Podcasts about misbehavin

Ebony Repertory Theatre in association with Fig Street Films presents: Ain't Misbehavin' @ Nate Holden Performing Arts Center - 8 out of 10! Good Show! LA Theatre Bites Recommended! www.latheatrebites.com

Imagine the soulful power of Teena Marie, the vibrant energy of Broadway, and the unbreakable spirit of a woman rewriting her story—all in one special episode. Ledisi(@Ledisi-IG) reminds us that the next chapter is yours to write. Whether you're chasing a stage, a dream, or just your truth. Grab your tickets for Ebony Rep Theatre's Ain't Misbehavin' opening May 23rd at the Nate Holden Theatre until June 8th! Stay Connected: ⁠⁠⁠⁠https://linktr.ee/msradiosapphire

Celebrating Joy and Craftsmanship in Theatre: A Conversation with Director Amina Robinson on 'Ain't Misbehavin'Join us as we explore the vibrant world of musical theatre through the insights of director Amina Robinson. This episode highlights the creative process behind the revival of 'Ain't Misbehavin' at Theater Horizon, emphasizing collaboration, artistic choices, and the importance of community connection in theatre.In this episode:Amina Robinson discusses her approach to bringing 'Ain't Misbehavin' to life, focusing on collaboration and the stage energy.The influence of Harlem Renaissance aesthetics in scenic and costume design, blending traditional and cabaret styles.The challenges of rehearsing a historically rich, high-energy musical within tight timeframes.Audience reactions and the importance of evoking joy, especially in contemporary Black culture.The significance of songs like 'Black and Blue' and their historical context within the show.How spontaneous audience interaction and improvisation keep performances lively and authentic.The logistical strategies of rapid scenic and costume changes in a tight rehearsal schedule.The role of community-oriented spaces like Theater Horizon in fostering intimacy and inclusivity.Timestamps: 00:00 - Introduction to season 10 and 'Ain't Misbehavin' at Theater Horizon01:02 - Director Amina Robinson's approach to collaboration and stage magic02:22 - The current climate of arts and creative risks in theatre03:20 - First impressions and experiences with 'Ain't Misbehavin'' in grad school04:33 - Coming back to the show with Theater Horizon and cast insights06:15 - The importance of time and urgency in producing musicals today07:11 - The strategy of quickly building a skeleton of the production08:55 - Scenic design inspiration rooted in Harlem Renaissance aesthetics10:35 - The seamless blend of scenic and lighting design to evoke the period11:54 - Costume design's role in storytelling and visual richness12:27 - Sound design's complexity in capturing New York City vibes and on-stage band dynamics13:39 - Creating an immersive, community-like theatre experience15:37 - Black joy as a healing and celebratory force in the show16:58 - Context and reflection on 'Black and Blue' and Fats Waller's intentions18:14 - The emotional and political layers behind 'Black and Blue'19:46 - The significance of audience interaction and performers' improvisation21:18 - The lore and history surrounding the song 'Black and Blue'22:55 - The humor and spontaneity brought by actors in performance23:50 - Audience engagement and the power of crowd work24:38 - Integrating humor and outrageous moments into performances26:46 - The role of community and space in Theatre Horizon's success27:02 - The importance of leaving audiences with joy and celebration28:20 - Closing thoughts on the community impact of theatre and supporting local artsResources & Links:Theatre HorizonAin't Misbehavin' on Stage (through May 17)Fats Waller - Biography and LegacyShare and Support Local TheatreFollow us and our links here: https://bio.site/em3ry

This week's show lingers on distance, memory, and the quiet ache of things left behind as Emmett Davenport and Lady Attercop guide you down long roads and longer goodbyes. It's a night of wandering hearts, fading signals, and the fragile weight of what remains. WARNING! This show is for adults. We drink cocktails, have potty mouths and, at least, one of us was raised by wolves. The Clockwork Cabaret is a production of Agony Aunt Studios. Featuring that darling DJ Duo, Lady Attercop and Emmett Davenport. Our theme music is made especially for us by Kyle O'Door. This episode aired on Mad Wasp Radio, 04.12.26. New episodes air on Mad Wasp Radio on Sundays @ 12pm GMT! Listen at www.madwaspradio.com or via TuneIn radio app! Playlist: The Head And The Heart – Rivers And Roads Jolie Holland – Moonshiner Patsy Cline – Strange Leon Redbone – Ain't Misbehavin' (I'm Savin' My Love for You) Nathan Oliver – A Dark History Why Are We Building Such a Big Ship? – Thin World Waltz Johnny Cash – The Mercy Seat The Little Willies – It's Not You It's Me k.d. Lang – Trail of Broken Hearts The Sons of the Pioneers – Tumbling Tumbleweeds Hank Williams – I'm So Lonesome I Could Cry Glenn Campbell – Good Riddance (Time of Your Life) Nick Cave – I'm Your Man DeVotchKa – Such a Lovely Thing Nouvelle Vague – Confusion (feat. Mélanie Pain) Babyshambles – There She Goes Unwoman – Wicked Game The White Stripes – Conquest Joe Strummer & the Mescaleros – Johnny Appleseed Jann Castor – Kalkajaka Polka Walter Sickert & The Army of Broken Toys – ViktaGraph Concrete Blonde – Walking In London Paul Kelly & the Messengers – Dumb Things Frenchy and the Punk – Blood Peter Murphy – Deep Ocean Vast Sea Siouxsie & The Banshees – The Last Beat Of My Heart The Sisters of Mercy – No Time to Cry

This week's show lingers on distance, memory, and the quiet ache of things left behind as Emmett Davenport and Lady Attercop guide you down long roads and longer goodbyes. It's a night of wandering hearts, fading signals, and the fragile weight of what remains. WARNING! This show is for adults. We drink cocktails, have potty mouths and, at least, one of us was raised by wolves. The Clockwork Cabaret is a production of Agony Aunt Studios. Featuring that darling DJ Duo, Lady Attercop and Emmett Davenport. Our theme music is made especially for us by Kyle O'Door. This episode aired on Mad Wasp Radio, 04.12.26. New episodes air on Mad Wasp Radio on Sundays @ 12pm GMT! Listen at www.madwaspradio.com or via TuneIn radio app! Playlist: The Head And The Heart – Rivers And Roads Jolie Holland – Moonshiner Patsy Cline – Strange Leon Redbone – Ain't Misbehavin' (I'm Savin' My Love for You) Nathan Oliver – A Dark History Why Are We Building Such a Big Ship? – Thin World Waltz Johnny Cash – The Mercy Seat The Little Willies – It's Not You It's Me k.d. Lang – Trail of Broken Hearts The Sons of the Pioneers – Tumbling Tumbleweeds Hank Williams – I'm So Lonesome I Could Cry Glenn Campbell – Good Riddance (Time of Your Life) Nick Cave – I'm Your Man DeVotchKa – Such a Lovely Thing Nouvelle Vague – Confusion (feat. Mélanie Pain) Babyshambles – There She Goes Unwoman – Wicked Game The White Stripes – Conquest Joe Strummer & the Mescaleros – Johnny Appleseed Jann Castor – Kalkajaka Polka Walter Sickert & The Army of Broken Toys – ViktaGraph Concrete Blonde – Walking In London Paul Kelly & the Messengers – Dumb Things Frenchy and the Punk – Blood Peter Murphy – Deep Ocean Vast Sea Siouxsie & The Banshees – The Last Beat Of My Heart The Sisters of Mercy – No Time to Cry

