Podcasts about Blood on the Tracks

The 1990s were a weird and often really interesting time for the slasher film genre. Join Lee as he navigates the often even weirder soundtracks and scores of those films in the first of a 3-part series. --He's Invisible from "The Invisible Maniac" (1990) --Dan Povenmire --Maniac Cop Rap from "Maniac Cop 2" (1990) --Jay Chattaway, Wayne Lammers and Peter Levin --I'll be Right There from "Prom Night 3: The last Kiss" (1990) --Paul Zaza --She's Gonna Freak You from "Prom Night 3: The Last Kiss" (1990) --Maestro Fresh-Wes --Women are Like That & Room at the Bottom from "Hard to Die" (1990) --Mr. Moderation --Main Theme from "Hard to Die" (1990) --Chuck Cirino --Opening Credits from "Slumber Party Massacre III" (1990) --Louis Chalif --Video Game Suite from "Freddy's Dead: The Final Nightmare" (1991) --Brian May --Virgin Girl from "Shock 'Em Dead" (1991) --Mark Freed & Robert Decker --Pocomania Day from "Popcorn" (1991) --Lovindeer & Chalice --Scary Scary Movies from "Popcorn" (1991) --Ossie D. and Stevie G. --Doctor, Heal Thyself from "Dr. Giggles" (1992) --Brian May --Happy Hell Night from "Happy Hell Night" (1992) --Slush Puppies --It Was Always You, Helen from "Candyman" (1992) --Phillip Glass --Main Titles from "Leprechaun" (1993) --Kevin Kiner --End Titles from "Jason Goes to Hell: The Final Friday" (1993) --Harry Manfredini --Talkin 'bout Aaargh from "Psycho Cop Returns" (1993) --Keep Left Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Sim, é verdade. Temos um novo KrameriKast Klassic. Deve ter ouvinte que nem sabe o que era essa série de episódios... E esse é um dos que mais me deram orgulho de ter feito por diversos motivos.Em primeiro lugar, eu estava adiando de fazê-lo há não menos que 3 anos, nunca me senti digno de falar dessa obra. Além disso, ainda que pessoalmente eu o considere um pouco superestimado em relação a outros de Dylan, é um álbum muito especial para mim, tendo minha música favorita, "Idiot Wind". Devo muito ao Bob Dylan pela minha personalidade, mas isso aqui é uma questão mais pessoal. Blood on the Tracks é notoriamente associado ao relacionamento de Dylan com sua musa, a ex-coelhinha da Playboy Sara Dylan, ainda que em sua autobiografia ele o tenha negado. Também tenho minhas dúvidas, e acredito que outros também, afinal nos últimos anos se tornou a obra mais renomada de Dylan, talvez pela década mais sensível em detrimento dos anos 2000 e 1990 mais irreverentes.Sendo uma obra mais pessoal e íntima, não foquei tanto na parte musical e sim na biografia e contexto das músicas.Foi um tanto complicado juntar todas as ideias que tive para esse episódio, usei de referência Richard F. Thomas, Michael Gilmour, Scott Marshall, Jonathan Cott e, claro, o próprio Dylan. Estou genuinamente orgulhoso do resultado final, espero não ter vergonha dele daqui a uns dois ou três anos.Visite: https://kramericast.xyzDoe: https://kramericast.xyz/donate.htmlCrie conta no Odysee: https://odysee.com/$/invite/@Monk's:eEntre no espaço do Matrix: https://matrix.to/#/#raro-e-diferente:matrix.orgCanal do Telegram: https://t.me/raroediferenteRedes sociais: https://kramericast.xyz/links.html

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Henry McCullough of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Dylan Jones – writer, former editor of i-D, Arena and GQ - was 15 in 1975 and dressed like Jimmy McCulloch of Wings (“a lot of denim and silk scarves”), a time he thinks had enormous influence on the following five decades. There are many highlights in his latest book ‘1975: The Year The World Forgot', a lot of them discussed here with David and Mark, including … … the lasting impact of the cover of Patti Smith's Horses. … the “frightening” Millie Jackson, 50 years ahead of her time. … why Blood On The Tracks was the first middle-aged rock album.  … the information black-out and the value of the ‘70s rock press - particularly Street Life – for such experimental music. … how the sarcasm of Steely Dan still feels contemporary – “Donald Trump is a figure they could have made up 50 years ago”. … the three key rhythms of the ‘70s – Fela Kuti's afro-beat, James Brown's funk and Klaus Dinger's Neu!-beat. … the reason Donna Summer's Love To Love You Baby is 17 minutes long. … how Brian Eno's accident led to the birth of ambient music.  … “writing about pop music allows you to write about anything”. … how the sophistication and intellect of the mid-‘70s was pilloried in Punk's Year Zero. … the Quiet Storm genre - aka “foreplay music” – from Sade to Smokey Robinson and Marvin Gaye. ... the unrecognised power of the female record-buyer and the sexism of the rock press. … and the greatest record of 1975! Pre-order ‘1975: The Year The World Forgot' here:https://www.amazon.co.uk/1975-World-Forgot-Dylan-Jones/dp/1408721988Help us to keep the conversation going by joining our worldwide Patreon community: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Send us a textArchivist and field reporter Mary Anne Simpson sheds light on the secret war waged by J Edgar Hoover, the FBI, and "The Untouchables" against the American Hobo. She also unearths a prison interview from the early 80 about black blotter acid, and the notorious Kansas City Throw Rug incident. Written by Brett JarboeStarring Jamie Lee Hensley and Dan JoplingAfter this, I encourage you to listen toThicker Than Water, a new audio novel by yours truly. 11 hours of crime noir goodness, a savage tale of revenge, and family. I will be releasing the first couple of chapters right here, very soon. Its available for free on the patreon, but its also for sale! 10 bucks, no membership required. MUSIC BYSecret Birds – black teethHammer of Hathor – run run Lobo Loco – work wondersand jet fueled vixenYou can find them on freemusicarchive.orgPlease subscribe through Buzzsprout, Stitcher, Spotify, Podchaser, or iTunesFind me on social media on Instagram Facebook and Twitter, or email me direct at AScaryHomeCompanion@gmail.comSupport our PATREON page! And check out the Redbubble merch shop. Support the show

