Podcasts about Divine Comedy

We begin with a few recommendations on books and resources to use in understanding Dante's "Divine Comedy." Then we switch gears, and get into the meat of the podcast. It seems we become substantially different people every seven to ten years, more or less. We may feel self-conscious or uncomfortable about the things we said, wrote, or believed when we were younger. Is it normal to feel this way? And is it better to preserve a record of one's thought, or to renounce beliefs one no longer holds? We discuss.

What if the sound of heaven is laughter?Drawing on The Divine Comedy by Dante Alighieri, biblical wisdom, and surprising research, this episode explores joy not as a personality trait, but as a spiritual strength. Humor. Playfulness. Delight. These are not distractions from spiritual growth. They are often the pathway into it.From babies laughing at peekaboo to the story of Isaac, whose very name means laughter, we discover that joy is woven into the heart of God. Even more, joy is compatible with pain. Real joy does not deny suffering. It survives it.So today, laugh. Do something fun for no reason at all. You might just discover that God is closer than you thought.

“Praise to the holiest”From The Dream of Gerontius by St. John Henry NewmanPraise to the Holiest in the heightAnd in the depth be praise:In all His words most wonderful;Most sure in all His ways!O loving wisdom of our God!When all was sin and shame,A second Adam to the fightAnd to the rescue came.O wisest love! that flesh and bloodWhich did in Adam fail,Should strive afresh against the foe,Should strive and should prevail;And that a higher gift than graceShould flesh and blood refine,God's Presence and His very Self,And Essence all-divine.O generous love! that He who smoteIn man for man the foe,The double agony in manFor man should undergo;And in the garden secretly,And on the cross on high,Should teach His brethren and inspireTo suffer and to die.On November 1 of last year, All Saints Day, Pope Leo XIV declared Saint John Henry Newman – Cardinal Newman – as a Doctor of the Church. There are thousands of saints—but there are only 38 Doctors: saints who not only inspire us by their example and aid us by their intercession, but whose writing and teaching have had a profound impact on the Church. Cardinal Newman's writings have shaped the Church's understanding in many ways—especially his teaching on the development of doctrine and on Catholic education. Newman was more than a theologian: he was a preacher, a poet, even a novelist. The poem Scott read is taken from his long poem The Dream of Gerontius, which was published in 1865, when Newman was 64 years old. This poem is written in parts like a verse drama or an oratorio (it was later magnificently set to music by Elgar).Gerontius means “old man.” In the poem, Gerontius is an “everyman,” a “soul” who experiences death and what comes after death.The poem begins with Gerontius, the old man, on his deathbed, friends and priest gathered around, praying for him. But his death is only the beginning. Most of the poem takes the form of a dialogue with his guardian angel, who introduces him to the mysterious world of heaven and helps him prepare to meet God face to face.  At the end, he comes before God's throne, and then is led –joyfully - to Purgatory to be made ready for heaven.The poem Scott read is one of several choruses of angelical beings which the soul hears along the way. It's a song of praise, which marvels at the “loving wisdom” and “wisest love” of God in the redeeming work of Christ. The poem uses the Scriptural image of Christ as the “new Adam.” In Adam, our “flesh and blood” was vanquished; in Christ, that same flesh and blood prevails against the enemy. But there is more than a victory won here: there is “a higher gift than grace,” for in Christ our “flesh and blood” are “refined,” with God's Presence, Self, and Essence. Christ is truly human—and truly God.The last two stanzas speak of the suffering Christ underwent, for us, and as one of us. The “double agony” is interior and exterior: anguish of soul in Gethsemane, and physical torment on the cross. God's wise love is also “generous love”: for when Christ dies on the cross, he is still teaching, showing us how to suffer, and how to die.This song comes close to the end of The Dream of Gerontius. This great mystery of our redemption is what prepares the soul to enter the presence of God. And judgment is no longer terrifying. In life, says Gerontius, “the thought of death / And judgment was to me most terrible. / I had it aye before me, and I saw / The Judge severe e'en in the crucifix. / Now that the hour is come, my fear is fled.” In the face of Christ's generous, self-emptying love, fear is no longer possible.Newman's poem about the life that awaits us after death has the feeling of an adventure, a great journey, as the soul discovers that life is not over—it has only just begun. As with poems like The Divine Comedy of Dante and Paradise Lost of Milton, we come away from The Dream of Gerontius feeling that heaven and the afterlife are more real, more vivid, than this life and this world.Newman describes eternal life with urgency and eagerness, without ever dismissing this life as unimportant. Instead, the poem invites us to live life differently, and to look to death—and even judgment—with joy and hope. As Pope Leo XIV said of Cardinal Newman, “The lives of the saints teach us that it is possible to live passionately amidst the complexity of the present, without neglecting the apostolic mandate to shine like stars in the world” ( Pope Leo XIV).

In this episode, John welcomes Mark Vernon to discuss his two books, 'Dante's Divine Comedy: A Guide for the Spiritual Journey' and 'Awake: William Blake and the Imagination'. They explore the profound psychological, philosophical, and spiritual insights offered by Dante and Blake, touching upon topics like pilgrimage, the imaginal, and the role of the imagination in renewing perception. Mark shares his experiences and how these works resonate with contemporary cognitive science and spirituality. The conversation delves deep into understanding the connections between ancient wisdom and modern thought. Mark Vernon is a writer, psychotherapist, and philosopher whose work explores the meeting point of spirituality, psychology, and philosophy. Based in London, his background in physics, theology, and psychotherapy shapes a multidisciplinary approach that bridges ancient wisdom traditions with contemporary understandings of the mind and meaning.  

The Daily Quiz - Art and Literature Today's Questions: Question 1: In which book series does the character 'Edmund Pevensie' appear? Question 2: In which book series does 'Albus Dumbledore' appear? Question 3: Which decade is known for literary works such as "The Crucible" and "On the Road"? Question 4: What was the title of the most famous broadcast of "The Mercury Theater on the Air," which aired on October 30, 1938 and caused panic across the United States? Question 5: Which author wrote 'Nicholas Nickleby'? Question 6: Which novel by Jane Austen ends with sisters Marianne and Elinor Dashwood getting married? Question 7: Which piece of written work starts with the line 'Mr Utterson the lawyer was a man of a rugged countenance, that was never lighted by a smile; cold, scanty and embarrassed in discourse; backward in sentiment; lean, long, dusty, dreary and yet somehow lovable.'? Question 8: What comes after 'Inferno' in Dante Alighieri's Divine Comedy trilogy? Question 9: Which author wrote 'Metro 2033'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

En el último programa de 2025 escuchamos canciones navideñas. Suenan Blossoms, Lori Meyers, Belle and Sebastian, Weezer, Swansea Sound, Sweet Bronco, The Shins, The Raveonettes, Summer Camp, Emilia Pardo y Bazán, Maronda, Oeste, Bunch of Ace, Pale Waves, The Killers, Bear's Den, The Divine Comedy, Jens Lekman, Slow Club, Makaio Huizar, J. Jefferson & Brian Gentile, Julien Baker, Attic Lights, Lia Pamina & Dario Persi, Eels, The Pretty Reckless, Claudine Longet, The Puppini Sisters, I Don't Know Hoy But They Found Me, Banfi, Phoebe Bridges y Stormclouds. ¡Felices navidades cósmicas!