Episode 111 (09/04/26) – On this week's show: Greg finds out whether he gets his money back from the big “IQ scam” and goes to an interview for a job he doesn't really want, Barry leaves the studio for a bit to let Scott Mills take over, The Concierge, an average untrained man vs a female boxer, reality TV and it's “stars”, Jack Whitehall's new stand up act, short form viral trade videos on social media, Barney Walsh getting caught speeding, the history of You've Been Framed and it's presenters, Old G, when buildings get hit by cars, video rental shop memories, recommendations, Future Greg and a whole lot more!

Richard Maltby, Jr. is a Tony Award winning, and multiple Tony Award nominated, director and lyricist. He directed “Ain't Misbehavin” in 1978 and “Fosse” in 1999. They are the only musical revues to win the Tony Award for Best Musical. His longtime professional partner is composer David Shire, and they still work together. Among his other credits he was co-lyricist for “Miss Saigon”, director and lyricist for “Baby”, and lyricist for “Big”. He's even gotten several Grammy nominations including for “Starting Here, Starting Now”. His newest production with David Shire is called “About Time”, for which he's the director and lyricist.  My featured song is “Tessa”, from the album East Side Sessions by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Voices Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH RICHARD:www.masterworksbroadway.com —--------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's recent release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —--------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

Energy investors are struggling to keep up as America's war against Iran roils the markets, President Trump says higher gas prices will be worth it in the long run, and this summer our nation's capital will host an IndyCar race named “Freedom 250.” CNN Chief International Correspondent Clarissa Ward joins live from Erbil, Iraq to provide an on-the-ground perspective on what's happening in the Middle East as the United States and Israel continue their attack on Iran, and as the Pentagon memeifies violent imagery on their official social media. Tune in to CNN for more of Clarissa Ward's reporting from the Middle East.  To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Peter Filichia, James Marino, and Michael Portantiere talk about Mother Russia @ Signature Theatre, Milwaukee Rep’s three productions: August Wilson’s The Piano Lesson, McNeal, Ain’t Misbehavin, Marcelle on the Train @ Classic Stage Company, The Other Place @ The Shed, and Zack @ Mint Theater Company. Milwaukee Rep's new home read more

Si un clásico es el libro que se puede releer constantemente, sin perder el encanto de la primera vez, según Italo Calvino, es para él también algo más: es la obra que puede "esconderse en los repliegues de la memoria y mimetizarse con el inconsciente colectivo e individual". Es algo que se revela y rebela siempre como algo novedoso, hasta el punto de que "no puede serte indiferente". No hay duda de que este es el caso de la novela corta que ahora cumple cien años: "El gran Gatsby" (1925). Para muchos, la obra de Scott Fitzgerald es "la gran novela americana", la expresión que desde Henry James en una carta a un hispanista, novelista y crítico en 1880 llamado William Dean Howells, utiliza para describir la búsqueda de un relato que retrate el alma de Estados Unidos. La perspectiva es la de los ojos del cartel que muestra la mirada divina para el personaje de Wilson en "El Grant Gatsby", que todo lo ve y ante el cual, ninguno es verdaderamente una "buena persona". Escuchamos fragmentos del libro leído por Eugenio Barona y la versión doblada al castellano de la película del británico Jack Clayton, protagonizada por Robert Redford en 1974, que sigue más fielmente el texto en el guion de Coppola. La música instrumental que acompaña los comentarios de José de Segovia es de la banda sonora de Craig Armstrong para la libre adaptación que hizo el australiano Baz Luhrman con Leonardo DiCaprio en 2013, cuyo parecido con el relato original es mera coincidencia. Las canciones son un tema de jazz que compuso en 1929 Andy Razaf con Fats Weller (Ain´t Misbehavin´), popularizado por Louis Armstrong en la versión que escuchamos de 1944, junto a la composición de la londinense Florence Welch con su Machine para la película de Luhrmann en 2013 (Over The Love). El diseño sonoro y la realización técnica es de Daniel Panduro.

The Harlem Renaissance was a vibrant 1920s-1930s Black cultural movement centered in Harlem, a hub for African American creativity, literature (Langston Hughes, Zora Neale Hurston), music (jazz, blues), and art (Aaron Douglas), fueled by the Great Migration and a desire to redefine Black identity that forged a new sense of Black Pride. In this program, we hear less well known artists such as James (“Big Jim”) Reese Europe who led an orchestra of 120 musicians. We also hear iconic songs of the era including Fats Waller's “Ain't Misbehavin'”, Mamie Smith's massive 1920 hit “Crazy Blues,” Cab Colloway's “St. James Infirmary” and more. Along the way, we'll enjoy the Fletcher Henderson Orchestra featuring Louis Armstrong on trumpet and vocals and Coleman Hawkins on sax, Ethel Waters, James P. Johnson, and Willie the Lion Smith. Harlem also drew the top Cuban orchestras who came to New York by steamship to record, calyso singers, and Haitian vodou music and theater. Harlem was famous for its rent parties and a wide open attitude to defying Prohibition where revelers danced to the shimmy, the black bottom, and the Charleston from down south. Relive the glory! APWW #226 Produced by Ned Sublette

Also on Spotlight: The Tiny Desk Contest is underway; meet the filmmaker behind the documentary "The Return of Navajo Boy"; and the Tucson Gem and Mineral Society welcomes rock hounds from around the world.

February 4, 2026 - Bryan Diver of Millikin University joined Byers & Co to talk about the performance of Ain't Misbehavin' coming to Kirkland Fine Arts Center. Listen to the podcast now!See omnystudio.com/listener for privacy information.

Well, not on this quiz! Music fans Andy in Lincoln & Damon in Nottingham step up!

