired a generation of underground music writers. Plus, the hosts review new music from Billie Eilish and Shellac.--Get Exclusive NordVPN deal here → https://nordvpn.com/soundops It's risk-free with Nord's 30-day money-back guarantee!--Become a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundopsJoin our Facebook Group: https://bit.ly/3sivr9T--Featured Songs:Billie Eilish, "Skinny," Hit Me Hard and Soft, Interscope, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1966Billie Eilish, "Ocean Eyes," Don't Smile at Me, Interscope, 2017Billie Eilish, "Lunch," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Bury A Friend," When We All Fall Asleep, Where Do We Go?, Interscope, 2019Billie Eilish, "The Greatest," Hit Me Hard and Soft, Interscope, 2024Billie Eilish, "Blue," Hit Me Hard and Soft, Interscope, 2024Shellac, "Scabby the Rat," To All Trains, Touch and Go, 2024Shellac, "I Don't Fear Hell," To All Trains, Touch and Go, 2024Shellac, "Tattoos," To All Trains, Touch and Go, 2024Rory Gallagher, "A Million Miles Away (Live at The San Diego Center, CA, USA 1974)," Live In San Diego '74, UMC, 2022Tucky Buzzard, "Run in the Morning," Buzzard, Purple, 1973The Who, "A Quick One, While He's Away," A Quick One, Reaction, 1966Camel, "Never Let Go (Live at Hammersmith Odeon)," A Live Record, Deram, 1978The Bonzo Doo-Dah Dog Band, "The Trouser Press," The Doughnut in Granny's Greenhouse, Liberty, 1968Carole King, "I Feel the Earth Move," Tapestry, Ode, 1975See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Taylor Hales is the studio manager and recording & mixing engineer at the world-famous Electrical Audio recording studio. He also fills a bunch of other roles at the studio. We talked with Taylor about how he got his start in music and his internship at Electrical Audio. He filled us in on the inner workings at the studio. And he shared many stories about his employer, co-worker and friend, Steve Albini. This was a very emotional episode and we are so grateful to Taylor for sharing this with us.Time stamps:3:45: How did you first meet Steve and start working at Electrical Audio?8:45: How often does an intern actually get hired here?9:45: What was your life like leading up to working at Electrical Audio?11:55: At what point did you decide that you wanted to make your passion your career?15:18: Was your start at Electrical Audio what you expected?17:16: Did you pick people's brains while you were interning?18:26: What was day one like here as an intern?20:07: What does a studio manager do at Electrical Audio?25:07: Was your intention with the internship to get to stay forever?28:34: Have you thought about what it was about you that led to you getting a job there?29:45: It seems like your experience with Steve was different than how people viewed him32:18: Have you learned anything about Steve that has surprised you since he passed?34:45: How did Steve's disdain for money translate into how you helped him run a studio?36:09: What are some of your favorite albums Steve produced?40:21: What are some of the things you've taken away from Steve with how you record a band?43:11: Did Steve actually think producing was an important job?46:45: What are some magic moments you've had at Electrical Audio?48:45: How do you honor Steve moving forward?52:38: From a recording engineer perspective, what are some of the things that Steve made a lasting impression on?55: What is it about Steve and Chicago that fit so well together?57: When you think about Chicago music, what do you think about?58: Have you become an audio snob from working at Electrical Audio, and do you have a favorite Chicago venue?61:43: Deep dish or thin crust fan?62:35: What happens with Shellac moving forward?63:36: What is your go to cheap drink?64:35: Anything you think people should know about Steve that we haven't talked about?

Podcast #696 offers you a charcuterie board of Neutrals, Get Smart, Shellac, Idaho, Orville Peck, Noelle and the Deserters, Dog Party, & Spiter.

Get ready for a wild ride on Pleasure Before Bidness! This  episode is a delightful mix of music, laughter, and deep dives. We'll pay tribute to the legendary Steve Albini by spinning tracks from two of his iconic bands: Big Black and Shellac.But that's not all! We'll also delve into the concept of the universe as a giant "yes man" and explore the art of successful manesting. Get comfy, grab your favorite beverage, and prepare to be entertained.Music on this episode:Big Black (Steve Albini)Shellac (Steve Albini)Kikagaku MoyoJazz TrippersThe Blank TapesThe CleanFloating ActionSo tune in and get ready for:A celebration of the musical genius of Steve AlbiniPhilosophical discussions about the universeTips and tricks for mastering the art of manestingA fantastic lineup of music from various genresSay hello to pleasure 4 eva. 

