Podcasts about lonesome road blues

The second segment from May 17, 1989 at Ephraim's, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), John Kafalas (tuba), Don Frothingham and Bill Whitcraft (piano), Stu Grover (drums), and guest Bill Payne (banjo/vocals). The selections are Lonesome Road Blues, I'm Just Wild About Harry, and I'll Be A Friend With Pleasure. Send … Continue reading Program #181: 5/17/89 Part II

Participants: John Steppling, Max Parry, Hiroyuki Hamada, Shaenah Batterson, George McIntyre and Dennis Riches. Topics covered: Non-endorsements and vote strikes by people for whom genocide is a red line. Wide acceptance of genocide in an era that lacks public intellectuals. The erasure of race relations and history in recent "historical" dramas (i.e. Bridgerton). The erasure of women in sports and other institutions. Young athletes rushed into adulthood while the adult-aged masses are infantilized. This episode was recorded on the eve of the 2024 US presidential election. Might it stand as a testament to the end of an era? Come what may from the new administration, this election drove a spike into decades-long modus operandi of the Democratic Party. Closing music track: Lonesome Road Blues by Sam Collins (copyright: public domain).

The sixth portion of this session, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), John Kafalas (tuba), and Don Frothingham (piano). The selections are “Ain't Misbehavin',” “Lonesome Road Blues,” and “You're Lucky To Me.” Send questions or comments to podcast@kafalas.com.

Reference recording for the tab posted--view my tabs here.

Reference recording for the tab posted--view my tabs here.