In this powerful conversation, I sit down with psychotherapist and Positive Discipline expert Alyson Schafer to explore how we can support our teens through today's turbulent political climate. We discuss Alfred Adler's vision for raising cooperative citizens, reading our kids' stress signals, using curiosity over lectures, and helping teens move from doom-scrolling to meaningful action. If you're struggling to hold space for your teen's big feelings about current events while maintaining hope for the future, this episode is essential listening. Guest Bio: Alyson Schafer is a psychotherapist, bestselling author, and one of the leading voices in Positive Discipline and Adlerian psychology. She has written multiple books including Breaking the Good Mom Myth and Ain't Misbehavin', and her work has helped families worldwide move from power struggles to cooperation. Alyson hosts her own podcast and runs child guidance programs rooted in democratic parenting principles. She lives in Canada and continues the legacy of Adlerian psychology through her international community work. For more show notes and info at: https://www.besproutable.com/podcasts/politics-and-parenting-with-alyson-schafer/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Send us a textIntro: Tea For Two by Marion Harris (1925)5. Rhapsody in Blue by Paul Whiteman & His Orchestra (1924)4. My Blue Heaven by Gene Austin (1927)3. Ol' Man River by Paul Robeson (1928)2. Ain't Misbehavin' by Fats Waller (1929)1. Swanee by Al Jolson (1920)Outro: Someone to Watch Over Me by Gertrude Lawrence (1927)

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Send us a textYou won't believe the corruption scandal that rocked Ogden in the 1930's. Who was indicted and what was the outcome? Public corruption meets sex crimes and vice - the full story. What was the "most dangerous street in America" really like in the 1930's and what of the Boys in Blue tasked with keeping order? So much of this story packed in it deserved its own episode.Merry Christmas and Happy New Year from your friends at the Junction City Justice Podcast. Ogden, Ogden Utah, Junction City, True Crime, Historic 25th Street, Two-Bit Street, Ogden True Crime, Utah True Crime, Police, Police Podcast, Tales of Policing, History, History Podcast

In this episode of the VSC Podcast, host Olivia Oropeza introduces a new program that VSC has launched in partnership with Orlando Ballet. This initiative uses the power of movement and dance to promote healing, empowerment and reconnection for survivors of violence, abuse and trauma. Guests interviewed include Co-creators Brandi Godbee and Shane Bland and Emotions in Motion participant Renzo. Brandi Godbee, Lead Therapist/Clinical Manager at Victim Service Center, Co-creator of Emotions in Motion - Brandi is a Licensed Mental Health Counselor and Qualified Supervisor. Education: Master's degree with Honors in Mental Health Counseling from Rollins College and a Bachelor's degree in English. Trained in EMDR & DBT.Shane Bland, Head of Community Enrichment at Orlando Ballet and Co-creator of Emotions in Motions - As head of Orlando Ballet's Community Enrichment Division, Shane is a dynamic theater artist with an accomplished career spanning Broadway, national tours, regional theater, television, choreography, and directing. His Broadway credits include Bombay Dreams, Show Boat (Harold Prince), and Disney's The Lion King. In Orlando, Shane has starred in Ain't Misbehavin', Cabaret (as the Emcee at Orlando Shakes), and Beauty and the Beast (as The Beast at the Garden Theatre). His choreography credits include Frozen Jr., Matilda (Broadway World Nominee), and Hairspray. Shane also serves as an adjudicator for the Applause Awards, supporting young performers across the region.Below are hotlines we recommend:VSC Helpline: (407) 500-4325National Sexual Assault Helpline (RAINN): 1-800-656-4673Florida Abuse Hotline: 1-800-962-2873 OR visit ⁠⁠⁠myflfamilies.com⁠⁠⁠⁠⁠ to report online.Victim Service Center of Central Florida, Inc.2111 East Michigan Street, Suite 210Orlando, Florida 32806Marketing@VictimServiceCenter.org⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠

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Wes Stowers grew up in Chattanooga Tennessee and though relatives and friends developed a desire to fly at an early age. USAFA was the goal and aside from typical cadet shenanigans he got through without much trouble. Upon graduation Wes headed off to UPT at Craig and actually finished there as the base was closing. After an IP tour at Vance he got assigned to Torrejon and F-4s which led to several other assignments in Europe where he and his family grew to where they had school age kids. Then he was faced with the challenge of either taking stateside assignments and continuing an active career or returning home to Tennessee and helping his family with their Caterpillar dealership in East Tennessee. Wes returned home and continued to fly for the USAF Reserves as he climbed up the ranks at the dealership eventually becoming Chairman and CEO. Wes still flies his P-51 “Ain't Misbehavin” at Commemorative Air Force shows and sits on the USAFA Board of Directors.

Aileen Miziolek hosts an in-depth conversation with Alyson Schafer, an acclaimed author and Adlerian family counsellor. In this thoughtful 30-minute episode, they touch on issues around over- and under-functioning children, why the notion of fair vs. equal in childhood can impact long-term family business dynamics, and how tackling the unique challenges of enterprising families requires maturity, open-mindedness and an understanding that sometimes personal responsibility is the only path forward.   All views, information, and opinions expressed during this podcast are solely those of the individuals involved and do not necessarily represent those of Family Enterprise Canada.   Guest bio Alyson Schafer is one of Canada's leading parenting experts. She promotes a firm but friendly “democratic parenting” style and offers practical solutions backed by extensive evidence-based research. Alyson is an Adlerian family counsellor, author, and internationally acclaimed expert who empowers families by sharing her principles, rules, and tools for raising co-operative and resilient kids.   You can learn more about Alyson Schafer on her website and LinkedIn.   Key Takeaways [0:26] Aileen Miziolek welcomes Alyson Schafer and asks her to share about her experience with family business dynamics.   [3:01] Understanding the notion of fair vs. equal is a large part of how a family orients itself. Alyson explains how the abundance and scarcity models may influence how this manifests.   [6:48] While intergenerational patterns are real, there is always hope for change when there is maturity and open-mindedness.   [10:36] Family businesses do not have the freedom of relative anonymity in the workplace: family tensions can easily translate into business tensions.   [12:52] Personal responsibility is required for change. Alyson offers a dance metaphor to illustrate that the “other” doesn't always need to start the process.   [15:15] Children differentiate to stop competition. Alyson warns against bean-counting to prevent under-functioning.   [20:46] Alyson shares tips to manage over- and under-functioning in any given system.   [23:34] Co-leading siblings is possible, but will require strong buy-in, well-defined roles and responsibilities, and generational support.   [26:15] Solving problems at the parent level is usually the fastest way to power change.   [27:29] North America is singular in its propensity to cut off family members!   [29:43] Links to Alyson Schafer's contact, podcast, and books can be found in the links below.   [31:11] Aileen thanks Alyson Schafer for sharing so much of her knowledge, and closes this episode by reminding listeners to rate and subscribe.   If you enjoyed today's episode, you can subscribe to Let's Talk Family Enterprise on Spotify, Apple Podcasts, and other podcast apps. Please remember to share this episode with family, friends, and colleagues. Share your thoughts with us at fea@familyenterprise.ca.   Mentioned in this episode Alyson Schafer's Podcast: Parenting The Adlerian Way   Ain't Misbehavin': Tactics for Tantrums, Meltdowns, Bedtime Blues and Other Perfectly Normal Kid Behaviors, by Alyson Schafer   Honey, I Wrecked the Kids: When Yelling, Screaming, Threats, Bribes, Time-outs, Sticker Charts and Removing Privileges All Don't Work, by Alyson Schafer   Breaking The Good Mom Myth, by Alyson Schafer   More about Family Enterprise Canada Family Enterprise Canada FEC on Facebook FEC on Twitter FEC on LinkedIn

