Podcast appearances and mentions of Buster Keaton

What makes a story timeless? Why are millions of people consuming 90-second "micro dramas" while classic films continue to inspire generation after generation?In this conversation, Jon Harris sits down with Wade Stotts of The Wade Show to discuss everything from rescoring Buster Keaton silent films to the collapse of modern entertainment. Together they examine why short-form content is reshaping attention spans, how Hollywood abandoned moral storytelling, and what families can do to cultivate a love for great art.The discussion also explores classic television, Westerns, Buster Keaton, the rise of Chinese-produced micro dramas, and whether our culture can recover an appreciation for beauty, craftsmanship, and stories that endure.Topics include:- Why Buster Keaton remains one of cinema's greatest artists- The explosion of Chinese micro dramas- How technology is changing the way we consume entertainment- Why classic Westerns communicated timeless moral truths- The rise of the anti-hero in modern storytelling- Raising children to appreciate great films and television- Can Hollywood recover, or is a new cultural renaissance needed?If you enjoy conversations about Christianity, culture, history, and the arts, subscribe for more episodes of Conversations That Matter.00:00 Introduction and meeting Wade Stotts01:08 Rescoring Buster Keaton films for a modern audience05:01 Hollywood family history and classic cinema06:59 The rise of Chinese micro dramas and "brain rot" entertainment10:44 Why attention spans are collapsing13:56 Politics, podcasts, and the culture of sensationalism15:21 Raising children on timeless films and television18:53 Why classic Westerns taught moral lessons20:20 The hero, the anti-hero, and the decline of the Western22:00 Can timeless storytelling make a comeback?Jon's Music: jonharristunes.comTo Support the Podcast: https://www.jonharrismedia.com/support/Become a Patronhttps://www.patreon.com/jonharrispodcastSubstack: https://substack.com/@jonharris Follow Jon on Twitter: https://twitter.com/jonharris1989Follow Jon on Facebook: https://www.facebook.com/jonharris1989/Support this podcast at — https://redcircle.com/conversations-that-matter8971/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Beach Month continues with one of the weirdest of the Frankie & Annette beach party movies: skydiving, scheming managers, bikers, murderous pool sharks, a silent film star, and a mermaid take over the beach and make things hard for the perennial lovebirds. Starring Frankie Avalon, Annette Funicello, Deborah Walley, Harvey Lembeck, John Ashley, Jody McCrea, Linda Evans, Don Rickles, Paul Lynde, Buster Keaton, and Earl Wilson. Written by Leo Townsend and William Asher. Directed by William Asher

EPISODE #489-- We're back on our BS with the pivotal action-adventure film YOUNG SHERLOCK HOLMES (1985) directed by Barry Levinson (The Diner guy? really? Okay. I guess so). It's a nice return to form, as we do love England's most famous, non-Masterpiece Theater-based detective. We also recommend, as per usual, a bunch of other bangers, including (and it's a lot of movies, so get a pen out) THE SHEEP DETECTIVES (2026, dir. Kyle Balda), NIGHT MOVES (1975, dir. Arthur Penn), PUTNEY SWOPE (1969, dir. Robert Downey Sr.), ACROSS 110th STREET (1972, dir. Barry Shear), THE DARJEELING LIMITED (2008, dir. Wes Anderson), and THE GENERAL (1926, dir. Buster Keaton). Like I said, it's a wild one. Oh, also PREDATOR: BADLANDS (2025, dir. Tratchenberg). LINKS-- Join the cause at Patreon.com/Quality. Follow the us on on Bluesky at kislingconnection and cruzflores, on Instagram @kislingwhatsit, and on Tiktok @kislingkino. You can watch Cruz and show favorite Alexis Simpson on You Tube in THEY LIVE TOGETHER. Thanks to our artists Julius Tanag  and Sef Joosten. The theme music is "Eine Kleine Sheissemusik" by Drew Alexander. Also, I've got a newsletter on Substack, so maybe go check that one out, too. Listen to DRACULA: A RADIO PLAY on Apple Podcasts, at dracularadio.podbean.com, and at the Long Beach Playhouse at https://lbplayhouse.org/show/dracula And, as always, Support your local unions! UAW, SAG-AFTRA, and WGA strong and please leave us a review on iTunes or whatever podcatcher you listened to us on!

EPISODE 148 -  “CATCH A WAVE: HOLLYWOOD'S BEACH MOVIE CRAZE” - 7/13/2026  This week on  From Beneath The Hollywood Sign, we dive into the sun-soaked beach movie craze that swept America in the late 1950s and 1960s. From the wholesome charm of Frankie Avalon and Annette Funicello to the cultural phenomenon of Gidget and the romantic drama of A Summer Place, we're exploring the films that made surf, sand, sunshine, slapstick comedy, and catchy music the ultimate recipe for fun. Along the way, we'll revisit the stars, the songs, and the stories behind the genre, highlighting the movies that captured the carefree spirit of an unforgettable era. Grab your sunscreen, wax up your surfboard, and join us for a nostalgic trip back to Hollywood's beach party heyday! SHOW NOTES:  Sources: Summer Movies: 30 Sun-Drenched Classics (2021), by John Malahy; TCM.com; wikipedia.com; IMDBPro.com; Movies Mentioned: Gidget (1959), starring Sandra Dee, James Darren, Cliff Robertson, Arthur O'Connell, & Mary LaRoche; Where The Boys Are (1960); starring Delores Hart, Paula Prentiss, Yvette Mimieux, Connie Francis, George Hamilton, Jim Hutton, Frank Gorshin, Chill Wills, & Barbara Nichols; A Summer Place (1959), starring Sandra Dee, Troy Donahue, Dorothy McGuire, Richard Egan, Arthur Kennedy, Constance Ford, & Beulah Bondi; Beach Blanket Bingo (1965), starring Frankie Avalon, Annette Funicello, Harvey Lembeck, Linda Evans, Jody McCrea, Deborah Walley, John Ashley, Buster Keaton, Donna Loren, Marta Kristen, Paul Lynde, Don Rickles, & Timothy Carey; Blue Hawaii (1961), starring Elvis Presley, Joan Blackman, Angela Lansbury, Pamela Austin, Nancy Walters, Roland Winters, Howard McNear, Steve Brodie & John Archer; Don't Make Waves (1967), starring Tony Curtis, Claudia Cardinale, Sharon Tate, Robert Webber, Joanna Barnes, Dave Draper, Mort Sahl, Dub Taylor, Ann Elder & Edgar Bergen; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Grab your giant bowl of milk and call your Ma, it's time for The Ladies Man! Seth's pick for Edith Head month brings us to the directorial work of Jerry Lewis, comedian, writer and all around not great guy! We discuss the insane and elaborate set, the Singin' in the Rain connections, what jokes work well and what don't and where this movie may surpass Hitchcock and Buster Keaton. Also: James! Getting locked in! Sound effects! Check it out! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

