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Knowledge Project: Read the notes at at podcastnotes.org. Don't forget to subscribe for free to our newsletter, the top 10 ideas of the week, every Monday --------- Most people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
Knowledge Project Key Takeaways Check out the episode pageRead the full notes @ podcastnotes.orgMost people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
Knowledge Project Key Takeaways Check out the episode pageRead the full notes @ podcastnotes.orgMost people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
Most people protect their identity. Andy Grove would rewrite his, again and again. He started as a refugee, became a chemist, turned himself into an engineer, then a manager, and finally the CEO who built Intel into a global powerhouse. He didn't cling to credentials or titles. When a challenge came up, he didn't delegate, he learned. This episode explores the radical adaptability that made Grove different. While his peers obsessed over innovation, he focused on something far more enduring: the systems, structures, and people needed to scale that innovation. Grove understood that as complexity rises, technical brilliance fades and coordination becomes king. You'll learn how he redefined leadership, why he saw management as a creative act, and what most founders still get wrong about building great companies. If you're serious about getting better—at work, at thinking, at leading—this is the episode you'll be glad you didn't miss. This episode is for informational purposes only and most of the research came from The Life and Times of an American by Richard S. Tedlow, Only the Paranoid Survive by Andy Grove, and Tom Wolfe's profile of Robert Noyce available here. Check out highlights from these books in our repository, and find key lessons from Grove here — https://fs.blog/knowledge-project-podcast/outliers-andy-grove/ (05:02 ) PART 1: Hungarian Beginnings(06:48) German Occupation(09:27) Soviet Liberation(11:01) End of the War(12:35) Leaving Hungary (14:10) PART 2: In America(16:50) Origin of Silicon Valley(20:04) Fairchild (22:54) PART 3: Building Intel(25:15) Becoming a Manager(29:39) Intel's Make-or-Break Moment(31:35) Quality Control Obsession(34:41) Orchestrating Brilliance(37:49) The Microprocessor Revolution and Intel's Growth(40:32) Intel's Growth and the Microma Lesson(30:51) The Grove Influence(47:00) The Birth of Intel Culture(49:42) The Fruits of Transformation(50:43) The Test Ahead (53:07) PART 4: Inflection Points(55:23) The Valley of Death(58:26) The IBM Lesson(01:01:18) CASSANDRA's: The Value of Middle Management(01:04:09) Executing a Painful Pivot (01:08:25) Reflections, afterthoughts, and lessons Thanks to our sponsors for supporting this episode: MOMENTOUS: Head to livemomentous.com and use code KNOWLEDGEPROJECT for 35% off your first subscription. NOTION MAIL: Get Notion Mail for free right now at notion.com/knowledgeproject Upgrade — If you want to hear my thoughts and reflections at the end of all episodes, join our membership: fs.blog/membership and get your own private feed. Newsletter — The Brain Food newsletter delivers actionable insights and thoughtful ideas every Sunday. It takes 5 minutes to read, and it's completely free. Learn more and sign up at fs.blog/newsletter Learn more about your ad choices. Visit megaphone.fm/adchoices
This episode captures (the beginning of) a conversation between cultural studies scholar Magda Szcześniak (University of Warsaw) and historian Jan Tomasz Gross (emeritus, Princeton University) who – while studying Polish contemporary history during the past decades – published a book co-authored by Stephen Kotkin on "uncivil society" in 2010. It offered a powerful explanation for the implosion of communism in 1989. Not long ago, we witnessed an election defeat of a non-communist authoritarian regime in Poland and are observing a tough and twisted process of dismantling that regime. The discussion is initiated and moderated by János Mátyás Kovács (senior researcher, RECET). Jan T. Gross studies modern Europe, focusing on comparative politics, totalitarian and authoritarian regimes, Soviet and East European politics, and the Holocaust. After growing up in Poland and attending Warsaw University, he immigrated to the United States in 1969 and earned a Ph.D. in sociology from Yale University (1975). His first book, Polish Society under German Occupation, appeared in 1979. Revolution from Abroad (1988) analyzes how the Soviet regime was imposed in Poland and the Baltic states between 1939 and 1941. Neighbors (2001), which was a finalist for the National Book Award. He joined the Princeton History Department in 2003 after teaching at New York University, Emory, Yale, and universities in Paris, Vienna, and Krakow. Professor Gross is the Norman B. Tomlinson ‘16 and ‘48 Professor of War and Society, emeritus. Magda Szcześniak is Assistant Professor of Cultural Studies at the Institute of Polish Culture, University of Warsaw. Author of Normy widzialnosci. Tozsamosc w czasach transformacji [Norms of Visuality. Identity in Times of Transition, 2016] and Poruszeni. Awans i emocje w socjalistycznej Polsce [Feeling Moved. Upward Mobility and Emotions in Socialist Poland, 2023].