Lee decided to get back on the vanity project kick this month, covering yet more soundtracks and scores from those films made by someone with a singular and sometimes misguided cinematic vision. --Ain't Gwine To Whistle Dixie (Any Mo') from "Clay Pigeon" (1971) --Taj Mahal --Just You, Just Me from "The Groove Tube" (1974) --Ken Shapiro --Tuesday Afternoon from "The Astrologer" (1976) --The Moody Blues --No Way Back from "No Way Back" (1976) --The Dells --The Mancunian from "Grievous Bodily Harm" (1983) --John Agar (Cliff Twemlow) --Main Titles from "The Dark Side of Midnight" (1984) --Doug Holroyd --Heads Will Roll from "Rock 'n' Roll Nightmare" (1987) --Thor & The Tritonz --The Tower from "Miami Connection" (1987) --Jon McCallum --FleshEater Theme from "FleshEater" (1988) --Erica Portnoy --Living On The Edge from "Deadly Spygames" (1989) --Jack M. Sell, Adrianne Richmond & Hutch DeLoach --Jean Kayak and His Acme Applejack from "Hundreds of Beavers" (2022) --Wayne Frank Tews & The Seafield Monster Sextet --Deadly Nightshade from "Hundreds of Beavers" (2022) --Tim Souster --Lubricator from "Hundreds of Beavers" (2022) --Frank McDonald & Chris Rae Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

This month Lee has revenge on his mind... 1970s revenge to be specific. So, he created a playlist of music from various 1970s films that deal with revenge in some form or another. Do not transgress against this podcast or it might come back to get your ass! --Main Theme from "The Night Visitor" (1971) --Henry Mancini --Daughter of Loneliness from "Bury Me an Angel" (1971) --East-West Pipeline --Dedicated to Love from "She Killed in Ecstasy" (1971) --Manfred Hubler & Siegfried Schwab --Wait for the Rain from "Last House on the Left" (1972) --David Alexander Hess --Amen from "Thriller: A Cruel Picture" (1973) --Ralph Lundsten --Opening Titles from "Karate Girl" (1973) --Unknown --Party People from "Death Wish" (1974) --Herbie Hancock --Mothball Karate from "The Killer Elite" (1975) --Jerry Fielding --J'entends Frapper & Notre Côté B from "Gina" (1975) --Michel Pagliaro --A Flower's All You Need from "The Night Train Murders" (1975) --Ennio Morricone & Demis Roussos --Di Corsa Oltre I Cento from "Hitch-Hike" (1977) --Ennio Morricone --Garrote from "The Farmer" (1977) --Hugo Montenegro --Max the Hunter & Max Decides on Vengeance from "Mad Max" (1979) --Brian May --The Glove from "The Glove" (1979) --Robert O. Ragland, vocals by Ernie Andrews Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Dimitri and Khalid dive into the heart of the Molly Maguire story in 1870s Schuylkill County, Pennsylvania, including: the simultaneous rise of the first successful labor union for miners (Irish-Catholic John Siney's Workingmen's Benevolent Association) and the charismatic Irish-American (Protestant) industrialist wunderkind Franklin B. Gowen, Gowen's sinister HOTGAF plans for the Reading Railroad (crushing the independent owner-operators, bribing the State Senate, price-gouging everyone, implying the WBA is controlled by a murderous global Irish-Catholic cabal), the brutal Long Strike of 1875, bloody clashes between Irish workers and Nativist "vigilance committee" death squads, the two-year infiltration of Irish Pinkerton detective James McParlan into the innermost circles of the Molly Maguires, and more. For access to premium SJ episodes, upcoming installments of DEMON FORCES, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad.

NFL Free Agency, Attempted Murder on The Track, College Hoops Heating UP!

«Blood on the Tracks», publicado a principios de 1975, es una ventana a la vida personal de Bob Dylan, al detallar las emociones que estaban provocado en Dylan su matrimonio en crisis. Dylan no se decidía si grabar «Blood on the Tracks» en formato acústico o con un grupo de acompañamiento eléctrico, lo que retrasó su publicación. Cuando por fin vio la luz el 20 de enero de 1975, «Blood on the Tracks» recibió críticas dispares, pero con el tiempo, ha sido aclamado como uno de los mejores álbumes de Bob Dylan, que mostró su destreza creativa.

Lee caps off Black History Month with another Blaxploitation playlist for your listening pleasure, in a slightly shorter episode than usual (hey, it's a short month). --Call Me Mister Tibbs (Main Title) from "They Call Me Mister Tibbs" (1970) --Quincy Jones --Coffin Ed and Grave Digger & Cotton Comes to Harlem from "Cotton Come to Harlem" (1970) --Galt MacDermot; vocals by George Tipton --Main Theme from "Hammer" (1972) --Solomon Burke --Hit Man (What You Gonna Do) from "Hit Man" (1972) --H.B. Barnum --Tell That Man to Go to Hell & Hot Wheels (The Chase) from "Gordon's War" (1973) --Badder Than Evil --Newness in Rhythm (Throw a Punch at Me) from "Detroit 9000" (1973) --Luchi De Jesus --Three Hoods from "Sheba Baby" (1975) --Monk Higgins --Main Title & WW III from "Friday Foster" (1975) --Luchi De Jesus; vocals on Main Title by Ward L. Chandler --Pool Hall Rock from "Cleopatra Jones and the Casino of Gold" (1975) --Dominic Frontiere --End Credits from "Joshua" (1976) --Mike Irwin --Ghetto St. U.S.A. (Vocal) from "Petey Wheatstraw" (1977) --Nat Dove & The Devils with Mary Love. Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

How many podcasts must a listener download before they can hear about Bob Dylan? The answer, my friend, is blowin' in the wind......actually it's probably anytime you damn well like. Welcome to episode 182 of Love That Album podcast. There are tons of Bob Dylan specialist podcasts out there....why on earth would I feel the need to add to the contemplation and rumination about Bob already being discussed? A fair question....not one I'm sure I have the answer to. How's this? I love his second 1970 album New Morning, and so do my guests, Shane Pacey (maestro guitarist of the Bondi Cigars and Shane Pacey Trio) and Brett Vargo (of the Only Three Lads Podcast). There are people with doctorates earned for determining the religious subtext of Bob Dylan's “Can you Please Crawl Out your Window”.....we're not in that league. We're just three music lovers who have thoughts about Dylan's music, what the apparent meaning of a pineapple on your front lawn is, and, what the connection is between Dylan and Sesame Street Fever is....and we're not afraid to talk to you about it – have at it, Dylanophiles. We had a lot of fun discussing New Morning, an album that while generally liked, is not seen in the league of Highway 61 Revisited or Blood On The Tracks. Should it be? I don't think we answer that, but we give you plenty to pontificate on why the album deserves a place in any music lover's heart, not just Dylan fans. My gratitude to regular guest Shane Pacey....he took his place at the virtual table under difficult circumstances, and I appreciate him all the more for it. He's a regular on this show because he's brilliant with music discussion. You can find out all sort sorts of stuff about him at either https://bondicigars.com/ or https://shanepaceytrio.com.au/ I also express gratitude to first time (really second time, but don't let that confuse you) LTA guest Brett Vargo. Only 3 Lads is also part of the Pantheon Network of music discussion podcasts, and is compulsory listening for me every week (I'm not exaggerating...it really is). On your favourite podcast app or at https://podcasts.apple.com/us/podcast/only-three-lads-classic-alternative-music-podcast/id1499018289 Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices

How many podcasts must a listener download before they can hear about Bob Dylan? The answer, my friend, is blowin' in the wind......actually it's probably anytime you damn well like. Welcome to episode 182 of Love That Album podcast. There are tons of Bob Dylan specialist podcasts out there....why on earth would I feel the need to add to the contemplation and rumination about Bob already being discussed? A fair question....not one I'm sure I have the answer to. How's this? I love his second 1970 album New Morning, and so do my guests, Shane Pacey (maestro guitarist of the Bondi Cigars and Shane Pacey Trio) and Brett Vargo (of the Only Three Lads Podcast). There are people with doctorates earned for determining the religious subtext of Bob Dylan's “Can you Please Crawl Out your Window”.....we're not in that league. We're just three music lovers who have thoughts about Dylan's music, what the apparent meaning of a pineapple on your front lawn is, and, what the connection is between Dylan and Sesame Street Fever is....and we're not afraid to talk to you about it – have at it, Dylanophiles. We had a lot of fun discussing New Morning, an album that while generally liked, is not seen in the league of Highway 61 Revisited or Blood On The Tracks. Should it be? I don't think we answer that, but we give you plenty to pontificate on why the album deserves a place in any music lover's heart, not just Dylan fans. My gratitude to regular guest Shane Pacey....he took his place at the virtual table under difficult circumstances, and I appreciate him all the more for it. He's a regular on this show because he's brilliant with music discussion. You can find out all sort sorts of stuff about him at either https://bondicigars.com/ or https://shanepaceytrio.com.au/ I also express gratitude to first time (really second time, but don't let that confuse you) LTA guest Brett Vargo. Only 3 Lads is also part of the Pantheon Network of music discussion podcasts, and is compulsory listening for me every week (I'm not exaggerating...it really is). On your favourite podcast app or at https://podcasts.apple.com/us/podcast/only-three-lads-classic-alternative-music-podcast/id1499018289 Download this episode of LTA from your podcast app of choice (not Spotify). The wider back catalogue of episodes can also be found at https://lovethatalbumpodcast.blogspot.com Love That Album is proudly part of the Pantheon Podcast network. Go to https://pantheonpodcasts.com to check out all their great shows. You can send me feedback at rrrkitchen@yahoo.com.au (written or mp3 voicemail) or join the Facebook group at http://www.facebook.com/groups/lovethatalbum Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textWelcome to Season 10! In this episode — fitting for Valentine's Day weekend — we dive into one of my favourite Bob Dylan songs, "Simple Twist Of Fate," in celebration of the 50th anniversary of the release of 'Blood On The Tracks,' the album it hails from.Support the showSubscribe to Rock Talk with Dr. Cropper +Instagram & TikTok — @rocktalk.dr.cropperTwitter — @RockTalkDrCroppFacebook, LinkedIn & YouTube — Rock Talk with Dr. CropperEmail — rocktalk.dr.cropper@gmail.com

Lee tries to start off 2025 on a positive note with a playlist from everyone's favourite Italian brother duo, Guido & Maurizio De Angelis. If you're counting, this is the fourth time Lee has done a show covering the work of the prolific brothers (search the archives on Podbean for parts 1-3), be it under their names, Oliver Onions, or some of the lesser known pseudonyms they've used over the decades. In many cases, this list features instrumental versions of songs Lee has used in previous episodes, and Lee does much less talking than in previous installments of this series. This makes for an easier episode to put together for Lee, and more music for you the listener. It's like you won a new shiny red dune buggy! --Across the Fields & Dune Buggy (Instrumental) from "Watch Out, We're Mad!" (1974) --Driving All Around (Instrumental) & Goodbye My Friend (Rock Version) from "Street Law" (1974) --Afyon (Instrumental) from "The Sicilian Connection" (1974) --Sliding Crime from "Violent Rome" (1975) --Flat Foot Cop from "Flatfoot in Hong Kong" --Suspense from "Hit Squad" (1976) --E Nun ce vojo sta from "Hit Squad" (1976) --Alberto Griso --Verso l'avventura from "Soldier of Fortune" (1976) --Ultimo Inseguimento & Agguato from "The Big Racket" (1976) --Miss Robot from "Bulldozer" (1978) --In Africa, Freedom (Single Side A Alt Mix), Diamonds #2 & African Disco from "Flatfoot in Africa" (1978) Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Explore the brilliance of Bob Dylan's 'Blood on The Tracks' in this deep dive talk. Join me as I dissect the themes of heartbreak, love, and redemption woven throughout this timeless masterpiece. We look to answer why many consider it Dylan's finest hour, showcasing its impact on music and culture that resonates even today. #bobdylan #vinylcommunity #vinyl #Acompleteunknownmovie

1975 var på mange måder et spændende år, endnu en gang udkom der masser af god musik. Bob Dylan er tilbage i storform med Blood On The Tracks, Springsteen er rockens fremtid med Born To Run, Pink Floyd leverer endnu et mesterværk, Elton John kan næsten ikke holde ud han igen går nr. 1 verden … Læs videre "Genbesøg 1975"