Music from: Poxy Boggards, MenageAMoi, The Bilge Pumps, Chaste Treasure, The Naughty Bawdy Brigade, Dregs, Phillip Hole, Nazario Chickpeazio, Misbehavin' Maidens, Langer's Ball, 3 Pints Gone, Village Idiots, The Craic Show VISIT OUR SPONSORS RESCU https://RESCU.org The 23 Patrons of the Podcast https://www.patreon.com/RenFestPodcast SONGS Song 01: Nelly the Mermaid by Poxy Boggards from Anchor Management www.poxyboggards.com/ Song 02: Never Trust Tequila [01] by MenageAMoi from Indulgences www.menageamoicomedy.com Song 03: Here's to Morning Glory by The Bilge Pumps from Greatest Hits Vol. VIII www.thebilgepumps.com/ Song 04: O-Roy-O by Chaste Treasure from Chaste Treasure Relaced www.chastetreasure.com Song 05: The Widow's Moor by The Naughty Bawdy Brigade from Dirty Song Book www.facebook.com/MBessMNellNBB Song 06: On My Butt by Dregs from Angelina Farewell Concert www.the-dregs.net Song 07: Crayfish [05] by Phillip Hole from Digging It Song 08: The Ballad of the Randy Bandy-Legged Cockerel by Nazario Chickpeazio from It's not my Fault I'm a Chick Magnet www.chickpeazio.com Song 09: I Wanna Make Out With You at Cons by Misbehavin' Maidens from Sloppy Seconds www.misbehavinmaidens.com Song 10: King of the Faeries [03] by Langer's Ball from Hold Tight www.TheLangersBall.com Song 11: The Outhouse Song [01] by 3 Pints Gone from Auld Lang Syne The New Favorites Of 3 Pints Gone www.facebook.com/3PintsGone/ Song 12: The Cockerel Song [02] by Village Idiots from Chamber of Stupidity www.facebook.com/the.village.idiots/ Song 13: A Toast [02] by The Craic Show from Up in the Pub www.thecraicshow.com/ Song 14: Roll Your Leg Over [06] by Mistress Bawd from Give Back My Bordello Song 15: I Need A Sheep by Merry Mischief from Heroes & Rogues www.merrymischief.net Song 16: Amsterdarn by Hey Nunnie Nunnie from Hey Nunnie! Nunnie! www.heynunnienunnie.com/ HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com OTHER CREDITS The Minion Song by Fugli www.povera.com Valediction by Marc Gunn https://marcgunn.com/ HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

Reference recording for the tab posted--view my tabs here.

Reference recording for the tab posted--view my tabs here.

In this spirited crossover episode, Amy and Megan from The Activity Continues team up with Becky and Diana, the paranormal powerhouses behind Homespun Haints.We talk ghost stories, unexpected spirit encounters, DIY hauntings, and what it's really like making spooky podcasts from inside our own haunted corners of the world.There's laughter. There's side-eye. There's a cello story that will live in podcast infamy. (Sorry, Megan.)Whether you're a longtime TAC listener or a curious Haint dropping by for the first time — welcome to the weirdness.Grab your EMF detector and a strong cup of something witchy. It's about to get haunted.Connect with Our Guestshttps://homespunhaints.com/Patreon: https://www.patreon.com/homespunhaints Here's their episode with the Irish Ghosts! https://homespunhaints.com/ghosts-of-ballylough-house-northern-irelandChapter Markers00:00:00 Intro/Housekeeping/Gab00:03:57 Dennis and the Meth Gators 00:05:32 Tech Goblin Madness Begins00:05:56 Appalachian Lore00:13:33 Diana's Lips and more00:16:16 Souvenir Tips00:19:15 Music Lessons00:22:47 Becky's Haunting Stories00:33:10 Spiders00:35:01 Ghostly Office Ghost00: 35:31 Diana's Haunting Stories00:46:01 Live Séance00:50:48 Tech Goblins Strike Again and Stop the Recording00:51:25 Chin Hairs and Lessons from Mom01:11:49 Haunted South01:18:03 Ghost Hunting at the Psychic's Office01:27:37 Outro Credits:Hosted by: Amy Lotsberg and Megan SimmonsGuests: Becky Kilimnik and Diana Doty, Homespun HaintsProduction, Artwork, and Editing: Amy Lotsberg at Collected Sounds Media, LLC.Theme song. “Ghost Story” and segment music by Melissa West Engage!Our website, https://www.theactivitycontinues.com/ Leave us a Voicemail: https://www.theactivitycontinues.com/voicemail/ (might be read on the show)Newsletter sign-up: https://www.theactivitycontinues.com/newsletter          Patreon: https://www.patreon.com/theactivitycontinues Support the show, get bonus episodes, and unlock chaos.We're on (almost) all the socials too @theactivitycontinues BE OUR GUEST!Are you a The Dead Files client, or a paranormal/spiritual professional, and are interested in being interviewed on our show? Let us know by filling out our guest form:https://www.theactivitycontinues.com/guests/intake/ Affiliates/SponsorsPlease see our Store page for all the links for all our affiliates. https://www.theactivitycontinues.com/store/ The Activity Continues is a paranormal podcast where soul friends, Amy and Megan chat about ghost stories, haunts, dreams, and other supernatural and paranormal stuff including the TV show, The Dead Files. Our recaps are full of recurring jokes about recurring tropes. We also occasionally do interviews with people from the metaphysical world, as well as Dead Files clients. This episode was recorded on August 20, 2025 released on September 18, 2025. Thank you for listening, take care of yourselves. We'll see you next time!If you want to hear us early and ad-free EVERY week, become a Patron, join our Ghosty Fam and get bonus exclusive episodes! https://www.patreon.com/theactivitycontinuesSupport this podcast at — https://redcircle.com/the-activity-continues/exclusive-content

Jeremy and Boss rig traps for children, learn that enigmas don't age, go through their supervillain arcs, drink rubbing alcohol, and invest in a lava pit as they discuss Chuck Vincent's MisBehavin'.

The Alan Cox Show

The Alan Cox ShowSee omnystudio.com/listener for privacy information.

