Podcast appearances and mentions of daniel moran

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

As global change escalates, we are already starting to experience damaging tipping points in the social, ecological and climate systems that we depend upon - and much worse is to come. These shocks tell us we have left it too late for incremental change to save us: we need to change course fast to avoid the worst, yet we are acting far too slowly. Our supposed leaders appear paralysed by the complexity of the situation or, worse still, determined to maintain the status quo. This is leading to increasing despair, especially among young people. At the same time, hopeful signs of change are also growing fast. The climate movement, the spread of electric vehicles, and the rise of renewable energy are all examples of change accelerating in the right direction. They have all passed tipping points where their uptake becomes self-propelling, taking the status quo by surprise - and they are spreading worldwide. To get ourselves out of trouble in time, we need more of these positive tipping points towards global sustainability, which eliminate greenhouse gas emissions, reverse the destruction of nature, and promote social justice. Positive Tipping Points: How to Fix the Climate Crisis (Oxford UP, 2025) identifies the positive tipping points that can help us avoid the worst from damaging tipping points. It takes the reader on a journey through understanding how tipping points happen, showing how tipping points have transformed human societies in the past, and facing up to the profound risks that climate tipping points pose to us all now. Then, it offers hope and empowerment in a series of uplifting examples of social and technological changes that started small but are already spreading rapidly to transform our societies to a more sustainable state. It identifies the positive tipping points that are still needed, the forces that are opposing them, and the actions that can trigger them, showing how we can all play a part in triggering positive tipping points that accelerate us out of the climate crisis. Professor Tim Lenton OBE is Chair in Climate Change and Earth System Science at the University of Exeter, where he founded the Global Systems Institute. His research focuses on understanding how life has transformed the Earth system over the past 4 billion years, and how humans are transforming it now. He uses computer models to simulate the climate and biogeochemical cycles. Tim is renowned for his work in identifying climate tipping points, which informed the setting of the 'well below 2°C' climate target. He is passionate about the opportunities for positive tipping points in human activities to accelerate action towards global sustainability. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.

Agatha Christie is a global bestseller. Her work has been translated into over 100 languages and adapted for stage and screen. Christie's writing life ran from 1920 to the 1970s, and she didn't just write puzzles, she wrote plays, supernatural stories, thrillers, satires, and domestic noir. She also commented obliquely but perceptively on the social and cultural changes of a troubled century. Christie's work tells the story of a changing Britain, but perhaps her greatest achievement is not to be limited by that national context. Her stories achieve the rare feat of appearing both universal and specific and can seemingly be adapted for almost any context. Agatha Christie: A Very Short Introduction (Oxford UP, 2025) investigates why the novels of a middle-class, middlebrow Englishwoman were so successful, and why they continue to appeal to such a broad range of readers. Chapters explore the context of Christie's writing, and the clue-puzzle detective fiction structure at which she excelled, but they also question the familiar assumptions that surround her and what we think we know about her work. Gill Plain examines Christie's capacity to register the zeitgeist, and considers how her novels reveal anxieties surrounding gender roles, the family, war, justice, ethics, and nation. Her fascination with hypocrisy, power, abuse, deceit, and despair continues to resonate with readers - and screenwriters - who respond to her light touch and dark imagination to repurpose her stories with the fears and desires most appropriate to their time. Gill Plain is Professor of English at the University of St Andrews. Alongside a lifelong preoccupation with crime fiction, she has research interests in British literature, cinema, and culture of the mid-twentieth century, war writing, feminist theory and gender studies. She is the author of Women's Fiction of the Second World War (1996); Twentieth-Century Crime Fiction: Gender, Sexuality and the Body (2001); and Literature of the 1940s: War, Postwar and 'Peace' (2013). Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network.

