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Classical meets jazz. Featuring: John Kirby Sextet, George Gershwin, James P. Johnson, Duke Ellington, Carl Maria von Weber, Benny Goodman, Sergei Rachmaninoff, Art Tatum, Fats Waller. Music: Mr. Haydn Gets Hip, Beethoven Riffs On, Rhapsody in Blue, You've Got To Be Modernistic, excerpt from Black, Brown, and Beige, excerpt from Invitation to the Dance, Let's Dance, Rhapsody on a Theme of Paganini (Var. 15), Honeysuckle Rose.
GI Jill dedicates the show to the Navy. Benny Goodman plays, Honeysuckle Rose. A news item about new radios for St Alvins Hospital. Skinny Ennis plays, Bugle Call Rag. Bing…
Academy Award-nominated actress Amy Irving has announced her sophomore album, Always Will Be, featuring 10 electrifying renditions of songs from her longtime friend Willie Nelson's iconic catalog. The album includes contributions from Amy Helm, Louis Cato, Steve Earle, Chris Pierce, Lizzie No, and Willie himself, and is due out on April 25 via Queen of the Castle Records/Missing Piece Records. Amy Irving and Willie Nelson's decades long friendship began when the pair first met on the set of the 1980 film Honeysuckle Rose. After dueting on a reimagining of his song "I'm Waiting Forever" for her 2023 debut album, Nelson reached out to Irving with a proposition: Why not record another album, one comprised entirely of his own work? Irving took him up on the offer, and the result is an incredibly heartfelt album, one that is rooted in love and friendship. Over Irving's prolific career, she has been seen in Brian DePalma's Carrie and The Fury, stage performances of Romeo & Juliet with the Los Angeles Shakespeare Society and Broadway's Amadeus. Irving was nominated for an Academy Award for her performance in Yentl, and has captivated audiences with beloved starring roles in films including Crossing Delancey, The Competition and Micki and Maude.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.
We celebrate Willie Nelson's 92nd birthday and his newest release, Oh What a Beautiful World, in the only way we know how: blathering about his roles as a fake musician in Honeysuckle Rose, Songwriter, and Waiting for the Miracle to Come.
Academy Award-nominated actress Amy Irving has announced her sophomore album, Always Will Be, featuring 10 electrifying renditions of songs from her longtime friend Willie Nelson's iconic catalog. The album includes contributions from Amy Helm, Louis Cato, Steve Earle, Chris Pierce, Lizzie No, and Willie himself, and is due out on April 25 via Queen of the Castle Records/Missing Piece Records. Amy Irving and Willie Nelson's decades long friendship began when the pair first met on the set of the 1980 film Honeysuckle Rose. After dueting on a reimagining of his song "I'm Waiting Forever" for her 2023 debut album, Nelson reached out to Irving with a proposition: Why not record another album, one comprised entirely of his own work? Irving took him up on the offer, and the result is an incredibly heartfelt album, one that is rooted in love and friendship. Over Irving's prolific career, she has been seen in Brian DePalma's Carrie and The Fury, stage performances of Romeo & Juliet with the Los Angeles Shakespeare Society and Broadway's Amadeus. Irving was nominated for an Academy Award for her performance in Yentl, and has captivated audiences with beloved starring roles in films including Crossing Delancey, The Competition and Micki and Maude.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.
Amy Irving's film career soared in the 1980s. She was featured in the film Yentl, a role that earned her an Academy Award nomination. In the movie Crossing Delancey, Irving plays a single woman who falls in love with a pickle merchant. In real life, Irving married Steven Spielberg, a relationship that ended in divorce. She co-starred with Willie Nelson in the film Honeysuckle Rose and that was the beginning of a life-long friendship with Nelson. Irving's career has shifted away from acting and towards music. She's got a new album which features Willie Nelson covers. It's called Always Will Be. I spoke to Amy Irving at her home in Westchester about singing as a second act and what it's like to be an older woman in Hollywood. “Now What?” is produced with the help of Steve Zimmer, Lucy Little and Jackie Schwartz. Audio production is by Nick Ciavatta.
Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! Dan Mecca and Conor O'Donnell were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver's Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed King of the Corner, and the eclectic range of characters he's played over the years. Additionally, we mention Steven Soderbergh's oeuvre (they were both in Traffic!), the actor's directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they've both grown as performers over time.
Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! We were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver's Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed, King of the Corner, and the eclectic rangle of characters he's played over the years. Additionally, we mention Steven Soderbergh's oeuvre (they were both in Traffic!), the actor's directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they've both grown as performers over time. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.
VV-030 PROGRAM LIST M1 Squeeze Me (Fats Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) M2 Handful of Keys (Fats Waller) Rec. 3/1/1929, HANDFUL OF KEYS, FATS WALLER AND HIS RHYTHM, RCA Victor, LPM-1502, 1957 (2:45) M3 Ain't Misbehavin' (Fats Waller, Harry Brooks) Rec. 8/2/1929, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:00) M4 Tanglefoot (Fats Waller) Rec. 8/24/1929, THE RAREST FATS WALLER, Volume 1, RFW-1, 1955. (3:10) M5 Honeysuckle Rose (Fats Waller) Rec 5/13/1941, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:21) M6 Bouncin' on a V-Disc (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 (4:46) Background songs for this episode: M7 Please Take Me Out of Jail (Fats Waller) Rec. 12/1/1927, THE RAREST FATS WALLER, Volume 1, RFW-1, 1955. M8 Sometimes I Feel Like a Motherless Child (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 ABOUT THE ARTIST Today's show features the LATE GREAT Thomas Wright Waller, a jazz pianist and organist, composer and singer, born in New York City in 1904 The 7th of 11 children, his mother was a musician, and his father was a trucker and pastor in NYC. Fats started playing piano when he was 6. He played the organ at his father's church at age 10. PAUSE He was home-schooled early-on by his mother and worked in a grocery store. He quit high school after just one semester at age 15 to work as an organist at the Lincoln Theater in Harlem. PAUSE At the Lincoln Theater, he earned $32 a week. That was 1929. He became known as “Fats Waller” because he was big -- both in body and in mind. PAUSE Fats Waller laid some of the building blocks for what is NOW ‘modern jazz piano'. He popularized the use of The stride piano style, which is widely used by jazz pianists today. He toured internationally and two of his biggest hits were Ain't Misbehavin' and Honeysuckle Rose. PAUSE You are listening to Sometimes I Feel Like a Motherless Child by Fats Waller) Recorded back in 1943.PAUSE Waller copyrighted over 400 songs. He probably composed many more, but, when he was in financial difficulty, he would sell songs to other writers and performers, who would not acknowledge the real composer, claiming the songs as their own. Today's podcast features Fats Waller and a few of his SOLO piano and organ compositions that were recorded between the years 1926 and 1943, or from the age of 22 to 39. Some of these songs are not available today, except where they are rediscovered - - - on my old and treasured Fats Waller record collection! SHOW PLUG - SHOW PLUG - DON'T TOUCH THAT DIAL ! ! BIT BUCKET Waller is also credited with his composition and performance work in Broadway Musicals. Waller is perhaps the FIRST BLACK composer to write the score and perform for a mostly all-white show on Broadway. That was the 1943 Broadway musical EARLY TO BED, produced by Richard Kollmar – the Broadway Flyer for EARLY TO BED reads “Music by Thomas (“Fats”) Waller”. . M1 M1 Squeeze Me (Thomas Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) Our first recording is titled “SQUEEZE ME” It's a piano solo, and the composer and performer is Thomas Waller.He is not billed as “Fats” Waller yet, as he is not that unusually large at the young age of 22. This song SQUEEZE ME was recorded for production of piano rolls in 1926, making this among Waller's EARLIEST recordings. Waller recorded his piano solos for the production of Piano Rolls between 1926 and 1927.These rolls operate on player pianos. Insert the roll, and the piano plays the song. PAUSE The player piano is a specialty item, affordable by the wealthy, and not a great way to release new music to the masses. Decades later, in 1955,
TONY PARENTI “NEW ORLEANIANS” New Orleans, April 27 (1), December, 1928 & May 10, 1929 (3)In the dungeon (mh vcl) (1) When you and I were pals (jb vcl) (1) Gumbo (2) You made me like it, baby (2) Old man rhythm (3)John Hyman (cnt) [pseudonym for Johnny Wiggs (cnt) ] Charles Hartman (tb) Tony Parenti (cl,as) Buzzy Williams (p) Jack Brian (g,vcl) Monk Hazel (d,vcl) Leon Prima (cnt 2) Hal Jordy (as,bar-2) added, plus unknown (tu,b 2) (duo Parenti y Vic Briedis p 3) BUD FREEMAN “BUD FREEMAN AND HIS ORCHESTRA” New York, October-December 1945I'm just wild about Harry, I got rhythm, Where have you been ?, Ol' man river, The atomic era (bf,rmk only)Yank Lawson (tp) Lou McGarity (tb) Edmond Hall (cl) Bud Freeman (ts) Gene Schroeder (p) Carmen Mastren (g) Bob Haggart (b) Ray McKinley (d) De Marco Sisters (vcl) New York, December 5, 1945Tea For Two, Honeysuckle Rose, Room With A ViewPeanuts Hucko (cl), Bud Freeman (ts), Joe Sullivan (p), Carmen Mastren (g), Sid Weiss (b), George Wettling (d) “EDDIE HEYWOOD AND HIS ORCHESTRA” New York, November 13, December 15, 1944Just you, just me, Begin the beguineDick Vance (tp) Vic Dickenson (tb) Lem Davis (as) Eddie Heywood (p) Ted Sturgis (b) Keg Purnell (d) Los Angeles, November 20, 1945On the sunny side of the street, The man I loveHarry Parr Jones (tp) Vic Dickenson, Henry Coker (tb) Lem Davis (as) Eddie Heywood (p) Ernie Shepard (b) Keg Purnell (d) Continue reading Puro Jazz 01 de octubre, 2024 at PuroJazz.
TONY PARENTI “NEW ORLEANIANS” New Orleans, April 27 (1), December, 1928 & May 10, 1929 (3)In the dungeon (mh vcl) (1) When you and I were pals (jb vcl) (1) Gumbo (2) You made me like it, baby (2) Old man rhythm (3)John Hyman (cnt) [pseudonym for Johnny Wiggs (cnt) ] Charles Hartman (tb) Tony Parenti (cl,as) Buzzy Williams (p) Jack Brian (g,vcl) Monk Hazel (d,vcl) Leon Prima (cnt 2) Hal Jordy (as,bar-2) added, plus unknown (tu,b 2) (duo Parenti y Vic Briedis p 3) BUD FREEMAN “BUD FREEMAN AND HIS ORCHESTRA” New York, October-December 1945I'm just wild about Harry, I got rhythm, Where have you been ?, Ol' man river, The atomic era (bf,rmk only)Yank Lawson (tp) Lou McGarity (tb) Edmond Hall (cl) Bud Freeman (ts) Gene Schroeder (p) Carmen Mastren (g) Bob Haggart (b) Ray McKinley (d) De Marco Sisters (vcl) New York, December 5, 1945Tea For Two, Honeysuckle Rose, Room With A ViewPeanuts Hucko (cl), Bud Freeman (ts), Joe Sullivan (p), Carmen Mastren (g), Sid Weiss (b), George Wettling (d) “EDDIE HEYWOOD AND HIS ORCHESTRA” New York, November 13, December 15, 1944Just you, just me, Begin the beguineDick Vance (tp) Vic Dickenson (tb) Lem Davis (as) Eddie Heywood (p) Ted Sturgis (b) Keg Purnell (d) Los Angeles, November 20, 1945On the sunny side of the street, The man I loveHarry Parr Jones (tp) Vic Dickenson, Henry Coker (tb) Lem Davis (as) Eddie Heywood (p) Ernie Shepard (b) Keg Purnell (d) Continue reading Puro Jazz 01 de octubre, 2024 at PuroJazz.
Big Fat Five: A Podcast Financially Supported by Big Fat Snare Drum
Our guest today is Daniel Glass. Daniel is a renowned drummer, educator, and historian known for his deep expertise in the roots of American drumming, particularly in jazz, swing, and early rock 'n' roll. A member of the pioneering retro-swing band Royal Crown Revue, Glass has performed with a wide array of top artists, blending historical influence with modern flair. His passion for drumming history is reflected in his books, clinics, and instructional videos. The project that introduced Daniel to me was his three-hour documentary called “The Century Project” which explores the evolution of the drum set and drumming styles from 1865 to 1965. Glass is also celebrated for his dynamic, groove-focused playing and his ability to bridge the gap between past and present drumming traditions. Go check out all his happenings at danielglass.com, but for now, please enjoy the 5 records that helped shape Daniel Glass into the drummer he is today. Cheers! DANIEL'S BIG FAT FIVE: - Album - Made In Japan Artist - Deep Purple Release Year - 1972 Key Track(s) - Highway Star, Space Truckin', The Mule Drummer - Ian Paice - Album - Three Quartets Artist - Chick Corea Release Year - 1981 Key Track(s) - Quartet No. 1, Quartet No. 2, Part 2 Drummer - Steve Gadd - Album - Buffalo Artist - Frank Zappa Release Year - 2007 (from a 1980 live concert) Key Track(s) - The Torture Never Stops Drummer - Vinnie Colaiuta - Album - Lyric Artist - Billy Childs Release Year - 2005 Key Track(s) - In Carson's Eyes, Into the Light, Scarborough Fair, American Landscape Drummer - Brian Blade, Marvin "Smitty" Smith - Album - From Darkness Artist - Avishai Cohen Release Year - 2015 Key Track(s) - Beyond, Abie, C#-, From Darkness Drummer - Daniel Dor - Honorable Mentions: Album - Blue Artist - Joni Mitchell Release Year - 1971 Key Track(s) - All I Want, This Flight Tonight - Album - The Concert at Carnegie Hall Artist - Benny Goodman Release Year - 1938 Key Track(s) - Don't Be That Way, Honeysuckle Rose, Sing, Sing, Sing - Album - Drumsville Artist - Earl Palmer Release Year - 1961 Drummer - Earl Palmer - Album - Live at the Royal Festival Hall Artist - John McLaughlin Release Year - 1989 Key Track(s) - Mother Tongues Drummer - Trilok Gurtu - Album - Tiny Resistors Artist - Todd Sickafoose Release Year - 2008 Key Track(s) - Allision Miller Drummer - Everyone Is Going For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram.
