Podcasts about Wallace Roney

Grammy-nominated drummer, vocalist and producer Kassa Overall is bringing his approach full circle with a performance at The Dakota on Wednesday night. Some of Overall's earliest professional experiences were traveling with Geri Allen, Wallace Roney and others in very formal jazz bandstand settings. On Wednesday, Overall will bring all the enthusiasm and adventurousness that he's known for into a seated nightclub performance. Kassa Overall will also be premiering some new sounds that will be part of his next release and will be joined by the celebrated musician, and recent Twin Cities transplant, Melvin Gibbs.

Grammy-nominated drummer, vocalist and producer Kassa Overall is bringing his approach full circle with a performance at The Dakota on Wednesday night. Some of Overall's earliest professional experiences were traveling with Geri Allen, Wallace Roney and others in very formal jazz bandstand settings. On Wednesday, Overall will bring all the enthusiasm and adventurousness that he's known for into a seated nightclub performance. Kassa Overall will also be premiering some new sounds that will be part of his next release and will be joined by the celebrated musician, and recent Twin Cities transplant, Melvin Gibbs.

ORRIN EVANS “THE RED DOOR” Ambler, PA, March 11, 2020All the things you are (1)Wallace Roney (tp-1) Orrin Evans (p) Buster Williams (b) Gene Jackson (d) New York, December 12, 2022Red door (1,2), Big small (1,2), Smoke rings (1,2)Nicholas Payton (tp-1) Gary Thomas (ts-2,fl-3) Orrin Evans (p) Robert Hurst (b) Marvin “Smitty” Smith (d) HAL GAYLOR / WALTER NORRIS / BILLY BEAN “THE TRIO” New York, June 6 & 30, 1961Grooveyard, The end of a love affair, Che-Low (1), For heaven's sakeWalter Norris (p) Billy Bean (g) Hal Gaylor (b,cello-1) TINA BROOKS “MINOR MOVE” Hackensack, NJ, March 16, 1958Nutville, The way you look tonightLee Morgan (tp) Tina Brooks (ts) Sonny Clark (p) Doug Watkins (b) Art Blakey (d) Continue reading Puro Jazz 18 de febrero, 2025 at PuroJazz.

ORRIN EVANS “THE RED DOOR” Ambler, PA, March 11, 2020All the things you are (1)Wallace Roney (tp-1) Orrin Evans (p) Buster Williams (b) Gene Jackson (d) New York, December 12, 2022Red door (1,2), Big small (1,2), Smoke rings (1,2)Nicholas Payton (tp-1) Gary Thomas (ts-2,fl-3) Orrin Evans (p) Robert Hurst (b) Marvin “Smitty” Smith (d) HAL GAYLOR / WALTER NORRIS / BILLY BEAN “THE TRIO” New York, June 6 & 30, 1961Grooveyard, The end of a love affair, Che-Low (1), For heaven's sakeWalter Norris (p) Billy Bean (g) Hal Gaylor (b,cello-1) TINA BROOKS “MINOR MOVE” Hackensack, NJ, March 16, 1958Nutville, The way you look tonightLee Morgan (tp) Tina Brooks (ts) Sonny Clark (p) Doug Watkins (b) Art Blakey (d) Continue reading Puro Jazz 18 de febrero, 2025 at PuroJazz.

Marc Jordan – Both Sides Now – 7:19 Jimmy Cobb, Javon Jackson, Roy Hargrove – Eleanor – 6:06 Miles Davis – Cobra – 5:16 Wallace Roney – Why Should There Be Stars – 5:28 Freddie Hubbard – God Bless the Child – 12:53 Alphonso Johnson – Earthtales Suite – 8:50 Poogie Bell Band – Change […]

Nile Rodgers – State Of Mine (It's About Time) – 4:42 d'Z – Clean Slate (feat. Adriana Romijn) – 5:31 Ellis Marsalis – A Moment Alone – 4:49 Wallace Roney – Why Should There Be Stars – 5:28 Bill Withers – Memories Are That Way – 5:06 Bucky Pizzarelli – Wave – 4:03 Ronny Jordan […]

International Recorded artist, composer, educator, and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Jennifer Holiday, Harold Mabern, Steve Davis, J.D. Allen, The Brooklyn Philharmonic and many more. In addition to his first-call status as a sideman, Barber has recently stepped forth as a composer and leader with his Vision Ahead band. Even with Barber's history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that's been making waves on the modern jazz scene. Barber's blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber's broad stylistic range as a drummer, performer, and composer. Jonathan Barber & Vision Ahead was featured and headlined the 2018 Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, 2019 Hartford Jazz Festival, and the 2020 Clifford Brown Jazz Festival. During Spring 2020, Jonathan Barber & Vision Ahead completed their first national tour performing throughout the West-Coast. Being an independent artist Jonathan Barber just released his third album with Vision Ahead entitled “Live at Jazz Standard” which is exclusively on Bandcamp. Also stepping into the role as a Drum Clinician, Barber toured as a solo clinician in Latin America (Mexico, Guatemala, Ecuador, Colombia, Argentina) and China (Kumming, Loyung, Hefei, Nanjing, Beijing). Barber endorses Ludwig Drums, Istanbul Agop Cymbals, Evans Drumheads, Promark Drumsticks, and Sunhouse Percussion. In this episode, Jonathan shares his background, education, and musical journey.

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While traveling on the East Coast, I stopped by the Jersey City apartment/studio of jazz drummer and composer Nic Cacioppo, to discuss his jazz journey. In this interview, he talks about the influence of his parents, both classically trained musicians. Nic has been blessed to play with jazz greats like Slide Hampton, Gene Perla, Wallace Roney, David Murray, and Tyshawn Sorey. I ask him about his relationship with tenor saxophonist JD Allen, with whom he's played and recorded for several years, and what it's like being a member of JD's band. Nic describes his approach to playing the drums and the fire he brings to his live performances. Lastly, he talks about the influence of the legendary jazz drummer Papa Jo Jones, and what his playing style has meant to him.

Stevie Wonder – Someday At Christmas – 2:48 Fay Claassen; Cor Bakker – Christmas Time Is Here – 3:45 Dianne Reeves – Jingle Bells – 2:10 Gregory Porter – Heart For Christmas – 4:20 Wallace Roney – Why Should There Be Stars – 5:28 Maria De Angelis – Snowy New Years Eve – 2:55 Echoes […]

Mike Marlier has performed and recorded with countless artists and musicians, including Dave Grusin, Nelson Rangell, Benny Golson, Bobby Shew, Rob Mullins, the Neophonic Jazz Orchestra, Lee Ritenour, and Stanley Jordan. He is the staff drummer at the annual Conference on World Affairs at CU and Mile Hi Church in Lakewood. Marlier was the featured drummer at the Buddy Rich Memorial Concert presented by the Gift of Jazz in 2009 and presented a clinic and masterclass at a Gospel Chops seminar in Taipei, Taiwan, in 2014.  Eric Gunnison has worked extensively with trumpeter Ron Miles, with whom he has toured and recorded since 1997, including appearing as a clinician and pianist with Miles's quartet at the 1st Annual Thailand Jazz Conference and the Bangkok Jazz Festival in 2009. Gunnison has also been the pianist and a composer/arranger for the cooperative band Convergence, one of Denver's leading jazz ensembles, since 1991. In addition to releasing several recordings, Convergence hosts a monthly series of appearances with special guest jazz artists at Denver's premier jazz club Dazzle that, since February 2010, has featured Roberta Gambarini, Rene Marie, Randy Brecker, Jim McNeely, Chris Potter, Christian McBride, Wallace Roney, and Bobby Watson among others. The Eric Gunnison & Mike Marlier tribute to Chick Corea will take place on Wednesday, January 3. Showtime is 6:30 PM, with doors opening at 5:30 p.m. Tickets and more info: https://www.dazzledenver.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/backstagejazz/message

Wallace Roney – Don’t Stop Me Now – 7:05 Marcus Miller; Ben Hong – I Still Believe I Hear – 7:06 Steve Gadd Band; Walt Fowler; Larry Goldings; Jimmy Johnson; Michael Landau – Africa – 8:08 Branford Marsalis – The Ruby And The Pearl – 8:53 Esbjörn Svensson Trio – Tide of Trepidation – Live […]

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Bienvenidos amantes de la música, Hoy nuestro recorrido visita al trompetista Wallace Roney, el único alumno directo de Miles Davis entre 1985-1991. Lamentablemente este verdadero heredero musical de Miles Davis, nos dejó en Marzo de 2020, por complicaciones con el Covid-19. Les invitamos a escuchar una selección que incluyen 2 temas de un álbum tributo a Miles Davis (con una banda de lujo) y un cover de la banda Toto. Los temas son: 1. Pinocchio 2. Elegy 3. Don't Stop Me Now *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Nasheet Waits, drummer and music educator, is a New York native. His interest in playing the drums was encouraged by his father, legendary percussionist, Frederick Waits, who played with such legendary artists as Ella Fitzgerald, Stevie Wonder, Marvin Gaye, Sonny Rollins, Lee Morgan, Max Roach, Cecil Taylor, McCoy Tyner, and countless others. While attending Long Island University, Nasheet studied privately with renowned percussionist Michael Carvin. Carvin's tutelage provided a vast foundation upon which Waits added influences from his father, as well as mentor Max Roach and percussionist Fred King. It was Max that first gave Nasheet's formidable talent international spotlight, hiring him as a member of the famed percussion ensemble M'BOOM. One highlight of Nasheet's tenure with M'BOOM was the live concert performance of M'BOOM with special guests Tony Williams and Ginger Baker.  Nasheet's recording and performing discography is a veritable who's who in Jazz. Waits has boasted stints with jazz notables Antonio Hart, Jackie McLean, Wadada Leo Smith, Dave Douglas, Mark Turner, Bunky Green, Kurt Rosenwinkel, Eddie Gomez, Steve Coleman, The New Jersey Symphony Orchestra, Greg Osby, Wallace Roney, Jacky Terrason, and The Mingus Big Band. Waits has recorded and toured extensively in Africa, Europe, Japan, Canada, South America and the United States. In this episode, Nasheet talks about: Learning from Christian McBride's "played with everybody" experience, and high level consistency as a performer The early influence of his father, musically and culturally How friends and colleague of his father like like Michael Carvin and Max Roach stepped in to mentor him after his father died Lessons from Carvin His experience attending an HBCU in Atlanta

Maggie speaks with Miles Davis's nephew, musician and bandleader Vince Wilburn Jr about That You Not Dare To Forget by M.E.B. (formerly Miles Electric Band) led by Vince Wilburn, Jr. collects a progressive all-star ensemble featuring Miles Davis alumni and the players Miles inspired. This brand new, never-released studio recording captures a multi-generational who's who of acclaimed artists performing new Miles-inspired compositions. Two tracks of the five on the album include unreleased trumpet performances by Miles and the album, produced by Mi les' alumni Lenny White and Wilburn, features music legends including Ron Carter, Marcus Miller, Stanley Clarke, Donald Harrison, Darryl Jones, Vernon Reid and John Scofield. This album is dedicated to the memory of Wallace Roney and Bernard Wright and contains some of their final recordings. The cover is an original painting from artist and Miles' associate Mikel Elam.Source: https://www.milesdavis.com/albums/that-you-not-dare-to-forget/Source: https://www.legacyrecordings.com/2023/04/18/m-e-b-on-making-that-you-not-dare-to-forget-jazziz/Source: https://recordstoreday.com/SpecialRelease/15742Host Maggie LePique, a radio veteran since the 1980's at NPR in Kansas City Mo. She began her radio career in Los Angeles in the early 1990's and has worked for Pacifica station KPFK Radio in Los Angeles since 1994.Support the show