Our guest Libby Cudmore treats us to discussions on stories inspired by dessert dreams, lots of music references, and a dive into her latest book Negative Girl. We also get a snippet of her short story "We Hunger" published in Dark Waters Vol. 2, talk about actors escaping their teenage roles, writing across genres and different types of relationships, and various types of body horror. Libby Cudmore is the author of Negative Girl (Datura 2024), The Big Rewind (William Morrow 2016), and the Wade & Jacks P.I. series in Ellery Queen Mystery Magazine, Alfred Hitchcock's Mystery Magazine and Tough. Her short fiction has appeared in The Dark, Smokelong Quarterly, Monkeybicycle, Shotgun Honey, Stone's Throw and HAD, as well as the anthologies Mixed Up, Welcome Home, Hanzai Japan, A Beast Without a Name and Lawyers, Guns & Money: Crime Fiction Inspired By the Music of Warren Zevon (co-edited with Art Taylor). She is the 2018 recipient of the Oregon Writer's Colony prize, the 2023 Shamus award for best P.I short story, and the 2023 Black Orchid Novella award.She is the current co-host of the OST Party and Misbehavin' podcasts and the former co-host of The Shattered Shield podcast, and teaches short fiction through The Writer's Circle. Dark Waters vol. 1 & 2 are available to order! To get a copy, head over to our ⁠⁠⁠⁠⁠⁠linktree⁠⁠⁠⁠⁠⁠Want to submit your writing? Email darkwaterspodcast@gmail.comIntro/Outro music: www.bensound.comDisclaimer: Any and all opinions expressed are the opinions of the participants and not of the organizations or institutions with which they are affiliated.

Rabbi Yehuda Goldman

In Part Two of our Queering Talks series with Dr. Jen Self, we will center the voices of those who have always led the way in liberation movements, claiming the spotlight for those who have consistently been “out in front” of struggles for justice, love, and equity, demonstrating that the margins have always been the source of radical change. Queering leadership is not just about reclaiming lost stories; it's about futurism — imagining and building new realities. Leaders who live at the intersections of power systems have long envisioned new possibilities and turned them into reality. They've led us beyond the dismantling of oppressive systems and into the creation of new spaces where power is shared, community is centered, and liberation is a lived practice. Queer futurism taps into the resilience and creativity of those who dream beyond the status quo, moving us from inclusion to transformation, and inviting us to build new worlds rooted in radical imagination and collective care. From the beginning, Town Hall has been a space for meeting the needs of our city—hosting concerts, book talks, and new ways to connect. This bold new series reimagines the traditional lecture format through a queer lens, challenging ideas about who speaks, who listens, and who is centered. Built around three themes — In Between (exploring fluid identities and spaces), Out in Front (centering changemakers leading justice and equality movements), and Always Been (highlighting the historic contributions of queer visionaries)—this series promises to inspire, expand perspectives, and celebrate inclusivity. Join us in sparking meaningful conversations and building a community that values growth and connection. Dr. Jen Self (they/them) is a therapist, educator, performer, and writer whose work lives in the third space—the liminal zone where identities, systems, and possibilities collide and transform. As the founding director of the University of Washington's Q Center, Jen reimagined what it means to create community healing spaces by centering a queer intersectional praxis. Jen knows that macro changes take place in our everyday decisions and actions. Their career spans decades of racial and gender justice work as a therapist, educator, strategist, program innovator, and truth sayer, navigating—and disrupting—institutions to make them more humane and transformative. Jen's current projects include writing everything from maps on napkins to a memoir, co-leading The Racial Healing Project, and co-creating the Queer Leadership Lab. Ariyah Jané is a Black Trans-Woman from Montgomery, Alabama. Deeply rooted in her diverse background, her artistry spans Musical Theatre, Gospel, and Blues. She has performed in celebrated productions like Ain't Misbehavin', graced the iconic stage of Carnegie Hall, and shared the stage with top contestants on the 2019 Sunday's Best Tour. In 2024, she released her debut EP, Dear Ariyah. Beyond her musical achievements, Ariyah is the founder and CEO of Muses and Moguls, a creative support network for independent and emerging artists navigating the challenges of the entertainment industry. She is a passionate advocate for the LGBTQIA+ community and focuses on public service, housing, and healthcare advocacy for queer and gender non-conforming individuals. Bryanna Jenkins (she/her) is the Policy Director at Lavender Rights Project. Ms. Jenkins received her B.S. from Morgan State University, her M.A. from the University of Baltimore, and her J.D. from DePaul University College of Law. Ms. Jenkins also published Birth Certificate with a Benefit: Using LGBTQ Jurisprudence to Make the Argument for a Transgender Person's Constitutional Right to Amended Identity Documents in the CUNY Law Review. Prior to law school Bryanna founded and led The Baltimore Transgender Alliance and organized the cities first Baltimore Transgender Uprising March in 2015. Bryanna is also the Vice Chair of the National Bar Association's LGBTQ Division.

Send us a textEpisode 538"The Righteous Gemstones" and "The Bondsman" | Actor/Singer: Jennifer NettlesJennifer Nettles joins me to talk her new series on Prime Video "The Bondsman", we discuss Walton Goggins and Kevin Bacon, what Aimee Leigh would think of Lori dating Eli, Misbehavin, being a scream queen and much more.Welcome, Jennifer Nettles.#therighteousgemstones #thebondsman #kevinbacon #waltongoggins #jennifernettles #podcast #interview #primevideo #hbomax #hbo #max www.mmcpodcast.comReach out to Darek Thomas and Monday Morning Critic!Instagram:   / mondaymorningcritic  Facebook:   / mondaymorningcritic  TikTok:   / mondaymorningcritic  Mondaymorningcritic@gmail.com

This is thee second part of my conversation with author Joshua Rosenblum about his new book CLOSER THAN EVER — THE UNIQUE SIX-DECADE SONGWRITING PARTNERSHIP of RICHARD MALTBY, JR, and DAVID SHIRE. We dicuss Maltby's work on the musicals Ain't Misbehavin', Fosse, Song And Dance, Miss Saigon, and The Pirate Queen, and the Maltby/Shire shows, Baby, Closer Than Ever, BIG, and Waterfall. Travel to NYC with David Armstrong and Broadway Nation For information this new Broadway Nation initiative, go to: https://www.likemindstravel.com/ Become A PATRON of Broadway Nation! This episode is made possible in part through the generous support of our Patron Club Members such as John Schroeder. If you are a fan of Broadway Nation, I invite you to become a PATRON! For as little as $7.00 a month you can receive exclusive access to never-before-heard, unedited versions of many of the discussion that I have with my guests — in fact I often record nearly twice as much conversation as ends up in the edited versions. And you will also have access to additional in-depth conversations with my frequent co-host Albert Evans that have not been featured on the podcast. And all patrons receive special “on-air” shout-outs and acknowledgement of your vital support of this podcast. And If you are very enthusiastic about Broadway Nation there are additional PATRON levels that come with even more benefits. If you would like to support the work of Broadway Nation and receive these exclusive member benefits, please just click on this link: https://broadwaynationpodcast.supercast.tech/ Thank you in advance for your support! Learn more about your ad choices. Visit megaphone.fm/adchoices

Its back to the present on this episode of Misbehavin as Drew and Libby sit down to review Season 4 Episode 2 of The Righteous Gemstones titled "You Hurled Me Into the Very Heart of the Seas". What new Gemstone invention makes its debut? What about Eli's new look does Drew Love? And what is Baby Billy packing? Listen in and join the discussion!   E-mail: Misbehavinpod@gmail.com  