The fifth segment from May 10, 1989 at Ephraim's, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), Carol Moeller (piano), and John Kafalas (tuba). Carrie Mazzy is also featured on vocals. The selections are “Sugar,” “How Can You Face Me,” and “Honeysuckle Rose.” Send questions or comments to podcast@kafalas.com
We celebrate legendary American jazz pianist, organist, composer, violinist, singer, and comedic entertainer Thomas Fats Waller. He laid the groundwork for modern jazz piano and some say he paved the way for rock-n-roll. Waller started playing piano at the age of 6, and copyrighted over 400 songs during his career, including Grammy winners "Ain't Misbehavin'" and "Honeysuckle Rose". Waller was a critical and commercial sensation in the United States and Europe. Unfortunately he died from pneumonia at the early age 39 in 1943. We have Fats Waller performing live in 1938, an appearance on the popular Edgar Bergen Show just before his death in 1943, a tribute concert by Eddie Condon in 1944, plus a dramatization of life of Fats Waller on Destination Freedom. More at http://krobcollection.com
Music's big bundle of joy. Featuring: I Ain't Got Nobody, Carolina Shout, That's All, Sugar, Squeeze Me, (What Did I Do to Be So) Black and Blue, Ain't Misbehavin', Honeysuckle Rose, Then I'll Be Tired of you.
Django Reinhardt: Retrospective 1. Dinah (2.39) 2. Limehouse Blues (2.47) 3. Charleston (2.54) 4. The Sheik of Araby (3.08) 5. Minor Swing (3.18) 6. Night and Day (2.43) 7. Sweet Georgia Brown (3.08) 8. Honeysuckle Rose (2.55) 9. Improvisation No. 2 (2.42) 10. Le Yeux Noir (2.19) 11. Echos de France (2.49) 12. Django's Tiger (2.40) 13. Django's Dream (Reverie) (3.44) 14. La Mer (4.17)
Episode 218 - Kelleanne Jones, Honeysuckle Rose, Community Table + More by Michelle Mandro
A special, short podcast honoring Thomas "Fats" Waller on his 120th birthday. Songs include: Honeysuckle Rose, I'm Gonna Sit Right Down and Whose Honey Are You.
Sintonía: "Boogie Woogie" - Pete Johnson"Honeysuckle Rose" - "Deed I Do" - "Into Each Life Some Rain Must Fall" - "Them There Eyes" - Dream A Little Dream Of Me" - "Tea For Two" - "Satin Doll" - "I´m Beginning To See The Light" - Shiny Stockings" - "My Last Affair" - "Ain´t Misbehavin´" - "On The Sunny Side Of The Street"Todas las músicas interpretadas por Ella Fitzgerald (voz) y Count Basie (piano/órgano)Todas las músicas extraídas del álbum "On The Sunny Side Of The Street" (Verve Records, 1963) de Ella & BasieBonus: "God Bless The Child" y "Now Baby, Or Never", interpretadas por Billie Holiday y Count Basie con su sexteto, para la banda sonora de un cortometraje de 1950, dirigido por Will Cowan (Saga Records) Escuchar audio
Sintonía: "Do Something" - McKinney's Cotton Pickers"I Never Knew" - "It's Only A Paper Moon" - "Blues For Nat Cole" - "Captain Bligh" - "Honeysuckle Rose" - "Hardav" - "Mean To Me" - "I Surrender, Dear"Escuchamos en su totalidad, las 8 piezas que componen el álbum "Basie & Zoot" (Pablo Records, 1975) de Count Basie y Zoot SimsEscuchar audio
Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another dreary winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Kali Uchis.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lenny Kravitz, "Fly Away," 5, Virgin, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kali Uchis, "¿Cómo Así?," Orquídeas, Geffen, 2024Kali Uchis, "Me Pongo Loca," Orquídeas, Geffen, 2024Kali Uchis, "Pensamientos Intrusivos," Orquídeas, Geffen, 2024Kali Uchis, "Igual Que Un Ángel," Orquídeas, Geffen, 2024Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018James Brown, "Funky Drummer (Pt. 1 & 2)," Funky Drummer (Single), King, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
durée : 01:30:00 - Les Nuits de France Culture - par : Philippe Garbit - "Ain't Misbehavin", "Honeysuckle Rose", ces standards du jazz ont été composés par le pianiste Fats Waller. Le premier à donner son nom à une émission musicale éponyme et iconique sur France Culture, "Black and Blue". Le voici en vedette américaine le temps d'une Nuit Magnétique.
Fats Waller was a master of stride piano, a style that emerged in the early 20th century and became a cornerstone of jazz. His virtuosity in this style influenced countless pianists who came after him. But he is remembered most for his songwriting and the lively and humorous quality to his performances, incorporating all of these elements into his music. His ability to infuse joy and playfulness into his compositions and improvisations set him apart and made his music accessible to a wide audience. His contributions to the Great American songbook include jazz standards like “Ain't Misbehavin',” “Honeysuckle Rose,” and “Black and Blue” which have been covered by countless artists over the years. This morning on Deeper Roots, we drop in to revel in the music, humor, warmth and charisma that was Thomas “Fats” Waller.
The fifth and last segment from February 15th, 1989 at Ephraim's. Jimmy Mazzy (banjo/vocals), John Kafalas (trombone), Don Frothingham (piano). The selections are A Hundred Years From Today, Oh Miss Hannah, Honeysuckle Rose, and What Shall I Say, and Buddy, Can You Spare A Dime? Send questions or comments to podcast @ kafalas.com
Celina Texas Podcast: What happens when you are barely in your 20's, have a dream to become an attorney and end up going to Toasted Walnut in Celina one day for lunch? You open an amazing women's boutique called Honeysuckle Rose, of course! At least, thats what Lauren Bell did. In this episode, Host Ron Lyons talks to Lauren Bell, owner of Honeysuckle Rose and discovers how she was inspired, what her daily life is like and where she's going from here. One clue: something she has planned involves a wedding dress! Join us on this episode as we learn more about Lauren Bell and her Honeysuckle Rose adventure. Lauren is fun, very decisive and motivated. She loves God, horses, fashion and Celina, Texas. Oh, and get ready, you're in for some great laughs when you get to know Lauren Bell!
Episode 11: "American Idol LAST CHANCE." Topics include - Geography & Math, Nervous Ticks, Stand-up Singers, Sponges of Weirdness, Larry David & the Movies, Thorough Communication, Zombie Apocalypse, Survival Foods and American Idol: LAST CHANCE. Join the fun with host Abigail Riccards, her co-host Angela Bingham and producer/engineer Jeannie Tanner. Their stream of consciousness discussions will take you on an unexpected journey full of laughs and OMG, did Abby just say that? This episode also includes excerpts of Abigail & Angela singing (Sleepin' Bee from Abby's album Every Little Star / https://music.apple.com/us/album/every-little-star/644102874; and "Honeysuckle Rose" from Angela's album The Night We Called It a Day / https://music.apple.com/us/album/the-night-we-called-it-a-day/1108274835). Tune in and LISTEN NOW!
“Born In A Trunk” She may have been born in the Bay Area, but Amy Irving might as well have been born in a theatre. Her father was the film and stage director Julius Irving and her mother was the actress Priscilla Pointer. And what happens when you have theatre parents? Well, you're in the theatre. A lot. And then you're on the stage. A lot. And then it's in your blood and there's no turning back. Amy Irving got her start on the stage at 9 months old and from there she never stopped. She studied at the London Academy of Music and Dramatic Art, landed in L.A. and almost immediately started landing role after role in movies and television. What movies and what television, you might be asking? Well, in the movies category she was in Carrie, Delancey Street, The Competition, Honeysuckle Rose and Yentil. She was also the singing voice of Jessica Rabbit in Who Framed Roger Rabbit? As for television, she was on Police Woman, Happy Days and Once An Eagle with Sam Elliott and Glenn Ford. And not only was she working regularly in those mediums, she was still a busy theatre actor, appearing in Amadeus, Romeo and Juliet, Blithe Spirit and The Glass Menagerie. Along the way she picked up an Oscar nomination, a few Golden Globe nominations and she won a Screen Actors Guild Award. Now this is all just a partial list, but the fact of the matter is, from the big screen to the small screen to the stage, Amy Irving has always been a very busy working actor. Which brings us to Born In A Trunk, which is Irving debut album. Produced by Goolis, Born In A Trunk is a ten-track collection of songs that are culled from her life and career. She covers numbers by Willie Nelson, Tom Waits and Death Cab For Cutie. And The result? Well, not only a compelling and riveting listen, but an album whose song cycle combines to tell the story of a life on the stage and a career in the arts. Why write a memoir when you can sing one, right? And, boy can Amy Irving sing. Her precision, her timbre, her effortless phrasing and her sheer musical poise make Born In A Trunk one of 2023's great surprises. Instagram: @amyirvingofficial www.stereoembersmagazine.com www.embersarts.com www.alexgreenonline.com www.bombshellradio.com Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com
This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Amy was brought up in the world of theater. She was put on stage from the time she was nine-months-old, her father was the director and her mother was the actress, they didn't want baby sitters for their children, so if she wasn't performing, she would stay in the wardrobe department or her mother used to put her in the second row center where she could watch her. And, before she was 10-years-old, she had already worked in several plays. At a young age, Amy Irving was trained at the American Conservatory Theater and Britain's London Academy of Music and Dramatic Arts (L.A.M.A.D.A.). She made her off-Broadway debut at the age of 17 and, from that moment to date, she received critical acclaim, appearing in such plays as: "Heartbreak House" (1983), "The Road to Mecca" (1988), "Broken Glass" (1994), "The Three Sisters" (1997), "The Guys" (2002), "Ghosts" (2002) and "Celadine" (2004), among others.In 1976, Amy made her film debut, playing "Sue Snell", one of her most unforgettable characters in Stephen King's Carrie (1976), a classic in the horror genre, taken to the big screen by director Brian De Palma. For the next few years, Irving continued working in important films, The Fury (1978), also directed by De Palma, Voices (1979) and The Competition (1980). Later, in 1983, she gave a fine performance as "Hadass", in Barbra Streisand's Yentl (1983), and won an Oscar nomination for her great work in that successful film. Two of her best opportunities arrived in the late 80s, when she played "Anna Anderson" in Anastasia: The Mystery of Anna (1986) and "Isabelle Grossman" in the romantic comedy, Crossing Delancey (1988); she received a Golden Globe nomination for each movie. She went on to starring roles in Voices, Honeysuckle Rose, The Competition and Micki and Maude. In 2023 Amy released her album -BORN IN A TRUNK- featuring ten cover songs pulled from her life and career. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Long-time listeners know that I'm the proud father of triplets and anyone who has seen me perform stand-up knows that I lean on my experiences raising them heavily when I perform. Well, today's guest on Uncorking a Story, Cort Casady is also a father of triplets and joined me to talk about his latest book Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed. Meet Cort Casady Cort is a TV writer-producer, songwriter, playwright, and author. He has won two Emmy Awards and three NAACP Image Awards for his work as a writer-producer in television. He began his TV writing career by creating the story and characters for a five-installment movie mini-series called Kenny Rogers as The Gambler. He went on to help format and launch the long-running talent competition, Star Search with Ed McMahon, the forerunner of American Idol. His credits include numerous other series, awards shows, and specials. For the past 19 years, he has been supervising producer of the American Film Institute tributes to America's leading actors and filmmakers, including AFI's tributes to George Clooney in 2018, Denzel Washington in 2019, and Julie Andrews this year (after being delayed by COVID for two years). His songs have been recorded by Crystal Gayle, Jessie Colter, and Marshall Chapman and commissioned for the films Electric Horseman and Honeysuckle Rose. His musical play, King of the Road: The Roger Miller Story, co-written with Mary Miller, had its world premiere at the Laguna Playhouse in Laguna Beach in 2017. His memoir, Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed, was just published. Key Topics: Emotions experienced while having difficulty trying to start a family How a sense of humor helps your sanity (and marital relationship) when raising triplets. Sanity-saving advice given to him by a nurse before leaving the hospital. The importance of rasing multiples as individuals and not part of “a set.” Cort's take on the changes taking place in the America his triplets are inheriting. Buy Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed Amazon: https://amzn.to/3JlNqIQ Bookshop.org: https://bookshop.org/a/54587/9798985728804 Connect With Cort Casady Website: https://cortcasady.com/ Instagram: https://www.instagram.com/cortcasady/ Facebook: https://www.facebook.com/cortcasadyentertainment LinkedIn: https://www.linkedin.com/in/cortcasady/ Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
Oscar nominated actress Amy Irving will debut her new BORN IN A TRUNK song project at Outpost in the Burbs with a special concert on March 4, 2023, backed by an 11-piece band. The project includes songs from throughout Amy's film career including songs from Honeysuckle Rose, Carrie, and Who Framed Roger Rabbit. We spoke with Amy in advance of the show and are also including a preview of the song 'Why Don't You Do Right" - it's a fascinating discussion of theater, film, and music.