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Michael Lington; Chuck Loeb – Two of a Kind (feat. Chuck Loeb) – 3:56 Roy Hargrove – September In the Rain – 7:33 Wallace Roney – Don’t Stop Me Now – 7:05 Christian McBride Trio – Ham Hocks and Cabbage – 8:24 Joshua Redman Quartet – Chill – 7:43 Dee & d’Z – Flow – […]

1. Connie Han: The Gallu Pursuit2. Live at the Detroit Jazz Fest feat. Leo Genovese) {Live}: Midnight in Carlotta's Hair3. John Coltrane: A love Supreme4. Yellowjackets: Parallel motion5. Kneebody: Spectra (Live)BUMP6. Danilo Perez: La Muralla (Glass Wall's) Suite7. Kenny Garrett: Soldiers of the field/ Soldiers des Champs8. Herbie Hancock, Wallace Roney, Jimmy Heathy Buster Williams & Albert "Tootie" Heath: Gingerbread Boy Live9. Thandi Ntuli: Secret KeeperSupport this podcast at — https://redcircle.com/the-jazz-suite/donations

Wallace Roney – Don’t Stop Me Now – 7:05 Marcus Miller; Ben Hong – I Still Believe I Hear – 7:06 Steve Gadd Band; Walt Fowler; Larry Goldings; Jimmy Johnson; Michael Landau – Africa – 8:08 Branford Marsalis – The Ruby And The Pearl – 8:53 Esbjörn Svensson Trio – Tide of Trepidation – Live […]

Ben Solomon is an incredible saxophonist who I first heard through the music of the late Wallace Roney. I was immediately struck by his sound, the energy and his love for the music. In fact, that was the only note I wrote down prior to this interview: Love. You can often tell when people are … Continue reading Ben Solomon

En este último episodio consagrado a la trompeta escuchamos a Roy Hargrove, Wallace Roney y Kenny Wheeler en jazz melódico, a los infaltables íconos del free Lester Bowie y Don Cherry y luego nos vamos al mundo: Claudio Roditi de Brasil, Enrico Rava y Paolo Fresù de Italia, con broche final de las jóvenes catalanas Andrea Motis y Alba Armengou. Y en el próximo episodio...el esperado saxo tenor!!

Hailed by the New York Times as “a tenor saxophonist with an enigmatic, elegant and harddriving style,” JD Allen is a bright light on today's international jazz scene. His unique and compelling voice on the instrument – the result of a patient and painstaking confrontation with the fundamentals of the art – has earned Allen years of critical attention signaling his ascension to the upper ranks of the contemporary jazz world. Originally from Detroit, Allen's apprenticeship, anchored by his lengthy tenure with Betty Carter, occurred largely in New York, where he worked with legends Lester Bowie, George Cables, Ron Carter, Louis Hayes, Frank Foster Big Band, Winard Harper, Dave Douglas, Cindy Blackman, Butch Morris, David Murray, Wallace Roney, Rufus Reid and Geri Allen.

En el mes de marzo de 2020, nos dejaba el trompetista Wallace Roney, víctima de la primera oleada de la pandemia del Covid, que por aquellos entonces arrasaba el mundo dejando a su paso, muerte y sufrimiento. Una dolorosa pérdida en las cada vez más menguadas legiones de los grandes artistas del jazz moderno. Un colosal artista que tuvo que sufrir los ataques de parte de la crítica musical que le acusaba de ser un mero imitador o clon de Miles Davis. Pero allá donde esta crítica injusta y miope creyó descubrir el talón de Aquiles de este notable trompetista, residía probablemente su gran virtud, la de haber sido capaz de comprender y reinterpretar el universo musical davisiano, asumiendo el legado del que fue su amigo y maestro, difundiéndolo y enriqueciéndolo con sus aportaciones, con su propio y original estilo. Radio Jazznoend reivindica todo este bagaje artístico y os invita a disfrutar de algunos de los momentos mas brillantes de la discografía de Roney como líder y como sideman a lo largo de sus más de 40 años de carrera musical.

What a pleasure it was to talk to composer/arranger/pianist/accordionist Gil Goldstein! I've been in awe of his work with Michael Brecker, Milton Nascimento, Jim Hall, Wallace Roney and of course his own music (check out his album “Under Rouseau's Moon”). Furthermore, his book “Jazz Composer's Companion” was a great help to me, especially because of … Continue reading Gil Goldstein

Eric Wyatt is a saxophonist who plays tenor, alto, and soprano sax. Born in Brooklyn, New York, Eric was taught music by his dad, Charles Jolly Wyatt, who played in the army band in Germany. His dad moved to Harlem in the early 50's just in time to play with many of the world's greatest players. Eric can recall stories of his dad taking him to concerts where he would sometimes drive the band members in the family station wagon. Eric at 11 years old drove with his father in 1972 to Storrs, CT with bassist Larry Ridley and pianist Albert Dailey. The band leader was Eric's godfather Sonny Rollins. Jim Hall was on the gig as well. This inspired Eric at a young age to hear his first live concert. Some of his dad's friends were Charlie Parker, Thelonious Monk, Dexter Gordon, Gary Bartz, Big Nick Nicholas, Gilley Coggins, Wilber Ware, and Dizzy Gillespie. Eric went with his dad to see Miles Davis at the Bottom Line club and went backstage after the gig. Eric began on alto and studied at Kingsborough Community College. He also went to Lehman college where he studied with pianist Stanley Cowell. He had some opportunities early in his career to write and license an original song to channel 5 in NY for a tv news show called Black News with host Bill McCreary in 1985. He went on to switch to tenor after his dad passed in July 1989. He met and studied with a Brooklyn legend named Arthur Rhames who inspired him. The lessons he learned from Arthur helped to put Eric on the right track. Eric started playing in Europe as a leader in Sept 1996 performing in Paris, France at the La Villa Jazz Club. Dany Michel brought him there 2 times and Eric made connections in Europe and took his quintet to the Half Note Jazz Club in 1998 and 1999. He has played as a leader in Moscow, Russia, as well as in Slovakia, Prague, Shanghai, Hong Kong, Athens in Greece, Australia, Malaysia, Thailand, and Singapore. He has 5 recordings as a leader and has played as a sideman on CDs with Kenny Garrett, Jeff Tain Watts, Bob Crenshaw, Al Foster, Rufus Reid, Warren Wolf, Wallace Roney, and Steve Jordan. His Cds currently out today are Borough Of Kings, Positone, Look to the Sky, and The Golden Rule 4 Sonny, and A Song of Hope. In this episode, Eric shares his background, education, and musical journey. If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcast, Google Podcast, ect. Connect with us on all social media platforms and at www.improvexchange.com

Introduction to Jazz Vocalese George V. Johnson Jr. Discover the creative process in his music Hear about the musicians who have inspired him in his career. Learn about his performance at different venues Discuss how the Internet has impacted the music business Named “Washington City Paper Best Vocals 2016”,  George is a unique and rare gem. With a career that spans over 45 years, George was a student of the great Eddie Jefferson and has performed with many jazz legends including John Malachi, James Moody, Lou Donaldson, Dizzy Gillespie, Roy Brooks, Marcus Belgrave, Benny Golson, Jimmy Heath, Wallace Roney, Randy Brecker, Eric Alexander and more.  He made his Debut recording in 1981 with Pharoah Sanders on the CD “Rejoice” original lyrics to John Coltrane's classic “Moments Notice,” Don't sleep! Imagine listening to a seasoned jazz musician rip into a bebop solo so sizzling and smooth it makes your senses tingle...

ABOUT... Lesley Mitchell-Clarke and LIGHTWORK HYPNOSIS Lesley Mitchell-Clarke is a consulting hypnotist, graduate of The Ontario Hypnosis Centre, member of The National Guild of Hypnotists with a special certification in Past Life Regression. Lesley and her hypnosis clinic, LIGHTWORK HYPNOSIS are also focused on the use of hypnosis for the positive improvement of all issues pertaining to artists of all disciplines (actors, dancers, visual artists, writers, musicians, vocalists, etc.) and the unique demands that they deal with in their daily lives and careers. Lesley Mitchell-Clarke is uniquely qualified to work with artists, as there is hardly an area of show business in which she has not worked. For some time, she has been a familiar name in the realm of media relations, promotion and production of musical and theatrical events, as well as arts journalism. For the past eighteen years she has been based in New York City and Toronto, specializing in jazz specific music publicity. In addition to her work as a media consultant, she has also worked in virtually all phases of the entertainment business, beginning as a ten year old principal actress with the Los Angeles area “Sherman Oaks Children's Repertory Theatre” – along with classmate, Melanie Griffith. Born into a show business family, Lesley's late father, Whitey Mitchell, was a veteran jazz bassist and Emmy Award winning comedy writer and producer, and her Uncle was the late jazz bass legend, Red Mitchell. In the scope of her own career, she has worked as a busy singer/dancer, and traveled with a number of name acts, including Mitzi Gaynor, Tommy Sands, Fabian and Robert Goulet, and has appeared in numerous television shows, features and TV Movies, including “Queer as Folk”, “The Jeffersons”, “Happy Days”, “Laverne and Shirley” and “Divorce Court.” After touring the Orient extensively with her own musical group, “Main Squeeze”, Lesley owned and operated a recording studio in Los Angeles where many jazz projects and much of the vocal work for Hanna-Barbara Cartoons was recorded. Lesley has also worked in production on NBC's “The Tonight Show with Johnny Carson”, “The Hollywood Squares” and “The Midnight Special” as well as numerous productions for Merv Griffin, Dick Clark, Bob Hope, Mark Goodson and Chuck Barris. Throughout her career as a publicist, Lesley Mitchell-Clarke has also been busy as an arts and music writer, contributing to publications such as L.A. Jazz Scene, Hot House – Florida and New York, The Manhattan Mirror, The Whole Note, TheLiveMusicReport, CODA and Jazz Canadiana.com, as well as penning a number of CD liner notes, including a set for Freddy Cole's recording, To the Ends of the Earth (Fantasy Records). Lesley was an associate, and later an account executive with the highly regarded New York City public relations firm, Third Floor Media (founded by Helene Greece). During her tenure there (as well as independently) she handled a variety of accounts for many major recording labels including projects for Concord Records, Atlantic, Sharp-Nine, GRP, Koch, Brownstone, DRG, RCA Victor/BMG, Nonesuch Records, Telarc, Columbia, and most of Warner Bros. jazz, covering both international CD promotions, tours and “live” performances. A few of the major jazz artists with whom she has worked directly include Marian McPartland, Joshua Redman (for whom she was involved in a landmark endorsement hook-up between fashion giant DKNY and Redman), Marian McPartland, Barbara Carroll, Janis Siegel (of The Manhattan Transfer), Blossom Dearie, Fred Hersch, Larry Goldings, Brad Mehldau, Wallace Roney, Jeanie Bryson, Terence Blanchard, Kevin Mahogany, Cyrus Chestnut, Ray Anderson and Helen Merrill. While at Third Floor Media, she was also the on-going publicist for the world famous jazz venue, “The Village Vanguard”, and helped orchestrate the memorable media event celebrating the historic club's 60th anniversary. Other major projects included acting for several years as the New York press representative for The Montreal Jazz Festival, The Beacon Theatre/New Audiences Concert Series, The Playboy Jazz Festival, national publicity for the “Harmon Learn to Listen Program, featuring Wynton Marsalis”, and numerous events in conjunction with John Schreiber's Office (JVC/Festival) and the “The Jazz Times Convention”. After her successful stint with Third Floor Media, Lesley began her own New York based media consultancy, and for the past ten years has developed a reputation as one of the most effective music-specialized publicists working today. Some of the artists whom she has represented include the late Susannah McCorkle, Jackie & Roy, Blossom Dearie, Winard Harper, Giacomo Gates, Catherine Dupuis, Helen Merrill, Peter Leitch, Billy Drummond, Lee Rittenauer, David Benoit, Javon Jackson, Janis Siegel, Daryl Sherman, Kitty Margolis, John Alcorn, Susie Arioli, The Distillery Jazz Festival, The Markham International Jazz Festival, The Toronto JVC Jazz Festival, Emilie-Claire Barlow, Dave Young, Lenny Solomon, Remi Balduc, Bernard Primeau, Daniel Barnes, Steve Amirault, Karen Plato, Oliver Jones, “Cadence”, Sarah Jerrom, Jean Beaudet, Nehring/Koller & Braid, Michel Mele, multi-Grammy nominee Mark Murphy and the recent Festival events, “The Toronto Summer Chamber Music Festival”, and the hugely successful “Art of Jazz Celebration 2007”, for which she was the Associate Producer. Lesley Mitchell-Clarke currently resides in Toronto, and has continued to work with artists both locally and throughout the United States, Japan and Europe – now expanding her work to include Hypnosis. She also continues to write for various arts related publications in addition to working as an actor. She has recently appeared in commercials for McDonalds, “Miller Light”, “Bounce”, and in the television show, “Queer as Folk” as well as the award-winning feature film, “Pay in Full”, written and directed by award-winning actor, Walter Alza and the short film “Clive Houston, We Have a Problem” (Winner – Best Foreign Film – Nevada Film Festival 2010). Continuing and upcoming projects for Lesley Mitchell-Clarke include the expansion of her hypnosis clinic, Lightwork Hypnosis, to include international past-life regression workshops and monthly podcasts (available through lightworkhypnosis.com) which will feature in-depth interviews with some of the most interesting and controversial figures in the areas of metaphysics, spirituality and paranormal phenomena. Lesley continues to contribute to “e-Jazz News” as a writer and video commentator, and regularly hosts a weekly entertainment round-up, “On the Scene”, which airs every Thursday morning on CKLN FM 88.1 (ckln.fm) as part of “The Jazz Bungie”. Lesley has been married for twenty years to the world-renowned, award-winning Canadian jazz drummer and Member of the Order of Canada, Terry Clarke. They have two teenage sons, Kristopher and Kyle.