Mit "Unsere kleine Farm" (4:33) bringt Netflix einen Megaerfolg aus den 1970er Jahren zurück. Die Autobiografie von Laura Ingalls Wilder, die ihren Familienumzug von Wisconsin in den Wilden Westen Kansas' niedergeschrieben hat, sorgten einst mit Michael Landon in der Hauptrolle für pures Wohlfühlfernsehen. Kann sie das auch 50 Jahre später erreichen? Oder viel wichtiger: Sollte sie das auch 50 Jahre später erreichen wollen? Über diese Frage werden sich Michael, Holger und Rüdiger in dieser Woche nicht ganz einig. Allerdings ist ihre Diskussion geradezu erbaulich verglichen mit den Diskussionen, die die Arte-Serie "After the Party" (31:23) auslöst. Die neuseeländische Miniserie über eine Lehrerin, die ihren Ex-Mann für einen Pädophilen hält und dies gegen alle Widerstände beweisen will, ist harter Tobak zu schauen, aber ein Sechsteiler, der zumindest für extrem viel Gesprächsstoff sorgt. Um nach diesem bedrückenden Stoff auf einer heiteren Note zu enden, besprechen wir schließlich noch die Experimental-Comedy "Das Manko" (53:42) in der ZDFmediathek, die die fast vergessene Physical-Comedy-Tradition von Jacques Tati, Buster Keaton, Jim Carrey und, ja, Holger, "Jackass" zurückbringt.Cold-Open-Frage: "Welche Serien-Entscheidung hätte Donald Trump per Telefonanruf rückgängig machen sollen?"

The third episode of our season on the awesome movie year of 1946 features the year's biggest flop, Buster Keaton comedy Boom in the Moon. Directed and co-written by Jaime Salvador and starring Buster Keaton, Ángel Garasa and Virginia Serret, Mexican production Boom in the Moon marked Keaton's final leading role in a film.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring the one of the Cannes Film Festival Grand Prix winners, David Lean's Brief Encounter.

In this episode of ADK Talks, we head to Schroon Lake for a night at the movies with Liz McNamara of The Strand Theater and silent film accompanist Ben Model.The Strand has been bringing people together for more than 100 years, and each summer its Classic Movie Mondays series turns a night out into something special: vintage films, guest speakers, community conversation, and the kind of shared big-screen experience you just can't get at home.Liz shares how she and her husband Larry became part of The Strand's story, why small-town movie theaters still matter, and how Classic Movie Mondays grew from a few special programs into a full summer series.Ben takes us behind the scenes of silent film accompaniment, from improvising live scores to reading the room while the movie plays. He also explains why films like Charlie Chaplin's The Gold Rush and Buster Keaton's Steamboat Bill, Jr. still feel fresh, funny, and surprisingly alive when shown in a historic theater with live music.What you'll hear in this episodeWhy The Strand Theater remains a Schroon Lake gathering place after more than a century.How Classic Movie Mondays combines beloved films with guest speakers and inside stories.What it's like for Ben Model to accompany silent films live on piano and theater organ.Why restored silent films can look better today than many people expect.Highlights from this summer's lineup, including The Gold Rush, You've Got Mail, Dead Man Walking, Fatal Attraction, The Quiet Man, 1776, and On the Beach.Favorite nearby stops, including 9 Mile Coffee, Pitkin's Restaurant, and Natural Stone Bridge and Caves.Resources:Ben Model, Silent Film MusicThe Strand Movie Theater in Schroon Lake Natural Stone Bridge and Caves 9 Mile Coffee Co.The State Theater Tupper Lake Indian Lake Theater Palace Theater in Lake Placid The Strand Theatre of Old Forge Produced by NOVA

On Truth & Movies this week, we discuss Craig Gillespie's Supergirl and the stunt-comedy swansong Jackass: Best and Last. For Film Club, we revisit Buster Keaton's silent classic Steamboat Bill, Jr.Joining host Leila Latif are Ada Enechi and Anna Stafford.Truth & Movies is the podcast from the film experts at Little White Lies, where along with selected colleagues and friends, they discuss the latest movie releases. Truth & Movies has all your film needs covered, reviewing the latest releases big and small, talking to some of the most exciting filmmakers, keeping you across important industry news, and reassessing great films from days gone by with the Truth & Movies Film Club.Email: truthandmovies@tcolondon.comBlueSky and Instagram: @LWLiesProduced by TCO Hosted on Acast. See acast.com/privacy for more information.

Stacy is back in her happy place at Veranda Beach enjoying sunburn, social time, and solo watch parties tackling her Cultural Blind Spots. Eric rocked out with his band Battersea at The Valley in Tacoma last week; looking cool with his blue tint shades (is it less distracting or does he just enjoy the vibe?). Apparently, his missing tooth saga did not deter his singing although his Sonicare toothbrush DID deter his sleeping – the ghost of cavities past?! Should Stacy get a Waterpik flosser? Should she cover the bathroom (and herself) in plastic when using it? Eric has a simple solution. Also, is there a worse sound than a chirping low battery fire alarm? Summer has started to open its' front door in Tacoma and is enjoying lazy days on Zero Gravity chairs not afraid of pitching over at all. As for her CBS, Stacy dove headfirst into the world of mahjong. Having only ever played with her mother-in-law, Stacy finds herself knee-deep in the rules, drama, and accessories that are American Mahjong. She also finally watched Napolean Dynamite and found it utterly delightful and would also like Pedro for President. For his CBS, Eric tried (and failed) to watch The General with Buster Keaton. While Buster may be a legendary silent film star known for his physical comedy, the movie goes South quickly. To cleanse the palate, Eric watched, Kill Bill: The Whole Bloody Affair. Classic Tarantino with great music and lots of violence; plan for snacks and bathroom breaks given its' four plus hour run time. Stacy comes out swinging on their top topic this week boldly declaring her disdain for breakfast. Eric walks her back from the ledge pointing out it's not the meal, it's the foods she dislikes. Meanwhile, Eric tucks into a full Irish Breakfast enjoying every morsel of the blood sausage. DAMTT is on Facebook and Instagram as @dontaskme to talk or email asking@dontaskmetotalk.com Next Time: Bar soap versus body wash

The second episode of our season on the awesome movie year of 1946 features our pick for a notable debut feature, Ingmar Bergman's Crisis. Written and directed by Ingmar Bergman and starring Inga Landgré, Stig Olin, Marianne Löfgren and Dagny Lind, Crisis is adapted from a Danish radio play by Leck Fischer.The contemporary reviews quoted in this episode (https://www.ingmarbergman.se/en/production/crisis) come from Filmson in Aftonbladet, Barbro Alving in Dagens Nyheter, and Georg Svensson in Bonniers Litterära Magasin.Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyearYou can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen: https://www.patreon.com/bydavidrosenPlease like, share, rate and comment on the show and this episode, and tune in for the next 1946 episode, featuring the year's biggest flop, Buster Keaton comedy Boom in the Moon.

