Podcasts about martians

How will the story end for our Martian settlers now that Earth has been destroyed? Tom and Christopher review the 3rd and final chapter of The Martian Chronicles. Promo: Tuning Into Sci-fi TV (http://tuningintoscifitv.com/) Please click, follow, rate and review! https://linktr.ee/TSPandOE_Podcasts

A janitor spreads STDs by pissing into water bottles. A woman is charged for a reporter's murder. Bubba Stargone moves forward to set a trap for the Martians. A man invites a 31 year old man to sleep with his teen daughter. Plus more AI songs with lyrics by Mr Nailsin. [Ep563]

Word of the Day is: Star (0:00-11:30) Phillies are under a lot of pressure this season, especially being 1 of 2 only active Philly sports teams until August. (11:40-19:25) Fans are turning on Bryce Harper(?) Tyrone, Andrew and Sylvana are upset by this. Bryce Harper is undeniable. Trea Turner MUST be great. (19:30-29:01) Martians have the beam pointed at earth: who is the greatest athlete ever? Wrong answer: the planet is destroyed. (29:07-41:50) Scott Lauber joins the show to discuss the Phillies, just 6 days away from opening day. Follow The Station x.com/975TheFanatic instagram.com/975thefanatic/ https://www.facebook.com/975thefanatic/ Follow The Show x.com/975BestShowEver https://x.com/TyJohnsonNews https://x.com/rickybottalico https://x.com/sylvanakell Support the Show 975thefanatic.com/shows/the-best-show-

