Podcasts about Blood on the Tracks

Henry welcomes professional opera singer and cantor, Mezzo Soprano, Amy Maude Helfer, to talk about 1975's Blood On The Tracks song, Lily Rosemary & The Jack Of Hearts.Listen to the song and follow along with the lyrics:https://www.bobdylan.com/songs/lily-rosemary-and-jack-hearts/Lily, Rosemary and the Jack of HeartsWritten by: Bob DylanThe festival was over, the boys were all plannin' for a fallThe cabaret was quiet except for the drillin' in the wallThe curfew had been lifted and the gamblin' wheel shut downAnyone with any sense had already left townHe was standin' in the doorway lookin' like the Jack of HeartsHe moved across the mirrored room, “Set it up for everyone,” he saidThen everyone commenced to do what they were doin' before he turned their headsThen he walked up to a stranger and he asked him with a grin“Could you kindly tell me, friend, what time the show begins?”Then he moved into the corner, face down like the Jack of HeartsBackstage the girls were playin' five-card stud by the stairsLily had two queens, she was hopin' for a third to match her pairOutside the streets were fillin' up, the window was open wideA gentle breeze was blowin', you could feel it from insideLily called another bet and drew up the Jack of HeartsBig Jim was no one's fool, he owned the town's only diamond mineHe made his usual entrance lookin' so dandy and so fineWith his bodyguards and silver cane and every hair in placeHe took whatever he wanted to and he laid it all to wasteBut his bodyguards and silver cane were no match for the Jack of HeartsRosemary combed her hair and took a carriage into townShe slipped in through the side door lookin' like a queen without a crownShe fluttered her false eyelashes and whispered in his ear“Sorry, darlin', that I'm late,” but he didn't seem to hearHe was starin' into space over at the Jack of Hearts“I know I've seen that face before,” Big Jim was thinkin' to himself“Maybe down in Mexico or a picture up on somebody's shelf”But then the crowd began to stamp their feet and the houselights did dimAnd in the darkness of the room there was only Jim and himStarin' at the butterfly who just drew the Jack of HeartsLily was a princess, she was fair-skinned and precious as a childShe did whatever she had to do, she had that certain flash every time she smiledShe'd come away from a broken home, had lots of strange affairsWith men in every walk of life which took her everywhereBut she'd never met anyone quite like the Jack of HeartsThe hangin' judge came in unnoticed and was being wined and dinedThe drillin' in the wall kept up but no one seemed to pay it any mindIt was known all around that Lily had Jim's ringAnd nothing would ever come between Lily and the kingNo, nothin' ever would except maybe the Jack of HeartsRosemary started drinkin' hard and seein' her reflection in the knifeShe was tired of the attention, tired of playin' the role of Big Jim's wifeShe had done a lot of bad things, even once tried suicideWas lookin' to do just one good deed before she diedShe was gazin' to the future, riding on the Jack of HeartsLily washed her face, took her dress off and buried it away“Has your luck run out?” she laughed at him, “Well, I guess you must    have known it would somedayBe careful not to touch the wall, there's a brand-new coat of paintI'm glad to see you're still alive, you're lookin' like a saint”Down the hallway footsteps were comin' for the Jack of HeartsThe backstage manager was pacing all around by his chair“There's something funny going on,” he said, “I can just feel it in the air”He went to get the hangin' judge, but the hangin' judge was drunkAs the leading actor hurried by in the costume of a monkThere was no actor anywhere better than the Jack of HeartsLily's arms were locked around the man that she dearly loved to touchShe forgot all about the man she couldn't stand who hounded her so much“I've missed you so,” she said to him, and he felt she was sincereBut just beyond the door he felt jealousy and fearJust another night in the life of the Jack of HeartsNo one knew the circumstance but they say that it happened pretty quickThe door to the dressing room burst open and a cold revolver clickedAnd Big Jim was standin' there, ya couldn't say surprisedRosemary right beside him, steady in her eyesShe was with Big Jim but she was leanin' to the Jack of HeartsTwo doors down the boys finally made it through the wallAnd cleaned out the bank safe, it's said that they got off with quite a haulIn the darkness by the riverbed they waited on the groundFor one more member who had business back in townBut they couldn't go no further without the Jack of HeartsThe next day was hangin' day, the sky was overcast and blackBig Jim lay covered up, killed by a penknife in the backAnd Rosemary on the gallows, she didn't even blinkThe hangin' judge was sober, he hadn't had a drinkThe only person on the scene missin' was the Jack of HeartsThe cabaret was empty now, a sign said, “Closed for repair”Lily had already taken all of the dye out of her hairShe was thinkin' 'bout her father, who she very rarely sawThinkin' 'bout Rosemary and thinkin' about the lawBut most of all she was thinkin' 'bout the Jack of HeartsCopyright © 1974 by Ram's Horn Music; renewed 2002 by Ram's Horn Music Follow @songsofbob, @henrybernstein.bsky.socialIf you would like to support hosting my podcasts, please check out my Patreon where for $5 I will give you a shout out on the podcast of your choice. Thank you to, Rob Kelly, Roberta Rakove, Matt Simonson, and Christopher Vanni. For $10, in addition to the shout-out I'll send you a surprise piece of Bob Dylan merch! Thank you to Kaitie Cerovec who is already enjoying her merch! I have a merch shop! Check out all sorts of fun Bob Dylan (and more) items! Thank you to Mark Godfrey, Linda Maultsby and Peter White over on Substack.Email us at songsofbobdylan@gmail.comSubscribe: YouTube, Apple Podcasts, Spotify, Substack.

Russ Meyer loved women. Women with big boobs, big curves, and big personalities. His entire career was all about putting his fetishes on screen in nudie cuties, dramas, crime films, mondo movies, sex comedies, and any other sort of exploitation film he could get away with, often all in the same film! This month Lee's built a big playlist of selections from his peak years, which stretched from the early 1960s through to the late 1970s. --The Escaped Prisoner from "Lorna" (1964) --Hal Hopper --Lorna from "Lorna" (1964) --Hal Hopper & Bob Grabeau --Whiskey Mash from "Mudhoney" (1965) --André Brummer --Mysterioso Minor & The Snatch from "Faster, Pussycat! Kill! Kill!" (1965) --Bert Shefter, Paul Sawtell & Igo Kantor --Faster, Pussycat! from "Faster, Pussycat! Kill! Kill!" (1965) --The Bostweeds --The Three Weirdos & You'll do Alright Anywhere from "Motorpsycho" (1965) --Paul Sawtell & Bert Shefter --The Delight of Men, It's Only a Dance, Underwatersports, and Crazy Horse from "Mondo Topless" (1966) --The Aladdins --May-September-Romance from "Good Morning... and Goodbye" (1967) --William Loose, Igor Kantor --Finders Keepers Song and The Topless Bar from "Finders Keepers, Lovers Weepers" (1968) --Stu Phillips, William Loose & Marvin Elling --Theme from Vixen!, Vixen Gets Excited, O'Bannion's Theme, Canadian Romp, and Back on Solid Ground from "Vixen!" (1968) --William Loose --The Toys of Our Time from "Cherry... & Harry & Raquel" (1969) --The Jacks and Balls! --Cherry's Theme, Harry's Theme and Raquel Theme from "Cherry... & Harry & Raquel" (1969) --William Loose --Beyond the Valley of the Dolls from "Beyond the Valley of the Dolls"(1970) --The Sandpipers, Stu Phillips & Bob Stone --Find It, Sweet Talkin' Candyman, and In the Long Run from "Beyond the Valley of the Dolls" (1970) --Lynn Carey, Barbara Robison & Stu Phillips --Angel on the Phone & Mr. Dynamite from "Supervixens" (1975) --William Tasker --The Greek Chorus & Coming Home/Homer and Pocahontas from "Up!" (1976) --William Loose --On the Move & Lola Langusta from "Beneath the Valley of the Ultra-Vixens" (1979) --William Loose & Paul Ruhland Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

