Podcast appearances and mentions of marcia desanctis

If you hate lawyers, this week we have a story for you. Jeffrey Toobin will tell us how and why partners in New York City's big law firms are now acting like players on George Steinbrenner's New York Yankees. Then, if you are looking for a mid-winter-break destination that's different from all the usual locales, Marcia DeSanctis has just the ticket: a long-overlooked place that's rich with history, architecture, and dazzling new developments. Finally, Stuart Heritage joins us from the U.K. to tell us what happened when David Beckham's nepo-baby daughter-in-law decided to become a movie director.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The murder of four students at the University of Idaho is an open-and-shut case, right? No, say the attorneys for Bryan Kohberger, the accused killer. On this week's episode, Howard Blum takes us inside the defense team's audacious strategy to win an acquittal. Later, Lesley M. M. Blume has the story of the author of some of the most beloved children's books ever—who was also the forgotten prophet of nuclear doom. And finally, if you're still looking for somewhere to escape to on your summer holiday that is far, far, far from the madding crowd, Marcia DeSanctis has just the place. All this and more make this a show you won't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Does becoming a mother mean forgetting who you were before? How can we reclaim our lives as women, while still being mothers to our children? What does traveling alone teach us ourselves and those we love?Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."www.miafunk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Elena Seibert

Does becoming a mother mean forgetting who you were before? How can we reclaim our lives as women, while still being mothers to our children? What does traveling alone teach us ourselves and those we love?Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."www.miafunk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Elena Seibert

Does becoming a mother mean forgetting who you were before? How can we reclaim our lives as women, while still being mothers to our children? What does traveling alone teach us ourselves and those we love?Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."www.miafunk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Elena Seibert

Does becoming a mother mean forgetting who you were before? How can we reclaim our lives as women, while still being mothers to our children? What does traveling alone teach us ourselves and those we love?Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."www.miafunk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Elena Seibert

Does becoming a mother mean forgetting who you were before? How can we reclaim our lives as women, while still being mothers to our children? What does traveling alone teach us ourselves and those we love?Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."www.miafunk.com www.creativeprocess.info www.oneplanetpodcast.org IG www.instagram.com/creativeprocesspodcastPhoto credit: Elena Seibert

This week, Sam Wasson, the author of one of the great books on moviemaking, The Big Goodbye: Chinatown and the Last Years of Hollywood, joins Ashley and Mike to talk about his latest book about the city of dreams, Hollywood: The Oral History. In addition, Marcia DeSanctis reveals her idea for a winter travel destination that should go to the top of everyone's bucket list. And speaking of winter and the holidays, food writer and editor Christine Muhlke shares her thoughts on the best new cookbooks of the season. All this and more make this week's show one you won't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."There is a lot of responsibility, but I do feel that the optimism, the commitment, the openness, the level of care and concern of the younger generation is going to save us. I've already learned a lot from my daughter and her friends, the questions they ask, and the concerns they have. I will continue to be open to learning from the younger generation, and I think the second that you give up hope is the second that you have declared failure. And I think nobody wants to declare failure. People want to still have children and want to still go to beautiful places and want those places to be safe and clean.”https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"A lot of my story in the Seychelles was about the environmental impact that developed countries have on a place like that, which is in the middle of the ocean that could disappear through rising seas. And it is really important that they have a voice and their voice is being heard. I mean, little Seychelles, population 100,000, is depending on the industrialized countries to do their part. But, sort of like my generation to the younger generation, industrialized countries are becoming aware of what they have done to these exploited countries, coastal countries, or island nations. And so, because they are aware of what they have done and the risks that all of our fossil fuels and a million other things have done to some of these more poor nations, they are giving these smaller places a seat at the table and letting their voices be louder and more heard. At some point, even ceding the floor to them, which I think is a really positive thing.”Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."A lot of my story in the Seychelles was about the environmental impact that developed countries have on a place like that, which is in the middle of the ocean that could disappear through rising seas. And it is really important that they have a voice and their voice is being heard. I mean, little Seychelles, population 100,000, is depending on the industrialized countries to do their part. But, sort of like my generation to the younger generation, industrialized countries are becoming aware of what they have done to these exploited countries, coastal countries, or island nations. And so, because they are aware of what they have done and the risks that all of our fossil fuels and a million other things have done to some of these more poor nations, they are giving these smaller places a seat at the table and letting their voices be louder and more heard. At some point, even ceding the floor to them, which I think is a really positive thing.”https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"There is a lot of responsibility, but I do feel that the optimism, the commitment, the openness, the level of care and concern of the younger generation is going to save us. I've already learned a lot from my daughter and her friends, the questions they ask, and the concerns they have. I will continue to be open to learning from the younger generation, and I think the second that you give up hope is the second that you have declared failure. And I think nobody wants to declare failure. People want to still have children and want to still go to beautiful places and want those places to be safe and clean.”Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."When I was in Northern India, everywhere I was passing by the Ganges River, and I realized that this story was about water. This story was about connecting with this place as I would a baptism. I'm a Catholic. I don't relate to India in that same spiritual way as a native of the country or as a Hindu would, but I can relate to it as a person in that I feel cleansed and refreshed and purified by water. And I felt a draw always to the water."https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"When I was in Northern India, everywhere I was passing by the Ganges River, and I realized that this story was about water. This story was about connecting with this place as I would a baptism. I'm a Catholic. I don't relate to India in that same spiritual way as a native of the country or as a Hindu would, but I can relate to it as a person in that I feel cleansed and refreshed and purified by water. And I felt a draw always to the water."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