In his famous 1962 address to Rice University, President Kennedy declared,We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard . . .The current administration has chosen, among other things, to go to Mars. Some, Elon Musk included, are looking for a backup planet to Earth. For others, like Robert Zubrin, Mars is an opportunity for scientific discovery, pure challenge, and a revitalized human civilization.Today on Faster, Please — The Podcast, Zubrin and I discuss how to reorient NASA, what our earliest Mars missions can and should look like, and why we should go to Mars at all.Zubrin is the president of aerospace R&D company Pioneer Astronautics, as well as the founder and president of the Mars Society. He was also formerly a staff engineer at Lockheed Martin. He has authored over 200 published papers and is the author of seven books, including the most recent, The New World on Mars: What We Can Create on the Red Planet.For more, check out Zubrin's article in The New Atlantis, “The Mars Dream is Back — Here's How to Make It Actually Happen.”In This Episode* Colonization vs. exploration (1:38)* A purpose-driven mission (5:01)* Cultural diversity on Mars (12:07)* An alternative to the SpaceX strategy (16:02)* Artemis program reform (20:42)* The myth of an independent Mars (24:17)* Our current timeline (27:21)Below is a lightly edited transcript of our conversation. Colonization vs. exploration (1:38)I do think that it is important that the first human mission to ours be a round-trip mission. I want to have those people back, not just because it's nice to have them back, but I want to hear from them. I want to get the full report.Pethokoukis: Just before we started chatting, I went and I checked an online prediction market — one I check for various things, the Metaculus online prediction market — and the consensus forecast from all the people in that community for when will the first humans land successfully on Mars was October 2042. Does that sound realistic, too soon, or should it be much further away?I think it is potentially realistic, but I think we could beat it. Right now we have a chance to get a Humans to Mars program launched. This current administration has announced that they intend to do so. They're making a claim they're going to land people on Mars in 2028. I do not think that is realistic, but I do believe that it is realistic for them to get the program well started and, if it is handled correctly — and we'll have to talk a lot more about that in this talk — that we could potentially land humans on Mars circa 2033.When I gave you that prediction and then you mentioned the 2020s goal, those are about landing on Mars. Should we assume when people say, “We're going to land on Mars,” they also mean people returning from Mars or are they talking about one-way trips?Musk has frequently talked about a colonization effort, and colonization is a one-way trip, but I don't think that's in the cards for 2028 or 2033. I think what is in the cards for this time period on our immediate horizon is exploration missions. I do think that we could potentially have a one-way mission with robots in 2028. That would take a lot of work and it's a bit optimistic, but I think it could be done with determination, and I think that should be done, actually.To be clear, when people are talking about the first human mission to Mars, the assumption is it's not a one way trip for that astronaut, or those two astronauts, that we intend on bringing them back. Maybe the answer is obvious, but I'm not sure it's obvious to me.From time to time, people have proposed scenarios where the first human mission to Mars is a one-way mission, you send maybe not two but five people. Then two years later you send five more people, and then you send 10 people, and then you send 20 people, and you build it up. In other words, it's not a one-way mission in the sense of you're going to be left there and your food will then run out and you will die. No, I don't think that is a credible or attractive mission plan, but the idea that you're going to go with a few people and then reinforce them and grow it into a base, and then a settlement. That is something that can be reasonably argued. But I still think even that is a bit premature. I do think that it is important that the first human mission to ours be a round-trip mission. I want to have those people back, not just because it's nice to have them back, but I want to hear from them. I want to get the full report.A purpose-driven mission (5:01)In the purpose-driven mode, the purpose comes first, you spend money to do things. In the vendor-driven mode, you do things in order to spend money. And we've seen both of these.So should we just default to [the idea] that this mission will be done with government funding on SpaceX rockets, and this will be a SpaceX trip? That's by far the most likely scenario? This is going to need to be a public-private partnership. SpaceX is rapidly developing the single most important element of the technology, but it's not all the technology. We need surface systems. We need the system for making rocket fuel on Mars because the SpaceX mission architecture is the one that I outlined in my book, The Case for Mars, where you make your return propellant on Mars: You take carbon dioxide and water, which are both available on Mars, and turn them into methane and oxygen, which is an excellent rocket fuel combination and which, in fact, is the rocket fuel combination that the Starship uses for that reason. So that's the plan, but you need the system that makes itWe're going to need surface power, which really should be a nuclear power source and which is difficult to develop outside of the government because we're talking about controlled material. Space nuclear reactors will need to use highly enriched uranium, so it should be a partnership between NASA and SpaceX, but we're going to have to reform NASA if this is going to work. I think, though, that this mission could be the vehicle by which we reform NASA. That is, that NASA Artemis moon program, for example, is an example of how not to do something.That's the current government plan to get us back to the moon.Right. But you see, NASA has two distinct modes of operation, and one I call the purpose-driven mode and the other is the vendor-driven mode. In the purpose-driven mode, the purpose comes first, you spend money to do things. In the vendor-driven mode, you do things in order to spend money. And we've seen both of these. To be fair, there's been times when NASA has operated with extreme efficiency to accomplish great things in very short amounts of time, of which, of course, the Apollo Program is the most well-known example where we got to the moon and eight years from program start. The difference between Apollo and Artemis was it wasn't human nature — and there were plenty of greedy people in the 1960s that, when the government's spending money, they want a piece of the action, they were all there.There's no shortage of people who, when you've got a lot of money to spend, are willing to show up and say, “Hi, you got a great idea, but you can't do it until you fund me.” And there were plenty of them then, but they were shown the door because it was clear that if we did all these side projects that people were trying to claim were necessary (“you can't do your program until you do my program”) we would not make it to the moon by 1969. So actually, the forcing function was the schedule. That's what forced the nonsense out of the room.Artemis, on the other hand, has been undertaken as a project whose leadership thought that they could secure a lot of support for the program if they gave a lot of people money. So Artemis has five different flight systems which are incompatible with each other. It's a ridiculous program. That's not the way to do things. We have to have a program leadership which is committed to humans-to-Mars not as a way to get pet technology programs funded, or pet constituencies funded, or pet vendors funded, or any of that stuff. It's got to be: the mission comes first. And if you have that kind of emphasis on this, this can be done and it can be the way to reform NASA.I liken NASA today to a peacetime military, but then it gets thrown into battle, and you get rid of your McClellans and you bring in your Grants. In other words, you have a certain period of chaos and disorganization because you've got deadwood running the place, but under the stress of actually beginning a decisive mission and not being tolerant of anything less than real performance, you actually get the army you need.So that sounds like that's a presidential decision, to give that agency a very specific goal, and perhaps a timeline, to create that kind of purpose-driven culture.Yes. Now that's one necessity. There's another necessity as well, which is that the conceptual base of this program, the political base, if you will, which is derived from its intellectual base, has got to be expanded. This cannot be seen as a Trump-Musk boondoggle because Trump and Musk have both defined themselves in extremely partisan terms, and if this is seen as their program and not America's program, it will be gone as soon as the political fortunes of war shift, which they always do. Musk has this concept that he's been promoting, which is the reason why we have to go to Mars is so that there'll be survivors on Mars after the Earth is destroyed, and I don't think this is particularly —You don't find that a compelling reason, given that there's not currently an obvious threat of us being destroyed, to run a program that could necessarily exist over multiple administrations and be quite expensive.That idea is derived from Isaac Asimov's Foundation novel: The scientists go to the planet Terminus so they can reestablish civilization after the Galactic Empire collapsed. It may please science-fiction fans, but I don't think it's attractive to the general public, and also, frankly, I don't think it's practical. I don't think a Mars colony could have a million people on Mars that will survive as an autarchy. There's no nation on earth that survives as an autarchy. The ones that try are extremely poor as a result for trying.The correct reason to go to Mars is, immediately, for the science, to find out the truth about the prevalence of diversity of life in the universe; for the challenge, to challenge our youth, learn your science and you can be an explorer and maker of new worlds; and for the future, but for the future, it's not for a few survivors to be hiding away after the earth is destroyed, it's to create a new branch, or perhaps several new branches, of human civilization which will add their creative inventiveness to human progress as a whole, as America did for Western civilization. By establishing America, you had a new branch of Western civilization which experimented in everything from democracy to light bulbs and airplanes and greatly enhanced human progress as a result.And the Martians, you are going to have a group of technologically adept people in a frontier environment that's going to challenge them. They're going to come up with lots of inventions that they need for their own progress, but which will benefit human as a whole. And that is why you should colonize Mars.Cultural diversity on Mars (12:07)I believe that there will . . . be many colonies on Mars established by different people with different ideas on what the ideal civilization should be, and the ones with the best ideas will attract the most immigrants and therefore outgrow the rest.It very much reminds me of the scenario laid out in The Expanse book and TV series where mankind has spread throughout the solar system. They're all branches of human civilization, but being out there has changed people, and Mars is different than Earth. Mars has a different society. The culture is different. I think that's a very interesting reason that I had not heard Elon Musk discuss.I have a book called The New World on Mars, which you might want to check out because I discuss this very thing. I believe that there will, once it's possible to colonize Mars, there'll be many colonies on Mars established by different people with different ideas on what the ideal civilization should be, and the ones with the best ideas will attract the most immigrants and therefore outgrow the rest. So, for example, the one thing I disagree with about The Expanse is they have this militaristic Spartan civilization on Mars.There's just one sort of universal culture.Yeah, and I don't think that that civilization would attract many immigrants. The reason why the American North outgrew the South is because the North was free. That's why all the immigrants went to the North. That's why the North won the Civil War, actually. It had a larger population of more industry because all the immigrants went there and became far more creative. This is a very good thing, that the form of civilization that ultimately prevails on Mars will be one, I think, that will offer human freedom and be the most attractive in as many other respects as possible. That's why it will prevail, because it will attract immigrants.But I want to get back to this program. If it is possible not to land humans on Mars in 2028, but to land — if you can land Starship on Mars, you can land not a robot, but a robotic expedition.Starship, Musk claims it could land 100 tons on Mars. Let's say it could land 30. That's 30 times as much as we can currently land. The JPL (Jet Propulsion Laboratory)-led Mars science community, they're still thinking about Mars exploration in the terms it's been done since the '60s, which is single spacecraft on single rockets. Imagine you can now land an entire expedition. You land 30 rovers on Mars along with 30 helicopters that are well instrumented and a well instrumented science lab in it. So now you are bringing not only heavy lift, but heavy lander capability to the Mars science program, and now you have a robotic expedition on Mars. For every instrument that made it onto perseverance, there were 10 that were proposed because they could only take six, and like 100 teams wanted to get their instruments on the rover. So imagine now we can actually land 30 rovers and 30 helicopters, not little ones like Ingenuity, but ones that can carry five or six instruments each themselves.So now you have 100 science teams, you've got life-detection experiments, you've got ground penetrating radar, you've got all sorts of things that we haven't done on Mars all being done. You're expanding Mars science by two orders of magnitude by bringing into existence the kind of transportation capability that is necessary to enable humans to Mars. So now you bring on board the science community and the science-interested public, which includes all parts of the political spectrum, but frankly it leans somewhat left, overall — university scientists, people like this.So now this isn't just about Elon Musk, the Bond villain. This is about what we as America and we as a culture which is committed to pushing the boundaries of science. This is what we are doing. It's not what SpaceX is doing, it's not what Musk is doing, it's not what Trump is doing, it's what America is doing, and celebrating the highest values of Western civilization, which is the search for truth.An alternative to the SpaceX strategy (16:02)Starship plus Starboat is the flight hardware combination that can do both the moon and Mars.That said — and we're talking about this being a public-private partnership —should we just default into thinking that the private part is SpaceX?Well, SpaceX is one part of it. There's no question, to me anyway —There's other companies that are building rockets, there's other rocket companies, maybe they aren't talking about Mars, but Blue Origin's building rockets.I think it should be fairly competed, but SpaceX is well ahead of anyone else in terms of a booster capability. That said, I think that the mission architecture that Musk has proposed, while workable, is not optimal, that there needs to be another vehicle here. He's got the Starship, I want to have a Starboat. I've written an article about this, which was just published in The New Atlantis.Basically, the problem with Musk's architecture is that the direct return from Mars using a Starship, which is a 100-ton vehicle, would require manufacturing 600 tons of methane oxygen on the surface of Mars, and if that's to be done in a reasonable amount of time, requires 600 kilowatts, which is about 13 football fields of solar panels, which means we're not doing it with solar panels, which means it has to be done with a nuke, and that then adds a lot to the development.If we had a Starboat, which is something 10 to 20 percent the size of Starship, but it would go from Mars orbit to the surface and we refuel it, and then it is what takes the crew down to the surface — although the crew could go one way to the surface in a Starship, that's okay, but whether they go down in a Starship or down in a Starboat, they come up in a Starboat, and now you're reducing the propellant requirement by an order of magnitude. It makes this whole thing work much better. And furthermore, Starship plus Starboat also enables the moon.We've forgotten about the moon in this conversation.Starship plus Starboat is the flight hardware combination that can do both the moon and Mars. If you take the Starship version of the Artemis thing, it takes 10 to 14 Starship launches to land a single crew on Mars refueling Starship on orbit, then refueling it in lunar orbit, and with tankers that have to be refueled in earth orbit, and doing all this, it's crazy. But if you positioned one Starship tanker in lunar orbit and then used that to refuel Starboats going up and down, you could do many missions to the lunar surface from a single Starship positioned in lunar orbit. Once again, Starship is suboptimal as an ascent vehicle to come back from the moon or Mars because it's so heavy. It's a hundred tons. The lunar excursion module we used in Apollo was two tons. So we make the Starboat — Starship plus Starboat gives you both the moon and Mars.Here's the thing: With rockets, you measure propulsion requirements in units we call delta V, velocity changes. That's what rockets actually do, they change your velocity, they accelerate you, they decelerate you. To go down from lunar orbit to the lunar surface is two kilometers a second. Delta V to come back up is two kilometers a second. Roundtrip is four. To go down from Mars orbit to the Martian surface is practically nothing because there's an atmosphere that'll slow you down without using your rocket. To come up is four. So the round trip on Mars and the round trip from orbit to the surface on the moon are the same, and therefore the same combination of the Starship plus the Starboat as a landing craft and, in particular, ascent vehicle (because ascent is where small is beautiful), this will give us both. So we don't have to wreck the moon program in order to do Mars. On the contrary, we can rationalize it.I mentioned one group of potential enemies this program has been the anti-Musk Democrats. The other group of enemies that this program has are the moon people who are very upset that their moon program is about to be wrecked because Musk says the moon is a diversion. Now, if it was a choice between the moon and Mars, then I would choose Mars. But we can do both. We can do both and without it being a diversion, because we can do both with the same ships.Artemis program reform (20:42)SLS was worth a lot in its time, but its time was the '90s, not now.There's been some talk about canceling — I'm not sure how serious it is — the Artemis program. If we want the next person on the moon to be an American rather than a Chinese, do we need to keep Artemis to make sure that happens?We need to reform Artemis and this is the way to do it: Starship plus Starboat will give you the moon.Aren't we under a time constraint, given that if we are competing and if we think for whatever national pride reasons we want the next person on the moon to be an American, do we just kind of have to continue with the Artemis program as sort of a wasteful boondoggle as it is?No, because there are things in the Artemis program that don't even make any sense whatsoever, like the lunar orbit gateway, which is simply not necessary. The SLS (Space Launch System) as a launch vehicle is not necessary now that we have Starship. SLS made a lot of sense when it was first proposed in the late 1980s under a different name. I happen to know that because, as a young engineer, I was on the design team that did the preliminary design for what we now call SLS at Martin Marietta in 1988. And it was really just a simplification of the Space Shuttle, and if it had been developed in flying by the mid-'90s, as was entirely reasonable, it could have had a great role in giving us massively improved space capabilities over the past quarter-century. But they let this thing go so slowly that by the time it has appeared, it's obsolescent, and it's as if someone had stalled the development of the P-51 fighter plane so it wasn't available during World War I, but it's just showing up now in a world of jet fighters — this is worthless. Well, it was worth a lot in its time. SLS was worth a lot in its time, but its time was the '90s, not now.Orion doesn't really make that much sense, and the National Team lander would make sense if it was modified to be Starboat. What happened was NASA gave the contract to SpaceX to use Starship as a lunar lander, and it can be, but it's suboptimal. In any case, the National Team, which was Lockheed, and Boeing, and Blue Origin, they complained, but basically their complaint was, “We want a contract too or we won't be your friends.” And so they had sufficient political heft to get themselves a contract. The least NASA could have done is insist that the lander they were getting a contract for run on methane-oxygen, the same propellant as Starship, so Starship could service it as a tanker. Instead, they let them do their own thing and they've got a hydrogen-oxygen rocket, which makes no sense! It's like someone going to the Air Force and proposing a fighter plane that runs on propane and saying, “Well, I can make a fighter run on propane, but my tankers use jet fuel.” Air Force, being sensible, insists that all their planes run on the same fuels. They don't just let someone come along and use whatever fuel they like. So the National Team contract should be changed to a Starboat contract, and the requirements should be interoperability with Starship.The myth of an independent Mars (24:17)We go to Mars not out of despair, we go to Mars out of hope, and by establishing new branches of human civilization, they'll be able to do all sorts of things.As we finish up, I just want to quickly jump back to something you mentioned earlier about autarchy. Do you think it's possible to have a thriving, successful, sustainable Mars colony that's on its own?No. I don't think it's possible to have a thriving, successful nation on earth that's on its own. This is why I think Trump's trade war is a big mistake. It will damage our economy. Now, obviously, we can survive a trade war better than a Mars —That's what Musk is also suggesting in its whole light of consciousness that we need to be able to establish sustainable, permanent colonies elsewhere that can be just fine without a relationship with Earth.I think that's incorrect, and as you know, since you are an expert in economics, it's nonsensical. I don't think a colony of one million people would have the division of labor to build anything like an iPhone or even an iPhone battery if you think of the complexity of what is involved.There's this famous essay, “I, Pencil,” which I'm sure you're acquainted with. An economist went through all the different things that went into —Yes, Milton Friedman used that example famously. I think I get your point.iPhones are more complex than pencils. I mean, you probably could build a pencil with a million-person city, but we need to build things more complicated than that. But that's not the point here, that's not why we're going on. And I object to this. It's the Masque of the Red Death theory of how you're going to survive a plague: We'll have our castle and we can go into it and we'll be fine. No, it's extremely unattractive and it's false. The people in that castle in the Masque of the Red Death, the Edgar Allen Poe story, did not survive the plague, and it's not why we should go to Mars. We go to Mars not out of despair, we go to Mars out of hope, and by establishing new branches of human civilization, they'll be able to do all sorts of things.America developed steamboats because we needed inland transportation because the only highways we had were rivers, and so forth, and so we've been an engine of invention. Mars is going to be an engine of invention. Mars is going to want to have not just nuclear reactors, but breeder reactors, and they're going to want to have fusion power because deuterium is five times as common on Mars as it is on earth, and they're going to be electrolyzing water all the time as part of their life-support system, which means releasing hydrogen, making deuterium separation very cheap, and one could go down this kind of thing. There's all sorts of things that a Martian civilization would develop, to say nothing of the fact that a spacefaring civilization will have the capability to divert asteroids so that they don't impact the earth. So that's why we're going to Mars. We increase the creative capacity of humanity to deal with all challenges raging from asteroid impacts to epidemics.Our current timeline (27:21). . . if you have your first humans on Mars in early 2030s, I think we can have a permanent Mars base by the end of that decade . . .So let me just finish up with this, and I think as far as a justification for going to Mars, that's about the most persuasive I know, and maybe I'm an easy audience, but I'm persuaded.Let's set aside just putting an astronaut or a few astronauts on the moon and bringing them home, and let's set aside the permanent, sustainable, solo, doesn't-need-Earth colony. Just as far as having a sort of a permanent outpost, what do you think is the reasonable timeframe, both technologically and given the politics?I do think, if we do what I am arguing for, which is to make it the mission of this administration to not only just land a Starship on Mars, but land a Starship on Mars bringing a massive robotic expedition to Mars, and then following that up with several more robotic landings to Mars that prepare a base, set up the power system, et cetera, then yes, I think landing the first humans on Mars in 2033 is entirely reasonable. What the Trump administration needs to do is get this program going to the point where people look at this and say, “This is working, this is going to be great, it's already great, let's follow through.”And then, if you have your first humans on Mars in early 2030s, I think we can have a permanent Mars base by the end of that decade, by 2040, a base with 20–30 people on it. A human expedition to Mars doesn't need to grow food. You can just bring your food for a two-year expedition, and you should. You establish a base of 10 or 20 to 30, 50 people, you want to set up greenhouses, you want to be growing food. Then you start developing the technologies to make things like glass, plastic, steel, aluminum on Mars so you can build greenhouses on Mars, and you start establishing an agricultural base, and now you can support 500 people on Mars, and then now the amount of things you can do on Mars greatly expands, and as you build up your industrial and agricultural base, and of course your technologies for actually implementing things on Mars become ever more advanced, now it becomes possible to start thinking about establishing colonies.So that's another thing. Musk's idea that we're going to colonize Mars by landing 1,000 Starships on Mars, each with a hundred people, and now you've got a hundred thousand people on Mars, kind of like D-Day, we landed 130,000 men on the Normandy Beach on D-Day, and then another 100,000 the next day, and so forth. You could do that because you had Liberty Ships that could cross the English Channel in six hours with 10,000 tons of cargo each. The Starship takes eight months to get to Mars, or six, and it takes a 100 tons. You can't supply Mars from Earth. You have to supply Mars from Mars, beyond very small numbers, and that means that the colonization of Mars is not going to be like the D-Day landing, it's going to be more like the colonization of America, which started with tiny colonies, which as they developed, created the crafts and the farms, and ultimately the industries that could support, ultimately, a nation of 300 million people.On sale everywhere The Conservative Futurist: How To Create the Sci-Fi World We Were PromisedMicro Reads▶ Economics* Why the Fed's Job May Get a Lot More Difficult - NYT* America's Economic Exceptionalism Is on Thin Ice - Bberg Opinion* Trump Is Undermining What Made the American Economy Great - NYT Opinion* Don't Look to the Fed for the Answer to Stagflation - Bberg Opinion▶ Business* Inside Google's Two-Year Frenzy to Catch Up With OpenAI - Wired* Some Nvidia Customers Are OK With Older Chips - WSJ* SoftBank to Buy Ampere, a Silicon Valley Chip Start-Up, for $6.5 Billion - NYT* Nvidia CEO Says He Was Surprised That Publicly Held Quantum Firms Exist - Bberg* The promise of the fifth estate is being squeezed - FT* Boeing Beats Lockheed for Next-Gen US Fighter Jet Contract - Bberg▶ Policy/Politics* Six Ways to Understand DOGE and Predict Its Future Behavior - Cato* Government Science Data May Soon Be Hidden. They're Racing to Copy It. - NYT* Stopping Child Porn Online Is a Worthy Goal. But Beware the Proposed Cure - WSJ▶ AI/Digital* Mini-satellite paves the way for quantum messaging anywhere on Earth - Nature* The Impact of GenAI on Content Creation – Evidence from Music Videos - SSRN* AI weather forecast project eyes access through desktop computers - FT▶ Biotech/Health* Why a weight-loss drug could become a geopolitical bargaining chip - FT* We've entered a forever war with bird flu - The Verge* Doctors Told Him He Was Going to Die. Then A.I. Saved His Life. - NYT▶ Clean Energy/Climate* Inside a new quest to save the “doomsday glacier” - MIT* Glaciers are melting at record speed, says UN - Semafor▶ Robotics/AVs* Disney's Robotic Droids Are the Toast of Silicon Valley - WSJ* The fantasy of humanoid robots misses the point - FT▶ Space/Transportation* The ax has become an important part of the Space Force's arsenal - Ars* NASA Won't Let Starliner Die Just Yet, Even After Boeing's Space Fiasco - Gizmodo* How Warp Drives Don't Break Relativity - Universe Today▶ Up Wing/Down Wing* Japan Urgently Needs an AI Vibe Shift - Bberg Opinion* What left-wing critics don't get about abundance - Niskanen Center▶ Substacks/NewslettersWhat is Vibe Coding? - AI SupremacyFaster, Please! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit fasterplease.substack.com/subscribe