On this week's show...Celebrate 10 years of Sturgill Simpson's Metamodern Sounds in Country Music Spend quality time with superlative new records from Jo Serrapere & Adeem the Artist Honor the life & legacy of the late, great Steve Albini All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

It is with heavy hearts that we deliver this week's episode honoring the passing of a true recording innovator and master of his craft: the amazing Mr. Steve Albini. Our good friend and fellow podcasting brother, Chris L joins us from the awesome Pod Of Thunder podcast. We knew we needed someone who represented the region of the country Steve was from and where he did most of his work; a magical faraway place called Chicagoland. Chris was a musician in the Chicago scene in the 90s when Albini's “production” was soaring, and his recordings were impacting the rock and alternative world hugely. This a tough loss, as Albini's ability to capture the true essence of a real rock n' roll band was second to none.New to InObscuria? Typically, what we do is exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. Rest In Peace, Steve. The sounds of recorded drums will never be the same!Songs this week include:Bodhisattva – “Broken” from Bodhisattva (1993)Big Black – “Bad Penny” from Songs About Fucking (1987)Urge Overkill – “Lineman” from Wichita Lineman (1987)Pegboy – “Never A Question” from Fore (EP) (1993)Shellac – “My Black Ass” from At Action Park (1994)Spy – “Way Inside” from Spy (2005)Foxy Shazam – “Shoe Box” from GONZO (2014)The Mean Reds – “A Little Truth” from CRC Demo (1996)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Steve Albini was one of a kind. As a songwriter and musician in his bands Big Black, Rapeman and Shellac he made aggressive, uncompromising music with biting songs about the darkest side of the human experience. As an audio engineer he recorded pivotal albums for the likes of Nirvana, Pixies and PJ Harvey and worked with thousands of others covering every genre conceivable and changing the sound of modern music forever. He was a small business owner, a poker champion, a husband, a brother and a son. He was opinionated, sarcastic, hilarious and in recent years, self reflective. He died suddenly and unexpectedly at the far too young age of 61, while at work, doing a job that he often compared to a plumbers, a blue collar gig that required dedication, commitment and a tireless work ethic. It just so happened that Steve Albini's daily grind changed all of our lives. RIP Mr. Albini, you will be missed.    Recommended Listening   Shellac “To All Trains” https://open.spotify.com/album/09SFqMvmXLpfG62LjeSorU?si=CXxwC75RSYKgWbyIWB6EFQ   HHPP EP96: Nirvana VINYL CAGE MATCH “Bleach” vs “In Utero”  https://huntsmanhill.com/2019/04/09/ep96-nirvana-vinyl-cage-match-bleach-vs-in-utero/   HHPP EP147: The Jesus Lizard “Liar” https://huntsmanhill.com/2021/02/01/ep147-the-jesus-lizard-liar/   HHPP EP193: Big Black “Songs About Fucking”  https://huntsmanhill.com/2022/10/03/ep193-big-black-songs-about-fucking/   HHPP EP260: Mclusky “Mclusky Do Dallas” https://huntsmanhill.com/2024/03/17/ep260-mclusky-mclusky-do-dallas/   Albini on Parts Unknown  https://www.youtube.com/watch?v=VDw22kt9yUY   Dogs 101 w/ Shellac  https://www.youtube.com/watch?v=WZWrVQTlonc   Albini at Roscoes  https://www.youtube.com/watch?v=HNuVg1LdF_o   manhuntsman “Copper Too” https://open.spotify.com/track/2rRi6MLDKl6pwqf6xaPdbs?si=8bab2bbf5a424daa   HHPP Spotify Tracks: Big Black “Kerosene” https://open.spotify.com/track/6tHZNpTqtOy64NMWqxMCjT?si=41a2691bab8642a8 Superchunk “Skips Steps 1 & 3 https://open.spotify.com/track/6028v7Uu22M78zzk7s9jSD?si=e0fb159790164402 Screeching Weasel “Celina” https://open.spotify.com/track/6Ul3yFXrrMOtMjaemrGM40?si=0e0b5902c4084405     Spotify Playlist:  https://open.spotify.com/user/1298220429/playlist/4gy1wWwypkoFS2lUztvZ44?si=waSq07DBQlq3x9G1_nK0pg   Contact us at:  huntsmanhillpodcast@gmail.com   huntsmanhill.com instagram.com/huntsmanhill https://twitter.com/HuntsmanHill   Our Music manhuntsman:  https://open.spotify.com/artist/7tFBWn0UFkdOEMf67TRD6W?si=vzllkbDwSEmfZFlj02GLRw Academy O.C:  https://academyoc.bandcamp.com/album/academy-o-c   Omertà 68:  https://open.spotify.com/artist/6dfiCa0qTlbPQUrqtIkStS?si=6SCjNtXbSO2xRBDuBKJelQ Mid City Three:  https://open.spotify.com/artist/2LW7wWSHd9bi3n3Q5N8i35?si=aVFU0HdnRzqI1UOTAfc-ig

