Podcasts about blowin

Alejandro Dolina, Patricio Barton, Gillespi Introducción • 0:00:00 Apertura por los 40 años del programa • 0:01:15 Presentación y anuncio de próximas funciones en La Plata, Canning y Rosario • 0:02:28 Mención de la obra de Barton en Avellaneda • 0:02:50 Comentario sobre el libro La paz de la ignorancia de Nacho Merlo • 0:03:18 Referencia al regreso de “Lautaromasa” tras su gira europea Segmento Inicial • 0:04:12 Debate humorístico sobre si una mujer “tira onda” o no • 0:42:32 Reflexión sobre citas breves y señales ambiguas en el interés amoroso • 0:42:35 Lectura de mensajes de oyentes y comentarios sobre oyentes nuevos • 0:49:35 Anuncio de presentación del libro de Barton en Rosario Segmento Dispositivo • 0:56:34 El castillo de Leap y sus fantasmas • 1:09:04 “Oh, Carol” ♫ Segmento Humorístico • 1:12:39 Verdadero o falso sobre ríos y peces • 1:24:19 Discusión por el puntaje y cierre del juego Sordo Gancé / Manuel Moreira • 1:29:06 Presentación del segmento musical • 1:29:47 “Suerte loca” ♫ • 1:32:13 “Blowin' in the Wind” ♫ • 1:35:36 “Embarajando” ♫ • 1:37:21 Charla sobre la trompeta y la dificultad de aprenderla • 1:39:51 “Insensatez” ♫ • 1:42:14 Cierre y agradecimiento final (Resumen generado automáticamente con IA, puede contener errores)

三个Dj一台戏：怀旧电台 part1/Summary子孙满堂组合又来了！ 虽说初衷是为了怀念Fm887,但录着录着就变成了卡拉ok现场，当我们在怀念音乐的时候，也在怀念听这些音乐时的自己，希望和“一起旅行吧”一样，这个系列也能 一直进行下去，希望让你们更开心的一点！记得告诉我们，你是不是笑出来啦 ：） /Show Note 03:52 《We Are The World》06:44 《Heal The World》09:34 《China Girl》10:09 《Take Me Home, Country Roads》11:46 《Another Brick in the Wall》15:24 《完美生活》18:40 《Blowin' in The Wind》20:12 《Five Hundred Miles》21:51 《Puff the Magic Dragon》29:34 《Say You Say Me》10:09 《Take Me Home, Country Roads》 /Staff主播 | 洪晃、罗叔、小杜制作 | 罗叔 文案 | 罗叔后期 | 罗叔技术 | 劲进 /BGM List刘索拉 /Contact新浪微博：@洪晃公众号：好生活杂货铺抖音：洪晃HungHuang小红书：洪晃

BRIAN FALLON – “Not Bad For New Jersey” NIA ARCHIVES – “Boys in Blue” THE CORAL – “Let the Music Play” WESTSIDE COWBOY – “Kick Stones” PETEY USA – “Kiss the City” KIWI, JR. – “Blowin' Up” MOUNTAIN GOATS – “Charlie Sheen Reaches Out to the Feds” TOUCH GIRL APPLE BLOSSOM – “The Springtime Reminds Me of…” THE MARLOES – “I'd Be Lost” STARCLEANER REUNION – “Weather Instrument” BROKEN SOCIAL SCENE – “Paying for Your Love” TRASCAN SINATRAS – “Melodramatic” MICHAEL STIPE, ANDREW WATT – “I Played the Fool” JAMES MADDOK – “Let My Guard Down” BROTHER WALLACE – “Who's That” MICHIGANDER – “Freaking Out” HOTT MT – “Time Banisher”  DUCKS LTD. – “Easy Come, Easy Go” CAROLINE ROSE – “Yip Yip Yow” NEIL YOUNG, CHROME HEARTS – “Big Crime” JOBI RICCIO – “Wildfire Season” WILD PINK –  “Round of Applause at the End of the World” LOS MIRLOS, JUANES – “De Jueves a Jueves” THOMAS DOLLBAUM – “Rabbits” ROLLING STONES – “In the Stars”

BRIAN FALLON – “Not Bad For New Jersey” NIA ARCHIVES – “Boys in Blue” THE CORAL – “Let the Music Play” WESTSIDE COWBOY – “Kick Stones” PETEY USA – “Kiss the City” KIWI, JR. – “Blowin' Up” MOUNTAIN GOATS – “Charlie Sheen Reaches Out to the Feds” TOUCH GIRL APPLE BLOSSOM – “The Springtime Reminds Me of…” THE MARLOES – “I'd Be Lost” STARCLEANER REUNION – “Weather Instrument” BROKEN SOCIAL SCENE – “Paying for Your Love” TRASHCAN SINATRAS – “Melodramatic” MICHAEL STIPE, ANDREW WATT – “I Played the Fool” JAMES MADDOK – “Let My Guard Down” BROTHER WALLACE – “Who's That” MICHIGANDER – “Freaking Out” HOTT MT – “Time Banisher”  DUCKS LTD. – “Easy Come, Easy Go” CAROLINE ROSE – “Yip Yip Yow” NEIL YOUNG, CHROME HEARTS – “Big Crime” JOBI RICCIO – “Wildfire Season” WILD PINK –  “Round of Applause at the End of the World” LOS MIRLOS, JUANES – “De Jueves a Jueves” THOMAS DOLLBAUM – “Rabbits” ROLLING STONES – “In the Stars”  

BRIAN FALLON – “Not Bad For New Jersey” NIA ARCHIVES – “Boys in Blue” THE CORAL – “Let the Music Play” WESTSIDE COWBOY – “Kick Stones” PETEY USA – “Kiss the City” KIWI, JR. – “Blowin' Up” MOUNTAIN GOATS – “Charlie Sheen Reaches Out to the Feds” TOUCH GIRL APPLE BLOSSOM – “The Springtime Reminds Me of…” THE MARLOES – “I'd Be Lost” STARCLEANER REUNION – “Weather Instrument” BROKEN SOCIAL SCENE – “Paying for Your Love” TRASCAN SINATRAS – “Melodramatic” MICHAEL STIPE, ANDREW WATT – “I Played the Fool” JAMES MADDOK – “Let My Guard Down” BROTHER WALLACE – “Who's That” MICHIGANDER – “Freaking Out” HOTT MT – “Time Banisher”  DUCKS LTD. – “Easy Come, Easy Go” CAROLINE ROSE – “Yip Yip Yow” NEIL YOUNG, CHROME HEARTS – “Big Crime” JOBI RICCIO – “Wildfire Season” WILD PINK –  “Round of Applause at the End of the World” LOS MIRLOS, JUANES – “De Jueves a Jueves” THOMAS DOLLBAUM – “Rabbits” ROLLING STONES – “In the Stars”