Einige Kritiker bezeichnen "Blood On The Tracks" als das beste Album von Bob Dylan. Aber was genau macht diese Platte eigentlich aus und was macht sie zum Meilenstein? In der legendären Top-500-Liste des Rolling-Stone-Magazins hat Dylans Album "Blood On The Tracks" es sogar in die Top Ten geschafft. Genauer gesagt auf Platz neun der 500 besten Alben aller Zeiten. Musikalisch kehrt Bob Dylan mit dieser Platte zurück zur Folkmusik und auch zurück zur Akustikgitarre. In der Zeit vor dem Album hat Bob Dylan zu einem neuen, sehr inspirierenden Hobby gefunden. Er hat einen Malkurs belegt, der ihn sehr stark beeinflusst hat, erzählt SWR1 Musikredakteur Benjamin Brendebach im Podcast: "Für Dylan wurde diese Malerei zu einem Schicksalshobby, denn es hat auch sein Denken und seine Sicht auf die Welt extrem verändert." Mit Mitte 30 hatte Bob Dylan schon unglaublich viel erlebt. "Blood On The Tracks" war schon sein 15. Studioalbum. Er hatte mit seiner Ehefrau Sarah schon vier Kinder bekommen, hatte einen schweren Motorradunfall überlebt, David Bowie hatte einen Song über ihn geschrieben und er war eng verbunden mit den Beatles. Zum einen mit John Lennon und zum anderen hatte er auch schon mit George Harrison sein "Concert for Bangladesh" gespielt und noch vieles mehr. Und nach seiner rockigen Phase und seiner Pause holt Bob Dylan mit diesem Album die Folkgitarre wieder hervor und schaut auf sein Leben zurück, erklärt SWR1 Musikredakteurin Katharina Heinius. Was dieses Album so besonders macht, ist, dass es "ein Dylan Album ist und ein Dylan Album bleibt", so beschreibt es SWR1 Musikredakteur Benjamin Brendebach. Gemeint ist damit, dass dieses Album wirklich großartige Songs hat, die nie wirklich zu offiziellen Chart-Hits geworden sind, weder in der Version von Bob Dylan selbst noch als eine der zahlreichen Coverversionen. __________ Über diese Songs vom Album "Blood On The Tracks" wird im Podcast gesprochen (09:48) – "Tangled Up In Blue"(30:31) – "Simple Twist Of Fate"(43:25) – "Idiot Wind"(50:50) – "Lily, Rosemary And The Jack Of Hearts"(58:38) – "Shelter From The Storm"__________ Alle Shownotes und weiterführenden Links zur Folge "Blood On The Tracks" findet ihr hier: https://www.swr.de/swr1/rp/meilensteine/bob-dylan-blood-on-the-tracks-100.html __________ Ihr wollt mehr Podcasts wie diesen? Abonniert die SWR1 Meilensteine! Fragen, Kritik, Anregungen? Meldet euch gerne per WhatsApp-Sprachnachricht an die (06131) 92 93 94 95 oder schreibt uns an meilensteine@swr.de

It is our second Bob Dylan album we are covering on the podcast. Today we take a look at Blood on the Tracks. It was released January 20th, 1975 and is celebrating a 50 year anniversary. I am joined by first time guest Eric, who brought books to quote from! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CalebTheSpy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Caleb_The _Spy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ on Instagram Email me at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CalebTheSpypodcasts@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music by: Peg and The Rejected "⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Sing It Out At Street Level⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠"

El 20 de enero de 1975 se lanzó “Blood on the tracks”, el 15º álbum de Bob Dylan, uno de los grandes discos del siglo XX. Gestado en plena desintegración de su matrimonio, Dylan regresó en este trabajo a las canciones acústicas y melódicas para juntar una colección de relatos que sirvieron para reflejar el dolor, la tristeza, la pérdida o el arrepentimiento. Su forma de conectar con el oyente y de lidiar frente a la oscuridad convirtieron esta obra en un bálsamo sonoro y universal.Playlist;BOB DYLAN “Tangled up in Blue”BOB DYLAN “Simple twist of fate”BOB DYLAN “You’re a big girl now”BOB DYLAN “Idiot wind”BOB DYLAN “You’re gonna make me lonesome when you go”BOB DYLAN “Meet me in the morning”BOB DYLAN “Lily, Rosemary and the Jack of Hearts”BOB DYLAN “If you see her, say hello”BOB DYLAN “Shelter from the storm”BOB DYLAN “Buckets of rain”Escuchar audio

Lee finally broke down and did the obvious for the Christmas season, and built a playlist featuring movies set during the Christmas season. This time out they all happen to be from movies in the 1980s, and mostly Christmas horror. Of course, due to the release schedule of this podcast, it's a few days late. Ho, ho, ho. --Suite from "Christmas Evil" (1980) --Don Christenson, Joel Harris, & Julia Heywood --End Theme from "To All a Good Night" (1980) --Richard Tufo --Main Title from "The Dorm the Dripped Blood" (1982) --Christopher Young --Ming the Merciless from "A Christmas Story" (1983) --Paul Zaza --Too Many Gremlins; The Fountain/Stripe's Death; The Gremlin Rag from "Gremlins" (1984) --Jerry Goldsmith --Naughty from "Silent Night, Deadly Night" (1985) --Perry Botkin Jr. --Theme from "Silent Night, Deadly Night Part 2" (1987) --Michael Armstrong --I Can Take Anything from "Planes, Trains and Automobiles" (1987) --E.T.A. --Christmas in Hollis from "Die Hard" (1988) --Run DMC --Let it Snow from "Die Hard" (1988) --Vaughn Monroe --Christmas Vacation from "National Lampoon's Christmas Vacation" (1989) --Mavis Staples Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

En resa in i Blood on the Tracks, där Dylan dissekerar kärlek, förlust och allt däremellan. 70-talets mörka baksmälla möter 60-talets krossade drömmar i en värld av cynism, kaos och briljant poesi. En blick på en man i spillror – och ett album som bränner sig fast.Köp gärna Noah/Polyphonics bok eller se på hans youtubekanal - https://www.youtube.com/@Polyphonic/featured https://www.bokus.com/bok/9798890031235/century-of-song/?srsltid=AfmBOoom-doeGEQHA-aK4THd2QHTgTkSQJ3FTz2WXppJQS2J9izsqiP-Musikpodden finns även på:Instagram: Musik_poddenSpotify: Musikpodden med Arvid BranderApple podcast: Musikpodden med Arvid BranderKontakt: podcastarvid@gmail.comKällor:Down the highway : the life of Bob Dylan (Sounes, Howard 2001)Dylan Has Returned With ‘John Wesley Harding' (Rolling stone, 1968)Blood on the Tracks (Wikipedia, 2024)How Bob Dylan made Blood On The Tracks (Uncut magazine, 2021)Bob Dylan's Blood on the Tracks: The Untold Story (Peter Stone Brown Archives Newsletter, 2023)Bob Dylan's Masterpiece Is Still Hard to Find (The New Yorker, 2018) Hosted on Acast. See acast.com/privacy for more information.

Hosts Jim DeRogatis and Greg Kot revisit their classic album dissection of Bob Dylan's Blood on the Tracks. They'll hear from a musician who played on the record and talk with two music writers about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Beyoncé, "16 CARRIAGES," Cowboy Carter, Columbia, 2024See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This show is a small dream come true for Rich. Fifty years ago next week, Bob Dylan called a small group of Twin Cities musicians together to record a few tracks for his forthcoming album, Blood on the Tracks. The product of those sessions was one half of Rich’s favorite album, and also his favorite […]

En 1975, Bob Dylan entregó uno de los discos fundamentales de su catálogo y de la música popular. Blood on the tracks es un relato íntimo de su divorcio y una de las piezas de música que demuestran el real legado de este cantautor norteamericano y premio Nobel de Literatura.