Get ready for a mind-blowing dive into the 2025 JFK assassination files, nely released by The Trump Administration, here on Total Disclosure: UFOs, Cover-Ups, and Conspiracy!On March 19, 2025, 63,400 pages of declassified secrets dropped, and we're unpacking the wildest revelations yet. Did the CIA turn Lee Harvey Oswald into their patsy puppet? Were Miami's anti-Castro snipers pulling strings—or triggers? And wait—did UFOs crash this conspiracy party? Host TY ROBERTS breaks it all down in a hilarious, late-night-style exposé, from Cuban spies fangirling over Oswald's aim to the CIA's hush-hush cash dropsLINK THREAD—https://allmylinks.com/total-disclosureSubscribe to the channel on YouTube—— www.youtube.com/@totaldisclosure Support TY and TDP Studios directly VIA PayPal (No FEES)— https://www.paypal.me/TDPstudios767?locale.x=en_US YOUTUBE MEMBER—-https://www.youtube.com/channel/UCy2Cra7aLAAMVxkA9rSYCxg/joinPATREON MEMBER—https://www.patreon.com/Total_Disclosure?fan_landing=true&view_as=publicGET YOUR “TOTAL DISCLOSURE” UFO/ALIEN INSPIRED MERCH, OR A GIFT FOR YOUR FAMILY MEMBER, FRIEND, OR TREAT YOURSELF!—- https://pop-culture-corner-store.creator-spring.com/?Follow On X—- Www.X.com/@DisclosurePod Instagram—- www.instagram.com/DisclosurePodFacebook----Facebook.com/@ty.totaldisclosureCONTACT TDP DIRECTLY For Collaboration, Use of Segments/clips, or any other media produced by “TDP” —TY.TotalDisclosure@gmail.com----------SPONSORED LINKS & SERVICES USED BY TOTAL DISCLOSURE----------------------------- USE OUR CODE AND SIGN UP FOR TUBE-BUDDY TO START UTILIZING THEIR AMAZING TOOLS, LET TUBE BUDDY DO THE WORK FOR YOU!-——https://www.tubebuddy.com/POP Sign Up for VIDIQ and Get Tons of Creator Content Tools, SEO Boosts, Keyword Scores, Title Suggestions, & So much MORE! VIDIQ can be integrated seamlessly into your Browser and Youtube Channel, Start utilizing this tool now, Sign up with TDP's—— Link-www.VIDIQ.com/TotalDisclosure LOOKING TO START YOUR OWN PODCAST? LOOKING TO GO LIVE? SIGN UP FOR STREAM YARD TODAY AND USE OUR REFERRAL CODE TO HELP SUPPORT THE SHOW———  https://streamyard.com/pal/6146221734887424 --------------------------------PODCAST PLATFORMS------------------------------------------------------------------LISTEN DIRECTLY TO THE SHOW ON THE “SPREAKER” App, & help support the show DIRECTLY—— https://www.spreaker.com/show/total-disclosure-ufos-cover-ups-and-consListen on Apple— https://www.podcasts.apple.com/us/podcast/the-pop-culture-corner/id1544297063?uo=4Listen on SPOTIFY—https://open.spotify.com/show/0Yq6Iceyh7o24DG8tq4kvOLISTEN ON AMAZON(AUDIBLE)—https://www.amazon.com/Total-Disclosure-UFOs-Conspiracies-Cover-Ups/dp/B08JJSX9GF/ref=sr_1_1?crid=PJDE10465KZE&keywords=total+disclosure+podcast&qid=1704722670&sprefix=total+disclosure+podcast%2Caps%2C77&sr=8-1Special Thank you to all of our PODCAST/YouTube Channel Members for your continued support, and dedication to seeking the truth, together. We can't do this WITHOUT YOU!COPYRIGHT-2020- Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commenting, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. Total Disclosure Podcast Copyright 2020  ======================================================================================================================================================Become a supporter of this podcast: https://www.spreaker.com/podcast/total-disclosure-ufos-coverups-conspiracy--5975113/support.

Another season, another Propstore auction. David and Ryan dive into the catalog for Propstore's first of three EMLA auctions of 2025, this one taking place from March 26 through the 28th in Los Angeles. This episode covers "a few of our favorite things" as the guys highlight the most interesting lots from day 1 of the 3-day auction. Join them for everything from fusion reactors to X-Files costumes! They've got Batman costumes, giant matte paintings, 100-year-old tramp boots, Conan swords, Commando vests, Blunt exo-suits, human skin books, ZF-1s, galaxy quests, ghost traps, wizard's robes, Dragonslaying equipment, stop-motion Martians (shut up, Dave), Pee-Wee's pals, and of course, expensive Star Wars props to drive Dave insane (shut up, Ryan)! Catalog: https://propstoreauction.com/auctions/catalog/id/449 Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Well we got to the end! And there wasn't much Doom in the Doom book. We liked it regardless. Well we liked the gore at least.   Our Socials Follow us at patreon.com/pixellitpod and hop into our Discord! Blue Sky: https://bsky.app/profile/pixellitpod.com Instagram: https://instagram.com/pixellitpod Synopsis The year is 2144...and the battle over Earth's precious resources has raged for a century. With global economies in ruins and all-out world war more than a possibility, the U.S government turned to the Union Aerospace Corporation, giving it carte blanche on the legendary red planet of Mars in a desperate bid to construct an off-world outpost that might provide resources, a military advantage...as well as something so secret that even members of government don't have a clue about it.... Special Ops Marine Lieutenant John Kane was once a careerist simply glad to have a job, and couldn't care less about politics just as long as Uncle Sam's check cleared. But that was before he listened to his conscience and disobeyed a direct order. Busted down to private, Kane has been reassigned to the "U.S. Space Marines" -- the private army of the UAC -- with the prospect of becoming little more than a glorified security guard on Mars.... Now Lt. Kane's fate leads him to Mars City -- part environmental community, part lab center, and all owned and protected by the UAC. It's a strange world with a fatal environment, and the thousands who live and work within the city have already begun to think of themselves as Martians. And away from Mars City, at the strange ancient sites uncovered on the planet, a small squad of marines stand guard while scientists uncover wall glyphs and search for artifacts, having already found something that is so far amazing and inexplicable -- including the relic called "U1," nicknamed "the Soul Cube" -- and unknown to all, the bringer of destructive chaos and unspeakable horror....