  One nonviolent way to show one's displeasure/disgust/disagreement is to protest. In a letter to the editor, written in a blog, by contacting your lawmakers, taking it to the streets and there are many other ways. Pete Seeger was known for his songs protesting mistreatment of workers and war itself, and over time there has been a great abundance of songs and actions of protest. Marvin Gaye, CCR, Nina Simone, Dylan, Lennon and many others wrote and performed their protest songs from What's Goin' on?, Blowin' in the Wind to Fortunate Son, Give Peace a chance and Strange Fruit. In the future you'll hear an episode of Tales Vinyl Tells dedicated to protest songs. Please send your ideas to me at TalesVinylTells@gmail.com and yours may well be included. And when you email me, please be sure to let me know who and where you are. I mention protest songs because we kick off with a real kicker from Quicksilver Messenger Service and include Petty, Joni, Cheech, Chong, Nick and more. Thanks for listening. Thanks for listening today. My email is talesvinyltells@gmail.com. You can hear a Tales Vinyl Tells radio program when it streams live on RadioFreeNashville.org and here.  We do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, Google podcasts, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime. PLAYLIST: 189.1 What About Me?-Quicksilver Messenger Service 189.2 At The Chime of the City Clock-Nick Drake 189.3 All That You Dream-Little Feat 189.4 Brown Eyes- Fleetwood Mac w/Peter Green 189.5 You Ain't Goin' Nowhere-Dylan and The Byrs 189.6 What Am I Living For-Mark Almond 189.7 Listen to Her Heart-Tom Petty and the Heartbreakers 189.8 Roadhouse Blues-The Doors 189.9 Trouble Child/Twisted-Joni Mitchell/Cheech & Chong 189.10 Here Comes The Sun-Nina Simone

Aquí lo que importa es que sea fresco del día, en nuestro caso, de la quincena. En Radio Curie te ofrecemos una selección de novedades musicales del circuito alternativo internacional hecho con amor y todo el rigor posible. Durante una hora repasamos lo último de lo último, desde el folk a los sonidos más eclécticos de la electrónica, pasando por el postpunk o el hiphop. Aquí cabe casi todo. 1) Magi Merlin - So Smart 2) The Velvoids - Parachute 3) The Garden - 5 Mile Ponytail 4) Blondshell - Heart Has To Work So Hard 5) The Healing Power of Horses - i wait, i sink 6) Mon Rayon; Vira Milton - One of a Kind 7) Helen Ganya - Panic Button 8) mary in the junkyard - New Muscles 9) MorMor; Celeste - Like Heaven 10) Spinning Plums - Monochrome Syndrome 11) Caroline Rose - Yip Yip Yow 12) Kiwi jr. - Blowin' Up 13) Youth Valley - pills 14) Party Dozen - Special Unit 15) ear - Ne Plus Ultra 16) The Avalanches; Nikki Nair; Jessy Lanza; Prentiss - Together (feat. Nikki Nair, Jessy Lanza & Prentiss) 17) Boys Noize; TAICHU; Taube - Shut It Down 18) Tyondai Braxton - UnFS 19) Arab Strap - You You You 20) Dexys Midnight Runners - My Life In England Pt. 1

Det var inte elgitarren som var den stora revolten. Hynek Pallas om Bob Dylans kristna år som fick publiken att rasa och som får Blowin in the wind att låta som en psalm. Lyssna på alla avsnitt i Sveriges Radios app. ESSÄ: Detta är en text där skribenten reflekterar över ett ämne eller ett verk. Åsikter som uttrycks är skribentens egna.Under ett besök på Bob Dylancentret i staden Tulsa i Oklahoma lyckades jag charma mig till att få rota i centrumets heliga graal – det för allmänheten stängda Dylanarkivet.Arkivarien hade redan börjat plocka fram saker som vanligtvis efterfrågas, som arkivlådor med utkast till 1960-talets kända Dylanlåtar, när jag försynt frågade om man kanske hellre hade något från sångarens år som nyfrälst kristen?Enligt den uttjatade myten om Bob Dylan, ältad i biografier, dokumentärer och film, var hans mest kontroversiella konstnärliga val att hänga på sig en elgitarr. Men när Bob Dylan den 1 november 1979 klev ut på den nedsläckta Fox Warfield-teatern i San Francisco blev resultatet ett ramaskri större än något tidigare under hans karriär.Innan Dylan gick upp på scenen den kvällen fick en förvirrad publik höra sångerskan Regina Havis berätta en historia om Jesus och sjunga gospel. När ljuset tändes kastade sig Dylan och hans band in i sången Gotta serve somebody, från skivan Slow Train Coming.”You might be a rock 'n' roll addict prancing on the stage”, sjöng Dylan i en konfrontativ straffpredikan över ogudaktighet. John Lennon var den förste, men långt ifrån den siste, att göra narr av texten. Eller av de övriga låtar som Dylan spelade den där kvällen och de närmaste åren. Låtar som uteslutande handlade om sångarens kristna pånyttfödelse.Jag drogs till den frälste Dylan för att det var motvalls. I den elitistiska värld av kassettbandssamlande Dylanmän jag klev in i som 25-åring var det ingen som brydde sig om de kristna åren. Många hade varit med när det begav sig. Då en, som de såg det, progressiv rockmusikerpoet, en messias med antikrigsbudskap och existentiella visor, i stället började citera Bibeln. Sjöng om att man måste underkasta sig något.Eller som Dylan väsande förklarade för publiken när de ropade efter ”rock n roll” under en konsert i Arizona 1979: "If you want rock 'n' roll, you go down and rock 'n' roll. You can go and see KISS and you can rock 'n' roll all the way down to the pit!"Om du vill ha rock n roll så kan du gå och se KISS och rocka hela vägen ner i helvetet.Så även om de kristna åren inte längre var ett färskt svek för dessa Dylanmän, så förblev de svårförståeliga.Själv var jag en ateist med judisk bakgrund. Uppväxt bland muslimer – och av nyfikenhet på andras religiositet just examinerad från islamologistudier. Det tog heller inte lång tid för eventuellt motstånd att släppa när jag började lyssna på inspelningarna från Dylans kristna konserter. På kassett efter kassett hördes ju en passion och övertygelse hos sångaren som jag sällan har hört förr eller senare.Dylan har berättat att han har sökt efter konstnärliga processer som ska hjälpa honom att återskapa det omedvetna sätt han gjorde musik på 1960-talet. Om Bibelstudier var en metod för att nå dit vet jag inte. Men form och funktion – och möjligen lite gudomlig nåd – ska uppenbarligen inte underskattas. Konserterna från åren kring 1980 är som baptistgudstjänster under ledning av den häcklande Dylan man känner igen från låtar som Positively 4th street och Like a rolling stone.Men nu bär han väckelsepredikantens skrud – han varnar för frestelser och äcklas av forna vänner.När Dylan fick Nobelpriset skrev jag om min fascination för hans frälsta år. Där någonstans gick gränsen även för dem som tyckte att han var värd priset. Att knycka rader av Edgar Allan Poe? Ja, geni! Att sjunga Korinterbrevet? Nej… bara nej.Att det väcker löje är intressant. Det hänger samman med föreställningar om autenticitet. Hur religion och hudfärg samspelar i det amerikanska samhället och dess popkultur. Och vilken roll just Dylan spelar i denna.Dylans rebellstatus etablerades med tanken att han ”vågade” reta gallfeber på folkmusiketablissemanget med elgitarren. En tandlös myt som stelnade till legend efter att en häcklare i publiken 1966 skrek ”Judas!”. Efter det uppfattades Dylan som en friare och mer autentisk rockkonstnär än samtidskollegorna någonsin kunde bli.Det är också därför det val Dylan gjorde 1979, trots att det var konstnärligt lika mycket som religiöst, aldrig har betraktats som rebelliskt. Hans uppror följde ju inte motståndskulturens mall för uppror.Men inte bara var det modigare, till och med i musiken känns det genuint. För vem, om inte någon med inget att förlora och allt att vinna, skulle annars välja att sjunga om underkastelse, dop och frälsning?Här finns också något jag påmindes om på en Stockholmskonsert med ett hajpat svart gospelband från amerikanska södern. Bandet var väldigt kristna. Något den hippa urbana publiken svalde med hull och hår, hur tveksamt konservativa saker som än uttrycktes från scenen. Fram tills det att bandet började låna ut mikrofonen till svenska vänner de träffat i en kyrka här. När vita kvinnor i cowboyhatt började waila om fostrets rätt till liv, märktes tydligt kontrasten i vilka budskap vi kan svälja beroende på avsändare. Det är en hudfärgsaspekt som många helst ignorerar i sammanhanget. Än idag är det för många lättare att acceptera en svart amerikansk musiker som i sina texter och sitt mellanprat predikar Jesu lära, än en vit artist som gör det. De senare tolkas ryggmärgsmässigt som konservativa på ett negativt vis. Det är en kristendom som kopplas till abortmotstånd, skattefuskande tv-predikanter och rasism.Den svarta kyrkan är i våra ögon mer autentisk. Något härligt och gungande som filtrerats genom decennier av populärkultur. Lite mer naturlig religion. Vilket inte är mindre exotifierande och rasistiskt än att tala om att svarta skulle ha ”rytmen i blodet”.Att Dylan spelade in sina kristna skivor i en anrik studio i Alabama där svarta soulband, med vilka han delade musiker, hade spelat in gospel var ingen slump. Resultatet låter också fantastiskt. Men länge var det bortkastat på en publik som inte kunde acceptera ekvationen Bibeln och Bob.Det var också därför jag visste precis vad jag ville att den häpne arkivarien i Tulsa skulle ta fram. På de aldrig visade filmerna från 1980 sitter Dylan i karaktäristisk skinnjacka, med sina svarta solglasögon och sitt krulliga hår vid en flygel i en lokal som ser ut som gymnastiksalen i en svensk högstadieskola. Han kantas av svarta körsångerskor. Bandet spelar City of Gold – en egenskriven gospel med text från Uppenbarelseboken. Den går över i Blowin in the wind. Som aldrig har låtit lika bra, eller lika mycket som att den skrevs för en kyrka.

