Podcasts about misbehavin

In Part Two of our Queering Talks series with Dr. Jen Self, we will center the voices of those who have always led the way in liberation movements, claiming the spotlight for those who have consistently been “out in front” of struggles for justice, love, and equity, demonstrating that the margins have always been the source of radical change. Queering leadership is not just about reclaiming lost stories; it's about futurism — imagining and building new realities. Leaders who live at the intersections of power systems have long envisioned new possibilities and turned them into reality. They've led us beyond the dismantling of oppressive systems and into the creation of new spaces where power is shared, community is centered, and liberation is a lived practice. Queer futurism taps into the resilience and creativity of those who dream beyond the status quo, moving us from inclusion to transformation, and inviting us to build new worlds rooted in radical imagination and collective care. From the beginning, Town Hall has been a space for meeting the needs of our city—hosting concerts, book talks, and new ways to connect. This bold new series reimagines the traditional lecture format through a queer lens, challenging ideas about who speaks, who listens, and who is centered. Built around three themes — In Between (exploring fluid identities and spaces), Out in Front (centering changemakers leading justice and equality movements), and Always Been (highlighting the historic contributions of queer visionaries)—this series promises to inspire, expand perspectives, and celebrate inclusivity. Join us in sparking meaningful conversations and building a community that values growth and connection. Dr. Jen Self (they/them) is a therapist, educator, performer, and writer whose work lives in the third space—the liminal zone where identities, systems, and possibilities collide and transform. As the founding director of the University of Washington's Q Center, Jen reimagined what it means to create community healing spaces by centering a queer intersectional praxis. Jen knows that macro changes take place in our everyday decisions and actions. Their career spans decades of racial and gender justice work as a therapist, educator, strategist, program innovator, and truth sayer, navigating—and disrupting—institutions to make them more humane and transformative. Jen's current projects include writing everything from maps on napkins to a memoir, co-leading The Racial Healing Project, and co-creating the Queer Leadership Lab. Ariyah Jané is a Black Trans-Woman from Montgomery, Alabama. Deeply rooted in her diverse background, her artistry spans Musical Theatre, Gospel, and Blues. She has performed in celebrated productions like Ain't Misbehavin', graced the iconic stage of Carnegie Hall, and shared the stage with top contestants on the 2019 Sunday's Best Tour. In 2024, she released her debut EP, Dear Ariyah. Beyond her musical achievements, Ariyah is the founder and CEO of Muses and Moguls, a creative support network for independent and emerging artists navigating the challenges of the entertainment industry. She is a passionate advocate for the LGBTQIA+ community and focuses on public service, housing, and healthcare advocacy for queer and gender non-conforming individuals. Bryanna Jenkins (she/her) is the Policy Director at Lavender Rights Project. Ms. Jenkins received her B.S. from Morgan State University, her M.A. from the University of Baltimore, and her J.D. from DePaul University College of Law. Ms. Jenkins also published Birth Certificate with a Benefit: Using LGBTQ Jurisprudence to Make the Argument for a Transgender Person's Constitutional Right to Amended Identity Documents in the CUNY Law Review. Prior to law school Bryanna founded and led The Baltimore Transgender Alliance and organized the cities first Baltimore Transgender Uprising March in 2015. Bryanna is also the Vice Chair of the National Bar Association's LGBTQ Division.

Looking for the Perfect Beat 2025-17 by Irvin Cee Release date: April 25 2025 Looking for the Perfect Beat is Irvin Cee's weekly radio show with the best and newest club music on the globe since 2014. A various mix of Deep House, House, Tech House, Techno, and Hard Techno is beat mixed in such a slick way it will take you to new heights of musical experience and you feel trapped to dance until the very end of the show. *Irvin Cee is available for International bookings at Clubs, Festivals en Quality bars. Video recording: Youtube: https://youtube.com/watch?v=OtToZ8gxWIk Tracklist: Time +/- :Title - Artist (*time is +/- mix in time) 00:00:00 - R2-D2 - DJ PP 00:05:12 - Silver - Moscat 00:09:49 - Flowered Silk Shirt - Denats 00:13:04 - Im Black - Francisco Barria 00:16:50 - Thrill Seeker - Chemars 00:19:56 - Back To Skool - Roberto Parisi 00:23:54 - Satisfaction - Audio Soul Project 00:29:04 - Because I Feel - FRIDAYCUT 00:31:41 - Deep Inside My Mind - Discoplex 00:34:46 - Misbehavin' - Simon Kidzoo 00:39:17 - Lakeland - Dompe 00:43:01 - Game On - KPD 00:45:35 - Above - Julian Collazos 00:50:39 - Skubadoo - The Cube Guys 00:54:03 - Technology - Rangel Coelho 00:56:50 - Freak - JustJovani #DJPP #Moscat #Denats #FranciscoBarria #Chemars #RobertoParisi #AudioSoulProject #FRIDAYCUT #Discoplex #SimonKidzoo #Dompe #KPD #JulianCollazos #TheCubeGuys #RangelCoelho #JustJovani #JensMueller #PlanetaryAssaultSystems #irvincee #"irvin cee" #perfectbeat #"perfect beat" #djmixes #clubbing #music #deephouse #"deep house" #house #techhouse #"tech house" #techno #djset #dj #nightlife #radio #tekkno #tekk #electronic #underground #festival #berlin #2023

Send us a textEpisode 538"The Righteous Gemstones" and "The Bondsman" | Actor/Singer: Jennifer NettlesJennifer Nettles joins me to talk her new series on Prime Video "The Bondsman", we discuss Walton Goggins and Kevin Bacon, what Aimee Leigh would think of Lori dating Eli, Misbehavin, being a scream queen and much more.Welcome, Jennifer Nettles.#therighteousgemstones #thebondsman #kevinbacon #waltongoggins #jennifernettles #podcast #interview #primevideo #hbomax #hbo #max www.mmcpodcast.comReach out to Darek Thomas and Monday Morning Critic!Instagram:   / mondaymorningcritic  Facebook:   / mondaymorningcritic  TikTok:   / mondaymorningcritic  Mondaymorningcritic@gmail.com

This is thee second part of my conversation with author Joshua Rosenblum about his new book CLOSER THAN EVER — THE UNIQUE SIX-DECADE SONGWRITING PARTNERSHIP of RICHARD MALTBY, JR, and DAVID SHIRE. We dicuss Maltby's work on the musicals Ain't Misbehavin', Fosse, Song And Dance, Miss Saigon, and The Pirate Queen, and the Maltby/Shire shows, Baby, Closer Than Ever, BIG, and Waterfall. Travel to NYC with David Armstrong and Broadway Nation For information this new Broadway Nation initiative, go to: https://www.likemindstravel.com/ Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Its back to the present on this episode of Misbehavin as Drew and Libby sit down to review Season 4 Episode 2 of The Righteous Gemstones titled "You Hurled Me Into the Very Heart of the Seas". What new Gemstone invention makes its debut? What about Eli's new look does Drew Love? And what is Baby Billy packing? Listen in and join the discussion!   E-mail: Misbehavinpod@gmail.com  

Episode Notes Join us for this very special interview with author and Pagan leader Enfys Book! Find out how their spiritual path began, a little about their writing process and how we can all use rituals to mark the passing of time in meaningful ways. Enfys also shares a bit of their musical journey as well, including their time with the band Misbehavin' Maidens! Find out more about Enfys and their writing at www.majorarqueerna.com Find out more about Blind Pride International by visiting our new website www.bpi.gay find us on other social media by visiting https://linktr.ee/bpisocials