La Segunda Guerra Mundial es, sin ningún género de duda y con Darmstadt como prueba, el factor temporal determinante de la revolución vivida en la música de la segunda mitad de siglo. La música salvó a muchos, si no de la contienda, al menos de parte de sus traumáticas consecuencias._____Has escuchadoAutobiografía intelectual. Luis de Pablo. Entrevista realizada al compositor el 25 de marzo de 2010 en la Fundación Juan March: [Web]Cuarteto de cuerda nº. 8 en do menor. Largo (1960) / Dmitri Shostakovich. Fitzwilliam String Quartet. Decca (1992)Cuarteto n.º 3, op. 46 (1943) / Viktor Ullmann. Cuarteto Bennewitz. Grabación sonora realizada en directo en la sala de conciertos de la Fundación Juan March, el 3 de marzo de 2021. Dentro del ciclo “Terezín: componer bajo el terror. La música de cámara en Terezín”“Tomás Marco habla sobre la “música confinada”. YouTube Vídeo. Publicado por Fundación BBVA, 27 de septiembre de 2022: https://www.youtube.com/watch?v=Q02yvqKCDEMWar Requiem (1962) / Benjamin Britten. Galina Vishnevskaya, soprano; Peter Pears, tenor; Dietrich Fischer-Dieskau, barítono; The Bach Choir & London Symphony Orchestra Chorus; London Symphony Orchestra; Benjamin Britten, director. Decca (1985)_____Selección bibliográficaARNOLD, Ben, “Music, Meaning, and War: The Titles of War Compositions”. International Review of the Aesthetics and Sociology of Music, vol. 22, n.º 1 (1991), pp. 19-28*BOTSTEIN, Leon, “After Fifty Years: Thoughts on Music and the End of World War II”. The Musical Quarterly, vol. 79, n.º 2 (1995), pp. 225-230*DINGLE, Christopher Philip (ed.), The Cambridge History of Music Criticism. Cambridge University Press, 2022*FANNING, David (ed.), The Routledge Handbook to Music under German Occupation, 1938-1945: Propaganda, Myth and Reality. Routledge, 2020*FUNDACIÓN JUAN MARCH, “Terezín: componer bajo el terror” [Programa de concierto]. Ciclo de miércoles 24 de febrero al 10 de marzo de 2021: [PDF]GUILBAUT, Serge, Manuel J. Borja-Villel, Be-Bomb: The Transatlantic War of Images and All That Jazz, 1946-1956. Museu d'Art Contemporani de Barcelona; Museo Nacional Centro de Arte Reina Sofía, 2007*HEILE, Björn, Charles Wilson, et al. (eds.), The Routledge Companion to Modernism in Music. Routledge, 2019*JAROCINSKI, Stefan, “Polish Music after World War II”. The Musical Quarterly, vol. 51, n.º 1 (1965), pp. 244-258*KRADER, Barbara, “Soviet Research on Russian Folk Music since World War II”. Ethnomusicology, vol. 7, n.º 3 (1963), pp. 252-261*ORAMO, Ilkka, “Sibelius, Bartók, and the ‘Anxiety of Influence' in Post World War II Finnish Music”. Studia Musicologica Academiae Scientiarum Hungaricae, vol. 47, n.º 3/4 (2006), pp. 467-479*POTTER, Pamela M., “What Is ‘Nazi Music'?”. The Musical Quarterly, vol. 88, n.º 3 (2005), pp. 428-455*ROGERS, Julian C., Resonant Recoveries: French Music and Trauma Between the World Wars. Oxford University Press, 2021*ROSS, Alex, El ruido eterno. Seix Barral, 2009*SCHWARZ, Boris, “Soviet Music since the Second World War”. The Musical Quarterly, vol. 51, n.º 1 (1965), pp. 259-281*VYBORNY, Zdenek y William Lichtenwanger, “Czech Music Literature since World War II”. Notes, vol. 16, n.º 4 (1959), pp. 539-546*WALLNER, Bo, “Scandinavian Music after the Second World War”. The Musical Quarterly, vol. 51, n.º 1 (1965), pp. 111-143* *Documento disponible para su consulta en la Sala de Nuevas Músicas de la Biblioteca y Centro de Apoyo a la Investigación de la Fundación Juan March
2/2: #Ukraine: Russia advances and Zelensky explains. John Hardie, FDD. Bill Roggio, FDD. 1918 GERMAN OCCUPATION
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/genocide-studies
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices
Today I talked to Anne Landau and Margaret Sinclair, the translators of Through the Morgue Door: One Woman's Story of Survival and Saving Children in German-Occupied Paris (U Pennsylvania Press, 2024) n 1934, at the age of fourteen, Colette Brull-Ulmann knew that she wanted to become a pediatrician. By the age of twenty-one, she was in her second year of studying medicine. By 1942, Brull-Ulman and her family had become registered Jews under the ever-increasing statutes against them enacted by Petain's government. Her father had been arrested and interned at the Drancy detention camp and Brull-Ulman had become an intern at the Rothschild Hospital, the only hospital in Paris where Jewish physicians were allowed to practice and Jewish patients could go for treatment. Under Claire Heyman, a charismatic social worker who was a leader of the hospital's secret escape network, Brull-Ulmann began working tirelessly to rescue Jewish children treated at the Rothschild. Her devotion to the protection of children, her bravery, and her imperviousness in the face of the deadly injustices of the Holocaust were always evident--whether smuggling children to safety through the Paris streets in the dead of night or defying officers and doctors who frighteningly held her fate in their hands. Ultimately, Brull-Ulmann was forced to flee the Rothschild in 1943, when she joined her father's resistance network, gathering and delivering information for De Gaulle's secret intelligence agency until the Liberation in 1945. In 1970, Brull-Ulmann finally became a licensed pediatrician. But after the war, like so many others, she sought to bury her memories. It wasn't until decades later when she finally started to speak publicly--not only about her own work and survival, but about the one child who affected her most deeply. Originally published in French in 2017, Brull-Ulmann's memoir fearlessly illustrates the horrors of Jewish life under the German Occupation and casts light on the heretofore unknown story of the Rothschild Hospital during this period. But most of all, it chronicles the life of a truly exceptional and courageous woman for whom not acting was never an option. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies
#Hezbollah: War warning. Colonel Jeff McCausland , USA (retired) @mccauslj @CBSNews @dickinsoncol https://www.telegraph.co.uk/world-news/2024/08/14/israel-netanyahu-defence-chiefs-ceasefire-talks-iran-hamas/ 1918 UKRAINE, GERMAN OCCUPATION
On this day in 1945, the world famous Peace rose was introduced to gardeners at a special ceremony in Pasadena, California. See omnystudio.com/listener for privacy information.
On this day in 1942, French General Henri Giraud made a daring escape from a Nazi stronghold in Saxony, Germany. See omnystudio.com/listener for privacy information.
Anna O by Matthew Blake. A psychological thriller in the vein of things like Gone Girl- Anna O is found unconscious next to the bodies of her murdered friends and it's believed she killed them while sleepwalking. She enters a state known as “resignation syndrome” and stays asleep for the next four years, which is obviously of interest to both the medical world, the police and the victims' families. The government needs her conscious to stand trial and ask a guy who's both a forensic psychologist and sleep specialist to wake her up. It's an extremely risky process as it turns out that before this event happened, Anna was investigating a possible connection between some murders and a government entity who, if they're implicated, might just add an extremely dangerous dimension to this whole affair. It's the kind of book that is likely to be picked up by a lot of readers and spark a lot of debate. The Wartime Bookclub by Kate Thompson. Set on the Channel Island of Jersey during the German Occupation in WW2, in a place where the Nazis are firmly in control, the small population finds ways to rebel and show resistance. The library becomes the centre of town for many, with young Grace making sure that books and reading are still available and, despite an increasing number of banned books making the Nazis' list, establishes a bookclub which helps protect the heart of the community. Her friend Bea works for the postal service where she manages to intercept letters sent by would be collaborators to the authorities. Against a background of ordinary people trying to get on with their lives in such awful circumstances, and based on real historical events, this is a gentle insight into an extraordinary time. LISTEN ABOVESee omnystudio.com/listener for privacy information.
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit podcastchoices.com/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music
The role of music during the German occupation of Norway (1940-45) proves to be an exceptional case for cultural opposition in a dictatorship. Few famous musicians, some local celebrities and innumerous hardly known activists preferred artistic instead of militant means to demonstrate reluctance, spread information, contradict the legitimacy of the German occupants and raise the moral strength of fellow countrymen in Norway and abroad, while risking to be caught, incarcerated and driven into exile. The indispensable advantage was the popular belief of art as an apolitical matter so that music even could reach into fields that would have been inaccessible to open political agitation. Based on considerable findings in public archives and private collections, Michael Custodis' Music and Resistance: Cultural Defense During the German Occupation of Norway 1940-45 (Waxmann Verlag, 2021) discusses music in concentration camps in Norway and the fate of Jewish musicians, portrays choirs, military ensembles, orchestral and church music in Norway. It further analyzes Harald Sæverud's 5th symphony and Moses Pergament's choir symphony Den judiska sången, illustrates the exile of musicians in Stockholm and discusses resistance music in historic media such as the Errol Flynn-movie Edge of Darkness (1943), recapitulated by a model for music as resistance. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies
Strolling through Bordeaux today, you can be largely unaware of the fascinating story of the city under German Occupation between 1940 and 1944. This episode recounts a little of the history and highlights three places to visit in the city today to find out more. Prepare for tales of hardship, persecution, courage, betrayal, resistance and, eventually, liberation. Reading Suggestions Life in Bordeaux under the Occupation by Jane Anson Jewish Fates in Bordeaux during the 2nd World War Game of Spies by Paddy Ashdown Histoire de Bordeaux by Madeleine Lassère (French only) Useful Links Bassins à Flot Bassins des Lumières Great Synagogue of Bordeaux City Breaks: all the history and culture you'd research for yourself if you had the time! Check our website for the blogpost accompanying this episode, to find more episodes from our Bordeaux series or to browse our back catalogue of other cities which are well worth visiting: https://www.citybreakspodcast.co.uk We love to receive your comments and suggestions! You can e mail us at citybreaks@citybreakspodcast.co.uk And if you like what you hear, please do post comments or a review wherever you downloaded this episode. That would be very much appreciated!