P1 Kultur analyserar vad det innebär att The Late Show går i graven, undersöker vad konst kan göra för skillnad i fängelset och skärskådar olika revolter i Bob Dylans karriär. Lyssna på alla avsnitt i Sveriges Radios app. SLUTET PÅ EN ERA – LATE SHOW GÅR I GRAVEN Ikväll sänds den klassiska amerikanska talk showen Late show för allra sista gången. Dåliga tittarsiffror, politiska motiv eller är det helt enkelt ett förlegat tv-format? Samtal om talk showens historia, framtid och roll i offentligheten med Roger Wilson, tidigare USA-korre och medievetaren Joanna Doona. CANNES-AKTUELLA LÈA SEYDOUX OM PEDOFILDRAMAT GENTLE MONSTER Skådespelaren Lèa Seydoux är en av alla skådespelare som just nu befinner sig i Cannes för att tävla om filmkonstens finaste pris, Guldpalmen. I år är hon aktuell i pedofildramat Gentle Monster där hon spelar frun till en misstänkt förövare. P1 Kulturs reporter Björn Jansson har träffat den franska stjärnan. KONSTENS ROLL I KRIMINALVÅRDEN Vilken roll kan kulturen spela för unga i fängelse? I en serie reportage har reporter Tanja Ulriksson undersökt hur kreativa utryck och konst kan underlätta rehabilitering för unga kriminella. Idag möter vi Marcus Hilli som fann konsten i fängelset – som förändrade honom som människa. ESSÄ: NÄR BOB DYLAN BLEV FRÄLST – OCH PUBLIKEN RASADE Det var inte elgitarren som var den stora revolten. Hynek Pallas om Bob Dylans kristna år som fick publiken att rasa – och som får “Blowin' in the wind” att låta som en psalm.Programledare: Saman BakhtiariProducent: Eskil Krogh Larsson

durée : 00:05:19 - Le 13/14 - par : Frédéric Pommier - Figure de la musique celtique, il fête cette année ses 60 ans de carrière avec une tournée qui passera par un concert à Olympia le 31 mai. Au micro de Frédéric Pommier, Alan Stivell évoque son admiration pour Bob Dylan avec la chanson "Blowin'in the Wind", son premier grand succès, sorti en 1963. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Rewind to 30 April to 6 May 2006 — where billionaires are buying feelings in Cubist form, governments are controlling the weather (casual) and your main character moment has a full soundtrack.

The best thing you ever created — you probably didn't create it. Bob Dylan said he could never write a song like Blowin' in the Wind again. Marvin Gaye told Smokey Robinson that What's Going On wasn't his — it came through him. Every great artist eventually arrives at the same humbling, liberating realization: the music doesn't come from you. It comes through you. The Bhagavad Gita names this directly — Krishna says from him comes knowledge, remembrance, and forgetfulness. Whatever ability we have to create, to compose, to lift a single finger — it's being granted. And when we truly recognize that, the pressure drops and the joy deepens. Raghunath and Kaustubha explore that teaching alongside the conclusion of the Govardhan Lila, where the gopis walk home singing — spontaneously composing kirtan straight from their hearts, overwhelmed with love. The means and the end are the same. In bhakti, we call it Krishnifying your life. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

The best thing you ever created — you probably didn't create it. Bob Dylan said he could never write a song like Blowin' in the Wind again. Marvin Gaye told Smokey Robinson that What's Going On wasn't his — it came through him. Every great artist eventually arrives at the same humbling, liberating realization: the music doesn't come from you. It comes through you. The Bhagavad Gita names this directly — Krishna says from him comes knowledge, remembrance, and forgetfulness. Whatever ability we have to create, to compose, to lift a single finger — it's being granted. And when we truly recognize that, the pressure drops and the joy deepens. Raghunath and Kaustubha explore that teaching alongside the conclusion of the Govardhan Lila, where the gopis walk home singing — spontaneously composing kirtan straight from their hearts, overwhelmed with love. The means and the end are the same. In bhakti, we call it Krishnifying your life. ******************************************************************** LOVE THE PODCAST? WE ARE COMMUNITY SUPPORTED AND WOULD LOVE FOR YOU TO JOIN! Go to https://www.wisdomofthesages.com WATCH ON YOUTUBE: https://youtube.com/@WisdomoftheSages LISTEN ON ITUNES: https://podcasts/apple.com/us/podcast/wisdom-of-the-sages/id1493055485 CONNECT ON FACEBOOK: https://facebook.com/wisdomofthesages108 *********************************************************************