Music from: Captain John Stout, Leza Mesiah, The Moor Of Dundee, Sarah Marie Mullen, Erika the Harpist, Vince Conaway, Celtic Mayhem, Bardy Pardy, Misbehavin' Maidens, Chaste Treasure, Roxlovians , Harper & Minstrel , Marc Gunn, Hob the Troll, Jim Hancock, Dan The Bard, Pictus, The Rogues, Tartanic, Abby Green, Bedlam Bards, Cantiga, Fugli, Jesse Ferguson, Rowan and the Rose VISIT OUR SPONSORS RESCU https://RESCU.org Ocean Renaissance Foundation http://www.oceancityrenaissance.com/ The Ren List http://www.therenlist.com Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Songs Black Is the Color[01] performed by Captain John Stout from the album Songs of Love & Loss www.porterstout.com/ The Mermaid Song[16] performed by Leza Mesiah, The Moor Of Dundee from the album More Of The Moor Of Dundee www.moorofdundee.com/ King of the Faeries[05] performed by Sarah Marie Mullen from the album The Wild Woods www.facebook.com/sarah.m.rua Toss the Feathers & Drowsy Maggie performed by Erika the Harpist from the album A Fyne Faire Daye www.erikatheharpist.com Dalling Alman performed by Vince Conaway from the album Wanderlust(2) www.vinceconaway.com/ Bedlam Boys[02] performed by Celtic Mayhem from the album Celtic Mayhem www.facebook.com/RockinIrishMusic/ Dark Lady[01] performed by Bardy Pardy from the album Bardy Pardy (Self-Titled) www.bardypardy.com Space Shanty performed by Misbehavin' Maidens from the album Swearing is Caring www.misbehavinmaidens.com Jolly Roving Tar[01] performed by Chaste Treasure from the album Chaste Treasure www.chastetreasure.com Way Out At Sea[01] performed by Roxlovians from the album Living Room Rox www.gypsyrox.com Stingo performed by Harper & Minstrel from the album The Road To Lindemar www.theharperandtheminstrel.com Heart's Ease[03] performed by Marc Gunn from the album Heart's Ease www.marcgunn.com So Scared (Love Song) performed by Hob the Troll from the album Stop Making Songs www.hobthetroll.com Spanish Ladies[05] performed by Jim Hancock from the album Rolling Home www.jimhancock.com The Owlbear Song performed by Dan The Bard from the album Manticores and Owlbears: Songs about Dragons and the Dungeons in which they dwell! www.danthebard.com Dance of the Druids performed by Pictus from the album Air www.pictusmusic.com Ronds performed by The Rogues from the album Roguetrip www.therogues.com Ney Sayings performed by Tartanic from the album Unstoppable www.facebook.com/tartanicofficial My Johnny Was a Shoemaker[01] performed by Abby Green from the album Fig for a Kiss www.AbbyGreen.com Black Leather Band[01] performed by Bedlam Bards from the album Take Out the Trash www.bedlambards.com Cantiga 108 performed by Cantiga from the album Martha's Dragon www.cantigamusic.com/ Molly Malone[04] performed by Fugli from the album Mythtakes www.povera.com Bully in the Alley[09] performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com Parting Glass[40] performed by Rowan and the Rose from the album We Have Adventures www.rowanandtherose.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

While best known for her seeming nonstop flow of hit albums and singles throughout the 70's and 80's, Melba made cultural history long before that, beginning her performing career as Dionne in the original cast of the musical Hair while becoming the first black woman to replace a white actress (future film star Diane Keaton) in a featured role on Broadway. In 1970, the same year her debut album I Got Love earned her a Best New Artist Grammy nomination, she won a Tony Award for Best Performance by a Featured Actress in a Musical for her portrayal of Lutibelle in Purlie – a role she would later reprise in the 1981 TV adaptation for Showtime. Soon after the success of “The Melba Moore/Clifton Davis Show,” she signed with Buddha Records, where she scored the Top Ten Billboard dance hits “This is It” and “Make Me Believe in You” and the Grammy nominated Top 20 R&B smash “Lean on Me.” Signing to Capitol in the early 80s, Melba enjoyed a second prolific decade of success with Billboard Top Ten R&B albums like Never Say Never and A Lot of Love and many hit singles, including “Love's Comin' At Ya” and the #1 hits “A Little Bit More” with Freddie Jackson and “Falling,” a hypnotic ballad featuring one of the longest held notes (nearly 20 seconds!) in recorded history. In addition, Melba's 1985 hit “Read My Lips” earned her a third Grammy nod (for Best Female Rock Performance), making her only the third Black artist after Donna Summer and Michael Jackson to be nominated in a rock category. Some of her highlights in the 2000s include an appearance in the film The Fighting Temptations (starring Cuba Gooding Jr. and Beyonce) and a role in a production of Ain't Misbehavin'. Imagine is the title track to Melba's latest (and 28th overall) album offers an optimistic vision of global love and unity during a particularly fraught sociopolitical era.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Antonia Bennett, acclaimed jazz songstress and daughter of world renowned vocalist Tony Bennett, to release heart-warming version of the 1929 Fats Waller classic “Ain't Misbehavin” on Friday, February 28th 2025, the first single taken from her forthcoming album titled ‘Expressions'.    Antonia's swingin' piano and vocal rendition will be accompanied by a light-filled intimate family-affair video that will feature Antonia, Antonia's daughter, and husband frolicking through sun-drenched rooms of their home, complete with fancy dress-ups and communal cooking moments in the kitchen.   “Ain't Misbehavin” was first recorded by a Bennett in 1964. Antonia's late father, Tony Bennett performed the classic for his album ‘When Lights Are Low'.    The youngest daughter of Tony Bennett and actress Sandra Grant Bennett, Antonia grew up in Los Angeles and started singing with her father by age four. During that time, Antonia was surrounded by some of the greatest vocalists of all time, including Rosemary Clooney, Ella Fitzgerald, and Frank Sinatra – known to get up and sing at her father's parties during the holidays. Antonia's passion for music grew stronger.   In 2008, Antonia recorded "I've Got My Love to Keep Me Warm" with her father, featured on his album"A Swingin' Christmas". In 2010, she released her own critically acclaimed EP, "Natural," produced by Holly Knight.  All About Jazz praised Antonia's debut, stating the EP "introduces Bennett as a gifted interpreter of jazz classics with an impeccable and accessible vocal style."    Her most recent album "Embrace Me", showcased ten standards from the Great American Songbook, including "All of You," "Embraceable You", "I Can't Give You Anything But Love", and "Nice Work if You Can Get It." 

Michele McCain's journey in the entertainment industry is nothing short of remarkable. As a global motivational storyteller, singer-songwriter, and actress, she has enchanted audiences worldwide since her debut at Shea Stadium with the legendary James Brown. With Broadway credits like Ain't Misbehavin' and collaborations with icons such as B.B. King and Celia Cruz, Michele's dedication and talent have established her as an inspiring figure for aspiring artists.Born and raised in Brooklyn, New York, Michele's love for performing led her to a successful Broadway career. After nearly 40 years abroad, particularly in beautiful Mallorca, Spain, she cherishes her journey from Brooklyn's energetic streets to Mediterranean tranquility. Through her travels across Europe, she often advises aspiring performers about the transformative power of adventure and exploration in discovering new opportunities.This week, you'll learn why Michele decided to immigrate to Spain from Brooklyn, New York, how Michele landed her first big time Broadway show, and her advice for dreamers to remember the sky has no limit.LEARN MORE:>> Connect with Michele on Instagram, Facebook, and YouTube (https://www.instagram.com/michelemccain),(https://www.facebook.com/michele.mccain.9), (https://www.youtube.com/@MicheleMcCain)>> Check out her website (https://www.michelemccain.net)> > Listen to Corey and Michele's song together, ⁠Werk⁠ (https://open.spotify.com/track/1VU4jHjuIdRunXAaqqTXRY?si=tU64S8JaTWySOCI90pz-4Q)NSLS MEMBERS ONLY:> > Listen to the bonus episode to learn about the best advice Michele's ever been given (http://members.nsls.org/audio/michele-mccain)Mentioned in this episode:Get 20% Off at the NSLS ShopUse code MONDAYS for 20% your entire purchase at shop.nsls.orgNSLS ShopNSLS members!

Sintonía: "Harlem Joys" - Willie ´The Lion´ Smith"Stretching Out", "Now Will You Be Good", "Pennies From Heaven", "King Porter Stomp", "Ain´t Misbehavin´" y "Bee Kay", extraídas del álbum "Stretching Out" (1958)"A Blues (What´s On Your Mind)" y "Trav´lin´Light", extraídas del álbum "Kansas City Revisited" (1958)Ambos discos compilados en cd por Jazz Beat en el 2007Todas las músicas de "Stretching Out" interpretadas al saxo tenor por Zoot Sims y al trombón por Bob BrookmeyerTodas las músicas de "Kansas City Revisited" interpretadas al saxo tenor por Al Cohn y Paul Quinichette, y al trombón por Bob BrookmeyerEscuchar audio

Cumming Back To Cape May! We decided to a do a couple days in a lovely B&B in Cape May after Halloween where we can swim, hot tub and cam! LOL! So we headed off and sweated oru brains out while also doing an SDC webinar on our camming lives. Our discussion this time incluudes size queens, and why guys shouldn't be concerned on how big their wang is. The return of strap-on shows! Yay! Bend over bb! LOL! Sally talks about Mitch's new primal cock rings! Much better! Sally tells me Mitch, well I've always been very sexual. Mitch is all, what?! All this and Sally's swimming adventures!  Come get wet with us! Sally & Mitch sjerotica.com “We put the WHAT? in WTF?”

