Podcasts about Divine Comedy

Rebuilding Relationships In A Digitized World (Ep. 474)In an age of quick clicks and curated connection, we're forgetting how to really relate. In this episode, we explore seven signs that our relationships are suffering—loneliness in proximity, emotional avoidance, chronic misunderstanding—and offer five powerful, practical habits to rebuild them. Drawing from Luke 12:32–48 and grounded in psychology, sociology, and timeless Catholic wisdom, this episode is a roadmap to reclaim empathy, presence, mercy, and sacred conversation in your home.Listen now and discover how to be rich in what matters to God.

Diana Taylor: A practice where research and materiality meet. Presented by What's My Thesis? in partnership with DON'T LOOK Projects In this illuminating live conversation recorded at DON'T LOOK Projects, UK-based artist Diana Taylor joins host Javier Proenza (What's My Thesis?) for a deeply textured discussion around her first solo show in the United States, Flotsam and Jetsam. Organized by DON'T LOOK Projects in association with SLQS Gallery in London, the exhibition draws on Taylor's research-intensive practice, exploring time through the fusion of research and materiality. Her work employs a remix logic, echoing Sigmar Polke's 1980s period. Currently in a short-term fellowship at The Huntington, Taylor speaks about her practice-based research. Her PhD was in collaboration with the William Morris Gallery, where she focused on how historical craft, screen-printing, and reproducibility inform her contemporary approach to painting. With roots in both rural Wiltshire and Cyprus, Taylor's early exposure to English landscape painting, tapestry, and devotional patternwork creates a foundation for her ongoing material inquiries into time, collapse, and visual culture. The conversation explores: Taylor's use of screenprinting on raw and repurposed canvas as a method of layering digital and analog imagery The influence of William Morris, The Divine Comedy by Gustav Doré, Sigmar Polke and 1970s suburban interiors on her visual lexicon A meditation on contemporaneity—the feeling of living amidst overlapping temporalities in the age of the internet The metaphor of Flotsam and Jetsam as a conceptual frame for image overload, cultural debris, and the residue of civilization Her experimental use of digital tools—zooming, pixelation, low-res 3D scanning—not to perfect, but to fail productively. Collapsing binaries: nature and culture, craft and tech, chaos and control, digital noise and sacred relic Also discussed is Taylor's current work at The Huntington, where she's engaging with historical plant taxonomies, rare botanical prints, and Morris's medieval utopian socialism to produce a new body of work and a forthcoming article in The Journal of William Morris Studies. Flotsam and Jetsam is on view at DON'T LOOK Projects through August 30, 2025. Please email gallery@dontlookprojects.com to schedule a private viewing. Listen to this episode to uncover: Why Taylor considers pixelation and printed crochet as relics of maternal labor and digital memory How screenprinting becomes a form of archaeological gesture The relationship between digital overstimulation and visual stillness Why artists might choose ruin, repetition, or failure as aesthetic strategies in a culture obsessed with optimization Featured Institutions & Collaborators: The Huntington Library, William Morris Gallery, DON'T LOOK Projects, SLQS Gallery, What's My Thesis? Episode Credits: Hosted by Javier Proenza Guest: Diana Taylor Presented by DON'T LOOK Projects Podcast: What's My Thesis? —

SUEDE - Dancing With The EuropeansLATHE OF HEAVEN - OblivionJOY DIVISION - Love Will Tear Us ApartTHE DIVINE COMEDY - The Last Time I Saw The Old ManANIMAL COLLECTIVE - Buddies On the BlackboardMICAH P HINSON - Oh, SleepyheadYA TSEEN - Taste On My Lips (feat. Portugal. The Man, Meshell Ndegeocello, SidibeWEVAL - Open Up That DoorPUNCHBAG - I Love This!THE BETHS - Mother, Pray For MeLAURA GROVES - YesPAUL WELLER - Where Theres Smoke, Theres FireKEATON HENSON - Lazy Magician (ft. Julia Steiner)BAXTER DURY - SchadenfreudeFCUKERS - Play MeSPRINTS - BegEscuchar audio

Wired For Eternity: Do You Have Money or Does Money Have You? (Ep. 473)Jesus spoke more about money than heaven and hell combined—not because He needed it, but because He knew how deeply it shapes us. In this powerful episode of IGNITE Radio Live, we expose seven common lies we believe about money and unveil five liberating marks of a Catholic financial life. With stories, Scripture, psychological insight, and concrete action steps, we'll help you rewire your heart for eternity—so your money serves your mission, not the other way around.Listen now and discover how to be rich in what matters to God.

In Episode #238 of the XS Noize Podcast, Mark Millar is joined by Grammy-winning singer-songwriter Cam to talk about her new album, All Things Light. From her multi-platinum hit “Burning House” to co-writing on Beyoncé's Cowboy Carter, Cam has become one of music's most distinctive voices. All Things Light — written during early motherhood and the pandemic — blends country, folk and pop while exploring life, love, and big questions about our place in the world. Cam shares the stories behind key tracks like “Turns Out That I Am God,” “Alchemy,” and “Hallelujah,” how motherhood shaped the record, and what it was like to win a Grammy. Tune in for an honest and inspiring conversation about Cam's journey and the making of All Things Light.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as D: ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