The race lands in St. John's, Newfoundland – "The Rock" – where the Atlantic Ocean is the playing field for the next leg of the Go Green Race, and a storm is brewing. Each racer must decode a marine species riddle, pick the right habitat and get their marker before someone gets sent home.Olivia knows puffins and has loved them her whole life, so how does she end up in completely the wrong place? Add a Red Weather Warning, a very wise boat captain and Ryan celebrating way too early, and this episode has one of the most unexpected endings yet.If you're a kid who loves learning science and animal facts, you'll love Earth Rangers! Visit earthrangers.com to learn more!This episode was made in partnership with Environment & Climate Change Canada. Get the WeatherCAN app for current weather, alerts, radar maps, and more...SPONSOR SHOUTOUT:Tons of thanks to Goldfish Swim School for supporting the show!Head to GoldFishSwimSchool.com/Free, find your local school, and use promo code FREE to enroll. ...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This edition of the Coffee Landing Radio Hour is a comedy variety show recorded before a live audience at the Coffee Landing Cafe, Int'l Falls. The features (in order of appearance) are “Hire-a-Loon” (1:49), Bob & Ray's “Slow Talkers of America” (5:46), The Plucked Pair sings “Blowin' in the Wind” (10:16), “Code Name: Hotdish” (13:45), “Greetings from Beyond” (24:01), 5-Minute Mystery “The Shelf of Doom” (28:49), The Plucked Pair with “Down by the Riverside” (36:01), “The Children's Table” (40:14), “The Last Word” (57:55).

 Shakira adelanta las sorpresas que prepara para sus conciertos en España. Las chicas de Huntrix vivieron su gran noche dorada en los Premios Oscar 2026. La La Love You se suma al cartel de LOS40 Primavera Pop 2026. La increíble historia del estudiante que afirmó haber vendido ‘Blowin' in the Wind' a Bob Dylan. Pablo Alborán confirma cuándo empieza a rodar la tercera temporada de Respira. 

Wessewesewess bablasss angine

Pop culture critic James Sullivan joins co-hosts V.V. Ganeshananthan and Whitney Terrell to discuss the history of American protest music. Sullivan, the author of the book Which Side Are You On?: 20th Century American History in 100 Protest Songs, talks about how music has been an important part of inspiring and supporting protest movements from anti-Vietnam War efforts to the Black Lives Matter Movement and present-day protests against ICE. Sullivan considers the importance of protest music to facilitate camaraderie, build morale, and change minds. He explains how the way a song is sung can transform it into protest, even if the lyrics don't change; he comments on recent Super Bowl halftime shows and their political relevance. He also reflects on songs that not only protest, but also honor political martyrs. Sullivan reads from Which Side Are You On?To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by V.V. Ganeshananthan and Whitney Terrell.James SullivanWhich Side Are You On?: 20th Century American History in 100 Protest SongsIsland Cup: Two Teams, Twelve Miles of Ocean, and Fifty Years of Football Rivalry7 Dirty Words: The Life and Crimes of George CarlinMusic“I Didn't Raise My Boy to be a Soldier”“We Shall Overcome”“Waist Deep in the Big Muddy”“Which Side Are You On?”“Try That in a Small Town”“Man in Black”“Streets of Minneapolis”“American Obituary”“Mississippi Goddam”“You Don't Own Me”“The Times They Are A-Changin'”“Blowin' in the Wind”“This Land Is Your Land”“The Preacher and the Slave”“Casey Jones (The Union Scab)”OthersICE OUT SING-IN Resistance Songbook‘Streets of Minneapolis': 32 protest songs inspired by the city's ICE resistanceAlfred HayesThe Man Who Never Died by William M. AdlerSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Heute gibt es einen Doppelpunkt-Spezial zum Iran Krieg. Radio 1-Chef Roger Schawinski spricht mit folgenden Gästen: Kurt Pelda, Kriegsreporter, Georg Häsler, NZZ-Militärexperte, Ulrich Schmid, ehemaliger NZZ-Sonderkorrespondent und Peter Hossli, Journalist und Leiter der Ringier Journalistenschule. Songs: Get Up, Stand Up - Bob Marley, Blowin' in the Wind, Bob Dylan

The Jazz Session No.455 from RaidersBroadcast.com as aired in February 2026, featuring the amazing Bembeya Jazz album. TRACK LISTING: The Continental [jazz on the Titanic] - Pasadena Roof Orchestra; Someday Sweetheart [jazz on the Titanic] - The Charleston Chasers; Samba De Uma Nota So - Stan Getz & Charlie Byrd; Blues in Orbit [bebop] - George Russell Septet; Sanfaran - Bembeya Jazz; Lefa - Bembeya Jazz; Stillness - Phronesis, Julian Arguelles & Frankfurt Radio Big Band; 2857 - Yazz Ahmed; Midnight Sun - Duke Ellington's Spacemen; Robot Portrait - Quincy Jones & His Orchestra; A World Without - Michael Gibbs Band; Atchafalaya - Snarky Puppy; Yama Mama Man - Chris Barber; Blowin' Up a Storm - Wood Herman; A Koukou We - Bembeya Jazz; Bembeya - Bembeya Jazz; Lost and Found - Collocutor; Fiveways - Arun Ghosh; Pa Pe - Claudel Atride; Pont des Arts - Saint Germain.

