Podcasts about Inferno

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

In this week's episode and in a long overdue collaboration between Not So Quite on the Western Front and WW2 Both Sides of the Wire, four of us sit down to explore what we feel are the battles that, for one reason or another, shaped the course of the 20th century. Pre-order here: ⁠http://battleguide.co.uk/inferno Written by four historians, each bringing their own unique perspective, Inferno explores war on land, at sea, and in the air — from Mons in 1914 and the trenches of the Somme, to Stalingrad, Normandy, and the brutal final battles of the Pacific War. Across 12 in-depth chapters, we examine the battles that helped create the modern world: the experiences of those who fought them, the decisions that defined them, and the consequences that still shape our world today. Inferno is available now for pre-order in print and ebook, with an audiobook version narrated by Dan Hill. Join Our Community: ⁠https://not-so-quiet.com/⁠ Use our code: Dugout and get one month free as a Captain. Support via Paypal:⁠ https://battleguide.co.uk/nsq-paypal⁠ Do you like our podcast? Then please leave us a review, it helps us a lot! E-Mail: ⁠nsq@battleguide.co.uk⁠ Battle Guide YouTube Channel:⁠ https://www.youtube.com/@BattleGuideVT⁠ Our WW2 Podcast:⁠ https://battleguide.co.uk/bsow⁠ If you want to keep your finger on the pulse of what the team at Battle Guide have been getting up to, why not sign up to our monthly newsletter:⁠ ⁠https://battleguide.co.uk/newsletter⁠ Twitter: @historian1914 @DanHillHistory @BattleguideVT Credits: - Host: Dr. Spencer Jones & Dan Hill - Production: Linus Klaßen - Editing: Hunter Christensen & Linus Klaßen Learn more about your ad choices. Visit megaphone.fm/adchoices

Hell is murky. Today we enter limbo, which is technically the least painful section of hell but actually leaves me with some of the toughest questions in the poem. What does Dante make--what do Christians in general make--of all the noble, wise, and humane people who apparently lived outside the reach of Christ? Were they outside His reach? Are human virtues enough to save us? If so, why aren't we doing better?? Dante, in his characteristic way, rachets these questions up to 11 and then moves through them subtly, confoundingly, and above all, beautifully. His poetry leads us to contemplate what it might look like for God's justice and God's mercy to become one. Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Read my review of Backrooms: https://www.thefp.com/p/the-kids-who-grew-up-online-are-coming-for-hollywood-backrooms Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction  01:05 Canto 3: Hell's Vestibule  24:25 Appetites and Inhabitants of Hell  44:22 Tragedies of Futility and Fate  56:28 Mailbag: Meditations on Suffering  1:09:56 Closing Remarks 

In this episode Brian does the unthinkable and finally picks the Original 1977 "Suspiria". This Italian horror classic has been on the list for an episode since the FM3 started this podcast many many moons and meatballs ago.  After last week's episode "Inferno" which is the second of the 3 Mother's Trilogy by Argento, Brian needed to go back and start at the top with what is his personal favorite Italian horror film. There are so many reasons why this one floats to the tippy top of the heap of mediocre Italian horror and if you have not seen it yet, you are truly missing out. Argento is a master and nobody's movies look like early Argento horror.  Brian, Jef and Josh were really happy to just watch a few decent movies after a long list of duds. It's a Nice! But do not fret dear listeners, Josh's pick is coming soon and the guys will be right back on the Charles BAND wagon! So enjoy it for now! 

What's more revolting? The racist pogrom against innocent families in Belfast? Or the way the far-right is again using a violent attack to claim that every immigrant – legal or illegal – is a threat to the country? Our panel looks at how indulging the “legitimate concerns” mindset leads to kids being burned out of their homes. Plus we answer your questions in our new monthly-ish But Your Emails special. And in the Extra Bit for Patreon people: do progressive protestors need to up their banner game? • Questions for But Your Emails? Thoughts? Comments? Email us at ogwn@podmasters.co.uk.  ESCAPE ROUTES • Jason has been reading A.I. by Belgian comedian Lieven Schiere  • Seth saw Churchill's Urinal starring friend of the pod Rosie Holt at the King's Head Theatre, Islington. You've missed it, but it's on in Edinburgh in August.    • Zöe enjoyed Look What You Made Me Do by John Lanchester. • Andrew has been listening to Inferno by Boards Of Canada www.patreon.com/ohgodwhatnow Presented by Andrew Harrison with Zöe Grünewald, Seth Thévoz and Jason Hazeley. Audio Production by Tom Taylor. Art direction: James Parrett. Theme tune by Tom Taylor and Simon Williams. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison. OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk  Learn more about your ad choices. Visit podcastchoices.com/adchoices

3:47:36 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Listening to music on a cassette Walkman, The Beatles, Baroque Hoedown, Opaque Hoedown, this circus Earth, Knicks game, bus is late, listening to Boards of Canada – Inferno on cassette, World Cup, reality blam, The Firesign Theatre, O.C. and Stiggs (1985), later, The […]

3:47:36 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Listening to music on a cassette Walkman, The Beatles, Baroque Hoedown, Opaque Hoedown, this circus Earth, Knicks game, bus is late, listening to Boards of Canada – Inferno on cassette, World Cup, reality blam, The Firesign Theatre, O.C. and Stiggs (1985), later, The […]

TTT. Win A Free Inferno Cake!Welcome back to our Riordanverse readalong and analysis podcast!! Here's SZN22 Episode 9, where we discuss chapters 40-43 of The Tyrant's Tomb. It's the book four finale! We're talking about stick sacrifices; spirit animal fish; and everything wrong with graphic design. We hope you'll join us next week for the next (and final) book in the Trials of Apollo journey: The Tower of Nero!!!xx Kate & Jo::SOCIALS::Follow us on Instagram: https://www.instagram.com/damsnackbarpod/ (@damsnackbarpod) Send us an IrisMessage to join our community. Email us at damsnackbarpod@outlook.com All of our other social media is linked here: https://linktr.ee/damsnackbarpod