Lee decided to end off 2025 on a spicy note by covering some of the soundtracks and scores of some notable porno films from the "Golden Age" of the genre, which spanned the late 1960s to the early 1980s. You know, when they were actual films, or were at least trying to be, and were almost all funded by mob money. --Introducing Linda Lovelace from "Deep Throat" (1972) --Gerard Damiano --Blowin' Bubbles from "Deep Throat" (1972) --Lion Warfield and The Lions --Bareass Naked/Ass Tray; Johnny Keys' Theme; Sisters; & Climax from "Behind the Green Door" (1972) --Dan LeBlanc --Hellcat & The Teacher from "The Devil in Miss Jones" (1973) --Alden Shuman & Frank Owens --She's Gotta Have It from "Deep Throat Part 2" (1974) --T.J. Stone --Emmanuelle & Emmanuelle Theme (Instrumental) from "Emmanuelle" (1975) --Pierre Bachelet --Of Your Body & Skin to Skin from "Black Emanuelle" (1975) --Nico Fidenco & Bulldog --Dad's A Peregrinator; Tea at Ronnie's; Sulphur Flowers; & Harvey from "Debbie Does Dallas" (1978) --Midas Touch Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

Det er juletid, og Poptillægget genudsender det bedste fra arkivet hver dag fra 1. til 24. december. Afsnittet er oprindeligt udgivet d 20. september 2024. Det vælter med sladderhistorier om alt fra de kendtes skilsmisser til utroskab. Og sladderen kalder på os som en ven med favnen fuld af fristelser. Men hvad er det ved sladder, der er så uimodståeligt et samlingspunkt? Det diskuterer vi i denne uges afsnit af ‘Poptillægget’. Vi dykker ned i sladderens idéhistorie, taler om sladderens kønnede slagside, og så dvæler vi ved, om vi lever i sladderens storhedstid - eller opbrudstid. PANEL Felix Thorsen Katzenelson, kulturjournalist og kritiker på Politiken. Anbefaling: Læs bogen ’En mindre detalje’ af Adania Shibli. Nikita Klæstrup, popkulturekspert på Ekstra Bladet og vært på sladderpodcasten ’Bare mellem os’. Anbefaling: Se tv-serien ‘Kevin Can F**k Himself’ på Amazon Prime. Bodil Skovgaard Nielsen, kulturjournalist og kritiker på Information. Anbefaling: Lyt til Bob Dylan-albummet ’Blood On The Tracks’. Vært: Lucia Odoom. Anbefaling: Læs bogen ’Insula’ af Thomas Boberg. Redaktion: Lucia Odoom og Jonas Bach-MadsenSee omnystudio.com/listener for privacy information.

Lee is back after a month break with a short playlist covering some selections from his 31 days of horror watching he did in October. --Black Hair from "Kwaidan" (1964) --Toru Takemitsu --Suite from "Kuroneko Black Cat" (1968) --Hikaru Hayashi --Suite from "Lake of Dracula" (1971) --Richiro Manabe --Stealing the Exam & Art in the Dark from "Final Exam" (1981) --Gary S. Scott --Ghost Story from "Ghost Story" (1981) --Philippe Sarde --Do Something to Me from "Girls Nite Out" (1982) --Tommy James and the Shondells --The New Flesh from "Videodrome" (1983) --Howard Shore --Knifeplay from "The Monkey" (2025) --Edo Van Breemen & Jeffrey Innes --Do Lafzon Ki Hai Dil Ki Kahani from "The Monkey" (2025) --Amitabh Bachchan, Asha Bhosle & Sharad Kumar Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

Ein Folksänger, ein Rockmusiker, ein Jugendidol, das keines sein wollte. Bob Dylan hatte die Popmusik Ende der 1960er Jahren schon mehrfach stark geprägt mit seinen lyrischen und politischen Texten, mit kraftvoller Musik. Nach einem Motorradunfall hatte er sich mit seiner Familie in das Künstlerstädtchen Woodstock zurückgezogen. Nach dieser Pause weitete Dylan sein künstlerisches Schaffen aus: Countrymusik, Bluesrock, Bluegrass, Coverversionen – so manchen Fan irritierte er damit, ebenso wie mit folgenden radikalen Wendungen. Zwischenzeitlich trat er wieder mit „The Band“ auf und belebte alte und neue Werke mit kraftvoller Rockmusik. Mitte der 1970er Jahre schuf Dylan spätestens mit den Alben „Blood On The Tracks“ und „Desire“ neue Meilensteine, bittere Abschiedsgesänge, brennende Anklagen, zarte Balladen. Auf der sogenannten Rolling Thunder-Tournee versammelte er alte und neue Weggefährten und zog als chaotischer Musik-Wanderzirkus von Stadt zu Stadt. Aber Dylan stand auch da erst auf der Schwelle zu noch viel radikaleren Wendungen: ein Künstler, der weiter auf der Suche blieb. Musikliste: Nashville Skyline (1969): I Threw It All Away, Lady, Lady, Lay, Tonight I'll be staying here with you New Morning (1970): If Not For You, Day of the Locusts, Went to See the Gypsy, If dogs run free, New Morning, One more weekend, Three angels, Father of night Bob Dylan's Greatest Hits Vol. II (1971): Watching the river flow, When I paint my masterpiece, I shall be released Pat Garrett & Billy The Kid (1973): Knockin‘ on heaven's door Planet Waves (1974): On a night like this, Going, going, gone, Forever Young-Slow Version Blood On The Tracks (1975): Tangled up in blue, Simple twist of fate, You're a big girl now, You‘re gonna make me lonesome when you go, Shelter from the storm, Buckets of rain The Basement Tapes (1975): Tears of rage, This wheel's on fire Desire (1976): Hurricane, Isis, One more cup of coffee, Romance in Durango, Sara Street-Legal (1978): Changing oft he guards, Baby stop crying, Is your love in vain?, Senor, Where are you tonight? Compilations & Live-Alben: Before The Flood (1974) Bob Dylan At Budokan (1978) The Rolling Thunder Revue: The 1975 Live Recordings Unser Podcast-Tipp in dieser Folge: Mein Mensch – Begegnungen die das Leben verändern / https://1.ard.de/mein-mensch Autoren: Peter Urban und Ocke Bandixen

Giles has been to see a Bob Vylan gig. Bob Vylan are a punk rap duo who hit the headlines when the BBC broadcast their set live from Glastonbury, during which they led a chant of ‘death death to the IDF.' Performing round the corner at the forum in Kentish Town Giles went to see the gig, the various protest and counter protest groups and to talk to some strangers.If PM Sir Keir Starmer really is under threat who else could fill his shoes – Davina McCall, the artist formerly known as Prince Andrew? There is upheaval at the BBC as the DG and head of news resign on the same day…will Giles be sending in his CV for either of the roles?Finally, ‘Flesh' by David Szalay wins the booker prize, what's it about? Hosted on Acast. See acast.com/privacy for more information.

