Podcasts about Honeysuckle Rose

This week, hosts Jim DeRogatis and Greg Kot are joined by author Nic Brown for a classic album dissection of the debut from The Violent Femmes. They delve into the unexpected staying power of songs like "Add It Up" and "Blister In The Sun" and Brown shares new insights into the album from his recent interviews with the band members.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Blister In The Sun, "Violent Femmes," Violent Femmes, Slash, 1983The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Please Do Not Go, "Violent Femmes," Violent Femmes, Slash, 1983Confession, "Violent Femmes," Violent Femmes, Slash, 1983Kiss Off, "Violent Femmes," Violent Femmes, Slash, 1983Add It Up, "Violent Femmes," Violent Femmes, Slash, 1983Gone Daddy Gone, "Violent Femmes," Violent Femmes, Slash, 1983Good Feeling, "Violent Femmes," Violent Femmes, Slash, 1983American Music, "Violent Femmes," Why Do Birds Sing, Reprise, 1991Willie Nelson, "On The Road Again (Live)," Honeysuckle Rose, Columbia, 1980See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

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Grabaciones recientes de los y las cantantes Cècile Mclorin Salvant, Dee Dee Bridgewater, Laura Anglade, Emma Smith, Fay Victor, Noa Lur, Maria Berasarte, Camille Saglio, Sheila Blanco, Lucía Fumero, Silvia Pérez Cruz y Salvador Sobral. Temas que suenan en el programa: 01 2025 Cècile Mclorin Salvant - Oh Snap 04 What does blue mean to you - June McDoom Kate Davis Sullivan Fortner Yasushi Nakamura Kyle Poole Keita Ogawa Weedie Braimah (4' 38'') 02 2025 Dee Dee Bridgewater & Bill Charlap - Elemental 03 Honeysuckle Rose (3' 56'') 03 2025 Laura Anglade - Get Out of Town 01 April in Paris - Peter Bernstein Ben Paterson Neal Miner Adam Arruda (3' 57'') 04 2024 Emma Smith - Bitter Orage - Polka Dots and Moonbeams Jamie Safir Conor Chaplin Luke Tomlinson (3' 57'') 05 2024 Fay Victor - Herbie Nichols Sung Life Is Funny That Way 06 Life Is Funny That Way - Michaël Attias Anthony Coleman Ratzo Harris Tom Rainey (5' 32'') 06 2025 Noa Lur - Multipolar 06 Nork - Chris Kase Ariel Bríguez Tony Pereyra Laurent Coulondre Ander García David Fernández (4' 19'') 07 2025 Maria Berasarte - Estadía 03 Room 2046 Sobre la obra Música callada, Vol.1: VII. Lento - Daniel García (4' 12'') 08 2025 Matthieu Saglio & Camille Saglio - Al alba 06 Amelui (4' 00'') 09 2023 Sheila Blanco & Federico Lechner - Tango Jazz Trío 08 Esbaesbabaesbabababababababagui - Toño Miguel Andres Litwin (6' 58'') 10 2024 Lucía Fumero - Folklore I 09 Lo que yo en tus ojos veo (4' 29'') 11 2025 Sílvia & Salvador 11 Tempus Fugit (Plor per Palestina) - Silvia Pérez Cruz Salvador Sobral Marco Mezquida (2' 15'')

Classical meets jazz. Featuring: John Kirby Sextet, George Gershwin, James P. Johnson, Duke Ellington, Carl Maria von Weber, Benny Goodman, Sergei Rachmaninoff, Art Tatum, Fats Waller. Music: Mr. Haydn Gets Hip, Beethoven Riffs On, Rhapsody in Blue, You've Got To Be Modernistic, excerpt from Black, Brown, and Beige, excerpt from Invitation to the Dance, Let's Dance, Rhapsody on a Theme of Paganini (Var. 15), Honeysuckle Rose.

GI Jill dedicates the show to the Navy. Benny Goodman plays, Honeysuckle Rose. A news item about new radios for St Alvins Hospital. Skinny Ennis plays, Bugle Call Rag. Bing…

Academy Award-nominated actress Amy Irving has announced her sophomore album, Always Will Be, featuring 10 electrifying renditions of songs from her longtime friend Willie Nelson's iconic catalog. The album includes contributions from Amy Helm, Louis Cato, Steve Earle, Chris Pierce, Lizzie No, and Willie himself, and is due out on April 25 via Queen of the Castle Records/Missing Piece Records. Amy Irving and Willie Nelson's decades long friendship began when the pair first met on the set of the 1980 film Honeysuckle Rose. After dueting on a reimagining of his song "I'm Waiting Forever" for her 2023 debut album, Nelson reached out to Irving with a proposition: Why not record another album, one comprised entirely of his own work? Irving took him up on the offer, and the result is an incredibly heartfelt album, one that is rooted in love and friendship. Over Irving's prolific career, she has been seen in Brian DePalma's Carrie and The Fury, stage performances of Romeo & Juliet with the Los Angeles Shakespeare Society and Broadway's Amadeus. Irving was nominated for an Academy Award for her performance in Yentl, and has captivated audiences with beloved starring roles in films including Crossing Delancey, The Competition and Micki and Maude.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

We celebrate Willie Nelson's 92nd birthday and his newest release, Oh What a Beautiful World, in the only way we know how: blathering about his roles as a fake musician in Honeysuckle Rose, Songwriter, and Waiting for the Miracle to Come.

