Podcasts about auburn hills

Auburn Hills police and many other law enforcement agencies from Oakland County are in the area near Stellantis headquarters searching for one suspect who led police on a chase on I-75. WWJ's Luke Sloan and Jackie Paige have your Tuesday morning news. (Photo credit WWJ's Charlie Langton)

04-18-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List:   Industry Standard - Just The Way (Now You Know) [Industry Standard]   Dee Cypher - Memories [Fresh Milk Records] EN1 Productions - Come On Touch Me [Danger Dubs Records] J Erazo & Dmize - Crazy Dub [Reptile Mob] Ease Up George - Makin Me [+98]   Jason Hogans - North Campus (Emotions Win) [Really Nice Recordings]   never test - sliced open with a broken dubplate [QED Recordings] Evan Baggs - Ideas and Concepts [Faith Beat] Max Watts - 2 Motor [Limited Network] SNEAKER - Dance On [The Black Lodge]   India Ivory - Lite-Out   Love Cryme - FFFreak [PPU] Kazz - 2night [Sneer Records] Jay Sound - Body Talk (Jays Broken Love Rework) [Visions Recordings] Steven Julien - BALLAD [Apron Records]   Medlar - Sun Spots Ft. Sam Virdie [Delusions of Grandeur]   Amanda Whiting - No Turning Back [First Word Records]   For more visit: www.fridaynightgroove.com

04-11-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and all-vinyl guest mix with the formerly Flint, Grand Rapids, and now Detroit-based DJ, J.Scott.   For more on the artist visit:  https://www.instagram.com/dj_j.scott/ https://refinedsounds.bandcamp.com/   For more on the program visit: www.fridaynightgroove.com

04-04-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and live/PA performance from Detroit-based artists, DJs, and producers, RETCON and Kuuma.   Set List: I-R - Northland (ft. RETCON) I-VT - MOD [Kuuma - Live Set] Commercial Break I-R - Literal Train Dreams [RETCON Live Set]   Ending: RETCON - mortal acid   For more on the artists visit:  https://slashsound.net/ https://slashsound.bandcamp.com/music   For more on the program visit: www.fridaynightgroove.com

SW Detroit residents must report water main break flood damage by April 3, officials say 2025 Cadillac Optiq SUV EV shocks with style, features and value Bar Louie abruptly closes Livonia, Auburn Hills locations: Here's what we know

03-28-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and guest mix from J Peacock and Phil Minnick, Detroit-based DJs and co-founders of the Choose Better Friends record label.    Set List: Polo & Pan - Nenuphar A Guy Called Gerald - Voodoo Ray Cerrone - A Part of You Lou Hayter - Time Out of Mind Supershy & Roberta Flack - Feel Like Making Love Clive Tanaka y Su Orquestra - Neu Chicago Zombies in Miami - Dance of Gopis Tyler & Mandré- Watusa Dub Seidensticker - 04.1 special A1 Gino - Gitteshouse Session Victim - Needledrop (Laurence Guy Remix) Jaco Matthews - I've Got an Idea (PM & J Peacock's Riverfront Remix)   For more on the guests visit: J Peacock https://www.instagram.com/its_jpeacock/ https://soundcloud.com/jpeacockmusic    DJ Phil Minnick https://www.instagram.com/djphilminnick/ https://soundcloud.com/dj-phil-minnick    For More on Choose Better Friends visit: https://choosebetterfriends.bandcamp.com/music   For More on the Program Visit: www.fridaynightgroove.com    

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 250 - It's the end of the 1st quarter and time for another concert regret episode.  This time Brad goes back to the late 90's and discusses a reunion tour by a huge rock band from the 70's. The Dance Tour - A evening with Fleetwood Mac at The Palace of Auburn Hills in Auburn Hills, MI on 10/4/97.  He welcomes Slamfest Crew Member Mike back to the podcast to recap this tour and talk about the Fleetwood Mac show he saw at the Qwest Center in Omaha, NE on 10/9/03.   For the Band on the Bill Spotlight, they put "like" songs up against each other from Fleetwood Mac's self-titled tenth studio album and their eleventh studio album, Rumours.  They also discuss some of Fleetwood Mac's 80's output.  After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?" - Side 1 or 2 from Fleetwood Mac's live album, The Dance, from 1997.Music in this episode by:Fleetwood MacBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

03-21-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI   Set List: JT DONALDSON - Want Her Around [Dolfin Records]   The Thunderkats - Not Gonna Let Ya [Reptile Mob] Ease Up George - On a High [+98] Dynamic Essence - Pushin' On [2TUF4U Records] Tanyn - BB u know [Integral Audio]   Arsene - Hot Sweaty Nights [STAR CREATURE]   Freeway feat. Mark J - She'll Break Your Heart [PPU] Mirlaqi - Ocean [Star Creature Universal Vibrations] Amp Fiddler - Send A Message (Yam Who's Boogie) [Ampliphonic]   Daisuke Kondo - Fallen Star [Sylvester Javier 2025 remix] [Vibraphone Records]   The Lasso - Tears of The Engineer [Chateau Lasso] Onyebeat, Hannah Standiford, Susan Augustt, Tommy WÁ, Alfred Nomad, Essilfie,Megborna, Agbenorxevi - I Dey For You Oliver Palfreyman - You Decide feat. Astrønne Rami - Bedtime [Dolfin Records]   Jerry Downey - Third Party Allowance [Snack Time Detroit]   Sara Marie Barron - Angel   For more on the program visit: www.fridaynightgroove.com

March 24, 2025 ~ The boxing community is mourning the loss of George Foreman, a two-time heavyweight champion, entrepreneur, and minister. Guy, Lloyd, and Jamie talk with John Lepak, managing partner for Kronk Gym, about Foreman's legacy and his connection to Kronk Gym for training ahead of his 1988 fight against Bobby Hitz at the Palace of Auburn Hills. Photo: Robert Hanashiro ~ USA TODAY NETWORK

03-07-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. In this episode the Los Angeles-based artist, emcee, and organizer, Alfred Nomad, returns to the program for an interview and exclusive peek into his latest album, "Until I Get Home, Take What You Can Carry."   Set List: Alfred Nomad - The Ground is No Place to Fly ft. Marince Omari   Intro Mix: Alfred Nomad & Kris J - Run It Up Greg Nyce, Alfred Nomad - She Loves Me SilckDotR & Alfred Nomad - Parentheses Alfred Nomad - Matrimony ft. FINKEL   Interview Part One: Alfred Nomad - Every Time ft. Vilda Ray The Masked DJ, Megborna, Alfred Nomad & Eli A Free - Xeyibe Agbenorxevi, Alfred Nomad & Marince Omario - Odeeshii Alfred Nomad - Until I Get Home   Interview Part Two: Alfred Nomad, Essilfie & The Masked DJ - Trying To Get Home Alfred Nomad - Motherland Alfred Nomad - Wipe Your Feet At the Door   For more on the artist visit: https://www.alfrednomad.com/   For more on the program visit: www.fridaynightgroove.com  

02-21-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. All vinyl edition #11.   Set List: Igor Jadranin - Contemporary Outdoors [Star Creature Universal Vibration] Jarren - Real 2 Me [CQQL Records] Ben Hixon - Get In The Mood [Dolfin Records] Roche - Amazement [CQQL Records] Max Watts - Dusk [Limited Network] Southbound Sounds - Educator (John Daly Remix) [Deeper Grooves] DJ Cent - Hold Out [Soiree Records] Hitch.93 - Fresh Up [Fresh Milk Records] Wormwood Dubs - Drum Repair [Wormwood Dubs] Sweet N Sour Productions - Thom Perignon [ukgaragehtx] Scott Diazz & Matt Jam Lamont - Sexy Things (That You Can Do) [Undagrnd Freqz]   For more on the program visit: www.fridaynightgroove.com

02-14-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI   Set List:   AMX - You Can Feel It [Realms of Techno]   Tanyn - Vacuum Funk [ukgaragehtx] Groove chronicles - Myron VIP Mix [DPR RECORDINGS] Warlok - R4YL Maroon Golf - Hypnotized [Strictly Flava]   Eddie Logix - Word Search   Steven Julien - TIME (feat. Froby Juan, Kristian Hamilton, Benedek & Jarren) [Apron Records] Gossip Culture - Never Have I Ever (feat. Daisy Villa) Situation ft. Andre Espeut - Never Thought I'd Get Ya (Dom Thompson Remix) [Star Creature Universal Vibrations] Phil Gerus - Now Is Gone [Futureboogie Recordings]   Olive T -  Effervescent [Permanent Vacation]   Business Partner - Stay Long [PEOPLES POTENTIAL UNLIMITED] Oliver Palfreyman - Wait Up feat. Elijah Maja, Jespfur SHIGETO - Nothing Simple (feat. Tammy Lakkis and Cleveland Thrasher) [Ghostly International] Rami - 7 [Dolfin Records]   Pando G - Fukishima [Stay True Sounds]   Jay Sound - Decolonize (Ft. Ideeyah)   For more visit: www.fridaynightgroove.com

In this episode of Behind the Chutes, host Doug Simcox sits down with Wendell Ratchford, the 1976 IPRA World Champion Bull Rider and owner of Wild Horse Rodeo Productions. Wendell shares his journey from riding bulls at 14 to building a legendary career in rodeo production and stock contracting.From hauling bucking stock for Longhorn Rodeo Company to developing top-tier bareback and saddle broncs, Wendell's impact on the sport is undeniable. He reflects on winning the 1997 Triple Crown of Stock – Bull, Bareback, and Saddle Bronc of the Year, the evolution of the IPRA and IFR, and unforgettable rodeo moments from Auburn Hills to Albuquerque.Packed with history, humor, and cowboy wisdom, this episode is a must-listen for rodeo fans who love the grit, tradition, and untold stories of the sport.Here are some resources for Beyond the Chutes:Facebook:https://www.facebook.com/profile.php?id=100093822821241Official Website:https://beyondthechutes.show/You Can Listen to Beyond The Chutes onSpotify: https://shorturl.at/bvK35Apple Podcasts: https://shorturl.at/jnGV4Amazon Music: https://tinyurl.com/24n3hmk4YouTube: https://tinyurl.com/bdcju8nzRSS: https://rss.com/podcasts/beyondthechutes/ParaSight SystemsCoupon: BTC023 for 50% off Mail In Test Kitshttps://www.parasightsystem.com/The IRA Projecthttps://www.facebook.com/groups/681292165259783#BehindTheChutes #WendellRatchford #WildHorseRodeoProductions #RodeoPodcast #BullRiding #BuckingHorses #StockContractor #WesternHeritage #RodeoLegends #inourroots

02-07-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Featuring an interview and guest mix from one of Detroit's finest in the DJ, Producer, and Sampled-founder, Chuck Daniels.    For more on the guest visit: SoundCloud: https://soundcloud.com/chuck-daniels Resident Advisor: https://ra.co/dj/chuckdaniels/biography Instagram: https://www.instagram.com/chuckdaniels313/   For more on the program visit: www.fridaynightgroove.com

01-31-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Inland Knights - Slummin it [Amenti Music]   Warlok - Feelings Gass Klubb - Hold Me (Need U) [2TUF4U Records] DMIZE - Bring Me Joy [ Amigo Dubs] S.R. & Tanyn – Stepping Out [ukgaragehtx]   Nuntheless & Ji Hoon - Fresher [Snack Time]   John Beltran - Belle Isle [MotorCity Wine Recordings] Jorge Bezerra - Kabielcilé (Atjazz Remix) [Atjazz Record Company] Tommaso - Tomorrow is Now (D&E Chicago Remix) [D&E Chicago]   Mechanatura - Untitled Elsa Hewitt - Dominant Heartstrings [EH012] DIAL 81 - BATH WATER [Some Paradise Forgotten] FINKEL - Father Time megiapa - 1iC   Holo - Pink Wax [Shall Not Fade]   Victoria Port - Haunting [First Word Records]   For more on the program visit: www.fridaynightgroove.com  

