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In this segment, Mark is joined by Johanna Berkman, a Writer at Large for Air Mail. She also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine. She discusses her recent article which is titled, "How a Cornell Professor Drove an Israeli Student out of His Class."
In hour 3, Mark is joined by Tim Fitch, a Former St Louis County Police Chief and Former St Louis County Councilman. He reviews and shares his thoughts on the latest video footage of the Minneapolis ICE shooting. Was it justified? He's later joined by Johanna Berkman, a Writer at Large for Air Mail. She also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine. She discusses her recent article which is titled, "How a Cornell Professor Drove an Israeli Student out of His Class." They wrap up the show with the Audio Cut of the Day.
In hour 1 of The Mark Reardon Show, Mark is joined by the Reardon Roundtable which is made up of Jane Dueker, Missouri State Representative Steve Butz & Republican Consultant Gregg Keller. They start the show with an announcement made my Missouri Attorney General Catherine Hanaway that Jane will be joining her team as Senior Council. The crew gets heated debating whether or not the Minneapolis ICE shooting was justified or not. They also discuss crime in St Louis, Trump's Venezuelan raid and more. In hour 2, Sue hosts, "Sue's News" where she discusses the latest trending entertainment news, this day in history, the random fact of the day and much more. Mark is then joined by Paul Hall with Common Guy's Film Reviews. They discuss Greenland 2, Primate and more. He's later joined by KSDK Sports Director Frank Cusumano who discusses the College Football Playoff games, the NFL Playoffs, the Ice Skating Championships in St Louis and more. In hour 3, Mark is joined by Tim Fitch, a Former St Louis County Police Chief and Former St Louis County Councilman. He reviews and shares his thoughts on the latest video footage of the Minneapolis ICE shooting. Was it justified? He's later joined by Johanna Berkman, a Writer at Large for Air Mail. She also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine. She discusses her recent article which is titled, "How a Cornell Professor Drove an Israeli Student out of His Class." They wrap up the show with the Audio Cut of the Day.
CEO Sarah Personette is blunt that she has no interest in becoming an events company, warning that "over-rotating" to events is how media brands lose their identity. Puck runs a limited slate—two premium ticketed summits, insider breakfasts in DC and Hollywood, and partner-driven dinners—but only when they reinforce franchises and margins. The goal is to use convening power strategically, not let it become the business. Sarah joined me to discuss this and other topics, including why podcasting is more about relationships than revenue, how Airmail now brings Puck to over 100,000 paying subscribers.
This week, I talk with author Lili Anolik about her book on two writers whose lives overlapped in ways that were both unlikely and (in retrospect) inevitable. One is Eve Babitz, the exuberant chronicler of 1970s Hollywood. The other is Joan Didion, whose notoriously "cool," exacting style defined a particular vision of Los Angeles and helped make her one of the most influential writers of the last century. The two writers are often framed as opposites, but in Didion & Babitz, Lili explores how they shared similar burdens of the times–burdens around creativity, ambition, and modern womanhood. If you enjoy literary gossip, this interview is for you. Our conversation includes some surprising and, at times, uncomfortable details about Didion's marriage, her relationship with her daughter, and her lingering feelings from an early romance with Noel Parmentel, a roguish figure who helped her start her career and introduced her to her husband, John Gregory Dunne. If you're among the devoted Didion faithful, you may hear things you didn't expect. If you're new to Eve Babitz, consider this your introduction to one of the great hidden figures of American literary life. Guest Bio: Lili Anolik is a contributing editor at Vanity Fair and a writer at large for Air Mail. Her work has also appeared in Harper's, Esquire, and The Paris Review, among other publications. She is the creator of the podcast Once Upon a Time… at Bennington College. Her latest book is Didion & Babitz, published by Scribner.
Kate Isenberg Joins us on the podcast this week.Kate is a New Yorker cartoonist, illustrator, animator and musician, but mostly she is a story teller. Along with the New Yorker, Kate's cartoons have appeared in The New Republic, Alta Journal, Air Mail, and Narrative. We talk with Kate about her background and journey to becoming a New Yorker cartoonist and her cartoons that have been in the New Yorker and CartoonStock caption contests. We also talk a bit about the value of being a creative person. You can find more about Kate at her website here:https://www.kateisenberg.comAnd follow her on Instagram here:https://www.instagram.com/thekateisenberg/On Part 1 of the episode, we discuss the current contests:Winning captions for New Yorker contest #968 (Global puppidemic.)Finalists for contest #970 (Booked for murder.)Current New Yorker contest #972 (Oh Godzilla.)We also talk about our favorite cartoons from the current issue of the New Yorker.You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comSend us questions or comments to: Cartooncaptioncontestpodcast@gmail.com
Kyle Bravo returns to the podcast to talk about what he's been up to since we last talked with him. He's had a couple more cartoons in the New Yorker and a number of cartoons in the Daily. He's also had cartoons in the Wall St Journal, Sat Eve Post, Antigravity, Air Mail, Alta, Private Eye, The Oldie, Woman's World, Weekly Humorist and other publications.We also talk about what makes a good cartoon and caption and he also joins us as we discuss New Yorker Caption Contests and our favorite cartoons from the current issue.We talk about the winners for contest #967 (We'll always Have Paris of animals).Finalists for Contest #969 (Plenty of nothing). And the current Contest #971 (We get stumped). You can Buy Kyle's books at his Etsy shop:https://www.etsy.com/shop/KyleBravoThingsSubscribe to his SubStack:https://kbravo.substack.comOr his Patreon:https://www.patreon.com/c/kylebravo/postsAnd check out his cartoons on Instagram:https://www.instagram.com/kyle_bravo_You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comSend us questions or comments to : Cartooncaptioncontestpodcast@gmail.com
A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography
A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies
A platinum beauty with an ugly secret; a tall, dark, and handsome husband with murder in his eyes; starkly lit interiors that may or may not include the silhouette of a rotund British gentleman…. This may sound like a catalog of images from the films of Alfred Hitchcock, but it is just as much an encapsulation of the works of Joan Harrison, a studio-era producer, a prolific cinematic storyteller, and a pioneer of female-centered suspense media at mid-century. Harrison remains best known as Alfred Hitchcock's right-hand woman—that is, to the extent that she is known at all. Christina Lane has written the first-ever book dedicated to the life and art of Joan Harrison, entitled Phantom Lady: Hollywood Producer Joan Harrison, The Forgotten Woman Behind Hitchcock (Chicago Review Press, February 2020). Born into a middle-class family in Surrey, Harrison took a secretarial job with Alfred Hitchcock as an aimless twenty-something, only to become a producer on films including Foreign Correspondent (1940), Rebecca (1940), and Suspicion (1941). In the 1940s, Harrison branched out, building a solo career producing movies for RKO and Universal Studios, only to return to the Hitchcock fold to run TV's Alfred Hitchcock Presents (1955-1962). In this discussion, Lane shares how she uncovered this obscure history, placing this “phantom lady” at the center of her own story. She also discusses the trajectory of Harrison's career and how she adapted her research for a broader readership. Christina Lane is Professor in the Cinematic Arts Department at the University of Miami and Edgar®-Award winning author of Phantom Lady: Joan Harrison, the Forgotten Woman Behind Hitchcock. She provides commentary for such outlets as the Daily Mail, CrimeReads and AirMail, and has been a featured guest speaker at the Film Forum, and on NPR and Turner Classic Movies. Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms. Learn more about your ad choices. Visit megaphone.fm/adchoices
With just one week until Election Day in New York City, we're reflecting on the past and future of the Democratic Party, Gracie Mansion, and the political home of mayoral hopeful, Zohran Mamdani. Mamdani is a Democratic Socialist, having campaigned alongside and accepted donations from members of the Democratic Socialists of America, a group with a clear, parasitic strategy towards the Democratic establishment and post-colonial West. What does this mean for our political parties? If successful, what does it mean for New York? And for our country? James Kirchick is a journalist and the New York Times-bestselling author of Secret City: The Hidden History of Gay Washington and The End of Europe: Dictators, Demagogues, and the Coming Dark Age. A contributing opinion writer to the New York Times, a writer at large for Air Mail, and a contributor to the Axel Springer Global Reporters Project, he has reported from over 40 countries and his writing has appeared in many publications including the Atlantic, the Washington Post, and the Wall Street Journal.Read the transcript here.Subscribe to our Substack here.
This week, Clara Molot reports from New Haven on the Yale freshman who gave grifting the old college try and scammed her way into the Ivy League school by creating an entirely fake identity. Then Eric Wilson reports from Hong Kong on the latest twists and turns in the horrific murder of a young, aspiring influencer that has captivated the city. And finally, Alexandra Wolfe and Julia Vitale reveal the winners of Air Mail's inaugural Tom Wolfe literary prizes, presented by Montblanc.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Born in the golden age of aviation, the Air Mail combines rum, lime, honey, and Champagne into a twinkling mix of glamour and effervescence. In this episode, Leanne Favre of Brooklyn's Dolores joins Cocktail College to explore the drink's Cuban roots, its place between the French 75 and Old Cuban, and how to reimagine it today. Listen on (or read below) to discover Leanne's Air Mail recipe — and don't forget to leave us a review wherever you get your podcasts! Leanne Favre's Air Mail Recipe - ¾ ounce honey syrup- ¾ ounce fresh lime juice- 1 ½ ounces Probitas rum- 1 ½ ounces Champagne- Garnish: lime twistDirections 1. Add honey syrup, lime, and rum to a cocktail shaker with ice.2. Shake until chilled and strain into a chilled Highball glass with Kold Draft ice.3. Top with Champagne.4. Express a lime twist and lean on the rim to garnish.
Leigh Stein is the author of the novel If You're Seeing This, It's Meant for You, a national bestseller available from Ballantine Books. Leigh is the author of six books, including the critically acclaimed satirical novel Self Care. She is also the creator of the Attention Economy newsletter on Substack and has written for the New York Times, the Washington Post, Allure, ELLE, Airmail, and The Cut. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Hello, media consumers! Bryan and David examine the ways in which information about Charlie Kirk's killing has come out to the public (0:20), before they share some audio from the weekend in football, including Pat McAfee's rousing 'College GameDay' monologue, some instant replay insight from Clemson–Georgia Tech, the tush push getting on everyone's nerves again, and more (14:17). Finally, Bryan and David are joined by the founder of Breaker, Lachlan Cartwright, to discuss a slew of media topics, including Puck's expected acquisition of Air Mail, concerns from people at CBS News about Bari Weiss's new role, Lachlan Murdoch retaining control of Fox and News Corp, and more (30:25). Plus, the Overworked Twitter Joke of the Week, and David Shoemaker Guesses the Strained-Pun Headline! Hosts: Bryan Curtis and David Shoemaker Guest: Lachlan Cartwright Producer: Kyle Crichton Learn more about your ad choices. Visit podcastchoices.com/adchoices
It feels like forever since my last solo episode! After our wonderful Global Woman Summer Series, I'm back with some deeply personal reflections from what has been the most amazing and intensive summer. This summer was intense, inspiring, and unforgettable. Between road-tripping through California, a 48-hour visit to Rio, hosting a coaching dinner for 26 women in London, and saying yes to my very first TV interview, I realized there's so much I want to share with you as we transition into this new season. In this episode, I break down five major reflections that stood out for me and what I'm taking into the fall. These insights are for you if you're someone with a busy, packed life who struggles to hear your inner voice, if you're seeking the right community to accelerate your growth, or if you're someone who adapts easily but wants to build a stronger inner foundation. And more importantly, if you're ready to recognize that you might already be living elements of your dream life RIGHT NOW. I also share why I'm focusing more on This Expat Life and growing this community - because I want to connect with YOU more!
I Love Adventure 48-05-02 02 The Great Airmail Robbery
Margaret continues her talk with Mangesh Hattikudur about the antifascist who invented table soccer and the socialist photographer who invented air mail. Sources: https://spainonthisday.com/alejandro-finisterre-the-inventor-of-table-football https://www.theguardian.com/news/2007/feb/24/guardianobituaries.spain https://es.wikipedia.org/wiki/Alejandro_Finisterre https://historia-hispanica.rah.es/biografias/50737-alejandro-campos-ramirez https://raicesalaire.com/alejandro-finisterre/ https://www.revistadefrente.cl/el-poeta-anarquista-que-invento-el-taca-taca-para-la-ninez-victima-de-la-guerra-civil-espanola/ https://www.adiantegalicia.es/reportaxes/2019/09/08/alejandro-finisterre-la-historia-jamas-contada-del-genio-del-futbolin-en-el-ano-del-centenario-de-su-natalicio.html https://www.lambiek.net/artists/n/nadar.htm https://time.com/5289117/aerial-photography-drones-history/ https://www.thoughtco.com/the-first-impressionist-exhibition-183013See omnystudio.com/listener for privacy information.