About 20 years ago, Mary Jo Bang read a poem that inspired her to take on a translation of Dante's Divine Comedy. At first, she began with just three lines – but two decades later, she's completed all three parts: "Inferno," "Purgatorio" and "Paradiso." In today's episode, she joins NPR's Ari Shapiro for a conversation about translating Dante into contemporary language, why English is a "rhyme-poor" language, and the parallels between Dante's journey and her own.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The fathers and children of the novel refers to the growing divide between the two generations of Russians, and the character Yevgeny Bazarov has been referred to as the "first Bolshevik", for his nihilism and rejection of the old order.Turgenev wrote Fathers and Sons as a response to the growing cultural schism that he saw between liberals of the 1830s/1840s and the growing nihilist movement. Both the nihilists (the "sons") and the 1830s liberals sought Western-based social change in Russia. Additionally, these two modes of thought were contrasted with the conservative Slavophiles, who believed that Russia's path lay in its traditional spirituality.Fathers and Sons might be regarded as the first wholly modern novel in Russian Literature (Gogol's Dead Souls, another main contender, is sometimes referred to as a poem or epic in prose as in the style of Dante's Divine Comedy). The novel introduces a dual character study, as seen with the gradual breakdown of Bazarov's and Arkady's nihilistic opposition to emotional display, especially in the case of Bazarov's love for Madame Odintsova and Fenichka. This prominent theme of character duality and deep psychological insight would exert an influence on most of the great Russian novels to come, most obviously echoed in the novels of Tolstoy and Dostoevsky.The novel is also the first Russian work to gain prominence in the Western world, eventually gaining the approval of well established novelists Gustave Flaubert, Guy de Maupassant, and Henry James, proving that Russian literature owes much to Ivan Turgenev. (From Wikipedia.)Translated by Richard Hare.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this episode of the XS Noize Podcast, Mark Millar is joined by Peter Cunnah and Al Mackenzie — the pioneering duo behind D:Ream — to discuss their vibrant and defiant new album, Do It Anyway. Best known for their iconic #1 hit "Things Can Only Get Better," D:Ream became a cultural phenomenon throughout the '90s and beyond — from chart domination and BRIT Award nominations to political soundtracking and, most recently, going viral again at Glastonbury 2024 with Professor Brian Cox back on the keys. Now, with Do It Anyway — their first album in over a decade, out August 8 via Chrysalis — D:Ream return with a record bursting with fresh energy, clubland spirit, and sharp cultural commentary. Do It Anyway is a genre-hopping ride through electro-pop, trip-hop, gospel, broken beats, and dancefloor nostalgia. From the title track — rooted in a long-lost Kylie demo from the '90s — to politically charged cuts like The Geek Who Rules the World and Anthem for Change, the album bridges past and present with fearless creativity and purpose. In this wide-ranging conversation, Peter and Al open up about reconnecting with the rave-fuelled energy that first brought them together — and how they've kept that spark alive through decades of transformation. They explore the club culture that shaped their early sound, the stubborn creative drive that still fuels them, and the joy of collaborating with voices like Lisa Moorish, Ella B, TJ Davis, and Gemma Doherty. Tune in to Episode #237 of the XS Noize Podcast for a candid, funny, and inspiring deep dive into D:Ream's legacy, evolution, and bold new chapter.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

Translating Dante is not a matter of rendering words in one language for words in another language. Indeed, no act of translation is so direct or basic. But as with Dante's Comedy when the style itself is part of the art – the sound of the thing, the movement, the embodiment – the translator needs to feel as much as think, relying on sense along with knowledge. Why? Because the hope of giving us – the readers of a translation – an encounter with the great good found in the art depends on the more holistic, more full-bodied work of scholarship and personality, at once.Jason Baxter has studied Dante for years and written on him before, including with his marvelous and illuminating book, A Beginner's Guide to Dante's Divine Comedy. Now he is completing the work of translating the master's poem for English readers that brings us into not just what the poem says, but what it feels like. Follow-up Resources:Inferno, A New Translation by Jason M. BaxterPurgatorio, A New Translation by Jason M. BaxterA Beginner's Guide to Dante's Divine Comedy, by Jason M. BaxterLearn more about Dr. Baxter's work at https://www.jasonmbaxter.com/Church Life Today is a partnership between the McGrath Institute for Church Life at the University of Notre Dame and OSV Podcasts from Our Sunday Visitor. Discover more ways to live, learn, and love your Catholic faith at osvpodcasts.com. Sharing stories, starting conversations.

In this episode of the XS Noize Podcast, Mark Millar is joined by Gavin Rossdale — the iconic frontman of Bush — to discuss their powerful new album, I Beat Loneliness. Since bursting onto the scene in the early '90s with Sixteen Stone, Bush have become one of the most defining bands of the post-grunge era, selling over 20 million records worldwide and headlining stages across the globe. Now, on their 10th studio album, Gavin Rossdale and the band deliver some of their most urgent and personal work to date. I Beat Loneliness is a raw, defiant record that dives deep into themes of isolation, emotional endurance, and ultimately finding strength in vulnerability. From the fierce opener “Scars” to the anthemic title track and the poetic, socially charged “The Land of Milk and Honey,” the album showcases Bush's classic intensity while embracing new sonic textures and deeply personal storytelling. In this wide-ranging conversation, Gavin opens up about the emotional battles behind the songs, the cathartic power of turning pain into beauty, and the creative fire that keeps Bush evolving after nearly three decades. He also reflects on pivotal moments in his career and the excitement of embarking on a massive world tour with the new record. Tune in to Episode #236 of the XS Noize Podcast for an in-depth look at Bush's latest chapter — a story of resilience, reinvention, and the unwavering drive to connect through music.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

