Podcast appearances and mentions of Woody Guthrie

Stripmall Ballads is the haunted, dust-blown project of Phillips Saylor Wisor, a songwriter wandering the backroads between myth and memory. Drawing comparisons to Neil Young, Bonnie “Prince” Billy, and Maybelle Carter, his work lives in the tension between Appalachian tradition and modern disillusion-ment—aching with spectral beauty, dry wit, and a bone-deep sense of longing. From early lo-fi master-works like Since Jimmy Died to the sparse, cinematic ache of Distant, his songs are slow-burning dispatch-es from the heart of a fractured America—where ghosts speak in minor chords and resistance sounds like a hymn. Stripmall Ballads doesn't just sing about forgotten places—it sings from them.Phillips Saylor Wisor – aka STRIPMALL BALLADS – is a Maryland-based rollicking musical rambler, rife with story-songs rich in emotion and hardihood. His brand of folk music sings the heartbreaking ballads of old brick buildings, vacant lots, and rustbelt towns. Of third shift papas, flood plains, and long drives through nowhere towns. He's boots on the ground, guitar across the body, ever observing the ugly mundane mixed with the beautiful chaos of this place we trample upon on the daily.He's shared stages with Tommy Prine, John R. Miller, Danny Barnes, Les Claypool, The Be Good Tanyas, Willy Tea Taylor, just to name a few. In his early days, Wisor found comfort in DC's encampments searching for validation in the gritty corners of tucked away spaces. Where street people applauded and encouraged as he picked away, a rustling sound of Americana and folk, with boozed-up night chatter for background noise.As founding member of The Shiftless Rounders, Phillips dove deep into the Appalachian ocean of old time banjo and balladry. And as a fervent practitioner of Shape Note music, he has spent countless hours singing in the “old way” and devouring the harmonic notions of American roots music. With a nod to Woody Guthrie, Phillips deploys all these influences in his music. Stripmall Ballads is a testament to the enduring power of painting experience with emotion, forever a voice of the strange amongst strangers.

What does it look like to spend 25 years covering a story you wish you could stop covering — and still refuse to despair? Gustavo Arellano is an LA Times columnist, Pulitzer Prize finalist, and the son of two Mexican immigrants. In this conversation he covers the Trump deportation machine, Rancho Libertarianism, why Americans hate Mexicans but love Mexican food, and what it actually looks like to stay in relationship across political difference. Calls to Action ✅ If this conversation resonates, consider sharing it with someone who believes connection across difference still matters. ✅ Subscribe to Corey's Substack: coreysnathan.substack.com ✅ Leave a review on Apple Podcasts, Spotify, or wherever you listen: ratethispodcast.com/goodfaithpolitics ✅ Subscribe to Talkin' Politics & Religion Without Killin' Each Other on your favorite podcast platform. ✅ Watch the full conversation and subscribe on YouTube: youtube.com/@politicsandreligion   Key Takeaways The Deportation Leviathan: This isn't about policy logic or net fiscal impact. It's demonization as strategy, funded for decades, borrowed from California's Prop 187 playbook. Agents of Their Own Lives: Undocumented people are not a pitiful mass. They are individuals who make this country better. Framing them as victims does them a disservice. Rancho Libertarianism: The political identity Gustavo coined for Mexican hill-country values: bootstrap mentality, community pride, distrust of government, refusal to be used by either party. It explains a lot about 2024. Latinos Are Not a Monolith: Every community on his 3,000-mile pre-election road trip had its own story. None of it reducible to a single bloc. You Eat Their Food, You Start to See Them: Mexican food as cultural bridge. The problem with Chipotle is that it's a burrito gentrifier, displacing local traditions it doesn't care about. Stay in the Friendships: A Trump-supporting friend promised to take up guns for Gustavo if ICE came for him. Gustavo told him to start carrying his passport, “because you're darker than me.” The friend responded with a thumbs up. That, Gustavo says, was a victory. These Are Also the Best of Times: During Operation Wetback in the 1950s, the only people fighting back were communists. Today the resistance is broader than anything this country has seen on this issue. About Our Guest Gustavo Arellano is a columnist for the Los Angeles Times and the author of Taco USA: How Mexican Food Conquered America. He was a finalist for the 2025 Pulitzer Prize in commentary and part of the team that won the 2023 Pulitzer Prize in breaking news. The son of two Mexican immigrants, he has covered immigration, Latino politics, and the American Southwest for 25 years. Links and Resources Gustavo Arellano Newsletter (free, weekly): gustavoarellano.org LA Times: latimes.com/people/gustavo-arellano   “Deportee (Plane Wreck at Los Gatos)” (referenced at 00:26:00) Woody Guthrie's song about the 1948 crash that killed 28 Mexican farmworkers. ICE's January 2025 post calling the victims “illegal Mexican aliens” is what sent Gustavo to write about it. Bowling Alone by Robert Putnam (referenced at 00:57:00) On declining social capital. Gustavo's prescription: join things, meet people, touch grass. Born in East LA (1987, referenced at 00:15:00) Cheech Marin's satirical classic. Gustavo's conversation about it with David Chang is what put it on Corey's radar. Connect on Social Media Corey is @coreysnathan on all the socials… Substack LinkedIn Facebook Instagram Twitter Threads Bluesky TikTok Thanks to our Sponsors and Partners Thanks to Pew Research Center for making today's conversation possible. Links and additional resources: Pew Research Center: pewresearch.org The Village Square: villagesquare.us Meza Wealth Management: mezawealth.com Proud members of The Democracy Group Clarity, charity, and conviction can live in the same room.

This week we concentrate on the key subject of immigration - from a Christian perspective.   We use seven basic propositions about immigration; what kind of immigration do we need; the dangers of Islamic immigration; the role of the Church;  Ayaan Hirsi Ali; Jim Ratcliffe and Colonisation;  Birmingham the benefits capital of Britain; Immigration in Sweden; Glasgow the Asylum capital of Europe; The Coalitions new immigration policy in Australia;  Spains new policy on immigration;  Japan's new policy on immigration; the rise of anti-semitism in Scotland;  The changing face of London;  Muslim call to prayer in Liverpool; Ahmed Mohammed attacks Christian at Speakers Corner; Labour MP Nazir Ahmed; Mosques as polling centres; Christopher Hitchens on the dangers of Islam; Steve Chalke and Islam; the Final Word- Hebrews 13. With music from Tom Petty, Woody Guthrie;  Boney M; the Proclaimers; Ralph McTell and the Gettys 

