Podcast appearances and mentions of keith rathbone

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Natalia Mehlman Petrzela, Professor of History at The New School, and author of Fit Nation: The Gains and Pains of America's Exercise Obsession (University of Chicago Press, 2023). In our conversation, we discussed the beginnings of fitness in the United States, how fitness both offered the state a way to shape bodies and liberatory possibilities for counter-cultural communities, and the future of exercise in a post-covid world. In Fit Nation, Petrzela investigates the long history of fitness in the United States to better understand how fitness became such an important part of American life. She notes that the number of people who think fitness is essential for a full life has expanded dramatically since the 1890s and fitness shape our understandings of national community, industry, security, wealth, and wellness. Her comprehensive and readable account begins with the immigration of European fitness fanatics to the United States in the 19th century and illustrates how fitness became one of the most proto-typically American pursuits. The book is divided into seven sections; the first, “When Sweating Was Strange,” shows how American entrepreneurs translated European practices to a sceptical audience. Muscle Beach in Venice, California played a special role in promoting bodybuilding but it also alarmed ordinary Americans who worried about the time participants spent on what many thought were narcissistic and vain habits. One of the major themes of Petrzela's work is the role of the government in promoting physical fitness and in the Cold War world the state opened the door to mass fitness. In the second section, “Slimming the Soft American,” she demonstrates how presidents starting with Eisenhower put fitness at the centre of their Cold War educational programs. The most notable example of government interventions into fitness was the President's Council on Youth Fitness (now the President's Council on Sport, Fitness, and Nutrition.) The third and fourth sections – “From the Margins to the Mainstream” and Movement Culture, Redefined” illustrate how fitness became a central part of the American experience and the limits to that experience in the 1960s and 1970s. Television brought fitness into American houses but gyms remained largely male spaces (although often associated with latent homosexuality.) Yoga and jogging made fitness accessible and linked fitness culture with counter-culture. Women were both the targets of most fitness programs – although not necessarily for liberatory reasons - and excluded from large sections of it. In the 1980s and 1990s, fitness changed further, moving away from the state-led efforts and counter-cultural currents of the 1950s and 1960s. Fitness became big business. In her fifth part, “Feel the Burn,” Petrzela shows how a new gospel of fitness emerged that made gyms, workout classes, and sweating accessible and desirable to growing numbers of Americans. In her sixth section, “Hard Bodies and Soulful Selves”, Petrzela shows how fitness shifted from an obligation imposed by the state for geo-political reasons to a more intrinsic requirement of people living in the neo-liberal era, but not everyone always fulfilled those obligations and many people resisted them. In the final section, “It's Not Working Out,” Petrzela looks at the present and the future of the Fit Nation. Americans are by some measures less fit than ever before, but Petrzela raises real questions about the potential of any narrow definition of fitness to fix persistent health problems. 9/11, the Global Financial Crisis, and Covid-19 changed the way people worked out – cross-fit, home gyms, and Peloton became more popular than ever but fitness was also politicized into the left/right dynamic that dominates American cultural life. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by Dr. Lindsay Krasnoff, who is an historian, specializing in global sport, communications and diplomacy. She is also the Director of FranceandUS, and she lectures on sports diplomacy at New York University Tisch Institute of Global Sport. We met to talk about her most recent book: Basketball Empire: France and the Making of a Global NBA and WNBA (Bloomsbury, 2023). In our conversation, we discussed the rise of basketball in France, the differences between French and American basketball, and the way that French basketball stars such as Boris Diaw exemplify the new global “empire” of basketball that incorporates Africa, France and its overseas departments, and the USA. Krasnoff divides Basketball Empire into three parts that together investigate how French basketball developed from a low point in the middle of the 20th century to a global powerhouse contributing players to the NBA and the WNBA almost every year. Krasnoff argues that French basketball's success hinges on their ability make use of their connections both with the United States and with their former empire. In examining the growth of basketball in France, Krasnoff traces a sporting genealogy that links together players, coaches, and even commentators from around the globe who compete together in France and help produce a distinctive French style of basketball that nevertheless has appeal