Academy Award-nominated actress Amy Irving has announced her sophomore album, Always Will Be, featuring 10 electrifying renditions of songs from her longtime friend Willie Nelson's iconic catalog. The album includes contributions from Amy Helm, Louis Cato, Steve Earle, Chris Pierce, Lizzie No, and Willie himself, and is due out on April 25 via Queen of the Castle Records/Missing Piece Records. Amy Irving and Willie Nelson's decades long friendship began when the pair first met on the set of the 1980 film Honeysuckle Rose. After dueting on a reimagining of his song "I'm Waiting Forever" for her 2023 debut album, Nelson reached out to Irving with a proposition: Why not record another album, one comprised entirely of his own work? Irving took him up on the offer, and the result is an incredibly heartfelt album, one that is rooted in love and friendship. Over Irving's prolific career, she has been seen in Brian DePalma's Carrie and The Fury, stage performances of Romeo & Juliet with the Los Angeles Shakespeare Society and Broadway's Amadeus. Irving was nominated for an Academy Award for her performance in Yentl, and has captivated audiences with beloved starring roles in films including Crossing Delancey, The Competition and Micki and Maude.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Amy Irving's film career soared in the 1980s. She was featured in the film Yentl, a role that earned her an Academy Award nomination. In the movie Crossing Delancey, Irving plays a single woman who falls in love with a pickle merchant. In real life, Irving married Steven Spielberg, a relationship that ended in divorce. She co-starred with Willie Nelson in the film Honeysuckle Rose and that was the beginning of a life-long friendship with Nelson. Irving's career has shifted away from acting and towards music. She's got a new album which features Willie Nelson covers. It's called Always Will Be. I spoke to Amy Irving at her home in Westchester about singing as a second act and what it's like to be an older woman in Hollywood. “Now What?” is produced with the help of Steve Zimmer, Lucy Little and Jackie Schwartz. Audio production is by Nick Ciavatta.

Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! Dan Mecca and Conor O'Donnell were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver's Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed King of the Corner, and the eclectic range of characters he's played over the years. Additionally, we mention Steven Soderbergh's oeuvre (they were both in Traffic!), the actor's directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they've both grown as performers over time.

Welcome to The B-Side! Here we talk to movie stars! About a movie that people love and the hidden gems they've also made! We were lucky enough to speak with Amy Irving and Peter Riegert, on the occasion of the Criterion release of Joan Micklin Silver's Crossing Delancey. We discuss the legacy of the film nearly forty years later. With Irving we touch on Honeysuckle Rose, Carried Away, and her new music album. With Riegert we talk about Chilly Scenes of Winter (also directed by Micklin Silver), the feature he directed, King of the Corner, and the eclectic rangle of characters he's played over the years. Additionally, we mention Steven Soderbergh's oeuvre (they were both in Traffic!), the actor's directorial debuts Riegert starred in (Infinity and Jerry & Tom specifically), and how they've both grown as performers over time. Be sure to give us a follow on social at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor.

VV-030 PROGRAM LIST M1 Squeeze Me (Fats Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) M2 Handful of Keys (Fats Waller) Rec. 3/1/1929, HANDFUL OF KEYS, FATS WALLER AND HIS RHYTHM, RCA Victor, LPM-1502, 1957 (2:45) M3 Ain't Misbehavin' (Fats Waller, Harry Brooks) Rec. 8/2/1929, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:00) M4 Tanglefoot  (Fats Waller) Rec. 8/24/1929, THE RAREST FATS WALLER, Volume 1,  RFW-1, 1955. (3:10) M5 Honeysuckle Rose (Fats Waller) Rec 5/13/1941, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:21) M6 Bouncin' on a V-Disc (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 (4:46) Background songs for this episode: M7 Please Take Me Out of Jail (Fats Waller) Rec. 12/1/1927, THE RAREST FATS WALLER, Volume 1, RFW-1, 1955. M8 Sometimes I Feel Like a Motherless Child  (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 ABOUT THE ARTIST Today's show features the LATE GREAT Thomas Wright Waller, a jazz pianist and organist, composer and singer, born in New York City in 1904  The 7th of 11 children, his mother was a musician, and his father was a trucker and pastor in NYC.  Fats started playing piano when he was 6. He played the organ at his father's church at age 10. PAUSE He was home-schooled early-on by his mother and worked in a grocery store. He quit high school after just one semester at age 15 to work as an organist at the Lincoln Theater in Harlem. PAUSE At the Lincoln Theater, he earned $32 a week.  That was 1929.  He became known as “Fats Waller” because he was big -- both in body and in mind.  PAUSE Fats Waller laid some of the building blocks for what is NOW ‘modern jazz piano'. He popularized the use of The stride piano style,  which is widely used by jazz pianists today. He toured internationally and two of his biggest hits were Ain't Misbehavin' and Honeysuckle Rose. PAUSE You are listening to Sometimes I Feel Like a Motherless Child by  Fats Waller) Recorded back in 1943.PAUSE Waller copyrighted over 400 songs. He probably composed many more, but, when he was in financial difficulty, he would sell songs to other writers and performers, who would not acknowledge the real composer, claiming the songs as their own.   Today's podcast features Fats Waller and a few of his SOLO piano and organ compositions that were recorded between the years 1926 and 1943, or from the age of 22 to 39.  Some of these songs are not available today, except where they are rediscovered - - - on my old and treasured Fats Waller record collection! SHOW PLUG - SHOW PLUG - DON'T TOUCH THAT DIAL ! ! BIT BUCKET Waller is also credited with his composition and performance work in Broadway Musicals. Waller is perhaps the FIRST BLACK composer to write the score and perform for a mostly all-white show on Broadway. That was the 1943 Broadway musical EARLY TO BED, produced by Richard Kollmar – the Broadway Flyer for EARLY TO BED reads “Music by Thomas (“Fats”) Waller”. . M1 M1 Squeeze Me  (Thomas Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) Our first recording is titled “SQUEEZE ME” It's a piano solo, and the composer and performer is Thomas Waller.He is not billed as “Fats” Waller yet, as he is not that unusually large at the young age of 22. This song SQUEEZE ME was recorded for production of piano rolls in 1926, making this among Waller's EARLIEST recordings. Waller recorded his piano solos for the production of Piano Rolls between 1926 and 1927.These rolls operate on player pianos. Insert the roll, and the piano plays the song. PAUSE The player piano is a specialty item, affordable by the wealthy, and not a great way to release new music to the masses. Decades later, in 1955,