Another season, another Propstore auction. David and Ryan dive into the catalog for Propstore's first of three EMLA auctions of 2025, this one taking place from March 26 through the 28th in Los Angeles. This episode covers "a few of our favorite things" as the guys highlight the most interesting lots from day 1 of the 3-day auction. Join them for everything from fusion reactors to X-Files costumes! They've got Batman costumes, giant matte paintings, 100-year-old tramp boots, Conan swords, Commando vests, Blunt exo-suits, human skin books, ZF-1s, galaxy quests, ghost traps, wizard's robes, Dragonslaying equipment, stop-motion Martians (shut up, Dave), Pee-Wee's pals, and of course, expensive Star Wars props to drive Dave insane (shut up, Ryan)! Catalog: https://propstoreauction.com/auctions/catalog/id/449 Email: dreamsaremadeofpodcast@gmail.com SDAMO - Instagram https://www.instagram.com/propspodcast/ SDAMO - Bluesky https://bsky.app/profile/propspodcast.bsky.social SDAMO - Facebook https://www.facebook.com/propspodcast/ SDAMO - TikTok https://www.tiktok.com/@props.podcast David Mandel - Instagram https://www.instagram.com/davidhmandel/

Dare to Dream with Debbi Dachinger Mars Ancestors? George J. Haas Uncovers the Hidden Geometric Secrets of the Red Planet! Are we connected to ancient Martians? Researcher George J. Haas explores the mysteries of Mars, revealing shocking evidence of lost civilizations, cosmic catastrophes, and hidden messages in Martian and Earth structures. Anomalous Structures on Mars – How do they compare to geoglyphs in Mayan, Nazca, and other sacred sites? Mayan & Sumerian Connections – Did they document an ancient Martian race? Planetary Destruction – Did Mars suffer a civilization-ending catastrophe? Monuments Beyond Earth – Who left mysterious structures on the Moon and Mars? Could humanity's true origins be extraterrestrial? Join us for a mind-expanding journey into the secrets of Mars and beyond! About Our Guest My guest George J. Haas is the founder and premier investigator of the Mars research group known as The Cydonia Institute. A member of the Society for Planetary SETI Research, he has coauthored two books, and six peer-reviewed science papers related to anomalous formations on the surface of Mars. He has appeared on Coast to Coast AM with George Noory and on the History Channel's Ancient Aliens, The Proof is Out There, and The UnXplained with William Shatner. To learn more, go to: https://thecydoniainstitute.com/

Dare to Dream with Debbi Dachinger Mars Ancestors? George J. Haas Uncovers the Hidden Geometric Secrets of the Red Planet! Are we connected to ancient Martians? Researcher George J. Haas explores the mysteries of Mars, revealing shocking evidence of lost civilizations, cosmic catastrophes, and hidden messages in Martian and Earth structures. Anomalous Structures on Mars – How do they compare to geoglyphs in Mayan, Nazca, and other sacred sites? Mayan & Sumerian Connections – Did they document an ancient Martian race? Planetary Destruction – Did Mars suffer a civilization-ending catastrophe? Monuments Beyond Earth – Who left mysterious structures on the Moon and Mars? Could humanity's true origins be extraterrestrial? Join us for a mind-expanding journey into the secrets of Mars and beyond! About Our Guest My guest George J. Haas is the founder and premier investigator of the Mars research group known as The Cydonia Institute. A member of the Society for Planetary SETI Research, he has coauthored two books, and six peer-reviewed science papers related to anomalous formations on the surface of Mars. He has appeared on Coast to Coast AM with George Noory and on the History Channel's Ancient Aliens, The Proof is Out There, and The UnXplained with William Shatner. To learn more, go to: https://thecydoniainstitute.com/

This week Wes and Rett and Tom Jones fight off an alien invasion when Mars Attacks! Listen as we talk some classic Tim Burton weirdness. Ack! Ack ack!https://www.spreaker.com/episode/mars-attacks--64766136Follow the show on X @genvideopodcast and on Instagram @generationvideopodcast to secure your reservation for the hottest new releases! Email your feedback and suggestions to generationvideo@yahoo.comGeneration Video crew shirts and membership card stickers are now available! Support your local virtual video store!https://www.teepublic.com/user/generation-video-podcast#marsattacks #timburton #90s #scifi #sciencefiction #atomicage #earth #flyingsaucers #martian #martians #Topps #tradingcards #dannydevito #tomjones #jacknicholson #piercebrosnan #bond

It's a cold day in Fredericksburg and we are marching to the front, where we shall encounter glory, or DOOM! I don't know where this bit is going. Our Socials Follow us at patreon.com/pixellitpod and hop into our Discord! Blue Sky: https://bsky.app/profile/pixellitpod.com Instagram: https://instagram.com/pixellitpod Synopsis The year is 2144...and the battle over Earth's precious resources has raged for a century. With global economies in ruins and all-out world war more than a possibility, the U.S government turned to the Union Aerospace Corporation, giving it carte blanche on the legendary red planet of Mars in a desperate bid to construct an off-world outpost that might provide resources, a military advantage...as well as something so secret that even members of government don't have a clue about it.... Special Ops Marine Lieutenant John Kane was once a careerist simply glad to have a job, and couldn't care less about politics just as long as Uncle Sam's check cleared. But that was before he listened to his conscience and disobeyed a direct order. Busted down to private, Kane has been reassigned to the "U.S. Space Marines" -- the private army of the UAC -- with the prospect of becoming little more than a glorified security guard on Mars.... Now Lt. Kane's fate leads him to Mars City -- part environmental community, part lab center, and all owned and protected by the UAC. It's a strange world with a fatal environment, and the thousands who live and work within the city have already begun to think of themselves as Martians. And away from Mars City, at the strange ancient sites uncovered on the planet, a small squad of marines stand guard while scientists uncover wall glyphs and search for artifacts, having already found something that is so far amazing and inexplicable -- including the relic called "U1," nicknamed "the Soul Cube" -- and unknown to all, the bringer of destructive chaos and unspeakable horror....

Mars has been colonized by Earth, but the native Martians—gentle, intelligent beings—are treated as second-class citizens by humans… until the uprising. Hear the tale, “Martian Death March” from Future Tense in this marathon!CHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:00.000 = CBS Radio Mystery Theater, “They Shall Stone Them With Stones” (September 09, 1975) ***WD00:47:38.689 = Future Tense, “Martian Death March” (May 07, 1974) ***WD01:15:52.799 = Gang Busters, “Russo Gang, AKA Safecrackers” (May 03, 1947) ***WD01:39:41.729 = The Green Hornet, “War on the Waterfront” (July 18, 1939)02:09:53.749 = The Lives of Harry Lime, “Hand of Glory” (January 11, 1952) ***WD02:36:04.219 = BBC Haunted Tales of the Supernatural, “What Was It” (January 02, 1980)03:04:06.199 = The Haunting Hour, “Homicide House” (May 27, 1945)03:29:07.129 = Have Gun Will Travel, “Sense of Justice” (March 29, 1959)03:50:06.189 = The Hermit's Cave, “It Happened On Sunday” (1940) ***WD04:13:33.009 = Mystery Is My Hobby, “Phony Husband” (1945-1947) ***WD (LQ)04:36:51.239 = Sherlock Holmes, “Gunpowder Plot” (November 05, 1945)05:06:18.855 = Show Close (ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0336

Hearrrts on fiiireee stong deeeesiiireee yeah baby that's gonna be ALL of these episodes and maybe just a bit that goes for ever. How about them apples? Our Socials Follow us at patreon.com/pixellitpod and hop into our Discord! Blue Sky: https://bsky.app/profile/pixellitpod.com Instagram: https://instagram.com/pixellitpod Synopsis The year is 2144...and the battle over Earth's precious resources has raged for a century. With global economies in ruins and all-out world war more than a possibility, the U.S government turned to the Union Aerospace Corporation, giving it carte blanche on the legendary red planet of Mars in a desperate bid to construct an off-world outpost that might provide resources, a military advantage...as well as something so secret that even members of government don't have a clue about it.... Special Ops Marine Lieutenant John Kane was once a careerist simply glad to have a job, and couldn't care less about politics just as long as Uncle Sam's check cleared. But that was before he listened to his conscience and disobeyed a direct order. Busted down to private, Kane has been reassigned to the "U.S. Space Marines" -- the private army of the UAC -- with the prospect of becoming little more than a glorified security guard on Mars.... Now Lt. Kane's fate leads him to Mars City -- part environmental community, part lab center, and all owned and protected by the UAC. It's a strange world with a fatal environment, and the thousands who live and work within the city have already begun to think of themselves as Martians. And away from Mars City, at the strange ancient sites uncovered on the planet, a small squad of marines stand guard while scientists uncover wall glyphs and search for artifacts, having already found something that is so far amazing and inexplicable -- including the relic called "U1," nicknamed "the Soul Cube" -- and unknown to all, the bringer of destructive chaos and unspeakable horror....

Mars was finally for the Martians. Basically.  Patreon: patreon.com/revolutions   Merch: cottonbureau.com/mikeduncan

The Martians have landed on your farm     on this edition of Octoberpod AM classic horror podcast with Spine Chillers & Serial Killers and 3 Spooked Girls.  Your horror host Edward October    is invading your streaming device with voodoo, fakery, UFOs, doomsday prophecies, and horrific summer camp tomfoolery.     First up:  Edward October examines Orson Welles' contributions to the horror genre.    Then, we dive into the case of a pilot who might have been spirited away by a UFO.  Plus:  debunking 2 pop culture urban legends; creepy church camps, and summer camp horror stories.   Featuring special guests Emma, Becky, Tash (Spine Chillers & Serial Killers) and Tara & Jessica (3 Spooked Girls).Put some French champagne on ice, light the campfire, and check the barnyard for alien invaders, because we'll chill no spine before its time on this edition of Octoberpod AM: the retro horror show for bold individualists.    // PROMOS        Dungeons & DickheadsFather Figure by Dan B. Fierce        Family Plot                // FOLLOW        Find more true, true-ish & classic horror / paranormal content by following us on social media!        Bluesky:  @octoberpod.bsky.social // Twitter: @OctoberpodVHS // YouTube: Octoberpod Home Video // Instagram: @OctoberpodVHS  // TikTok:  @octoberpod         Or follow us on the worldwide web at OctoberpodVHS.com        Become a supporter of this podcast: https://www.spreaker.com/podcast/octoberpod-am--5482497/support.

In this episode, I spoke with author William Elliott Hazelgrove regarding his book " Dead Air: The Night That Orson Wells Terrified America". On a warm Halloween Eve, October 30, 1938, during a broadcast of H G. Wells' War of the Worlds, a twenty-three-year-old Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race.