250 - Luke Winslow-King In episode 250 of Have Guitar Will Travel”, presented by Vintage Guitar Magazine, host James Patrick Regan speaks with singer/songwriter Luke Winslow-King. Luke joins us from his home in Spain. In their conversation Luke shares with us what life is like in Spain and he tells us about his experiences busking in Europe and dealing with Gypsies and his experiences with his band in Europe. Luke talks about living in New Orleans previously and going to the university of New Orleans and busking there as well with a group of musicians known as the “Loose Marbles” that eventually became Tuna Skinny, Hooray for the Riff Raff as well as members of Luke's band. Luke describes his gear including a resonator that he's had since 2001 and the rest of his gear and a shoutout to his home music store Elderly Instruments. Luke discusses his early touring experiences with a group of friends following a book by Pete Seeger of Woody Guthrie songs called “California to the New York Islands” Luke describes his current tour schedule traveling throughout Europe and the US and talks about his band, both in Europe and the US and he gives us insight into booking in Europe. Luke tells us about his new record “Coast of Light” his ninth album and he describes his musical education. Luke discusses his future, recording an album with “Little Freddie King” and another album for himself. To find out more about Luke you can go to his website: lukewinslowking.com Please subscribe, like, comment, share and review this podcast! #VintageGuitarMagazine #LukeWinslowKing #LittleFreddieKing #CoastofLight #BuskinginEurope #NewOrleans #TubaSkinny #hoorayfortheriffraff #ElderlyInstruments #resonatorguitars #GibsonGuitar #JamesPatrickRegan #theDeadlies #haveguitarwilltravelpodcast #HGWT #tourlife https://www.patreon.com/cw/HaveGuitarWillTravelPodcast Please like, comment, and share this podcast! Download Link

Lundi, Pop-Rock Station explore l'actualité indie rock, pop et metal, sans oublier les classiques. À l'affiche : Dire Straits, Idles, Triggerfinger ou les Black Keys. Parmi les nouveautés, Anna Calvi dévoile "God's Lonely Man" entourée de Matt Berninger, Perfume Genius et Iggy Pop. Le 23 février 2026 marque aussi les 86 ans de "This Land Is Your Land" de Woody Guthrie, proposé dans sa version originale. L'album de la semaine est "No Lube So Rude" de Peaches, figure électroclash toujours provocatrice, illustré par le titre éponyme. Ghinzu présente "Out Of Control" avant la sortie de "W.O.W.A." La cover du soir revisite "Walk On By", un standard signé Burt Bacharach et Hal David pour Dionne Warwick, transformé en 1978 par The Stranglers. La séquence Fresh Fresh Fresh met en avant Penny Arcade et "Rear View Mirror", extrait de "Double Exposure". La fin d'émission convoque Puscifer, Primal Scream, Interpol, Hole, MGMT et Archive. Anna Calvi - God's Lonely Man (Feat. Iggy Pop) The Black Keys - Gold On The Ceiling Woody Guthrie - This Is Your Land Extreme - More Than Words Dire Straits - Romeo And Juliet Starr Edwin - War Idles - Gift Horse Peaches - No Lube So Rude Mano Negra - King Of Bongo Triggerfinger - All This Dancing Around Again The Surfaris - Wipe Out Ghinzu - Out Of Control The Stranglers - Walk On By Weezer - Hash Pipe Hole - Celebrity Skin The Bros Landreth - Half Moon Eyes Steve Miller Band - Abracadabra 12'' Mix Interpol - Lights Puscifer - Bad Wolf Janis Joplin - Move Over The Afghan Whigs - I'm Her Slave Penny Arcade - Rear View Mirror Stevie Ray Vaughan - Taxman Primal Scream - Kill All Hippies MGMT - Kids Archive - Look At Us Gary Clark Jr - When My Train Pulls InHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On today's Labor Radio Podcast Daily: The Valley Labor Report explores inequality and working-class struggle in Atlanta. In labor history, Woody Guthrie writes “This Land Is Your Land.” Quote of the day: Woody Guthrie. @LaborReporters @wpfwdc @AFLCIO #1u #UnionStrong #LaborRadioPod Proud founding member of the Labor Radio Podcast Network. Produced by Chris Garlock, Patrick Dixon and Harold Phillips.

This Friday 20th February, we welcome back Dylan on to the podcast. A supremely talented singer-songwriter from Arkansas. Fresh from the release of his album 'Level-Headed Even Smile' via @gar_hole_records, Dylan is riding a creative wave. His unique voice and thought-provoking lyrics, which hold those in power accountable, are reminiscent of Woody Guthrie's legacy. Recorded in Sheffield, England, this episode explores the driving forces behind Dylan's music, life, and travels. Be sure to download the podcast this Friday from your favourite platform. PLAY. LISTEN. ENJOY.

Join us as we speak to long-time folk musician and songwriter, Tom Paxton. In this conversation Tom speaks about his early musical influences and the role Pete played in impacting his musical philosophy, as well as Tom's relationship with political music and what the purpose of folk music is. We also speak about the 1968 Woody Guthrie tribute concert, Phil Ochs, Broadside Magazine, and what Seeger's legacy is in contemporary times.

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

In this NBTB Springsteen Archive Series Review, co-hosts Hal Schwartz and Flynn McLean discuss the February 2026 release from the series, which was recorded on February 12, 1997 at the Capitol Theater in Sydney. The final night of a 5 show stand, this marked Bruce's first appearance in the city since the Born In The USA Tour. The show features several unreleased songs and is notable for also being the only show on the tour with both Bruce's The Ghost of Tom Joad and Woody Guthrie's Tom Joad. At the start of the episode, Hal and Flynn discuss the announcement by the Bruce Springsteen Center For American Music about this year's American Music Honors event and they also touch on the upcoming Springsteen Record Store Release at the end. For more information on exclusive NBTB content via Patreon, please visit: Patreon.com/NBTBPodcast. This show is sponsored by DistroKid. Use this link to support the show and get 30% off your first year: http://distrokid.com/vip/nbtb Learn more about your ad choices. Visit megaphone.fm/adchoices

Songs of Freedom, Justice, and Solidarity with your host Peter Donalds. Episode 2 features music from Elaine Purkey, Stevie Wonder, Windborne Singers, Woody Guthrie, and more. For complete playlists and links to all episodes visit our website.

We are thrilled to welcome Susan Shillinglaw, the preeminent John Steinbeck scholar, to discuss one of Hemingway's contemporaries and fellow Nobel laureates. Although Hemingway and Steinbeck are not discussed comparatively as frequently as some of his other fellow literary titans, Prof. Shillinglaw talks about Steinbeck's life, career, and temperament in ways that will inspire us to remap the overlaps between these two men. We explore Steinbeck's fondness for “The Butterfly and the Tank,” Hemingway and Steinbeck's different paths during the 1930s, the way The Red Pony's Jody Tiflin functions as a Nick Adams-like character, and much more. Make sure to tune in to the very end of the episode! In honor of Steinbeck, our friend Michael Kim Roos treats us to a version of Woody Guthrie's “Tom Joad.” For more information about Mike's music, see: https://mikeroos.com. 

