Podcast appearances and mentions of neil verma

This week, we've got another feed drop for you- this one is the first episode of an audio fiction miniseries created by Unwell executive producer Jeffrey Nils Gardner. It's a much more abstract show- we hope you enjoy it! If you want to hear more, search for "Museum at tomorrow" in your podcast app! === A beginning. A new way of listening. “Through me the way into” Learn more at www.nilsgardner.com/the-museum-at-tomorrow Read a transcript of this episode here. Content advisories for this episode here. Created and produced by Jeffrey Nils Gardner Interviews with Bates Slayer, Makena Levine, and Eleanor Hyde. Museums toured include the Art Institute of Chicago, the Chicago History Museum, and the Northwestern Block Museum of Art. Music by Jeffrey Nils Gardner, with additional tracks from the Blue Dot Sessions. Special thanks to Neil Verma and Sarah Geis. Learn more about your ad choices. Visit megaphone.fm/adchoices

For our 2022 Halloween special we are joined by Professors Neil Verma (Northwestern University), Richard Hand (University of East Anglia), and Leslie McMurtry (University of Salford Manchester) to discuss the Suspense classic, "The House in Cypress Canyon."

We've finally gotten to the Mt. Everest of Quiet Please episodes--"The Thing on the Fourble Board" from August of 1948. Joining us with some pre-recorded thoughts are Quiet Please dot Org's Paul Knierim and Professor Richard Hand. Neil Verma's article can be read here: https://www.researchcatalogue.net/view/87824/87825/27/372

Professor Neil Verma (Northwestern University, author of Theater of the Mind: Imagination, Aesthetics, and American Radio Drama) joins us yet again for a discussion of "There Are Shadows Here," from May of 1948.

For today's discussion on 12 to 5 (originally broadcast on April 12, 1948), we are joined by Northwestern University Professor Neil Verma, author of Theater of the Mind: Imagination, Aesthetics, and American Radio Drama (University of Chicago Press, 2012). We discuss his concept of "audiopositioning" as well as Quiet Please in general.

The sixth episode of our special series "Presenting the Past," a collaboration between The American Archive of Public Broadcasting and Aca-Media, features Bill Siemering, a radio innovator and advocate, who was inducted into the Radio Hall of Fame in October 2021. As a founding member of the NPR Board of Directors, Siemering wrote NPR's original mission and goals, and as NPR's first director of programming, led the development of All Things Considered. Siemering developed Fresh Air with Terry Gross at WHYY in Philadelphia, managed WBFO in Buffalo, NY, and KCCM in Moorhead, MN, was the executive producer of the documentary series Sound Print, worked with the Open Society Foundation, focusing on Eastern Europe, Africa and Mongolia, and founded Developing Radio Partners to enrich the programming of local stations in Africa. In this discussion, he reflects on the influences that helped shape his ideas and approaches to public radio programming throughout his career.Highlighted in this program are clips from Wisconsin Public Radio (WPR), including the inaugural FM broadcast in 1947, the Peabody Award winning series Afield with Ranger Mac, and the write-in radio program Dear Sirs. Be sure to also listen to “Strasburg, North Dakota” (1977) from Minnesota Public Radio. Co-produced by Siemering, it highlights his interest in incorporating soundscapes and compelling storytelling into radio programming. This discussion is led by Neil Verma, assistant professor of sound studies in Radio/TV/Film at Northwestern University, and a member of the AAPB Scholar Advisory Committee. Credits:Hosted by Neil VermaRecorded and edited by Christine BeckerProduced by Ryn MarchesePost-production and theme music by Todd Thompson

“The sound of bugs in the hills above Prato, Italy, on the hottest day of the summer, 2018. Recorded with a Sony PCM D-100.”

My guest is branding and ecommerce expert and the founder of eBrandBuilders, Neil Verma. Here's what we cover in part 2 of our conversation: ✅ How Neil built an online brand from start-up phase to exit, using brand strategy to get there. ✅ An example of a legacy (brick and mortar) brand's online (ecommerce) brand strategy, that is a great example of how branding has been done right when pivoting or expanding. ✅ The top 3 reasons eCommerce stores fail. ✅ And how you can build a successful eCommerce business by accessing Neil's book ‘Checkout' and eBrandBuilders' step-by-step course. —

“Some barges on the Rhine, recorded around 4:00 in the morning, February 2018. Recorded with a Sony PCM D-100 in XY mode. The photo is from Cologne, but the recording […]

“A dawn chorus of birds I recorded during Murmurations, a field recording retreat in Scotland in 2019 hosted by Jez Riley French and Chris Watson. Halfway through you hear a […]

“Sound from a limestone beach on Washington Island in Wisconsin. The stones on the shoreline have fallen from nearby cliffs and been polished over hundreds of years. On a windy […]