"Des minions et des monstres" s'ajoute aux quatre films "Moi, moche et méchant" sortis à ce jour depuis 2010. Un carton planétaire qui a fait de ces créatures jaunes en salopette s'exprimant de manière incompréhensible les véritables stars de la saga. Dans ce 3e opus, on remonte le temps avec les "Minions" en remontant aux origines du cinéma : ils vont croiser Chaplin, Buster Keaton, Harold Lyod et les autres, semant la catastrophe sur leurs pas... Ecoutez La tentation du soir avec Le Service Culture du 24 juin 2026.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Join hosts Freddy Morris and Joe Juvland as they dive into The Twilight Zone classic episode "Once Upon a Time." In this memorable story, comedy legend Buster Keaton stars as Woodrow Mulligan, a janitor living in the year 1890 who is fed up with the noise and chaos of modern life—or at least what he considers modern. When he discovers a time helmet that transports him to 1962, Mulligan is overwhelmed by the bustling world of the future and quickly finds himself in a series of comic misadventures. Freddy and Joe discuss the episode's unique blend of silent film-style comedy and sci-fi storytelling, Rod Serling's clever commentary on nostalgia for the past, and the lasting charm that makes "Once Upon a Time" a standout in The Twilight Zone series.

They're celebrating the 100th anniversary of Buster Keaton's *The General*, a film who stood the test of time but on the other hand left us a bit nervous about getting on a train. Hosted by Audion. Visit https://www.audion.fm/privacy-policy for more information.

Can the past be changed, or are we forever prisoners of the moments that shaped us? Today we're diving into two classic Twilight Zone tales that wrestle with the tantalizing, terrifying idea of time itself, exploring what we might do with a second chance and whether tampering with history carries a price we can never fully calculate. "Back There" follows a man mysteriously transported to 1865, desperately trying to prevent Lincoln's assassination. "Once Upon a Time" sends Buster Keaton's bumbling 1890s janitor hurtling into the chaotic present. Both episodes ask the same haunting question: if you could rewrite history, would the universe even let you?   Connect with Entering the Fifth Dimension: Facebook community Follow us on Twitter Contribute Listener Feedback

This week on NAFC, Gibbs finally catches up with The Pitt, Mox checks out Witch Hat Atelier, and Izzy somehow ties together cement pouring, The Boys, and the emotional damage of Now and Then, Here and There. Normal episode. Totally normal.The crew also squeezes in a quick review of Buffet Infinity before diving into The General (1926)—Buster Keaton's silent-era action-comedy classic, packed with train stunts, deadpan chaos, and the kind of practical filmmaking that makes modern CGI look like a screensaver.Support us on Patreon!

Send us a text and chime in!The Prescott Film Festival returns this July with classic films, live music, student showcases, and special events across Prescott. In this episode, Guy Roginson talks with Helen Stephenson, Bryan Robertson, and Lindsay Masten from Yavapai College about everything planned for the Sweet 16 celebration of the Prescott Film Festival. Listeners will hear about the live silent film event featuring Buster Keaton's Go West with a full orchestra performance at the historic Elks Theatre. In addition, the team shares details about the interactive Mary Poppins sing-along, student film screenings, and inspiring documentaries that highlight Western culture, rodeo life, and community storytelling....   For the written story, read here >> https://www.signalsaz.com/articles/inside-the-prescott-film-festival-at-yavapai-college/ Check out the CAST11.com Website at: https://CAST11.com Follow the CAST11 Podcast Network on Facebook at: https://Facebook.com/CAST11AZFollow Cast11 Instagram at: https://www.instagram.com/cast11_podcast_network

Today on part one of another brand new encore episode of the Rarified Heir Podcast, we are talking to Suzanne Lloyd, the granddaughter who was raised like a daughter of iconic silent film star & business mogul Harold Lloyd. Suzanne is the steward of the Harold Lloyd estate and runs the archive of her grandfather's groundbreaking early Hollywood silent films which the creative genius and shrewd businessman almost single handedly owned throughout his career. Ah a preservationist in the mold of Edie Adams, host Josh Mills' mother who did the very same thing for the career of television's original genius, her first husband, Ernie Kovacs. Be still our hearts. Suzanne was incredibly gracious with her time when we talked to her and it was evident early on that she had so much to say about her years growing up, her grandfather's career, her parent's lives, the preservation of Lloyd's films as well as his opulent and ridiculously large house and grounds in Beverly Hills, we knew this conversation was a two parter. Suzanne was an eager guest who wanted to talk about her grandfather's work which ranks right up there with Charlie Chaplin and Buster Keaton. Perhaps to the causal film fan, Harold Lloyd's name isn't as well-known some 90 years after the apex of his career simply because he owned his own films, not a film studio. So showings on television and screenings at film festivals were more sporadic through the years. But no doubt, with Suzanne's help, more fans than ever are able to see Harold Lloyd's comedy in 2026. This episode is a film lover's dream as we talk about early Hollywood icons like Mary Pickford, Daryl Zanuck, Hal Roach and many more – including her grandmother, Harold's wife, Mildred Davis. Davis gave up her own career once she married her comedic genius husband. Why? You'll hear about that shortly. Suzanne's ability to talk about the legacy of Harold Lloyd is only matched by her recall of facts, dates, productions, screenings, studios and more that it's almost uncanny how anyone could have total recall like that. So buckle up, this is only part one. Part two has stories about the famed Christmas tree that lived year round in the living room, the estate they lived on and the Paul McCartney party she attended after the estate was donated to the city. This episode spans decades. Take a listen.