TONY PARENTI “NEW ORLEANIANS” New Orleans, April 27 (1), December, 1928 & May 10, 1929 (3)In the dungeon (mh vcl) (1) When you and I were pals (jb vcl) (1) Gumbo (2) You made me like it, baby (2) Old man rhythm (3)John Hyman (cnt) [pseudonym for Johnny Wiggs (cnt) ] Charles Hartman (tb) Tony Parenti (cl,as) Buzzy Williams (p) Jack Brian (g,vcl) Monk Hazel (d,vcl) Leon Prima (cnt 2) Hal Jordy (as,bar-2) added, plus unknown (tu,b 2) (duo Parenti y Vic Briedis p 3) BUD FREEMAN “BUD FREEMAN AND HIS ORCHESTRA” New York, October-December 1945I'm just wild about Harry, I got rhythm, Where have you been ?, Ol' man river, The atomic era (bf,rmk only)Yank Lawson (tp) Lou McGarity (tb) Edmond Hall (cl) Bud Freeman (ts) Gene Schroeder (p) Carmen Mastren (g) Bob Haggart (b) Ray McKinley (d) De Marco Sisters (vcl) New York, December 5, 1945Tea For Two, Honeysuckle Rose, Room With A ViewPeanuts Hucko (cl), Bud Freeman (ts), Joe Sullivan (p), Carmen Mastren (g), Sid Weiss (b), George Wettling (d) “EDDIE HEYWOOD AND HIS ORCHESTRA” New York, November 13, December 15, 1944Just you, just me, Begin the beguineDick Vance (tp) Vic Dickenson (tb) Lem Davis (as) Eddie Heywood (p) Ted Sturgis (b) Keg Purnell (d) Los Angeles, November 20, 1945On the sunny side of the street, The man I loveHarry Parr Jones (tp) Vic Dickenson, Henry Coker (tb) Lem Davis (as) Eddie Heywood (p) Ernie Shepard (b) Keg Purnell (d) Continue reading Puro Jazz 01 de octubre, 2024 at PuroJazz.

TONY PARENTI “NEW ORLEANIANS” New Orleans, April 27 (1), December, 1928 & May 10, 1929 (3)In the dungeon (mh vcl) (1) When you and I were pals (jb vcl) (1) Gumbo (2) You made me like it, baby (2) Old man rhythm (3)John Hyman (cnt) [pseudonym for Johnny Wiggs (cnt) ] Charles Hartman (tb) Tony Parenti (cl,as) Buzzy Williams (p) Jack Brian (g,vcl) Monk Hazel (d,vcl) Leon Prima (cnt 2) Hal Jordy (as,bar-2) added, plus unknown (tu,b 2) (duo Parenti y Vic Briedis p 3) BUD FREEMAN “BUD FREEMAN AND HIS ORCHESTRA” New York, October-December 1945I'm just wild about Harry, I got rhythm, Where have you been ?, Ol' man river, The atomic era (bf,rmk only)Yank Lawson (tp) Lou McGarity (tb) Edmond Hall (cl) Bud Freeman (ts) Gene Schroeder (p) Carmen Mastren (g) Bob Haggart (b) Ray McKinley (d) De Marco Sisters (vcl) New York, December 5, 1945Tea For Two, Honeysuckle Rose, Room With A ViewPeanuts Hucko (cl), Bud Freeman (ts), Joe Sullivan (p), Carmen Mastren (g), Sid Weiss (b), George Wettling (d) “EDDIE HEYWOOD AND HIS ORCHESTRA” New York, November 13, December 15, 1944Just you, just me, Begin the beguineDick Vance (tp) Vic Dickenson (tb) Lem Davis (as) Eddie Heywood (p) Ted Sturgis (b) Keg Purnell (d) Los Angeles, November 20, 1945On the sunny side of the street, The man I loveHarry Parr Jones (tp) Vic Dickenson, Henry Coker (tb) Lem Davis (as) Eddie Heywood (p) Ernie Shepard (b) Keg Purnell (d) Continue reading Puro Jazz 01 de octubre, 2024 at PuroJazz.