Episode Notes Join us for this very special interview with author and Pagan leader Enfys Book! Find out how their spiritual path began, a little about their writing process and how we can all use rituals to mark the passing of time in meaningful ways. Enfys also shares a bit of their musical journey as well, including their time with the band Misbehavin' Maidens! Find out more about Enfys and their writing at www.majorarqueerna.com Find out more about Blind Pride International by visiting our new website www.bpi.gay find us on other social media by visiting https://linktr.ee/bpisocials

Music from: Captain John Stout, Leza Mesiah, The Moor Of Dundee, Sarah Marie Mullen, Erika the Harpist, Vince Conaway, Celtic Mayhem, Bardy Pardy, Misbehavin' Maidens, Chaste Treasure, Roxlovians , Harper & Minstrel , Marc Gunn, Hob the Troll, Jim Hancock, Dan The Bard, Pictus, The Rogues, Tartanic, Abby Green, Bedlam Bards, Cantiga, Fugli, Jesse Ferguson, Rowan and the Rose VISIT OUR SPONSORS RESCU https://RESCU.org Ocean Renaissance Foundation http://www.oceancityrenaissance.com/ The Ren List http://www.therenlist.com Happy To Be Coloring Pages https://happytobecoloring.justonemore.website The Patrons of the Podcast https://www.patreon.com/RenFestPodcast Songs Black Is the Color[01] performed by Captain John Stout from the album Songs of Love & Loss www.porterstout.com/ The Mermaid Song[16] performed by Leza Mesiah, The Moor Of Dundee from the album More Of The Moor Of Dundee www.moorofdundee.com/ King of the Faeries[05] performed by Sarah Marie Mullen from the album The Wild Woods www.facebook.com/sarah.m.rua Toss the Feathers & Drowsy Maggie performed by Erika the Harpist from the album A Fyne Faire Daye www.erikatheharpist.com Dalling Alman performed by Vince Conaway from the album Wanderlust(2) www.vinceconaway.com/ Bedlam Boys[02] performed by Celtic Mayhem from the album Celtic Mayhem www.facebook.com/RockinIrishMusic/ Dark Lady[01] performed by Bardy Pardy from the album Bardy Pardy (Self-Titled) www.bardypardy.com Space Shanty performed by Misbehavin' Maidens from the album Swearing is Caring www.misbehavinmaidens.com Jolly Roving Tar[01] performed by Chaste Treasure from the album Chaste Treasure www.chastetreasure.com Way Out At Sea[01] performed by Roxlovians from the album Living Room Rox www.gypsyrox.com Stingo performed by Harper & Minstrel from the album The Road To Lindemar www.theharperandtheminstrel.com Heart's Ease[03] performed by Marc Gunn from the album Heart's Ease www.marcgunn.com So Scared (Love Song) performed by Hob the Troll from the album Stop Making Songs www.hobthetroll.com Spanish Ladies[05] performed by Jim Hancock from the album Rolling Home www.jimhancock.com The Owlbear Song performed by Dan The Bard from the album Manticores and Owlbears: Songs about Dragons and the Dungeons in which they dwell! www.danthebard.com Dance of the Druids performed by Pictus from the album Air www.pictusmusic.com Ronds performed by The Rogues from the album Roguetrip www.therogues.com Ney Sayings performed by Tartanic from the album Unstoppable www.facebook.com/tartanicofficial My Johnny Was a Shoemaker[01] performed by Abby Green from the album Fig for a Kiss www.AbbyGreen.com Black Leather Band[01] performed by Bedlam Bards from the album Take Out the Trash www.bedlambards.com Cantiga 108 performed by Cantiga from the album Martha's Dragon www.cantigamusic.com/ Molly Malone[04] performed by Fugli from the album Mythtakes www.povera.com Bully in the Alley[09] performed by Jesse Ferguson from the album Sea Shanties and Whaling Ballads www.jessefergusonmusic.com Parting Glass[40] performed by Rowan and the Rose from the album We Have Adventures www.rowanandtherose.com HOW TO CONTACT US Please post it on Facebook https://www.facebook.com/renfestmusic Please email us at renfestpodcast@gmail.com HOW TO LISTEN Patreon https://www.patreon.com/RenFestPodcast Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/

While best known for her seeming nonstop flow of hit albums and singles throughout the 70's and 80's, Melba made cultural history long before that, beginning her performing career as Dionne in the original cast of the musical Hair while becoming the first black woman to replace a white actress (future film star Diane Keaton) in a featured role on Broadway. In 1970, the same year her debut album I Got Love earned her a Best New Artist Grammy nomination, she won a Tony Award for Best Performance by a Featured Actress in a Musical for her portrayal of Lutibelle in Purlie – a role she would later reprise in the 1981 TV adaptation for Showtime. Soon after the success of “The Melba Moore/Clifton Davis Show,” she signed with Buddha Records, where she scored the Top Ten Billboard dance hits “This is It” and “Make Me Believe in You” and the Grammy nominated Top 20 R&B smash “Lean on Me.” Signing to Capitol in the early 80s, Melba enjoyed a second prolific decade of success with Billboard Top Ten R&B albums like Never Say Never and A Lot of Love and many hit singles, including “Love's Comin' At Ya” and the #1 hits “A Little Bit More” with Freddie Jackson and “Falling,” a hypnotic ballad featuring one of the longest held notes (nearly 20 seconds!) in recorded history. In addition, Melba's 1985 hit “Read My Lips” earned her a third Grammy nod (for Best Female Rock Performance), making her only the third Black artist after Donna Summer and Michael Jackson to be nominated in a rock category. Some of her highlights in the 2000s include an appearance in the film The Fighting Temptations (starring Cuba Gooding Jr. and Beyonce) and a role in a production of Ain't Misbehavin'. Imagine is the title track to Melba's latest (and 28th overall) album offers an optimistic vision of global love and unity during a particularly fraught sociopolitical era.   Want to watch: YouTube Meisterkhan Pod (Please Subscribe)

Antonia Bennett, acclaimed jazz songstress and daughter of world renowned vocalist Tony Bennett, to release heart-warming version of the 1929 Fats Waller classic “Ain't Misbehavin” on Friday, February 28th 2025, the first single taken from her forthcoming album titled ‘Expressions'.    Antonia's swingin' piano and vocal rendition will be accompanied by a light-filled intimate family-affair video that will feature Antonia, Antonia's daughter, and husband frolicking through sun-drenched rooms of their home, complete with fancy dress-ups and communal cooking moments in the kitchen.   “Ain't Misbehavin” was first recorded by a Bennett in 1964. Antonia's late father, Tony Bennett performed the classic for his album ‘When Lights Are Low'.    The youngest daughter of Tony Bennett and actress Sandra Grant Bennett, Antonia grew up in Los Angeles and started singing with her father by age four. During that time, Antonia was surrounded by some of the greatest vocalists of all time, including Rosemary Clooney, Ella Fitzgerald, and Frank Sinatra – known to get up and sing at her father's parties during the holidays. Antonia's passion for music grew stronger.   In 2008, Antonia recorded "I've Got My Love to Keep Me Warm" with her father, featured on his album"A Swingin' Christmas". In 2010, she released her own critically acclaimed EP, "Natural," produced by Holly Knight.  All About Jazz praised Antonia's debut, stating the EP "introduces Bennett as a gifted interpreter of jazz classics with an impeccable and accessible vocal style."    Her most recent album "Embrace Me", showcased ten standards from the Great American Songbook, including "All of You," "Embraceable You", "I Can't Give You Anything But Love", and "Nice Work if You Can Get It." 