Margaret talks with Mangesh Hattikudur about the antifascist who invented table soccer and the socialist photographer who invented air mail. Sources: https://spainonthisday.com/alejandro-finisterre-the-inventor-of-table-football https://www.theguardian.com/news/2007/feb/24/guardianobituaries.spain https://es.wikipedia.org/wiki/Alejandro_Finisterre https://historia-hispanica.rah.es/biografias/50737-alejandro-campos-ramirez https://raicesalaire.com/alejandro-finisterre/ https://www.revistadefrente.cl/el-poeta-anarquista-que-invento-el-taca-taca-para-la-ninez-victima-de-la-guerra-civil-espanola/ https://www.adiantegalicia.es/reportaxes/2019/09/08/alejandro-finisterre-la-historia-jamas-contada-del-genio-del-futbolin-en-el-ano-del-centenario-de-su-natalicio.html https://www.lambiek.net/artists/n/nadar.htmSee omnystudio.com/listener for privacy information.
Ready to conquer your cluttered inbox? Discover the unsung tricks, automation tools, and next-level email clients that can actually make email work for you, no matter how many unread messages you're hiding. iOS Mail app walkthrough: categories, filters, unmatched features Tips for managing mail with filtering, VIPs, and privacy options Undo Send, reminders, and key Mail settings for better management Fastmail, rule-based headless filters, and automation Spark email client deep dive: pros, cons, and why it sticks The feature race: mail rules, snoozes, and why client choice matters Feedback: Soundcheck in iTunes/Apple Music and why volume normalization fails Shortcuts Corner: NFC tags and logging medications via automation and Capsule app App Caps: Notify for website change alerts, NetNewsWire for RSS news aggregation Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Ready to conquer your cluttered inbox? Discover the unsung tricks, automation tools, and next-level email clients that can actually make email work for you, no matter how many unread messages you're hiding. iOS Mail app walkthrough: categories, filters, unmatched features Tips for managing mail with filtering, VIPs, and privacy options Undo Send, reminders, and key Mail settings for better management Fastmail, rule-based headless filters, and automation Spark email client deep dive: pros, cons, and why it sticks The feature race: mail rules, snoozes, and why client choice matters Feedback: Soundcheck in iTunes/Apple Music and why volume normalization fails Shortcuts Corner: NFC tags and logging medications via automation and Capsule app App Caps: Notify for website change alerts, NetNewsWire for RSS news aggregation Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Ready to conquer your cluttered inbox? Discover the unsung tricks, automation tools, and next-level email clients that can actually make email work for you, no matter how many unread messages you're hiding. iOS Mail app walkthrough: categories, filters, unmatched features Tips for managing mail with filtering, VIPs, and privacy options Undo Send, reminders, and key Mail settings for better management Fastmail, rule-based headless filters, and automation Spark email client deep dive: pros, cons, and why it sticks The feature race: mail rules, snoozes, and why client choice matters Feedback: Soundcheck in iTunes/Apple Music and why volume normalization fails Shortcuts Corner: NFC tags and logging medications via automation and Capsule app App Caps: Notify for website change alerts, NetNewsWire for RSS news aggregation Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Ready to conquer your cluttered inbox? Discover the unsung tricks, automation tools, and next-level email clients that can actually make email work for you, no matter how many unread messages you're hiding. iOS Mail app walkthrough: categories, filters, unmatched features Tips for managing mail with filtering, VIPs, and privacy options Undo Send, reminders, and key Mail settings for better management Fastmail, rule-based headless filters, and automation Spark email client deep dive: pros, cons, and why it sticks The feature race: mail rules, snoozes, and why client choice matters Feedback: Soundcheck in iTunes/Apple Music and why volume normalization fails Shortcuts Corner: NFC tags and logging medications via automation and Capsule app App Caps: Notify for website change alerts, NetNewsWire for RSS news aggregation Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Ready to conquer your cluttered inbox? Discover the unsung tricks, automation tools, and next-level email clients that can actually make email work for you, no matter how many unread messages you're hiding. iOS Mail app walkthrough: categories, filters, unmatched features Tips for managing mail with filtering, VIPs, and privacy options Undo Send, reminders, and key Mail settings for better management Fastmail, rule-based headless filters, and automation Spark email client deep dive: pros, cons, and why it sticks The feature race: mail rules, snoozes, and why client choice matters Feedback: Soundcheck in iTunes/Apple Music and why volume normalization fails Shortcuts Corner: NFC tags and logging medications via automation and Capsule app App Caps: Notify for website change alerts, NetNewsWire for RSS news aggregation Hosts: Mikah Sargent and Rosemary Orchard Contact iOS Today at iOSToday@twit.tv. Download or subscribe to iOS Today at https://twit.tv/shows/ios-today Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
Three Big Conversations: The “Nicki Minaj stiletto challenge” encourages influencers to film themselves balancing on one stiletto-clad foot. - 05:50 OpenAI released GPT-5 and users hate it. - 16:08 Why time (unfortunately) flies when we're using social media. - 43:22 Slang of the Week - "Dogwater" - 01:25 Elsewhere in culture: - 53:06 Taylor Swift announced (on her boyfriend's football podcast) that her 12th album will be titled The Life of a Showgirl, and available for pre-order soon. Popular TikTok couple Nick and Cassie, featured on @cassiesbooktok, are breaking up—and the video announcing it has almost 8 million likes and numerous comments, each with hundreds of thousands of likes. An article in Airmail connects the trend of brides planning wedding proposals for themselves to the fact that proposal content tends to get more likes on social media. The phrase “just found out I'm chopped and also unc” is trending, and jokingly refers to someone being both unattractive (chopped) and old (unc). Chappell Roan's new song “The Subway” is about struggling to get over a breakup (language and sexual content). For more Axis resources, go to axis.org.