Our guest today is Daniel Glass. Daniel is a renowned drummer, educator, and historian known for his deep expertise in the roots of American drumming, particularly in jazz, swing, and early rock 'n' roll. A member of the pioneering retro-swing band Royal Crown Revue, Glass has performed with a wide array of top artists, blending historical influence with modern flair. His passion for drumming history is reflected in his books, clinics, and instructional videos. The project that introduced Daniel to me was his three-hour documentary called “The Century Project” which explores the evolution of the drum set and drumming styles from 1865 to 1965. Glass is also celebrated for his dynamic, groove-focused playing and his ability to bridge the gap between past and present drumming traditions. Go check out all his happenings at danielglass.com, but for now, please enjoy the 5 records that helped shape Daniel Glass into the drummer he is today. Cheers! DANIEL'S BIG FAT FIVE: - Album - Made In Japan Artist - Deep Purple Release Year - 1972 Key Track(s) - Highway Star, Space Truckin', The Mule Drummer - Ian Paice - Album - Three Quartets Artist - Chick Corea Release Year - 1981 Key Track(s) - Quartet No. 1, Quartet No. 2, Part 2 Drummer - Steve Gadd - Album - Buffalo Artist - Frank Zappa Release Year - 2007 (from a 1980 live concert) Key Track(s) - The Torture Never Stops Drummer - Vinnie Colaiuta - Album - Lyric Artist - Billy Childs Release Year - 2005 Key Track(s) - In Carson's Eyes, Into the Light, Scarborough Fair, American Landscape Drummer - Brian Blade, Marvin "Smitty" Smith - Album - From Darkness Artist - Avishai Cohen Release Year - 2015 Key Track(s) - Beyond, Abie, C#-, From Darkness Drummer - Daniel Dor - Honorable Mentions: Album - Blue Artist - Joni Mitchell Release Year - 1971 Key Track(s) - All I Want, This Flight Tonight - Album - The Concert at Carnegie Hall Artist - Benny Goodman Release Year - 1938 Key Track(s) - Don't Be That Way, Honeysuckle Rose, Sing, Sing, Sing - Album - Drumsville Artist - Earl Palmer Release Year - 1961 Drummer - Earl Palmer - Album - Live at the Royal Festival Hall Artist - John McLaughlin Release Year - 1989 Key Track(s) - Mother Tongues Drummer - Trilok Gurtu - Album - Tiny Resistors Artist - Todd Sickafoose Release Year - 2008 Key Track(s) - Allision Miller Drummer - Everyone Is Going For more information on Big Fat Snare Drum, check out www.bigfatsnaredrum.com and follow us on Instagram.

The fifth segment from May 10, 1989 at Ephraim's, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), Carol Moeller (piano), and John Kafalas (tuba). Carrie Mazzy is also featured on vocals. The selections are “Sugar,” “How Can You Face Me,” and “Honeysuckle Rose.” Send questions or comments to podcast@kafalas.com

We celebrate legendary American jazz pianist, organist, composer, violinist, singer, and comedic entertainer Thomas Fats Waller. He laid the groundwork for modern jazz piano and some say he paved the way for rock-n-roll. Waller started playing piano at the age of 6, and copyrighted over 400 songs during his career, including Grammy winners "Ain't Misbehavin'" and "Honeysuckle Rose". Waller was a critical and commercial sensation in the United States and Europe. Unfortunately he died from pneumonia at the early age 39 in 1943. We have Fats Waller performing live in 1938, an appearance on the popular Edgar Bergen Show just before his death in 1943, a tribute concert by Eddie Condon in 1944, plus a dramatization of life of Fats Waller on Destination Freedom. More at http://krobcollection.com

Music's big bundle of joy. Featuring: I Ain't Got Nobody, Carolina Shout, That's All, Sugar, Squeeze Me, (What Did I Do to Be So) Black and Blue, Ain't Misbehavin', Honeysuckle Rose, Then I'll Be Tired of you.

Django Reinhardt: Retrospective 1. Dinah (2.39) 2. Limehouse Blues (2.47) 3. Charleston (2.54) 4. The Sheik of Araby (3.08) 5. Minor Swing (3.18) 6. Night and Day (2.43) 7. Sweet Georgia Brown (3.08) 8. Honeysuckle Rose (2.55) 9. Improvisation No. 2 (2.42) 10. Le Yeux Noir (2.19) 11. Echos de France (2.49) 12. Django's Tiger (2.40) 13. Django's Dream (Reverie) (3.44) 14. La Mer (4.17)

Episode 218 - Kelleanne Jones, Honeysuckle Rose, Community Table + More by Michelle Mandro

A special, short podcast honoring Thomas "Fats" Waller on his 120th birthday.  Songs include: Honeysuckle Rose, I'm Gonna Sit Right Down and Whose Honey Are You.

Sintonía: "Boogie Woogie" - Pete Johnson"Honeysuckle Rose" - "Deed I Do" - "Into Each Life Some Rain Must Fall" - "Them There Eyes" - Dream A Little Dream Of Me" - "Tea For Two" - "Satin Doll" - "I´m Beginning To See The Light" - Shiny Stockings" - "My Last Affair" - "Ain´t Misbehavin´" - "On The Sunny Side Of The Street"Todas las músicas interpretadas por Ella Fitzgerald (voz) y Count Basie (piano/órgano)Todas las músicas extraídas del álbum "On The Sunny Side Of The Street" (Verve Records, 1963) de Ella & BasieBonus: "God Bless The Child" y "Now Baby, Or Never", interpretadas por Billie Holiday y Count Basie con su sexteto, para la banda sonora de un cortometraje de 1950, dirigido por Will Cowan (Saga Records) Escuchar audio

Sintonía: "Do Something" - McKinney's Cotton Pickers"I Never Knew" - "It's Only A Paper Moon" - "Blues For Nat Cole" - "Captain Bligh" - "Honeysuckle Rose" - "Hardav" - "Mean To Me" - "I Surrender, Dear"Escuchamos en su totalidad, las 8 piezas que componen el álbum "Basie & Zoot" (Pablo Records, 1975) de Count Basie y Zoot SimsEscuchar audio

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another dreary winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Kali Uchis.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lenny Kravitz, "Fly Away," 5, Virgin, 1998The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967Kali Uchis, "¿Cómo Así?," Orquídeas, Geffen, 2024Kali Uchis, "Me Pongo Loca," Orquídeas, Geffen, 2024Kali Uchis, "Pensamientos Intrusivos," Orquídeas, Geffen, 2024Kali Uchis, "Igual Que Un Ángel," Orquídeas, Geffen, 2024Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018James Brown, "Funky Drummer (Pt. 1 & 2)," Funky Drummer (Single), King, 1970See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

durée : 01:30:00 - Les Nuits de France Culture - par : Philippe Garbit - "Ain't Misbehavin", "Honeysuckle Rose", ces standards du jazz ont été composés par le pianiste Fats Waller. Le premier à donner son nom à une émission musicale éponyme et iconique sur France Culture, "Black and Blue". Le voici en vedette américaine le temps d'une Nuit Magnétique.