Our Homeland Visit | Roots & Stories (Ep. 472)This week on IGNITE Radio Live, Greg and Stephanie recount their summer “pilgrimage” to the sacred soil of Wisconsin—beginning at the breathtaking Basilica of St. Josaphat in Milwaukee and culminating at Our Lady of Champion, the only approved Marian apparition site in the United States (up there with the hallowed Lambeau Field). Along the way, they reveled in holy encounters, family hilarity, and divine appointments—from their son Seph taking the main stage at Lifest, to strolling the old Oshkosh neighborhood where faith, sacraments, sports, and mischief once collided at Sacred Heart School. Amid bratwurst, bonfires, and the beautiful mess of family life, they rediscovered the joy of shared roots and the sacred power of telling our story—woven into God's larger story of redemption. This episode is a heartfelt invitation for every family longing to reconnect with what matters most.Plus, we're excited to share two epic creative projects on the horizon:

In this episode of the XS Noize Podcast, Mark Millar is joined by Scottish singer-songwriter Amy Macdonald to discuss her powerful new album, Is This What You've Been Waiting For? With over 12 million records sold worldwide and countless arena shows under her belt, Amy has become one of Scotland's most beloved artists. On her sixth album, she explores bold new sonic territory while staying true to her signature emotional honesty. Is This What You've Been Waiting For? is a defiant, uplifting record that tackles themes of survival, toxic friendships, and the courage to move forward. From the anthemic title track inspired by a moment of awe in Las Vegas, to the Springsteen-flavoured optimism of “Forward” and the fresh, danceable energy of “Can You Hear Me?”, the album reveals Amy at her most fearless and authentic yet. In this wide-ranging conversation, Amy opens up about her songwriting evolution since This Is The Life, staying connected to her fans across generations, and the excitement of returning to the stage for two massive hometown shows in Glasgow. Tune in to Episode #235 of the XS Noize Podcast for a deep dive into Amy Macdonald's new era — a story of growth, resilience, and unapologetic self-expression.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

Ein wiederveröffentlichter Back-Katalog, ein Best-Of-Album, eine ausgiebige Tour und dann noch der Soundtrack zum Blockbuster "Wonka" mit Timothée Chalamet in der Hauptrolle: seit dem letzten Studioalbum "Office Politics" (2019) hat Frontmann Neil Hannon gemeinsam mit seiner Band The Divine Comedy so einiges realisiert – und nebenher immer auch an neuen Songs gearbeitet. "Rainy Sunday Afternoon" wird ihr Album Nummer 13 heißen, das im September erscheint und in den legendären Abbey Road Studios aufgenommen wurde. Die neuen Songs verbinden dabei auf schräg humorige Weise die weltweit eher präsente Unruhe, die auch Hannon im Privaten wie Politischen beobachtet.

5 MARKS OF A GREAT SAMARITAN + (Ep. 471)As fireworks fade and summer rolls on, we're inviting you into something far deeper than nostalgia—a revolution of the heart. In this powerful episode, we unpack the Gospel of the Good Samaritan—not as a distant parable, but as a blazing call to become instruments of divine mercy in a distracted world. What does it mean to truly see? To stop? To sacrifice? Join us as we unveil Five Marks of a Good Samaritan that just might change everything—your home, your habits, your heart.Plus, we're excited to share two epic creative projects on the horizon:

Message from service on July 6, 2025Scripture: Genesis 15:1-6

Stephen Smith, dean of the humanities and professor of English at Hillsdale College, delivers a lecture on the themes of freedom, education, and leadership in Dante Alighieri’s Divine Comedy. This lecture was given at the Hoogland Center for Teacher Excellence seminar, “The Art of Teaching: Upper School Literature” in February 2025. The Hoogland Center for Teacher Excellence, an outreach of the Hillsdale College K-12 Education Office, offers educators the opportunity to deepen their content knowledge and refine their skills in the classroom.See omnystudio.com/listener for privacy information.

Featuring Matt Anderson and Ben De Bono In Part 2 of our intro to “The Divine Comedy” we talk about Dante, his life, and his encounter with Beatrice. VOTE FOR AN UPCOMING EPISODE TOPIC HERE:...

Featuring Matt Anderson and Ben De Bono In Part 2 of our intro to “The Divine Comedy” we talk about Dante, his life, and his encounter with Beatrice. VOTE FOR AN UPCOMING EPISODE TOPIC HERE:...

This week, Pastor Nick begins a study of the cosmological look at the Divine Comedy by Dante Alighieri. In this first lesson, we consider the structure and theology of the Comedy as well as look briefly at Dante's life before reading Cantos 1 & 2.  