"The Sphere in Vegas: U2's Sonic Odyssey and the Future of Concert Venues"Larry Mishkin  is joined by great friend of the show, Alex Wellins to catch up and talk about a Grateful Dead concert held at Poly Pavilion on November 20th, 1971. Larry talks about the significance of the show, including the band's transition in music style, notable songs played, and the presence of famous basketball player Bill Walton in the audience. Later, Alex discusses recent concerts they attended, highlighting U2's performance at The Sphere in Las Vegas, known for its immersive audiovisual experience, and another show at the historic Castro Theater in San Francisco featuring the band St. Paul and the Broken Bones. Both Larry and Alex express enthusiasm about these diverse musical experiences..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  Grateful DeadNovember 20, 1971Pauley Pavillion – UCLAL.A.Grateful Dead Live at Pauley Pavilion - University of California on 1971-11-20 : Free Borrow & Streaming : Internet Archive By late 1971 Dead's transformation from Primal Dead to Americana Dead was well on it's way.  This concert is a great snapshot of that time, this show being more in the Americana camp with the a killer 25 minute jammed out Other One (including its Bill Kreutzman drum solo lead in) really being the only true nod to the Primal era . Also, the band was in transition as Pigpen missed the show as part of his descent into alcohol related illnesses that eventually took him in March 1973.  Keith had been playing with the band since February but Mickey began his “leave” in February after night one of the Capitol Theater run.  So this night is just five of them up on stage playing their hearts out for the fine students of UCLA and other Deadheads ( then a very brand new “thing” having just been recognized by the band in the liner message inside the Grateful Dead album stating:  “DEAD FREAKS UNITE!  WHO ARE YOU?  WHERE ARE YOU?  HOW ARE YOU? Send us your name and address and we'll keep you informed”) One fact that should be obvious given the venue and the time – an unknown UCLA student and want-a-be college basketball player, Bill Walton was in attendance along with some of his Bruins teammates for this first ever Dead show at Pauley Pavilion, famed home court for the UCLA Bruins, a team that following the amazing successes of Lew Alcindor (Kareem) and Sidney Wicks, now was being led for the first time by Bill and his teammates Jamaal Wilkes and Greg Lee (spoiler alert:  Bill has some success at UCLA too).  Bill, of course, went on to be an NBA All-Star and a regular attendee of Dead shows and, as Alex can attest, not unusual to see him at a West Coast dead show right up until the end – kind of hard to miss a 7 foot deadhead with his red hair and tie dye apparel.  Rumor has it when they knew he was going to be at a show the band would set up a basketball hoop backstage and that Bruce Hornsby was a hooper too. INTRO:               Bertha                           Track No. 1                           3:30 – 4:37 Great traditional opener although it was known to pop up in different spots during shows from time to time.  At this point, it is still “new” having been debuted earlier that year, on February 18th at the Capitol Theater in Port Chester.  Never released on a studio album, but it is the opening tune on the Dead's live album, “Grateful Dead” a/k/a Skull and Roses (or Phil's preferred name, “Skull Fuck” which was promptly rejected by their label, Warner Bros) on September 24, 1971.  From shows in NYC at the Fillmore East and the Hammerstein Ballroom in the Manhattan Center (plus Johnny B. Goode from Winterland – couldn't completely ignore the west coast). SHOW #1:          Tennessee Jed                           Track No. 5                           0:45 – 1:46 This is one of the “new” ones played in this show.  Along with Mexicali Blues, One More Saturday Night, Ramble On Rose and Jack Straw had all just been played for the first ever just two months earlier on October 19, 1971 at the Northrop Auditorium in Minneapolis – also Keith's first show.  A tune that more than most really captures the change in the band's direction as you have Garcia previously of Dark Star, St. Stephen and Eleven fame twanging away, musically and vocally, on a song with a feel that is a cross between country, western and a dash of rock n roll.  Deadheads of Alex's and my era will note how much quicker the tempo is in this early version and Garcia's noticeable energy evident from his strong vocal performance. Played 436 times in concert, putting it at No. 15 of the list of the Dead's most played tunes.1st (again) on Oct. 19, 1971 in MPLSLast on July 8, 1995 at Soldier Field, Chicago A great sing along tune that the Deadheads always enjoyed, normally found in the first set, towards the middle. SHOW #2:          Jack Straw                           Track No. 10                           :12 – 1:20 As just mentioned, this another “new” one just two months old.  Everyone loves Jack Straw, even the Band which is why it checks in at No. on list of most tunes played by the Band with 476 performances (last one on July 8, 1995 at Soldier Field).  But in this early version, there is a little bit of a change from the version we all know and love.  First, thing to know it is a tune by Hunter and Weir.  Garcia did not write it although he sang it with Weir in a “trading off of verses” style.  Second, in these early versions, before the Europe '72 tour, Weir sang all the verses like we just heard, “I just jumped the watchman, right outside the fence” was always sung by Jerry, but here, Weir sings it. Not sure of the reason for the change, but I like it a lot better with Jerry singing his verses (the other being “Gotta go to Tulsa, first train we can ride”).  First time with Jerry on vocals was May 3, 1972 at the Olympia Theater in Paris, that also just happens to be the version of the song that wound up on the Europe '72 album.  Although in its earlier years the song would appear in either first or second set, after their 1975 hiatus it became an almost exclusive first set song. And after Brent joined the band, almost always a show opener.  Home to the more than occasional Phil base bomb, it was one of the Band's most popular tunes and a great way to open any show (especially if they had just opened with Bertha the night before so you got to catch them both!). SHOW #3:          Ramble On Rose                           Track No. 18                           0:00 – 1:28 Last of the “new” ones that we will feature today.  Just like Tennessee Jed, upbeat, good energy, Jerry and the boys are having fun, like with any new creation.  Still working out all the details, the james, keeping track of the lyrics and Jerry has not yet developed his signature growl on “goodbye mamma and poppa, goodbye jack and jill”.  What I really like about this version and why I chose a clip from the beginning of the tune is to hear Keith's piano accompaniment that works so well with this song and adds another layer of creativity to the mix.  Garcia always seemed to get energy and inspiration from the band's keyboard players and Keith, even this early in his career, is no exception. After its introduction on Oct. 19, 1971 in Minny, played a total of 319 times, good for 39th place on the all time list, just behind US Blues and just ahead of Don't Ease Me In (really?).  Last played on June 27, 1995 at the Palace of Auburn Hills, MI. SHOW #4:          You Win Again                           Track No. 20                           1:12 – 2:21 "You Win Again" is a 1952 song by Hank Williams. In style, the song is a blues ballad and deals with the singer's despair with his partner. The song has been widely covered, including versions by Ray Charles, Jerry Lee Lewis, Roy Orbison, the Grateful Dead, Charley Pride, Bob Dylan, and the Rolling Stones. Hank Williams recorded "You Win Again" on July 11, 1952—one day after his divorce from Audrey Williams was finalized. Like "Cold, Cold Heart," the song was likely inspired by his tumultuous relationship with his ex-wife, "You Win Again" was released as the B-side to "Settin' the Woods on Fire", primarily because up-tempo, danceable numbers were preferable as A-sides for radio play and for the valuable jukebox trade. Nonetheless, "You Win Again" peaked at number ten on the Most Played in C&W Juke Boxes chart, where it remained for a single week. Over a time period of less than one year, the Dead played You Win Again 24 times in concert, the first on November 11, 1971 at the Municipal Auditorium in Austin, TX (this show in L.A. was only the third time it had been played) and the last on September 16, 1972 at The Music Hall in Boston.  A version of the song was released on the Europe '72 album (second album side), from their show on May 24, 1972 at The Strand Lyceum in London, one of the final shows on that tour. JGB recorded a version of the song in 1976 during the Reflections album sessions but not played live again.  It was briefly revived by The Dead with Dylan in 2003.  OUTRO:          Going Down The Road Feeling Bad                        Track No. 23                        3:45 – 5:12 "Going Down The Road Feeling Bad" (also known as the "Lonesome Road Blues") is a traditional American folk song, "a white blues of universal appeal and uncertain origin" The song was recorded by many artists through the years. The first known recording is from 1923 by Henry Whitter, an Appalachian singer,[2][3]as "Lonesome Road Blues". The earliest versions of the lyrics are from the perspective of an inmate in prison with the refrain, "I'm down in that jail on my knees" and a reference to eating "corn bread and beans."[4] The song has been recorded by many artists such as Woody Guthrie, Bob Dylan, Skeeter Davis, Elizabeth Cotten, and the Grateful Dead, and the song is featured in To Bonnie from Delaney, "Mountain Jam", Born and Raised World Tour, The Grapes of Wrath, and Lucky Stars.Others who recorded it include Cliff Carlisle (also as "Down in the Jail on My Knees"), Woody Guthrie (also as "Blowin' Down This Road" or "I Ain't Gonna Be Treated This Way"), Bill Monroe, Earl Scruggs, Roy Hall, Elizabeth Cotten and the Grateful Dead, Delaney and Bonnie, Canned Heat and Dillard Chandler. Dead played it 302 times (No. 46 on the most played tunes list just behind a tie between Mama Tried and Terrapin and just ahead of Birdsong).  1st time on October 10, 1970 at Colden Auditorium, part of Queens College in Queens, NY.Last played on July 5, 1985 at the Riverport Amphitheater in Maryland Heights, MO. During the time period of this show it was almost always paired with Not Fade Away (as made famous at the end of the Grateful Dead album).  In later years, when Alex and I were regulars on tour, it would show up as a second set tune, usually, but not always after Drums/Space.  A very upbeat tune that the band obviously loved playing the crowd loved hearing. For our purposes, a great way to end the show and say goodbye and HAPPY THANKSGIVING.

