Podcast appearances and mentions of paul metsa

Talk of the Town with Tracy Lundeen ~ Saturday mornings 8:00-10:00 a.m. on 610AM & 103.9FM or stream at KDAL610.com Dan "Danny Boy" Conrad friend of the week. Tracy touches on just about everything under the sun in two hours, buckle up! Sharon Bergquist from Duluth Women of Today comes in and talks Memorial Day parade. Paul Metsa joins us as well to talk about his Ukraine benefit concert coming up on Wednesday, May 14th.See omnystudio.com/listener for privacy information.

PopaHALLics #138 "I'm Still Standing"As the Who said: "People try to put us d-down" ... whether the "us" is Elton John, British gangsters, or a smartypants movie critic. But guess what: We're still standing, yeah, yeah, yeah!Streaming:"Elton John: Never Too Late," Disney +. As his final American concert approaches at Dodger Stadium, Elton John looks back at his meteoric rise to success in the 1970s and his 50-year career in this warts-and-all documentary."A Thousand Blows," Hulu. Two best friends from Jamaica (Malachi Kirby and Francis Lovehall) fight for survival in the melting pot of Victorian London. This crime drama series comes from the creator of "Peaky Blinders." "Freud's Last Session," Netflix. On the eve of World War II, Sigmund Freud (Anthony Hopkins) and C.S. Lewis (Matthew Goode) have a charged conversation about family, love and God. Based on a stage play.Books:The David Blake crime fiction series, by Howard Linskey. Blake, a smooth, intelligent white-collar criminal working for a British gangster, tells himself he's not really a bad guy. Until he is. Gripping crime fiction."Movie Freak: My Life Watching Movies," by Owen Gleiberman. The longtime movie critic for Entertainment Weekly explores the movies that shaped him and the ups and downs of his personal and professional lives."Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece," by Paul Metsa and Rick Shefchik. Dissatisfied with the New York session recordings of five songs on his "Blood on the Tracks" album, Bob Dylan went back to Minnesota to have local musicians re-record them."I'm Mostly Here to Enjoy Myself: One Woman's Pursuit of Pleasure in Paris," by Glynnis MacNicol. After a hermit-like existence in NYC during the pandemic, MacNicol journeys to Paris for friendship, sex, food, sex, etc.Music:Our PopaHALLics #138 Playlist includes Elton John, Bob Dylan's "Blood on the Tracks" songs recorded in Minnesota, and "Vegetable Soul," catchy, soulful songs about produce by Louie Zong.

Paul Metsa is a renowned musician who hosts the Wall of Power on Saturday nights at 6 PM on AM950. Also, find his books wherever books are sold.

Paul Metsa is a renowned musician who hosts the Wall of Power on Saturday nights at 6 PM on AM950. Also, find his books wherever books are sold.

This show is a small dream come true for Rich. Fifty years ago next week, Bob Dylan called a small group of Twin Cities musicians together to record a few tracks for his forthcoming album, Blood on the Tracks. The product of those sessions was one half of Rich’s favorite album, and also his favorite […]

Paul Metsa is an acclaimed musician and host of the Wall of Power Radio Hour on AM950 every Saturday night at 6 PM or podcast on am950radio.com.

Boar’s Head deli meat illness outbreak widens; the danger of Trump in the final 2 months; Patti Vasquez rejoins the show; more from the fair; LuLuLemon theft ring; campaign expenditures; Paul Metsa stops by for a chat.

Paul Metsa is an acclaimed musician and host of the Wall of Power Radio Hour on AM950 every Saturday night at 6 PM or podcast on am950radio.com.