Fats Waller was a master of stride piano, a style that emerged in the early 20th century and became a cornerstone of jazz. His virtuosity in this style influenced countless pianists who came after him. But he is remembered most for his songwriting and the lively and  humorous quality to his performances, incorporating all of these elements into his music. His ability to infuse joy and playfulness into his compositions and improvisations set him apart and made his music accessible to a wide audience. His contributions to the Great American songbook include jazz standards like “Ain't Misbehavin',” “Honeysuckle Rose,” and “Black and Blue” which have been covered by countless artists over the years. This morning on Deeper Roots, we drop in to revel in the music, humor, warmth and charisma that was Thomas “Fats” Waller.

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The fifth and last segment from February 15th, 1989 at Ephraim's. Jimmy Mazzy (banjo/vocals), John Kafalas (trombone), Don Frothingham (piano). The selections are A Hundred Years From Today, Oh Miss Hannah, Honeysuckle Rose, and What Shall I Say, and Buddy, Can You Spare A Dime? Send questions or comments to podcast @ kafalas.com

Celina Texas Podcast: What happens when you are barely in your 20's, have a dream to become an attorney and end up going to Toasted Walnut in Celina one day for lunch? You open an amazing women's boutique called Honeysuckle Rose, of course! At least, thats what Lauren Bell did.  In this episode, Host Ron Lyons talks to Lauren Bell, owner of Honeysuckle Rose and discovers how she was inspired, what her daily life is like and where she's going from here. One clue: something she has planned involves a wedding dress! Join us on this episode as we learn more about Lauren Bell and her Honeysuckle Rose adventure. Lauren is fun, very decisive and motivated. She loves God, horses, fashion and Celina, Texas. Oh, and get ready, you're in for some great laughs when you get to know Lauren Bell!

Episode 11: "American Idol LAST CHANCE." Topics include - Geography & Math, Nervous Ticks, Stand-up Singers, Sponges of Weirdness, Larry David & the Movies, Thorough Communication, Zombie Apocalypse, Survival Foods and American Idol: LAST CHANCE. Join the fun with host Abigail Riccards, her co-host Angela Bingham and producer/engineer Jeannie Tanner. Their stream of consciousness discussions will take you on an unexpected journey full of laughs and OMG, did Abby just say that? This episode also includes excerpts of Abigail & Angela singing (Sleepin' Bee from Abby's album Every Little Star / https://music.apple.com/us/album/every-little-star/644102874; and "Honeysuckle Rose" from Angela's album The Night We Called It a Day / https://music.apple.com/us/album/the-night-we-called-it-a-day/1108274835). Tune in and LISTEN NOW!

“Born In A Trunk” She may have been born in the Bay Area, but Amy Irving might as well have been born in a theatre. Her father was the film and stage director Julius Irving and her mother was the actress Priscilla Pointer. And what happens when you have theatre parents? Well, you're in the theatre. A lot. And then you're on the stage. A lot. And then it's in your blood and there's no turning back. Amy Irving got her start on the stage at 9 months old and from there she never stopped. She studied at the London Academy of Music and Dramatic Art, landed in L.A. and almost immediately started landing role after role in movies and television. What movies and what television, you might be asking? Well, in the movies category she was in Carrie, Delancey Street, The Competition, Honeysuckle Rose and Yentil. She was also the singing voice of Jessica Rabbit in Who Framed Roger Rabbit? As for television, she was on Police Woman, Happy Days and Once An Eagle with Sam Elliott and Glenn Ford. And not only was she working regularly in those mediums, she was still a busy theatre actor, appearing in Amadeus, Romeo and Juliet, Blithe Spirit and The Glass Menagerie. Along the way she picked up an Oscar nomination, a few Golden Globe nominations and she won a Screen Actors Guild Award. Now this is all just a partial list, but the fact of the matter is, from the big screen to the small screen to the stage, Amy Irving has always been a very busy working actor. Which brings us to Born In A Trunk, which is Irving debut album. Produced by Goolis, Born In A Trunk is a ten-track collection of songs that are culled from her life and career. She covers numbers by Willie Nelson, Tom Waits and Death Cab For Cutie. And The result? Well, not only a compelling and riveting listen, but an album whose song cycle combines to tell the story of a life on the stage and a career in the arts. Why write a memoir when you can sing one, right? And, boy can Amy Irving sing. Her precision, her timbre, her effortless phrasing and her sheer musical poise make Born In A Trunk one of 2023's great surprises. Instagram: @amyirvingofficial www.stereoembersmagazine.com www.embersarts.com www.alexgreenonline.com www.bombshellradio.com Twitter: @emberseditor Instagram: @emberspodcast Email: editor@stereoembersmagazine.com