"I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

"I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I started looking over the stories that I had done. I would say the majority of the essays were not really about travel. They were more about aging and marriage and memory and all of those things, but I did find in the travel essays those kernels of things that I wanted to explore - bigger kernels of things that were sort of scratching at me from the inside like a piece of sand in my pocket that was irritating me and that I wanted to explore. What I found was that the theme of coming and going, the theme of arrivals and departures, the theme of entrances and exits, and the theme of home and away seemed to repeat itself. I felt that whenever I was somewhere, there was always a tide home. And when I was home, there was always the urge for going. And so I just weeded out and weeded out and really wanted to keep this theme of home and away."https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

"I was actually writing for a long time, but I really had my first big byline the year that I turned 50. I was still 49, but it was my 50th year. Part of it was also reclaiming my past. I was a housewife. I was a full-time mother. I was teaching a little bit, and I was looking back almost in disbelief at things that were in such stark contrast to the life I was living now. Thinking – Wow, I once was in broadcasting with the most important television journalist of her generation, Barbara Walters, who I worked for.And it was very hard to think that I was that same person. And so I started writing these smaller stories. It's hard to lose an identity. I had left New York City. I had moved to the country. I had given up my work, and I was kind of mourning the person I used to be."Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut.https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.org

Marcia DeSanctis is a journalist, essayist, and author of A Hard Place to Leave: Stories from a Restless Life, 100 Places in France Every Woman Should Go, a New York Times travel bestseller. A contributor writer at Travel + Leisure, she also writes for Air Mail, Vogue, BBC Travel and many other publications. She has won five Lowell Thomas Awards from the Society of American Travel Writers and is the recipient of the 2021 Gold Award for Travel Story of the Year. Before becoming a writer, she was a television news producer for ABC, NBC and CBS News, for most of those years producing for Barbara Walters. She lives in Connecticut."I was actually writing for a long time, but I really had my first big byline the year that I turned 50. I was still 49, but it was my 50th year. Part of it was also reclaiming my past. I was a housewife. I was a full-time mother. I was teaching a little bit, and I was looking back almost in disbelief at things that were in such stark contrast to the life I was living now. Thinking – Wow, I once was in broadcasting with the most important television journalist of her generation, Barbara Walters, who I worked for.And it was very hard to think that I was that same person. And so I started writing these smaller stories. It's hard to lose an identity. I had left New York City. I had moved to the country. I had given up my work, and I was kind of mourning the person I used to be."https://marciadesanctis.comA Hard Place to Leavewww.creativeprocess.infowww.oneplanetpodcast.orgPhoto credit: Elena Seibert

This week, travel writer and expert Marcia DeSanctis reveals the secret pleasures of one of Europe's great, but less traveled, cities: Kraków. She says it has all the charms of Paris and is just as magical but much less expensive, which makes it sound like the perfect option for anyone looking for a last-minute summer getaway. And on the subject of magical experiences, Douglas McGrath joins Ashley and Mike to share his love of what he considers the greatest Hollywood musical ever made: Singin' in the Rain, which celebrates its 70th birthday this year. All this and more make this week's episode one you won't want to miss.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“xx.”  –Marcia DeSanctis In this episode of Deviate, Rolf and Marcia talk about what it was like to work as a TV producer for Barbara Walters (1:30); how she made the decision to transition into prose writing, and how a sense of curiosity and abandon can inspire travel and travel writing (6:00); how we all change as travelers over the course of a lifetime (13:00); the way the things we bring home from our travels shape our memories of places (21:30); and how travel is a way to reinvent oneself (30:00). Marcia DeSanctis (marciadesanctis1) is a Contributing Writer for Travel + Leisure. Her 2022 essay collection is entitled A Hard Place to Leave: Stories from a Restless Life. Notable Links: Barbara Walters (American TV host) Muammar Gaddafi (Libyan revolutionary) The Millions (online literary magazine) Souvenir, book by Rolf Potts (book) Alexander Pushkin (Russian poet) Kievan Rus' (medieval state) Leningrad (former name of St. Petersburg) Trans–Mongolian Railway (Asian train route) A&E Biography (TV program) The Deviate theme music comes from the title track of Cedar Van Tassel's 2017 album Lumber. Note: We don't host a “comments” section, but we're happy to hear your questions and insights via email, at deviate@rolfpotts.com.