outside of the hexagon. In Basketball Empire, Krasnoff's first section takes off from her previous work on French association football, which looked at the development of Les Bleus. In the 1950s and 1960s, French basketball too was in crisis. In response, the French government, the Fédération française de basket-ball (FFBB), and even some sporting associations sought out new ways to improve the quality of play in France. Paris University Club brought in Americans who had played basketball in the NCAA but were now living in France to teach American approaches to the game. Individual players, including one of the earliest female French basketball stars Elisabeth Riffiod, watched film of American professionals like Bill Russell. The government redeveloped a national training centre: the National Institute of Sport, Expertise, and Performance (INSEP.) The French League professionalized in 1987. Since the 1990s, French basketball has enjoyed a rising number of successful EuroBasket and Olympic campaigns, including a men's silver and a women's bronze in 2020/21. Basketball Empire's second section uses micro-biographies to explore the ways that contemporary French players developed their skills, how they made their moves into the NCAA, the NBA or the WNBA, and the challenges and opportunities that these moves provided them as players. In this section in particular, Krasnoff's ability land and conduct interviews shines. She shows how diverse players, including Boris Diaw, Sandrine Gruda, Nicolas Batum, Marine Johannès, Diandra Tchatchouang, Evan Fournier, Mickaël Gelabale, and Rudy Gobert have become not only basketball stars but also informal diplomats that help build connections and translate between Africa, France and the United States. In the final section, Krasnoff considers why the French have been so successful at producing high quality men's and women's basketball players. She credits la formation à la française: the specific French training system that includes a national sports training center (the INSEP) as well as local and regional basketball academies (pôles espoirs). The future looks bright for French basketball and in our interview Krasnoff predicts French and US success in the upcoming Paris 2024 Olympiad. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-studies

Today we are joined by the sports journalist David Steele, who has written for the Sporting News, AOL, the Baltimore Sun and the San Francisco Chronicle, and won awards from the National Association of Black Journalists, the Association of Black Media Workers, the Associated Press Sports Editors, and the Society of Professional Journalists. He is also the author of It Was Always a Choice: Picking up the Baton of Athlete Activism (Temple UP, 2022). In our conversation, we discuss the beginnings of black athlete activism in the 20th century, the different approaches pursued by black and white athletes across the century, and whether or not athletes should use their privileged position to promote positive change in the world. In It Was Always A Choice, Steele explores two interconnected histories: the longer durée story of black athlete activism in the 20th and 21st centuries, beginning with Jack Johnson in the 1910s, and the history of the Colin Kaepernick's kneeling protests and how contemporary athlete activists have engaged with the broader Black Lives Matter movement. The book moves both chronologically and thematically, alternating between past and contemporary activist moments to tie them together. His chapters centre on specific questions: “Your Presence Is an Act of Protest: Jack Johnson, Joe Louis, Jesse Owens, and Jackie Robinson” looks at American sports idols and illustrates the significant challenges that they faced to competition but also the limits of their protest. In their case, their presence was often the only kind of protest available to them. In some instances – for example Jesse Owen's case – they later stood up against the more radical protests of the 1960s. Steele was influenced by Kaepernick's protest and the Black Lives Matter movement to write the book, and that alone would have been an interesting story, but the real strength of the work is how he finds the echoes of these movements in earlier radical efforts by male and female black athletes to change American society. He makes references in many chapters to Tommie Smith and John Carlos, whose work with the Olympic Project for Human Rights and raised fist protest acted as a spiritual predecessor to Colin Kaepernick's protest. He also notes early flag protests such as Eroseanna “Rose” Robinson's refusal to stand for the US National Anthem during the 1959 Pan America Games. His work also points out the ways that athlete activists have succeeded and failed to change the broader culture. Although black athletes have won significantly inside of sporting organizations, Colin Kaepernick's protests have highlighted how far American society still must go. The WNBA might be the most progressive league: the Atlanta Dream's players forced out an owner that they opposed and then successfully campaigned against her running for the US Senate. It Was Always A Choice raises interesting questions about the nature of athlete protests. Steele's chapter “Peter Norman, Chris Long, and Gregg