Fonseca talks with the late Ken Page American actor and cabaretsinger who created the part of Ken in the original Broadway production of Ain't Misbehavin' and played Old Deuteronomy in the original Broadway and filmed stage adaptation of Cats. He voiced Oogie Boogie in The Nightmare Before Christmas franchise and played in the original Broadway production of The Wiz as The Lion and the first Broadway revival of Guys and Dolls as Nicely-Nicely Johnson.

VV-030 PROGRAM LIST M1 Squeeze Me (Fats Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) M2 Handful of Keys (Fats Waller) Rec. 3/1/1929, HANDFUL OF KEYS, FATS WALLER AND HIS RHYTHM, RCA Victor, LPM-1502, 1957 (2:45) M3 Ain't Misbehavin' (Fats Waller, Harry Brooks) Rec. 8/2/1929, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:00) M4 Tanglefoot  (Fats Waller) Rec. 8/24/1929, THE RAREST FATS WALLER, Volume 1,  RFW-1, 1955. (3:10) M5 Honeysuckle Rose (Fats Waller) Rec 5/13/1941, AIN'T MISBEHAVIN', FATS WALLER AND HIS RHYTHM, RCA Victor LPM-1246, 1956 (3:21) M6 Bouncin' on a V-Disc (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 (4:46) Background songs for this episode: M7 Please Take Me Out of Jail (Fats Waller) Rec. 12/1/1927, THE RAREST FATS WALLER, Volume 1, RFW-1, 1955. M8 Sometimes I Feel Like a Motherless Child  (Fats Waller) Rec. 9/23/1943, FATS WALLER PLAYS, SINGS AND TALKS, Jazz Treasury JT-1001, 1956 ABOUT THE ARTIST Today's show features the LATE GREAT Thomas Wright Waller, a jazz pianist and organist, composer and singer, born in New York City in 1904  The 7th of 11 children, his mother was a musician, and his father was a trucker and pastor in NYC.  Fats started playing piano when he was 6. He played the organ at his father's church at age 10. PAUSE He was home-schooled early-on by his mother and worked in a grocery store. He quit high school after just one semester at age 15 to work as an organist at the Lincoln Theater in Harlem. PAUSE At the Lincoln Theater, he earned $32 a week.  That was 1929.  He became known as “Fats Waller” because he was big -- both in body and in mind.  PAUSE Fats Waller laid some of the building blocks for what is NOW ‘modern jazz piano'. He popularized the use of The stride piano style,  which is widely used by jazz pianists today. He toured internationally and two of his biggest hits were Ain't Misbehavin' and Honeysuckle Rose. PAUSE You are listening to Sometimes I Feel Like a Motherless Child by  Fats Waller) Recorded back in 1943.PAUSE Waller copyrighted over 400 songs. He probably composed many more, but, when he was in financial difficulty, he would sell songs to other writers and performers, who would not acknowledge the real composer, claiming the songs as their own.   Today's podcast features Fats Waller and a few of his SOLO piano and organ compositions that were recorded between the years 1926 and 1943, or from the age of 22 to 39.  Some of these songs are not available today, except where they are rediscovered - - - on my old and treasured Fats Waller record collection! SHOW PLUG - SHOW PLUG - DON'T TOUCH THAT DIAL ! ! BIT BUCKET Waller is also credited with his composition and performance work in Broadway Musicals. Waller is perhaps the FIRST BLACK composer to write the score and perform for a mostly all-white show on Broadway. That was the 1943 Broadway musical EARLY TO BED, produced by Richard Kollmar – the Broadway Flyer for EARLY TO BED reads “Music by Thomas (“Fats”) Waller”. . M1 M1 Squeeze Me  (Thomas Waller) Rec. 2/14/1926, FATS WALLER EARLY UNDISCOVERED SOLOS, Riverside Records RLP 12-103, 1955 (2:55) Our first recording is titled “SQUEEZE ME” It's a piano solo, and the composer and performer is Thomas Waller.He is not billed as “Fats” Waller yet, as he is not that unusually large at the young age of 22. This song SQUEEZE ME was recorded for production of piano rolls in 1926, making this among Waller's EARLIEST recordings. Waller recorded his piano solos for the production of Piano Rolls between 1926 and 1927.These rolls operate on player pianos. Insert the roll, and the piano plays the song. PAUSE The player piano is a specialty item, affordable by the wealthy, and not a great way to release new music to the masses. Decades later, in 1955,

Last month, the Great White Way lost one of its brightest stars: Ken Page. In tribute to the beloved actor, singer and Drama Desk Award Winner, “Here's the Thing” is sharing Alec Baldwin's 2021 conversation with the Broadway legend. Page was known for his standout roles in the 1976 all-Black revival of “Guys and Dolls” and the original casts of “The Wiz” and “Ain't Misbehavin'.” However, one of Page's most iconic performances was in the film “The Nightmare Before Christmas” as Oogie Boogie. This episode also features musical theater royalty Betty Buckley, who, like Page, grew up dreaming of performing on Broadway. Both starred in the original Broadway production of “Cats” – Page as Old Deuteronomy and Buckley in her Tony-Award winning role as Grizabella. Together, these two pioneers helped redefine and transform musical theater over the past several decades. See omnystudio.com/listener for privacy information.

Tonight we're chatting with Libby Cudmore, whose neo-noir thriller NEGATIVE GIRL comes out this month, September 10 from Datura Books. S.A. Cosby called it "fantastic" and “…a sharp subversive exploration of the PI novel that elevates the genre while never sacrificing the thrills." Libby is a Shamus and Black Orchid award winner and author of the acclaimed novel The Big Rewind. Her Wade and Jacks stories have appeared in Alfred Hitchcock's Mystery Magazine, Ellery Queen Mystery Magazine, Tough and the Anthony-nominated anthology Lawyers, Guns & Money: Crime Fiction Inspired by The Music of Warren Zevon (co-edited with Art Taylor). She is also the current co-host of the OST Party and Misbehavin' podcasts and the creator and host of the #RecordSaturday live-tween series, spinning an array of old and new vinyl in a weekly interactive conversation. About the book: Upstate New York. Former rock star, recovering addict and now private investigator, Martin Wade, and his assistant, Valerie Jacks, are hired by a young woman who wants them to deliver a warning to her overbearing father. But neither realize their new client's father is an old bandmate of Martin's. A man still burdened with regret at being thrown out of Martin's group, The French Letters, almost two decades before. When their young client is found dead on a riverbank, duty, nostalgia and a lifetime of guilt find Martin and Valerie on the case, searching for the young woman's killer. As the mystery begins to unravel, Martin struggles to hold onto his sobriety while Valerie becomes increasingly obsessed with their murdered client – finding correlation in the secrets, and the scars they've all tried to hide.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

The sixth portion of this session, with Jimmy Mazzy (banjo/vocals), Fred Lind (cornet), Paul Meymaris (clarinet), John Kafalas (tuba), and Don Frothingham (piano). The selections are “Ain't Misbehavin',” “Lonesome Road Blues,” and “You're Lucky To Me.” Send questions or comments to podcast@kafalas.com.