In this episode of the XS Noize Podcast, Mark Millar is joined by Cam Muncey — guitarist, co-founder, and key songwriter of Australian rock legends Jet — to discuss his bold and unexpected debut solo album, Cam Muncey & the Delusions of Grandeur. Recorded in just 30 days with producer Jan Skubiszewski, Jet bassist Mark Wilson, and drummer Peter Marin, Delusions of Grandeur is an expansive, deeply personal record. Moving through dreamy shoegaze, melodic guitar-pop, 80s indie, swaying soul, and atmospheric art-rock, it draws on influences from The Smiths, Talk Talk, Curtis Mayfield, R.E.M., Mazzy Star, The War On Drugs, and Roxy Music. Guided by Muncey's warm vocals, the album invites listeners on a rich, genre-spanning journey. Highlights include “Already Gone,” “Don't Fade On Me,” “No Rock'n'Roll Star,” “I've Been Low,” “Breathing Again,” and the breezy pop of “Friendly.” In this candid conversation, Muncey shares what inspired him to step out on his own, the freedom he found creating without limits, and the lessons learned from touring with icons like Bruce Springsteen. Tune in to Episode #234 of the XS Noize Podcast for an honest, immersive look into Cam Muncey's world — a story of risk, reinvention, and musical discovery.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

Featuring Matt Anderson and Ben De Bono In Part 1 of our intro to “The Divine Comedy” we explore the medieval cosmology Dante employed for his epic. VOTE FOR AN UPCOMING EPISODE TOPIC HERE: www.patreon.com/thescifichristian...

Featuring Matt Anderson and Ben De Bono In Part 1 of our intro to “The Divine Comedy” we explore the medieval cosmology Dante employed for his epic. VOTE FOR AN UPCOMING EPISODE TOPIC HERE: www.patreon.com/thescifichristian...

In this episode of the XS Noize Podcast, Mark Millar is joined by Sonya Madan and Glenn Johansson of Britpop icons Echobelly as they prepare to celebrate the 30th anniversary of their landmark second album ON with a UK tour this autumn. Released in 1995, ON became a defining record of the Britpop era — a Top 5 hit bursting with soaring melodies, razor-sharp lyrics, and timeless anthems like “Great Things.” To mark the milestone, Echobelly will perform the album in full across 14 dates in October and November 2025, alongside fan favourites and classics from their seven-album catalogue. Sonya and Glenn also reveal exclusive details about their upcoming eighth studio album, currently being recorded at London's legendary RAK Studios with acclaimed producer Danton Supple, known for his work with Coldplay, Morrissey, Patti Smith, and Dave Gahan. In a candid and wide-ranging conversation, the duo reflect on the optimism and bite of ON, their rise during the Britpop explosion, the highs and hurdles of their journey, and why Echobelly's message still resonates in today's world. It's a heartfelt look back — and an exciting glimpse forward. Tune in to Episode #233 of the XS Noize Podcast for a compelling mix of nostalgia, insight, and fresh energy, as Sonya Madan and Glenn Johansson discuss 30 years of ON and what's still to come.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

In this episode of the XS Noize Podcast, host Mark Millar is joined by John Power, frontman of Cast, as the legendary Britpop band celebrates a major milestone — 30 years since the release of their iconic debut album All Change. Cast are in the strongest position they've been in for decades. Their 2023 album Love Is The Call received widespread critical acclaim and earned their highest chart position in 25 years. Now, they're preparing to support Oasis on the UK and Ireland leg of their hugely anticipated stadium reunion tour — a landmark moment for the Liverpool band. Once those stadium shows wrap, Cast will return to their roots with the 30 Years of All Change tour, performing their beloved 1995 debut album in full. Featuring timeless tracks like ‘Alright', ‘Finetime', ‘Sandstorm' and ‘Walkaway', All Change remains one of the defining records of the Britpop era. It debuted at #7, went Platinum, and spent nearly a year in the UK Top 40. In this conversation, John reflects on his transition from The La's to forming Cast, the emotional and musical impact of All Change, and what it means to still be performing with original members Liam ‘Skin' Tyson and Keith O'Neill three decades on. He also reveals exciting news about a brand new Cast single arriving soon, and shares early details of their next studio album, set for release in 2026. Listen now to Episode #232 of the XS Noize Podcast for a nostalgic and forward-looking conversation with John Power, one of British music's most enduring voices. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as The Farm, Gary Lightbody, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

In February of 1300, Pope Boniface VIII, in the papal bull Antiquorum Habet Fida Relatio, declared the first-ever Catholic Jubilee Year. Anyone who made a pilgrimage to the tombs of the Apostles Peter and Paul in Rome, and who repented and confessed, would receive “the fullest and broadest pardon for all sins committed,” Boniface proclaimed. One of the thousands of pilgrims who journeyed to Rome that year was the painter Giotto, who created a fresco commemorating the event. Another was the poet Dante Alighieri, who references the Jubilee in his Divine Comedy—ironically, this appears in Canto 18 of Inferno, where he compares the movement of the damned along the eighth circle of hell to the Roman method of traffic control during the Jubilee.  The jubilee tradition goes back far further, however, originating in Judaism, before Christianity had even begun. In the Israelite tradition, the jubilee was associated with things like forgiving debts, freeing enslaved people, and other concrete gestures of material justice. In the Catholic tradition, however, the Jubilee focuses not on debt forgiveness but on forgiveness of sins.  On this episode of Glad You Asked, the hosts talk with scholar Dean Dettloff about the origins of the Jubilee Year, its significance in the Catholic tradition, and whether there is any likelihood that the Catholic Jubilee will recover its ancient tradition of concrete liberation. Dettloff is the Research and Advocacy Officer for Development and Peace–Caritas Canada. He holds a PhD in philosophy from the Institute for Christian Studies in Toronto and the Vrije Universiteit Amsterdam, where he also teaches as sessional faculty. You can learn more about this topic, and read some of Dettloff's work, in these links.  What Is a Holy Year? HISTORY “This Jubilee year, be open to the gift of hope,” by Alice Camille This Jubilee year, be open to the gift of hope - U.S. Catholic “Take action against mass incarceration this Jubilee year,” by Alessandra Harris Take action against mass incarceration this Jubilee year - U.S. Catholic “Canada must lead global debt cancellation, like it did 25 years ago,” by Dean Detloff Canada must lead global debt cancellation, like it did 25 years ago - The Hill Times “Mourning a Pope We Often Ignored,” by Dean Detloff Mourning a Pope We Often Ignored | Sojourners “A May Day Saint,” by Dean Detloff A May Day Saint | Commonweal Magazine Glad You Asked is sponsored by the Claretian Missionaries.  

