Podcasts about Capitol Theater

This week, host Marc Zyla kicks off the episode with a warm greeting as we dive into the vibrant world of local festivals. Joined by special guests Alisha Espey from the Downtown Davenport Partnership and Jason Gilliland, an event consultant with deep ties to Capitol Theater, we're all set to get you energized for the incredible summer events happening right in your backyard.

KeywordsWheeling, destination marketing, Capitol Theater, economic development, community engagement, tourism, personal growth, leadership, podcastSummaryIn this episode of the Ask Yourself Why Not podcast, hosts Shaye Pentino andOlivia Litmandiscuss the evolution of Wheeling, West Virginia, focusing on Olivia's role as the marketing director forVisit Wheeling. They explore the impact of the Capitol Theater purchase on the community, the challenges faced during economic downturns, and the importance of mindset and personal growth in navigating these changes. Olivia shares insights from her 17 years in the industry, emphasizing the need for community engagement and the positive developments in Wheeling's tourism and cultural landscape.TakeawaysOlivia has been the marketing director for Visit Wheeling for 17 years.The Capitol Theater purchase was a significant turning point for Wheeling.Economic development is crucial for community growth and engagement.Wheeling is often seen negatively by its residents, but it has much to offer visitors.The city has seen a resurgence in tourism and community pride.COVID-19 presented challenges but also opened new opportunities for growth.Mindset plays a vital role in personal and professional development.Leadership West Virginia helped Olivia connect with others and grow professionally.Community events are essential for fostering a sense of belonging.Wheeling's history and culture are key to its identity and future.Sound Bites"We started really shifting and it was around 2009""We bought the Capitol Theater and that is unheard of""We were very fortunate in the state of West Virginia""Wheeling is our own worst enemy""We have a lot of things to be thankful for here""I always hear it's so funny""It was very eye-opening"Chapters00:00Introduction and Guest Introduction01:57Olivia's Role in Destination Marketing06:05The Impact of the Capitol Theater Purchase11:58Economic Development and Community Engagement18:02Challenges and Opportunities in Wheeling23:53Mindset and Personal Growth30:12Conclusion and Future Outlook

The Business Council of Westchester is dedicated to empowering businesses by providing opportunities to market, learn, advocate, and grow within the vibrant Westchester community. On Monday, February 10th, they hosted a dynamic networking reception at The Capitol Theater in Port Chester, bringing together professionals from diverse industries. Host Andrew Castellano's insightful discussion with AJ Chiarella of Yonkers Brewing, highlighting local entrepreneurship and collaboration. 

The Business Council of Westchester is committed to helping businesses thrive by providing valuable resources to market, learn, advocate, and grow. On Monday, February 10th, they hosted an engaging networking reception at The Capitol Theater in Port Chester, creating opportunities for professionals to connect and collaborate. Host Andrew Castellano had a conversation with Jim Booth, Branch Manager at Webster Bank, who shared insights on leadership and fostering community partnerships.

The Business Council of Westchester is dedicated to helping businesses market, learn, advocate, and grow, fostering a thriving professional community in the region. On Monday, February 10th, they hosted a vibrant networking reception at The Capitol Theater in Port Chester, bringing together business leaders and innovators. Host Andrew Castellano spoke with Patty Ferris from Ave Hamilton Green in White Plains, highlighting the role of modern living spaces in supporting Westchester's dynamic growth. 

KeywordsWheeling, destination marketing, Capitol Theater, economic development, community engagement, tourism, personal growth, leadership, podcastSummaryIn this episode of the Ask Yourself Why Not podcast, hosts Shaye Pentino andOlivia Litmandiscuss the evolution of Wheeling, West Virginia, focusing on Olivia's role as the marketing director forVisit Wheeling. They explore the impact of the Capitol Theater purchase on the community, the challenges faced during economic downturns, and the importance of mindset and personal growth in navigating these changes. Olivia shares insights from her 17 years in the industry, emphasizing the need for community engagement and the positive developments in Wheeling's tourism and cultural landscape.TakeawaysOlivia has been the marketing director for Visit Wheeling for 17 years.The Capitol Theater purchase was a significant turning point for Wheeling.Economic development is crucial for community growth and engagement.Wheeling is often seen negatively by its residents, but it has much to offer visitors.The city has seen a resurgence in tourism and community pride.COVID-19 presented challenges but also opened new opportunities for growth.Mindset plays a vital role in personal and professional development.Leadership West Virginia helped Olivia connect with others and grow professionally.Community events are essential for fostering a sense of belonging.Wheeling's history and culture are key to its identity and future.Sound Bites"We started really shifting and it was around 2009""We bought the Capitol Theater and that is unheard of""We were very fortunate in the state of West Virginia""Wheeling is our own worst enemy""We have a lot of things to be thankful for here""I always hear it's so funny""It was very eye-opening"Chapters00:00Introduction and Guest Introduction01:57Olivia's Role in Destination Marketing06:05The Impact of the Capitol Theater Purchase11:58Economic Development and Community Engagement18:02Challenges and Opportunities in Wheeling23:53Mindset and Personal Growth30:12Conclusion and Future Outlook

Capitol Theater. Davenport, Iowa. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tales from the Green Room hits the road with its debut visit to the iconic Capitol Theater in Port Chester, New York, sitting down backstage with Dark Star Orchestra lead guitarist, Jeff Mattson! Recorded in between DSO's first two shows since the passing of Phil Lesh, Jeff reflects on his memorable interactions with Phil and how the band prepared for these memorable performances at one of his favorite venues. The episode continues with Jeff expressing gratitude and sharing memories about being the first person to publicly play Jerry Garcia's famed Alligator Fender Strat, courtesy of Andy Logan and the Grateful Guitars Foundation. Jeff also muses about the intimacy of playing at Phil's Terrapin Crossroads, his jazz and improvisation influences, the difference between West Coast and East Coast audiences and maintaining musical authenticity while honoring the legacy of The Grateful Dead.The conversation covers Mattson's experiences playing at famous venues, his deep connection to the music of the Grateful Dead, and his memorable interactions with Phil Lesh. Additional topics include the differences between East and West Coast Deadheads, the impact of venue intimacy, and Mattson's reflections on maintaining musical authenticity while honoring the legacy of the Grateful Dead.Quotes From The EpisodeI grew up with improvisation, all the time, hearing it, seeing my father do it, and Miles Davis, Coltrane, playing in the house all the time  growing up, so, it just seemed the most natural thing in the world to improvise. - Jeff MatsonThe thing I always heard was that the East Coast audience were a little more vociferous. And, West Coast audience were a little more chill, like  “we don't get carried away.” I mean, wherever you come from, if you're a deadhead, you love the music. -Jeff MatsonListen Now:

In this episode of the What Makes You Wonderful podcast, we get all the details on one of the best live concerts the region offers - the Mountain State Music Showcase. The event is set for Saturday, Nov. 30, at 7 p.m. at the Capitol Theater at 123 Summers Street.  Justin Puett talks about the amazing lineup of live, local talent and why supporting the local music scene is so important.  This year you'll get to listen to original works by Woodbine, Nathan Bess, Annie Neeley, Makenna Hope, and Dalchord. Doors open at 6:30 and it's open to the public (donations are kindly accepted).  For more information start here: https://www.folkloremusicexchange.com/  

Summary In this episode, Jayla and Shaye interview Kyle Knox, the marketing manager for the WesBanco Arena and the Capitol Theater. They discuss the recent renovations at the Capitol Theater and the upcoming shows, like Gabby Barrett to kick off the grand re-opening. Kyle shares some behind-the-scenes stories of working with performers and the diverse history of the theater. They also talk about the importance of the Capitol Theater to the downtown Wheeling community and the efforts to bring a variety of shows to the area. Kyle emphasizes the value of outdoor activities for stress management and mentions the various ways to stay updated on upcoming shows. Keywords Capitol Theater, renovations, shows, performers, history, downtown Wheeling, variety, outdoor activities, stress management Takeaways The Capitol Theater in Wheeling has recently undergone renovations to improve its facilities and enhance the shows it can host. The theater has a rich history of hosting a diverse range of performers, from country music stars to rock legends. The Capitol Theater is an important part of the downtown Wheeling community and contributes to the success of other businesses in the area. The theater aims to bring a variety of shows to cater to different interests and preferences. Engaging in outdoor activities can be a great way to manage stress and find relaxation. To stay updated on upcoming shows at the Capitol Theater and West Banco Arena, visit their websites and follow their social media pages. Bringing a Variety of Shows to the Community The Capitol Theater: A Vital Part of Downtown Wheeling "We have God's Mac." "Gabby Barrett is a valley girl." "We have Taylor Nation." Titles Sound Bites Chapters00:00 Introduction and Catching Up 02:55 Upcoming Event and Interview with Kyle Knox 06:31 Renovations at the Capitol Theater 08:18 Shows and Performers at the Capitol Theater 12:13 The Capitol Theater and Downtown Wheeling 14:49 Kyle's Journey and Personal Connection to the Area 19:43 Opening Weekend and Future Shows 22:45 Booking Shows and Variety of Performances 25:06 Stress Management and Outdoor Activities 27:46 Why Not Question and Conclusion

Summary In this episode, Jayla and Shaye interview Kyle Knox, the marketing manager for the WesBanco Arena and the Capitol Theater. They discuss the recent renovations at the Capitol Theater and the upcoming shows, like Gabby Barrett to kick off the grand re-opening. Kyle shares some behind-the-scenes stories of working with performers and the diverse history of the theater. They also talk about the importance of the Capitol Theater to the downtown Wheeling community and the efforts to bring a variety of shows to the area. Kyle emphasizes the value of outdoor activities for stress management and mentions the various ways to stay updated on upcoming shows. Keywords Capitol Theater, renovations, shows, performers, history, downtown Wheeling, variety, outdoor activities, stress management Takeaways The Capitol Theater in Wheeling has recently undergone renovations to improve its facilities and enhance the shows it can host. The theater has a rich history of hosting a diverse range of performers, from country music stars to rock legends. The Capitol Theater is an important part of the downtown Wheeling community and contributes to the success of other businesses in the area. The theater aims to bring a variety of shows to cater to different interests and preferences. Engaging in outdoor activities can be a great way to manage stress and find relaxation. To stay updated on upcoming shows at the Capitol Theater and West Banco Arena, visit their websites and follow their social media pages. Bringing a Variety of Shows to the Community The Capitol Theater: A Vital Part of Downtown Wheeling "We have God's Mac." "Gabby Barrett is a valley girl." "We have Taylor Nation." Titles Sound Bites Chapters00:00 Introduction and Catching Up 02:55 Upcoming Event and Interview with Kyle Knox 06:31 Renovations at the Capitol Theater 08:18 Shows and Performers at the Capitol Theater 12:13 The Capitol Theater and Downtown Wheeling 14:49 Kyle's Journey and Personal Connection to the Area 19:43 Opening Weekend and Future Shows 22:45 Booking Shows and Variety of Performances 25:06 Stress Management and Outdoor Activities 27:46 Why Not Question and Conclusion

7th in a series of interviews with Spin Doctors drummer Aaron Comess about the band's discography: from their initial 80s demos to their forthcoming 7th studio release. In this episode, we are discussing the 2013 studio release "If The River Was Whiskey" and the accompanying 2015 live album "Songs From The Road". Featured Spin Doctors jam: Spin Doctors into Blues Traveler segue jam live at The Capitol Theater, Port Chester, NY, October 13th, 2012. SpinDoctorsArchive.com is your go-to source for everything Spin Doctors-related, including set lists, discography, song and band details, news, and more. ⁠⁠⁠Listen to the free music compilation "The Best Of The Chris Barron Thirsty Thursday Happy Hour" here⁠⁠⁠⁠. Produced by Daniel Heinze, Leipzig. This is a strictly non-commercial project. All sound / music snippets used by permission.