On today's episode, James C. Liker (@cigarette_liker), Josh Christianson, and Josiah are running through the house with a pickle in their mouth to kick off a series of episodes on The Righteous Gemstones. This month, we discuss the first season and introduce the show; over the next  months or two, we'll be discussing the rest of the show on the Patreon.Follow James on Twitter @cigarette_liker // Bluesky @cigaretteliker.bsky.socialBecome a Fruitless Patron here: https://www.patreon.com/user?u=11922141Check out Fruitless on YouTubeFind more of Josiah's work: https://linktr.ee/josiahwsuttonFollow Josiah on Twitter @josiahwsuttonReferencesThe Righteous Gemstones, Season 1."Exclusive: High-Tech Sheep-Stealing? Elevation Church Accused of Using Location-Based Ads to Geofence Other Churches, Steal Their Congregants," Protestia, https://protestia.com/2024/07/18/stealing/Music & audio creditsThe Righteous Gemstones, Opening Title SequenceMisbehavin' (1960s) - Aimee-Leigh, Baby Billy & Joseph StephensYesterday – bloom.Misbehavin' (1989) - Aimee-Leigh, Baby Billy & Joseph Stephens ★ Support this podcast on Patreon ★

We celebrate legendary American jazz pianist, organist, composer, violinist, singer, and comedic entertainer Thomas Fats Waller. He laid the groundwork for modern jazz piano and some say he paved the way for rock-n-roll. Waller started playing piano at the age of 6, and copyrighted over 400 songs during his career, including Grammy winners "Ain't Misbehavin'" and "Honeysuckle Rose". Waller was a critical and commercial sensation in the United States and Europe. Unfortunately he died from pneumonia at the early age 39 in 1943. We have Fats Waller performing live in 1938, an appearance on the popular Edgar Bergen Show just before his death in 1943, a tribute concert by Eddie Condon in 1944, plus a dramatization of life of Fats Waller on Destination Freedom. More at http://krobcollection.com

Music's big bundle of joy. Featuring: I Ain't Got Nobody, Carolina Shout, That's All, Sugar, Squeeze Me, (What Did I Do to Be So) Black and Blue, Ain't Misbehavin', Honeysuckle Rose, Then I'll Be Tired of you.

On this edition of The Arts Section, host Gary Zidek previews Drury Lane's new production of AIN'T MISBEHAVIN'. We'll hear from director E. Faye Butler. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review Steppenwolf Theater's much anticipated world premiere starring Laurie Metcalf, LITTLE BEAR RIDGE ROAD. Later in the show, we'll hear about a new jazz singing competition taking place in July. And Gary visits a suburban exhibit that looks back at life in the Chicago-area during World War II.

Kecia Lewis is celebrating 40 triumphant years as a dynamic storyteller on stage and screen in the entertainment industry. Lewis' rich career of portraying formidable women has come full circle with her critically acclaimed, Tony, Drama Desk, Drama League, Outer Critics Circle nominated, and Lucille Lortel Award winning performance of Miss Liza Jane in Alicia Keys' Broadway hit musical Hell's Kitchen. Entertainment Weekly proclaims "Lewis is commanding...her voice is a weapon, and she knows just when to fire." Kecia's Broadway journey began with her debut at 18 years old in the original company of Dreamgirls. In addition to originating on Broadway iconic roles in Once On This Island, The Drowsy Chaperone, and Leap of Faith, Kecia has graced the Broadway stage in The Gospel at Colonus (with Morgan Freeman), Big River, Ain't Misbehavin' (standby for Nell Carter) and Children of a Lesser God. Off Broadway she has starred in the title role of Mother Courage (CSC), The Skin of Our Teeth (TFNA - Obie Award Winner), Dessa Rose (LCT - Drama Desk nom.), and Marie and Rosetta (ATC - Lortel & Drama League Nom, Obie Award Winner). Kecia's work on the reboot of MAD ABOUT YOU was loved by fans and critics alike. Other selected TV guest and recurring roles include "And Just Like That" (Max), "With Love" (Amazon), "The Passage (Fox), The Blacklist (NBC), Law and Order SVU (NBC) and “Wu-Tang: An American Saga” (Hulu). As a vocalist Kecia has performed in Canada, Switzerland, Hong Kong, New Zealand and Russia. Kecia can also be seen in Evan Parter's feature “The Independent” alongside Brian Cox, Jodie Turner-Smith and John Cena which is now streaming on Peacock.    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Enfys J. Book (they/them) is an author, priestx, blogger, teacher, performer, singer, songwriter, and comedian. They wrote the Gold COVR award-winning Queer Qabala: Nonbinary, Genderfluid, Omnisexual Mysticism & Magick (Llewellyn, June 2022); co-authored (with Ivo Dominguez, Jr.) Sagittarius Witch (Llewellyn, 2024); and wrote the forthcoming Queer Rites: A Magickal Grimoire to Honor Your Milestones with Pride (Llewellyn, 2025). They are also a founding member of the "funny, filthy, feminist, fandom folk" band The Misbehavin' Maidens, the creator of a website on queer magick called majorarqueerna.com, and the host of a podcast called "4 Quick Q's: Book Talk with Enfys," where they interview pagan authors using questions determined by a roll of the dice. They have taught many classes on tarot, Hermetic Qabala, magickal rites of passage, and queering one's magical practice at conferences and events around the world. By day, Enfys is a technical account manager at a tech company, specializing in content migration and onboarding new customers. As a nonbinary, bisexual pagan and performer, Enfys employs a queer lens to break down limiting binaries in magickal practice, and advocates for bi, trans, non-binary/genderqueer, queer-, and asexual visibility and inclusion through their writing and music. Websites https://majorarqueerna.com (blog) https://misbehavinmaidens.com (band)  Links to buy Enfys' books https://majorarqueerna.com/buy Social Media https://facebook.com/majorarqueerna https://instagram.com/majorarqueerna https://instagram.com/enfysbook https://youtube.com/@majorarqueerna https://soundcloud.com/majorarqueerna  https://kind.social/@enfysbook   Support the Show.Instagram: GenderStoriesHosted by Alex IantaffiMusic by Maxwell von RavenGender Stories logo by Lior Effinger-Weintraub

Send us a Text Message.This week's episode?Wild.Visit LoveBoatExposed.com to dive deeper, and connect with the show; send us a message or record a voicemail for air. Make sure to subscribe - we're on all your favorite podcast platforms! rsmedia.group creationsFair Use Act DisclaimersInformation contained on this podcast and all related materials is for criticism and commentary, as well as for research and educational purposes. Under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

VISIT OUR SPONSORS The Louisiana Renaissance Festival Ocean Renaissance Foundation The Ren List Happy To Be Coloring Pages RESCU The Patrons of the Podcast SONGS Now Is The Month Of Maying[2] performed by Three Quarter Ale from the album Three Quarter Ale www.facebook.com/pg/threequarterale May Day Carol performed by Kindred Spirits from the album Dispelling All Woes www.thekindredspirits.com The Old Hags of May Day performed by Blame Not the Bard from the album Soundcheck www.blamenotthebard.com/ The May Song performed by Harper & Minstrel  from the album A Sonnet For The Queen www.theharperandtheminstrel.com Beltane Wedding Dance[1] performed by Dianne Linn from the album Janus www.dianelinn.com/ Star of May Morning performed by Alexander James Adams from the album A Familiar Promise www.faerietaleminstrel.com/ A Short Jaunt Through Time And Space performed by April Knight from the album Allons Y Time Traveler's Tunes www.aprylknight.com/ Star Wars Medley performed by The Dread Crew of Oddwood from the album Singles[6] www.thedreadcrewofoddwood.com/ There Goes the Galaxy performed by Clearly Guilty  from the album There Goes The Galaxy www.facebook.com/ClearlyGuilty/ Pipes In Space[1] performed by The Rogues from the album Made In Texas 01 www.therogues.com The Mer Trek Ballad[1] performed by Fugli from the album Mythinterpretations www.povera.com Duet for Shower-Curtain Rod & Sonic Srewdriver performed by Kaade from the album Singles[7] Bonnie Jean performed by Brobdignagian Bards from the album Dragons and Virgins www.thebards.net Jedi Drinking Song Prequel[1] performed by Brobdignagian Bards from the album Real Men Wear Kilts www.thebards.net Sail the Sky[1] performed by Bedlam Bards from the album On the Drift (Music Inspired by Firefly and Serenity) www.bedlambards.com Ballad of Joss performed by Bedlam Bards from the album On the Drift (Music Inspired by Firefly and Serenity) www.bedlambards.com Her Name Is Serenity performed by Daniel Birt from the album Songs of My People Polymorph Your Mother performed by Boogie Knights from the album Hysterically Inaccurate www.sites.google.com/site/boogieknightsmd/ Don't Sail There No More performed by Misbehavin' Maidens from the album Busted www.misbehavinmaidens.com The BaRDIS performed by Dan The Bard from the album Cross-Genre References! www.danthebard.com Lovely Month Of May performed by Queen Ann's Lace from the album Bootleg www.QALace.com Beltane II performed by Saxon Moon from the album Awakening www.facebook.com/saxonmoonmusic/ Space Journey performed by Cast in Bronze from the album The Voyage www.castinbronze.net/ All About That Space Library Bards performed by Library Bards from the album Bardcore www.librarybards.com Space Shanty performed by Misbehavin' Maidens from the album Swearing is Caring www.misbehavinmaidens.com Modern Pirates[2] performed by Barleyjuice from the album Six Yanks www.barleyjuice.com Rise Up And Dress Yourself - Sixth Of May performed by Darcy Nair from the album I Feel My Heart Fly www.facebook.com/darcy.nair Health to the Company[18] performed by Dregs from the album Angelina Farewell Concert www.the-dregs.net HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora https://www.pandora.com/podcast/renaissance-festival-podcast/PC:1139 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Oh, hallelujah. Our problems are solved. We have banana bread!Apu and Manjula have octuplets which obviously is overwhelming until they receive an indecent proposal from a local Zoo owner, Larry, Larry Kidkill. Great episode. Lots of fun. [Synopsis at 6:05]