This description contains affiliate links that give us a commission when you use them.Links:USAP statement: https://bit.ly/4e8n76EFrozen Luzz Inferno: https://pickleballstudio.com/go/frozeninfernoHowToPickleball account: https://bit.ly/4dXXMxrChapters:0:00 - Intro0:49 - HowToPickleball instagram account2:34 - Facolos Pro Elite X gets delisted by USAP11:37 - Luzz frozen inferno thoughts26:12 - B&B nerdy tourney recap52:39 - Guess the paddle with new rules1:00:05 - Q&A1:00:26 - Why do people get so addicted to Pickleball rather than Tennis or other racquet sports?1:04:47 - When will there be budget full foam paddles that also have durable grit $150 or below1:05:34 - Purchase Coral Pro or wait for different companies durable grit all court paddle?1:08:08 - What are the best ball machines at different price points?1:10:40 - I hate all the standard shape foam paddles, I play a Scorpeus 14mm, what do I get?1:13:46 - Any tips for lefty players? I get judged as if being a lefty is a crime or something

Overtime on Inferno is a threesome this week as Sam is joined by Quacke and Napz. If you think that's a weird thing to read in a CS podcast description, just wait until you hear what kind of things are said this episode. We apologise to all listeners and Snax in advance.Join the discord:https://discord.gg/X3jU4djxUKCheck out Logan's newsletter:https://thestratbook.gg

On this episode of Against Everyone with Conner Habib, I talk with esoteric author and scholar MARK BOOTH (AKA Jonathan Black), whose excellent new book, THE SECRET HISTORY OF THE UNIVERSE: HOW ANCIENT WISDOM MADE THE WORLD, traces the occult influences found in modern science, especially the science of physics.Mark's book is not just an outline of confluences. In other words, it's not one of many books already available which seem to validate spiritual wisdom with modern science. Instead, it is something more singular and more needed for our time. It shows how esoteric ideas and thinkers, seers and magicians, intersected with scientists as they developed the theories that live in our own scientific worldviews. Mark is also the author of one of the best introductions to real esoteric perspectives, The Secret History of the World , as well as The Sacred History: How Angels, Mystics and Higher Intelligence Made Our World and the ebook, The Secret History of Dante: Unearthing the Real-Life Mysteries of the Inferno.Mark has been a dream guest for me since I started this show over eight years ago. Although we spoke a few times in the intervening years, I'm so excited that we finally got to talk in this capacity, for the podcast.But we weren't alone! In a perfect example of spiritual entanglement, when Mark brought up the physicist Wolfgang Pauli - famed for the so-called Pauli effect or shorting out technology wherever he went - our recoding crashed completely, and we had to restart the call. Luckily, it's still all intact for you!

Check out Cam's latest novel / audio drama here! We're kicking off our fifth annual Summerween celebration by taking a much closer look at one of Maggie's all time favorites: The Blair Witch Project. In this episode, we're starting with our impressions after seeing the film in theaters for a second time, analyzing the paradoxical urgency and breadth of the film's 81 minute runtime, and unpacking the mysteries of its suggestive, restrained creature design. We're also investigating some provocative comparisons with Backrooms, The Texas Chainsaw Massacre, and Dante's Inferno that help to elucidate the lethal ambiguity of the film's final shot. In our final two segments, we're exploring the unique genre fusion of Blair Witch and reflecting on the subtle creative choices that provoked the strongest emotional reaction from us. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com 00:00 Summerween 2026 03:26 Second Impressions 08:47 Runtime 12:28 Creature Design 17:02 Comparisons 28:27 Theories 49:55 Genre Innovation 57:51 Punctum 01:06:22 Closing Thoughts

In questo episodio ci immergiamo nel mondo del linguaggio… con una buona dose di ironia! Parliamo di pronunce improbabili e divertenti tra lingue diverse, concentrandoci in particolare sull'inglese e sull'italiano. Scopriremo insieme parole che, passando attraverso l'accento inglese, vengono completamente trasformate… una domanda sorgerà spontanea: come reagirebbe Dante di fronte a certe pronunce? Probabilmente aggiungerebbe qualche nuovo girone all'Inferno. Preparatevi a sorridere, divertirvi e guardare le lingue da una prospettiva del tutto nuova! Dani & LIa ~~~ In this episode, we dive into the world of language... with a dose of humor! We'll explore unexpected pronunciations across languages, focusing on English and Italian. We'll discover that, when filtered through an English accent, what we'll hear is transformed beyond recognition. One question will naturally arise: how would Dante react to some of these pronunciations? He would probably add a few new circles to the Inferno. Get ready to smile, have fun, and look at languages from a completely new perspective!

Wir satteln Inferno und reisen vom malerischen Chantilly über das Silicon Valley bis nach San Francisco. Unterwegs tauchen wir in die spannende Verflechtung von Kaltem Krieg und Mikrochip-Industrie ein. Außerdem spekulieren wir darüber, ob der nächste Bond-Bösewicht wieder ein exzentrisches Ensemble an die Seite gestellt bekommen sollte – ganz im Stil der Moore-Ära. Darüber hinaus diskutieren wir, wie Bonds filmische Abenteuer im Verhältnis zu den realen Gräueltaten der Menschheitsgeschichte stehen sollten. Und als Highlight: Es gibt etwas zu gewinnen – und ihr könnt bei unserer Jubiläumsfolge mitmachen! ---------- Alle Links zur Show: ⁠⁠⁠https://www.wonderlink.de/@podcast007⁠⁠ ---------- Impressum unseres Sponsors: Michael Ziedrich Rechtsanwalt, Bergstr. 128-130, 58095 Hagen ⁠info@ra-ziedrich.de⁠, 02331/3804520, weitere Einzelheiten unter https://ra-ziedrich.de/impressum/    Learn more about your ad choices. Visit megaphone.fm/adchoices

Digital Content Editor, Barbara Friedman, shared her top three stories trending online. Views and News with Clarence Ford is the mid-morning show on CapeTalk. This 3-hour long programme shares and reflects a broad array of perspectives. It is inspirational, passionate and positive. Host Clarence Ford’s gentle curiosity and dapper demeanour leave listeners feeling motivated and empowered. Known for his love of jazz and golf, Clarrie covers a range of themes including relationships, heritage and philosophy. Popular segments include Barbs’ Wire at 9:30am (Mon-Thurs) and The Naked Scientist at 9:30 on Fridays. Thank you for listening to a podcast from Views & News with Clarence Ford Listen live on Primedia+ weekdays between 09:00 and 12:00 (SA Time) to Views and News with Clarence Ford broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/erjiQj2 or find all the catch-up podcasts here https://buff.ly/BdpaXRn Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media: CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567See omnystudio.com/listener for privacy information.