Yas Rana, Phil Walker and Katya reflect on England's thumping of New Zealand and Australia's dominant performance against India in Adelaide. There's also chat about the race for the World Test Championship final and a new issue of Wisden Cricket Monthly, while Mark Butcher joins Yas to discuss Zak Crawley, Harry Brook and England's top seven conundrum. 0:00 Intro / 1:42 Brydon Carse / 12:45 Harry Brook / 16:20 Ollie Pope / 22:49 Jacob Bethell / 30:19 England's top seven / 41:50 Gus Atkinson / 43:12 New Zealand / 49:31 Rob Key / 55:47 Mark Butcher on NZvENG / 1:13:11 Australia vs India / 1:27:41 South Africa vs Sri Lanka / 1:31:47 Wisden Cricket Monthly / 1:38:22 Blood On The Tracks / 1:52:09 Outro ✈️ GULLIVERS SPORTS TRAVEL Experience the 2025/26 Ashes with Gullivers Sports Travel: https://bit.ly/3CIzmrp

Lee comes back this month with a collection of odds and ends for the playlist, reflective of what he's been watching the last two months. Mostly it's music from his 31 Days of Horror watching, but there's a few non-horror selections from November. --My Own Robot from "The Swamp of the Ravens" (1974) --Joaquín Torres --Origin/Man Torn Apart & Fight to the Death from "Wolf Guy" (1975) --Hiroshi Baba --Theme from "Stunt Squad" (1977) --Stelvio Cipriani --The Night the Screaming Stops from "Possession" (1981) --Andrzej Korzynski --Theme from "Exterminators of the year 3000" (1983) --Detto Mariano --Is it Really Love from "Codename: Vengeance" (1987) --Steven McClintock --St. Mark's Place Scurry & Toilet Murder from "Brain Damage" (1988) --Gus Russo --Stigmata Martyr from "Night of the Demons" (1988) --Bauhaus --Theme from Narrow Margin from "Narrow Margin" (1990) --Bruce Broughton --Make the Call from "Heist" (2001) --Théodore Shapiro --Ironclad from "The Score" (2001) --Howard Shore --Tiny Little Pieces & Falling in Love from "Hellbender" (2021) --H6llb6nd6r Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Judeu Ateu, Estranho e Boxa seguem a tradição do Mangá² e falam do último mangá completo lançado por Shuzo Oshimi, um dos autores xodós do podcast! Neste programa, Chi no Wadachi (ou Blood on the Tracks) e sua arte expressiva de sentimentos, seus temas de relação parental, relações abusivas, e o que vem após isso. Este é um mangá do quadro Mangá Enquadrado, no qual é feita uma análise completa do mangá, e com spoilers!Apoie o AoQuadrado² no APOIA.seCronologia do episódio(00:00:00) Chi no Wadachi / Blood on the Tracks(01:07:15) Recomendação da Semana – Let’s Go Karaoke!

Shuzo Oshimi's latest is painful, but is it interesting in spite of that?   Want more reviews, check out:  https://comicpicksbytheglick.com

This month, as we get closer to spooky season, Lee has crafted a quick and dirty playlist revolving around vampire films from the 1970s. Greats like Dracula, Yorga, Barlow, Blacula, and several other lesser known blood suckers are featured. Lee talks less than usual on this one, so you the listener gets to the music faster! The Wolfman Lee Van Teeth is taking over next month for his annual Halloween show, so catch you all again in November. --Attack in the Woods from "The Vampire Lovers" (1970) --Harry Robinson --Wings of Death from "Scars of Dracula" (1970) --James Bernard --Blue Doll Baroque & Blue Quadrant from "The Nude Vampire" (1970) --Yvon Gerault --Le Frisson Des Vampires & The Memory of Eternal Darkness from "The Shiver of of the Vampires" (1971) -- --Psycho Contract Nr.1 from "Vampyros Lesbos" (1971) --Vampire Sound Inc. --Amour Sur Les Rails & Les Lèvres Rouges from "Daughters of Darkness" (1971) --François de Roubaix --Yorga's Storm from "Count Yorga, Vampire" (1971) --Bill Marx --The Night Stalker Theme/Kolchak at the Scene/Showdown from "The Night Stalker" (1972) --Robert Cobert --Blacula Strikes! from "Blacula" (1972) --Gene Page --Opening Theme & Torment from "Scream, Blacula Scream" (1973) --Bill Marx --You Got to Learn to Let it Go from "Ganja & Hess" (1973) --Sam Waymon --The Dream from "Lust for a Vampire" (1974) --Harry Robertson --Main Titles from "Captain Kronos – Vampire Hunter" (1974) --Laurie Johnson --More Blood from "Blood for Dracula" (1974) --Claudio Gizzi --The Calling from "Martin" (1977) --Donald Rubinstein --And Now Straker & Ralph is Floating from "Salem's Lot" (1979) --Harry Sukman --Fascination from "Fascination" (1979) --Philippe D'Aram --Mantra II (Choir) from "Nosferatu the Vampire" (1979) --Popol Vuh Opening and closing music: Theme from Slaughter from "Slaughter" by Billy Preston, and Too Risky a Day for a Regatta from "Tentacles" by Stelvio Cipriani.

Another busy month equals another TMBDOS! Grab Bag episode of Blood on the Tracks! That's where Lee does the very lazy thing of building this episode's playlist from tracks found on official episodes of the They Must Be Destroyed On Site! podcast, and does very little talking about the music, if any at all. This playlist covers soundtrack and score selections found in various episodes between 265 and 314. Enjoy! --Self Destruction from "Predator" (1987) --Alan Silvestri (Episode 265) --Brainscan (Main Theme) from "Brainscan" (1994) --George S. Clinton (Intermission #42) --Music at the Mall from "Cyborg" (1989) --Kevin Bassinson (Episode 275) --Medusa from "Clash of the Titans" (1981) --Laurence Rosenthal (Episode 279) --Piruliruli from "Little Rita of the West" (1967) --Rita Pavone & Lucio Dalla (Episode 281) --The Children from "Mad Max: Beyond Thunderdome" (1985) --Maurice Jarre (Episode 287) --Inseguita from "Baron Blood" (1972) --Stelvio Cipriani (Episode 288) --Troglomen from "When Men Carried Clubs and Women Played Ding-Dong" (1971) --Alluminogeni (Episode 292) --Vulcain from "Rabid" (1977) --Claude Vasori (Episode 297) --Running on the Beach from "Nightmare Beach" (1989) --Claudio Simonetti (Intermission #45) --Main Theme from "Dracula A.D. 1972" (1972) --Michael Vickers (Episode 298) --Main Title from "The Satanic Rites of Dracula" (1973) --John Cacavas (Episode 298) --You & Me from "Freebie and the Bean" (1974) --Dominic Frontiere & Bobby Hart (Episode 302) --Knights of the Night from "Opera" (1987) --Steel Grave (Episode 309) --Cowboy's Attack from "Battle Beyond the Stars" (1980) --James Horner (Episode 310) --Green Rocky Road from "Targets" (1968) --The Daily Flash (Episode 314) Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