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

Brian From sits down with Wheaton College professor Richard Hughes Gibson to discuss his new book The Way of Dante, which explores Dante’s Divine Comedy through the eyes of C.S. Lewis, Dorothy Sayers, and Charles Williams. Together they unpack why themes of hell, purgatory, and heaven still matter, and how these writers used Dante to reflect on evil, repentance, and eternal hope. The conversation offers a thoughtful and accessible look at how imagination, theology, and spiritual formation come together in the Christian life.See omnystudio.com/listener for privacy information.

...y más nuevas canciones navideñas (o no tanto) de St. Vincent, Old Crow Medicine Show, Micah P. Hinson, The Divine Comedy, Paco Pecado, Malva, Talleres Molina, Model/Actriz, Dijon y Bon Iver.Escuchar audio

Ce jeudi 18 décembre, Marjorie Hache propose la dernière émission avant la pause de Noël, avec une programmation entièrement dédiée aux fêtes avec des classiques revisités par Cocteau Twins, Neil Young, Les Ronettes ou encore The Pogues, sans oublier les versions alternatives et décalées comme "All I Want For Christmas" repris par My Chemical Romance ou le reggae festif de Johnny Clarke. L'émission fait aussi la part belle aux sorties récentes de Noël, notamment The Divine Comedy avec "All The Pretty Lights", ainsi que Sleaford Mods et leur "Bad Santa", annonçant un album à venir. La playlist traverse les styles et les époques, de Phoenix à Julian Casablancas, en passant par St. Vincent, The Pretty Reckless, Corey Taylor ou encore Motörhead avec Lemmy en solo sur "Run Rudolph Run". My Chemical Romance - All I Want For Christmas Is You The Pogues - Fairytale Of New York Johnny Clarke - Mommy Kissing Santa Claus The Futureheads - Christmas Was Better In The 80S Cocteau Twins - Frosty The Snowman Phoenix - Alone On Christmas Day (Feat. Bill Murray) Lemmy Kilmister - Run Rudolph Run The Yobs - Rub-A-Dum Dum The Divine Comedy - All The Pretty Lights Darlene Love & Ronnie Spector - Rockin Around The Christmas Tree Julian Casablancas - Christmas Treat St. Vincent - ...At The Holiday Party AC/DC - Mistress For Christmas The Pretty Reckless - Where Are You Christmas ? Billy Idol - Jingle Bell Rock Corey Taylor - X - M@$ Ramones - Merry Christmas (I Don't Want To Fight Tonight) The Ronettes - Sleigh Ride Gaspard Royant - (C'mon Baby) It's Christmas Time The Coral - She Died On Christmas Day Neil Young - Star Of Bethlehem Bruce Springsteen - Santa Claus Is Comin To Town Slade - Merry Xmas Everybody Gwen Stefani - Last Christmas Eels - Christmas Is Going To The Dogs Korn - Jingle Balls Run DMC - Christmas In Hollis Sleaford Mods - Bad Santa Stiff Little Fingers - White Christmas (Live) Kurt Vile - Must Be Santa LCD Soundsystem - Christmas Will Break Your Heart Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week's show, after a 1948 Leon Rene recall: brand new Neko Case, Black Watch, Buzzcocks, The Saints (modern), Corin Ashley, Ratboys, Divine Comedy, and Colin Blunstone, plus Huey “Piano” Smith & His Clowns, Pink Floyd, Elvis Presley, Carla Thomas,...

Send us a textWe trace Saint Lucy's journey from Syracuse to martyrdom, exploring the miracles, symbols, and traditions that shape her patronage of sight and her enduring witness to Christ. We also share prayers, novenas, and practical ways to deepen devotion through Advent.• origins in Syracuse and early vow• courage under Diocletian's persecution• dowry given to the poor• miracles of immovability and restored sight• symbolism of eyes, light, and the Eucharist• feast day customs across Italy and Scandinavia• connection with Saint Agatha and Sicilian sanctity• Saint Lucy in Dante's Divine Comedy• prayers and novenas for healing of sight• resources, pilgrimages, and devotional toolsBe sure to click the link in the description for special news itemAnd since there is more to this article, finish reading and check out the special offerVisit JourneysofFaith.com website todaySaint Lucy CollectionOpen by Steve Bailey Support the showJourneys of Faith brings your Super Saints Podcasts ***Our Core Beliefs*** The Eucharist is the Source and Summit of our Faith." Catechism 132 Click Here “This is the will of God, your sanctification.” 1Thessalonians 4“ Click Here ... lay up for yourselves treasures in heaven...” Matthew 6:19-2 Click Here The Goal is Heaven Click Here Why you should shop here at Journeys of Faith official site! Lowest Prices and Higher discounts up to 50% Free Shipping starts at $18 - Express Safe Checkout Click Here Cannot find it let us find or create it - - Click Here Rewards Program is active - ...

In this episode of the XS Noize Podcast, Mark Millar is joined by acclaimed filmmaker Oliver Murray — the British writer–director redefining modern music documentary through his bold, cinematic approach. Following his 2023 short film Now and Then, The Last Beatles Song — made in collaboration with Paul McCartney, Ringo Starr, Sean Lennon and the Harrison Estate to celebrate the release of the Beatles' final single — Oliver continues his creative relationship with the band by directing the brand-new, final chapter of the legendary Anthology series. First released three decades ago, The Beatles Anthology reinvented the music documentary format. Instead of outside narration and talking heads, it featured John, Paul, George, and Ringo telling their story in their own words — a groundbreaking approach that shaped the way music history is now documented. Under Murray's direction, the series now receives its long-awaited conclusion: Episode Nine, a completely new instalment filled with unseen footage, including intimate behind-the-scenes moments of Paul, George and Ringo reuniting between 1994 and 1995 at Abbey Road. Oliver discusses how he approached taking on one of the most important music stories ever told, the responsibility of handling unreleased Beatles material, and the emotional legacy carried by Episode Nine — both for the surviving members and for generations of fans discovering the band anew. "Watching Paul, Ringo and George together in the '90s, the chemistry is exactly the same as when they were young — it's hard-wired. It feels almost scripted, but it isn't. That bond is still alive." — Oliver Murray A rising force in film and music storytelling, Murray has previously collaborated with some of the biggest names in music, including The Rolling Stones (My Life As a Rolling Stone), The Beatles (Now & Then), and Quincy Jones (They All Came Out to Montreux). His work spans genres — from jazz in Ronnie's: The Story of Ronnie Scott's Jazz Club to classical music with Lang Lang — and has been featured on Disney, Netflix, and the BBC. Listen as Oliver Murray takes us inside the making of Episode Nine — revealing unseen moments of Beatles history and the evolution of his craft — exclusively on the XS Noize Podcast. This is the definitive deep dive into the Beatles' final chapter. "Episode nine concludes the anthology, but it's not an end. The Beatles' legacy isn't a full stop — it's something that's in the groundwater now, something we all inherit." — Oliver Murray About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends, innovators, and trailblazers — a place where real conversations meet real stories. Hosted by Mark Millar, the show has featured an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