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p Learn more about your ad choices. Visit megaphone.fm/adchoices

Is the breakup of an increasingly polarized America into separate red and blue countries even possible? There is a growing interest in American secession. In February 2023, Marjorie Taylor Greene tweeted that "We need a national divorce...We need to separate by red states and blue states." Recent movements like Yes California have called for a national divorce along political lines. A 2023 Axios poll shows that 20 percent of Americans favor a national divorce. These trends show a sincere interest in American secession, and they will likely increase in the aftermath of the 2024 Presidential election. Proponents of secession make three arguments: the two sides have irreconcilable differences; secession is a legal right; and smaller political units are better. Through interviews with secessionist advocates in America, Ryan Griffiths explores the case for why Red America and Blue America should split up. But as The Disunited States shows, these arguments are fundamentally incorrect. Secession is the wrong solution to the problem of polarization. Red and Blue America are not neatly sorted and geographically concentrated. Splitting the two parts would require a dangerous unmixing of the population, one that could spiral into violence and state collapse. Drawing on his expertise on secessionism worldwide, he shows how the process has played out internationally-and usually disastrously. Ultimately, this book will disabuse readers of the belief that secession will fix America's problems. Rather than focus on national divorce as a solution, the better course of action is to seek common ground. Ryan D. Griffiths is a Professor in the Department of Political Science at the Maxwell School of Citizenship and Public Affairs, Syracuse University. His research focuses on the dynamics of secession and the study of sovereignty, state systems, and international orders. He teaches on topics related to nationalism, international relations, and international relations theory. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing and co-hosts the long-running p

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/environmental-studies

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

This is the shocking true-life story of how PFAS—a set of toxic chemicals most people have never heard of—poisoned the entire country. Based on original, shoe-leather reporting in four highly contaminated towns and damning documents from the polluters' own files, Poisoning the Well: How Forever Chemicals Contaminated America (Island Press, 2025) traces an ugly history of corporate greed and devastation of human lives. We learn that PFAS, the ‘forever chemicals' found in everyday products, from cooking pans to mascara, are coursing through the veins of 97% of Americans. We witness the pain of families who lost sisters and daughters, cousins and neighbors, after PFAS leached into their drinking water. We discover evidence that the makers of forever chemicals may have known for decades about the deadly risks of their products—because their own scientists have been documenting these dangers since the 1960s. And we see the failure of our government, time after time, to provide basic protections to its citizens. It is impossible to read this searing exposé without being infuriated by the recklessness of corporate America. But readers will also be awed by the spirit of ordinary people who, while fighting for their own lives, took it upon themselves to fix a broken regulatory system. Heart-wrenching and maddening, stirring and uplifting, Poisoning the Well offers a unique window into the worst and best of human nature. It is essential reading for anyone concerned about the unfettered power of industry and the invisible threat it poses to the health of the nation—and to each of us. Sharon Udasin is a reporter for The Hill, covering U.S. West climate & policy from her home base in Boulder, Colorado. She was a Ted Scripps Fellow in Environmental Journalism at the University of Colorado Boulder and has also reported for The Jerusalem Post and The New York Jewish Week. A graduate of both the University of Pennsylvania and Columbia Journalism School, Sharon also received a 2022 SEAL Environmental Journalism Award and was honored by the Heschel Center for Environmental Learning and Leadership in 2013. Rachel Frazin covers energy and environment policy for The Hill: that's everything from climate change to gasoline prices to toxic chemicals to renewable and fossil energy. It was through this work that she learned about, and became alarmed by, "forever chemicals." She is originally from South Florida, and she studied journalism and political science at (the very cold) Northwestern University. Previously, her work has appeared in the Chicago Sun-Times, The Daily Beast, the Tampa Bay Times, and The Palm Beach Post. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics, found here on the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn's most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity's possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn's sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn's life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father's works in English. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn's most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity's possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn's sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn's life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father's works in English. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn's most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity's possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn's sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn's life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father's works in English. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn's most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity's possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn's sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn's life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father's works in English. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

We Have Ceased to See the Purpose: Essential Speeches of Aleksandr Solzhenitsyn (U Notre Dame Press, 2025) brings together ten of Nobel Prize–winner Aleksandr Solzhenitsyn's most memorable and consequential speeches, delivered in the West and in Russia between 1972 and 1997. Following his exile from the USSR in 1974, Aleksandr Solzhenitsyn lived and traveled in the West for twenty years before the fall of Communism allowed him to return home to Russia. The majority of the speeches collected in this volume straddle this period of exile, contemplating the materialism prevalent worldwide—forcibly imposed in the socialist East, freely chosen in the capitalist West—and searching for humanity's possible paths forward. In beautiful yet haunting and prophetic prose, Solzhenitsyn explores the mysterious purpose of art, the two-edged nature of limitless freedom, the decline of faith in favor of legalistic secularism, and—perhaps most centrally—the power of literature, art, and culture to elevate the human spirit. These annotated speeches, including his timeless “Nobel Lecture” and “Harvard Address,” have been rendered in English by skilled translators, including Solzhenitsyn's sons. The volume includes an introduction to the speeches, brief background information about each speech, and a timeline of the key dates in Solzhenitsyn's life. Ignat Solzhenitsyn is a pianist and conductor based in New York City. The middle son of Aleksandr Solzhenitsyn, he is translator and editor of several of his father's works in English. Daniel Moran's writing about literature and film can be found on Pages and Frames. He earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the long-running podcast Fifteen-Minute Film Fanatics. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/russian-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/christian-studies