This month Lee takes a look at music from films about possibly the world's most famous cryptid, the Sasquatch - or as it/they are better known in pop and general culture: Bigfoot. There are just so many films, especially in the last thirty years or so, that the list is focused on the real peak period of interest, the 1970s and 1980s. Even then this list threatened to be much larger than it ended up being, but a lot of the music was impossible to source. Still, Lee feels this list is large enough to pay proper tribute to that mythical(?) hairy giant in the woods. --Main Theme from "Bigfoot" (1970) --Richard Podolor --The Legend of Boggy Creek from "The Legend of Boggy Creek" (1972) --Chuck Bryant & Earl E. Smith --Popcorn from "Shriek of the Mutilated" (1974) --Hot Butter --Ballad of McCullough's Mountain from "Blood Beast of Monster Mountain" (1975) --Tim York --Exits and Truckstops from "Creature from Black Lake" (1976) --Jim McCullough Jr. --High in the Mountains & Bigfoot Theme from "Sasquatch" (1976) --Lane Caudell & Al Capps --Suite from "Snowbeast" (1977) --Robert Prince --What's it Take to be a Believer from "In the Shadow of Big Foot" (1977) --Phillip Malbrough --Main Title from "Return to Boggy Creek" (1977) --Darrell Deck --Yeti from "Yeti: Giant of the 20th Century" (1977) --Sante Maria Romitelli feat. The Yetians --My Spirit Runs Free from "The Capture of Bigfoot" (1979) --Mitch Irish with The Friends --Sensuous Tiger from "The Capture of Bigfoot" (1979) --Mitch Irish & Patty Holzmann with The Friends --Suite from "Night of the Demon" (1980) --Dennis McCarthy --Love Lives On from "Harry and the Hendersons" (1987) --Joe Cocker --Keep on Climbing from "Cry Wilderness" (1987) --Ralph Ives(?) --Main & End Titles from "Demon Warp" (1988) --Dan Slider Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Send us a Text Message.What could be considered Dylan's high water mark in the 70's, Blood on the Tracks is Dylan at his lyrical best. We've got our first father/son guest pairing with show regular Christopher Clark, and his father Kevin, helping us navigate through the world of Bob Dylan in the 70's!Support the Show.Follow us: Instagram Facebook Watch us on YouTube!

Lee is back to cover musical selections from the films in the later half of Roger Corman's directing career, between the years 1963 to 1990. --End Title from "The Raven" (1963) --Les Baxter --Main Theme from "The Haunted Palace" (1963) --Ronald Stein --Main Title Theme from "The Terror" (1963) --Ronald Stein --Prince Prospero & Prospero's Court from "The Masque of the Red Death" (1964) --David Lee --Main Title & End Title from "The Tomb of Ligeia" (1964) --Kenneth Jones --End Credits from "The Man with the X-Ray Eyes" (1963) --Les Baxter --Theme from The Wild Angels from "The Wild Angels" (1966) --The Visitors --Blue's Theme; Bongo Party; & The Wild Angels Ballad (Dirge) from "The Wild Angels" (1966) --Davie Allen and The Arrows --Midnight Rider from "The Wild Angels" (1966) --The Hands of Time --A Little Head; Flash, Bam, Pow; & Gettin' Hard from "The Trip" (1967) --The Electric Flag --Main Title from "The St. Valentines Day Massacre" (1967) --Fred Steiner --Dance Party & Wild Racers Theme from "The Wild Racers" (1968) --The Sidewalk Sounds --Opening Titles from "Target Harry" (1969) --Les Baxter --Bloody Mama from "Bloody Mama" (1970) --Big Foot --Bubble Gum Girl from "Gas-s-s-s" (1970) --Johnny & The Tornados --This is the Beginning from "Gas-s-s-s" (1970) --Robert Corff --Deathsport from "Deathsport" (1978) --Andy Stein --Main Titles from "Frankenstein Unbound" (1990) --Carl Davis Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

In this episode Lee pays tribute to the late Roger Corman by covering the soundtracks and scores of several of his directorial credits. In this first of a planed two-part series, the years 1957 to 1962 are looked at. --Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein --Main Title from "Not of this Earth" (1957) --Ronald Stein --The Creep from "Carnival Rock" (1957) --The Shadows --Rock All Night & Rock 'n' Roll Guitar from "Rock All Night" (1957) --The Blockbusters --Main Titles from "Teenage Doll" (1957) --Walter Greene --Main Title from "Sorority Girl" (1957) --Ronald Stein --Hurry from "War of the Satellites" (1958) --Walter Greene --Suite from "Viking Women and the Sea Serpent" (1958) --Albert Glasser --Main Title & End Title from "Machine Gun Kelly" (1958) --Gerald Fried --Folk Song from "I, Mobster" (1959) --Gerald Fried --Suite from "A Bucket of Blood" (1959) --Fred Katz --Main Title from "The Wasp Woman" (1959) --Fred Katz --Main Title from "The Little Shop of Horrors" (1960) --Fred Katz --Completely Insane & Madeline's Brother from "House of Usher" (1960) --Les Baxter --Creature from the Haunted Sea from "Creature from the Haunted Sea" (1961) --Fred Katz & Betsy Jones-Moreland --Main Title from "The Pit and the Pendulum" (1961) --Les Baxter --End Title from "Tales of Terror" (1962) --Les Baxter --Suite from "The Premature Burial" (1962) --Ronald Stein --Main Title from "The Intruder" (1962) --Herman Stein Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Lee finally gets around to doing a follow-up to the very first episode of Blood on the Tracks: music from 1970s crime and thriller films. Lee was short for time this month, so that equals less talking from him and much more music. It's a win-win! --Suite from "Darker than Amber" (1970) --John Parker --Theme from The Anderson Tapes from "The Anderson Tapes" (1971) --Quincy Jones --Taxi in the Rain (Parish Priest; Eddies Dead) & Office Scuffle (Kenilworth Heist; Casino Heist) from "The Outfit" (1973) --Jerry Fielding --Main Theme from "Death Wish" (1974) --Herbie Hancock --In Seattle & Toms - Sea Chase from "McQ" (1974) --Elmer Bernstein --Dolowitz Gets Killed, Money Montage & Main Title from "The Taking of Pelham 123" (1974) --David Shire --Ripley's Games from "The American Friend" (1977) --Jürgen Knieper --Straight Time from "Straight Time" (1978) --David Shire Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Welcome to Music Fishbowl - Music chatter for all! This week, Dan is back but with a very special episode and a brilliant returning guest. This week, Dan is joined by Eric Terino to discuss Bob Dylan's seminal album, Blood On The Tracks. Eric Terino is a singer-songwriter. Eric has lots of music on Spotify to listen to, including his latest album, Innovations Of Grave Perversity. Eric is a huge Bob Dylan fan and loves the album Blood On The Tracks, which just so happens to be Dan's favourite Dylan album. The pair discuss the record in depth, looking at its creation and the wider context of the album. They also talk about Eric's upcoming project, a live album, due for release in the Autumn. Eric also gives a live performance of a Bob Dyan inspired song from this record! Dan would also like to thank Eric so much for cleaning up the audio on this week's episode and editing the podcast together. It sounds amazing and makes the podcast a much easier listen! Listen to Eric Terino on Spotify: https://open.spotify.com/album/0BuIMiK64GlYBpnJN4Nwik?si=6ZRdMRXXQZe_vu0ieJwD1w Follow Eric on Instagram: @ericterino Visit Eric's website: https://www.ericterino.com/?fbclid=PAAabpMeojC_3-eU31xUU6qMaApCNv2CdTWcHcROYb84AvRl5pko4OSxUW5-E Dan would like to thank Eric for his time and kindness. This means everything to him and Dan appreciates it so much. If you would like to be a guest on Music Fishbowl, direct message Dan on Instagram (@thisisvinyl.tap) or email him on musicfishbowl123@gmail.com . If you are a musician, artist, someone who works in the industry or a music fan who simply wants to talk to Dan about their favourite music - all are welcome! Dan would like to thank every listener for their time, kind words and sharing of the podcast. The listeners make the podcast what it is and Dan is appreciative of everything they do. Follow Dan on Instagram and TikTok: @thisisvinyl.tap