Popovich: White Allies” shows the ways that white athletes can support their black teammates and players; some members of the public and sporting leagues seem more receptive to the Black Lives Matter message from white athletes. Steele offers a strong but nuanced criticism of Micheal Jordan, OJ Simpson and Tiger Woods who “dropped the baton” and privileged their own financial success over their politics. White House visits both offer opportunities for the government to promote the popularity of the president but also a chance for athletes to protest against them. Steele's work demands that athletes (and readers) make a choice. It is a must read for people interested in the history of athlete protest and as a whole or in individual chapters it would be useful for teaching the history of sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Stephanie Convery, inequality editor at Guardian Australia, and author of After the Count: The Death of Davey Browne (Penguin Australia, 2020). In our conversation, we discussed the history of boxing in Australia, the failures that explain Davey Browne's death in Sydney in 2015, the nature of violence in sport, and the future of boxing. In After the Count, Convery blends the genres of history, reportage, and memoir to explore the death of Davey Browne and shows how this one event illustrates the problems and lacunae inside of Australian men's boxing. Convery writes from an insider's perspective – she is a boxer – and her work does not condemn the sport for its brutality but rather asks questions about how to make boxing safer and how to make sure the sport of boxing remains meaningful for its participants. She concludes that some of the same toxic forces that gave boxing its allure now make it hard to regulate and threaten the lives of the people who participate in it. The book moves both chronologically and thematically as Convery shifts between a mix of traditional reporting, historical research, and experiential accounts of her own life in the ring. The beginning of the book is devoted to Davey Browne's death and a significant portion of the end of the book contains Convery's conclusions about the coronial case and in these places the book reads most like a traditional sports report. Some of the most interesting chapters feature her own boxing experiences and these are interspersed in the more chronological reporting. It is a minor spoiler that Convery suffers a concussion while reporting on the book and when she as she recovers, she dives into research on concussion and CTE. The ubiquity of head injury in boxing (and sports in general) shapes her discussion of the nature of violence. Boxing requires people to fight – to throw punches – and to improve as boxers those punches need to be real and be dangerous. At the same time, fighters need to consent to fight, need to understand the rules, and should have more information about head injury, how to avoid it, and what to do if they suffer from it. The book defies easy explanations – it's considerate, even meditative; it swings from a report on Davey's death in a Sydney club, to discussions of boxings seedy history in gambling dens, and to medical studies on the way to diagnose chronic traumatic encephalopathy. Convery takes readers around the country - to the places in Davey Browne's life, to gyms in Sydney and Melbourne where Convery practices, and finally to the coronial court where the people involved in the tragedy of Davey's death face questioning from the government of New South Wales. It is a must read for people interested in boxing, Australian sport, and for people interested in the philosophical question of violence in sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Stephanie Convery, inequality editor at Guardian Australia, and author of After the Count: The Death of Davey Browne (Penguin Australia, 2020). In our conversation, we discussed the history of boxing in Australia, the failures that explain Davey Browne's death in Sydney in 2015, the nature of violence in sport, and the future of boxing. In After the Count, Convery blends the genres of history, reportage, and memoir to explore the death of Davey Browne and shows how this one event illustrates the problems and lacunae inside of Australian men's boxing. Convery writes from an insider's perspective – she is a boxer – and her work does not condemn the sport for its brutality but rather asks questions about how to make boxing safer and how to make sure the sport of boxing remains meaningful for its participants. She concludes that some of the same toxic forces that gave boxing its allure now make it hard to regulate and threaten the lives of the people who participate in it. The book moves both chronologically and thematically as Convery shifts between a mix of traditional reporting, historical research, and experiential accounts of her own life in the ring. The beginning of the book is devoted to Davey Browne's death and a significant portion of the end of the book contains Convery's conclusions about the coronial case and in these places the book reads most like a traditional sports report. Some of the most interesting chapters feature her own boxing experiences and these are interspersed in the more chronological reporting. It is a minor spoiler that Convery