Michele McCain's journey in the entertainment industry is nothing short of remarkable. As a global motivational storyteller, singer-songwriter, and actress, she has enchanted audiences worldwide since her debut at Shea Stadium with the legendary James Brown. With Broadway credits like Ain't Misbehavin' and collaborations with icons such as B.B. King and Celia Cruz, Michele's dedication and talent have established her as an inspiring figure for aspiring artists.Born and raised in Brooklyn, New York, Michele's love for performing led her to a successful Broadway career. After nearly 40 years abroad, particularly in beautiful Mallorca, Spain, she cherishes her journey from Brooklyn's energetic streets to Mediterranean tranquility. Through her travels across Europe, she often advises aspiring performers about the transformative power of adventure and exploration in discovering new opportunities.This week, you'll learn why Michele decided to immigrate to Spain from Brooklyn, New York, how Michele landed her first big time Broadway show, and her advice for dreamers to remember the sky has no limit.LEARN MORE:>> Connect with Michele on Instagram, Facebook, and YouTube (https://www.instagram.com/michelemccain),(https://www.facebook.com/michele.mccain.9), (https://www.youtube.com/@MicheleMcCain)>> Check out her website (https://www.michelemccain.net)> > Listen to Corey and Michele's song together, ⁠Werk⁠ (https://open.spotify.com/track/1VU4jHjuIdRunXAaqqTXRY?si=tU64S8JaTWySOCI90pz-4Q)NSLS MEMBERS ONLY:> > Listen to the bonus episode to learn about the best advice Michele's ever been given (http://members.nsls.org/audio/michele-mccain)Mentioned in this episode:Get 20% Off at the NSLS ShopUse code MONDAYS for 20% your entire purchase at shop.nsls.orgNSLS ShopNSLS members!

Fonseca talks with the late Ken Page American actor and cabaretsinger who created the part of Ken in the original Broadway production of Ain't Misbehavin' and played Old Deuteronomy in the original Broadway and filmed stage adaptation of Cats. He voiced Oogie Boogie in The Nightmare Before Christmas franchise and played in the original Broadway production of The Wiz as The Lion and the first Broadway revival of Guys and Dolls as Nicely-Nicely Johnson.

Last month, the Great White Way lost one of its brightest stars: Ken Page. In tribute to the beloved actor, singer and Drama Desk Award Winner, “Here's the Thing” is sharing Alec Baldwin's 2021 conversation with the Broadway legend. Page was known for his standout roles in the 1976 all-Black revival of “Guys and Dolls” and the original casts of “The Wiz” and “Ain't Misbehavin'.” However, one of Page's most iconic performances was in the film “The Nightmare Before Christmas” as Oogie Boogie. This episode also features musical theater royalty Betty Buckley, who, like Page, grew up dreaming of performing on Broadway. Both starred in the original Broadway production of “Cats” – Page as Old Deuteronomy and Buckley in her Tony-Award winning role as Grizabella. Together, these two pioneers helped redefine and transform musical theater over the past several decades. See omnystudio.com/listener for privacy information.

Tonight we're chatting with Libby Cudmore, whose neo-noir thriller NEGATIVE GIRL comes out this month, September 10 from Datura Books. S.A. Cosby called it "fantastic" and “…a sharp subversive exploration of the PI novel that elevates the genre while never sacrificing the thrills." Libby is a Shamus and Black Orchid award winner and author of the acclaimed novel The Big Rewind. Her Wade and Jacks stories have appeared in Alfred Hitchcock's Mystery Magazine, Ellery Queen Mystery Magazine, Tough and the Anthony-nominated anthology Lawyers, Guns & Money: Crime Fiction Inspired by The Music of Warren Zevon (co-edited with Art Taylor). She is also the current co-host of the OST Party and Misbehavin' podcasts and the creator and host of the #RecordSaturday live-tween series, spinning an array of old and new vinyl in a weekly interactive conversation. About the book: Upstate New York. Former rock star, recovering addict and now private investigator, Martin Wade, and his assistant, Valerie Jacks, are hired by a young woman who wants them to deliver a warning to her overbearing father. But neither realize their new client's father is an old bandmate of Martin's. A man still burdened with regret at being thrown out of Martin's group, The French Letters, almost two decades before. When their young client is found dead on a riverbank, duty, nostalgia and a lifetime of guilt find Martin and Valerie on the case, searching for the young woman's killer. As the mystery begins to unravel, Martin struggles to hold onto his sobriety while Valerie becomes increasingly obsessed with their murdered client – finding correlation in the secrets, and the scars they've all tried to hide.Become a supporter of this podcast: https://www.spreaker.com/podcast/castle-of-horror-podcast--4268760/support.

Music's big bundle of joy. Featuring: I Ain't Got Nobody, Carolina Shout, That's All, Sugar, Squeeze Me, (What Did I Do to Be So) Black and Blue, Ain't Misbehavin', Honeysuckle Rose, Then I'll Be Tired of you.