Episode Notes The author of the wonderful new travel memoir "A Hard Place to Leave" discussed how to visit difficult places, why destinations are like people, how to travel alone and more.

When we think of love within the context of marriage, we often envision two people devoted and committed to each other. But the reality for many couples is that love fades, people stray, and reigniting that spark can be a challenge. Here to share her story is award-winning journalist and best-selling author, Marcia DeSanctis. When Marcia was 47 years old – married with children and leading a very happy life – she longed for an affair. What followed was a journey to understanding herself and what she desired to find the fulfillment she craved from marriage. This episode explores her excitement at meeting a younger man, how she coped with changing emotions, and the journey to restoring the passion and love with her husband.Quotes “I felt alive with a capital ‘A' again.” [11:10] “I was re-discovering the real me. The me that I had kind of forgotten about – buried, I guess.” [12:14] “The forties are really tough. You start thinking that there is more time behind you than there is ahead of you. That was a really disruptive thought for me.” [14:25] “I would say that it was a strengthening event for our marriage, rather than a weakening one.” [18:54]“The individuals need to be strong and the partnership has to be strong.” [29:36]Notes•    Marcia introduces herself [2:34]•    Changes in Marcia's life to contributed to a loss of identity [3:45]•    How the ‘spark' was the catalyst of greater thoughts [7:00]•    Mid-life realisations and identity loss [14:28]•    How Marcia felt in her marriage [17:18]•    How Marcia coped with her changing feelings [19:58]•    Practicalities of choices [23:24]•    Why people stay in their marriages [24:25]•    Views on the different types of love [26:06]•    Biggest lessons learned [27:30]•    Marcia's new book, A Hard Place to Leave: Stories from a Restless Life [35:36] Marcia's Socials http://marciadesanctis.comhttps://www.instagram.com/marciadesanctis1/?hl=enPre-order Marcia's book of essays, A Hard Place to Leave: Stories from a Restless Life: https://bookshop.org/books/a-hard-place-to-leave-stories-from-a-restless-life/9781609522063?__cf_chl_managed_tk__=lOiL0sPVv08_Bu96DqcEqX.HrvPQWoz6CmUAyg3c0r0-1639143258-0-gaNycGzNCJE Gillian's Socialshttps://fullcircleglobal.comhttps://www.instagram.com/the.master.coach/  https://www.facebook.com/GillianMcMichaelMasterCoachhttps://www.linkedin.com/in/gillian-mcmichael/https://www.linkedin.com/company/full-circle-development-consultancy/https://www.facebook.com/fullcircleglobal/

This week, we're dreaming of new adventures for 2022—beginning with one of the rarest of opportunities: seeing some of the last 1,000 gorillas that remain on Earth. Marcia DeSanctis joins Ashley and Mike to recount her amazing journey into the mists of Rwanda, and how coming face to face with these extraordinary creatures is an experience that marks you forever. It's an episode you won't want to miss. You'll find all this and more in this week's Morning Meeting. View on Air Mail →

This week, we're dreaming of new adventures for 2022—beginning with one of the rarest of opportunities: seeing some of the last 1,000 gorillas that remain on Earth. Marcia DeSanctis joins Ashley and Mike to recount her amazing journey into the mists of Rwanda and explain how coming face-to-face with these extraordinary creatures is an experience that marks you forever. It's an episode you won't want to miss. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second-hand process. It's one of the reasons the casting process isn't so interesting to me just because the final product, the final piece has not been touched by the artist. There's no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.”Born in Cedar Falls Iowa and raised in New York City Mark Mennin graduated with a degree in History from Princeton University, where he also taught ceramics under Toshiko Takaezu. He began to carve stone in Italy in 1984, and worked there for three years, executing commissions and preparing for solo shows in New York. From 1989-1993, he worked in Paris, The scale of his sculpture has evolved to giant landscape and architectural works, often involving hundreds of tons of granite, prompting a move from New York to a large indoor-outdoor atelier in Bethlehem, Connecticut. where he lives with his wife, writer Marcia DeSanctis and two children.· www.markmennin.com · www.creativeprocess.infoPhoto by Charles Lindsay