In this episode of the XS Noize Podcast, host Mark Millar is joined by Peter Hooton, frontman of Liverpool legends The Farm, to discuss their first new studio album in over 30 years — Let The Music (Take Control), out June 20th, 2025, on Modern Sky. Known for their chart-topping debut Spartacus and iconic singles like “Groovy Train” and “All Together Now,” The Farm were key players in the indie-dance movement. Now, the original lineup returns with a powerful, feel-good record rooted in the same DIY ethos and social conscience that first defined them. Peter talks about the creative spark behind the new album, the band's role as outspoken campaigners, and the legacy of their most enduring anthem. We also cover: The influence of football terrace and Balearic culture, Reuniting all five original members, Why Let The Music (Take Control) feels like both a statement and a celebration. Don't miss this inspiring conversation. Listen to episode #231 of the XS Noize Podcast  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.  

This week on The New Mason Jar, Dr. Jason Baxter returns to the podcast to talk with Cindy and Dawn about Dante as part of a new series of Mothers Education Course episodes When Dr. Baxter was first introduced to Dante's Divine Comedy Why Dr. Baxter thinks Dante wrote this work in the form of epic poetry? How this translation is different than other modern English translations Does the language and mood of Inferno feel different from that in the Purgatorio? Why Jason chose the artwork he did for the covers of his translations Jason's encouragement for the busy homeschool mom in approaching Dante Hear more from Dr. Baxter in Cindy's summer discipleship which you can still register for here: Morning Time for Moms 2025 Summer Discipleship: Life Together You can also sign up for Jason's summer class at TheHouseofHumaneLetters.com To view the full show notes for this episode, including quotes and book links, please visit our website at https://thenewmasonjar.com/113. 

Greg and Cory explore the three destinations awaiting every soul after the particular judgment: heaven, hell, and purgatory. They unpack Catholic teaching on these eternal and temporal states, using Dante's Divine Comedy and Scripture to illustrate heaven as perfect communion with God, hell as eternal separation, and purgatory as a remedial journey to holiness. Addressing misconceptions, they clarify that purgatory is not a “second chance” but a purifying path for those destined for heaven. Join them for a vivid, accessible dive into what awaits us beyond death, grounded in the Catechism and Catholic tradition. Support this ministry so more people can consider Catholicism! Website: https://www.consideringcatholicism.com/ Email: consideringcatholicism@gmail.com  

Were the all-embracing visions of William Blake shaped by Indian philosophy?

In this episode of the XS Noize Podcast, host Mark Millar is joined by Snow Patrol frontman Gary Lightbody — one of the most emotionally resonant voices in UK music. Gary delves into the making of The Forest Is The Path — Snow Patrol's chart-topping, critically acclaimed eighth studio album. Expansive, cinematic, and deeply reflective, the record marks a powerful creative resurgence for the band, now over 30 years into their remarkable journey. The conversation also explores Gary's debut book of the same name — a raw and moving memoir written in the aftermath of his father Jack's passing. Touching on themes of grief, memory, home, and healing, the book offers a deeper look into the emotional landscape that shaped the album. In this intimate and revealing interview, Gary opens up about the creative silence that followed loss, the moment songwriting returned, and the spark that led to both the book and the record. He also shares exclusive details about Snow Patrol's brand new single featuring a surprise guest, what's coming next for the band, and their highly anticipated Belsonic show in Belfast this June. Don't miss this powerful and inspiring conversation.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

In this episode of the XS Noize Podcast, host Mark Millar is joined by British pop icon Chesney Hawkes. Best known for his timeless hit ‘The One and Only', Chesney talks about the momentum behind his new music — including the Radio 2 A-list success of ‘Get A Hold of Yourself'. He dives into his new album, Living Arrows, out now. It is a raw and heartfelt collection inspired by Kahlil Gibran's poem, ‘On Children'. Exploring themes of love, family, and growth, the album pairs candid songwriting with uplifting pop-rock. We dive deep into the stories behind the songs, as Chesney shares what it was like working with BRIT Award-winning producer Jake Gosling and welcomes contributions from Nik Kershaw and his brother Jodie Hawkes. Chesney also reflects on his recent appearance on Celebrity Big Brother, where he finished in fifth place and connected with a new generation of fans. Don't miss this inspiring and entertaining conversation — tune in now to hear the whole story behind ‘Living Arrows', Chesney's creative rebirth, and his time in the Big Brother house.   Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests include legends and trailblazers such as John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head — and many more.