"I guess we are quite into the craft"On the show this week:00:00:57 NewsWorld Cup album announced00:06:53 Inferno by Boards of Canada album review discussion00:49:56 Upcoming releasesAlbum rankings:Prince Daddy & the Hyena - Hotwire Trip SwitchRatboys - Singin' to an Empty ChairFriko - Something Worth Waiting ForMandy, Indiana - URGHAvalon Emerson & the Charm - Written into ChangesJasmine Myra - Where Light SettlesThundercat - DistractedPrism Shores - Softest AttackThe Orielles - Only You LeftGregory Uhlmann - Extra StarsIron & Wine - Hen's TeethAmerican Football - American Football (LP4)Dry Cleaning - Secret LoveLande Hekt - Lucky NowLowertown - Ugly Duckling Unionrat - homeOkkyung Lee + Explore Ensemble - SignalsLucid Express - Instant ComfortJenny on Holiday - Quicksand HeartBasement - WIRED

In Dante's Inferno, the lustful are not burned. They are swept, a great relentless wind moves them endlessly, helplessly, no footing, no direction, just the next gust carrying them where it will. This week's episode is a weekend reflection; slower, more meditative, less about publishing and craft and more about the soul-work questions underneath. Lust in its oldest, broadest sense—unrestrained wanting. The fire the Greeks understood. The Cyclops's single eye. Odysseus making himself Nobody to escape the cave. Emily Dickinson's delight in being Nobody too. And the difference between failure (which you can face) and self-abandonment (which is harder). This is from a nonfiction book I'm working on. If the reflection register resonates, stay close—these weekend episodes will keep coming.The Difficulty is the podcast of Crossroads Publishing Group, a new IBPA-pledged hybrid press based in Chattanooga, TN. We publish serious nonfiction in three lanes—Argument, Reflection, Witness.00:00 What this episode is — the weekend reflection lane01:00 Dante's lustful — swept endlessly by the wind02:30 The id, duende, and Heraclitus on fire03:30 The Cyclops — single eye, all surface, all appetite05:00 Odysseus calls himself “Nobody” — and it saves his life06:00 Emily Dickinson's “I'm Nobody. Who are you?”07:00 The American problem with being Somebody08:00 Personal — what got abandoned along the way09:00 Failure vs. self-abandonment10:00 Soul work, calling, and the descentCrossroads Publishing Group: crossroadspublishing.groupLearn more about two engagement opportunities happening right now: https://crossroadspublishing.group/start/ Get full access to The Descent at chadprevost.substack.com/subscribe

Joining me today is the legendary Mikkey Dee.Mikkey Dee is a legendary Swedish heavy metal drummer best known for his long tenure with Motörhead and his current role in the Scorpions. Renowned for his extreme speed, precision, and hard-hitting style, he is widely considered one of the most influential drummers in rock and metal history. Lex Legion: In 2026, Mikkey Dee reunited with the classic 1988 King Diamond line-up, alongside vocalist Nils K. Rue, to form a new side-project called Lex Legion. They released their debut single "Sleep Eternally" in May 2026 He tracked drums as part of a temporary metal supergroup—alongside Phil Anselmo, Kirk Hammett, and Billy Sheehan—for a reworked version of "Fast As A Shark" on Accept's 50th-anniversary album. Motörhead (1992–2015): Dee joined the iconic British band in 1992, replacing Phil "Philthy Animal" Taylor. He remained a core member alongside Lemmy Kilmister and Phil Campbell for over two decades, recording 12 studio albums including Bastards, Inferno, and their final record, Bad Magic. The band officially dissolved following Lemmy's death in late 2015. Scorpions (2016–Present): In September 2016, Dee was announced as the permanent replacement for James Kottak in the Scorpions. He featured on their 2022 studio release, Rock Believer Huge thanks to Mikkey for giving up his time to chat with me, we had such a great chat, incorporating Mikkeys new band Lex Legion as well as Motorhead and The Scorpions of course! please checkout lex Legions website - www.lexlegionofficial.com the new album is released on Friday June 12th 2026

Zijn naam behoeft eigenlijk geen introductie: historicus Maarten van Rossem. Zeven jaar geleden was hij al eens te gast in De Ongelooflijke Podcast, maar sindsdien is de wereld flink veranderd. In zijn boek De 21e eeuw – die volgens Van Rossem eigenlijk al in 1979 begon – beschrijft hij de afgelopen vijftig jaar als een strijd tussen grote machten. Maar onder die machtspolitiek schuilt vaak iets anders: geloof in de markt, in de natie, in Amerika, China of Europa – en soms ook geloof in gevaarlijke sprookjes. Tegelijk noemt Van Rossem zichzelf een ongelovig mens. Het leven heeft volgens hem "geen enkele zin". Maar is dat wel zo? Leeft hij ook daadwerkelijk alsof niets betekenis heeft? En kunnen samenlevingen eigenlijk zonder grote verhalen? Daarnaast vertelt Maarten over een mystieke ervaring die hij ooit had, en vertelt hij spontaan over zijn favoriete kerkgebouwen (https://www.instagram.com/deongelooflijke/). David Boogerd spreekt historicus Maarten van Rossem uiteraard samen met vaste gast theoloog Stefan Paas, hoogleraar aan de VU in Amsterdam en de Theologische Universiteit Utrecht. ⛪Kom ook naar Dit is de Bijbel live (https://www.eo.nl/podcast/dit-is-de-bijbel/overzicht)!  Dit is de Bijbel bestaat vijf jaar. Op woensdagavond 10 juni nodigen we je uit voor het 'Dit is de Bijbel Event' in de Grote Kerk in Hilversum. Arnold Huijgen, Almatine Leene en Stefan Paas zullen daar - onder leiding van David Boogerd - live praten over Arnold's nieuwe boek Inferno, over de hel. Daarnaast is er muziek en de Grote Dit is de Bijbel-Quiz. Kaarten zijn te boeken via eo.nl/ditisdebijbel.