An investigation now getting underway after an Oakland County high school stabbing sends a 15 year old to the hospital, and a 16 year old in for questioning. We'll have the latest from Auburn Hills as WWJ's Luke Sloan runs down the top local headlines for your Tuesday midday in Metro Detroit. (Photo: Tim Pamplin/WWJ)

01-24-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Bale Defoe - Tell U Y (Extended) [Choose Better Friends Records]   SI-FI - Not 4 Nothin [GLBDOM] Hitch.93 - Sniper [CoOperation Records] Groove chronicles - Only you 2step mix [dpr recordings] Stab Mechanics - 2 Step Deepus [Moodswing]   Ghost - Pent Up   d'Eon - Transparency [Hippos In Tanks] IV-AM - Your Side ft. megiapa Ahya Simone - Liminal Feat. Tapiwa Svosve   June Chikuma -  Crystal 8 Startup [Star Creature]   TYSON - 300kHz (Low Frequency) [LUCKYME®] Lex Amor - SUN4RAIN [Modern Oak] Actress - Дарен Дж. Каннінгем [Smalltown Supersound] caitlin c. harvey - whole body an ear (feat. P-Gruv)   Legacy202 - Take It Back (Intake Dub) [Selville Records]   InfiniteReflections - Trouble   For more on the program visit: www.fridaynightgroove.com  

01-17-25 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. In the first episode of 2025, we kick the year off with guest mix from Hunstville, AL native, artist, and producer, Owen Ni.   For more on the program visit: www.fridaynightgroove.com   For more on the artist visit: https://linktr.ee/owenniofficial

Send us a textHi everybody and welcome to today's episode of Attendance Bias. I am your host, Brian Weinstein. If you're a regular listener of the podcast, you know the typical format. But I love it when a guest has an idea and we have to think a little out of the box so that the guest can tell his or her story while still keeping the familiar segments of the show. Today, Ryan Miners helped make that happen. Rather than choosing one specific show or jam, Ryan wanted to talk about two sequences that both involve the insane instrumental, “Buried Alive:” The first one is Buried Alive into Poor Heart from November 9, 1996 at the Palace at Auburn Hills, and the second one is Buried Alive into AC/DC Bag from August 11, 2024 at Bethel Woods. Two Buried Alive segues, roughly 28 years apart. But even though we didn't cover an entire show, there was no shortage of content for Ryan and and I to cover. Between the 28-year gap of these two segues, we touched on a tremendous amount of information, not hesitating to go off on tangents where, at one point, Ryan flips the script and puts me on the hot seat!!There's something about a good Phish segue that brings out the best in the audience, and Ryan was able to explain exactly what made these two so special. But I don't want to spoil it. Let's join Ryan to talk about the Wetlands Preserve, the history of Deer Creek, and what it means to hear the line “Thank you Mr. Miner,” as we discuss segues from Buried Alive from 1996 and 2024.  

Chris Holman welcomes back Tom Kelly, President & CEO, Automation Alley, Troy, MI. Q. Thanks for coming back to talk about Project DIAMOnD. We've had you on several times this year to talk about Project DIAMOnD but we understand that you got some very good news related to additional federal funding last week – can you tell us more about that? Yes -- Project DIAMOnD just received $1.9 million from the Bipartisan Infrastructure Law that was allocated to us by the state of Michigan. The funding was announced last week by the Michigan Infrastructure Office. In addition, to that, the Michigan Economic Development Corp. announced that it would contribute $475,000 in new funding and Automation Alley will also contribute $125,000 in new funding. So, in total, that's an additional $2.5 million. Q. That's great news. Can you tell us how you are going to use this additional funding? Until now, we have been funded by Oakland, Macomb and Wayne Counties – but our goal is to expand our network of connected 3D printers to companies across the state. This investment represents an important first step in our vision of scaling Project DIAMOnD statewide to empower small- and medium-sized manufacturers across Michigan. This additional funding will support the expansion of Project DIAMOnD to 100 small and mid-sized manufacturers. We have also committed to using a minimum of 40% of the funding for companies in disadvantaged or underserved communities across the state. Participating companies will have access to the Project DIAMOnD Digital Transformation Program – which opened earlier this earlier this year – and expert assistance at the Project DIAMOnD Digital Transformation Center (DTC) in Auburn Hills. Q: Can you remind our listeners what that Digital Transformation Center is? Of course! It provides companies access to industrial 3D printing equipment, training and support. The new Digital Transformation Center (DTC) is supported by Geofabrica, an Auburn Hills, Michigan business that specializes in the development of custom 3D printing systems and processes for industrial applications. Through the DTC, Project DIAMOnD companies will have access to additive manufacturing courses, a team of experts, and access to additional 3D printers to test and make products. Q: Let's take a step back – can you remind our listeners what Project DIAMOnD is? Project DIAMOnD stands for distributed, independent, agile manufacturing on demand. It is an initiative powered by Automation Alley and funded by Oakland County, Michigan. Project DIAMOnD was developed in October 2020 to help Michigan manufacturers accelerate their digital transformation. It was initially funded with $10 million from Oakland County and $2 million from Macomb County. We used that funding to distribute 300 3D printers to small- and mid-size manufacturers at no cost, and to teach them how to use them. Q. If I recall correctly, Gov. Gretchen Whitmer expressed her support earlier this year at the Mackinac Policy Conference for the work that Automation Alley and Project DIAMOnD are doing – is that correct? Yes, that's correct. We held a press conference with the Governor at Mackinac back in May. At the time, she expressed support for our plan to expand statewide. Last weeks' announcement builds on the governor's vision to expand the “Infrastructure for Innovation,” shared technology and resources that entrepreneurs and businesses can leverage to grow in Michigan. We are very thankful to Governor for her support and for the state for its support. » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

Talk from Jan. 3, Awaken at Sacred Heart Church in Auburn Hills.

Originally uploaded October 29th, re-edited Nov. 26th. Chris Holman welcomes Tom Kelly, President & CEO, Automation Alley, Troy, MI. Chris had several things he wanted to catch up on with Tom: Q. Before we get started, can you remind our listeners what Project DIAMOnD is? Project DIAMOnD –which stands for distributed, independent, agile manufacturing on demand – is an initiative powered by Automation Alley and funded by Oakland County, Michigan. Project DIAMOnD was developed in October 2020 to accelerate digital transformation among Michigan manufacturers. In Phase I of the program, which was funded by $10 million from Oakland County and $2 million from Macomb County, Automation Alley distributed 300 3D printers to small- and mid-size manufacturers at no cost, provided workforce training, and networked the printers to be used to fulfill emergency orders at scale. In 2021, the network concept was validated, as it printed and shipped 8,000 tourniquet parts to fulfill a request from the Ukrainian Defense Ministry. The parts allowed for the assembling of more than 2,600 tourniquets to help those in need of medical assistance during the Russian assault on Ukraine. Q: Project DIAMOnD recently opened a Digital Transformation Center in Auburn Hills. Can you tell us more about this? Of course! It provides companies access to industrial 3D printing equipment, training and support. The new Digital Transformation Center (DTC) is supported by Geofabrica, an Auburn Hills, Michigan business that specializes in the development of custom 3D printing systems and processes for industrial applications. Through the DTC, Project DIAMOnD companies will have access to additive manufacturing courses, a team of experts, and access to additional 3D printers to test and make products. Q: Wow, so this center is really helping to transform the region and state into a magnet for advanced manufacturing and training. What can companies learn at this center? At the Digital Transformation Center, Project DIAMOnD participants will learn how to transform their businesses from a capital and process-based mindset to a design and intellectual property mindset facilitated by 3D printing. This encompasses having an opportunity to launch and validate products before investing in industrial additive manufacturing equipment. They will also retain access to 3D print and post-process products, without the burden of owning and operating complex equipment. Q: What else does the DTC provide? Beyond 3D printing equipment, the DTC will provide access to industrial 3D scanners and advanced modeling and measurement software. Companies will also be able to upload and order parts through the DTC. Q: What companies are eligible to use the center? How can companies get involved in Project DIAMOnD? At this time, Project DIAMOnD is open exclusively to small- and medium-sized companies located in Oakland County. However, if you're outside Oakland County, don't hesitate to apply! We're keen to gauge interest and may expand the program to your area in the future. Don't Miss Out on the Future of Manufacturing! Sign Up Now for Exclusive Access to: · State-of-the-Art 3D Printing Technology. · Comprehensive Training Programs Tailored to Your Needs. · Instant Connection to Our Vast Network of Industry Leaders. To learn more about Project DIAMOnD, or if you are a small- or medium-sized manufacturer interested in joining the program, visit projectdiamond.org » Visit MBN website: www.michiganbusinessnetwork.com/ » Watch MBN's YouTube: www.youtube.com/@MichiganbusinessnetworkMBN » Like MBN: www.facebook.com/mibiznetwork » Follow MBN: twitter.com/MIBizNetwork/ » MBN Instagram: www.instagram.com/mibiznetwork/

12-13-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. This episode features an on-air live set from Detroit, MI-Based artist and producer, Kevin Reynolds   For more on the guest visit: https://www.instagram.com/krdetroit/?hl=en   For more on the program visit: www.fridaynightgroove.com

Tuesday, December 10, in Auburn Hills, MI.

WWJ auto analyst John McElroy reports ex-Stellantis CEO Carlos Tavares turned everything upside down with the Chrysler Group in Auburn Hills, instead of nurturing the operation.

12-6-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Enrico Dragoni - Reach For Me [First Tower Records] Smasher - Middle Of The Night [Smasher Dub 003] Trumpet & Badman - Love Keeps Changing [Unknown To The Unknown] DJ Chupacabra - Finissage [Carpet & Snares Records] Stab Mechanics - 2Nite [Vibesey Records] PsychoFunk - Gabrielle (PsychoFunk dub mix) [Have 2] Zopelar – Resolution [D3 Elements] Jay Sound - Pasadena Playas [Series of Taboo Records] Shiro Schwarz - Feel Your Body Move [Planet E Communications] Saint Paul - Heart Is A Melody [Moonrise Hill Material] Duktus ft. Maya Killtron - It's Our Time [Outrun Records]   For more on the program visit: www.fridaynightgroove.com  

Sacred Heart Church in Auburn Hills, MI, Advent parish mission on the theme of the Sacred Heart of Jesus.

Homily from Sacred Heart Church in Auburn Hills for the Second Sunday of Advent.

December 2, 2024 ~ Stellantis CEO Carlos Tavares made a surprising announcement to resign, about a year ahead of originally planned. Guy, Lloyd, and Jamie talk with Bloomberg auto business reporter Keith Naughton about the downfall of the automaker, and what's next for its headquarters in Auburn Hills.