Lickers Jay and Deon wax poetic on ten of their favorite records from their respective collections which are filed under the letter J. Their choices lead to discussions on Blindboy Boatclub (he rules), the origins of their nicknames (do you even know these guys?), another blind-bought Burger Records beauty (Jay is a total Burger fanboy), Steve Albini (R.I.P.), and much more. Tune in and rock out! --- In the early 1970s, legendary collaborator and self-proclaimed non-musician Brian Eno famously designed a deck of 115 cards containing elliptical imperatives to spark in the user creative connections unobtainable through regular modes of work. He called his creation "Oblique Strategies." For the past half century, countless artists and professionals across the globe have benefited from utilizing the oblique strategies technique when attempting to overcome a lull in creative output. In 2024, idiotic, introverted yet somehow still award-winning* hobby podcasters and self-proclaimed Lightnin' Lickers Jay and Deon found themselves uninspired when contemplating the potential theme of their upcoming thirty-seventh episode. Together, they decided... to default back to the alphabet. Because they have a reasonably solid grasp of the alphabet and how it works. They had previously utilized the letters A thru I, so naturally, they went with J. Sonic contributors to the thirty-seventh episode of Lightnin' Licks Radio podcast include: Brothers Johnson, Holland-Dozier-Holland, Lee Moses, Steve Albini, L.L. Cool J, Patience, Prince Paul, De La Soul, Freddie King, Little Walter, Blinboy Boatclub, SHANNON, Cornbroom Jenkins, Mighty Mista Knapps, Lucy Givens, Sesame Street, Huey Lewis & the News, The Jesus Lizard, Jonathon Wolffe, Kenny Gamble, Leon Huff, The Three Degrees, EMINIM, Labi Siffre, Marilyn Manson, Hootie & the Blowfish, Drive Like Jehu, Led Zepplin, Helmet with David Yow, Junk Monkeys, Goo Goo Dolls, Syl Johnson, Howlin' Wolf, Wu-tang Clan, Kanye West with Jay-Z, Hank & Kieth Shocklee with Public Enemy, Charlie Rich, Cypress Hill, The Luniz, R2D2, Jessie Jones, Death Valley Girls, Pete Jolly, Art Pepper, Jessica McQuarter, Herb Alpert, Jerry Moss, Ugly Duckling, DJ Einstein, Jimmie & Vella, Bobby Womack, Dead Prez, J. Cole, Kendrick Lamar, Anthony Fantano, Drake, Timmy Thomas, Post-POTUS George W. Bush, Childish Gambino, Jobriath, David Bowie, Stephen Trask, Vernard Jonson, Peter C. Johnson, Paul Vance & Lee Pockriss, Cody Jinks, Shellac, the Radiolab archives, The Clockers. LLR “J” mixtape: [SIDE A](1) The Jesus Lizard - Mouth Breather (2) Jimmie & Vella - Well (3) Peter C. Johnson - Snowblind (4) J. Cole - No Role Modelz (5) Vernard Johnson - Soul Metamorphosis Medley MegaMix [SIDE B] (1) Pete Jolly - Springs (2) Junk Monkeys - Round and Round (3) Syl Johnson - Is It Because I'm Black (4) Jessie Jones - Sugar Coated (5) Jobriath - World Without You Thanks for listening. Tune in again sometime within a few weeks for another bonus episode. Have a great summer! *former REVIEW magazine best live streaming production --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