Finally a vibraphone episode! Nathan Dufresne is a solo percussionist and a member of the Columbia Orchestra.  Today he talks about arranging a jazz standard ("Ain't Misbehavin'") for solo vibraphone, and how he overcomes the challenge of condensing multiple parts to be played wth just 4 mallets.     find Nathan on TikTok at @dufresne_percussion find Nathan on Youtube: Nathan Dufresne Percussion   Other Audio: "Ain't Misbehavin'" by Fats Waller   visit our website asamusicpodcast.com

Sie raunt, offenbart, jammert und frohlockt – es gibt wohl keine Emotion, die Sarah Vaughan nicht in ihre Stimme legen könnte: Sie ist unter den grossen Jazzsängerinnen die facettenreichste. Rund zehn Jahre jünger als Billie Holiday und Ella Fitzgerald ist die im März 1924 geborene Sarah Vaughan. Als Teenager gewinnt sie im Talentwettbewerb des Apollo Theatre in Harlem - so wird man auf sie aufmerksam. Vaughan beginnt, in den Sessions der Bebop-Pioniere mitzusingen und zieht ihre eigenen Schlüsse. Auch wenn «Sassy» langsamere Balladen den irrwitzigen Bebop-Tempi vorzieht, brilliert auch sie mit ungewohnten Intervallsprüngen und abenteuerlichen Melodievarianten. Sie klinge ebenfalls wie ein Bläser, lobt sie etwa der Trompeter Miles Davis. Dass sie sich innerhalb ihrer umfangreichen Möglichkeiten so sicher bewegen kann, gibt «The Divine One» eine fast unendliche Gestaltungsmöglichkeit. Der Fokus aufs Sängerische wird ihr dann allerdings zum Verhängnis in den politisch aufgeladenen 1960ern. Bei einem Auftritt am Jazzfest Berlin wird die grosse Vaughan mit Klopapier beworfen. Ihre Liedinterpretationen sind dem Publikum offenbar nicht politisch genug, Vaughans Gesangskunst wird als rückwärtsgewandt und aus der Zeit gefallen kritisiert. Ihr Status als eine der drei grossen Stimmen des Jazz wird aber auch von diesen jungen Wilden nie hinterfragt. Und bis heute bleibt die Vokalistin ein viel studiertes Vorbild, auch für die jüngste Generation von Jazzsängerinnen und Jazzsängern. In der Jazz Collection diskutiert Annina Salis mit der Jazzstudentin und Singer Songwriterin Naïma Bereté. Die gespielten Titel / Interpret:innen (Album | Label): Ain't Misbehavin' / Sarah Vaughan (In Hi-Fi | Columbia) I'll Wait and Pray / Billy Eckstine and His Orchestra (Billy Eckstine and His Orchestra. 1944-1945 | Classics Records) Mean to Me / Sarah Vaughan (In Hi-Fi | Columbia) Black Coffee / Sarah Vaughan, Joe Lippman Orchestra (Sarah Vaughan. 1947-1949 | Classic Records) All of Me / Sarah Vaughan and Her Trio (Swingin' Easy | EmArcy) Lullaby of Birdland / Sarah Vaughan and Clifford Brown (Sarah Vaughan and Clifford Brown | EmArcy) Whatever Lola Wants / Sarah Vaughan (Shellac Single | Mercury) Misty / Sarah Vaughan (Vaughan and Violins | Mercury) The Island / Sarah Vaughan (Crazy and Mixed Up | Pablo Today) Jazz Corner of the World / Quincy Jones (Back on the Block | Qwest, WB) One in a While / Sarah Vaughan (In the City of Lights | Justin Time) Lover Man / Sarah Vaughan, Dizzy Gillespie Quintet (Sarah Vaughan: Jazz Sessions 1944-1950 | Blue Moon)

Broadcast on Serenade Radio on 22nd February, 2024 Name Artist Album Year Comments The Minor Drag David Gray ATOS 2016 Cleveland Highlights 2016 3-17 Kimball, Connor Palace Theatre, Cleveland, OH I've Got A Feeling I'm Falling Don Knights Don Knights At Twickenham [Audiocord AC173] 1979 2-6 Compton, Odeon Cinema, Twickenham; Originally issued as LP as Deroy 1451 Messin' Around With The Blues Fats Waller The Complete Recorded Works [JSP927 A-D] 1927 Estey, Victor's Trinity Church Studios, Camden, NJ The Digahs' Stomp (The Dream) (take2) Fats Waller Young Fats at the Organ, Vol. 3 1926-1929 [Hot 'n Sweet CD] 1927 Estey, Victor's Trinity Church Studios, Camden, NJ Handful of Keys Mark Laflin A Handful Of Keys 2012 3-9 Wurlitzer, Neuadd Pendre, Tywyn, Wales; ex-Granada Cinema, Woolwich (1937), plus Orchestral Oboe (What Did I Do To Be So) Black and Blue? Jonas Nordwall Plays The Paramount [Gamba JN-102] 4-20 Wurlitzer, Paramount Theatre, Portland, OR Ain't Misbehavin' Dick LaSalle Final Curtain [Audio Artistry T-J-165-66LP] 4-20 Wurlitzer, Minnesota Theatre, Minneapolis Alligator Crawl Robinson Cleaver Granada [Concert Recording CR-0036-T] 4-14 Wurlitzer, Granada Theatre, Tooting The Jitterbug Waltz Dave Wickerham dave@dickinson [DTOS CD] 2000 3-66 Kimball, Dickinson High School, Wilmington, DE

Winner of the Pulitzer Prize and just recently on Broadway, Cost of Living traces two relationships: one between a wealthy graduate student with cerebral palsy and his female caregiver, the other between a woman recovering from a terrible accident being tended to by her ex-husband. Heartfelt, funny, and deeply moving, this exquisitely written play examines the fiscal and emotional cost of human connection.Ross Beschler - EddieGianna Castro - JessRachel Handler - AniChristian Prentice - JohnJeffrey L. Page (director), an Emmy-nominated director and choreographer celebrated for his dynamic theater and dance direction, earned the Douglas and Ethel Watt Critics' Choice Award for his vibrant choreography in the 1776 Broadway Revival. Collaborating with icons like Beyoncé and influencing productions from Memphis to Ain't Misbehavin', Page's work resonates globally. His film credits include Making Micheaux (director) and Freedom(choreographer). Academically distinguished as the first African American to receive The Juilliard School's Marcus Institute Fellowship, Jeffrey also imparts knowledge at Harvard and The New School. As the leader of Movin' Legacy, Page's artistry continues to innovate with projects like The Trojan Women, solidifying his stature in modern performing arts. | @jeffreylpage | www.jeffreylpage.comMartyna Majok (playwright) was born in Bytom, Poland and raised in Jersey and Chicago. She was awarded the 2018 Pulitzer Prize for Drama and received a nomination for Best Play at the 2023 Tony Awards for Cost of Living. Other plays include Sanctuary City, Queens, and Ironbound, which have been produced across American and international stages. Other awards include the Obie Award for Playwriting, the Hull-Warriner Award, the Academy of Arts and Letters' Benjamin Hadley Danks Award for Exceptional Playwriting, the Off-Broadway Alliance Best New Play Award, the Lucille Lortel Award for Outstanding New Play, the Hermitage Greenfield Prize as the first female recipient in drama, the Champions of Change Award from the NYC Mayor's Office, the Francesca Primus Prize, two Jane Chambers Playwriting Awards, the Lanford Wilson Prize, the Lilly Award's Stacey Mindich Prize, the Helen Merrill Emerging Playwright Award, the Charles MacArthur Award for Outstanding Original New Play, the Jean Kennedy Smith Playwriting Award, the ANPF Women's Invitational Prize, the David Calicchio Prize, the Global Age Project Prize, the NYTW 2050 Fellowship, the NNPN Smith Prize for Political Playwriting, and the Merage Foundation Fellowship for The American Dream. Martyna studied at Yale School of Drama, Juilliard, University of Chicago, and Jersey public schools. She was a 2012-2013 NNPN playwright-in-residence, the 2015-2016 PoNY Fellow at the Lark Play Development Center, and a 2018-2019 Hodder Fellow at Princeton University. Martyna is currently writing a musical adaptation of The Great Gatsby, with music by Florence Welch and Thomas Bartlett, and developing TV and film for Plan B, Pastel, and MRC.FOR TICKETS AND INFORMATION: https://philadelphiatheatrecompany.org/cost-of-living/