We're back reviewing the top albums of 1975 as per Rolling Stone. This time, we go straight to the top with their number 1 choice.Support the show

Our colleagues have just updated their award-winning true crime podcast, with explosive new developments. Just outside Australia's country music capital, a young man's body is found on the train tracks, surrounded by shattered Christmas presents and discarded wrapping paper. For decades, the mystery has haunted Tamworth. After Unravel's first season 'Blood on the Tracks' brought national attention to the case and won a Walkley award, a new inquest was launched. Now, Muruwari and Gomeroi journalist Allan Clarke returns to where it all began for Unravel, revisiting Tamworth and uncovering what's happened since, as the long-awaited final chapter of the story unfolds, and major new revelations are heard at the inquest.Hear the full story now by searching for the Unravel: Blood on the Tracks on ABC Listen or wherever you get your podcasts.

Lee's created yet another lazy playlist brought to you by the soundtrack/score music featured in various episodes of the They Must Be Destroyed On Sight! podcast. Next month Lee Van Teeth is taking over the show, so see you again in two months! --Peter's Trip from "The Trip" (1967) --The Electric Flag (Episode 316) --His Actions Speak Louder Than Words from "A Wounded Fawn" (2022) --The Tammy's (Episode 317) --Nothing's Gonna Hurt You Baby from "A Wounded Fawn" (2022) --Cigarettes After Sex (Episode 317) --Patrick Pt. 3 from "Patrick" (1978) --Goblin (Intermission # 51) --Atelier (Titoli) from "Blood and Black Lace" (1964) --Carlo Rustichelli (Episode 320) --Devil's Nightmare (Main Titles) from "The Devil's Nightmare" (1971) --Alessandro Alessandroni (Episode 320) --Marley & Marley from "The Muppet Christmas Carol" (1992) --Paul Williams; vocals by The Muppets (Episode 322) --Princes of the Universe from "Highlander" (1986) --Queen (Episode 324) --1, 2, 3, 4 from "The Matador" (2005) --TITAN (Episode 325) --Main Theme from "Bucktown" (1975) --Johnny Pate (Episode 327) --Quicksand from "Across 110th Street" (2025) --Bobby Womack (Episode 328) --Michoacan from "Cisco Pike" (1971) --Sir Douglas Quintet (Episode 329) --Terminator - Main Theme from "The Terminator" (1984) --Brad Fiedel (Episode 330) --Quentin Blue from "The Outfit" (1973) --Jerry Fielding; vocals by Steve Gillette (Episode 338) --One More Night from "Wolfs" (2024) --Phil Collins (Episode 340) --Afyon from "The Sicilian Connection" (1972) --Guido & Maurizio De Angelis (Episode 344) --No One Around to Hear It from "The Killing of a Chinese Bookie" (1974) --Bo Harwood & John Cassavetes (Episode 345) Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

With so many dozens of albums over so many wildly disparate eras, it can take a lifetime to truly get your arms around Bob Dylan. On this episode, Kirk is joined by two guests who have spent their lifetimes doing exactly that. Matt Sitman and Sam Adler-Bell, in addition to co-hosting the terrific political history podcast Know Your Enemy, are both lifelong Dylan fans. This spring, they came on the show to give listeners a tour of Dylan's many eras, and to give newcomers a place, or places, they might start getting to know him better.DYLAN SONGS DISCUSSED, IN RELEASE CHRONOLOGY“Blowin in the Wind”  and “Corrina, Corrina” from Freewheelin' Bob Dylan, 1963 (and as sung by Peter, Paul and Mary)“Like A Rolling Stone,” “Just Like Tom Thumb's Blues,” “From a Buick 6” from Highway 61 Revisisted, 1965“Subterranean Homesick Blues,” “Mr. Tambourine Man,” and “Outlaw Blues” from Bringing it All Back Home, 1965“Rainy Day Women #12 & 35” and “Pledging My Time” from Blonde on Blonde, 1966“All Along the Watchtower” and “I'll Be Your Baby Tonight” from John Wesley Harding, 1967“Lay, Lady, Lay” and “Girl from the North Country” (with Johnny Cash) from Nashville Skyline, 1969“Knockin' on Heaven's Door” from Pat Garret & Billy The Kid Original Soundtrack, 1973“Forever Young” from Planet Waves, 1974“Tangled Up in Blue” from Blood On The Tracks, 1975“Hurricane” and “Romance in Durango” from Desire, 1976“Changing of the Guards” from Street-Legal, 1978“Serve Somebody,” and “Do Right to Me Baby (Do Unto Others)” from Slow Train Coming, 1979“Saved” from Saved, 1980“The Groom's Still Waiting At the Alter” and “Lenny Bruce” from Shot of Love, 1981“Pressing On” and "Solid Rock" live in Toronto, 1980“Neighborhood Bully,” “Jokerman,” “Sweetheart Like You” from Infidels, 1983“Dark Eyes” from _Empire Burlesqu_e, 1985“Brownsville Girl” from Knocked Out and Loaded, 1986“Sylvio” from Down In The Groove, 1988“Everything Is Broken” and “Most of the Time” from Oh Mercy, 1989“Hard Times” from Good As I Been to You, 1992“Train of Love,” Johnny Cash tribute, 1999“Pay In Blood” from Tempest, 2012“I'm A Fool To Want You“ by Frank Sinatra, Jack Wolf, and Joel Herron from Shadows in the Night, 2015, and as recorded by Frank Sinatra“Polka Dots and Moonbeams” by Jimmy Van Heusen and Johnny Burke, from Fallen Angels, 2016“How Deep is the Ocean” by Irving Berlin from Triplicate, 2017“I've Made Up My Mind to Give Myself to You” from Rough and Rowdy Ways, 2020ALSO DISCUSSED/REFERENCED:The Know Your Enemy episode about Dylan's The Philosophy of Modern Song"Moonlight Mind" by Will Epstein and High Water from Crush, 2016"Lonely Woman" by Ornette Coleman from The Shape of Jazz to Come, 1959"Rainy Day Women #12 & 35" as recorded by Tom Petty and the HeartbreakersSam's review of A Complete Unknown in The NationBob Dylan: Expecting Rain websiteEpisode one, "Weather”, from Dylan's radio show Theme Time Radio Hour, featuring Muddy Waters on "Blow Wind, Blow”Audio from D.A. Pennebaker's 1967 documentary Bob Dylan: Don't Look BackAudio from Scorses's 2005 documentary No Direction Home: Bob DylanGUEST MUSIC PICKS:Sam: Lucinda Wiliams, Car Wheels on a Gravel Road, 1998Matt: Willie Nelson, Across the Borderline, 1993----LINKS-----

Here's your Daily dose of Human Events with @JackPosobiecGo to https://www.patriotmobile.com/poso/ or call 972-PATRIOT and get a FREE MONTH of service with promo code POSO.Support the show