La pochette de l'album The Freewheelin' Bob Dylan est aujourd'hui une des images les plus iconiques des années 60. On y voit deux jeunes gens qui marchent bras dessus bras dessous dans une rue enneigée de New York, serrés l'un contre l'autre pour résister au froid. Et on grelotte avec eux, c'est vrai, mais ce qu'on ne peut pas louper, c'est la lumière qui se dégage leur sourire. Une lumière dont on devine, bien évidemment, l'origine : l'amour et la jeunesse, le monde est à leurs pieds.Quand il la rencontre, Bob a vingt ans, pas vraiment d'adresse, et est financièrement raide. Il dort chez des gens sur des canapés, parfois par terre, traîne toute la journée à Greenwich Village, joue dans les petites salles pour le chapeau et vit avec une guitare, un harmonica, un carnet et l'idée obstinée que quelque chose va arriver.Suzanne Rotolo, c'est son nom, est plus jeune que lui, mais plus stable. Elle a un toit, un vrai travail, comme disaient les parents à l'époque, mais aussi des idées politiques et une curiosité immense. Quand Dylan arrive chez elle, il a vite fait de poser tout ce qu'il possède. Suze lui fait à manger : une soupe et des pâtes, rien d'extraordinaire, sauf que pour lui, ça compte énormément.Bob reste. Il parle beaucoup, écrit tout le temps, vit comme si chaque jour était décisif. Suze écoute, l'emmène au théâtre, aux manifestations, lui fait écouter autre chose que du folk. Ils marchent beaucoup, surtout le soir, parce que rester dehors ne coûte rien. Ils s'aiment fort, se disputent aussi. Bob peut être dur, absorbé par son art. La photo de cette pochette d'album qui va se vendre par millions, est prise en plein hiver 1963, dans Jones Street, à Manhattan. Il fait très froid et ils n'ont pas vraiment ce qu'il faut pour s'en protéger. Dylan n'est pas encore une voix mythique, c'est un garçon qui tient debout parce qu'une jeune femme marche à son bras. Vous devriez voir cette autre photo prise un instant plus tard, quand il l'embrasse, et elle fermant les yeux, le visage collé à son épaule à en mourir, c'est bouleversant.Quand l'album sort, et qu'on se met à entendre Blowin' in the wind partout, les choses vont changer, c'est vrai. Bob va devenir Dylan. Suze, elle, va s'effacer peu à peu. Mais pour l'éternité, il reste cette image : avant la légende, un hiver, deux manteaux trop fins, et un amour en guise de soleil.Avant d'être une pochette mythique, The Freewheelin' Bob Dylan est le souvenir d'un hiver new-yorkais, d'un artiste en attente de reconnaissance, et d'une jeune femme formidable qui l'a aidé à tenir le temps que sa voix trouve sa place. Alors on reste figé, comme cette photo que des milliers et des milliers de couples sont allés reproduire depuis dans Jones street. La vieille camionnette Volkswagen n'est plus garée sur la gauche de la rue mais le vent d'amour et de cette jeunesse insolente y souffle toujours. Rien ne pourra le faire tomber, pas même le ciel.

El profesor Rodríguez Braun esta vez nos presenta en su sección de La Brujula, Canciones económicas, 'Blowin' in the Wind' (1962) de Bob Dylan.

We're at the mons of Vajanuary so join us as the Doom Crew learns to swim, a catholic Tina Belcher, fart chemical science, Cleo-spatula, Bob Hoskins succeeding where Jack Nicholson failed and oops, a broken hymen. Still saving ourselves for Jake Ryan even though he's a bus driving pederast because a real woman is never too old! Don't take your wig and go home, tune into Mermaids, it's there in his kiss on Doom Generation!

Honey, Just Allow Him One More Chance! The Year Of Redemption blows us back into the North Country this week to revisit The Freewheelin' Bob Dylan! After Highway 61 Revisited didn't exactly leave Connor "going electric," we decided to wind back the clock to 1962 and explore one of Dylan's first masterpieces. After barely breaking even with his debut, people called him a folly... but with his sophomore effort, this so-called spokesman of a generation set out to prove them wrong! Armed with a guitar and a harmonica and inspired by social upheaval that defined the decade, the future folk legend suddenly came into his own with hits like Blowin' In The Wind, A Hard Rain's A-Gonna Fall, and Don't Think Twice, It's All Right.James & Connor break down what went wrong for Dylan in our first episode. Then we'll explore his backstory and dive deeper into the making of Freewheelin', from its jazz producer to its strikingly cool (literally) cover photo. The Mixtaper is back to redeem himself with facts about loitering crime, scared children, and a $100,000,000 secondhand couch. As we move through Freewheelin' track by track, we'll discover the traditional roots of so many of these songs and learn the social, political, and personal context behind lyrics that evolved the course of popular music. Whether you're here for pacifist protest pieces like Masters Of War, heartaching ballads like Girl From The North Country, or you just want to hear him say "needle" in a funny voice... Freewheelin' could be just the Bob Dylan redemption you need.Have you tried the infamous cherry cordial milk? Would you be kind to a scruffy vagrant? Is YOUR favorite Dylan track in the acoustic or electric style? Let us know if Dinky Dylan deserved a follow-up in the comments or on socials. See you soon for another album; Happy New Year!!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro6:50 About Bob Dylan11:09 About The Freewheelin' Bob Dylan22:18 Awards & Accolades23:37 Fact Or Spin26:21 Bob Dylan Is A Scruffy Vagrant30:35 Bob Dylan Went Incognito34:48 Grandpa Bob Scares Children38:17 Bob Dylan Is Not Much Of A Negotiator46:48 Album Art49:59 Blowin' In The Wind54:23 Girl From The North Country58:16 Masters Of War1:00:52 Down The Highway1:03:59 Bob Dylan's Blues1:04:57 A Hard Rain's A-Gonna Fall1:08:20 Don't Think Twice, It's All Right1:10:49 Bob Dylan's Dream1:13:10 Oxford Town1:15:12 Talkin' World War III Blues1:17:08 Corrina, Corrina1:19:18 Honey, Just Allow Me One More Chance1:21:04 I Shall Be Free1:23:53 Final Spin Hosted on Acast. See acast.com/privacy for more information.

BILL LUCAS JOINS US TO CLOSE OUT MISSOURI THIS WEEK AND END OUR REGULARLY SCHEDULED BROADCAST UNTIL THE FIRST OF THE YEAR. BILL'S SONGS INCLUDE LIFETIME OF MEMORIES, HAPPY THERE, BLOWIN' MY BLUES AWAY PLUS COVERS OF NOBODY LOVES YOU WHEN YOU'RE DOWN AND OUT AND HARVEST MOON.

Pairing craft beer with craft glassblowing is a unique combination, and that's exactly how Merrickville, ON's Gather is making a name for themselves. Co-Founder Mike Gray joined Cee to chat about the story of going from a glassblowing establishment to a craft beer bar to a craft brewery, how Gather has become a real pillar of their community with a full restaurant and regular events, how their brewing started from contracting to brewing their own stuff in-house, why they always need to keep their Amber Ale on, the help they received from the craft beer community, the killer collabs they've done so far, how they're improving their haze game, the canning line that will up their output, their incredibly popular glass and beer workshops, their mug and wine clubs, and their upcoming collab with Third Moon. They got into six killer Gather brews: A Brewer Is Never Late NZ Pilsner, Dunkel Bernstein Munich Dunkel, Glass Blowers Assistant Vol. 3 Hazy Pale Ale, Over Blown Double IPA, Canadian Ale, and Caramel Stout. This was fascinating - cheers! BAOS Podcast Subscribe to the podcast on YouTube | Website | Theme tune: Cee - BrewHeads

The real scandal in the Hegseth narco-terrorist strikes? Democrats are more furious about U.S. strikes on drug boats poisoning America than an Afghan national ambushing National Guardsmen in D.C. – exposing their depravity. Stefanik blasts Speaker Johnson for blocking deep-state reforms; Trump teases 2028 bench including Vance and Rubio; DOT threatens Minnesota's highway funds over fake Somali trucker licenses; Minneapolis mayor vows to shield Somali fraudsters from feds; Michael and Susan Dell pledge $6.25B to seed 25M kids' Trump investment accounts; Colorado dad heroically shoves armed burglar down stairs to protect sleeping children; and Scott Jennings nails why 2026 must laser-focus on domestic wins to avoid leftist court-packing nightmare.   The AM Update, Aaron McIntire, Pete Hegseth narco strikes, Afghan ambush, Somali fraud Minnesota, Trump accounts children, Michael Dell donation, home invasion Colorado, Elise Stefanik Mike Johnson, Scott Jennings 2026, deep state reform, Steve Deace Show