As a young boy growing up in Queens, New York, Chuck McCann worshipped stars like Stan Laurel, Buster Keaton and Groucho Marx, and within a few years, he would find himself befriending (or working with) all of them. Gilbert and Frank phoned Chuck (one of THEIR childhood heroes) to talk about his unusual and unlikely journey from obsessed fan to celebrated screen, stage and voice performer and beloved kiddie show host. Also: Chuck hitches a ride on Hugh Hefner's jet, inspires Billy Crystal, writes a part for John Carradine and co-stars in a legendary TV flop. Plus: Hal Roach! Tim Conway! Chuck and Groucho hawk deodorant! Mae West “works” the docks! And Chuck asks Gilbert for a lollipop!  Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode, we discuss the work of legendary comedy duo Laurel and Hardy, whose careers straddled both the silent and sound eras.They were active between the 1920s and the 1950s, making more than a hundred films together and their unmistakeable big man-little man dynamic would go on to influence many a comedy double-act, from Abbott and Costello to Morecambe and Wise.This year marks the centenary of Laurel and Hardy's first appearance in a film together and to mark the occasion Neil Brand has been touring a show celebrating Stan and Ollie's extraordinary artistry. Neil is a writer, broadcaster, composer and peerless silent cinema pianist. His show arrives in Scotland this month and he joined host Dr Pasquale Iannone to discuss the Boys.In their conversation, Neil and Pasquale place them in the context of other giants of American screen comedy such as Buster Keaton and Charlie Chaplin. They also explore Neil's previous work on Stan and Ollie, such as his brilliant radio play starring British acting royalty Tom Courtenay. Neil tells Pasquale about the structure of his centenary show, what audiences can expect as well as the joys and challenges of improvising silent film scores.Neil will be appearing at The Gaiety Theatre in Ayr, The Queen's Hall in Edinburgh, Airdrie's Town Hall, Eden Court in Inverness and the Adam Smith Theatre in Kirkcaldy. For more information, go to the website: laurelandhardypresentedbyneilbrand.co.uk.

Recapitulating Life Through Limelight and KeatonChaplin's film Limelight served as an atmospheric memoir of his Edwardian theater roots and a creative attempt to process his inability to save his mentally ill mother. The story features an aging music hall comic who rescues a young woman, played by Claire Bloom, who bore a striking resemblance to Chaplin's wife, Oona. A legendary highlight of the film is Chaplin's collaboration with his former silent-era rival, Buster Keaton. Despite Chaplin's usual need for total control, he and Keaton worked as equals to improvise a brilliant comedic routine, marking a rare moment of professional synergy between two cinematic superheroes. Guest: Scott Eyman. (6/8)1900 FIRST AVENUE AT BROADWAY LA

Was im Leben so oft gesagt wird, gilt beim Thema Kurzfilm definitiv: Es kommt nicht auf die Länge an, sondern auf die Technik… oder auf die Idee, die Schauspielenden, das Drehbuch oder einfach nur den Mut. Neu erschienene Kurzfilme sind so leicht zugänglich wie nie zuvor in der Filmgeschichte. Doch wie lassen sich in der Flut aus Muscheln die Perlen finden? Wir versuchen euch in dieser Folge weiter zu helfen und besprechen insgesamt zwölf Kurzfilme, decken dabei über 100 Jahre Filmgeschichte ab und haben von Ari Aster bis Charles Chaplin jede Alliteration im Gepäck. Freut euch auf Er im Paradies (1921), ZVP (2017), Laurel & Hardy - Der zermürbende Klaviertransport (1932), The Strange Thing About The Johnsons (2011), Steamboat Willie (1928), The Amazing Screw-On Head (2006), Buster Keaton bekämpft die blutige Hand (1921), The Robbery (2017), Im Schallplattenladen (1934), Too Many Cooks (2014), Ein Hundeleben (1918) und Super (2023).

Chapter 9 sees Lucille and Desi get married.  Yep, again!  Lucille will re-sign with Columbia, reuniting her with dear friends Ed Sedgwick and Buster Keaton.  And she and Desi will both make more movies (this on top of Desi's nightclub touring and serving as Bob Hope's musical director).  Well, why not make a movie together?  If Hollywood wouldn't bank on them, they'll bank on themselves, and form their own company.  But what to name it?  Seems like using the same as their Chatsworth ranch oughta work!  But how to prove Lucille and Desi work as a showbiz team?  Why not go straight to audiences?  Live!  Which is just what they do.  And that's when a lot happens at the same time.  CBS is interested in turning her hit radio show ‘My Favorite Husband' into a TV show.  Which leads to making a pilot.  Which leads to Lucille and Desi having to decide if they're willing to give up everything they have -- her film and radio careers, his radio and nightclub careers -- for the thing ALL the studios are adamantly against:  television.  And the icing on the gamble cake?  Lucille Ball was pregnant.  Please chime in here and/or on Instagram @fromoutofthepastpodcast with your questions & comments, or just sharing your love of Lucille Ball and her road to ‘I Love Lucy!'  Thanks for listening ...

Veteran character actor James Karen appeared in over 80 movies, more than 100 television shows and a staggering 5,000 TV commercials. In a career spanning nearly 7 decades (!), he's worked with Frederic March, Lauren Bacall, Gene Hackman, Steven Spielberg, Jane Fonda, Robert Redford and Will Smith, to name a few. Gilbert and Frank phoned James to cover a wide range of topics, including his film debut in the immortal “Frankenstein Meets the Space Monster,” his years-long friendship with the legendary Buster Keaton and his experience sharing a townhouse with Marlon Brando, Wally Cox and Maureen Stapleton. Also, James “sells” Craig T. Nelson a haunted house, a Boy Scout uniform leads to an acting career and a controversial “Jeffersons” episode nearly torpedoes a TV pitchman gig. PLUS: James parties with Clark Gable! Gilbert gets a one-cent residual check! Moe Howard recites from “The Tempest”! And James teaches a teenaged Michael Douglas to drive! Learn more about your ad choices. Visit megaphone.fm/adchoices

We are in Austin tomorrow. Tickets https://punchup.live/show/ff0d2cb9-1d73-483a-b866-1c65a33698e8 Learn more about your ad choices. Visit megaphone.fm/adchoices

One horror fan, one scaredy cat, lots of scary movies!So You Don't Like Horror? is back and, as usual, Mary is reviewing some of her favourite new horror releases from the first months of 2026. Whether you're a scaredy cat like Lauren, who wants to vicariously enjoy a spoiler-filled discussion of horror films from the comfort of your own home (and find out whether it's safe to watch these films or not!), or if you're a horror fan like Mary, join us – everyone is welcome!In this episode we explore some of 2026's latest offerings, including Cold Storage, Send Help and The Bride. And, if that's not enough, we also spotlight Mary's retrospective and Lauren's scaredy cat friendly pick.Don't forget if you want to recommend your own fav horror movie, comment below and we'll feature your suggestions in our next episode. (and, click this link if you want to see pictures of Mary's cat Buster Keaton: https://marygoing.co.uk/buster-keaton...)