Beowulf is the product of a profoundly religious imagination, but the significance of the poem's Christianity has been downplayed or denied altogether. The Word-Hoard Beowulf: A Translation with Commentary (Angelico Press, 2023) is the first translation and popular commentary to take seriously the religious dimension of this venerable text. While generations of students know that Beowulf represents a confluence of Christianity and paganism, this version—informed by J. R. R. Tolkien's theory of language as the repository of myth—opens the hood to track the poem's inner religious workings. It brings to light the essential Old English vocabulary, incorporating into the translation the divine titles used for God, specific names for evil and nonhuman creatures, and the precise language employed for providence and fate, along with terminology for kinship and heroism. Such features are not found in any other modern English translation, including Tolkien's, whose text was never intended for publication. The Word-Hoard Beowulf draws upon Tolkien's ideas and commentaries, however, to render a poem whose metaphysical vision takes front and center, delivering a richly restorative version of this early medieval masterpiece. The text is preceded by an introduction detailing the poem's religious motivations and cultural context, and is accompanied by an expansive commentary. In short, this version allows readers to perceive precisely how in Beowulf (as Tolkien puts it) “the new Scripture and the old tradition touched and ignited” to produce the earliest English epic. Peter Ramey is Associate Professor of English at Northern State University, where he teaches courses on medieval English literature, Latin, and linguistics. He has published articles on Beowulf and on Old and Middle English in Modern Philology, Philological Quarterly, and other scholarly journals, while also writing for a broader audience in his essays in Public Discourse and Front Porch Republic. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture—from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan Peele America is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories. In American Scary: A History of Horror, from Salem to Stephen King and Beyond (Algonquin Books, 2024), noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele. With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind. Jeremy Dauber is a professor of Jewish Literature and American Studies at Columbia University. His books include Jewish Comedy and The Worlds of Sholem Aleichem, both finalists for the National Jewish Book Award, American Comics: A History, and Mel Brooks: Disobedient Jew. He lives in New York City. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

From multiple New York Times bestselling author Tom Clavin comes the thrilling true story of the most infamous hangout for bandits, thieves and murderers of all time―and the lawmen tasked with rooting them out. Robbers Roost, Brown's Hole, and Hole-in-the-Wall were three hideouts that collectively were known to outlaws as “Bandit Heaven.” During the 1880s and ‘90s these remote locations in Wyoming and Utah harbored hundreds of train and bank robbers, horse and cattle thieves, the occasional killer, and anyone else with a price on his head. Clavin's Bandit Heaven: The Hole-in-the-Wall Gangs and the Final Chapter of the Wild West  (St. Martin's Press, 2024) is the entertaining story of these tumultuous times and the colorful characters who rode the Outlaw Trail through the frigid mountain passes and throat-parching deserts that connected the three hideouts―well-guarded enclaves no sensible lawman would enter. There are the “star” residents like gregarious Butch Cassidy and his mostly silent sidekick the Sundance Kid, and an array of fascinating supporting players like the cold-blooded Kid Curry, and “Black Jack” Ketchum (who had the dubious distinction of being decapitated during a hanging), among others. Most of the hard-riding action takes place in the mid- to late-1890s when Bandit Heaven came to be one of the few safe places left as the law closed in on the dwindling number of active outlaws. Most were dead by the beginning of the 20th century, gunned down by a galvanized law-enforcement system seeking rewards and glory. Ultimately, only Cassidy and Sundance escaped . . . to meet their fate 6000 miles away, becoming legends when they died in a fusillade of lead. Bandit Heaven is a thrilling read, filled with action, indelible characters, and some poignance for the true end of the Wild West outlaw. Tom Clavin is a bestselling author of 25 nonfiction books on American and military history, sports, and entertainment. His writing career began in journalism, as a roving reporter for The New York Times for 15 years as well as a contributor to national magazines including Smithsonian, Men's Journal, Parade, Reader's Digest, and Sports Illustrated. Along the way, he was awarded numerous prizes by the Society of Professional Journalists and National Newspaper Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