Ville du have taget en bid af æblet, hvis du havde været Eva i paradisets have!? Det er et af de spørgsmål, billedkunstner Alexander Tovborg gerne vil rejse med udstillingen "Divine Comedy", som åbner på kunstmuseet Aros i Aarhus på lørdag. Som kunstner er det vigtigt at stille spørgsmål ved de fortællinger, vi kender, mener han. Vi er med under forberedelserne til udstillingen. Vi ser også på, hvordan har vi afbildet kunstig intelligens i filmhistorien, og hvad det siger om os. Vært: Jesper Dein. Producer: Louise Reumert.

durée : 00:05:07 - Dans la playlist de France Inter - Les héros de la Brit Pop sont toujours vivants ! The Divine Comedy revient avec un nouveau titre automnal, orchestral et mélancolique

In Episode #228 of the XS Noize Music Podcast, host Mark Millar is joined by English singer-songwriter Will Varley to discuss his upcoming seventh album, Machines Will Never Learn To Make Mistakes Like Me, out 30th May 2025. Recorded in a ramshackle Kent swamp studio with longtime collaborator Tom Farrer, the album introduces a bold new sound, pairing lush, cinematic production with Varley's trademark storytelling. Inspired by the East Kent Coast and US Midwest, the songs explore broken relationships, life on the road, and mental resilience against global uncertainty. Featuring guest appearances from Billy Bragg, Eleni Drake, and Dan Smith of Bastille, the album captures the tension between everyday life and the looming sense of apocalypse — while still searching for light and hope. In this conversation, Will talks about the making of the album, his evolving creative process, and why storytelling still matters in uncertain times. Highlights include: Writing and recording in Kent and the US Midwest, Collaborating with Billy Bragg, Eleni Drake & Dan Smith, Touring life, mental health, reinvention, and A new sonic chapter for Varley. Listen to episode #228 of the XS Noize Podcast with Will Varley – BELOW: Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

XS Noize Podcast Episode #227: Sea Fever – Phil Cunningham, Tom Chapman, and Beth Cassidy on Surface Sound, Musical Chemistry, and Honouring Denise Johnson In Episode #227 of the XS Noize Music Podcast, host Mark Millar is joined by Phil Cunningham, Tom Chapman, and Beth Cassidy of the genre-blending band Sea Fever to talk about their powerful second album, Surface Sound. Sea Fever is a five-piece supergroup featuring members of New Order, Haven, Johnny Marr's band, Section 25, and Brix & The Extricated. The band returns with Surface Sound — a bold fusion of alt-rock, dance, and electronic pop across ten euphoric tracks. In this episode, Phil, Tom, and Beth discuss: The creative process and sonic ambition behind Surface Sound How their unique chemistry has evolved since 2021's Folding Lines Crafting standout singles like “Breaking Out” and “Loose Cut” The emotional weight of Denise Johnson's stunning guest vocals on “Explanation” How their individual musical legacies shape the identity and future of Sea Fever Surface Sound showcases Sea Fever at their most confident and collaborative, from pulsing synths to layered guitar textures and powerful lyrics.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

In Episode 226 of the XS Noize Podcast, Mark Millar chats with writer and director Matt Aston about Reception: The Wedding Present Musical — a brand new stage production inspired by the music of David Gedge, The Wedding Present, and Cinerama. The show, running from August 22 – September 6 at The Warehouse at Holbeck, Leeds, celebrates The Wedding Present's 40th anniversary with a story of friendship, love, and loss — all soundtracked by hits from the band's four-decade career, plus a brand new song. Matt discusses how the idea formed after seeing David Gedge perform with orchestras and why the band's storytelling was perfect for the stage. A must-listen for fans of The Wedding Present and anyone interested in how indie rock is being reimagined in musical theatre. listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.  

Welcome to faustforward 12 Weird goings on in the sonic shadows.....   Playlist Bernice Johnson Reagon – We Are Climbing Jacob's Ladder Grobschnitt – Solar Impro Suarasama – Flying Gambus Amadou & Mariam – Coulibaly Pavement – Stereo Super Kidd – People Pere Ubu – Worried Man Blues SeizzeSA & DJ Harvey – Afghan Alan Blood & Skanking Lizard – Heart Full of Soul Karen Dalton – Katie Cruel Shirley Collins & Davy Graham – Hares on the Mountain The Sensational Alex Harvey Band – The Hot City Symphony Pt 1: Vambo Edith Frost – Time to Bloom Eroc – Nebelwelt Sweetpool – Dancing Wildly Hidden Horse – The Tape Spool Withing the Horse's Mouth (feat. Arianne Churchman) Troth & Jon Collin – Nocturnal House Ute Lemper, Neil Hannon, The Divine Comedy & Others – Die Dreigroschenoper: Tango Ballad A.R. & Machines – Station 3-Body Kali Malone – Retrograde Canon A.R. & Machines – Station 3 – A Book's Blues Bryan Ferry & Antony – Lowlands Low Edith Frost – The Bastards Johnny Cash – I See a Darkness Amici Chamber Ensemble – Pour L'ange Qui Annonce La Fin Du Temps (Messiean) Patrick Shiroishi & Piotr Kurek - Days Lawrence English – Even the Horizon Knows its Bounds VI (feat. Dean Hurley, Vanessa Tomlinson, Stephen Vitiello & Jim O'Rourke)