OpenAI released GPT-5 and users hate it, the “Nicki Minaj stiletto challenge” encourages influencers to film themselves balancing on one stiletto-clad foot, and why time (unfortunately) flies when we're using social media. Slang of the Week - "Dogwater" Elsewhere in culture: Taylor Swift announced (on her boyfriend's football podcast) that her 12th album will be titled The Life of a Showgirl, and available for pre-order soon. Popular TikTok couple Nick and Cassie, featured on @cassiesbooktok, are breaking up—and the video announcing it has almost 8 million likes and numerous comments, each with hundreds of thousands of likes. An article in Airmail connects the trend of brides planning wedding proposals for themselves to the fact that proposal content tends to get more likes on social media. The phrase “just found out I'm chopped and also unc” is trending, and jokingly refers to someone being both unattractive (chopped) and old (unc). Chappell Roan's new song “The Subway” is about struggling to get over a breakup (language and sexual content).
We are diving deep into wealth, class, and privilege with Sanibel, author of the novel To Have and Have More and an expert on the subtle—and not-so-subtle—ways the ultra-wealthy wield their status. If you've ever been curious about the behaviors and dynamics that go beyond “quiet luxury” or the “nepo baby” conversation, you'll enjoy this conversation. Sanibel breaks down concepts like stealth privilege, coattail riders, and what she calls the rich person's “cheat code.” We'll also unpack the history of our cultural obsession with wealth in the U.S., why some believe wealth is a poison to our culture and explore why being “too rich” might just make you less empathetic.More about Sanibel: She is a writer based in NYC. She grew up in Princeton, NJ and studied Classics at the University of Pennsylvania before getting her MFA at The New School. Her essays appear in New York, Air Mail, ELLE, and Lit Hub. You can follow Sanibel on TikTok and Instagram.
Cartoonist, Rose Anne Prevec joins us on the second half of the podcast this week. Rose Anne has been creating cartoons since she was young, but has only recently been having them published, most notably in Airmail, Alta Journal, Narrative, Reader's Digest, The Wall Street Journal and the Weekly Humorist. The New Yorker has been elusive, but we think she'll get in there in the near future.You can find her cartoons at her website:https://www.groundhoghill.caRose Anne also has a book of her cartoons, "CHUCKLINGS" and has also appeared in the cartoon compilation, "HOLD THAT THOUGHT". Both can be found here:https://www.groundhoghill.ca/chucklingsShe can be found on facebook at:https://www.facebook.com/groundhoghill/aboutAnd on Instagram at:https://www.instagram.com/groundhog_hill/ Rose Anne also mentions attending Amy Kurzweil's cartooning class. You can check it out here:https://amykurzweil.com/classes-and-public-engagement/On Part 1 of the episode, we discuss the current contests:Winning captions for New Yorker contest #951 (Dante's nine channels of hell).Finalists for contest #953 (Safari, so good).Current New Yorker contest #955 (Stooped, stooped rat creatures). We also talk about our favorite cartoons from the current issue of the New Yorker.You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comSend us questions or comments to: Cartooncaptioncontestpodcast@gmail.com
In the first segment, a returning Michael Koresky ("Films of Endearment"), the Museum of the Moving Image's editorial director, with his latest book "Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness" (Bloomsbury, 2025). The book is an original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code. From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included 'any inference' of the lives of homosexuals. Gay activist Vito Russo famously condemned Hollywood's censorship regime, lambasting many midcentury films as the bigoted products of his titular “Celluloid Closet.” Koresky reexamines these scorned films to tell the story of how filmmakers, straight and queer, in-the-closet and out-in-the-open, smuggled queer themes and ideas into their work, incrementally paving the way for recognition and representation. There is more to the movies during this period of popular filmmaking than meets the eye: The Golden Age set in motion many of the ways we still talk about queerness in the twenty-first century. In this insightful, wildly entertaining book, cinema historian Michael Koresky finds new meaning in 'problematic”' classics of the Code era like Hitchcock's "Rope," Minnelli's "Tea and Sympathy", and—bookending the period and anchoring Koresky's narrative—William Wyler's two adaptations of "The Children's Hour," Lillian Hellman's provocative hit play about a pair of schoolteachers accused of lesbianism. Lifting up the under-appreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant analysis, "Sick and Dirty" reveals the 'bad seeds' of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents' bids to silence it. In the second segment, Filmwax friend Josh Karp returns once again to discuss his latest article for the online magazine, Air Mail: "The Miracle at the Truck Stop", about the long shuttered Burt Reynolds Theater in Jupiter, Florida. At the height of his fame, Burt Reynolds had a dream: to open a dinner theater in the middle of nowhere! https://www.youtube.com/watch?v=szjlaU00vKw
On the morning of May 24, 2019, Jennifer Dulos dropped her kids off at New Canaan Country School. And then minutes later, she vanished. Her presumed murder quickly became a national story. This hour, Wall Street Journal columnist Rich Cohen joins us to talk about his new book, Murder in the Dollhouse: The Jennifer Dulos Story. Plus: a look at our ongoing obsession with these true crime stories. GUESTS: Rich Cohen: Writer at large at Air Mail and a columnist at The Wall Street Journal; his new book is Murder in the Dollhouse Bethany Usher: A journalist and academic and the author of Journalism and Crime Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.
