Podcasts about powderhouse

In 2014, MIT graduate Alec Resnick set out to start a new kind of public high school called Powderhouse Studios, where students work in groups on deep, hands-on projects of their own design.

Welcome to Chippy Lane’s Podcast, series two the PICTURES / LLUNIAU PROJECT. This series celebrates Welsh and Wales-based writers and their stories. This is our NY 2020 special, an extract from OVER THE HILL by Emily White. Moira is in her late 80's and has been stuck indoors being looked after by carers on 15-minute shifts, for as long as she can remember.  She is bored, lonely, pissed-off and longing for adventure but her daughter won't let her leave the house.  Until Rhodri, an eighteen-year-old oddball arrives to care for her full-time and together they set off on a road trip of the imagination. Writer: Emily White  Emily is an emerging screenwriter and playwright.  She originally trained as an actress at RADA before changing tack and obtaining an MA in Theatre Writing at the University of York in 2015.  In the five years since graduating she has been shortlisted and longlisted for numerous competitions including: Bolton Octagon Top Five Season, Arcola Heretic Voices, 4 Screenwriting, 4Stories, and BBC Drama Room. In 2018 she won a place on Channel 4’s 4Screenwriting Course where she developed her pilot Land of My Fathers about a Syrian refugee coming to live in a small Welsh town.  She was then selected to be part of the BBC Wales Writersroom group ‘Welsh Voices’ in 2019. Her acclaimed play, Pavilion, premiered at Theatr Clwyd in Sept-Oct 2019, directed by the Olivier award winning director Tamara Harvey and published by Faber & Faber. Her digital theatre microplay ‘Homework’ was released in October online for Wrapt Films/Open Sky Theatre, to high acclaim.   She is under commission to write another play for Theatr Clwyd and was one of six writers selected for English Touring Theatre’s Nationwide Voices Program 2020.  She also has a television serial in development with Little Door Productions.   Director: Chelsey Gillard Chelsey is the Carne Trust Associate Director at the Stephen Joseph Theatre, where she recently worked on The Snow Queen. She is also a co-founder of PowderHouse, the Company in Residence at the Sherman Theatre in Cardiff. Recent Directing credits include: Antigone (National Theatre Wales/ Sherman Theatre/ PowderHouse), The Invisible Woman (Wales Millennium Centre and tour), Saethu Cwnigod/Shooting Rabbits (Sherman Theatre and tour) and BLUE (Chippy Lane/Chapter Arts Centre). Currently Chelsey is on the script reading panel for both the Theatre Uncut Political Playwriting Award and The Other Room’s New Page programme. Chelsey is an Associate Director of Chippy Lane.  Performer: Michelle McTernan Michelle has been a professional actress for 24 years. She is also a Drama Practitioner and runs a disability theatre in Swansea S.Wales. Theatre Credits Includes: Metamorphosis (Hijinx Theatre Company) The Revlon Girl (Edinburgh Festival/Park Theatre, London) Mission Control (Hijinx Theatre/National Theatre Wales) The Three Night Blitz, (Joio Productions/Swansea Grand Theatre) Titania, A Midsummer Night's Dream, (Pontardawe Arts Centre) The Revlon Girl, Barren (October Sixty Six Productions) Bara Bread (Theatr Gwalia) Macbeth, Merchant Of Venice, Buoy, Fall Out 84 (Pontardawe Arts Centre) GrannyAnnie,Trivial Pursuits, Erogenous Zones, Roots And Wings, Family Planning, Kiss On The Bottom (GrassrootsProductions)FleshAndBlood(ShermanTheatre/Hampstead Theatre),TheOystercatchers )SwanseaGrand/ShermanTheatre),Blue Remembered Hills (Torch Theatre), Under Milk Wood, Rosencrantz And Guildenstern Are Dead (Clwyd Theatr Cymru/Tour),Twelfth Night, Cymbeline, The Merchant Of Venice (Ludlow Festival) And (Wales Theatre Company/Tour). Television And Film Work Includes: The Crown (Netflix) Casualty (BBC Wales) The Lost Viking (Tornado Productions), Sisters, (Tornado Productions), Aetheled, Tree Bastards, (Tornado Films/Nowhere Fast Productions),The Healers (Pooka Films) Stella (Tidy Productions, Sky1 Hd) 4 Series semi regular,  Rain (Tornado Films) Caerdydd (S4C) Midnight (Nowhere Fast Productions) Dr Terrible’s House Of Horrible (Bbc), Tales From Pleasure Beach (Bbc), Light In The City (Bbc Wales) And The Feature Film Very Annie Mary (Dragon