Film Graze

Join us as we take a look at this decade's version of the BFI Sight & Sound official canon, which saw 1600 critics submitting their top ten films. This year's pair of lists - hundreds of directors are polled separately - sees some surprise reshuffles, old favourites make their debuts, some losers left gone with the wind and some truly bizarre submissions from the world's most beloved filmmakers. Stay tuned till the end to hear our own unsolicited submissions. Featuring a cover of 'Out of Site' by Built to Spill. Emmett's top ten: CELINE & JULIE GO BOATING JOHNNY GUITAR WAGON MASTER SHANGHAI EXPRESS PLAYTIME Z WERCKMEISTER HARMONIES AU HASARD BALTHASAR STRAY DOGS SINGIN' IN THE RAIN Sam's top ten: SAMBIZANGA TROPICAL MALADY EUROPA (1933) ASH IS PUREST WHITE YOU, THE LIVING THE CHRONICLE OF ANNA MAGDALENA BACH BARBARA AMERICAN TORSO DIAMONDS OF THE NIGHT LA COMMUNE, PARIS 1871 Episode Art by Sam The Sight & Sound Greatest Films of All Time Critics' Poll 2022: https://www.bfi.org.uk/sight-and-sound/greatest-films-all-time The Directors' Poll: https://www.bfi.org.uk/sight-and-sound/directors-100-greatest-films-all-time — Subscribe to Film Graze on your podcast app of choice, and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Emmett Cruddas

This episode takes the form of a trip around all the corners of London (besides the West), revisiting the highlights of 2022's calendar of rep screenings, film clubs, retrospectives, festivals and rescorings in an attempt to prove we haven't not been participating in film culture while the podcast feed's been a little quiet. Inside are looks at a bunch of old favourites, new discoveries and some wild programming. Featuring a cover of 'Big Railroad Blues' by Cannon's Jug Stompers (arr. The Grateful Dead) Institutions visited: The BFI Southbank The Garden Cinema Sands Films Kennington Bioscope The 5 to 9 Film Club The Barbican The Goethe Institute Godardmageddon The Prince Charles Cinema Picturehouse Cinemas Screenings Discussed: Shoot the Piano Player The Last Metro Jules et Jim Wings of Desire Alice in the Cities Mothra The Baby of Macon The Draughtsmans Contract Satantango Werckmeister Harmonies A Brighter Summer Day La Regle Du Jeu All That Jazz Les Vacances de m Hulot The Scarlet Empress Make Way For Tomorrow Every Revolution is a Roll Of The Dice Sicilia! Six Bagatelles The Death of Empendocles Cezanne Les Carabiniers Something Different Okraina Divine Street Scene Ball of Fire Les Affaires Publiques Foolish Wives The Wedding March Dragnet Girl The Gold Diggers Destiny Vampyr Casque D'Or The Mother and the Whore The Grateful Dead: Tivolis Koncertsal 04/17/72 Episode Art by Sam — Subscribe to Film Graze on your podcast app of choice, and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Emmett Cruddas

For the first in an end-of-year extravaganza of episodes, we're back to discuss the work of legendary Chilean documentary filmmaker Patricio Guzman.  Active since the early '70s, Guzman started out as a chronicler of the Allende years, capturing the right-wing backlash and subsequent coup on camera before going into a decades-long exile in Europe. Since then, his films have dealt almost exclusively with the painful memory of the junta and its victims, the violent injustices of the Pinochet years and the condition of his homeland, turning away from the conventional third-cinema documentary form of his early work towards something increasingly poetic, metaphorical and personal. With Guzman's latest film, MY IMAGINARY COUNTRY, having its UK premiere at LFF 2022, and THE CORDILLERA OF DREAMS (the final part of a trilogy alongside NOSTALGIA FOR THE LIGHT and THE PEARL BUTTON) also going on general release this year, we (belatedly) take the opportunity to appraise his seminal filmography. Featuring covers of Victor Jara's El Cigarrito (Sam) and Manifesto (Emmett) Episode art by Sam.  FILMOGRAPHY The Battle of Chile (1975-79) Chile: Obstinate Memory (1997) Galaxy of Problems (2010) Nostalgia For The Light (2010) The Pearl Button (2015) The Cordillera of Dreams (2019) My Imaginary Country (2022) BIBLIOGRAPHY  Patricio Guzman, 'Politics and Documentary in People's Chile' (1977) in Cinema and social change in Latin America: conversations with filmmakers, ed. Julianne Burton (Austin, 1986). Inez Hedges, 'Obstinate Memory: Chris Marker's and Patricio Guzman's Pictures for a Revolution' in World Cinema and Cultural Memory (2015) Paula Lagos Labbé, 'Political and Affective Shifts in Contemporary Chilean Documentary' in Chilean Cinema in the Twenty-First Century, eds. Carl Fischer and Vania Barraza (Detroit, 2020) Belinda Small, 'Rethinking the Human, Rethinking the Essay Film: The Ecocritical Work of The Pearl Button' in Beyond the essay film: subjectivity, textuality, and technology, ed. Julia Vassilieva and Deane Williams (Amsterdam, 2020) Valeria Valenzuela, 'Giro subjetivo en el documental latinoamericano: De la cámara-puño al sujeto-cámara' (2011), https://www.lafuga.cl/giro-subjetivo-en-el-documental-latinoamericano/439 — Subscribe to Film Graze on your podcast app of choice, and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey and Emmett Cruddas

We're not the only ones grazing for this episode as we take a look at an intriguing new trend in cinema: the proliferance of feature-length ‘observational' documentaries about livestock. Victor Kossakovsky's GUNDA (2021) and Andrea Arnold's COW (2021) wring tension, drama and political impetus out of paying £15 to watch a farm animal's daily life projected 60-feet tall with strikingly different aesthetic approaches, prompting us to revisit a true classic of our time in Michelangelo Frammartino's Hircine masterpiece LE QUATTRO VOLTE (2010), as well as other cinematic precedents by Georges Franju, Robert Bresson and Béla Tarr. Frammartino's new film IL BUCO, his first in twelve years and a truly awe-inspiring development of his style, previewed at the London Film Festival last year and will be released by New Wave Films on June 10th. The soundtrack features a cover of ‘Reincarnation' by Roger Miller. Select filmography: Cow (2021) Gunda (2020) Le Quattro Volte (2010) The Metamorphosis of Birds (2020) The Turin Horse (2011) River (2021) Au Hasard Balthazar (1966) Le Sang des bêtes (1949) Subscribe to Film Graze on your podcast app of choice and leave us a positive rating and review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey

Apichatpong ‘Joe' Weerasethekul's new film MEMORIA is the latest piece of an absolutely essential filmography, one that walks in multiple realities, exploring national and personal memory with distinct humour, poetry and a truly transcendental style. It's also his first feature shot outside his native north-eastern Thailand, and features an all-time great performance from god of cinema/Film Graze bete noire Tilda Swinton. We look at Joe's entire oeuvre going back to MYSTERIOUS OBJECT AT NOON, in a conversation encompassing his gallery work, approach to genre, sublime music taste and affinity with hospitals. We also try to situate his work within the larger contexts of both Thai and international cinema (including filmmakers like Bruce Bailie and Anocha Suwichakornpong) and touch upon state censorship and the ways in which Thai filmmakers in the past and present grapple with their national history and contemporary political landscape(s). With discussions of films of endless depth like TROPICAL MALADY and UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES, tune in to find out why Emmett has wanted to do this episode since before the podcast began and exactly how far under their spell Sam fell. The soundtrack includes Phil Graves' covers of ‘Love Is A Song' by DJ Soulscape, ‘Reincarnation' by Roger Miller, ‘I Would Hurt A Fly' by Built To Spill and selections from the score to Mekong Hotel. Films Discussed: Mysterious Object At Noon (2000) Blissfully Yours (2002) The Adventure of Iron Pussy (2003) Tropical Malady (2003) Syndromes and a Century (2006) Uncle Boonmee Who Can Recall His Past Lives (2010) Mekong Hotel (2013) Cemetery of Splendour (2015) Memoria (2021) Subscribe to Film Graze on your podcast app of choice and leave us a positive rating if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

With 'Licorice Pizza' out in cinemas and being met with a resolutely split-down-the-middle audience reception, we look at the career of one of the most significant American filmmakers of our lifetimes - Paul Thomas Anderson - featuring several absolute classics like The Master, Magnolia and Inherent Vice. This episode features the first and only use of the word 'talented' on the Film Graze Podcast as we reckon with the San Fernando Valley's favourite son's disconcertingly accomplished juvenalia, the influence of Robert Altman on his entire body of work and his collaborations with some of the most acclaimed musicians of our time like Fiona Apple, Joanna Newsom and Radiohead. Films discussed: The Dirk Diggler Story (1988) Cigarettes and Coffee (1993) Hard Eight (1996) Boogie Nights (1997) Magnolia (1999) Punch-Drunk Love (2002) There Will Be Blood (2007) The Master (2012) Inherent Vice (2014) Junun (2015) Phantom Thread (2017) Licorice Pizza (2021) Big thank you to Martin O'Dea of https://hungrysandwich.club/ for our new logo and graphics!! The soundtrack includes Phil Graves' covers of 'Etude Op. 10, No. 3 ('No Other Love')' by Frederic Chopin, 'Let Me Roll It' by Paul McCartney & Wings, 'He Needs Me' by Harry Nilsson, 'Journey Through The Past' and 'Harvest' by Neil Young and '(I'd Like To Get You On A) Slow Boat To China' by Frank Loesser. Subscribe to Film Graze on your podcast app of choice and give us a positive rating/review if you enjoy the show. Film Graze 041 on the films of Apichatpong Weerasethekul coming soon. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ co-produced by Emmett Cruddas and Sam Storey

We're back with another historical episode, this time casting our gaze back onto the distant cinema of 2021... Yes, this is the one where we get to talk about everything we didn't get the chance to last year (as well as revisiting some things we did), in a chat which stretches from Tsai Ming Liang's DAYS to ARSÈNE WENGER: INVINCIBLE. While neither of us had or have seen the new Spiderman film, we do discuss, however fleetingly, such blockbuster treats as DUNE and BOND, Sir Ridley Scott's duo of dramas THE LAST DUEL and HOUSE OF GUCCI, alongside arthouse favourites like Andreas Fontana's AZOR and Ryusuke Hamaguchi's DRIVE MY CAR. Featuring covers of ‘American Tterroristt' (RXK Nephew) from Emmett and ‘Estilo Pampaneo' (Abel Fleury), ‘Drive My Car' (Eiko Ishibashi) and ‘I'm An Accompanist' (Sparks) from Sam. Subscribe to Film Graze on your podcast app of choice and leave us a positive rating if you enjoy the show. Filmography: Annette (dir. Leos Carax) Arsène Wenger: Invincible (dir. Gabriel Clarke and Christian Jeanpierre) Azor (dir. Andreas Fontana) Bad Luck Banging or Loony Porn (dir. Radu Jude) Bad Trip (dir. Kitao Sakurai) C'mon C'Mon (dir. Mike Mills) Cry Macho (dir. Clint Eastwood) Days (dir. Tsai Ming Liang) Drive My Car (dir. Ryusuke Hamaguchi) Dune (dir. Denis Villeneuve) Europa (dir. Stefan and Franciszka Themerson) First Cow (dir. Kelly Reichardt) House of Gucci (dir. Ridley Scott) Limbo (dir. Ben Sharock) Martin Eden (dir. Pietro Marcello) No Time to Die (dir. Cary Joji Fukunaga) Petite Maman (dir. Celine Sciamma) PVT Chat (dir. Ben Hozie) Spencer (dir. Pablo Larraín) State Funeral (dir. Sergei Loznitsa) Summer of Soul (dir. Questlove) The Card Counter (dir. Paul Schrader) The French Dispatch (dir. Wes Anderson) The Green Knight (dir. David Lowery) The Last Duel (dir. Ridley Scott) The Power of the Dog (dir. Jane Campion) The Velvet Underground (dir. Todd Haynes) Undine (dir. Christian Petzold) Uppercase Print (dir. Radu Jude) West Side Story (dir. Steven Spielberg) Zola (dir. Janicza Bravo) twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Emmett Cruddas