The FM3 are off again to beautiful Italy at the request of one of their amazing Top Dog Patreons! This time around Jef, Josh and Brian are checking out Argento's "Inferno" from 1980! The guys were excited to finally watch the master of Italian Horror's less talked about installment in his 3 Mother's Witch Trilogy. As huge fans of Argento's film "Suspiria" the crew could only imagine the vivid colors, crazy deaths and a few confusing moments and they were not let down. This beautiful flick is one you should all check if you have not yet. Fire up the cauldron and get that sketti cooking because the witches are in roast mode and no one is safe!

→ Help us improve our podcast! Click here to fill out this three-minute survey. Three Big Conversations: Off Campus is already a frontrunner for teen show of the summer - 10:16 Students are scared to eat in front of their peers - 24:32 What the success of Backrooms says about the state of the movies - 34:20 Slang of the Week - Lida Bida Boda Butt - 2:18 → Mike Novotny's NEW BOOK - Newlywed: A Christian Guide for Loving Year One In Other News: - 43:20 Taylor Swift's new song "I Knew It, I Knew You" comes out today and was inspired by an early screening of Toy Story. PlayStation's "State of Play" gaming showcase happened this week, with most of the buzz being around an announcement of a new God of War game where you play as Kratos' wife, Faye, and an extended look at the M-rated Marvel's Wolverine game, coming out in September. Recent releases of UAP footage from the US government have some Christians debating whether these supposed alien visitations could actually represent demonic activity. Indie group Boards of Canada's first album since 2013, Inferno, explores faith, spirituality, and existential dread over eerie electronic beats. A YouTuber known as "Reckless Ben" was arrested for trespassing in his attempt to pursue justice against the Bricks & Minifigs store after the store allegedly stole $200,000 (language) worth of LEGO sets from an elderly man.

→ Help us improve our podcast! Click here to fill out this three-minute survey. Off Campus is already a frontrunner for teen show of the summer, students are scared to eat in front of their peers, and what the success of Backrooms says about the state of the movies. Slang of the Week - Lida Bida Boda Butt In Other News: Taylor Swift's new song "I Knew It, I Knew You" comes out today and was inspired by an early screening of Toy Story. PlayStation's "State of Play" gaming showcase happened this week, with most of the buzz being around an announcement of a new God of War game where you play as Kratos' wife, Faye, and an extended look at the M-rated Marvel's Wolverine game, coming out in September. Recent releases of UAP footage from the US government have some Christians debating whether these supposed alien visitations could actually represent demonic activity. Indie group Boards of Canada's first album since 2013, Inferno, explores faith, spirituality, and existential dread over eerie electronic beats. A YouTuber known as "Reckless Ben" was arrested for trespassing in his attempt to pursue justice against the Bricks & Minifigs store after the store allegedly stole $200,000 (language) worth of LEGO sets from an elderly man.

V areáli, ktorý sa nachádza neďaleko Zvolena a patrí súkromnej spoločnosti Robus z Krupiny, nájdete najmä vyradenú vojenskú techniku. Parkujú tam však aj dve plné batérie protivzdušného systému 2K12 Kub. Predseda Demokratov Jaroslav Naď tvrdí, že ide o funkčné stroje a z dostupných zmlúv usudzuje, že mohli byť predané ako šrot a pod svoju cenu. Ide pritom preňho o citlivú tému, keďže od Roberta Kaliňáka aj premiéra stále počúva, ako práve on nechal Slovensko neozbrojené po tom, čo poslal techniku na Ukrajinu. Teraz sa Kaliňák bráni, že to práve za Naďa vznikla dohoda o kuboch. Čo, kto, komu predal, aký problém vznikol a aké sa ponúkajú vysvetlenia? O To sa pýta Nikola Šuliková Bajánová reportéra denníka SME Michala Katušku. Zdroje zvukov: JOJ24, YouTube/Demokrati Odporúčanie Včera som odporúčala dva filmy, jedným z nich bol horor The Backrooms. Najviac sa mi na ňom páčila atmosféra, kulisy a soundtrack. V tom na záver zaznela skladba The Word Becomes Flesh. Ide o track z nového albumu dvojice Boards of Canada, prvého po trinástich rokoch. Pomenovali ho Inferno a dnes je mojím odporúčaním. – Všetky podcasty denníka SME nájdete na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/podcasty⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ – Odoberajte aj audio verziu denného newslettra⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ SME.sk⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ s najdôležitejšími správami na⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ sme.sk/brifing See omnystudio.com/listener for privacy information.

2:26:41 – Frank in New Jersey, plus the Other Side. Topics include: Lawn situation, another situation, Boards of Canada – Inferno, Backrooms (2026), Mr. Pibb, sultan synchronicity, the nature of our world, consciousness and the quality of experiencing, overlay of meaning, psithurism, The Amazing Digital Circus: The Last Act (2026), Severance, Italiamo Cedrata, Koyaanisqatsi (1982), void moon, […]

2:26:41 – Frank in New Jersey, plus the Other Side. Topics include: Lawn situation, another situation, Boards of Canada – Inferno, Backrooms (2026), Mr. Pibb, sultan synchronicity, the nature of our world, consciousness and the quality of experiencing, overlay of meaning, psithurism, The Amazing Digital Circus: The Last Act (2026), Severance, Italiamo Cedrata, Koyaanisqatsi (1982), void moon, […]

Existem pessoas vivendo um verdadeiro inferno ainda em vida — presas em dores, culpas, medos e batalhas silenciosas. Nesta impactante ilustração, Pr. @Juanribe Pagliarin mostra como a fé pode transformar ambientes de sofrimento em lugares de esperança e recomeço.Uma mensagem forte sobre salvação, libertação espiritual e renovação interior. Deus ainda é poderoso para arrancar alguém da escuridão e trazer vida onde só existia caos

This week on Overtime on Inferno, Jack is a busy boy at the IEM Cologne Major. So this episode Sam is joined by special guest quacke to discuss the fall of Parken Challengers, their two teams to beat Vitality, and then there was even time for a special quiz. Isn't that nice.Join the discord:https://discord.gg/X3jU4djxUKCheck out Logan's newsletter:https://thestratbook.gg