For our final episode of 2021 we're going back to 1921 one more time for a look at American cinema 100 years ago! We discuss enduring classics like Charlie Chaplin's THE KID alongside other key comedies by the likes of Buster Keaton, Harold Lloyd and Max Linder, films by D.W. Griffith (ORPHANS OF THE STORM), Henry King (TOL'ABLE DAVID) and Lois Weber (THE BLOT), the star power of Mary Pickford, Douglas Fairbanks and Rudolph Valentino, left-wing filmmaking, the one supposedly ‘avant-garde' American film of 1921 (MANHATTA), a plethora of lost and forgotten films, 'international cinema' in the US and much more! Recommended reading includes: Kevin Brownlow, 'The Parades Gone By…' (1968) Ibid, 'Behind the Mask of Innocence' (1990) and there are quotes read out from Steven J. Ross, 'Working Class Hollywood: Silent Film and the Shaping of Class in America' (1998) Filmography: A Daughter of the Law (dir. Grace Cunard) A Sailor-Made Man (dir. Harold Lloyd and Fred C. Newmayer) Action (dir. John Ford) Dream Street (dir. D.W. Griffith) Hard Luck (dir. Buster Keaton and Edward F. Cline) I Do (dir. Harold Lloyd and Fred C. Newmayer) Manhatta (dir. Paul Strand and Charles Sheeler) Never Weaken (dir. Harold Lloyd and Fred C. Newmayer) Orphans of the Storm (dir. D.W. Griffith) Seven Years Bad Luck (dir. Max Linder) The Ace of Hearts (dir. Wallace Worseley) The Blot (dir. Lois Weber) The Boat (dir. Buster Keaton and Edward F. Cline) The Contrast (dir. Guy Hedlund) The Four Horsemen of the Apocalypse (dir. Rex Ingram) The Goat (dir. Keaton and Edward F. Cline) The Idle Class (dir. Chaplin) The Kid (dir. Chaplin) The Love Light (dir. Frances Marion) The Lucky Dog (dir. Jess Robins) The New Disciple (dir. Ollie Sellers) The Play House (dir. Keaton and Edward F. Cline) The Sheik (dir. George Melford) The Sky Pilot (dir. King Vidor) The Three Musketeers (dir. Fred Niblo) The Wallop (dir. John Ford) Tol'able David (dir. Henry King) The soundtrack includes covers of ‘100 Years Ago' by the Rolling Stones and ‘Lonesome Road Blues' from Emmett, and an accordion interpretation of ‘1921' by the Who from Sam. Subscribe to Film Graze on your podcast app of choice and please give us a positive rating/review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze instagram.com/film.graze Produced by Sam Storey