Send us a Text Message.This week, I'm reviewing the Black Pumas show at The Capitol Theater on August 1st, 2024. The show delivered some moments I've honestly never seen before, and they revolved around the singer's interactions with the audience. A good show musically was elevated by Eric Burton's drive to connect with all of us in new and creative ways, as well as an amazing light show. Whether you're a die-hard fan or just discovering the Black Pumas, this episode promises to transport you to the front row of one of the most unique rock and soul concerts of the year, and I'll tell you all about it, this week on The Rock-N-Roll Show Podcast!===========================Connect with us on social media!YouTubeInstagram TikTok Facebook

Brad Ferland is joined first by April Merrill, Marketing Director for Bourne's Energy, to introduce the "Fueling My Future" Scholarship, a new initiative to support graduating high school students who seek post-high school training to enter Vermont's skilled trades.Then, Brad talks with acclaimed Vermont photographer/filmmaker Jim Westphalen about the upcoming screening of Vanish - Disappearing Icons of a Rural America, on June 15th at the Capitol Theater in Montpelier. 

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Wednesday, May 29, 2024. West Virginia's unique geology positions it to be a leading manufacturer of glass; learn more about the history of glassmaking in Almost Heaven…Make a difference in your community with a career in corrections AND get great pay and benefits…Sit back, put up your feet and take in a concert from your couch with Mountain State Music…on today's daily304. #1 – From THE HISTORY PROJECT – Amid West Virginia's natural beauty are various Oriskany sandstone outcroppings that do more than decorate the landscape.  The stone breaks into sand perfect for making glass, and within it is the natural gas needed to melt it. No other industry found such a serendipitous location as glass found in the Mountain State. Watch The History Project to learn more about how West Virginia's geology destined it to be a leading manufacturer of glass.  Watch the video: https://www.youtube.com/watch?si=ElMRrub9Rs2E7iBw&v=Y7bKBzK281E&feature=youtu.be   #2 – From JOBCASE –  This is your opportunity to make a difference in your community. Explore a stable and rewarding career with the West Virginia Division of Corrections and Rehabilitation.  New opportunities and incentives are available. As a correctional officer, you'll play a pivotal role in ensuring public safety, upholding public trust and contributing to a higher purpose. You'll be making a real impact on your community.  Enjoy great pay, full benefits and additional financial incentives and opportunities for promotion. Learn more: https://www.jobcase.com/articles/wv-dcr   #3 – From MOUNTAIN STATE MUSIC –  The daily304 and Folklore Music Exchange are proud to present Mountain State Music's One-Year anniversary show in Charleston, Almost Heaven, West Virginia. Stop by the Capitol Theater to see Alabaster Boxer, Andrew Adkins, Brenna & the Boys, Hello June, Khegan Mclane & the Raccoon Wranglers, and Makenna Hope!  It's a concert from your couch! Sit back, relax, and enjoy live music from West Virginia. Watch the video: https://www.youtube.com/live/7Vlrex9oOxo   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.  

It's episode 378 and this week's theme is: butter! First Em takes us to Flint, Michigan for the hauntings of the Capitol Theater (plus a fun little sidebar on photoplays). Then Christine covers the truly shocking case of Cari Lea Farver. And are you the Kirk of your county? ...and that's why we drink!Don't miss out on pre-ordering our new book! bit.ly/hranextstop

In this week's What Makes You Wonderful podcast we talk with Justin Puett, the owner of Folklore Music Exchange and partner with Mountain State Music. Celebrating one year, Puett shares what's coming up in the one-year anniversary show on Saturday, April 27 at Capitol Theater at 7pm. The special show highlights West Virginia talent, including:  Alabaster Boxer Andrew Adkins Brenna & The Boys Hello June Khegan McLane & The Raccoon Wranglers Makenna Hope Puett shares how Mountain State Music is more than a concert series, it brings together the rich sounds of original Appalachian singers and songwriters. Puett also discusses collaboration with the West Virginia Department of Commerce's daily304, making the connection between artists and music and economic development. Join us as we explore the story behind Mountain State Music and uncover what makes West Virginia's musical landscape truly wonderful.  What Makes You Wonderful would like to thank The Parachute Brigade for today's podcast music.  

"Exploring the Sweetness of 'Candyman': A Grateful Dead Classic"Larry Mishkin reflects on a Grateful Dead show from 44 years ago on April 1st, 1980, where the band played a prank on April Fool's Day, starting with a Chuck Berry tune and then transitioning to their usual instruments to perform the song again. Larry also talks about the significance of the song "Candyman" and its role in the Grateful Dead's repertoire, as well as Billy Joel's milestone 100th residency concert at Madison Square Garden. Larry also talks about "Friend of the Devil" and its origins, penned by lyricist Robert Hunter in collaboration with Jerry Garcia and John Dawson.    Grateful DeadApril 1, 1980 (44 years ago)Capitol TheaterPassaic, NJGrateful Dead Live at Capitol Theater on 1980-04-01 : Free Download, Borrow, and Streaming : Internet Archive April Fool's DayOpener that's keeping with the theme INTRO:                 The Promised Land                                Track # 2                                1:14 – 3:18 Chuck Berry tune with the Boys having a bit of fun to celebrate April Fool's Day: Jerry and Brent on DrumsBobby on keyboardBilly on bass and background vocalsMickey on rhythm guitar and singing lead vocalsPhil on lead guitar Kind of plodded through the song, but the fans loved the idea and the effortThey then went back to normal instruments, played the tune again and killed it! A fun opener with a good reality check for the dosed fans in the crowd. SHOW No. 1:                    Candyman                                                Track #4                                                4:56 – 6:30 Garcia/Hunter masterpieceThe song Candyman is part of the album American Beauty, which found its way into the world in November 1970. American Beauty is an album that is cherished by many, as it brings stories and emotions that feel both personal and universal. Candyman, with its blend of sweetness and shadow, invites listeners to delve into a world that is rich, complex, and thoughtfully spun. The album, with its varied tales and emotions, continues to be a friend to listeners, offering stories that explore the many sides and shades of life's journey.The thought-provoking words of Candyman were penned by Robert Hunter, and the compelling music was created by Jerry Garcia. These two artists worked together to create many of the Grateful Dead's memorable songs. Their collaboration in Candyman offers a rich story that allows listeners to explore and imagine a world that is sweet, slightly shadowed, and full of interesting adventures. The images and tales spun by the words and music invite people to think, feel, and maybe even find bits of their own stories within the tale of the Candyman.Played a total of 273 times.  Almost always a Jerry first set tune alternated with Loser, West LA, and a few othersFirst played on April 3, 1970 (10 years earlier than today's show) at Armory Fieldhouse in Cincinnati, OHLast played on June 30, 1995 at Three Rivers Stadium in Pittsburgh. SHOW No. 3:          Friend of the Devil                                    Track #8                                    3:36 – 5:20 Grateful Dead lyricist Robert Hunter told Relix that "Friend of the Devil" was the closest that the Grateful Dead ever came to creating "what may be called a classic song." Many Deadheads may disagree, but it's an interesting perspective from the man who penned the words for the majority of the Dead's most iconic pieces.Whether or not "Friend of the Devil" is the sole "classic" Dead tune, it's hard to argue that the band tapped into the outlaw's zeitgeist to find a timeless song with this one. Dead chronicler extraordinaire David Dodd, for one, agrees. "No other Dead tune gets played quite so often," Dodd writes in Greatest Stories Ever Told.Jerry Garcia and John Dawson of New Riders of the Purple Sage (NRPS) wrote the music for "Friend of the Devil." Hunter wrote the lyrics, but Dawson played a critical part in that area, as well.In his online journal, Robert Hunter recounted writing the lyrics for "Friend of the Devil" in a single afternoon in Madrone Canyon. He actually created the song with the intent of playing it with NRPS, after the band had asked him to be their bassist. This is why he first unveiled the song to David Nelson and John Dawson in their home in Kentfield. At that point, Hunter explains, "The 'Sweet Anne Marie' verse which was later to become a bridge was only one of the verses, not yet a bridge."Where things get really interesting in this story is where Hunter tells us that the chorus originally went:I set out running but I take my timeIt looks like water but it tastes like wineIf I get home before daylightI just might get some sleep tonightNotice how the line "A friend of the devil is a friend of mine" doesn't play into that chorus? This is where Dawson comes in.After showing the guys the song, Hunter explains, the band went down to the kitchen for espresso. "We got to talking about the tune and John said the verses were nifty except for 'it looks like water but it tastes like wine,' which I had to admit fell flat. Suddenly Dawson's eyes lit up and he crowed "How about 'a friend of the devil is a friend of mine.' Bingo, not only the right line but a memorable title as well!We ran back upstairs to Nelson's room and recorded the tune. I took the tape home and left it on the kitchen table. Next morning I heard earlybird Garcia (who hadn't been at the rehearsal - had a gig, you know) wanging away something familiar sounding on the peddle [sic] steel. Danged if it wasn't 'Friend of the Devil.' With a dandy bridge on the 'sweet Anne Marie' verse. He was not in the least apologetic about it. He'd played the tape, liked it, and faster than you can say dog my cats it was in the Grateful Dead repertoire."It's interesting to wonder whether or not the song would still have become a staple if Dawson hadn't popped those lyrics. The line, "a friend of the devil is a friend of mine" isn't the only great thing about the song, but it's definitely a critical part.Hunter dipped out of NRPS almost as fast he dipped in, and so the song became a Dead tune. Certainly a popular tune with the band and the Deadheads.  Played 310X, almost always a first set tune.First – March 20, 1970 at the Capitol Theatre in Port ChesterLast – June 2, 1995 at RFK Stadium in D.C.   SHOW No. 4:               I Used To Love Her But It's All Over Now                                         Track # 9                                         3:15 – 5:00 "It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack.[1] It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964. The Valentinos recorded the song at United Recording in Hollywood on March 24, 1964,[2] and released it two months later.[3] It entered the Billboard Hot 100 on June 27, 1964, and stayed on the chart for two weeks, peaking at number 94. The Rolling Stones landed in New York on June 1, 1964, for their first North American tour, around the time the Valentinos' recording was released. New York radio DJMurray the K played the song to the Rolling Stones. He also played the Stones' "King Bee" (their Slim Harpo cover) the same night and remarked on their ability to achieve an authentic blues sound. After hearing "It's All Over Now" on that WINS show, the band recorded their version nine days later at Chess Studios in Chicago. Years later, Bobby Womack said in an interview that he had told Sam Cooke he did not want the Rolling Stones to record their version of the song, and that he had told Mick Jagger to get his own song. Cooke convinced him to let the Rolling Stones record the song. Six months later on, after receiving the royalty check for the song, Womack told Cooke that Mick Jagger could have any song he wanted.The Rolling Stones' version of "It's All Over Now" is the most famous version of the song. It was first released as a single in the UK, where it peaked at number 1 on the UK Singles Chart, giving the Rolling Stones their first number one hit.[5] It was the band's third single released in America, and stayed in the Billboard Hot 100 for ten weeks, peaking at number 26. Months later it appeared on their second American album 12 X 5. The song was a big hit in Europe and was part of the band's live set in the 1960s. Cash Box described it as a "contagious cover of the Valentinos' click" and "an infectious thumper that should head right for chartsville." Dead played it 160 times, always a first set Bobby tune.First on Sept. 6, 1969 at Family Dog At The Great Highway in S.F.Last on July 2, 1995 at Deer Creek in Indy/ This version is great with the Brent solo leading into the Jerry solo.  Check out the entire clip. SHOW No. 4:               Shakedown Street                                      Track #19                                      4:30 – 5:57 When people think of the Grateful Dead, they often think of free-flowing improvisational music. However, the band was known for many things, including their ability to construct incredibly catchy songs with deep meanings. This is exemplified in one of their most iconic songs, “Shakedown Street.” Shakedown Street, the title track of the Grateful Dead's tenth studio album, released in 1978, has been interpreted in countless ways over the years.  According to Hunter in an interview with Rolling Stone magazine, “Shakedown Street” was a place where the underbelly of society came out and did its trading. “It was a place for freaks, weirdos, and people who didn't fit in anywhere else. It was one of the only places where they could socialize and be themselves without fear of persecution.” The lyrics of “Shakedown Street” talk about this place where everybody is welcome, regardless of who they are or where they come from. As the song says, “Don't tell me this town ain't got no heart. Just gotta poke around.”The song is a reflection of the band's values and the alternative society that they represented. It highlights the idea that people should be treated equally, without judgment, and that everyone should be able to express themselves.Played 164XPopular show opener, second set opener and occasionally, as here, an encore.  Great way to end a show rocking out hard for 10+ minutes and then going home.First:  August 31, 1978 Red RocksLast:  July 9, 1995 Soldier Field – played it right up until the end! .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

This week's Deadpod features the second show the band played in 1980, this from the Capitol Theater in Passaic New Jersey on March 30, 1980.  Brent is fairly new to the band, and finding his way on some of these tunes.. they open with a relatively new 'Alabama Getaway' which goes into 'Promised Land' for a rockin' start to the evening. 'Cassidy' which follows 'Peggy-O' is a bit rushed, but the 'Loser' that follows is quite good. Brent debuts his 'Far From Me' which still needs some work but shows promise. Another highlight is the 'New Minglewood Blues' where Brent's Hammond B3 sounds especially good. The rest of the set is quite good as well - the 'Althea' is well done and Bobby adds alot of energy to the 'Sailor>Saint' combo to close the set.      Grateful Dead Capitol Theatre Passaic, NJ 3/30/1980 - Sunday     One     Alabama Getaway [5:02] > The Promised Land [4:15] Peggy-O [6:54] Cassidy [4:45] Loser [6:36] > El Paso [4:26] Far From Me [4:01] Tennessee Jed [4:40] New Minglewood Blues [6:33] Althea [7:43] Lost Sailor [6:03] > Saint Of Circumstance [5:56#]   You can listen to this week's Deadpod here:  http://traffic.libsyn.com/deadshow/deadpod032924.mp3 Hope that you have a happy Easter weekend! my thanks to Steve for his suggestion of this show. 