Pictures). Bobinogs. Cbeebies/Bbc Wales/Worldwide. Radio Work Includes: Goat St Runners, Return Journey (Lighthouse Theatre Co),Cottage Industry (BBC Radio Wales) Commercial- GumTree, BT Advert, Llandovey House Advert, Mind Cymru Advert. Performer: Lissa Berry Lissa is an actress, voiceover artist and narrator. Her theatre career began at the Sherman Theatre in Cardiff in the mid 80s in productions of Mishima and Hamlet. She performed in many productions in London, including Queen Christina at BAC, White Lies at the Finborough Theatre and NewsRevue at The Canal Cafe Theatre. She is a regular performer at Short Stories Aloud in Oxford and also at The Berko Speakeasy where in 2018, she had the privilege of performing a duologue with Geoffrey Palmer called Easter Lilies. Also in 2018 she wrote and performed her first solo piece, Sin Eater, directed by Chelsey Gillard at the Offbeat Festival in Oxford and then as an extract for the Chippy Lane Welsh Women’s showcase at The Old Red Lion in London. In 2019 she was selected as the Welsh entrant for the BBC Radio 4 Norman Beaton Fellowship Award where she became a finalist. She began her voiceover career as a continuity announcer for BBC Choice, Sky Arts and as a co-announcer with Phill Jupitus for the Paramount Comedy Channel. She has narrated many TV shows and documentaries for BBC, ITV, Channel 4,, Sky Arts and Discovery, such as Horizon, Ancient Apocalypse and World’s Most Extreme. Her most recent audiobook titles for Audible are Impossible Causes by Julie Mayhew, The Librarian by Salley Vickers and How to Belong by Sarah Franklin. Written by Emily White Directed by Chelsey Gillard Performed by Michelle McTernan & Lissa BerryProduced & Edited by Chippy Lane Productions Ltd. Music by Grand Tradition  This podcast has been kindly supported by The Carne Trust.

Welcome to Chippy Lane’s Podcast, series two the PICTURES / LLUNIAU PROJECT. This series celebrates Welsh and Wales-based writers and their stories. Each episode focuses on a new writer, a personal picture of theirs, and a story they want to share with you. So, sit back and enjoy.  *THIS EPISODE IS STREAMING ON OUR YOUTUBE CHANNEL. Writer: Jonny CotsenBased in Cardiff, I’m a performance artist, consultant for inclusion and access and advocate for deaf communities.. I’m a trustee for Disability Arts Cymru, Theatre Iolo and Nova Theatre. I’m involved with multiple local and national initiatives supporting inclusion and equality of opportunity in the arts, including Arts Council Wales, Theatr Iolo, Unlimited Connects, Watershed Bristol and Culture Reset. My performing credits are: 'Louder Is Not Always Clearer' (Mr & Mrs Clark, touring 2018 - CURRENT), ‘English' (Quarantine and National Theatre Wales, 2018), Ways Of Being Together (Jo Fong, 2019), and Cardiff: City Road Stories (Sherman Theatre, 2019). FIlm; ‘Next Of Kin’ (Reality Theatre 2020) Performer: Will Lewis Will is a Deaf actor based in London and his paternal family are from Wales. Career highlights include: Fleabag (BBC), “Our Country’s Good (Ramps On The Moon), Deaf Funny (BSL Zone) and Deaf Awakening (D-Live). Will has  also performed in music videos, commercials, short films, social media campaigns and inclusive theatre in education for young deaf and hearing people. He is an online presenter for Triple C and has just completed British Sign Language Level 6. “Why Does It Matter” is Will’s first podcast. Director: Chelsey Gillard Chelsey is the Carne Trust Associate Director at the Stephen Joseph Theatre, where she recently worked on The Snow Queen. She is also a co-founder of PowderHouse, the Company in Residence at the Sherman Theatre in Cardiff. Recent Directing credits include: Antigone (National Theatre Wales/ Sherman Theatre/ PowderHouse), The Invisible Woman (Wales Millennium Centre and tour), Saethu Cwnigod/Shooting Rabbits (Sherman Theatre and tour) and BLUE (Chippy Lane/Chapter Arts Centre). Currently Chelsey is on the script reading panel for both the Theatre Uncut Political Playwriting Award and The Other Room’s New Page programme. Chelsey is an Associate Director of Chippy Lane.    Written by Jonny Cotsen Directed by Chelsey Gillard Performed by Will Lewis Produced & Edited by Chippy Lane Productions Ltd. Music by Grand Tradition Captioning by Tom Bevan  This podcast has been kindly supported by The Carne Trust.