From multiple New York Times bestselling author Tom Clavin comes the thrilling true story of the most infamous hangout for bandits, thieves and murderers of all time―and the lawmen tasked with rooting them out. Robbers Roost, Brown's Hole, and Hole-in-the-Wall were three hideouts that collectively were known to outlaws as “Bandit Heaven.” During the 1880s and ‘90s these remote locations in Wyoming and Utah harbored hundreds of train and bank robbers, horse and cattle thieves, the occasional killer, and anyone else with a price on his head. Clavin's Bandit Heaven: The Hole-in-the-Wall Gangs and the Final Chapter of the Wild West  (St. Martin's Press, 2024) is the entertaining story of these tumultuous times and the colorful characters who rode the Outlaw Trail through the frigid mountain passes and throat-parching deserts that connected the three hideouts―well-guarded enclaves no sensible lawman would enter. There are the “star” residents like gregarious Butch Cassidy and his mostly silent sidekick the Sundance Kid, and an array of fascinating supporting players like the cold-blooded Kid Curry, and “Black Jack” Ketchum (who had the dubious distinction of being decapitated during a hanging), among others. Most of the hard-riding action takes place in the mid- to late-1890s when Bandit Heaven came to be one of the few safe places left as the law closed in on the dwindling number of active outlaws. Most were dead by the beginning of the 20th century, gunned down by a galvanized law-enforcement system seeking rewards and glory. Ultimately, only Cassidy and Sundance escaped . . . to meet their fate 6000 miles away, becoming legends when they died in a fusillade of lead. Bandit Heaven is a thrilling read, filled with action, indelible characters, and some poignance for the true end of the Wild West outlaw. Tom Clavin is a bestselling author of 25 nonfiction books on American and military history, sports, and entertainment. His writing career began in journalism, as a roving reporter for The New York Times for 15 years as well as a contributor to national magazines including Smithsonian, Men's Journal, Parade, Reader's Digest, and Sports Illustrated. Along the way, he was awarded numerous prizes by the Society of Professional Journalists and National Newspaper Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

From multiple New York Times bestselling author Tom Clavin comes the thrilling true story of the most infamous hangout for bandits, thieves and murderers of all time―and the lawmen tasked with rooting them out. Robbers Roost, Brown's Hole, and Hole-in-the-Wall were three hideouts that collectively were known to outlaws as “Bandit Heaven.” During the 1880s and ‘90s these remote locations in Wyoming and Utah harbored hundreds of train and bank robbers, horse and cattle thieves, the occasional killer, and anyone else with a price on his head. Clavin's Bandit Heaven: The Hole-in-the-Wall Gangs and the Final Chapter of the Wild West  (St. Martin's Press, 2024) is the entertaining story of these tumultuous times and the colorful characters who rode the Outlaw Trail through the frigid mountain passes and throat-parching deserts that connected the three hideouts―well-guarded enclaves no sensible lawman would enter. There are the “star” residents like gregarious Butch Cassidy and his mostly silent sidekick the Sundance Kid, and an array of fascinating supporting players like the cold-blooded Kid Curry, and “Black Jack” Ketchum (who had the dubious distinction of being decapitated during a hanging), among others. Most of the hard-riding action takes place in the mid- to late-1890s when Bandit Heaven came to be one of the few safe places left as the law closed in on the dwindling number of active outlaws. Most were dead by the beginning of the 20th century, gunned down by a galvanized law-enforcement system seeking rewards and glory. Ultimately, only Cassidy and Sundance escaped . . . to meet their fate 6000 miles away, becoming legends when they died in a fusillade of lead. Bandit Heaven is a thrilling read, filled with action, indelible characters, and some poignance for the true end of the Wild West outlaw. Tom Clavin is a bestselling author of 25 nonfiction books on American and military history, sports, and entertainment. His writing career began in journalism, as a roving reporter for The New York Times for 15 years as well as a contributor to national magazines including Smithsonian, Men's Journal, Parade, Reader's Digest, and Sports Illustrated. Along the way, he was awarded numerous prizes by the Society of Professional Journalists and National Newspaper Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