This week we celebrate the legacy of a musician whose contribution to the jazz world was cut short too early, pianist Geri Allen. The fruits of her legacy, however, have already been evident for some time. There are so many among today's pianists who are in their late 40s, from Jason Moran to Ethan Iverson, from Vijay Iyer to Aruan Ortiz, in whose piano playing one can feel the influence of the Pontiac native. And when you hear today's trailblazers look up to a musician that was just 15-20 years their senior, you know that Geri Allen's repertoire is bound to become an increasingly influential source of inspiration for years to come. The playlist features Geri Allen; Tim Ray; Donald Walden; Wallace Roney; The Billy Tipton Memorial Saxophone Quartet; Don Byron and Aruan Ortiz; Noël Akchoté; Vijay Iyer and Craig Taborn. Detailed playlist at https://spinitron.com/RFB/pl/13403741/Mondo-Jazz (up to Iyer-Taborn). Happy listening!

Keith Davis is a Jazz pianist, composer, recording artist, and educator. During his 40-year career as a professional musician, Keith Davis has established a distinguished reputation as a jazz pianist, composer, and educator. He has toured with the Glenn Miller and Artie Shaw orchestras, and with Matt “Guitar” Murphy (Blues Brothers). Other appearances have included performances with musicial greats David “Fathead” Newman, Ben Riley, Donald Byrd, Mike Mainieri, Pat LaBarbera, Jeff Hirshfield, Jamie Baum, Joel Spencer, Wallace Roney, Javon Jackson and Rakalam Bob Moses, among others. For more information, visit https://www.keithdavismusic.com #jazz #jazzmatters #musician #pianist --- Support this podcast: https://anchor.fm/jazz-matters/support

WALLACE RONEY – A PLACE IN TIME – Hoboken, NJ, June 10 & 11, 2016 Elegy, Observance (pr out), L’s Bop Wallace Roney (tp) Gary Bartz (sa-1) Ben Solomon (ts,sop) Patrice Rushen (p) Buster Williams (b) Lenny White (d) LENA BLOCH – HEART KNOWS – Hampton, NJ, July 27, 2017 Lateef suite, Three treasures Lena […]

Taylor Pace is a singer/songwriting multi-instrumentalist from Fort Worth, TX. Growing up as the youngest child in a very musical family, Taylor has been performing for as early as he can remember in church and even made his first television appearance at 6 yrs old when he and his family appeared in a regional Tom Thumb Grocery Store commercial singing a jingle his father had written. Taylor studied jazz piano at Howard University in Washington D.C., where got the opportunity to play alongside jazz legends such as Jimmy Heath, Wallace Roney and Benny Golson. Soon after graduating, he began doing shows and touring as a keyboardist with artists, most notably Grammy winning artist Mya and Grammy nominated artist Mario. Since 2014 Taylor has released 24 singles, 2 EP's, and 1 full-length album, most of which has occurred in just the past 2 years. He's also has enjoyed success as a producer/writer on many other projects. He is a noted contributor on MCG Records' contemporary gospel album, “Medicine” working as co-writer, co-producer, performer, and pianist for the project, which features Ruben Studdard, Ann Nesby, and Jasmine Guy. His production/writing credits also extend to such artists as Noel Gourdine, Nicholas Ryan Gant, new gospel recording duo sensation Jerard and Jovaun, Multi-platinum producer Ty Macklin and a host of others. As of 2021, Taylor is working to release his 2nd full-length album and begin touring worldwide as soon as festivals and venues open back up.

JAMES SPAULDING – BRILLIANT CORNERS – Englewood Cliffs, N.J., November 25, 1988 Brilliant corners, Let’s cool one (1), Little Willie leaps (2) James Spaulding (as,fl-1) Wallace Roney (tp-2) Mulgrew Miller (p) Ron Carter (b) Kenny Washington (d) DAVID RUIZ – WHERE WE COME FROM – Madrid 2020 (prob ) Alsafi, Daneb, García Lorca David Ruiz […]

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International Recorded artist, composer, educator, and bandleader Jonathan Barber was voted the #1 Up-and-Coming Drummer of 2018 in Modern Drummer. Barber has already recorded and toured worldwide with such artists as Pat Metheny, Erykah Badu, Nicholas Payton, Buster Williams, Jimmy Greene, Jeremy Pelt, Wallace Roney, Terrace Martin, Jennifer Holiday, Harold Mabern, Steve Davis, J.D. Allen, The Brooklyn Philharmonic and many more. In addition to his first-call status as a sideman, Barber has recently stepped forth as a composer and leader with his Vision Ahead band. Even with Barber's history of high-profile gigs and recordings taken into consideration, DownBeat magazine gave his latest album “Legacy Holder” 4.5 stars. Jonathan Barber & Vision Ahead is a powerful declaration of intent for a band that's been making waves on the modern jazz scene. Barber's blend of classic, swinging jazz with elements of gospel, rock, soul, and fusion is a compelling showcase of Barber's broad stylistic range as a drummer, performer, and composer. Jonathan Barber & Vision Ahead was featured and headline the 2018 Rainy Days Jazz Festival held in St. Petersburg and Moscow, Russia, 2019 Hartford Jazz Festival, and 2020 Clifford Brown Jazz Festival. In this episode, Jonathan shares his background, education, and musical journey.    If you enjoyed this episode please make sure to subscribe, follow, rate, and/or review this podcast on Spotify, Apple Podcasts, Google Podcasts, etc.  Connect with us on all social media platforms and at www.improvexchange.com

Here is the playlist for the 01/03 episode of Crosswinds. Enjoy! Guy Lombardo and His Royal Canadians- Auld Lang Syne Stan Kenton Orchestra- Intermission Riff (theme) Guy Marks- Loving You Has Made Me Bananas Spike Jones and His City Slickers- Minka Spike Jones and His City Slickers- Cocktails for Two Ed Palermo Big Band- Giant Steps Dave Stryker and the WDR Big Band- Blues Strut Count Basie Orchestra- The Comeback Woody Herman Orchestra- Bar Fly Blues Cory Weeds Little Big Band- K.D.S. Motion Maria Schneider Orchestra- Look Up The Meters- Cissy Strut Ramsey Lewis- Jungle Strut Narada Michael Walden- Cosmic Strut Al DiMeola- Sequencer Mandrill- Fat City Strut Santana- Jungle Strut Beat Funktion- Savannah Strut Ethan Iverson Quartet- I Remember You Stan Getz Quartet- Where Do You Go? Stanley Clarke- School Days Herbie Hancock, Wallace Roney, Wayne Shorter, Ron Carter and Tony Williams- RJ Chick Corea, Christian McBride and Brian Blade- Serenity Claude Bolling and Jean-Pierre Rampal- Baroque and Blue Lyle Mays and Pat Metheny- It's For You Joni Mitchell- Coyote Joni Mitchell- Love Puts on a New Face Lenny White- The Wait Has Lifted the Weight Return to Forever- Vulcan Worlds Billy Cobham- Crosswinds (closing theme)

This is the second part of our celebration of Pat Metheny's 66th birthday through an exploration of the best renditions of his work by other musicians. Metheny's signature compositional style inspired countless colleagues, even before he had released his own debut album. It's no surprise that more than four decades lager, the renditions of his work can be counted in the hundreds. I hope you'll enjoy those featured here by long time collaborators like Lyle Mays, Gary Burton, Charlie Haden, Brad Mehldau, Gil Goldstein, as well as a diverse range of other artists like Judy Niemack, Wallace Roney, Alex Sipiagin, Gilad Hekselman, Mark Murphy, Peo Alfonsi, Béla Fleck, Julie Caron, Mattia Zappa and Ivo Kova. Detailed playlist at https://spinitron.com/RFB/pl/11409581/Mondo-Jazz (from Judy Niemack onwards) Happy listening! Photo credit: Andrea Rotili