11-22-24 Edition of The Friday Night Groove on 88.3 WXOU FM, in Auburn Hills, MI. Featuring an interview with Detroit-based artist, DJ, and producer Huey Mnemonic.   Set List: Huey Mnemonic - Joyous Occasion (Nuclei Mix) Owen Ni - Mover HeartWerk - Made In Heaven SOFTgrid - Knock - Music Of Spheres Tranquil Elephantizer - Slow Brew   Whodat - Joyous Element   Ottagone - Ottagone 005 Ben Hixon - Dpart.1 Evan Baggs - Neutral Zone Huey Mnemonic - Slipping into Madness   Huey Mnemonic Interview   Huey Mnemonic Brainscraatch Influences: H&M - Sleepchamber Octave One - Empower H&M - Drama (Upstage Decision) Archetype - The Keep DJ Bone - Body Bags   For more visit: www.fridaynightgroove.com

A generation later, the images of one of the worst scenes to ever take place in an NBA arena are still shocking. A cup full of liquid hurtling through the air, striking Indiana Pacers small forward Ron Artest, and setting off a powder keg - as coaches, security, members of the Pacers, and fans came to blows in the stands, the tunnel, and on the court itself. When the bad blood between the Pacers and rival Detroit Pistons boiled over in Auburn Hills, it was impossible to ignore the sight of mostly black players clashing with mostly white fans. And elements around the NBA used the ugly night, and fear that it caused, to force changes in the NBA dress code that could only be called draconian today. So Andscape senior writer David Dennis Jr. joins Clinton Yates to remember how it all went down, and explore how it changed the NBA forever. Learn more about your ad choices. Visit podcastchoices.com/adchoices

11-15-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: LPR - What You Need [Selville Records]   Dominic Oswald - Never Letting Go [Bobby Donny - ACE Series] Hugh MSKLA - Don't Go Lose It (Crackazat Edit) Midnight Runners - Dream Just Another   Isaac Prieto - Flash   New Look - Teen Need [!K7 Records] Fatima Yamaha - Sooty Shearwater, King Of Migration [Magnetron Music] A Vision Of Panorama & Sykes - Desires [Star Creature Universal Vibrations]   K-HAND - Noise [Acacia Records.]   Jay Sound - Laugh Now, Cry Later Brett Eclectic - Nuthn Like Ur Love [Sneer Records] Nickee B - 808 Ways to Love [Avant Garde Records] Phil Gerus - Rainy On The Bright Side [Symbols Recordings]   Ernesto & The Basement Gospel - Is It True - (Peacey Remix Instrumental) [Atjazz Record Company]   Victoria Port - Cigarette [First Word Records]   For more visit: www.fridaynightgroove.com

The Slamfest Podcast brings the premier rock concert pregaming experience from the parking lot to the podcasting airwaves. Episode 231 - Brad saw Van Halen and Kool & the Gang on 2/20/12 at The Palace of Auburn Hills in Auburn Hills, MI.  He welcomes Slamfest Crew Members, Andy and Craig, back to the podcast to recap this tour.  Craig saw them at the Pepsi Center in Denver, CO on 5/24/12 and Andy saw them three nights later at the MGM Grand Garden Arena in Las Vegas, NV on 5/27/12.   For the Band on the Bill Spotlight, they rank Van Halen's eight cover songs from the DLR-era and they rank Van Halen's twelve instrumentals, minus Eruption from the self-titled debut and Baluchitherium from Balance.   After a Slamfest Tip of the Week, they are faced with a "Which Side are you On?", side 1 or side 2 from Van Halen's twelfth studio album, A Different Kind of Truth, from 2012.Music in this episode by:Van HalenBon JoviMotorheadBlack SabbathKissOzzyVisit the Slamfest Podcast online at: https://slamfest-podcast.simplecast.comRequest to join the Slamfest Podcast private Facebook page here:https://www.facebook.com/groups/slamfestpodcastE-mail us at : slamfestpodcast@gmail.com

11-08-24 Recording of The Friday Night Groove on 88.3 WXOU FM, in Auburn Hills, MI.   Set List: Rocket Dubz - Southbound (Urban Myths Mix) [Vibesey Records] F.R.D Productions feat. Juliet Harding– Dont Be Afraid [2tuf 4u Records] S R - Pressure [Plastik People] Nick Minieri - Half the Battle (Part 1) TOOLATE GROOVE - Keep Me Satisfied (feat Reda) [Plastik People] Blair French - Whispers Of You [Rocksteady Disco] Huey Mnemonic - Ankhobi [Subsonic Ebonics] El Coyote - La Luna [Ican Productions] De Sluwe Vos Ft. Beaumont Livingstone - The Feeling [4lux Recordings] Rebecca Goldberg - Bleikur ($LEAZY's Remix) [Detroit Underground] Suburban Knight -- Winds of Fear (Eddie Fowlkes Edit) [EPM Music]   For more visit: www.fridaynightgroove.com  

11-01-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. In this episode, I invite Ann Arbor/Ypsilanti-based artist, producer, and frequency wizard, OMO for a special on-air live set. All original patterns and productions for an hour on FM airwaves.   For more on the artist visit: https://www.instagram.com/omo_auditorysound/   For more on the program visit: www.fridaynightgroove.com

10-25-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI   Set List: Ben Hixon - Dangerous [Dolfin Records] Salar Ansari - Forbidden (POPR MIX) [Passed Out On A Persian Rug] BIYDIY - Love It Away feat. American Matthew & Aria Lanelle [Dolfin Records] Gari Romalis - Goin' Down  [Women On Wax Recordings] Malik Hendricks - Praise (Eli Escobar Remix) [Off Track Recordings] DJ Dex - Spinner Theme [Yaxteq] Saint Paul - Loin des yeux d'Hélios [Moonrise Hill Material] TORIBIO - Bumples [Bring Dat Jazz] A Band Called Flash - Phantom [Future Vision World] Eddie Logix - 2nd Choice (It's STILL Not Over) [Rocksteady Disco] Tryezz- Sunset Cruisin [Soul Clap] Alex Fernet - Phantom Of The Club [PPU]   For more visit: www.fridaynightgroove.com

10-18-24 Recording of The Friday Night Groove on 88.3 WXOU FM, in Auburn Hills, MI.   Set List: Caserta & Ghazellé - Lover (Rain Mix Phatty's Dub) [Boogie Angst]   P​ü​r Royale - Mi Amor (Vocal) [Must Have Records] Philippa & Jimpster - All I Wanted feat. MON [ Freerange] Hyphen - That Feeling Feeling [Profound Sound] Jeremy Sylvester - Not Gonna Love You [Garage Paradise]   Tanyn - Missin You Lovin Me [GLBDOM]   VINSON - Player And A Lover feat. Jamma-Dee [Wichita] Phil Gerus - You Can't Cross Me Out [Symbols Recordings] Tom Bailey - The Thrill [Little Saigon Records] QENDRESA - Sweet Lies [ dream city discs]   Tall Black Guy - The Dark Streets [First Word Records]   Na Bonsai - Planet Paralysis Lex Amor & ELIZA - 1000 TEARS [Modern Oak] JD. REID - where the flowers grow (w- Joe Armon-Jones) [BABY GRAVY] Cyber Witch - Intilaq [Detroit Underground]   Loraine James - Glitch The System [Hyperdub]   Lynda Dawn - Play Fair [First Dawn Records]   For more visit: www.fridaynightgroove.com

10-11-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI.   Set List: Braga Circuit - Mariana (Aguila's Liquid Groove)   Vanity - Karma State [MadeWithCare] Lubelski - Drive Me Wild [Shall Not Fade] IV-AM - Houston We Have A Problem William Florelle - Red Velvet [r2 records]   Buscrates - Slim [Thrash Flow]   Aaradhna - Mango Tree (Children Of Zeus Remix) [SIAATNT] Aquariuz - Sertraline TYSON - Chaos EP - 04 Grunge (ft Wu-Lu) [LUCKYME]   Olive T - Move [Permanent Vacation]   Chris Mitchell- Cas 2 [Feral Colony] Mary L.A. - Flexy Cortex [101io] New Look - So Real [!K7 Records] (Liv).e - $$$$ $   Rick Wade - Groove Tool [Harmonie Park]   InfiniteReflections - Broken (Still Healing) [Infinite Reflections Entertainment]   For more visit: www.fridaynightgroove.com

Oct 14, 2024 ~ Crain's Detroit Business Managing Editor Mike Lee talks on Governor Whitmer's efforts to keep Stellantis' headquarters in Auburn Hills as the company reevaluates its real estate portfolio. Also, Huntington Place is seeing an increase in rental events, a debate between Elissa Slotkin and Mike Rogers is highlighting worries about Chinese investments in Michigan's EV industry, and we get an update on the efforts underway to revive Western Market in Detroit's Corktown neighborhood.