Traitors to country created by Neil Verma. "For this piece I made an experimental audiobook with dialogue structured around bespoke field recordings, foley and archival audio. My inspiration was to create a composition that both vocalized and commented on the text, using one voice to “gnaw” on another, just like the central image of the section in which Count Ugolino gnaws on the head of Archbishop Ruggieri. During research, I became interested in vocal fragments that suggest the inability to speak, and these sounds also became part of the work. "I built the background with the following components: contact mic recordings of wire fences near Spittal of Glenshee in Scotland; stereo recordings of winds in the Caledonian forest in Scotland; ice on Lake Michigan ice near Chicago during the “polar vortex” freeze of 2019; a summer soundscape at Death’s Door Bluff in Wisconsin; maggots eating the brain of a dead goat in Ireland near Kilfinane; Canyon recordings at Starved Rock State Park, Illinois; and archival audio of breaks during the congressional Iran-Contra hearings, 1987. "The performers in the piece are Cristina Marras, who read the original Italian text in the first section, Prof. William West of Northwestern University who commented on a translation of the original text by Allen Mandelbaum, Lawrence Grimm, who performed Ugolino’s monologue based on Henry Wadsworth Longfellow’s translation, and Ele Matelan, who performed all the foley work. I made the field recordings myself, and did the mixing and mastering." Part of the Inferno project to imagine and compose the sounds of Dante’s Hell, marking the 700th anniversary of The Divine Comedy. To find out more, visit http://www.citiesandmemory.com/inferno

From the “Classical Radio Era” to today’s hottest podcasts, we’re here for the love of radio drama and fictional sound-art. Our guest is Neil Verma, author of a book and teacher of classes on the subject, although as he tells us on today’s episode, the class became a lot more popular with students after he […] The post Podcast #209 – Audio Fiction’s very long history of innovation appeared first on Radio Survivor.

From the “Classical Radio Era” to today’s hottest podcasts, we’re here for the love of radio drama and fictional sound-art. Our guest is Neil Verma, author of a book and teacher of classes on the subject, although as he tells us on today’s episode, the class became a lot more popular with students after he […] The post Podcast #209 – Audio Fiction’s very long history of innovation appeared first on Radio Survivor.

From the “Classical Radio Era” to today’s hottest podcasts, we’re here for the love of radio drama and fictional sound-art. Our guest is Neil Verma, author of a book and teacher of classes on the subject, although as he tells us on today’s episode, the class became a lot more popular with students after he […] The post Podcast #176 – Audio Fiction’s very long history of innovation appeared first on Radio Survivor.

From the “Classical Radio Era” to today’s hottest podcasts, we’re here for the love of radio drama and fictional sound-art. Our guest is Neil Verma, author of a book and teacher of classes on the subject, although as he tells us on today’s episode, the class became a lot more popular with students after he […] The post Podcast #176 – Audio Fiction’s very long history of innovation appeared first on Radio Survivor.

The "golden age of radio drama" may have been a stellar period for storytelling -- but the stories weren't all golden bright. Sci-fi and horror radio dramas explored deep anxieties people felt from the Depression through the Cold War, and set the stage for later stories that couldn't be told yet without special effects. Eric Molinsky of the podcast Imaginary Worlds co-hosts this episode as we hear from historians like Neil Verma and Richard J. Hand, and radio drama veterans like Dirk Maggs and Richard Toscan. Plus Emory Braswell recalls the day he thought Martians invaded New Jersey.   20K is made out of the studios of Defacto Sound and hosted by Dallas Taylor.  Sign up for Musicbed Membership music.20k.org.  Check out the SONOS Beam at sonos.com  Get a free month of Splice at splice.com/20k and enter promo code 20k.  Episode transcript, music, and credits can be found here: https://www.20k.org/episodes/theaterforthemind

The "golden age of radio drama" may have been a stellar period for storytelling -- but the stories weren't all golden bright. Science fiction and horror were the ideal genres to explore the deep anxieties people felt from the Depression through the Cold War. And these radio dramas set the stage for fantastical stories that couldn't be told yet without advanced special effects. Dallas Taylor of the podcast Twenty Thousand Hertz co-hosts this episode as we hear from radio historians Neil Verma and Richard J. Hand, and radio drama veterans Dirk Maggs and Richard Toscan. Plus Emory Braswell recalls the day he thought Martians had invaded New Jersey. Learn more about your ad choices. Visit megaphone.fm/adchoices Learn more about your ad choices. Visit megaphone.fm/adchoices

Northwestern University professor of Sound Studies Neil Verma joins me for a segment we call GOING DEEP. This week, we're exploring the classic horror of Arch Oboler's Lights Out, in a 1943 episode called "Murder in the Script Department". After the feature, Professor Verma teaches me about what was going on in this period of audio drama, I learn about how Oboler was a scriptomaniac man-about-town, and how voice actress Mercedes McCambridge (of EXORCIST fame) exerted absolute control over her instrument.Neil's book, Theater of the MindOur Paypal link (set up a sustaining donation today!)

Professor Neil Verma joins me to discuss his essay series, “The Case for Audio Drama”. He’s a professor of Sound Studies at Northwestern University, and a longtime scholar of audio drama. We discuss the history of the form, and areas of his particular interest: radio drama from the 30s through the 50s. But we don’t just talk about old stuff! Professor Verma is as excited as I am about the audio fiction being produced today.Join us as we connect the styles and conventions of the vibrant old stuff to the vibrant new stuff!Prof. Verma’s writing:Arts of Amnesia: The Case for Audio Drama, Part One:http://ro.uow.edu.au/rdr/vol3/iss1/5/Arts of Amnesia: The Case for Audio Drama, Part Two:http://ro.uow.edu.au/rdr/vol3/iss1/6/https://www.amazon.com/Theater-Mind-Imagination-Aesthetics-American/dp/0226853519/ref=sr11?ie=UTF8&qid=1496896536&sr=8-1&keywords=neil+verma

In Episode 9 we celebrate the 75th anniversary of the famous "War of the Worlds" broadcast by talking with Neil Verma about the program, its use of radio aesthetics, the panic that ensued, and the relevance of "War of the Worlds" today. There might be one or two other things going on in this episode as well … just saying.