"Grateful Dead's Notable Tracks from 1977 plus a cure for Female Orgasmic Disorder"Larry Mishkin covers the Grateful Dead show from March 18th, 1977, at the Winterland arena in San Francisco, showcasing notable performances of songs like "Sugaree" and "Peggy-O." He delves into the history and significance of these songs within the Grateful Dead repertoire. Additionally, the discussion extends to the cannabis industry, highlighting the financial strategies of marijuana companies to minimize tax obligations under Section 280E of the IRS Code. He also touches on the opening of Nevada's first legal marijuana consumption lounge, signaling a shift in cannabis regulations in the state. Finally, Larry addresses the proposal to add Female Orgasmic Disorder (FOD) as a qualifying condition for medical marijuana use in Illinois, reflecting evolving perspectives on cannabis as a therapeutic option for various health conditions. Grateful DeadMarch 18, 1977 (47 years ago)Winterland, S.F.Grateful Dead Live at Winterland Arena on 1977-03-18 : Free Borrow & Streaming : Internet Archive TITLE:  1977 Winterland:  The Dead Bust Out Fire On The Mountain and Take Their One and Only Attempt At Terrapin Flyer. Just a month after the Swing Auditorium show that we previewed a few weeks ago, Dead went home to Winterland for a string of shows.  This one stands out for a few reasons that we will get to as the show goes on. INTRO:                 Sugaree                                Track #4                                7:25 – 9:05               "Sugaree" is a song with lyrics by long-time Grateful Dead lyricist Robert Hunter and music by guitaristJerry Garcia.[1] It was written for Jerry Garcia's first solo album Garcia, which was released on January 20, 1972. As with the songs on the rest of the album, Garcia plays every instrument himself except drums, played by Bill Kreutzmann, including acoustic guitar, bass guitar, and an electric guitar played through a Leslie speaker. Released as a single from the Garcia album, "Sugaree" peaked at #94 on the Billboard Hot 100 in April 1972 and was Garcia's only single ever on that chart.Elizabeth Cotten, a North Carolinafolksinger, wrote and recorded a song called "Shake Sugaree" in 1966.[3] The chorus of Cotten's song is "Oh lordie me/Didn't I shake sugaree?" Hunter was aware of this song when he wrote "Sugaree."The song was first performed live by the Grateful Dead on July 31, 1971, at the Yale Bowl at Yale University, as was the song "Mr. Charlie".  The Dead played it 362 times in concert.  Last played on July 8, 1995 at Soldier Field in Chicago.                 A classic rocking Dead tune, usually a first set number, I've seen it as a show opener, first set closer, and encore.  In this clip they really rock it but it's only a small peak at this 15 minute version of the tune.  Well worth pulling it down on Archive and checking out the entire number.  You won't be sorry.  SHOW No. 1:    Peggy-O                                Track #6                                4:20 – 6:00                          Traditional, credit for the Grateful Dead version generally go to Jerry but some say Bill had a hand in writing it.              This song derives from the earlier Scottish traditional song Bonnie Lass of Fyvie-o. Fyvie is thought to have been a staging post between Aberdeen and Fort George in Scotland. This song does occur with a number of title variations. It is possible that Fennario is a corruption of Fyvie-o.Similar traditional songs also occurred in the UK; Handsome Polly O and Bonny Barbara O, though these are less similar to the modern Peggy-O song.The title Peggy-O is used on Grateful Dead recordings. The version of Peggy-O that is included in the Jerry Garcia box set All Good Things is a previously unreleased studio recordings from Spring 1979 and is given the title Fennario. The Fennario title is also used on concert recordings of The Dead and Phil Lesh & Friends.Although not released on a Dead studio album, the song was included on the remastered recordings of both Terrapin Station and Go To Heaven.The Grateful Dead first performed Peggy-O in December 10, 1973 at the Charlotte Coliseum in N.C.. It was then played in every year through to 1995 usually no more than a dozen times each year though it was played more regularly during the 1977 to 1981 period. Played a total of 265 times. The last performance was on July 5, 1995 at the Riverport Amphitheatre in Maryland Heights, MO (just outside of St. Louis).In this clip, I really enjoy Jerry's strong voice, the solid jamming and some stealth piano contributions from Keith. SHOW No. 2:    Fire On The Mountain                                Track # 9                                1:46 – 3:30                 Hunter/Hart (not Jerry!)                 Released on Shakedown Street on November 8, 1978, last song on first side of album.                 First time ever played – one of the reasons I chose this show over a number of other great shows on this date – others include a smokin “early” Dead show in 1967 at Winterland and 1971 at the Fox Theater in St. Louis coming fast on the heels of the Dead's epic six night Capitol Theater run in Port Chester in late February. This is another of those songs with a long and complicated genesis story, perhaps not worth getting into too much detail about here, but the rough outlines at least are important to note. The lyrics, according to Robert Hunter in Box of Rain, were “Written at Mickey Hart's ranch in heated inspiration as the surrounding hills blazed and the fire approached the recording studio where we were working.”Hart, credited with the music for the song, recorded a proto-rap version of the song for an unreleased album entitled Area Code 415, recorded in 1972 and 1973. It was also included on a Mickey Hart album entitled Fire on the Mountain, recorded in 1973-74. It appeared as an instrumental entitled “Happiness is Drumming” on Hart's 1976 studio album, Diga. And it finally began showing up in the Grateful Dead repertoire, sung by Jerry Garcia, in 1977, undergoing a number of variants of the lyrics until it settled into the form that was eventually recorded and released on Shakedown Street, in November 1978. There's a lot of other detail I haven't mentioned—possibly worthy of some historian taking it apart piece by piece, but you get the rough idea.On March 18, 1977 at Winterland Arena, San Francisco. "Fire" appeared for the first time, closing the first set, following its eternal partner, "Scarlet Begonias." This combination of tunes, which frequently enclosed some wonderful jamming, came to be known as "Scarlet Fire." There were a handful of occasions on which “Fire” appeared without “Scarlet Begonias,” but not many. approx 15 out of the total 253 performances. It remained steadily in the repertoire from then on, and was played for the final time on July 2, 1995, at the Deer Creek Music Center in Noblesville, Indiana.This clip being the song's first live performance and almost a year and half before it's commercial release, there are noticeable differences between this version and the one we al know and love.  But they go there very quickly as only two months later on May 8, 1977 the Dead played the Barton Hall show that many declare to be the best Dead show ever.  While that may or may not be true, what is true is that the version of Scarlet Fire is awesome and certainly befitting a show many do consider to be the finest Dead show of them all.Many more were to follow and the lucky ones who were in Winterland this night got to witness how it all started.   SHOW No. 3:    Terrapin Flyer                                                              Alhambra                                Track # 17                                :53 – end                                 INTO                                 Drums                                Track # 18                                Start – 0:44                 This is another reason I chose this show for today's episode.  This represents the only known instance of the Dead playing the Terrapin Flyer part of the full Terrapin Suite from the Album (released on July 27, 1977) out of the traditional parts.  Although Jerry does not sing the lyrics from this part of the suite, he jams the very distinctive melody.  Interestingly, this is only a few weeks after the debut of Terrapin at the Swing Auditorium on Feb. 26, 1977.  Here, the Dead were trying out this sixth of seven parts of the suite and for whatever reason did not like what they heard or didn't enjoy playing it or, more likely, practicing it, so it was dropped from live performances even though the primary and opening parts of the suite, Lady with a Fan into Terrapin Station, were played a total of 303 times.                 These are the fun little discoveries that even after 40+ years of listening to, following and learning about the band keep it fun, interesting and amazing.                 As for the recording of the entire suite, Keith Olsen was chosen to produce and the band temporarily moved to Los Angeles, as Olsen preferred to work at Sound City, where he had recently achieved success producing Fleetwood Mac's 1975 comeback album.             Olsen had a method for reining in the Dead: "During the cutting of the basic tracks it was pretty hard to get every member of the band in the studio at the same time ... so [Steve] Parish went out to the hardware store and got these giant nails and a great big hammer and as soon as everybody was in, he hammered the door shut from the inside ... we didn't have drifters from the other studios coming in to listen. We didn't have people leaving to go screw around elsewhere. We started getting work done."[18] With Fleetwood Mac, Olsen had a hands-on approach, orchestrating the addition of Lindsey Buckingham and Stevie Nicks and influencing song choice, arrangements and sequencing. He entered the Grateful Dead project with similar expectations, imagining a concept album or song cycle. Olsen said that Davis told him "I need a commercial record out of them."[18] This caused some friction during the sessions as well as with the end results. Kreutzmann said "He'd have us play the same thing over and over again, and we're not really the type of band that can put up with that. ... Our very identity is based on the opposite principle."[                 SHOW No. 4:   Not Fade Away                                Track # 19                                14:00 – 15:40                 Written by Buddy Holly and Norman Petty.  Holly and the Crickets recorded the song in Clovis, New Mexico, on May 27, 1957, and it was released as a single (B side to “Oh Boy”) on October 27, 1957 on the Brunswick label.  The rhythmic pattern of "Not Fade Away" is a variant of the Bo Diddley beat, with the second stress occurring on the second rather than third beat of the first measure, which was an update of the "hambone" rhythm, or patted juba from West Africa. Jerry Allison, the drummer for the Crickets, pounded out the beat on a cardboard box.[3] Allison, Holly's best friend, wrote some of the lyrics, though his name never appeared in the songwriting credits. Joe Mauldin played the double bass on this recording. It is likely that the backing vocalists were Holly, Allison, and Niki Sullivan, but this is not known for certain.             First played by the Dead on February 19, 1969 at the Fillmore West in S.F., it was played by the band a total of 561 times and last played on July 5, 1995 at the Riverport Amphitheatre outside of St. Louis.             This is an absolutely ripping version of this tune so much so that I featured only the jam – everyone knows the lyrics, but the jam in this 20 minute version is better than any singing I could have featured. OUTRO:               Around and Around                                Track 21                                4:59 – 6:46                 Very appropriate to end on a Chuck Berry tune given that today is the seventh anniversary of Chuck's death in 2017 at the age of 90.                 "Around and Around" is a 1958 rock song written and first recorded by Chuck Berry. It originally appeared under the name "Around & Around" as the B-side to the single "Johnny B. Goode".  Release on March 31, 1958 on Chicago's own Chess Records checking in at a brisk 2:20. Many bands have covered the song including, most famously, the Rolling Stones and David Bowie, and, of course the Dead who played it 418 times, first on November 8, 1970 at the Capitol Theater in Port Chester, NY and lastly on July 6, 1995 at the Riverport Amphitheatre outside of St. Louis – very appropriate since Chuck was born in St. Louis and died in Wentzville, just outside of the city. This is one of the better version of the tune that I have heard.  It checks in at over 8 minutes and the boys just jam it out, throw in a few false endings and finally wrap it up, followed only by Uncle John's Band before the boys say goodnight to the Winterland crazies and head home for a rare post show night in their own beds. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