Ronald Carter - Distinguished Professor, UNC-Fayetteville State University, Fayetteville, NC. Mr. Carter is former director of the world-renowned Northern Illinois University (NIU) Jazz Ensemble and former Director of Jazz Studies is continuing to educate students in jazz education and performance on university, high school and performing arts schools and campuses across the country, South America and Canada. As an educator, Mr. Carter has presented workshops as guest conductor, artist, clinician, or adjudicator at numerous schools across America and abroad.Mr. Carter, who worked 18 years in the East St. Louis School District as the former director of the Lincoln Senior High School Jazz Band, also performed professionally in the St. Louis metropolitan area as a freelance musician on saxophone, clarinet, flute, and as a vocalist. He co-directed the group Infiniti and performed with the legendary George Hudson Orchestra. Mr. Carter has also performed professionally with Clark Terry, Jimmy Heath, Lena Horne, Lou Rawls, The Jimmy Dorsey Band, Wallace Roney, The Temptations, The Dells, Oliver Lake, Hamiett Bluiett, Leon Thomas, Art Davis, Fareed Haque, Joseph Bowie, Frank Mantooth, Terell Stafford, Orbert Davis, Carl Allen, Rodney Whitaker, and many others.An abbreviated list of his honors and awards includes Downbeat Magazine’s Jazz Educators Hall of Fame, The Woody Herman Music Award (Birch Creek Music Center), The 1991 Milken National Distinguished Educator Award, Southern Illinois University Excellence in Teaching Award, and the St. Louis American Newspaper’s Excellence in Teaching Award and Northern Illinois University Board of Trustees Professorship.He has recently accepted appointment as Felton J. Capel Distinguished Professor of Performing and Fine Arts UNC – Fayetteville State University, Fayetteville, NC.Mr. Carter’s projects include former International Consultant for the Essentially Ellington Jazz Competition sponsored by Jazz at Lincoln Center in New York; former Lead Artist for the Jazz At Lincoln Center Band Director’s Academy; Co-Author for Alfred Publications “Swingin’ On The Bars”, and co-author of GIA Music Publications “Teaching Music Through Performance in Jazz – Book I & II as well as a contributing author to the Beginning Jazz Ensemble Textbook.Mr. Carter is currently an artist for Conn-Selmer Inc. and D’Addario Woodwinds –(Rico Reeds)Keep The Music Playing Grantwww.cartersclinics.comIf you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests.For show notes and past guests, please visit dougstonejazz.com/podcast-1Interested in sponsoring the podcast? Please fill out the sponsor formDiscover Doug’s music: dougstonejazz.com/musicInstagram: instagram.com/dougstonejazzsaxophoneFacebook: facebook.com/dougstoneBoston Sax Shop

For over thirty years, Eric Person has been committed to composing, recording and performing dynamic and innovative music. His personal sound on alto, soprano, tenor saxophones and flute have been featured on more than 50 recordings. He studied at the St. Louis Conservatory of Music and has taught and performed internationally. He has a broad range of experience performing with the masters of modern creative music, such as Dave Holland, McCoy Tyner, Chico Hamilton, Wallace Roney, Ronald Shannon Jackson, World Saxophone Quartet, John Hicks and more.

Here is the playlist for the 07/05 episode of Crosswinds. Enjoy! Kim Richmond Concert Jazz Orchestra- Intermission Riff (theme) Gordon Goodwin's Big Phat Band- Hit the Ground Running Clayton- Hamilton Jazz Orchestra- Jazz Party Glenn Miller Army Air Force Big Band- St. Louis Blues March Glenn Miller orchestra- American Patrol Bob Mintzer Big Band- Freedom Song Ted Nash Big Band- The Four Freedoms Toshiko Akiyoshi- Lady Liberty Nathan East- America the Beautiful Jazz Crusaders- Freedom Sound Oscar Peterson Trio- Hymn for Freedom Kinga Glyk- Freedom Traffic- Freedom Rider Santana (w/Ronald Isley)-Freedom in Your Mind Ethan Iverson Quartet- Our of Nowhere Ahmad Jamal- Woody'n You Stan Getz Quartet- Blues Bruce Hornsby Trio- Camp Meeting Herbie Hancock, Wallace Roney, Wayne Shorter, Ron Carter and Tony Williams- Eighty One Tower of Power- Star Time Buckshot LeFonque- James Brown James Brown- Living in America Tower of Power- Diggin' on James Brown Christian Jacob- Piece One Pat Metheny/Brad Mehldau- Make Peace Santana- Peace on Earth/Mother Earth/Third Stone From the Sun Billy Cobham- Crosswinds (closing theme)

Se unió a The Bad Plus hace dos años pero la carrera del pianista Orrin Evans se remonta a los años 90. Recientemente grabó una sesión con el trompetista Wallace Roney, que solo cuatro días después ingresó en el hospital y falleció por el nuevo coronavirus. Conversamos con Orrin Evans en el segundo especial #BlackJazzLivesMatter de Club de Jazz. Después de conversar con el saxofonista JD Allen, profundizamos con Evans en las circunstancias que condicionan la vida de un músico afroamericano y en cómo la pandemia ha llevado a la profesión al límite. Toda la información y derechos: http://www.elclubdejazz.com

Se unió a The Bad Plus hace dos años pero la carrera del pianista Orrin Evans se remonta a los años 90. Recientemente grabó una sesión con el trompetista Wallace Roney, que solo cuatro días después ingresó en el hospital y falleció por el nuevo coronavirus. Conversamos con Orrin Evans en el segundo especial #BlackJazzLivesMatter de Club de Jazz. Después de conversar con el saxofonista JD Allen, profundizamos con Evans en las circunstancias que condicionan la vida de un músico afroamericano y en cómo la pandemia ha llevado a la profesión al límite. Toda la información y derechos: http://www.elclubdejazz.com

«Er ist nicht perfekt: Er ist mehr Musiker als Trompeter», sagte Schlagzeuger Tony Williams über Wallace Roney. Was ein Lob allererster Güte ist – Trompeter gibt es wie Sand am Meer, alle wollen sie schnell und hoch spielen. Musiker und Musikerinnen aber gibt es schon sehr viel weniger. Wallace Roney war ein Jazzmusiker, und für ihn hiess das: Er spielte mit dem Risiko. Er schraubte sich einer Idee entlang und konnte dabei abstürzen. Genau das aber machte sein Spiel so attraktiv. Ein Seiltänzer mit einem Auffangnetz ist eindrücklich. Wirklich spannend aber wird es ohne. Woher Wallace Roney kam, was ihn als Musiker im Kern ausmachte, und warum er als COVID-19-Opfer mit erst 59 für viele US-amerikanische Jazzmusiker steht, das diskutiert der Zürcher Trompeter Daniel Schenker in der Jazz Collection mit Jodok Hess.

Wallace Roney, un virtuoso de la trompeta, fue el único verdadero protegido de Miles Davis lo que de cierto modo le abrió una destacada carrera en el jazz. Sin embargo, antes de eso, Roney ya era una voz líder en lo que se llamó el...

 Wayne Escoffery is a 2014 Downbeat Critics Poll winner and Grammy Award winning tenor saxophonist who has recorded and performed internationally with the Who's Who in jazz including Ron Carter, Ben Riley, Abdulah Ibrahim, Eddie Henderson, Rufus Reid, Wallace Roney, Herbie Hancock and more. Wayne's new critically acclaimed album “Humble Warrior” features the return of Escoffery's stellar quartet featuring pianist David Kikoski, bassist Ugonna Okegwo, and drummer Ralph Peterson. 

Trompet Med Mere #18 Radio Jazz studievært er Benny Rosenfeld I udsendelsen bliver der spillet titler med syv forskellige trompetister. Først mindes Wallace Roney, så følger Dusko Gojkovic, Christian Scott, John Swana, Eddie Henderson, Jim Rotondi og Don Sickler. Sendt i Radio Jazz i 2020 Der er mere jazz på www.radiojazz.dk

Tout comme le grand précurseur qui a été son idole et son mentor, le musicien américain s’est inspiré de la tradition jazz et a tenté de l’emmener plus loin à sa manière, avant d’être emporté prématurément par la COVID-19, en mars. Capable, en raison de son accès privilégié à Miles Davis, d’imiter le jeu du maître à la perfection, il s’est également imposé aux côtés d’ex-collaborateurs de ce dernier. Stanley Péan, animateur de Quand le jazz est là, raconte à Jacques Beauchamp que, contrairement à son contemporain Wynton Marsalis, Wallace Roney n’a pas eu droit à un succès instantané.

This Episode is dedicated to Wallace Roney, 59, was a Grammy-winning virtuoso of jazz trumpet who was mentored by Miles Davis. He performed with Davis during one of the jazz legend’s final performances. This evening, we go through, NEW MUTUATION WEAKENS CORONAVIRUS, KIM JONG UN BODY DOUBLE, 5 YR OLD DRIVES LAMBORGINI and more! We are also joined by singer, songwriter, and record producer from Los Angeles, California, Eric Bellinger, to see how COVID affected his work and what projects he's preparing for. Send your questions to QuarantineNightly@gmail.com SUBSCRIBE...RATE... COMMENT!!!!! Credits: Host: Mouse Jones Writers: Desi Johnson -Instagram | Twitter JustLatasha(Latasha Mercer) - Instagram | Twitter Editor/Producer: Rell - Instagram | Twitter Creative design: Chey Millz - Instagram | Twitter Lavanwright- Instagram | Twitter --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/quarantine-nightly/message Support this podcast: https://anchor.fm/quarantine-nightly/support

You’ll hear anywhere from one to three versions of each of these 6 jazz compositions. Two of those recordings are also a tribute to two jazz artists who recently died as a result of COVID19: Lee Konitz and Wallace Roney. The tunes are: East of the Sun (West of the Moon), There is No Greater…Continue reading Episode 105: Six Great Songs and their Stories

In this episode of The Hot Box we celebrate the music of four amazing musicians who have sadly left the stage in the past few weeks, Bucky Pizzarelli, Lee Konitz, Wallace Roney and Ellis Marsalis.