I try not to write about Substack itself on Substack too often—I know it can feel a bit too meta. But as a writer in this space, I'm invested in how the platform evolves, especially as more writers are finding both a community and livelihood here. At a time when authors' salaries are shrinking, AI technologies are rapidly advancing, and many people I care about in publishing are being made redundant, it's hard to ignore how much the landscape is shifting.Yesterday, I was offered some interview time with the co-founders of Substack Hamish McKenzie and Chris Best. I don't interview many people these days—it's been years since I swapped my podcasting and journalism work to focus on writing more fiction and nonfiction books—but Substack is an interesting place, and they had some news to share.Today, Substack announced $100 million in new funding. I don't know much about the running of big companies—I'm a solo worker, and I like it that way—but I've always assumed big investment means big targets and more pressure. Still, this feels like a turning point for the platform. Clearly they're aiming to go big or go home. During the interview, I kept my focus simple: What does this mean for us writers?In their blog post today: they assure us that they want to help people build “livelihoods based on trust, quality, and creative freedom.” They want to help us protect our “independence, amplify [our] voices, and foster deep and direct relationships.”I asked them some direct questions: What do you do with $100 million investment? How do you plan to grow? What lessons are you taking from what went wrong at Twitter (X)? Are Notes cannibalizing the Substack newsletter model? And ultimately—what are you hoping to achieve longterm? How will you help writers and artists make their stuff and get paid?There are plenty of writers who are more interested in the business side of things than me and will continue to watch it all unfold—I just want to use this platform to write and live my quiet, happy life. But I'm glad I had the chance to have this conversation and share it with you, because I care deeply about the empowerment of writers and artists—and right now, we're in the middle of something pretty exciting. Hope you enjoy the interview! Big thanks to Hamish and Chris for their time xoxoInterviewing the co-founders of Substack, Hamish McKenzie and Chris Best:EMMA GANNON: First of all, I want to say thank you, because, you know, the media industry was quite demoralising before you guys came along. CHRIS BEST: Thanks, and thank you for using Substack.EMMA: Never a dull day in your offices. On that note, you've got some quite big news.CHRIS: Yeah, we're announcing $100 million in Series C funding led by investors at Bond and The Chernin Group with participation from Andreessen Horowitz and Rich Paul. You know who Rich Paul is? The CEO of Klutch Sports Group.EMMA: As in, Adele's Rich Paul? I saw her in Las Vegas last year, and then went deep into Google. CHRIS: Funny the many different paths to knowing who Rich Paul is. Also Jens Grede who's the CEO co-founder of SKIMS, and Mood Rowghani from BOND is joining the board. Basically, we're just thrilled. It's very exciting. There's something kind of special happening on Substack. We're building the plumbing for it. We're building the tools, technology and network and the bits that enable it, but it's really sort of you and everybody that's using the platform that's willing this thing into the world. Now we have this massive set of resources to make this thing the biggest and best version that it can possibly be.EMMA: Lots of people who follow my newsletter are solo entrepreneurs. They don't have teams, they don't necessarily have targets, they don't build the platforms but want to make things. For you, what happens next? Where do you put the money? I'm assuming you hire more people and make a better platform?CHRIS: Yeah, this gives us a chance to look really long term at what the biggest and best version of this thing that we're building can be. To build a company that can move fast enough and well enough to realise the biggest version of that. And so it means investing in the teams who are building the tools, building the network, helping writers and creators succeed.EMMA: What about learnings from other tech companies and learning from the past? In 2013, I was in Twitter HQ in London with my little mug with the bird on, and having an amazing time. And, well, we all know what happened to that. I was so sad about the decline of a great place. Do you keep that in mind? All of the stuff that other social networks got wrong?CHRIS: Yeah, we try to learn from what other people have done. We've learned what other people have got wrong and what other people have got right. You know, one of our core theories we have at Substack is, ultimately, you want to have a business model that's aligned with the values of what you're building. We make money when writers and creators on Substack make money. They make money when they're doing the work they believe in. I think that's maybe one of the most important lessons we've taken from some of the first generation social networks: they had these really lofty ambitions (and in many cases, quite good goals) but then wound up with these business models, which, on the one hand, were massively successful, but on the other hand, kind of pulled against the interests of the human beings who are using the networks.EMMA: How do you maintain that human element that makes everything so special at the beginning, when something grows? Because on one hand, it's like, I want everyone to know what Substack is, and on the other hand, it's like the cool band that I feel like I discovered, and I don't want people to come in and dilute it!CHRIS: We're trying to make something that is, essentially, a positive sum game. Some people have this feeling like, oh, man, if some well known person comes to Substack, or somebody else on Substack is really succeeding, that must be taking away from me, because there's this limited set of attention and money and universe. I think people (especially coming from from media over the past few decades) have this feeling of like, Alright, there's a declining share of resources, and I need to grab my piece of it. But the thing that I think is special about Substack is that it's positive, right? As more people come in, more people participate. It's this pie that's actually growing, and the more that it grows, the more benefit it can throw off for everybody. HAMISH MCKENZIE: And the better the pie tastes. It's not just a crappy pie, it's gonna be a delicious, nutritious pie.CHRIS: And it can't be just for cool people. It can't just be for any sort of one group. Not for Substack to be the place that's like, Oh, this is where the cool literary scene is, or this is where the in the know politics people hang out, or this is where the musicians are making something interesting, but rather, for us to build a platform that has enough structure that all those spaces can exist.EMMA: Yeah, that's so well put. I love that. Because even though I'm sure there is a small top percentage of people earning the most on Substack, wouldn't it be amazing if there is the ability for everyone to maybe have a lovely income stream through Substack, if they want to?CHRIS: Yeah. I mean, you want the tools to take payments, and then you want to be able to grow. We sometimes joke that the product proposition for Substack is, we'll do everything for you, except the hard part.EMMA: The hard part as in coming up with the ideas?CHRIS: Making the creative work that is actually valuable.EMMA: It's also the joyful part.CHRIS: We want to make like a machine that makes everything else magically work.EMMA: The recommendations