Decades have passed since World War II, but the memories are being kept alive. The stories of the atrocities of the Holocaust and what people endured still emerge. The actual accounts, and the novels that are based on facts. Baila Sebrow, producer and host of The Definitive Rap interviewed author Tara Ison who wrote At the Hour Between Dog and Wolf. At The Hour Between Dog and Wolf is the story of a twelve-year-old Parisian Jewish girl in World War II France, living “in hiding” as a Catholic orphan with a family in a small village. When Danielle Marton's father is killed during the early days of the German Occupation, her mother sends her to live in a quiet farming town near Limoges in Vichy France. Now called Marie-Jean Chantier, Danielle struggles to balance the truth of what's happened to her family and her country with the lies she must tell to keep herself safe. At first, she's bitter about being left behind by her mother, and horrified at having to milk the cow and memorize Catholic prayers for church. But as the years pass and the Occupation worsens, Danielle finds it easier to suppress her former life entirely, and Marie-Jean becomes less and less of an act. By the time she's fifteen and there is talk amongst the now divided town of an Allied invasion, not only has Danielle lost the memories of her father's face and the smell of her mother's perfume, but her very self, transforming into a devout Catholic—and an anti-semitic, fervent disciple of fascism. During the interview Tara talked about her personal life and how she came up with the idea for this story, why the story is set in WWII France, as opposed to another occupied country. Tara described the interesting research she did to write this book, and about the characters, particularly how Marie-Jeanne turns into an antisemitic fascist.
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/latino-studies
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
Today we are joined by Ben Chappell, Professor of American Studies at the University of Kansas, and author of Mexican American Fastpitch: Identity at Play in Vernacular Sport (Stanford University Press, 2021). In our conversation, we discussed the origins of Mexican American Fastpitch, his interlocutors debate over whether to open Mexican American softball tournaments to Anglo players, and how fastpitch helped Mexican Americans enact a specific and local form of cultural citizenship in the Midwest and Texas. In Mexican American Fastpitch, Chappell uses ethnographic methods to study Mexican American fastpitch in local communities stretching across the Midwest and Texas. His work took place over a decade in small towns, like Newton Kansas, and bigger cities including Austin, Houston and San Antonio. His first two chapters deal with the history of Mexican American softball and set the game alongside the larger history of Mexican habitation in the Midwest and the gender and racial politics of softball. He shows that Mexican Americans played softball from the very beginning of the game, but the oldest specifically Mexican American tournaments in the Midwest started shortly after the Second World War. The oldest – the Newton – will be seventy-five years old in 2023. These tournaments proved opportunities for Mexican American ballplayers to assert their particular citizenship despite barrioization, economic marginalization, racism, and segregation. Through a thick description of several of competitions such as the Newton and the Latin, Chappell shows how these tournaments encompass much more than the batting and fielding on and around the diamond. While softball does possess its own illusio – roughly speaking appeal – to men and women, competitors and fans; the game is only part of the reason for these tournaments' longevity. Mexican American fastpitch players not only enjoyed a compelling sport, but also a festival that included community engagement, different foodways, and family reunions. The game's illusio worked differently for Mexican American men and women – the latter have only more recently started to compete in these tournaments. The popularity of these tournament peaked sometime in the late 20th century and now tournament organizers face the difficult question of how to save the game. The most common debate is whether to admit Anglo teams (and thus preserve the tournament) or remain a specific site for Mexican American organization. Tournament organizers also deal with ringers from around the world, double dip scheduling, and rival sporting codes. In a final theoretical chapter, entitled “Between the Lines,” Chappell considers the particular and the universal in the experience of Mexican American fastpitch and compares it to other fastpitch communities including a very close comparison with Native American fastpitch. Chappell's captivating account of the Mexican American softballers and their tournaments will be of interest to readers interested broadly in local sport and ball games. It should also be required reading for people with interests Mexican American history and ethnography, and sports anthropology and ethnography. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology
Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports
Today we are joined by two guests: Dr. Fiona Crawford, a writer, editor, and researcher whose work engages with social, environmental, and sports. Dr. Crawford writes for a range of publications including Four Four Two and works frequently Football Australia. We are also joined by Dr. Lee McGowan, a researcher, writer and teacher working at the University of Sunshine Coast. Dr McGowan works on the intersections of sport, culture and community engagement. Together, they are the authors of Never Say Die: The Hundred-Year Overnight Success of Australian Women's Football (University of New South Wales Press, 2019). In our conversation, we discussed the booms and busts of women's football in Australia, “sliding door” moments that offered alternative possibilities for women's football, and the obstacles facing the contemporary women's game around the world. In Never Say Die, Crawford and McGowan both trace the history of women's football in