Rebirth "Each night, when I go to sleep, I die. The next morning, when I wake up, I am reborn." - Mahatma Ghandi "I give you this to take with you: Nothing remains as it was. If you know this, you can begin again, with pure joy in the uprooting" - Judith Minty (author, Letters to My Daughters) "The Phoenix must burn to emerge" - Janet Finch (author, White Oleander) Enjoy the new mix, Brian "Katzpheno" Phoenix featuring: Marc Cary - "Beehive" (2015) McCoy Tyner - "Mr. PC" (2008) The Cookers - "Priestess" (2010) Tia Fuller - "Lil Les" (2012) The Earl Klugh Trio - "Lonely Girl" Herbie Hancock (featuring: Norah Jones) - "Court & Spark" (2007) Wallace Roney - "Inflorescent" (2007) Billy Childs - "Rebirth" (2017) Robert Glasper Experiment (featuring: Bilal) - "All Matter" (2009) Cannonball Adderley Sextet - "The Jive Samba" (1962) Ellis Marsalis - "The End Of A Love Affair" (1998)

Sesión de Green In Jazz a modo de modesto homenaje hacia todos aquellos músicos de jazz que nos han dejado hasta la fecha víctimas de la pandemia de Covi19. Wallace Roney decía que siempre tocaba con el corazón, discípulo protegido de Miles Davis y principal continuador de su estilo, fue uno de los más importantes trompetistas del jazz norteamericano a finales del siglo XX. Otro de los nombres ilustres que nos han dejado tras una semana hospitalizado en París es el legendario saxofonista camerunés Manu Dibango. Su canción Soul Makossa, se convirtió en uno de los primeros éxitos reconocidos mundialmente de la música africana. Dibango, de 86 años, ejerció siempre como difusor global de los ritmos africanos, colaborando con artistas de diferentes géneros y países de todo el mundo. Maikel Longo, pianista regular de Dizzy Gillespie en los años 60 y dueño de una respetada carrera como líder de numerosas formaciones. Otro de los nombres desaparecidos por la pandemia, como en España, el brillante saxofonista argentino Marcelo Peralta, uno de los grandes nombres de la escena madrileña, falleció el 10 de marzo, también por coronavirus. Igualmente le hemos dicho adiós a Ellis Marsalis, maestro y patriarca del jazz en Nueva Orleans. Educador, pianista y compositor Ellis Marsalis a ha dejado a consecuencia de una neumonía provocada por el Covid-19. Ellis Marsalis tenía 85 años. Quizá más conocido por ser patriarca de uno de los linajes familiares más populares de la historia del jazz, que por su propia obra musical. A lo largo de su carrera docente fue mentor y padrino musical de algunos de los máximos exponentes del jazz salidos de Nueva Orleans. Aparte, por supuesto, sus alumnos más importantes serían cuatro de sus seis hijos, que acabaron dedicándose profesionalmente a la música: por un lado, el destacable percusionista Jason Marsalis y el trombonista y productor Delfeayo Marsalis; por otro, dos de los nombres más importantes del jazz norteamericano en las últimas décadas: el trompetista Wynton Marsalis y el saxofonista Branford Marsalis. Tocó a presidentes y con importantes figuras de la música como Paul McCartney o Frank Sinatra, Backy Pizarrelli, miembro del Salón de la Fama de Nueva Jersey, falleció en su residencia de ese mismo estado tras haber sido diagnosticado con COVID-19. Mentor para tantos y tantos guitarristas de jazz, tanto profesionales como amateur, Bucky Pizzarelli trabajó en importantes piezas musicales para grandes figuras. Tracklist (por orden de aparición): 1. Wallace Roney - In her family 2. Wallace Roney – I Will Always Love You 3. Manu Dibango - Soul Makossa 4. Michael Longo - The Last Tango in Paris 5. Marcelo Peralta – All of me 6. Ellis marsalis - Never let me go 7. Ellis y Bradford Marsalis – Stela by Starling 8. Bucky Pizzarrelli – The way you look tonight 9. Bucky Pizzarelli y Stephane Grappelli – Blues 10. Bucky pizzarelli - Breakfast at Tiffany's / Dreamsville

Robust conversation about Rona V updates and ramifications thereof: virtual parties, meetings, schooling and business engagements.  Is it Biden or Sanders?  Should the American people transfer the presidency at this point?Are all deaths during this period attributed to COVID-19?  Discussions about economics, culture, arts and entertainment *second lines* rest in #pleasure to a number of musicians:  Chynna, Bill Withers, Ellis Marsalis, Wallace Roney.  ...what's your risk factor? Tune in to #TheGreenRoom for your listening pleasure *listens*

  JazzOmania #28 le magazine de Stéphane KOCHOYAN          JazzOmania avec #Jazz70 c'est le Lundi à 20h en HD sur www.canal30.fr, rediffusion le Dimanche à 18h puis en #podcast … Et avec Stellar Média un réseau de 50 radios en France également sur Deezer, Spotify, Itunes, Tunein, Podbean… #TousLesJazz #Jazz Annulations de concerts, de festivals, fermeture des clubs, des salles, le cofid19 continue à ravager le jazz. Après Manu Dibango, le trompettiste Wallace Roney, le soulman Bill Withers, le guitar hero Bucky Pizzarelli, le pianiste patriarche de la Nouvelle Orléans Ellis Marsalis, le claviériste Onaje Allan Gumbs, le batteur des Gibson Brothers Patrick Francfort également  créateur avec ses frères du célèbre club "Le Baiser Salé" à Paris, ont emportés par le virus. Hommage à ces grands musiciens pour ouvrir notre playlist. Et toujours l'actualité et les nouveautés de #TousLesJazz La #Playlist de Stéphane Kochoyan, JazzOmania #28         1 - Wallace Roney - Vater Time 2 - Jose James - Just The Two of Us (Tribute to Bill Withers) 3 - Ellis et Wynton Marsalis - Little Birdie 4 - Bucky Pizzarelli & Zoot Sims - Honeysuckle Rose 5 - Onaje Allan Gumbs - No Question (Rap Reprise) 6 - Richard Bona - Please Don't Stop 7 - Joshua Redman - Right Back Round Again 8 - Lakecia Benjamin - Central Park West (feat. Jazzmeia Horn) 9 - Omer Avital - Shabazi 10 - Charenee Wade - I Think I'll Call It Morning 11 - Esperanza Spalding - Radio Song 12 - Gibson Brothers - Cuba

JoyJazz Radio - RedTrain #25

Homecheck

Morning Report style case brought to you by....well, you'll have to listen to find out where this case came from because it's a secret revealed at the end. And 2 songs in memory of Wallace Roney, Jazz great, who recently died at age 59 from complications of novel coronavirus infection. We will miss him.

This episode is dedicated to legendary jazz trumpeter Wallace Roney - 1960 - 2020, He was an inspiration to all of us and will be missed. Also on this podcast pianist Oscar Williams II and bass player Paul Kufari. 

Pólski tónsmiðurinn Krzysztof Penderecki er allur. Hátalarinn rifjar upp örfá dæmi um verk hans frá fyrri hluta ferilsins. Í tengslum við þá tónlist er síðan haldið á sporbaug um ártalið 1970 áður en hugað er að hinum snjalla trompetleikara Wallace Roney sem hvarf af djasssviðinu fyrir skemmstu, aðeins sextugur að aldri.

Pólski tónsmiðurinn Krzysztof Penderecki er allur. Hátalarinn rifjar upp örfá dæmi um verk hans frá fyrri hluta ferilsins. Í tengslum við þá tónlist er síðan haldið á sporbaug um ártalið 1970 áður en hugað er að hinum snjalla trompetleikara Wallace Roney sem hvarf af djasssviðinu fyrir skemmstu, aðeins sextugur að aldri.

Met vandaag o.a. List en Shaffy, Elvis Costello, Wallace Roney, Ellis Marsalis, King Tuff, The Band en Camélia Jordana.

Miles Davis - Milestones Miles Davis - Hail to the real chief Miles Davis & Rober Glasper - Talking Shit Wallace Roney & the Miles Davis Tribute Band - Walkin Live 1996 Betty Davis - Talkin Trash Juliette Greco - Un Petit Poisson Un Petit Oiseau David Liebman & Chester Thompson - In A Silent Way Miles Mosley - Abraham - Live Ronnie Magri & his New Orleans Jazz Band - One Monkey Don't stop the show Ron Samson & The Neutrino Funk Experience - Ginger Beave It Gets Funkier IV (feat. Louis Cole) - Vulfpeck Everytime - Louis Cole Mambo Rapidito - Orquesta Akokán Trav'lin' Light - Lorez Alexandria God's Favourite Colour - Callum Passells Resignation - Brad Mehldau Sabana Blancas - Alfredo Rodriguez Old School Heart - Arjuna Oakes Lazarus Man - Terry Callier Subito - Jonathan Crayford Stuck - Daymé Arocena  

The novel coronavirus has started to take its toll on figures from our popular culture. Adam Schlesinger, who founded Fountains of Wayne and wrote songs for Crazy Ex-Girlfriend among other things, died on Wednesday. The great playwright Terrence McNally died last week. The list goes on: songwriter Alan Merrill, country music star Joe Diffie, fashion designer Jenny Polanco, college basketball star Dave Edwards, actor Mark Blum, soccer star Lorenzo Sanz. And it seems like the jazz community has been especially vulnerable: guitarist Bucky Pizzarelli, pianists Ellis Marsalis and Mike Longo, and trumpeter Wallace Roney have all died. And then: Dave is an FXX comedy series that tells a fictionalized version of the rise of rapper Lil Dicky, and John Mulaney & The Sack Lunch Bunch is a Netflix children's special that Mulaney made "on purpose." Some other stuff that happened this week, give or take: 'Lean On Me,' 'Lovely Day' singer Bill Withers dies at 81 The Stupidest [...] Movies Guaranteed To Make You Laugh During This CatastropheWho needs a plot right now? Let’s just slap some jokes in our faces instead You Can Watch the First 8 Minutes of 'Sonic the Hedgehog' Online Now April fools' day is canceled, you monstersDon't you dare, brands Joe Buck: Stop Sending Me Your Sex Tapes ... I'm Not Gonna Narrate Them!!! Llandudno marauders: the herd of goats running riot through a Welsh townTaking advantage of the town’s deserted streets because of the coronavirus lockdown, the goats have been branded vandals for munching through gardens Companies Avoid Advertising Next to Coronavirus NewsThe name of the virus overtakes 'Trump' as the keyword blocked by the most brands, a problem for digital news publishers New York is one of the world's great cities for the arts -- but the damage from the pandemic is proving to be catastrophic Ina Garten Made A Giant Cocktail For Herself At 9:30 A.M. And Now She's My Quaranqueen Tom Perrotta's 'The Leftovers' imagined 2 percent of the population disappearing. That could be our reality. Shudder Subscriptions Are Surging During the Coronavirus Pandemic HBO's #StayHomeBoxOffice Campaign Is Offering Hundreds of Hours of Programming for Free Uranus blasted a gas bubble 22,000 times bigger than EarthIt happened back in 1986 -- but it could happen again. GUESTS: Stosh Mikita - A stand-up comedian and writer based in New Haven Mercy Quaye - Founder and principal consultant for The Narrative Project and a columnist with Hearst Connecticut Media Group Brian Slattery - Arts editor for the New Haven Independent and a producer at WNHH radio Join the conversation on Facebook and Twitter. Colin McEnroe and Cat Pastor contributed to this show.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Wallace was an immense artistic treasure in the music community. He was one of the greatest trumpet players of his time -- or any time, for that matter. Chick sat down with him in 2017 to talk about their mutual mentor, Miles Davis, and what it truly means to improvise.

We just lost Ellis Marsalis. Earlier this week we lost Wallace Roney. I think we'll be adding more names to the list before all this is over. I'm sharing this 2009 interview with Ellis as a way to honor his memory. Take care of each other, OK? Ellis Marsalis is more than the father of four famous sons. He's an acclaimed pianist and educator in his own right, and his musical history has covered a lot of ground. Homecoming (ELM Records, 2009), his new CD, is a mix of old and new, combining a reissue of 1985 duet session with saxophonist Eddie Harris, and new music recorded in 2009 with fellow New Orleanian pianist Jonathan Batiste. In this interview, Marsalis talks about how his time in the Marines helped build his piano chops; how he got his gig with trumpeter Al Hirt; and what makes New Orleans “fertile ground” for a jazz musician.

We just lost Ellis Marsalis. Earlier this week we lost Wallace Roney. I think we'll be adding more names to the list before all this is over. I'm sharing this 2009 interview with Ellis as a way to honor his memory. Take care of each other, OK? Ellis Marsalis is more than the father of four famous sons. He's an acclaimed pianist and educator in his own right, and his musical history has covered a lot of ground. Homecoming (ELM Records, 2009), his new CD, is a mix of old and new, combining a reissue of 1985 duet session with saxophonist Eddie Harris, and new music recorded in 2009 with fellow New Orleanian pianist Jonathan Batiste. In this interview, Marsalis talks about how his time in the Marines helped build his piano chops; how he got his gig with trumpeter Al Hirt; and what makes New Orleans “fertile ground” for a jazz musician.