From multiple New York Times bestselling author Tom Clavin comes the thrilling true story of the most infamous hangout for bandits, thieves and murderers of all time―and the lawmen tasked with rooting them out. Robbers Roost, Brown's Hole, and Hole-in-the-Wall were three hideouts that collectively were known to outlaws as “Bandit Heaven.” During the 1880s and ‘90s these remote locations in Wyoming and Utah harbored hundreds of train and bank robbers, horse and cattle thieves, the occasional killer, and anyone else with a price on his head. Clavin's Bandit Heaven: The Hole-in-the-Wall Gangs and the Final Chapter of the Wild West  (St. Martin's Press, 2024) is the entertaining story of these tumultuous times and the colorful characters who rode the Outlaw Trail through the frigid mountain passes and throat-parching deserts that connected the three hideouts―well-guarded enclaves no sensible lawman would enter. There are the “star” residents like gregarious Butch Cassidy and his mostly silent sidekick the Sundance Kid, and an array of fascinating supporting players like the cold-blooded Kid Curry, and “Black Jack” Ketchum (who had the dubious distinction of being decapitated during a hanging), among others. Most of the hard-riding action takes place in the mid- to late-1890s when Bandit Heaven came to be one of the few safe places left as the law closed in on the dwindling number of active outlaws. Most were dead by the beginning of the 20th century, gunned down by a galvanized law-enforcement system seeking rewards and glory. Ultimately, only Cassidy and Sundance escaped . . . to meet their fate 6000 miles away, becoming legends when they died in a fusillade of lead. Bandit Heaven is a thrilling read, filled with action, indelible characters, and some poignance for the true end of the Wild West outlaw. Tom Clavin is a bestselling author of 25 nonfiction books on American and military history, sports, and entertainment. His writing career began in journalism, as a roving reporter for The New York Times for 15 years as well as a contributor to national magazines including Smithsonian, Men's Journal, Parade, Reader's Digest, and Sports Illustrated. Along the way, he was awarded numerous prizes by the Society of Professional Journalists and National Newspaper Association. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west