D'AMBROSE BOYD: has performed in #musicaltheatre, nationally and internationally, such as Ain't Misbehavin' and A Christmas Carol  @MadisonSquareGarden  His #photography has grown in leaps and bounds, taking #photos of Mickey Rooney, Dee Dee Bridgewater and others, and he has created great #apparel designs which sold  @macys  Henri Bendel,  @Saks  to name a few. He is also an #industrial interior designer and was an open mic #host and #producer - D'Ambrose got COVID in March of #2020 it was a light version with only a temperature and some chills. By the time he got tested the symptoms had passed. The #blessing is, his 87 year old mom with whom he lives and takes care of, never got it. He wonders if his belief in #god and copious amounts of #garlic didn't let COVID have its way. His job backstage #bookofmormon on #broadway was still in place after the COVID dust settled. After going back into the #theater he realized he had been working backstage for 10+ years and his love IS being an #artist - He's making strides to get his artistry back on the primary track of his life. During this pandemic he was able to book #voiceover work and sign with a VO #agent. His mom tested positive a week ago but only had slight symptoms and is doing better. . . . Again, GOD & GARLIC!!! His photography #studio is getting clients back in front of his lens …..He lost 65lbs and counting since 5/31/21……… Contact him on his IG or FB for photography: @dambroseboydphotography Check the chat on SINCE THEN page at: onthecallpodcast.com THANK YOU D'AMBROSE

Elliot Jay O'Neill is joined by BT Calloway, Danny Rosewell, Clare RR & Jordan to review; S.7 E.23 “Much Apu About Nothing” S.11 E.7 “Eight Misbehavin” S.27 E.12 “Much Apu About Something”   This is a Side Quest Studios Production Huge THANK YOU to our Heroes over at Patreon  Grant Prusi // 16_oz_mouse // Philip Wolf // Timothy Burleson // Stephanie // Chris Tar // AlmightyK // Kaleb982 // Anthony m. // nickibis // Freezer // Teresa // David James Young // Paul Salt // Paul Goodman   You too can become a Hero by supporting us on our Patreon page and you'll unlock a bonus podcast EVERY WEEK plus access to our back catalogue of over 100 exclusive podcasts! www.patreon.com/sidequeststudios    PLUGS   Danny is mashing it up over at https://www.tiktok.com/@dannymacabre   Pulp Fury Radio; our fiction anthology podcast. Season 1 available now at www.pulpfuryradio.com    Much Web About Series! www.daveplusone.com    We reviewed Game of Thrones in reverse order at “Thrones Of Game”    All the links to our socials are here  Facebook  Twitter  Instagram

durée : 01:30:00 - Les Nuits de France Culture - par : Philippe Garbit - "Ain't Misbehavin", "Honeysuckle Rose", ces standards du jazz ont été composés par le pianiste Fats Waller. Le premier à donner son nom à une émission musicale éponyme et iconique sur France Culture, "Black and Blue". Le voici en vedette américaine le temps d'une Nuit Magnétique.

Fats Waller was a master of stride piano, a style that emerged in the early 20th century and became a cornerstone of jazz. His virtuosity in this style influenced countless pianists who came after him. But he is remembered most for his songwriting and the lively and  humorous quality to his performances, incorporating all of these elements into his music. His ability to infuse joy and playfulness into his compositions and improvisations set him apart and made his music accessible to a wide audience. His contributions to the Great American songbook include jazz standards like “Ain't Misbehavin',” “Honeysuckle Rose,” and “Black and Blue” which have been covered by countless artists over the years. This morning on Deeper Roots, we drop in to revel in the music, humor, warmth and charisma that was Thomas “Fats” Waller.

Hillary is traveling, and will be back next week with a new episode. In the meantime, we're bringing back one of her favorites..   “Believe in yourself.” For some people, that's a lifelong challenge. Then there are those rare folks, immensely talented and hard working, who always knew that they would be somebody. This week, Hillary talks with two of them—multiple Grammy Award-winning singer/songwriter Brandi Carlile, and Broadway legend André De Shields—about the dreams (and setbacks) that led to where they are today.   Brandi Carlile is a six-time Grammy Award-winning singer, songwriter, performer, and producer. Since her debut in 2004, she has released six studio albums and was the most nominated female artist at the 2019 Grammy Awards with six nominations, including Album, Record, and Song of the Year. Her memoir Broken Horses is a #1 New York Times bestseller.   André De Shields' acting career spans over 50 years. While currently best known for his performance in the musical Hadestown, he also appeared in The Wiz, Play On!, Ain't Misbehavin', and The Full Monty, and has directed and choreographed several shows and appeared on film and television. André has won numerous awards throughout this career, including an Emmy Award, a Tony Award, and a Grammy Award.   You can find a full transcript here.  See omnystudio.com/listener for privacy information.

Olivier nominee Tyrone Huntley is currently playing Che in Nikolai Foster's revival of Evita at Leicester Curve.Tim Rice and Andrew Lloyd Webber's musical premiered in the West End in 1978, before transferring to Broadway the following year. Tyrone is performing opposite Martha Kirby as Eva Perón. Next year Tyrone will star alongside Imelda Staunton as Barnaby Tucker in Hello Dolly! at the London Palladium.This is the first time Tyrone has returned to Curve since playing Seaweed in Hairspray in 2014. Tyrone's theatre credits include TJ in Sister Act (UK & Ireland Tour), The Doctor in The Book of Mormon (Prince of Wales Theatre), understudy Sporting Life in Porgy and Bess (Regent's Park Open Air Theatre), Gator in Memphis (Shaftesbury Theatre) and CC in Dreamgirls (Savoy Theatre). Tyrone received an Olivier Award nomination for his performance as Judas in Jesus Christ Superstar at Regent's Park Open Air Theatre, a role he later reprised for the musical's US tour. Some of his recent theatre work includes Living Newspaper: Beyond Touch (Of A) Screen (Royal Court), The View Upstairs (Soho Theatre), Leave To Remain (Lyric Hammersmith), A Midsummer Night's Dream (Watermill Theatre), Angry (Southwark Playhouse) and Homos, Or Everyone In America (Finborough Theatre). Tyrone also works on screen, with credits including The Flatshare (Paramount+), A Small Light (Disney+) and Tomorrow Morning (Visualize Films). Alongside acting, Tyrone made his directorial debut with Ain't Misbehavin' which ran at the Mercury Colchester and Southwark Playhouse. More recently he was acociate director for The Drifters Girl (Garrick Theatre).Speaking from his dressing room before a day of tech, in this episode Tyrone discusses Nikolai Foster's vision for Evita and what rehearsals have been like. He also delves into his career and lots more along the way. Evita runs at Leicester Curve until 13th January 2024. Visit www.curveonline.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Teaching AI to misbehave. Ransomware's effect on healthcare downtime. Two reports on the state of cybersecurity in the financial services sector. Possible connections between Hamas and Quds Force. Ukrainian cyber authorities report a rise in privateering Smokeloader attacks. Russian hacktivist auxiliaries strike Czech targets. My conversation with Sherrod DeGrippo, host of The Microsoft Threat Intelligence Podcast. Jay Bhalodia from Microsoft Federal shares insights on multi-cloud security. And Winter Vivern exploits a mail service 0-day. For links to all of today's stories check out our CyberWire daily news briefing: https://thecyberwire.com/newsletters/daily-briefing/12/204 Selected reading. AI vs. human deceit: Unravelling the new age of phishing tactics (Security Intelligence) Ransomware attacks on US healthcare organizations cost $20.8bn in 2020 (Comparitech)  Cyberattack at 5 southwestern Ontario hospitals leaves patients awaiting care (CBC News)  State of Security for Financial Services (Swimlane) Veracode Reveals Automation and Training Are Key Drivers of Software Security for Financial Services (Business Wire) Hamas' online infrastructure reveals ties to Iran APT, researchers say (CSO Online)  Hamas Application Infrastructure Reveals Possible Overlap With TAG-63 and Iranian Threat Activity | Recorded Future (Recorded Future) Ukraine cyber officials warn of a ‘surge' in Smokeloader attacks on financial, government entities (Record)  Bloomberg: Russia steps up cyberattacks to disrupt Ukraine's key services (Euromaidan)  Pro-Russia group behind today's mass cyberattack against Czech institutions (Expats.cz) Winter Vivern exploits zero-day vulnerability in Roundcube Webmail servers (We Live Security) Learn more about your ad choices. Visit megaphone.fm/adchoices