Ce soir, Marjorie Hache nous embarque dans deux heures éclectiques mêlant figures cultes et pépites contemporaines. L'émission s'ouvre sur le retour musclé de Wet Leg avec "Catch These Fists", prélude à la sortie de leur second album "Moisturizer". L'hommage est consacré à Muddy Waters, pionnier du blues moderne, disparu un 30 avril, célébré avec "I've Got My Mojo Workin'". The Divine Comedy dévoile "Achilles", et l'album de la semaine signé Viagra Boys continue d'être exploré, notamment avec "Medicine For Horses". En live, on retrouve The Clash avec "Train in Vain", tandis que la reprise du jour est "Gypsy" de Fleetwood Mac, revisitée pour l'occasion par Van Risseghem. Enfin, le titre long format nous emmène dans les contrées psyché avec "Don't Mind Me" du groupe français TV Sundaze, nouvelle sensation garage rock à suivre. Wet Leg - Catch These Fists Phoenix - If I Ever Feel Better Muddy Waters - Got My Mojo Working ZZ Top - La Grange The Divine Comedy - Achilles Red Hot Chili Peppers - Suck My Kiss Alanis Morissette - Hands Clean Viagra Boys - Medecine For Horses Echo & The Bunnymen - The Killing Moon T.G. Copperfield - Mule The Stooges - No Fun Scowl - Not Hell, Not Heaven Van Risseghem - Gypsy (Fleetwood Mac Cover) Cage The Elephant - House Of Glass Florence & The Machine - Spectrum Machine Head - Bønescraper The Mamas And The Papas - CalifCalifornia Dreamin' Infectious Grooves - Violent & Funky The Clash - Train In Vain (Stand By Me) (Live) Eagles - New Kid In Town Pantera - This Love TV Sundaze - Don't Mind Me Goldfrapp - Ooh Lala Les Wampas - Petite Fille Sweet - The Ballroom Blitz Tame Impala - Let It Happen Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

"Ignorance of Scripture is ignorance of Christ." Today, Dcn. Harrison Garlick is joined by Mr. Thomas Lackey and Mr. Adam Minihan to discuss how to read the Bible like Jesus, St. Paul, the Early Church Fathers, St. Thomas Aquinas, and Dante!There are four senses: literal, allegorical, moral, and anagogical. The guys explain Divine Authorship, Dante's thesis that you read his Comedy like you Scripture, and then explain each sense and give examples.Check our thegreatbookspodcast.com for resources on the Iliad, Odyssey, Dante's Inferno, and more!Summary: St. Jerome states, “Ignorance of the Scriptures is ignorance of Christ” (CCC 112). In other words, we come to know the reality of Jesus Christ by reading Holy Scripture. Yet, what if we read the Bible incorrectly? If the Scriptures are a source of knowledge about our Lord, would not a wrong reading of the text twist our understanding of Christ? We, especially as moderns, are always in danger of distorting the Gospel to meet our own ideological standards. As Bishop Konderla teaches, “We are called to measure ourselves against the teaching of Christ and His Church, not our own imaginations or standards.” He continues, “We must receive the Jesus Christ who came two-thousand years ago, not create a ‘Jesus' who meets the fashions and fads of this age” (God Builds a House, 6). If we are to discipline ourselves to receive Jesus—and not manufacture a “Jesus”—then a vital part of that reception is a proper understanding of how to know Christ in Holy Scripture. How then does the Church teach us to read Holy Scripture?In the 1300s, the Italian poet Dante Alighieri wrote a letter to his patron, Lord Cangrande della Scala, regarding how one should read the Divine Comedy. His answer was simple: you read the Comedy the same way you read the Bible. In summary of Sacred Tradition, Dante explains that there are four senses or ways to read Holy Scripture: literal and three spiritual ways, i.e., allegorical, moral, and anagogical. These four senses were also taught by St. Thomas Aquinas (STI.1.10) and are contained in the modern Catechism of the Catholic Church (“CCC” 115-19). They represent the time-tested wisdom of the Church on how to come to know and love Jesus Christ through the Holy Scriptures.Let us examine each “sense” of biblical interpretation, how it relates to the others, and how they all draw us into a deeper relationship with our Lord.The literal sense of Scripture is also known as the “historical sense.” St. Thomas notes the literal sense is the meaning the author intended. For example, Dante gives the simple illustration of the passage: “When Israel went out of Egypt.” He observes, “If we look at it from the letter alone it means to us the exit of the Children of Israel from Egypt at the time of Moses.” The literal is simply the intended, historical meaning of a text. It is important, however, to interpret the literal correctly, because “all other senses of Sacred Scripture are based on the literal” (CCC 116). Similarly, Aquinas states that the spiritual sense of Scripture—allegorical, moral, and anagogical—is “based on the literal and presupposes it.” The importance of the literal sense of Scripture as foundational to all other senses emphasizes how vital it is that Catholics read commentaries that are faithful to the magisterium. Like a broken foundation of a home, a slanted literal sense can distort the greater spiritual senses built upon it.The allegorical sense is the first of the three types of the “spiritual sense.” In the...