Lee built a playlist of some of his favourite stuff from the recently departed Boris Claudio "Lalo" Schifrin. Rest in Peace. --Gone With the Wave from "Gone With the Wave" (1964) --Dark Intruder from "Dark Intruder" (1965) --Main Titles from "The Liquidator" (1965) -- with Dame Shirley Bassey --The Cincinnati Kid from "The Cincinnati Kid" (1965) -- with Ray Charles --Main Title & Iron Head from "Murderer's Row" (1966) --Suite from "Way... Way Out" (1966) --Theme from Mission: Impossible from "Mission: Impossible" (1966) --Them (Main Title) & Dripping Icicles from "The Fox" (1967) --Main Title from "Cool Hand Luke" (1967) --Main Title, A Song for Cathy & Music to Interrogate By from "Bullitt" (1968) --Main Title from "Coogan's Bluff" (1968) --Che! from "Che!" (1969) --Kelly's Heroes Theme from "Kelly's Heroes" (1970) --Main Title & Scorpio's View from "Dirty Harry" (1971) --Main Title from "Joe Kidd" (1972) --Main Title & The Big Battle from "Enter the Dragon" (1973) --Last of the Independents from "Charley Varrick" (1973) --Confrontation from "Magnum Force" (1973) --Main Title & The Eagle's Enemy from "The Eagle Has Landed" (1976) --Main Theme from "St. Ives" (1976) --Calliope of Death, Magic Carousel & Tension Rock from "Rollercoaster" (1977) --Opening Titles from "The Manitou" (1978) --Fast Moves & Training Montage 2 from "Battle Creek Brawl" (1980) --Main Title, Frisco Night & Cocktails of Fire from "Sudden Impact" (1983) --Osterman Weekend Theme from "The Osterman Weekend" (1983) --Main Title & Harpoon from "The Dead Pool" (1988) --The Real Rado/Rado Attacks/Rado Chase Rollie from "FX2" (1991) --Main Title from "Rush Hour" (1998) Opening and closing music: Notre côté B from "Gina" by Michel Pagliaro, and Bubble Gum Girl from "Gas-s-s-s" by Johnny & The Tornados.

Lee finishes off his look at the soundtracks and scores of North American-made slasher films from the 1990s, covering some of the stuff that rode the popularity of "Scream", the expected sequels, and other odds and ends. --A Young Man on the Edge & Final Confrontation from "I Know What You Did Last Summer" (1997) --John Debney --My Baby's Got the Strangest Ways from "I Know What You Did Last Summer" (1997) --Southern Culture on the Skids --Main Titles from "Office Killer" (1997) --Evan Lurie --End Credits from "Jack Frost" (1997) --Chris Anderson & Carl Schurtz --Cassandra Aria from "Scream 2" (1997) --Marco Beltrami --Red Right Hand from "Scream 2" (1997) --Nick Cave & The Bad Seeds --Right Place, Wrong Time from "Scream 2" (1997) --The Jon Spencer Blues Explosion --Opening Credits from "The Catcher" (1998) --Paul Amorosi --Plastic Love from "Bride of Chucky" (1998) --Graeme Revell --Sexual Act from "Urban Legend" (1998) --Christopher Young --Spookshow Baby from "Urban Legend" (1998) --Rob Zombie --Prelude & The Murder from "Psycho" (1998) --Danny Elfman --How Do I Deal & I Will Survive from "I Still Know What You Did Last Summer" (1998) --Jennifer Love Hewitt --On the Pier from "I Still Know What You Did Last Summer" (1998) --John Frizzell --Blue Monday from "I Still Know What You Did Last Summer" (1998) --Orgy --Main Title from "Halloween: H20" (1998) --John Ottman & Marco Beltrami --Opening Credits from "Kolobos" (1999) --William Kidd --Long Suffering from "Cherry Falls" (1999) --Walter Werzowa --Main Title from "Candyman 3: Day of the Dead" (1999) --Adam Gorgoni Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Mike Snider conducts a Bob Dylan Hall of Fame induction ceremony in this episode, enshrining the 1983 album Infidels, which is one of the artist's strongest albums of the eighties. He also inducts Dylan's landmark 1974 album, Blood on the Tracks, a highly personal and cathartic masterpiece. Rockin' the Suburbs on Apple Podcasts/iTunes or other podcast platforms, including audioBoom, Spotify, Google Podcasts, Amazon, iHeart,Stitcher and TuneIn. Or listen at SuburbsPod.com. Please rate/review the show on Apple Podcasts and share it with your friends. Visit our website at SuburbsPod.com Email Jim & Patrick at rock@suburbspod.com Follow us on the Threads, Facebook or Instagram @suburbspod If you're glad or sad or high, call the Suburban Party Line — 612-440-1984. Theme music: "Ascension," originally by Quartjar, next covered by Frank Muffin and now re-done in a high-voltage version by Quartjar again!  Visit quartjar.bandcamp.com and frankmuffin.bandcamp.com.

Lee is back with the second of his three-part look at slasher films from North America produced in the 1990s. As the genre went on to the middle of the decade it still seemed directionless, throwing whatever at the wall and seeing what sticks, and often just trying to do what worked in the 1980s... until a little film called "Scream" appeared on the scene. --Dylan Tells Heather About Chase & And Now Heeeere's Freddy from "Wes Craven's New Nightmare" (1994) --J. Peter Robinson --Grease Box from "Brainscan" (1994) --Tad --Brainscan Theme from "Brainscan" (1994) --George S. Clinton --Ending Theme from "Wicked Games" (1994) --R. M. Hoopes --Watching Mom from "Halloween: The Curse of Michael Myers" (1995) --Alan Howarth --Main & End Titles from "Children of the Corn 3: Urban Harvest" (1995) --Daniel Licht --Main Theme from "Ice Cream Man" (1995) --Richard Lyons --Theme from Jack-O from "Jack-O" (1995) --Jeff Walton --All Falls Apart from "Candyman II: Farewell to the Flesh" (1995) --Philip Glass --Whisper to a Scream from "Scream" (1996) --SoHo --Tatum's Torture from "Scream" (1996) --Marco Beltrami Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

The 1990s were a weird and often really interesting time for the slasher film genre. Join Lee as he navigates the often even weirder soundtracks and scores of those films in the first of a 3-part series. --He's Invisible from "The Invisible Maniac" (1990) --Dan Povenmire --Maniac Cop Rap from "Maniac Cop 2" (1990) --Jay Chattaway, Wayne Lammers and Peter Levin --I'll be Right There from "Prom Night 3: The last Kiss" (1990) --Paul Zaza --She's Gonna Freak You from "Prom Night 3: The Last Kiss" (1990) --Maestro Fresh-Wes --Women are Like That & Room at the Bottom from "Hard to Die" (1990) --Mr. Moderation --Main Theme from "Hard to Die" (1990) --Chuck Cirino --Opening Credits from "Slumber Party Massacre III" (1990) --Louis Chalif --Video Game Suite from "Freddy's Dead: The Final Nightmare" (1991) --Brian May --Virgin Girl from "Shock 'Em Dead" (1991) --Mark Freed & Robert Decker --Pocomania Day from "Popcorn" (1991) --Lovindeer & Chalice --Scary Scary Movies from "Popcorn" (1991) --Ossie D. and Stevie G. --Doctor, Heal Thyself from "Dr. Giggles" (1992) --Brian May --Happy Hell Night from "Happy Hell Night" (1992) --Slush Puppies --It Was Always You, Helen from "Candyman" (1992) --Phillip Glass --Main Titles from "Leprechaun" (1993) --Kevin Kiner --End Titles from "Jason Goes to Hell: The Final Friday" (1993) --Harry Manfredini --Talkin 'bout Aaargh from "Psycho Cop Returns" (1993) --Keep Left Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Henry McCullough of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Send us a textArchivist and field reporter Mary Anne Simpson sheds light on the secret war waged by J Edgar Hoover, the FBI, and "The Untouchables" against the American Hobo. She also unearths a prison interview from the early 80 about black blotter acid, and the notorious Kansas City Throw Rug incident. Written by Brett JarboeStarring Jamie Lee Hensley and Dan JoplingAfter this, I encourage you to listen toThicker Than Water, a new audio novel by yours truly. 11 hours of crime noir goodness, a savage tale of revenge, and family. I will be releasing the first couple of chapters right here, very soon. Its available for free on the patreon, but its also for sale! 10 bucks, no membership required. MUSIC BYSecret Birds – black teethHammer of Hathor – run run Lobo Loco – work wondersand jet fueled vixenYou can find them on freemusicarchive.orgPlease subscribe through Buzzsprout, Stitcher, Spotify, Podchaser, or iTunesFind me on social media on Instagram Facebook and Twitter, or email me direct at AScaryHomeCompanion@gmail.comSupport our PATREON page! And check out the Redbubble merch shop. Support the show