For our final episode of 2021 we're going back to 1921 one more time for a look at American cinema 100 years ago! We discuss enduring classics like Charlie Chaplin's THE KID alongside other key comedies by the likes of Buster Keaton, Harold Lloyd and Max Linder, films by D.W. Griffith (ORPHANS OF THE STORM), Henry King (TOL'ABLE DAVID) and Lois Weber (THE BLOT), the star power of Mary Pickford, Douglas Fairbanks and Rudolph Valentino, left-wing filmmaking, the one supposedly ‘avant-garde' American film of 1921 (MANHATTA), a plethora of lost and forgotten films, 'international cinema' in the US and much more! Recommended reading includes: Kevin Brownlow, 'The Parades Gone By…' (1968) Ibid, 'Behind the Mask of Innocence' (1990) and there are quotes read out from Steven J. Ross, 'Working Class Hollywood: Silent Film and the Shaping of Class in America' (1998) Filmography: A Daughter of the Law (dir. Grace Cunard) A Sailor-Made Man (dir. Harold Lloyd and Fred C. Newmayer) Action (dir. John Ford) Dream Street (dir. D.W. Griffith) Hard Luck (dir. Buster Keaton and Edward F. Cline) I Do (dir. Harold Lloyd and Fred C. Newmayer) Manhatta (dir. Paul Strand and Charles Sheeler) Never Weaken (dir. Harold Lloyd and Fred C. Newmayer) Orphans of the Storm (dir. D.W. Griffith) Seven Years Bad Luck (dir. Max Linder) The Ace of Hearts (dir. Wallace Worseley) The Blot (dir. Lois Weber) The Boat (dir. Buster Keaton and Edward F. Cline) The Contrast (dir. Guy Hedlund) The Four Horsemen of the Apocalypse (dir. Rex Ingram) The Goat (dir. Keaton and Edward F. Cline) The Idle Class (dir. Chaplin) The Kid (dir. Chaplin) The Love Light (dir. Frances Marion) The Lucky Dog (dir. Jess Robins) The New Disciple (dir. Ollie Sellers) The Play House (dir. Keaton and Edward F. Cline) The Sheik (dir. George Melford) The Sky Pilot (dir. King Vidor) The Three Musketeers (dir. Fred Niblo) The Wallop (dir. John Ford) Tol'able David (dir. Henry King) The soundtrack includes covers of ‘100 Years Ago' by the Rolling Stones and ‘Lonesome Road Blues' from Emmett, and an accordion interpretation of ‘1921' by the Who from Sam. Subscribe to Film Graze on your podcast app of choice and please give us a positive rating/review if you enjoy the show. twitter.com/FilmGraze letterboxd.com/Film_Graze instagram.com/film.graze Produced by Sam Storey

We're delighted to be joined this episode by Mehelli Modi, founder of legendary arthouse label Second Run DVD, for a wide-ranging conversation about the love of film. We chat about some recent and upcoming Second Run releases, including such gems as Zbyněk Brynych's …AND THE FIFTH HORSEMAN IS FEAR (1965) and Zoltán Fábri majestic romantic drama MERRY-GO-ROUND (1956), Mehelli shares some wonderful stories about working with such Film Graze Faves as Tsai Ming-liang, Miklós Jancsó and Béla Tarr, we discuss access to international cinema in the twentieth century and the present, the idea of the documentary, the dimensions of the Czech New Wave and much more! The cover photo is from ...AND THE FIFTH HORSEMAN IS FEAR. Visit the Second Run DVD site below to see the details of their ever-growing catalogue of treasures: https://www.secondrundvd.com/browse2.html And check out their webstore here: https://secondrundvd.ecwid.com/ Subscribe to Film Graze on your podcast app of choice and please leave us a positive rating/review if you enjoy the pod. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey

This week we catch up on some festival viewings over the last couple of months and get to graze on the work of some of our favourite filmmakers. From the London Film Festival, we discuss the presentation of Stefan and Franciszka Themerson's EUROPA (1931), an extraordinary Polish avant-garde short long thought lost after its confiscation by the Nazis, and Sam reviews Radu Jude's hilarious and timely new feature BAD LUCK BANGING OR LOONY PORN (2021). Next, Emmett reports on Tsai Ming-Liang's long-awaited return to feature filmmaking with the mesmeric DAYS (2020), presented at the Queer East Film Festival. We then discuss the programme at this year's Japanese Avant-garde and Experimental Film Festival, including Shuji Terayama's BOXER (1977), Tatsumi Kumashiro's LOVERS ARE WET (1973) and Kon Ichikawa's TOKYO OLYMPIAD (1965), before rounding things up with a look back on the recent presentation of Jean-Marie Straub and Danièle Huillet's FROM THE CLOUD TO THE RESISTANCE (1979) at the Institut Francais as part of the Open City Documentary Festival. With covers of 'Days' by the Kinks and the theme from 'Boxer' by J.A. Seazer. Subscribe to Film Graze on your podcast app of choice and please leave us a positive rating/review if you enjoy the pod. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Sam Storey

We're back, grazing on a pair of films about films. We get things underway with a chat about Prano Bailey-Bond's stylised, period tribute to the ‘video nasty' genre, CENSOR (2021) and the state of British cinema. Then, following on from our last episode on the work of Robert Altman, we're sticking with New American Cinema with a look at Brian De Palma's Vilmos Zsigmond-lensed paranoiac political drama, BLOW OUT (1981). With a short cover of Radiohead's ‘Blow Out' for good measure. Subscribe to Film Graze on your podcast app of choice and please leave us a positive rating/review if you enjoy the pod. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Produced by Emmett Cruddas and Sam Storey