Adam's youngest son, John, locked himself in the bathroom. No big deal — kid's fine, sang songs in there for forty-five minutes like a champ. The problem was the doorknob. Broken cam, broken spring, faceplate screws on the wrong side, and no way in. So Adam did what any father of six at the end of a long day does: he took an angle grinder to the thing and ground the entire doorknob into a pile of metal shards on the floor. Dave's suggestion — order the door open under holy obedience — came in a little too late.Then Dave told on himself. Reseating a toilet, scraping the wax ring, already in a state of borderline rage. He bumped the tank against the tile and cracked it. In a fit of Herculean fury he hoisted the seat over his head, ready to Hulk-smash it into a million pieces — and heard, somewhere, his guardian angel. Jesus doesn't want you to do this. He set it down. Didn't destroy it. And got rewarded for it: American Standard honored a lifetime warranty he didn't know he had and shipped him a $1,600 toilet, free, to replace the $200 one he broke. Resisting the rage paid out at eight to one.Then a quieter note. Baby Mary is still in the NICU. They got her off the breathing tube — she lasted about 24 hours before she had to be re-intubated. Good progress, long road still ahead. Oklahoma City's two hours off, the kids are out of school, and the Minihans are looking at hiring a nanny. But Adam wanted to brag on Lady Haylee. A stranger at the NICU left her a handwritten note and a crochet sweater with Mary's name on it — telling Haylee her faith had been an encouragement, that God is using her right there in that place. Haylee wasn't trying to be a witness. She was just being a mother in a hard place. That's exactly why it landed. Keep praying for Mary.This week's pour: Smoke Wagon Uncut Unfiltered Straight Bourbon from Nevada H&C Distilling out of Las Vegas. 59.29% ABV — hand-written on the bottle, so every batch runs a little different. Hot, full-flavored, plenty of grit. Jim's yummy scale gave it a 6.0, which broke the scale, because the scale apparently only went to four until tonight.Then the real work. The spiritual significance of manual labor. Summer's coming — the season of labor — and the guys make the case that work isn't a curse of the fall. Adam was tending the garden before sin entered the world. His very name comes from the dirt — adamah — made from it, named for it, made to work it. St. Augustine: what's more wonderful than to watch God's creation respond to human hands? Aquinas gives his four reasons for manual labor — obtain your livelihood, remove idleness, curb concupiscence ("I'm almost too tired to sin"), and give alms from the surplus. And the deeper distinction: servile work, done out of necessity, and liberal work, done for the sake of rest. We don't work to work. We work so we can look at what we've made, see that it is good, and rest. Same thing a man does in the soil, he does for his wife — order the environment so the thing entrusted to him can thrive. Protect, provide, establish.It's hard. It's supposed to be. What did you think hard was going to be? The man who can fix things is a threat to the throwaway culture — and the same will that fixes a thing is the will that prays the rosary on the morning you'd rather not. Raise your glass.TOPICS COVEREDAdam grinding his kid's bathroom doorknob into shards with an angle grinder after his son John got locked inDave nearly Hulk-smashing a toilet seat in a fit of rage — and the guardian angel that stopped himHow resisting the rage earned Dave a free $1,600 American Standard toilet under a lifetime warrantyBaby Mary update — off the breathing tube for 24 hours, re-intubated, long road still aheadThe Minihans looking at hiring a full-time nanny with the kids out of schoolThe handwritten note and crochet sweater a stranger left Lady Haylee at the NICUHow you carry suffering as a Christian can be a witness even when you're not trying to be oneBourbon of the week: Smoke Wagon Uncut Unfiltered Straight Bourbon, Nevada H&C Distilling, 59.29% ABVJim's yummy scale hitting 6.0 and breaking its own four-point ceilingWhy we even have to talk about manual labor when it used to be everybody's daily lifeAttention as agency — guarding what you direct your mind toward in a world built to fracture itAcedia, apathy, and becoming a cog flung to and fro like Francesca in Dante's ninth circle"The world fears the man who can fix things" — Fr. Mori of Clear Creek AbbeyThrowaway culture and why things are programmed now instead of built to be repairedAdam's M6 Marketing memo on "character without exception" — work and life are one line, not twoManual labor in Genesis — Adam tending the garden before the fall, not afterAdamah — why the first man was made from dirt, named for dirt, and made to work itSt. Augustine on God's creation responding to human handsAquinas's four necessities of manual labor: livelihood, removing idleness, curbing concupiscence, giving alms"I'm almost too tired to sin" — why a hard day's work curbs temptationServile work vs. liberal work — laboring out of necessity vs. laboring for the sake of restJosef Pieper and the Catholic mind: we work so that we can restWhy hard is supposed to be hard, and how it trains the willChoosing to pray the rosary on the morning you've already decided you won'tSelf-sacrificial love — doing the dishes when you don't want to, because she shouldn't have toPrayer as both work and rest — peace as the tranquility of order in this life, rest in the nextWhy unstructured, leisurely time is where the desire to write, paint, and create actually surfacesPassing the habit of manual labor — and the courage to fix things — down to your kids"It's not about the nail" — the philosophy of life behind refusing to just throw things awayREFERENCED IN THIS EPISODEBooks & Writings:In Tune with the World: A Theory of Festivity by Josef PieperLeisure, the Basis of Culture by Josef Pieper (Pieper's broader work on work and rest)Adam's Substack, The Grounded Builder — recent article on five overlooked books worth readingThe Book of Genesis (the creation and naming of Adam; the call to tend the garden)Dante's Inferno (the ninth circle; Francesca in the second circle, flung to and fro)Shakespeare's As You Like It (staged locally by the Sheard family and other homeschool families)Saints & Historical Figures:St. Thomas Aquinas (the four necessities of manual labor; servile vs. liberal work)St. Augustine ("what is more wonderful than to observe the workings of nature...")Adam (the first man — adamah, made from and for the dirt)People:Adam Minihan (host; founder of M6 Marketing; writes The Grounded Builder on Substack)Dave Niles (host)Jim (in studio — keeper of the yummy scale; shipping Patreon gifts; prays with Hallow)Fr. Mori of Clear Creek Abbey ("the world fears the man who can fix things")Brandon Sheard (quoted the same line; the Sheard family staged the Shakespeare production)Dan (Dave's father-in-law — never trusted a man who works with music on in the background)Josef Pieper ("the peepster" — Adam's favorite German philosopher)Bob Ross (Dave's aspirational painting instructor)Lady Haylee MinihanLady Pamela NilesPrograms & Institutions:Clear Creek AbbeyHallow (prayer app — Jim uses it; not a sponsor)M6 Marketing (Adam's company)SPONSOR BLOCKSponsor: Select International Tours — selectinternationaltours.comWhen Adam and Dave decided to lead their first pilgrimage, one name kept coming up: Select International Tours. They're the best. Having used them, the guys can vouch for it. Wherever in the world you want to go, Select has a tour ready. Whether you're looking to lead a pilgrimage or attend one, head to selectinternationaltours.com and see everything they offer. You won't regret it.Support the show: patreon.com/thecatholicmanshow — Patreon gifts are shipping out again, and the Catholic Man Show Glencairn glass is being paused soon (maybe back around Christmas). If you want one, become a patron now — you've got about four minutes.