“I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second-hand process. It's one of the reasons the casting process isn't so interesting to me just because the final product, the final piece has not been touched by the artist. There's no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.”Born in Cedar Falls Iowa and raised in New York City Mark Mennin graduated with a degree in History from Princeton University, where he also taught ceramics under Toshiko Takaezu. He began to carve stone in Italy in 1984, and worked there for three years, executing commissions and preparing for solo shows in New York. From 1989-1993, he worked in Paris, The scale of his sculpture has evolved to giant landscape and architectural works, often involving hundreds of tons of granite, prompting a move from New York to a large indoor-outdoor atelier in Bethlehem, Connecticut. where he lives with his wife, writer Marcia DeSanctis and two children.· www.markmennin.com · www.creativeprocess.infoPhoto by Charles Lindsay

Born in Cedar Falls Iowa and raised in New York City Mark Mennin graduated with a degree in History from Princeton University, where he also taught ceramics under Toshiko Takaezu. He began to carve stone in Italy in 1984, and worked there for three years, executing commissions and preparing for solo shows in New York. From 1989-1993, he worked in Paris, The scale of his sculpture has evolved to giant landscape and architectural works, often involving hundreds of tons of granite, prompting a move from New York to a large indoor-outdoor atelier in Bethlehem, Connecticut. where he lives with his wife, writer Marcia DeSanctis and two children.· www.markmennin.com · www.creativeprocess.infoPhoto © Visko Hatfield

Today we travel with Marcia DeSanctis to France, where, on a dark early morning at Mont St. Michel, she's reminded of the importance of vigilance, and the existence of angels. Marcia is the New York Times bestselling author of 100 Places in France Every Woman Should Go, and she contributes to Vogue, Town & Country, Travel & Leisure, O the Oprah Magazine, National Geographic Traveler, Tin House, The New York Times, and many other publications. Her book of essays, A HARD PLACE TO LEAVE, will be published in 2022.

Today we travel with Marcia DeSanctis to France, where, on a dark early morning at Mont St. Michel, she's reminded of the importance of vigilance, and the existence of angels. Maggie Downs is the author of the memoir Braver Than You Think: Around the World on the Trip of My (Mother's) Lifetime, published in 2020 by Counterpoint Press. Her work has been anthologized in Best Women's Travel Writing and Lonely Planet's True Stories From the World's Best Writers, and essays have appeared in The New York Times, The Washington Post, The Los Angeles Times, and McSweeney's, among others. She is based in Palm Springs, California.

“I think direct contact with the material should be important to every sculptor because I think once you lose that it becomes a second-hand process. It's one of the reasons the casting process isn't so interesting to me just because the final product, the final piece has not been touched by the artist. There's no relationship with the mind that conceived the piece or designed it. I think something is lost when that happens. And it becomes something else.”Born in Cedar Falls Iowa and raised in New York City Mark Mennin graduated with a degree in History from Princeton University, where he also taught ceramics under Toshiko Takaezu. He began to carve stone in Italy in 1984, and worked there for three years, executing commissions and preparing for solo shows in New York. From 1989-1993, he worked in Paris, The scale of his sculpture has evolved to giant landscape and architectural works, often involving hundreds of tons of granite, prompting a move from New York to a large indoor-outdoor atelier in Bethlehem, Connecticut. where he lives with his wife, writer Marcia DeSanctis and two children.· www.markmennin.com · www.creativeprocess.infoPhoto by Charles Lindsay

Born in Cedar Falls Iowa and raised in New York City Mark Mennin graduated with a degree in History from Princeton University, where he also taught ceramics under Toshiko Takaezu. He began to carve stone in Italy in 1984, and worked there for three years, executing commissions and preparing for solo shows in New York. From 1989-1993, he worked in Paris, The scale of his sculpture has evolved to giant landscape and architectural works, often involving hundreds of tons of granite, prompting a move from New York to a large indoor-outdoor atelier in Bethlehem, Connecticut. where he lives with his wife, writer Marcia DeSanctis and two children.· www.markmennin.com · www.creativeprocess.infoPhoto © Visko Hatfield