SYNOPSIS: In Creative Whirlwind, we take a look at how Tune In reports and characterizes young Lennon and McCartney as budding artists.   We'll show that Tune In significantly downplays and shortchanges (and sometimes even ignores) crucial aspects of McCartney's artistic development and identity. On the other hand, Lennon's creative development is shown from all angles in loving detail and with unbridled admiration. Our discussion will be divided into three major sections: Visual Arts, Literature and Musical Self-Expression. PLAYLIST Sh-Boom THE CHORDS Mona Lisa NAT KING COLE Let's Have a Party WANDA JACKSON Blueberry Hill FATS DOMINO New Day SUN RA Woo-Hoo THE ROCK-A-TEENS Blues in Orbit DUKE ELLINGTON What is This Thing Called Love DAVE BRUBECK Bloodnock Rock n Roll Call THE GOONS Aint' Misbehavin' FATS WALLER Sleepy Lagoon HARRY JAMES Rocket 88 JACKIE BRENSTON Come Go with Me THE DEL VIKINGS Money BARRETT STRONG I'll Be On My Way THE BEATLES SOURCES Remember by Mike McCartney (1992) The Beatles by Bob Spitz (2005) Mike McCartney “Portrait of Paul,” Woman Magazine (1965)  Early Liverpool by Mike McCartney (2021) The Guardian “The Long and Winding Ode” by Nicci Gerrard, (Sat 10 Mar 2001) Many Years From Now by Barry Miles (1997) Beatles Book Magazine (“Young Paul”), Issue 27  BBC Interview (October 4, 1997) https://www.effinghamradio.com/2023/06/15/happy-birthday-paul-mccartney-2 Melvyn Bragg Interview, Southbank (1977) Donovan Leitch Interview w/ Rolling Stone (April 30, 2012)

This week we're chatting with Jessalyn Kincaid, who's made a name for herself during the past two decades as an actor in numerous theater performances in Kansas City and beyond. Jessalyn is the Audience and Donor Relations Manager at Music Theater Heritage, a job she's held for about three months. Before that, going back to 2016, she was MTH's Manager of Artistic Operations. But she's also a director, producer, former event coordinator…and former waitress, which will come out during this episode.You'll hear about all of that, and much more, including Jessalyn's swings at "Pregame Batting Practice."This episode was recorded on Wednesday, October 11, 2023, in front of our C-10 Mentoring & Leadership students and mentors at Music Theater Heritage.LINKS:For tickets to MTH's production of "Ain't Misbehavin'," which goes until October 29, please visit their ticket site.For more information about the C-10 Mentoring & Leadership program for high school students, visit our website.To make a financial gift to give students life-changing one-on-one mentoring, visit our secure donation page.For all episodes of the C-10 podcast and ways you can listen, click here.If you'd like to make a comment, have a suggestion for a future guest, or your company would like to help underwrite this podcast, please visit our contact page.

The joint is jumpin' as we look at an extraordinary era of achievement on the Broadway stage: shows like Purlie, Raisin, Ain't Misbehavin' and the talents of Melba Moore, Andre De Shields, Debbie Allen, Gregory Hines, and more.

The Earth Station One Countdown to Halloween continues with a spotlight on the man who stalks the stalkers, stranglers, and other supernatural creatures of the night. Mike, Mike, Mark Maddox, and Mark Dawidziak look out to see Kolchak's coming back in style. All this, along with Angela's A Geek Girl's Take, Ashley's Box Office Buzz, Michelle's Iconic Rock Moment, and Shout Outs. We want to hear from you! Feedback is always welcome. Please write to us at feedback@earthstationone.com and subscribe and rate the show on Apple Podcast, Google Play, Spotify, Pandora, Amazon Music, wherever fine podcasts are found, and now we can be found on our own YouTube Channel. Links The Earth Station One Website Earth Station One on Apple Podcasts The Earth Station One YouTube Channel Earth Station One on Spotify Past Episodes of The Earth Station One Podcast Angela's A Geek Girl's Take Ashley's Box Office Buzz Michelle's Iconic Rock Talk Show Monsterama Mark Maddox Mark Dawidziak Moonstone's 50th Anniversary of Kolchak: The Night Stalker Misbehavin' Maidens Final Performance Live Audio & Video Promos Tifosi Optics Cosmic Pizza The Watch-A-Thon of Rassilon The ESO Network Patreon Unique Crafts by Jenn ESO Network Tee-Public If you would like to leave feedback or a comment on the show please feel free to email us at feedback@earthstationone.com Special Guests: Mark Dawidziak and Mark Maddox.

In 1991, Broadway witnessed one of its most spectacular falls from grace with Nick & Nora, a musical adaptation of the beloved The Thin Man novel and film series. With a dream team that included Arthur Laurents, the creative force behind classics like West Side Story and Gypsy, Charles Strouse, the prolific composer of Bye Bye Birdie and Annie, and Richard Maltby Jr., known for Ain't Misbehavin', this show had all the makings of a hit. The star-studded cast featured Barry Bostwick and Joanna Gleason, among others. However, despite the promise on paper, Nick & Nora faced an unprecedented series of delays, setbacks, and ultimately, a one-week run. This episode sheds light on why the show faced so many challenges, from those who were there every step of the way. We explore the explosive clashes, financial woes, and behind-the-scenes drama that led to Nick & Nora's abrupt closure, serving as a cautionary tale that even Broadway's brightest stars can find themselves lost in the shadows. Follow on Instagram and listen to Closing Night on your favorite podcast app. --- Closing Night is a production of WINMI Media with Patrick Oliver Jones as host and executive producer. Dan Delgado is the editor and co-producer, not only for this podcast but also for his own movie podcast called The Industry. Maria Clara Ribeiro is co-producer, and a big thank you goes to Richard Maltby, Jr and Mark Hoebee for their candor and openness in sharing their stories from this tumultuous musical.  Click here to find the transcript for this episode and a full list of links and resources used. Learn more about your ad choices. Visit megaphone.fm/adchoices

Raun Ruffin has performed on and off Broadway in such productions as The Civil War and The York Theater Company's Don't Bother Me I Can't Cope. Regional Theater credits include five separate productions of Five Guys Named Moe, Ain't Misbehavin', Faust, Some Enchanted Evening, and Dreamgirls. Tours include the European leg of “Sophisticated Ladies” and the North American tour of Joseph and the Amazing Technicolor Dreamcoat. 

Steve and Aaron are running around the pickleball court misbehavin while enjoying some CAO cigars. 

This bonus episode is special as we have Khalifa White who plays Nala in The Lion King Musical on tour now and coming to the Kimmel Cultural Campus on August 16-September 10, 2023. Tickets are on sale now. KHALIFA WHITE (Nala). "To whom much is given much is required." Broadway: Caroline or Change, Off-Broadway: Little Shop of Horrors (Ronnette), School of Rock 1st Nat; Aida (Aida), Ain't Misbehavin, The Bodyguard, Smokey Joe's Cafe, Dreamgirls, Beehive, Hairspray, HKDL|WDW(Nala/Tiana/Kibibi)/NCL, #TheSearchForRoxie, UCF Alumknight. Thank you God, family, friends & Dave. Check out “You Ok? (Black Girl)" on all streaming platforms. IG|Tiktok:@Lifaland, www.khalifawhite.com. -For Mommy, my Expressionist.In this episode we talk about her iconic role in the musical as well as what it means to live outloud including self care on and off the road and being intentional. To all of the women who are living or desire to live their dreams this episode is dedicated to you.Follow me on social media as Toitimeblog and on the blog

Welcome to Bryant and Me's episode description where we talk about soccer and other things: Otherrrrrrr descriptiony things. On this episode: - Hey hey, ho ho, Vlatko Andonovski's got to go! - The personnel issues haunting the soon to be former US women's soccer coach - Other highlights of the tournament - Choosing our favorite teams to win it at (RIP Brazil and Canada) - Baby Billy's Bible Bonkers - Talking about Lucas Zelarayan leaving for Saudi Arabia and how it doesn't feel good at all - Plus everyone who asks an #AskBAM question gets an animal! - All that and a whole lot more, now Thanks for listening. We love you. Take care of yourself. Talk to a professional if you need to. You're important and we always want you around.