This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays select recordings that Ella made in studio with the Count Basie Orchestra, circa 1956, 1962, and 1979. Tracks include April In Paris, On the Sunny Side of the Street, My Last Affair, I'm Getting Sentimental Over You, I'm Beginning to See the Light, Dream A Little Dream Of Me, Teach Me Tonight, 'Deed I Do, Into Each Life Some Rain Must Fall, Don't Worry 'Bout Me, My Kind Of Trouble Is You, Honeysuckle Rose. Ed Robertson produces GPE. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Amy was brought up in the world of theater. She was put on stage from the time she was nine-months-old, her father was the director and her mother was the actress, they didn't want baby sitters for their children, so if she wasn't performing, she would stay in the wardrobe department or her mother used to put her in the second row center where she could watch her. And, before she was 10-years-old, she had already worked in several plays. At a young age, Amy Irving was trained at the American Conservatory Theater and Britain's London Academy of Music and Dramatic Arts (L.A.M.A.D.A.). She made her off-Broadway debut at the age of 17 and, from that moment to date, she received critical acclaim, appearing in such plays as: "Heartbreak House" (1983), "The Road to Mecca" (1988), "Broken Glass" (1994), "The Three Sisters" (1997), "The Guys" (2002), "Ghosts" (2002) and "Celadine" (2004), among others.In 1976, Amy made her film debut, playing "Sue Snell", one of her most unforgettable characters in Stephen King's Carrie (1976), a classic in the horror genre, taken to the big screen by director Brian De Palma. For the next few years, Irving continued working in important films, The Fury (1978), also directed by De Palma, Voices (1979) and The Competition (1980). Later, in 1983, she gave a fine performance as "Hadass", in Barbra Streisand's Yentl (1983), and won an Oscar nomination for her great work in that successful film. Two of her best opportunities arrived in the late 80s, when she played "Anna Anderson" in Anastasia: The Mystery of Anna (1986) and "Isabelle Grossman" in the romantic comedy, Crossing Delancey (1988); she received a Golden Globe nomination for each movie.  She went on to starring roles in Voices, Honeysuckle Rose, The Competition and Micki and Maude. In 2023 Amy released her album -BORN IN A TRUNK- featuring ten cover songs pulled from her life and career. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Long-time listeners know that I'm the proud father of triplets and anyone who has seen me perform stand-up knows that I lean on my experiences raising them heavily when I perform. Well, today's guest on Uncorking a Story, Cort Casady is also a father of triplets and joined me to talk about his latest book Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed. Meet Cort Casady Cort is a TV writer-producer, songwriter, playwright, and author. He has won two Emmy Awards and three NAACP Image Awards for his work as a writer-producer in television. He began his TV writing career by creating the story and characters for a five-installment movie mini-series called Kenny Rogers as The Gambler. He went on to help format and launch the long-running talent competition, Star Search with Ed McMahon, the forerunner of American Idol. His credits include numerous other series, awards shows, and specials. For the past 19 years, he has been supervising producer of the American Film Institute tributes to America's leading actors and filmmakers, including AFI's tributes to George Clooney in 2018, Denzel Washington in 2019, and Julie Andrews this year (after being delayed by COVID for two years). His songs have been recorded by Crystal Gayle, Jessie Colter, and Marshall Chapman and commissioned for the films Electric Horseman and Honeysuckle Rose. His musical play, King of the Road: The Roger Miller Story, co-written with Mary Miller, had its world premiere at the Laguna Playhouse in Laguna Beach in 2017. His memoir, Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed, was just published.  Key Topics: Emotions experienced while having difficulty trying to start a family How a sense of humor helps your sanity (and marital relationship) when raising triplets. Sanity-saving advice given to him by a nurse before leaving the hospital. The importance of rasing multiples as individuals and not part of “a set.” Cort's take on the changes taking place in the America his triplets are inheriting. Buy Not Your Father's America: An Adventure Raising Triplets in a Country Being Changed by Greed Amazon: https://amzn.to/3JlNqIQ Bookshop.org: https://bookshop.org/a/54587/9798985728804 Connect With Cort Casady Website: https://cortcasady.com/ Instagram: https://www.instagram.com/cortcasady/ Facebook: https://www.facebook.com/cortcasadyentertainment LinkedIn: https://www.linkedin.com/in/cortcasady/ Connect with Mike Website: https://uncorkingastory.com/ Youtube: https://www.youtube.com/channel/UCSvS4fuG3L1JMZeOyHvfk_g Instagram: https://www.instagram.com/uncorkingastory/ TikTok: https://www.tiktok.com/@uncorkingastory Twitter: https://twitter.com/uncorkingastory Facebook: https://www.facebook.com/uncorkingastory LinkedIn: https://www.linkedin.com/company/uncorking-a-story/ If you like this episode, please share it with a friend. If you have not done so already, please rate and review Uncorking a Story on Apple Podcasts, or wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

Oscar nominated actress Amy Irving will debut her new BORN IN A TRUNK song project at Outpost in the Burbs with a special concert on March 4, 2023, backed by an 11-piece band. The project includes songs from throughout Amy's film career including songs from Honeysuckle Rose, Carrie, and Who Framed Roger Rabbit. We spoke with Amy in advance of the show and are also including a preview of the song 'Why Don't You Do Right" - it's a fascinating discussion of theater, film, and music.

 You can learn about how versatile a band is by listening to its handling of instrumentals. Without the poetics of the lyrics or the theatrics of the singer, it's up to the soloists to bring drama to the song. To hear what we mean, listen to this four-minute track from a recent Flood show. Vanessa Coffman opens the action with her tasteful statement of Fats Waller's melody, “Honeysuckle Rose.” Then about a minute in, she begins to weave and spin brilliant new threads on that old familiar frame with her tenor sax, beautiful work that then inspires her bandmate, guitarist Danny Cox, when he follows with some gorgeous strings of his own. Yes, Veezy and Danny bring the honey to this rose.