The May 7 death of musician/engineer/producer/ranconteur Steve Albini shocked music fans all over the world. What may have surprised fans even more is the discovery of just how much classic records he helped create in his four decade run. Besides famously successful records by superstars such as Nirvana, Pixies, PJ Harvey, and others, Albini worked with a wide range of artists, big and small. The discography is literally impossible to navigate, as his credits include over a thousand different sessions. So tonight’s look at Albini’s career is indeed not complete. Some of his most well-known projects aren’t included. Instead, this show tries to show that wide variety I already mentioned. There are singer/songwriter types that worked with on a number of records (Robbie Fulks, Magnolia Electric Co.), quite a few well-known acts that were looking for a different sound (Guided By Voices, Fleshtones), and some more recent bands that certinly benefitted from his wisdom (Cloud Nothings, Screaming Females). There’s also a set devoted to Albini’s own musical career, including a couple of tracks from a brand new Shellac album, To All Trains, that was posthumously released today (May 17).  For more info, including setlists, head to http://scotthudson.blogspot.com

NPR Music's Stephen Thompson and Hazel Cills discuss new releases by Billie Eilish, Portishead's Beth Gibbons and Rapsody.Featured albums:- Billie Eilish, 'Hit Me Hard and Soft'- Rapsody, 'Please Don't Cry'- Beth Gibbons, 'Lives Outgrown'Other notable albums out May 17:- Shellac, 'To All Trains'- The Avett Brothers, 'The Avett Brothers'- V/A, 'Everyone's Getting Involved: A Tribute to Talking Heads' Stop Making Sense'- Mach-Hommy, '#RICHAXXHAITIAN'- Cage the Elephant, 'Neon Pill'- of Montreal, 'Lady on the Cusp'- Wu-Lu, 'Learning To Swim On Empty'- Michael Head & The Red Elastic Band, 'Loophole'- The Lovely Eggs, 'Eggistentialism'- Kaia Kater, 'Strange Medicine'- Álvaro Díaz, 'SAYONARA'- ZAYN, 'Room Under the Stairs'- One Step Closer, 'All You Embrace'- A Boogie Wit da Hoodie, 'Better Off Alone'- Crumb, 'AMAMA'- Lightheaded, 'Combustible Gems'- Pallbearer, 'Mind Burns Alive'- Joywave, 'Permanent Pleasure'- Blitzen Trapper, '100's of 1000's, Millions of Billions'- Payroll Giovanni, 'Have Money, Have Heart' EP- UFOmammut, 'Hidden'- SQÜRL, 'Music for Man Ray'- pub, 'process the wise'Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

After almost 20 years of conversations, my final talk with Steve Albini took place on April 23, 2024. Steve died suddenly on May 7. This chat was about the new Shellac album, To All Trains, and Steve told me about every song, though I hadn't yet heard the album. Preparing this episode was sad and surreal; it felt like Steve was still here. The interview itself appears at roughly the 45:00 mark, after my own remembrance and tribute. I love you Steve and will miss you forever. Thank you for everything.Support vish on Patreon! Thanks to Blackbyrd Myoozik, Pizza Trokadero, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S. and Black Women United YEG. Follow vish online.Related episodes/links:Ep. #826: Steve Albini and Fred ArmisenEp. #741: Steve AlbiniEp. #656: Steve AlbiniEp. #589: Steve AlbiniEp. #514: Steve Albini and Silkworm's Andy Cohen and Tim MidyettEp. #453: Steve AlbiniEp. #275: Incredible Love – Alan Vega & Suicide RememberedEp. #224: Ian MacKaye & Steve Albini (Part II)Ep. #223: Ian MacKaye & Steve Albini (Part I)Ep. #120: Steve AlbiniEp. #24: Steve AlbiniMy first Steve Albini interview (2006)Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