Paul Metsa is an acclaimed Minnesota musician and Iron Ranger who hosts the Wall of Power Radio Hour every Saturday at 6 PM on AM950. He is an expert on Bob Dylan and recently co-wrote a book called Blood In The Tracks about the Minneapolis-based musicians who backed Dylan on his iconic Blood on the…

Paul Metsa is an acclaimed Minnesota musician and Iron Ranger who hosts the Wall of Power Radio Hour every Saturday at 6 PM on AM950. He is an expert on Bob Dylan and recently co-wrote a book called Blood In The Tracks about the Minneapolis-based musicians who backed Dylan on his iconic Blood on the…

Paul Metsa is a longtime musician and host of the Wall of Power Radio Hour on AM950 every Saturday at 6 PM. He will be performing his 25th anniversary concert with Sonny Earl at the Dakota Jazz Club on Wednesday, December 20. Tickets and information at https://www.dakotacooks.com/event/paul-metsa-sonny-earl/

Israeli forces accidentally kill their own hostages; Rudy Giuliani will be held liable for nearly $150 million in damages against two Georgia poll workers; Trump’s hold on rural America; Matthew Perry’s autopsy report released; racist videos from Colorado students; Hennepin County Attorney issues; Paul Metsa joins the show to talk music and his big upcoming…

Paul Metsa is a longtime musician and host of the Wall of Power Radio Hour on AM950 every Saturday at 6 PM. He will be performing his 25th anniversary concert with Sonny Earl at the Dakota Jazz Club on Wednesday, December 20. Tickets and information at https://www.dakotacooks.com/event/paul-metsa-sonny-earl/

Paul Metsa joins Matt for all of hour 2 as they talk about New Orlenas music, the JFK assassination anniversary and Paul’s song that plays tribute to that called “Jack Ruby” and more!

On today’s show: – Matt’s adventures with Thanksgiving shopping and advancing technology! – Target is selling wild rice…from Houston!!?? – More on the failure of the extreme far right group MN Parent Alliance in this months elections. – Paul Metsa joins Matt for all of hour 2 as they talk about New Orlenas music, the…

Paul Metsa joins Matt for all of hour 2 as they talk about New Orlenas music, the JFK assassination anniversary and Paul’s song that plays tribute to that called “Jack Ruby” and more!

Edina residnets oppose new affordable housing project; Mike Lindell’s phone was legally seized; Republicans being obtuse on SROs; Paul Metsa and Rick Shefchik are in studio to discuss their new book, Blood in the Tracks, about the making of Bob Dylan’s iconic album.

When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Gonna Make Me Lonesome…

When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Gonna Make Me Lonesome…

Dean Phillips potentially exploring run for President; Ellsworth, MN issues drinking water warning; another Enbridge aquifer rupture; Health Care Fot All Minnesota joins the show; Paul Metsa joins Matt for an extensive and fun conversation.

Check out Paul’s show, Wall of Power Radio Hour, Saturday nights at 6 PM on AM950 (or via podcast) – also find his new book, Alphabet Jazz, on Amazon or your favorite bookstore.

Check out Paul’s show, Wall of Power Radio Hour, Saturday nights at 6 PM on AM950 (or via podcast) – also find his new book, Alphabet Jazz, on Amazon or your favorite bookstore.