suffers a concussion while reporting on the book and when she as she recovers, she dives into research on concussion and CTE. The ubiquity of head injury in boxing (and sports in general) shapes her discussion of the nature of violence. Boxing requires people to fight – to throw punches – and to improve as boxers those punches need to be real and be dangerous. At the same time, fighters need to consent to fight, need to understand the rules, and should have more information about head injury, how to avoid it, and what to do if they suffer from it. The book defies easy explanations – it's considerate, even meditative; it swings from a report on Davey's death in a Sydney club, to discussions of boxings seedy history in gambling dens, and to medical studies on the way to diagnose chronic traumatic encephalopathy. Convery takes readers around the country - to the places in Davey Browne's life, to gyms in Sydney and Melbourne where Convery practices, and finally to the coronial court where the people involved in the tragedy of Davey's death face questioning from the government of New South Wales. It is a must read for people interested in boxing, Australian sport, and for people interested in the philosophical question of violence in sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/australian-and-new-zealand-studies

Today we are joined by Stephanie Convery, inequality editor at Guardian Australia, and author of After the Count: The Death of Davey Browne (Penguin Australia, 2020). In our conversation, we discussed the history of boxing in Australia, the failures that explain Davey Browne's death in Sydney in 2015, the nature of violence in sport, and the future of boxing. In After the Count, Convery blends the genres of history, reportage, and memoir to explore the death of Davey Browne and shows how this one event illustrates the problems and lacunae inside of Australian men's boxing. Convery writes from an insider's perspective – she is a boxer – and her work does not condemn the sport for its brutality but rather asks questions about how to make boxing safer and how to make sure the sport of boxing remains meaningful for its participants. She concludes that some of the same toxic forces that gave boxing its allure now make it hard to regulate and threaten the lives of the people who participate in it. The book moves both chronologically and thematically as Convery shifts between a mix of traditional reporting, historical research, and experiential accounts of her own life in the ring. The beginning of the book is devoted to Davey Browne's death and a significant portion of the end of the book contains Convery's conclusions about the coronial case and in these places the book reads most like a traditional sports report. Some of the most interesting chapters feature her own boxing experiences and these are interspersed in the more chronological reporting. It is a minor spoiler that Convery suffers a concussion while reporting on the book and when she as she recovers, she dives into research on concussion and CTE. The ubiquity of head injury in boxing (and sports in general) shapes her discussion of the nature of violence. Boxing requires people to fight – to throw punches – and to improve as boxers those punches need to be real and be dangerous. At the same time, fighters need to consent to fight, need to understand the rules, and should have more information about head injury, how to avoid it, and what to do if they suffer from it. The book defies easy explanations – it's considerate, even meditative; it swings from a report on Davey's death in a Sydney club, to discussions of boxings seedy history in gambling dens, and to medical studies on the way to diagnose chronic traumatic encephalopathy. Convery takes readers around the country - to the places in Davey Browne's life, to gyms in Sydney and Melbourne where Convery practices, and finally to the coronial court where the people involved in the tragedy of Davey's death face questioning from the government of New South Wales. It is a must read for people interested in boxing, Australian sport, and for people interested in the philosophical question of violence in sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law

Today we are joined by Stephanie Convery, inequality editor at Guardian Australia, and author of After the Count: The Death of Davey Browne (Penguin Australia, 2020). In our conversation, we discussed the history of boxing in Australia, the failures that explain Davey Browne's death in Sydney in 2015, the nature of violence in sport, and the future of boxing. In After the Count, Convery blends the genres of history, reportage, and memoir to explore the death of Davey Browne and shows how this one event illustrates the problems and lacunae inside of Australian men's boxing. Convery writes from an insider's perspective – she is a boxer – and her work does not condemn the sport for its brutality but rather asks questions about how to make boxing safer and how to make sure the sport of boxing remains meaningful for its participants. She concludes that some of the same toxic forces that gave boxing its allure now make it hard to regulate and threaten the lives of the people who participate in it. The book moves both chronologically and thematically as Convery