13e émission de la 46e session... Cette semaine, beaucoup de trompette avec une pensée pour Wallace Roney, post-bop et avant-jazz! En musique: Wallace Roney sur l'album Blue Dawn - Blue Nights  (HighNote, 2020); Rachel Therrien sur l'album Vena  (Bonsaï Music, 2020); Avishai Cohen sur l'album Big Viscious  (ECM, 2020); Peter Evans sur l'album Being & Becoming  (More is More, 2020); Webber/Morris Big Band sur l'album Both Are True  (Greenleaf, 2020); GGRIL sur l'album GGRIL Plays Laubrock  (Tour de Bras, 2020)...

En Música de Contrabando, revista diaria de música from home (orm.es; 23,15h) lamentamos dar la noticia del fallecimiento del músico donostiarra Rafael Berrio, el maestro Victor Nubla, y el discípulo de Miles Davis, Wallace Roney. Un día aciago. Otra versión de ‘Resistiré’ puede ser otro punto de inflexión para Monterrosa. El festival Ventepijo anuncia su cancelación. Badly Drawn Boy , aka Damon Gough, regresa con "Banana skin shoes", primer adelanto que da título a su nuevo disco. Rolling Blackouts Coastal Fever han anunciado los detalles de su nuevo disco y comparten "She's There".Los componentes de Kings Of Leon se encuentran confinados en su casa y su frontman Caleb Followill ha tenido tiempo para componer una nueva canción "Going Nowhere". El festival en streaming #RegiónDeMurciaSuenaEnCasa suma dos nuevas fechas para esta semana (MALVA). Mujeres han estrenado hoy un nuevo single extraído de su próximo disco "Siento Muerte".Primeras noticias de ‘Europe Shine a Light’, el especial que sustituye a Eurovisión 2020. Blas Cantó gana Eurovision virtual 2020. Presentamos el estreno de Stella. Entrevistamos a Raúl Frutos (Oficial) (Crudo Pimento) desde su confinamiento.

We just lost Ellis Marsalis. Earlier this week we lost Wallace Roney. I think we’ll be adding more names to the list before all this is over. I’m sharing this 2009 interview with Ellis as a way to honor his memory. Take care of each other, OK? Ellis Marsalis is more than the father of … Continue reading "The Jazz Session #515: Remembering Ellis Marsalis (2009 Interview)"

I was 7 years old when I first heard Wallace Roney’s playing on Herbie Hancock’s “Dis Is Da Drum”, a record that has over the years remained very important to me. I was always drawing to people that respect (and draw their inspiration from) the masters that came before them. Wallace was somebody who went … Continue reading WALLACE RONEY

En Música de Contrabando, revista diaria de música from home (orm.es; 23,15h) lamentamos dar la noticia del fallecimiento del músico donostiarra Rafael Berrio, el maestro Victor Nubla, y el discípulo de Miles Davis, Wallace Roney. Un día aciago. Otra versión de ‘Resistiré’ puede ser otro punto de inflexión para Monterrosa. El festival Ventepijo anuncia su cancelación. Badly Drawn Boy , aka Damon Gough, regresa con "Banana skin shoes", primer adelanto que da título a su nuevo disco. Rolling Blackouts Coastal Fever han anunciado los detalles de su nuevo disco y comparten "She's There".Los componentes de Kings Of Leon se encuentran confinados en su casa y su frontman Caleb Followill ha tenido tiempo para componer una nueva canción "Going Nowhere". El festival en streaming #RegiónDeMurciaSuenaEnCasa suma dos nuevas fechas para esta semana (MALVA). Mujeres han estrenado hoy un nuevo single extraído de su próximo disco "Siento Muerte".Primeras noticias de ‘Europe Shine a Light’, el especial que sustituye a Eurovisión 2020. Blas Cantó gana Eurovision virtual 2020. Presentamos el estreno de Stella. Entrevistamos a Raúl Frutos (Oficial) (Crudo Pimento) desde su confinamiento.

13e émission de la 46e session... Cette semaine, beaucoup de trompette avec une pensée pour Wallace Roney, post-bop et avant-jazz! En musique: Wallace Roney sur l'album Blue Dawn - Blue Nights  (HighNote, 2020); Rachel Therrien sur l'album Vena  (Bonsaï Music, 2020); Avishai Cohen sur l'album Big Viscious  (ECM, 2020); Peter Evans sur l'album Being & Becoming  (More is More, 2020); Webber/Morris Big Band sur l'album Both Are True  (Greenleaf, 2020); GGRIL sur l'album GGRIL Plays Laubrock  (Tour de Bras, 2020)...

September, what a month! The summer is over... so are the summer festivals. But that's also when record labels start churning out some of their best releases to bring the temperature up in advance of the end of year polls and listicles. And here comes an onslaught of heavy-hitters with their new or upcoming releases, from Jaimie Branch to Kris Davis, from Kneebody to The Bad Plus, from Terri Lyne Carrington to Abraham Inc. and Miguel Zenon and a whole bunch more. Sit down, put your stereo system's volume up and absorb all this new great music! Happy listening! The playlist also features Wallace Roney; Julian Argüelles; Fred Hersch with the WDR Big Band and Vince Mendoza; Ben Flocks; Orice Jenkins; Adam Larson; Charles Owens; Jenny Hill; Joshua Espinoza; Ben van Gelder & Reinier Baas; Aki Rissanen; and Zwitschermaschine. Detailed playlist at https://spinitron.com/RFB/pl/9376217/Mondo-Jazz

Members of the Jazz Messengers reconvened onstage for a once-in-a-lifetime reunion. Moderator: Celine Peterson. Panelists: Terence Blanchard, Randy Brecker, Cameron Brown, Donald Brown, Steve Davis, Leon Lee Dorsey, Essiet Essiet, Kevin Eubanks, Jon Faddis, Benny Green, Billy Harper, Donald Harrison, Eddie Henderson, Vincent Herring, Harold Mabern, Branford Marsalis, Wynton Marsalis, Ralph Peterson Jr., Bill Pierce, Lonnie Plaxico, Wallace Roney, Melissa Slocum, Charles Tolliver, Steve Turre, Bobby Watson.

This week we welcome one of the top saxophonists in the New York area, Andrew Gould. Andrew is a full time freelance musician doing some very interesting things and loving every minute of it. Andrew has performed with James Moody, Ron Carter, Benny Golson, Wallace Roney, Jon Faddis, The Vanguard Jazz Orchestra, the Mambo Legends...

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Members of Miles Davis’ ‘70s electric bands talk about the music of that often-overlooked period. Introduction by Vince Wilburn, Jr. and Erin Davis (Miles Davis Estate). Moderator: Mark Ruffin (Sirius/XM). Panelists: Gary Bartz, Michael Henderson, Dave Liebman, Mtume, Wallace Roney, Lenny White.

Enjoy the podcast? Support the show with a one-time or monthly donation via PayPal (thank you!)In this episode we are speaking with saxophonist, composer, and educator Danny Janklow. Now based in Los Angeles, Danny spent several years living & playing in Philadelphia where he was mentored by Dick Oatts, and other great musicians at Temple University. Since then, he has been an in-demand sideman in a wide variety of musical contexts, was a semi-finalist in the Monk competition, and has released multiple projects as a leader. We discuss the importance of recognizing the legacy of jazz, why you must be versatile to be successful, his biggest advice for younger musicians, and much more. Connect with Danny:Website: https://dannyjanklow.com/Instagram: https://www.instagram.com/dannyjanklow/Facebook: https://www.facebook.com/Dannyjanklowmusic/For more episodes please visit berniesbootlegs.comAbout Danny, courtesy of dannyjanklow.com:"Saxophonist, multi-Instrumentalist, educator, producer & composer Danny Janklow is quickly gaining international recognition for his soulful and innovative musical voice. His heart-felt, passionate, and highly energetic music has reached and inspired thousands of listeners from Japan to Holland to Mexico. His live performances, often described as “emotionally charged” and “vibrant celebrations,” leave his listeners always wanting more…Born in Tarzana, CA in 1989, Danny Janklow was handed the saxophone at the age of 11. His life would soon change as he was introduced to the remarkable sounds of Charlie Parker, Cannonball Adderley, and John Coltrane. Just 2 years later, it was obvious to all that the music had chosen him. During his time at Agoura High School, Danny was recognized by Wynton Marsalis and the Lincoln Center Jazz Orchestra as the first-ever triple instrument “Outstanding Soloist” on tenor saxophone, flute and clarinet.In 2007, Danny was awarded a full-tuition scholarship to Philadelphia’s Temple University Boyer College of Music and Dance where he was mentored by saxophone legend Dick Oatts and incredible trumpeter Terell Stafford. In 2010, Danny won 1st place in the North American Saxophone Alliance (NASA) competition held in Athens, Georgia. While living on the east coast, he frequently played at the Village Vanguard with the Vanguard Jazz Orchestra, the Kimmel Center, the Apollo in Harlem, and Dizzy’s Club Coca-Cola in New York.After graduating in 2011, Danny moved back to Los Angeles to take the scene by storm. He rapidly became one of LA’s most in-demand saxophonists and bandleaders. In August 2012, he won 1st place at the Detroit Jazz Festival Saxophone Competition and headlined on that year’s festival. He took part in a 2-year Mentor program teaching at Stanford Jazz Camp where he discovered his deep passion for teaching students of all ages. In 2013, he was selectively chosen as a semi-finalist to compete in the Thelonious Monk International Saxophone Competition in Washington D.C.Danny has enjoyed the pleasure of sharing the stage and recording with the likes of Stevie Wonder, Kendrick Lamar, Herbie Hancock, Wayne Shorter, George Benson, Aloe Blacc, Jose James, Wynton & Branford Marsalis, Benny Golson, Eric Reed, John Beasley, Ben Williams, Jason Moran, Wallace Roney, Savion Glover, Vanguard Jazz Orchestra, Bill Holman Big Band, Gordon Goodwin, and Jimmy Heath."Support the show (http://berniesbootlegs.com/support)