Welcome to JazzPianoSkills; it's time to discover, learn, and play Jazz Piano!Every JazzPianoSkills weekly podcast episode introduces aspiring jazz pianists to essential Jazz Piano Skills. Each Podcast episode explores a specific Jazz Piano Skill in depth. Today you will discover, learn, and play  Fools Rush In. In this Jazz Piano Lesson, you will:DiscoverThe Jazz standard by Fats Waller, Honeysuckle RoseLearnEssential jazz piano voicings and chord/scale relationships for Honeysuckle RosePlayA jazz piano solo for Honeysuckle Rose using classic jazz languageUse the Jazz Piano Podcast Packets for this Jazz Piano Lesson for maximum musical growth. All three Podcast Packets are designed to help you gain insight and command of a specific Jazz Piano Skill. The Podcast Packets are invaluable educational tools to have at your fingertips while you discover, learn, and play Honeysuckle Rose.Open Podcast PacketsIllustrations(detailed graphics of the jazz piano skill)Lead Sheets(beautifully notated music lead sheets)Play Alongs(ensemble assistance and practice tips)Educational SupportCommunity ForumSpeakPipeEpisode OutlineIntroductionDiscover, Learn, PlayInvite to Join JazzPianoSkillsLesson RationaleExploration of Jazz Piano SkillsConclusionClosing CommentsVisit JazzPianoSkills for more educational resources that include a sequential curriculum with comprehensive Jazz Piano Courses, private and group online Jazz Piano Classes, a private jazz piano community hosting a variety of Jazz Piano Forums, an interactive Jazz Fake Book, plus unlimited professional educational jazz piano support.If you wish to support JazzPianoSkills with a donation, you can do so easily through the JazzPianoSkills Paypal Account.Thank you for being a JazzPianoSkills listener. It is my pleasure to help you discover, learn, and play jazz piano!Support the show

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Geoff plays selections from the album that Ella recorded live with Count Basie and his orchestra at the Montreux Jazz Festival in 1979. Not only was this Ella's last great concert, but it was the first album ever to be recorded digitally. Tracks include live performances of Please Don't Talk About Me When I'm Gone, Some Other Spring, Make Me Rainbows, After You've Gone, 'Round Midnight, Honeysuckle Rose, and St. Louis Blues, plus I Don't Stand A Ghost Of A Chance With You and Flying Home. This edition of GPE was produced by Ed Robertson.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The biggest names in Hollywood and Broadway recorded for AFRS during the war years, The American Forces Network can trace its origins back to May 26, 1942, when the War Department established the Armed Forces Radio Service (AFRS). The U.S. Army began broadcasting from London during World War II, using equipment and studio facilities borrowed from the British Broadcasting Corporation (BBC). The first transmission to U.S. troops began at 5:45 p.m. on July 4, 1943, and included less than five hours of recorded shows, a BBC news and sports broadcast. That day, Corporal Syl Binkin became the first U.S. Military broadcasters heard over the air. The signal was sent from London via telephone lines to five regional transmitters to reach U.S. troops in the United Kingdom as they prepared for the inevitable invasion of Nazi-occupied Europe. Fearing competition for civilian audiences the BBC initially tried to impose restrictions on AFN broadcasts within Britain (transmissions were only allowed from American Bases outside London and were limited to 50 watts of transmission power) and a minimum quota of British produced programming had to be carried. Nevertheless AFN programmes were widely enjoyed by the British civilian listeners who could receive them and once AFN operations transferred to continental Europe (shortly after D-Day) AFN were able to broadcast with little restriction with programmes available to civilian audiences across most of Europe (including Britain) after dark. As D-Day approached, the network joined with the BBC and the Canadian Broadcasting Corporation to develop programs especially for the Allied Expeditionary Forces. Mobile stations, complete with personnel, broadcasting equipment, and a record library were deployed to broadcast music and news to troops in the field. The mobile stations reported on front line activities and fed the news reports back to studio locations in London. --------------------------------------------------------------------------- Entertainment Radio Stations Live 24/7 Sherlock Holmes/CBS Radio Mystery Theater https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441 https://live365.com/station/CBS-Radio-Mystery-Theater-a57491 ----------------------------------------------------------------------------

Known as the Gate City, Greensboro, North Carolina is a transitional town: hub of the Piedmont between the mountain high country to the west and coastal Sandhill Plains to the east, and a city defined by the people who have come, gone, and passed through over the years. As a crossroads location, it has long been a way station for many endeavors, including touring musicians - from the likes of the Rolling Stones and Jimi Hendrix at the Greensboro Coliseum, the state's largest indoor arena, to James Brown and Otis Redding at clubs like the El Rocco on the Chitlin' Circuit. Throw in the country and string band influences from the textile mill towns in the area, and the regional style of the Piedmont blues, and you've got yourself quite the musical melting pot.  This historical mixture was not lost on one of Greensboro's own, Rhiannon Giddens - one of modern day Americana's ultimate crossover artists. A child of black and white parents, she grew up in the area hearing folk and country music, participating in music programs in local public schools, and eventually going on to study opera at Oberlin Conservatory in Ohio. Once she returned to North Carolina and came under the study of fiddler Joe Thompson and the Black string band tradition, she began playing folk music and forged an artistic identity steeped in classical as well as vernacular music. In this episode of Carolina Calling, we spoke with Giddens about her background in Greensboro and how growing up mixed and immersed in various cultures, in a city so informed by its history of segregation and status as a key civil rights battleground, informed her artistic interests and endeavors, musical styles, and her mission in the music industry.    Subscribe to Carolina Calling to follow along as we journey across the Old North State, visiting towns like Durham, Wilmington, Shelby, Asheville, and more. Brought to you by The Bluegrass Situation and Come Hear NC Music featured in this episode: Rhiannon Giddens - "Black is the Color"Andrew Marlin - "Erie Fiddler"Carolina Chocolate Drops - "Cornbread and Butterbeans"The Rolling Stones - "Rocks Off"Count Basie and His Orchestra - "Honeysuckle Rose"Roy Harvey - "Blue Eyes"Blind Boy Fuller - Step It Up and GoRhiannon Giddens, Francesco Turrisi - "Avalon"Carolina Chocolate Drops - "Snowden's Jig (Genuine Negro Jig)"Barbara Lewis -"Hello Stranger"The O'Kaysions - "Girl Watcher"Joe and Odell Thompson - "Donna Got a Rambling Mind"Carolina Chocolate Drops - "Country Girl"Carolina Chocolate Drops - "Hit 'Em Up Style"Our Native Daughters - "Moon Meets the Sun"Rhiannon Giddens, Francesco Turrisi - "Si Dolce é'l Tormento" Cover image: Rhiannon Giddens by Ebru YildizAdvertising Inquiries: https://redcircle.com/brands