network within Substack is the best thing. I talk about it all the time. So many of my new readers come from the inner network of Substack, and that's incredible. I have noticed a little bit of a plateau though. I know things can't grow like crazy forever. Are you working on more tools to foster this growth within the Substack eco-system?CHRIS: This is a huge focus for us. This is why the Substack app is a crucial part of the strategy. We think a lot about not just the volume of growth, but the quality of growth. Like, are you getting subscribers that are going to want to read you? Are you getting subscribers that want to pay? You know, the core of the Substack is really the value of that subscription relationship. EMMA: I do love the app, but I also want to make sure that I write and I sit at my desk and I think about things deeply. And I want to sit at my desk and write, and think about the world. On the app, sometimes I do end up mindlessly scrolling, and I'm like, ‘Oh, this is what I wanted to escape from on other social media.' Do you think Notes takes attention away from the deeper essays or long reads that we want to read?CHRIS: You know, originally the Substack app was just a quiet reader app. Instead of reading things in your inbox, you can read them in this quiet, nice space. That was kind of like a cool tool. But what it didn't do is help you discover new things, and it didn't help you grow. It just meant that you had to go to other places, like Twitter, Instagram, LinkedIn, Reddit, and you were sort of dependent on these other networks to actually fill that need of discovering and reaching out and being part of the discourse. So the real advantage of the Substack Notes feed, is: we want to make something that's fun and engaging, that you actually want to go to and spend some time on—but so that you discover things that you fall in love with, enough that you might want to pay for them.EMMA: I love following you on Notes and what you're up to. You also get so many people being like “add this/do this/change this.” Is it cool to be in a position now where you've got, like, a shopping list of things to upgrade?HAMISH: Yeah, our build list is just going to be determined by the things that people tag us about in Notes. [laughs]EMMA: It must be annoying. [laughs]CHRIS: Well, I always appreciate getting feedback, and I always appreciate people telling us what they're feeling and how it's working. I will say that lobbying for things on Notes is not effective.EMMA: That's a good tip. Is there anything that you're excited about personally right now? To do with Substack?CHRIS: There are lots of things. One thing is this Live product that we've been building. The idea of the Live product is I can have something that basically feels like a FaceTime call. It's as simple as just calling somebody up, but it magically turns into a collaborative Live moment where we can both grow and then have a longform podcast artefact that can go in a podcast app or on YouTube. HAMISH: I'm really excited about the development of this network that is now established. It's not the largest network on the internet, but it's established, and it's growing, and it has so much potential, that could serve as the core for an entirely new cultural ecosystem (a challenger to the ones that have dominated for the last 10 years). We had high hopes for them, but they've ended up—in most cases—disappointing us or dividing us. And so that this is now established, and we get a ton of resources now to go and recruit more and more people to this revolution. That is thrilling to me.EMMA: At the Substack summer party in London, I looked around and it was full of TV presenters and radio DJs and documentary makers and authors, these amazing people. And I think it was Ted Gioia who said “the talent base of Substack is the impressive thing”. Do you want to focus on that retention of these types of people on the platform?CHRIS: Yes, it's very exciting when established names come to Substack, but it's also very exciting when a new generation of people can make those names for themselves and get their start. You know, who did not come from having some famous media job or having some being a bestselling author. If you're a young person right now who has the ambition to make something great, I think it would be very easy to look at the world and think: how can I find my way into that (media) world? EMMA: I think that's so true, and that's why the engine that you're building is so important, because we all know the feeling of starting something and then it's just in a vacuum. No one sees it, no one's engaging with it. So yeah, I love that you're focusing on making things discoverable for people. HAMISH: Yeah, that's the game. That's the game we're trying to play here. Bring people together, convene about culture, and then help them find each other.EMMA: I saw the Airmail piece about Sophia and Matt in your events team — it very cool, very chic — essentially profiling members of your team. It's basically saying “this is the cool place to be”. I love that Substack do events, is that something you want to continue doing?HAMISH: I think representing the Substack culture and values in the real world, as well as just on the internet (not that the internet's not the real world), but having a place where people come together and enjoy culture together and have these meaningful shared experiences, there's very much a continuation of the ethos that lies at the heart of the platform. Sophia Efthimiatou and Matt Starr (who have been responsible for the incredible events a large number of them, at least in New York) in particular embody the spirit of people who really value culture.EMMA: I sense a deep rooted motivation from you both, I always have, from the start, that this platform feels slightly different. There's an integrity and a really great energy. What is your ultimate goal for Substack? Is it just to continue on being a great place, or do you have a specific moment that you are hoping to reach in the next few years?CHRIS: I think we're living through a period of profound change right now. I think there's new technology coming online that's changing everything. I think there is social and cultural and geopolitical change, and those things come with problems and peril. You know, when you have massive technological shifts, there's always downsides, there's always things that come up, but there are also massive opportunity. I think of it as like building the plumbing that enables a renaissance. We want to build a successful, independent company that can power that thing to be the biggest and best version of itself.HAMISH: It's not about a particular moment. Just every day that the network gets bigger and better and then more and more people can succeed as a result is a next celebration for us. This is a long term work in progress where we're not looking for a specific business outcome or a specific even ecosystem outcome. It is a living and breathing culture.EMMA: Thanks so much for your time. I feel very invigorated at the moment, and a large part of that is the empowerment I feel to be paid for my work in such a direct way via Substack. As much as I love being traditionally published as a writer, I think one day I'm going to look back and think it is kind of crazy that I have to go into a building to record an audiobook, be ‘picked' as a person that's allowed to do that, and then be paid money in royalties. I don't think we're quite grasping how revolutionary life is for writers/creators right now. I hope you have a good week and look forward to seeing you again soon.HAMISH. Thank you, Emma. Thanks for showing the way for others as well. You're a huge leader on the Substack platform and an advocate for a different way of thinking about things. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thehyphen.substack.com/subscribe