Just a little bluegrass music and it's FREE so Enjoy.Lonesome Road Blues 

Intro Song – Zac Harmon, “Gypsy Road”, Mississippi BarBQ First Set – 11 Guys Quartet, “Road Trippin'”, Small Blues and Grooves Muddy Waters, “Lonesome Road Blues”, Best Blues EverTom Holland & The Shuffle Kings, “Long Road To Tomorrow”, No Fluff Just The Stuff Second Set –Trampled Under Foot, “Further On Up The Road”, Rough Cuts Mike Zito, “On The Road”, Make Blues Not WarMemphis Slim, “Down That Big Road”, Memphis Slim and the Real Boogie Woogie Third Set – WIB Samantha Fish, “Road Runner”, Wild HeartKaren Lovely, “Low Road”, Ten Miles Of Bad Road Erin Harpe And The Delta Swingers, “Big Road”, Big RoadRoxy Perry, “Roadmaster”, In My Sweet Time Fourth Set – Buddy Guy, “On The Road”, Living Proof Guitar Shorty, “Down That Road Again”, We The People Damon Fowler, “Wrong Side of the Road”, Sugar Shack

On this week’s show, we offer selections from some of the best flatpicking instrumentalists (with one ringer) in acoustic music. We'll hear guitar artistry from Norman Blake, Maybelle Carter, Matt Flinner, Beppe Gambetta, Wayne Henderson, Alison Brown and many more. Plectrum on the six-string … this week on The Sing Out! Radio Magazine. Episode #20-33: Flatpick Central Host: Tom Druckenmiller Artist/”Song”/CD/Label Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways Norman Blake & Rich O'Brien / “Tennessee Wagoner” / Be Ready Bos / Shanachie The Carter Family / “You Are My Flower” / Country Music Hall of Fame Series / MCA Don Reno & Red Smiley / “Under the Double Eagle” / Strictly Instrumental / Rural Rhythm Wayne Henderson / “Snowflake Reel” / Rugby Guitar / Flying Fish Tyler Grant & Robin Kessinger / “Garfield's March” / Kanawha County Flatpicking / Grant Central Alison Brown / “One Morning in May” / Stolen Moments / Compass Beppe Gambetta / “Hide and Seek” / Where the Wind Blows-Dove Tia O Vento / Borealis Molly Tuttle / “Sit Back and Watch It Roll” / When You're Ready / Compass Norman Blake & Rich O'Brien / “Flop Eared Mule” / Be Ready Boys / Shanachie The Andrew Collins Trio / “Cello Song” / Tongue & Groove / Self Produced Matt Flinner Trio / “Head-Smashed-In Buffalo Jump” /Traveling Roots / Compass The Harmonic Tone Revealers / “Half Past Four” / The Harmonic Tone Revealers / Corvus The Kentucky Colonels / “Lonesome Road Blues” / Long Journey Home / Vanguard The Kentucky Colonels / “Beaumont Rag” / Long Journey Home / Vanguard Russ Barenberg / “Little Monk” / When at Last / Compass Pete Seeger / “If I Had A Hammer”(excerpt) / Songs of Hope and Struggle / Smithsonian Folkways

For the old-time Tune of the Week, 5/4/19, Lonesome Road Blues is also known as Goin' Down the Road Feeling Bad. Check out the discussion thread for a very thorough coverage of this well-known song. I just sing a couple of verses here, out of many, many.

For the old-time Tune of the Week, 5/4/19, Lonesome Road Blues is also known as Goin' Down the Road Feeling Bad. Check out the discussion thread for a very thorough coverage of this well-known song. I just sing a couple of verses here, out of many, many.