shifts between a mix of traditional reporting, historical research, and experiential accounts of her own life in the ring. The beginning of the book is devoted to Davey Browne's death and a significant portion of the end of the book contains Convery's conclusions about the coronial case and in these places the book reads most like a traditional sports report. Some of the most interesting chapters feature her own boxing experiences and these are interspersed in the more chronological reporting. It is a minor spoiler that Convery suffers a concussion while reporting on the book and when she as she recovers, she dives into research on concussion and CTE. The ubiquity of head injury in boxing (and sports in general) shapes her discussion of the nature of violence. Boxing requires people to fight – to throw punches – and to improve as boxers those punches need to be real and be dangerous. At the same time, fighters need to consent to fight, need to understand the rules, and should have more information about head injury, how to avoid it, and what to do if they suffer from it. The book defies easy explanations – it's considerate, even meditative; it swings from a report on Davey's death in a Sydney club, to discussions of boxings seedy history in gambling dens, and to medical studies on the way to diagnose chronic traumatic encephalopathy. Convery takes readers around the country - to the places in Davey Browne's life, to gyms in Sydney and Melbourne where Convery practices, and finally to the coronial court where the people involved in the tragedy of Davey's death face questioning from the government of New South Wales. It is a must read for people interested in boxing, Australian sport, and for people interested in the philosophical question of violence in sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/medicine

Today we are joined by Stephanie Convery, inequality editor at Guardian Australia, and author of After the Count: The Death of Davey Browne (Penguin Australia, 2020). In our conversation, we discussed the history of boxing in Australia, the failures that explain Davey Browne's death in Sydney in 2015, the nature of violence in sport, and the future of boxing. In After the Count, Convery blends the genres of history, reportage, and memoir to explore the death of Davey Browne and shows how this one event illustrates the problems and lacunae inside of Australian men's boxing. Convery writes from an insider's perspective – she is a boxer – and her work does not condemn the sport for its brutality but rather asks questions about how to make boxing safer and how to make sure the sport of boxing remains meaningful for its participants. She concludes that some of the same toxic forces that gave boxing its allure now make it hard to regulate and threaten the lives of the people who participate in it. The book moves both chronologically and thematically as Convery shifts between a mix of traditional reporting, historical research, and experiential accounts of her own life in the ring. The beginning of the book is devoted to Davey Browne's death and a significant portion of the end of the book contains Convery's conclusions about the coronial case and in these places the book reads most like a traditional sports report. Some of the most interesting chapters feature her own boxing experiences and these are interspersed in the more chronological reporting. It is a minor spoiler that Convery suffers a concussion while reporting on the book and when she as she recovers, she dives into research on concussion and CTE. The ubiquity of head injury in boxing (and sports in general) shapes her discussion of the nature of violence. Boxing requires people to fight – to throw punches – and to improve as boxers those punches need to be real and be dangerous. At the same time, fighters need to consent to fight, need to understand the rules, and should have more information about head injury, how to avoid it, and what to do if they suffer from it. The book defies easy explanations – it's considerate, even meditative; it swings from a report on Davey's death in a Sydney club, to discussions of boxings seedy history in gambling dens, and to medical studies on the way to diagnose chronic traumatic encephalopathy. Convery takes readers around the country - to the places in Davey Browne's life, to gyms in Sydney and Melbourne where Convery practices, and finally to the coronial court where the people involved in the tragedy of Davey's death face questioning from the government of New South Wales. It is a must read for people interested in boxing, Australian sport, and for people interested in the philosophical question of violence in sport. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Corry Cropper, a Professor of French at Brigham Young University, and one of two authors, alongside Seth Whidden, of Velocipedomania: A Cultural History of the Velocipede in France (Bucknell University Press, 2023). In our conversation we discussed the origin of the velocipede and how it illuminated the paradoxes of cultural life in Second Empire France. In Velocipedomania, Cropper and Whidden argue that a close examination of the velocipede and the discourse around it both highlight the complexities of class, gender and modernity in late Second Empire France but also prefigure the links between the Third Republic and the French bicycle craze of the late 19th century. Through a close look at a range of primary sources, mostly drawn from 1868-1869, and carefully translated and reproduced in whole in the text, they demonstrate that the velocipede was more than a passing fad. The velocipede was instead a vital symbol of French modernity and tradition, masculinity and femininity, practicality and fancy, and machine power and body power. The book contains four major sections. Each correspond to a different primary source or set of primary sources. The most significant of the texts is The Manual of the Velocipede, written by Richard Lesclide and illustrated by Emile Benassit. The Manual contains scientific articles, short stories, instructions on how to learn to ride a velocipede, and dozens of images that provided some of the earliest visual lexicons of bicycle riding. Cropper and Whidden reproduce complete translations of these sections, copies of the images, and unpack them in text and footnotes.  Cropper and Whidden's text and footnotes provide necessary context and compelling analysis; the sources can also be read alone and excerpted for teaching. Their discussion of the Manual for example focuses on a series of themes: the carnivalesque, the social classes of the Second Empire, gender difference, the erotic, and the modern and the traditional.Readers interested in the gender politics of velocipede riding will discover both the progressive and the retrograde. Cropper and Whidden show how the velocipede fad opened the door to sporting women who were able to use the machine to travel further than ever before but public decorum and sartorial conventions still limited the ways that women were able to ride. In a section called Note on Monsieur Michaux's Velocipede, Cropper and Whidden solve a historical mystery. They identify the note's author: a French naval officer de la Rue and velocipede enthusiast who invented the aquatic velocipede. De la Rue's Note offered practical explanations for why the French state should invest in velocipedes, including the speed of telegraph delivery and the protection of the borders from smugglers. At the same time, he also emphasized the pleasure he derived from riding his cycle. In the second chapter, Cropper and Whidden sketch out the history of velocipedes on stage. They show how velocipedes rolled into French opera following the liberalization of the medium during the final years of the Second Empire. Their translated text, Dagobert and his Velocipede, remains a very entertaining read. Their translation is joke dense and readers will need to flip between the text and footnotes to understand their witty and pun filled translation. A final chapter examines velocipedes and poetry. Cropper and Whidden's innovative approach to unpacking the history of the velocipede, which so successfully integrates translated primary sources, should be read by scholars interested in French history and sports history. It will also be very useful in classroom teaching. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology

Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies

Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan's Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good. In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people's identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way? His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women's football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game. He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women's footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access. Throughout Soccer in Mind, Guest's work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it. Guest's very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan's Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good. In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people's identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way? His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women's football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game. He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women's footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access. Throughout Soccer in Mind, Guest's work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it. Guest's very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports

Today we are joined by Andrew Guest, Professor of Psychology and Sociology at the University of Portland, where he also serves as Director of the Core Curriculum. He is also the author of Soccer in Mind: A Thinking Fan's Guide to the Global Game (Rutgers University Press, 2022). In our conversation we discussed the possibilities of thinking fandom, soccer as a glocal phenomenon, and whether sport builds character and provides a social good. In Soccer in Mind, Guest uses thematic chapters to address some of the biggest questions in sports studies: why do sports seem so central to many people's identities, what is the right way to develop player talent, what is the future of sports psychology, and most importantly how can athletes and fans engage in sport in a more critical and socially conscious way? His careful approach to