In this NBTB Archive Series Review, co-hosts Hal Schwartz and Flynn McLean discuss the March 2024 release from the series, recorded live at The Capitol Theater in Passaic, NJ on September 21, 1978. They also discuss Bruce's appearance last week with John Mellencamp in Newark. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast You can buy/stream all shows in the Springsteen Archive Series via: live.brucespringsteen.net Learn more about your ad choices. Visit megaphone.fm/adchoices

James Spooner is a writer, filmmaker and visual artist from Southern California. He grew up as one of two black punk rockers in the small town of Apple Valley, and he wrote a critically acclaimed graphic novel about his experience called “The High Desert,” released in 2022, twenty years after the release of his groundbreaking documentary “Afro Punk.” When I read the book, I found it so moving that I immediately reached out to him and invited him to be a guest on this Afro Punk, The High Desert, Black Punk Now!program. James joined me for a live interview in Olympia at the Capitol Theater after a screening of his film, and we discussed his experience growing up as a black punk in the desert, the avenues that led him to direct his first film, being the father of a Gen-Z black punk, his career as a tattoo artist, and his new anthology book “Black Punk Now,” which was edited by Spooner and Chris L. Terry and came out last October. Low Profile is supported by you on Patreon and also receives in-kind support from these independent Olympia businesses:  Schwart'z Deli, San Francisco Street Bakery, Old School Pizzeria, Rainy Day Records and Scherler Easy Premium Shitty American Lager from Three Magnets Brewing Company. Instagram: @lowpropodcast Facebook Community: Low Profile Listener Hub Patreon (donation-based bonus content+goods): patreon.com/lowprofile

"Reflecting on the Grateful Dead's Capitol Theatre Shows and Toby Keith smoking with Willie Nelson"Larry Michigan discusses the Grateful Dead's historic show at the Capitol Theatre on February 19, 1971. Larry reminisces about the atmosphere of the venue and the significance of the performance, highlighting the debut of several iconic Dead songs. The discussion delves into the band's evolving musical style, particularly the transition from psychedelic blues to Americana influences. He explores the historical context surrounding the show, including Mickey Hart's departure from the band and the impact of manager Lenny Hart's embezzlement. He also touches upon the significance of the show's release in the "From the Vault" series and discuss other notable releases in the Dead's catalog. Additionally, Larry provides updates on Bob Weir and Wolf Brothers' postponed performances with the National Symphony Orchestra and share news about upcoming music releases.  Grateful DeadFebruary 19, 1971 (53 years ago)Capitol TheatrePort Chester, NYGrateful Dead Live at Capitol Theatre on 1971-02-19 : Free Borrow & Streaming : Internet Archive The second of the legendary six night run at the Capitol Theatre in late February, 1971:Feb. 18, 19, 20, 21, 23, and 24 INTRO:                  Loser                                Track #3                                2:55 – 4:24 Hunter/Garcia tune that was released on “Garcia”, Jerry's first solo album, in January, 1972, the last song on side one of the album.  It was a standard first set tune, part of a rotating number of Jerry first set ballads including Candyman, It Must Have Been The Roses, High Time, Row Jimmy, To Lay Me Down and others. A very sweet melodic tune that tells a great story by way of a beautiful piece of music.  SECOND time playedPlayed a total of 353 timesFirst time:  “Last”night 2.18.71Last:  June 28, 1995, The Palace of Auburn Hills, outside Detroit                               THIS SHOW: Last year we covered the Feb. 18th show famous as the debut for Bertha, Greatest Story, Loser, Wharf Rat and Playin In The Band and the Beautiful Jam out of Wharf Rat and back into Dark Star.  It was also Mickey's last show before his almost three year hiatus before he returned for the final 1974 show before the band's 1975 year off February 19th show is just as historical:  The band's first show without Mickey since he joined the band in 1967.  Many people theorize that this was Mickey's response to his father, Lenny Hart who was the band's manager stealing almost $155,000 of the band's assets before disappearing.  Although he was eventually located by a private detective hired by the band and arrested in San Diego on July 26, 1971, convicted and spent six months in jail, the money was never returned.  The song, “He's Gone” is based on Lenny Hart's embezzlement and disappearance.  Ashamed by his father's actions, Mickey left the band after the 2.18.71 Capitol Theater show returning full time in 1975.  Lenny died of natural causes on Feb. 2, 1975.  According to Dennis McNally, "Mickey went to the funeral home, cleared the room, took out the snakewood sticks that had been his inheritance, played a traditional rudimental drum piece, "The Downfall of Paris" on Lenny's coffin, and split." Starting with this show, the band became a very lean mean fighting machine with just five members (Jerry, Bobby, Phil, Bill and Pig) until Keith jointed the band seven months later in September.  On this night, the band played the five songs debuted the night before and debuted Deal and Birdsong.  Pig also has a strong showing this night leading the band through four standouts:             Hurts Me Too            Smokestack Lightning:  the third to last time it would be played with Pig in the band            Easy Wind:  the second to last time it would be played without Pig in the band            Good Lovin  This really marked the beginning of the band's hard shift away from psychedelic blues (Primal Dead) to the more Americana style music that began with Workingman's and American Beauty.  Within a year, Pig would be very ill with just enough energy left for the Europe '72 tour.  But this night, he was rocking the house like only he could do.  Here is the first of his four featured songs:  SHOW No. 1:      Hurts Me Too                                Track # 5                                2:08 – 3:42 Great showcase number for Pig featuring his singing and harp playing.  We got just a bit of Jerry's lead but all this great music is too long to fit into one clip – don't want Dan getting mad at me! "It Hurts Me Too" is a blues standard that is "one of the most interpreted blues [songs]".[1] First recorded in 1940 by Tampa Red in Chicago, the song is a mid-tempo eight-bar blues that features slide guitar. It borrows from earlier blues songs and has been recorded by many artists.  Release on May 10th with Tired of Your Reckless Ways on the B-side. In 1949, Tampa Red recorded a variation of "It Hurts Me Too", titled "When Things Go Wrong with You".[9] It was recast in the style of a Chicago blues, with electric guitar and a more up to date backing arrangement. The song was a hit and reached number nine on Billboard'sRhythm & Blues Records chart in 1949.[10] (The original "It Hurts Me Too" was released before Billboard or a similar reliable service began tracking such releases, so it is difficult to gauge which version was more popular, although the former's title won out over the latter's.) Although the song retained the refrain "When things go wrong, so wrong with you, it hurts me too", Tampa Red varied the rest of the lyrics somewhat. This would become the pattern for future versions, in which succeeding artists would interpret the song with some of their own lyrics. Noted covers:            Elmore James            Junior Wells            Grateful Dead – with Pig singing the vocals.  Was first released by the Dead on Europe '72 album.  After Pig left the band, the song was retired.             The Dead played the song a total of 59 times            First:    May 19, 1966 at the Avalon Ballroom, San Francisco            Last:     May 24, 1972 at the Lyceum Ballroom in London (last show of Europe '72 tour             “FROM THE VAULT”: This entire show was released by the Dead as “Three From The Vault” in 2007.  The “From The Vault” series, launched by the Band in 1991 with One From The Vault – August 13, 1975 at The Great American Music Hall, with first live performance of the songs from Blues For Allah.  In 1992 the Dead released “Two From The Vault” – August 23 and 24, 1968 at the Shrine Auditorium in Los Angeles.  Then, along came Dick Latvala and his Dead scene changing Dick's Picks series which was wildly popular, so much so that the In The Vault Series was put on hold.  For 15 years.  Until 2007 when they circled back to the original series of live releasees with Three From The Vault which features the same show we are talking about today from the Capitol Theatre.  That was it for In The Vault releases.  The Dead did have several other “Vault” like releases – multi-track recordings including Hundred Year Haul, Dozin' At The Knick, Fallout From the Phil Zone, Terrapin Station, Live At the Fillmore East 2.11.69, Ladies and Gentlemen, the Grateful Dead, Nightfall of Diamonds, Trucking Up To Buffalo and so many more. They just stopped calling them “From The Vault”.  Dick's Picks, of course would go on to have a total of 36 releases, the last few releases coming after Dick's death in 1999.  Which led into the still wildly popular Dave's Picks from David Lemieux who took over for Dick and now has 49 releases and still going strong.  And “short” lived, but generally popular  “Roadtrips” series.  And all of the box sets that are all amazing but too numerous to name except for the Complete Recordings, the four-night run at the Fillmore West from Feb. 27 to March 2, 1969 – four shows with the band at the peak of Primal Dead, and Europe '72 which consists of the live recordings for all of the shows on that tour.  Another milestone for the Dead in terms of their ever expanding reputation for Jam Band, psychedelic, and amazing song catalogue, even at that “early” stage of the band's existence.  SHOW No. 2:      Playin In The Band                                Track # 7                                2:23 – 4:05                                            By:  Weir and Hunter "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan).The instrumental break of "Playing in the Band" was introduced as early as the February 19, 1969 "Celestial Synapse" show at the Fillmore West, in which it appears somewhat indistinct from the preceding and following jams.[5] The completed song was also included on Mickey Hart's 1972 solo album Rolling Thunder within "The Main Ten", making reference to the song's time signature of 10/4.  "The Main Ten" appears on Dick's Picks Volume 16, from their performance at the Fillmore West on November 8, 1969. On that set, it appears in the middle of "Caution (Do Not Stop On Tracks)".During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it" It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire, usually as a second set pre-drums jumping off point for jams to who knows where. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with over 600 performances. If you download this show from Archive.org, and play this track, at the 3:20 mark during the mid-song jam, they get to the point where they would normally dive back in but instead, Bobby plays on for an almost additional 30 seconds and then just dives back in to the song.  He is clearly still working it out.  Over the course of the Europe '72 tour, it was played almost every night as Bobby finally worked it outThis is all really good stuff. SECOND time ever played 661 times (No. 1)                First – “last: night's show, Feb. 18, 1971 Capitol Theatre                Last:       July 5, 1995 at Riverport Amphitheater, Maryland Heights, MO outside of St. Louis.                SHOW No. 3:      Greatest Story Ever Told (The Pump Song)                              Track #13                           Start – 1:41               By Weir, Hart and Robert Hunter (some give credit to Rev. Gary Davis)               Reverend Gary Davis, also Blind Gary Davis (born Gary D. Davis, April 30, 1896 – May 5, 1972),[1] was a blues and gospel singer who was also proficient on the banjo, guitar and harmonica. Born in Laurens, South Carolina and blind since infancy, Davis first performed professionally in the Piedmont blues scene of Durham, North Carolina in the 1930s, then converted to Christianity and became a minister. After moving to New York in the 1940s, Davis experienced a career rebirth as part of the American folk music revival that peaked during the 1960s. Davis' most notable recordings include "Samson and Delilah"[2] and "Death Don't Have No Mercy" Released on:AceRolling Thunder, as "The Pump Song"Dead SetDick's Pick's, vol. 6Europe '72 box setLots of other releases              Per Hunter:  "Also known as "Pumpman" and "Moses"--I wrote this to the rhythm of the pump in Mickey Hart's well."                Released on Ace on May 1, 1972              First song on the album with Bobby setting a rocking tone              Another tune that was played almost every night of and refined during the Europe '72 tour                             283 times              First:  “last night” 2.18.71              Last:  June 27, 1995 at the Palace at Auburn Hills outside Detroit               SHOW No. 4:      Bird Song                                Track #15                           :42 – 2:15               By Garcia and Hunter              Second song on Garcia              Robert Hunter originally wrote the song as a tribute for Janis Joplin. Phil Lesh now sings "All I know is something like a bird within him sang", transfering it Jerry Garcia instead A regular for the Dead, and still played by Dead and Co., Bobby and Phil and Friends. Beautiful song, even for the fist time you know it's going to be special. Played 301 tines              First:  This is it!              Last:   June 30, 1995 at Three Rivers Stadium, Pittsburgh, PA   OUTRO:                Deal                                Track #17                                Start – 1:33  May 16, 2023 by Chris Huber of Chill One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel. Although it would move around a bit in the set list early on, this debut version is consistent with the ultimate tradition of the song closing out the first set.  Even in JGB sets it was a first set closer.  And would always leave you waiting through the break to see how they were going to kick off the second set and keep the show moving along.  For a first time played, this version stays true to the version we all know and love from a few years later.                            Played 428 times              First:  This is IT              Last:  June 18, 1995, Giants Stadium in East Rutherford, NJ Thank you. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