Pink Floyd's Catalog Sale: A New EraIn this episode of the Deadhead Cannabis Show, Larry Michigan explores the rich history of the Grateful Dead's music, focusing on a specific concert from 1980. He discusses the significance of various songs, including 'Iko Iko' and 'Me and Bobby McGee', while also reflecting on the impact of Chris Christopherson's songwriting. The conversation shifts to current events in the music and cannabis industries, including Pink Floyd's catalog sale and the ongoing challenges faced by the hemp industry. Larry emphasizes the importance of medical marijuana legalization and shares insights on how cannabis enhances the music experience. He concludes with personal strain recommendations and highlights record sales in legal marijuana states. TakeawaysThe Grateful Dead's acoustic sets were a significant part of their live performances.Audience tapes capture the energy of live shows better than soundboard recordings.Chris Christopherson's 'Me and Bobby McGee' remains a classic, showcasing the intersection of music and storytelling.Pink Floyd's recent catalog sale reflects the changing dynamics in the music industry.The Betty Boards represent a pivotal moment in Grateful Dead tape trading history.The hemp industry faces legal challenges that could impact small businesses.A majority of chronic pain patients support the legalization of medical marijuana.Cannabis enhances the enjoyment of music, as confirmed by recent studies.Record sales in legal marijuana states are reaching new heights, indicating a thriving market.Personal strain recommendations can enhance the cannabis experience for users. Chapters00:00Introduction and Context of the Grateful Dead's Music04:50Exploring 'Iko Iko' and Audience Tapes10:42The Significance of 'Monkey and the Engineer'15:24Remembering Chris Christopherson and 'Me and Bobby McGee'22:31Pink Floyd's Catalog Sale to Sony Music28:15The Mystery of the Betty Boards54:16Current Issues in the Hemp Industry01:08:10Support for Medical Marijuana Legalization01:15:50The Impact of Marijuana on Music Enjoyment01:21:09Record Sales in Legal Marijuana States01:25:53Strain Recommendations and Personal Experiences Grateful DeadOctober 7, 1980 (44 years ago)Warfield TheaterSan Francisco, CAGrateful Dead Live at Warfield Theater on 1980-10-07 : Free Download, Borrow, and Streaming : Internet Archive Part of 23 show run in late September to the end of October, 1980 split between the Warfield (September 27th – October 14th) and Radio City Music Hall in NYC (October 22 – 31st)   Each show opened with an acoustic set followed by two full electric sets.  These were the last shows where the Dead played acoustic sets.  Songs from all of these concerts were pulled for the two related Dead double album releases, Reckoning (acoustic music, released April 1, 1981- the Band's sixth live album and 17th overall) and Dead Set (electric music, released August 26, 1981, the Band's seventh live album and 18th overall).  Today's episode is broken up into three acoustic numbers from this show and then three electric numbers. INTRO:                     Iko Iko                                    Track #1                                    0:00 – 1:37 "Iko Iko" (/ˈaɪkoʊˈaɪkoʊ/) is a much-coveredNew Orleans song that tells of a parade collision between two tribes of Mardi Gras Indians and the traditional confrontation. The song, under the original title "Jock-A-Mo", was written and released in 1953 as a single by James "Sugar Boy" Crawford and his Cane Cutters but it failed to make the charts. The song first became popular in 1965 by the girl groupthe Dixie Cups, who scored an international hit with "Iko Iko" released in March, 1965. In 1967, as part of a lawsuit settlement between Crawford and the Dixie Cups, the trio were given part songwriting credit for the song.  A permanent part of the Dead's  repertoire since first played in May, 1977 in St. Louis, almost by accident out of and back into a Not Fade Away.  The intro, one verse and back to NFA.  Overtime, became a tune that was not frequently played, usually once, maybe twice, a tour, but whenever it was played it created a party atmosphere out of whatever the mood had been prior to its playing.  Perfect song for Jerry with the call and response chorus that everyone joined in on.  The song that “fastened my seatbelt on the bus” when I saw it for the first time at my second show ever in Syracuse in 1982 with good buddy Mikey.  Once you hear it live, you are always looking for it at future shows. I love this song as do many Deadheads.  But getting to hear it played acoustically is a real treat and a great way to open this “hometown” show.  Jerry played it right up until the end. Played:  185 timesFirst:  May 15, 1977 at St. Louis Arena, St. Louis, MO, USALast:  July 5, 1995 at Riverport Amphitheatre, Maryland Heights, MO, USA SHOW No. 1:         Monkey And The Engineer                                    Track #4                                    0:48 – 2:25 Jesse Fuller tune Jesse Fuller (March 12, 1896 – January 29, 1976) was an American one-man band musician, best known for his song "San Francisco Bay Blues".  Starting in the 1950's after a number of non-music related jobs, Fuller began to compose songs, many of them based on his experiences on the railroads, and also reworked older pieces, playing them in his syncopated style. His one-man band act began when he had difficulty finding reliable musicians to work with: hence, he became known as "The Lone Cat". Starting locally, in clubs and bars in San Francisco and across the bay in Oakland and Berkeley, Fuller became more widely known when he performed on television in both the Bay Area and Los Angeles. In 1958, at the age of 62, he recorded an album, released by Good Time Jazz Records.[3] Fuller's instruments included 6-string guitar (an instrument which he had abandoned before the beginning of his one-man band career), 12-string guitar, harmonica, kazoo, cymbal (high-hat) and fotdella. He could play several instruments simultaneously, particularly with the use of a headpiece to hold a harmonica, kazoo, and microphone. In the summer of 1959 he was playing in the Exodus Gallery Bar in Denver. Bob Dylan spent several weeks in Denver that summer, and picked up his technique of playing the harmonica by using a neck-brace from Fuller.[ Monkey And The Engineer was played by the pre-Dead group Mother McCree's Uptown Jug Champions in 1964. The song was performed by the Grateful Dead in acoustic sets in 1969, 1970, 1980 and 1981. Also performed by Bob Weir with Kingfish. A fun tune that is perfect for kids as well.  Good one to get them hooked into the Dead on! Played:  38 timesFirst:  December 19, 1969 at Fillmore West, San Francisco, CA, USALast: February 12, 1989 at Great Western Forum, Inglewood, CA, USA  MUSIC NEWS:                         Intro Music:           Me and Bobby McGee                                                            Kris Kristofferson - Me And Bobby McGee (1979) (youtube.com)                                                            0:00 – 1:27 "Me and Bobby McGee" is a song written by American singer-songwriter Kris Kristofferson and originally performed by Roger Miller. Fred Foster shares the writing credit, as Kristofferson wrote the song based on a suggestion from Foster.[1] Foster had a bit of a crush on Barbara "Bobbie" McKee who was a secretary on Nashville's music row. When he pitched the title to Kristofferson, he misheard the name as "Me and Bobby McGee," and the name stuck. Kristofferson found inspiration for his lyrics from a film, 'La Strada,' by Fellini, and a scene where Anthony Quinn is going around on this motorcycle and Giulietta Masina is the feeble-minded girl with him, playing the trombone. He got to the point where he couldn't put up with her anymore and left her by the side of the road while she was sleeping," Kristofferson said.  A posthumously released version by Janis Joplin topped the Billboard Hot 100 in 1971, making the song the second posthumously released No. 1 single in U.S. chart history after "(Sittin' On) The Dock of the Bay" by Otis Redding. Gordon Lightfoot released a version that reached number 1 on the Canadian country charts in 1970. Jerry Lee Lewis released a version that was number 1 on the country charts in December 1971/January 1972 as the "B" side of "Would You Take Another Chance on Me". Billboard ranked Joplin's version as the No. 11 song for 1971. Janis Joplin recorded the song for inclusion on her Pearl album only a few days before her death in October 1970. Singer Bob Neuwirth taught it to her while Kristofferson was in Peru filming The Last Movie with Dennis Hopper.[5] Kristofferson did not know she had recorded the song until after her death. The first time he heard her recording of it was the day after she died.[6]Record World called it a "perfect matching of performer and material."[7] Joplin's version topped the charts to become her only number one single; her version was later ranked No. 148 on Rolling Stone's 2004 list of The 500 Greatest Songs of All Time. In 2002, the 1971 version of the song by Janis Joplin on Columbia Records was inducted into the Grammy Hall of Fame. The song is the story of two drifters, the narrator and Bobby McGee. The pair hitch a ride from a truck driver and sing as they drive through the American South before making their way westward. They visit California and then part ways, with the song's narrator expressing sadness afterwards. Due to the singer's name never being mentioned and the name "Bobby" being gender-neutral (especially in America), the song has been recorded by both male and female singers with only minor differences in the lyrical content. Me And Bobby McGee was first performed by the Grateful Dead in November 1970. It was then played well over 100 times through to October 1974. The song returned to the repertoire for three performances in 1981 after which it was dropped for good.  Sung by Weir.    RIP Kris Kristofferson Kris Kristofferson, the iconic country music singer-songwriter and accomplished Hollywood actor, passed away peacefully at his home in Maui, Hawaii, at the age of 88. The family has not disclosed the cause of death. It was confirmed that Kristofferson was surrounded by loved ones during his final moments. In a statement, the family shared: "It is with a heavy heart that we share the news our husband/father/grandfather, Kris Kristofferson, passed away peacefully on Saturday, Sept. 28 at home. We're all so blessed for our time with him. Thank you for loving him all these many years, and when you see a rainbow, know he's smiling down at us all." Tributes poured in from across the entertainment world and fans as the news of Kris Kristofferson's death spread. Barbra Streisand, his co-star in A Star Is Born, praised him as a "special” and “charming" in a post on X. Dolly Parton, who collaborated with Kristofferson, shared on X, "What a great loss. I will always love you, Dolly." Kristofferson's career was nothing short of extraordinary. He achieved stardom as both a country music artist and a successful actor. Throughout his prolific career, Kristofferson earned numerous accolades. These include three Grammy Awards and an induction into the Country Music Hall of Fame in 2004. Additionally, he was nominated for an Academy Award in 1985 for Best Original Song for Songwriter. In 1971, Janis Joplin, who had dated Kristofferson, had a number one hit with "Me and Bobby McGee" from her posthumous album Pearl. It stayed on the number-one spot on the charts for weeks.  In 2021, after releasing his final album, The Cedar Creek Sessions, in 2016, Kristofferson announced his retirement from music. His legacy as a musician, actor, and cultural icon leaves a profound impact on both industries. He is survived by his wife, Lisa, his children, and his grandchildren.  Pink Floyd sells song rights (Rolling Stone Magazine) After years of in-fighting and near-agreements, Pink Floyd have finally reached a deal to sell the rights to their recorded music catalog to Sony Music, according to the Financial Times.The deal is reported to be worth around $400 million and also includes the rights to the band's name and likenesses. That means, along with gaining full control over Pink Floyd's music, Sony will have the crucial rights for most things Pink Floyd-related, from merch to movies. A rep for Sony Music declined to comment. A source confirmed the veracity of the details to Rolling Stone. In an interview with Rolling Stone in August, Gilmour confirmed that the band was “in discussion” about a potential catalog sale, with the guitarist adding he was tired of the continued in-fighting and “veto system” that has resulted in animosity and delayed reissues over petty issues like liner notes.   “To be rid of the decision-making and the arguments that are involved with keeping it going is my dream,” Gilmour said of a catalog sale. “If things were different… and I am not interested in that from a financial standpoint. I'm only interested in it from getting out of the mud bath that it has been for quite a while.” With the Sony deal in place, the label — and not the band — will now bear the responsibility for the next Pink Floyd release, a 50th-anniversary edition of Wish You Were Here that is expected to arrive in 2025. The Sony deal comes 18 months after Pink Floyd made traction on a $500 million agreement to sell their music, only for more bickering between band mates to make the deal “basically dead,” as sources told Variety in March 2023. The Sony deal only includes Pink Floyd's recorded music catalog, which allows for the band to keep its largely Waters-penned publishing catalog and retain ownership of now-apropos lyrics like “Money/It's a crime/Share it fairly, but don't take a slice of my pie” and “We call it riding the gravy train.” What happened to the Betty Boards In May 1986, a storage auction took place in California's Marin County that would altogether change the nature of Grateful Dead tape trading, the group's distribution of its live recordings and, ultimately, the Dead's place in the Library of Congress' National Recording Registry. An advertisement in a local paper drew in a few dozen curious parties anticipating the range of memorabilia and household items that typically become available through the auction of lockers that had fallen into arrears due to lack of payments.  Among the items up for auction that day were hundreds of reel-to-reel soundboard tapes of the Grateful Dead originally recorded by Betty Cantor-Jackson during a golden age between 1971-80. The Betty Boards, as copies of these recordings became known, eventually found their way into the collections of longstanding Deadheads and newbies alike, ending some aspects of a tape-trading hierarchy by which certain individuals lorded over their collections, denying access to those who were unfamiliar with the secret handshake. The appearance and subsequent dissemination of these recordings became a source of fascination and speculation for Deadheads in 1986 and the questions have only compounded over the years: How did the tapes fall into the auction? Who won them? How and why were they initially distributed? Are there more recordings that have yet to make it into circulation? And jumping ahead to the present, where are those tapes today? Just what has become of the Bettys? What can be said with certainty is that a new cache of tapes has been unearthed and a plan is underway by Dark Star Orchestra guitarist Rob Eaton, who has painstakingly restored many of the boards, to complete the job and then facilitate their return to the band. Eaton hopes that a series of official releases might follow that will also yield a small royalty to the woman who recorded the reels and then lost them due to her own financial hardship, even if Deadheads owe her a debt of gratitude. Before the auction, before the boards, there was Betty. Betty Cantor was still in her teens when she began setting up mics and helping to record sound at San Francisco venues— first at the Avalon Ballroom and then, the Carousel (the latter during the Grateful Dead's brief stab at venue management in 1968). She worked alongside Bob Matthews, initially assisting with setups during the recording of the Dead's Anthem of the Sun. A true pioneer, as a woman staking her claim in a patriarchal business, she partnered with Matthews into the early 1970s to produce and engineer live multi- track recordings (she had a hand or two in Live/Dead) as well as studio efforts (Aoxomoxoa and Workingman's Dead). While she worked for other artists during this period, she maintained a close relationship with the Grateful Dead, catalyzed by her marriage to crew member Rex Jackson, who would die a few years later in an auto accident. (The philanthropic Rex Foundation is named in his honor.) “My late husband started recording on the road when he was on the equipment crew,” Cantor Jackson explains. “He and I purchased our own gear and tape. I recorded whenever I could get to the gigs. I recorded the Grateful Dead frequently when they were at home venues, I recorded any and all Jerry Garcia Band gigs I could get to for years, in all its configurations, as well as other bands I liked whenever I could. In those days, bands were cool and happy about me getting a feed. Rex was killed in a car accident in ‘76. In ‘77 and ‘78, I was put on Grateful Dead road crew salary, taping and handling Bobby's stage setup.” She later began a romantic relationship with Dead keyboardist Brent Mydland but, after that ended, she sensed that she had been frozen out. “Brent and I split up after a few years, with the last year spent in the studio working on his solo project. This put me in the category of the dreaded ‘ex.' I didn't think that could apply to me, but he was a band member. Everyone was paranoid of me being around, so I no longer had access to my studio or the vault.” Trying times followed. In 1986, she found herself in a dire financial predicament and forced out of her home. “All my things were moved to storage facilities. Unable to foot the bill at the storage center, Cantor-Jackson forfeited the rights to her worldly possessions. She remembers contacting the Grateful Dead office to inform them of the situation, but the group took