Samo Burja and Erik Torenberg discuss the future of space colonization, touching on the implications of Mars and lunar settlements, the technological advancements driving space exploration, and how multi-planetary life might reshape human cultures, geopolitical dynamics, and economic structures. —

On this week's episode of Atypical Talk, we talk about the possibility of life outside of earth and what that changes for us as Christians. We talk about Groundhog's Day and how silly that tradition is when you really think about it. And we discuss people using online platforms to talk about their new found faith and how it can sometimes cause more harm than good. Listen and join in on this week's conversations! NASA's Asteroid Bennu Sample Reveals Mix of Life's Ingredients https://www.nasa.gov/news-release/nasas-asteroid-bennu-sample-reveals-mix-of-lifes-ingredients/ How accurate are Punxsutawney Phil's Groundhog Day predictions? https://www.foxweather.com/lifestyle/how-accurate-punxsutawney-phil-groundhog-day-2025 New Christians Should Not Be Given a Microphone https://relevantmagazine.com/faith/new-christians-should-not-be-given-a-microphone/ https://www.youtube.com/watch?v=NsLKQTh-Bqo

The crew heads out on behalf of the UN, MCR, and Transport Union to find survivors from the non-responsive systems after the Free Navy Conflict. But what could cause a colony of 1,800 Martians to go dark? Abraxas' Precipice is an actual play of The Expanse Roleplaying Game by Green Ronin Publishing. based on the novels by James S.A. Corey. It airs live on Wednesdays at 6pm PST on twitch.tv/onlyplaywizards Get more Abraxas' Precipice: linktr.ee/abraxasprecipic Abraxas' Precipice GameMaster: John Bultena linktr.ee/onlyplaywizards Abraxas' Precipice players are: Donna Prior (they/them) as Myrtle Cooper linktr.ee/Danicia Michael C. Hsiung (he/him) as Waxor DuChang instagram.com/michaelchsiung Scott Mitchell (he/him) as Wyatt Thompson instagram.com/smitchell22 Claire Lewis (she/her) as Ghaz Wheatley bsky.app/profile/beautybot.bsky.social  

After the Three Days of Red, the Martians made some new friends. Patreon: patreon.com/revolutions Merch: cottonbureau.com/mikeduncan

Doing it Cold War style.By kittybeaver, in 5 parts. Listen to the ► Podcast at Explicit Novels. It was difficult for Dirk to pretend he wasn't having sex. Tina's cunt felt so good. He wanted to close his eyes, shut out the rest of the universe, and just experience it."Adjust left," Fact-Tel said. "Left, you malfunctioning flesh machine, left."Dirk made the adjustment while Tina whimpered, "I love it, I love it."Behind them the banging grew louder. There was also the sound of an occasional laugh or a "Whoa, cool." Dirk had to bring Tina to orgasm before the Doopherilians broke into the control room."Now you're drifting down," Fact-Tel said. "Pull up on the interfaces just a tiny bit."Dirk tugged on the steering sticks with all the subtle nuance of a man fucking his hot coworker."Too much!" Fact-Tel cried. "You're wildly off course. Push down and try to do it right this time."Tina's breath came in short, shallow pants. Her ass undulated against Dirk at a faster and faster rate. "Oh baby, yes!"This was harder than Dirk ever thought it would be. He dug his teeth into his lower lip and resisted the urge to thrust. Instead he gently pushed on the steering sticks, which wasn't nearly as satisfying."I'm cumming," Tina moaned, "oh God, I'm cumming."At the same moment the Doopherinians broke through the door and the chair jamming it shut. Dirk could imagine what they saw; his arms stretched across the control panel, his bare ass hanging out, and Tina beneath him writhing with an uncontrolled fury."Stop them!" a silly alien voice shouted."Yes, yes, yes, I'm cumming!" Tina screamed. And then she did.Her back arched and her cunt squeezed his cock in a quick staccato rhythm. Dirk moaned. He was so desperate to cum too. He wouldn't be able to hold it much longer."That's the stuff," a Doopherilian said.Dirk glanced over his shoulder to see the little aliens fall like bowling pins when the orgasm hit them."Earth!" Tina said.He looked back at the view screen to see a blue dot growing bigger behind the yellow dot. They were almost home. He just had to hold it,"Fact-Tel, how much longer?""Two minutes before we hit Earth's atmosphere," the AI answered.Two minutes? Dirk couldn't hold it for another two minutes."Agent Blondell," Fact-Tel continued, "press the green button in the center of the console to initiate speed dampening thrusters. We need to slow the ship down.""Don't slow down," Dirk begged. "I need to cum.""You have to slow down," Fact-Tel said, "or this ship won't land as much as crater.""Pull out before you orgasm," Tina said. "I'm serious, do not ejaculate inside me or we'll have a whole other problem.""Must, sober, up." The Doopherilians were starting to stir. "Must, stop, human.""Oh no." Tina pushed her ass against Dirk, working herself up and down the length of his cock. "I have to orgasm again, but you can't," she said. "Got it?""No." Tears gathered in the corner of Dirk's eyes. His balls felt like they were going to explode."Get back on course!" Fact-Tel shouted. "You're going to hit the moon."How Dirk managed to steer around the moon, he couldn't say. All his concentration was now focused on not cumming. His face, he was sure, had to be a deep shade of red, his balls a bright blue. Every muscle in his body was straining to hold back the inevitable."When you enter the Earth's atmosphere, I'm going to count down from five," Fact-Tel explained. "When I say 'Hit it,' you'll have to pull up on the steering interfaces as hard as you can. You'll be fighting against the planet's gravity and it'll be a rough ride.""Mmmm, yeah." Tina rocked back and forth, working her way toward another orgasm. "That's what Mama likes.""Entering the atmosphere in three, two, "Fact-Tel was cut off abruptly and the whole ship jolted."Oh Fuck Yes!!" Tina screamed as another climax consumed her. The lucky bitch."Five," Fact-Tel started counting down, "Four, "There was no way the Doopherilians would recover from Tina's last orgasm, not before they were safely on Earth. There was no reason for Dirk to hold back any longer."Three, ""I'm going to do it," Dirk growled.Two, ""I'm going to cum.""One," Fact-Tel shouted. "Pull up! Pull up!""Pull out! Pull out!" Tina added.Dirk yanked back on the steering sticks, his cock slipping from Tina. When he shot his load it went airborne, over her head and landed in an arc across the view screen. It was a different kind of Milky Way.The ship hit water and bounced, skipping two or three more times before it came to rest with an impressive splash. Fortunately it stayed afloat. They were back home. Somewhat safe and sound."Fact-Tel." Tina rolled out from underneath Dirk, stood and pulled down her skirt. "Do you have our location?""Affirmative," the AI answered. "Sending rescue team now. Are the Doopherilians still a threat?"Dirk lay collapsed on top of the control panel. His heart pounded and he couldn't catch his breath. He didn't have the energy to pleasure Tina one more time. He almost hoped the Doopherilians would shoot him with their ray gun orbs. At least then he'd have an excuse to lie prone on the ground.He turned his head slightly to see Tina bending over one of the purple aliens. It, like the others, lay on the floor and stared up at nothing."They're no threat," he said. "They're still tripping.""No, they aren't." Tina looked grave. "They aren't breathing. I think they all overdosed.""What?" The jolt from the news gave Dirk enough energy to stand up. "They're dead?""Shit," Fact-Tel muttered as the ship gently bobbed up and down with the rolling waves. "That's a lot of forms I'll have to fill out.""Do you think the Doopherilian King will take this to the Universal Council of Supreme Beings?" Tina asked. "Are we in for another biblical flood?""Probably not," Fact-Tel said. "We'll most likely do what we did when something similar happened with the Martians."Dirk tucked his cock back into his jeans and zipped up his fly. "What was that?""We'll pay the Doopherilians off with opium," the AI explained. "I mean, that is what Earth is known for, best snack foods and narcotics in the galaxy."Dirk didn't mean to laugh, but the whole situation was so absurd he couldn't help it. He expected Tina to scold him for laughing at a tragic event, so it was a surprise to hear her light chuckles mix with his low belly laughs. Their eyes met across the room and the laughter grew between them.Tina got Dirk. She understood him in a way no woman had before. She got his sense of humor, his need to improve the world, his outlook on life. She was the human connection he didn't even know he'd been searching for. And he knew this moment of connection, of shared mirth, was a moment he'd remember for the rest of his life.But eventually, they both fell silent, stared at the death surrounding them and waited for the rescue boat to come.The breeze ruffled through Dirk's hair like the fingers of a lover. He smiled, enjoying the playful caresses along his scalp. He picked up his speed and the wind reciprocated. What had been flirting before was now full on foreplay.That was probably taking the metaphor too far. He was running really fast. It was kind of fun.Not long ago he'd been ashamed of his unique talents. That was when he'd made his living as a male model. The fashion industry prized men with tall, muscular bodies and facial features too bold to be feminine yet still very, very pretty. All of which Dirk Allen had. He also had the ability to run at near the speed of sound, pick up a car with one hand and hardly ever get tired. Those were not useful skills for a man whose job it was to stand still and look good, so he'd kept them hidden.That all changed when he changed his career. Now he was a secret agent in training. Tina, his partner as well as his mentor, said speed and strength and stamina were essential. The fact that he could run faster, lift more and stamina longer meant he had the makings of a legendary secret agent.It was possible, she had told him, that one day he'd be the second best agent in the SWSO. Tina Blondell was the best agent and she planned on keeping that position.At that moment, the position she was keeping was more of a fetal position. Dirk held her in his arms and tried his hardest not to grope her ass or her breasts. It would've been easier if he didn't have to think about where he couldn't touch her and just place his hands where they needed to be so that she wouldn't fall out of his arms.Not that Tina wasn't grope worthy, because she was. Her breasts filled a hand perfectly, with soft flesh to cushion one's fingers and pert nipples to poke one's palm. Her ass was round and bouncy and oh so wholesome. Dirk couldn't look at it without thinking about working the land.But it was inappropriate to think of her that way. They were coworkers and nothing more. Yes, he'd seen enough of Tina to know she wasn't a natural blonde, but that was work related. He had pleasured her orally and she'd given him a hand-job to save lives. For secret agents, the ends justified the means. They were prepared to do whatever it took, with whoever was handy, to protect the world. That's why, nowadays, Dirk made sure he had a condom on him. He'd feel awful if the world fell into the clutches of an evil despot simply because he was afraid of catching something.The jury was still out on whether General Zero was a global despot or simply a municipal annoyance. So much about Zero was a mystery, such as background, motive and preferred pronouns. It was impossible to predict what their next move would be. Tina and Dirk with the help of Fact-Tel, SWSO's mastermind computer, had managed to foil one plot, but Zero had escaped. It looked as though the villain had dodged justice, until now.In the wee hours of the morning, long before Dirk woke up (so like, around 9:30), Fact-Tel had intercepted a series of coded tweets. It'd taken the artificial intelligence nearly an hour to break the encryption but once it had, it presented Tina with the coordinates to Zero's hideout. Soon Dirk and Tina would capture Zero. The city of Middleburg would be safe once again.There was no doubt in Dirk's mind that he and Tina would succeed. How could they not? With his strength and speed and her intelligence they were unstoppable."Stop," Fact-Tel chirped in Dirk's ear. "You're going to run right past it."Dirk was still getting used to the earpiece that connected him to the A.I. at regional headquarters, but he did manage to slow down to a jog without stumbling."Fact-Tel," Tina said as she stirred in Dirk's arms. "Where are we exactly?" She was in the habit of shielding her face against his chest when he ran. The wind tended to dry out her contact lenses."This," Fact-Tel said with a touch of dramatic flair, "is the section of Middleburg known as Old Crap Town.""Of course." She slipped out of Dirk's grasp and looked around, taking in their surroundings. "I should've known by all the abandoned manure factories.""And the smell," Dirk added. "It smells like shit.""How close are we to the coordinates?" Tina asked."Turn left," the A.I. instructed, "about 20 degrees."Dirk put a hand on Tina's arm. "Let me do it," he said. "I'm a trained model. I know how to turn."It was perhaps the most perfect turn of his career. He pivoted on his heels in a smooth yet decisive manner. When he stopped he lifted his chin and struck a pose that showed off his body and, by extension, his clothes at a favorable angle. A tight, blue T-shirt and black jeans never looked so good."So the red, abandoned, poop factory?" Tina asked."Yeah," Fact-Tel confirmed. "The red one."Dirk followed his partner across the street to the massive and dilapidated building, keeping his eyes peeled for any signs of a sniper in the windows or booby traps in the trash scattered along the sidewalk. He'd trained the past few months for just this sort of situation.When they got to the double doors of the red manure factory, Tina reached behind her and pulled her gun from her holster.She owned a lot of guns and a lot of holsters and she had a knack for coordinating them with her outfits. There was a thigh holster for skirts that fell just above the knee. Or there was the back holster for ensembles like the one she was wearing today, gray slacks and a white spaghetti strap tank top. On rare occasions, when she wore a micro mini, she'd tuck her gun into her thigh high boots. That was Dirk's favorite. There was something about that outfit that made him want to surrender to Tina and then defile her. Of course, those sorts of thoughts fell into the inappropriate category, so he never thought them."Draw your weapon, Agent Allen," Tina whispered.