Kecia Lewis is celebrating 40 triumphant years as a dynamic storyteller on stage and screen in the entertainment industry. Lewis' rich career of portraying formidable women has come full circle with her critically acclaimed, Tony, Drama Desk, Drama League, Outer Critics Circle nominated, and Lucille Lortel Award winning performance of Miss Liza Jane in Alicia Keys' Broadway hit musical Hell's Kitchen. Entertainment Weekly proclaims "Lewis is commanding...her voice is a weapon, and she knows just when to fire." Kecia's Broadway journey began with her debut at 18 years old in the original company of Dreamgirls. In addition to originating on Broadway iconic roles in Once On This Island, The Drowsy Chaperone, and Leap of Faith, Kecia has graced the Broadway stage in The Gospel at Colonus (with Morgan Freeman), Big River, Ain't Misbehavin' (standby for Nell Carter) and Children of a Lesser God. Off Broadway she has starred in the title role of Mother Courage (CSC), The Skin of Our Teeth (TFNA - Obie Award Winner), Dessa Rose (LCT - Drama Desk nom.), and Marie and Rosetta (ATC - Lortel & Drama League Nom, Obie Award Winner). Kecia's work on the reboot of MAD ABOUT YOU was loved by fans and critics alike. Other selected TV guest and recurring roles include "And Just Like That" (Max), "With Love" (Amazon), "The Passage (Fox), The Blacklist (NBC), Law and Order SVU (NBC) and “Wu-Tang: An American Saga” (Hulu). As a vocalist Kecia has performed in Canada, Switzerland, Hong Kong, New Zealand and Russia. Kecia can also be seen in Evan Parter's feature “The Independent” alongside Brian Cox, Jodie Turner-Smith and John Cena which is now streaming on Peacock.    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Enfys J. Book (they/them) is an author, priestx, blogger, teacher, performer, singer, songwriter, and comedian. They wrote the Gold COVR award-winning Queer Qabala: Nonbinary, Genderfluid, Omnisexual Mysticism & Magick (Llewellyn, June 2022); co-authored (with Ivo Dominguez, Jr.) Sagittarius Witch (Llewellyn, 2024); and wrote the forthcoming Queer Rites: A Magickal Grimoire to Honor Your Milestones with Pride (Llewellyn, 2025). They are also a founding member of the "funny, filthy, feminist, fandom folk" band The Misbehavin' Maidens, the creator of a website on queer magick called majorarqueerna.com, and the host of a podcast called "4 Quick Q's: Book Talk with Enfys," where they interview pagan authors using questions determined by a roll of the dice. They have taught many classes on tarot, Hermetic Qabala, magickal rites of passage, and queering one's magical practice at conferences and events around the world. By day, Enfys is a technical account manager at a tech company, specializing in content migration and onboarding new customers. As a nonbinary, bisexual pagan and performer, Enfys employs a queer lens to break down limiting binaries in magickal practice, and advocates for bi, trans, non-binary/genderqueer, queer-, and asexual visibility and inclusion through their writing and music. Websites https://majorarqueerna.com (blog) https://misbehavinmaidens.com (band)  Links to buy Enfys' books https://majorarqueerna.com/buy Social Media https://facebook.com/majorarqueerna https://instagram.com/majorarqueerna https://instagram.com/enfysbook https://youtube.com/@majorarqueerna https://soundcloud.com/majorarqueerna  https://kind.social/@enfysbook   Support the Show.Instagram: GenderStoriesHosted by Alex IantaffiMusic by Maxwell von RavenGender Stories logo by Lior Effinger-Weintraub

Send us a Text Message.This week's episode?Wild.Visit LoveBoatExposed.com to dive deeper, and connect with the show; send us a message or record a voicemail for air. Make sure to subscribe - we're on all your favorite podcast platforms! rsmedia.group creationsFair Use Act DisclaimersInformation contained on this podcast and all related materials is for criticism and commentary, as well as for research and educational purposes. Under section 107 of the Copyright Act of 1976, allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

Hillary is traveling, and will be back next week with a new episode. In the meantime, we're bringing back one of her favorites..   “Believe in yourself.” For some people, that's a lifelong challenge. Then there are those rare folks, immensely talented and hard working, who always knew that they would be somebody. This week, Hillary talks with two of them—multiple Grammy Award-winning singer/songwriter Brandi Carlile, and Broadway legend André De Shields—about the dreams (and setbacks) that led to where they are today.   Brandi Carlile is a six-time Grammy Award-winning singer, songwriter, performer, and producer. Since her debut in 2004, she has released six studio albums and was the most nominated female artist at the 2019 Grammy Awards with six nominations, including Album, Record, and Song of the Year. Her memoir Broken Horses is a #1 New York Times bestseller.   André De Shields' acting career spans over 50 years. While currently best known for his performance in the musical Hadestown, he also appeared in The Wiz, Play On!, Ain't Misbehavin', and The Full Monty, and has directed and choreographed several shows and appeared on film and television. André has won numerous awards throughout this career, including an Emmy Award, a Tony Award, and a Grammy Award.   You can find a full transcript here.  See omnystudio.com/listener for privacy information.

Teaching AI to misbehave. Ransomware's effect on healthcare downtime. Two reports on the state of cybersecurity in the financial services sector. Possible connections between Hamas and Quds Force. Ukrainian cyber authorities report a rise in privateering Smokeloader attacks. Russian hacktivist auxiliaries strike Czech targets. My conversation with Sherrod DeGrippo, host of The Microsoft Threat Intelligence Podcast. Jay Bhalodia from Microsoft Federal shares insights on multi-cloud security. And Winter Vivern exploits a mail service 0-day. For links to all of today's stories check out our CyberWire daily news briefing: https://thecyberwire.com/newsletters/daily-briefing/12/204 Selected reading. AI vs. human deceit: Unravelling the new age of phishing tactics (Security Intelligence) Ransomware attacks on US healthcare organizations cost $20.8bn in 2020 (Comparitech)  Cyberattack at 5 southwestern Ontario hospitals leaves patients awaiting care (CBC News)  State of Security for Financial Services (Swimlane) Veracode Reveals Automation and Training Are Key Drivers of Software Security for Financial Services (Business Wire) Hamas' online infrastructure reveals ties to Iran APT, researchers say (CSO Online)  Hamas Application Infrastructure Reveals Possible Overlap With TAG-63 and Iranian Threat Activity | Recorded Future (Recorded Future) Ukraine cyber officials warn of a ‘surge' in Smokeloader attacks on financial, government entities (Record)  Bloomberg: Russia steps up cyberattacks to disrupt Ukraine's key services (Euromaidan)  Pro-Russia group behind today's mass cyberattack against Czech institutions (Expats.cz) Winter Vivern exploits zero-day vulnerability in Roundcube Webmail servers (We Live Security) Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1964, Louis Armstrong knocked the Beatles off the top of the charts with his recording of “Hello, Dolly!” becoming, at age 62, the oldest artist to ever hit number one on the Billboard Hot 100. Sixty years later, Louis Armstrong remains a beloved cultural figure, his oft-imitated voice still instantly recognizable. But Armstrong is more than a source of levity — his artistry and innovations when he made his first recordings a century ago in 1923 set the template for the modern pop star. On this centennial episode, hear Armstrong as you've never heard him: a defiant, pathbreaking musician whose voice resonates in every hit record.  Songs Discussed Louis Armstrong - Hello, Dolly! King Oliver's Creole Jazz Band - Dippermouth Blues Fletcher Henderson & His Orchestra - Sugar Foot Stomp Louis Armstrong & His Hot Seven - Potato Head Blues, West End Blues, Big Butter And Egg Man, Heebie Jeebies Louis Armstrong - Ain't Misbehavin', Dinah, I'm a Ding Dong Daddy (From Dumas), Black And Blue, Swing That Music Bing Crosby, The Mills Brothers - Dinah The Boswell Sisters - Heebie Jeebies Ella Fitzgerald - Mack The Knife - Live At The Deutschlandhalle, Berlin, 1960 Joey Ramone - What a Wonderful World Ghostface Killah - The Forest Jon Batiste - What A Wonderful World More Read Terry Teachout's brilliant biography of Armstrong, Pops Visit the Louis Armstrong House Museum in Queens, NY Listen to Lil Hardin Armstrong's 1968 interview with Chris Albertson for Riverside Records Learn more about your ad choices. Visit podcastchoices.com/adchoices