THE GOING WAS VERY, VERY GOOD—I'm a writer and the former deputy editor of Vanity Fair. Now if you know anything about me, which statistically you don't, unless—shameless plug—you read my memoir, Dilettante, about my time at Vanity Fair and the golden age of the magazine business. Which, statistically, you didn't.The only reason I have a career at all is because of today's guest on Print Is Dead (Long Live Print). He hired me in the mid-nineties to be his assistant. Or as he likes to say, “rescued me off the scrap heap” and then, like gum on the bottom of his shoe, he could never seem to get rid of me.I'm talking of course about Graydon Carter, former editor of Vanity Fair, Spy, The New York Observer, and now co-editor and co-founder of Air Mail.He's here to talk about his memoir When the Going was Good—a title that, with signature understatement, suggests things were once better than they are now, which feels correct. But his book isn't just about magazines. It's about a time when media was glamorous and powerful and vital. When New York was still New York. When the world he had a hand in shaping still existed.It's not nostalgia, it's a public service, because Graydon didn't just edit and create magazines. He built worlds. He predicted the cultural weather. He made journalism feel essential, and more importantly, cool. I was lucky enough to work for him at Vanity Fair for almost 25 years, back when magazines mattered, when people still returned phone calls, and parties had seating charts instead of hashtags, when the media wasn't just people making videos about sandwiches, and when style wasn't a “brand CoLab,” and when you could still smoke indoors without a visit from HR.You know what? Hold on one second. “Hey! You kids get off my lawn!”Sorry. Graydon began as my boss, but quickly became a mentor, then a friend, and it's a friendship that continues to this day. So enjoy this conversation with Graydon Carter as he looks back on the chaos, the glamour, and the thrill of a better time. Back when, yes, the going was very, very good.—This episode is made possible by our friends at Commercial Type and Freeport Press. A production of Magazeum LLC ©2021–2025
Today the Pugs discuss a provocative essay in the English publication, AirMail by Tara Isabella Burton. In this article she explores a new and very self-conscious religious disposition that is taking hold among tech elites in Silicon Valley. While there has been some buzz about a revival of interest in Christianity there, this is something very different, somewhat Gnostic, and very neopagan. Join the pugs as they reflect on it. Article Referenced: https://airmail.news/issues/2025-5-24/the-view-from-herefbclid=IwY2xjawKsh8NleHRuA2FlbQIxMABicmlkETEyVnZXc29rSGpwaEFsQjRsAR5DHSu0LY04GYS7rDcYlDWzeZXQYiZ7OxvHCNAxLWdcqmfN05x5VHG8P2U6Ww_aem_Oj0e41ftR3pRfMQGqMQrhA Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8
Today the Pugs discuss a provocative essay in the English publication, AirMail by Tara Isabella Burton. In this article she explores a new and very self-conscious religious disposition that is taking hold among tech elites in Silicon Valley. While there has been some buzz about a revival of interest in Christianity there, this is something very different, somewhat Gnostic, and very neopagan. Join the pugs as they reflect on it.Article Referenced: https://airmail.news/issues/2025-5-24/the-view-from-herefbclid=IwY2xjawKsh8NleHRuA2FlbQIxMABicmlkETEyVnZXc29rSGpwaEFsQjRsAR5DHSu0LY04GYS7rDcYlDWzeZXQYiZ7OxvHCNAxLWdcqmfN05x5VHG8P2U6Ww_aem_Oj0e41ftR3pRfMQGqMQrhASupport the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8
Today the Pugs discuss a provocative essay in the English publication, AirMail by Tara Isabella Burton. In this article she explores a new and very self-conscious religious disposition that is taking hold among tech elites in Silicon Valley. While there has been some buzz about a revival of interest in Christianity there, this is something very different, somewhat Gnostic, and very neopagan. Join the pugs as they reflect on it. Article Referenced: https://airmail.news/issues/2025-5-24/the-view-from-herefbclid=IwY2xjawKsh8NleHRuA2FlbQIxMABicmlkETEyVnZXc29rSGpwaEFsQjRsAR5DHSu0LY04GYS7rDcYlDWzeZXQYiZ7OxvHCNAxLWdcqmfN05x5VHG8P2U6Ww_aem_Oj0e41ftR3pRfMQGqMQrhA Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8
Jared Leto, an actor and the frontman for the band 30 Seconds to Mars, is facing renewed allegations of grooming and sexual assault. Multiple women spoke with the outlet “Air Mail” about their experiences with Leto over the past several years. Law&Crime's Jesse Weber sat down with criminal defense attorney and former prosecutor Melba Pearson to discuss the allegations.PLEASE SUPPORT THE SHOW: Check out americanfinancing.net/onthecase or call 866-891-3262 to learn how homeowners are saving $800 a month on average. NMLS 182334, www.nmlsconsumeraccess.org HOST:Jesse Weber: https://twitter.com/jessecordweberLAW&CRIME SIDEBAR PRODUCTION:AYouTube Management - Bobby SzokeVideo Editing - Michael Deininger, Christina O'Shea & Jay CruzScript Writing & Producing - Savannah Williamson & Juliana BattagliaGuest Booking - Alyssa Fisher & Diane KayeSocial Media Management - Vanessa BeinSTAY UP-TO-DATE WITH THE LAW&CRIME NETWORK:Watch Law&Crime Network on YouTubeTV: https://bit.ly/3td2e3yWhere To Watch Law&Crime Network: https://bit.ly/3akxLK5Sign Up For Law&Crime's Daily Newsletter: https://bit.ly/LawandCrimeNewsletterRead Fascinating Articles From Law&Crime Network: https://bit.ly/3td2IqoLAW&CRIME NETWORK SOCIAL MEDIA:Instagram: https://www.instagram.com/lawandcrime/Twitter: https://twitter.com/LawCrimeNetworkFacebook: https://www.facebook.com/lawandcrimeTwitch: https://www.twitch.tv/lawandcrimenetworkTikTok: https://www.tiktok.com/@lawandcrimeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Today the Pugs discuss a provocative essay in the English publication, AirMail by Tara Isabella Burton. In this article she explores a new and very self-conscious religious disposition that is taking hold among tech elites in Silicon Valley. While there has been some buzz about a revival of interest in Christianity there, this is something very different, somewhat Gnostic, and very neopagan. Join the pugs as they reflect on it. Article Referenced: https://airmail.news/issues/2025-5-24/the-view-from-herefbclid=IwY2xjawKsh8NleHRuA2FlbQIxMABicmlkETEyVnZXc29rSGpwaEFsQjRsAR5DHSu0LY04GYS7rDcYlDWzeZXQYiZ7OxvHCNAxLWdcqmfN05x5VHG8P2U6Ww_aem_Oj0e41ftR3pRfMQGqMQrhA Support the Pugcast on Patreon: https://www.patreon.com/thetheologypugcast?fbclid=IwAR17UHhfzjphO52C_kkZfursA_C784t0ldFix0wyB4fd-YOJpmOQ3dyqGf8
Today on the Mark Reardon Show, Johanna Berkman, Writer at Large for Air Mail. Also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine joins to talk about her latest piece “Attacking Jews at Harvard Doesn't Just Go Unpunished. It Gets Rewarded.” Scott Jennings, 97-1 political insider and CNN Political contributor, former special assistant to President Bush and Senator McConnell joins to talk about Elon Musk and the big beautiful bill. Duane Patterson, HotAir.com and host of Duane's World Podcast talk about Big Beautiful Bill, DOGE cuts and more. Bob Onder, Congressman from Missouri's 3rd District joins to talk about the latest with the Big Beautiful Bill.
This Thursday starts with Mark talking about Jake Tapper.Johanna Berkman, Writer at Large for Air Mail. Also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine joins to talk about her latest piece “Attacking Jews at Harvard Doesn't Just Go Unpunished. It Gets Rewarded.” Finally, is the government shrinking.