Henry & Eddie bring you this week's juiciest stories and true-crime news - The Ghost of Epstein returns to haunt Trump with scandalous new e-mail reveals, Hitler's Micropenis: Revealed, Michael Duarte aka @FoodWithBearHands's cause of death revealed to be an incident, Online sextortion threat in Ohio leads to murder, New Bosnian War documents reveal shocking "sniper tourism" of the 90s, Arizona Dad who watched porn while daughter died in hot car found dead by suicide, Pocket P*ssies for Widowers, Listener E-Mails, and MORE! For Live Shows, Merch, and More Visit: www.LastPodcastOnTheLeft.comKevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Subscribe to SiriusXM Podcasts+ to listen to new episodes of Last Podcast on the Left ad-free, plus get Friday episodes a whole week early. Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Josh has a take on the Iowa Game

Matteo Ceschi"Un'altra musica"L'America nelle canzoni di protestaMimesis Edizioniwww.mimesisedizioni.itCome si definisce una canzone di protesta? A partire da questo interrogativo, Matteo Ceschi decostruisce tre brani leggendari – This Land Is Your Land di Woody Guthrie, Blowin' in the Wind di Bob Dylan e Kick Out the Jams degli MC5 – per comprendere i processi che tramutano una canzone in inno generazionale e le dinamiche attraverso cui, nel corso dei decenni, diversi tipi di pubblico si appropriano di un brano per portare avanti le loro cause. Ad arricchire il testo, numerose interviste realizzate per l'occasione con alcuni autori e interpreti tra cui: Wayne Kramer (chitarrista e fondatore degli MC5), Jimmy Collier (folk singer allievo di Pete Seeger e Martin Luther King) e Joe McDonald (musicista country protagonista a Woodstock).Matteo Ceschi, storico, saggista e fotografo milanese. Collabora da anni con diverse riviste musicali. Ha pubblicato numerosi saggi dedicati alla controcultura statunitense. Come membro del f/50 The International Photography Collective unisce la sua passione per la storia con un'esplicita fotografia documentaristica in rigoroso bianco e nero.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

Aaron McIntire breaks down the latest on the U.S. military's strikes on drug-carrying vessels, the ongoing government shutdown standoff with Democrats, and President Trump's clash with GOP lawmakers over Argentine beef imports. Plus, Ron DeSantis doubles down on his bold plan to abolish property taxes in Florida, and Michael Jordan reflects on his NBA legacy.   AM Update, Aaron McIntire, government shutdown, drug trafficking, U.S. military, Trump, Argentine beef, Ron DeSantis, property taxes, Michael Jordan, NBA, ICE tracker, Democrat strategy, Jen Psaki, JD Vance

It was 60 years ago this month that Bob Dylan brought his full-band electrical circus to the masses. The outspoken, topical folk singer from Hibbing, Minnesota became the toast of the folk world through his incredible songwriting, razor wit, pointed barbs and completely original style evident in songs like “Blowin' in the Wind,” “Don't Think Twice” and “It Ain't Me, Babe.” But in 1965, he flipped over that table to join his rock and roll contemporaries by going all in on folk-rock. And when he did it, he hired a motley group of mostly Canadian youngsters called the Hawks to bring this to his audience, which almost always met with their scorn and derision, but Bob was dead set on moving on to his next phase and bringing his audience with him. In his latest article for the Strange Brew, which is Part 1 of 2, music historian Scott G. Shea tells the story of the Hawks, who would later change their name to the Band, how they came together as a unit and hooked up with Dylan.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

This mix is just an open digital crate digging session, no theme just great music. A real mix of two halves, the first being deep soulful house from both sides of the pond. Baltimore, NY and NJ feature heavily alongside London.The second half is a more upbeat club sound form more recent years dominated by European heavyweights.Tracklisting:1: thatmanmonkz -Blowin' My Mind2: Simba - Phase Seq One3: 6th Borough Project - Back 2 Black (Cuthead Remix)4: Coeo - The Look5: Mathew Bandy, Dianne Charlemagne - Pieces Of My Dream (The Layabouts Dub Instrumental)6: Kim English - Supernatural (Mousse T. Super Soul Mix)7: M&S - Tramonto8: Cajmere & Russoul pres Ari Lourdes - Love Is You9: Kaje st Sacha Williamson - Butterflies (Guy Robin Main)10: Teddy Douglas, Margaret Grace - Watcha Gonna Do (Spen's Code Red)11: Namy, Marc Evans - Reset (Rhemi Vocal Mix)12: Timmy Regisford, Lynn Lockamy - At The Club (Sean McCabe's Slummin Mix)13: Ziggy Funk, Taliwa - What You Afraid Of (Ian Friday's Libation Mix)14: Urban Blues Project ft Pearl Mae - Your Heaven (I Can Feel It) (Micky More & Andy Tee Extended Remix)15: ATFC, David Penn - Hipcats16: Angelo Ferreri - So Hard17: Anane - Let Me Be Your Fantasy (Mousse Ts Fantastic Shizzle Mix)18: Tony Touch - Apaga La Luz (OG Mix)19: Dafunkeetomato - Can You Dig It20: Risk Assessment - Juicy Smollett21: Tony Garcia - Over Pyramids (Romy Black Remix Extended)22: Michael Watford - Since I Met You (Kerri Chandler Mix)23: Richard Earnshaw - People R People (Extended Mix)Enjoy!

It was 60 years ago this month that Bob Dylan brought his full-band electrical circus to the masses. The outspoken, topical folk singer from Hibbing, Minnesota became the toast of the folk world through his incredible songwriting, razor wit, pointed barbs and completely original style evident in songs like “Blowin' in the Wind,” “Don't Think Twice” and “It Ain't Me, Babe.” But in 1965, he flipped over that table to join his rock and roll contemporaries by going all in on folk-rock. And when he did it, he hired a motley group of mostly Canadian youngsters called the Hawks to bring this to his audience, which almost always met with their scorn and derision, but Bob was dead set on moving on to his next phase and bringing his audience with him. In his latest article for the Strange Brew, which is Part 1 of 2, music historian Scott G. Shea tells the story of the Hawks, who would later change their name to the Band, how they came together as a unit and hooked up with Dylan.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