no action, resulting in a public auction of Cantor-Jackson's personal assets, which included more than 1,000 reel-to-reel tapes—mostly Grateful Dead recordings, along with performances by Legion of Mary, Kingfish, Jerry Garcia Band, Old and In The Way, the Keith and Donna Band, and New Riders of The Purple Sage. The majority of the 1,000-plus reels that have come to be known as the Betty Boards were acquired by three principals, none of whom were fervid Deadheads at the time. The first of these individuals set his tapes aside in a storage locker where they remain to this day. A second, who was more interested in the road cases that held the tapes, left them to rot in his barn for a decade. The final party was a couple with a particular interest in progressive rock, who nonetheless held an appreciation for the performances captured on tape. So while some tapes unquestionably were scattered to the wind, following the four- hour event and a second auction for a final lot of tapes held a few weeks later, the three prime bidders each held hundreds of reels. While two of the winning bidders had no plans for the tapes, within a few months the couple decided that they would place the music in circulation. This was our way of getting new material into circulation and also breaking the hierarchy of those collectors who held on to prime shows for themselves. Initially, we started transferring the tapes to VHS Hi-Fi on our own, but soon realized what a daunting task this was going to be. So we reached out to one of our trading buddies who we knew had connections in the Dead trading community. From there, he gathered together what was later to become known as the ‘Unindicted Co-conspirators,' who put in a massive archiving effort to back up the tapes and distribute them.” The individual they selected as their point person was Ken Genetti, a friend and longtime Deadhead. “I went into their house, and I opened up this closet and they had all the stuff arranged on a shelf in order,” Genetti reflects. “For me, it was like King Tut's tomb. I knew immediately what they had when I looked in there. The first thing I saw was Port Chester, N.Y., Feb. 18, 1971, an incredible show which was Mickey [Hart]'s last concert for many years and I said, ‘You've got to be kidding me!' Then I saw Kezar Stadium, San Francisco, Calif., ‘73, my favorite concert I ever went to. I pulled it out and I went, ‘Holy shit!'” They explain: “We had sought to keep the operation as low key as possible because of the potential for a backlash. It wasn't until someone contacted the Grateful Dead office and offered them a copy of the tapes that we knew it was only a matter of time before we would be hearing from their lawyers. When we did hear from them, there was a bit of back and forth between their lawyers and our lawyer, but the bottom line was we had purchased the tapes legally and owned them but didn't own the rights to the music contained on them. Therefore, we could not sell the music on them, which was never our intent anyway. That pretty much left us at a stalemate and, not wanting to stir up any more issues with the Grateful Dead office, is also why we avoided re-digitizing the tapes.” In late 1995, Eaton received a call from a high-school teacher who had purchased one of the lots predominantly for the road cases that held the tapes. The teacher now hoped to sell the reels and wanted Eaton to assess them. In a cluttered barn, Eaton discovered a grimy, mold-infested collection. This might have been the end of the story, but the Betty Boards have proven to be the gift that keeps on giving. The teacher never found a buyer for the tapes—his asking price was a million dollars—and two years ago, facing monetary struggles and fearing that that the bank might foreclose on his home, he contacted Eaton once again to see if he would be willing to take custody of the tapes. The teacher also explained that he had discovered another 50 reels while cleaning out the barn. Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” Emboldened by success with this latest batch, Eaton set a new goal for himself: “I had this dream to try to reclaim all of this music and archive it properly so that it's there for generations to come in the best possible form.” So through a chain of contacts, he eventually located the couple. While completing his work on the couple's reels, Eaton began researching the original auction, hoping to identify the third individual who had purchased the Bettys. He eventually found him, and in January 2014, the pair entered into discussions about this final batch of tapes, which Eaton hopes to restore. What then? Eaton has a plan that he already has set in motion. “What I'd love to see done—in a perfect world—is I think all the tapes need to go back to the vault,” he says. “I think the people that have purchased these tapes should be compensated. I don't think we're talking huge sums of money but enough to make them relinquish the tapes back to the Grateful Dead. They should be part of the collection. Another thing that's important is if these tapes do get back to the vault, Betty should get her production royalty on anything that gets released, which is completely reasonable. Those were her tapes; those weren't the Dead's tapes. I'd love to see Betty get her due.”  SHOW No. 2:         Heaven Help The Fool                                    Track #6                                    1:30 – 3:10Heaven Help the Fool is the second solo album by Grateful Deadrhythm guitaristBob Weir, released in 1978. It was recorded during time off from touring, in the summer of 1977, while Grateful Dead drummer Mickey Hart recovered from injuries sustained in a vehicular accident. Weir returned to the studio with Keith Olsen, having recorded Terrapin Station with the producer earlier in the year. Several well-known studio musicians were hired for the project, including widely used session player Waddy Wachtel and Toto members David Paich and Mike Porcaro. Only "Salt Lake City" and the title track were played live by the Grateful Dead, the former in its namesake location on February 21, 1995,[1] and the latter in an instrumental arrangement during their 1980 acoustic sets.[2] Despite this, Weir has continued to consistently play tracks from the album with other bands of his, including RatDog and Bobby Weir & Wolf Bros. "Bombs Away" was released as a single and peaked at number 70 on the Billboard Hot 100, becoming his only solo song to make the chart.[3] The album itself stalled at number 69, one spot behind his previous album, Ace. The title track was written by Bobby and John Barlow.  While a staple at Bob shows with the Midnights, Rob Wasserman, Rat Dog, Wolf Bros., etc., the Dead only played it during these Warfield/Radio City and only as an instrumental arrangement. Played:  17 timesFirst:  September 29, 1980 at The Warfield, San Francisco, CA, USALast:  October 31, 1980 at Radio City Music Hall, New York, NY, USA Now the electric tunes from today's show: SHOW No. 3:         Cold, Rain & Snow                                    Track #10                                    0:00 – 1:30 "Rain and Snow", also known as "Cold Rain and Snow" (Roud 3634),[1] is an American folksong and in some variants a murder ballad.[2] The song first appeared in print in Olive Dame Campbell and Cecil Sharp's 1917 compilation English Folk Songs from the Southern Appalachians, which relates that it was collected from Mrs. Tom Rice in Big Laurel, North Carolina in 1916. The melody is pentatonic. Campbell and Sharp's version collected only a single verse: Lord, I married me a wife,She gave me trouble all my life,Made me work in the cold rain and snow.Rain and snow, rain and snow,Made me work in the cold rain and snow.  In 1965, Dillard Chandler recorded a graphic murder ballad version of the song that ends with the wife being shot by the husband. According to the liner notes on Chandler's album, Chandler learned the song from Berzilla Wallin, who said that the song related to a murder that had occurred in Madison County, North Carolina: Well, I learned it from an old lady which says she was at the hanging of – which was supposed to be the hanging, but they didn't hang him. They give him 99 long years for the killing of his wife... I heard the song from her in 1911. She was in her 50s at that time. It did happen in her girlhood... when she was a young girl... She lived right here around in Madison County. It happened here between Marshall and Burnsville; that's where they did their hanging at that time – at Burnsville, North Carolina. That's all I know, except they didn't hang the man.'[2] Subsequent performances have elaborated a variety of additional verses and variants beyond the single verse presented by Campbell and Sharp. Several verses consistently appear. Some sources for lyrics that appear in some later versions may be from Dock Boggs's 1927 song "Sugar Baby" (Roud 5731),[1] another lament of a henpecked husband, which may have contributed a line about "red apple juice".[4] A British folksong, The Sporting Bachelors (Roud 5556),[1] contains similar themes, but was collected in the 1950s.[2][5] Earlier possible precursors include a series of broadside ballads on the general subject of "Woeful Marriage"; one frequently reprinted nineteenth-century example begins with the words "On Monday night I married a wife", (Roud 1692).[1][6] These British antecedents mostly share common themes and inspirations; the song originated in the local tradition of Big Laurel, Madison County, and relate to a nameless murderer who committed the crime at some time between the end of the Civil War and the end of the nineteenth century. A recent origin is also suggested by the relatively limited number of variations on the tune; most performances use the Campbell-Sharp melody as written.[2] Despite the apparent violence of the lyrics, women feature prominently in the oral tradition of the song. It was collected from "Mrs. Tom Rice", and sung by Berzilla Wallin, who learned it from "an old lady" who remembered the murder trial the song was about. The song is closely associated with the Grateful Dead; a studio version appeared on their first album The Grateful Dead (1967), and the song was a standard part of the Dead's repertoire throughout their career. They would often open with the song, or perform it early in the first set.[2] Unlike Chandler's recording, in the Dead's version of the lyrics the husband generally laments his mistreatment at his greedy wife's hands, but does not kill her. The lyrics from the Grateful Dead's version were adapted from an earlier recording by Obray Ramsey. Played:  249 timesFirst:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 19, 1995 at Giants Stadium, East Rutherford, NJ, USA  MJ NEWS:  Hemp Industry Advocates Ask Court To Halt California's Ban On Products With Any ‘Detectable Amount' Of THC Amid Legal Challenge2.      Most Pain Patients And Doctors Support Legalizing Medical Marijuana And Having Insurance Companies Cover The Cost, AMA Study Shows3.      Marijuana Enhances Enjoyment Of Music, New Study Finds, Confirming What Every Stoner Already Knows4.      Six U.S. States Report Setting New Monthly Marijuana Sales Records M.J. Strains:           Blackwater – an indica marijuana strain made by crossing Mendo Purps with San Fernando Valley OG Kush.  The strain offers effects that start out mellow but will eventually melt down through your entire body for a classic head to toe euphoric high.  A sweet grape aroma that blends well with subtle undertones of lemon and pine.  MMJ uses include for relieving symptoms associated with chronic pain, appetite loss and MS.  Recommended for late night consumption as it can cause mental cloudiness and detract from productivity.                      NYSD – this classic strain is sativa leaning, created by Soma Seeds in Amsterdam, a staple for stoners since its inception in 1997.  Its name is inspired by the tragic events in NYC on September 11, 2001.  It is a product of crossbreeding Mexican sativa and Afghani landrace strains.  Has a unique aroma and taste that sets it apart from the crowd.                       Pure Gas - a hybrid cross of E85 and OG Kush. The parent strains are carefully chosen for their complex terpene profiles and effects. The OG Kush is known for its lemon-pine-fuel taste and an aroma of fuel, skunk, and spice. Additionally, its high-THC content provides a potentially heavy-hitting experience that shines through in the Pure Gas strain. As far as THC level in Pure Gas, it is one of our higher testers and definitely a high-potency strain. Smoking Pure Gas might bring effects similar to that of the OG Kush. The strain may be a creeper, meaning its effects may sneak up on you, so we recommend trying a little at a time, especially if you're new to smoking. Users may experience a deep body relaxation and cerebral high. The strain is definitely one that might activate your munchies, so make sure you have your favorite snack on hand. The overall effects of the Pure Gas strain might make it perfect for a movie night with friends, pre-dinner smoke sessions, and just hanging out. For users who suffer from appetite loss, the strain may help stimulate your hunger.  SHOW No. 4:         Loser                                    Track #12                                    4:13 – 6:13 David Dodd:  The song seems covered in the Americana dust of so many songs from this period of Hunter's and Garcia's songwriting partnership. Abilene, whether in Texas or Kansas, is a dusty cowtown—at the time in which the song seems to be set, the cattle outnumbered the human inhabitants by a factor of tens. It's easy to see the scene Hunter so casually sets, of a broken-down gambler in a saloon, with a dirt street outside full of armed cowpokes. Appearing, as it does, on Garcia, the song seems to pair naturally with the other gambling song on the album, “Deal.” It could be sung by the same character on a different day, in fact. And it fits in, as I mentioned, with a whole suite of songs that might be set in the same generic America of the late 19th or early 20th centuries: “Brown-Eyed Women,” “Jack Straw,” “Mister Charlie,” “Tennessee Jed,” “Cumberland Blues,” “Candyman,” and others, as well as certain selected covers, such as “Me and My Uncle,” and “El Paso.” Those songs share certain motifs, and among them are the various accoutrements of a gambler's trade, whether dice or cards. Money plays a role—and, in the case of “Loser,” the particular money mentioned helps place the song chronologically. Gold dollar coins were minted from 1849 (the Gold Rush!) to 1889. They were tiny little coins. I have one, and it is amazingly small—between 13 and 15 mm in diameter. “All that I am asking for is ten gold dollars…” C'mon! They're tiny little things. In fact, originally, the line was “one gold dollar,” but that changed at some point to the “ten” The crowning glory of the song, as in many other Garcia/Hunter compositions, is the bridge.The song culminates in this cry of hopefulness: “Last fair deal in the country, Sweet Susie, last fair deal in the town. Put your gold money where your love is, baby, before you let my deal go down—go down.” (It's noted that “Sweet Susie” was dropped at some point, but then, occasionally, brought back. I think it was an optional decoration to the line. Alex Allan, in his Grateful Dead Lyric and Song Finder site, notes that “Sweet Susie” rarely appears after 1972, but that it's sung in performances in 1974 and 1979.) Almost always played as a first set Jerry ballad. This version might have been the high point of this show.  So nicely played and sung by Jerry. Played:  353First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  June 28, 1995 at the Palace of Auburn Hills, MI  OUTRO:                   Good Lovin'                                    Track #27                                    3:25 – 5:04 "Good Lovin'" is a song written by Rudy Clark and Arthur Resnick that was a #1 hit single for the Young Rascals in 1966. The song was first recorded by Lemme B. Good (stage name of singer Limmie Snell) in March 1965 and written by Rudy Clark. The following month it was recorded with different lyrics by R&B artists The Olympics, produced by Jerry Ragovoy; this version reached #81 on the Billboard Pop Singles chart. The tale has been told that Rascal Felix Cavaliere heard The Olympics' recording on a New York City radio station and the group added it to their concert repertoire, using the same lyrics and virtually the same arrangement as The Olympics' version. Co-producer Tom Dowd captured this live feel on their 1966 recording, even though the group did not think the performance held together well. "Good Lovin'" rose to the top of the Billboard Pop Singles chart in the spring of 1966 and represented the Young Rascals' first real hit. "Good Lovin'" is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll, and was ranked #333 on Rolling Stone's 500 Greatest Songs of All Time list.[4] Writer Dave Marsh placed it at #108 in his 1989 book The Heart of Rock and Soul: The 1001 Greatest Singles Ever Made, saying it is "the greatest example ever of a remake surpassing the quality of an original without changing a thing about the arrangement." A popular version was by the Grateful Dead, who made it a workhorse of their concert rotation, appearing almost every year from 1969 on.[6] It was sung in their early years during the 1960s and early 1970s by Ron "Pigpen" McKernan and later by Bob Weir. The Weir rendition was recorded for the group's 1978 Shakedown Street album and came in for a good amount of criticism: Rolling Stone said it "feature[d] aimless ensemble work and vocals that Bob Weir should never have attempted."[7] On November 11, 1978, the Grateful Dead performed it on Saturday Night Live. Typically, at least by the time I started seeing them, usually played as a second set closer or late in the second set. As good buddy AWell always said, “if they play Good Lovin, everyone leaves with a smile on their face.”  Can't argue with that. Played:  442First:  May 5, 1965 at Magoo's Pizza Parlor, Menlo Park, CA, USALast:  June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA Easy fast on Yom Kippur .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