"Uni Dome Bliss: Jerry's Guitar Magic Illuminating Iowa Nights"Larry Mishkin discusses a Grateful Dead concert from February 5, 1978, held at the Uni Dome at the University of Northern Iowa in Cedar Falls. He emphasizes the exceptional performance, particularly focusing on the Scarlet Begonias and Fire on the Mountain combo, which he compares favorably to the renowned Barton Hall show from May 1977. Larry praises the guitar work of Jerry Garcia and highlights the unique qualities of this less-discussed but outstanding 1978 show. Additionally, he briefly touches on recent music news, including the Dead and Company's residency at The Sphere in Las Vegas and the upcoming Days Between event at Jazz Fest in New Orleans, featuring Government Mule and other legendary musicians. February 5, 1978 (46 years ago)Uni-DomeUniversity of Northern IowaCedar Falls, IowaGrateful Dead Live at Uni Dome, U of Northern Iowa on 1978-02-05 : Free Borrow & Streaming : Internet Archive Show Title:  The Dead Warm Up A Cold Iowa Night in 1978.  Dead & Co scheduled to play the Shere.  Alcohol v. Cannabis v. Tobacco – You already know the answer to this one!  INTRO:              Bertha                           Track #1                           3:24 – 5:13                             Great Jerry solo SHOW No. 1:     Samson & Delilah                           Track # 12                           1:30 – 3:10                            Bobby's mic not working so they have to improvise and keep jamming                            Played 365 times, often on Sunday – “It being Sunday . . . “                           First played June 3, 1976 Paramount Theater in Portland, OR                           Last played July 9, 1995 at Soldier Field, Chicago SHOW No. 2:    Scarlet Begonias                           Track #14                           3:20 – 5:10                            One of the best ever, great jamming SHOW No. 3:    Fire On The Mountain                           Track # 15                           7:15 – 9:02                            Again, one of the best ever (and one of Rob's favorites!).  No lyrics here, just Jerry jamming away SHOW No. 4:   The Other One                           Track # 18                           6:10 – 7:40                            Loud, solid, Phil!!! OUTRO:            Around & Around                           Track #20                           3:58 – 5:35                                                     Not always everyone's favorite, but this is a ripping version, they change the tempo on a dime and rock it out to end the second set.                           "Around and Around" is a 1958 rock song written and first recorded by Chuck Berry. It originally appeared under the name "Around & Around" as the B-side to the single "Johnny B. Goode".                        Covered by:                                   Rolling Stones - The Rolling Stones covered the song on their EP, Five by Five and second U.S. album 12 X 5 in 1964. Besides the band members it featured Ian Stewart on piano. In October 1964, they performed the song as part of their first appearance on The Ed Sullivan Show. They played it on a regular basis on their tours in 1964 and 1965. In 1964 the Stones opened their famed TAMI Show with the song. After more than a decade they performed the song again at the Knebworth Fair on August 21, 1976. It was also included on the 1977 live album Love You Live, from the El Mocambo club gig in Toronto. After that, it has only been performed occasionally, most recently during the band's 2012 U.S. tour at Prudential Center in Newark, New Jersey on December 15                         David Bowie - English musician David Bowie recorded the song in 1971, produced by Ken Scott, under the title "Round and Round". Originally slated for inclusion on his 1972 album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, it was ousted by "Starman" at the last minute.[4] Regarding the song, Bowie stated in 1972: "It would have been the kind of number that Ziggy would have done onstage...He jammed it for old times' sake in the studio, and our enthusiasm for it probably waned after we heard it a few times. We replaced it with a thing called 'Starman'. I don't think it's any great loss, really.                         The Animals                        Eric Burden                        Pearl Jam                        Meat Loaf                        .38 Special                        Maureen Tucker (Velvet Underground)                        The Germs (American punk rock band                        Guided By Voices                        And more . . . . . . .                         Dead played it 418 times, very high up in the overall song rankings.                        First played:  Nov. 8, 1970, Capitol Theater, Port Chester, NY                        Last played:  July 6, 1995, Riverport Amphitheatre, Maryland Heights (St. Louis), MO .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Madison community gathered again this Martin Luther King, Jr. Day at the 39th Annual Madison & Dane County King Holiday Observance, live from the Overture Center for the Arts in the Capitol Theater and presented by the Madison/Dane County King Coalition.This event featured a presentation of the Madison-Dane County 2024 Humanitarian Awards, performances from the MLK Community Choir, and a keynote speech from Dr. Terrence Roberts, who volunteered to desegregate Little Rock Central High School and made history as one of the “Little Rock Nine.”WORT carried the observance live on the air, and we present it to you for further reflection.Click this link to view the program booklet. Originally broadcast on WORT on January 15, 2024. Our thanks to the King Coalition and Overture Center staff for making this event and broadcast possible. Find more about the King Coalition, and volunteer to get involved, at mlkingcoalition.org.

1. K.M. Williams - Come By Here, My Lord [Blind Willie's Hymns]2. John Lee Hooker - I Rowed A Little Boat [The Country Blues of John Lee Hooker]3. Champion Jack Dupree - I'm Growing Older Every Day [Mercy On Me]4. Homesick James Williamson & The Hypnotics - Come Back Baby5. Mississippi Fred McDowell - When You Come Out of The Wilderness [Amazing Grace]6. Rosa Lee Hilll - Rolled and Tumbled [Alan Lomax Field Recordings]7. Guitar Nubbit - Georgia Chain Gang8. Wendy Rene - After Laughter (Comes Tears) [1964]9. Bobby Charles - Street People [1972]10. J.J. Cale - Blues For Mama [To Tulsa and Back]11. The Grateful Dead - Wharf Rat [1971-02-20 Capitol Theater]

Comedian Pat McGann discusses his upcoming show at the Capitol Theater on January 19th, his career, and why this generation is the most hydrated ever.

"The Sphere in Vegas: U2's Sonic Odyssey and the Future of Concert Venues"Larry Mishkin  is joined by great friend of the show, Alex Wellins to catch up and talk about a Grateful Dead concert held at Poly Pavilion on November 20th, 1971. Larry talks about the significance of the show, including the band's transition in music style, notable songs played, and the presence of famous basketball player Bill Walton in the audience. Later, Alex discusses recent concerts they attended, highlighting U2's performance at The Sphere in Las Vegas, known for its immersive audiovisual experience, and another show at the historic Castro Theater in San Francisco featuring the band St. Paul and the Broken Bones. Both Larry and Alex express enthusiasm about these diverse musical experiences..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast  Grateful DeadNovember 20, 1971Pauley Pavillion – UCLAL.A.Grateful Dead Live at Pauley Pavilion - University of California on 1971-11-20 : Free Borrow & Streaming : Internet Archive By late 1971 Dead's transformation from Primal Dead to Americana Dead was well on it's way.  This concert is a great snapshot of that time, this show being more in the Americana camp with the a killer 25 minute jammed out Other One (including its Bill Kreutzman drum solo lead in) really being the only true nod to the Primal era . Also, the band was in transition as Pigpen missed the show as part of his descent into alcohol related illnesses that eventually took him in March 1973.  Keith had been playing with the band since February but Mickey began his “leave” in February after night one of the Capitol Theater run.  So this night is just five of them up on stage playing their hearts out for the fine students of UCLA and other Deadheads ( then a very brand new “thing” having just been recognized by the band in the liner message inside the Grateful Dead album stating:  “DEAD FREAKS UNITE!  WHO ARE YOU?  WHERE ARE YOU?  HOW ARE YOU? Send us your name and address and we'll keep you informed”) One fact that should be obvious given the venue and the time – an unknown UCLA student and want-a-be college basketball player, Bill Walton was in attendance along with some of his Bruins teammates for this first ever Dead show at Pauley Pavilion, famed home court for the UCLA Bruins, a team that following the amazing successes of Lew Alcindor (Kareem) and Sidney Wicks, now was being led for the first time by Bill and his teammates Jamaal Wilkes and Greg Lee (spoiler alert:  Bill has some success at UCLA too).  Bill, of course, went on to be an NBA All-Star and a regular attendee of Dead shows and, as Alex can attest, not unusual to see him at a West Coast dead show right up until the end – kind of hard to miss a 7 foot deadhead with his red hair and tie dye apparel.  Rumor has it when they knew he was going to be at a show the band would set up a basketball hoop backstage and that Bruce Hornsby was a hooper too. INTRO:               Bertha                           Track No. 1                           3:30 – 4:37 Great traditional opener although it was known to pop up in different spots during shows from time to time.  At this point, it is still “new” having been debuted earlier that year, on February 18th at the Capitol Theater in Port Chester.  Never released on a studio album, but it is the opening tune on the Dead's live album, “Grateful Dead” a/k/a Skull and Roses (or Phil's preferred name, “Skull Fuck” which was promptly rejected by their label, Warner Bros) on September 24, 1971.  From shows in NYC at the Fillmore East and the Hammerstein Ballroom in the Manhattan Center (plus Johnny B. Goode from Winterland – couldn't completely ignore the west coast). SHOW #1:          Tennessee Jed                           Track No. 5                           0:45 – 1:46 This is one of the “new” ones played in this show.  Along with Mexicali Blues, One More Saturday Night, Ramble On Rose and Jack Straw had all just been played for the first ever just two months earlier on October 19, 1971 at the Northrop Auditorium in Minneapolis – also Keith's first show.  A tune that more than most really captures the change in the band's direction as you have Garcia previously of Dark Star, St. Stephen and Eleven fame twanging away, musically and vocally, on a song with a feel that is a cross between country, western and a dash of rock n roll.  Deadheads of Alex's and my era will note how much quicker the tempo is in this early version and Garcia's noticeable energy evident from his strong vocal performance. Played 436 times in concert, putting it at No. 15 of the list of the Dead's most played tunes.1st (again) on Oct. 19, 1971 in MPLSLast on July 8, 1995 at Soldier Field, Chicago A great sing along tune that the Deadheads always enjoyed, normally found in the first set, towards the middle. SHOW #2:          Jack Straw                           Track No. 10                           :12 – 1:20 As just mentioned, this another “new” one just two months old.  Everyone loves Jack Straw, even the Band which is why it checks in at No. on list of most tunes played by the Band with 476 performances (last one on July 8, 1995 at Soldier Field).  But in this early version, there is a little bit of a change from the version we all know and love.  First, thing to know it is a tune by Hunter and Weir.  Garcia did not write it although he sang it with Weir in a “trading off of verses” style.  Second, in these early versions, before the Europe '72 tour, Weir sang all the verses like we just heard, “I just jumped the watchman, right outside the fence” was always sung by Jerry, but here, Weir sings it. Not sure of the reason for the change, but I like it a lot better with Jerry singing his verses (the other being “Gotta go to Tulsa, first train we can ride”).  First time with Jerry on vocals was May 3, 1972 at the Olympia Theater in Paris, that also just happens to be the version of the song that wound up on the Europe '72 album.  Although in its earlier years the song would appear in either first or second set, after their 1975 hiatus it became an almost exclusive first set song. And after Brent joined the band, almost always a show opener.  Home to the more than occasional Phil base bomb, it was one of the Band's most popular tunes and a great way to open any show (especially if they had just opened with Bertha the night before so you got to catch them both!). SHOW #3:          Ramble On Rose                           Track No. 18                           0:00 – 1:28 Last of the “new” ones that we will feature today.  Just like Tennessee Jed, upbeat, good energy, Jerry and the boys are having fun, like with any new creation.  Still working out all the details, the james, keeping track of the lyrics and Jerry has not yet developed his signature growl on “goodbye mamma and poppa, goodbye jack and jill”.  What I really like about this version and why I chose a clip from the beginning of the tune is to hear Keith's piano accompaniment that works so well with this song and adds another layer of creativity to the mix.  Garcia always seemed to get energy and inspiration from the band's keyboard players and Keith, even this early in his career, is no exception. After its introduction on Oct. 19, 1971 in Minny, played a total of 319 times, good for 39th place on the all time list, just behind US Blues and just ahead of Don't Ease Me In (really?).  Last played on June 27, 1995 at the Palace of Auburn Hills, MI. SHOW #4:          You Win Again                           Track No. 20                           1:12 – 2:21 "You Win Again" is a 1952 song by Hank Williams. In style, the song is a blues ballad and deals with the singer's despair with his partner. The song has been widely covered, including versions by Ray Charles, Jerry Lee Lewis, Roy Orbison, the Grateful Dead, Charley Pride, Bob Dylan, and the Rolling Stones. Hank Williams recorded "You Win Again" on July 11, 1952—one day after his divorce from Audrey Williams was finalized. Like "Cold, Cold Heart," the song was likely inspired by his tumultuous relationship with his ex-wife, "You Win Again" was released as the B-side to "Settin' the Woods on Fire", primarily because up-tempo, danceable numbers were preferable as A-sides for radio play and for the valuable jukebox trade. Nonetheless, "You Win Again" peaked at number ten on the Most Played in C&W Juke Boxes chart, where it remained for a single week. Over a time period of less than one year, the Dead played You Win Again 24 times in concert, the first on November 11, 1971 at the Municipal Auditorium in Austin, TX (this show in L.A. was only the third time it had been played) and the last on September 16, 1972 at The Music Hall in Boston.  A version of the song was released on the Europe '72 album (second album side), from their show on May 24, 1972 at The Strand Lyceum in London, one of the final shows on that tour. JGB recorded a version of the song in 1976 during the Reflections album sessions but not played live again.  It was briefly revived by The Dead with Dylan in 2003.  OUTRO:          Going Down The Road Feeling Bad                        Track No. 23                        3:45 – 5:12 "Going Down The Road Feeling Bad" (also known as the "Lonesome Road Blues") is a traditional American folk song, "a white blues of universal appeal and uncertain origin" The song was recorded by many artists through the years. The first known recording is from 1923 by Henry Whitter, an Appalachian singer,[2][3]as "Lonesome Road Blues". The earliest versions of the lyrics are from the perspective of an inmate in prison with the refrain, "I'm down in that jail on my knees" and a reference to eating "corn bread and beans."[4] The song has been recorded by many artists such as Woody Guthrie, Bob Dylan, Skeeter Davis, Elizabeth Cotten, and the Grateful Dead, and the song is featured in To Bonnie from Delaney, "Mountain Jam", Born and Raised World Tour, The Grapes of Wrath, and Lucky Stars.Others who recorded it include Cliff Carlisle (also as "Down in the Jail on My Knees"), Woody Guthrie (also as "Blowin' Down This Road" or "I Ain't Gonna Be Treated This Way"), Bill Monroe, Earl Scruggs, Roy Hall, Elizabeth Cotten and the Grateful Dead, Delaney and Bonnie, Canned Heat and Dillard Chandler. Dead played it 302 times (No. 46 on the most played tunes list just behind a tie between Mama Tried and Terrapin and just ahead of Birdsong).  1st time on October 10, 1970 at Colden Auditorium, part of Queens College in Queens, NY.Last played on July 5, 1985 at the Riverport Amphitheater in Maryland Heights, MO. During the time period of this show it was almost always paired with Not Fade Away (as made famous at the end of the Grateful Dead album).  In later years, when Alex and I were regulars on tour, it would show up as a second set tune, usually, but not always after Drums/Space.  A very upbeat tune that the band obviously loved playing the crowd loved hearing. For our purposes, a great way to end the show and say goodbye and HAPPY THANKSGIVING.