818 The Divine Comedy - Casanova

In this episode of the XS Noize Podcast, Mark Millar is joined by legendary producer Steve Lillywhite — the Grammy-winning studio mastermind behind iconic records by U2, The Rolling Stones, Talking Heads, The Smiths, The Killers, Peter Gabriel, and many more. Steve talks about the release of a brand-new 4-track EP featuring a completely unreleased live version of "Fairytale of New York" — recorded at Glasgow Barrowlands in December 1987. This historic performance captures the first time The Pogues ever played the song live, and the first time Kirsty MacColl performed it onstage with the band. The EP is released on 12 December. Recorded by Steve himself — producer of the original version and then-husband of Kirsty MacColl — the Barrowlands tape offers a rare window into the early live life of what has become the UK's favourite Christmas song for over a decade. Originally charting at No. 2 in 1987, "Fairytale of New York" has returned to the UK Top 20 every year since 2005. Steve reflects on the making of the classic track, the energy of that unforgettable night in Glasgow, and key moments from across his remarkable career. Listen to Steve Lillywhite discuss the new EP, the legacy of Fairytale of New York, and the stories behind his legendary productions — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by guitarist and songwriter Cathal Mac Gabhann from Cork alt-rock and shoegaze outfit The Altered Hours — one of Ireland's most vital underground bands. The Altered Hours released their self-titled third album on November 7th via Pizza Pizza Records. Recorded to tape by analogue producer Julie McLarnon (New Order, Lankum, Happy Mondays), the album captures the band at their most raw, warm, and emotionally direct. Formed in 2010, the band have carved out a unique place in the European alternative scene through two albums, a run of EPs, and a reputation for immersive, fuzz-drenched live shows. Their independent spirit has earned them admiration from peers and fans alike. Cathal discusses the band's evolution, the creative shift behind the new record, and how recording to tape has brought out their most dynamic sound yet. He also reflects on touring with Fontaines D.C., playing venues like The Bataclan and Alexandra Palace, and stepping in as their live guitarist across Japan and Australia. Now signed to Pizza Pizza Records, The Altered Hours step confidently into a new phase — honouring their psych-rock roots while pushing into bolder, more atmospheric territory. Listen to Cathal Mac Gabhann discuss the making of the new album, the journey behind it, and where The Altered Hours go next — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.    

In this episode of the XS Noize Podcast, Mark Millar is joined by Pearce Macca — frontman of Birmingham indie-rockers The Clause, a band whose rise has become one of the most inspiring new stories in modern British guitar music. The Clause have just unveiled their long-awaited debut album Victim of a Casual Thing — a record built on pure graft, unshakable friendship, and more than a decade of refusing to give in. What started in a cramped school practice room in 2011 — with Pearce Macca, Jonny Fyffe and Niall Fennell learning their favourite songs before Liam Deakin completed the line-up — has grown into a band with a fiercely loyal fanbase and a reputation for electrifying live shows. Pearce looks back on the full journey: the teenage beginnings, the countless setbacks, the near-misses, the belief that kept them going, and the breakthrough moments that finally pushed the band to album one. He reflects on the stories they've lived together — the wins, the losses, the friendships, the heartbreaks — and how those experiences became the emotional engine of Victim of a Casual Thing. We also dive into The Clause's rise on the live circuit, from sweatbox early gigs to lighting up festival crowds at Radio 1's Big Weekend, Isle of Wight, Truck, Tramlines, and Rock 'n' Roll Circus. And Pierce takes us inside the making of the album itself — the sound that defines The Clause, the writing and recording process, and why this record feels less like a finish line and more like the start of the real story. "We've done this the long way — but it's the right way. It's made us the band we are." – Pearce Macca Listen to Pearce Macca talk about the decade-long journey behind The Clause, the heart and honesty driving Victim of a Casual Thing, and the breakthrough moment they've been chasing — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here. New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

If you've lived your whole life before the First Light, you'd better check out Hozier's latest LP, Unreal Unearth! James & Connor are reviewing the "Unaired" edition of the album, with seven bonus tracks including Too Sweet, his biggest hit since Take Me To Church! This concept album inspired by Dante's Inferno takes us down circle by circle, vice by vice, so seamlessly that you'll forget you're in the middle of the descent. Through moving songs like Francesca, All Things End, Butchered Tongue, and Eat Your Young, Hozier explores our relationship to darkness, power, and human connection through his well-sifted lyrics and unique creative lens.We'll dig into Hozier's Irish roots, from a small hometown to the country's national choir, and discover his rise from starving artist to folk pop sensation. We refamiliarize ourselves with the mythology behind the Divine Comedy, reminisce on the popularity of Take Me To Church, and gear up for Thanksgiving before The Mixtaper brings us his Hoziest facts to date! Twitter stalkers, lead pants, and a well full of digestive biscuits (for the land) await us in Fact Or Spin! Then we'll discuss the whopping 16-track record and its accompanying EPs in their entirety! Will this hellish descent be able to rise above the competition?Let us know which EP songs you think should have made the album! Did we get close on pronouncing "uiscefhuaraithe?" If this podcast felt like Hozier's yell, let us know in the comments and on social media.. and be sure to follow along through the holiday season! Happy Thanksgiving!Keep Spinning at www.SpinItPod.com!Thanks for listening!0:00 Intro4:30 About Hozier13:04 About Unreal Unearth18:13 Podcast Segment That Feels Like Hozier's Yell19:10 Awards & Accolades21:22 Fact Or Spin22:50 His Fans Track Him27:22 He Nearly Drowned31:22 He's Immortal34:43 He Offered Biscuits To Faeries43:04 Album Art44:30 Nobody's Soldier46:22 July48:53 That You Are51:18 Too Sweet55:44 Wildflower And Barley (feat. Allison Russell)59:09 Empire Now1:01:00 Fare Well1:02:34 De Selby (Part 1)1:04:55 De Selby (Part 2)1:08:09 First Time1:10:49 Francesca1:13:43 I, Carrion (Icarian)1:16:59 Eat Your Young1:20:19 Damage Gets Done (feat. Brandi Carlile)1:22:56 Who We Are1:26:34 Son Of Nyx1:28:26 All Things End1:30:22 To Someone From A Warm Climate (Uiscefhuaraithe)1:33:44 Butchered Tongue1:36:05 Anything But1:38:41 Abstract (Psychopomp)1:40:50 Unknown / Nth1:42:52 First Light1:45:05 Final Spin Hosted on Acast. See acast.com/privacy for more information.