In 1964, Louis Armstrong knocked the Beatles off the top of the charts with his recording of “Hello, Dolly!” becoming, at age 62, the oldest artist to ever hit number one on the Billboard Hot 100. Sixty years later, Louis Armstrong remains a beloved cultural figure, his oft-imitated voice still instantly recognizable. But Armstrong is more than a source of levity — his artistry and innovations when he made his first recordings a century ago in 1923 set the template for the modern pop star. On this centennial episode, hear Armstrong as you've never heard him: a defiant, pathbreaking musician whose voice resonates in every hit record.  Songs Discussed Louis Armstrong - Hello, Dolly! King Oliver's Creole Jazz Band - Dippermouth Blues Fletcher Henderson & His Orchestra - Sugar Foot Stomp Louis Armstrong & His Hot Seven - Potato Head Blues, West End Blues, Big Butter And Egg Man, Heebie Jeebies Louis Armstrong - Ain't Misbehavin', Dinah, I'm a Ding Dong Daddy (From Dumas), Black And Blue, Swing That Music Bing Crosby, The Mills Brothers - Dinah The Boswell Sisters - Heebie Jeebies Ella Fitzgerald - Mack The Knife - Live At The Deutschlandhalle, Berlin, 1960 Joey Ramone - What a Wonderful World Ghostface Killah - The Forest Jon Batiste - What A Wonderful World More Read Terry Teachout's brilliant biography of Armstrong, Pops Visit the Louis Armstrong House Museum in Queens, NY Listen to Lil Hardin Armstrong's 1968 interview with Chris Albertson for Riverside Records Learn more about your ad choices. Visit podcastchoices.com/adchoices

We had the pleasure of interviewing Freda Payne over Zoom video!Stardom for Payne began when she signed with Invictus Records, ran by her old Detroit friends, Brian Holland, Edward Holland, Jr. and Lamont Dozier (formerly of Motown) in1969. Payne's smash single "Band of Gold" in 1970 was ranked #1 in the U.K. and #3 in the U.S.A., her first gold record. Other hits included "Deeper and Deeper", "You Brought Me Joy" and the anti-war, "Bring the Boys Home". As her star kept rising, Payne appeared in television specials and toured Europe and Japan.Although she left Invictus in1973, to date she has recorded 21 albums including several remakes of "Band of Gold". In1974, she made the cover of Jet magazine after she was dubbed a Dame of Malta, by the Knights of Malta and the Sovereign Military and Hospital Order of St. John of Jerusalem by the Prince of Rumania. Payne hosted Todays Black Woman, a talk show, in 1980 - 81 before joining the cast of Duke Ellington's Sophisticated Ladies in 1982. She also starred in productions of Ain't Misbehavin' with Della Reese, The Blues in the Night, Jellies Last Jam with Gregory Hines and Savion Glover into the 1990's. Payne film appearances include: Private Obsession, Sprung , Ragdoll , The Nutty Professor II: The Klumps and Fire and Ice.On April 22, 2009 Freda appeared on American Idol and sang "Band Of Gold". In February 2010, Freda joined Kanye West, Jordan Sparks, Jennifer Hudson, Barbra Streisand and many more on We Are The World for Haiti Relief.In 2011 Freda sang a duet with Cliff Richard called ‘Saving A Life' from his ‘Soulicious' album. She also toured England with Cliff in the fall of 2011.Freda recorded a new Jazz based album for the Mack Ave label titled ‘Come Back To Me Love' produced by Bill Cunliffe.In April 2018 Freda returned to the stage with glowing reviews in ‘Ella: First Lady of Song' at the Delaware Theatre Company in Wilmington, Delaware.More recently, Freda released an EP of duets titled ‘Let There Be Love' featuring Freda singing with Johnny Mathis, Dee Dee Bridgewater, Kenny Lattimore and Kurt Elling. She has also been busy writing her memoir ‘Band of Gold A Memoir' Yorkshire Publishing (November 2, 2021) with Mark Bego. In May 2022 Freda released a new single titled ‘Just To Be With You'. Freda Payne's prolific career will continue to flourish and prosper for as long as her creative juices keep flowing. Her indelible mark on the music industry is far from over.We want to hear from you! Please email Hello@BringinitBackwards.com. www.BringinitBackwards.com#podcast #interview #bringinbackpod #FredaPayne #BandOfGold #NewMusic #ZoomListen & Subscribe to BiBhttps://www.bringinitbackwards.com/follow/ Follow our podcast on Instagram and Twitter! https://www.facebook.com/groups/bringinbackpodThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/4972373/advertisement

Erica Melancon Fox, Executive Director of the Maison Freetown African American History Museum, joins us today to share her incredible journey. A musician, a historian, and a lover of a good story, Erica shares stories that are golden. Her parents always supported her journey in music, dance, and all things that allowed her to share her spirit. Our community is so much better off because of their investment in her talent! Highly accomplished in the world of performing arts, Erica is a professional songwriter who has sung with Rice University's Orchestra, served for eight weeks as lead actress and singer in “Ain't Misbehavin” at the National World War 2 Museum, and toured with various national musical companies. https://www.youtube.com/watch?v=juaGTXOpIig Erica Melancon moved to LA right after high school and attended Occidental College in Los Angeles, acquiring a record deal right off the bat. She had a college sponsorship, but no money to speak of but wanted to follow her dream of being a recording artist. She had no manager, and knew no one, but was guided by God to follow her calling. She learned very early on how to be a business person as she also learned what it was like to be 'canned!' She was discovered when she sang the National Anthem at the Staple Center in Los Angeles. Her journey led her to be a part of the Motown productions of the Funk Brothers, a talent trove that wrote all the classic songs we love. Erica is classically trained but loves all types of music, including Country! Erica has opened for shows at Acadiana Center for the Arts and Festival International de Louisiane. She received a 2020 Grammy Consideration for Best R&B song: "I Still Love You" on her This is 2020 album. "I feel like I've lived many lifetimes. My life is a song. That is the basis of everything I do. I have always loved sound and writing and literature since I was a four-year-old kid. I was always outside singing and didn't realize I was writing songs when I was singing to the trees and the birds and making shows and performing with my imaginary friends. My love for literature for song came from my father who appreciated all types of music. She had the opportunity to interview Calvin Moret, the last surviving Louisiana member of World War II's famed Tuskegee Airmen, an accomplished soldier and woodworker who played down what his talents were. "It makes you wonder what are my talents...what more can I do?" Erica learned that Lafayette still had a surviving member of the WWII Battalion, all-black Female soldier of the 6888th  (SIX TRIPLE EIGHT) Central Postal Directory Battalion, Major Fannie Melancon, and pursued interviewing her to pursue the knowledge of people of that time period. We ran into each other recently at a tribute of the WWII all-black Female soldiers of the 6888th  (SIX TRIPLE EIGHT) Central Postal Directory Battalion at the Freetown Maison museum. Erica makes incredible contributions to our community each and every day and it is a pleasure to share her story!

Richard Maltby, Jr. includes among his Broadway credits: Conceived/directed AIN'T MISBEHAVIN' (1978 Tony, NY Drama Critics, Outer Critics and Drama Desk Awards. Also Tony Award for Best Director); FOSSE (1999 Tony, Outer Critics and Drama Desk Awards). Lyricist: MISS SAIGON (Evening Standard Award 1990, Tony Nomination for Best Score 1991). Director and co-lyricist of Andrew Lloyd Webber's SONG & DANCE, 1986 (Tony Award for star Bernadette Peters). With composer David Shire: director/lyricist BABY, 1983 (book by Sybille Pearson; seven Tony Award nominations); Lyricist: BIG, 1996 (book by John Weidman. Tony nomination: Best Score).Off-Broadway credits: director/lyricist STARTING HERE, STARTING NOW, 1977 (Grammy Award nomination); CLOSER THAN EVER, 1989 (Outer Critics Circle Awards: Best Musical, Best Score). Contributes devilish crossword puzzles to Harpers Magazine. Son of well-known orchestra leader; married to Janet Brenner; five children: Nicholas, David, Jordan, Emily and Charlotte.