10-04-24 Recording of The Friday Night Groove on 88.3 WXOU FM, in Auburn Hills, MI.   Set List:   Marcellus Pittman & James Curd - AtNosphere [Shall Not Fade]   Nick Minieri - Pixel Perfect [No Fun Intended] Grant Nelson feat. Lil Suze - Rush (Dub) [Swing City Records] Dem 2 - Dem 2 - Waitin' [New York Soundclash Records] Hitch.93 - Do U   India Ivory - Warm Mode   Cyber Witch - Sarkha [Detroit Underground] Ibn Itaka - MBUJI MAYI (Remix) [[Tech Afrique Records] Voertuig - Cego [funkscapes] Ben Hixon  - Kruz 2 MP [Dolfin Records]   Brett Eclectic - New York Nights [Sneer Records]   Jay Sound - Humanity Manipulation Phil Gerus - Now Is Gone [ Futureboogie Recordings] James Pants - Crystal Lite (ft. Deon Davis) [Stones Throw Records ] Dabeull - What'Cha Wanna Do (ft. Rude Jude, Jordan Lee) [Dabeull Records]   Jessy Lanza - Drive [Hyperdub]   OXP & Maiya Blaney - Remind Me [NBN]   For more visit: www.fridaynightgroove.com

Exploring the Grateful Dead's LegacyIn this episode of the Deadhead Cannabis Show, Larry Mishkin takes listeners on a nostalgic journey through the Grateful Dead's music, focusing on a concert from September 30, 1993, at the Boston Garden. He discusses various songs, including 'Here Comes Sunshine' and 'Spoonful,' while also touching on the band's history and the contributions of key figures like Vince Wellnick and Candace Brightman. The episode also delves into current music news, including a review of Lake Street Dive's performance and updates on marijuana legislation in Ukraine and the U.S.Chapters00:00 Welcome to the Deadhead Cannabis Show03:39 Here Comes Sunshine: A Grateful Dead Classic09:47 Spoonful: The Blues Influence14:00 Music News: Rich Girl and Lake Street Dive24:09 Candace Brightman: The Unsung Hero of Lighting38:01 Broken Arrow: Phil Lesh's Moment to Shine42:19 Lucy in the Sky with Diamonds: A Beatles Classic48:26 Marijuana News: Ukraine's Medical Cannabis Legislation54:32 Bipartisan Support for Clean Slate Act01:00:11 Pennsylvania's Push for Marijuana Legalization01:04:25 CBD as a Natural Insecticide01:10:26 Wave to the Wind: A Phil Lesh Tune01:13:18 The Other One: A Grateful Dead Epic Boston GardenSeptember 30, 1993  (31 years ago)Grateful Dead Live at Boston Garden on 1993-09-30 : Free Borrow & Streaming : Internet ArchiveINTRO:                                 Here Comes Sunshine                                                Track #1                                                0:08 – 1:48 Released on Wake of the Flood, October 15, 1973, the first album on the band's own “Grateful Dead Records” label. The song was first performed by the Grateful Dead in February 1973. It was played about 30 times through to February 1974 and then dropped from the repertoire. The song returned to the repertoire in December 1992, at the instigation of Vince Welnick, and was then played a few times each year until 1995. Played:  66 timesFirst:  February 9, 1973 at Maples Pavilion, Stanford University, Stanford, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA But here's the thing:                         Played 32 times in 1973                        Played 1 time in 1974                        Not played again until December 6, 1992 at Compton Terrace in Chandler, AZ  - 18 years                        Then played a “few” more times in 1993, 94 and 95, never more than 11 times in any one year. I finally caught one in 1993 at the Rosemont Horizon in Chicago with good buddies Marc and Alex. My favorite version is Feb. 15, 1973 at the Dane County Coliseum in Madison, WI SHOW No. 1:                     Spoonful                                                Track #2                                                :50 – 2:35 "Spoonful" is a blues song written by Willie Dixon and first recorded in 1960 by Howlin' Wolf. Released in June, 1960 by Chess Records in Chicago.  Called "a stark and haunting work",[1] it is one of Dixon's best known and most interpreted songs.[2]Etta James and Harvey Fuqua had a pop and R&B record chart hit with their duet cover of "Spoonful" in 1961, and it was popularized in the late 1960s by the British rock group Cream. Dixon's "Spoonful" is loosely based on "A Spoonful Blues", a song recorded in 1929 by Charley Patton.[3] Earlier related songs include "All I Want Is a Spoonful" by Papa Charlie Jackson (1925) and "Cocaine Blues" by Luke Jordan (1927).The lyrics relate men's sometimes violent search to satisfy their cravings, with "a spoonful" used mostly as a metaphor for pleasures, which have been interpreted as sex, love, and drugs. The Rock and Roll Hall of Fame listed Howlin' Wolf's "Spoonful" as one of the "500 Songs that Shaped Rock and Roll".[9] It is ranked number 154 on Rolling Stone magazine's 2021 list of the "500 Greatest Songs of All Time",[10] up from number 221 on its 2004 list. In 2010, the song was inducted into the Blues Foundation Hall of Fame "Classics of Blues Recordings" category.[12] In a statement by the foundation, it was noted that "Otis Rush has stated that Dixon presented 'Spoonful' to him, but the song didn't suit Rush's tastes and so it ended up with Wolf, and soon thereafter with Etta James".[12] James' recording with Harvey Fuqua as "Etta & Harvey" reached number 12 on Billboard magazine's Hot R&B Sides chart and number 78 on its Hot 100 singles chart.[13] However, Wolf's original "was the one that inspired so many blues and rock bands in the years to come". The British rock group Cream recorded "Spoonful" for their 1966 UK debut album, Fresh Cream. They were part of a trend in the mid-1960s by rock artists to record a Willie Dixon song for their debut albums. Sung by Bob Weir, normally followed Truckin' in the second set.  This version is rare because it is the second song of the show and does not have a lead in.  Ended Here Comes Sunshine, stopped, and then went into this.  When it follows Truckin', just flows right into Spoonful. Played:  52 timesFirst:  October 15, 1981 at Melkweg, Amsterdam, NetherlandsLast:  December 8, 1994 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USA  MUSIC NEWS:                              Lead In Music                                                Rich Girl                                                Lake Street Dive                                                Lake Street Dive: Rich Girl [4K] 2018-05-09 - College Street Music Hall; New Haven, CT (youtube.com)                                                0:00 – 1:13 "Rich Girl" is a song by Daryl Hall & John Oates. It debuted on the Billboard Top 40 on February 5, 1977, at number 38 and on March 26, 1977, it became their first of six number-one singles on the BillboardHot 100. The single originally appeared on the 1976 album Bigger Than Both of Us. At the end of 1977, Billboard ranked it as the 23rd biggest hit of the year. The song was rumored to be about the then-scandalous newspaper heiress Patty Hearst. In fact, the title character in the song is based on a spoiled heir to a fast-food chain who was an ex-boyfriend of Daryl Hall's girlfriend, Sara Allen. "But you can't write, 'You're a rich boy' in a song, so I changed it to a girl," Hall told Rolling Stone. Hall elaborated on the song in an interview with American Songwriter: "Rich Girl" was written about an old boyfriend of Sara [Allen]'s from college that she was still friends with at the time. His name is Victor Walker. He came to our apartment, and he was acting sort of strange. His father was quite rich. I think he was involved with some kind of a fast-food chain. I said, "This guy is out of his mind, but he doesn't have to worry about it because his father's gonna bail him out of any problems he gets in." So I sat down and wrote that chorus. [Sings] "He can rely on the old man's money/he can rely on the old man's money/he's a rich guy." I thought that didn't sound right, so I changed it to "Rich Girl". He knows the song was written about him.  Lake Street Dive at Salt Shed Lake Street Dive is an American multi-genre band that was formed in 2004 at the New England Conservatory of Music in Boston.[1] The band's founding members are Rachael Price, Mike "McDuck" Olson, Bridget Kearney, and Mike Calabrese. Keyboardist Akie Bermiss joined the band on tour in 2017 and was first credited on their 2018 album Free Yourself Up; guitarist James Cornelison joined in 2021 after Olson left the band. The band is based in Brooklyn and frequently tours in North America, Australia, and Europe. The group was formed in 2004 as a "free country band"; they intended to play country music in an improvised, avant-garde style.[3] This concept was abandoned in favor of something that "actually sounded good", according to Mike Olson.[4] The band's name was inspired by the Bryant Lake Bowl, a frequent hang out in the band's early years, located on Lake Street in Minneapolis. Great show last Thursday night my wife and I went with good friends JT and Marni and Rick and Ben. Sitting in the back near the top of the bleachers with a killer view of the Chicago Sky line looking west to southeast and right along the north branch of the Chicago River.  Beautiful weather and a great night overall.  My first time seeing the band although good buddies Alex, Andy and Mike had seen the at Redrocks in July and all spoke very highly of the band which is a good enough endorsement for me. I don't know any of their songs, but they were very good and one of their encores was Rich Girl which made me smile because that too is a song from my high school and college days, that's basically 40+ years ago.  Combined with Goose's cover of the 1970's hit “Hollywood Nights” by Bob Seger and the Silver Bullet Band it was a trip down memory lane. I would recommend seeing this band to any fan of fun music.  They were all clearly having a great time. Katie Pruitt opened and came out to sing a song with LSD. In 2017, Pruitt was awarded the Buddy Holly Prize from the Songwriters Hall of Fame[4] and signed with Round Hill Records.[5] Her EP, OurVinyl Live Session EP was released in March 2018.[6] She was named by Rolling Stone as one of 10 new country artists you need to know[7] and by NPR as one of the 20 artists to watch, highlighting Pruitt as someone who "possesses a soaring, nuanced and expressive voice, and writes with devastating honesty".[8] On September 13, 2019, Pruitt released "Expectations", the title track from her full-length debut. Additional singles from this project were subsequently released: "Loving Her" on October 21, 2019,[9] and "Out of the Blue" on November 15, 2019.[10] On February 21, 2020, Pruitt's debut album, Expectations, was released by Rounder Records.[11][12] She earned a nomination for Emerging Act of the Year at the 2020 Americana Music Honors & Awards.[13] In the same year, she duetted with Canadian singer-songwriter Donovan Woods on "She Waits for Me to Come Back Down", a track from his album Without People.[14] In 2021 the artist was inter alia part of the Newport Folk Festival in July. Recommend her as well.  2.     Move Me Brightly: Grateful Dead Lighting Director Candace Brightman Candace Brightman (born 1944)[1] is an American lighting engineer, known for her longtime association with the Grateful Dead. She is the sister of author Carol Brightman. Brightman grew up in Illinois and studied set design at St John's College, Annapolis, Maryland.[1] She began working as a lighting technician in the Anderson Theater, New York City, and was recruited by Bill Graham to operate lighting at the Fillmore East.[3] In 1970, she operated the house lights at the Chicago Coliseum with Norol Tretiv.[4] She has also worked for Janis Joplin, Joe Cocker and Van Morrison. After serving as house lighting engineer for several Grateful Dead shows, including their 1971 residency at the Capitol Theatre, Port Chester, she was recruited by the band's Jerry Garcia to work for them full-time.[1] She started working regularly for the Dead on their 1972 tour of Europe (which was recorded and released as Europe 72), and remained their in-house lighting engineer for the remainder of their career.[1] One particular challenge that Brightman faced was having to alter lighting setups immediately in response to the Dead's improvisational style. By the band's final tours in the mid-1990s, she was operating a computer-controlled lighting system and managing a team of technicians.