Saint Stories for the Soul: Saint Andrew Dũng-Lạc & Companions, Saint Catherine of Alexandria, Saint Catherine Labouré (Ep. 489)Journey beyond comfort into the heartbeat of holiness. Each week, Saint Stories for the Soul brings you the gripping, true stories of men and women who faced fear, loss, and temptation—and chose God anyway. Through vivid storytelling and timeless wisdom, discover what the saints would say to our restless age and how their courage, mercy, and faith can shape your own.This week: Saint Andrew Dũng-Lạc & Companions | Faith That Would Not Bow | Feast Day: November 24Saint Catherine of Alexandria | Wisdom That Would Not Break | Feast Day: November 25Saint Catherine Labouré | The Visit That Changed the World | Feast Day: November 28 [⁠⁠Manuscript⁠⁠]Ordinary people. Extraordinary grace.Because sanctity isn't someday—it's now.

In this episode of the XS Noize Podcast, Mark Millar is joined by Roland Gift — the iconic voice of Fine Young Cannibals and one of the most instantly recognisable singers in British music. With era-defining hits like "She Drives Me Crazy," "Good Thing," "Johnny Come Home," and their electrifying version of "Ever Fallen In Love," Fine Young Cannibals became global chart-toppers — selling over five million records and earning two BRIT Awards, an Ivor Novello, and three Grammy nominations. Their sharp, soulful sound continues to influence generations. Roland returns with two major releases — FYC40, a definitive 40-year anthology, and his brand-new festive single "Everybody Knows It's Christmas", showcasing that unmistakable voice in glorious form. Roland looks back on the band's beginnings, the explosive success of The Raw & The Cooked, and how his Otis Redding-inspired delivery fused with David Steele and Andy Cox's songwriting to create something completely unique. He also reflects on Fine Young Cannibals' continued cultural impact — including "She Drives Me Crazy" becoming the musical centrepiece of the 2025 Chanel campaign starring Dua Lipa and Jennie from BLACKPINK. We also talk about Roland's return to performing — touring with Jools Holland, shining at the 2022 Hootenanny, and his triumphant 40 Years of Songs tour, which launched with a sold-out London Palladium show. And we dive into "Everybody Knows It's Christmas" — a glam-rock, wall-of-sound celebration co-written with Ben Barson, full of warmth, nostalgia, and classic Roland soul. "Wherever you are I hope this song brings a bit of warmth, a smile, and maybe a bit of that Christmas magic your way." – Roland Gift Listen to Roland Gift discuss 40 years of Fine Young Cannibals, the making of FYC40, and the joy behind his new Christmas single — exclusively on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

In this episode of the XS Noize Podcast, Mark Millar is joined by ALKY — the Dublin-born indie-rock artist and former Emmy-nominated audio engineer whose raw, heartfelt songwriting is making serious waves across Ireland's indie scene. From his breakout singles "Dirty Tricks," "All Because of Love," "Perfect," and "How Do You?" to sold-out shows at Whelan's and The Workman's Club, ALKY has built a growing reputation for pairing widescreen anthems with brutally honest storytelling. Now, he's stepping into a defining new chapter with the release of his debut album Rinse & Repeat, a powerful exploration of addiction, love, and the endless cycles we fight to escape. In our conversation, ALKY talks about the messy truth behind his lyrics, his transition from studio engineer to full-time artist, and how facing his own patterns of self-destruction became the creative spark for the record. He opens up about sobriety, resilience, and why imperfection — both in music and in life — can be the most honest sound of all. We also dive into the making of standout tracks "All Because of Love," "How Do You?," "Perfect," and "Dirty Tricks," his experience coming up through Dublin's live circuit, and how Rinse & Repeat became a cathartic statement on falling, getting back up, and finding meaning in repetition. "I noticed I kept falling into the same destructive behaviours — the same chaos regarding alcohol and my relationship choices. Rinse & Repeat is a reflection of that cycle and putting it into songs." – ALKY Listen to ALKY discuss the making of his debut album Rinse & Repeat, addiction, love, and finding strength in repetition on the XS Noize Podcast. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including The Charlatans, Gary "Mani" Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.  

The following is a summary of the podcast excerpts, incorporating the requested format and terminology changes:The speaker, currently looking for an ideal location to paint landscapes on horizontal canvases, reflects on connections between personal experience and media narratives.The speaker recounts a "weird coincidence" involving finding the perfect painting location after thinking about the name Virgil:While driving and listening to a podcast through a single earbud, the speaker was focused on Jungian psychology—specifically, descriptions of life events as an "alchemical process to trigger psychic integration".The calm voice in the ear felt like a guide, perfectly describing the processes the speaker was concurrently experiencing, similar to how Virgil guides Dante through Hell in the Divine Comedy.The speaker realized this connection after having recently thought about the Divine Comedy cycle (Hell, Purgatory, Paradise).As soon as the speaker thought the name "Virgil," they saw a cross on the side of the road with the name Virgil on it, marking the location that turned out to be the "ideal spot for this painting".The speaker plans to return later, closer to sunset, when the mountains "turn red" for optimal lighting.The speaker provided updates on the 24-hour live stream initiative, noting that the focus is currently the "recruitment phase":The speaker has replayed 11 hours and 9 minutes, and is currently uploading a 4-hour live stream, bringing the total content to 15 hours, with the goal of reaching a full 24 hours by the end of the week.The live stream is intended to work out bugs before heavy promotion.It will always be live on X (pinned on the IPS thinktank account) and comments will be relayed into a separate Discord live chat thread.New content, including archived group chats and "10-minute videos where I break down specific components, you know, world stage, meta script, history bending," will be added to the 24/7 stream.The core of the discussion involves challenging the limitations of mainstream and alternative media views, which the speaker defines as a duopoly and a "closed system".The Failure of Skepticism:The speaker argues that critical examination of presented evidence is routinely avoided:Default responses to connections are "canned responses" used by those defending the "matrix" against "mind viruses"—ideas like the premise of fake staged events.True skeptics would create a "steelman argument" based on the best evidence presented and then attempt to destroy it.Instead, critics rely on ad hominem fallacies like claiming the speaker is "crazy," has a "tin foil hat on," or is in an "internet echo chamber". The World Stage Model and "Parallel Media":The speaker frames the media landscape using several metaphorical models to explain how systemic fakery and Psyops are concealed:Duopoly and Control: The duopoly (mainstream and alternative) are passive receivers of content; the "alternative is a subset of the mainstream". The speaker's work offers "parallel media," questioning the infrastructure that creates narratives for both sides.Seekers vs. Believers: The duopoly produces believers who accept conclusions from chosen sources, while the speaker and colleagues are seekers who confront "known unknowns" and become the "informed disbeliever". Conspiracy theorists, by contrast, rush to fill knowledge gaps with "alternative facts".Plato's Cave: The world stage is a modern interpretation where mainstream media displays "shadows on the wall," and alternative media provides an "adjacent cave on the way out with alternative shadows". Those who exit the entire cave system are deemed crazy by the "Plato's cave dwellers".Westworld Syndrome: People who refuse to confront "long-term media manipulation, how systemic it is and evidences for it" suffer from Westworld syndrome. Their programmed response to evidence that would deconstruct their false model is, "That doesn't look like anything to me".