"Sounds of '91: Jerry Garcia Band Live and Marijuana News Unveiled"Larry Mishkin  focuses on Jerry Garcia music and breaking stories related to marijuana. He introduces a Jerry Garcia Band performance from November 15, 1991, at Madison Square Garden and delves into the details of the songs performed, particularly highlighting "How Sweet It Is To Be Loved By You" and a cover of Bob Dylan's "Simple Twist of Fate." Amidst the music commentary, Larry also addresses significant marijuana-related news, emphasizing recent studies suggesting a potential connection between marijuana use and heart issues. He, however, points out limitations in the studies and emphasizes the need for a more comprehensive examination of the subject..Produced by PodConx  Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast   Jerry Garcia BandNovember 15, 1991MSGNY, NYJerry Garcia Band 1991-11-15 FOB Schoeps Brotman Metchick Anon Noel t-flac1648 : Joe Noel : Free Download, Borrow, and Streaming : Internet Archive  INTRO:               How Sweet It Is To Be Loved By You                           Track No. 2                           0:00 – 1:30 How Sweet It Is (To Be Loved by You)" is a song recorded by American soul singer Marvin Gaye from his fifth studio album of the same name (1965). It was written in 1964 by the Motown songwriting team of Holland–Dozier–Holland, and produced by Brian Holland and Lamont Dozier. The song title was inspired by one of the actor and comedian Jackie Gleason's signature phrases, "How Sweet It Is!"  Released on Nov. 4, 1964 with Forever on the B-side. Cash Box described it as "a medium-paced, rollicking chorus-backed ode about a fella who's on top of the world since he met up with Miss Right."[4]AllMusic critic Jason Ankeny described the song as a "radiant pop confection," noting that it was unusual for Gaye in being a "straightforward love song" that doesn't reflect Gaye's usual demons.[5] Ankeny commented on the soulfulness of the song, and particularly noted the piano riff. James Taylor released his version of "How Sweet It Is (To Be Loved by You)" as the lead single from his album Gorilla (1975).[11]Taylor's 1975 single has been the most successful remake of the song to date, hitting number one on the Easy Listening chart and number five on the US Billboard Hot 100 chart. Long a staple of the JGB's set lists, First played on September 18, 1975 a Sophie's in Palo AltoLast played on April 23, 1995 at the Warfield Theater in S.F.Total played 373 times, by far the JGB's most played tune (Midnight Moonlight is 2d at 344) Usually a show opener.   There are three Dead shows on Nov. 13 and six JGB shows.  Of those six, none are available on Archivd.org.  So I am dong a JGB show two days later on Nov. 15, 1991 from MSG.  The standard JGB lineup for that time: Jerry Garcia; guitar, vocals- John Kahn; bass- Melvin Seals; keyboards- David Kemper; drums- Jaclyn LaBranch; backing vocals- Gloria Jones; backing vocals Great musicians, great vocals, its 1991, but Jerry is rocking. A fun night with Blues Traveler as the opening act. This show was released as Garcia Live Vol. 16 SHOW #1:                        Simple Twist of Fate                                         Track No. 5                                         3:00 – 4:40               In 1975, Bob Dylan released his album Blood on the Tracks, which included the song “Simple Twist of Fate.” The song is a haunting ballad about a failed relationship, and many fans have speculated about who Dylan wrote it about. While Dylan has never confirmed the identity of the song's subject, many believe that he wrote it about his former girlfriend, Joan Baez. Bob Dylan's message is one of hope and change. He speaks of a world that is better than the one we currently live in and urges people to work together to make it a reality. He also advocates for peace and love, and has said that these are the only things that can truly change the world. Always a big fan of Dylan, Garcia played this song 217 times, the first on July 4, 1976 at the Great American Music Hall in S.F. and the last on April 23, 1995 at the Warfield in S.F.  If you are wondering why that April 23, 1995 dates keeps popping up, that was the last JGB show. SHOW #2:                        Lay Down Sally                                         Track No. 6                                         1:40 – 3:15 "Lay Down Sally" is a song performed by Eric Clapton, and written by Clapton, Marcy Levy, and George Terry. It appeared on his November 1977 album Slowhand, and reached No. 3 on the BillboardHot 100 chart.  It was released as a single with Cocaine on the B-side, quite the heavy hitting release.  It was the song of the summer of 1978 and always one of Slow Hand's favorite songs. "Lay Down Sally" is a country blues song performed in the style of J. J. Cale. Clapton explained, "It's as close as I can get, being English, but the band being a Tulsa band, they play like that naturally. You couldn't get them to do an English rock sound, no way. Their idea of a driving beat isn't being loud or anything. It's subtle."Billboard magazine described Clapton's vocal as "low key but earthy" and also praised Marcy Levy's backing vocals.[5]Cash Box praised Clapton's "guitar finesse."JGB covered the tune 54 timesFirst: November 20, 1990 Warfield, SFLast: March 4, 1995 Warfield, SF Gets a great crowd reaction and Jerry loves jamming on Clapton tunes. Link to picture of Garcia and Clapton from back in the day:  Jerry Garcia & Eric Clapton Pose | Grateful Dead Clapton interviewed on the Dead in 1968:Have you heard the Grateful Dead record?A:  “Yeah, it's great.” Peter Townshend said he saw the Dead at the Pop Festival, and called them “one of the original ropeys.” A:   “Ropey! That means a drag. I don't think the quality of their music is as high as a lot of other good recording bands. People are more concerned with live music, maybe, than with recording. I'm not sure of that. I'm guessing. If the Grateful Dead are one of the best, they're not doing a very good job on record.”What do you think of the guitar playing? Jerry Garcia's synthesis of blues, jazz and country and western, with a little jug band thrown in?A:   “It's very good, and very tight, but it's not really my bag.” SHOW #3:       Deal                        Track No. 9                        2:46 – 4:15 Finally, a Garcia tune!  And one of his best.One of the Grateful Dead's live staples, and many gambling songs is the Robert Hunter and Jerry Garcia collaboration, “Deal”. First performed on February 19th, 1971, the song was in regular rotation until the end, both for the Dead and the Jerry Garcia Band.“Deal” saw studio release as the opening track to Jerry Garcia's 1972 debut solo album, Garcia, which also contained several other classic Grateful Dead live songs including “Sugaree”, “Bird Song”, “Loser”, and “The Wheel”. It's also worth noting that the classic folk song, “Don't Let Your Deal Go Down”, first recorded in 1925 by Charlie Poole and the North Carolina Ramblers contains many similarities to the Grateful Dead song. Hunter was known to pull references from a wide variety of sources in his songwriting, and it is highly likely he was familiar with the tune. JGB played it 291 times in concert.  First on March 4, 1978 at the Keystone in Palo Alto, CALast time on April 23, 1995 at the Warfield Grateful Dead played it 422 timesFirst on Feb. 19, 1971 at the Capitol Theater in Port Chester, NYLast on June 18, 1995 at Giant's Stadium in East Rutherford, NJ.Longest absence from the rotation was 29 shows from Oct. 2, 1988 at Shoreline in lovely Mountain View, CA and then not again until April 11, 1989 at the Rosemont Horizon in Rosemont, IL You had to be trying really hard, or just be really unlucky to never catch this tune during those days.  I still say it is the best Garcia tune, great music, great tempo, Jerry loved to jam on this tune and his voice really made the song.  Almost always a first set closer.  SHOW #4:               Ain't No Bread In The Breadbox                                Track No. 14                                1:22 – 3:02 Written by Phillip Jackson (September 28, 1951[1] – October 30, 2009),[2] best known as Norton Buffalo, was an American singer-songwriter, countryand blues harmonica player, record producer, bandleader and recording artist who was a versatile proponent of the harmonica, including chromatic[3] and diatonic. In early 1976 Buffalo joined the "farewell" European tour of Commander Cody and His Lost Planet Airmen, and was recorded on the band's final live album We've Got a Live One Here!,[5] which included Buffalo's song "Eighteen Wheels." After the tour, Buffalo returned to California, briefly played with a number of local bands, and later in 1976 he joined the Steve Miller Band's Fly Like an Eagle Tour. He also played harmonica on the band's hit follow-up album Book of Dreams, released in May 1977. Buffalo appeared on the tracks "Winter Time" and "The Stake." By the late 1970s Buffalo had formed his own band, The Stampede, and recorded two Capitol Records albums: Lovin' in the Valley of the Moon and Desert Horizon. In 1977 his harmonica work appeared on Bonnie Raitt's Sweet Forgiveness and The Doobie Brothers' Livin' on the Fault Line albums. He was a member of the Mickey Hart band High Noon in the late 70s and early 80s with Merl Saunders, Mike Hinton, Jim McPhearson, Vicki Randle, and Bobby Vega, and played with Saunders on the Rainforest Band album It's in the Air in 1993. Ain't No Bread In The Breadbox was performed 65 times by the Jerry Garcia Band.First time on Nov. 6, 1991at the Cap Center in Landover, MD (just 9 days earlier but this was already the band's 7th performance of the tune.  Jerry really liked it. The song was played by Phil Lesh with Norton Buffalo, Boz Scaggs and others in 2004. The song was also played by Billy & The Kids in 2021.                        OUTRO:                  What A Wonderful World                                Track No. 19                                1:55 – 3:37 "What a Wonderful World" is a song written by Bob Thiele (as "George Douglas") and George David Weiss. It was first recorded by Louis Armstrong and released in 1967 as a single. In April 1968, it topped the pop chart in the United Kingdom,[2] but performed poorly in the United States because Larry Newton, the president of ABC Records, disliked the song and refused to promote it.After it was heard in the film Good Morning, Vietnam, it was reissued as a single in 1988, and rose to number 32 on the Billboard Hot 100.[3] Armstrong's recording was inducted to the Grammy Hall of Fame in 1999.In Graham Nash's book Off the Record: Songwriters on Songwriting, George Weiss says he wrote the song specifically for Louis Armstrong, as he was inspired by Armstrong's ability to bring together people of different races. JGB played the song 12 times in concertFirst was on Nov. 6. 1991 at the Cap Centre in Maryland (again, just 9 days before this show, this was the band's 4th performance of the tuneLast Oct. 31, 1992 at Oakland Alameda County Colisium.Just in the rotation for one year.But who can't love Jerry channeling his inner Louis Armstrong and harmonizing the Jackie and Gloria.  A great way to end a show and send everyone home with a smile and warm fuzzy feeling.A perfect night with Jerry.  Mishkin Law, LLC500 Skokie Blvd.Suite 325Northbrook, IL  60062Cell: (847) 812-1298Office Direct: (847) 504-1480lmishkin@mishkin.law

Lost In Translation Alternate Soundtrack And Present: Lost Without Japan Season 2 Ep 25 Lost In Translation Alternate Playlist Itunes Link: https://music.apple.com/jp/playlist/lost-without-japan/pl.u-38oWN05FPMA1PLx?l=en  Lost In Translation Alternate Playlist 夜明けの歌 by eastern youth: https://youtu.be/bESYzLhu7TY  Brass in Pocket by The Pretenders: https://youtu.be/0H6re3PCP3E  Matsuri by Susquatch: https://youtu.be/mn4-FHhvt0g  Dramatic by MASS OF THE FERMENTING DREGS:  https://youtu.be/6w2sWIvPJmc  Kokudouslope by Kinoko Teikoku: https://youtu.be/E-UISaL2zgo  Sometimes by My Bloody Valentine: https://youtu.be/1c8Selr9Aec  Konnahi Ni Kagitte by Kaneko Ayano: https://youtu.be/3jT1cS-EWLU  (What's So Funny 'Bout) Peace, Love And Understanding by Elvis Costello & The Attractions:  https://youtu.be/Ssd3U_zicAI  LAST DINOSAUR by the pillows:  https://youtu.be/R9i1f_vt43c  Pokka Pokka by Fishmans: https://youtu.be/q4V72ZJEWII  GOLD TRAIN by Regal Lily: https://youtu.be/_6Pd1zIn2TY  Your World is Eternally Complete (2021 Remaster) by Sweet Trip:  https://youtu.be/3juYFOgjblM  New Romance by Beach House: https://youtu.be/80mz7OhyBUo  Easy On Your Own? By Alvvays: https://youtu.be/tWfG7F-TAWY  Skabetty by MASS OF THE FERMENTING DREGS:  https://youtu.be/gaDu-Y3ZUqs  Wanted to Want It Too by C Duncan: https://youtu.be/RDloTAmpfz4  Ivy (Live at the Capitol Theater, Olympia, WA) by Car Seat Headrest: https://youtu.be/U7tIR2NQfFQ  When the Sun Hits by Slowdive: https://youtu.be/MKYY0IlTMw4  Buy the show a Ko-Fi :) (:   https://ko-fi.com/lostwithoutjapan Please Consider Kindly Supporting Our Crowd Funded Show By Supporting Us Through Our Shows Patreon: https://patreon.com/lostwithoutjapanpodcast?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator Link to Google Doc that includes Google maps for all cities covered on Lost Without Japan, as well as the link to Amazon for travel purchase recommendations and other useful information for your travel to Japan can be found at: https://docs.google.com/document/d/1WEVbRmvn8jzxOZPDaypl3UAjxbs1OOSWSftFW1BYXpI/edit?usp=sharing  INSTA 360 X3 Show Link:  If you would like to help support the show and you're looking to purchase an Insta360 X3 please consider using our affiliate link. https://www.insta360.com/sal/x3?insrc=INRHVML  Japan Tokyo Osaka Hiroshima Fukuoka Kanagawa Podcast Travel Japanese Udon Shinto Shrine Temple Buddhism  Ramen hotel airbnb hostel Takayama Kanazawa Komaki Gifu Sapporo   

Capitol Theater & Kahl Building Cut the RibbonNew Floating Classroom for Living Lands & WatersSC US Senator Scott Campaigns in QC

A new ad campaign for the GNWT has begun running ahead of the feature film at Capitol Theater. You might recognize the guy in the bathrobe/leotard/hockey gear.

iTunes          Spotify          Youtube     Patreon        In the fall of 2000, while working for Akamai Technologies in Cambridge, Massachusetts, Derek was introduced to the practice of yoga by a few of his sales colleagues who were heading out to a Bikram studio near Boston University. “Eat a light lunch” was the only thing he knew about what awaited him that afternoon, and while that first experience didn't change him overnight, it became a door into a practice that has challenged and changed his perception of what the mind and the body can do and the impact yoga can make on lives. Derek is an experienced sales, marketing, and business development executive with over two decades working with world-leading brands in the media, technology, advertising and cannabis industries. He has led teams at global media & entertainment companies, consumer brands, technology startups, and non-profit organizations. Derek holds a BA from Hobart & William Smith Colleges and an MBA from the Olin School of Business at Babson College. He is a 500-hour certified yoga instructor who did his 200-hour training with Alison West and 300-hour training with Jason Crandell. He is the creator and host of the Guys Talking Yoga podcast.    Special Mentions:  Guys Talking Yoga Podcast, Larry's episode on Guys Talking Yoga, Relix Music Conference, The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic – Peter Shapiro, Brooklyn Bowl Nashville, Brooklyn Bowl Williamsburg, Brooklyn Bowl Philadelphia, Relix Magazine, The Capitol Theater, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

This episode takes you on a bone-chilling journey through the Capitol Theatre, a historic performing arts venue built in 1913. While the theatre has hosted numerous world-class performances, its dark past is filled with tragic events and eerie encounters. From the devastating fire that claimed the life of a young usher to reports of ghostly apparitions, the theatre is said to be one of the most haunted locations in America. Join us as we delve into the spooky incidents and scary stories that have become synonymous with this haunted landmark. With a fascination for ghosts and the paranormal, we'll explore the dimly lit corridors, narrow passageways, and creaky staircases, uncovering the chilling tales that have made the Capitol Theatre infamous.   Check out my audiobook: https://www.audible.com/pd/B075NLTKQQ/?source_code=AUDFPWS0223189MWU-BK-ACX0-096573&ref=acx_bty_BK_ACX0_096573_pd_us Have a story you would like me to narrate? Send them to stories@daredeverell.com  Buy me a coffee: https://ko-fi.com/jamesdeverell Become a Patron: patreon.com/talesofhighstrangeness Instagram: https://www.instagram.com/talesofhighstrangeness/ Facebook: https://www.facebook.com/talesofhighstrangeness/ Twitter: https://twitter.com/TOHStrangeness

The Goose Chicks Pod Crew recap their experience at Goose's historic 5 night run at The Capitol Theater and talk with Osiris CEO RJ Bee about the special Music & Conversation event held on the last day of the run. We are also joined by a surprise guest Becky Chinman who shared her experience debuting RIVKA RUTH X SPACE PANTHER at Garcia's during The Cap Run. Recorded LIVE on Wed March 22. Links: Goose Chicks Podcast Merch Drop: https://goosechickspod.com/merch/ Follow RJ Bee: IG: https://www.instagram.com/rjbee2 Twitter: https://twitter.com/RJBee_2 The Drop Podcast: https://www.osirispod.com/podcasts/the-drop/ Osiris Media: https://www.osirispod.com/ Music & Conversation with Rick, Peter and Jeff of Goose: https://www.osirispod.com/podcasts/the-drop/the-drop-a-conversation-and-music-w-rick-peter-and-jeff-of-goose/ RIvka Ruth X Space Panther Live from Garcia's @ The Capitol Theater: https://soundcloud.com/rebecca_ruth/rivka-ruth-x-space-panther-live-from-garcias-the-capitol-theatre-1 Hosted on Acast. See acast.com/privacy for more information.

iTunes          Spotify          Youtube     Patreon        Brad Tucker has served as Senior Project Manager for Dayglo Presents since 2014. Tucker joined the organization in 2010 as Intern to CEO & Founder Peter Shapiro at Relix Magazine, and was quickly promoted to Shapiro's Executive Assistant. Today, Tucker's responsibilities extend to all Dayglo properties including Brooklyn Bowl (New York, Las Vegas, Nashville and Philadelphia), The Capitol Theatre, Garcia's, Lockn' Music Festival and Lockn' Farm, FANS.live, Rock And Roll Playhouse and Relix Magazine. He currently oversees the merchandising for Dayglo venues and entities from inception to manufacturing to sale. Tucker is the Creator/Producer of the Relix Music Conference and was an Associate Producer on Fare Thee Well and Bobby & Phil Duo Tour, as well as a Producer of Jazz & Colors. He started a music industry interview section for Relix Magazine titled “Behind The Scene,” and Produces theLimited Edition “Relix Vinyl Series” from intimate live in-studio artist sessions. Brad graduated from Ithaca College in 2010 with a BS in Organizational Behavior Management & Social Psychology. He is a Young Patron member of City Josh Baron is a ticketing industry expert, consultant and VP of business development for Project Admission where he works with content owners to facilitate a more connected and integrated ticketing experience for fans and rights holders working across professional sports and live entertainment. Previously, Baron helped lead business development at Songkick in working closely with artists and management teams on direct-to-fan ticketing. Baron is also the co-author of Ticket Masters: The Rise of the Concert Industry and How the Public Got Scalped which is widely regarded as the definitive source on the history of the live entertainment business in North America. For more than a decade, Baron served as editor of Relix Magazine.  Special Mentions: Relix Music Conference, The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic – Peter Shapiro, Brooklyn Bowl Nashville, Brooklyn Bowl Williamsburg, Brooklyn Bowl Philadelphia, Relix Magazine, The Capitol Theater, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

Tribute bands have grown in popularity over the last few years especially and The Tom Petty Project is a Tom Petty Tribute band based out of Fairfield County, Connecticut! They are playing a show at Park City Music Hall Saturday March 11th and Garcia's inside the Captitol Theater in Portchester April 7th! We chat with a couple of the members! Guitarist Phil Lo Presti who plays the part of Mike Campbell and Scott Persson who is the band's drummer! Scott plays the parts of Stan Lynch and Steve Ferrone! https://www.tpp203.com/

As Goose prepares for their 5-night run at The Capitol Theater and Spring Tour, the Chicks are joined by a special guest to the breakdown of how to prepare for a Goose show, the difference between festival shows vs regular tour, best practices while being on tour & more. Join us as we focus on safety and maximizing fun! We also spotlight fan artist Meghan Corman McNeill and her Pretty Girl Shades plus express our love to Earthling or Alien and highlight the Notes From America Podcast with Kai Wright. Links: Western Sun Foundation Cap Run Fundraiser: https://goosecommunity.com/the-gaggle/announcements/wsf-makes-public-debut-closes-out-nye-campaign-and-expresses-gratitude-copy Notes from American with Kai Wright: https://www.npr.org/podcasts/527667974/notes-from-america-with-kai-wright Earthling or Alien Lyrics: Lyrics: https://www.tedhonks.com/songs/earthling-or-alien/ Earthling or Alien FTP: https://goosetheband.bandcamp.com/track/earthling-or-alien Pretty Girl Shades: www.instagram.com/prettygirl_shades Rockstead: https://rocksteadband.com/ Hosted on Acast. See acast.com/privacy for more information.

Nick & Jay tell us about their journey to Chambersburg, PA to see Wynton Marsalis in our latest Tales From the Concert. A traditionalist, Mr. Marsalis and the Jazz at Lincoln Center Orchestra performed a night of Duke Ellington compositions at the historic Capitol Theater. Song: Wynton Marsalis and the Jazz at Lincoln Center Orchestra - “Portrait of Ella Fitzgerald” Greg reports on the Tweet storm that resulted when Steve Albini decided that he needed to vent his hatred of Steely Dan to the world. It responded and so are we. Songs: Michael Leonhart and the Abramavi 7 - “Seahorse and the Storyteller” Steely Dan - “Aja” Steely Dan - “Kid Charlemagne” Jay, through the power of YouTube, has a discovered a deep appreciation for J Dilla. His ability to find obscure samples and transform them into incredible songs is on full display this segment! Songs: Common - “The Light” Bobby Caldwell - “Open Your Eyes” Churikah Blue - “Dreamflower” Erykah Badu - “Didn't Cha Know?”

This week on the show, we're going to chat about Umphrey's McGee 25th Birthday Bash weekend!Kicking off January 19th at Brooklyn Bowl in Brooklyn, NY followed by two nights, January 20th & 21st at The Capitol Theatre in Port Chester, NYSupport DATC Media Company on Patreon: [https://www.patreon.com/DatcmediacompanyDATC Media Company: https://datcmediacompany.comDATC Media YouTube: https://www.youtube.com/channel/UCXM4rMP_2fWvjcVP4UH0G1QEmail: droppedamongthiscrowdpod@gmail.comShow Instagram page: https://www.instagram.com/droppedamongthiscrowdpodcast/Show Facebook Page: https://www.facebook.com/droppedamongthiscrowd/Twitter: https://twitter.com/amongthiscrowdBook a conversation on "Dropped among this Crowd":https://datcmediacompany.com/contact/ola/services/be-on-dropped-among-this-crowd-podcastUmphrey's McGee Tour Dates:https://www.umphreys.com/tour/The Umphreys "WOW" Show: https://the-umphreys-wow-show-with-rob-turner-jimmy-knowledge.simplecast.com/Contact the Umphreys "WOW" show:  umwowshow@gmail.comJimmy Knowledge: https://twitter.com/UMfactsWall of "WOW": https://datcmediacompany.com/wall-of-%22wow%22-wednesdays"Stew on This": https://stew-on-this.simplecast.com/Tales from Scamp with Joel Cummins & Sara J: https://tales-from-scamp-with-joel-cummins.simplecast.com/Episode 216: https://droppedamongthiscrowdpod.simplecast.com/episodes/umxxv-kicks-offMy Always Evolving 2023 Nugs.net Highlights Playlist: https://2nu.gs/3RVmxhfSetlists: Setlists / Umphreys Mcgee January 19, 2023, Brooklyn Bowl Brooklyn Ny Usahtml - All Things Umphrey'sSetlists / Umphreys Mcgee January 20 2023 Capitol Theatre Port Chester Ny Usahtml - All Things Umphrey'sSetlists / Umphreys Mcgee January 21 2023 The Capitol Theatre Port Chester Ny Usahtml - All Things Umphrey'sWhere you can listen to the shows: January 19th: UMPHREY'S MCGEE | Download Umphrey's McGee 1/19/23, Brooklyn Bowl, Brooklyn, NY MP3 and FLAC (umlive.net)1/19/23 Umphrey's McGee | RelistenUmphreys McGee Live at Brooklyn Bowl on 2023-01-19 : Free Download, Borrow, and Streaming : Internet ArchiveUmphrey's McGee Setlist at Brooklyn Bowl, Brooklyn, NY on 01-19-2023 (nugs.net)January 20th: UMPHREY'S MCGEE | Download Umphrey's McGee 1/20/23, The Capitol Theatre, Port Chester, NY MP3 and FLAC (umlive.net)1/20/23 Umphrey's McGee | RelistenUmphreys McGee Live at Capitol Theatre on 2023-01-20 : Free Download, Borrow, and Streaming : Internet ArchiveUmphrey's McGee Setlist at The Capitol Theatre, Port Chester, NY on 01-20-2023 (nugs.net)January 21st: UMPHREY'S MCGEE | Download Umphrey's McGee 1/21/23, The Capitol Theatre, Port Chester, NY MP3 and FLAC (umlive.net)1/21/23 Umphrey's McGee | RelistenUmphreys McGee Live at Capitol Theater, Port Chester, NY on 2023-01-21 : Free Download, Borrow, and Streaming : Internet ArchiveUmphrey's McGee Setlist at The Capitol Theatre, Port Chester, NY on 01-21-2023 (nugs.net)Episode 6: https://droppedamongthiscrowdpod.simplecast.com/episodes/episode-6

iTunes          Spotify          Youtube     Patreon        Lucas Sacks: Lucas Sacks is the Director of Booking for Brooklyn Bowl Williamsburg & Brooklyn Bowl Philadelphia.  Brooklyn Bowl Williamsburg is an 850 capacity 23,000 sq ft concert venue, bowling alley, restaurant, and bar hosting live music nightly since July 2009. Brooklyn Bowl has been ranked annually within Pollstar's top 10 global club-size venue ticket sales figures. Brooklyn Bowl Philadelphia is a 900 capacity multi-floor version of it's sister venue in Brooklyn, opening in November 2021 in Fishtown. Lucas has been a part of the Brooklyn Bowl Talent department since 2012, where he started as an intern and rose through the ranks. He books & oversees multi-departmental coordination of upwards of 700 concerts & music-related events per year including residencies, underplays, charity/fundraising events, original content creation & production across both cities' venues. Lucas also books the annual Brooklyn Bowl Family Reunion 3-day, 24-band Official SXSW showcase event. Prior to Brooklyn Bowl, Lucas served a brief stint at Velour Music Group as a day-to-day manager for acts Soulive, Lettuce, Gramatik, Break Science, & Kaki King. Lucas graduated Magna Cum Laude with a Bachelor of Science from the Bandier Program for Music & Allied Entertainment Industries at Syracuse University in 2012. Lucas resides in Greenpoint; just a few minutes from Brooklyn Bowl Williamsburg. Paul Bacher: 32-year old NYC based Talent Buyer for Brooklyn Bowl Williamsburg. Paul Bacher is a live events industry pro. Growing up in Connecticut, just a stone's throw away from the bustling nightlife of New York City. Paul's mother was a musical theater fanatic and got him involved in piano, drum lessons at an early age which eventually led him to play in jazz ensembles, rock bands, acapella groups and more. After spending countless hours around music and venues, Bacher naturally gravitated towards the live concert business. Tenacity in mind, Bacher started cold-calling concert venues and asking if they needed any help. After landing a position at The Cutting Room, where he booked five shows with legendary comedian Dave Chapelle, he went on to book hundreds of local and national acts at The Knitting Factory Brooklyn and City Winery. Bacher's musical background and years spent booking shows in the independent New York club scene has made him a passionate and proactive promoter.  Special Mentions: Pepsi, Where's My Jet?, The Music Never Stops: What Putting on 10,000 Shows Has Taught Me About Life, Liberty, and the Pursuit of Magic – Peter Shapiro, Brooklyn Bowl Williamsburg, Brooklyn Bowl Philadelphia, Relix Magazine, The Capitol Theater, Becky Pell - Yoga Journey: A Contemporary Guide to a Timeless Tradition, Claire Murphy -  Girl on the Road: How to Break into Touring from a Female Perspective, Roadie Free Radio Merch, RFR Podcast Bundle, Follow Your Drishti Yoga Podcast, roadiecare.com, musicares.org, Roswell Pro Audio Mini K87, Soundgirls.org

Episode 67 features the return of Tobi Vail to the pod! Last time she was on we spent most of the episode covering her musical / cultural biography, growing up punk rock in western Washington. This time around we focus primarily on her life today, making music at home and in residencies with groups like Girlsperm and Morgan and the Organ Donors when not touring the world with the newly reformed Bikini Kill. We hear her account of the fraught and sometimes alienating reality of touring in the Covid era and also how fun and exciting it is to be out there playing to the biggest crowds of her decades long career. Tobi also shares with us her enthusiasm for a current crop of artists and the joy she finds pursuing a lifelong course of learning and growing both as a musician and scholar of music history. It's a fun and inspiring conversation, and I'm happy to share it with you, dear listener. Music: Bikini Kill ‘Hamster Baby' Live at Capitol Theater, Olympia 11/09/22 Girlsperm ‘What Do I Do with My Guitar' TMpod theme by Jason SUPPORT THE POD THANK YOU: PATREON --- Support this podcast: https://anchor.fm/jason-traeger/support

Silent films were never silent! One or more musicians accompanied every frame with precise timing to match the tone of the scene and introduce the characters. Theater organists commanded an array of sounds and sound effects that brought the film to life. Of the 10,000 theater organs used in the 1920s, only a few remain in their original places. Among them is the newly restored Grand Barton organ in Madison, Wisconsin's Capitol Theater. Organist Jelani Eddington will run the organ through its paces for us and demonstrate scene and character building for some classic films.

Welcome to Roadcase!!  We dive into the talent booking world this week with Paul Bacher of Brooklyn Bowl.  Paul is currently the Talent Buyer at Brooklyn Bowl Philadelphia, and until recently, served in the same role at Brooklyn Bowl Williamsburg. An NYC-area native, Paul grew up in the world of performing arts, igniting his passion early in life for music and live performance of all kinds. Paul is a go-getter and networker extraordinaire, whose background reflects a dedication to his chosen field -- a decision he made quite early -- and backed it up with perseverance and a willingness to do whatever it took to learn and move forward. Cold calling venues and booking managers got Paul an early shot in his chosen field and he continues to shine today, booking major acts into one of the premier Indie venues in the industry.  Paul's positive attitude, infectious energy and sheer love of live music makes him a great guest and a terrific resource of knowledge for those looking to learn about talent booking and the live music industry. So tie up your bowling shoes and jump on the Roadcase bus for this fun interview with Brooklyn Bowl's Paul Bacher. It's gonna be a great ride!! For more about Brooklyn Bowls:https://www.brooklynbowl.com/For more information on Roadcase: https://linktr.ee/roadcasepod and https://www.roadcasepod.comContact: info@roadcasepod.comTheme music:  "Eugene (Instrumental)" by Waltzer

Capitol Theater in Yellowknife was the place to be this weekend, as the 16th annual Yellowknife International Film Festival took over the big screen!

Oscar-winning songwriter Bret McKenzie is best known as one half of the New Zealand comedy duo, Flight of the Conchords and as the songwriter for multiple Muppets films. His new album, which is also his solo debut, is a serious effort called "Songs Without Jokes." McKenzie joins us for a Listening Party. McKenzie has upcoming concerts at the Music Hall of Williamsburg on 10/19, Capitol Theater in Port Chester on 10/20, and at Webster Hall on 10/22. *This segment is guest-hosted by Kerry Nolan.

131 short films.  4 days.  Did we survive?   On this episode, we recap our crazy vacation to the Capitol Theater for the 10th Snake Alley Festival of Film July 21-24, 2022   What were our favorites of the fest?  Which movie do we think should get the full-length treatment? Was it her birth mom? All of these answers and more, so buckle up folks   Like and Subscribe    and visit thepfpn.com for countless hours of amazing podcasts  

Clay Foley who is from Southeast Iowa and opening the show talks about his opportunity to open for this Bob and Tom standout. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

In this episode we go in line at merch, we hit a deli, there's dogs and songs and goofy, good ass times. More ridiculousness and more pie! It's a PieCap?! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/jason-winegrad/support

Just prior to the opening night of Utah Opera's production of Utah Opera's October 2020 production, soprano Wendy Bryn Harmer joined the Ghost Light Podcast. Wendy Bryn was born in California, but grew up in Bountiful, Utah. Her career has taken her to New York and the Metropolitan Opera, and around the world to play roles as a dramatic soprano. She was slated to make her Utah Opera debut in fall 2020 playing the role of Senta in Richard Wagner's The Flying Dutchman. Due to circumstances of the pandemic, that production was cancelled and replaced by Francis Poulenc's The Human Voice, a monodrama based on the fictional story of Elle, and her sung conversation with an ex-lover who will soon be married to another woman. Harmer notes that learning and memorizing a new role was not what she planned for 2020, but was grateful for the opportunity to be on the Capitol Theater stage. The pandemic has hit the vocal musician community especially hard, especially here in the US where most professional singers have been sidelined for months. Ms Harmer finds that she is uniquely equipped to manage the isolation and expectations in an ever-changing world due to her recent battle with ovarian cancer. What topic would she like to be see be made into an opera? Has Wendy Bryn seen a ghost? Find out in the latest episode of the Ghost Light Podcast.