"Otis Blue/Otis Redding Sings Soul" (1965) ist das dritte Studioalbum des amerikanischen Soulsängers Otis Redding. Es besteht hauptsächlich aus Coverversionen zeitgenössischer R&B-Hits und hat bis heute einen festen Platz unter den wichtigsten Alben der Musikgeschichte. "Otis Blue/Otis Redding Sings Soul" erschien am 15. September 1965 und verkaufte sich mehr als 250.000 Mal. Entstanden ist das Album in den legendären Stax-Studios in Memphis – und das in gerade einmal 24 Stunden. Das Indie-Label Stax Records war neben Motown Records eines der wichtigsten Labels für Soulmusik und prägte den typischen "Memphis-Soul". Die Stax-Hausband Booker T. & The MG's war auch maßgeblich an der Produktion von "Otis Blue" beteiligt. In einigen Songs des Albums zeigt sich ein deutlicher Bezug zur amerikanischen Bürgerrechtsbewegung Mitte der 1960er Jahre. Ein Beispiel dafür ist der Song "Ole Man Trouble", in dem Otis Redding musikalische Brücken schlägt. Er verknüpft Elemente des als "weiß" wahrgenommenen Country mit den afroamerikanischen Traditionen der Soul- und Bluesmusik. Gerade in den Jahren des Höhepunkts der Bürgerrechtsbewegung war diese musikalische Verbindung mehr als ein Stilmittel. Sie wurde zur künstlerischen Aussage gegen Trennung und Ausgrenzung. Ein weiterer Song, der in diesem Zusammenhang genannt werden muss, ist "Change Gonna Come". Dabei handelt es sich um eine Coverversion des Songs "A Change Is Gonna Come" von Sam Cooke. Cooke, ein wichtiges Vorbild für Redding, hatte den Song nach einer eigenen rassistischen Erfahrung geschrieben. Zusätzlich zum Schreiben inspiriert wurde er, als er Bob Dylans "Blowin' In The Wind" hörte – ein Moment, der ihn dazu brachte, selbst ein Lied über die Ungerechtigkeiten gegenüber Afroamerikanern zu verfassen, diesmal aber aus der Sicht eines schwarzen Musikers. Nach Cookes frühem Tod im Jahr 1964 führte Otis Redding dieses Erbe weiter. Er kürzte den Titel zu "Change Gonna Come" und machte den Song endgültig zu einer Hymne der Bürgerrechtsbewegung, die heute sozusagen als amerikanisches Kulturerbe gilt. __________ Über diese Songs vom Album "Otis Blue/Otis Redding Sings Soul" sprechen wir im Podcast (16:12) – "Ole Man Trouble"(23:42) – "Respect"(32:23) – "Change Gonna Come"(49:15) – "I've Been Loving You Too Long"(54:58) – "Satisfaction" __________ Alle Shownotes und weiterführenden Links zur Folge: https://1.ard.de/otis-redding-otis-blue-otis-redding-sings-soul __________ Ihr wollt mehr Podcasts wie diesen? Abonniert "Meilensteine – Alben, die Geschichte machten"! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

EPYSODE 55: "Argus" by Wishbone Ash. Guest: Wishbone Ash band leader Andy Powell. Additional commentary by Uncle Herff. This week we revisit "Argus", the landmark third album by Wishbone Ash. Widely regarded as one of the greatest classic rock albums of all time, it defined the twin-lead guitar sound and blended progressive rock, hard rock, and folk influences into a timeless masterpiece. With exclusive commentary from guitarist Andy Powell, we explore the creative process behind the album, the band's unique dual-guitar harmonies, and how this record earned its place as Melody Maker's Album of the Year in 1972. From “The King Will Come” to “Blowin' Free,” discover the stories and legacy behind one of the most influential rock records of the '70s. I hope you dig "Argus" as much as I do. - Farmer John ===CONNECT & SUPPORT=== Transport yourself into the realm of grooviness by supporting us on Patreon using this link --> patreon.com/FarmerJohnMusic Use this link to follow us on Facebook --> https://www.facebook.com/farmerjohnmusic/ Use this link to follow us on Instagram --> https://www.instagram.com/vinylrelics/ Use this link to follow us on TikTok --> https://www.tiktok.com/@vinylrelicspodcast Use this link to follow us on BlueSky --> https://bsky.app/profile/farmerjohnmusic.bsky.social And find us on X here @VinylRelicsPod Email me here @ ⁠farmerjohnmusic@gmail.com⁠ ===LINKS=== Check out the Wishbone Ash website for sweet merch, upcoming gigs and more: https://www.wishboneashofficial.com   ===THE MUSIC=== Songs used in this Epysode, in order of appearance. Here's a link to a Spotify playlist for all the tracks featured ( *denotes track is not available on Spotify): https://open.spotify.com/playlist/5dvd2t0Lt8pTc0wwjJUVx0?si=96728248d6c24ec7 TROYKA "Dear Margaret" CHUCK BERRY “No Particular Place To Go" THE SHADOWS “Apache” SAM & DAVE “Hold On, I'm Coming” *THE EMPTY VESSELS “My Son John” THE POLICE “Roxanne” FLEETWOOD MAC “Oh Well (Part 1)” THE BEATLES “Martha My Dear” DEEP PURPLE “Hush” ERIC WEISSBERG & STEVE MANDELL “Duelling Banjos” THE WHO “Won't Get Fooled Again” WISHBONE ASH “Errors Of My Way” WISHBONE ASH “Blind Eye” WISHBONE ASH “The Pilgrim” WISHBONE ASH “Valediction” WISHBONE ASH "Time Was" WISHBONE ASH "Sometime World" WISHBONE ASH "Blowin' Free" WISHBONE ASH ''The King Will Come" WISHBONE ASH "Leaf And Stream" WISHBONE ASH "Warrior" WISHBONE ASH "Throw Down The Sword" DAVID BOWIE “Ziggy Stardust” WISHBONE ASH “Jail Bait” (live) WISHBONE ASH “Everybody Needs A Friend” WISHBONE ASH “Sorrel” HOME “Time Passes By” WISHBONE ASH “Persephone” WISHBONE ASH “The Ring” WISHBONE ASH “Back In The Day” ??MYSTERY ARTIST?? Tune in next week to find out... NEWPORT ELECTRIC "El Dorado's Gold" ^That's my band. This is shameless self-promotion!! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Old Ozarks with Dr. Brooks Blevins... We dig into the region's long and violent relationship with tornadoes, known around here by a wide variety of names: cyclone, twister, hurricane, and yes, even Sow Coon. And let me tell you, once you've stared down a mad-as-a-hornet mother raccoon, you'll understand the metaphor better than you want to. Let's dive into this episode of The Old Ozarks... What is The Old Ozarks? The Old Ozarks is your gateway to the forgotten history of the Ozarks. Hosted by renowned historian Dr. Brooks Blevins, the leading authority on the region's history, this podcast explores the lives, legends, and landscapes that have shaped this unique region. Whether you're a native Ozarker, a new resident, or a curious listener, join us as we share the stories that make the Ozarks special and connect us to our past.