Lee is back this month with a mix of music selections from Italian action films from the 1980s. There's some superhero antics, some comedic slapstick action, late period poliziotteschi, and items that fall under the "macaroni combat" moniker. The list is both light and breezy, and in some cases, maybe a bit tight and sleazy. Enjoy! --Seq. 2 & Seq. 10 from "Speed Driver" (1980) --Stelvio Cipriani --Seq. 14 from "The Rebel" (1980) --Stelvio Cipriani --Main Title from "Strike Commando" (1987) --Luigi Ceccarelli --Main Title from "Blastfighter" (1984) --Fabio Frizzi --What's Going on in Brazil (Jazz Band) from "Double Trouble" (1984) --Franco Micalizzi --Supersnooper from "Super Fuzz" (1980) --The Oceans --The Puma Man & Puma Man #7 from "The Pumaman" (1980) --Renato Serio --Transformation Version 2 & Starlights from "Endgame" (1983) --Carlo Maria Cordio --The Day of the Cobra from "The Day of the Cobra" (1980) --Paolo Vasile & Charlie Cannon Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

In the ninth episode, Ben & Aaron discuss Bob Dylan's classic folk album "Blood On The Tracks." Topics of discussion include Christmas albums, word pronunciation, and what era is the greatest for albums.

Join Scott Kummer, Nick Bambach, Joe Powers and Gio DiDomenico for a discussion of Bob Dylan Blood on the Tracks and Kacey Musgraves, Golden Hour. It's never too late to fill out the poll.  PLEASE!!  The data is interesting to us: https://forms.gle/45iFWWbAw3LP7Uoj8 Check out Rock In Retrospect here: https://podcasts.apple.com/us/podcast/rock-in-retrospect/id1575663099 Join Who Do We Like Better Facebook Group here: https://www.facebook.com/groups/4028517570578155 Nick's Blog: https://www.audiovisualrepository.com The Bob Dylan Book "Pledging My Time" which was discussed: https://www.amazon.com/Pledging-My-Time-Conversations-Members/dp/B0C6VRBZQC In the "I've Got That On Vinyl" Facebook Group: https://www.facebook.com/groups/684186180585840 On Twitter: @IGTOVPodcast On Instagram: https://www.instagram.com/igtovpodcast/ Or email us anytime at IGTOVpod@gmail.com Intro and Outtro music by MIshka Shubaly: http://www.mishkashubaly.com

Lee's back this month to cover more score/soundtrack selections from vanity projects. That's right - those special films made by special people with a special vision. Who cares if the films are actually good or not? These (mostly) outsider artists shot their shot, and in Lee's opinion, art is usually better for it. --One Tin Soldier from "Billy Jack" (1971) --Coven --Main Title Theme from "Top of the Heap" (1972) --J.J. Johnson --Opening Theme Song from "The Bad Bunch" (1973) --Ed Cobb & Sheldon Lee --Theme from Solomon King from "Solomon King" (1974) --J. Steiger & Jimmy Lewis --Shed a Tear from "The Trial of Billy Jack" (1974) --Teresa Laughlin --Love in Flight from "Grand Theft Auto" (1977) --Peter Ivers --Main Title/Deep Space & Caught/Massacre/Rocket from "Aftermath" (1982) --John Morgan --We R in Control & Transformer Man from "Human Highway" (1982) --Neil Young --Midnight Rendezvous & Song of Peace from "Rock and the Alien" (1988) --Denis Adam Zervos Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

We are back in the month of February with Werewolf the Series two more episodes of the cancelled too soon horror series. Hope you have enjoyed the ride on this furry train so far. Its been a great show to revisit and brings back great memories 15 Eric befriends a former prizefighter hiding from the […]

This month Lee takes a look at selections from the scores from two notable 1970s Samurai exploitation film series, "Hanzo the Razor" & "Lone Wolf and Cub". Although a lot of traditional Japanese musical elements were used, more often than not, convention was thrown out the window. Fuzzed-out electric rock, jazz & funk all show up to spice-up these more Grindhouse-esque films, which are full of bloody violence, sex, and taboo subject matter. --Goyoukiba's Theme & Main Title from "Hanzo the Razor: Sword of Justice" (1972) --Kunihiko Murai --Main Title & The Villain - Shoubei Heijima from "Hanzo the Razor: The Snare" (1973) --Isao Tomita --Main Theme from "Hanzo the Razor: Who's Got the Gold?" (1974) --Hideaki Sakurai --Goyoukiba 'Fang' Theme from "Hanzo the Razor: Who's Got the Gold?" (1974) --The Mops & Masaru Hoshi --Main Title from "Lone Wolf And Cub: Sword Of Vengeance" (1972) --Hideaki Sakurai --The Wolf Crosses the Ocean & Duel at the Dune from "Lone Wolf And Cub: Baby Cart At The River Styx" (1972) --Hideaki Sakurai --The Wolf Howls In The Wilds from "Lone Wolf and Cub: Baby Cart to Hades" (1972) --Hideaki Sakurai --Ending Theme Song from Lone Wolf and Cub: Baby Cart to Hades" (1972) --Hiroshi Kamayatsu, vocals by Tomisaburo Wakayama --Main Title, Besieging Army Of Ura Yagyu & Ending from "Lone Wolf and Cub: Baby Cart in Peril" (1972) --Hideaki Sakurai --Main Title, The Wolf's Cub, The Kuroda Menbo Army, The Running Wolf & Ending from "Lone Wolf and Cub: Baby Cart in the Land of Demons" (1973) --Hideaki Sakurai --Main Title from "Lone Wolf and Cub: White Heaven in Hell" (1974) --Kunihiko Murai --Lone Wolf's Theme from "Shogun Assassin" (1980) --Michael Lewis, Mark Lindsay & The Wonderland Philharmonic Orchestra Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