David Lynch is one of the most important names in genre cinema. He is a creative artist who has given the world some of the most beautiful and confounding films and television ever. His impact on cinema cannot be overstated. We reflect on what he means to us.We started off this year covering Nosferatu from Robert Eggers. One of the things we talked about was how we just seems to understand horror. Check out the episode to hear our full thoughts, but the cliff notes version is that we loved it. The recent news about his next project has us excited.We have been wanting to cover The Day of the Triffids for a while now. As the title suggests, it is a science fiction horror movie from the early 1960s (and it is based on a book from the 1950s). The story is about a mysterious event that leaves a majority of the world blind and some aggressive plants even deadlier.In a decade filled with invading Martians, teenage werewolves, and all sorts of drive in creature features, the triffids manage to stand out. But are they the best from the era? There are so many differences from the book, the movie can be referred to as a spin off or triffid tale. We talk about the pros and cons of going in this direction. The deserved success of The Substance will lead to more body horror movies. (At the very least, there will be more films willing to call themselves body horror.) This week we cover a film that covers much of the same ground, but in a more focused manner. Grafted may be the perfect movie for us to cover as we return to form.That does not mean it is not without its issues. Pacing, tone, and character development are just some of the things we were not impressed with So, what else is left? The performances were fine and there were some gross moments. But it would be fair to say that it lacks…substance. Adventures in Movies! is a part of the Morbidly Beautiful Podcast Network. Morbidly Beautiful is your one stop shop for all your horror needs. From the latest news and reviews to interviews and old favorites, it can be found at Morbidly Beautiful.Adventures in Movies! is hosted by Nathaniel and Blake. You can find Nathaniel on Instagram at nathaninpoortaste. Blake can be found on Twitter @foureyedhorror and on Instagram at foureyedhorror. You can reach us personally or on Twitter @AdventuresinMo1.Music in the background from https://www.FesliyanStudios.com

Star Trek II: The Wrath of Khan and Star Trek III: The Search for Spock are built around one key piece of technology which may or may not have real world implications.“KHAAAAAAAAAAAAAAN!!!!!”Admiral James Tiberius Kirk, 2285There are countless reasons why fans love Star Trek II: The Wrath of Khan. Up until that point, it was the most action-packed installment of Star Trek ever put on screen, so that certainly has something to do with it. William Shatner delivers an all-time great career performance in this one as Admiral James T. Kirk, full of downright Shakespearean drama with his old enemy, the diabolical Khan Noonien Singh. It's got at least one of the most memorable, shocking, and poignant moments in franchise history. Or maybe it's just Ricardo Montalban's magnificent chest. Who's to say?But possibly lost amidst all that magnificence is the fact that The Wrath of Khan is built around a truly great piece of science fiction with the Genesis Device. A project designed to help Starfleet terraform barren worlds is also potentially the ultimate weapon in the galaxy, given that in creating new life it first has to wipe out anything else that's there. Of course the wrong people want to get their grubby mitts on it!In this episode we're diving into just what it would take to truly terraform an alien world, and whether the Genesis Device follows its own rules in the Star Trek universe. Check out the latest episode of Does it Fly? right here…SUGGESTED VIEWING Star Trek II: The Wrath of KhanYou mean to tell us you're watching or listening to a Roddenberry podcast and you somehow haven't seen Star Trek II: The Wrath of Khan? We sure hope you watched it before this episode spoiled the absolute hell out of it for you! But in all seriousness, there's a reason this is the most critically acclaimed and beloved Star Trek movie of all time and why we chose it for this week's topic. Star Trek III: The Search for SpockBut also, you can't watch The Wrath of Khan (or get a full picture of the scope of the Genesis Device's implications) without also watching Star Trek III: The Search for Spock. Forget that even number/odd number nonsense about the Star Trek movies, this one is just as essential!Star Trek: The Original Series Season 1 Episode 22 “Space Seed”And just in case you've never done this, we also highly recommend “Space Seed” which first introduced Ricardo Montalban as Khan Noonien Singh. It doesn't have anything to do with terraforming in space, but it's a classic bit of Star Trek lore, nonetheless!The Evolution of Planet EarthWant a real life taste of what the Genesis Device does…except over the course of millions/billions of years instead of minutes/hours? This video is pretty cool.FURTHER READING Do you want to delve a little deeper into the facts, concepts, and stories Hakeem and Tamara referenced in today's episode? Of course you do! TerraformingWhile still primarily a science fiction concept, the idea of using terraforming to make a planet or moon into something that can support life as we know it is gaining considerable steam as we look to our nearest neighbor, Mars. See also: Bionengineering“Is there life on…Venus?”Wait, that's not how the song goes! But the key here is that while Mars gets all the attention as the planet in our solar system with the most potential to support life, there's also a chance that Venus could, as well. Key to that is the presence of phosphine in the atmosphere, which scientists have gone back and forth on, but recently found new evidence that it may be present.“PIXAAAAAAR!”Read more about that funny connection between a beloved animation studio and these beloved Trek movies here.“Colonized by earth bacteria”It doesn't take long, just to give you an idea of how quickly “life finds a way.”The Mars TrilogyTamara brings up Kim Stanley Robinson's acclaimed trilogy about terraforming our nearest planetary neighbor, Red Mars, Green Mars, and Blue Mars. There's also the follow-up The Martians which is a collection of short stories that expands this universe further.Project Hail MaryAnother Tamara recommendation this week is the Hugo Award-nominated Project Hail Mary from sci-fi author Andy Weir. You might also recognize Weir's name as the author of The Martian, which was adapted into a beloved film from director Ridley Scott and starring Matt Damon.The Wrath of Khan: The Novel!Even if you've seen Star Trek II: The Wrath of Khan dozens of times, Vonda N. McIntyre's superb novelization of the film is full of surprises that will enrich your understanding of the story and your love of Trek in general. For extra credit, follow it up with her equally great (possibly better than the film it's based on!) novelization of Star Trek III: The Search for Spock!WANT MORE FROM DOES IT FLY?Go back to the very beginning with the first ever episode of Does it Fly? which tackled another iconic Star Trek concept: the transporter. Watch it right here!We're not particularly big on the whole Star Trek vs. Star Wars debate around these parts, so for those folks who love ‘em both, check out our episode on lightsabers right here!FOLLOW US!Stay in the loop! Follow DoesItFly? on YouTube and TikTok and let us know what you think! And don't forget to follow Roddenberry Entertainment:Instagram: @RoddenberryOfficial Facebook: RoddenberryBlueky: @Roddenberry  For Advertising Inquiries: doesitfly@roddenberry.comCheck out the official Does it Fly? playlist, too!

Drones reported in Bayonne, New Jersey! No —actually it's our episode celebrating Stephen Spielberg's epic Sci-Fi thriller based on H. G. Wells novel. This classic earned notoriety from the now famous production of the radio play by Orsen Welles Mercury Theater, which was so convincing that some listeners really believed Martians had landed in Grover's Mill, NJ. In 1953, Paramount would release a full cinematic treatment with some of the most impressive visual effects at the time, and we're rewarded with an Oscar for their efforts. Spielberg's installment is updated and brilliantly paced, and the visual effects are (we think) some of best in an era dominated by digital “gloss”. Tom Cruise turns in one of his best performances, and a young Dakota Fanning makes another entry as a child actor into what has been a long and successful transition to present day. This film is a gripping and fun ride. And we thank Tim Robbins for totally creeping us out in the role of Harlan Olgivy. Lots of good episode links to share: “The Night that Panicked America” Paramount Television https://archive.org/details/night-that-panicked-america-1975 “The Night America Trembled” 1957 https://youtu.be/7jeW30vLwds?si=Im1tSlR7PN08KEUz“Orsen Welles-War of the Worlds, 1938 radio broadcast” https://youtu.be/Xs0K4ApWl4g?si=dcQoCQKmJHshWdOd

The one and only Ariana Richards, Lex Murphy from Jurassic Park, joins Vespe and JRT to talk dinosaurs, Graboids, Martians, and even her ludicrous haircut in 1989's Prancer. This is Ariana's very first podcast appearance and she comes loaded for bear, y'all. She has stories about working on all her big movies including Jurassic Park. Hear about how she got noticed by Spielberg in the first place, what it was that set her apart from the other girls who auditioned to play Lex, how Spielberg treated her on set, how scary the animatronics were to work with, and even if she can fill in a couple of big plot holes, like where the hell did that giant drop in the T-Rex paddock sequence come from. Learn more about your ad choices. Visit megaphone.fm/adchoices

Elon Musk had a chaotic livestream with Alice Weidel, co-chair of Germany's far-right AfD party, ahead of Germany's 2025 election. From awkward moments to bizarre claims about Martian saviours and historical blunders, Musk's endorsement of Weidel raises serious questions about tech influence on European politics and had the opposite effects of boosting AfD.The conversation also highlights potential violations of the EU's Digital Services Act (DSA), which could set a troubling precedent for social media's role in shaping elections.Join us on our journey through the events that shape the European continent and the European Union.Production: By Europod, in co production with Sphera Network.Follow us on:LinkedInInstagram. Hosted on Acast. See acast.com/privacy for more information.