A grande questão nesse episodio é se o extinto Steve Albini seria Goofy ou Regular. No Boia 251, João Valente, Bruno Bocayuva e Júlio Adler debatem a regra dos 3 segundos, o som e a fúria do surfe feminino em 2024, tanto na competição quanto no surfe livre (Ver Almanaque), pinturas de prancha e stingers no Imagem Falada e velhas práticas amplificadas pela estupidez alheia. A trilha fica toda por conta do Albini, engenheiro de som do Nirvana em Rape Me e dos Pixies em Vamos. Encerramos com Prayer to God e The End of Radio dos Shellac e Fists of Love dos Big Black, todas do Albini purinho, sem gelo. --- Send in a voice message: https://podcasters.spotify.com/pod/show/boia/message

A conversation about one of the most admired, and divisive, figures in rock. Guest host: Ben Sisario. Guests: The Atlantic's Jeremy Gordon, and Joe Gross.

Blitzen Trapper's Eric Earley explains the zen inspirations behind his band's newest album, 100's of 1000's, Millions of Billions (May 17 on Yep Roc). RSD co-founder Carrie Colliton drops by with news of a Blitzen Trapper adjacent promotion to win a Steve Keene painting of Bob Pollard's artwork for the new album (details at RecordStoreDay.com) and chats with Paul about the significant passing of musician, recording engineer, poker champion, and indie philosopher king, Steve Albini (1952-2024) The Record Store Day Podcast is written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music. Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com) Sponsored by Dogfish Head Craft Brewery (dogfish.com), Tito's Handmade Vodka (titosvodka.com), RSDMRKT.com, and Furnace Record Pressing, the official vinyl pressing plant of Record Store Day. Please consider subscribing to our podcast wherever you get podcasts, we're here every week and we love making new friends.

Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A kedden publikált, ingyen meghallgatható verzió tíz perccel rövidebb. 00:34 Klubturné után ismét a stúdióban. Hülyeség az élő podcast vagy sem? 02:38 Szolgálati közlemények podcastügyben. 444.hu/pod05:21 Giro d'Italia vs. Tour de Hongrie. Mark Cavendish megnyeri a barcikai sprintet. 10:15 Szőke Gábor Miklós, a NER Szász Endréje. Az SZGM X Kolodko kollab. Az óriás Herendi-teknős és az atlantai sólyom. A rákayfülöp-szindróma, 14:37 Az Ahmedinezsád-rejtély. Mahmúd az iráni Bibó ellen. 18:51 Ahmedinezsád a Twitteren. Zsigeri antiszemitizmus vs. politikai antiszemitizmus. 24:07 Amikor kihal a forradalom első generációja. 29:07 Magyar Péter régi-új napszemüvege. 32:15 Steve Albini-nekrológ. Big Black és Shellac. Pixies és Nirvana. 36:21 Albini híres cikke a zeneiparról. Albini a pókerjátékos. Az edgelord vibe shiftje. Albini Joe Roganról. A Guardian cikke Albiniról. 43:08 Hogy kell különbséget tenni a néppártosódó exfasiszta politikai formációk közt? Miért nincs Parizer Párt?  46:33 A hercegnőburgonya titka. A Hszi-menü. A teknős jelentősége Kínában.   See omnystudio.com/listener for privacy information.