In 1975, Bob Dylan released "Blood on the Tracks," an album about relationship conflict that has since become a benchmark in his illustrious discography. Hosts Jim DeRogatis and Greg Kot do a classic album dissection and talk to someone who played on the record and some music journalists about what makes it so iconic.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Bob Dylan, "Lily, Rosemary and the Jack of Hearts," Blood on the Tracks, Columbia, 1975Bob Dylan, "Shelter from the Storm," Blood on the Tracks, Columbia, 1975Bob Dylan, "Idiot Wind (Take 6)," The Bootleg Series Vol. 14: More Blood, More Tracks, Columbia, 2018Bob Dylan, "Idiot Wind," Blood on the Tracks, Columbia, 1975Bob Dylan, "Buckets of Rain," Blood on the Tracks, Columbia, 1975Bob Dylan, "You're a Big Girl Now," Blood on the Tracks, Columbia, 1975Bob Dylan, "Tangled Up In Blue (Take 3, Remake 2)," The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991, Columbia, 1991Bob Dylan, "Tangled Up In Blue," Blood on the Tracks, Columbia, 1975Bob Dylan, "If You See Her, Say Hello," Blood on the Tracks, Columbia, 1975Alabama 3, "Woke Up This Morning (Chosen One Mix)," Woke Up This Morning (Chosen One Mix) (Single), Geffen, 2000See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Lee has decided to end off 2023 for Blood on the Tracks by returning to the subject of rejected/unused soundtracks and scores for films, with a small but very diverse playlist of material, as well as some excerpts from the scores that were used for each film, for comparison. --The Payback from "Hell up in Harlem" (1973) --James Brown --Shining Title Music; Greetings Ghosties; Danny; & A Ghost Piano from "The Shining" (1980) --Wendy Carlos & Rachel Elkind --Suite from "Streets of Fire" (1984) --James Horner --Suite from "Cyborg" (1989) --Tony Riparetti & Jim Saad Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

“We are not worth more, they are not worth less.” This is the mantra of S. Brian Willson and the theme that runs throughout his compelling psycho-historical memoir. Willson's story begins in small-town, rural America, where he grew up as a “Commie-hating, baseball-loving Baptist,” moves through life-changing experiences in Viet Nam, Nicaragua and elsewhere, and culminates with his commitment to a localized, sustainable lifestyle.In telling his story, Willson provides numerous examples of the types of personal, risk-taking, nonviolent actions he and others have taken in attempts to educate and effect political change: tax refusal—which requires simplification of one's lifestyle; fasting—done publicly in strategic political and/or therapeutic spiritual contexts; and obstruction tactics—strategically placing one's body in the way of “business as usual.” It was such actions that thrust Brian Willson into the public eye in the mid-'80s, first as a participant in a high-profile, water-only “Veterans Fast for Life” against the Contra war being waged by his government in Nicaragua. Then, on a fateful day in September 1987, the world watched in horror as Willson was run over by a U.S. government munitions train during a nonviolent blocking action in which he expected to be removed from the tracks and arrested.Losing his legs only strengthened Willson's identity with millions of unnamed victims of U.S. policy around the world. He provides details of his travels to countries in Latin America and the Middle East and bears witness to the harm done to poor people as well as to the environment by the steamroller of U.S. imperialism. These heart-rending accounts are offered side by side with inspirational stories of nonviolent struggle and the survival of resilient communitiesWillson's expanding consciousness also uncovers injustices within his own country, including insights gained through his study and service within the U.S. criminal justice system and personal experiences addressing racial injustices. He discusses coming to terms with his identity as a Viet Nam veteran and the subsequent service he provides to others as director of a veterans outreach center in New England. He draws much inspiration from friends he encounters along the way as he finds himself continually drawn to the path leading to a simpler life that seeks to “do no harm.&rdquoThroughout his personal journey Willson struggles with the question, “Why was it so easy for me, a 'good' man, to follow orders to travel 9,000 miles from home to participate in killing people who clearly were not a threat to me or any of my fellow citizens?” He eventually comes to the realization that the “American Way of Life” is AWOL from humanity, and that the only way to recover our humanity is by changing our consciousness, one individual at a time, while striving for collective cultural changes toward “less and local.” Thus, Willson offers up his personal story as a metaphorical map for anyone who feels the need to be liberated from the American Way of Life—a guidebook for anyone called by conscience to question continued obedience to vertical power structures while longing to reconnect with the human archetypes of cooperation, equity, mutual respect and empathy.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/1198501/advertisement

Discover the dark side of human nature with Blood on the Tracks.This true crime book takes you on a journey through the most heinous murder cases in history, including unsolved mysteries that will leave you wondering.Each story is expertly researched and crafted to provide a captivating account of the events leading up to the crime and the investigation that followed.From the infamous Thanksgiving Massacre to the shocking case of the Vanishing Bride & Groom, to the unbelievable story of a Dominatrix and her Doppelgänger, Blood on the Tracks leaves no stone unturned.As you turn each page, you'll feel the tension and suspense build as you try to piece together the clues and solve the case alongside the investigators.Don't miss out on this captivating journey through the world of murder and mystery. BLOOD ON THE TRACKS: Real-Life Tales of Murder and Mystery-Rod KackleyThis show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/3269715/advertisement

As a special New Year treat we're presenting two Cautionary Tales Shorts - which have previously only been available to paying Apple and Pushkin+ subscribers.  When a Plague Struck World of Warcraft: The makers of WoW wanted to spice up the fantasy computer game by introducing a virtual disease - "Corrupted Blood". It was supposed to be a fun challenge for expert player - but the illness became a pandemic which wiped out villages, cities and then whole realms. AND Blood on the Tracks: The signalmen running a busy stretch of railroad on the Scottish border had to adhere to strict rules to prevent crashes - but did those regulations fail to take into account human nature? Despite all the logbooks, alarm bells, levers and regulations, the signalmen didn't seem to notice a packed troop train barrelling towards them. For a full list of sources go to timharford.comSee omnystudio.com/listener for privacy information.