This time on Ron's Amazing Stories we have something special - one of my favorite stories, H.G. Wells' 1898 novel, War of The Worlds. As a kid, I was both terrified and excited by the thought of life on Mars. We've had War Of The Worlds on the show before, but it was only 30 minutes long and failed to capture the story. So, we have the Lux Radio Theater version, which does a great job telling this fantastic tale. The sound effects alone rival those in the movie, and the acting is even a tad bit better! It was created by Lux Radio Theater and stars Dana Andrews in the role of Professor Clayton Forrester. I think that you are going to enjoy it! The Martians have ruined their planet and have decided to take ours for themselves, removing all humans in the process. I won't give away the ending, but I will say that things don't go as they planned. Featured Story - War Of The Worlds War of the Worlds is a science fiction novel by H.G. Wells, first published in 1898. It tells the story of an alien invasion from Mars, where Martians with advanced technology and disregard for human life invade Earth. The narrative is notable for its realistic portrayal of panic and societal breakdown in the face of a superior force. What you will hear is Lux Radio Theater's adaptation of the story. It first aired in August of 1955. Ron's Amazing Stories Is Sponsored by: Audible - You can get a free audiobook and a 30 day free trial at . Your Stories: Do you have a story that you would like to share on the podcast or the blog? Head to the main website, click on Story Submission, leave your story, give it a title, and please tell me where you're from. I will read it if I can. Links are below. Music Used In This Podcast: Most of the music you hear on Ron's Amazing Stories has been composed by Kevin MacLeod () and is Licensed under . Other pieces are in the public domain. You can find great free music at which is a site owned by Kevin. Program Info: Ron's Amazing Stories is published each Thursday. You can download it from , stream it on or on the mobile version of . Do you prefer the radio? We are heard every Thursday at 10:00 pm and Sunday Night at 11:00 PM (EST) on . Check your local listing or find the station closest to you at this . Social Links: Contact Links:

Paul Hill and Dr. Jenifer “Dr. Dust” Millard host.  Damien Phillips, John Wildridge and Dustin Ruoff produce. It's that time of year again where the team get silly. The Martians have a bit of a lark mucking about in this year's pantomime. This year Butch and Suni hijack the ISS… They do also touch on the space news from 2024 and what to expect in 2025.   We've added a new way to donate to 365 Days of Astronomy to support editing, hosting, and production costs.  Just visit: https://www.patreon.com/365DaysOfAstronomy and donate as much as you can! Share the podcast with your friends and send the Patreon link to them too!  Every bit helps! Thank you! ------------------------------------ Do go visit http://www.redbubble.com/people/CosmoQuestX/shop for cool Astronomy Cast and CosmoQuest t-shirts, coffee mugs and other awesomeness! http://cosmoquest.org/Donate This show is made possible through your donations.  Thank you! (Haven't donated? It's not too late! Just click!) ------------------------------------ The 365 Days of Astronomy Podcast is produced by the Planetary Science Institute. http://www.psi.edu Visit us on the web at 365DaysOfAstronomy.org or email us at info@365DaysOfAstronomy.org.

On a warm Halloween Eve, October 30, 1938, during a broadcast of H G. Wells' War of the Worlds, Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence—dead air—into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America. The revisionism lately of Orson Welles War of the Worlds 1938 broadcast is that it did not affect many beyond l the East Coast and most people did not believe Martians had invaded and were exterminating the human race with heat ray guns and poisonous gas. William Hazelgrove's new book “Dead Air The Night Orson Welles Terrified America,” points to a different America thrown into mass panic from the broadcast produced and directed by the twenty-three-year-old Welles.Did people really believe that Martians were exterminating the human race and did mass panic engulf the country? Willliam Hazelgrove makes a convincing case people did believe the broadcast and the ensuing terror and panic was a real time example of what would happen if aliens ever did land on earth.See omnystudio.com/listener for privacy information.

Adapted from the 1964 film and produced/directed by Pete Lutz, the Narada Radio Company presents a spoofy, adult-oriented spin on the old children's movie! Martian leadership is worried that their children are being influenced by Earth trends, so they visit the planet's wise man, who tells them that they should let their children be children, and the Earthling Santa Claus isn't such a bad thing, so they decide to travel to Earth and kidnap the jolly old elf. Will they come to regret their decision? Tune in and find out! Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Christmas/New Year's show for Sunday Showcase! Our trilogy of tales begins with Sonic Society #842- A Cratchit Christmas, Project Audion Episode 64- The Three Wise Guys, and Narada Radio's Santa Claus Conquers the Martians! Learn more about your ad choices. Visit megaphone.fm/adchoices

Enjoy a rerun while we are on vacation! We return on January 9th. Learn more about your ad choices. Visit megaphone.fm/adchoices

SANTA CLAUS CONQUERS THE MARTIANS, based on the 1964 film and adapted/produced/directed by Pete Lutz Martians are worried that their children are being influenced by Earth trends, so they visit the planet's wise man, who tells them that they should let their children be children, and the Earthling Santa Claus isn't such a bad thing, so their decision is to travel to Earth and kidnap the jolly old elf. The original film has been described as one of the worst films ever made, and as a result has been spoofed by theatrical companies all over the U.S. Well, the Narada Radio Company is no exception -- originally planned for a live production in December of 2024, Murphy's Law held true and strong, so they recorded it in the director's living room instead, and said director edited the voice tracks on Saturday, December 21st, and mixed all of the music and SFX on Sunday, December 22nd. Now, if you don't like the finished product...the director wishes you a very Merry Christmas. This play would not have been possible without the following voice talents: Mario Aguilar as Kimar Cassie Blackwell as Cowgirl Imelda, Winky, and Girmar Dana Gonsalves as Santa Claus, Slobo, and Martian Foreman Pete Lutz as Cowboy Dennis, Cho-Chim and Dr. Werner von Green Lisa McGrew as News Anchor, Hargo, Martian and Elf Pam Pailes as Radio Announcer and Momar Dawn Robertson as Betty and Mrs. Claus Merilee Robinson as Billy and Dennis's Maw Richard Robinson as Dropo Carl Thomas as Henderson, Lomas and Torg Bobby Vela as Announcer and Rigna Tammy Weidemann as Bomar and Shim, and Nick Wommack as Kid-TV announcer and Voldar Certain music passages by Dr. Ross Bernhardt; other music sourced from the public domain.

SANTA CLAUS CONQUERS THE MARTIANS, based on the 1964 film and adapted/produced/directed by Pete Lutz Martians are worried that their children are being influenced by Earth trends, so they visit the planet's wise man, who tells them that they should let their children be children, and the Earthling Santa Claus isn't such a bad thing, so their decision is to travel to Earth and kidnap the jolly old elf. The original film has been described as one of the worst films ever made, and as a result has been spoofed by theatrical companies all over the U.S. Well, the Narada Radio Company is no exception -- originally planned for a live production in December of 2024, Murphy's Law held true and strong, so they recorded it in the director's living room instead, and said director edited the voice tracks on Saturday, December 21st, and mixed all of the music and SFX on Sunday, December 22nd. Now, if you don't like the finished product...the director wishes you a very Merry Christmas. This play would not have been possible without the following voice talents: Mario Aguilar as Kimar Cassandra Paige as Cowgirl Imelda, Winky, and Girmar Dana Gonsalves as Santa Claus, Slobo, and Martian Foreman Pete Lutz as Cowboy Dennis, Cho-Chim and Dr. Werner von Green Lisa Espinoza McGrew as News Anchor, Hargo, Martian and Elf Pam Pailes as Radio Announcer and Momar Dawn E. Robertson as Betty and Mrs. Claus Merilee Robinson as Billy and Dennis's Maw Richard Robinson as Dropo Carl Thomas as Henderson, Lomas and Torg Bobby Vela as Announcer and Rigna Tammy Weidemann as Bomar and Shim, and Nick Wommack as Kid-TV announcer and Voldar Certain music passages by Dr. Ross Bernhardt; other music sourced from the public domain.

Or...."Fa-La-La-La-La-La-La-La-Hat" -- PART TWO!"Man, oh, man. If you know this movie, you know it. If you don't, you are in for QUITE a film. For one thing, absolutely watch it. They truly do not make them like this anymore. They just don't. This quality is unmatched. It's so bad in the best way. It has it all. It has Lizzie McGuire's sister in 2013 dressed like she's in 2004 playing a 26 year old former teen mom who acts like a middle aged woman, it has a wheelchair-bound child whose father died in a car wreck who wants nothing more than to drive fast in cars who miraculously walks by the end because his paralysis was psychosomatic, it's got patient zero, it's got zero chemistry, and most of all, it has a year round hat shop that gets saved by the brilliant business decision of opening MORE hat shops. Also this is a halloween movie and a Christmas movie but thanksgiving is completely omitted.It is insane.And we were so lucky to have on the brilliant Jen Lancaster!!! You've probably read her work, but if you haven't, you've read someone inspired by her. She's fabulous and she was REAL fired up. Get your wine ready for this one.Find Jen at Jennsylvania.com or on Instagram and pick up her new book, House Moms! You can also find her personal Hallmark bingo cards here.Also she mentioned the podcast Hello From the Magic Tavern, and Paige mentioned the episode of MST3K about the movie just called Santa Claus. It's perfect. Also love Santa Claus Conquers the Martians. MST3K is on Tubi for anyone who wants to give them a watch! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Or...."Fa-La-La-La-La-La-La-La-Hat -- PART ONE!"Man, oh, man. If you know this movie, you know it. If you don't, you are in for QUITE a film. For one thing, absolutely watch it. They truly do not make them like this anymore. They just don't. This quality is unmatched. It's so bad in the best way. It has it all. It has Lizzie McGuire's sister in 2013 dressed like she's in 2004 playing a 26 year old former teen mom who acts like a middle aged woman, it has a wheelchair-bound child whose father died in a car wreck who wants nothing more than to drive fast in cars who miraculously walks by the end because his paralysis was psychosomatic, it's got patient zero, it's got zero chemistry, and most of all, it has a year round hat shop that gets saved by the brilliant business decision of opening MORE hat shops. Also this is a halloween movie and a Christmas movie but thanksgiving is completely omitted.It is insane.And we were so lucky to have on the brilliant Jen Lancaster!!! You've probably read her work, but if you haven't, you've read someone inspired by her. She's fabulous and she was REAL fired up. Get your wine ready for this one.Find Jen at Jennsylvania.com or on Instagram and pick up her new book, House Moms! You can also find her personal Hallmark bingo cards here.Also she mentioned the podcast Hello From the Magic Tavern, and Paige mentioned the episode of MST3K about the movie just called Santa Claus. It's perfect. Also love Santa Claus Conquers the Martians. MST3K is on Tubi for anyone who wants to give them a watch! Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week we talk one of the worst Christmas movies of all time, Creature Commandos, and how many 9-year-olds could you beat up?https://www.editorsnotecomics.comhttps://www.patreon.com/editorsnotecomicsPop Culture News 5:40Weird Comics Facts 27:50Sports Report 30:00Creature Commandos 33:37Santa Claus Conquers The Martians 37:50What Spider-Man Villain Should Sony Have Adapted? 49:15