Bob Dylan's fifth studio album - and his first  to incorporate electric instrumentation - 1965's 'Bringing It All Back Home', marked a seismic shift in popular music that can still be felt today. This week's guest, Buffalo, NY-born singer-songwriter and rock-and-roll lifer Willie Nile, joins us to dissect this stunning game-changer of a record. Songs discussed in this episode: Subterranean Homesick Blues (Bob Dylan cover), Vagabond Moon, We Are We Are - Willie Nile; Blowin' In The Wind - Bob Dylan; Peggy Sue - Buddy Holly; 19th Nervous Breakdown - The Rolling Stones; Subterranean Homesick Blues, She Belongs To Me, Maggie's Farm - Bob Dylan; Love Minus Zero/No Limit (Bob Dylan Cover) - Willie Nile; Love Minus Zero/No Limit, Outlaw Blues - Bob Dylan; On The Road Again - Willie Nelson; On The Road Again, Bob Dylan's 115th Dream - Bob Dylan; Mr Tambourine Man - The Byrds; Mr Tambourine Man - Bob Dylan; Don't Worry Baby - The Beach Boys; Gates Of Eden, It's Alright Ma (I'm Only Bleeding), It's All Over Now, Baby Blue - Bob Dylan; Wake Up America - Willie Nile

In this episode of Ear and Loathing, your hosts Aaron, Damon and George (The Gitmo Bros) talk about fancy watches, a high tolerance for shitty music, the pompous train we're on, and adolescent Andy Levy is psyched on Long Island. In the Torture Chamber segment, Aaron and George compete for meaningless points by making Damon listen to his most hated music. Will Damon survive the Torture Chamber long enough to play one of his favorite songs? Tune in and find out! Songs featured in this episode: "Blowin' in the Wind" (Stevie Wonder and Glen Campbell), "Crazy Nights" (Loudness), "Touch and Go" (Emerson, Lake & Powell)

durée : 00:05:08 - C'est une chanson - par : Frédéric Pommier - Tout cet été, nous réécoutons les entretiens de Frédéric Pommier. Aujourd'hui, c'est avec le journaliste et écrivain Philippe Labro, décédé le 4 juin. Il évoque "Blowin' in the Wind" de Bob Dylan, le chanteur qui, selon lui, a le mieux raconté son époque. (Rediffusion de l'émission du 04/11/2024) Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Live from the woods, it's the June Birthday-Shout-Out episode. Only one RAW Impressions fan (Duffy) requested a shout-out and Lou and Adelle could only think of one friend (Busy Philipps) with a June birthday. Lou plays a new song, "Blowin' Up", for Adelle's consideration and considers being more 'chill'. If you'd like a July birthday celebrated let us know! rawimpressionspodcast@gmail.comwatch on LouTube:https://youtu.be/Kjjq3aecegwBusy's show:https://plus.qvc.com/series/busy-this-week/VmlkZW9fVmlkZW9TZXJpZXMKZDY1ZjFjOTcwZTc3ZDg5MTlhODE1ODZkYQ==Hear Blowin' Up as a sweet, uninterrupted, acoustic demo!https://barlowfamilygeneral.substack.com/ Hosted on Acast. See acast.com/privacy for more information.

In this episode, we talk about the time that the daddies spent most of the episode in the toilet.

On this episode of the NHRA Insider podcast powered by Speedmaster, Tony Pedregon and Kevin McKenna join Brian Lohnes to talk all things about the Gerber Collision and Glass Rt 66 Nationals presented by Peak Performance. The guys go over each class of competition, talk about the teams that are struggling and those that are on the rise.    The weekend is also unique in that there are loads of independent nitro teams in both Funny Car and Top Fuel which have the potential to upend the apple cart for the established full-time touring operations. The facility is one of the best on tour and the action will be hot and heavy from qualifying session one all the way to Sunday afternoon.    This is a great conversation and one that will have you fired up for the week's upcoming action!  

Text us here! Hersh, it is a privilege for us to be back with you, as always. We had a reluctance on the show today concerning the topic of antique cars. Then we went down memory lane with our song selection which is where the smoke comes in. We also had a wonderful story about Brooks collecting money from our beloved Deacon. All in all it was a wonderful time here on the trash-cast. Take a listen and if you want to see the video of this episode it is available on our Patreon page (touch that "Support the Show" link and see the possibilities). Speaking (or typing) of Patreon, a big ole heartfelt thank you to all the folks who have joined and we have plans to add more and more content on a monthly basis. We already have 16+ hours of extra content, plus many pictures and videos. Now you can enjoy some of the weekly episodes on video...  Enjoy! Support the showConnect with us at https://www.podnme.org/https://youtube.com/@devinbirdsongEmail devin@podnme.orgFollow us on Instagram @podn_mePersonalities on Pod'N MePastor: Devin BirdsongDeacon: Dustin WakleySongleader: Brad CottrellHershall: Jud IngramNews Anchor, Dink Burbank: Josh SmithGen Z Boy: Brooks Birdsong

durée : 00:04:55 - Avec la langue - par : Julie Neveux - Ce vendredi, c'est poésie et Julie Neveux s'empare du titre "Blowin in the wind". Composé en 1962 par Bob Dylan sur le coin d'une table d'un café, elle est l'essence de la poésie de son jeune auteur.

It's Seeking Sunday! Ben here, today Jacques, Hesse and I discuss the triumphant return of Onija Robinson, how to mingle with the drunk elite of Aspen, and face yet another grueling round of Special Questions from Jacques. Call in to our LoveLine at 332-203-8247, keep voicemails to under a minute and send them TODAY because we are recording with the Mother of The Show Jamie tomorrow. Mwah!

On this episode DCMWG starts with an update on the Trump regime and just how screwed we may be (6:09), AB randomly tells us Keyshia Cole allegedly loves him in a screenshot we didn't ask for (16:09), have you ever dealt with a bitter ex? Call this number on your screen 267-225-2492 (21:05), two children tragically pass away due to hypothermia after sleeping in a van due to being homeless (32:11), LiAngelo Ball is living up to his rapper aesthetic (34:45), Big Meech Party gets cancelled due to unforeseen circumstances (42:15), Darkside of The DMs (55:18) & more. Get your real life advice from Mona on the show! Dial 267-225-2492 and leave a question for a chance to have your voicemail answered on an episode. JOIN THE NEW DCMWG PLUS COMMUNITY FOR BONUS EPISODES, AD-FREE LISTENING & OTHER EXCLUSIVE CONTENT CLICK HERE: https://dcmwg.supportingcast.fm This episode is sponsored by Goodwipes. As a special offer for Don't Call Me White Girl listeners, Goodwipes is giving you your first pack for FREE. Head to www.goodwipes.com/call for more details. This episode is brought to you by Bilt. Start earning points on rent you're already paying by going to joinbilt.com/DCMWG Executive Producers for Breakbeat: Dave Mays & Brett Jeffries Executive Producer: Don't Call Me White Girl Producer: Tom Flies Production: Creative Mind Productions: Vernon Ray (@AllMoneyShots) & Rebel Hill Productions: Zack James (@ZJames_RHC) Instagram: @BreakbeatMedia @DontCallMeeWhiteGirl @PhelpsJugo @TomFlies Learn more about your ad choices. Visit megaphone.fm/adchoices