Australia and offer a commentary on the state of the women's game today. The first three chapters chart the development of women's football, emerging earliest in Queensland before being hobbled by the actions of men in state federations. In this way, the rise and fall of the early Australian game mirrored history of the famous English FA ban of women's football. An Australian women's led football league re-emerged in the heady days of the 1960s and 1970s, when creative and hardworking people such as Pat O'Connor, Elaine Watson, and Heather Reid opened the way for an Australia wide women's competition. In 1974, female administrators and players organized the Australian Women's Soccer Association, which under the leadership of “quiet achieving ground breakers” built the foundations for women's football today. The following year they competed in the Asian Women's Championship, but never with the same financial support as the men's side. Of course, success brought new challenges and the Crawford Report (no relation) helped to subordinate women's football again under the national federation: Football Australia. The latter chapters of Never Say Die deal with contemporary challenges to the women's game including: the organization of the W-League, pay disputes between the women's national team and the federation, injury issues among women's footballers resulting from inadequate medical facilities and improper training, a dearth of female coaches, particularly at the top level, and the trajectory of the current Matildas. Crawford and McGowan's comments in these chapters are vital for understanding the issues in women's football today and have helped to shape public debate over issues such as pay disparities, an issue that has subsequently been addressed by Football Australia. In their work, Crawford and McGowan offer a compelling and rich account of women's football in Australia. Their work is informed not only by a deep dive into the archival resources, especially the popular press, but also by interviews with many former women's players, referees, coaches and administrators. Crawford and McGowan's very readable and timely book will be of interest to people broadly interested in sport, especially those with a focus on women's sport, but also to a public audience interested in the history of the Matildas before the 2023 Australian Women's World Cup. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices
In the eighth episode of Season 7 (Fantastical Realities) Kyle is joined by musician Ben Childs and writer August Gummere to discuss the use of fantasy as political and societal allegory in Marcel Carne's romantic French fable made under German Occupation, Les Visiteurs du Soir (1942).
Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Today we are joined by Jamie Fahey, a Guardian journalist and production editor with more than twenty years' experience on several national newspapers and six years in regional journalism. He is also the author of Futsal: The Indoor Game that is Revolutionizing World Soccer (Melville House, 2021). In our conversation, we discussed the origins of futsal, the differences and similarities between futsal and soccer, and the future of the five-a-side game. In Futsal, Fahey blends history, journalism, memoir, coaching guides, and polemic to trace the growth of futsal from its beginnings in 1930s Uruguay and Brazil through to its global present. If futsal first developed in South America, it demonstrated how footballing ideas and practices could migrate back along imperial lines, as Brazilian super stars encouraged the propagation of the game in Europe, Asia and Africa. Brazilians from Pelé to Neymar have played futsal, promoted it in their press clippings, and Brazilians continued to dominate the game. Indeed, many international teams even today are filled with Brazilian players, as evidenced by the tongue in cheek nickname of the Italian national team: the Brazzuri. Throughout the book, Fahey demonstrates the way that futsal has influenced the 11-a-side game: including tactical developments such as the false nine and the attacking goalkeepers. At the same time, Fahey does not think of futsal solely as a laboratory for soccer, but instead makes a strong argument for the uniqueness of futsal as a sport practice and spectacle with its own value. It is a particularly intense and tactical game that appeals in its own right. He notes the recent growth of the game, with almost sixty million practitioners around the world. In his memoir-esque chapters, Fahey remarks on his own history as a coach and a player, emerging from the football filled streets of his home city of Liverpool before becoming a guide to his sons' teams. The rich and textured urban environment of 1970s and 1980s Liverpool provided a site for him to learn foot skills, sangfroid, and tactical nous. If the English past was as a place where children learned to play in an organic way, he bemoans the relative weakness of contemporary English futsal, which suffers from the inattention of the FA, the continued strength of alternative small-sided codes, and the destruction of smaller local soccer spaces. In the final half of his book, Fahey looks at contemporary futsal practice in a range of countries including: Brazil, Iran, England and the USA. Brazil, Portugal and Spain stand out as places that have well-developed domestic futsal leagues and also are strong competitors internationally. Portuguese and Spanish clubs – in particular Barcelona and Benfica – have benefitted from their use of futsal in their youth programs. France and the United States stand out as places where futsal is developing quickly. Fahey's very readable and engaging work will have broad appeal, but especially to people interested in futsal and soccer, sports historians, and sports scholars more generally. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports
This week, my guest is award-winning author Michelle Wright. Among other accolades, Michelle was awarded a six-month residency at the Cité Internationale des Arts in Paris, where she wrote the novel “Small Acts of Defiance.” “Small Acts of Defiance” recounts the tale of Australian-born Lucie who moves to Paris just before the German Occupation. In a world with increasing anti-Jewish sentiment met with increasing French indifference, and uprooted into a foreign land suddenly occupied by yet another foreign land, Lucie must discover where her own truth lies, and whether small acts can defiance make a big difference. In our conversation, Michelle discusses what surprises her research uncovered, how hidden art can connect us, why honoring the long-term effects of war was so important, and much more. Then, she treats us to a reading from “Small Acts of Defiance.”https://www.facebook.com/michellewright.writerhttps://www.instagram.com/michelle.wright.author/Join our Book Club: patreon.com/parisundergroundradioFind Us OnlineWebsite: https://www.parisundergroundradio.com/storytimeinparisFacebook: https://www.facebook.com/parisundergroundradioInstagram: https://www.instagram.com/parisundergroundradio/CreditsHost and Producer: Jennifer Geraghty. Facebook, Instagram, and Twitter: @jennyphoria; Website: http://jennyphoria.comMusic CreditsHip Hop Rap Instrumental (Crying Over You) by christophermorrow https://soundcloud.com/chris-morrow-3 Creative Commons — Attribution 3.0 Unported— CC BY 3.0 Free Download / Stream: http://bit.ly/2AHA5G9 Music promoted by Audio Library https://youtu.be/hiYs5z4xdBUAbout UsSince well before Victor Hugo looked up at Notre Dame and thought, "Huh... what if a hunchback lived in there?" authors have been inspired by Paris. The Storytime in Paris podcast will help keep this tradition alive with short interviews and readings from your favorite contemporary authors with a French connection. Every episode will feature five questions, asked by you, our authors' biggest fans, and answered live on air. Then, our authors will treat us to a reading of an excerpt from their book. Who knows? Maybe you'll even be inspired to write your own Great French Novel. Happy listening!
Today we are joined by Douglas Booth, Dean of Adventure, Culinary Arts and Tourism at Thompson Rivers University in British Columbia, Canada and Professor Emeritus at the University of Otago. He is also the author of Bondi Beach: Representations of an Iconic Australian (Palgrave MacMillan, 2022). In our conversation, we discussed the geological and climatological origins of Bondi Beach; the contested histories of iconic Australian archetypes such as surf bathers, surf life savers, and surf boarders; and what it might mean to write an autobiography of Bondi Beach. In Bondi Beach, Booth works across the boundaries of the social and physical sciences, encompassing anthropology, geography, geology, history, and hydrology. In the first two chapters of the book, he critically assesses the role of sand and storms as actors in shaping the beach, which only arose in its current instantiation 6,500 years ago. Current debates over the shape of the beach can take the “natural” as desirable, but as Booth shows in his chapters “Nature and Culture” and “Pavilion,” powerful civic forces can also help to remake the environment to suit human needs. When it comes to the beach, Booth seems to argue that the only constant is change. His chapters on the Eora (Indigenous Australians) and Berewalgal (European settler-colonists) trace the changes in beach use. Contrary to later colonial officials' assertions, the Eora did not leave Bondi barren, nor was their use of the land static, but instead Indigenous Australians use of the land altered in response to the environment and the development of new fishing and manufacturing techniques. Eora and Berewalgal people possessed different ontological understandings of their relationship to the country. Indigenous Australians saw themselves as part of the land and as a consequence worked within its homeostatic limits. Settler-colonial people saw their role as one of management and consequently they sought policies to make the land more useful from an economic point of view, causing significant changes to the geographic and social landscape of the Bondi-Rose Bay Valley. Booth's work challenges assumptions that underpin the historical discipline: how do we recapture the past, what facts do we include and what do we leave out, and how do organize our histories into narratives. His chapters on avatars of Australian beach culture: surf bathers, surf life savers, and surf boarders simultaneously highlight the impossibility of writing origins stories while they also highlight the various narrative possibilities of different mythological types. There is no single authoritative history of surfing in Bondi – but it is open to numerous story arcs: surfers as heroes or victims, surfers as environmental crusaders or landscape devastators, and surfers as counter-cultural icons or social problems. In his last chapter, “Autobiography” Booth writes a biography from the perspective of Bondi Beach. This “autobiography” is of Booth's imagination, but it's daring narrative form offers new possibilities for thinking through what the natural environment might think of man's stewardship of space. Booth's work has broad appeal – clearly of interest to people who are focused on sports studies, but also broadly to scholars from a range of fields, both physical and social sciences, who want to re-think the assumptions of our disciplines. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by Douglas Booth, Dean of Adventure, Culinary Arts and Tourism at Thompson Rivers University in British Columbia, Canada and Professor Emeritus at the University of Otago. He is also the author of Bondi Beach: Representations of an Iconic Australian (Palgrave MacMillan, 2022). In our conversation, we discussed the geological and climatological origins of Bondi Beach; the contested histories of iconic Australian archetypes such as surf bathers, surf life savers, and surf boarders; and what it might mean to write an autobiography of Bondi Beach. In Bondi Beach, Booth works across the boundaries of the social and physical sciences, encompassing anthropology, geography, geology, history, and hydrology. In the first two chapters of the book, he critically assesses the role of sand and storms as actors in shaping the beach, which only arose in its current instantiation 6,500 years ago. Current debates over the shape of the beach can take the “natural” as desirable, but as Booth shows in his chapters “Nature and Culture” and “Pavilion,” powerful civic forces can also help to remake the environment to suit human needs. When it comes to the beach, Booth seems to argue that the only constant is change. His chapters on the Eora (Indigenous Australians) and Berewalgal (European settler-colonists) trace the changes in beach use. Contrary to later colonial officials' assertions, the Eora did not leave Bondi barren, nor was their use of the land static, but instead Indigenous Australians use of the land altered in response to the environment and the development of new fishing and manufacturing techniques. Eora and Berewalgal people possessed different ontological understandings of their relationship to the country. Indigenous Australians saw themselves as part of the land and as a consequence worked within its homeostatic limits. Settler-colonial people saw their role as one of management and consequently they sought policies to make the land more useful from an economic point of view, causing significant changes to the geographic and social landscape of the Bondi-Rose Bay Valley. Booth's work challenges assumptions that underpin the historical discipline: how do we recapture the past, what facts do we include and what do we leave out, and how do organize our histories into narratives. His chapters on avatars of Australian beach culture: surf bathers, surf life savers, and surf boarders simultaneously highlight the impossibility of writing origins stories while they also highlight the various narrative possibilities of different mythological types. There is no single authoritative history of surfing in Bondi – but it is open to numerous story arcs: surfers as heroes or victims, surfers as environmental crusaders or landscape devastators, and surfers as counter-cultural icons or social problems. In his last chapter, “Autobiography” Booth writes a biography from the perspective of Bondi Beach. This “autobiography” is of Booth's imagination, but it's daring narrative form offers new possibilities for thinking through what the natural environment might think of man's stewardship of space. Booth's work has broad appeal – clearly of interest to people who are focused on sports studies, but also broadly to scholars from a range of fields, both physical and social sciences, who want to re-think the assumptions of our disciplines. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports
Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Today we are joined by Dr. Shannon Walsh, Associate Professor of Theatre History, and author of Eugenics and Physical Culture Performance in the Progressive Era: Watch Whiteness Workout (Palgrave MacMillan, 2020). In our conversation, we discussed the origins of women's physical culture in the United States, the role that physical culture reformers played in producing femininity and whiteness, and the possibilities for anti-racist and anti-sexist sport to reconceptualize the white supremist roots of American athleticism. In Eugenics and Physical Culture Performance in the Progressive Era, Walsh traces the beginnings of reform era physical culture, paying special attention to the way that physical culturists attempted to shape women's bodies. She argues that their efforts hinged on using exercise to produce femininity and whiteness and that they prefigured the larger eugenic movements aimed at perpetuating the white race later in the 20th century. In each chapter she looks at different physical culturists or physical cultural movement. Her second chapter looks at Steele MacKaye and Americanised Delsarte, a physical cultural practice that combined acting, dance and exercise. Her third chapter focuses on Dudley Allen Sargent and mimetic workouts that introduced working class motions – for example wood chopping - to middle and upper-middle class men and women at Ivy League colleges. The fourth and fifth chapter work together to unpack the complicated position of women's physical culture, femininity and motherhood. In chapter four, Walsh shows how Abby Shaw Mayhew and the YWCA articulated a genre of motherhood, which Walsh calls “social motherhood,” that reframed women's exercise as domestic and maternal rather than grotesque and masculine. In the fifth chapter, Walsh examines Bernarr MacFadden – the Barnum of physical culture – to showcases the places where advertising, motherhood, and women's exercise came into explicit contact. Relying on a close reading of physical culture through critical theory, these main chapters trace the intersections between exercise, femininity, motherhood, race and social class, to illustrate how debates over these issues helped to produce whiteness. Whether they were in elite educational institutions in the Northeast, Midwestern metropolises like Minneapolis, or travelling around the country these experts helped to code physical culture as specifically as womanly, middle class, white, and ultimately as unremarkable. He final body chapter, chapter six, looks at physical culture for indigenous women in three sites: the Odanah Mission School, the Model Indian School at the Louisiana Purchase Exposition in St. Louis, and the Standing Rock Indian Reservation. Unlike their white counterparts, indigenous women were not offered significant opportunities for physical exercise and if they were it was only for the purpose of assimilation. Unsurprisingly, many indigenous girls and women challenged those expectations and were successful athletes. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports
Today we are joined by Dr. Samir Chopra, Professor of Philosophy at Brooklyn College and the Graduate Center of the City University of New York and author of The Evolution of a Cricket Fan: My Shapeshifting Journey (Temple University Press, 2021). In our conversation, we discussed how Chopra became an Indian cricket fan, the unique role that cricket plays in immigrant South Asian communities in Australia and the United States, the scholarly legacy of CLR James Beyond a Boundary, and the future of global cricket since the 1980s. In The Evolution of a Cricket Fan, Chopra mixes autobiography, ethnography, memoir, exile literature, and philosophy to better understand and explain how cricket helped him recognize and reshape his own post-colonial and immigrant identity. In the process, he also shows how cricket speaks to larger global patterns such as the tension between colonialism and post-coloniality in and outside of India, the interplay of the local and the national in the subcontinent, and transcendent and ephemeral qualities of live sporting events for fans of all stripes. Chopra's compelling work proceeds roughly chronologically recounting the experiences of a young, Indian self-avowed cricket tragic and his relationship with his own sense of identity from the 1970s until the present. In his first chapter, he tells us about his “perverse” attraction to English, Australian, and even Pakistani cricket, and his rejection of the Indian cricket team. Over the next several chapters, Chopra exhumes and examines the moments that helped bring him back to Indian cricket fandom as well as those that helped to moderate his ultimate cricket nationalism. The pathway is winding and defies easy explanation: English biases against Pakistani cricketeers lead him to a more critical view of those same English authors' attacks on Indian players. He learns to appreciate his own national identity through the local even as his Punjabi background complicates the easy adoption of any Hindu nationalism. India's victory in the 1983 World Cup helps him reclaim the Indian team but he struggles with the space between the genteel image of cricket he idolizes and its aggressive expression in Indian, Pakistani, Australian, and English players and fans. The latter chapters detail his life after he leaves India – living first in New Jersey, afterward Sydney, Australia, and finally back in New York City. These sections are animated by cricket's absence and presence. In the US, Chopra despairs cricket's invisibility and to see it, he goes to great lengths (and sometimes great distances) to watch matches. This brings him face-to-face with many Pakistani cricket fans doing the same thing and he discovers comity and confrontation, if not in equal parts. He also becomes a devotee of the early internet, discovering cricket conversations and participating avidly in them. They reflect a new and more democratic (and even at times particularly South Asian) expression of the game. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Today we are joined by Dr. Samir Chopra, Professor of Philosophy at Brooklyn College and the Graduate Center of the City University of New York and author of The Evolution of a Cricket Fan: My Shapeshifting Journey (Temple University Press, 2021). In our conversation, we discussed how Chopra became an Indian cricket fan, the unique role that cricket plays in immigrant South Asian communities in Australia and the United States, the scholarly legacy of CLR James Beyond a Boundary, and the future of global cricket since the 1980s. In The Evolution of a Cricket Fan, Chopra mixes autobiography, ethnography, memoir, exile literature, and philosophy to better understand and explain how cricket helped him recognize and reshape his own post-colonial and immigrant identity. In the process, he also shows how cricket speaks to larger global patterns such as the tension between colonialism and post-coloniality in and outside of India, the interplay of the local and the national in the subcontinent, and transcendent and ephemeral qualities of live sporting events for fans of all stripes. Chopra's compelling work proceeds roughly chronologically recounting the experiences of a young, Indian self-avowed cricket tragic and his relationship with his own sense of identity from the 1970s until the present. In his first chapter, he tells us about his “perverse” attraction to English, Australian, and even Pakistani cricket, and his rejection of the Indian cricket team. Over the next several chapters, Chopra exhumes and examines the moments that helped bring him back to Indian cricket fandom as well as those that helped to moderate his ultimate cricket nationalism. The pathway is winding and defies easy explanation: English biases against Pakistani cricketeers lead him to a more critical view of those same English authors' attacks on Indian players. He learns to appreciate his own national identity through the local even as his Punjabi background complicates the easy adoption of any Hindu nationalism. India's victory in the 1983 World Cup helps him reclaim the Indian team but he struggles with the space between the genteel image of cricket he idolizes and its aggressive expression in Indian, Pakistani, Australian, and English players and fans. The latter chapters detail his life after he leaves India – living first in New Jersey, afterward Sydney, Australia, and finally back in New York City. These sections are animated by cricket's absence and presence. In the US, Chopra despairs cricket's invisibility and to see it, he goes to great lengths (and sometimes great distances) to watch matches. This brings him face-to-face with many Pakistani cricket fans doing the same thing and he discovers comity and confrontation, if not in equal parts. He also becomes a devotee of the early internet, discovering cricket conversations and participating avidly in them. They reflect a new and more democratic (and even at times particularly South Asian) expression of the game. Keith Rathbone is a Senior Lecturer at Macquarie University in Sydney, Australia. He researches twentieth-century French social and cultural history. His book, entitled Sport and physical culture in Occupied France: Authoritarianism, agency, and everyday life, (Manchester University Press, 2022) examines physical education and sports in order to better understand civic life under the dual authoritarian systems of the German Occupation and the Vichy Regime. If you have a title to suggest for this podcast, please contact him at keith.rathbone@mq.edu.au and follow him at @keithrathbone on twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sports