Following the recent Robert Altman retrospective at the BFI, we're back with a survey of his work ranging from early corporate work like the ‘The Dirty Look' (1956) up to his 2006 swansong, A Prairie Home Companion, via a glut of bona fide classics of American cinema and one or two legendary flops – i.e. Quintet (1979). We discuss the key features of Altman's visionary film style, trace the vicissitudes of his storied career and ‘get into it' on a number of real favourites, including the essential revisionist western texts McCabe and Mrs Miller (1971) and Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) and the brilliantly realised comic musical, Popeye (1980), before finishing up with our top 5 Altman films (at the time of recording!). Featuring covers of ‘The Stranger Song' by Leonard Cohen, ‘Thieves like Us' by Iceage, a Hornpipe/Popeye Theme medley arrangement, ‘It Don't Worry Me' by Keith Carradine and ‘Everything is Food' by Harry Nilsson. Full filmography (in chronological order): Modern Football (1951) The Dirty Look (1954) The James Dean Story (1957) Alfred Hitchcock Presents: “The Young One” and “Together” (1958) M.A.S.H (1970) Brewster McCloud (1970) McCabe & Mrs. Miller (1971) Images (1972) The Long Goodbye (1973) Thieves Like Us (1974) California Split (1974) Nashville (1975) Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976) 3 Women (1977) Quintet (1979) HealtH (1980) Popeye (1980) Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982) Secret Honor (1984) Aria (1987) Tanner ‘88 (1988) The Player (1992) Short Cuts (1993) Kansas City (1996) Dr. T & The Women (2000) Gosford Park (2001) The Company (2003) A Prairie Home Companion (2006) Bibliography: David Thomson (ed.), ‘Altman on Altman', 2006. Doran William Cannon, ‘The Kid Wanted to Fly—So They Gave Him the Air' in The New York Times, Feb. 7, 1971. Mitchell Zuckoff (ed.), ‘Robert Altman: the Oral Biography', 2009. Robert Niemi, ‘The Cinema of Robert Altman: Hollywood Maverick', 2016. Robin Wood, ‘Hollywood from Vietnam to Reagan… and Beyond: Expanded and Revised Edition', 2003. Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

This episode we're thrilled to be joined by friend of the show Louis Bennett (insta @louisben1995) for a special on painters on screen. We discuss some old favourites, some new discoveries, a couple of real stinkers and much more in a wide-ranging discussion about screen representations of fictional, contemporary and historical painters' lives, work and times. Check below for the full filmography! Louis' latest show, ‘Ariel', is exhibiting at the Kristin Hjellegjerde Gallery (https://bit.ly/3znSUuf) in Wandsworth, London until 31st July and includes the cover image of this episode, 'It Was Written'. Featuring covers of ‘When I Paint My Masterpiece' by Bob Dylan & The Band, ‘When I Was a Painter' by The Breeders, ‘Painter in Your Pocket' by Destroyer and ‘Painter Man' by The Creation. Filmography (in order of appearance): Mrs. Lowry and Son (Adrian Noble, 2019) Miss Potter (Chris Noonan, 2006) Lust For Life (Vincente Minnelli, 1956) The Horse's Mouth (Ronald Neame, 1954) The Rebel (Robert Day, 1961) The Square (Ruben Ostlund, 2017) Dinner for Schmucks (Jay Roach, 2010) The Draughtsman's Contract (Peter Greenaway, 1982) Dont Let The Riverbeast Get You! (Charles Roxburgh, 2012) Mr. Turner (Mike Leigh, 2014) After Hours (Martin Scorsese, 1985) Life Lessons (Martin Scorsese, 1989) Portrait of a Lady on Fire (Celine Sciamma, 2019) The Belly of an Architect (Peter Greenaway, 1987) The Agony and The Ecstasy (Carol Reed, 1964) Final Portrait (Stanley Tucci, 2017) Nightwatching (Peter Greenaway, 2008) The Da Vinci Code (Ron Howard, 2007) The Mill & The Cross (Lech Majewski, 2011) La Kermesse Heroique (Jacques Feyder, 1936) Andrei Rublev (Andrey Tarkovsky, 1968) The Seventh Seal (Ingmar Bergman, 1957) Rembrandt (Alexander Korda, 1936) Rembrandt fecit 1669 (Jos Stelling, 1977) A Bigger Splash (Jack Hazan, 1973) The Quince Tree Sun (Victor Erice, 1992) The Mystery of Picasso (Henri-Georges Clouzot, 1958) Caravaggio (Jarman, 1986) Artemisia (Agnes Merlet, 1997) Frida Still Life (Paul Deluc, 1983) Frida (Julie Taymor, 2002) At Eternity's Gate (Julian Schnabel, 2018) Basquiat (Julian Schnabel, 2000) Vincent & Theo (Robert Altman, 1991) Van Gogh (Maurice Pialat, 1991) Loving Vincent (Dorota Kobeila & Hugh Welchmann, 2017) Csontvary (Zoltan Huszarik & Ferenc Olasz, 1980) Klimt (Raul Ruiz, 2006) The Hypothesis of the Stolen Painting (Raul Ruiz, 1978) Pirosmani (Giorgi Shengelaia, 1969) Arabesques on the Pirosmani Theme (Sergei Parajanov, 1985) Schalken the Painter (Leslie Megahey, 1979) Pollock (Ed Harris, 2000) Love is the Devil (John Maybury, 1998) Edvard Munch (Peter Watkins, 1974) Montparnasse 19 (Max Ophuls & Jacques Becker, 1958) Bibliography: John A. Walker, Art and Artists on Screen (1993) David Bovey, The artist biopic: a historical analysis of narrative cinema, 1934-2010 (unpublished 2015 PhD thesis). Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

With the release of his latest film, Undine, we're back with a special episode on the films of Christian Petzold, master of the back-of-head portrait and poet of the Eurozone. With discussions about every feature film (and some shorts too), we trace his near three-decade career as one of the key figures of the Berlin School of filmmaking, looking at his treatment of genre, history and neoliberalism, his key collaborations and influences, the development of his style and much more. Works discussed: Suden (1990, student film) Ostwärts (1991, student film) Pilotinnen aka Pilots aka Drifters (1995, dffb final proj/TV film) Cuba Libre (1996, TV film) Die Beischlafdiebin aka The Sex Thief (1998, TV film) Die innere Sicherheit aka The State I Am In (2000) Toter Mann aka Something to Remind Me (2001, TV film) Wolfsburg (2003, TV film) Gespenster aka Ghosts (2005) Yella (2007) Jerichow (2008) Barbara (2012) Phoenix (2014) Transit (2018) Undine (2020) Featuring covers of ‘Abreise' (Transit OST) by Stefan Will, ‘Road to Nowhere' by Talking Heads, ‘Speak Low' by Kurt Weill and ‘Stayin' Alive' by the Bee Gees. If you enjoyed our treatment of Petzold's work, we've also done full filmography treatments of the work of Roy Andersson, Bong Joon-ho, Charlie Kaufman, Kleber Mendonça Filho and Kelly Reichardt. Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

For the second part of our ongoing series on films from exactly one century ago, we're looking at some serious classics and rediscovered gems from Weimar Germany, Austria and Czechoslovakia. With chats about the first abstract films, the impact of film expressionism, the Kammerspielfilm, works by some of the greatest talents the cinema has ever known, and much more. Filmography (all from 1921) 'The Wildcat' (dir. Ernst Lubitsch) 'Sappho' (aka 'Mad Love') (dir. Dimitri Buchowetzki) 'Lady Hamilton' (dir. Richard Oswald) 'Backstairs' (dir. Leopold Jessner) 'Shattered' (dir. Lupu Pick) 'The Haunted Castle' (dir. F.W. Murnau) 'Journey Into The Night' (dir. F.W. Murnau) 'The Indian Tomb' (dir. Joe May) 'Four Around The Woman' (dir. Fritz Lang) 'Destiny' (dir. Fritz Lang) 'The Flying Koffer' (dir. Lotte Reiniger) 'Lichtspiel Opus I' (dir. Walther Ruttmann) 'Rhythmus 21' (dir. Hans Richter) 'Labyrinth of Horror' (dir. Michael Curtiz) 'Arrival From The Darkness' (dir. Jan S. Kolar) 'The Poisoned Light (dir. Jan S. Kolar) 'Janosik' (dir Jaroslav Siakel) The soundtrack includes Phil Graves' arrangements of '1921' by The Who (German translation by Emmett), 'Mad Luv' by Future, 'Eyesight To The Blind' by Sonny Boy Williamson (arr. The Who), 'Behold A Marvel In The Darkness' by Deerhoof and '100 Years Ago' by The Rolling Stones. Subscribe to Film Graze on your podcast app of choice! twitter.com/FilmGraze letterboxd.com/Film_Graze instagram.com/film.graze co-produced by Emmett Cruddas & Sam Storey

In advance of the 91st Academy Awards (and the 8th Annual On Cinema Oscar Special) this Sunday, we dabbled in Proper Film Journalism and reviewed the 8 best pictures nominated for Hollywood’s biggest prize. Running order: MINARI (Lee Isaac Chung) THE TRIAL OF THE CHICAGO 7 (Aaron Sorkin) JUDAS AND THE BLACK MESSIAH (Shaka King) NOMADLAND (Chloe Zhao) SOUND OF METAL (Darius Marder) MANK (David Fincher) PROMISING YOUNG WOMAN (Emerald Fennel) THE FATHER (Florian Zeller) Featuring covers of 'Purify' by Black Gammon (written by Pharmakon) from the Sound of Metal OST, 'Return of the Grievous Angel' by Gram Parsons, and 'Toxic' by Britney Spears.

Join us for this first part of a continuous series of Grazes wherein we look at extant popcorn classics from a whole century ago. For this episode, we examined the fascinating cinematic output of Japan, Scandinavia, Italy, France and the Soviet Union in 1921, as well as giving a precis of the growth of film from its first appearance in the mid 1890s up to that point. Forthcoming episodes this year will focus on films from Weimar Germany and Czechslovakia, followed by our Anglophone Silent edition. Filmography (all from 1921): ‘Jiraya The Hero’ (dir. Shōzō Makino) ‘Souls On The Road’ (dir. Minoru Murata) ‘The Murder of General Gryaznov’ (dir. Ivane Perestiani) ‘The Phantom Carriage’ (dir. Victor Sjöström) ‘Johan’ (dir. Mauritz Stiller) 'Markens Grøde' (dir. Gunnar Sommerfeldt) 'Hamlet' (dir. Svend Gade & Heinz Schall) ‘L’uomo Meccanico’ (dir. André Deed) ‘El Dorado’ (dir. Marcel L’Herbier) ‘Fievre’ (dir. Louis Delluc) ‘L’atlantide’ (dir. Jacques Feyder) The soundtrack includes Phil Graves’ arrangements of ‘1921’ by The Who, ’The Sheik of Araby’ by Harry B. Smith, Francis Wheeler and Ted Snyder, ‘La Catedral’ by Agustín Barrios and ‘100 Years Ago’ by The Rolling Stones Subscribe to Film Graze on your podcast app of choice! twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze co-produced by emmett cruddas & sam storey

This week we discuss Dušan Hanák’s PICTURES OF THE OLD WORLD (1972), a remarkable document of rural Slovakian life in the twentieth century, before grazing on Paul Greengrass’s new Netflix-distributed western, NEWS OF THE WORLD (2021). Featuring covers of the Modern Lovers’ ‘The Old World’, the Jam’s ‘News of the World’, Knot’s ‘The World’ + music from the PICTURES soundtrack. Subscribe to Film Graze on your podcast app of choice! twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze Co-produced by Emmett Cruddas and Sam Storey

We’re back for a deep dive into the filmography of one of America’s finest working filmmakers, KELLY REICHARDT. We get things rolling with chats about her delightful latest feature FIRST COW and her classic wagon-trail western MEEK’S CUTOFF (2010), before discussing her debut feature RIVER OF GRASS (1994), ODE (1999), OLD JOY (2006), WENDY AND LUCY (2008), NIGHT MOVES (2013) and CERTAIN WOMEN (2016). We touch on her collaborative relationship with writer Jonathan Raymond, the treatment of nature and history in her films, and much much more! Featuring covers of 'Cookie's Theme' by William Tyler, 'Cant Stop Wont Stop' by Meekz, 'I Was Drunk At The Pulpit' by Palace Brothers, 'Evergladed' by Sammy & 'Night Moves' by Bob Seeger & The Silver Bullet Band. Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ instagram.com/film.graze/ Co-produced by Emmett Cruddas and Sam Storey

to close out (and exorcise) 2020, we've trawled through our film diaries and letterboxd accounts to put together our top 10s of the year! we also discuss some of our favourite first time watches over the last twelve lockdown-y months, from OUT 1 to CLOSELY WATCHED TRAINS via the Guided by Voices documentary WATCH ME JUMPSTART, as well as some of the film-related books and podcasts that have kept us entertained this year. Emmett No. 10: THE TWO POPES 00:02:02 Sam No. 10: LES MISERABLES 00:03:05 E No. 9: BILL AND TED FACE THE MUSIC 00:05:09 S No. 9: THE GOOD GIRLS 00:06:58 E No. 8: PORTRAIT OF A LADY ON FIRE 00:08:26 S No. 8: ABOUT ENDLESSNESS 00:10:04 E No. 7: THE WOMAN WHO RAN 00:10:40 S No. 7: PARASITE 00:13:08 E No. 6: BACURAU 00:15:00 S No. 6: VITALINA VARELA 00:16:03 Worst Films of the Year 00:18:19 E No. 5: I’M THINKING OF ENDING THINGS 00:20:55 S No. 5: THE LIGHTHOUSE 00:22:47 E No. 4: DARK WATERS / RICHARD JEWELL 00:27:26 S No. 4: A PORTUGESE WOMAN 00:32:46 E No. 3: BLOODY NOSE, EMPTY POCKETS 00:40:15 S No. 3: BACURAU 00:44:13 E No 2: ABOUT ENDLESSNESS 00:48:22 S No 2: SAINT MAUD 00:50:53 E No. 1: VITALINA VARELA 00:56:51 S No 1: SMALL AXE 01:04:07 Favourite first time watches from 01:20:34 : WAGON MASTER (Ford 1950), THE RISING OF THE MOON (Ford 1957), SATANTANGO (Tarr 1994), HUNGARIANS (Fabri 1978), NIGHT TRAIN (Kawalerowicz 1959), A MOMENT OF INNOCENCE (Makhmalbaf 1996), REMINISCENCES OF A JOURNEY TO LITHUANIA (Mekas 1972), THE HUMAN CONDITION (Kobayashi 1959-61), FIRES ON THE PLAIN (Ichikawa 1959), DON’T LET THE RIVERBEAST GET YOU (Roxburgh 2012), UNDER THE SUN OF SATAN (Pialat 1987), WATCH ME JUMPSTART (Tarver 1998), CANYON PASSAGE (Tourneur 1946), FIRST COW (Reichardt 2020), NASHVILLE (Altman 1975), SHANGHAI EXPRESS (Von Sternberg 1932) I AM A FUGITIVE FROM A CHAIN GANG (LeRoy 1932), DESTINY (Lang 1921), CLOSELY OBSERVED TRAINS (Mendel 1966), TONGUES UNTIED (Riggs 1989), ETHNIC NOTIONS (Riggs 1987), LOOKING FOR LANGSTON (Julien 1989), OUT 1: NOLI ME TANGERE (Rivette 1971) with covers of some of our favourite music from last year including bob dylan, deerhoof, the microphones and dogleg. subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by Emmett Cruddas and Sam Storey.

for our penultimate episode of 2020, be prepared to hear the phrases "greatest film of all time" and "pauline kael" too many times as we reflect on sam's first viewing of CITIZEN KANE at the PCC and netflix's MANK renders emmett considerably upset. we also approached fragments of o. welles' filmography from TOO MUCH JOHNSON to F FOR FAKE and discussed a couple of critical debates about KANE's authorship. bibliography below: 'Too Much Johnson', National Film Preservation Foundation, https://www.filmpreservation.org/preserved-films/lost-and-found-mercury-theater-films Bazin, Andre, "Orson Welles: a Critical View" (trans. Jonathan Rosenbaum, New York, 1978). Carringer, R.L., ‘The Scripts of “Citizen Kane”’, in Critical Inquiry Vol 5. No. 2 (1978), 369-400. Cousins, Mark 'The Story of Film: An Odyssey' (2011) Kael, Pauline, ‘Raising Kane’ in The Citizen Kane Book (New York, 1971). Mulvey, Laura, "BFI Classics: Citizen Kane" (London, 1992). Rosenbaum, Jonathan, ‘I Missed It at the Movies: Objections to ‘Raising Kane’’ in Film Comment, Spring 1972, reprinted in "Discovering Orson Welles" (Berkeley, 2007). 'Sartre and Borges on Welles', The Paris Review https://www.theparisreview.org/blog/2014/08/12/sartre-and-borges-on-welles/ soundtrack features phil graves’ renditions of: ‘the union forever’ by the white stripes ‘citizen kane suite’ by bernard hermann & ‘three keys for the large door’ by phil graves

With the release of his sixth feature film, ABOUT ENDLESSNESS (back in UK cinemas while they're open!), we're grazing on the filmography of one of the most singular filmmakers of our time: Roy Andersson. It's a deep dive, encompassing his first two features (A SWEDISH LOVE STORY (1970) and GILIAP (1975)), his seminal work in advertising, his short films (SOMETHING HAPPENED (1987) and WORLD OF GLORY (1991)), and his stunning 'Living Trilogy' - SONGS FROM THE SECOND FLOOR (2000), YOU, THE LIVING (2007) and A PIGEON SAT ON A BRANCH REFLECTING ON EXISTENCE (2014). We also look at Fred Scott's recently-released documentary portrait of the life and works of Andersson, BEING A HUMAN PERSON. Featuring covers from the films' soundtracks. Apologies for the tech issues around the hour mark. Check out a compilation of Andersson’s hilarious adverts here: https://youtu.be/7FN8TcF0qFU And his seminal 1991 short WORLD OF GLORY here: https://youtu.be/_k_8e6QIS3o Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey

We're back with an episode recorded back in October to extol recent repertory programming at Vue cinemas and discuss trips to their hallowed screens to see such little-known gems as PSYCHO (1960), ROCKY (1976) and PULP FICTION (1994). We also do a round-up of film club selections picked over the last few months including MIKEY AND NICKY (1976), DROWNING BY NUMBERS (1988), GINGER SNAPS (2000) and loads more! Featuring a panoply of covers and arrangements by yours truly including Trends & Boylan, the Lively One, the Rocky OST and an accordion version of Bernard Herrmann’s Psycho score that will haunt your dreams. Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey

Following the Netflix release of Charlie Kaufman’s latest film, I’M THINKING OF ENDING THINGS, and the publication of his debut novel, ANTKIND, we look back over the career of a certified Film Graze fave. The discussion encompasses his collaborations with Spike Jonze (BEING JOHN MALKOVICH, ADAPTATION) and Michel Gondry (HUMAN NATURE, ETERNAL SUNSHINE OF THE SPOTLESS MIND), his theatre and literary work, and writer-director output (SYNECDOCHE NEW YORK, ANOMALISA* and I'M THINKING OF ENDING THINGS). Including covers of Jon Brion’s Eternal Sunshine OST, the Minutemen, the White Stripes and more! Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey.

This week we're back to discuss one of the most vital and hotly-anticipated films being displayed in UK cinemas this month: Sergei Eistenstein's legendary BATTLESHIP POTEMKIN. We also cast our eye over two curios of Soviet film, Eisenstein's uncompleted QUE VIVA MEXICO! and Mikhail Kalatozov's revolutionary I AM CUBA, before grazing on Christopher Nolan's poorly-rolled joint, TENET. Including covers of L'Internationale and the Stooges' 'No Fun'. Subscribe to Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey

On this bumper edition of Film Graze, we’re chawin’ on the films of one of the greats of American cinema: John Ford. With the introduction of FORT APACHE, SHE WORE A YELLOW RIBBON and WAGON MASTER to BBC iPlayer, we take the chance to look over a career which straddled the history of American film from the 1910s to the ‘70s. It’s our deepest dive yet, covering a gargantuan amount of films from STRAIGHT SHOOTING to SEVEN WOMEN via THE IRON HORSE, HOW GREEN WAS MY VALLEY, THE MAN WHO SHOT LIBERTY VALANCE, THE SEARCHERS, STAGECOA– honestly too many to name, check out our Letterboxd for the full catalogue! Featuring covers from the Ford filmography including Red River Valley, the Rising of the Moon, She Wore a Yellow Ribbon and select hits by the Sons of the Pioneers. Subscribe the Film Graze on your podcast app of choice. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey

We’re back, after a short absence, to discuss three recent digital releases: EUROVISION: THE STORY OF FIRESAGA, FANNY LYE DELIVER’D and - the main feature - Spike Lee's DA 5 BLOODS. There's also a round-up of our lockdown film club viewings, including Apitchatpong Weerasethakul’s beautiful CEMETERY OF SPLENDOR, Peter Watkins’ staggering docudrama EDVARD MUNCH, freaky Soviet horror VIY and more! Including Marvin Gaye, Chambers Brothers and 'Eurovision: The Story of Firesaga OST' covers. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey.

This week we’re back with a survey of recent programming from digital streaming service MUBI, including films by Jean Renoir and Joseph Losey, Richard Kelly’s SOUTHLAND TALES (2007), Brian de Palma’s SISTERS (1972), and the digital premiere of Pablo Larrain’s new film, EMA, plus loads more! We also catch up about our Lil Film Club and chat about some other films we’ve been watching from home including Nicolas Roeg’s classic DON’T LOOK NOW and 2017 Estonian folk-horror NOVEMBER. Covers this week include tunes from Deerhoof, EMA, the New Pornographers and Radiohead. twitter.com/FilmGraze letterboxd.com/Film_Graze/ Co-produced by Emmett Cruddas and Sam Storey

This week we’re grazing on the stellar filmography of Kleber Mendonca Filho, including the narrative features NEIGHBOURING SOUNDS (2013), AQUARIUS (2016) and BACURAU (2019, co-written and directed by Juliano Dornelles) and a number of short films including the fantastic RECIFE FRIO aka COLD TROPICS (2009). We also discuss the LIL FILM CLUB, our weekly quarantine viewing party and some other films we've been watching recently. Including some cheeky Villa-Lobos and other Brazilian pieces from Sam Co-produced by Emmett Cruddas and Sam Storey twitter.com/FilmGraze letterboxd.com/Film_Graze/

this week we're grazing remotely with some recommended quarantine viewing including Jean-Luc Godard’s apocalyptic WEEKEND, Jacques Rivette's anti-epic OUT 1: NOLI ME TANGERE and Robert Altman's classic ensemble piece NASHVILLE. we also touch on the addition of the STUDIO GHIBLI back catalogue to Netflix and more! twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey (sorry about the poor audio quality on sam's end!)

this week we’re celebrating the filmography of South Korean auteur BONG JOON-HO, discussing all of his films, from his lauded student work INCOHERENCE (1994) to the huge cultural sensation that is PARASITE (2019), via BARKING DOGS NEVER BITE (2000), MEMORIES OF MURDER (2003), THE HOST (2006) and MOTHER (2009), as well as his international English-language debut SNOWPIERCER (2013) and follow-up, OKJA (2017). We also pay tribute to the recently departed screen legend MAX VON SYDOW. Including a panoply of covers from GARDEN CENTRE to MIKE WATT, and ‘St Spoon Dub’ by Sam B twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

this week we graze on a true classic, the longest great film and greatest long film ever: bela tarr and agnes hranitzky's SATANTANGO, back in cinemas before its upcoming blu-ray release. this episode includes covers from mihaly vig's freaky soundtrack. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

this week, we're recapping some of the BFI's most recent reissues, restorations and programming more broadly - a panoply of film treasures including TOMMY, SINGIN' IN THE RAIN, THE UMBRELLAS OF CHERBOURG and EYES WIDE SHUT. we also take a look at the recently departed peter wollen's seminal film theory book, SIGNS AND MEANING IN THE CINEMA. includes phil graves (including c sears!) interpretations of music by the who, shostakovich and more twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

This week we’ve ‘got the Oscar Fever (and hope you’ve got it too’ etc), with an episode focusing on some of the big awards contenders (and omissions) this year including THE TWO POPES, LITTLE WOMEN, MARRIAGE STORY, KNIVES OUT, 1917, JOJO RABBIT and plenty more! Featuring covers of 'Oscar Fever' by Tim Heidecker, 'Sweet Virginia' by the Rolling Stones and more. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

owing to the recent release of UNCUT GEMS, we have a look at the entire filmography of new york's Josh and Benny Safdie from their debut feature THE PLEASURE OF BEING ROBBED, through DADDY LONG LEGS, HEAVEN KNOWS WHAT, GOOD TIME and of course the aforementioned GEMS... the soundtrack features phil graves covers of songs by Adam Sandler, The Velvet Underground, Chic and Trinidad James. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by Emmett Cruddas and Sam Storey

we were joined by podcasting legend & top comrade Jack (from Reel Politik @reelpolitikpodcast)to discuss our favourite films of 2019. we each did a top five, should have done a top ten but we still had plenty to discuss. topics include THE IRISHMAN, I DO NOT CARE IF WE GO DOWN IN HISTORY AS BARBARIANS, HER SMELL, BLUE STORY, HIGH LIFE, PARASITE, CORPUS CHRISTI, THE MULE, THUNDER ROAD and many more. the soundtrack features phil graves covering some of the worst and best music of 2019 - 'in the microwave', 'bmbmbm', 'jogging' and 'thats just the way that i feel' by purple mountains (feat. crazy moose) twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

for our penultimate episode of 2019 we talk about some recent big films depicting villainy in the USA: todd phillips' JOKER, martin scorsese & netflix's collab THE IRISHMAN and MISTER AMERICA, the latest instalment in tim heidecker's on cinema at the cinema extended universe. this episode also features our motorised transport correspondent durrell on FORD VS FERRARI / LE MANS '66 and phil graves arrangements of 'free bird' and a song by dekkar twitter.com/FilmGraze letterboxd.com/Film_Graze/ produced by Sam Storey & Emmett Cruddas

We're back for another one, grazing on a trio of films inspired by Shakespeare's Henriad: David Michod's THE KING (2019), Laurence Olivier's HENRY V (1944) and Orson Welles' CHIMES AT MIDNIGHT (1965). We also discuss the Andrei Tarkovsky Exhibition at the Eye Filmmuseum in Amsterdam, Jonas Mekas and the Anthology Film Archives, and the EYES WIDE SHUT reissue, as well as reviewing CORPUS CHRISTI, an excellent new Polish release. The musical arrangements for this episode are as follows: 'Het soude een meysken gaen om wijn' - anon., Dutch, 16th c. 'Po che datte mi chonvien' - anon., Tuscan, 14th c. 'Trotto' - ibid 'Agincourt Carol' - anon., English, 15th c. 'Quand je bois du vin claret' - (attrib.) Pierre Attaignant, French, 16th c. 'Mrs White's Nothing' - John Dowland, English, 16th c. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

we were joined by our mate Durrell (a fully fledged train driver) for our most thorough discussion yet; a deep dive into the history of trains in and on film, covering over 120 years of cinema history from the lumiere brothers and edison films, buster keaton's legendary THE GENERAL, NIGHT MAIL, LA BETE HUMAINE, RUNAWAY TRAIN, THREE & OUT, THE TAKING OF PELHAM ONE TWO THREE, THE TAKING OF PELHAM 123, UNSTOPPABLE and plenty more. this episode's soundtrack features Phil Graves arrangements of songs about (or at least mentioning) trains by Silver Jews, The Grateful Dead, Vashti Bunyan, Bob Dylan, Simon & Garfunkel and Titus Andronicus. twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

this week's films covered include james gray's AD ASTRA and THE LOST CITY OF Z, classic spoof THE RUTLES: ALL YOU NEED IS CASH (screening at the BFI Southbank as part of their monty python retrospective) and several by peter watkins (CULLODEN, THE WAR GAME, PUNISHMENT PARK and LA COMMUNE) soundtrack features Phil Graves arrangements of Rutles tunes twitter.com/FilmGraze letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

we talk about benjamin naishtat's excellent new film ROJO, costa-gavras' Z - which is screening as part of the cine lumiere's season 'in the eyes of the law' - and round up all the best feature films currently worth streaming for free on BBC iPlayer http://twitter.com/FilmGraze https://letterboxd.com/Film_Graze/ co-produced by emmett cruddas and sam storey

this week we look at the programme for the 63rd BFI LONDON FILM FESTIVAL (starting on the 2nd of october), as well as reviewing PAIN AND GLORY, THE SOUVENIR and MRS. LOWRY AND SON. "stay till the credits" for chat about jacques tati's JOUR DE FETE and WE JAM ECONO: THE STORY OF THE MINUTEMEN. produced by emmett cruddas & sam storey follow us on twitter & letterboxd! @FilmGraze letterboxd.com/Film_Graze/

we compare takes on quentin tarantino's latest, ONCE UPON A TIME IN HOLLYWOOD, and a recent reissue of hitchcock's NOTORIOUS - part of the cary grant retrospective at the bfi southbank - as well as touching on peter greenway's NIGHTWATCHING, lech majewsky's THE MILL AND THE CROSS and robert altman's NASHVILLE. co-produced by emmett cruddas and sam storey

emmett and sam from phil graves discuss ari aster's MIDSOMMAR and the recent restoration of robert bresson's UNE FEMME DOUCE screened at the ica, as well as other bresson films screened at the anthology film archives. also features brief appraisals of the documentary THE GREAT HACK and the animated films INTO THE SPIDER-VERSE and APOLLO 11. co-produced by emmett cruddas and sam storey

emmett and sam from phil graves return for a new installment of film graze, where we're discussing peter strickland's IN FABRIC, a scottish ode to the rave, BEATS, and the film-making partnership straub-huillet's 1972 feature, HISTORY LESSONS. co-produced by emmett cruddas and sam storey

emmett and sam from phil, on philm (plus about 10 seconds of new phil graves music) - topics discussed include brady corbet's Vox Lux, the stanley kubrick exhibition at the design museum, the weimar germany programme at the BFI southbank and mike leigh's Nuts In May - the greatest film ever made (this week) NB this is a demo, better-sounding installments to follow prod. emmett cruddas