We're joined by Izzy Kestrel (Funomena, No Goblin, A Good Videogame) and Alfredo Barraza (Riot Games) to discuss VESPER.5; a durational, tile-based exploration game. It's the sixth installment in our yearlong special series exploring the work of Michael Brough: All Systems Brough. This episode: VESPER.5 Next episode: Become a Great Artist Audio edited by Dylan Shumway. Discussed in this episode: 868-BACK (Out now!! Go buy it!!) https://store.steampowered.com/app/3304110/868BACK/  https://finji.itch.io/868-back  Michael Brough's Website https://www.smestorp.com/  All Systems Brough - A Chat with Michael https://secretlives.games/website/all-systems-brough-a-chat-with-michael  VESPER.5 http://mightyvision.blogspot.co.uk/2012/08/vesper5.html  THE LONGING https://store.steampowered.com/app/893850/THE_LONGING/  Road to the IGF: Michael Brough's VESPER.5 (Article about GDC showcase of VESPER.5) https://www.gamedeveloper.com/design/road-to-the-igf-michael-brough-s-i-vesper-5-i-  Super Friendship Club VESPER.5 Forum https://web.archive.org/web/20160407200028/http://superfriendshipclub.com/forum/viewtopic.php?f=19&t=618  Meaning through repetition (reflection on releasing VESPER.5) https://mightyvision.blogspot.com/2012/08/meaning-through-repetition.html  GDC 2013 - Interview with Michael Brough https://www.youtube.com/watch?v=ocqSV6f137M  Pippin Barr on VESPER.5 https://web.archive.org/web/20170711093026/http://www.pippinbarr.com/2012/08/14/you-should-play-vesper-5/  Michael Brouge's VESPER.6 by Joel Goodwin https://www.electrondance.com/michael-brouges-vesper-6/ Gardens of Time: Design Problem Solving https://www.glorioustrainwrecks.com/node/2931  Steve Reich - Section I (Slowed Down 800%) - Ambient / Minimalism https://www.youtube.com/watch?v=Z3AMpfdbc7U  EXPERIMENT 12 Anthology https://www.geocities.ws/experimenttwelve/  145: Addressing Memory with Plunderludics  https://secretlives.games/145-addressing-memory-with-plunderludics  i heard you like videogames https://www.glorioustrainwrecks.com/node/2366  scarfmemory https://www.smestorp.com/scarfmemory.html  Post-Future Vagabond https://mightyvision.blogspot.com/2013/11/post-future-vagabond.html  Bending the River https://www.metabolicstudio.org/653  The Old Timey Computer Show https://otcs.minuspoint.com/  Inferno by Boards of Canada https://boardsofcanada.bandcamp.com/album/inferno  imagineNATIVE Festival https://imaginenative.org/ STAY SHARP // Rogue Skin Reveal Trailer - VALORANT https://www.youtube.com/watch?v=b1u1kUdDOys  Rushing Beat Trilogy https://www.chronocrash.com/forum/threads/rushing-beat-trilogy.5208/  THE GAME DESIGN CHALLENGE: The Thirty-Year Game https://www.gdcvault.com/play/1023124/THE-GAME-DESIGN-CHALLENGE-The    https://secretlives.games/  https://discord.gg/tslog https://www.patreon.com/tslog

We're not ready to move on from that fiery hellscape that New York became in the 80s! A Free Comic Book Day happen chance at High Ground Comics puts a copy of "What If: X-Men Lost Inferno" into Alicia's hands. Maddie gets to win? Color us intrigued... We also talk about the new X-Men 97 Season 2 trailer X-Men 97 Season 2 Trailer - 2:30 | What If Scott and Madelyne Solcit- 11:30 | What If X-Men Lost - 12:26 | Thanks for joining us in our twentieth episode of an evolving new format. We're trying out different ways to talk about things within continuity that excited us and we'd love to hear what you think! Leave us a review, send us a DM or shout from the telepathic rooftops! It's all greatly appreciated. 

Three more weeks and then VACATION! Heading down to Belgium (for the first time ever) to catch the last day of Sjock in mid July and there's some other fun stuff planned here and there too. The Infernos will keep coming but maybe not on the 1st every month during summer. On the playlist for this episode you'll find some punk, hard rock, alternative and thrash. 

Die schottischen Soundtüftler veröffentlichen ihr erstes Album seit 13 Jahren. Es klingt wahlweise wie der Soundtrack zur ersten bemannten Marsmission, zum Erstkontakt mit Aliens oder wie letzte Radiosignale vor der Apokalypse. Nichts Bahnbrechendes – aber weiterhin aus der ganz eigenen Umlaufbahn. Diese Einzigartigkeit muss gefeiert werden! «Inferno» ist unser neues Sounds! Album der Woche: wir verlosen Vinyl und CDs, jeden Abend nur live im Radio.

Three more weeks and then VACATION! Heading down to Belgium (for the first time ever) to catch the last day of Sjock in mid July and there's some other fun stuff planned here and there too. The Infernos will keep coming but maybe not on the 1st every month during summer. On the playlist for this episode you'll find some punk, hard rock, alternative and thrash. 