Welcome to the Legends Podcast by All Day Vinyl, hosted by Scott Dudelson. In this captivating episode, Scott engages in a conversation with the legendary Barry "The Fish" Melton, co-founder of Country Joe and the Fish, a pivotal band in the psychedelic rock movement. Barry shares enthralling tales from his time in the music world, starting with the origins of his nickname to co-founding Country Joe and the Fish. Discover how his musical path interwove with historic music festivals like Monterey Pop and Woodstock, events that defined a generation. Barry shares intriguing snippets, from performing while on psychedelic substances, Woodstock memories and backstage insights with fellow musicians like Jimi Hendrix and The Who, offering a glimpse into the vibrant and chaotic world of 1960s rock. Barry also delves into his ties with iconic figures like Woody Guthrie and the influence of being raised in a politically active family. He reminisces about the early days of playing folk music, his journeys through the Los Angeles and San Francisco music scenes, and the notable characters he met along the way. Join us as Barry elaborates on the profound impacts of music, culture, and the turbulent 60s, sharing personal stories, the whims of band life, and the unique experiences of living through historic transformational periods. His remarkable journey from a psychedelic folk-rock musician to a practicing lawyer offers a testament to his dynamic and multifaceted life. If you enjoy this episode please like, rate and subscribe and check us out on YouTube and Instagram @alldayvinyl 

A modern and compelling take on protest songs that doesn't lean on outrage so much as "there but for the grace of God", and a cover by an artist who redefined what this kind of song can do in the world. Beautiful Strangers, originally by Kevin Morby, covered by Mavis Staples.  Outro music is I Ain't Got No Home In This World Anymore by Woody Guthrie. 

Pacific St Blues & AmericanaFebruary 8, 2026Bruce Springsteen Spotlight Show playlistPart 1 of 2 Intro & Biggest Influence: Bob Dylan: 1. Eric Church / Springsteen2. Rick Springfield / Bruce3. The Traveling Wilburys (Bob Dylan) / Tweeter and the Monkey Man4. Bruce Springsteen, Bonnie Raitt, Jackson Browne /Highway 61 Revisited  Influences: Roy Orbison & Elvis Presley: 5. Roy Orbison (Traveling Wilbury) / Only the Lonely6. Cowboy Junkies / Thunder Road,7. Bruce Springsteen / Viva Las Vegas (cover Elvis Presley)8. Bruce Springsteen / Johnny Bye ByeInfluences: Pete Seeger & Woody Guthrie:9. Pete Seeger / Where Have All the Flowers Gone.10. Woody Guthrie / This Land is Your Land11. The Carter Family / The World's On Fire12. Bruce Springsteen / Vigilante ManSoul Man? Soul Man! 13. Jerry Butler / Only the Strong Survive (2022)14. Eddie Vedder /  My City of Ruins15. Bruce Springsteen / I'm Not Sleeping16. Eddie Floyd / Raise Your Hand (Live) (Stax Records)Producers Phil Spector & Jimmy Webb: 17. Ike & Tina Turner / River Deep, Mountain High18. Southside Johnny & the Asbury Jukes / Fade Away (Spittin' Fire album)19. Glen Campbell / Wichita Lineman20. Bruce Springsteen / Sundown

Guy Davis to perform at Towne Crier in Beacon Guy Davis knows how to have fun. One of his favorite jokes as he tunes his guitar is, "Sorry, I'm having trouble with my G string." But once he sinks into a song, the room is transported. "Playing is a personal thing that hits my soul," he says. "The music takes me on a trip to the country, where there's rivers, grass, rocks, trees; come with me, and I'm a happier camper." Davis also travels back in time to a specific place, evoking the 1920s and 1930s Mississippi Delta blues and ragtime era, when guitarists mimicked the piano by playing multiple parts at a time using a thumb pick to drive the rhythm and either bare fingers or metal banjo picks to pluck the chords and melodic lines. "People watched Blind Blake play and asked him, 'Where's the other guy hiding?'" Davis says. The son of prominent actors and activists Ossie Davis and Ruby Dee — who befriended Pete Seeger during the Civil Rights era — Davis will bring a Towne Crier audience into the wilderness and back to the past on Feb. 15. Davis has done plenty of acting, including in the 1984 hip-hop film Beat Street, and in 2023 produced incidental music for the Broadway revival of his father's play Purlie Victorious, which received six Tony Award nominations. After hearing a didgeridoo in Australia, "I fell in love immediately," he says, and learned the circular breathing technique required to maintain the wind instrument's drone; the sound is like Tuvan throat singing. "It helps with my harmonica playing," says Davis, who squeezes out exquisite notes on the harp. Routinely covered by guitar media outlets, he also has two Grammy Award nominations. Although Davis gravitated toward acoustic blues and began recording regularly in 1993, he still tours while juggling acting gigs and other projects. Playing harmonica, putting a metallic slide on the ring finger of his left hand and using a 12-string guitar expand his sonic palette. The repertoire mixes originals and covers of the old-timers. His own work, delivered in a raspy voice, fits the period's vibe. Davis crossed paths with Pete Seeger as a kid at Camp Killooleep in Vermont, a magnet for the folk music community, and learned banjo from one of Seeger's brothers, John. "We lived in Mount Vernon and, one day, Pete was hanging out in our living room," he says. "When we moved to New Rochelle, there he was again." Davis often tagged along when his parents visited Beacon, picking out Leadbelly tunes and listening to recorded relics, some of which seeped into his playing style. "It was low-key; we weren't trying to accomplish anything," he says. "He influenced all the songs on my 1978 Folkways album Dreams About Life" and sang backup on one track. Davis sailed on the Clearwater, Woody Guthrie and Sojourner Truth many times. In the 1970s, he participated in fundraisers to finish the boats and often opened for the folk bard. "Once, in Poughkeepsie, we got there early and we were hanging out at a fountain," he says. "Soon enough, there's Pete with his pants rolled up, splashing around in the water, pushing the garbage to the side and getting all the kids in the area to take it away." After a 2019 concert in Albany, one newspaper reported that the bluesman had reflected Seeger's "greatest gift," which was not his singing or songwriting but "his ability to turn an audience of strangers into close friends by getting them to sing along. Davis had just accomplished the same thing." The Towne Crier is located at 379 Main St. in Beacon. Tickets for the Feb. 15 show, which begins at 7 p.m., are $25 online or $30 at the door. See dub.sh/TC-guy-davis. To download or order music, see guydavis.com.

Un son en guise d'autoportrait. L'écrivain Eric Vuillard a opté pour l'harmonica de Woody Guthrie. Merci pour votre écoute Dans quel Monde on vit, c'est également en direct tous les samedi de 10h à 11h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Dans quel Monde on vit sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/8524 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This is the first episode in a series I plan on doing on protest music. Decades ago Woody Guthrie wrote a song that told the story of Tom Joad from Grapes of Wrath. After that Bruce Springsteen wrote an interpolation of Guthrie's song, and not long after that Rage Against The Machine covered Bruce's song in their own style. The story of Tom Joad still resonates today, and I wanted to share the history of this American classic. I hope you dig it! 

Wo sind die Stimmen aus der Musik, die sich gegen das Trump Regime wehren? Die USA haben eine lange Tradition von Protest-Songs. Neben Stars wie Bruce Springsteen melden sich auch neue Stimmen, wie die von Jesse Welles.