You can learn about how versatile a band is by listening to its handling of instrumentals. Without the poetics of the lyrics or the theatrics of the singer, it's up to the soloists to bring drama to the song. To hear what we mean, listen to this four-minute track from a recent Flood show. Vanessa Coffman opens the action with her tasteful statement of Fats Waller's melody, “Honeysuckle Rose.” Then about a minute in, she begins to weave and spin brilliant new threads on that old familiar frame with her tenor sax, beautiful work that then inspires her bandmate, guitarist Danny Cox, when he follows with some gorgeous strings of his own. Yes, Veezy and Danny bring the honey to this rose.
“Honeysuckle Rose,” an absolute anthem of the Roaring Twenties, was born in a New York speakeasy almost a hundred years ago.The story of the song's roots is related by Barry Singer in his biography of lyricist Andy Razaf. The tune — or at least its title — was born at the Club Alabam in Harlem as far back as the winter of 1924, when a young Razaf won a chance to perform a song for which he would write both the words and music.The whole business was staged at the club with full chorus of what Singer described as an "eye-pleasing bevy of show girls" billed as "The Honeysuckle Rosebuds." It was from those hoofers that Razaf picked his title: "Honeysuckle Rose."The Name's the ThingActually, Andy's original melody was no great shakes — in fact, Razaf junked both it and the lyrics right after the show closed — but he just couldn't forget that title. Now fast-forward five years. It's 1929 and Razaf is working with his new partner — the great Fats Waller — to finish their third song for a soon-to-be-forgotten show called “Load of Coal.” We find Andy stitching his old title and a few other elements to the chorus. At some point, he decides he had better telephone Fats to check his work. It's a good thing he does; over the phone, they have to add a new eight-bar bridge in the middle of the tune, because Waller can't remember what he wrote the day before.After many minutes of desperate humming and shouting back and forth, Razaf lays down the phone to dash to his piano and try out what they have. When he gets back, he finds the line is dead. Waller has gotten bored and hung up.Neither Razaf nor Waller realize that they have written an immortal song. “We thought very little of it at the time," Razaf recalled. (Of course, the tune would be recorded more than 500 times by major artists such as Tommy Dorsey, Count Basie, Coleman Hawkins, Earl Hines, Louis Armstrong, Benny Goodman, Lena Horne, Nat King Cole and many others. Fats' own 1934 recording was inducted in the Grammy Hall of Fame in 1999.)And From There…“Honeysuckle Rose” was a defining piece for Waller and Razaf, who would collaborate on other memorable songs, including “Ain't Misbehavin',” “My Fate Is In Your Hands,” “Black And Blue,” “Blue Turning Gray” and “When Gabriel Blows His Horn.”While Waller became one of the best-known entertainers of the '30s and '40s, Razaf went on to write lyrics for over a thousand more songs, including “In The Mood,” “Stompin' At The Savoy” and “Memories Of You.”Oh and if you're ever in Asbury Park, NJ, you can tour the house where Fats and Andy wrote the song. “The Honeysuckle Rose House” at 119 Atkins still stands, looking much as it did in the late 1920s. And has its own website.Our Take On the TuneYou can learn about how versatile a band is by listening to its handling of instrumentals. Without the poetics of the lyrics or the theatrics of the singer, it's up to the soloists to bring drama to the song. To hear what we mean, listen to this four-minute track from a recent Flood show. Vanessa Coffman opens the action with her tasteful statement of the melody. Then about a minute in, she begins to weave and spin brilliant new threads on that old familiar frame with her tenor sax, beautiful work that then inspires her bandmate, guitarist Danny Cox, when he follows with some gorgeous strings of his own. Yes, Veezy and Danny bring the honey to this rose.The Swing ChannelIf you'd like more of this style of music, don't miss the free Swingin' Channel in our Radio Floodango music streaming service. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com
Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, and play Fools Rush In. In this Jazz Piano Lesson, you will:DiscoverThe Jazz standard by Fats Waller, Honeysuckle RoseLearnEssential jazz piano voicings and chord/scale relationships for Honeysuckle RosePlayA jazz piano solo for Honeysuckle Rose using classic jazz languageUse the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play Honeysuckle Rose.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to support JazzPianoSkills with a donation, you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show
This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson. Learn more about your ad choices. Visit megaphone.fm/adchoices
The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------
Known as the Gate City, Greensboro, North Carolina is a transitional town: hub of the Piedmont between the mountain high country to the west and coastal Sandhill Plains to the east, and a city defined by the people who have come, gone, and passed through over the years. As a crossroads location, it has long been a way station for many endeavors, including touring musicians - from the likes of the Rolling Stones and Jimi Hendrix at the Greensboro Coliseum, the state's largest indoor arena, to James Brown and Otis Redding at clubs like the El Rocco on the Chitlin' Circuit. Throw in the country and string band influences from the textile mill towns in the area, and the regional style of the Piedmont blues, and you've got yourself quite the musical melting pot. This historical mixture was not lost on one of Greensboro's own, Rhiannon Giddens - one of modern day Americana's ultimate crossover artists. A child of black and white parents, she grew up in the area hearing folk and country music, participating in music programs in local public schools, and eventually going on to study opera at Oberlin Conservatory in Ohio. Once she returned to North Carolina and came under the study of fiddler Joe Thompson and the Black string band tradition, she began playing folk music and forged an artistic identity steeped in classical as well as vernacular music. In this episode of Carolina Calling, we spoke with Giddens about her background in Greensboro and how growing up mixed and immersed in various cultures, in a city so informed by its history of segregation and status as a key civil rights battleground, informed her artistic interests and endeavors, musical styles, and her mission in the music industry. Subscribe to Carolina Calling to follow along as we journey across the Old North State, visiting towns like Durham, Wilmington, Shelby, Asheville, and more. Brought to you by The Bluegrass Situation and Come Hear NC Music featured in this episode: Rhiannon Giddens - "Black is the Color"Andrew Marlin - "Erie Fiddler"Carolina Chocolate Drops - "Cornbread and Butterbeans"The Rolling Stones - "Rocks Off"Count Basie and His Orchestra - "Honeysuckle Rose"Roy Harvey - "Blue Eyes"Blind Boy Fuller - Step It Up and GoRhiannon Giddens, Francesco Turrisi - "Avalon"Carolina Chocolate Drops - "Snowden's Jig (Genuine Negro Jig)"Barbara Lewis -"Hello Stranger"The O'Kaysions - "Girl Watcher"Joe and Odell Thompson - "Donna Got a Rambling Mind"Carolina Chocolate Drops - "Country Girl"Carolina Chocolate Drops - "Hit 'Em Up Style"Our Native Daughters - "Moon Meets the Sun"Rhiannon Giddens, Francesco Turrisi - "Si Dolce é'l Tormento" Cover image: Rhiannon Giddens by Ebru YildizAdvertising Inquiries: https://redcircle.com/brands
This week, with the help of Ming Chen from A Shared Universe PodcaStudio, Amy & Joe welcome Kay Harris and, for her second appearance on AP Pod, but wearing a different hat, Michelle Gladden, President and Secretary, respectively, of the of the Asbury Park Museum. The mission of the Asbury Park Museum is to re-introduce, educate and advance an understanding and appreciation of the history of the diverse, progressive, resort and urban community of Greater Asbury Park, New Jersey—the birthplace of both 3-n-1 oil and the song Honeysuckle Rose—two of the many many interesting facts that you can discover at the museum.
Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another pandemic winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Mitski. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:The Go-Go's, "Vacation," Vacation, I.R.S., 1982Mitski, "Working For the Knife," Laurel Hell, Dead Oceans, 2022Mitski, "The Only Heartbreaker," Laurel Hell, Dead Oceans, 2022Mitski, "Stay Soft," Laurel Hell, Dead Oceans, 2022Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018Kiss, "Strutter," Kiss, Casablanca, 1974
"Honeysuckle Rose" goes under the microscope on this episode of Same Difference. Join AJ and Johnny as they listen to and discuss versions by Fats Waller, Benny Carter, Patti Austin, Nat King Cole, Thelonius Monk, and new-to-us-but-definitely-not-artist Rhoda Scott!
Sintonía: "I´ve Got A New Lease On Love" - Fats Waller "You´re Laughing At Me" - "I Can´t Break The Habit Of You" - "Did Anyone Ever Tell You?" - "When Love Is Young" - "The Meanest Thing You Ever Did Was Kiss Me" - "Cryin´ Mood" - "Where Is The Sun?" - "You´ve Been Reading My Mail" - "To A Sweet Pretty Thing" - "Old Plantation" - "Spring Cleaning" - "Honeysuckle Rose" - "Blues" - "You Showed Me The Way" (Vocal) - "You Showed Me The Way" (Instrumental) - "Boo-Hoo" Todas las músicas cantadas e interpretadas al piano por Fats Waller Escuchar audio
At a recent rehearsal, we tapped Veezy Coffman to choose the last tune of the night. Without hesitation, she called for “Honeysuckle Rose.” You know, sometimes we're amazed at the affinity she has for songs that are, some of them, nearly five times older than she is. But then again, listening to her loving, lively treatment of this great old Fats Waller jazz classic affirms for us all over again that music has a lot more to do with head and heart than it does with ticks on a clock or numbers on a calendar. Ah, tell it, Veezy!
Programa 156. Dos horas entretenidas llenas de melodías, historias y anécdotas con el apartado especial dedicado a la música en los videojuegos. Count Basie – HONEYSUCKLE ROSE. EFEMÉRIDES. Frankie Laine. HIGH NOON LA MÚSICA EN LOS VIDEOJUEGOS por Carlos Esteve STREET FIGHTER II SAN TORAL Marilyn Monroe – I WANNA BE LOVED BY YOU. Cecilia. […] The post Los Tres Tenores 02/06/2021 first appeared on Ripollet Ràdio.
#OTD Jazz pianist Fats Waller, widely known for his compositions Ain't Misbehavin' and Honeysuckle Rose, was born in New York, NY.