Vintagia: https://www.acidhorizonpodcast.com/vintagia-basecampAcid Horizon Research Commons summer courses: https://www.acidhorizonpodcast.com/ahrc-coursesJack and Tonx on Instagram: @jack.chuter, @tonxCraig's review in 'The Quietus': https://thequietus.com/quietus-reviews/boards-of-canada-inferno/"Solidarity with Children" discussion on LEPHT HAND: https://www.patreon.com/posts/how-can-we-build-159633309?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_fan&utm_content=web_share Boards of Canada are (finally) back! Craig is joined by author and music writer Jack Chuter and Boards of Canada archivist Tonx (Tony Konecny) to review Inferno, the long-awaited new record from Scottish electronic legends Boards of Canada. Together we unpack the album's dense thematic terrain: the figure of the child, religious hierarchy, memory, trauma, and the dissolution of linear time, while sharing their firsthand experiences of the Inferno Sessions listening events held in London, Los Angeles, and New York. Whether you're a longtime devotee of the Hexagon Sun or a newcomer algorithmically deposited into our space, this conversation is an invitation to sit with one of the most ambitious and rewarding records of the past decade.Support the showSupport the podcast:AHRCCurrent classes at Acid Horizon Research Commons (AHRC): acidhorizonresearchcommons.comAHRC Course Archive: https://www.acidhorizonpodcast.com/ahrc-course-archivesSubmit your course proposal: acidhorizonresearchcommons@gmail.comMore LinksWebsite: https://www.acidhorizonpodcast.com/Linktree: https://linktr.ee/acidhorizonAcid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastBoycott Watkins Media: https://xenogothic.com/2025/03/17/boycott-watkins-statement/Subscribe to us on your favorite podcast: https://pod.link/1512615438Merch: http://www.crit-drip.comSubscribe to us on your favorite podcast platform: https://pod.link/1512615438LEPHT HAND: https://www.patreon.com/LEPHTHANDHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/

Episode Notes Brannon is joined once again by Dillon Flynn , Trevor Ikrath & Ryan Hughes to re-evaluate their original Console Canon picks and decide once and for all, what is truly canon! UR4GUYS Where you can find Brannon: Bluesky Intro game start up noise: "Gamecube intro but it's a crossover episode" by 4096 Intro Music: "Midas Touch (Hell Interface Remix)" Outro Music: "I Saw Through Plantonia" by Boards of Canada All musicbed music during the show was assembled by Trevor andwith some minor help from Brannon at the very beginning shoehorning some new songs from "Inferno" into the music bed This podcast is powered by Pinecast.

S5.E14 ∙ In Purgatory's ShadowA coded message from the Gamma Quadrant leads Garak to believe his mentor, Enabran Tain, is still alive. He and Worf seek him out, only to discover something much worse: a Dominion invasion fleet poised to attack the Alpha Quadrant.S5.E15 ∙ By Inferno's LightThe station readies for a Dominion attack. Worf and Garak meet some unexpected friends in a Dominion Prison camp.Support the Show - https://www.lsgmedia.net/joinJoin the Discord - https://discord.com/invite/8FmrT9Drvu

3:02:52 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Listening party later today at Rough Trade Below in Rockefeller Center for the new Boards of Canada album Inferno, “You Look Mabus”, religion, showbiz, 1979, Backrooms (2026), visions, Gravity’s Rainbow, constructed world, higher dimensional geometry, the template of experiential cognition, the difficult lunch, […]

3:02:52 – Frank in New Jersey and NYC, plus the Other Side. Topics include: Listening party later today at Rough Trade Below in Rockefeller Center for the new Boards of Canada album Inferno, “You Look Mabus”, religion, showbiz, 1979, Backrooms (2026), visions, Gravity’s Rainbow, constructed world, higher dimensional geometry, the template of experiential cognition, the difficult lunch, […]

This week on Overtime on Inferno, Logan is joined by Jack and Sam to do what everyone else isn't prepared to do: rank every single team heading into IEM Cologne in a tier list that will definitely age perfectly and cause no arguments whatsoever.From title contenders to teams with no chance at all, our trio break down the entire field and decide who's actually worth your belief, and who's just there to make up the numbers.Speaking of things worth your time, we're also announcing the second TLDR Magazine, which will be available at the IEM Cologne Major. If you're attending, keep an eye out. It's everything you didn't know you needed from the event, put into print.Join the discord:https://discord.gg/X3jU4djxUKCheck out Logan's newsletter:https://thestratbook.gg

durée : 00:15:51 - Les émissions culturelles de France Culture - par : Marie Labory - Après un hiatus de treize ans, les frères écossais de Boards of Canada livrent un nouvel album d'une électro dark et préoccupée. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Olivier Lamm Journaliste et critique à Libération, Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

durée : 00:27:42 - Les émissions culturelles de France Culture - par : Marie Labory - Au programme de ce débat critique musical, deux albums très attendus : "Inferno" du duo électro Boards of Canada et "The Boys of Dungeon Lane" de l'éternel Paul McCartney. - réalisation : Laurence Malonda, Boris Pineau, Aïssatou N'Doye, Jules Barbier, Zohra Vignais, Lise Ripoche, Mathi Adjinsoff - invités : Olivier Lamm Journaliste et critique à Libération, Joseph Ghosn Directeur adjoint de la rédaction de Madame Figaro Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

This week on Overtime on Inferno, Sam and Jack make things worse for themselves in this UK heatwave by getting all hot and bothered by karrigan's recent performances on Falcons. In all fairness to them, a rating of 0.73 is unforgivable.Speaking of unforgivable, cheaters are a point of discussion this episode, or rather how to stop them. As a bonus, Sam and Jack didn't even need to figure out how to do it, since former fnatic player Jackinho has made plenty of good suggestions that we cover in full.Sign-up to Razed and play now: https://www.razed.com/signup/?raf=tldrJoin the discord:https://discord.gg/X3jU4djxUKCheck out Logan's newsletter:https://thestratbook.ggSubscribe to the pod:https://readtldr.gg/podcastJoin +32K readers of our newsletter:https://readtldr.ggBecome a Counter-Strike demon:https://learncs.ggFollow your host and guests:https://twitter.com/AN1MOCS2https://twitter.com/novaHdesignEpisode edited by:https://x.com/CharlinhoCSThumbnail Jazz by:https://twitter.com/jameshserpaInterested in advertising with us? Reach out to crew[a]readtldr.com

3:01:59 – Frank in New Jersey, plus the Other Side. Topics include: Candy review (Dr Pepper Cotton Candy, A&W Root Beer Cotton Candy), Boards of Canada & Inferno, Hare Krishna synchronicity, organizing Onsug, The Amazing Digital Circus, Dungeon Crawler Carl, stop motion animation, Mad God (2021), archive news, dish-wallahs article, the experiential factor, Where's My Fortune Cookie? […]

3:01:59 – Frank in New Jersey, plus the Other Side. Topics include: Candy review (Dr Pepper Cotton Candy, A&W Root Beer Cotton Candy), Boards of Canada & Inferno, Hare Krishna synchronicity, organizing Onsug, The Amazing Digital Circus, Dungeon Crawler Carl, stop motion animation, Mad God (2021), archive news, dish-wallahs article, the experiential factor, Where's My Fortune Cookie? […]

Powerful cinematic instrumentals fueled by driving rhythms and intense energy. Inferno is designed to ignite determination, confidence, and unstoppable motivation during work, training, or personal challenges.