This week's show, after a 1944 Woody Guthrie warble: brand new Billy Bragg, Black Watch, Greg Weeks, Damned, Ratboys, Julies, Sleaford Mods, and Bruce Springsteen, plus The Creation, Arthur Alexander, Billy J. Kramer, Beatles, Dottie West, Lloyd Charm...

We look at Bruce Springsteen's rapid response to deaths at the hands of federal agents in Minnesota — and the long history of other fast-turnaround protest songs, from Woody Guthrie to Nina Simone to Buffalo Springfield to Lil' Baby. Andy Greene joins host Brian Hiatt for the discussion. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Understanding "Streets of Minneapolis"With Springsteen's latest single reaching #1 in 19 countries, we're witnessing a significant cultural moment. I'm proposing an exploration of the controversial, "Streets of Minneapolis"—examining it within a powerful American musical tradition that stretches back over eight decades.A Tradition of Musical CommentaryThis story begins in 1944, when Woody Guthrie (not Arlo—Woody was his father) wrote "This Land Is Your Land" as a response to Irving Berlin's "God Bless America." What seemed like competing patriotic songs represented something deeper: different visions of what it means to love your country. Berlin offered celebration; Guthrie offered reflection—including verses about inequality and hardship that rarely get sung today.Guthrie embraced a form of patriotism rooted in the Declaration of Independence—one that believes loving your country includes acknowledging where it falls short of its ideals. Writing during World War II and the aftermath of the Depression, Guthrie demonstrated how music could both honor and challenge the nation simultaneously.How Music Reaches Us DifferentlyThat approach influenced Pete Seeger, Joan Baez, and Bob Dylan—artists who discovered that songs could communicate social commentary to audiences who might not engage with traditional political discourse. A three-minute song on the radio could spark reflection in ways other media couldn't.Consider "Born in the U.S.A." How many of us have heard it as a celebration when Springsteen wrote it, in Guthrie's tradition, as a pointed critique of how America treats its veterans? Forty years later, it's still frequently misunderstood—even used at political rallies in ways that contradict its message. This pattern raises important questions about how we engage with art.When Music Captures a MomentIn 1970, after the Ohio National Guard killed four students at Kent State University, Neil Young wrote "Ohio" almost immediately. Released by Crosby, Stills, Nash & Young within weeks, the radio-friendly song brought that tragedy into millions of homes, forcing a national conversation.What "Streets of Minneapolis" Asks of Us"Streets of Minneapolis" follows in this tradition—echoing "Ohio" across five decades. Like those earlier songs, it's not primarily about comfort; it's about bearing witness and prompting reflection.The question worth considering: Will we engage with what the song is actually saying, or will it become another anthem whose meaning gets lost over time?An Invitation to Listen Thoughtfully. An opportunity to make your own decisions. This isn't about taking political sides. It's about recognizing a form of patriotism that asks something of us—the kind that believes loving your country includes honest examination of difficult moments.Hosts: Rick Galusha & Mike OlsonKate Smith / God Bless America (1939)Woody Guthrie / This Land is Your Land (1940) Carter Family / The World's On Fire (1925) Bruce Springsteen / Born in the USA (1984) [Nebraska] Neil Young / Ohio (1970) Bruce Springsteen / Streets of Minneapolis (2026) Norah Jones / American Anthem 

On the January 29 edition of the Music History Today podcast, we have Bob Dylan & Woody Guthrie & the event that inspired the song I Don't Like Mondays takes placeFor more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:16 What happened on this date in music history03:23 Music award ceremonies that were held on this date in music history03:51 Albums released on this date in music history 04:52 Singles released on this date in music history 06:19 Podcast advertisement 06:52 Birthdays of music artists on this date in music history 07:59 Passings of music artists on this date in music history 09:14 What's on tomorrow's episode

Che cosa è successo a Minneapolis, e che cosa significa per la democrazia negli Stati Uniti. Con Marina Catucci, corrispondente dagli Stati Uniti per Il manifesto. Leggi Da Costa a Costa, la newsletter di Francesco Costa sugli Stati Uniti  Ascolta Sindrome americana, il podcast di Marina Catucci ⁠⁠⁠⁠⁠⁠⁠Il link per abbonarti al Post e ascoltare la puntata per intero⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. I consigli di Marina Catucci– “All You Fascists Bound to Lose” di Woody Guthrie cantato dal Resistance Revival Chorus – Rules for Radicals: A Pragmatic Primer for Realistic Radicalsdi Saul Alinsky– Il film Selma - La strada per la libertà Learn more about your ad choices. Visit megaphone.fm/adchoices

These two folk artists have made an incredible piece of art. It came out at the end of last year, and it's been on repeat in my headphones for awhile now. I've always loved to socially conscious lyrics of Woody Guthrie and this album feels like the best parts of what he was doing decades ago. I hope you dig it! 

Voces e instrumentos migratorios Migratory voices and instruments Voces, instrumentos, sones y músicas populares migran en esta edición de Mundofonías, estableciendo conexiones entre diferentes lugares de Europa, con conexiones también americanas y africanas, presentando vibrantes novedades discográficas. Voices, instruments, tunes and popular musics migrate in this edition of Mundofonías, establishing connections between different parts of Europe, with links that also reach America and Africa, and presenting vibrant new record releases. - Eben - Eostig kuzh II - Dinaskañ - Broom Bezzums - A soulin' - Rous & raise your voice - Alvina & Gard - Jig - Tillflykten - Fliid / McKenzie - Bånsull / Slåttestev - Svaleheim - Hearken Quartet - Olaus II / Le prevo - Hȳd - Matèu Baudoin & François Dumeaux - Mazurka - Pagans 2025 [V.A.] - VS Tempet + Điger - U Ivana zelena livada (Senu mi, venu mi) - Senu mi, venu mi - Yagódy - Kupalinka - Yagódy - The Klezmatics - Gilad and Ziv's sirba - Woody Guthrie's happy joyous Hanukkah - Antoine Villoutreix & Super Antena Tropical - Tranquillement - Radio Liberté - Jocelyn Mienniel - Alalake - & Les instruments migrateurs 📸 Jocelyn Mienniel

Send us a textIntro: On the Atchison, Topeka and the Santa Fe by Johnny Mercer (1944)45. That Lucky Old Sun (Just Rolls Around Heaven All Day) by Frankie Laine (1949)44. This Land is Your Land by Woody Guthrie (1945)43. Twelfth Street Rag by Pee Wee Hunt (1948)42. Lover Man by Billie Holiday (1945)41. Body and Soul by Coleman Hawkins (1939)