Former teen idol Frankie Avalon broke into show business as a child prodigy and was soon receiving 12,000 pieces of fan mail per week and working alongside Hollywood greats Jack Benny, Jackie Gleason, Lucille Ball, Groucho Marx and John Wayne. Frankie joined Gilbert and Frank for a look back at his humble beginnings in South Philly, his years as a teen heartthrob and his decades-long friendship with onscreen love interest Annette Funicello. Plus: The Duke makes Laurence Harvey cry! Buster Keaton meets Houdini! “Dr. Goldfoot and the Bikini Machine”! Dueling Draculas! And Cesar Romero and Arnold Stang hit a strip joint! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Movie Mandates, a review show in which sibling cinephiles Andrew and Keleigh force each other to watch movies according to a monthly theme!  It's Silent Movies month and I'm kicking things off with the Buster Keaton classic, THE GENERAL, a wacky adventure based on an amazing true story from the American Civil War that dares ask the question, "What if we changed things so the protagonists were fighting on the side of monstrous racists?!" You'll thrill to Keaton's stunning stunt work and deft comedic touch but you won't be able to root for him! 0:00 - Trivial Trivia 12:35 - The General review 1:00:45 - Next episode's mandated movie We'll be back in two weeks with another mandated movie.  If you'd like to watch it, click here to find where it's streaming or available to rent. If you'd like to watch the video version of Movie Mandates, you can do so on YouTube.  Alternatively, you can listen to and audio-only version on iTunes.  New episodes of Movie Mandates drop on the first and third Wednesday of every month! Credits: Molehill Mountain is hosted by Andrew Eisen and Keleigh Eisen.  Music in the show includes "To the Top" by Silent Partner and is used with permission.  Movie Mandates logo and art by Lynndy Lee.

For this very special bonus episode, Brian talks to author James L. Neibaur, who literally wrote the book on Director William Beaudine! He has also written more than 30 other books examining legendary actors, filmmakers, and film genres, often exploring them film by film. His subjects include Buster Keaton, Chaplin, Jerry Lewis, Bob Hope, Jean Harlow, Judy Garland, Clark Gable, James Cagney, Clint Eastwood, the Monster Movies of Universal Studios and more, but this discussion is focused on his book Directed by William Beaudine: An Overview. For this bonus, Brian chats with Neibaur about Beadine and his career, in line with the director tribute taking place throughout the month of April at the New Beverly and the Video Archives Cinema Club. Consider supporting Pure Cinema (and getting monthly bonus content) via our Patreon (5$/ month gets you everything): https://www.patreon.com/purecinemapod Brian's Directed By shirts can be found here: https://www.teepublic.com/user/filmmakershirts The show is now on BlueSky: https://bsky.app/profile/purecinemapod.bsky.social As are Brian: https://bsky.app/profile/bobfreelander.bsky.social Elric: https://bsky.app/profile/elrickane.bsky.social and the New Beverly: https://bsky.app/profile/newbeverly.bsky.social Letterboxd: https://letterboxd.com/rupertpupkin/

Forget the runaway train thrillingly shot in Buster Keaton's 1926 film “The General,” and never mind the charging locomotive rescued by actors Denzel Washington and Chris Pine in the 2010 film “Unstoppable,” as there's a far more frequent (and far less heart-pounding) railcar drama happening across California's Bay Area: The repeated breakdown of the Bay Area Rapid Transit (BART) system, all because of a few networking errors.Opened in 1972, BART today carries about 175,000 people every weekday on five separate lines to 50 different stations placed across dozens of cities in the Bay Area, including San Francisco, Oakland, Berkeley, Daly City, Fremont, Richmond, and more. Its tracks and railcars travel both above ground and below, and it is one of the only public transit systems in the US that goes underwater—traveling through what is called the TransBay tube. It is likely the region's largest public project, spanning 131 miles of track, with a fleet of more than 700 cars, proving vital to workers and residents everywhere, and on May 9, 2025, it all came grinding to a halt, due to what BART officials called a “computer networking problem.”At the Glen Park station in San Francisco, would-be travelers found yellow caution tape at the entry gates. At the El Cerrito Plaza station, BART staff and police informed visitors that the system was down. And at the Rockridge station in Oakland, a reporter for The San Francisco Chronicle witnessed a small group of people sprinting up the stairs to try and catch a train that never came.It was the kind of meltdown for public infrastructure that puts an entire system in peril.And it happened again just months later.In September, a network crash brought BART to a halt, repeating almost the exact same frustrations and delays for travelers left without transportation to work.That's the end of it, right? Wrong. In February 2026, another computer failure caused another outage.So, in one of the wealthiest regions in America, the subway doesn't always run, its network is prone to crash, and any money for technology often goes elsewhere. Today, on the Lock and Code podcast with host David Ruiz, we speak with San Francisco Chronicle transportation report Rachel Swan about what the BART outages revealed about the state of the system's aging technology, why public infrastructure so often struggles to modernize, and what exactly went wrong in the three prior outages.“One piece of equipment—and again, this is old equipment—one piece breaks down and they completely lose visibility, so they don't know where any of the trains are.”Tune in today.You can also find us on Apple Podcasts, Spotify, and whatever preferred podcast platform you use.For all our cybersecurity coverage, visit Malwarebytes Labs at malwarebytes.com/blog.Show notes and credits:Intro Music: “Spellbound” by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Outro Music: “Good God” by Wowa (unminus.com)Listen up—Malwarebytes doesn't just talk cybersecurity, we provide it.Protect yourself from online attacks that threaten your identity, your files, your system, and your financial well-being with our exclusive offer for Malwarebytes Premium for Lock and Code listeners.

In Cineversary podcast episode #92, host ⁠Erik J. Martin⁠ puts candles on two cakes: one for Buster Keaton's The General, celebrating a 100th birthday, for which he is joined by Thomas Doherty, a professor of American Studies at Brandeis University; and Charles Chaplin's Modern Times, marking a 90th birthday, for which Erik is accompanied by film historian Jeffrey Vance, author of the book Chaplin: Genius Of The Cinema. Erik and his guests explore how these masterworks by the two greatest silent film comedians have aged so gracefully, their impact on cinema, key thematic takeaways, and much more. Learn more about the Cineversary podcast at www.cineversary.com and email show comments or suggestions to cineversarypodcast@gmail.com.

Here comes The Bride! Seth and Michelle are joined by Mandy Kaplan to discuss Maggie Gyllenhaal's directorial debut, all of it's film history references, the incredible Jessie Buckley, bringing 10 year old's to see the movie and how to insult a horse while leading it to water. Also: Ida Lupino! Buster Keaton! Annette Benning! Check it out!  Follow this link to check out Mandy's podcast, her caberet and more! Do it! Now! Ad-free versions of all of our episodes are available on our Patreon When you sign up you also get access to our bonus shows, Discord server, shout out on the show AND you get to vote on monthly episodes and themes and a 25% discount in our merch store. That's a lot for only $5 a month! For more info and to sign up visit us on Patreon You can also give a Movie Friends subscription here: Gift a Movie Friends Subscription! Visit our website Check out our merch store Send us an email! Follow us on Twitter and Instagram Fill out our listener survey

In the premiere of Season 12: On the Road, Kyle is joined for a one-on-one conversation with screenwriter Katy Baldwin to discuss the heroic stoicism and occasionally problematic historical revisionism of Buster Keaton's silent spectacle epic The General (1926), which translated Southern apologia into a character driven search for validated identity.

Back in the 70s and 80s, the television broadcast of The Wizard of Oz was a hugely anticipated annual event. The kids had their Wizard of Oz dolls from Mego, and their Wizard of Oz comic book from Marvel and DC, just to get them through the long year between viewings. But that was the classic movie from 1939. Have you ever seen the 1925 version? Kevin and the Mayor just did, so we're here to file our report for you. This is a bizarre little silent slapstick comedy, and it features a Buster Keaton-type Scarecrow, a Dorothy played by a lady actually named Dorothy, Oliver Hardy (pre-Laurel) as the Tin Man, an unhealthy dose of blatant racism, and a vomiting duck. It's not great, but it is a curiosity. And since it's silent, you don't have to worry about the duck breaking into "Over the Rainbow." The Flopcast website! The ESO Network! The Flopcast on Facebook! The Flopcast on Instagram! The Flopcast on Bluesky! The Flopcast on Mastadon! Please rate and review The Flopcast on Apple Podcasts! Email: info@flopcast.net Our music is by The Sponge Awareness Foundation! This week's promo: Have Coffee, Will Travel!  

The Interviews returns this week, folks, with a bumper-sized edition of chatty goodness. First, Chris talks to David Jonsson and Tom Blyth, the stars of hard-hitting prison drama, Wasteman, about the impact of their movie, and wild auditions. Then, Chris has a right giggle with Asim Chaudhry, who is one of the potential saviours of the world recruited by Sam Rockwell in Gore Verbinski's Good Luck Have Fun Don't Die. And, finally, Chris has an audience with a genuinely legendary film critic, the great Leonard Maltin, who tells Chris all about his new book, Every Movie Is A Miracle, meeting Buster Keaton, and starring in Gremlins 2. Three cracking interviews about three wildly different subjects. Every movie podcast is a miracle. Enjoy.

Dana and Tom with 5x Club Member, Sarah Duncan (Sister of Tom, Daughter of Dana), discuss the silent action comedy, The General (1926) for its 99th anniversary: written and directed by Buster Keaton with Clyde Bruckman, Al Boasberg, and Charles Smith, cinematography by Devereaux Jennings and Bert Haines, music by William P. Perry, editing by Buster Keaton and Sherman Kell, starring Buster Keaton and Marion Mack.Plot Summary: The General is a silent comedy set during the American Civil War, starring Buster Keaton as Johnnie Gray, a devoted railroad engineer who cares more about his locomotive, called The General, than anything else. When Union spies steal his train, Johnnie sets off on a daring chase through enemy territory, using quick thinking, physical comedy, and sheer determination to get it back. Along the way, Johnnie also tries to prove his courage to his sweetheart Annabelle Lee, played by Marion Mack, after being rejected by the Confederate Army.Guest:Sarah Duncan - Sister of Tom, Daughter of Dana@thenomadicarchaeologist on IGPrevious Episodes: Zodiac, My Fair Lady, The Artist, Inglourious Basterds, The Great Dictator, Forrest Gump, Mr. Smith Goes to Washington, Knives Out, All Quiet on the Western Front (1930)Chapters:00:00 Introduction, Cast, and Background for The General05:16 Welcome Back, Sarah Duncan06:35 Relationship(s) with The General13:08 Buster Keaton - Best Silent Era Action Star?17:30 Plot Summary for The General18:14 What is The General About?21:27 Did You Know?25:44 First Break26:35 What's Happening with Sarah Duncan27:21 Best Performance(s)33:27 Best Scene(s)38:34 Second Break39:13 In Memoriam41:29 Best/Funniest Lines42:40 The Stanley Rubric - Legacy47:47 The Stanley Rubric - Impact/Significance52:05 The Stanley Rubric - Novelty57:50 The Stanley Rubric - Classicness01:03:59 The Stanley Rubric - Rewatchability01:07:01 The Stanley Rubric - Audience Score and Final Total01:08:50 Remaining Questions for The General01:11:51 Thank You to Sarah and Remaining Thoughts01:16:18 CreditsYou can also catch this episode in full video on YouTube.You can now...

It's time to play the music...It's time to light the lights...It's time to meet Roger Langridge and The Muppets on the Cryptid Creator Corner tonight! That's right, Roger Langridge joins Jimmy on today's episode to chat about Dynamite Comics' Muppets Noir. Roger returns to The Muppets for this tale that sees Kermit knocked into Dreamland to take up the mantle of his favorite P.I., Flip Minnow. Roger and Jimmy discuss what it was like for Roger returning to The Muppets, why noir is fitting for these characters, favorite Muppets, and Jimmy sneaks in some talk about Buster Keaton and Roger's character Fred the Clown. What an amazing episode! Check out Muppets Noir on Dynamite Follow Roger on Bluesky Follow Roger on Instagram Support Roger's Patreon Chapter Breaks (00:00) – Welcome to Cryptid Creator Corner & 2000 AD Sponsor(00:54) – Introducing Roger Langridge (Muppets, Fred the Clown)(01:51) – What Is Muppets Noir? Film Noir Meets The Muppet Show(02:15) – Kermit as a Private Eye & the Birth of Flip Minnow(03:06) – Song-and-Dance Fantasy Sequences & Color as Storytelling(04:01) – Returning to The Muppets After 13 Years(04:53) – Pitching Ideas: Why Muppets Noir Won Over Other Concepts(05:44) – IP Guardrails, Framing Devices & Creative Constraints(06:54) – Drawing the Muppets Again: Style, Calibration & Staying “On Model”(08:13) – Favorite Muppets to Write and Draw (Piggy, Gonzo & Lou Zealand)(10:51) – Why Noir Works for The Muppets (Without Going Too Dark)(13:11) – Officer O'Bear, Ensemble Cast & Fan Expectations(14:07) – The Lasting Appeal of The Muppets After 50 Years(20:17) – Discovering Fred the Clown & Silent Film Influences(22:03) – Buster Keaton, Silent Comics & Visual Storytelling(24:20) – Fred the Clown as a Signature Character(26:06) – Evolving as a Cartoonist Over 35 Years(27:54) – Upcoming Projects, Patreon & New Short Comics(31:07) – Release Date, Final Thoughts & Supporting the Book Follow Comic Book Yeti