A misunderstood masterpiece? A steaming pile of trash? I suppose the group might be split on that one.Ed Gonzalez for Slant Magazine: https://www.slantmagazine.com/film/inferno/Our website!https://www.casualhorrorpod.comFollow us on social media!https://bsky.app/profile/casualhorrorpod.comhttps://www.tumblr.com/casualhorrorpodhttps://podcasters.spotify.com/pod/show/casual-obsessionFollow the hosts on their individual accountsNina (They/Them)https://letterboxd.com/ninawolverinahttps://bsky.app/profile/ninawolverina.bsky.socialhttps://www.tumblr.com/ninawolv3rinaNoah (He/They)https://letterboxd.com/Bubbadabadhttps://bsky.app/profile/bubbadabad.bsky.socialhttps://www.tumblr.com/bubbadabadJade (They/She)https://www.tumblr.com/whatisityouprayforhttps://letterboxd.com/thefakestfanEmma (They/Any)https://bsky.app/profile/jellyfwitch.bsky.socialhttps://letterboxd.com/emmapanada

Olá pessoas do UNITEDcast, no episódio dessa semana nossos casters comentaram as duas temporadas de Hell's Paradise, será que é bom mesmo? Vem conferir!   Participantes: Ana, Éric, Wagner, Betão.   Edição: Ana Paula   Recrutamento da United: Aqui! – Mande seu Email: Email: podcast@animeunited.com.br Grupo Whatsapp: Aqui! – CANAL TELEGRAM: https://t.me/animeunitedbr – Apoie o UNITEDcast: Apoie pelo PIX: contato@animeunited.com.br Ou pelo Apoia-se: https://apoia.se/unitedcast Compre na AMAZON pelo Nosso Link: https://amzn.to/2WjH5kM – Assine o UNITEDcast: Spotify: Segue a gente por lá! iTunes: Adiciona a gente lá! Google Podcasts: Assine Agora! – Links do Episódio: Twitch do DS: https://twitch.tv/dsunited Canal da Ana: https://www.youtube.com/c/CulturaAnime Grupo do Kurt https://www.facebook.com/groups/actionsecomics2 – Nos Siga: Twitter do DS: https://twitter.com/odaltonsilveira Instagram do DS: https://www.instagram.com/odaltonsilveira/ Fabebook da United: https://www.facebook.com/animeunitedoficial Twitter da United: https://twitter.com/animeunitedBR Instagram da United: https://www.instagram.com/animeunitedbr/

ABANDON ALL HOPE, YE WHO ENTER HERE: We've made it at last to the gates of hell, and we're on our way to the river of Acheron. On the way, we'll meet the "neutrals" and the cowards—those who never lived and have no names. From here on out, the poem becomes a horror movie. But in this episode, I want to show you just how deep the horror goes. Worms and flames are just the beginning: it's the spiritual deformities that the torments represent that make them truly chilling. Then, Dante goes off the chain in a set piece that establishes him as one of the all-time epic greats, as souls like fallen leaves come streaming down to the river of death. Check out my book, Light of the Mind, Light of the World: https://amzn.to/4tKWACP Sign up for Hebrew, Greek, or Latin courses at the Ancient Language Institute: https://ancientlanguage.com/heretics/ Get the Anthony Esolen translation: https://amzn.to/4sgKLTj Get the Dorothy L. Sayers translation: https://amzn.to/4djdh2s Read the Allen Mandelbaum translation: https://amzn.to/4dG6izR 00:00 Introduction  01:05 Canto 3: Hell's Vestibule  24:25 Appetites and Inhabitants of Hell  44:22 Tragedies of Futility and Fate  56:28 Mailbag: Meditations on Suffering  1:09:56 Closing Remarks 

Anthony Scaramucci joins Guy Adami for a wide-ranging conversation on everything from Dante's Inferno and human nature to Bitcoin, risk-taking, wealth, and the future of money. Scaramucci explains why he believes understanding history matters more than ever, shares his outlook on China and Taiwan, and breaks down why Bitcoin could become one of the most important technologies of our time. Plus: lessons on success, failure, family, gratitude, and what really matters in life. Timecodes: 00:00 Intro 01:00 Why Dante's Inferno Still Matters03:00 The Nine Circles of Hell & Human Nature04:00 Trump, Xi & the Thucydides Trap09:00 Will China Invade Taiwan?12:00 Legacy, Art & Being Remembered15:00 Why Bitcoin Matters17:00 Bitcoin, Blockchain & the Future of Money22:00 Why You Need Bitcoin Exposure23:00 Who Scaramucci Trusts in Crypto24:00 Reinvention, Risk & Innovation26:30 Are Great Investors Born?28:30 Wealth, Happiness & Family31:00 Forgiveness, Gratitude & Parenting33:00 Final Thoughts + Follow Anthony This episode is sponsored by Fidelity Investments and the all-new Fidelity Trader+ platform. Try Fidelity's most powerful trading experience yet: www.Fidelity.com/TraderPlus Fidelity Investments and Risk Reversal are not affiliated. Views, opinions, products, services, and strategies discussed are not endorsed or promoted by Fidelity Investments. Fidelity Brokerage Services LLC, Member NYSE, SIPC. Xxx —FOLLOW USYouTube: @RiskReversalMediaInstagram: @riskreversalmediaTwitter: @RiskReversalLinkedIn: RiskReversal Media