Join Kate Stanton Melendez for an interview with Tamara Garvey, past host of the show, & beloved local artist & illustrator.   Tamara Garvey has a BFA in Illustration from SCAD; you can find her quirky pen & ink artwork at Gallery 209 (among others) & or catch her working in her studio in City Market. Garvey's solo show "The Winter of our Discontent" at Gallery 2424 opens next Friday, January 30th, and runs through Saturday, February 21st, 2026.   "The Winter of our Discontent" is a multimedia solo show that pairs the Log Lady from the David Lynch show "Twin Peaks" with recordings of American women responding to J.D. Vance's infamous "childless cat ladies" statements. It features witchery, suffragism, Woody Guthrie, & Ruth Bader Ginsberg.    Special Events Calendar: Opening Reception: Friday, January 30th from 5PM-9PM First Fridays Reception: Friday, February 6th from 5PM-9PM Artist Talk: Sunday, February 15th at 3PM.   Gallery 2424 is also open on Saturdays & Sundays from 1PM-4PM.      See more of Tamara's work here: https://www.instagram.com/tamgarv https://www.tamaragarvey.com/   Read more about the solo show here: https://www.tamaragarvey.com/winter-of-our-discontent      

One of the most obnoxious sounds in nature is the whine of a Wall Street banker. It's a cross between the tantrum of a peevish brat and the blathering of a sputtering old plutocrat.Consider the long, piteous whimper of Jamie Dimon, potentate of the powerful JPMorgan Chase banking empire. He constantly whines about laws to restrict banker greed, even toting around a Rube Goldberg-style cartoon depicting a tangle of rules that, he squeals, is choking poor Wall Streeters like him.Before you break into tears about Jamie's plight, though, notice that he and his bank are not choking on rules, but gorging on riches. Dimon himself pocketed – get this -- $770 million in personal pay last year.Golly, we should all suffer like poor Jamie!And he's hardly alone in singing the “Talking Banker Blues,” for that elite clique has long pouted that they're paupers compared to the billionaires of high tech. So, mounting an odd boardroom “labor action,” bankers have been getting drastic payhikes. The CEO of Citigroup, for example, recently set a new bottom line expectation for top-floor bankers: A 2025 paycheck of more than $100 million!How can a business lavish such a windfall on one guy? Easy. The CEO slashed tens of thousands of bank employees from Citi's payroll last year, so he got their pay.Woody Guthrie once wrote a parody of such predatory behavior, singing “I am a jolly banker, A jolly banker am I.” Today's Wall Street aristocrats are jolly, too, bloating their extravagant wealth by taking wages and livelihoods from thousands of their own employees. As Woody might sing, that's how inequality “happens.”Do something!Wanna fight the bankers and their rigged systems? Americans for Financial Reform thinks that “the financial system should serve an economy where everyone can thrive, not just enrich a powerful few.” Sounds great to us! Check them out at ourfinancialsecurity.org.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

Hosts Nate Wilcox and James Porter discuss Country Music during the Depression and World War 2 and the artists, like Roy Acuff and Bob Wills, and the Maddox Brothers and Rose who dominated the era. ⁠⁠GO TO THE LET IT ROLL SUBSTACK TO HEAR THE FULL EPISODE⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ -- The final 15 minutes of this episode are exclusively for paying subscribers to the Let It Roll Substack. Also subscribe to the LET IT ROLL EXTRA feed on Apple, Spotify or your preferred podcast service to access the full episodes via your preferred podcast outlet. We've got all 350+ episodes listed, organized by mini-series, genre, era, co-host, guest and more. Please consider becoming a paid subscriber to support the show. Thanks! Email ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠letitrollpodcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow us on Twitter.⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Let It Roll is proud to be part of ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Pantheon Podcast⁠s⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

The year is 1992, the film is Bob Roberts... a political mockumentary satire. The director, first-time filmmaker (and star) Tim Robbins. And it's also the first film role for a lovable gent named Jack Black. We dig into the parallels between Bob Roberts and present day American politics and consider the right wing folk songs that were, at one point, comedic in their absurdity. Plus, we get into it with the MouthGarf Report, and play a nice round of I See What You Did There.Additional Sources:https://en.wikipedia.org/wiki/Bob_Robertshttps://www.cracked.com/article_40869_when-tim-robbins-tried-and-failed-to-be-the-most-controversial-snl-host.htmlPlease give us a 5 star rating on Apple Podcasts! Want to ask us a question? Talk to us! Email debutbuddies@gmail.comListen to the archives of Kelly and Chelsea's awesome horror movie podcast, Never Show the Monster.Get some sci-fi from Spaceboy Books.Get down with Michael J. O'Connor and the Cold Family and check out his new compilation The Best of the Bad Years 2005 - 2025Next time: First Attempt at Time Travel

Musician Sammy Brue is folksy artist with a vision. His latest project chronicles the life of American singer-songwriter Justin Townes Earle, using Earle’s journals gifted to Brue. With inspirations like Robert Johnston and Woody Guthrie, Brue hopes the album will tell an “emotional, existential” story that perserves Earle’s legacy. The post Episode #492 — Sammy Brue first appeared on SLUG Magazine.

 What an amazing conversation we had with Cole Quest of Cole Quest and the City Pickers.  We talked about their latest album “Home Grown,” how Cole serves as the band leader and band member, and their performance on the famous Mountain Stage!  Rooted in tradition yet driven by a restless New York energy, Cole Quest and The City Pickers are carrying bluegrass forward with wit, warmth, and originality. Led by dobro player, songwriter, and vocalist Cole Quest — grandson of folk icon Woody Guthrie —the band has carved out a singular place in today's roots music landscape.    Their latest album, Homegrown (Jalopy Records, 2025), produced by Grammy Award–winning engineer Steve Rosenthal, brings the band's journey into full focus. The record weaves four new originals with reimagined takes on songs by John Hartford, Peter Rowan, and Woody Guthriehimself, linking Cole's own creative voice with his grandfather's enduring legacy. No Depression hailed it as “an album that deftly moves the legacy of Woody Guthrie along in all the right ways.” Critics like Songlines (UK), Glide Magazine, and the Berkshire Eagle have noted how the bandhonors its lineage while commanding its own path. Their broad recognition includes a Bluegrass Standard cover (August 2025) and a feature in Bluegrass Unlimited.   Formed by friends with a shared love of bluegrass, Quest first pulled the Pickers together in 2017 to record their debut self-titled project at the legendary Magic Shop studio. They went on to release their acclaimed EP Self [En]Titled on Omnivore Records in 2021. Over the years, they've won the Podunk Bluegrass Festival band competition, toured Germany multiple times, and shared stages with artists like Billy Strings, Sierra Hull, and Tony Trischka.  Be sure to check Cole and the city pickers out here:   Website: colequest.com  Band Camp: Cole Quest and the City Pickers  FB: Cole Quest and the City Pickers  IG: citypickers  YouTube: Citypickers  