Lee decided to get back on the vanity project kick this month, covering yet more soundtracks and scores from those films made by someone with a singular and sometimes misguided cinematic vision. --Ain't Gwine To Whistle Dixie (Any Mo') from "Clay Pigeon" (1971) --Taj Mahal --Just You, Just Me from "The Groove Tube" (1974) --Ken Shapiro --Tuesday Afternoon from "The Astrologer" (1976) --The Moody Blues --No Way Back from "No Way Back" (1976) --The Dells --The Mancunian from "Grievous Bodily Harm" (1983) --John Agar (Cliff Twemlow) --Main Titles from "The Dark Side of Midnight" (1984) --Doug Holroyd --Heads Will Roll from "Rock 'n' Roll Nightmare" (1987) --Thor & The Tritonz --The Tower from "Miami Connection" (1987) --Jon McCallum --FleshEater Theme from "FleshEater" (1988) --Erica Portnoy --Living On The Edge from "Deadly Spygames" (1989) --Jack M. Sell, Adrianne Richmond & Hutch DeLoach --Jean Kayak and His Acme Applejack from "Hundreds of Beavers" (2022) --Wayne Frank Tews & The Seafield Monster Sextet --Deadly Nightshade from "Hundreds of Beavers" (2022) --Tim Souster --Lubricator from "Hundreds of Beavers" (2022) --Frank McDonald & Chris Rae Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

This month Lee has revenge on his mind... 1970s revenge to be specific. So, he created a playlist of music from various 1970s films that deal with revenge in some form or another. Do not transgress against this podcast or it might come back to get your ass! --Main Theme from "The Night Visitor" (1971) --Henry Mancini --Daughter of Loneliness from "Bury Me an Angel" (1971) --East-West Pipeline --Dedicated to Love from "She Killed in Ecstasy" (1971) --Manfred Hubler & Siegfried Schwab --Wait for the Rain from "Last House on the Left" (1972) --David Alexander Hess --Amen from "Thriller: A Cruel Picture" (1973) --Ralph Lundsten --Opening Titles from "Karate Girl" (1973) --Unknown --Party People from "Death Wish" (1974) --Herbie Hancock --Mothball Karate from "The Killer Elite" (1975) --Jerry Fielding --J'entends Frapper & Notre Côté B from "Gina" (1975) --Michel Pagliaro --A Flower's All You Need from "The Night Train Murders" (1975) --Ennio Morricone & Demis Roussos --Di Corsa Oltre I Cento from "Hitch-Hike" (1977) --Ennio Morricone --Garrote from "The Farmer" (1977) --Hugo Montenegro --Max the Hunter & Max Decides on Vengeance from "Mad Max" (1979) --Brian May --The Glove from "The Glove" (1979) --Robert O. Ragland, vocals by Ernie Andrews Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Dimitri and Khalid dive into the heart of the Molly Maguire story in 1870s Schuylkill County, Pennsylvania, including: the simultaneous rise of the first successful labor union for miners (Irish-Catholic John Siney's Workingmen's Benevolent Association) and the charismatic Irish-American (Protestant) industrialist wunderkind Franklin B. Gowen, Gowen's sinister HOTGAF plans for the Reading Railroad (crushing the independent owner-operators, bribing the State Senate, price-gouging everyone, implying the WBA is controlled by a murderous global Irish-Catholic cabal), the brutal Long Strike of 1875, bloody clashes between Irish workers and Nativist "vigilance committee" death squads, the two-year infiltration of Irish Pinkerton detective James McParlan into the innermost circles of the Molly Maguires, and more. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

NFL Free Agency, Attempted Murder on The Track, College Hoops Heating UP!

Lee caps off Black History Month with another Blaxploitation playlist for your listening pleasure, in a slightly shorter episode than usual (hey, it's a short month). --Call Me Mister Tibbs (Main Title) from "They Call Me Mister Tibbs" (1970) --Quincy Jones --Coffin Ed and Grave Digger & Cotton Comes to Harlem from "Cotton Come to Harlem" (1970) --Galt MacDermot; vocals by George Tipton --Main Theme from "Hammer" (1972) --Solomon Burke --Hit Man (What You Gonna Do) from "Hit Man" (1972) --H.B. Barnum --Tell That Man to Go to Hell & Hot Wheels (The Chase) from "Gordon's War" (1973) --Badder Than Evil --Newness in Rhythm (Throw a Punch at Me) from "Detroit 9000" (1973) --Luchi De Jesus --Three Hoods from "Sheba Baby" (1975) --Monk Higgins --Main Title & WW III from "Friday Foster" (1975) --Luchi De Jesus; vocals on Main Title by Ward L. Chandler --Pool Hall Rock from "Cleopatra Jones and the Casino of Gold" (1975) --Dominic Frontiere --End Credits from "Joshua" (1976) --Mike Irwin --Ghetto St. U.S.A. (Vocal) from "Petey Wheatstraw" (1977) --Nat Dove & The Devils with Mary Love. Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

How many podcasts must a listener download before they can hear about Bob Dylan? The answer, my friend, is blowin' in the wind......actually it's probably anytime you damn well like. Welcome to episode 182 of Love That Album podcast. There are tons of Bob Dylan specialist podcasts out there....why on earth would I feel the need to add to the contemplation and rumination about Bob already being discussed? A fair question....not one I'm sure I have the answer to. How's this? I love his second 1970 album New Morning, and so do my guests, Shane Pacey (maestro guitarist of the Bondi Cigars and Shane Pacey Trio) and Brett Vargo (of the Only Three Lads Podcast). There are people with doctorates earned for determining the religious subtext of Bob Dylan's “Can you Please Crawl Out your Window”.....we're not in that league. We're just three music lovers who have thoughts about Dylan's music, what the apparent meaning of a pineapple on your front lawn is, and, what the connection is between Dylan and Sesame Street Fever is....and we're not afraid to talk to you about it – have at it, Dylanophiles. We had a lot of fun discussing New Morning, an album that while generally liked, is not seen in the league of Highway 61 Revisited or Blood On The Tracks. Should it be? I don't think we answer that, but we give you plenty to pontificate on why the album deserves a place in any music lover's heart, not just Dylan fans. My gratitude to regular guest Shane Pacey....he took his place at the virtual table under difficult circumstances, and I appreciate him all the more for it. He's a regular on this show because he's brilliant with music discussion. You can find out all sort sorts of stuff about him at either https://bondicigars.com/ or https://shanepaceytrio.com.au/ I also express gratitude to first time (really second time, but don't let that confuse you) LTA guest Brett Vargo. Only 3 Lads is also part of the Pantheon Network of music discussion podcasts, and is compulsory listening for me every week (I'm not exaggerating...it really is). On your favourite podcast app or at https://podcasts.apple.com/us/podcast/only-three-lads-classic-alternative-music-podcast/id1499018289 Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices

How many podcasts must a listener download before they can hear about Bob Dylan? The answer, my friend, is blowin' in the wind......actually it's probably anytime you damn well like. Welcome to episode 182 of Love That Album podcast. There are tons of Bob Dylan specialist podcasts out there....why on earth would I feel the need to add to the contemplation and rumination about Bob already being discussed? A fair question....not one I'm sure I have the answer to. How's this? I love his second 1970 album New Morning, and so do my guests, Shane Pacey (maestro guitarist of the Bondi Cigars and Shane Pacey Trio) and Brett Vargo (of the Only Three Lads Podcast). There are people with doctorates earned for determining the religious subtext of Bob Dylan's “Can you Please Crawl Out your Window”.....we're not in that league. We're just three music lovers who have thoughts about Dylan's music, what the apparent meaning of a pineapple on your front lawn is, and, what the connection is between Dylan and Sesame Street Fever is....and we're not afraid to talk to you about it – have at it, Dylanophiles. We had a lot of fun discussing New Morning, an album that while generally liked, is not seen in the league of Highway 61 Revisited or Blood On The Tracks. Should it be? I don't think we answer that, but we give you plenty to pontificate on why the album deserves a place in any music lover's heart, not just Dylan fans. My gratitude to regular guest Shane Pacey....he took his place at the virtual table under difficult circumstances, and I appreciate him all the more for it. He's a regular on this show because he's brilliant with music discussion. You can find out all sort sorts of stuff about him at either https://bondicigars.com/ or https://shanepaceytrio.com.au/ I also express gratitude to first time (really second time, but don't let that confuse you) LTA guest Brett Vargo. Only 3 Lads is also part of the Pantheon Network of music discussion podcasts, and is compulsory listening for me every week (I'm not exaggerating...it really is). On your favourite podcast app or at https://podcasts.apple.com/us/podcast/only-three-lads-classic-alternative-music-podcast/id1499018289 Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWelcome to Season 10! In this episode — fitting for Valentine's Day weekend — we dive into one of my favourite Bob Dylan songs, "Simple Twist Of Fate," in celebration of the 50th anniversary of the release of 'Blood On The Tracks,' the album it hails from.Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Lee tries to start off 2025 on a positive note with a playlist from everyone's favourite Italian brother duo, Guido & Maurizio De Angelis. If you're counting, this is the fourth time Lee has done a show covering the work of the prolific brothers (search the archives on Podbean for parts 1-3), be it under their names, Oliver Onions, or some of the lesser known pseudonyms they've used over the decades. In many cases, this list features instrumental versions of songs Lee has used in previous episodes, and Lee does much less talking than in previous installments of this series. This makes for an easier episode to put together for Lee, and more music for you the listener. It's like you won a new shiny red dune buggy! --Across the Fields & Dune Buggy (Instrumental) from "Watch Out, We're Mad!" (1974) --Driving All Around (Instrumental) & Goodbye My Friend (Rock Version) from "Street Law" (1974) --Afyon (Instrumental) from "The Sicilian Connection" (1974) --Sliding Crime from "Violent Rome" (1975) --Flat Foot Cop from "Flatfoot in Hong Kong" --Suspense from "Hit Squad" (1976) --E Nun ce vojo sta from "Hit Squad" (1976) --Alberto Griso --Verso l'avventura from "Soldier of Fortune" (1976) --Ultimo Inseguimento & Agguato from "The Big Racket" (1976) --Miss Robot from "Bulldozer" (1978) --In Africa, Freedom (Single Side A Alt Mix), Diamonds #2 & African Disco from "Flatfoot in Africa" (1978) Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Einige Kritiker bezeichnen "Blood On The Tracks" als das beste Album von Bob Dylan. Aber was genau macht diese Platte eigentlich aus und was macht sie zum Meilenstein? In der legendären Top-500-Liste des Rolling-Stone-Magazins hat Dylans Album "Blood On The Tracks" es sogar in die Top Ten geschafft. Genauer gesagt auf Platz neun der 500 besten Alben aller Zeiten. Musikalisch kehrt Bob Dylan mit dieser Platte zurück zur Folkmusik und auch zurück zur Akustikgitarre. In der Zeit vor dem Album hat Bob Dylan zu einem neuen, sehr inspirierenden Hobby gefunden. Er hat einen Malkurs belegt, der ihn sehr stark beeinflusst hat, erzählt SWR1 Musikredakteur Benjamin Brendebach im Podcast: "Für Dylan wurde diese Malerei zu einem Schicksalshobby, denn es hat auch sein Denken und seine Sicht auf die Welt extrem verändert." Mit Mitte 30 hatte Bob Dylan schon unglaublich viel erlebt. "Blood On The Tracks" war schon sein 15. Studioalbum. Er hatte mit seiner Ehefrau Sarah schon vier Kinder bekommen, hatte einen schweren Motorradunfall überlebt, David Bowie hatte einen Song über ihn geschrieben und er war eng verbunden mit den Beatles. Zum einen mit John Lennon und zum anderen hatte er auch schon mit George Harrison sein "Concert for Bangladesh" gespielt und noch vieles mehr. Und nach seiner rockigen Phase und seiner Pause holt Bob Dylan mit diesem Album die Folkgitarre wieder hervor und schaut auf sein Leben zurück, erklärt SWR1 Musikredakteurin Katharina Heinius. Was dieses Album so besonders macht, ist, dass es "ein Dylan Album ist und ein Dylan Album bleibt", so beschreibt es SWR1 Musikredakteur Benjamin Brendebach. Gemeint ist damit, dass dieses Album wirklich großartige Songs hat, die nie wirklich zu offiziellen Chart-Hits geworden sind, weder in der Version von Bob Dylan selbst noch als eine der zahlreichen Coverversionen. __________ Über diese Songs vom Album "Blood On The Tracks" wird im Podcast gesprochen (09:48) – "Tangled Up In Blue"(30:31) – "Simple Twist Of Fate"(43:25) – "Idiot Wind"(50:50) – "Lily, Rosemary And The Jack Of Hearts"(58:38) – "Shelter From The Storm"__________ Alle Shownotes und weiterführenden Links zur Folge "Blood On The Tracks" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/bob-dylan-blood-on-the-tracks-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

El 20 de enero de 1975 se lanzó “Blood on the tracks”, el 15º álbum de Bob Dylan, uno de los grandes discos del siglo XX. Gestado en plena desintegración de su matrimonio, Dylan regresó en este trabajo a las canciones acústicas y melódicas para juntar una colección de relatos que sirvieron para reflejar el dolor, la tristeza, la pérdida o el arrepentimiento. Su forma de conectar con el oyente y de lidiar frente a la oscuridad convirtieron esta obra en un bálsamo sonoro y universal.Playlist;BOB DYLAN “Tangled up in Blue”BOB DYLAN “Simple twist of fate”BOB DYLAN “You’re a big girl now”BOB DYLAN “Idiot wind”BOB DYLAN “You’re gonna make me lonesome when you go”BOB DYLAN “Meet me in the morning”BOB DYLAN “Lily, Rosemary and the Jack of Hearts”BOB DYLAN “If you see her, say hello”BOB DYLAN “Shelter from the storm”BOB DYLAN “Buckets of rain”Escuchar audio

Lee finally broke down and did the obvious for the Christmas season, and built a playlist featuring movies set during the Christmas season. This time out they all happen to be from movies in the 1980s, and mostly Christmas horror. Of course, due to the release schedule of this podcast, it's a few days late. Ho, ho, ho. --Suite from "Christmas Evil" (1980) --Don Christenson, Joel Harris, & Julia Heywood --End Theme from "To All a Good Night" (1980) --Richard Tufo --Main Title from "The Dorm the Dripped Blood" (1982) --Christopher Young --Ming the Merciless from "A Christmas Story" (1983) --Paul Zaza --Too Many Gremlins; The Fountain/Stripe's Death; The Gremlin Rag from "Gremlins" (1984) --Jerry Goldsmith --Naughty from "Silent Night, Deadly Night" (1985) --Perry Botkin Jr. --Theme from "Silent Night, Deadly Night Part 2" (1987) --Michael Armstrong --I Can Take Anything from "Planes, Trains and Automobiles" (1987) --E.T.A. --Christmas in Hollis from "Die Hard" (1988) --Run DMC --Let it Snow from "Die Hard" (1988) --Vaughn Monroe --Christmas Vacation from "National Lampoon's Christmas Vacation" (1989) --Mavis Staples Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Bob Dylan's Blood on the Tracks. They'll hear from a musician who played on the record and talk with two music writers about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Beyoncé, "16 CARRIAGES," Cowboy Carter, Columbia, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This show is a small dream come true for Rich. Fifty years ago next week, Bob Dylan called a small group of Twin Cities musicians together to record a few tracks for his forthcoming album, Blood on the Tracks. The product of those sessions was one half of Rich’s favorite album, and also his favorite […]

En 1975, Bob Dylan entregó uno de los discos fundamentales de su catálogo y de la música popular. Blood on the tracks es un relato íntimo de su divorcio y una de las piezas de música que demuestran el real legado de este cantautor norteamericano y premio Nobel de Literatura.

Yas Rana, Phil Walker and Katya reflect on England's thumping of New Zealand and Australia's dominant performance against India in Adelaide. There's also chat about the race for the World Test Championship final and a new issue of Wisden Cricket Monthly, while Mark Butcher joins Yas to discuss Zak Crawley, Harry Brook and England's top seven conundrum. 0:00 Intro / 1:42 Brydon Carse / 12:45 Harry Brook / 16:20 Ollie Pope / 22:49 Jacob Bethell / 30:19 England's top seven / 41:50 Gus Atkinson / 43:12 New Zealand / 49:31 Rob Key / 55:47 Mark Butcher on NZvENG / 1:13:11 Australia vs India / 1:27:41 South Africa vs Sri Lanka / 1:31:47 Wisden Cricket Monthly / 1:38:22 Blood On The Tracks / 1:52:09 Outro ✈️ GULLIVERS SPORTS TRAVEL Experience the 2025/26 Ashes with Gullivers Sports Travel: https://bit.ly/3CIzmrp

Lee comes back this month with a collection of odds and ends for the playlist, reflective of what he's been watching the last two months. Mostly it's music from his 31 Days of Horror watching, but there's a few non-horror selections from November. --My Own Robot from "The Swamp of the Ravens" (1974) --Joaquín Torres --Origin/Man Torn Apart & Fight to the Death from "Wolf Guy" (1975) --Hiroshi Baba --Theme from "Stunt Squad" (1977) --Stelvio Cipriani --The Night the Screaming Stops from "Possession" (1981) --Andrzej Korzynski --Theme from "Exterminators of the year 3000" (1983) --Detto Mariano --Is it Really Love from "Codename: Vengeance" (1987) --Steven McClintock --St. Mark's Place Scurry & Toilet Murder from "Brain Damage" (1988) --Gus Russo --Stigmata Martyr from "Night of the Demons" (1988) --Bauhaus --Theme from Narrow Margin from "Narrow Margin" (1990) --Bruce Broughton --Make the Call from "Heist" (2001) --Théodore Shapiro --Ironclad from "The Score" (2001) --Howard Shore --Tiny Little Pieces & Falling in Love from "Hellbender" (2021) --H6llb6nd6r Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Judeu Ateu, Estranho e Boxa seguem a tradição do Mangá² e falam do último mangá completo lançado por Shuzo Oshimi, um dos autores xodós do podcast! Neste programa, Chi no Wadachi (ou Blood on the Tracks) e sua arte expressiva de sentimentos, seus temas de relação parental, relações abusivas, e o que vem após isso. Este é um mangá do quadro Mangá Enquadrado, no qual é feita uma análise completa do mangá, e com spoilers!Apoie o AoQuadrado² no APOIA.seCronologia do episódio(00:00:00) Chi no Wadachi / Blood on the Tracks(01:07:15) Recomendação da Semana – Let’s Go Karaoke!

Shuzo Oshimi's latest is painful, but is it interesting in spite of that?   Want more reviews, check out:  https://comicpicksbytheglick.com

This month, as we get closer to spooky season, Lee has crafted a quick and dirty playlist revolving around vampire films from the 1970s. Greats like Dracula, Yorga, Barlow, Blacula, and several other lesser known blood suckers are featured. Lee talks less than usual on this one, so you the listener gets to the music faster! The Wolfman Lee Van Teeth is taking over next month for his annual Halloween show, so catch you all again in November. --Attack in the Woods from "The Vampire Lovers" (1970) --Harry Robinson --Wings of Death from "Scars of Dracula" (1970) --James Bernard --Blue Doll Baroque & Blue Quadrant from "The Nude Vampire" (1970) --Yvon Gerault --Le Frisson Des Vampires & The Memory of Eternal Darkness from "The Shiver of of the Vampires" (1971) -- --Psycho Contract Nr.1 from "Vampyros Lesbos" (1971) --Vampire Sound Inc. --Amour Sur Les Rails & Les Lèvres Rouges from "Daughters of Darkness" (1971) --François de Roubaix --Yorga's Storm from "Count Yorga, Vampire" (1971) --Bill Marx --The Night Stalker Theme/Kolchak at the Scene/Showdown from "The Night Stalker" (1972) --Robert Cobert --Blacula Strikes! from "Blacula" (1972) --Gene Page --Opening Theme & Torment from "Scream, Blacula Scream" (1973) --Bill Marx --You Got to Learn to Let it Go from "Ganja & Hess" (1973) --Sam Waymon --The Dream from "Lust for a Vampire" (1974) --Harry Robertson --Main Titles from "Captain Kronos – Vampire Hunter" (1974) --Laurie Johnson --More Blood from "Blood for Dracula" (1974) --Claudio Gizzi --The Calling from "Martin" (1977) --Donald Rubinstein --And Now Straker & Ralph is Floating from "Salem's Lot" (1979) --Harry Sukman --Fascination from "Fascination" (1979) --Philippe D'Aram --Mantra II (Choir) from "Nosferatu the Vampire" (1979) --Popol Vuh Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Another busy month equals another TMBDOS! Grab Bag episode of Blood on the Tracks! That's where Lee does the very lazy thing of building this episode's playlist from tracks found on official episodes of the They Must Be Destroyed On Site! podcast, and does very little talking about the music, if any at all. This playlist covers soundtrack and score selections found in various episodes between 265 and 314. Enjoy! --Self Destruction from "Predator" (1987) --Alan Silvestri (Episode 265) --Brainscan (Main Theme) from "Brainscan" (1994) --George S. Clinton (Intermission #42) --Music at the Mall from "Cyborg" (1989) --Kevin Bassinson (Episode 275) --Medusa from "Clash of the Titans" (1981) --Laurence Rosenthal (Episode 279) --Piruliruli from "Little Rita of the West" (1967) --Rita Pavone & Lucio Dalla (Episode 281) --The Children from "Mad Max: Beyond Thunderdome" (1985) --Maurice Jarre (Episode 287) --Inseguita from "Baron Blood" (1972) --Stelvio Cipriani (Episode 288) --Troglomen from "When Men Carried Clubs and Women Played Ding-Dong" (1971) --Alluminogeni (Episode 292) --Vulcain from "Rabid" (1977) --Claude Vasori (Episode 297) --Running on the Beach from "Nightmare Beach" (1989) --Claudio Simonetti (Intermission #45) --Main Theme from "Dracula A.D. 1972" (1972) --Michael Vickers (Episode 298) --Main Title from "The Satanic Rites of Dracula" (1973) --John Cacavas (Episode 298) --You & Me from "Freebie and the Bean" (1974) --Dominic Frontiere & Bobby Hart (Episode 302) --Knights of the Night from "Opera" (1987) --Steel Grave (Episode 309) --Cowboy's Attack from "Battle Beyond the Stars" (1980) --James Horner (Episode 310) --Green Rocky Road from "Targets" (1968) --The Daily Flash (Episode 314) Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods. --Main Theme from "Bigfoot" (1970) --Richard Podolor --The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith --Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter --Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York --Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr. --High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps --Suite from "Snowbeast" (1977) --Robert Prince --What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough --Main Title from "Return to Boggy Creek" (1977) --Darrell Deck --Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians --My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends --Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends --Suite from "Night of the Demon" (1980) --Dennis McCarthy --Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker --Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?) --Main & End Titles from "Demon Warp" (1988) --Dan Slider Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Send us a Text Message.What could be considered Dylan's high water mark in the 70's, Blood on the Tracks is Dylan at his lyrical best. We've got our first father/son guest pairing with show regular Christopher Clark, and his father Kevin, helping us navigate through the world of Bob Dylan in the 70's!Support the Show.Follow us: Instagram Facebook Watch us on YouTube!

Lee is back to cover musical selections from the films in the later half of Roger Corman's directing career, between the years 1963 to 1990. --End Title from "The Raven" (1963) --Les Baxter --Main Theme from "The Haunted Palace" (1963) --Ronald Stein --Main Title Theme from "The Terror" (1963) --Ronald Stein --Prince Prospero & Prospero's Court from "The Masque of the Red Death" (1964) --David Lee --Main Title & End Title from "The Tomb of Ligeia" (1964) --Kenneth Jones --End Credits from "The Man with the X-Ray Eyes" (1963) --Les Baxter --Theme from The Wild Angels from "The Wild Angels" (1966) --The Visitors --Blue's Theme; Bongo Party; & The Wild Angels Ballad (Dirge) from "The Wild Angels" (1966) --Davie Allen and The Arrows --Midnight Rider from "The Wild Angels" (1966) --The Hands of Time --A Little Head; Flash, Bam, Pow; & Gettin' Hard from "The Trip" (1967) --The Electric Flag --Main Title from "The St. Valentines Day Massacre" (1967) --Fred Steiner --Dance Party & Wild Racers Theme from "The Wild Racers" (1968) --The Sidewalk Sounds --Opening Titles from "Target Harry" (1969) --Les Baxter --Bloody Mama from "Bloody Mama" (1970) --Big Foot --Bubble Gum Girl from "Gas-s-s-s" (1970) --Johnny & The Tornados --This is the Beginning from "Gas-s-s-s" (1970) --Robert Corff --Deathsport from "Deathsport" (1978) --Andy Stein --Main Titles from "Frankenstein Unbound" (1990) --Carl Davis Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

In this episode Lee pays tribute to the late Roger Corman by covering the soundtracks and scores of several of his directorial credits. In this first of a planed two-part series, the years 1957 to 1962 are looked at. --Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein --Main Title from "Not of this Earth" (1957) --Ronald Stein --The Creep from "Carnival Rock" (1957) --The Shadows --Rock All Night & Rock 'n' Roll Guitar from "Rock All Night" (1957) --The Blockbusters --Main Titles from "Teenage Doll" (1957) --Walter Greene --Main Title from "Sorority Girl" (1957) --Ronald Stein --Hurry from "War of the Satellites" (1958) --Walter Greene --Suite from "Viking Women and the Sea Serpent" (1958) --Albert Glasser --Main Title & End Title from "Machine Gun Kelly" (1958) --Gerald Fried --Folk Song from "I, Mobster" (1959) --Gerald Fried --Suite from "A Bucket of Blood" (1959) --Fred Katz --Main Title from "The Wasp Woman" (1959) --Fred Katz --Main Title from "The Little Shop of Horrors" (1960) --Fred Katz --Completely Insane & Madeline's Brother from "House of Usher" (1960) --Les Baxter --Creature from the Haunted Sea from "Creature from the Haunted Sea" (1961) --Fred Katz & Betsy Jones-Moreland --Main Title from "The Pit and the Pendulum" (1961) --Les Baxter --End Title from "Tales of Terror" (1962) --Les Baxter --Suite from "The Premature Burial" (1962) --Ronald Stein --Main Title from "The Intruder" (1962) --Herman Stein Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

We are back in the month of February with Werewolf the Series two more episodes of the cancelled too soon horror series. Hope you have enjoyed the ride on this furry train so far. Its been a great show to revisit and brings back great memories 15 Eric befriends a former prizefighter hiding from the […]

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Discover the dark side of human nature with Blood on the Tracks.This true crime book takes you on a journey through the most heinous murder cases in history, including unsolved mysteries that will leave you wondering.Each story is expertly researched and crafted to provide a captivating account of the events leading up to the crime and the investigation that followed.From the infamous Thanksgiving Massacre to the shocking case of the Vanishing Bride & Groom, to the unbelievable story of a Dominatrix and her Doppelgänger, Blood on the Tracks leaves no stone unturned.As you turn each page, you'll feel the tension and suspense build as you try to piece together the clues and solve the case alongside the investigators.Don't miss out on this captivating journey through the world of murder and mystery. BLOOD ON THE TRACKS: Real-Life Tales of Murder and Mystery-Rod KackleyThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3269715/advertisement