[5] Her work inspired Phish's resident lighting engineer Chris Kuroda, who regularly studied techniques in order to keep up with her standards. Brightman continued working in related spin-off projects until 2005.[1][7] She returned to direct the lighting for the Fare Thee Well concerts in 2015, where she used over 500 fixtures. Now facing significant financial and health related issues. 3.    Neil Young and New Band, The Chrome Hearts, Deliver 13-Minute “Down By The River” on Night One at The Capitol Theatre My buddies and I still can't believe Neil with Crazy Horse did not play their Chicago show back in May this year.  Thank god he's ok and still playing but we are bummed out at missing the shared experience opportunity that only comes along when seeing a rock legend like Neil and there aren't many.   SHOW No. 2:                     Broken Arrow                                                Track #5                                                1:10 – 3:00 Written by Robbie Robertson and released on his album Robbie Robertson released on October 27, 1987.  It reached number 29 on the RPM CanCon charts in 1988.[23]Rod Stewart recorded a version of "Broken Arrow" in 1991 for his album Vagabond Heart.[24] Stewart's version of the song was released as a single on August 26, 1991,[25] with an accompanying music video, reaching number 20 on the US Billboard Hot 100 chart and number two in Canada. This ballad is not to be confused either with Chuck Berry's 1959 single or Buffalo Springfield's 1967 song of the same name, written by Neil Young. "Broken Arrow" was also performed live by the Grateful Dead from 1993 to 1995 with Phil Lesh on vocals.[28] Grateful Dead spinoff groups The Dead, Phil Lesh and Friends, and The Other Ones have also performed the song, each time with Lesh on vocals.[29] Played:  35 timesFirst:  February 23, 1993 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  July 2, 1995 at Deer Creek Music Center, Noblesville, IN, USA  SHOW No. 3:         Lucy In The Sky With Diamonds                                    Track #9                                    2:46 – 4:13 "Lucy in the Sky with Diamonds" is a song by the English rock band the Beatles from their May, 1967 album Sgt. Pepper's Lonely Hearts Club Band. It was written primarily by John Lennon with assistance from Paul McCartney, and credited to the Lennon–McCartneysongwriting partnership.[2] Lennon's son Julian inspired the song with a nursery school drawing that he called "Lucy – in the sky with diamonds". Shortly before the album's release, speculation arose that the first letter of each of the nouns in the title intentionally spelled "LSD", the initialism commonly used for the hallucinogenic drug lysergic acid diethylamide.[3] Lennon repeatedly denied that he had intended it as a drug song,[3][4] and attributed the song's fantastical imagery to his reading of Lewis Carroll's Alice in Wonderland books.[3] The Beatles recorded "Lucy in the Sky with Diamonds" in March 1967. Adding to the song's ethereal qualities, the musical arrangement includes a Lowrey organ part heavily treated with studio effects, and a drone provided by an Indian tambura. The song has been recognised as a key work in the psychedelic genre. Among its many cover versions, a 1974 recording by Elton John – with a guest appearance by Lennon – was a number 1 hit in the US and Canada. John Lennon said that his inspiration for the song came when his three-year-old son Julian showed him a nursery school drawing that he called "Lucy – in the Sky with Diamonds",[4] depicting his classmate Lucy O'Donnell.[5] Julian later recalled: "I don't know why I called it that or why it stood out from all my other drawings, but I obviously had an affection for Lucy at that age. I used to show Dad everything I'd built or painted at school, and this one sparked off the idea."[5][6][7]Ringo Starr witnessed the moment and said that Julian first uttered the song's title on returning home from nursery school.[4][8][9] Lennon later said, "I thought that's beautiful. I immediately wrote a song about it." According to Lennon, the lyrics were largely derived from the literary style of Lewis Carroll's novel Alice in Wonderland.[3][10] Lennon had read and admired Carroll's works, and the title of Julian's drawing reminded him of the "Which Dreamed It?" chapter of Through the Looking Glass, in which Alice floats in a "boat beneath a sunny sky".[11] Lennon recalled in a 1980 interview: It was Alice in the boat. She is buying an egg and it turns into Humpty-Dumpty. The woman serving in the shop turns into a sheep and the next minute they are rowing in a rowing boat somewhere and I was visualizing that.[3] Paul McCartney remembered of the song's composition, "We did the whole thing like an Alice in Wonderland idea, being in a boat on the river ... Every so often it broke off and you saw Lucy in the sky with diamonds all over the sky. This Lucy was God, the Big Figure, the White Rabbit."[10] He later recalled helping Lennon finish the song at Lennon's Kenwood home, specifically claiming he contributed the "newspaper taxis" and "cellophane flowers" lyrics.[8][12] Lennon's 1968 interview with Rolling Stone magazine confirmed McCartney's contribution.[13] Lucy O'Donnell Vodden, who lived in Surbiton, Surrey, died 28 September 2009 of complications of lupus at the age of 46. Julian had been informed of her illness and renewed their friendship before her death. Rumours of the connection between the title of "Lucy in the Sky with Diamonds" and the initialism "LSD" began circulating shortly after the release of the Sgt. Pepper's Lonely Hearts Club Band LP in June 1967.[24][25] McCartney gave two interviews in June admitting to having taken the drug.[26][27] Lennon later said he was surprised at the idea the title was a hidden reference to LSD,[3] countering that the song "wasn't about that at all,"[4] and it "was purely unconscious that it came out to be LSD. Until someone pointed it out, I never even thought of it. I mean, who would ever bother to look at initials of a title? ... It's not an acid song."[3] McCartney confirmed Lennon's claim on several occasions.[8][12] In 1968 he said: When you write a song and you mean it one way, and someone comes up and says something about it that you didn't think of – you can't deny it. Like "Lucy in the Sky with Diamonds," people came up and said, cunningly, "Right, I get it. L-S-D," and it was when [news]papers were talking about LSD, but we never thought about it.[10] In a 2004 interview with Uncut magazine, McCartney confirmed it was "pretty obvious" drugs did influence some of the group's compositions at that time, including "Lucy in the Sky with Diamonds", though he tempered this statement by adding, "[I]t's easy to overestimate the influence of drugs on the Beatles' music." In 2009 Julian with James Scott Cook and Todd Meagher released "Lucy", a song that is a quasi-follow-up to the Beatles song. The cover of the EP showed four-year-old Julian's original drawing, that now is owned by David Gilmour from Pink Floyd.[59] Lennon's original handwritten lyrics sold at auction in 2011 for $230,000. A lot of fun to see this tune live.  Love that Jerry does the singing even though his voice is very rough and he stumble through some of the lyrics.  It is a Beatles tune, a legendary rock tune, and Jerry sings it like he wrote it at his kitchen table. Phil and Friends with the Quintent cover the tune as well and I believe Warren Haynes does the primary singing on that version.  Warren, Jimmy Herring and Phil really rock that tune like the rock veterans they are. The version is fun because it opens the second set, a place of real prominence even after having played it for six months by this point.  Gotta keep the Deadheads guessing. Played:  19 timesFirst:  March 17, 1993 at Capital Centre, Landover, MD, USALast: June 28, 1995 at The Palace of Auburn Hills, Auburn Hills, MI, USA  MJ NEWS: Ukrainian Officials Approve List Of Medical Marijuana Qualifying Conditions Under Country's New Legalization Law2.      Federal Marijuana And Drug Convictions Would Be Automatically Sealed Under New Bipartisan Senate Bill3.      Pennsylvania Police Arrest An Average Of 32 People For Marijuana Possession Every Day, New Data Shows As Lawmakers Weigh Legalization4.      CBD-Rich Hemp Extract Is An Effective Natural Insecticide Against Mosquitoes, New Research Shows   SHOW No. 4:         Wave To The Wind                                    Track #10                                    5:00 – 6:40 Hunter/Lesh tune that was never released.  In fact, the Dead archives say that there is no studio recording of the song.  Not a great song.  I have no real memory of it other than it shows up in song lists for a couple of shows I attended.  Even this version of the tune is really kind of flat and uninspiring but there are not a lot of Phil tunes to feature and you can only discuss Box of Rain so many times.  Just something different to talk about. Played:  21 timesFirst:  February 22, 1992 at Oakland-Alameda County Coliseum Arena, Oakland, CA, USALast:  December 9, 1993 at Los Angeles Sports Arena, Los Angeles, CA, USA  OUTRO:                   The Other One                                    Track #16                                    2:30 – 4:22 "That's It for the Other One" is a song by American band the Grateful Dead. Released on the band's second studio album Anthem of the Sun (released on July 18, 1968) it is made up of four sections—"Cryptical Envelopment", "Quadlibet for Tenderfeet", "The Faster We Go, the Rounder We Get", and "We Leave the Castle". Like other tracks on the album, is a combination of studio and live performances mixed together to create the final product. While the "We Leave the Castle" portion of the song was never performed live by the band, the first three sections were all featured in concert to differing extents. "Cryptical Envelopment", written and sung by Jerry Garcia, was performed from 1967 to 1971, when it was then dropped aside from a select few performances in 1985. "The Faster We Go, the Rounder We Get", written by Bill Kreutzmann and Bob Weir and sung by Weir, became one of the band's most frequently performed songs in concert (usually denoted as simply "The Other One"). One of the few Grateful Dead songs to have lyrics written by Weir, "The Faster We Go, the Rounder We Get" became one of the Dead's most-played songs (being performed a known 586 times[2]) and most popular vehicles for improvisation, with some performances reaching 30+ minutes in length. The song's lyrics reference the influence of the Merry Pranksters and in particular Neal Cassady.[2] Additionally, the line "the heat came 'round and busted me for smilin' on a cloudy day"  - one of my favorite Grateful Dead lyrics  - refers to a time Weir was arrested for throwing a water balloon at a cop from the upstairs of 710 Ashbury, the Dead's communal home during the ‘60's and early ‘70's before the band moved its headquarters, and the band members moved, to Marin County just past the Golden Gate Bridge when driving out of the City. In my experience, almost always a second set tune.  Back in the late ‘60's and early ‘70's either a full That's It For The Other One suite or just The Other One, would be jammed out as long as Dark Star and sometimes longer.  During the Europe '72 tour, Dark Star and the full Other One Suite traded off every show as the second set psychedelic rock long jam piece.  Often preceded by a Phil bass bomb to bring the independent noodling into a full and tight jam with an energy all of its own. The Other One got its name because it was being written at the same time as Alligator, one of the Dead's very first tunes.  When discussing the tunes, there was Alligator and this other one. I always loved the Other One and was lucky enough to see the full That's It For The Other One suite twice in 1985 during its too brief comeback to celebrate the Dead's 20th anniversary. Played:  550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 8, 1995 at Soldier Field in Chicago Birthday shout out: Nephew, Jacob Mishkin, star collegiate baseball player, turns 21and all I can say is “no effing way!”  Happy birthday dude! And a Happy and healthy New Year to those celebrating Rosh Hashanah which begins this week. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