UK Subs formed in 1976 when Charlie Harper was 32. They've had over 80 members, some of whom he can't remember. They never split up and are touring in 2026 to celebrate his 82nd birthday. “I vowed I'd keep playing as long at the Stones - which I'm now starting to regret!” After 50 years on the punk frontline, he's the first to see the humour in going deaf and “having to have the occasional sit-down”. This fond and honest conversation looks back at … … seeing the Stones at Ken Colyers' jazz club and drinking with them in the Porcupine … making £4 a day – “a fortune” – playing tube stations in 1964: “ex-buskers never get stagefright” … “dreadlocks, Afros, convoy cuts” – confessions of a teenage hairdresser … what he learnt from Joe Strummer and the 101-ers … his punk epiphany: seeing the Damned at the Roxy in 1976 … playing France's Hellfest to 30,000 people and why the spirit of ‘77 still burns on the West Coast … famous fans: Guns N'Roses, Hanoi Rocks, Dinosaur Jnr … the UK Subs' run-in with US Immigration … skiffle, Jesse Fuller, Woody Guthrie, Big Bill Broonzy, Donovan and mid-‘70s R&B …the onstage rigours of getting old: “I don't get adrenaline anymore and have to have the occasional sit-down!” … Where Did I Leave My Glasses? Why Did I Come Upstairs? – our fantasy tracks for the senior citizen! Order UK Subs tickets here: https://ww.uksubstimeandmatter.net/index.php?option=com_content&view=article&id=16899&Itemid=161Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

UK Subs formed in 1976 when Charlie Harper was 32. They've had over 80 members, some of whom he can't remember. They never split up and are touring in 2026 to celebrate his 82nd birthday. “I vowed I'd keep playing as long at the Stones - which I'm now starting to regret!” After 50 years on the punk frontline, he's the first to see the humour in going deaf and “having to have the occasional sit-down”. This fond and honest conversation looks back at … … seeing the Stones at Ken Colyers' jazz club and drinking with them in the Porcupine … making £4 a day – “a fortune” – playing tube stations in 1964: “ex-buskers never get stagefright” … “dreadlocks, Afros, convoy cuts” – confessions of a teenage hairdresser … what he learnt from Joe Strummer and the 101-ers … his punk epiphany: seeing the Damned at the Roxy in 1976 … playing France's Hellfest to 30,000 people and why the spirit of ‘77 still burns on the West Coast … famous fans: Guns N'Roses, Hanoi Rocks, Dinosaur Jnr … the UK Subs' run-in with US Immigration … skiffle, Jesse Fuller, Woody Guthrie, Big Bill Broonzy, Donovan and mid-‘70s R&B …the onstage rigours of getting old: “I don't get adrenaline anymore and have to have the occasional sit-down!” … Where Did I Leave My Glasses? Why Did I Come Upstairs? – our fantasy tracks for the senior citizen! Order UK Subs tickets here: https://ww.uksubstimeandmatter.net/index.php?option=com_content&view=article&id=16899&Itemid=161Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

UK Subs formed in 1976 when Charlie Harper was 32. They've had over 80 members, some of whom he can't remember. They never split up and are touring in 2026 to celebrate his 82nd birthday. “I vowed I'd keep playing as long at the Stones - which I'm now starting to regret!” After 50 years on the punk frontline, he's the first to see the humour in going deaf and “having to have the occasional sit-down”. This fond and honest conversation looks back at … … seeing the Stones at Ken Colyers' jazz club and drinking with them in the Porcupine … making £4 a day – “a fortune” – playing tube stations in 1964: “ex-buskers never get stagefright” … “dreadlocks, Afros, convoy cuts” – confessions of a teenage hairdresser … what he learnt from Joe Strummer and the 101-ers … his punk epiphany: seeing the Damned at the Roxy in 1976 … playing France's Hellfest to 30,000 people and why the spirit of ‘77 still burns on the West Coast … famous fans: Guns N'Roses, Hanoi Rocks, Dinosaur Jnr … the UK Subs' run-in with US Immigration … skiffle, Jesse Fuller, Woody Guthrie, Big Bill Broonzy, Donovan and mid-‘70s R&B …the onstage rigours of getting old: “I don't get adrenaline anymore and have to have the occasional sit-down!” … Where Did I Leave My Glasses? Why Did I Come Upstairs? – our fantasy tracks for the senior citizen! Order UK Subs tickets here: https://ww.uksubstimeandmatter.net/index.php?option=com_content&view=article&id=16899&Itemid=161Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Episode Description: In this episode of Backstage Bay Area, host Steven Roby sits down with Frank London, trumpeter and founding member of the Grammy Award-winning band The Klezmatics.For four decades, The Klezmatics have been the world's leading voice in blending traditional Yiddish roots with the energy of punk, jazz, and gospel. Frank shares stories from the band's origins in New York's gritty East Village scene of the 1980s and discusses their landmark collaboration with the Woody Guthrie estate—a project that unearthed lost Hanukkah lyrics by the American folk icon.We also get an exclusive preview of their upcoming album, We Were Made for These Times, and discuss why bringing "happy, joyous" energy to the stage is a necessary form of activism today.In This Episode, We Cover:·       The East Village Spark: How the 1980s avant-garde and punk scenes helped launch a global klezmer revival.·       Woody Guthrie's Lost Lyrics: The incredible story of how Nora Guthrie discovered her father's Jewish-themed writings and tapped The Klezmatics to bring them to life.·       40 Years of Music: How the band has kept its core lineup together and evolved its sound over four decades.·       New Music Preview: Frank discusses the socially conscious themes behind their upcoming 2026 album, We Were Made for These Times.·       Live at SFJAZZ: Why the band goes "full throttle" on improvisation when they play the Miner Auditorium.Featured Music:·       "Spin Dreydl Spin"·       "(Do The) Latke Flip-Flip"Links & Resources:·       Tickets: The Klezmatics at SFJAZZ (Dec 15)·       Website: The Klezmatics Official Site·       Album: Woody Guthrie's Happy Joyous Hanukkah (Vinyl Reissue out now)Connect with Backstage Bay Area:·       Website: Backstagebayarea.com·       Instagram: @BackstageBayArea·       Host: Steven Roby

Trente-cinquième épisode (troisième partie /3) de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies.Piloté par Mad, Ben et Franck.En compagnie de David, The Vintage Rider !THE VINTAGE RIDER : https://www.instagram.com/the.vintagerider/TWO MAGNETS : https://twomagnets.bandcamp.com/musicTHE JUKE REVUE : https://www.instagram.com/the.juke.revue/WINECRAFT : https://winecraft.bandcamp.com/Au programme :00:01:24 : Introduction00:02:44 : La carrière de James Mangold01:40:33 : Johnny Cash, by the Vintage Rider02:00:22 : Walk the line, James Mangold (2005)03:09:45 : Folsom Prison Blues EN LIVE, by The Vintage RiderLes réponses au blindtest précédent (Épisode 34 Back to school) sur Another brick in the wall, KornDonnie Darko, Les choristes, Whiplash, Un flic à la maternelle, Le cercle des poètes disparus, Harry Potter, School of rock, Grease, La folle journée de Ferris BullerRejoignez-nous sur les réseaux sociaux :BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.socialDISCORD : https://discord.gg/mDgZZd6CzjFACEBOOK : https://www.facebook.com/podcast.vanishingpointINSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/TWITTER : https://twitter.com/vpoint_podcastEt sur votre plateforme de podcasts préférée ! Abonnez-vous