Enjoy the podcast? Support the show with a one-time or monthly donation via PayPal (thank you!)What is up podcast, today I’m bringing you my conversation with New York City alto saxophonist and multi-instrumentalist Andrew Gould. We discuss his musical beginnings, his time at SUNY Purchase and Manhattan School of Music, the value of mentors, how to be a great lead alto player, his latest projects, and more. You can find Andrew on his website at www.andrewgouldmusic.comAbout Andrew, courtesy of andrewgouldmusic.com:"Native New Yorker, saxophonist and composer Andrew Gould has established himself as one of the most in demand players on the NYC music scene.He has performed with James Moody, Ron Carter, Benny Golson, Wallace Roney, Jon Faddis, The Vanguard Jazz Orchestra, the Mambo Legends Orchestra, David Weiss, Bobby Sanabria, Ray Angry and many more. Andrew was a 2013 Thelonious Monk Saxophone Competition Semi Finalist and has been featured on multiple GRAMMY nominated recordings. He has been involved with recording for MTV, Universal Records, Warner Bros Music, and Capitol Records for world famous artists including Fifth Harmony, Mac Miller, 88 Keys, Sebastian Kole and more. He has also performed live on the Today Show, ABC News, WBGO Radio, and has been featured on the Amazon Prime series "The Marvelous Mrs. Maisel" with the Bobby Sanabria Multiverse Big Band.A graduate of both Manhattan School of Music and SUNY Purchase, Andrew continues to teach regularly, and has taught private lessons at The New School, and has given masterclasses at SUNY Purchase, Hofstra University and many many more.Andrew has recently released his debut album "First Things First" on the Outside In Music label, which has received great critical acclaim. He composes for and tours worldwide with rnb/soul band Nuf Said, who will be releasing a 3rd album in 2020. Other exciting projects include recording and performing with the 8 Bit Big Band, Steven Feifke Big Band, Dan Pugach Nonet, DMNDR, and horn section work/writing with GRAMMY winning hip hip producer 88 Keys for Warner Music. Andrew is an endorsing artist with Yanagisawa Saxophones, D'Addario Reeds, and Silverstein Ligatures"Support the show (http://berniesbootlegs.com/support)

Born in Naples, Letizia Gambi is an Italian singer, songwriter and actress who has a wide-ranging education. She has studied dancing, acting, singing, painting and musical theater.Letizia Gambi’s music is a combination of her Neapolitan-Italian roots with the heritage of Black American Jazz. Her Mediterranean passion sings through Jazz's language in a contemporary, crossover, personal style. She lives in New York, Los Angeles, and Milan.Letizia began dancing lessons at age eleven, attended art school at thirteen and began showcasing her art and winning awards for her paintings when she was fourteen . At fifteen, she began traveling to London, in the summer, to study musical theater. Continuing to dance, she became a dance instructor and choreographer at a very young age, while continuing to sing and act. She studied acting for 2 years and worked as an actress. Finally, because of her great love and passion for music, she auditioned for the International Jazz Academy in Milan, out of 60 people who auditioned, she was one of only seven who was accepted into the program. She studied for four years and became an assistant to the vocal professor in her fifth, "Master Year.” Letizia graduated with a Masters Degree in Jazz Vocal Performance.Letizia worked as a singer/songwriter, teaching Jazz and Pop singing at several music schools in Milan, Como and Switzerland. In Milan, she played Anita in West Side Story, she also acted in several TV shows. She sang with many well known Italian Jazz musicians and was the lead singer for a Jazz Big Band. Her versatility allowed her to sing many types of music, from Gospel (she was soloist in the choir of Civici Corsi di Jazz in Milan) to dance music, classical repertoire, pop and of course, Jazz.In 2009, Letizia met the legendary drummer and producer Lenny White, and expressed to him her desire to fuse her roots and Neapolitan musical influences into a contemporary genre. In 2012 their collaboration resulted in her debut recording, "Introducing Letizia Gambi” which was recorded in New York and included such legendary musicians as Ron Carter, Chick Corea, Gato Barbieri, Wallace Roney, Patrice Rushen, Gil Goldstein, Antonio Faraò and her collaborator and producer, Lenny White.In 2016 she released her second album "Blue Monday" that includes songs written by Letizia and Lenny White. It was recorded in New York and produced by Lenny White, the musicians who performed were Ron Cater, Gil Goldstein, Donald Vega, Dave Stryker, Helen Sung, John Benitez, Jisoo Ok,Hector Del Curto, and Pete Levin, .Letizia performed as a guest with Lenny White and his band during his last European Tour, her American debut was at the Jazz Standard as a guest with Lenny White & friends, featuring Ron Carter on bass and Patrice Rushen on piano.Letizia has represented Italy in Japan at the Italian Cultural Institutes in Osaka and Tokyo. In 2017 she performed with a 100 piece orchestra and choir, under the auspices of the Italian Consul General, for the celebration of the Italian Republic's Anniversary in Rosario, Argentina. The following year, she performed under the auspices of the Italian Consul General for the Italian Republic's Anniversary in Capodistria, Slovenia.She has performed across Europe and throughout Italy including the Blue Note in Milan, Auditorium Parco della Musica and Casa del Jazz in Rome.Her original song Under the Moon was included in Musica Jazz Magazine’s cd tribute to Frank Sinatra for the centennial of his birth. The American jazz magazine JAZZIZ included her Bac

Kassa Overall will tell you, “I love being the first thing of a thing. It’s one of my favorite things.” Kassa will also tell you that grew up in the cut. Between two kinds of music. Between two neighborhoods, in Seattle, that were “actually divided and separated”. He related more to the black neighborhood that he lived in, but he went to school mostly with white kids. “Looking back on it now I realize we’re all from the same stuff” but at the time it felt like he was in the middle of two worlds. In fact, Kassa Overall will tell you a lot of things. That’s because Kassa Overall is a lot of things. Drummer. Rapper. Producer. Taker of cold showers. As a drummer, he says “I had the old cat thing. Even though I was a young cat, I had something on drums that none of the other young cats had.” That’s how early on he caught the attention and found work performing with a formidable list of artists, including Christian McBride, Donald Byrd, Vijay Iyer, Wallace Roney, Ravi Coltrane, Gary Bartz, and many more. He also spent several years as a key member of pianist Geri Allen's Timeline band and works regularly with trumpeter Theo Croker's ensemble. As a rapper and producer, Overall has collaborated with Brooklyn-based hip-hop outfit Das Racist, is a member of the duo Kool & Kass with former Das Racist member Kool A.D., and has DJ’ed with The Late Show with Stephen Colbert's house band, Jon Batiste & Stay Human. And apparently Kassa is in the midst of a Wim Hof cycle of breathing and showering in cold water. That’s not really as important as the rest of the biographical story, but it does give you a sense that the guy is working on it at all times. Overall kept his hip hop / electronic identity separate from his jazz-self for a long time, thinking that it would be a stretch to bring all of those influences into one project. “I limited myself,” he says. But ultimately he relented and made his latest solo album Go Get Ice Cream and Listen to Jazz, a startlingly cohesive array of compositions and production styles representing Kassa's diverse skillset. In our conversation he talks about the intersection of jazz and hip-hop, the importance of getting “comfortable with being bored so you can get better at your instrument”, the relationship between great drumming and the sounds of nature, how growing up far away from the “scene” gave him a strong sense of personal identity, and what it takes to be a “cat who is going for it”. Along the way, he discusses the influence of many of his collaborators and teachers including Vijay Iyer, Mike Ladd, Arto Lindsay, Roy Hargrove, Billy Hart, and Elvin Jones. Thanks for listening. If you enjoyed it, please leave a review on iTunes and consider supporting the podcast on Patreon! And now you can also listen to the podcast on Spotify!

Por Pachi Tapiz. El trombonista suizo Samuel Blaser (integrante del Cuarteto Europa de Baldo Martínez), ha publicado en septiembre de 2018 Early In The Mornin' (Out There Music - Out Note Records). Al igual que ocurre con alguna de sus grabaciones anteriores, esta obra está centrada en una temática determinada, que en este caso es la del blues. En esta inmersión musical aparecen revisiones de temas tradicionales como "Black Betty", "Creepy Crawler" o "Lonesome Road Blues" de Sam Collins, junto a sus composiciones que se introducen en esta tradición musical. Para este nuevo proyecto (que en su gira de presentación tendrá una parada en Cádiz), cuenta con la colaboración del pianista y teclista Russ Lossing, el contrabajista Masa Kamaguchi y el baterista Gerry Hemingway, así como con la participación como invitados especiales en algunos de los temas de Oliver Lake (saxo alto), y Wallace Roney (trompeta). En HDO 470 escuchamos a Samuel Blaser (en inglés) hablar sobre la grabación, y como no podía ser de otra manera, algunos de los temas de Early In The Mornin': "The House Carpenter", "Mal's Blues", "Black Betty" y "Lonesome Road Blues". Tomajazz: © Pachi Tapiz, 2018 HDO es un podcast de jazz e improvisación (libre en mayor o menor grado) que está editado, presentado y producido por Pachi Tapiz. Para quejas, sugerencias, protestas, peticiones, presentaciones y/u opiniones envíanos un correo a hdo@tomajazz.com

Andrea Brachfeld was born on May 3 in Utica, New York. She is a flutist, composer, and educator. She graduated from The High School of Music and Art and the Manhattan School of Music. Some artists she has associated with are Tito Puente, Ray Barretto, Hubert Laws, Nestor Torres, Dave Valentín, Paquito D’Rivera, Hilton Ruiz, Steve Turre, Wycliffe Gordon, Wallace Roney, and Bill O’ Connell among many others. Her breakthrough performance as the flutist for the popular Latin band Charanga ’76, catapulted her into Salsa history and fame as the first female flutist to play this music in the United States. Her many awards include the “Louis Armstrong Award for Outstanding Student” from Jazz Interactions in 1974, twice the recipient of the Latin New York Music Award, the Chico O’Farrill Lifetime Achievement Award in 2006, the “Pionero Award” in 2010, the “Best Jazz Flutist” by Hot House Magazine in 2015, and Downbeat Magazine referred to Andrea as “one of the finest jazz flutists around.” Andrea tours with her group Andrea Brachfeld and Insight, featuring Bill O’Connell, Harvie S and Jason Tiemann, the Wallace Roney “Universe” Orchestra, and The Bill O’Connell Quartet / Dave Valentin Tribute Band. In June 2017, Andrea was awarded a grant from Chamber Music America and the Doris Duke Charitable Foundation to compose a new jazz work. Her new CD, If Not Now, When? will be released on Jazzheads in May 2018, reflecting this new music. www.andreabrachfeld.com www.wijsf.org

Wallace Roney is one of the great trumpet artists of his time — or any other time, for that matter. He and Chick Corea talk about their mutual mentor, Miles Davis, and what it truly means to improvise.