Agincourt is one of the most famous battles in English history, a defining part of the national myth. This groundbreaking study by Michael Livingston presents a new interpretation of Henry V's great victory. King Henry V's victory over the French armies at Agincourt on 25 October 1415 is unquestionably one of the most famous battles in history. From Shakespeare's “band of brothers” speech to its appearances in numerous films, Agincourt rightfully has a place among a handful of conflicts whose names are immediately recognized around the world. The English invasion of France in 1415 saw them take the French port of Harfleur after a long siege, following which Henry was left with a sick and weakened army, which he chose to march across Normandy to the port of Calais against the wishes of his senior commanders. The French had assembled a superior force and shadowed the English Army before finally blocking its route. The battle that followed was an overwhelming victory for the English, with the French suffering horrific casualties. Agincourt opened the door for Henry V's further conquests in France. Agincourt: Battle of the Scarred King (Bloomsbury, 2023) provides a new look at this famous battle. Livingston goes back to the original sources, including the French battle plan that still survives today, to give a new interpretation, one that challenges the traditional site of the battlefield itself. It is a thrilling new history that not only rewrites the battle as we know it, but also provides fresh insights into the men who fought and died there. An acclaimed conflict analyst, Michael Livingston has twice won the Distinguished Book Prize from the international Society for Military History (2017, 2020) and is the author of numerous popular history books, including Never Greater Slaughter and Crécy: Battle of Five Kings. He serves as Distinguished Professor at The Citadel. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Agincourt is one of the most famous battles in English history, a defining part of the national myth. This groundbreaking study by Michael Livingston presents a new interpretation of Henry V's great victory. King Henry V's victory over the French armies at Agincourt on 25 October 1415 is unquestionably one of the most famous battles in history. From Shakespeare's “band of brothers” speech to its appearances in numerous films, Agincourt rightfully has a place among a handful of conflicts whose names are immediately recognized around the world. The English invasion of France in 1415 saw them take the French port of Harfleur after a long siege, following which Henry was left with a sick and weakened army, which he chose to march across Normandy to the port of Calais against the wishes of his senior commanders. The French had assembled a superior force and shadowed the English Army before finally blocking its route. The battle that followed was an overwhelming victory for the English, with the French suffering horrific casualties. Agincourt opened the door for Henry V's further conquests in France. Agincourt: Battle of the Scarred King (Bloomsbury, 2023) provides a new look at this famous battle. Livingston goes back to the original sources, including the French battle plan that still survives today, to give a new interpretation, one that challenges the traditional site of the battlefield itself. It is a thrilling new history that not only rewrites the battle as we know it, but also provides fresh insights into the men who fought and died there. An acclaimed conflict analyst, Michael Livingston has twice won the Distinguished Book Prize from the international Society for Military History (2017, 2020) and is the author of numerous popular history books, including Never Greater Slaughter and Crécy: Battle of Five Kings. He serves as Distinguished Professor at The Citadel. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Agincourt is one of the most famous battles in English history, a defining part of the national myth. This groundbreaking study by Michael Livingston presents a new interpretation of Henry V's great victory. King Henry V's victory over the French armies at Agincourt on 25 October 1415 is unquestionably one of the most famous battles in history. From Shakespeare's “band of brothers” speech to its appearances in numerous films, Agincourt rightfully has a place among a handful of conflicts whose names are immediately recognized around the world. The English invasion of France in 1415 saw them take the French port of Harfleur after a long siege, following which Henry was left with a sick and weakened army, which he chose to march across Normandy to the port of Calais against the wishes of his senior commanders. The French had assembled a superior force and shadowed the English Army before finally blocking its route. The battle that followed was an overwhelming victory for the English, with the French suffering horrific casualties. Agincourt opened the door for Henry V's further conquests in France. Agincourt: Battle of the Scarred King (Bloomsbury, 2023) provides a new look at this famous battle. Livingston goes back to the original sources, including the French battle plan that still survives today, to give a new interpretation, one that challenges the traditional site of the battlefield itself. It is a thrilling new history that not only rewrites the battle as we know it, but also provides fresh insights into the men who fought and died there. An acclaimed conflict analyst, Michael Livingston has twice won the Distinguished Book Prize from the international Society for Military History (2017, 2020) and is the author of numerous popular history books, including Never Greater Slaughter and Crécy: Battle of Five Kings. He serves as Distinguished Professor at The Citadel. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers and articles on G. K. Chesterton and John Ford, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. You can also find his writing about books and films on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Love Me Fierce In Danger: The Life of James Ellroy (Bloomsbury, 2023) is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called “Demon Dog of Crime Fiction,” Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential. Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry. Steven Powell is an Honorary Fellow in the English Department at the University of Liverpool, UK. He is the editor of Conversations with James Ellroy (2012) and 100 American Crime Writers (2012). His most recent work is James Ellroy: Demon Dog of Crime Fiction (2016). Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Cinema has had a hugely influential role on global culture in the 20th century at multiple levels: social, political, and educational. The part of British cinema in this has been controversial–often derided as a whole, but also vigorously celebrated, especially in terms of specific films and film-makers. In British Cinema: A Very Short Introduction (Oxford UP, 2022), Charles Barr considers films and filmmakers, and studios and sponsorship, against the wider view of changing artistic, socio-political, and industrial climates over the decades of the 20th Century. Considering British cinema in the wake of one of the most familiar of cinematic reference points–Alfred Hitchcock–Barr traces how British cinema has developed its own unique path, and has since been celebrated for its innovative approaches and distinctive artistic language. Charles Barr worked for many years at the University of East Anglia, helping to develop one of the first UK programs in film studies at the graduate and undergraduate level. He has since taught in St. Louis, Galway, and Dublin, and is currently a Research Fellow at St. Mary's University, Twickenham. Much of his published work has been on British cinema, including the books Ealing Studios and English Hitchcock, and he was cowriter, with director Stephen Frears, of Typically British, part of the centenary history of cinema broadcast on Channel 4 in 1995. He has continued writing on Hitchcock, with a study of Vertigo in the BFI Classics series and Hitchcock: Lost and Found, coauthored with the Parisian scholar Alain Kerzoncuf. Daniel Moran earned his B.A. and M.A. in English from Rutgers University and his Ph.D. in History from Drew University. The author of Creating Flannery O'Connor: Her Critics, Her Publishers, Her Readers, he teaches research and writing at Rutgers and co-hosts the podcast Fifteen-Minute Film Fanatics, found here on the New Books Network and on X. His writing and other interviews about literature and film can also be found on Pages and Frames. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history