durée : 01:29:53 - Les Nuits de France Culture - par : Albane Penaranda - Les "Mardis du cinéma" rendent hommage à Buster Keaton, figure majeure du burlesque. Analyses de Jean Douchet et Pierre Etaix, témoignage de Claude Autant-Lara et extraits des mémoires de Keaton mettent en lumière l'art d'un génie du cinéma muet. - réalisation : Lise Côme - invités : Jean Douchet Cinéaste, historien et critique de cinéma (1929-2019); Pierre Etaix; Claude Autant-Lara Réalisateur

The time has come for us to talk about Kevin. The New Yorker's Jia Tolentino joins us to talk about Lynne Ramsay's depiction of every parent's worst nightmare - 2011's We Need To Talk About Kevin. We need to talk about how Griffin grew up with Ezra Miller, and even auditioned against him to play Kevin. We need to talk about Lionel Shriver's awful politics. We need to talk about Tilda Swinton comparing her performance here to Buster Keaton. And we need to again explain the whole Fantastic Beasts franchise to another guest who is blissfully unaware of Credence Barebone. Read Jia's Profile of Jennifer Lawrence and her other work at the New Yorker. Check out the r/HowIsLivingThere Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Charlie Chaplin and Buster Keaton are now often universally viewed as the two great silent film movie comedians. And their personal biographies, even their physical characteristics (they were both 5'5), rhyme in a fascinating way.  They both made some of the towering comedies-The Kid, The Gold Rush, The Great Dictator, Seven Chances, Sherlock Jr., The General. Most intriguingly, Chaplin can be viewed as the grandfather of the art film tradition and Keaton the grandpappy of the action film.  Secret Movie Club founder.programmer Craig Hammill offers an initial overview of these two movie giants' biographies, body of work, and legacies.

In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years. Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro's Nightmare Alley, Larry Wade Carell's Girl Next, Matt Shakman's WandaVision, Anthony and Joe Russo's Avengers: Infinity War, Scott Derrickson's Dr. Strange, Steven Spielberg's Ready Player One, Jennifer Kent's The Babadook, Christopher Nolan's Inception, Stanley Kubrick's Eyes Wide Shut, Vince Gilligan's Breaking Bad, Oliver Stone's JFK, Mark Frost and David Lynch's Twin Peaks, John Carpenter's They Live, Alan Pakula's The Parallax View, John Frankenheimer's The Manchurian Candidate, Jack Arnold's It Came from Outer Space, Edgar G. Ulmer's The Man from Planet X, Robert Florey's Murders in the Rue Morgue, Buster Keaton's Sherlock Jr., and Victor Sjöström's The Phantom Carriage. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Hollywood Haunts the World: An Investigation into the Cinema of Occulted Taboos (Headpress, 2026), Robert Guffey deconstructs the most powerful taboos of the twentieth century (and the initial decades of the twenty-first century) by analyzing how disturbing and transgressive ideas involving Theosophy, Gnosticism, Freemasonry, Darwinian Evolution, Surrealism, Freudian and Jungian psychology, race relations, paranoia, UFOs, xenophobia, political conspiracies, the JFK assassination, virtual reality, and alternate dimensions have been reflected in films — both American and foreign — throughout the past one hundred years. Popular films and TV shows that fall under cutting-edge scrutiny include Guillermo del Toro's Nightmare Alley, Larry Wade Carell's Girl Next, Matt Shakman's WandaVision, Anthony and Joe Russo's Avengers: Infinity War, Scott Derrickson's Dr. Strange, Steven Spielberg's Ready Player One, Jennifer Kent's The Babadook, Christopher Nolan's Inception, Stanley Kubrick's Eyes Wide Shut, Vince Gilligan's Breaking Bad, Oliver Stone's JFK, Mark Frost and David Lynch's Twin Peaks, John Carpenter's They Live, Alan Pakula's The Parallax View, John Frankenheimer's The Manchurian Candidate, Jack Arnold's It Came from Outer Space, Edgar G. Ulmer's The Man from Planet X, Robert Florey's Murders in the Rue Morgue, Buster Keaton's Sherlock Jr., and Victor Sjöström's The Phantom Carriage. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