It was great to chat with Marlene Rosenberg for the podcast!  Marlene is a Chicago-based jazz bassist and educator and is one of the most active players in the local scene. More About Marlene: Marlene Rosenberg has emerged as one of the most talented and multi-faceted bass players on the scene today. She has played professionally throughout the United States, Europe, Latin America and Japan, performing with innumerable jazz luminaries, such as Kenny Barron, Frank Foster, Stan Getz, Albert “Tootie” Health, Joe Henderson, Marian McPartland, Cedar Walton,Wallace Roney, David “Fathead” Newman, Monty Alexander, Kevin Mahogony, Frank Morgan Frank Wess, Joe Williams and Nancy Wilson, to name a few. Her stylistic range encompasses everything from traditional Big Band to intimate experimental ensembles. Rosenberg was featured on the recording of the Ed Thigpen Quartet entitled “Easy Flight.” Thigpen believes, “What makes Marlene special is her strength and depth of understanding of music. In a world of clones, she has managed to emerge as her own person with her own sound and feel… her time feel is steady and swings like mad.” Rosenberg, who grew up in Illinois, began clarinet studies at the age of ten and took up the electric bass in high school, playing in the jazz band. She began acoustic bass in college at the University of Illinois, where she received the Smith Memorial Women’s Scholarship in 1977, and the University of Illinois Bass-Violas Scholarship two years in a row. Well versed in both the classical and jazz aspects of her instrument, she performed with the University’s main symphony orchestra as well as the prestigious U of Jazz Band, the top of six bands in University of Illinois, and a Masters of Music in Jazz Pedagogy from North western University in June of 1999. In 1985, Rosenberg received an National Endownment of The Arts Jazz fellowship grant,which she used for intensive private study with Ron Carter, Hal Galper, Milk Richmond and Jim Mcneeley. She also counts among her teachers Warren Benfield (Chicago Symphony), Jeff Bradetich (Northwestern University), Ed Krolick and John Gravey (University Of Illinois), and Karl Fruh (Roosevelt University).She also Studied for a 9 month period with Rob Kassinger from the Chicago Symphony (2010) Also, as mentors, Rosenberg counts Rufus Reid and Ray Brown,John Clayton and Buster Williams. In Addition to her versatility as a bassist, Rosenberg has developed a keen interest and capability in the performance of ethnic music. She has performed and recorded with the Balkan Rhythm Band, which focuses on traditional music from Yugoslavia, Serbia and Greece. Her enthusiasm for the drumming and dance of West Africa has promoted study with master drummers from Ghana as well as participation in an African drumming group in Chicago. Rosenberg has worked with numerous modern dance troupes, improvising on both bass and percussion. All this experience have added an extra dimension to Rosenberg’s Jazz work giving it a rare depth and range. Committed to imparting her knowledge to others, Rosenberg currently teaches privately in the Chicago area. She has given special workshops in high schools throughout the Chicago area and has been a clinician at the Saskatchewan School of the Arts in Canada. She has been involved with the Ravinia Jazz Mentors program in the Chicago public high schools.Rosenberg has given workshops on creating melodic bass lines at the International Society of Bassists conference.She was Adjunct Professor at Northern Illinois for 13 years University (1994-2007),teaching Bass Studio and Jazz History (1 Semester). Rosenberg was a full time professor at Western Illinois University, in Macomb, IL for 3 years from 2007-2010 (Teaching Bass, World Music, Popular Music & Jazz Combos)and currently is music faculty teaching jazz combos at Northwestern University (2009-current),in Evanston,Illinois. She also is on the Music Faculty at Roosevelt University, in Chicago.She has been working with students at the Gallery 37 Program in Chicago, Sponsored by the Thelonius Monk Intitute in Washington D.C. Rosenberg has recorded radio and television commercials for McDonald’s and Ameritech, among others. Rosenberg made her debut as a leader and composer on her compact disc “Waimea” (Bassline). Her latest CD “Pieces Of…”(Bassline) presents her as arranger as well as composer. PIECES OF… features pianist Cedar Walton and saxophonist Javon Jackson. Currently, (2011) she is a recipient of an Illinois Arts Council Grant which will help to complete her 3rd self Produced CD. Links to Check Out: Marlene's Website Northern Illinois University - Double Bassist's Guide to Colleges Listen to Contrabass Conversations with our free app for iOS, Android, and Kindle! Contrabass Conversations is sponsored by: This episode is brought to you by D’Addario Strings! Check out their Zyex strings, which are synthetic core strings that produce an extremely warm, rich sound. Get the sound and feel of gut strings with more evenness, projection and stability than real gut. The Upton Bass String Instrument Company.  Upton's Karr Model Upton Double Bass represents an evolution of our popular first Karr model, refined and enhanced with further input from Gary Karr.  Since its introduction, the Karr Model with its combination of comfort and tone has gained a loyal following with jazz and roots players. The slim, long “Karr neck” has even become a favorite of crossover electric players. Check out this video of David Murray "auditioning" his Upton Bass! The Bass Violin Shop, which  offers the Southeast's largest inventory of laminate, hybrid and carved double basses. Whether you are in search of the best entry-level laminate, or a fine pedigree instrument, there is always a unique selection ready for you to try. Trade-ins and consignments welcome! Subscribe to the podcast to get these interviews delivered to you automatically!

NASIR DICKERSONTo listen to this show click above! Nasir Dickerson, BA, MA the youngest son of Mr. and Mrs. Robert H. Dickerson was born in Philadelphia, Pennsylvania and raised in Camden, New Jersey.  He is a 2002 graduate and 4thof his class in Camden High School.  He has achieved high academic accomplishments, especially, in math, science and music education.  He was a member of the National Honor Society, with perfect attendance, and has been the president of his class since his freshman year.  Nasir has also earned many academic scholarships and awards, such as the Alexander Oaks Award, which was given to the number one senior student who has won the respect and approval of the administration, faculty, staff and student body, for academic scholarship, character, personality and athletic interest. Nasir was accepted into the University of the Arts, in Philadelphia, Pennsylvania, where he graduated with a Bachelor Degree in Music Performance in May of 2006.  May of 2007 Nasir earned and received his Master Degree in MUSIC EDUCATION at the UNIVERSITY OF THE ARTS, with high academic honors.Presently, Nasir is employed at the Camden Public Schools (Creative Arts Morgan Village Academy) in Camden, New Jersey as a Music Teacher.  He earned the award of the Best Teacher of the Year in 2010.  In 2002 he formed his own jazz group called Nasir Dickerson and the Renaissance Messengers.  Today Nasir produced two wonderful CD’s (albums) called the Journey to the Fatherland and The Revealer.  Nasir performed and/or actively performs for many legendary greats such as the Philadelphia Legends of Jazz Orchestra (Leon Mitchell), Stylistics, Intruders and Urban Guerilla Orchestra.  He also open for legendary jazz greats, such as Dr. Donald Byrd, Robert “Bootsie” Barnes, Wallace Roney, Jimmy Heath, Cyrus Chestnut Trio, Duane Eubanks, Jymie Merritt, Mickey Roker, Stanley Wilson and Sid Simmons.  Also, today Nasir performs for wedding bands called the CTO World Entertainment Group (Park Avenue), Bounce - The New Evolution, and The Tony Grandberry Project in the Philadelphia area.Nasir has been playing and studying musical instruments, such as the tuba, tenor, baritone, alto and soprano saxophones since the second grade.  He was inspired and taught by many great professors and teachers, such as Mr. Leon Mitchell, Mr. Charles Bowen Sr., Mr. Charles Elliott, Mr. Ronald Kerber, Mr. Tony Salicondro, Mr. Chris Farr, Mr. Danny Muller, Mr. Ben Schachter, Mr. Dennis Wasko, Mr. Tony Miceli, Mr. John Swanna, Ms. Trudy Pitts, Lovett Hines and his older brother Mr. Jamal Dickerson.  Nasir was also part of a musical team winning an Emmy Award on Saturday, September 24, 2011.Nasir is also a World Champion 5th Degree Master Black Belt in Karateand a member of a Discipline Military Style Drill Team called the World Champion UPK Pasha Generals.  Nasir is also a long standing and key member of the Universal African Dance & Drum Ensemble, which is famous for its electrifying drummers, sensational dancers, exciting masquerade and acrobatic show performing all over America also in Africa and the Caribbean. Contact:         (856) 236-6217E-mail:           nasir83@aol.comWeb-Site:      www.unitycommunity.comOrder CD’s   www.cdbaby.comFacebook and You Tube / Nasir Dickerson and Nasir Dickerson and the Renaissance Messengers TO LISTEN TO THE PROGRAM CLICK HERE

Special episode from Electric Lady Studios in New York City. In a fascinating conversation, Chick and singer, songwriter and guitarist extraordinaire John Mayer talk music, improvisation and reveal their amazing new project — with Pino Palladino (bass), Steve Jordan (drums), Wallace Roney (trumpet) and Manolo Badrena (percussion). You're going to want to check this one out!

Composer, producer and multi-instrumentalist Onel Mulet  Antoine Roney (born April 1, 1963) is an American jazz tenor and soprano saxophonist, brother to trumpeter Wallace Roney. Born in Philadelphia, he graduated from the Duke Ellington School of the Arts of the D. C. Public Schools and attended college at the Hartt School of Music of the University of Hartford, where he studied with alto saxophonist, Jackie McLean.   http://www.aroneysaxlessons.com  

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Septième de la treizième session... Cette semaine, une dose de jazz québécois et varia sur des cordes! Présentation de Carl Naud (guitares) et de Julie Lamontagne (piano) En musique: Wallace Roney avec des extraits de l'album Jazz ( High Note, 2007) Carl Naud avec des extraits de l'album L'ascenseur (Effendi, 2009); Julie Lamontagne avec des extraits de l'album Now What (Justin Time, 2009): Ken Vandermark Quartet avec une pièce de l'album Solid Action (Platypus, 1994); Antoine Bustros et l'Ensemble Ulysse avec une pièce de l'album Crime Music : Bernard Herrmann Revisited (XXI-21, 2009); Mat Maneri avec des extraits de l'album Blue Decco (Thirsty Ear, 2000). Normal 0 MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";}        

Septième de la treizième session... Cette semaine, une dose de jazz québécois et varia sur des cordes! Présentation de Carl Naud (guitares) et de Julie Lamontagne (piano) En musique: Wallace Roney avec des extraits de l'album Jazz ( High Note, 2007) Carl Naud avec des extraits de l'album L'ascenseur (Effendi, 2009); Julie Lamontagne avec des extraits de l'album Now What (Justin Time, 2009): Ken Vandermark Quartet avec une pièce de l'album Solid Action (Platypus, 1994); Antoine Bustros et l'Ensemble Ulysse avec une pièce de l'album Crime Music : Bernard Herrmann Revisited (XXI-21, 2009); Mat Maneri avec des extraits de l'album Blue Decco (Thirsty Ear, 2000). Normal 0 MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:10.0pt; font-family:"Times New Roman";}        

Before he was 21, Jon Faddis had played and/or recorded with Dizzy Gillespie, Charles Mingus, Sarah Vaughan, Thad Jones, Lionel Hampton, and Oscar Peterson to name a few. In this special one hour JazzCorner.com InnerView, producer Lois Gilbert accompanies Jon as he takes us on his musical journey through words and music. The Jon Faddis Quartet with special guests Sean Jones and Wallace Roney will be appearing at the Tanglewood Jazz Festival on September 6, 2009. For more info visit: www.tanglewoodjazzfestival.org

Kind of Blue at 50 featuring Wallace Roney on trumpet with Jimmy Cobb's So What Band featuring: Vincent Herring, Javon Jackson, Larry Willis, and John Webber (filling in for Buster Williams who is ill, but doing better), was a wonderful musical reflection on that great session March 2& April 22, 1959 released on Columbia Records August 17, 1959, that changed the way “jazz music” was perceived, then and now forever after if one takes the word of some of the musicians born in its wake –by just a few years and even after that. Visit http://www.jimmycobb.net/

This week we will have a live interview with musician/composer, Wallace Roney, who will be opening the San Francisco Jazz Festival, as a part of the "Miles From India" project. Roney, a protege of Davis, will offer listeners rare insight into the artist, the project and his own creative process. Last year, the concert was a hit and sold out quickly, so it has been moved to a larger venue, Davies Symphony Hall in San Francisco, Grove and Van Ness). Visit www.sfjazz.org From the archives will feature rare audio interviews from artists and revolutionary thinkers I've interviewed in the past ten or so years (2008-1998). Each show will be just an hour, but in that hour these artists and culture workers will share perspectives on life I treasure as I'm sure you will.