Episode 693: May 12, 2024 playlist: Meat Beat Manifesto, scott crow, "Rage in Shimmering Mute DUB" (Rage in Shimmering Mute DUB) 2024 Emergency Hearts +/-, "Gondolier" (Further Afield) 2024 Ernest Jenning Aurora Borealis, "Aurora Borealis (Part 1)" (KALA 006) 1997 Kalevala The Veldt, "Angel Heart" (Illuminated 1989) 1989 5BC Not Waving and Romance, "Let The One Love Tomorrow Who Has Never Loved, And Let The One Who Has Loved Love Tomorrow" (Infinite Light) 2024 Ecstatic W.A.T., "Les Enfants" (A Letter To My Love) 1986 Stroom.tv The Handover, "The Handover Part One (excerpt)" (The Handover) 2024 Sublime Frequencies Abul Mogard and Rafael Anton Irisarri, "Waking Up Dizzy on a Bastion (excerpt)" (Impossibly Distant, Impossibly Close) 2024 Black Knoll Editions Mulatu Astatke, "Kasalefkut-Hulu" (Mulatu Of Ethiopia) 1972 Strut Paul St. Hilaire and Renee Lowe, "A Faith (Vox Mix)" (A Fatih) 2003 Kynant Songs: Ohia, "Steve Albini's Blues" (Didn't It Rain) 2002 Secretly Canadian Shellac, "The End of Radio (John Peel BBC Session 12/1/2024)" (The End of Radio) 2016 Touch and Go Email podcast at brainwashed dot com to say who you are; what you like; what you want to hear; share pictures for the podcast of where you're from, your computer or MP3 player with or without the Brainwashed Podcast Playing; and win free music! We have no tracking information, no idea who's listening to these things so the more feedback that comes in, the more frequent podcasts will come. You will not be put on any spam list and your information will remain completely private and not farmed out to a third party. Thanks for your attention and thanks for listening.

Steve Albini was one of the most important figures in music history. Memorializing a titan of pure BRE, detailing a Big Riff Selected Works from Albini's unrivaled catalog, digging into the Vault Of Insane Stories and reminiscing about life-altering experiences recording at Albini's Electrical Audio from 2008 - 2022 (including total unbridled mayhem during Barack Obama's presidental acceptance speech). Album(s) of discussion: Burning Witch - Towers (1998) Neurosis - Times of Grace (1999) Shellac - 1000 Hurts (2000) Neurosis - A Sun That Never Sets (2001) Neurosis - The Eye Of Every Storm (2004) High On Fire - Blessed Black Wings (2005) Weedeater - God Luck And Good Speed (2007) Weedeater - Jason… The Dragon (2011) __________________________________________ Read “The Problem With Music” by Steve Albini: https://thebaffler.com/salvos/the-problem-with-music __________________________________________ To move your question to the front of the line and get a guaranteed response on the podcast, send $10 to https://paypal.me/BigRiffEnergy. Include your question in the message, or send an e-mail to BIGRIFFENERGY@gmail.com. Thanks for supporting the podcast! __________________________________________ Find Nate:   https://www.youtube.com/@BornTooNate __________________________________________ Find Spirit Adrift:   https://spiritadrift.bandcamp.com https://spiritadrift.com __________________________________________

LAST EPISODE OF 2023! AND IT'S A DOOZY! Tom and Julie open letters mailed in by listeners and watch clips of Al Goldstein complaining about mail order catalogs, Shellac drummer Todd Trainer singing the praises of his excellent Italian greyhound, Mickey Rooney tweaking his nipple hair, and more! Also Brett recaps the latest Watchalong Wednesday, tells Tom and Julie about the blackjack altercation he got into in Vegas, and declares that the era of the Alpha Podcast Producer has arrived! No longer will podcast producers be doormats and punchlines! Plus Ted Cruz is starting a podcast on Forever Dog, the return of the turkey cake, wedding cake in the refrigerator, A Gnome Named Gnorm, The Terminal,  Shaving Cream, Steampunk Willy, The Cowboy Way, Napoleon, Jack Palance winning an Oscar for City Slickers, Nicorette Sheridan, and Three Stooges funerals.CLIPS FROM THIS EPISODE:*The Cowboy Way trailer https://www.youtube.com/watch?v=yyOfiImk0po*Mickey Rooney in The Domino Principle https://www.youtube.com/watch?v=VII1FGBHfJg&t=733s*The Rooneys Reality TV Show https://www.youtube.com/watch?v=kT5TyQn3hTA&t=242s*Al Goldstein Rants about Catalogs https://www.youtube.com/watch?v=jCHrtO9WhSs*Al Goldstein on Conan https://www.youtube.com/watch?v=x1fQrkGEsok*Bob Costas Burns Pedro Strop https://www.youtube.com/watch?v=yqLxzOWW_M8*Todd Trainer's Italian Greyhound https://youtu.be/WZWrVQTlonc?si=S93scs1YcMhbjN0C&t=172*Bad Sax Solo https://www.youtube.com/watch?v=He-sYfNGsv8SUPPORT DOUBLE THREAT ON PATREONWeekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More!https://www.patreon.com/DoubleThreatPodWATCH VIDEO CLIPS OF DOUBLE THREAThttps://www.youtube.com/@doublethreatpodJOIN THE DOUBLE THREAT FAN GROUPS*Discord https://discord.com/invite/PrcwsbuaJx*Reddit https://www.reddit.com/r/doublethreatfriends*Facebook https://www.facebook.com/groups/doublethreatfriendsDOUBLE THREAT MERCHhttps://www.teepublic.com/stores/double-threatTOTALLY EFFED UP T-SHIRTShttps://www.teepublic.com/user/dttfuSEND SUBMISSIONS TODoubleThreatPod@gmail.comFOLLOW DOUBLE THREAThttps://twitter.com/doublethreatpodhttps://www.instagram.com/doublethreatpodDOUBLE THREAT IS A FOREVER DOG PODCASThttps://foreverdogpodcasts.com/podcasts/double-threatTheme song by Mike KrolArtwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