This week on Cinema Psycho Show, we're taking a wild ride to Mars! Get ready for a deep dive into the infamous Santa Claus Conquers the Martians, a movie so bizarre, it might just be the weirdest Christmas film of all time. From Santa Claus acting like he's on every drug imaginable to Martians kidnapping him for their alien children, we break down all the strange, low-budget madness that makes this holiday classic (or disaster) a must-see for bad movie fans!  In this episode, we cover: Why Santa Claus Conquers the Martians is so bad, it's almost entertaining  A breakdown of the strange characters, from Dropo to Voldar (the mustache-twirling villain)  How the film's production fails (including a cardboard robot and a polar bear costume) add to its charm  The fever dream of an ending that has to be seen to be believed Whether you're a fan of cult films, cheesy Christmas movies, or just love a good laugh at a film's expense, this review will show you why this movie has become a holiday staple for all the wrong reasons.  NEWSLETTER and UNCUT REELS!!!!! We are adding a weekly companion newsletter for the podcast that will feature EXCLUSIVE BONUS CONTENT, our raw discussions on movies, tv, and life that don't fit the podcast! We're calling it "UNCUT REELS!" SIGN UP HERE TO GET THE BONUS CONTENT!! https://mailchi.mp/41902cbf6549/exclusive-newsletter   Follow The Cinema Psychos Show on Socials ❤️‍

In the second of this week's Sleigh Bell Cinema reruns, Michael and Dan Taylor talk about killer robots, polar bears, and Martian uprisings in Nicholas Webster's notorious Santa Claus Conquers the Martians.

Getting your vaccine from a needle could be a thing of the past, as a cream-based vaccine is being developed. Also, how your mental health may have been altered by leaded gas, if you were born before 1996. Plus, on This Day in History, the prize offered for communicating with aliens, however it doesn't include Martians - as that was thought to be too easy! Stanford scientists transform ubiquitous skin bacterium into a topical vaccine | Stanford Medicine Discovery and engineering of the antibody response to a prominent skin commensal | Nature Born Before 1996? According to Scientists, Leaded Gas May Have Permanently Altered Your Personality | SciTechDaily Lead in gasoline tied to millions of excess mental health disorders: study | NBC News Contribution of childhood lead exposure to psychopathology in the US population over the past 75 years - McFarland - Journal of Child Psychology and Psychiatry - Wiley Online Library 17 December 1900: The Guzman Prize is announced | MoneyWeek December 17, 1900 The Search for Extraterrestrial Intelligence – Historical Easter Eggs – Today in History Sponsored by Factor - use promo code coolstuff50 to get 50% off your first box plus free shipping Factormeals.com/50coolstuff Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome back to the Horror. Cult. Trash. Other. Podcast! This is the next of this year's Christmas episodes and we're discussing the cult classic that is Santa Claus Conquers the Martians, a camp trashterpiece that features a bizarre plot that involves kidnapping Santa and two kids, an angry guy with a moustache who repeatedly tries murdering people, and a catchy banger of a theme song!  Alongside our main film discussion, we also discuss what we've been watching recently including Metropolitan and Queer. Email us at horror.cult.trash.other@gmail.com and check us out on Social Media at the following links www.facebook.com/horrorculttrashother Twitter - @horrorculttrash Instagram - @horror.cult.trash.other Theme song is Stick Around by Gary's old band, One Week Stand. Check them out on Spotify, iTunes and many other digital distributors!

Thanks for listening!!!!Stay safe NJ!

Darkness Syndicate members get the ad-free version. https://weirddarkness.com/syndicateInfo on the next LIVE SCREAM event. https://weirddarkness.com/LiveScreamCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:01:56.000 = CBS Radio Mystery Theater, “Fallen Angel” (June 09, 1975)00:46:55.149 = The Whisperer, “Stanley Hayes Must Die By Midnight” (September 02, 1951) ***WD01:16:04.929 = 2000 Plus, “When Worlds Met” (May 03, 1950) ***WD (LQ)01:45:37.419 = The Unexpected, “Rematch” (ADU)02:00:38.869 = Unit 99, “Accident at 17th” (October 11, 1957)02:25:51.849 = Unsolved Mysteries, “The Lizzie Borden Case” (ADU) ***WD02:39:56.539 = Dark Venture, “Pursuit” (July 31, 1945) ***WD03:09:53.439 = Weird Circle, “Jane Eyre” (1943)03:34:58.749 = The Whistler, “Doublecross” (December 27, 1942)04:04:37.119 = Strange Wills, “The Girl in Cell 13” (September 21, 1946)04:34:29.999 = Witch's Tale, “Suicide” (January 22, 1937) ***WD04:59:44.979 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.Weird Darkness theme by Alibi Music Library= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =CUSTOM WEBPAGE: https://weirddarkness.com/WDRR0263

On a warm Halloween Eve, October 30, 1938, during a broadcast of H. G. Wells’ War of the Worlds, a twenty-three-year-old Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence—dead air—into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America. Join us to hear the story of how one broadcast changed broadcasting history forever.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

How do you as a parent navigate the challenges of having your adult child back under your roof? On In The Market with Janet Parshall week we took a look at the issues surrounding why today’s adult children are reluctant to leave or finding their way back under their parent’s roof, how depression plays a role in this resistance to traditional independence and why prayer and good communication are vital to navigating this dramatic change in your relationship. In 1938 one radio broadcast sent waves of terror across the nation and its impact in the days that followed revealed something very important about us as a nation and changed broadcasting forever. Orson Welle’s The War of the Worlds program was that broadcast. Janet sat down with one of our favorite authors to talk about this history making moment, how it happened and whether or not people really believed that the end was near and Martians had come to destroy mankind. Like many authors the writings of J.R.R. Tolkien in the Lord of the Rings stories are informed by his own life experiences including surviving the horrors of World War I. Our guest took us deep behind the fantasy to reveal how the underpinnings of his worldviews and his beliefs about God became the scaffolding on which he constructed these stories that continue to stand the test of time. As we turn our eyes more and more toward the holiday season, we must never forget that our spiritual warfare battles don’t take time off. We need to be ever ready to stand firm on God’s truth. So once again we invited you to ask your most challenging and confounding questions related to this topic to one of our favorite experts, who as usual, took us back to God’s word for clear guidance and direction on this multi-faceted topic. As we close out another week, our favorite husband and wife team draw us once again to think biblically and critically about the news making headlines this week.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

On a warm Halloween Eve, October 30, 1938, during a broadcast of H. G. Wells’ War of the Worlds, a twenty-three-year-old Orson Welles held his hands up for radio silence in the CBS studio in New York City while millions of people ran out into the night screaming, grabbed shotguns, drove off in cars, and hid in basements, attics, or anywhere they could find to get away from Martians intent on exterminating the human race. As Welles held up his hands to his fellow actors, musicians, and sound technicians, he turned six seconds of radio silence—dead air—into absolute horror, changing the way the world would view media forever, and making himself one of the most famous men in America. Join us to hear the story of how one broadcast changed broadcasting history forever.Become a Parshall Partner: http://moodyradio.org/donateto/inthemarket/partnersSee omnystudio.com/listener for privacy information.

Today's story: Martians invade the Earth in the mid-1950s.Original Air Date: February 8, 1955Originating in HollywoodStarring: Dana Andrews as Dr. Clayton Forrester; Pat Crowley as Sylvia Van Buren; Les Tremayne as Major General Mann; Herb Butterfield; Bill Bouchey; Parley Baer; Paul Frees; Ken Peters; Howard McNear; William Conrad; George Neise; Bob Bailey; Herb Ellis; Irene Tedrow; Don Diamond; Jack Kruschen; Frank Gerstle; George Baxter; Truda Marson; Edward MarrGo to http://amazing.greatdetectives.net to subscribe to the podcast.Brought to you by the support of our Patreon listeners…http://patreon.greatdetectives.netSupport the show monthly at patreon.greatdetectives.netPatreon Supporter of the Day:Rebecca, Patreon Supporter since February 2021Support the show on a one-time basis at http://support.greatdetectives.net.

Donate to our October 2024 OVERCOMING THE DARKNESS campaign at https://weirddarkness.com/overcoming. Weird Darkness is narrated by professional full-time voice actor Darren Marlar. No A.I. voices are ever used in the show. IN THIS EPISODE: What if we landed on Mars and discovered people who were so much like us that they wouldn't actually believe you were from Earth?SOURCES AND REFERENCES FROM THE EPISODE…“Welcome Martians” by S.A. Lombino: https://amzn.to/4exzpEqWeird Darkness theme by Alibi Music Library. = = = = =(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2024, Weird Darkness.= = = = =Originally aired: October 14, 2024CUSTOM LANDING PAGE: https://weirddarkness.com/welcomemartians

On the evening of October 30th, 1938, the CBS Radio Network broadcasted Orson Welles's live adaptation of the 1897 HG Wells classic, groundbreaking sci-fi novel, The War of the Worlds, all across America. And those who paid close attention knew it was fiction. But thousands and thousands of others who didn't... literally thought the US was currently being invaded and attacked by hostile, killer aliens from Mars and fellow citizens were dying in droves. They panicked and true pandemonium ensued! For Merch and everything else Bad Magic related, head to: https://www.badmagicproductions.com