Saint Stories for the Soul: Saint Elizabeth of Hungary, Saint Cecilia, Saint Edmund the Martyr (Ep. 488)Journey beyond comfort into the heartbeat of holiness. Each week, Saint Stories for the Soul brings you the gripping, true stories of men and women who faced fear, loss, and temptation—and chose God anyway. Through vivid storytelling and timeless wisdom, discover what the saints would say to our restless age and how their courage, mercy, and faith can shape your own.This week: Saint Elizabeth of Hungary — The Splendor of Mercy · Saint Cecilia — The Song That Never Stopped · Saint Edmund the Martyr — The Crown That Did Not Fall [⁠Manuscript⁠]Ordinary people. Extraordinary grace.Because sanctity isn't someday—it's now.

In this episode of the XS Noize Podcast, Mark Millar is joined by Martin Blunt — founding member and bassist of The Charlatans, one of Britain's most enduring and beloved bands. From their breakthrough with Some Friendly to the anthemic Tellin' Stories and the reflective Modern Nature, The Charlatans have spent more than three decades making music that moves between euphoria and heart. Now, with We Are Love, they've created a record that feels like a true celebration — warm, hopeful, and full of connection. Martin talks about the chemistry that's kept the band together, the highs and heartbreaks along the way, and how they still find joy in playing together after all these years. He also pays heartfelt tribute to the late Rob Collins and Jon Brookes, whose spirit and influence continue to guide the band's sound and soul. "If you gave us the being-in-a-band tick sheet, I think we've ticked quite a few of the boxes." – Martin Blunt Listen to the full episode and join Martin as he looks back on the band's story, the soul behind We Are Love, and why — after all this time — The Charlatans are still chasing that same spark that started it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Gary 'Mani' Mounfield, Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here New episodes of the XS Noize Podcast drop weekly — subscribe for more in-depth conversations with the artists who shape our lives.

2. The Islamic World's Scientific Contributions and Mars in Medieval Thought. Matthew Shindell highlights an intellectual renaissance in the Islamic world—specifically Baghdad and Damascus—between the 10th and 16th centuries, which was vital while Europe was experiencing its "Dark Ages." Through translation and original work, Islamic scholars built upon ancient knowledge, fueling a great intellectual transformation. In the medieval period, Mars was widely associated with vices like war, violence, and disaster. However, the renowned poet Dante Alighieri, in The Divine Comedy, transformed this negative association into the virtue of fortitude. Since Dante was charting a path through the heavens, where all planets had to represent virtues, Mars was designated as the sphere housing martyrs and those who died in holy war, becoming a highly important symbol for Christian Europe. 1962

2. The Islamic World's Scientific Contributions and Mars in Medieval Thought. Matthew Shindell highlights an intellectual renaissance in the Islamic world—specifically Baghdad and Damascus—between the 10th and 16th centuries, which was vital while Europe was experiencing its "Dark Ages." Through translation and original work, Islamic scholars built upon ancient knowledge, fueling a great intellectual transformation. In the medieval period, Mars was widely associated with vices like war, violence, and disaster. However, the renowned poet Dante Alighieri, in The Divine Comedy, transformed this negative association into the virtue of fortitude. Since Dante was charting a path through the heavens, where all planets had to represent virtues, Mars was designated as the sphere housing martyrs and those who died in holy war, becoming a highly important symbol for Christian Europe. 1920 JOHN CARTER

Saint Stories for the Soul: Sts. Leo the Great, Martin of Tours, Francis Cabrini (Ep. 487)Journey beyond comfort into the heartbeat of holiness. Each week, Saint Stories for the Soul brings you the gripping, true stories of men and women who faced fear, loss, and temptation—and chose God anyway. Through vivid storytelling and timeless wisdom, discover what the saints would say to our restless age and how their courage, mercy, and faith can shape your own.This week: Saint Leo the Great — Courage in Collapse · Saint Martin of Tours — Mercy with a Sword · Saint Frances Xavier Cabrini — Faith That Builds Doors. [Manuscript]Ordinary people. Extraordinary grace.Because sanctity isn't someday—it's now.

Send us a textOh, how we miss Hastings. Please come back. Today Jaden talks about the ZZ Top-influnced Icelandic band KALEO, Zac talks about the absolutley brutal mathcore masterpiece Ire Works by The Dillinger Escape Plan, and Daniel talks about action sports music with National Express by The Divine Comedy.Follow us on Instagram if that's your thing: https://www.instagram.com/theplaylisterspod/

In this episode of the XS Noize Podcast, Mark Millar is joined by Moya Brennan — the unmistakable voice of Clannad, often hailed as the First Lady of Celtic Music. This year marks the 40th anniversary of Clannad's landmark 1985 album Macalla — a record that bridged ancient Celtic roots with modern pop and ambient textures. Produced by Steve Nye (Japan, David Sylvian) and recorded across Dublin, Surrey, and Switzerland, Macalla captured the moment when Irish music stepped confidently onto the global stage — featuring the iconic duet with Bono, In a Lifetime. In this conversation, Moya looks back on the creative and spiritual journey behind Macalla — from the evolving sound that carried Clannad from Donegal's Irish-speaking Gaeltacht region to worldwide acclaim, to the energy of recording during a golden era for Irish music, with U2 at Live Aid and the world discovering Celtic voices anew. She recalls the "lightning in a bottle" studio sessions with Bono and explores the deeper sense of faith, family, and identity that continues to echo through her work. "If Macalla helps someone feel something, even for a moment — that's what it was meant for." – Moya Brennan Moya also reflects on Clannad's role in reshaping how Irish music was seen around the world, and the blending of Gaelic language and modern production that became their signature sound. She discusses how her collaborations have taken her voice from folk stages to global dance floors — most famously with Chicane on Saltwater — and the enduring power of songs such as Closer to Your Heart, Buachaill Ón Éirne, Caisleán Óir, Almost Seems (Too Late to Turn), The Wild Cry, and Journey's End to connect generations. Listen to the full episode and join Moya Brennan as she reflects on 40 years of Macalla — the memories, the music, and the lasting echo of Clannad's legacy. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Glen Matlock, Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

7 True Stories of Purgatory: The Purifying Fire (Ep. 486)Following last week's 7 Hallowed Stories of Holiness, this week we take you on a journey into other incredible, true stories of mercy. Purgatory is not God's punishment; it is His love, finishing its work.In this powerful special, we explore seven true stories that reveal the fire of mercy that purifies the soul for heaven. From the burned handprints preserved in Rome's Purgatory Museum to St. Catherine of Genoa's vision of love's refining flame; from St. Margaret Mary's suffering for a soul in need to Padre Pio's encounter with the “ghost” of a workman who waited for the Mass that would set him free—each story unveils a facet of God's justice made tender. (MANUSCRIPT)These are not ghost stories—they're grace stories.Listen as heaven's veil lifts and the saints remind us: love continues, prayer matters, and mercy never ends. Because the flames we fear are the same that free