One of Gilbert and Frank's favorite interviews was this 2014 sitdown with a legend of local broadcasting, the one and only Joe Franklin. In this episode, the boys dropped in on Joe's infamously cluttered (an understatement!) Manhattan office to nosh on (very old) chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon, to name but a few. PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Aujourd'hui, je reçois l'acteur Pierre Niney qui revient en salles le 28 janvier 2026 avec le film “Gourou”.Pour suivre l'actualité au quotidien, RDV sur notre chaîne dédiée : @hugodecrypteactus‬ 00:00 Introduction02:18 Jouer le rôle d'un orateur03:48 Les coachs en développement personnel 06:21 La préparation du rôle 08:05 Être un bon acteur, c'est être un bon orateur ?09:40 Jeu : Philosophe ou Gourou ?14:30 Les séminaires et le mécanisme de l'addiction18:25 L'importance du théâtre19:44 Une rencontre clé : son premier agent 21:27 Les castings 25:41 La nostalgie de l'enfance27:23 L'importance de jouer29:51 La nouvelle générations d'acteurs 31:50 Être producteur 33:57 Le travail d'écriture36:35 Pierre Niney et YouTube38:18 Le rapport aux réseaux sociaux Vidéo produite par HugoDécrypteEntretien écrit et mené par Hugo TraversAvec la participation de Pierre NineyJournalistes : Julie Baheux, Benjamin Alberteau, Hugo TraversProductrice exécutive : Clara LesageDirectrice de production : Marie DelvalléeChargés de production : Clément Chaulet, Fiona GouzeAssistante de production : Amandine BarAdministratrice de production : Sterenn HallCadreurs : Noé Périquet, Vanon BorgetIngénieure du son : Inês Dos SantosMaquilleuse : Kim DesnoyersMonteur : Alexandre SouberyandÉtalonnage : Vanon BorgetMixage : Florent SimonMiniature : Doryan HinckerCrédits musiques : ArtlistCrédits images : Abaca - Gourou, Yann Gozlan (2026) - Boîte noire, Yann Gozlan (2021) - Five, Igor Gotesman (2016) - LOL, Lisa Azuelos (2009) - Le Comte de Monte-Cristo, Alexandre de La Patellière et Matthieu Delaporte (2024) - Yves Saint Laurent, Jalil Lespert (2014) - 20 ans d'écart, David Moreau (2013) - Un homme idéal, Yann Gozlan (2015) - Mascarade, Nicolas Bedos (2022) - Sauver ou périr, Frédéric Tellier (2018) - La Flamme, Jonathan Cohen, Jérémie Galan et Florent Bernard (2020) - OSS 117 3, Nicolas Bedos (2021) - Goliath, Frédéric Tellier (2022) - Casting(s), Pierre Niney et Ali Marhyar (2013) - Le loup de Wall Street, Martin Scorsese (2013) - Magnolia, Paul Thomas Anderson (1999) - Grandeur et Décadence, Buster Keaton (1922) - Madame Doubtfire, Chris Columbus (1993) ) Face Cachée, HugoDécrypte (2022) - @Tony Robbins - PathePLANIPRESSE HD MEDIA / UNFOLD PRODUCTION 2026 Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

To coincide with this week's "Fun for All Ages" salute to 1960s and '70s New York television, GGACP revisits this 2014 interview with a legend of local broadcasting, the one and only Joe Franklin. In this episode, Gilbert and Frank drop in on Joe's infamously cluttered (an understatement!) Times Square office to nosh on chicken salad, dodge falling stacks of collectibles and ask the “King of Nostalgia” about his memories of Charlie Chaplin, Woody Allen, Buster Keaton, Frank Sinatra, Barbra Streisand and John Lennon (to name but a few). PLUS: The Ramones! Remembering the Toastmaster General! Joe interviews Boris Karloff (and Bela Lugosi?)! And the greatest entertainer of all time! Learn more about your ad choices. Visit megaphone.fm/adchoices

Proof that some gags never get old. This was the first Keaton film made under his ill-fated contract with MGM.REFERENCE: Video Essay | 100 years of Buster Keaton's "The Navigator" https://www.youtube.com/watch?v=P-XWzQ6ufRsSUPPORT THE SHOW: PATREONSHOP THE SHOW: TEE PUBLICFOLLOW THE SHOW: INSTAGRAM // TIKTOK // YOUTUBEEMAIL THE SHOW: abreathoffreshmovie@gmail.com    

For the Paris-born, New York–based artist Camille Henrot, time practically never stands still. Across her work in film, drawing, painting, sculpture, installation—and soon, live performance—Henrot has developed ways of stretching and distorting time, seamlessly shifting from moments of potent, rapid-fire intensity to quiet reflection. While her work carries a theory-driven ferocity and intelligence, it's also incredibly playful. Hers is serious art that manages—often with a knowing, subtle wink—to not take itself too seriously.On this episode of Time Sensitive, Henrot considers the subjectivity of speed and slowness; previews her upcoming first-ever performance-art piece, slated to premiere in 2026 and a collaboration with the nonprofit Performa; and reflects on why, for her, a work is technically never finished. She also shares her fraught fascination with animals, childhood, and the climate crisis—the intersection of which she examines in-depth in her soon-to-debut film “In the Veins.”Special thanks to our Season 12 presenting sponsor, Van Cleef & Arpels.Show notes:Camille Henrot[4:30] RoseLee Goldberg[4:30] Performa Biennial[6:37] Buster Keaton[6:37] Tex Avery[7:03] Estelle Hoy[7:19] Adam Charlap Hyman of Charlap Hyman & Herrero[16:10] “In the Veins” (2026)[17:45] "Grosse Fatigue"[17:45] Massimiliano Gioni[38:51] Roland Barthes[45:36] Pierre Huyghe[47:51] Ikebana Sogetsu[51:46] Okwui Enwezor[55:03] Hypernormalisation by Adam Curtis (2016)[59:51] Jacob Bromberg[59:51] Akwetey Orraca-Tetteh[1:08:50] Adrienne Rich[1:08:50] Ursula K. Le Guin[1:08:50] Annie Ernaux[1:08:50] Mother Reader by Moyra Davey (2001)[1:08:50] Jenny Schlenzka[1:10:14] Maggie Nelson[1:11:02] Mothers: An Essay on Love and Cruelty by Jacqueline Rose (2019)[1:11:02] Representation of Motherhood by Donna Bassin (1994)[1:13:00] Louise Bourgeois

6. Limelight and Keaton Collaboration Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin based Limelight on an atmospheric novel about Edwardian theater. The film reflected his own life, allowing him to process grief over his inability to save his mother by repeatedly featuring the narrative of an older adult rescuing a helpless young woman. After a difficult search, he cast Claire Bloom in the lead role. A significant unscripted addition during production was a routine featuring Buster Keaton. The two comedy legends collaborated improvisationally, resulting in a sequence that Keaton was honored to perform. 1928

David Blaine (Do Not Attempt, Buried Alive, Above the Below) is a magician, mentalist, and endurance performer. David joins the Armchair Expert to discuss the deck of cards his mom gave him as a kid in Brooklyn, keeping his magic secret when he was young because other children are a brutal audience, and why his unique ability for breath holding was the beginning of his love of endurance. David and Dax talk about the reason he decided to do the buried alive endurance performance, how Buster Keaton informed him doing stunts in one take for Street Magic, and learning that he could change the course of his mother's day with a simple trick. David explains the physical sensations of spending 44 days in a plexiglass box, why he doesn't recommend eating glass, and how the most meaningful part of making his new show was the people he met.Follow Armchair Expert on the Wondery App or wherever you get your podcasts. Watch new content on YouTube or listen to Armchair Expert early and ad-free by joining Wondery+ in the Wondery App, Apple Podcasts, or Spotify. Start your free trial by visiting wondery.com/links/armchair-expert-with-dax-shepard/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.