At a very young age Laura Pearson was lured to the stage by the sparkly costumes and her love of dress up. Imagine her delight as she finds herself in the biggest production show in the world, Hello Hollywood Hello as a singer, wearing some of the most exquisite costumes ever created. It is worth listening all the way to the end of the episode to hear her sing Honeysuckle Rose. Check out the Patreon www.patreon.com/bluebellsforeverpod Follow us on Instagram and Facebook to see photos and updates www.instagram.com/bluebells_forever/ www.facebook.com/Bluebells-Forever-100660515010096
Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This one's a wild journey with guest Carlos Valladares, a critic and Yale graduate scholar. Carlos is working on a project about the director Jerry Schatzberg, so our conversation starts with his films Scarecrow and Honeysuckle Rose. Then it's off to the races: Alain Resnais's Je t'Aime, Je t'Aime; Looney Tunes; the late Joan Micklin Silver; Kevin Jerome Everson's Park Lanes; and Bill Gunn's great lost studio film, Stop! For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass
This week we welcome, star of The Grand Ole Opry, Jeannie Seely! On the night of September 16, 1967, Jeannie Seely marked an important milestone in her music career by joining the world-famous Grand Ole Opry. The distinctive-voiced lady referred to as “Miss Country Soul” became the first Pennsylvania native to become an Opry member. Today Jeannie makes clear that it's still a thrill and an honor each time she performs on the Opry stage. "I feel very fortunate to be part of the Opry tradition," the Grammy-winning singer says, "and I truly am indebted to all the wonderful fans who have supported me over the years.” Jeannie Seely is among a select group of country artists who have scored chart- topping hits as a solo artist, as a duet partner, and as a songwriter. Born on July 6, 1940, in Titusville, Pennsylvania – the town where the world’s very first oil well was drilled in 1859 – Jeannie grew up as the youngest of Leo and Irene Seely's four children. The family's two-story farmhouse still stands along a dirt road outside of nearby Townville, a community of about 300 folks located in the northwestern corner of the Keystone State. Jeannie's interest in music was influenced strongly by her parents. Leo Seely worked hard on the family's farm and at a Titusville steel mill, but found time on weekends to play the banjo and call local square dances. Irene Seely would sing with her daughter every Saturday morning while the two baked bread together. “I grew up in a time when all the neighbors gathered together to help each other get the hay in and that kind of thing,” recalls Jeannie. “It seemed like everybody back in the country played guitars and fiddles, and when we got together there was always pickin’ and singin’.” When she was barely tall enough to reach the dial on her family's big Philco console radio, Jeannie was tuning in the Grand Ole Opry on station WSM 650. At age 11, she began singing for a Saturday morning radio show on Meadville station WMGW. "I can still remember standing on a stack of wooden soda cases because I wasn't tall enough to reach the unadjustable microphones," she laughs. By age 16, Jeannie was performing on television station WICU in Erie. Jeannie recalls many Saturday nights as a teenager when she would sit in her family's car, eat popcorn and listen to the Grand Ole Opry while her parents played cards at the homes of friends. "I also remember looking forward to attending country music shows at a place near Franklin called Hillbilly Park," says Jeannie. “They would do an afternoon and an evening show. Mother would bake a chicken and fix up a picnic basket, and we’d just go there and spend the whole day and the evening. I was always on the ground right in front of the front row, looking up at the stage.” At Hillbilly Park Jeannie had the opportunity to see performers like Bill Monroe and Ralph Stanley, as well as Josh Graves who would later play on her Life’s Highway CD. "I still have the 8 by 10 photos I bought and had autographed there by stars like Jean Shepard, Little Jimmy Dickens, and Wilma Lee and Stoney Cooper," she proudly notes. “I’ve been very blessed to later become friends with these Opry legends.” A cheerleader, majorette, and honor student while attending Townville High School, Jeannie sang at local amateur contests and began performing at weekend dances throughout northwestern Pennsylvania. "Back then a lot of people made fun of me because I sang country," she admits today. "In those days calling somebody 'country' was actually a put-down." Jeannie remembers how the residents of tiny Townville didn't believe that anyone, especially a female, could make a living by singing or writing songs. "Some people didn't even think it was right for a girl to be singing with a band at dances,” she remembers. Following high school graduation in 1958, Jeannie worked for three years at the Titusville Trust Company. Initially hired as a stenographer at the bank, she was later promoted to a secretarial position for the bank's auditor. During this period Jeannie continued her education by completing night classes that were conducted by the American Institute of Banking in Oil City. "Those courses in subjects like business finance and law were beneficial even later in my music career," Jeannie says. Both the local and national American Institute of Banking organizations have since made Jeannie an honorary lifetime member for her efforts in promoting the name and spirit of the organization. According to Jeannie, it was the weather conditions one Sunday morning on a country back road that finalized her decision to move to California. "It was Easter, and I got my car stuck in a snow bank," she chuckles. "I had to walk the whole way home in my new dress to get my Dad's help. I decided right then and there that I was ready to make a change." At age 21, Jeannie packed everything she could into her car, shipped the rest to "General Delivery, Los Angeles", and headed west. She initially took a job at a Beverly Hills bank, but left it after a year to take a secretarial position for half the money at Liberty and Imperial Records in Hollywood. With a foot in the door of the music business, she began writing songs for Four Star Music and became a regular act, along with an unknown Glen Campbell, on the "Hollywood Jamboree" television series. Rhythm and blues artist Irma Thomas recorded a composition by Jeannie titled "Anyone Who Knows What Love Is" and scored a national pop and R&B hit with it. Jeannie's songwriting led to her own recording contract on Challenge Records. A couple regional hits and a West Coast tour resulted, but unfortunately she received no national attention. A young songwriter visiting California named Hank Cochran was impressed with Jeannie's talent and suggested she move to Nashville. Jeannie, however, didn't think she was ready. Upon the encouragement of singer Dottie West who recorded one of her songs, Jeannie finally moved to Nashville in the fall of 1965. "When I arrived in town, I only had $50 and a Ford Falcon to my name," she recalls. "Within a month though, Porter Wagoner hired me to replace Norma Jean as the female singer for his road show and syndicated television series." Initially turned down by every record label in town, Jeannie finally got the big break she needed when a recording contract was offered by Monument Records. She went in the studio and recorded a Hank Cochran ballad titled "Don't Touch Me" on March 12, 1966. Within only a few weeks the song debuted on the country music charts where it stayed for over five months. Although it held at the No. 2 position for three weeks on Billboard, the record went to No. 1 on all the other major charts, including Cashbox and Record World. It was also a crossover hit on the national pop charts. Today "Don't Touch Me" is considered a standard in country music. Jeannie’s recording of the song is ranked at No. 97 in the book titled Heartaches By the Number: Country Music's 500 Greatest Singles written by David Cantwell and Bill Friskics-Warren. The book, released in 2003, was published by the Vanderbilt University Press and the Country Music Foundation Press. “Don’t Touch Me” is also included in The Stories Behind Country Music’s All-Time Greatest 100 Songs written by Ace Collins and published by Boulevard Books. The author writes, “Cochran’s ‘Don’t Touch Me’ has stood the test of time like few other works. Hauntingly beautiful, poetry set to meter, this composition merits particular praise for the exquisite manner in which it relates its story of love, doubt, and commitment.” The book describes how Buck Owens desperately wanted the song that Jeannie ultimately recorded and made a hit. Country versions of “Don’t Touch Me” have been recorded by Don Gibson, Tammy Wynette, George Jones, Lorrie Morgan, Ray Price, Lynn Anderson, Eddy Arnold, Barbara Mandrell, Roy Clark, Jack Greene, Dottie West, and many others (but none were charted singles). The popularity of “Don’t Touch Me” has crossed all musical styles – Etta James recorded a rhythm and blues version, Carolyn Hester a folk version, Bettye Swann a soul version, and Eleni Mandell a pop version. A reggae version was even recorded by Nicky Thomas. In June of 1966 Jeannie was invited to make her first guest appearance on the Grand Ole Opry. She received "Most Promising New Artist" awards that same year from all the national trade publications including Billboard, Cashbox, and Record World, as well as from polls of country music fans and radio DJs across the country. On March 2, 1967, the National Academy of Recording Arts & Sciences honored Jeannie with the 1966 Grammy Award for the "Best Country Vocal Performance by a Female". Edging out friends and fellow nominees Loretta Lynn (“Don’t Come Home A Drinkin’”), Dottie West (“Would You Hold It Against Me”), Connie Smith (“Ain’t Had No Loving”), and Jan Howard (“Evil On your Mind”), Jeannie Seely became only the third female country artist to receive the coveted Grammy. She accepted her award from Chet Atkins. With a successful breakthrough hit, Jeannie found herself traveling from coast to coast for concert appearances. The new demands forced her to leave Porter Wagoner's show – and today Jeannie jokes that she was replaced by friend Dolly Parton because Dolly’s ‘hits’ were bigger. New opportunities for Jeannie included many concert and television appearances with the legendary Ernest Tubb. On the liner notes for one of Jeannie's early albums, the legendary Tubb wrote, "She puts heart and soul into every ballad she sings. Whether a new song or an old one, when Jeannie sings it, it becomes 'Jeannie's song'." In September of 1967, Jeannie fulfilled her lifelong dream by joining the Grand Ole Opry. She remembers her Opry induction, attended by her parents from Pennsylvania, as "a very emotional night." "I started crying," she recalls, "and then I encored and that was even worse." Often referred to as the "Mother Church of Country Music", the Ryman Auditorium in downtown Nashville was home to the Opry when Jeannie became a member. Although hot in the summer and drafty in the winter, Jeannie says the Ryman had a magic all its own. She fondly recalls sharing a crowded dressing room, which was actually the ladies restroom, with fellow performers like Minnie Pearl and Barbara Mandrell (who today lists Jeannie as one of her major influences). After 31 years at the Ryman, the Grand Ole Opry moved on March 16, 1974, to the new 4,400 seat Opry House on the grounds of the Opryland theme park. At the much- publicized grand opening show which was broadcast on over 1,300 radio stations worldwide, special guest President Richard Nixon told the audience, "Some girls have looks but can't sing. Others can sing but don't have looks. Jeannie Seely's got them both." That quote subsequently appeared in newspapers across the country. Known throughout her career as an individualist, as well as for her infectious humor, Jeannie Seely is widely recognized for changing the image of female country performers. Jeannie is in fact credited for breaking the "calico curtain" by being the first woman to wear a mini-skirt on the Grand Ole Opry stage. "I really didn't think anything of it at the time, but it did cause quite a stir," she laughs. "The Opry manager even called me into his office." In their book Finding Her Voice: The Saga of Women in Country Music, authors Mary Bufwack and Robert Oermann wrote, "Jeannie's frank talk, striking intelligence, free- spirited life-style, and deeply moving vocals have long set her apart from most female country stars. When she arrived in Nashville in 1965, women were still expected to portray the submissive country sweetheart. Jeannie blazed a nonconformist trail from the moment she hit the Opry in her miniskirt...." A string of hit records in the late '60's and early '70's solidified Jeannie's reputation as a country torch singer and earned her the nickname of "Miss Country Soul", a title still frequently used today. Country Music Hall of Fame member Marty Robbins once said, "Jeannie Seely is one of the great stylists of our time." When at home, Jeannie made frequent guest appearances on television shows like "Hee Haw" and “That Nashville Music”. On March 22, 1970, Jeannie was a featured guest on "Glen Campbell's Goodtime Hour" on CBS-TV. Working with distinguished producers like Fred Foster and Owen Bradley, the blonde, blue-eyed singer recorded more than a dozen albums and over two dozen singles on the Monument, Decca, MCA, and Columbia labels. Jeannie placed singles on Billboard's national country music charts for 13 consecutive years from 1966 through 1978. Among over two dozen hits were "It's Only Love,” "A Wanderin' Man,” "I'll Love You More,” "He Can Be Mine,” "Welcome Home To Nothing,” "Little Things,” "Farm in Pennsyltucky,” and "When It's Over.” In 1973 Jeannie transformed the hobo lament "Can I Sleep In Your Barn Tonight Mister?" into the top ten hit "Can I Sleep In Your Arms?". The following year she adapted the Appalachian ballad "Come All You Fair And Tender Ladies" into another hit single titled "Lucky Ladies.” For two years Jeannie served as a radio disc jockey on her own Armed Forces Network Show, and for several months she traveled on military tours throughout Europe and Asia. Upon returning from an overseas tour, Jeannie noted during an Opry performance that there was no U.S. flag — a patriotic symbol that she was accustomed to seeing. There has been an American flag displayed on the Opry stage ever since. A 1969 duet recorded with fellow Opry member Jack Greene titled "Wish I Didn't Have to Miss You" went to No. 1 on the charts and launched one of the most successful duos and road shows in country music history. Nominated for numerous Country Music Association (CMA) awards and a Grammy, Jack Greene and Jeannie Seely toured together for over ten years, performing everywhere from New York's Madison Square Garden to London's Wembley Arena. The duo changed the format of “package shows” and were considered forerunners in opening doors and bringing country music to wider audiences around the world. Through a special invitation from the White House they were named Goodwill Ambassadors to the annual United Nations Concert. A long list of artists – including Dottie West, Norma Jean, Tex Williams, Lorrie Morgan, Jack Greene, Chris LeDoux, Doyle Lawson, and Hank Williams, Jr. – have recorded compositions written by Jeannie. In 1972, Faron Young took “Leavin’ And Sayin’ Goodbye” to the No. 1 position, earning Jeannie a BMI Songwriter’s Award. In addition to Faron Young, other Country Music Hall of Fame members have recorded Jeannie’s songs – including Merle Haggard, Ray Price, Willie Nelson, Little Jimmy Dickens, Ernest Tubb, Grandpa Jones, and Connie Smith. The lyrics to one of Jeannie’s songs was used for a Hallmark greeting card. For several years Jeannie was married to Hank Cochran, the writer of such songs as “Make The World Go Away.” “She’s Got You,” “I Fall To Pieces,” “The Chair,” and “Ocean Front Property.” The marriage – the first for Jeannie but the fourth for Hank – finally ended in a divorce. In 1977 the career of Jeannie Seely almost ended abruptly when she was involved in a near fatal automobile accident that left her with serious multiple injuries. "You know, it sounds like a cliche, but it's true that your perspective changes when you have a close call," she reflects. "What you took for granted you come to appreciate more." It was with the help and support of best friend Dottie West that Jeannie was able to recover and get back on her feet. Ironically, Dottie West's death in 1991 was due to injuries she suffered in an automobile accident while en route to the Opry. "I still think about Dottie all the time and miss her very much," says Jeannie. In 1995 she served as a consultant for the CBS television movie about Dottie’s life titled Big Dreams and Broken Hearts: The Dottie West Story. Jeannie was portrayed in the movie by actress Cathy Worthington. In the early 80's, Jeannie performed as the opening act for friend Willie Nelson's concert dates across the country. She also appeared in Willie's successful Honeysuckle Rose movie and sang on the soundtrack recording, a contribution which earned her a platinum