Reflecting upon this landmark recording made me realize how much Arlo and his song had been fundamental to my life-long, anti-authoritarian world view. And how, years later, when the war had escalated, and my turn came up for the draft, even though I escaped with a high lottery number, I was already weighing my draft dodging options. I was only 14 when the song was released, but it hipped me to the absurdity of the war in Viet Nam, the legal system, and petty bureaucrats in general. Arlo accomplished this “us against them” subversion with genial irony, which he delivered with an easy charm - not to mention an impressive Travis picking style.  It didn't hurt that he had the name recognition as the scion of the OG of poetical protest singers, Woody Guthrie, whose song “This Land is Your Land,” almost became our national anthem, and was the adopted relative of “uncle” Pete Seeger, whose signature sing-along method of inspiring social change, which Arlo employs so effectively here.  It was a cultural bombshell, and a first in many ways: At 18 minutes, FM radio usually played it in three separate parts making each rotation an event. It was the longest song to ever gain radio play when spun in its entirety. However, here at the Hotel Bohemia, time has no meaning, so it can be played all the way through on a continuous loop. 

Send us a textThis is the story of Bruce Springsteen—“The Boss”—a kid from a working-class town who turned everyday American lives into epic songs, who built a career on sweat, loyalty, doubt, faith, and three-hour marathons onstage that left entire arenas wrung out and grinning.Let's walk through where he came from, what shaped him, how he broke through, who he's influenced—and why, decades in, Bruce Springsteen still matters.Picture central New Jersey in the 1950s and 60s. Bruce Frederick Joseph Springsteen is born September 23, 1949, in Long Branch, and grows up in nearby Freehold Borough in a blue-collar Catholic family. His father, Doug, bounces between jobs—factory work, bus driving, prison guard. His mother, Adele, is the steady one, working as a legal secretary and keeping the family afloat. The house is tight, money is tight, tempers are tight.Young Bruce doesn't thrive in school. He's restless, alienated; teachers remember him as the loner with the faraway look who really cared about one thing: the guitar. Then comes that moment. Like so many of his generation, he sees Elvis Presley on television—this wild, electric presence shaking up the polite living rooms of America. Soon after, he discovers the twin pillars who will haunt his work: Woody Guthrie and Bob Dylan. Guthrie teaches him that songs can stand with the powerless. Dylan shows him that lyrics can be literature without losing their bite.Support the showThank you for experiencing Celebrate Creativity.

Years ago, Woody Guthrie wrote “Mean Talking Blues,” a stinging satire of malicious right-wing officials who take perverse pleasure in demonizing, holding down, and punishing poor people:“I'm a big disasterJust goin' some place to happenI'm an organized famineStudying how I can be a little bit meanerI laugh my loudestWhen other people cryI hate everybody don't think like meI'm just mean.”What a perfect theme song for Trump's “Project 2025” – a MAGA crusade to stomp on millions of America's poorest families, trying to deny them access to the most basic human needs.Needs like… food. Brooke Rollins, Trump's multi-millionaire agriculture secretary, made crude political jokes about poor people during the GOP's government shutdown, laughing as she schemed to cut off their food stamps. She was an “organized famine,” illegally maneuvering to deny food for 42 million hard-hit American citizens.In addition, Project 2025 operatives want to yank health coverage from the poor – and just for meanness – they propose killing the modest program that helps impoverished families afford to have heat in their homes.Meanwhile, Trump poses as The Great Gatsby, living in tacky opulence, while ignoring the economic mess and rank inequality created by his Roaring 20s plutocratic presidency. Indeed, the inequality is widening as he doles out hundreds of billions of our tax dollars in new giveaways to billionaires (including to his own sons).Far from “Making America Great Again,” Trump's most tangible achievement is to have had the White House's Lincoln bathroom remodeled. And, in a royal touch, Trump even had a chandelier installed above the toilet. Imagine how proud Honest Abe would be.Jim Hightower's Lowdown is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit jimhightower.substack.com/subscribe

Trente-cinquième épisode (deuxième partie /3) de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies. Piloté par Mad, Ben et Franck. En compagnie de David, The Vintage Rider ! THE VINTAGE RIDER : https://www.instagram.com/the.vintagerider/ TWO MAGNETS : https://twomagnets.bandcamp.com/music THE JUKE REVUE : https://www.instagram.com/the.juke.revue/ WINECRAFT : https://winecraft.bandcamp.com/ Au programme : 00:01:24 : Introduction 00:02:18 : La carrière d'Anton Corbijn 00:30:17 : Joy Division, by The Vintage Rider 01:02:11 : Control, Anton Corbijn (2007) 02:10:28 : Love will tear us apart, by Vanishing Point feat. The Vintage Rider Les réponses au blindtest précédent (Épisode 34 Back to school) sur Another brick in the wall, Korn Donnie Darko, Les choristes, Whiplash, Un flic à la maternelle, Le cercle des poètes disparus, Harry Potter, School of rock, Grease, La folle journée de Ferris Buller Rejoignez-nous sur les réseaux sociaux : BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.social DISCORD : https://discord.gg/mDgZZd6Czj FACEBOOK : https://www.facebook.com/podcast.vanishingpoint INSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/ TWITTER : https://twitter.com/vpoint_podcast Et sur votre plateforme de podcasts préférée ! Abonnez-vous

On September 20, 1973, Jim Croce — the singer-songwriter whose plainspoken poetry captured the heart of working-class America — died at the age of 30 in a plane crash just as his star was on the rise. With timeless hits like Bad, Bad Leroy Brown, Operator, and Time in a Bottle, Croce helped revive the folk-rock and singer-songwriter tradition that stretched from Woody Guthrie to Bob Dylan, blending blue-collar realism with universal emotion. His sudden death, coming only days before the release of I Got a Name, cut short a remarkable rise and left behind a legacy that has endured for generations. Hosts: Jason Beckerman & Derek Kaufman Learn more about your ad choices. Visit podcastchoices.com/adchoices

Six String Hayride Episode 62. Not For Kids Only. Chris and Jim offer up a plan to kid the youngsters into good ole classic country. Gene Autry, Woody Guthrie, and Johnny Cash recorded a lot of songs for kids. Johnny Cash talks dinosaurs and explains how one and one make two. Gene Autry tells the tale of Smokey the Bear, and Woody Guthrie takes us riding in the car car. Shel Silverstein and The Irish Rovers look for The Unicorn. Dwight Yoakam has a Dog. Jerry Garcia takes us to a Teddy Bear Picnic and Bob Weir goes all "Curious George" on us and lets the Monkey drive the Locomotive. Tom T Hall warns us about the Sneaky Snake and Willie Nelson picks up where Kermit the Frog left off looking for the Rainbow Connection. We examine the philosophical outlook of "More Fun Than a Glass of Milk" and Chris has a Dirt Cake recipe that also teaches us how to pronounce Cool Whip as nature intended. All this and more on Episode 62 of A Six String Hayride Podcast.