In Episode 225 of the XS Noize Podcast, host Mark Millar is joined by Olly Knights, frontman of the acclaimed South London band Turin Brakes. With seven UK Top 40 singles, six Top 40 albums, and over a million records sold worldwide, Turin Brakes have built a lasting legacy rooted in emotional songwriting, rich harmonies, and fearless sonic exploration. Now, they return with Spacehopper, their highly anticipated 10th studio album, released May 23rd via Cooking Vinyl. In this in-depth conversation, Olly Knights discusses: The creative process behind Spacehopper and the inspiration behind its songs Collaborating with Grammy-winning producer Guy Massey (Ed Sheeran, Kylie Minogue, Spiritualized) Returning to the iconic Konk Studios, where they recorded their 2001 Mercury Prize-nominated debut The Optimist LP The meaning of longevity, artistic evolution, and creative freedom after 24 years in the music industry Olly also shares insights on touring plans, the emotional themes explored in Spacehopper, and what keeps Turin Brakes inspired and relevant after two decades of making music. Whether you're a longtime fan or discovering Turin Brakes for the first time, this episode offers a thoughtful and inspiring look into the journey of one of the UK's most enduring and influential bands.  Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.  

It's springtime! A great time to be in love - and if you're a poetic genius like Dante Alighieri, a great time to catch a glimpse of a girl named Beatrice on the streets of Florence, fall madly in love with her, and spend the rest of your life beatifying her in verse. In this episode, we present a conversation that first aired in February 2018, in which Jacke talks to Anthony Valerio and Professor Ellen Nerenberg about their love for Dante and his great prose-and-poetry love story, La Vita Nuova. Additional listening: 650 Dante's Divine Comedy (with Joseph Luzzi) 589 Dante and Friendship (with Elizabeth Coggeshall) 469 A Room with a View by E.M. Forster (with Gina Buonaguro) Help support the show at patreon.com/literature or historyofliterature.com/donate. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tucked away in the lush forests of northern Lazio, just over an hour's drive from Rome, lies one of Italy's most unusual and intriguing destinations: Bomarzo Monster Park. Known in Italian as Parco dei Mostri (Park of the Monsters), this 16th-century garden is unlike any other—part dreamscape, part nightmare, and entirely unforgettable. This isn't your typical Renaissance garden filled with symmetry and order. Instead, it's a chaotic, magical labyrinth of gigantic stone monsters, mythological creatures, dragons, ogres, leaning houses, and mysterious inscriptions carved into stone. Perhaps the most iconic sculpture in the park is the “Mouth of Hell”—a grotesque stone face with a gaping mouth that doubles as an open doorway. Above the entrance reads the eerie inscription: “Abandon all thought, ye who enter here,” a clear nod to Dante's Divine Comedy. It was this statue in particular that sparked Teresa's imagination and became the time-travel portal in her novel. Bomarzo is a "must visit" - listen for all the details about this unusual Bom arzo Monster Park!

On this week's episode of the XS Noize Music Podcast, Mark Millar is joined by acclaimed singer-songwriter David Gray to discuss the early days of his career, his upcoming Greatest Hits collection, and his first live shows in over two years. David Gray has announced his long-awaited return to the UK stage with a series of intimate acoustic solo performances in support of his forthcoming Greatest Hits release. Titled An Evening With David Gray, the tour begins at Manchester's Albert Hall on December 11 and includes a special two-night run at London's Cadogan Hall on December 13 and 14. The Best Of collection – arriving 25 years after the start of Gray's remarkable recording career – is set for release on October 28, just ahead of the live dates. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.  

Acclaimed British singer-songwriter Tom Hickox joins Mark Millar on the latest episode of the XS Noize Music Podcast to delve into his highly anticipated third album, The Orchestra of Stories, out 25 April 2025 via Family Tree Records. Marking his return after a four-year hiatus, Hickox unveils a sweeping, cinematic collection of songs that fuse myth, memory, history, and heart. In this in-depth conversation, he discusses the emotional and historical inspirations behind standout tracks like “Chalk Giants,” “The Shoemaker,” “The Clairvoyant,” and “The Failed Assassination of Fidel Castro.” Listeners will also hear how his background in composition helped shape the album's orchestral sound, and how family legacies, personal memories, and real-life events sparked the storytelling behind the music. Whether you're drawn to storytelling in music, cinematic songwriting, or artists like Scott Walker, this episode is essential listening. The Orchestra of Stories is Hickox at his most ambitious—an album that elevates narrative songwriting to stunning new heights. Or listen via YouTube | Apple Podcasts | Spotify | Amazon Music | RSS – Find The XS Noize Podcast's complete archive of episodes here. Previous XS Noize Podcast guests have included John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, Anton Newcombe, Peter Hook, The Twang, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, Michael Head, and many more.

Survival First: The Rebel Entrepreneur's Guide to Risk, Riches and Immortality Entrepreneurship can be hell.Most quit, scarred by financial ruin, emotional trauma and broken dreams. So how do we defy the odds and win this great bet on ourselves?In Dante's Renaissance-sparking Divine Comedy, Virgil guides the hero Dante through the many layers of Hell to reach paradise. Entrepreneurs, too, walk through a hellscape of risk so they may create wealth, freedom and meaning. Survival First ushers in a new Renaissance by guiding modern Dantes through this hellscape.Survival First humanizes risk by discarding academic jargon and complex formulas for simple logic, emotional realism and the stories of ordinary entrepreneurs. Readers learn how to not merely confront risk but dance with it. Inside is the radical-yet-practical RDEE RISK formula—an eternally applicable framework for avoiding ruin and unlocking riches. Risk. Uncertainty. Riches. These are the elements of survival. Of creation. Of immortality.Dare to seek paradise? Come walk with me.Want to be a guest on Book 101 Review? Send Daniel Lucas a message on PodMatch, here: https://www.podmatch.com/hostdetailpreview/17372807971394464fea5bae3 Hosted on Acast. See acast.com/privacy for more information.