A psychotherapist, philosopher and writer drawn to the wellsprings of both ancient and modern philosophy and the illumination of the inner life. His work moves between the timeless and the modern, exploring friendship and belief, wellbeing and wonder, and the quiet art of living with depth in a restless age.His recent books trace paths through the visionary landscapes of William Blake, the awakening of spiritual intelligence, the pilgrimage of Dante's Divine Comedy, and the Christian imagination as seen through Owen Barfield — the Oxford Inkling and close companion of C.S. Lewis.You can find out more about Paul via his website - www.paulwilkinson.co.ukYou can find out more about Mark via his website - www.markvernon.com

In this episode, #254 of the XS Noize Podcast, Mark Millar is joined by a true architect of punk — Glen Matlock, the original bassist and founding spark of The Sex Pistols. Glen co-wrote ten of the twelve songs on the band's legendary 1977 album Never Mind the Bollocks, giving its chaos a melodic backbone that helped define an era. Now, he's reclaiming his story in the new documentary I Was a Teenage Sex Pistol — a compelling, filmic portrait of the Pistols' rise told through wry, honest, and often hilarious first-hand accounts. In this conversation, Glen looks back on the bleak yet electric energy of 1970s Britain, the provocations of Malcolm McLaren and Vivienne Westwood's SEX shop, Steve Jones' infamous thieving, and the band's chaotic search for a frontman that would ultimately change music forever. From bust-ups and fan mania to the tabloid outrage that followed, Glen offers a frank and insightful portrait of a group of misfits who tore down the old order — and the cost that came with it. He also talks about the real story behind I Was a Teenage Sex Pistol, co-writing the songs that built Never Mind the Bollocks, the truth about his split from the Sex Pistols, the spirit of early punk culture, fashion and rebellion, and the life lessons learned from one of rock's great survivors. Hear Glen Matlock reflect on the chaos, the craft, the myth — and the man behind it all. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here  

7 HALLOWED STORIES OF HOLINLESSIn a world obsessed with haunted houses and horror films, our special radio presentation, “7 Hallowed Stories of Holiness,” pulls back the curtain on the real supernatural—the true encounters where heaven broke through history and light conquered the darkness.Each is a true story, fully sourced in Catholic tradition:• The Night the Devil Knocked — St. John Vianney's midnight battle with the demonic.• The Demon That Cried Mercy — the real exorcism behind The Exorcist.• The Prisoner and the Woman in Blue — Mary's visitation to a condemned man on death row.• The Girl Who Fought the Devil — St. Gemma Galgani's radiant defiance of evil.• The Priest in Two Places — Padre Pio's documented bilocation across battlefields.• The Day the Sun Danced — the Miracle of Fatima witnessed by 70,000 souls.• The Coming Light in the Darkness — credible prophetic voices describing the purification and illumination of our age.These aren't ghost stories—they're grace stories. Each one reveals the same eternal truth: that holiness is more powerful than hell, and that the light of Christ still shines where the world sees only shadow.

In this episode of the XS Noize Podcast, Mark Millar is joined by Charles Cave and Jack Lawrence-Brown from White Lies to discuss their electrifying seventh album "Night Light". This bold, live-driven reinvention captures the band at their most instinctive and free-flowing. Recorded live in the room for the first time, Night Light sees White Lies embracing spontaneity and creative risk — from the motorik rush of “Nothing On Me” and the 70s-inspired swagger of “Going Nowhere”, to the sweeping ambition of “All The Best” and the hypnotic finale “In The Middle.” Charles and Jack take us inside the fearless process behind the record — how rehearsing and performing songs before recording transformed the sound, how the influence of The Midnight Special inspired their approach, and how working with longtime collaborator Seth Evans unlocked a new sense of chemistry and space within the band. They also reflect on 16 years of White Lies — from their debut To Lose My Life… to the creative confidence of Night Light — exploring what keeps their partnership strong, how they've continued to evolve, and the joy of still finding new ground to explore together. “This record felt like freedom — the sound of a band who finally know exactly who they are.” — Charles Cave “It's amazing what happens when you stop chasing perfection and just play.” — Jack Lawrence-Brown White Lies' seventh album "Night Light" arrives November 7 via Play It Again Sam — a bold new chapter in the band's sixteen-year journey. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.  

In his Divine Comedy, Dante isn't claiming to offer us a vision of what hell and heaven are actually like. It might be set in the afterlife, but it's really about how we live life here and now. Even if you've never read one line of the epic poem, you've been influenced by The Divine Comedy. It's time we learned more about one of Western literature's greatest works … and how it might just change our lives. CREDITSUndeceptions is hosted by John Dickson, produced by Kaley Payne and directed by Mark Hadley. Alasdair Belling is a writer and researcher. Siobhan McGuiness is our online librarian. Lyndie Leviston remains John's wonderful assistant. Santino Dimarco is Chief Finance and Operations Consultant. Editing by Richard Hamwi.Our voice actor today was Yannick Lawry.Special thanks to our series sponsor Zondervan for making this Undeception's episode possible. Undeceptions is the flagship podcast of Undeceptions.com - letting the truth out.

In this episode, #252 of the XS Noize Podcast, Mark Millar talks with Aaron Starkie of The Slow Readers Club to celebrate A Decade of Cavalcade — the Manchester band's breakthrough album that defined their sound and changed everything. As Aaron reflects: “Cavalcade was the moment where it all started to click — we found our sound, our confidence, and that connection with the audience that's carried us ever since.” — Aaron Starkie Across its ten tracks, Cavalcade captured The Slow Readers Club's signature blend of brooding intensity and euphoric release — from the pulsating urgency of “Forever In Your Debt” and the anthemic hope of “Plant The Seed,” to the haunting emotion of “Days Like This Will Break Your Heart” and the hypnotic title track itself. In this conversation, Aaron takes us inside that pivotal era — from writing and recording Cavalcade to creating the album's striking geometric artwork himself, and how those songs continue to evolve a decade later. He also discusses the band's creative growth, the importance of their DIY ethos, and the emotional power of seeing those tracks come alive again onstage. The episode arrives as The Slow Readers Club prepare to hit the road for their A Decade of Cavalcade tour — revisiting the record in full while celebrating a new chapter of momentum following the Top 20 success of their latest album, Out Of A Dream. Listen now and follow the XS Noize Podcast for more in-depth conversations with music's most inspiring artists. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Miles Kane, Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more. Explore the complete XS Noize Podcast archive here.    

Two friends and academics recap classic literature and take it off its pedestal. This season, we are only looking at banned and controversial texts. In our seventy-second episode, we invite Friend of the Podcast (and Abby's best friend/medieval historian) Justine back to the show to school us on Dante Alighieri's Divine Comedy. We focus primarily on the 'Inferno' section and get really caught up on Dante being a civil engineering girlie.Cover art © Catherine Wu.Episode Theme: Motet, 'Ypocrite / Velut stelle / Et gaudebit' (14th century) Hosted on Acast. See acast.com/privacy for more information.

In this episode, Mark Millar is joined by Miles Kane to discuss his new album Sunlight in the Shadows — a swaggering, soulful record made with Dan Auerbach of The Black Keys. Recorded live in Nashville over three days, the album blends British beat energy, Motown soul, and Miles' unmistakable tremolo swagger. He opens up about the instant chemistry with Auerbach, finding calm and spirituality in his music, and why this feels like the defining moment of his career. About The XS Noize Podcast With over 250 episodes to its name, the XS Noize Podcast has become a trusted home for music's legends and trailblazers — a space where real conversations meet real stories. Hosted by Mark Millar, the show has welcomed an extraordinary lineup including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — among many more.

Writer and poet Maria Popova on taking inspiration from 19th century ornithological studies for her new publication, An Almanac of Birds – 100 Divinations for Uncertain Days.Slam poet Aditya Narayan has had an impressive winning streak this year – winning the Roundhouse Poetry Slam in April and the Loud Poets Grand Slam final in August. He discusses writing poetry for performance and rhyming English, Hindi, and Urdu.Kimberly Campanello and D.M. Black are members of a distinguished group - poets who have translated Dante's epic poem, The Divine Comedy. They reflect on their different approaches to the 14th century three part work which takes the reader to hell, purgatory, and heaven - Kimberly weaving in her personal history including her Parkinson's diagnosis and the history of Italy in her translation of Part 1: Inferno, and D.M. Black drawing upon his experience as a psychoanalyst in his award-winning translation of Part 2: Purgatorio, and his recently published Part 3: Paradiso.Presenter: Ian McMillan Producer: Ekene Akalawu

A mix series that explores the dramatic and emotional depths of techno music. Inspired by Dante's Divine Comedy, the series navigates the darker, more aggressive aspects of techno while highlighting its capacity for emotional and mood-driven expression. Each installment focuses on a specific mood or theme, drawing parallels with Dante's epic poem. From the depths of Inferno to the heights of Paradiso, this series showcases techno's versatility and emotional range. ---------- Follow Gustav WAV. ◊ https://soundcloud.com/user-939650642 ◊ https://www.instagram.com/gustav_wav ◊ https://www.instagram.com/modernartappreciationclub ---------- Follow MSYH.FM » http://MSYH.FM » http://x.com/MSYHFM » http://instagram.com/MSYH.FM » http://facebook.com/MSYH.FM » http://patreon.com/MSYHFM ---------- Follow Make Sure You Have Fun™ ∞ http://MakeSureYouHaveFun.com ∞ http://x.com/MakeSureYouHave ∞ http://instagram.com/MakeSureYouHaveFun ∞ http://facebook.com/MakeSureYouHaveFun ∞ http://youtube.com/@MakeSureYouHaveFun ∞ http://twitch.tv/@MakeSureYouHaveFun

In episode #250 of the XS Noize Podcast, Mark Millar is joined by Andrew Davie from Bear's Den and Irish singer-songwriter Ciaran Lavery to discuss their beautiful new collaborative EP Promiser — a stripped-back collection celebrating love, simplicity, and connection. Quietly recorded over just five days in Andrew's home studio and released via Communion Records, Promiser explores the art of restraint — capturing songs in one-take performances filled with birdsong, rain, and real human imperfection. “There was this lyrical idea early on of trying to write songs that didn't need innate conflict or tragedy to exist — songs that celebrated love in its simple, domestic moments, without the need for high drama.” — Andrew Davie, Bear's Den Drawing inspiration from the intimacy of Bruce Springsteen's Nebraska and Adrianne Lenker's Bright Future, Promiser sees both artists embracing the beauty of limitation, joined by guests Emma Gatrill and Joshua Burnside for instinctive, emotionally charged one-take performances. In this conversation, Bear's Den and Ciaran Lavery reflect on the friendship and creative spark behind Promiser — writing songs without conflict, finding meaning in everyday love, capturing raw home-studio moments, and bringing the record to life on their fast-selling Irish tour. “Working with Bear's Den felt almost accidental — we followed what felt right, not what was perfect.” — Ciaran Lavery “Ciaran's songs would just appear — almost fully formed — and that was a real joy to witness.” — Andrew Davie, Bear's Den Bear's Den are known worldwide for their cinematic folk sound and emotional honesty. Ciaran Lavery, one of Ireland's most acclaimed singer-songwriters, is celebrated for his poetic lyricism and intimate storytelling. Together, they've created something special with Promiser — a record that captures the raw beauty of two songwriters in complete creative trust. About The XS Noize Podcast With over 240 episodes, XS Noize Podcast has welcomed legends and trailblazers including Matt Berninger, Saint Etienne, D:Ream, Gavin Rossdale, The Farm, Snow Patrol, John Lydon, Will Sergeant, Ocean Colour Scene, Gary Kemp, Doves, Gavin Friday, David Gray, Anton Newcombe, Peter Hook, Razorlight, Sananda Maitreya, James, Crowded House, Elbow, Cast, Kula Shaker, Shed Seven, Future Islands, Peter Frampton, Bernard Butler, Steven Wilson, Travis, New Order, The Killers, Tito Jackson, Simple Minds, The Divine Comedy, Shaun Ryder, Gary Numan, Sleaford Mods, and Michael Head — and many more.

5 KEYS TO LIVING GRATITUDE (Ep. 483)We kick off this episode with laughter and stories of everyday gratitude. Then we dive deep into the Gospel (Luke 17:11–19) and explore what it really means to live gratitude — not just saying “thank you,” but becoming people who see, return, and worship.Ten lepers were healed, but only one turned back to give thanks — and that moment of gratitude became his salvation. Why? Because gratitude transforms healing into communion. It's not manners; it's worship. It's the doorway where grace becomes relationship, where God's mercy turns our everyday life into an altar.Join Greg and Stephanie as they unpack five keys to living gratitude — with wit, depth, and personal stories you'll recognize from your own life. Discover how thankfulness restores joy, heals wounds, and reawakens faith in your family and home.Timely other Links:My Crisis Magazine article today: ⁠⁠America at the Edge of Awakening: Faith, Disorder, and the Forgiveness That Could Save a Republic⁠⁠Worship Song: ⁠⁠Over the Storm (A Tribute to Charlie Kirk)⁠⁠My book, our present-day plight, predicting so much of all this nearly 2 years ago: ⁠⁠The Magnificent Piglets of Pigletsville⁠⁠This is not a time to sit back. It is a call to rise, to live IT in our homes and families, and to bear witness to Christ in the storm.God is calling. His grace is waiting.

Intérpretes y compositores que exploran emociones; soul, jazz y folk atemporal con voces distintivas, historias personales y trayectoria sólidas. Un lujo.Richard Hawley The Ocean – Coles Corner (20th Anniversary Deluxe Edition) Coles Corner - Acoustic – Coles Corner (Acoustic) I'm Absolutely Hank Marvin (con Hank Marvin) – Coles Corner (20th Anniversary Deluxe Edition)The Divine Comedy Invisible Thread – Invisible Thread Achilles – Achilles The Last Time I Saw the Old Man – The Last Time I Saw the Old ManRodríguez I Think Of You – Coming From RealityJimmy Heath; Gregory Porter Don't Misunderstand – Love LetterTill Brönner; Gregory Porter Stand By Me – The Movie AlbumJulie London; Gregory Porter Fly Me To The Moon (In Other Words) – Liquid Spirit Paul Weller I Started a Joke – Find El DoradoTerry Callier; Paul Weller Brother to Brother – Speak Your PeaceAnne Paceo; Piers Faccini Restless – RestlessGoro Ito; Jacques Morelenbaum Happy End – Happy EndEscuchar audio

We are raiding the Guardian long read archives to bring you some classic pieces from years past, with new introductions from the authors. This week, from 2022: Josh and Jack used to interrogate life via absurdist jokes and sketches. But the questions they had just kept getting bigger – and led them both to embark upon a profound transformation By Lamorna Ash. Read by Katie Lyons. Help support our independent journalism at theguardian.com/longreadpod

OVERCOMING 5 OBSTACLES TO EXTRAORDINARY PRAYER | + Discussion on Charlie Kirk Effect, 40 Days for Life at the Abortuary, Toledo Walk for Vocations & “Triumph of the Heart” Movie (Ep. 482)In this episode, Greg and Stephanie continue reflecting on the Charlie Kirk effect—what his life and tragic death reveal about the wounds of our culture and the urgency of living faith boldly. We share our privilege of viewing Triumph of the Heart, a powerful new film on St. Maximilian Kolbe, and recount the second annual Toledo Vocation Walk, where three priests trekked 70 miles in four days as a witness of prayer and sacrifice. We also speak from the front lines of 40 Days for Life in Toledo, standing in prayer before the abortuary, interceding for mothers, fathers, and children.From there, we open the Gospel for this Sunday and dive into the theme: Obstacles to Extraordinary Prayer. Christ prayed with a depth that was more than words—it was intimate communion with the Father. That same extraordinary prayer is available to us, but so often we are blocked by distractions, wounds, transactional thinking, fear of vulnerability, and forgetfulness of eternity. Each obstacle comes with its own whispered lie, and each can be overcome by grace, Scripture, and concrete practices.Join us as we name five common obstacles that keep us from deep prayer and uncover the steps to overcome them, so our marriages, families, and homes can be resuscitated by the living presence of God.Timely other Links:My Crisis Magazine article today: ⁠America at the Edge of Awakening: Faith, Disorder, and the Forgiveness That Could Save a Republic⁠Worship Song: ⁠Over the Storm (A Tribute to Charlie Kirk)⁠My book, our present-day plight, predicting so much of all this nearly 2 years ago: ⁠The Magnificent Piglets of Pigletsville⁠This is not a time to sit back. It is a call to rise, to live IT in our homes and families, and to bear witness to Christ in the storm.God is calling. His grace is waiting.

Kevin Young is the poetry editor for The New Yorker, and the author of many books of his own poetry. His newest work, “Night Watch,” focusses on death, while also drawing upon his wide view of history, from the end of slavery in the U.S. to Dante's seven-hundred-year-old poem “The Divine Comedy.” Young tells David Remnick that Dante actually played an outsized role in bringing “Night Watch” to life: “This is a book that, I think, without him, I would have kept in a drawer because the subjects were kind of dark that I was trying to contend with, and [Dante] gave a framework for me,” Young explains. “How do you write about [hell] and frame it as a journey rather than a morass?” 

Latch your steamer trunk and press your travel slacks, as Trixie and Katya summon you for a grand tour through the jeweled harbors of RuPaul's Drag Race Season 7, Episodes 9 and 10. Like discerning aesthetes adrift upon the sapphire sea, they linger in reverie over the operatic revels of the Divine Comedy challenge, then recline in first-class velvet banquettes to consider, with equal parts mirth and melancholy, the metamorphic splendor of the makeover episode. Their discourse gleams with the intricacy of freshly-blown Murano glass, refracting triumphs radiant as a Tuscan dawn and humiliations heavy as an Amalfi dusk. Let your eyes and ears wander as their recollections drift like perfumed zephyrs along the cliffs of the Cinque Terre. Sit back, relax, and let their reminiscences unfold as an intoxicating odyssey stitched from myth, memory, and the gilded embroidery of glamour. If you're thinking about GLP-1s for weight loss, but don't know if they're right for you—Ro makes it simple to find out and get started. Go to https://Ro.co/BALD to see if you qualify. If you're planning a trip this year, consider hosting your home on Airbnb while you're away. Your home might be worth more than you think! Find out how much at https://Airbnb.com/host This episode is sponsored by BetterHelp. Give online therapy a try at ⁠⁠https://Betterhelp.com/BALD⁠⁠ and get on your way to being your best self! Get your gut going and sdupport a balanced gut microbiome with Ritual's Synbiotic+. Get 25% off your first month at https://Ritual.com/BALD Visit ⁠https://gemini.google/students⁠ to learn more about Google Gemini and sign up. Terms apply. Follow Trixie: @TrixieMattel Follow Katya: @Katya_Zamo To watch the podcast on YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/TrixieKatyaYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out our official YouTube Clips Channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/TrixieAndKatyaClipsYT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Don't forget to follow the podcast for free wherever you're listening or by using this link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you want to support the show, and get all the episodes ad-free go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://thebaldandthebeautiful.supercast.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ If you like the show, telling a friend about it would be amazing! You can text, email, Tweet, or send this link to a friend: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out future Live Podcast Shows, go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://trixieandkatyalive.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To order your copy of our book, "Working Girls", go to: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://workinggirlsbook.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To check out the Trixie Motel in Palm Springs, CA: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemotel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Listen Anywhere! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://bit.ly/thebaldandthebeautifulpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Trixie: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.trixiemattel.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@trixie⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/trixiemattel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠   Follow Katya: Official Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.welovekatya.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/welovekatya/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠  Twitter (X): ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/katya_zamo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠    #TrixieMattel #KatyaZamo #BaldBeautiful Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Divine Comedy frontman Neil Hannon has a table booked at the Dream Restaurant this week. Something for the weekend.The Divine Comedy's new album ‘Rainy Sunday Afternoon' is released on Fri 19 Sep. Pre-order is here. Follow The Divine Comedy on Instagram @divinecomedyhq Donated to My Lovely Horse Rescue at www.mylovelyhorserescue.com Watch the video version of this episode on the Off Menu YouTube on Fri 5 Sep. Off Menu is now on YouTube: @offmenupodcastFollow Off Menu on Instagram and TikTok: @offmenuofficial.And go to our website www.offmenupodcast.co.uk for a list of restaurants recommended on the show.Off Menu is a comedy podcast hosted by Ed Gamble and James Acaster.Produced, recorded and edited by Ben Williams for Plosive.Video production by Megan McCarthy for Plosive.Artwork by Paul Gilbey (photography and design). Hosted on Acast. See acast.com/privacy for more information.