LAST EPISODE OF 2023! AND IT'S A DOOZY! Tom and Julie open letters mailed in by listeners and watch clips of Al Goldstein complaining about mail order catalogs, Shellac drummer Todd Trainer singing the praises of his excellent Italian greyhound, Mickey Rooney tweaking his nipple hair, and more! Also Brett recaps the latest Watchalong Wednesday, tells Tom and Julie about the blackjack altercation he got into in Vegas, and declares that the era of the Alpha Podcast Producer has arrived! No longer will podcast producers be doormats and punchlines! Plus Ted Cruz is starting a podcast on Forever Dog, the return of the turkey cake, wedding cake in the refrigerator, A Gnome Named Gnorm, The Terminal,  Shaving Cream, Steampunk Willy, The Cowboy Way, Napoleon, Jack Palance winning an Oscar for City Slickers, Nicorette Sheridan, and Three Stooges funerals. CLIPS FROM THIS EPISODE: *The Cowboy Way trailer https://www.youtube.com/watch?v=yyOfiImk0po *Mickey Rooney in The Domino Principle https://www.youtube.com/watch?v=VII1FGBHfJg&t=733s *The Rooneys Reality TV Show https://www.youtube.com/watch?v=kT5TyQn3hTA&t=242s *Al Goldstein Rants about Catalogs https://www.youtube.com/watch?v=jCHrtO9WhSs *Al Goldstein on Conan https://www.youtube.com/watch?v=x1fQrkGEsok *Bob Costas Burns Pedro Strop https://www.youtube.com/watch?v=yqLxzOWW_M8 *Todd Trainer's Italian Greyhound https://youtu.be/WZWrVQTlonc?si=S93scs1YcMhbjN0C&t=172 *Bad Sax Solo https://www.youtube.com/watch?v=He-sYfNGsv8 SUPPORT DOUBLE THREAT ON PATREON Weekly Bonus Episodes, Monthly Livestreams, Video Episodes, and More! https://www.patreon.com/DoubleThreatPod WATCH VIDEO CLIPS OF DOUBLE THREAT https://www.youtube.com/@doublethreatpod JOIN THE DOUBLE THREAT FAN GROUPS *Discord https://discord.com/invite/PrcwsbuaJx *Reddit https://www.reddit.com/r/doublethreatfriends *Facebook https://www.facebook.com/groups/doublethreatfriends DOUBLE THREAT MERCH https://www.teepublic.com/stores/double-threat TOTALLY EFFED UP T-SHIRTS https://www.teepublic.com/user/dttfu SEND SUBMISSIONS TO DoubleThreatPod@gmail.com FOLLOW DOUBLE THREAT https://twitter.com/doublethreatpod https://www.instagram.com/doublethreatpod DOUBLE THREAT IS A FOREVER DOG PODCAST https://foreverdogpodcasts.com/podcasts/double-threat Theme song by Mike Krol Artwork by Michael Kupperman Learn more about your ad choices. Visit megaphone.fm/adchoices