For the old-time Tune of the Week, 5/4/19, Lonesome Road Blues is also known as Goin' Down the Road Feeling Bad. Check out the discussion thread for a very thorough coverage of this well-known song. I just sing a couple of verses here, out of many, many.

Por Pachi Tapiz. El trombonista suizo Samuel Blaser (integrante del Cuarteto Europa de Baldo Martínez), ha publicado en septiembre de 2018 Early In The Mornin' (Out There Music - Out Note Records). Al igual que ocurre con alguna de sus grabaciones anteriores, esta obra está centrada en una temática determinada, que en este caso es la del blues. En esta inmersión musical aparecen revisiones de temas tradicionales como "Black Betty", "Creepy Crawler" o "Lonesome Road Blues" de Sam Collins, junto a sus composiciones que se introducen en esta tradición musical. Para este nuevo proyecto (que en su gira de presentación tendrá una parada en Cádiz), cuenta con la colaboración del pianista y teclista Russ Lossing, el contrabajista Masa Kamaguchi y el baterista Gerry Hemingway, así como con la participación como invitados especiales en algunos de los temas de Oliver Lake (saxo alto), y Wallace Roney (trompeta). En HDO 470 escuchamos a Samuel Blaser (en inglés) hablar sobre la grabación, y como no podía ser de otra manera, algunos de los temas de Early In The Mornin': "The House Carpenter", "Mal's Blues", "Black Betty" y "Lonesome Road Blues". Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Make sure you check out the Human Circus - Journeys in the Medieval World, if you're a fan of fascinating stories and a well told narratives. Devon is a history friend and a proud member of the History Podcasting Platform, so show him some love and check his brilliant pod out! https://humancircuspodcast.com/You can also subscribe to his show on iTunes: https://itunes.apple.com/ca/podcast/human-circus-histories/id1194921513?mt=2&ls=1Episode 21: In Support of My Thesis is a kind of culmination of all we've learned so far. It's also a recap of our findings and my theses for this series. What do I believe, and why do I believe it, and how do I respond to some other scholars who claim that the Korean War began for different reasons? All of these are questions I grapple with here, so if you like your debates historical be sure to stop by. Remember as well that you can access the Bibliography for this show at any time by heading over to http://www.wdfpodcast.com/source-materials/Throughout this episode we delve into the arguments and conclusions of several historians, and we rationalise our findings by asking you guys a set of hypothetical questions. Let's just say that if you were unconvinced about how we got to our conclusions and why, you should find this episode here very persuasive, and hopefully effective in conveying my points of view. Make sure as ever that you guys let me know what you think! Do you side with the conventional explanations, given by a guy like Max Hastings, (pictured), or are you looking for something more? Have a listen, and see where you stand.*******Music used: "Lonesome Road Blues" by the Blue Ridge Duo, 1924, available: https://archive.org/details/EDIS-SRP-0196-03 Sign up to our NEWSLETTER for the latest news and deals! In April and May subscribers get 20% OFF my Thirty Years War book, so don't delay! sign up here: https://mailchi.mp/a0d49eec863c/wdfpodcast Want to grab yourself some quality, stylish head/ear phones and get 15% off? Use the code WDF15 to avail of this special offer and start your listening journey with When Diplomacy Fails like never before! See: https://www.sudio.com/eu/Want to support this podcast in other ways, as we meander through the Korean War? Check out the following links to our social media, shop, website, source materials and Patreon below.History Podcasting Platform:http://www.wdfpodcast.com/history-podcasting-platform/Official shop where you can pick up all manner of podcast-related goodies: http://www.wdfpodcast.com/shop/Facebook page: https://www.facebook.com/WhenDiplomacyFailsPodcast/Facebook group: https://www.facebook.com/groups/1856652614380207Twitter: https://twitter.com/?lang=enSupport us financially on Patreon and access an ad-free episodes ($2 per month) and an hour of extra content ($5 per month):

This is just me messing around on Audacity, I'm playing the banjo and guitar. Let me know what you think!!!

This is just me messing around on Audacity, I'm playing the banjo and guitar. Let me know what you think!!!

The hits just kept on coming, back on May 10th, 1989 — so we’re presenting our fifth straight program from that session. This installment starts off with “Honeysuckle Rose,” featuring Carol Moeller on piano, and continues with “Ain’t Misbehaving,” with Don Frothingham. The session concludes with “Lonesome Road Blues.” The other musicians are Jimmy Mazzy … Continue reading Podcast #19: More from 5/10/89 with Carol and Don →