Johanna Berkman, Writer at Large for Air Mail. Also writes for The Free Press, The Cut, Tablet Magazine, The New York Times, and New York Magazine joins to talk about her latest piece “Attacking Jews at Harvard Doesn't Just Go Unpunished. It Gets Rewarded”
In this conversation, Anthony Scaramucci interviews Graydon Carter, founder of Airmail and former Vanity Fair editor, about his journey in magazine publishing. They discuss the golden age of magazines, the editor's role, and the decline of print. Carter reflects on his time at Vanity Fair, the post-9/11 political landscape, media's influence on Hollywood and Wall Street, and the cultural power of iconic photography, especially by Annie Leibovitz. He highlights the value of an outsider's view in journalism and shares thoughts on power and responsibility, culminating in a reflection on media's evolution. Learn more about your ad choices. Visit megaphone.fm/adchoices
People generally set out to write their memoirs in times of relative boredom or malaise—in other words, when they’ve retired. Not so for Graydon Carter. He began working on his new memoir, When the Going Was Good, just after leaving his post at the helm of Vanity Fair, where he was editor for 25 years, and as he was starting AIR MAIL. But then, whether Carter was lampooning the excesses of 1980s New Yorkers in Spy, hosting Oscar parties for the ages at Vanity Fair, or poring over the seating charts for his Greenwich Village restaurant The Waverly Inn, he never was one to loaf. On this episode of Table for Two, he joins host Bruce Bozzi to discuss his experience working as a railroad lineman in Canada, the moment he realized the golden age of print was nearing its end, and how he was able to effectively separate his work and family life.See omnystudio.com/listener for privacy information.
The founder and Co-Editor of AIR MAIl, Graydon Carter, has written his long-awaited memoir, entitled When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines, and we're excited to have him join us to talk about his book, the enduring magic of New York, and more. Then, for years Danny Elfman was one of the most sought-after composers in Hollywood, writing scores for movies such as Beetlejuice, Batman, and The Nightmare Before Christmas. But now his reputation is in tatters as he faces accusations of sexual harassment. Jacob Bernstein joins us to discuss the story that has riveted—and perplexed—Hollywood.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Graydon Carter is the co-founder of Spy Magazine and Air Mail, and for 25 years, he was the editor of Vanity Fair. His memoir, When The Going Was Good, chronicles a time when the going was extremely good for glossy magazines and their star editors. During the golden age of magazines, Vanity Fair combined celebrity profiles with deeply reported journalism to great acclaim, and Carter, arguably, became more famous than many of his extremely talented writers. He and Kara discuss everything from office politics at Vanity Fair to Canadian politics, including President Trump's (possible) descent into madness, the artistry involved in making a restaurant cool (as opposed to hot), and why anxiety is an essential ingredient for editors. Questions? Comments? Email us at on@voxmedia.com or find us on Instagram, TikTok, and Bluesky @onwithkaraswisher. Learn more about your ad choices. Visit podcastchoices.com/adchoices
On this week's episode of You Are What You Read, world-renowned journalist Graydon Carter joins us for a conversation about his memoir, When the Going Was Good, which hits shelves today. Graydon is the founder of Air Mail. Before this, he was a staff writer for both Time and Life. He cocreated Spy, edited The New York Observer, and for twenty-five years was the award-winning editor of Vanity Fair. He is also the Emmy and Peabody Award-winning producer of more than a dozen documentaries and one hit Broadway play. Subscribe to AirMail: https://airmail.news/ Enter to win one of 30 advanced copies of The View from Lake Como now on Goodreads: https://www.goodreads.com/giveaway/show/404916-the-view-from-lake-como-a-novel Learn more about your ad choices. Visit megaphone.fm/adchoices
*Announcement for RALEIGH, NORTH CAROLINA!* ***Corey just got word that he's picked up a date at GOODNIGHTS COMEDY CLUB in RALEIGH January 16-18.... thats very soon! You can get tickets at GoodnightsComedy.com *** Sup, Airheads? After addressing the fires in California for a brief moment up top, This week, Lord Trae and Professor CHO start with a discussion that has intrigued southerners of all ages for quite some time: What REALLY counts as The South? And are some territories that claim residence there just a bit too fancy to fit in? After that the boys talk about the lost art of written correspondence, and Corey posits that fancy/rich people do a better job at maintaining it. Also from this discussion: Holiday cards and wedding invitations - can you really expect us stupid men to be on top of this? And finally, Professor CHO learns us about some of the differences in Shakespeare's Henry V and the actual King, Henry himself, including a weird omission concerning an injury King Henry V received in battle at the ripe age of 16!Also had some terrific Air Mail this week, so thanks to everyone who submitted theirs at PuttinOnAirs@gmail.comLove y'all... be safe! Go to TraeCrowder.com to see Trae on the road! Go to BlueChew.com and use promo code POA to try Blue Chew for free! Mando's Starter Pack is perfect for new customers. It comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping. As a special offer for listeners, new customers get $5 off a Starter Pack with our exclusive code. That equates to over 40% off your Starter Pack Use code POA at ShopMando.com Visit BetterHelp.com/POA today to get 10% off your first month. Learn more about your ad choices. Visit megaphone.fm/adchoices
*Announcement for RALEIGH, NORTH CAROLINA!* ***Corey just got word that he's picked up a date at GOODNIGHTS COMEDY CLUB in RALEIGH January 16-18.... thats very soon! You can get tickets at GoodnightsComedy.com *** Sup, Airheads? After addressing the fires in California for a brief moment up top, This week, Lord Trae and Professor CHO start with a discussion that has intrigued southerners of all ages for quite some time: What REALLY counts as The South? And are some territories that claim residence there just a bit too fancy to fit in? After that the boys talk about the lost art of written correspondence, and Corey posits that fancy/rich people do a better job at maintaining it. Also from this discussion: Holiday cards and wedding invitations - can you really expect us stupid men to be on top of this? And finally, Professor CHO learns us about some of the differences in Shakespeare's Henry V and the actual King, Henry himself, including a weird omission concerning an injury King Henry V received in battle at the ripe age of 16!Also had some terrific Air Mail this week, so thanks to everyone who submitted theirs at PuttinOnAirs@gmail.comLove y'all... be safe! Go to TraeCrowder.com to see Trae on the road! Go to BlueChew.com and use promo code POA to try Blue Chew for free! Mando's Starter Pack is perfect for new customers. It comes with a Solid Stick Deodorant, Cream Tube Deodorant, two free products of your choice (like Mini Body Wash and Deodorant Wipes), and free shipping. As a special offer for listeners, new customers get $5 off a Starter Pack with our exclusive code. That equates to over 40% off your Starter Pack Use code POA at ShopMando.com Visit BetterHelp.com/POA today to get 10% off your first month. Learn more about your ad choices. Visit podcastchoices.com/adchoices