Welcome to Chippy Lane’s Podcast, series two the PICTURES / LLUNIAU PROJECT. This series celebrates Welsh and Wales-based writers and their stories. Each episode focuses on a new writer, a personal picture of there’s and a story they want to share with you. So, sit back and enjoy.    ‘FADED BY THE PIPS’ Written and performed by Rebecca Jade Hammond  Dedicated to Jacob (Jack) Hodgkinson  Writer/ Performer: Rebecca Jade Hammond Training Royal Central School of Speech & Drama. Writing credits include: Advanced Playwriting course (National Theatre), top 5% Writers Room (BBC), shortlisted for Papatango (2018), co-writer of award-winning & Raindance finalist Web Comedy MIDNIGHTMIRACLE (Amazon Prime), literary reader for Hampstead Theatre, facilitator of Welsh Female Writers Group, Creator of BLUE (published by Methuen). Performing credited include: The Tuckers (BBC), Silent Witness (BBC), Doctors (BBC), Trollied (Sky One), MidnightMiracle (Amazon Prime), Confection (Misfit Films) Happiness Ltd (Plymouth Theatre Royal / Salisbury Playhouse), Love Steals Us From Loneliness (Chippy Lane / Chapter / Camden People’s Theatre), The Laramie Project (Lost Theatre), Heresies (Bristol Old Vic). Rebecca is Artistic Director of Chippy Lane Productions Ltd.    Director: Chelsey Gillard Chelsey is an Associate Director for Chippy Lane. She is also the Carne Trust Associate Director at the Stephen Joseph Theatre in Scarborough and a co-founder of the multilingual devising company PowderHouse who are Company in Residence at the Sherman Theatre in Cardiff. Currently she is on the reading panel for the Theatre Uncut Political Playwriting Prize. Recent Directing Credits include: ANTIGONE (Network Playreadings, National Theatre Wales, Sherman Theatre and PowderHouse), The Invisible Woman (Ailsa Jenkins with Wales Millennium Centre and Welsh tour), BLUE (Chippy Lane Productions), Saethu Cwingod/ Shooting Rabbits (PowderHouse with Sherman Theatre and Theatr Genedlaethol Cymru). Written & Performed by Rebecca Jade Hammond Directed by Chelsey Gillard  Produced by Chippy Lane Productions Ltd. Music by Grand Tradition  With additional text from LUNG WATER by Jacob Hodgkinson  For more episodes subscribe to our podcast on Itunes, Spotify and our website www.chippylaneproductions.co.uk THIS PODCAST CONTAINS STRONG LANGUAGE.