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

The story of the Minneapolis musicians who were unexpectedly summoned to re-record half of the songs on Bob Dylan's most acclaimed album. When Bob Dylan recorded Blood on the Tracks in New York in September 1974, it was a great album. But it was not the album now ranked by Rolling Stone as one of the ten best of all time. “When something's not right, it's wrong,” as Dylan puts it in “You're Going to Make Me Lonesome When You Go”—and something about that original recording led him to a studio in his native Minnesota to re-record five of the songs on that landmark album, including “Idiot Wind” and “Tangled Up in Blue.” Six Minnesota musicians sat in on that two-night recording session at Sound 80, bringing their unique sound to some of Dylan's best-known songs—only to have their names left off the album and their contribution unacknowledged for more than forty years. This book tells the story of those two nights in Minneapolis, of the musicians who gave the album so much of its ultimate form and sound, and of their decades-long fight for recognition. Paul Metsa and Rick Shefchik's book Blood in the Tracks: The Minnesota Musicians Behind Dylan's Masterpiece (U Minnesota Press, 2023) takes readers behind the scenes with these “mystery” Minnesota musicians: twenty-one-year-old mandolin virtuoso Peter Ostroushko; drummer Bill Berg and bass player Billy Peterson, the house rhythm section at Sound 80; progressive rock keyboardist Gregg Inhofer; guitarist Chris Weber, who owned The Podium guitar shop in Dinkytown; and Kevin Odegard, whose own career as a singer-songwriter had paralleled Dylan's until he had to take a job as a railroad brakeman to make ends meet. Through in-depth interviews and assiduous research, Paul Metsa and Rick Shefchik trace the twists of fate that brought these musicians together and set them on different paths in its wake: their musical experiences leading up to the December 1974 recording session, the divergent careers that followed, and the painstaking work it took to finally get the official credit that was their due. A rare look at the making—or remaking—of an all-time-great album, and a long overdue acknowledgment of the musicians who helped make it happen, Blood in the Tracks brings to life a transformative moment in the history of rock and roll, for the first time in its true context and with its complete cast of players. Paul Metsa is a musician and songwriter with twelve original records to his credit, as well as an autobiography, Blue Guitar Highway, also published by University of Minnesota Press. He has played more than five thousand professional gigs—including at Farm Aid V in Dallas in 1992, the Tribute to Woody Guthrie at the Rock and Roll Hall of Fame in 1996, and the Million Mom March in Washington, D.C., in 1999—and has received seven Minnesota Music Awards. His self-published Alphabet Jazz: Poetry, Prose, Stories, and Songs was released in September of 2022. Rick Shefchik spent almost thirty years in daily journalism, mostly as a critic, reporter, and columnist for the St. Paul Pioneer Press. He is author of several books, including Everybody's Heard about the Bird: The True Story of 1960s Rock 'n' Roll in Minnesota (Minnesota, 2015). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics and on Twitter @15MinFilm. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

This time around we are joined by legendary MN musician Paul Metsa. We talk abut his book, his gig tomorrow night at Women's Club and many of the strangest aspects of being alive. Enjoy!Support this podcast at — https://redcircle.com/brian-oake-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Paul is the host of the Wall of Power Radio Hour every Saturday night at 6 PM on AM950. He is performing at the Women’s Club Theater in Minneapolis on March 25.

Monticello nuclear leak scandal grows; Anton Lazzaro trial continues; Minnesota House passes trans refuge bill; Paul Metsa joins the show to preview his Saturday show at the Women’s Club.

Paul is the host of the Wall of Power Radio Hour every Saturday night at 6 PM on AM950. He is performing at the Women’s Club Theater in Minneapolis on March 25.

– Paul Metsa gets featured in the Star Tribune about his new book, “Alphabet Jazz: Poetry, Prose, Stories and Songs.” – Far-right extremist Riley Williams is sentenced to 3 years in prison for storming the Capitol January 6. – Kevin McCarthy disgraces the Speaker’s Office even further. – How the DFL played Republicans on the…

Paul hosts the Wall of Power Radio Hour every Saturday night at 6 PM on AM950, and in this interview joins Matt to discuss stories and hs new book Alphabet Jazz.

Paul hosts the Wall of Power Radio Hour every Saturday night at 6 PM on AM950, and in this interview joins Matt to discuss stories and hs new book Alphabet Jazz.

Iron Range native and musician Paul Metsa was an in-studio guest... See omnystudio.com/listener for privacy information.

Catch Paul Metsa’s Wall of Power Radio Hour every Saturday night at 6 PM on AM950 – and check out all the amazing guests on his past shows here on AM950Radio.com too!

Singer/songwriter Paul Metsa celebrates forty years of gigging in the Twin Cities at the Parkway Theater tonight at 7:00.

Singer/songwriter Paul Metsa celebrates forty years of gigging in the Twin Cities at the Parkway Theater tonight at 7:00.