Hosts Jim DeRogatis and Greg Kot are taking a sonic vacation from another pandemic winter by sharing their favorite songs about getting away! They also hear selections from the production staff and they review the new record from Mitski. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lURecord a Voice Memo: https://bit.ly/2RyD5Ah Featured Songs:The Go-Go's, "Vacation," Vacation, I.R.S., 1982Mitski, "Working For the Knife," Laurel Hell, Dead Oceans, 2022Mitski, "The Only Heartbreaker," Laurel Hell, Dead Oceans, 2022Mitski, "Stay Soft," Laurel Hell, Dead Oceans, 2022Weezer, "Island in the Sun," Weezer (Green Album), Geffen, 2001The Ventures, "Hawaii Five-O," Hawaii Five-O, Liberty, 1969The Beginning of the End, "Funky Nassau Pt. 1," Funky Nassau, Alston, 1971Guided By Voices, "Motor Away," Alien Lanes, Matador, 1995Amyl and the Sniffers, "Hertz," Comfort to Me, B2B, 2021Willie Nelson, "On the Road Again," Honeysuckle Rose, Columbia, 1980Pink Floyd, "Point Me at the Sky," Point Me at the Sky (Single), EMI, 1968Joni Mitchell, "Free Man in Paris," Court and Spark, Asylum, 1974Jonathan Richman & The Modern Lovers, "I Love Hot Nights," Modern Lovers 88, Rounder, 1988Big Star, "The India Song," #1 Record, Ardent, 1972Ronnie Spector & The E Street Band, "Say Goodbye To Hollywood," Say Goodbye To Hollywood (Single), Epic, 1977Summer Salt, "Driving to Hawaii," Driving to Hawaii, Cherry Lime, 2014Kraftwerk, "Europe Endless," Trans-Europe Express, Capitol, 1977Bronski Beat, "Small Town Boy," The Age of Consent, London, 1984A Tribe Called Quest, "I Left My Wallet in El Segundo," People's Instinctive Travels and the Paths of Rhythm, Jive, 1990Rihanna, "Desperado," Anti, Westbury Road, 2016The B-52's, "Roam," Cosmic Thing, Reprise, 1989Eleanor Friedberger, "It's Hard," Rebound, French Kiss, 2018Kiss, "Strutter," Kiss, Casablanca, 1974

Welcome to The Last Thing I Saw with your host, Nicolas Rapold. This one's a wild journey with guest Carlos Valladares, a critic and Yale graduate scholar. Carlos is working on a project about the director Jerry Schatzberg, so our conversation starts with his films Scarecrow and Honeysuckle Rose. Then it's off to the races: Alain Resnais's Je t'Aime, Je t'Aime; Looney Tunes; the late Joan Micklin Silver; Kevin Jerome Everson's Park Lanes; and Bill Gunn's great lost studio film, Stop! For complete show notes with links, sign up for my newsletter at rapold.substack.com Music: “Monserrate” by The Minarets Photo by Steve Snodgrass

High-Dollar Hoedown Double Feature Our first feature finds a country singer on the cusp of stardom. But does breaking big onstage mean breaking up his family? Pull up a bale of hay, partner! Let's watch Honeysuckle Rose.  Then... We'll rattle off a second feature about another honky tonk man who'll either live out his country songs or die tryin'. Bring your lighters for The Night the Lights Went Out In Georgia.   ___________________________________________ Have a movie request? A compliment about our delicious snack bar treats, our (mostly) friendly staff and our spotless restrooms? Don't bother filling out a comment card. (Lucy throws those away.) Connect with us via: Twitter: https://twitter.com/AllNightDriveIn Instagram: @allnightdrivein Facebook: https://www.facebook.com/TheAllNightDriveInPictureShow/  E-mail: Allnightdriveinpictureshow@gmail.com Join us every two weeks for another double feature under the stars by subscribing, reviewing, and rating the show on Apple Podcasts, Stitcher, or your favorite podcatcher, or check out The All-Night Drive-In Picture Show YouTube page.  We appreciate your patronage! Please hang up your speaker before leaving. Drive safely! 

"We're on the air!" says an anonymous voice right at the top, and so we are, once again. Bob took a couple of weeks off-recording in Les Paul's living room for one thing (more on that later!)-but he's back on his regular broadcast for at least a couple of weeks. We get a new announcer (John Storm?) but Bob, Ray Sherman, Ralph Collier, and Jud De Naut return once again, starting off with "Sweet Georgia Brown" and then into a samba, "Tymbales" with Ralph's propulsive percussion killing it on congas. Dear Margo Powers returns once again and this time sings a lovely new ballad, "Again", with Ray doubling on organ. The quartet plays the bop version of "Honeysuckle Rose" (and listen to Ralph on vibes!). Margo comes back for "A Wonderful Guy" (Ray back to the organ) to close out our ten minute piece of beauty. Soon Bob's career takes off and he will leave the comfy confines of the radio studio behind, but don't worry: we'll have a whole new season's worth of rare recordings, outtakes, acetates, and guest appearances. Stay tuned!