Welcome to Chippy Lane’s Podcast, series two the PICTURES / LLUNIAU PROJECT. This series celebrates Welsh and Wales-based writers and their stories. Each episode focuses on a new writer, a personal picture of there’s and a story they want to share with you. So, sit back and enjoy.  ‘SANTIAGO’ Written and performed by Writer / Actress Catrin Stewart  Catrin is a Welsh actress from Cardiff . She graduated from RWCMD in 2010. She attended the Ty Newydd playwriting course in 2018 with Tim Price and Dirty Protest. She is keen to write alongside her acting. As an actress she has worked extensively in theatre and television. Her credits include Romeo and Juliet with Headlong directed by Robert Icke,  Cherry Orchard at The Young Vic with Katie Mitchell, The RSC, Theatre Clwyd and National Theatre of Wales and more recently Valued Friends at the Rose Theatre directed by Michael Fentiman . She played Ruth Jones’ daughter in Stella for Sky 1 for four series and the recurring character Jenny Flint in Dr Who. She won an Edinburgh Film Festival award for Best Performance in a feature film for Euros Lyn’s ‘Y LLyfrgell’.  More recently she has played the lead alongside Jacob Ifan in BAFTA award winning Welsh series ‘Bang.’  She has just finished filming the second series which comes out later this month.  Director: JAC IFAN MOORE  Freelance director and co-director of PowderHouse, company-in-residence at the Sherman Theatre, Cardiff. Recent work includes For All I Care (National Theatre Wales), Saethu Cwningod / Shooting Rabbits (PowderHouse), Fel Anifail (Sherman Theatre), Nawr yr Arwr / Now The Hero (Associate Director, 14-18 NOW) Milwr Yn Y Meddwl (Theatr Genedlaethol Cymru), P.A.R.A.D.E (Associate Director, National Dance Company Wales). www.jacifanmoore.com @jacifanmoore This podcast was recorded in CardiffProduced & Edited by Steve Bennett Music by Grand Tradition Chippy Lane's Podcast 2 is generously supported by The Carne Trust, individual donations and the generosity of the creatives giving up their time and talents to this series.  For more episodes subscribe to our podcast on Itunes, Spotify and our website www.chippylaneproductions.co.uk

Is innovation possible in the traditional K-12 system? Today, a conversation with Alec Resnick, the co-founder of Powderhouse Studios in Somerville, Massachusetts. Powderhouse was nearly the first self-directed, public, in-district high school in the country. Over the course of more than five years, the Powderhouse team (with support from a wide variety of community organizations, foundations, experts, and policymakers) worked closely with Somerville Public Schools to develop a detailed, practical, and piloted plan to open a new high school…which was thwarted at the last minute by Somerville’s Superintendent and School Committee.

Today we are joined by Bonita Mersiades, former Head of Public Affairs with the Football Federation Australia, and author of Whatever It Takes: The Inside Story of the FIFA Way (Powderhouse Press, 2018).  In our conversation, we discussed the 2018/2022 Australian World Cup bid, the future of global football, and the FIFA way. In Whatever It Takes, Mersiades offers an insiders account into the Australian bid, unpacking the political and personal ambitions that drove the process.  The Football Federation Australia, one of the country ’s most powerful executives, and the Commonwealth government worked together to develop a case for an Australian World Cup.  They produced an attractive sales pitch that included new stadiums across the country, partnerships with state governments, and potential celebrity endorsements from Aussie movie stars.  The bid cost the Australian taxpayers over 50 million dollars, much of that money paid to consultants, but in front of the secretive Executive Committee, the their bid received only one vote. Whatever It Takes documents how the Australian bid failed so completely.  Mersiades showcases how the Australian bid – seen by many as the dirty bid – was compromised and highlights how the World Cup bid process can implicate federation officials, journalists, and sportsmen.  Mersiades’ account pulses.  Few escape her vivid recollections as she deftly weaves her short chapters full with rich conversations with top FIFA officials, including Sepp Blatter; arguments with jet setting former soccer stars; interviews with journalists from around the globe; and interrogations from FBI investigators. Anyone interested in the inner workings of sports most powerful and at times secretive organizations should read Mersiades insiders account. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Bonita Mersiades, former Head of Public Affairs with the Football Federation Australia, and author of Whatever It Takes: The Inside Story of the FIFA Way (Powderhouse Press, 2018).  In our conversation, we discussed the 2018/2022 Australian World Cup bid, the future of global football, and the FIFA way. In Whatever It Takes, Mersiades offers an insiders account into the Australian bid, unpacking the political and personal ambitions that drove the process.  The Football Federation Australia, one of the country ’s most powerful executives, and the Commonwealth government worked together to develop a case for an Australian World Cup.  They produced an attractive sales pitch that included new stadiums across the country, partnerships with state governments, and potential celebrity endorsements from Aussie movie stars.  The bid cost the Australian taxpayers over 50 million dollars, much of that money paid to consultants, but in front of the secretive Executive Committee, the their bid received only one vote. Whatever It Takes documents how the Australian bid failed so completely.  Mersiades showcases how the Australian bid – seen by many as the dirty bid – was compromised and highlights how the World Cup bid process can implicate federation officials, journalists, and sportsmen.  Mersiades’ account pulses.  Few escape her vivid recollections as she deftly weaves her short chapters full with rich conversations with top FIFA officials, including Sepp Blatter; arguments with jet setting former soccer stars; interviews with journalists from around the globe; and interrogations from FBI investigators. Anyone interested in the inner workings of sports most powerful and at times secretive organizations should read Mersiades insiders account. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Bonita Mersiades, former Head of Public Affairs with the Football Federation Australia, and author of Whatever It Takes: The Inside Story of the FIFA Way (Powderhouse Press, 2018).  In our conversation, we discussed the 2018/2022 Australian World Cup bid, the future of global football, and the FIFA way. In Whatever It Takes, Mersiades offers an insiders account into the Australian bid, unpacking the political and personal ambitions that drove the process.  The Football Federation Australia, one of the country ’s most powerful executives, and the Commonwealth government worked together to develop a case for an Australian World Cup.  They produced an attractive sales pitch that included new stadiums across the country, partnerships with state governments, and potential celebrity endorsements from Aussie movie stars.  The bid cost the Australian taxpayers over 50 million dollars, much of that money paid to consultants, but in front of the secretive Executive Committee, the their bid received only one vote. Whatever It Takes documents how the Australian bid failed so completely.  Mersiades showcases how the Australian bid – seen by many as the dirty bid – was compromised and highlights how the World Cup bid process can implicate federation officials, journalists, and sportsmen.  Mersiades’ account pulses.  Few escape her vivid recollections as she deftly weaves her short chapters full with rich conversations with top FIFA officials, including Sepp Blatter; arguments with jet setting former soccer stars; interviews with journalists from around the globe; and interrogations from FBI investigators. Anyone interested in the inner workings of sports most powerful and at times secretive organizations should read Mersiades insiders account. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au   Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Bonita Mersiades, former Head of Public Affairs with the Football Federation Australia, and author of Whatever It Takes: The Inside Story of the FIFA Way (Powderhouse Press, 2018).  In our conversation, we discussed the 2018/2022 Australian World Cup bid, the future of global football, and the FIFA way. In Whatever It Takes, Mersiades offers an insiders account into the Australian bid, unpacking the political and personal ambitions that drove the process.  The Football Federation Australia, one of the country ’s most powerful executives, and the Commonwealth government worked together to develop a case for an Australian World Cup.  They produced an attractive sales pitch that included new stadiums across the country, partnerships with state governments, and potential celebrity endorsements from Aussie movie stars.  The bid cost the Australian taxpayers over 50 million dollars, much of that money paid to consultants, but in front of the secretive Executive Committee, the their bid received only one vote. Whatever It Takes documents how the Australian bid failed so completely.  Mersiades showcases how the Australian bid – seen by many as the dirty bid – was compromised and highlights how the World Cup bid process can implicate federation officials, journalists, and sportsmen.  Mersiades’ account pulses.  Few escape her vivid recollections as she deftly weaves her short chapters full with rich conversations with top FIFA officials, including Sepp Blatter; arguments with jet setting former soccer stars; interviews with journalists from around the globe; and interrogations from FBI investigators. Anyone interested in the inner workings of sports most powerful and at times secretive organizations should read Mersiades insiders account. Keith Rathbone is a lecturer at Macquarie University in Sydney, Australia.  He researches twentieth-century French social and cultural history. His manuscript, entitled A Nation in Play: Physical Culture, the State, and Society during France’s Dark Years, 1932-1948, examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime.  If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au   Learn more about your ad choices. Visit megaphone.fm/adchoices

Alec Resnick is Director and Co-Founder of Powderhouse Studios in Somerville Massachusetts. Powderhouse is one of a handful of winners of the XQ Super School Project — a nationwide organization focused on developing and funding innovative models for 21st century learning. Alec and the team behind Powderhouse won a ten million dollar grant from XQ to bring their concept for a new type of school to fruition. He is a graduate of MIT and has served as a consultant for many years with Sprout & Co. helping schools develop STEM and project-based learning programs. The Forming the Future podcast is hosted by Rusty Williams. A founder of multiple technologies companies and pioneer in the development of online communities and social media, Rusty now works for Triumph Modular and explores the intersection of technology and physical space with the goal of creating inspiring learning and work environments.