album. Jeannie became the first female artist to regularly host half-hour segments of the Grand Ole Opry. Those hosting duties actually began on January 19, 1985, when she was called upon as a last minute replacement for Del Reeves, the scheduled host, who was caught in a rare Nashville snowstorm. During the late 80's Jeannie starred in several major stage productions. She played Jean Shepard’s daughter and Lorrie Morgan’s mother in the 1986 country musical called Takin' It Home. In 1988 she portrayed "Miss Mona" in a sold-out run of The Best Little Whorehouse in Texas, and the following year took a nonmusical role as the title character in Everybody Loves Opal. In 1988 Jeannie published her own book, Pieces of a Puzzled Mind, containing a collection of Jeannie's unique witticisms. The popular book was out of print for several years, but Jeannie republished the book in 2012. Also known as "Seely-isms" around Nashville, Jeannie notes that many of the sayings actually began as song titles or opening lines. “County music has made so many of my dreams come true,” Jeannie wrote in the book, “I just wish someone would have warned me about the nightmares.” One of the most popular quotes from the book is “You don’t have to kiss anyone’s a-- in this world, but sometimes it’s best to bend a little bit and make ‘em think you’re goin’ to.” Jeannie portrayed lead singer Danny Shirley’s mother in Confederate Railroad’s 1993 chart-topping music video for the song “Trashy Women”. She also was featured in a video shot at Dollywood for the song “Wrapped Around” by fellow Opry member Brad Paisley who took Jeannie as his date to the 2000 CMA Awards Show. Ironically, the video was shown during Brad’s performance on the 2001 CMA Awards Show – and Jeannie could be seen in the video clip. Throughout the 80’s and 90’s, Jeannie appeared frequently on shows like “Nashville Now,” “Crook and Chase,” “Music City Tonight,” “Grand Ole Opry Live,” “You Can Be A Star,” “Family Feud,” and “Prime Time Country.” She served as a regular host of “Opry Backstage,” interviewing everyone from new and upcoming acts to superstars like Garth Brooks. County artist Lorrie Morgan recorded a song co-written by Jeannie titled "I've Enjoyed As Much Of This As I Can Stand" for her 1997 album Shakin' Things Up. Lorrie has credited Jeannie as being a major influence in her career and often refers to the Opry cohort as her "second mom.” Lorrie’s father, the late George Morgan, was an Opry star who became a close friend of Jeannie’s. “I admire Lorrie not only for her musical talent, but because she also inherited that wonderful sense of humor that her dad had,” notes Jeannie. “I don’t take lightly the fact that I was fortunate enough to know people like George Morgan, to work with him, and then to go on and become friends and work with his daughter. That’s pretty amazing.” Together Jeannie and Lorrie sang George’s hit “Candy Kisses” for an Opry anniversary special televised on CBS. According to Jeannie, recent years have been some of the busiest years of her career. Nashville music critic Robert K. Oermann wrote in his 2003 book Finding Her Voice: Women In Country Music, "With her chin-out, tough/tender, heart-of-gold manner, Jeannie Seely remains one of country's most completely modern female personalities." Jeannie has entertained on several cruise ships, including the week-long Grand Ole Opry cruises, and for several summers she performed at the Dollywood theme park. She’salso been part of a successful overseas tour with the "Grand Ladies of the Grand Ole Opry,” Jeannie performed on extensive tours of Ireland in both 2008 and 2009. Jeannie continues to enjoy acting and for three months in 2000 she portrayed the role of Louise Seger during a successful run of the Always, Patsy Cline musical in Atlantic City. Along with friends Jan Howard and Rita Coolidge, Jeannie filmed the heart-warming motion picture Changing Hearts in late 2001. The movie, which featured Faye Dunaway, Lauren Holly, Tom Skerritt, and Ian Somerhalder, is now available on DVD and VHS. Jeannie portrays a comical role as a do-good Women’s Baptist League hospital volunteer named Mrs. Shelby. Proceeds from the movie help non-profit organizations dedicated to cancer research, education and support. From 2004 to 2007, Jeannie and fellow country singer Helen Cornelius starred in successful runs of the musical production Count It Be Love, including a performance at the historic Ryman Auditorium. In February 2005, Jeannie was featured in a Nashville performance of The Vagina Monologues with fellow entertainers Pam Tillis and Kathy Mattea. Among the many honors and accolades that Jeannie has received is the 2000 induction to the North America Country Music Hall of Fame. In 2003 she was honored with induction into the George D. Hay Music Hall of Fame located in Mammoth Spring, Arkansas. Jeannie also received the 2003 Legend Award from Bluebird Country News. In 2006 Jeannie received the Songwriter of the Year Award from the R.O.P.E. (Reunion of Professional Entertainers) organization. In 2007 she received R.O.P.E.’s Entertainer of the Year Award. In 2009 Jeannie was honored with the prestigious Colonel Aide-de-Camp Award presented by Tennessee Governor Phil Bredesen. The award recognizes citizens for meritorious public service with the distinction of being included in the Honorable Order of Tennessee Colonels. Also in 2009, an interview conducted by Rik Paleri with Jeannie at the Grand Ole Opry for Rik’s “Songwriters Notebook” television show was permanently entered into the archives of the Library of Congress in Washington, DC. Re-released on CD format, Jeannie Seely's Greatest Hits On Monument continues to receive strong praise, including a review in the All Music Guide To Country. Jeannie’s music projects in recent years include a 23-song anthology CD called Personal, an album or traditional holiday songs titled Number One Christmas and a collection of standards, fan favorites, and duets appropriately labeled Been There, Sung That. In 2001 Jeannie sang with fellow Opry member Ralph Stanley on Clinch Mountain Sweethearts which received an International Bluegrass Music Association Award for “Recorded Event of the Year”, as well as a Grammy nomination for “Bluegrass Album of the Year”. In addition to her own recordings, Jeannie’s vocals can be found on over 75 additional compilation albums and CDs.Her vocals on the Janis Joplin hit “Piece Of My Heart” appear on Bluegrass Goes To Town: Pop Songs Bluegrass Style released in April of 2002. In the fall of 2003 Jeannie released her own acoustic and bluegrass project on OMS Records titled Life’s Highway. The album features musicians Josh Graves, Glen Duncan, Steve Wariner, Jesse McReynolds, and Buck White – as well as harmony vocals from Charlie Louvin, the Osborne Brothers, and the Whites. Country Weekly magazine reviewed the CD and wrote, “Life’s Highway is one of the year’s most welcome surprises – a thoughtful, inventive acoustic winner that’s a much- needed slap in the face for anyone who might have forgotten how Jeannie earned her gig as one of the friendliest faces on the Grand Ole Opry. Jeannie simply owns these 13 tracks...” The recording career of Jeannie Seely spanned six decades with the early 2011 release of a new CD titled Vintage Country which is available on Jeannie’s website and at select retail and online outlets. In 2017, Jeannie’s long-awaited new album Written In Song became available in select stores, through digital retailers, and on her website. The 14-track album contains original songs recorded by artists like Merle Haggard (“Life of a Rodeo Cowboy), Dottie West (“He’s All I Need”), Ernest Tubb (“Sometimes I Do”), Willie Nelson (“Senses”) and several more. Written In Song topped the list of CMT’s ‘New Albums in the New Year,’ and The Boot’s ‘Most Anticipated Albums’ and it continues to receive great reviews: She is “Miss Country Soul,” a beloved member of the Grand Ole Opry, a country icon and a Pennsylvania hit-maker well before Taylor Swift was born... Seely’s latest album WRITTEN IN SONG features 14 updated timeless classics she has written and co-written. -CMT.com, Lauren Tingle Jeannie Seely proves that her songs and her voice are as great as they ever were on this fantastic new album. -Roughstock, Matt Bjorke The country music singer has written songs for numerous artists and it’s refreshing to hear her voice along with her very own take and production on these songs. These are, after all, her songs to sing and she certainly has the vocal prowess to do so! -Backstage Axxess, Dee Haley Jeannie Seely soars on her new album, Written in Song. "Miss Country Soul" is back stronger than ever. There is a variety on her latest musical effort. It garners an A rating. -Digital Journal, Markos Papadatos Jeannie brought back the traditional country sound that fans have been longing for on Written In Song. Tracks include “Leavin’ & Sayin’ Goodbye” featuring special guests Kenny and Tess Sears, “Senses” with guests Connie Smith and Marty Stuart and “We’re Still Hangin’ In There Ain’t We Jessi” with Jan Howard and Jessi Colter. Written In Song is distributed by Smith Music Group. “Written In Song is such an exciting project for me for many reasons,” states Seely. “It consists of 14 songs that I have written over the years, most of them recorded by my peers and my heroes. It’s also very rewarding to know that these songs have stood the test of time and are just as viable today. I am extremely grateful to the musicians and singers who made them sound brand new.” For the past three decades Jeannie has lived close to the Grand Ole Opry in a quaint and comfortable home along the Cumberland River that she renovated and decorated herself. A major setback occurred in May 2010 when Jeannie lost her home, car and personal belongings in the devastating Nashville flood. Jeannie decided to rebuild her home and returned to it around the same time the Grand Ole Opry returned to the Opry House, her second home, which was also damaged. On November 20, 2010, Jeannie married Nashville attorney Gene Ward. Jeannie routinely performs at benefit shows for a wide variety of charities and causes. She has served as the co-host for the annual awards program for SOURCE, a nonprofit organization seeking to unify women executives and professionals that work in all facets of the Nashville music industry. Jeannie is proud to serve as a longtime spokesperson for the Humane Society by recording public service announcements and by serving as a HSUS “Special Friend” involved in supporting their animal protection programs. Jeannie is actively involved in numerous other organizations and causes such as the Opry Trust Fund (which provides financial assistance to needy individuals in the country music industry) and R.O.P.E. (Reunion Of Professional Entertainers). In April 2017, the Pennsylvania House of Representatives unanimously approved House Resolution 259 honoring Jeannie Seely on her 50th anniversary as a member of the Grand Ole Opry. In accepting the honor Jeannie noted, “Never have I been more proud of my heritage than I was today. It is my hope that I will always represent Pennsylvania in a manner that would make them proud of their native daughter, and I thank them for this distinguished honor.” Jeannie will be honored by the Nashville Association of Talent Directors (NATD) at their 7th Annual NATD Honors Gala scheduled for November 14, 2017, at the Hermitage Hotel. NATD has been a vital part of the Nashville Music Business Community by professionally representing, directing, and promoting the entertainment industry through its members. When not booked on concert dates out of town, Jeannie performs weekly on the Grand Ole Opry’s shows. She frequently hosts the Ernest Tubb Midnite Jamboree, appears on RFD television shows and specials, and has been featured in the Family Reunion TV and DVD tapings. Jeannie will be one of the featured performers on the Country Music Cruise that will set sail in February of 2018. Looking to the future of the Grand Ole Opry, Jeannie hopes for a peaceful coexistence of the old and the new. “I like adding the new talent to the Opry, but I don’t want them to ever change the Opry to where it becomes just another concert venue,” she states. “I like seeing the new artists, but value that tradition also and the uniqueness of it. And the music and all should change and will change. It always has.” “Hopefully, I will see a future of doing pretty much what I have done in the past,” explains Jeannie. “I want to keep doing personal appearances and shows and what I’ve been so blessed to be able to do in my life. I want to be anywhere they ask me to be. There are plenty of life’s highways I want to travel. I’m not done yet.” Jeannie notes, “I want to extend a huge ‘thanks’ to all of you who have been on my bandwagon for such a long time. To those of you just joining us, I hope the ride’s not over - so welcome aboard - and hang on!” Fans can write to Jeannie Seely in care of the Grand Ole Opry, 2804 Opryland Drive, Nashville, TN 37214. Jeannie’s website can be found at www.JeannieSeely.com, and Jeannie maintains a Facebook page at www.Facebook.com/JeannieSeely.
Sintonía: "Carolina Shout" - Fats Waller "Black Maria" - "Mighty Fine" - "The Moon is Low" - "The Moon is Low - Part 2" - "Old Grand Dad" - "Fat and Greasy" - "Square for Delaware" - "You Run Your Mouth, I´ll Run My Business" - "Send Me Jackson" - "Eep, Ipe, Wanna Piece of Pie" - "Stop Pretending" - "My Mommy Sent Me To The Store" - "Dry Bones" - "Georgia on my Mind" - "Rockin´ Chair" - "Honeysuckle Rose" Todas las canciones cantadas e interpretadas al piano (u órgano) por Fats Waller. Escuchar audio
Quizmasters Lee and Marc are joined by Seth to ask, suss and answer a general knowledge quiz with topics including U.S. History, Geography, Famous Books and Authors, Secret Identities, German Language, Classic Television, Cereal Mascots, Football, Classic Films, Birds, Musical Instruments, World War II, Song Copycats and more! Introduction U.S. HISTORY - What was Malcolm X’s last name? Round One GEOGRAPHY - Sometimes referred to as “The Heart of America”, which city’s name is believed to come from an Ojibwa word for a type of wild onion or skunk? FAMOUS BOOKS - “Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed” is the opening line of what novel? SECRET IDENTITIES - What superhero, first appearing in 1980, is also known as Princess Koriand’r? GERMAN LANGUAGE - What movie character’s mononymous name translates “terror” or “fright” in German? CLASSIC TELEVISION - Which Mississippi born author had two works, A Fable (in 1954), and his last novel, The Reivers (in 1962), win the Pulitzer Prizes for fiction? FAMOUS AUTHORS - Which Mississippi born author had two works, A Fable (in 1954), and his last novel, The Reivers (in 1962), win the Pulitzer Prizes for fiction? Round Two CEREAL MASCOTS - Bob, Quello and Wendell were three animated bakers that were the mascots for what cereal? FOOTBALL - Terry Bradshaw was a quarterback for the Pittsburgh Steelers in the 1970’s; how many Super Bowl rings does he have? MOVIE SOUNDTRACKS - What song by Willie Nelson debuted on the soundtrack of the 1980 film Honeysuckle Rose, which starred the singer-songwriter? MEASUREMENTS - The Modified Mercalli Scale (also known as the M.M. Scale) of 1931 is used to measure what? PRIVATE JET OWNERSHIP - In 2017, the United States led the world in private jet ownership; who was second? BIRDS - Which family of birds, which includes the Allen’s, Anna’s and Costa’s species, uses its tongue as an elastic micropump to feed? Rate My Question MUSICAL INSTRUMENTS - The Jackyl song "The Lumberjack" features a solo from a rather unorthodox musical instrument. What is that instrument? - submitted by Aaron Dyer Final Questions WORLD WAR II - In World War II, Germany had an exclave that was called what? CLASSIC FILMS - After a settlement acknowledged a likeness to “Standing in the Shadows of Love” by the Four Tops, Motown songwriting team Holland-Dozier-Holland are credited as co-writers on a 1990 hit for which song by Aerosmith? SONG COPYCATS - After a settlement acknowledged a likeness to “Standing in the Shadows of Love” by the Four Tops, Motown songwriting team Holland-Dozier-Holland are credited as co-writers on a 1990 hit for which song by Aerosmith? Upcoming LIVE Know Nonsense Trivia Challenges September 24th, 2020 - Know Nonsense Trivia Challenge - Live on Twitch 8pm - 10pm EDT You can find out more information about that and all of our live events online at KnowNonsenseTrivia.com All of the Know Nonsense events are free to play and you can win prizes after every round. Thank you Thanks to our supporters on Patreon. Thank you, Quizdaddies – Dylan, Tommy (The Electric Mud) and Tim (Pat's Garden Service) Thank you, Team Captains – Shaun, Lydia, Gil, David, Rachael, Aaron, Kristen & Fletcher Thank you, Proverbial Lightkeepers – Lisa, Alex, Jenny, Logan, Spencer, Kaitlynn, Manu, Mo, Matthew, Luc, Hank, Justin, Cooper, Elyse, Sarah, Karly, Kristopher, Josh, Lucas and Max Thank you, Rumplesnailtskins – Kevin and Sara, Tiffany, Allison, Paige, We Do Stuff, Mike S. ,Kenya, Jeff, Eric, Steven, Efren, Mike J., Mike C. If you'd like to support the podcast and gain access to bonus content, please visit http://theknowno.com and click "Support." Special Guest: Seth.
1 - Partita Nº1 in B-flat: Prelude (J. S. Bach) - Rosita Renard Carnegie Hall Concert - 19492 - Partita Nº1 in B-flat: Allemande (J. S. Bach) - Rosita Renard Carnegie Hall Concert – 19493 - Bach Goes to Town (J. S. Bach/Templeton) - Alec Templeton - 19384 - Bach Goes to Town (J. S. Bach/Templeton) - Benny Goodman and his Orchestra – 19385 - Gavotte in D Major (J. S. Bach) - Yoichi Hiraoka and Vladimir Brenner – 19406 - Concerto in D Major (Vivaldi/ Arr J. S. Bach) (Larghetto) - Wanda Landowska - 19487 - Concerto in D Major (Vivaldi/ Arr J. S. Bach) (Allegretto) - Wanda Landowska – 19488 - Honeysuckle Rose a la Bach, Beethoven and Brahms (Waller) - Fats Waller – 19349 - Two Part Invention in A Minor (J. S. Bach/Scott) - Hazel Scott – 194010 - Prelude and Fugue in C Major (J. S. Bach) - Wanda Landowska - 194911 - Ave Maria (J. S. Bach/Gounod) - John McCormack and Fritz Kreisler – 191412 - Little Fugue in G Minor (J. S. Bach/Samaroff) - Olga Samaroff - 193113 - Little Fugue in G Minor for Two Pianos - Ethel Bartlett and Rae Robertson – 194714 - Bach Up to Me (Waller) - Fats Waller and his Rhythm – 193615 - Bach Bay Blues - New Friends of Rhythm – 193916 - Fugue in G Minor, BWV 542 (J. S. Bach) - Albert Schweitzer – 1935
durée : 01:30:00 - Les Nuits de France Culture - par : Philippe Garbit, Albane Penaranda, Mathilde Wagman - "Ain't Misbehavin", "Black and Blue" ou encore "Honeysuckle Rose"... leur compositeur, le pianiste Fats Waller était le sujet des "Nuits magnétiques" le 19 mars 1981. Des témoignages et une biographie radiophonique illustrés par de larges extraits musicaux de swing et de jazz. - réalisation : Virginie Mourthé
Review by Quentin Tarantino
Host of the What's Your Excuse? Show, Check out our Koffee ☕️Chat w/ Max! Website: www.theblindblogger.net To support content creation on the KoffeeSipsTea podcast buy me a cup of ☕️ coffee go to buymeacoffee.com/KoffeeSipsTea or https://ko-fi.com/koffeesipstea To book a “HA! Session” ☕️ to enhance your creativity go to TakeLessons.com/profile/ny-y You're also welcome to purchase a gift certificate for someone else! Speak to one of the student counselors by calling 877-231-8505. See more at https://takelessons.com/gift Not ready to sign up and want to learn more? To book an introductory 30 min free session https://calendly.com/hasessions12/intro-to-ha --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Empezamos con una comparación entre el Harlem stride y el boogie woogie. El boogie woogie centrado en Chicago, con orígenes en Texas, Kansas, Memphis. Meade Lux Lewis, Albert Ammons, Pete Johnson, Otis Spann sus principales exponentes. El gordo Waller, Fats: compositor extraordinario (Handful of keys, Ain't misbehavin' Honeysuckle Rose y más de 400 temas en solo 39 años de vida, sin contar los que le robaron o mal vendió). Pianista vibrante, exquisito, organista, cantante y showman. Primer vals jazzístico, el Jitterbug Waltz. Chismes: toca en el cumpleaños de Capone. Las “primas” del gordo. Y saben en qué coinciden Sir Edward Elgar, Fats Waller, The Beatles y Pink Floyd?
We’ve been playing around with Fats Waller’s “Honeysuckle Rose” for more than a decade now and, it’s funny, but just when we think we've got it nailed down, the band’s membership changes and we have to start all over. Here’s a fun moment from a Flood rehearsal back in February. You’ll hear the track start out with Charlie talking to our new bass player, Paul Callicoat, about how we approach the song. Then as we launch into it, you’ll hear Doug say he can’t remember his part, and Charlie assuring him he’ll think of something. And of course, he does. Things start really rocking when Michelle comes in with her high, cool vocal lead. Meanwhile, Vanessa Coffman has been taking all this in, so when we call for a little saxophone about midway through the tune, Veezy’s ready with a couple tasty choruses. Oh, be sure to hang around for Doug’s comment at the end. Hey, it’s all in an evening’s work/fun in The Flood house.
Armed Forces Radio - 1943 broadcast of "GI-Jive" hosted by Martha Wilkerson (Photo) aka "GI-Jill" - This program was dedicated to the United States Navy. Artists and Name of Songs in order of appearance: Benny Goodman Trio: "Honeysuckle Rose" / Skinnay Ennis Orch: "Bugle Call Rag" / Bing Crosby & Trudy Erwin: "Oh! What A Beautiful Mornin' " / Glen Gray Orch: "Birmingham Special". This and more shows like it can be found in the "GI-Jive GI-Jill" Playlist on this podcast. Heirloom Radio... A different kind of oldies program.
TVC 478.2: Ed welcomes Golden Globe Award-winning and three-time Oscar nominee Dyan Cannon (Heaven Can Wait, Bob & Carol & Ted & Alice, Honeysuckle Rose, The Last of Sheila). Topics include playing Judge “Whipper” Cone on Ally McBeal, working with Crystal Hunt on the Pure Flix comedy series Mood Swings, and Dyan’s background in music, which includes adapting her best-selling memoir, Dear Cary, as a musical. Dyan Cannon and Richard Benjamin appeared at the Egyptian Theatre in Hollywood on Sunday, January 26 following a special screening of The Last of Sheila (1973), the clever murder mystery also starring James Mason, James Coburn, and Raquel Welch that has also been cited as the inspiration for the contemporary whodunit Knives Out. Learn more about your ad choices. Visit megaphone.fm/adchoices
High-Dollar Hoedown Double Feature Our first feature finds a country singer on the cusp of stardom. But does breaking big onstage mean breaking up his family? Pull up a bale of hay, partner! Let's watch Honeysuckle Rose. Then... We'll rattle off a second feature about another honky tonk man who'll either live out his country songs or die tryin'. Bring your lighters for The Night the Lights Went Out In Georgia. ___________________________________________ Have a movie request? A compliment about our delicious snack bar treats, our (mostly) friendly staff and our spotless restrooms? Don't bother filling out a comment card. (Lucy throws those away.) Connect with us via: Twitter: https://twitter.com/AllNightDriveIn Instagram: @allnightdrivein Facebook: https://www.facebook.com/TheAllNightDriveInPictureShow/ E-mail: Allnightdriveinpictureshow@gmail.com Join us every two weeks for another double feature under the stars by subscribing, reviewing, and rating the show on Apple Podcasts, Stitcher, or your favorite podcatcher, or check out The All-Night Drive-In Picture Show YouTube page. We appreciate your patronage! Please hang up your speaker before leaving. Drive safely!
There are lots of famous big band leaders, but did you know that some of them were women? In this episode, we'll hear five songs by the women who led the bands. The songs are "Traveling Blues" by Lovie Austin And Her Blues Serenaders, "Last Dollar" by Blanche Calloway and Her Orchestra, "Georgia's Gorgeous Gal" by Ina Ray Hutton and Her Melodears, "Honeysuckle Rose" by Mildred Bailey And Her Alley Cats, and "Jump Children" by International Sweethearts of Rhythm.
In 1986 saxophonist Branford Marsalis released an album he titled "Royal Garden Blues". The album was well recieved and reviewed and helped solidify Branford as a musician to be rekoned with, one of my favorite tracks on the album is an original written by Branford entitled "Emanon". I recall reading or hearing somewhere that Branford titled it Emanon as an inside joke...when he couldn't think of a name for the tune, he flipped the words no and name and came up with eman on (emanon), which is no name spelled backwards. I have flipped the script on this podcast and I am back in the groove. Enjoy The Mix, Brian "Katzpheno" Phoenix featuring: Christian McBride & Inside Straight - "Brother Mister" (2009) Jason Moran (featuring: Lisa E. Harris) - "Honeysuckle Rose" (2014) The Roy Hargrove Quintet - "I'm Not So Sure" (2008) Pat Metheny - "Breakdealer" (2012) Geri Allen - "Baby, I Need Your Loving" (2013) Victor Wooten - "Ari's Eyes" (2005) Kenny Garrett - "Books & Toys" (1992) Chantale Gagne - "The Light We Need" (2010) Jose James - "Nola" (2008) Branford Marsalis - "Emanon" (1986) Yellowjackets - "Rosemary" (2011)
"We're on the air!" says an anonymous voice right at the top, and so we are, once again. Bob took a couple of weeks off-recording in Les Paul's living room for one thing (more on that later!)-but he's back on his regular broadcast for at least a couple of weeks. We get a new announcer (John Storm?) but Bob, Ray Sherman, Ralph Collier, and Jud De Naut return once again, starting off with "Sweet Georgia Brown" and then into a samba, "Tymbales" with Ralph's propulsive percussion killing it on congas. Dear Margo Powers returns once again and this time sings a lovely new ballad, "Again", with Ray doubling on organ. The quartet plays the bop version of "Honeysuckle Rose" (and listen to Ralph on vibes!). Margo comes back for "A Wonderful Guy" (Ray back to the organ) to close out our ten minute piece of beauty. Soon Bob's career takes off and he will leave the comfy confines of the radio studio behind, but don't worry: we'll have a whole new season's worth of rare recordings, outtakes, acetates, and guest appearances. Stay tuned!
Fantastic show from "Command Performance" via Armed Forces Radio Service on Feb. 7, 1946. Intro to track outlines stars that are heard in this broadcast... features Lina Romay (photo), Tommy Dorsey, Count Basie, Buddy Rich, Lionel Hampton, Artie Shaw, Illinois Jacquet, and Les Paul in an All American Jam Session - "Honeysuckle Rose"... and more! Great show.... will get your toes tappin' ... thanks for listening.
In which the Musical Man and Sweet Georgia Brown take the “A” train to visit Honeysuckle Rose. Donate today via Patreon: patreon.com/musicalmanpod / Twitter: @musicalmanpod / Podbean: musicalmanpod.podbean.com / Email: musicalmanpod@gmail.com
When Candy Opera release 45 Revolutions Per Minute on February 23rd 2018, it will be a belated introduction to a very special band sired during Liverpool's 1980s golden age which has taken almost thirty years to happen. Lovingly unearthed and compiled by Firestation Records of Berlin and available on limited edition CD and deluxe vinyl, the result is a lost gem that points to a million what-might-have-beens. When Candy Opera first appeared on the kaleidoscopic early 1980s Liverpool music scene, by rights they should have changed the world. Here was a classic four-piece, after all, steeped in the symphonic pop of Love's Forever Changes and the Beach Boys' Surf's Up. Taking such influences as a template, alongside contemporaries such as Aztec Camera, The Pale Fountains and Prefab Sprout, Candy Opera were in the throes of crafting a 1980s song-book in their own image, and the band's 1983 Honeysuckle Rose demo has become something of a holy grail. By 1985 the band had played alongside the likes of The Pogues, The Go-Betweens and The Redskins, as well as appearing on Granada TV. Reviews in NME, Sounds and Jamming magazine followed. Forming on the tough Phythian Estate in Liverpool's Kensington district in 1982 and based around the song-writing of Paul Malone, Candy Opera offered up a nouveau classicist sensibility which had seen the band listen without prejudice to The Monkees and Karen Carpenter. With assorted Candy Opera line-ups augmented at various points by baroque flourishes of clarinet, flute or violin, such a sophisticated musical palette went way beyond notions of indie-band purism to create something grander, none of which remotely fitted in with the voguish scene-setters behind shoe-gaze, baggy and brit-pop. After a decade ploughing their own stubborn furrow in various guises, despite interest from EMI and Go! Discs, Candy Opera called it a day in 1993 with only a fistful of demos to their name.
A song from Willie Nelson's Honeysuckle Rose was nominated for Best Original Song at the 53rd Academy Awards.
A collection of slow, soothing melodies to promote relaxation and inspire sleepiness. This track includes the following songs: In the Wee Small Hours of the Morning, Honeysuckle Rose, Like Someone in Love, All of Me, Let's Fall in Love, Softly as in a Morning Sunrise, Love is Just Around the Corner.
Fats Waller Piano and Organ Solos Part 2 (1940-1943) In today's VINYL VIBRATIONS podcast, I tour some early vinyl records that showcase PIANIST AND ORGANIST GREAT FATS WALLER. Many of these will be original compositions by Fats Waller . These recordings of Fats Waller are found on my Vinyl LP Record compilation of his recordings between 1929 and 1943…. PART 2 Dancing Fool, The Rarest Fats Waller Volume 4. Recorded March, 1940. Piano solo. Honeysuckle Rose (Fats Waller), ’Fat’s’ Waller and His Rhythm/Ain’t Misbehavin’, recorded 5/13/1941, 1956, RCA Victor Records. Piano solo. Ring Dem Bells, Handful of Keys, Fats Waller and His Rhythm, RCA Victor LPM-1502, 1957. Recorded May 13, 1941. Piano solo. Waller Jive, (Fats Waller) Fats Waller-Last Testament 1943, Alamac Recording Company, OSR2438 , recorded Sept 1943. Piano solo. Hallelujah, (Fats Waller) Fats Waller-Last Testament 1943, Alamac Recording Company, OSR2438 , recorded Sept 1943. Piano solo. Martinique, (Fats Waller) Fats Waller-Last Testament 1943, Alamac Recording Company, OSR2438 , recorded Sept 1943. Organ solo Sometimes I Feel Like a Motherless Child, (spiritual, c1870, US), “Fats Waller Plays, Sings and Talks” recorded Sept 23, 1943. 1956, Jazz Treasury JT-1001. Organ solo. Bouncin’ On A V-Disc, (Fats Waller) “Fats Waller Plays, Sings and Talks” recorded Sept 23, 1943, organ solo 1956, Jazz Treasury JT-1001 THOMAS WRIGHT “FATS” WALLER was borne May 21, 1904 in NYC, the youngest of 11 children. He started paying piano at age six. His father was the Reverend Edward Martin Waller and by the time Thomas Waller was 10, he had learned how to play the organ at his father’s church. At age 14, he was playing the organ at Harlem Lincoln’s Theater. Fats Waller is best known for his stride piano style. [insert sample of stride piano] . At age 15 he was a professional pianist and worked the local cabarets and theatres. Some of his original compositions are well known standards today, like Honeysuckle Rose, Ain’t Misbehavin’, Handful of Keys, Squeeze Me, Blue Turnin Grey Over You. Recordings of Fats Waller were inducted into the Grammy Hall of Fame, first in 1984, the song Honeysuckle Rose, and again in 1998 the song Ain’t Misbehavin’. TODAY We will hear piano and organ solo performances by Fats Waller from 1929, during the time of the Great Depression, and 1943, when America was deeply involved in World War II in Europe and in the Pacific.
In today's VINYL VIBRATIONS podcast, I tour some early vinyl records that showcase PIANIST AND ORGANIST GREAT FATS WALLER. There are some 360 original compositions credited to Fats Waller, so where does one start in an attempt to represent his most imortant works? These recording you will hear in this podcast are found on a vinyl LP Record compilation that were collected by my father. During my childhood, these LPs were a frequent favorite on the house Hi-Fidelity record player. FATS WALLER PART 1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. Baby Oh Where Can You Be (Music by Ted Koehler and Frank Magine), The Rarest Fats Waller Volume 2 RFW-2, Organ solo. Recorded 8/24/1929. Tanglewood, (composed by Fats Waller and Sidney Easton) The Rarest Fats Waller Volume 2 RFW-2, organ solo, recorded 8/24/1929.Handful of Keys, Handful of Keys, Fats Waller and His Rhythm, RCA Victor LPM-1502, 1957. Recorded March 1, 1929.ZSz Piano solo. Tea for Two (Music by Vincent Youmans) ’Fat’s’ Waller and His Rhythm/Ain’t Misbehavin’, recorded June, 1937 from the 1924 musical “No, No Nanette” 1956, RCA Victor Records Then You’ll Remember Me (Music by Michael William Balfe), Fats Waller Plays, Sings and Talks , 1956, Jazz Treasury JT-1001. From Balfe’s opera, The Bohemian Girl c1861-1865) recorded Nov 30, 1939. Piano solo. Electrical Transcription (ET). Sextet Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. from Lucia Di Lammermoor. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). MY HEART AT THY SWEET VOICE Fats Waller Plays, Sings and Talks, 1956, Jazz Treasury JT-1001. Recorded Nov 20, 1939. Piano solo. Electrical Transcription (ET). Today in Part 1, I will canvass solo performances of Fats Waller of his recordings between 1929 and 1939, when he was between the ages of 25 and 35. Today’s show is called Fats Waller Piano and Organ Solos. . . . THOMAS WRIGHT WALLER was born May 21, 1904 in NYC, the youngest of 11 children. He started pl aying piano at age six. His father was the Reverend Edward Martin Waller . By the time Thomas was 10, he had learned how to play the organ at his father’s church. At age 14, he was playing the organ at Harlem Lincoln’s Theater. Fats Waller is best known for his stride piano style. At age 15 Fats was a professional pianist and worked the local cabarets and theatres. Some of his original compositions are well known standards today, like Honeysuckle Rose, Ain’t Misbehavin’, Handful of Keys, Squeeze Me, Blue Turnin Grey Over You. Recordings of Fats Waller were inducted into the Grammy Hall of Fame, first in 1984, the song Honeysuckle Rose, and again in 1998 the song Ain’t Misbehavin’. Thomas Waller earned the nickname “Fats” at an early age, because as a Harlem ten year old boy, he was very heavy, over 250 pounds, and for the remainder of his life, his weight would stay between 280 and 300. Fats Waller was hard-working and trained in music theory and in the piano classics. He was prolific and there are some 360 songs credited to him during his short lifetime of 39 years. In terms of music performance, he preferred small groups to big bands, and preferred to lead groups of 6-8 men. ` We will hear piano and organ solo performances by Fats Waller from 1929, during the time of the Great Depression, and 1939, the start of WW II in Europe, the invasion by Nazi Germany into Poland. PLUG - VINYL VIBRATIONS - - M1 Ain’t Misbehavin’ (Music by Fats Waller, Harry Brooks), ‘Ain’t Misbehavin, Fat’s’ Waller and His Rhythm’ 1956, RCA Victor Records. rec 8/2/1929, original version of the song released 1929. Piano solo. In our first segment, we listen to Ain’t Misbehavin’. Music is composed by Fats Waller and Harry Brooks. This is one of the earliest solo recordings of Fats Waller.
01. Begin The Beguine 02. Gee, Baby, Ain't I Good To You (con Louis Arsmtrong) 03. Cheek to Cheek (con Louis Arsmtrong) 04. What's New 05. Honeysuckle Rose (con Count Basie) 06. Tea for two (con Count Basie) 07. I'm Beginning to See the Light (con Count Basie) 08. My Heart Belongs To Daddy 09. Makin' Whoopee 10. Jersey Bounce 11. How Insensitive 12. Wave 13. Days Of Wine And Roses (con Joe Pass) 14. My Man (con Joe Pass) 15. Hallelujah, I Love Him So 16. Broadway 17. Mack the Knife (con Duke Ellington)
We discuss Scat singing and how we can never go back to when it was new and the fact that Sarah Vaughan can't remember the words for her own live album. Also Rob thinks the song "Honeysuckle Rose" is filthy.
Playlist: Harper And Midwest Kind, Show Your Love, Jay Willie Blues Band,Hitting On Nothing, Peter Kaukonen, (Drifting) Cozumel, Mike Howe, Speak Your Dreams, Dave Hunt feat Donna Shaw, Honeysuckle Rose, Jim Shaneberger Band, Ain’t Your Daddy’s Blues, Liza Ohlback, I’m Not Your Woman, Mama Spanx, Thinkin’, Johnny Tucker, Love And Appreciation (to Georgia), John Primer, Stuff You Got To Watch, Carolyn Gaines, I Want Your Money, Honey, The Reverend Shawn Amos, The Jean Genie, Victoria Ginty And Ladyhawke,Things Left Undone, Sugar Queen & The Straight Blues Band, Crab Boil, CJ Teffner feat Kathleen Williams, Behind Us, Allman Goldflies Band, Southern’s All I Ever Want To Be, Janiva Magness feat Cedric Burnside, Home, Sara Lee, 1-2-3 He’s Mine, Zoe Schwarz Blue Commotion, Shout It Out, Greg Sover, Jubilee, Chris Ruest, Henhouse To The Doghouse, Vince And The Sun Boppers, Got A Feeling For You, The Rex Granite Band, Stop Doing What You Want, Reverend Raven, Creature Of Habit, Lex Grey And The Urban Pioneers, Laurie Morvan, My Moderation, Peter Karp, Rolling On A Log, Chris Bergson Band, Pedal Tone, Mojomatics, Soy Baby Many Thanks To: We here at the Black-Eyed & Blues Show would like to thank all the PR and radio people that get us music including Frank Roszak, Rick Lusher ,Doug Deutsch Publicity Services,American Showplace Music, Alive Natural Sounds, Ruf Records, Vizztone Records,Blind Pig Records,Delta Groove Records, Electro-Groove Records,Betsie Brown, Blind Raccoon Records, BratGirl Media, Mark Pucci Media and all of the Blues Societies both in the U.S. and abroad. All of you help make this show as good as it is weekly. We are proud to play your artists.Thank you all very much! Blues In The Area: WEDNESDAY 1/31/18 BALKUN BROTHERS - STOMPING GROUND, PUTNAM. THE KEEPERS - KNICKERBOCKER MUSIC CENTER - WESTERLY RI ALI KAT AND THE REVELATORS - HUNGRY TIGER, MANCHESTER. JASON GISSER BAND with TOM "THE SUIT" FORST - DARYL'S HOUSE, PAWLING NY. DAN WATSON - ANGIE'S PIZZA, MYSTIC. COMMUNITY JAM feat TIM McDONALD, BLACK EYED SALLY'S, HARTFORD. FRIENDS DAY OPEN MIC - THEODORE'S, SPRINGFIELD MA FREE FUNK WEDNESDAY - ARCH STREET TAVERN, HARTFORD. MAIN PUB OPEN MIC - MAIN PUB, MANCHESTER. DONAHUE'S OPEN MIC - DONAHUE'S BEACH BAR & GRILL, MADISON. VICKY BORDONIS JAM feat JOHNNY MARINO - SLIM'S SPORTS BAR, WESTFIELD MA SIDEMEN: LONG ROAD TO GLORY - FAIRFIELD THEATER COMPANY (7:30 PM), FAIRFIELD Movie honoring influential Blues sidemen. THURSDAY 2/1/18 LIVIU INVITATIONAL - BLACK EYED SALLY'S, HARTFORD. Liviu with Neal Vitullo and Steve Bigelow. BALKUN BROTHERS - THE ACOUSTIC, BRIDGEPORT. BARRETT ANDERSON - THEODORE'S, SPRINGFIELD MA. RICK HARRINGTON BAND - STOMPING GROUND, PUTNAM. ROCKY LAWRENCE - THE CRAVE (6:30 TO 9:30 PM), ANSONIA. RAMBLIN DAN STEVENS - THE PUBLIC HOUSE (5 PM), OLD LYME THE CHOOS - PERKS AND CORKS, WESTERLY RI KEN SAFETY OPEN MIC - CJ SPARROWS, CHESHIRE. JIMI PHOTON JAM - HUNGRY TIGER, MANCHESTER. GREG SHERROD OPEN MIC - THE BLACK SHEEP, NIANTIC. WENDY MAY OPEN MIC - THE BLACK DUCK, WESTPORT. TAMARACK OPEN MIC - TAMARACK LODGE (6:30 TO 10 PM), VOLUNTOWN. FRIDAY 2/1/18 CARL RICCI AND 706 UNION AVE - THEODORE'S, SPRINGFIELD MA. Special guest Ryan Hartt. PAUL NELSON / TOM "THE SUIT" FORST - FACTORY UNDERGROUND STUDIO, NORWALK CT Guitar Festival Kick Off NEAL VITULLO AND THE VIPERS - NARRAGANSETT CAFE (9 PM), JAMESTOWN RI JOHNNY HOY AND THE BLUEFISH / PROF LOUIE & THE CROWMATIX - NARROWS, FALL RIVER MA CHRIS O'LEARY BAND with CHRIS VITARELLO - THE FALCON, MARLBORO NY. JOHNNY AND THE EAST COAST ROCKERS - KNICKERBOCKER MUSIC CENTER, WESTERLY RI. KOSHER KID AND THE INCREDIBLE AMPLIFIRES - STEAK LOFT (7 PM), MYSTIC. JAKE KULAK AND LOW DOWN - THE NOTE (8 PM), BETHEL WHISKEY, WINE, AND COKE - MAPLE TREE CAFE, SIMSBURY. DAVID FOSTER &THE MOHEGAN SUN ALL STARS - WOLF DEN MOHEGAN SUN CASINO. JEFF PITCHELL (Acoustic) - DIAMOND PUB, GLASTONBURY. ERAN TROY DANNER (Acoustic Solo) - HOWARD'S CAFE, WATERBURY. JEN DURKIN & THE BUSINESS / BOOGIE CHILLUN - THE ACOUSTIC, BRIDGEPORT STEVE POLEZONIS TRIO - BACI GRILL, CROMWELL. SHAWN TAYLOR - VANILLA BEAN, POMFRET. ROCK SOLID ALIBI - BLACK EYED SALLY'S, HARTFORD. DYLAN DOYLE - COURTHOUSE CENTER (8 PM), WEST KINGSTON RI REDHEAD with DAVE SADLOSKI - HUNGRY TIGER, MANCHESTER. SAVAGE BROTHERS (8:30 PM ) / MIKE RAU (5 PM) - TIPPING CHAIR TAVERN, MILLDALE. SATURDAY 2/3/18 CHRIS BERGSON - BLACK EYED SALLY'S, HARTFORD. NEAL VITULLO AND THE VIPERS - CHAN'S, WOONSOCKET RI. CHRIS LEIGH BAND - DADDY JACKS, NEW LONDON. MASTERS OF THE TELECASTER - KATHERINE HEPBURN ART CENTER, OLD SAYBROOK. Jim Weider, GE Smith, Jon Harington. TONI LYNN WASHINGTON - THEODORE'S, SPRINGFIELD MA. RAMBLIN DAN STEVENS - VERACIOUS BREWING COMPANY (6:30 PM), MONROE. JEFF PITCHELL AND TEXAS FLOOD - THE FALCON, MARLBORO NY. JAKE KULAK AND LOW DOWN - MANHATTAN'S (9 PM), BURLINGTON VT. THE ZOO - SHAMROCK PUB, WATERBURY. ROOT SHACK / HANNAH'S FIELD - ARCH STREET TAVERN, HARTFORD. SHAKEDOWN - IRON HORSE (10 PM), NORTHAMPTON MA. THE NIELDS - IRON HORSE (7 PM), NORTHAMPTON MA. DAN WATSON - HARBOUR HOUSE (7 PM), MYSTIC. DRIVING IRIS - MAPLE TREE CAFE, SIMSBURY. THE HICKUPS / THE BANDIDOS - CAFE NINE, NEW HAVEN. STEPHANE WRENBEL - KNICKERBOCKER MUSIC CENTER, WESTERLY RI. PRIME TIME - DONAHUE'S BEACH BAR & GRILL, MADISON. ORB MELLON - STILL HILL BREWERY (3 PM), ROCKY HILL. SUNDAY 2/4/18 SUPER BOWL SUNDAY CTBS MONTHLY OPEN MIC - PINE LOFT (1 TO 5 PM), BERLIN CTBS ALL STARS with special guest LARRY WILLEY Jammers welcome, amps and mics provided. ALEXIS P SUTER & MINISTERS OF SOUL - DARYL'S HOUSE, PAWLING NY. Gospel Brunch starting at noon. BLUETONES with MONSTER MIKE WELCH - NARRAGANSETT CAFE (1 TO 4 PM), JAMESTOWN RI. RICH BADOWSKI BLUES BAND - BRASS HORSE (3 TO 7 PM), BARKHAMSTED. SHINEY LAPEL TRIO - DONAHUE'S BEACH BAR & GRILL (3 TO 6:30 PM), MADISON Shiny Lapel Trio also playing live during Super Bowl half time. BIG JOE FITZ &THE LO FI'S - THE FALCON (11 TO 2 PM), MARLBORO. STEVE PIPER OPEN MIC - THE STILL, AGAWAM MA. WHAMMER JAMMER OPEN MIC - VFW, PRESTON. STOMPING GROUND OPEN MIC - STOMPING GROUND, PUTNAM. ELECTIC OPEN MIC - SULLY'S PUB, HARTFORD ELECTRIC BLUES JAM - MOOSE LODGE (2 TO 6 PM), BOZRAH. MONDAY 2/5/18 GREG PICCOLO - STEAK LOFT (7 TO 9 PM), MYSTIC. TUXEDO JUNCTION - BILL'S SEAFOOD (7 TO 9 PM), WESTBROOK. JON PARIS ALL STAR BLUES JAM - BB KING CLUB (Lucille's at 8 PM), NEW YORK CITY. MARK PARADIS OPEN MIC - HUNGRY TIGER, MANCHESTER. ACOUSTIC OPEN MIC - SULLY'S PUB (10 PM), HARTFORD. PERKS AND CORKS OPEN MIC - PERKS AND CORKS, WESTERLY RI. BILL'S ALL STAR GARAGE JAM - STRANGE BREW PUB, NORWICH. TUESDAY 2/6/18 TOMMY WHALEN & RAGGED EDGE - WATERFRONT, HOLYOKE MA. BB KING ALL STARS and the HARLEM BLUES PROJECT - BB KING CLUB, NEW YORK CITY Lucille's at 7:30 and again at 9:30 PM. CORKY LAING (Plays Mountain) - BB KING CLUB, NEW YORK CITY. ERIC FRENCH - THEODORE'S, SPRINGFIELD MA. JEFF BLANEY - MAIN PUB, MANCHESTER. DAVE SADLOSKI - HUNGRY TIGER, MANCHESTER. THE BUTTONDOWNS - CAFE NINE, NEW HAVEN. DAN STEVENS - MUSIC NOW SHOWCASE (4 PM), iCRV INTERNET RADIO DAN STEVENS - NIGHTINGALES CAFE (Pickin Party at 6 pm), OLD LYME.