think about and through soccer mixes different analytical lenses including sociology, psychology, and auto-ethnography. He strives to make the familiar things in soccer strange, and the strange things in soccer more familiar. His work moves comfortably between discussions of fan culture in England, women's football in Portland, and witchcraft in Malawi to identify the ways that aesthetics, emotion and rationality work together to shape popular engagement with the global game. He also considers the sport from the top-down and the bottom-up. His interlocutors and interview subjects range from elite women's footballers in the US, Zanzibari soccer players called the “Women Fighters,” and disabled children in Angola. Many of his chapters are cross comparative. For example, in his chapter on player development, he looks at the influence of the technocratic Dutch model of top player development, the Ghanaian romantic model of grassroots soccer, and what he calls the Icelandic humanistic model that prioritizes broad human and social development through sport over elite access. Throughout Soccer in Mind, Guest's work challenges easy assumptions about soccer and sports more generally. While many works challenge the value of mega-events, Guest argues that soccer might only provide a social good when we use the sport to do so attentively and intentionally. His chapter on global development initiatives shows how even well-meaning soccer NGOs can cause negative feedback loops. Participation in sports might not even encourage fair play and sportsmanship unless athletes, coaches, and fans provide a broader social basis for it. Guest's very readable work – clearly of interest to people involved in sports studies, sports sociology and sports psychology – also has broad appeal and will prove useful in classrooms and boardrooms. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Douglas Booth, Dean of Adventure, Culinary Arts and Tourism at Thompson Rivers University in British Columbia, Canada and Professor Emeritus at the University of Otago. He is also the author of Bondi Beach: Representations of an Iconic Australian (Palgrave MacMillan, 2022). In our conversation, we discussed the geological and climatological origins of Bondi Beach; the contested histories of iconic Australian archetypes such as surf bathers, surf life savers, and surf boarders; and what it might mean to write an autobiography of Bondi Beach. In Bondi Beach, Booth works across the boundaries of the social and physical sciences, encompassing anthropology, geography, geology, history, and hydrology. In the first two chapters of the book, he critically assesses the role of sand and storms as actors in shaping the beach, which only arose in its current instantiation 6,500 years ago. Current debates over the shape of the beach can take the “natural” as desirable, but as Booth shows in his chapters “Nature and Culture” and “Pavilion,” powerful civic forces can also help to remake the environment to suit human needs. When it comes to the beach, Booth seems to argue that the only constant is change. His chapters on the Eora (Indigenous Australians) and Berewalgal (European settler-colonists) trace the changes in beach use. Contrary to later colonial officials' assertions, the Eora did not leave Bondi barren, nor was their use of the land static, but instead Indigenous Australians use of the land altered in response to the environment and the development of new fishing and manufacturing techniques. Eora and Berewalgal people possessed different ontological understandings of their relationship to the country. Indigenous Australians saw themselves as part of the land and as a consequence worked within its homeostatic limits. Settler-colonial people saw their role as one of management and consequently they sought policies to make the land more useful from an economic point of view, causing significant changes to the geographic and social landscape of the Bondi-Rose Bay Valley. Booth's work challenges assumptions that underpin the historical discipline: how do we recapture the past, what facts do we include and what do we leave out, and how do organize our histories into narratives. His chapters on avatars of Australian beach culture: surf bathers, surf life savers, and surf boarders simultaneously highlight the impossibility of writing origins stories while they also highlight the various narrative possibilities of different mythological types. There is no single authoritative history of surfing in Bondi – but it is open to numerous story arcs: surfers as heroes or victims, surfers as environmental crusaders or landscape devastators, and surfers as counter-cultural icons or social problems. In his last chapter, “Autobiography” Booth writes a biography from the perspective of Bondi Beach. This “autobiography” is of Booth's imagination, but it's daring narrative form offers new possibilities for thinking through what the natural environment might think of man's stewardship of space. Booth's work has broad appeal – clearly of interest to people who are focused on sports studies, but also broadly to scholars from a range of fields, both physical and social sciences, who want to re-think the assumptions of our disciplines. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network