Through his work in Uncle Tupelo and Wilco, Jeff Tweedy has played a significant role in the shaping of Americana and alternative rock since the early 90’s. The title of Uncle Tupelo’s highly influential first album, No Depression, both spawned a resurgence in music more widely described as “Americana,” as well as gave it its name. Later in his career, Tweedy and Wilco collaborated with Billy Bragg on the Mermaid Avenue records that featured lost lyrics by Woody Guthrie, released the groundbreaking album Yankee Hotel Foxtrot, and put a total of 12 band and four solo records, four books, and helped establish the bi-annual Solid Sound Festival in western Massachusetts. Hear how how songs by Meat Puppets, Neil Young, and Blondie charted his musical course. Tweedy’s newest work, a triple record titled Twilight Override, was released on September 26, 2025.See omnystudio.com/listener for privacy information.

Cole Quest & The City Pickers are a bluegrass band from Brooklyn, and if that surprises you, well, the fact is New York City has had a long, strong bluegrass scene going back to the 1950's. Cole Quest draws on that tradition, and his own family tradition - he's the grandson of the folk icon Woody Guthrie – in originals and updated versions of Guthrie tunes. Cole Quest & The City Pickers shred with high-spirited energy and that high lonesome sound, in-studio. Set list: 1. Where I'm From 2. Early Morning Dew 3. I Ain't

The Mammals (Ruth Ungar and Mike Merenda, who also have a project called Mike & Ruthy) are a band from the Woodstock area with deep roots in the folk scene and traditions of the area, have worked with Arlo Guthrie, and Pete Seeger (amongst others), are critically acclaimed by LA Times, No Depression, NPR, PopMatters, and run the roots music festival called The Hoot. We talk with them about gratitude for the ability to create art and music, having faith in the low moments, being links in the (musical) chain, square dancing, and a whole lot more.Get more access and support this show by subscribing to our Patreon, right here.Links:The MammalsThe HootThe Ashokan CenterArlo GuthrieUtah PhillipsAni DifrancoWoody GuthrieEric WardWestern State CenterKen Burns Civil WarJay UngarDaniel QuinnClick here to watch this conversation on YouTube.Social Media:The Other 22 Hours InstagramThe Other 22 Hours TikTokMichaela Anne InstagramAaron Shafer-Haiss InstagramAll music written, performed, and produced by Aaron Shafer-Haiss. Become a subscribing member on our Patreon to gain more inside access including exclusive content, workshops, the chance to have your questions answered by our upcoming guests, and more.

Nearly 60 years after his death, there is a renewed interest in the life and music of American folk icon and social activist Woody Guthrie. Last week, an album of songs and recordings of him talking was released, and Guthrie’s songs are showing up on the set lists of some of music’s biggest stars. Jeffrey Brown reports for our series, Art in Action, and our arts and culture coverage, CANVAS. PBS News is supported by - https://www.pbs.org/newshour/about/funders. Hosted on Acast. See acast.com/privacy

Pop culture/Memoir/autobiography This NEW EDITION contains updates, new information, additional photographs and contributions. This is a significant and very personal book. Dr. Drew Pinsky: "I commend you for having the courage to step up and do it and do it thoroughly and do it properly. I think that's a very good thing." David Carradine, The Eye Of My Tornado has been inducted into the Johnny Grant Hollywood Walk of Fame Library “…it was one long rollercoaster thrill… Mr. Toad's wild ride…intense passion and emotion. He was the eye of my tornado.” Marina Anderson. Marina Anderson was just starting out taking acting lessons at Warner Bros., when she wandered one afternoon onto the candlelit set of a Shaolin temple and met for the first time, the volatile, dark and brilliant personality that was actor and icon, David Carradine. Two dynamic people merging into a karmic-destined, intense and turbulent love relationship. Each struggling with their own demons including sexual abuse and incest. Their private life was replete with love, passion, erotic pleasure and eventually bondage, sexual experimentation, and pain as an avenue to pleasure. Their marriage was marred by a toxic secret that could not be ignored. Her writing speaks to readers universally by focusing on their personal journey, revealing the truth about the couple, addresses conquering fear and overcoming obstacles, self discovery, recovery, re-inventing and rebuilding one's self. It's her personal survival while desperately trying to save the marriage as well as Carradine's constant struggle to be someone he wasn't, but wished he could be. Spirituality, psychic John Edward,other psychics and astrologers who helped her are written about in the book as well. They were married on the Warner Bros. back lot and their six-year relationship was a whirl of auditions, star-studded parties, exotic locations, red carpets and a star on the Hollywood Walk of Fame. Marina, who was already an established actress, became Carradine's personal manager and set about rehabilitating the career of an actor who was now known for his heavy drinking. She introduced him to Quentin Tarantino, who cast David in a lead role in the popular Kill Bill films. This vaulted Carradine back onto the Hollywood A-list. After their divorce with the help of re-known celebrity Dr. Drew Pinsky (Celebrity Rehab, Sober House), issues are addressed in the consultation verbatim, occupying an entire chapter. Anderson was able to finally exorcise the demons that have haunted her for so long about their relationship and herself that almost destroyed her. “This book is an avenue for his fans and the general public to know, understand and hopefully accept him as a man, not a celluloid fantasy…to be admired for his talents and the motivations behind certain issues in his life understood. It's also to reveal the very personal interior of a marriage that people can relate to. What we do for love. We are all human beings with our faults. He was afraid people wouldn't remember him. That will never happen. The legend continues.” David Carradine's acting career spanned four decades onstage, television and cinema. He became an international sensation as Kwai Chang Caine in the 1970s hit television series Kung Fu and cemented his cult hero status with his role in the classic movie Death Race 2000. He portrayed Woody Guthrie in Hal Ashby's Bound for Glory and Bill in Quentin Tarantino's Kill Bill films. Carradine received four Golden Globe nominations. He was a talented songwriter and musician and performed in a band called Cosmic Rescue Team. He died in a Bangkok hotel room, June 3, 2009, an apparent victim of autoerotic asphyxiation. Amid sensational media speculation, Marina refused to let David's death remain stigmatized like it was and launched her own investigation into the death of her ex-husband. Suicide? Foul play? A sex act gone wrong? Was he alone? Was there a cover-up? Her conclusions are startling.  https://amzn.to/45Wn9eUBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Hosted by Jane Pauley. In our cover story, Lee Cowan looks at the impact of musician and songwriter Woody Guthrie. Also: John Blackstone discusses Steve Wozniak's fight against internet fraud, as Jo Ling Kent examines the rise of cryptocurrencies; Erin Moriarty reports on the release of the JFK Files; Tracy Smith marks the 75th anniversary of the classic film “Sunset Boulevard”; and Faith Salie finds out why the whispering sensation known as ASMR is making a lot of noise. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices