Podcasts about auburn hills

Recorded on Monday at the Palm Street Studio.  The Grumpy Griller calls in from the other side of the state.  We get his perspective and wrap up the Cyndi Lauper recap, from fun with podcast stickers, the crowd, the invention of aftergating, and finally the aftermath.  We cannot believe McDonalds was closed that early in Auburn Hills and how rude they were about it.  It's time for Junior's trivia!  The subjects this week are Hulk Hogan, The Cosby Show, Hard and unusual college mascots, Ozzy and Black Sabbath, and beer.  Phil really sucks at trivia this time, but wait...there is more!  We turn the tables on Junior and put him in the show!  Junior gets "potpourri".  Urban DIC (A-Dog) calls in and gives us all the good stuff for the Tigers to play the Angels.  It's Always Sunny is such a great show.  Make good choices.  

A 32-year-old Auburn Hills man who is accused of exposing himself to a group of pre-teen girls has turned himself into authorities. The incident happened on June 29th outside the Shake Shack and Barnes & Noble Bookstore both located on N. Adams Road. WWJ's Chris Fillar and Jackie Paige have your Tuesday morning news. (Photo credit: Oakland County Sheriff Department)

Today's show features a conversation with U.S. Representative and Democratic primary candidate for U.S. Senat Haley Stevens. Representing the 11th District since 2019, her district includes Ferndale, Royal Oak, Birmingham, Farmington Hills, Pontiac, Wixom, White Lake, Troy, Auburn Hills, and more. Oakland County is one of the most powerful and economically important areas of the state and country. Plus, many of you, our listeners, live there. We touched on a ton of topics from the auto industry to international issues to the size of coney menus. My goal was to get a sense of what her thoughts were, over my own. After all, she's in the seat - and running for a higher one in a contested primary. Feedback as always, dailydetroit - at - gmail - dot - com. Follow Daily Detroit on Apple Podcasts: https://podcasts.apple.com/us/podcast/daily-detroit/id1220563942  Or sign up for our newsletter: https://www.dailydetroit.com/newsletter/  

07-24-25 Recording of The Summer Sessions on 88.3 WXOU FM in Auburn Hills, MI.   Set List:   Prince Ivyson - Electric Boogie [Candid Beings Records]   DreTraxx - statewide manhunt LLL - STATE CHUMPS [STAR CREATURE] Shawescape Renegade - Against All Odds [Submerge] Rebecca Goldberg - Lido Sands [Detroit Underground]   Eddie Logix - What Was the Question?   Actress - Grey Interiors [Smalltown Supersound] DJ Haram - Remaining ft. Dakn & Aquilles Navarro [Hyperdub] Whodat - Feeling - Blu feat. Sophiyah E. (Dub Version) [Collective Rhythm Network]   Braga Circuit - fall [air miles]   Jordána - All Night Love [PPU] A. Billi Free x The Lasso - Liminal Labors zopelar - We Can Make It (ft. Ashira) [Apron Records] Brett Eclectic - I Want U To Know   Martin Iveson - Cobra 2 [Atjazz Record Company]   Reginald Omas Mamode IV - Just Keep On [Melting Pot Music]   For more on the program visit: www.thesummersessions.net

07-17-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Chris Bass X Lisa Millett - Makes Me Feel - Filtered Dub [Rollin'Beats]   Off The Shelf - Raw One [Mousetrap Rekords] Groove chronicles - B the same vip mix [DPR RECORDINGS] Dem 2 - Talk To Me [New York Soundclash Records] Enrico Dragoni -  Bump It Out   Carl Craig - No More Words   AMX & wytheda - HEY DJ [Realms of Techno] Sugar -  Machine State No. 12 [Submerge] Dream Tension - Informal Desolation [BLACK TECHNO MATTERS]   Jay Sound - Poverty Pimpin   Fizzy Fresh - Frenchie Adult. - Hand To Phone (Liv).e - It Doesn't Matter New Look - The Ballad [K7 Records]   DJU DJU - Explore   VINSON - Rhytmic Pool [Wichita Recordings]   For more on the program: www.thesummersessions.net

07-10-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. Featuring an in-studio interview on the debut album from the Detroit-based duo known as Fizzy Fresh (Sam Morykwas and Shannon Barnes).   Set List: Fizzy Fresh - Iced Dirty Mocha Sam Morykwas - Bags White Bee - Borough of Churches Sam Morykwas - Bite Down (feat Wavvy Bae) White Bee - Glass Containers Fizzy Fresh - Frenchie   Interview Part One Fizzy Fresh - You Kept On   Interview Part Two Fizzy Fresh - Pizza Party   Ending: Fizzy Fresh - Sands of Time   For more on the artists visit: https://www.instagram.com/fizzy_fresh_/   https://linktr.ee/fizzy_fresh   For more on the program visit: www.thesummersessions.net

In Part 1 of this wild story, Titus and Adam dive into one of the most infamous nights in NBA history, the chaotic 2004 brawl between the Indiana Pacers, Detroit Pistons, and fans at The Palace of Auburn Hills. From rising tensions on the court to the moment it all erupted, this episode sets the scene for a sporting meltdown like no other. If you’d like more Sports Bizarre, become a member of Bizarre Plus. Click here to join today As a member, you’ll get: A weekly bonus podcast Access to all past episodes Exclusive behind-the-scenes access Access to the members-only chatroom Ability to vote on future episodes Early access to any live show tickets See omnystudio.com/listener for privacy information.

07-03-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI.    Set List: USG - Ncameu (Main Vox Mix) Sunday's Edit - Aint Got No Money Flying Moth - Please Keep Drinking With Me BLACK EYES - Valley Of Sharks HeartWerk - Sluge Tones Luke Hess - Skopos G-Man - Quo Vadis Johnny U-Tah - Believer (2Step Mix) S.R. - Hold A Dream House of Rhythm - Latin Vibe Smasher - Feeling Hitch.93 - Trigger   For more on the program visit: www.thesummersessions.net

06-26-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. In this episode we debut an international collaboration called OCIØ FM. OCIØ is a Medellín, Colombia-based record label curated by Archaic Revival, who dropped a guest mix on Friday Night Groove back in 2023. This will be a bi-monthly spotlight featuring some of the freshest and rising talent from Medellín's electronic music scene. And we begin the first edition with a live set recorded by the Medellín-based producer known as Annagramer Live. For more on OCIØ visit: https://soundcloud.com/ociolabel For more on the guest visit: https://soundcloud.com/annagramer-live For more on the program visit: www.thesummersessions.net

This week on Connected, Greg's talking with Joe Pytel, general manager of LaFontaine Volkswagen of Dearborn and LaFontaine Hyundai of Dearborn. Greg and Joe caught up after a recent launch event at the Volkswagen Group of America (VWGoA) office in Auburn Hills, MI, where a GoMoto kiosk was installed and LaFontaine began providing mobile service to VWGoA employees. Joe summed up the purpose of mobile service perfectly: "It makes things seamless, convenient, and efficient for the customer." He and Greg explored that and other topics like: -LaFontaine's journey with mobile service so far. -Mobile service as a training tool for new technicians. -Partnering with rental car companies as a mobile service opportunity.

06-19-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview with artists A. Billi Free and The Lasso, on their forthcoming album, Pleasure, Peace & Pain.    Set List: A. Billi Free & The Lasso - Evidence of Things Unseen   Fielded - Move It Like feat. A. Billi Free Lando Chill x The Lasso - FULLSPEEDWITGANG Wise Weapon X A. Billi Free - Flyburner The Lasso, The Go Rounds - ONE + FOUR   Interview Part One A. Billi Free & The Lasso  - Quiet Riot  Commercial Break A. Billi Free & The Lasso - Never Fold Ending A. Billi Free & The Lasso - Generator    For more on the artist visit: https://abillifree.bandcamp.com/ https://thelasso-mmg.bandcamp.com/   For more on the program visit:  www.thesummersessions.net  

06-12-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview with Detroit-based MC and producer, Jah Connery on the release of his latest album, The Delicate Art of Love.   Set List: Jah Connery - Besides   Jah Connery Intro Mix Jah Connery - Buggin' (feat. Pseudo Slang) Jeremy Ellis -  Unlike Any Other (I'll Show You) (Explicit) [feat. Phat Kat & Jah Connery] Jah Connery - Glass Butterfly (ft. Grimm Picasso) Jah Connery - Trap Door   Interview Part One Jah Connery - Clams Ft. Pseudo Slang Jah Connery -  The Delicate Art of Love Jah Connery  - Pay Dues Forever   Commercial Break   Jah Connery - The Magician Ft Intricate Dialect   Interview Part Two Jah Connery - Jailcell Jah Connery - Hot Shower Jah Connery - Charlotte Hornets Starter Jacket Jah Connery - Scrutiny   For more on the artist visit: https://jahconnery.bandcamp.com/   For more on the program visit: www.thesummersessions.net  

06-05-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. Featuring interviews recorded with performing artists, Chuck Daniels, Jon Dixon, and Peter Croce.    Set List:   Rebecca Goldberg - Larned   RETCON - HOPE1.0 Father Dukes - SECOND LANDING Mister Joshooa - Snake Oil Brian Kage - Galaxian (Max Watts Remix)   Milton Wright - Brothers & Sisters (Mr. PC 12- Edit)   Peter Croce Interview   Tommaso Conforti - G-Class feat. Logan Aspin   Milton Jackson & Brian Kage - The Shine Ft. Jon Dixon   Jon Dixon Interview   Chuck Daniels, Tall Black Guy, Abby B - Slipping Away (Original)   Chuck Daniels Interview   Rick Wade - Dusk Runner   For more on the program visit: www.thesummersessions.net

05-29-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI, featuring an interview with the Detroit-based duo of Ideeyah and Meftah. In this episode we discuss their debut collaboration, Sweet Chariot, via Sound Signature Records.   Set List:   Quiet Dawn - Let's Dance People [The People, The Place]   Pegasvs - Take It (Beringei Dub) [Burnin Music Recordings] Hitch600 - Collision (Fantasna Remix) [Halcxn] K-LONE - Wait 4 U [Aus Music] Dem 2 - Foolin' (Sparkle Mix)   Bale Defoe - The subtle insecurities that make sociopaths out of otherwise decent people [Choose Better Friends Records]   Ellen Beth Abdi - Thickskinpeel [Republic of Music] Reginald Omas Mamode IV - No Maybes [Melting Pot Music] Werkha - Everyday (feat. Ríoghnach Connolly) [First Word Records] Cousin Mouth - For The Hell Of It   Ideeyah and Meftah Interview   Ideeyah and Meftah - Align [Sound Signature]   For more on the artists visit: https://soundsignature.bandcamp.com/album/sweet-chariot   https://soundsignature.net/   For more on the program visit: www.thesummersessions.net  

What NOBODY Tells You About Auburn Hills Michigan! Auburn Hills, Michigan — the name might immediately bring to mind the headquarters of Stellantis or Great Lakes Crossing Mall, but there's a whole lot more to this city than just big companies and big shopping. Whether you're relocating for work, looking for affordability with city access, or just curious about a hidden-in-plain-sight gem, this full relocation guide will give you everything you need to know about living in Auburn Hills — schools, housing, cost of living, job market, things to do, lifestyle, pros and cons, and the details that don't show up in a brochure.MENTIONED LINKS ⬇️→Things to do in Auburn Hills Michigan: https://youtu.be/1D5QWEd1Ps8?si=33kuD7ZSG-bOq1B9→Clever Fox Cyclery: https://www.cleverfoxbikes.com/CONTACT ME

05-22-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI. Featuring a radio takeover from the Detroit-based artist, DJ, and Producer, Rebecca Goldberg, aka the 313 Acid Queen. Listen in to the latest edition of her annual radio takeover as she drops some of her latest productions gives us a sneak peak into some future releases and previews her schedule for Memorial Day weekend aka Movement aka Techno Christmas.   Set List:   Rebecca Goldberg - 313 Acid Queen - Aquarium (Belle Isle Acid) [Detroit Underground]   Beatnok - Don't Miss (Rebecca Goldberg's On The Money Mix)   Rebecca Goldberg - Cubensis [Moleskine Records] Rebecca Goldberg - Mudpot (Apero Michto Disques Rebecca Goldberg - urnotalone [Dungeon Module] Rebecca Goldberg x Sheefy McFly - Blowin Crud   313 Acid Queen - The Perception of our Power   Rebecca Goldberg - Margate Old Town Rebecca Goldberg - Lido Sands Rebecca Goldberg - Against The Tide Clock   Futuregrapher x Rebecca Goldberg - Fallegu Hveradalir [Möller Records]   Nina Kraviz - Bailando (nk & david löhlein Version) LAUREN FLAX & DJ SLUGO - Get Up [Moveltraxx] Population One - Out Of Control [trip] Rebecca Goldberg - Dial a Phreak [Viva Acid]   313 Acid Queen x SickBoy - RENAISSANCE   Rebecca Goldberg - Larned

05-15-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI.   Set List:   Love Higher - As They Say   Beringei - for u (ft. Kristian Hamilton) [The People, The Place Records] Duncan Powell - Whispers Warlok - In Love With The Rhythm [8664242 Records DK] Inland Knights - Crazy [Drop Music]   QRTR - Let's Get Used [Broken Levee]   Mirlaqi - Dances Of The Red Planet (Club Radio Mix) [Star Creature Universal Vibrations] Medlar - Yeah Ft. Finn Peters [Delusions Of Grandeur] Tommaso Conforti - Snake Pit [Rocksteady Disco]   June Chikuma - Lattern Wheel [Star Creature Universal Vibrations]   Gossip Culture - Make a Move (feat. JahRae) Business Partner - Wrong [PPU] Blaze Tiger - Inside (SevnthWonder Edit) Mop Mop - Loa Chant (feat. Sara Sayed - Phil Gerus remix) [Agogo Records]   OXP - Swish (Instrumental) [NBN]   Amanda Whiting - What Is It We Need? (ft Alice Russell) [First Word Records]   For more on the program visit: www.thesummersessions.net

Auburn Hills police and many other law enforcement agencies from Oakland County are in the area near Stellantis headquarters searching for one suspect who led police on a chase on I-75. WWJ's Luke Sloan and Jackie Paige have your Tuesday morning news. (Photo credit WWJ's Charlie Langton)

05-08-25 Recording of The Summer Sessions on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Mellow Man - Club U Nite Is In Da House [CLUB U NITE RECORDS]   Hitch600 - Froggy Sweet [Halcxn] K-LONE - Yeah Yeah Yeah Yeah [Aus Music] ZeroFG - Around Dub Groove chronicles - Come 2 me 2step mix [DPR RECORDINGS]   Salar Ansari - 9 1391919 21 [PASSED OUT ON A PERSIAN RUG PRODUCTIONS]   never test - spikes and studs and chains [QED Recordings] KIMYON - Forgiveness (ft. Bridgit Barkan) [The Black Lodge] wetdogg - dream last night [Hold Me]   Clafrica - Give U My Love (RGL Mix) Cousin Mouth - Lessons Ideeyah & Meftah - Eat The Plants [Sound Signature] liz corinne costello - Tungsten and Gold The Lasso - GIDDY DOWN [Chateau Lasso]   James Simonson x Blair French - Hannah (Blair French Remix) [MotorCity Wine Recordings]   Victoria Port - Haunting (Murder He Wrote) [First Word Records]   For more on the program visit: www.thesummersessions.net

04-18-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List:   Industry Standard - Just The Way (Now You Know) [Industry Standard]   Dee Cypher - Memories [Fresh Milk Records] EN1 Productions - Come On Touch Me [Danger Dubs Records] J Erazo & Dmize - Crazy Dub [Reptile Mob] Ease Up George - Makin Me [+98]   Jason Hogans - North Campus (Emotions Win) [Really Nice Recordings]   never test - sliced open with a broken dubplate [QED Recordings] Evan Baggs - Ideas and Concepts [Faith Beat] Max Watts - 2 Motor [Limited Network] SNEAKER - Dance On [The Black Lodge]   India Ivory - Lite-Out   Love Cryme - FFFreak [PPU] Kazz - 2night [Sneer Records] Jay Sound - Body Talk (Jays Broken Love Rework) [Visions Recordings] Steven Julien - BALLAD [Apron Records]   Medlar - Sun Spots Ft. Sam Virdie [Delusions of Grandeur]   Amanda Whiting - No Turning Back [First Word Records]   For more visit: www.fridaynightgroove.com

04-11-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and all-vinyl guest mix with the formerly Flint, Grand Rapids, and now Detroit-based DJ, J.Scott.   For more on the artist visit:  https://www.instagram.com/dj_j.scott/ https://refinedsounds.bandcamp.com/   For more on the program visit: www.fridaynightgroove.com

04-04-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and live/PA performance from Detroit-based artists, DJs, and producers, RETCON and Kuuma.   Set List: I-R - Northland (ft. RETCON) I-VT - MOD [Kuuma - Live Set] Commercial Break I-R - Literal Train Dreams [RETCON Live Set]   Ending: RETCON - mortal acid   For more on the artists visit:  https://slashsound.net/ https://slashsound.bandcamp.com/music   For more on the program visit: www.fridaynightgroove.com

SW Detroit residents must report water main break flood damage by April 3, officials say 2025 Cadillac Optiq SUV EV shocks with style, features and value Bar Louie abruptly closes Livonia, Auburn Hills locations: Here's what we know

03-28-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and guest mix from J Peacock and Phil Minnick, Detroit-based DJs and co-founders of the Choose Better Friends record label.    Set List: Polo & Pan - Nenuphar A Guy Called Gerald - Voodoo Ray Cerrone - A Part of You Lou Hayter - Time Out of Mind Supershy & Roberta Flack - Feel Like Making Love Clive Tanaka y Su Orquestra - Neu Chicago Zombies in Miami - Dance of Gopis Tyler & Mandré- Watusa Dub Seidensticker - 04.1 special A1 Gino - Gitteshouse Session Victim - Needledrop (Laurence Guy Remix) Jaco Matthews - I've Got an Idea (PM & J Peacock's Riverfront Remix)   For more on the guests visit: J Peacock https://www.instagram.com/its_jpeacock/ https://soundcloud.com/jpeacockmusic    DJ Phil Minnick https://www.instagram.com/djphilminnick/ https://soundcloud.com/dj-phil-minnick    For More on Choose Better Friends visit: https://choosebetterfriends.bandcamp.com/music   For More on the Program Visit: www.fridaynightgroove.com    

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 250 - It's the end of the 1st quarter and time for another concert regret episode.  This time Brad goes back to the late 90's and discusses a reunion tour by a huge rock band from the 70's. The Dance Tour - A evening with Fleetwood Mac at The Palace of Auburn Hills in Auburn Hills, MI on 10/4/97.  He welcomes Slamfest Crew Member Mike back to the podcast to recap this tour and talk about the Fleetwood Mac show he saw at the Qwest Center in Omaha, NE on 10/9/03.   For the Band on the Bill Spotlight, they put "like" songs up against each other from Fleetwood Mac's self-titled tenth studio album and their eleventh studio album, Rumours.  They also discuss some of Fleetwood Mac's 80's output.  After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?" - Side 1 or 2 from Fleetwood Mac's live album, The Dance, from 1997.Music in this episode by:Fleetwood MacBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

03-21-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI   Set List: JT DONALDSON - Want Her Around [Dolfin Records]   The Thunderkats - Not Gonna Let Ya [Reptile Mob] Ease Up George - On a High [+98] Dynamic Essence - Pushin' On [2TUF4U Records] Tanyn - BB u know [Integral Audio]   Arsene - Hot Sweaty Nights [STAR CREATURE]   Freeway feat. Mark J - She'll Break Your Heart [PPU] Mirlaqi - Ocean [Star Creature Universal Vibrations] Amp Fiddler - Send A Message (Yam Who's Boogie) [Ampliphonic]   Daisuke Kondo - Fallen Star [Sylvester Javier 2025 remix] [Vibraphone Records]   The Lasso - Tears of The Engineer [Chateau Lasso] Onyebeat, Hannah Standiford, Susan Augustt, Tommy WÁ, Alfred Nomad, Essilfie,Megborna, Agbenorxevi - I Dey For You Oliver Palfreyman - You Decide feat. Astrønne Rami - Bedtime [Dolfin Records]   Jerry Downey - Third Party Allowance [Snack Time Detroit]   Sara Marie Barron - Angel   For more on the program visit: www.fridaynightgroove.com

March 24, 2025 ~ The boxing community is mourning the loss of George Foreman, a two-time heavyweight champion, entrepreneur, and minister. Guy, Lloyd, and Jamie talk with John Lepak, managing partner for Kronk Gym, about Foreman's legacy and his connection to Kronk Gym for training ahead of his 1988 fight against Bobby Hitz at the Palace of Auburn Hills. Photo: Robert Hanashiro ~ USA TODAY NETWORK

03-07-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. In this episode the Los Angeles-based artist, emcee, and organizer, Alfred Nomad, returns to the program for an interview and exclusive peek into his latest album, "Until I Get Home, Take What You Can Carry."   Set List: Alfred Nomad - The Ground is No Place to Fly ft. Marince Omari   Intro Mix: Alfred Nomad & Kris J - Run It Up Greg Nyce, Alfred Nomad - She Loves Me SilckDotR & Alfred Nomad - Parentheses Alfred Nomad - Matrimony ft. FINKEL   Interview Part One: Alfred Nomad - Every Time ft. Vilda Ray The Masked DJ, Megborna, Alfred Nomad & Eli A Free - Xeyibe Agbenorxevi, Alfred Nomad & Marince Omario - Odeeshii Alfred Nomad - Until I Get Home   Interview Part Two: Alfred Nomad, Essilfie & The Masked DJ - Trying To Get Home Alfred Nomad - Motherland Alfred Nomad - Wipe Your Feet At the Door   For more on the artist visit: https://www.alfrednomad.com/   For more on the program visit: www.fridaynightgroove.com  

02-21-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. All vinyl edition #11.   Set List: Igor Jadranin - Contemporary Outdoors [Star Creature Universal Vibration] Jarren - Real 2 Me [CQQL Records] Ben Hixon - Get In The Mood [Dolfin Records] Roche - Amazement [CQQL Records] Max Watts - Dusk [Limited Network] Southbound Sounds - Educator (John Daly Remix) [Deeper Grooves] DJ Cent - Hold Out [Soiree Records] Hitch.93 - Fresh Up [Fresh Milk Records] Wormwood Dubs - Drum Repair [Wormwood Dubs] Sweet N Sour Productions - Thom Perignon [ukgaragehtx] Scott Diazz & Matt Jam Lamont - Sexy Things (That You Can Do) [Undagrnd Freqz]   For more on the program visit: www.fridaynightgroove.com

02-14-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI   Set List:   AMX - You Can Feel It [Realms of Techno]   Tanyn - Vacuum Funk [ukgaragehtx] Groove chronicles - Myron VIP Mix [DPR RECORDINGS] Warlok - R4YL Maroon Golf - Hypnotized [Strictly Flava]   Eddie Logix - Word Search   Steven Julien - TIME (feat. Froby Juan, Kristian Hamilton, Benedek & Jarren) [Apron Records] Gossip Culture - Never Have I Ever (feat. Daisy Villa) Situation ft. Andre Espeut - Never Thought I'd Get Ya (Dom Thompson Remix) [Star Creature Universal Vibrations] Phil Gerus - Now Is Gone [Futureboogie Recordings]   Olive T -  Effervescent [Permanent Vacation]   Business Partner - Stay Long [PEOPLES POTENTIAL UNLIMITED] Oliver Palfreyman - Wait Up feat. Elijah Maja, Jespfur SHIGETO - Nothing Simple (feat. Tammy Lakkis and Cleveland Thrasher) [Ghostly International] Rami - 7 [Dolfin Records]   Pando G - Fukishima [Stay True Sounds]   Jay Sound - Decolonize (Ft. Ideeyah)   For more visit: www.fridaynightgroove.com

In this episode of Behind the Chutes, host Doug Simcox sits down with Wendell Ratchford, the 1976 IPRA World Champion Bull Rider and owner of Wild Horse Rodeo Productions. Wendell shares his journey from riding bulls at 14 to building a legendary career in rodeo production and stock contracting.From hauling bucking stock for Longhorn Rodeo Company to developing top-tier bareback and saddle broncs, Wendell's impact on the sport is undeniable. He reflects on winning the 1997 Triple Crown of Stock – Bull, Bareback, and Saddle Bronc of the Year, the evolution of the IPRA and IFR, and unforgettable rodeo moments from Auburn Hills to Albuquerque.Packed with history, humor, and cowboy wisdom, this episode is a must-listen for rodeo fans who love the grit, tradition, and untold stories of the sport.Here are some resources for Beyond the Chutes:Facebook:https://www.facebook.com/profile.php?id=100093822821241Official Website:https://beyondthechutes.show/You Can Listen to Beyond The Chutes onSpotify: https://shorturl.at/bvK35Apple Podcasts: https://shorturl.at/jnGV4Amazon Music: https://tinyurl.com/24n3hmk4YouTube: https://tinyurl.com/bdcju8nzRSS: https://rss.com/podcasts/beyondthechutes/ParaSight SystemsCoupon: BTC023 for 50% off Mail In Test Kitshttps://www.parasightsystem.com/The IRA Projecthttps://www.facebook.com/groups/681292165259783#BehindTheChutes #WendellRatchford #WildHorseRodeoProductions #RodeoPodcast #BullRiding #BuckingHorses #StockContractor #WesternHeritage #RodeoLegends #inourroots

02-07-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and guest mix from one of Detroit's finest in the DJ, Producer, and Sampled-founder, Chuck Daniels.    For more on the guest visit: SoundCloud: https://soundcloud.com/chuck-daniels Resident Advisor: https://ra.co/dj/chuckdaniels/biography Instagram: https://www.instagram.com/chuckdaniels313/   For more on the program visit: www.fridaynightgroove.com

01-31-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Inland Knights - Slummin it [Amenti Music]   Warlok - Feelings Gass Klubb - Hold Me (Need U) [2TUF4U Records] DMIZE - Bring Me Joy [ Amigo Dubs] S.R. & Tanyn – Stepping Out [ukgaragehtx]   Nuntheless & Ji Hoon - Fresher [Snack Time]   John Beltran - Belle Isle [MotorCity Wine Recordings] Jorge Bezerra - Kabielcilé (Atjazz Remix) [Atjazz Record Company] Tommaso - Tomorrow is Now (D&E Chicago Remix) [D&E Chicago]   Mechanatura - Untitled Elsa Hewitt - Dominant Heartstrings [EH012] DIAL 81 - BATH WATER [Some Paradise Forgotten] FINKEL - Father Time megiapa - 1iC   Holo - Pink Wax [Shall Not Fade]   Victoria Port - Haunting [First Word Records]   For more on the program visit: www.fridaynightgroove.com  

An investigation now getting underway after an Oakland County high school stabbing sends a 15 year old to the hospital, and a 16 year old in for questioning. We'll have the latest from Auburn Hills as WWJ's Luke Sloan runs down the top local headlines for your Tuesday midday in Metro Detroit. (Photo: Tim Pamplin/WWJ)

01-24-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Bale Defoe - Tell U Y (Extended) [Choose Better Friends Records]   SI-FI - Not 4 Nothin [GLBDOM] Hitch.93 - Sniper [CoOperation Records] Groove chronicles - Only you 2step mix [dpr recordings] Stab Mechanics - 2 Step Deepus [Moodswing]   Ghost - Pent Up   d'Eon - Transparency [Hippos In Tanks] IV-AM - Your Side ft. megiapa Ahya Simone - Liminal Feat. Tapiwa Svosve   June Chikuma -  Crystal 8 Startup [Star Creature]   TYSON - 300kHz (Low Frequency) [LUCKYME®] Lex Amor - SUN4RAIN [Modern Oak] Actress - Дарен Дж. Каннінгем [Smalltown Supersound] caitlin c. harvey - whole body an ear (feat. P-Gruv)   Legacy202 - Take It Back (Intake Dub) [Selville Records]   InfiniteReflections - Trouble   For more on the program visit: www.fridaynightgroove.com  

01-17-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. In the first episode of 2025, we kick the year off with guest mix from Hunstville, AL native, artist, and producer, Owen Ni.   For more on the program visit: www.fridaynightgroove.com   For more on the artist visit: https://linktr.ee/owenniofficial

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. If you're a regular listener of the podcast, you know the typical format. But I love it when a guest has an idea and we have to think a little out of the box so that the guest can tell his or her story while still keeping the familiar segments of the show. Today, Ryan Miners helped make that happen. Rather than choosing one specific show or jam, Ryan wanted to talk about two sequences that both involve the insane instrumental, “Buried Alive:” The first one is Buried Alive into Poor Heart from November 9, 1996 at the Palace at Auburn Hills, and the second one is Buried Alive into AC/DC Bag from August 11, 2024 at Bethel Woods. Two Buried Alive segues, roughly 28 years apart. But even though we didn't cover an entire show, there was no shortage of content for Ryan and and I to cover. Between the 28-year gap of these two segues, we touched on a tremendous amount of information, not hesitating to go off on tangents where, at one point, Ryan flips the script and puts me on the hot seat!!There's something about a good Phish segue that brings out the best in the audience, and Ryan was able to explain exactly what made these two so special. But I don't want to spoil it. Let's join Ryan to talk about the Wetlands Preserve, the history of Deer Creek, and what it means to hear the line “Thank you Mr. Miner,” as we discuss segues from Buried Alive from 1996 and 2024.  

Chris Holman welcomes back Tom Kelly, President & CEO, Automation Alley, Troy, MI. Q. Thanks for coming back to talk about Project DIAMOnD. We've had you on several times this year to talk about Project DIAMOnD but we understand that you got some very good news related to additional federal funding last week – can you tell us more about that? Yes -- Project DIAMOnD just received $1.9 million from the Bipartisan Infrastructure Law that was allocated to us by the state of Michigan. The funding was announced last week by the Michigan Infrastructure Office. In addition, to that, the Michigan Economic Development Corp. announced that it would contribute $475,000 in new funding and Automation Alley will also contribute $125,000 in new funding. So, in total, that's an additional $2.5 million. Q. That's great news. Can you tell us how you are going to use this additional funding? Until now, we have been funded by Oakland, Macomb and Wayne Counties – but our goal is to expand our network of connected 3D printers to companies across the state. This investment represents an important first step in our vision of scaling Project DIAMOnD statewide to empower small- and medium-sized manufacturers across Michigan. This additional funding will support the expansion of Project DIAMOnD to 100 small and mid-sized manufacturers. We have also committed to using a minimum of 40% of the funding for companies in disadvantaged or underserved communities across the state. Participating companies will have access to the Project DIAMOnD Digital Transformation Program – which opened earlier this earlier this year – and expert assistance at the Project DIAMOnD Digital Transformation Center (DTC) in Auburn Hills. Q: Can you remind our listeners what that Digital Transformation Center is? Of course! It provides companies access to industrial 3D printing equipment, training and support. The new Digital Transformation Center (DTC) is supported by Geofabrica, an Auburn Hills, Michigan business that specializes in the development of custom 3D printing systems and processes for industrial applications. Through the DTC, Project DIAMOnD companies will have access to additive manufacturing courses, a team of experts, and access to additional 3D printers to test and make products. Q: Let's take a step back – can you remind our listeners what Project DIAMOnD is? Project DIAMOnD stands for distributed, independent, agile manufacturing on demand. It is an initiative powered by Automation Alley and funded by Oakland County, Michigan. Project DIAMOnD was developed in October 2020 to help Michigan manufacturers accelerate their digital transformation. It was initially funded with $10 million from Oakland County and $2 million from Macomb County. We used that funding to distribute 300 3D printers to small- and mid-size manufacturers at no cost, and to teach them how to use them. Q. If I recall correctly, Gov. Gretchen Whitmer expressed her support earlier this year at the Mackinac Policy Conference for the work that Automation Alley and Project DIAMOnD are doing – is that correct? Yes, that's correct. We held a press conference with the Governor at Mackinac back in May. At the time, she expressed support for our plan to expand statewide. Last weeks' announcement builds on the governor's vision to expand the “Infrastructure for Innovation,” shared technology and resources that entrepreneurs and businesses can leverage to grow in Michigan. We are very thankful to Governor for her support and for the state for its support. » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Talk from Jan. 3, Awaken at Sacred Heart Church in Auburn Hills.

12-13-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. This episode features an on-air live set from Detroit, MI-Based artist and producer, Kevin Reynolds   For more on the guest visit: https://www.instagram.com/krdetroit/?hl=en   For more on the program visit: www.fridaynightgroove.com

Originally uploaded October 29th, re-edited Nov. 26th. Chris Holman welcomes Tom Kelly, President & CEO, Automation Alley, Troy, MI. Chris had several things he wanted to catch up on with Tom: Q. Before we get started, can you remind our listeners what Project DIAMOnD is? Project DIAMOnD –which stands for distributed, independent, agile manufacturing on demand – is an initiative powered by Automation Alley and funded by Oakland County, Michigan. Project DIAMOnD was developed in October 2020 to accelerate digital transformation among Michigan manufacturers. In Phase I of the program, which was funded by $10 million from Oakland County and $2 million from Macomb County, Automation Alley distributed 300 3D printers to small- and mid-size manufacturers at no cost, provided workforce training, and networked the printers to be used to fulfill emergency orders at scale. In 2021, the network concept was validated, as it printed and shipped 8,000 tourniquet parts to fulfill a request from the Ukrainian Defense Ministry. The parts allowed for the assembling of more than 2,600 tourniquets to help those in need of medical assistance during the Russian assault on Ukraine. Q: Project DIAMOnD recently opened a Digital Transformation Center in Auburn Hills. Can you tell us more about this? Of course! It provides companies access to industrial 3D printing equipment, training and support. The new Digital Transformation Center (DTC) is supported by Geofabrica, an Auburn Hills, Michigan business that specializes in the development of custom 3D printing systems and processes for industrial applications. Through the DTC, Project DIAMOnD companies will have access to additive manufacturing courses, a team of experts, and access to additional 3D printers to test and make products. Q: Wow, so this center is really helping to transform the region and state into a magnet for advanced manufacturing and training. What can companies learn at this center? At the Digital Transformation Center, Project DIAMOnD participants will learn how to transform their businesses from a capital and process-based mindset to a design and intellectual property mindset facilitated by 3D printing. This encompasses having an opportunity to launch and validate products before investing in industrial additive manufacturing equipment. They will also retain access to 3D print and post-process products, without the burden of owning and operating complex equipment. Q: What else does the DTC provide? Beyond 3D printing equipment, the DTC will provide access to industrial 3D scanners and advanced modeling and measurement software. Companies will also be able to upload and order parts through the DTC. Q: What companies are eligible to use the center? How can companies get involved in Project DIAMOnD? At this time, Project DIAMOnD is open exclusively to small- and medium-sized companies located in Oakland County. However, if you're outside Oakland County, don't hesitate to apply! We're keen to gauge interest and may expand the program to your area in the future. Don't Miss Out on the Future of Manufacturing! Sign Up Now for Exclusive Access to: · State-of-the-Art 3D Printing Technology. · Comprehensive Training Programs Tailored to Your Needs. · Instant Connection to Our Vast Network of Industry Leaders. To learn more about Project DIAMOnD, or if you are a small- or medium-sized manufacturer interested in joining the program, visit projectdiamond.org » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Tuesday, December 10, in Auburn Hills, MI.

WWJ auto analyst John McElroy reports ex-Stellantis CEO Carlos Tavares turned everything upside down with the Chrysler Group in Auburn Hills, instead of nurturing the operation.

12-6-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Enrico Dragoni - Reach For Me [First Tower Records] Smasher - Middle Of The Night [Smasher Dub 003] Trumpet & Badman - Love Keeps Changing [Unknown To The Unknown] DJ Chupacabra - Finissage [Carpet & Snares Records] Stab Mechanics - 2Nite [Vibesey Records] PsychoFunk - Gabrielle (PsychoFunk dub mix) [Have 2] Zopelar – Resolution [D3 Elements] Jay Sound - Pasadena Playas [Series of Taboo Records] Shiro Schwarz - Feel Your Body Move [Planet E Communications] Saint Paul - Heart Is A Melody [Moonrise Hill Material] Duktus ft. Maya Killtron - It's Our Time [Outrun Records]   For more on the program visit: www.fridaynightgroove.com  

Homily from Sacred Heart Church in Auburn Hills for the Second Sunday of Advent.

Sacred Heart Church in Auburn Hills, MI, Advent parish mission on the theme of the Sacred Heart of Jesus.

A generation later, the images of one of the worst scenes to ever take place in an NBA arena are still shocking. A cup full of liquid hurtling through the air, striking Indiana Pacers small forward Ron Artest, and setting off a powder keg - as coaches, security, members of the Pacers, and fans came to blows in the stands, the tunnel, and on the court itself. When the bad blood between the Pacers and rival Detroit Pistons boiled over in Auburn Hills, it was impossible to ignore the sight of mostly black players clashing with mostly white fans. And elements around the NBA used the ugly night, and fear that it caused, to force changes in the NBA dress code that could only be called draconian today. So Andscape senior writer David Dennis Jr. joins Clinton Yates to remember how it all went down, and explore how it changed the NBA forever. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 231 - Brad saw Van Halen and Kool & the Gang on 2/20/12 at The Palace of Auburn Hills in Auburn Hills, MI.  He welcomes Slamfest Crew Members, Andy and Craig, back to the podcast to recap this tour.  Craig saw them at the Pepsi Center in Denver, CO on 5/24/12 and Andy saw them three nights later at the MGM Grand Garden Arena in Las Vegas, NV on 5/27/12.   For the Band on the Bill Spotlight, they rank Van Halen's eight cover songs from the DLR-era and they rank Van Halen's twelve instrumentals, minus Eruption from the self-titled debut and Baluchitherium from Balance.   After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?", side 1 or side 2 from Van Halen's twelfth studio album, A Different Kind of Truth, from 2012.Music in this episode by:Van HalenBon JoviMotorheadBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

BOOPAC SHAKUR: Jim stumble upon a BOOPAC video in the wild and we realize that we have never watched a Boopac Shakur video before! Pause Compilation: A boxing press conference went off the rails as the questions had to keep being halted with a AYO PAUSE! Legacy Sequels: We discuss the recent Beverly Hills Cop: Axel F release, which begs the question are there any good legacy sequels? FUCK YOU WATCH THIS!, THE BEAR!, GHOST TOWN!, THE SPECIALS!, GREEBLING!, GROYPER!, MAGA CHUD!, SHITLIB!, KOREA TOWN!, GORDON RAMSAY!, LET'S GET IT STARTED!, STARING AT MY PHONE!, WHAT A WEEK!, BOOPAC!, DOOM SCROLLING!, BOOPAC SHAKUR!, IN THE WILD!, BLOWING OUNCES OF PIFF AND CONSTANTLY SMOKING HIGH AS KITES USING RELLOS!, MYTHICAL!, BIDEN WHISPERS!, IMPRESSION!, ROBERT!, REAL NAME!, PEDO HUNTERS!, SLAPPING!, BEAT UP!, TIRES SLASHED!, VIGILANTE!, MONTAGE!, WRONGFULLY ACCUSSED!, DOORDASH!, TERIYAKI MADNESS!, MURDERED!, JOKER!, BATMAN!, AYO PAUSE!, TEXT TRANSCRIPTS!, GAS STATION!, HUMILIATED!, 15 YEAR OLD!, LYING!, ENTRAPMENT!, TO CATCH A PREDATOR!, BUSY!, JACOB!, CATFISH!, EFFORT!, CONVINCING 15 YEAR OLD!, WHATSAPP!, WEED!, PONTIAC MICHIGAN!, NO DIDDY!, TAKING IT ALL IN! INNUENDO!, COMING!, COBRA KAI!, SEASON 6!, FAKE LOOKING!, LIGHTING!, NETFLIX!, BEVERLY HILLS COP!, AXEL F!, SEQUELS!, LEGACY SEQUEL!, BORING!, JARRING!, CAN'T CHANGE!, NOSTALGIA!, JUDGE REINHOLD!, EDDIE MURPHY!, PEPE!, GROYPERS!, LOCKED IN BIDEN!, TIME STAMP!, BIDEN DROPS OUT!, KAMALA!, DEEP STATE!, BIG MIKE!, MICHELLE OBAMA!, AOC!  You can find the videos from this episode at our Discord RIGHT HERE!