Homily from the 11:00 Mass at Sacred Heart in Auburn Hills.

“Discernment will always produce a great bouquet of God's glory.” Fr. Jim Kean joins Men of the Hearts hosts Fr. Craig and Fr. Drew to talk about his “cradle Catholic” childhood, serving alongside Mother Teresa, and appreciating the gifts of the priesthood. He encourages young men in discernment to “be not afraid,” because no matter their vocation, it is certain that God has something special in store for them.(0:25) Hosts Fr. Craig Giera and Fr. Drew Maybee introduce their guest this month, Father Jim Kean, who currently serves at St. Joseph the Worker in Lake Orion and St. John Fisher University Chapel in Auburn Hills. Father Jim shares about his summer, including a road trip through Ohio to the National Eucharistic Congress with one of our former guests, Fr. Brian Cokonougher. (7:57) Fr. Drew says he continues to settle in at his new assignment at Holy Family in Novi, where he has already been busy blessing houses and sharing dinner with parish families. Father Craig talks about attending the recent National Conference of Diocesan Vocation Directors in Minneapolis. (12:09) Fr. Jim talks about his early childhood in Emmett, where his family life centered around the local parish. He was an altar server for many years and also played basketball, football, and baseball. He recalls his father often responded to fights between the five siblings by taking the kids to Confession. (16:36) Fr. Jim first considered the priesthood at a high school party, when a friend asked him about the vocation. He continued on to college at St. Clair Community College, staying involved in his faith by reading about the lives of the saints, training to become a catechist, and lectoring at Mass. Still unsure of God's will for his life, Fr. Jim eventually moved to Miami, Florida to serve with a community following a contemplative approach to Mother Teresa's spirituality. (25:18) Fr. Jim continues his vocation story, sharing how he moved to Rome to serve directly alongside Mother Teresa. He reflects on how her humbling, palpable holiness helped him realize that holiness is universal. During this time, he matured in his exercise of the faith and discovered how living a Christlike example allowed him to feel “fully alive.” (34:16) Shortly after Fr. Jim returned home from Rome, his pastor invited him to a “come and see” weekend at Sacred Heart Major Seminary. (The seminary has three of these discernment weekends coming up in October, January, and March; listeners are encouraged to visit detroitpriestlyvocations.com for more information.) He officially entered seminary the next year and spent the next several years in formation and discernment, before finally being ordained a priest of the Archdiocese of Detroit in 1997. (43:50) Fr. Jim shares what he considers to be some of the greatest gifts of the priesthood, including his congregational connection to his parishioners, standing in the person of Christ at the altar, and living in constant union with Jesus Christ. He recalls a moment one summer Sunday afternoon when he was struck by the holiness of the moment and vividly recalled feeling similarly as a child while honoring the Lord's Day with his family. (54:00) The episode concludes with Fr. Jim's advice to young men considering the priesthood. “Be not afraid. Be confident that the Lord has something special in store for you. Discernment will always produce a great bouquet of God's glory.” He then closes the episode with a prayer.

09-27-24 Recording of The Friday Night Groove on 88.3 WXOU FM, Auburn Hills, MI. Special all vinyl edition #7.   Set List:   Silk 86 - Black Magic [Sneaky Music] Generation Next - Jungle [10.10.15] [7 Days Entertainment] Deon Jamar - Already Seen [Black Music] Jnn Aprl - Pain N Pleasure [RENE KOALA] Topher Horn - Gratiot Dub [Rocksteady Disco] Tone Control - Illusion (Theo's SS Translation) Keith Worthy - Leftfield [Aesthetic Audio] Rebecca Goldberg - Bleikur (Thiz.One's Remix) [Detroit Underground] Huey Mnemonic - Black Manta Corps [Subsonic Ebonics] Red D - Red Basics 4 [Red Basics] Hess & Harrison - Barrier Rhythms [BlackCat Records]   For more information visit: www.fridaynightgroove.com

09-20-24 Recording of The Friday Night Groove on 88.3 WXOU, in Auburn Hills, MI. Featuring an on-air live-set performed in the WXOU studios from the Detroit-based, electronic duo known as Mechanatura.   For more on Mechanatura visit: https://mechanatura.com/   For more on the program visit: https://www.fridaynightgroove.com/

Hey Challenge Fandom! Welcome back for another episode of Roundtable Recap with your Challenge Fandom Podcast hosts Rick, Corrina, Katie and Alexis. This week was a very special episode for us as we all took a trip to Detroit, Michigan and got the amazing opportunity to record a recap together in person for the first time at the Zach Nichols Podcast by GOHT Media Studio! We had an amazing time hanging out together, enjoying Detroit, Ann Arbor and Auburn Hills. We hope that the little bit of awkwardness we experienced with recording live like this doesn't play off too bad on the episode and that you all enjoy it! Remember, we have full video available on our youtube channel for free! YouTube: ⁠⁠⁠⁠https://www.youtube.com/@thechallengefandompodcast8423⁠⁠⁠⁠ Challenge Fandom Podcast TikTok: ⁠⁠⁠⁠https://www.tiktok.com/@challengefandompod⁠⁠⁠⁠ Challenge Fandom Podcast IG: ⁠⁠⁠⁠https://www.instagram.com/challengefandompodcast/⁠⁠⁠⁠ The Official Challenge Fandom FB Fan Group: ⁠⁠⁠⁠https://www.facebook.com/groups/thechallengefandom⁠⁠⁠⁠ TJ Lavin Fans FB Group: ⁠⁠⁠⁠https://www.facebook.com/groups/tjlavinfans⁠⁠⁠⁠The Official Tori Deal Fan Group FB: ⁠⁠⁠⁠https://www.facebook.com/groups/toridealfans⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/thechallengefandom/support

On this episode of The Active Advisor podcast, host Bryan Moore chats with Brian J. Probst, CFP®, CRPC®, Vice President of Wealth Management at Raymond James. Brian brings a wealth of experience to the show, and explains why dedication to clients is everything, saying “that's what we get up every day to do”. Don't miss Brian's take on the role of technology in financial planning process and client experience. Bryan and Brian also dive into why the term ‘retirement' could use a rethink, and discuss the reasons why flexibility is what most clients are pursuing when they plan for retirement. At Raymond James, Brian works with a wide range of clients throughout the United States who have accumulated wealth in corporate, family business, and individual assets. Brian has in-depth knowledge of a variety of important issues and strategies surrounding retirement planning, such as retirement income, employer-sponsored retirement plans and retirement cash flow. Branch address (27 S. Squirrel Rd., Suite 200, Auburn Hills. MI 48326), phone number (248-276-2810), Associates involved and their full name and approved Title (Brian J. Probst, CFP®, CRPC®, Vice President, Wealth Management) and the following disclosures: Raymond James is not affiliated with and does not endorse the opinions or services of Harbor Capital. Raymond James & Associates, Inc., member New York Stock Exchange/SIPC. Any opinions are those of the speakers, and not necessarily those of Raymond James. Expressions of opinion are as of this date and are subject to change without notice. Every investor's situation is unique, and you should consider your investment goals, risk tolerance and time horizon before making any investment. Investing involve risk and you may incur a profit or loss regardless of strategy selected. Be sure to contact your financial advisor regarding your particular situation before making any investment or withdrawal decision. Certified Financial Planner Board of Standards, Inc. (CFP Board) owns the certification marks CFP®, CERTIFIED FINANCIAL PLANNER®, and CFP® (with plaque design) in the United States, which it authorizes use of by individuals who successfully complete CFP Board's initial and ongoing certification requirements.

Welcome to your all-local daily news podcast serving Metro Detroit! We kick off with the heartwarming news of a baby gorilla born at the Detroit Zoo, the first in nearly 100 years. Bandia, a first-time mom, and her baby are doing well, although the Great Apes building is temporarily closed to guests to give them a calm and quiet space.  Next, we discuss the upcoming opening of Primark's first Michigan store at Great Lakes Crossing Outlets in Auburn Hills. Set to open on September 12, the new location will offer over 36,000 square feet of retail space with the latest fashion trends, household essentials, and beauty supplies at affordable prices. Notably, Primark is known for paying fair wages, with sales associates starting at $15.25 an hour. Norris shares his experiences with Primark in Boston and London, comparing it to a larger, more affordable H&M. In downtown Detroit, the Cadillac Square development, previously known as the Monroe Blocks, is facing delay. Dan Gilbert's Bedrock is expected to request an extension to begin construction. The revised plan includes fewer residences and office space but adds a concert venue. Jer and Norris discuss the implications of these changes and the potential impact on the area. On the east side, Detroit is launching its first single-family waterfront home development in over 24 years at Shorepoint Village on Greyhaven Island. The project includes ten new homes with docks, high-end finishes, and 24-hour gated security, with prices starting at half a million dollars. The development aims to attract buyers from surrounding affluent areas. Don't miss this engaging discussion on the latest happenings in Detroit. Share your thoughts with us at dailydetroit@gmail.com. Follow us on Apple Podcasts, Spotify, or your podcast player of choice.  

BOOPAC SHAKUR: Jim stumble upon a BOOPAC video in the wild and we realize that we have never watched a Boopac Shakur video before! Pause Compilation: A boxing press conference went off the rails as the questions had to keep being halted with a AYO PAUSE! Legacy Sequels: We discuss the recent Beverly Hills Cop: Axel F release, which begs the question are there any good legacy sequels? FUCK YOU WATCH THIS!, THE BEAR!, GHOST TOWN!, THE SPECIALS!, GREEBLING!, GROYPER!, MAGA CHUD!, SHITLIB!, KOREA TOWN!, GORDON RAMSAY!, LET'S GET IT STARTED!, STARING AT MY PHONE!, WHAT A WEEK!, BOOPAC!, DOOM SCROLLING!, BOOPAC SHAKUR!, IN THE WILD!, BLOWING OUNCES OF PIFF AND CONSTANTLY SMOKING HIGH AS KITES USING RELLOS!, MYTHICAL!, BIDEN WHISPERS!, IMPRESSION!, ROBERT!, REAL NAME!, PEDO HUNTERS!, SLAPPING!, BEAT UP!, TIRES SLASHED!, VIGILANTE!, MONTAGE!, WRONGFULLY ACCUSSED!, DOORDASH!, TERIYAKI MADNESS!, MURDERED!, JOKER!, BATMAN!, AYO PAUSE!, TEXT TRANSCRIPTS!, GAS STATION!, HUMILIATED!, 15 YEAR OLD!, LYING!, ENTRAPMENT!, TO CATCH A PREDATOR!, BUSY!, JACOB!, CATFISH!, EFFORT!, CONVINCING 15 YEAR OLD!, WHATSAPP!, WEED!, PONTIAC MICHIGAN!, NO DIDDY!, TAKING IT ALL IN! INNUENDO!, COMING!, COBRA KAI!, SEASON 6!, FAKE LOOKING!, LIGHTING!, NETFLIX!, BEVERLY HILLS COP!, AXEL F!, SEQUELS!, LEGACY SEQUEL!, BORING!, JARRING!, CAN'T CHANGE!, NOSTALGIA!, JUDGE REINHOLD!, EDDIE MURPHY!, PEPE!, GROYPERS!, LOCKED IN BIDEN!, TIME STAMP!, BIDEN DROPS OUT!, KAMALA!, DEEP STATE!, BIG MIKE!, MICHELLE OBAMA!, AOC!  You can find the videos from this episode at our Discord RIGHT HERE!