On this week’s Open Mic Spotlight podcast, Pattee Wilbanks and Robert Lovett of Mountain Creek House Fire stop by the studio to talk with Heather about their collaborative process, some of their favorite places to play in Chattanooga and how their respective creative impulses compliment each other perfectly. Their music is drawn from the winding twin histories of folk and country music but is given new breathe and life through their effortless interactions. With just an acoustic guitar and mandolin, they spark a gorgeous series of stories that could be told on front porches or large stages across the country. Dipping into a well of bucolic experiences, their work possesses a vivid and affecting emotionality. There’s a gentle simplicity inherent in the work of Mountain Creek House Fire, a rambling folk shuffle that eases down deep into your bones. Whether they’re discussing their admiration for local open mic nights or the time they were almost rained out at Nightfall, they evince an earnest sentimentality, one that doesn’t cater to rote instincts but seeks out new experiences in an effort to broaden its emotional perspective. They perform covers of “Honeysuckle Rose” by Fats Waller and “It Hurts Me” by Julie Miller, as well a few original songs that easily hold their own in that formidable company. After Wilbanks talks a bit about her time dog-sitting, they announce that they have a new video coming out soon for “That Dog is Crazy,” which features clips of dogs that fans have sent in specifically to be included in the visuals for the song. Recalling the jaunt and sincerity that was common to the folk music of the early 20th century, they imbue these sounds with a modern tenacity and present them as a viable means for expression—a stringed rural ideology wherein they can conspire with anyone within earshot.
Thomas Fats Waller og Rhythm sextettinn leika lögin Ain't Misbehavin', Cash For Your Trash, I Wanna Hear Swing Songs, All That Meat And Potatoes, Chant Of The Groove, Moppin' And Boppin' og Paintin' In The Panther Room. Robin Nolan tríóið leikur lögin Honeysuckle Rose, Black And Blue, Body And Soul, Kokopelli, Estrella, And Then There Were Three, Song For Carolyn og Friar Park. Benny Carter og hljómsveit flytja lögin I'm Coming Virgina, Old Fashioned Love, A Walkin' Thing, Blue Lou og How Can You Loose.
Highlights from the Armed Forces Radio show, Jubilee. Artists include: Count Basie, Lena Horne, Jimmy Rushing, Harry James, Tampa Red, Helen Humes and Louis Armstrong. Music includes: Ain't Misbehavin, Lady Be Good, Perdido, I'll Be Up Again Someday, Sho Sho Baby and Honeysuckle Rose.
Pianists include: Thomas 'Fats" Waller, Art Tatum, Oscar Peterson, Thelonius Monk, George Shearing, Errol Garner, Dave Brubeck, Albert Ammons, Pete Johnson and Bud Powell. Works include: Tea For Two, Running Wild, Honeysuckle Rose, Perdido, Ruby My Dear and Barrelhouse Boogie.
This week, Greg gets a chance to talk with the creative duo of artist Shawn Martinbrough and editor Joseph Illidge. Their partnership started in turn-of-the-century Gotham City, with Shawn's run on Detective Comics, and has spanned the last 15 years. Over that time the two have collaborated on Shawn's art book How To Draw Noir Comics: The Art and Technique of Visual Storytelling, and have an upcoming 200-page graphic novel illustrated by Grey Williamson called The Ren, a love story set against the backdrop of the Harlem Rennaisance, set to be published by First Second in 2015. Oh, and Shawn draws a little book for some guy named Kirkman called Thief of Thieves, which just locked in Andy Diggle as full-time writer with this week's issue #20. Find out about all that, plus why Shawn's art both is and is not cinematic, what movie Joseph could watch once a week for the rest of his life, and who created the Batman equivalent of the Fastball Special: the dive bomb! Robots From Tomorrow is a weekly comics podcast recorded deep beneath the Earth's surface. You can subscribe to it via iTunes or through the RSS feed at RobotsFromTomorrow.com. You can also follow Mike and Greg on Twitter. Music is "Let The Good Times Roll" by Fishbone and "Honeysuckle Rose" by Fats Waller. Enjoy your funny books.
I had the pleasure of a brief discussion with the very talented Alexis Hejna of Honeysuckle Rose Creations at Archon 2013 Be sure to hit the links below......words don't do this art justice! Find Honeysuckle Rose Creations: On Facebook - https://www.facebook.com/hsrcreations On Storenvy - http://honeysucklerose.storenvy.com/ And Pinterest - http://www.pinterest.com/lexhejna/honeysuckle-rose-creations/
Shellac Stack No. 31 opens with a brilliant performance of “Honeysuckle Rose” from Kay Starr in 1946. A dozen more records follow, ranging from the Ink Spots to Roger Wolfe Kahn and His Orchestra. Don't miss Brucie Weil singing the “Little Boy Blues” from 1953!
Willie Nelson sang this song in the 1980 film Honeysuckle Rose, and at a “Farm Aid” concert ,in 1987. Ralph Stanley recorded this, as well as Johnny Cash. Written by Josiah K. Alwood (1885) Copyright: Public DomainScripture: Revelation 22:2,5 1. Oh, they tell me of a home far beyond the skies,Oh, they tell me of a home far away;Oh, they tell me of a home where no storm clouds rise,Oh, they tell me of an unclouded day. ◦ Refrain:Oh, the land of cloudless day,Oh, the land of an unclouded sky,Oh, they tell me of a home where no storm clouds rise,Oh, they tell me of an unclouded day. 2. Oh, they tell me of a home where my friends have gone,Oh, they tell me of that land far away,Where the tree of life in eternal bloomSheds its fragrance through the unclouded day. 3. Oh, they tell me of a King in His beauty there,And they tell me that mine eyes shall beholdWhere He sits on the throne that is whiter than snow,In the city that is made of gold. 4. Oh, they tell me that He smiles on His children there,And His smile drives their sorrows all away;And they tell me that no tears ever come againIn that lovely land of unclouded day. ©2012 Shiloh Worship Music COPY FREELY;This Music is copyrighted to prevent misuse, however,permission is granted for non-commercial copying only. Radio Play permitted Www.ShilohWorshipMusic.com
"Mildred Bailey" features:A career retrospective for one of the top jazz vocalists of the era, beginning with early songs like "What Kind of Man Is You" and continuing through "Give Me Liberty or Give Me Love," "Cabin in the Pines," "Honeysuckle Rose," "Long About Midnight" and the steamy Cuban adventure "The Weekend of a Private Secretary" from 1936.
°°Para descargar este audio, por favor dale click al siguiente enlace DeScArGaR En este episodio, presentamos a un pianista un tanto desconocido, pero con un talento extraordinario: Hasaan, acompañado del talentoso contrabajista Art Blakey y el maestro Max Roach. Después, seguimos con una propuesta que conjunta a Mozart con ritmos y voces mezclados bajo el oído eléctrico de Antoine Herve. A continuación “Honeysuckle Rose”, un clásico vocal bajo la novedosa perspectiva de Jane Monheit y, finalmente, un poco de nuestro talento latino Tunacka y su “Me huele a parrilla”. Esto es Jazz Life. ¡Qué lo disfruten!
LUKAS NELSON and PROMISE OF THE REAL is a four-man rock and roots powerhouse that has rapidly made a name for themselves since early last year. Guitarist, singer and songwriter Lukas Nelson was born in Austin, Texas, raised on his father Willie Nelson�s famed Honeysuckle Rose bus, and now based out of Venice Beach, California. The 21-year-old Nelson is no stranger to the road, with his first trip on the bus at 5 weeks old on a tour by The Highwaymen (the supergroup featuring his father, Johnny Cash, Waylon Jennings and Kris Kristofferson). The band has released a well-received EP, Brando�s Paradise Sessions and plans to release a full album in the not too distant future. The band will be performing an “unplugged� type of set on WoodSongs. JUBAL'S KIN is a young, Florida based family that's a blend of rompin' old time, bluegrass, folk covers and roots originals. The band is anchored by Roger on acoustic guitar, a three time Florida Old-Time Music Championship winner, and Gailanne, the current Florida & Tennessee Grand Champion Old Time Fiddler, on fiddle and clawhammer banjo, with brother Jeffrey recently joining them to hold down the groove on acoustic bass. They will be performing material from their self-titled debut CD.
What Happens When Miles Davis and John Coltrane Step to the Stage at a Thelonious Monk Performance? That's the question I posed while listening to a set of Jazz CDs sent to me by the people behind http://www.yourfriendorfoe.com/. Originally conceived to be a stream/download on the Friend or Foe website, this 37 minute mix, designed to feel like an actual live Jazz club performance, is now available here for you to add to your collection. 10/10/10 is what I would give each one of these Jazz giants on that mythical scale. October 10th is also Thelonious Monk's birthday. My son's name is Thelonious and that's him in the photo practicing piano (on a synthesizer - look at the photo frame on his left to see the concentration in his eyes). His lessons are on a real piano. Need I say more? Just a little...I wrote a great story about this mix for their site but when the site changed, away it went and so did my words. I found a few on the music blog of a NYC man about town & here's a copy & paste: “I hope this jazz mix is regarded as an offering of something that could possibly be an introduction to a different approach to musical creativity where instrument virtuosity, versatility, imagination, dexterity, improvisation and communication are the essential components.” 01 Thelonious Monk – “Straight No Chaser” (from Thelonious Monk In Italy) 02 Miles Davis – “Blues By Five” – (from Cookin’ with The Miles Davis Quintet) 03 Thelonious Monk – “Just You Just Me” (from The Unique) 04 Thelonious Monk – “Honeysuckle Rose” (from The Unique) 05 John Coltrane – “Straight Street” (from Coltrane) 06 Miles Davis – “I’ll Remember April” (from Blue Haze) 07 Thelonious Monk – “Liza (All The Clouds’ll Roll Away)” (from The Unique) Thanks D http://www.treesforbreakfast.com/2008/05/qooldjmarv-your-friend-or-foe-jam-session-podcast-1/ https://www.facebook.com/QoolMarv
The life and work of songwriter, Andy Razaf. Songs include: Ain't Misbehavin, Honeysuckle Rose, Black and Blue, My Fate Is In Your Hands and In the Mood. Performers include: Fats Waller, Louis Armstrong, Ethyl Waters, Bing Crosby and The Ink Spots.
The hits just kept on coming, back on May 10th, 1989 — so we’re presenting our fifth straight program from that session. This installment starts off with “Honeysuckle Rose,” featuring Carol Moeller on piano, and continues with “Ain’t Misbehaving,” with Don Frothingham. The session concludes with “Lonesome Road Blues.” The other musicians are Jimmy Mazzy … Continue reading Podcast #19: More from 5/10/89 with Carol and Don →
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